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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:33,134 --> 00:00:36,504 [chatter] 2 00:00:49,850 --> 00:00:52,486 THERE HE IS. 3 00:00:54,522 --> 00:00:57,525 [overlapping chatter] 4 00:01:02,796 --> 00:01:04,832 MAKE A NICE, NEAT LINE, 5 00:01:04,865 --> 00:01:07,801 AND I'LL BE WITH YOU IN A MINUTE. 6 00:01:11,872 --> 00:01:14,475 YOU'VE GOT TO DO SOMETHING. 7 00:01:14,508 --> 00:01:17,511 [clamoring continues] 8 00:01:42,770 --> 00:01:45,639 OKAY, YOU CAN COME IN NOW. 9 00:01:45,673 --> 00:01:48,876 ONE AT A TIME, PLEASE. 10 00:01:48,909 --> 00:01:53,781 MAKE A NICE LINE, ORDERLY, AND BE KIND. BE NICE. 11 00:01:53,814 --> 00:01:55,583 WHAT ABOUT MY PAINT JOB? 12 00:01:55,616 --> 00:01:58,719 MR. BILLINGS, YOU'RE TALKING ABOUT A MAJOR IMPROVEMENT. 13 00:01:58,752 --> 00:01:59,720 IT WOULD BE UP TO THE OWNER. 14 00:01:59,753 --> 00:02:01,855 OH, IT'S ALWAYS UP TO THE OWNER. 15 00:02:01,889 --> 00:02:03,557 I HAVE COCKROACHES. 16 00:02:03,591 --> 00:02:04,392 NO, YOU DON'T. 17 00:02:04,425 --> 00:02:06,660 IN NEW YORK, THEY HAVE COCKROACHES. 18 00:02:06,694 --> 00:02:09,163 HERE WE HAVE PALMETTOS, AND THEY'RE HARMLESS. 19 00:02:09,197 --> 00:02:13,467 MY LITTLE GRANDDAUGHTER, VERY PLACID, VERY QUIET, 20 00:02:13,501 --> 00:02:17,471 NEVER TALKS ABOVE A WHISPER, TIPTOES WHEN SHE WALKS. 21 00:02:17,505 --> 00:02:20,341 ADORABLE, NO? NO. 22 00:02:20,374 --> 00:02:23,444 LOOK, JUST FOR TWO DAYS WHILE HER MOTHER GOES TO VISIT HER... 23 00:02:23,477 --> 00:02:25,546 MRS. DAVIS, RULES ARE RULES. 24 00:02:25,579 --> 00:02:28,816 AND AT GRAND MANOR, THE RULES ARE NO CHILDREN, 25 00:02:28,849 --> 00:02:31,919 NO PETS, AND NO UNNECESSARY REPAIRS OR EXPENSES. 26 00:02:31,952 --> 00:02:34,755 I'M NOT ASKING FOR UNNECESSARY REPAIRS. 27 00:02:34,788 --> 00:02:36,524 IT'S AN EMERGENCY. WHAT CAN I TELL YOU, MRS. DAVIS? 28 00:02:36,557 --> 00:02:38,459 NO CHILDREN MEANS NO CHILDREN. 29 00:02:38,492 --> 00:02:40,894 IF I'VE HEARD IT ONCE, I'VE HEARD IT A MILLION TIMES. 30 00:02:40,928 --> 00:02:42,730 THE OWNER HAS SAID THEY'RE VERY CUTE WHEN THEY'RE LITTLE, 31 00:02:42,763 --> 00:02:43,731 BUT WHEN THEY GROW UP... 32 00:02:43,764 --> 00:02:47,468 THAT SAYING IS FOR KITTENS! 33 00:02:47,501 --> 00:02:48,769 I CAN'T BELIEVE IT! 34 00:02:48,802 --> 00:02:50,971 AFTER ALL WE'VE MEANT TO EACH OTHER, 35 00:02:51,004 --> 00:02:52,606 YOU WOULD ACTUALLY EVICT ME 36 00:02:52,640 --> 00:02:54,842 FOR KEEPING A PARAKEET IN MY ROOM? 37 00:02:54,875 --> 00:02:57,478 SWEETHEART, IF I LET YOU KEEP A PARAKEET, 38 00:02:57,511 --> 00:02:59,480 I'D HAVE TO LET EVERYBODY ELSE KEEP A PARAKEET, 39 00:02:59,513 --> 00:03:01,849 AND THIS IS NOT A BIRD SANCTUARY. 40 00:03:01,882 --> 00:03:03,684 IT'S AN APARTMENT HOUSE. 41 00:03:03,717 --> 00:03:05,553 HONEY, HE'S ONLY FOLLOWING RULES. 42 00:03:05,586 --> 00:03:07,621 IF YOU WANT TO BLAME SOMEONE, 43 00:03:07,655 --> 00:03:08,656 BLAME THE ROTTEN OWNER. 44 00:03:08,689 --> 00:03:09,857 (woman) HE IS THE ROTTEN OWNER. 45 00:03:09,890 --> 00:03:11,425 WELL, THAT'S ALL FOR NOW, FOLKS. 46 00:03:11,459 --> 00:03:12,760 I HAVE AN IMPORTANT APPOINTMENT OUTSIDE. 47 00:03:12,793 --> 00:03:14,027 EXCUSE ME. 48 00:03:14,061 --> 00:03:16,864 MR. GARRONE, IS THAT YOU? I WANT TO TALK TO YOU! 49 00:03:16,897 --> 00:03:18,666 MR. GARRONE! 50 00:03:18,699 --> 00:03:21,602 IT'S BEEN TWO MONTHS, AND I WANT MY RENT 51 00:03:21,635 --> 00:03:24,472 OR I'M GONNA TAKE YOUR APARTMENT, MR. GARRONE! 52 00:03:24,505 --> 00:03:25,806 I WANT IT BACK! I WANT MY RENT, MR. GARRONE! 53 00:03:25,839 --> 00:03:27,875 YOUR RENT IS DUE. 54 00:03:27,908 --> 00:03:29,377 I'M GONNA HAVE TO TAKE STEPS! 55 00:03:29,410 --> 00:03:31,879 MISTER, WOULD YOU CROSS ME? 56 00:03:31,912 --> 00:03:34,014 OUT OF MY WAY, OLD LA... AAH! 57 00:03:34,047 --> 00:03:35,916 [thud] 58 00:03:35,949 --> 00:03:38,952 [chatter] 59 00:03:47,895 --> 00:03:50,731 ♪ HARE KRISHNA 60 00:03:50,764 --> 00:03:53,734 ♪ KRISHNA KRISHNA 61 00:03:53,767 --> 00:03:56,470 ♪ HARE HARE 62 00:03:56,504 --> 00:04:01,775 ♪ HARE RAMA, HARE RAMA ♪ 63 00:04:01,809 --> 00:04:04,678 ♪ RAMA RAMA 64 00:04:04,712 --> 00:04:05,779 ♪ HARE HARE ♪ 65 00:04:05,813 --> 00:04:07,615 [thunder] 66 00:04:07,648 --> 00:04:11,885 [woman screaming] 67 00:04:11,919 --> 00:04:13,887 [screams] 68 00:04:13,921 --> 00:04:18,726 [all screaming] 69 00:04:28,569 --> 00:04:31,539 [ominous music] 70 00:04:31,572 --> 00:04:39,580 ♪ 71 00:04:42,450 --> 00:04:46,454 [wailing and shouting] 72 00:05:06,807 --> 00:05:08,742 I'M HAVING A BAD DREAM. 73 00:05:08,776 --> 00:05:11,945 I'M HAVING A BAD DREAM. 74 00:05:16,717 --> 00:05:19,019 I'M HAVING A BAD DREAM. 75 00:05:19,052 --> 00:05:21,889 I'M... I'M... 76 00:05:24,825 --> 00:05:27,528 BARNEY SATIN, 77 00:05:27,561 --> 00:05:28,962 SOULS MANAGER. 78 00:05:28,996 --> 00:05:33,000 ON BEHALF OF GREGORY, 79 00:05:33,033 --> 00:05:34,868 JULIAN, 80 00:05:34,902 --> 00:05:37,037 VERONICA, 81 00:05:37,070 --> 00:05:40,408 PAUL, AND LANCE, 82 00:05:40,441 --> 00:05:43,811 AND OUR ESTEEMED CHAIRMAN, 83 00:05:43,844 --> 00:05:47,948 WELCOME TO HELL. 84 00:05:50,451 --> 00:05:53,821 BUT... BUT I'M NOT DEAD. 85 00:05:55,556 --> 00:06:00,428 SEE? SEE? 86 00:06:02,963 --> 00:06:04,798 I'M NOT DEAD. 87 00:06:06,934 --> 00:06:09,637 NO, WAIT, WAIT! WAIT, WAIT, WAIT, WAIT! WAIT A MINUTE! 88 00:06:09,670 --> 00:06:10,704 NO, WAIT, HOLD EVERYTHING! 89 00:06:10,738 --> 00:06:13,707 YOU'RE MAKING A TERRIBLE MISTAKE. 90 00:06:13,741 --> 00:06:14,742 I DON'T BELONG HERE. 91 00:06:14,775 --> 00:06:15,943 I-I'VE NEVER DONE ANYTHING. 92 00:06:15,976 --> 00:06:18,045 (deep, booming voice) MAXWELL HARVEY DEVLIN, 93 00:06:18,078 --> 00:06:20,681 FOR CHEATING IN FOURTH GRADE SPELLING TEST, 94 00:06:20,714 --> 00:06:23,984 FOR MISREPRESENTING HIS AGE AT THE LOCAL MOVIE HOUSE, 95 00:06:24,017 --> 00:06:25,218 PRANK PHONE CALLS, 96 00:06:25,252 --> 00:06:28,756 STEALING BUBBLEGUM FROM THE LOCAL SUPERMARKET, 97 00:06:28,789 --> 00:06:31,825 DITCHING AN UGLY BLIND DATE... 98 00:06:31,859 --> 00:06:34,495 THESE ARE TRIVIAL MISDEMEANORS. 99 00:06:34,528 --> 00:06:37,030 I'M AWARE OF THAT. 100 00:06:37,064 --> 00:06:40,468 THIS IS A NEW GAME PLAN, REMEMBER? 101 00:06:40,501 --> 00:06:46,940 NOW IF YOU'LL JUST BEAR WITH ME, MR. CHAIRMAN, SIR. 102 00:06:46,974 --> 00:06:50,210 (deep, booming voice) FOR FRAUDULENT INCOME TAX DEDUCTIONS... 103 00:06:50,243 --> 00:06:51,545 BUT EVERYBODY DOES THAT. 104 00:06:51,579 --> 00:06:52,613 (deep, booming voice) FOR FAILING TO FOLLOW THROUGH 105 00:06:52,646 --> 00:06:55,516 ON INNUMERABLE REAL ESTATE PROMISES, 106 00:06:55,549 --> 00:06:58,919 FOR FAILING TO FOLLOW THROUGH ON 11 PROMISES OF MARRIAGE... 107 00:06:58,952 --> 00:07:00,854 BUT I'M NOT THE MARRYING KIND. 108 00:07:00,888 --> 00:07:05,526 I'M A-A-A PERENNIAL BACHELOR. 109 00:07:05,559 --> 00:07:08,529 (deep, booming voice) FOR FAILING TO ASSIST AGENT HARGRAVES... 110 00:07:08,562 --> 00:07:10,498 AGENT HARGRAVES? WHAT? WHO'S AGENT HARGRAVES? 111 00:07:10,531 --> 00:07:13,501 NOW LOOK, THIS IS ALL... THIS IS A MISTAKE! 112 00:07:13,534 --> 00:07:14,468 LOOK, I'VE NEVER HEARD 113 00:07:14,502 --> 00:07:16,003 OF ANY AGENT HARGRAVES BEFORE IN MY LIFE. 114 00:07:16,036 --> 00:07:17,037 [snaps fingers] 115 00:07:17,070 --> 00:07:18,672 AGENT HARGRAVES. 116 00:07:22,776 --> 00:07:25,846 THAT'S ENTRAPMENT! 117 00:07:25,879 --> 00:07:27,615 IT'S NOT FAIR! 118 00:07:27,648 --> 00:07:29,683 FAIR? 119 00:07:29,717 --> 00:07:32,653 ARE YOU FORGETTING WHERE YOU ARE? 120 00:07:32,686 --> 00:07:36,924 (deep, booming voice) MAX DEVLIN IS HEREBY CONDEMNED TO LEVEL FOUR. 121 00:07:36,957 --> 00:07:38,992 LEVEL FOUR? 122 00:07:39,026 --> 00:07:41,795 WHAT'S LEVEL FOUR? 123 00:07:41,829 --> 00:07:45,633 IT'S HORRIBLE. HORRIBLE. 124 00:07:45,666 --> 00:07:48,936 YOU'RE GONNA SEND ME SOMEPLACE HORRIBLE? 125 00:07:48,969 --> 00:07:49,937 UNLESS... 126 00:07:49,970 --> 00:07:53,707 UNLESS... UNLESS WHAT? WHAT?! 127 00:07:53,741 --> 00:07:57,711 WELL, LET'S SAY THAT WE CONDITIONALLY RESTORE YOU 128 00:07:57,745 --> 00:07:58,779 TO LIFE ON EARTH, 129 00:07:58,812 --> 00:08:03,684 SAY FOR A PERIOD OF, MMM, TWO MONTHS. 130 00:08:03,717 --> 00:08:08,922 IN THAT TIME, IF YOU COULD FIND THREE SOULS 131 00:08:08,956 --> 00:08:14,728 TO TAKE YOUR PLACE, YOU SIGN THEM. 132 00:08:14,762 --> 00:08:18,732 THEN, IF YOU DON'T, HMM... 133 00:08:18,766 --> 00:08:19,833 LET ME SEE. 134 00:08:19,867 --> 00:08:21,735 THERE'S JOE BASUTI. 135 00:08:21,769 --> 00:08:22,803 HE'S OUR SLUM LANDLORD. 136 00:08:22,836 --> 00:08:25,606 AND THERE'S A DOCTOR I KNOW 137 00:08:25,639 --> 00:08:27,741 WHO'S DEEPLY INTO MEDICAID FRAUD. 138 00:08:27,775 --> 00:08:33,246 AND OH, YEAH, A HIT MAN I KNOW IN VENICE. 139 00:08:33,280 --> 00:08:34,882 NO GOOD. 140 00:08:34,915 --> 00:08:37,785 NO, NO, NO, IT'S NOT VENICE, ITALY. 141 00:08:37,818 --> 00:08:42,623 IT'S VENICE, RIGHT HERE IN CALIFORNIA. 142 00:08:42,656 --> 00:08:44,324 NO GOOD. 143 00:08:44,357 --> 00:08:49,630 SOONER OR LATER, WE'LL GET THOSE PEOPLE ANYWAY. 144 00:08:49,663 --> 00:08:52,766 WHAT DID HE SAY? 145 00:08:52,800 --> 00:08:56,804 [imitating The Chairman] IT'S NO GOOD. 146 00:08:56,837 --> 00:09:00,774 WE GET THESE PEOPLES ANYWAYS. 147 00:09:00,808 --> 00:09:04,812 MR. DEVLIN, 148 00:09:04,845 --> 00:09:06,680 WHAT WE'RE LOOKING FOR 149 00:09:06,714 --> 00:09:08,949 IS FRESH, 150 00:09:08,982 --> 00:09:12,019 UNSULLIED INNOCENCE. 151 00:09:12,052 --> 00:09:15,689 OH. 152 00:09:15,723 --> 00:09:20,728 I DON'T THINK I KNOW TOO MANY PEOPLE LIKE THAT. 153 00:09:20,761 --> 00:09:22,830 ACTUALLY, I DON'T THINK I KNOW ANY. 154 00:09:22,863 --> 00:09:24,064 WHERE DO I FIND THEM? 155 00:09:24,097 --> 00:09:26,800 THEY'RE ALL OVER, UNFORTUNATELY. 156 00:09:26,834 --> 00:09:28,636 TO FACILITATE MATTERS, 157 00:09:28,669 --> 00:09:30,871 LET'S START WITH YOUR AREA. 158 00:09:30,904 --> 00:09:34,675 UNSULLIED INNOCENCE. 159 00:09:34,708 --> 00:09:37,277 L.A. 160 00:09:37,310 --> 00:09:39,780 GET THEM. 161 00:09:43,951 --> 00:09:48,656 YOU WANT ME TO CORRUPT THE SOULS OF LITTLE KIDS? 162 00:09:51,792 --> 00:09:56,063 SEE, I'VE NEVER BEEN MUCH ON KIDS. 163 00:09:56,096 --> 00:09:57,998 BUT THAT'S NOT A NICE THING. 164 00:09:58,031 --> 00:10:02,035 NEITHER IS LEVEL FOUR. 165 00:10:03,671 --> 00:10:05,238 WHERE DO I SIGN? 166 00:10:11,011 --> 00:10:14,982 [siren wails] 167 00:10:19,687 --> 00:10:22,656 [cheers] 168 00:10:22,690 --> 00:10:23,791 WHAT'S GOING ON HERE? 169 00:10:23,824 --> 00:10:26,960 Y-Y-YOU JUST GOT KILLED BY THIS BUS. 170 00:10:26,994 --> 00:10:29,429 YOU'RE OUT OF YOUR MIND. 171 00:10:29,462 --> 00:10:32,432 [chanting] 172 00:10:32,465 --> 00:10:38,005 ♪ 173 00:10:48,115 --> 00:10:50,250 (Barney) MIND IF I JOIN YOU? 174 00:10:51,985 --> 00:10:55,756 (Max) DO I KNOW YOU? 175 00:10:55,789 --> 00:10:56,924 D'YOU LIVE AROUND HERE? 176 00:10:56,957 --> 00:11:01,361 I MEAN... I MEAN, YOU LOOK VERY FAMILIAR. 177 00:11:03,330 --> 00:11:04,965 MY GOD. 178 00:11:04,998 --> 00:11:05,966 WHAT'LL IT BE? 179 00:11:05,999 --> 00:11:07,835 JUST GIVE ME A SECOND. 180 00:11:07,868 --> 00:11:10,971 WAIT A MINUTE. 181 00:11:11,004 --> 00:11:14,374 I SAID, "JUST GIVE ME A SECOND." 182 00:11:14,407 --> 00:11:16,710 WAIT A MINUTE. 183 00:11:16,744 --> 00:11:18,045 THIS IS CRAZY. 184 00:11:18,078 --> 00:11:19,813 I DON'T KNOW YOU. 185 00:11:19,847 --> 00:11:21,849 I DREAMED YOU. 186 00:11:21,882 --> 00:11:24,484 IT WAS NO DREAM, MAX. 187 00:11:24,517 --> 00:11:26,419 WHAT'S GOING ON HERE? 188 00:11:26,453 --> 00:11:27,220 HOW DO YOU KNOW MY NAME? 189 00:11:27,254 --> 00:11:30,090 I KNOW EVERYTHING ABOUT YOU, MAX. 190 00:11:30,123 --> 00:11:33,026 WELL, YOU WANNA ORDER OR NOT? 191 00:11:33,060 --> 00:11:36,830 UH, I'LL HAVE ANOTHER BLACK COFFEE. 192 00:11:36,864 --> 00:11:39,099 HEY, WAIT A MINUTE. WHAT ABOUT MY FRIEND HERE? 193 00:11:39,132 --> 00:11:41,835 (waiter) YOUR FRIEND? 194 00:11:41,869 --> 00:11:43,737 (Max) YEAH, YEAH. MY FRIEND. 195 00:11:43,771 --> 00:11:48,742 OKAY, TWO COFFEES. ONE FOR YOUR FRIEND. 196 00:11:48,776 --> 00:11:50,944 HE CAN'T SEE ME, MAX. 197 00:11:50,978 --> 00:11:52,780 WHAT ARE YOU TALKING ABOUT? 198 00:11:52,813 --> 00:11:54,114 ONLY YOU CAN SEE ME. 199 00:11:54,147 --> 00:11:56,483 (Max) YOU CRAZY. 200 00:11:56,516 --> 00:11:57,985 YOU CRAZY, YOU KNOW THAT? 201 00:11:58,018 --> 00:12:00,988 YOU MUST HAVE JUST ESCAPED FROM THE FUNNY HOUSE. 202 00:12:01,021 --> 00:12:03,356 [laughs] 203 00:12:03,390 --> 00:12:04,925 TWO COFFEES. ONE FOR YOUR FRIEND. 204 00:12:04,958 --> 00:12:05,926 (Max) HEY, DO YOU KNOW THIS GUY? 205 00:12:05,959 --> 00:12:06,927 YEAH, YEAH. I SEEN HIM AROUND. 206 00:12:06,960 --> 00:12:08,061 THAT'S WHAT I THOUGHT. 207 00:12:08,095 --> 00:12:10,363 ALL RIGHT, NOW, LOOK, YOU MAKE SURE TO PICK UP THE TAB. 208 00:12:10,397 --> 00:12:12,866 YOU SEE, I DON'T TRUST YOUR FRIEND. 209 00:12:12,900 --> 00:12:14,902 HE'S PUTTING YOU ON. HE CAN'T SEE ME. 210 00:12:14,935 --> 00:12:17,404 YOU'RE CRAZY! YOU'RE CRAZY! 211 00:12:17,437 --> 00:12:19,272 YOU KNOW... HEY, MAC! 212 00:12:19,306 --> 00:12:20,974 MAC, HE TELLS ME YOU CAN'T SEE HIM. 213 00:12:21,008 --> 00:12:24,544 LOOK, BUDDY, WHY DON'T YOU TAKE YOUR FRIEND AND LEAVE. 214 00:12:24,577 --> 00:12:26,847 I DON'T WANT TO HAVE TO CALL THE COPS. 215 00:12:26,880 --> 00:12:27,881 COPS? 216 00:12:27,915 --> 00:12:30,851 HE'S GONNA CALL THE COPS NOW. 217 00:12:30,884 --> 00:12:32,519 EVERYBODY'S CRAZY AROUND HERE. 218 00:12:32,552 --> 00:12:34,822 I'M GETTING OUT OF HERE. 219 00:12:34,855 --> 00:12:37,390 HEY, HEY, HEY, THAT'S $1.05 FOR THREE COFFEES. 220 00:12:37,424 --> 00:12:38,391 DON'T WORRY. I'M PAYING. 221 00:12:38,425 --> 00:12:40,427 ALL RIGHT. LET'S HAVE IT. 222 00:12:53,540 --> 00:12:54,975 OKAY, BUDDY. 223 00:12:55,008 --> 00:12:56,476 LET'S HAVE IT. 224 00:13:04,417 --> 00:13:06,820 LISTEN. A WEIRD THING... 225 00:13:06,854 --> 00:13:08,121 A WEIRD THING JUST HAPPENED. 226 00:13:08,155 --> 00:13:11,091 THERE'S THIS MIRROR BEHIND THE CASHIER. 227 00:13:11,124 --> 00:13:12,826 YOU'RE ONE OF US NOW. 228 00:13:12,860 --> 00:13:15,896 INHABITANTS OF HELL CAST NO REFLECTION. 229 00:13:21,568 --> 00:13:23,436 YOU REMEMBER THIS. 230 00:13:23,470 --> 00:13:24,938 OH, MY GOD. 231 00:13:24,972 --> 00:13:25,973 I WISH YOU WOULDN'T SAY THAT. 232 00:13:26,006 --> 00:13:28,508 I'M SORRY. YEAH. 233 00:13:28,541 --> 00:13:29,542 IT'S TRUE. 234 00:13:29,576 --> 00:13:31,111 I CAN'T BELIEVE IT. 235 00:13:31,144 --> 00:13:33,413 I CAN'T BELIEVE IT. WHY ME? 236 00:13:33,446 --> 00:13:34,614 I'M YOUNG. 237 00:13:34,647 --> 00:13:37,017 I WASN'T ANY WORSE THAN THE NEXT GUY. 238 00:13:37,050 --> 00:13:40,320 I MEAN, I WASN'T ALL BAD, WAS I? 239 00:13:40,353 --> 00:13:41,989 IT'S NOT FAIR. 240 00:13:42,022 --> 00:13:44,124 WHERE WERE YOU WHEN I NEEDED YOU? 241 00:13:44,157 --> 00:13:46,093 YEAH, WELL, YOU CAN'T BLAME HIM. 242 00:13:46,126 --> 00:13:47,594 I MEAN, YOU DID IT ALL YOURSELF. 243 00:13:47,627 --> 00:13:50,597 NOW IS THERE SOMEPLACE LESS PUBLIC WE COULD... 244 00:13:50,630 --> 00:13:53,967 WE HAVE THINGS TO DISCUSS BECAUSE TIME'S WASTING. 245 00:13:56,436 --> 00:14:00,007 ALL RIGHT, NOW, YOU... YOU OKAY? 246 00:14:00,040 --> 00:14:02,009 NOW, LOOK, LET'S SYNCHRONIZE OUR WATCHES. 247 00:14:02,042 --> 00:14:04,544 WHAT TIME DO YOU HAVE? 248 00:14:04,577 --> 00:14:06,579 WHO CARES? I'M DEAD. 249 00:14:06,613 --> 00:14:08,515 NO, CHEER UP NOW. YOU HAVE MIDNIGHT, 250 00:14:08,548 --> 00:14:10,383 MAY 15TH. 251 00:14:10,417 --> 00:14:14,654 I WANT SIGNED CONTRACTS OF THE THREE KIDS. 252 00:14:14,687 --> 00:14:16,389 OKAY. 253 00:14:16,423 --> 00:14:18,325 FOR STARTERS, WHO ARE THEY? 254 00:14:18,358 --> 00:14:21,962 WHAT ARE THEIR NAMES? HOW AM I GONNA MEET 'EM? 255 00:14:21,995 --> 00:14:24,597 CONCENTRATE. 256 00:14:24,631 --> 00:14:26,333 CONCENTRATE? 257 00:14:26,366 --> 00:14:27,367 CONCENTRATE. 258 00:14:27,400 --> 00:14:29,937 LIKE THE GIRL. SHE'S YOUR TARGET. 259 00:14:29,970 --> 00:14:31,338 CONCENTRATE. 260 00:14:31,371 --> 00:14:33,440 LIKE THAT? 261 00:14:33,473 --> 00:14:35,408 YEAH. 262 00:14:35,442 --> 00:14:37,044 [twinkling sound] 263 00:14:37,077 --> 00:14:39,079 YEAH? YES. 264 00:14:41,081 --> 00:14:43,683 THIS IS PHENOMENAL. 265 00:14:43,716 --> 00:14:47,520 WOW. IT'S LIKE I GOT ESP OR SOMETHING. 266 00:14:47,554 --> 00:14:49,122 I GOT HER. I GOT HER. I CAN SEE HER. 267 00:14:49,156 --> 00:14:50,090 IT'S A LITTLE HAZY... 268 00:14:50,123 --> 00:14:51,992 WELL, WHAT DO YOU WANT FOR THE FIRST TIME OUT? 269 00:14:52,025 --> 00:14:53,393 WHY, THIS IS AMAZING. 270 00:14:53,426 --> 00:14:55,062 HEY, HOW CAN I BE THERE? HOW DO YOU DO THAT? 271 00:14:55,095 --> 00:14:57,664 SAME TECHNIQUE. 272 00:14:57,697 --> 00:15:01,301 YOU CONCENTRATE HARDER. 273 00:15:03,536 --> 00:15:08,008 LITERALLY THINK YOURSELF THERE. 274 00:15:08,041 --> 00:15:10,377 I HATE THE WAY I LOOK. 275 00:15:10,410 --> 00:15:11,611 NO, NO, YOU LOOK GREAT. 276 00:15:11,644 --> 00:15:13,513 I LOOK TERRIBLE. NO, YOU SHOULD SEE THE BACK. 277 00:15:13,546 --> 00:15:16,316 (Stella) I LOOK TERRIBLE. 278 00:15:16,349 --> 00:15:18,351 I CAN'T GET THE BACK. I CAN'T SEE ANYTHING. 279 00:15:18,385 --> 00:15:19,619 (Heidi) STELLA, YOU'RE GONNA BE TERRIFIC TONIGHT. 280 00:15:19,652 --> 00:15:20,620 (Stella) YEAH, SURE. 281 00:15:20,653 --> 00:15:21,621 OH, MY GOD. 282 00:15:21,654 --> 00:15:24,057 WHAT ARE YOU DOING IN HERE? 283 00:15:24,091 --> 00:15:25,158 IT'S QUITE ALL RIGHT. I-I'M... 284 00:15:25,192 --> 00:15:28,561 I'M VERY... I'M NOT REALLY HERE. 285 00:15:28,595 --> 00:15:30,063 EXCUSE ME. 286 00:15:30,097 --> 00:15:32,532 OH, WELL, COME... COME IN... IT'S... 287 00:15:35,535 --> 00:15:37,404 KINKY. 288 00:15:37,437 --> 00:15:38,405 OH, YEAH, BOY. 289 00:15:38,438 --> 00:15:42,409 BARNEY! 290 00:15:42,442 --> 00:15:45,312 IN THE LADIES' ROOM. FOR GOD'S S... 291 00:15:45,345 --> 00:15:46,413 PLEASE. 292 00:15:46,446 --> 00:15:48,515 IN THE LADIES' ROOM. 293 00:15:48,548 --> 00:15:51,084 NEXT TIME, YOU LOOK BEFORE YOU... 294 00:15:51,118 --> 00:15:52,085 LEAP. RIGHT. 295 00:15:52,119 --> 00:15:53,720 NEXT TIME, I LOOK BEFORE I LEAP. 296 00:15:53,753 --> 00:15:54,787 NOW... OH! 297 00:15:54,821 --> 00:15:59,159 NOW, FROM NOW ON, THIS, IN ORDER TO CONCENTRATE... 298 00:15:59,192 --> 00:16:00,360 BUT I THOUGHT... 299 00:16:00,393 --> 00:16:02,729 IT'S NOT NECESSARY. 300 00:16:02,762 --> 00:16:05,032 OKAY? 301 00:16:05,065 --> 00:16:08,168 ONE OF THE MOST VALUABLE OF YOUR NEWLY-ACQUIRED GIFTS 302 00:16:08,201 --> 00:16:11,404 IS TO CONFER MAGIC PROPERTIES, 303 00:16:11,438 --> 00:16:12,572 YOU SEE. 304 00:16:12,605 --> 00:16:14,007 NOW TO DO THAT, ALL YOU HAVE TO DO 305 00:16:14,041 --> 00:16:17,044 IS COMMAND YOUR TARGET TO PERFORM. 306 00:16:17,077 --> 00:16:18,478 PERFORM WHAT? 307 00:16:18,511 --> 00:16:19,779 WHATEVER. 308 00:16:19,812 --> 00:16:22,349 OH. YEAH. 309 00:16:22,382 --> 00:16:24,017 (man) THE AIR CONDITIONER'S ONE THE FRITZ AGAIN, 310 00:16:24,051 --> 00:16:25,385 AND IT'S HOTTER THAN HELL UP HERE. 311 00:16:25,418 --> 00:16:27,420 HA! 312 00:16:27,454 --> 00:16:29,022 HE DOESN'T KNOW HOW HOT IT IS. 313 00:16:29,056 --> 00:16:29,989 MAX, YOU BETTER GET MY SCREEN FIXED, 314 00:16:30,023 --> 00:16:32,059 THOSE PALMETTOS ARE COMING IN THE WINDOWS. 315 00:16:32,092 --> 00:16:33,593 THEY'RE ALL OVER THE PLACE. 316 00:16:33,626 --> 00:16:36,563 (second woman) MAX, MAX, I DON'T HAVE HOT OR COLD WATER. 317 00:16:36,596 --> 00:16:37,797 (Barney) I'M OVER HERE. 318 00:16:37,830 --> 00:16:39,699 (woman) PLEASE BE AN ANGEL AND FIX IT. 319 00:16:39,732 --> 00:16:42,001 WHAT AM I GONNA DO? I CAN'T WASH... 320 00:16:44,604 --> 00:16:46,706 MAGIC PROPERTY LASTS ONLY SO LONG 321 00:16:46,739 --> 00:16:50,510 AS YOU AND THE TARGET ARE WITHIN SIGHT OF EACH OTHER. 322 00:16:50,543 --> 00:16:52,812 WHAT HAPPENS TO THE KIDS AFTER THEY SIGN? 323 00:16:52,845 --> 00:16:53,946 NOTHING. 324 00:16:53,980 --> 00:16:57,450 WE DON'T GET THEM TILL THE NATURAL ENDS OF THEIR LIVES. 325 00:17:01,588 --> 00:17:03,823 [rock music] 326 00:17:03,856 --> 00:17:05,558 ♪ 327 00:17:05,592 --> 00:17:06,559 [gasps] 328 00:17:06,593 --> 00:17:07,827 HEY, ISN'T THAT THE HEAD A & OFF 329 00:17:07,860 --> 00:17:10,430 OF BLIZZARD RECORDS? 330 00:17:10,463 --> 00:17:11,664 (Stella) AH, MAN. 331 00:17:11,698 --> 00:17:13,833 WHAT I WOULDN'T GIVE NOT TO MESS UP NOW. 332 00:17:13,866 --> 00:17:16,103 YOU WON'T. YOU WON'T. WHAT DO YOU KNOW? 333 00:17:16,136 --> 00:17:17,604 HEY, THAT'S THE GUY FROM THE JOHN. 334 00:17:17,637 --> 00:17:18,838 HEY, DON'T COME NEAR ME, PAL. 335 00:17:18,871 --> 00:17:20,740 YOU LAY A HAND ON ME, AND I'LL SCREAM. 336 00:17:20,773 --> 00:17:23,443 OH, I'M GENUINELY SORRY ABOUT WHAT HAPPENED IN THE BATHROOM. 337 00:17:23,476 --> 00:17:24,677 IT WAS AN HONEST MISTAKE. 338 00:17:24,711 --> 00:17:27,414 I JUST WALKED THROUGH THE WRONG DOOR. 339 00:17:27,447 --> 00:17:28,781 HE DOESN'T SEEM LIKE A PERVERT, HEIDI. 340 00:17:28,815 --> 00:17:30,450 THANK YOU VERY MUCH. I'M NOT. 341 00:17:30,483 --> 00:17:32,185 BUT I AM VERY GOOD LUCK. 342 00:17:32,219 --> 00:17:38,425 AND I GUARANTEE, YOU WILL NOT FAIL TONIGHT. 343 00:17:38,458 --> 00:17:45,132 ♪ 344 00:17:45,165 --> 00:17:48,668 [applause] 345 00:17:51,538 --> 00:17:53,673 YOU'RE GONNA DO ALL RIGHT. NOW GO GET 'EM, STELLA. 346 00:17:53,706 --> 00:17:54,607 [chatter] 347 00:17:54,641 --> 00:17:57,177 ALL RIGHT, NOW, TO SING HER OWN MATERIAL, 348 00:17:57,210 --> 00:17:59,679 THIS IS HER FIRST TIME NOW, FOLKS, 349 00:17:59,712 --> 00:18:03,450 SO LET'S HAVE A WARM WELCOME FOR MISS STELLA SUMMERS. 350 00:18:03,483 --> 00:18:06,586 COME ON. [applause] 351 00:18:13,693 --> 00:18:15,495 HI. 352 00:18:15,528 --> 00:18:20,133 IN, UM, IN TOPANGA CANYON, UH, WHERE I COME FROM, 353 00:18:20,167 --> 00:18:22,669 THE LIVING... THE LIVING'S REAL EASY 354 00:18:22,702 --> 00:18:24,471 'CAUSE EVERYBODY'S FOLKS 355 00:18:24,504 --> 00:18:26,639 KINDA LET THEM DO THEIR OWN THING, 356 00:18:26,673 --> 00:18:29,376 WHICH IS WHY I'M GLAD I COME FROM THERE. 357 00:18:29,409 --> 00:18:31,578 [chatter] 358 00:18:31,611 --> 00:18:35,548 UM, SO WHAT I'D LIKE TO DO RIGHT NOW 359 00:18:35,582 --> 00:18:40,420 IS SING TO YOU A TUNE THAT I... I WROTE THIS TUNE. 360 00:18:40,453 --> 00:18:42,822 AND I'D LIKE TO DEDICATE IT 361 00:18:42,855 --> 00:18:44,691 TO ALL THE KIDS AROUND THE COUNTRY 362 00:18:44,724 --> 00:18:48,561 WHO DON'T HAVE IT SO GOOD. 363 00:18:48,595 --> 00:18:51,564 [applause] WHOO! 364 00:18:51,598 --> 00:18:54,467 [piano plays] 365 00:18:54,501 --> 00:18:57,904 [weakly] ♪ OH, IT'S SO HARD 366 00:18:57,937 --> 00:18:59,372 ♪ SAYING... [clears throat] 367 00:18:59,406 --> 00:19:03,710 ♪ WHAT I NEED IN HERE [coughs] 368 00:19:03,743 --> 00:19:05,645 ♪ WHEN I KNOW IT MEANS [booing] 369 00:19:05,678 --> 00:19:08,581 ♪ THERE'S NO YOU 370 00:19:08,615 --> 00:19:12,852 [suddenly stronger] ♪ I'VE NEVER LOVED 371 00:19:12,885 --> 00:19:16,723 ♪ AND BEEN SO SURE OF IT 372 00:19:16,756 --> 00:19:17,657 WHAT HAPPENED? 373 00:19:17,690 --> 00:19:21,961 ♪ NOW I GUESS WE BOTH HAVE TO CHOOSE ♪ 374 00:19:21,994 --> 00:19:28,568 ♪ OH, YOU SAY FRIENDS, AND I SAY THAT'S NOT ENOUGH ♪ 375 00:19:28,601 --> 00:19:30,437 ♪ GIVE IT UP 376 00:19:30,470 --> 00:19:35,675 ♪ OH, I SAY LOVE IS, BUT IT IS JUST TOO MUCH ♪ 377 00:19:35,708 --> 00:19:37,610 ♪ FOR YOU TO TOUCH 378 00:19:37,644 --> 00:19:40,547 ♪ OH-OHH 379 00:19:40,580 --> 00:19:45,852 ♪ SAY GOOD-BYE 380 00:19:45,885 --> 00:19:48,855 ♪ ANY FOOL COULD SEE 381 00:19:48,888 --> 00:19:54,994 ♪ IT'S NOT ENOUGH FOR ME 382 00:19:55,027 --> 00:19:59,766 ♪ 383 00:19:59,799 --> 00:20:04,471 ♪ HERE ALL ALONE 384 00:20:04,504 --> 00:20:08,408 ♪ YES, I'M ALL GROWN-UP NOW 385 00:20:08,441 --> 00:20:12,779 ♪ WISH I DIDN'T HAVE TO BE SO STRONG ♪ 386 00:20:12,812 --> 00:20:14,547 ♪ 387 00:20:14,581 --> 00:20:18,685 ♪ SHOULD I GIVE IN 388 00:20:18,718 --> 00:20:22,589 ♪ AND SETTLE FOR THE MOMENT 389 00:20:22,622 --> 00:20:25,492 ♪ WHILE I HOPE THIS ROMANCE ♪ 390 00:20:25,525 --> 00:20:28,728 ♪ IS OHH... 391 00:20:28,761 --> 00:20:34,634 ♪ WHOA-OA, YOU SAY FRIENDS, AND I SAY THAT'S NOT ENOUGH ♪ 392 00:20:34,667 --> 00:20:35,968 ♪ GIVE IT UP 393 00:20:36,002 --> 00:20:41,608 ♪ OH, I SAY LOVE IS, BUT IT'S JUST TOO MUCH ♪ 394 00:20:41,641 --> 00:20:43,543 ♪ FOR YOU TO TOUCH 395 00:20:43,576 --> 00:20:47,880 ♪ OHH-OH! 396 00:20:47,914 --> 00:20:50,483 ♪ SAY GOOD-BYE 397 00:20:50,517 --> 00:20:54,487 ♪ ANY FOOL COULD SEE 398 00:20:54,521 --> 00:20:59,892 ♪ OH, YOU SAY FRIENDS, AND I SAY THAT'S NOT ENOUGH ♪ 399 00:20:59,926 --> 00:21:01,794 ♪ GIVE IT UP 400 00:21:01,828 --> 00:21:07,500 ♪ OH, I SAY LOVE IS, BUT IT'S JUST TOO MUCH ♪ 401 00:21:07,534 --> 00:21:08,635 ♪ FOR YOU TO TOUCH 402 00:21:08,668 --> 00:21:13,373 ♪ OHH 403 00:21:13,406 --> 00:21:15,908 ♪ SAY GOOD-BYE 404 00:21:15,942 --> 00:21:20,413 ♪ ANY FOOL COULD SEE 405 00:21:20,447 --> 00:21:23,883 ♪ THAT IT'S WHAT I NEED 406 00:21:23,916 --> 00:21:27,654 ♪ 'CAUSE I MUST BE FREE 407 00:21:27,687 --> 00:21:31,524 ♪ YES, IT'S TIME TO BELIEVE ♪ 408 00:21:31,558 --> 00:21:36,563 ♪ IN ME ♪ 409 00:21:49,942 --> 00:21:52,945 [cheers and applause] 410 00:21:58,585 --> 00:21:59,652 YEAH! 411 00:21:59,686 --> 00:22:01,788 WHOO! 412 00:22:06,826 --> 00:22:09,962 STELLA SUMMERS. 413 00:22:12,031 --> 00:22:13,666 JUST STICK WITH ME, KID. 414 00:22:13,700 --> 00:22:14,734 EXCUSE ME. YEAH? 415 00:22:14,767 --> 00:22:15,735 JERRY NADLER, A & R, 416 00:22:15,768 --> 00:22:16,703 BLIZZARD RECORDS. 417 00:22:16,736 --> 00:22:18,505 LISTEN, SWEETHEART, THAT WAS SHEER DYNAMITE. 418 00:22:18,538 --> 00:22:20,407 YOU GOT ANYTHING ON TAPE? NO. 419 00:22:20,440 --> 00:22:21,708 ALL RIGHT, LISTEN, WHAT I WANT YOU TO DO IS COME 420 00:22:21,741 --> 00:22:23,810 INTO THE PLACE, ANY TIME THAT'S CONVENIENT FOR YOU 421 00:22:23,843 --> 00:22:25,678 WE'LL LAY SOMETHING DOWN, OKAY? 422 00:22:25,712 --> 00:22:26,813 YEAH. HOW ABOUT NEXT WEEK? 423 00:22:26,846 --> 00:22:27,880 YEAH. OH! 424 00:22:27,914 --> 00:22:29,015 CAN HE COME? CAN HE COME? 425 00:22:29,048 --> 00:22:30,617 WHY, WHAT IS HE? YOUR MANAGER OR WHAT? 426 00:22:30,650 --> 00:22:33,853 SHE NEEDS ME. COME ON. THEY WANT YOU! 427 00:22:35,855 --> 00:22:36,823 WHO ARE YOU? 428 00:22:36,856 --> 00:22:39,759 I'M HER, UH, GROUPIE. 429 00:22:39,792 --> 00:22:42,395 GREAT. 430 00:22:42,429 --> 00:22:43,896 GREAT. 431 00:22:43,930 --> 00:22:46,899 [dramatic ominous music] 432 00:22:46,933 --> 00:22:53,406 ♪ 433 00:22:57,510 --> 00:23:01,013 NELSON, DARLING, IT'S 1:00 IN THE MORNING. 434 00:23:01,047 --> 00:23:02,615 WHAT'S KEEPING YOU UP SO LATE? 435 00:23:02,649 --> 00:23:04,784 UH, THE UCLA LAW REVIEW. 436 00:23:04,817 --> 00:23:05,985 IT'S FASCINATING. 437 00:23:06,018 --> 00:23:07,954 OH. THAT'S NICE, DEAR. 438 00:23:07,987 --> 00:23:09,622 WELL, GOOD NIGHT. 439 00:23:09,656 --> 00:23:10,690 GOOD NIGHT. 440 00:23:31,878 --> 00:23:33,846 COME ON. FORGET ABOUT HIM. 441 00:23:33,880 --> 00:23:34,981 AH, COME ON. 442 00:23:38,084 --> 00:23:40,219 JUST ONE QUICK LESSON. 443 00:23:40,252 --> 00:23:41,621 JUST FORGET IT, NERD. 444 00:23:41,654 --> 00:23:42,455 WHY? 445 00:23:42,489 --> 00:23:44,591 BECAUSE NERDS DON'T DO DANGEROUS STUFF. 446 00:23:44,624 --> 00:23:45,858 SUPPOSE YOU FELL OFF THE BIKE? 447 00:23:45,892 --> 00:23:47,660 YOUR DADDY'D SUE US. 448 00:23:47,694 --> 00:23:48,895 I'LL SIGN A WAIVER. 449 00:23:48,928 --> 00:23:50,897 FORGET IT. 450 00:24:03,009 --> 00:24:04,210 OH! 451 00:24:05,545 --> 00:24:07,046 UH, DO YOU TAKE BEGINNERS? 452 00:24:07,079 --> 00:24:09,616 DEPENDS ON HOW BADLY YOU WANNA LEARN. 453 00:24:09,649 --> 00:24:11,017 WHAT? WHAT? 454 00:24:11,050 --> 00:24:15,254 I SAID, IT DEPENDS ON HOW BADLY YOU WANNA LEARN. 455 00:24:15,287 --> 00:24:16,823 OH, A LOT. 456 00:24:16,856 --> 00:24:18,758 BECAUSE I WOULDN'T WANT TO DIVULGE 457 00:24:18,791 --> 00:24:20,793 MY EXPERTISE TO JUST ANYONE. 458 00:24:20,827 --> 00:24:22,662 YOU'VE GOT TO WANT IT SO BAD, 459 00:24:22,695 --> 00:24:25,264 I MEAN, SO BAD THAT YOU'D SELL YOUR SOUL FOR IT. 460 00:24:25,297 --> 00:24:27,233 WELL, I'M YOUR MAN. 461 00:24:27,266 --> 00:24:29,268 I MEAN, YOU KNOW, IT'S SUCH A WILD COINCIDENCE 462 00:24:29,301 --> 00:24:31,003 YOU JUST COMING ALONG LIKE THAT. 463 00:24:31,037 --> 00:24:32,605 HOP IN. 464 00:24:35,875 --> 00:24:36,843 MAX DEVLIN. 465 00:24:36,876 --> 00:24:38,210 NELSON NORDLINGER. HOW DO YOU DO? 466 00:24:38,244 --> 00:24:39,546 NICE MEETING YOU, NELSON. 467 00:24:39,579 --> 00:24:42,582 (Nerve) OH, IN SCHOOL, THEY JUST CALL ME NERD. 468 00:24:42,615 --> 00:24:47,253 (Max) INSENSITIVE BUMS. 469 00:24:47,286 --> 00:24:49,221 (Nerve) AREN'T YOU GONNA SHOW ME HOW FIRST? 470 00:24:49,255 --> 00:24:50,923 (Max) NAH, LEARNING BY DOING... THAT'S MY MOTTO. 471 00:24:50,957 --> 00:24:52,759 COME ON. GET ON, AND TAKE HER AWAY. 472 00:24:54,994 --> 00:24:58,665 WELL, MR. DEVLIN, YOU KNOW, THE WORST THING 473 00:24:58,698 --> 00:25:01,934 ABOUT BEING THE NERD IS JUST THAT YOU BEGIN 474 00:25:01,968 --> 00:25:04,003 TO BELIEVE THE LITANY OF DISASTER YOU WERE BROUGHT UP ON. 475 00:25:05,672 --> 00:25:07,874 TO PUT IT BLUNTLY, I'M SCARED TO GET ON THIS THING. 476 00:25:07,907 --> 00:25:09,075 OF COURSE YOU ARE. 477 00:25:09,108 --> 00:25:10,777 I CAN UNDERSTAND THAT. 478 00:25:10,810 --> 00:25:13,713 BUT SONNY BOY, I'M NOT YOUR RUN-OF-THE-MILL TRAINER. 479 00:25:13,746 --> 00:25:15,915 I HAVE WROUGHT MIRACLES IN MY DAY. 480 00:25:15,948 --> 00:25:17,650 YOU EVER HEARD OF ROGER DECOSTER? 481 00:25:17,684 --> 00:25:20,052 YOU TAUGHT ROGER DECOSTER? 482 00:25:20,086 --> 00:25:21,153 BY THE TIME I'M FINISHED WITH YOU, 483 00:25:21,187 --> 00:25:23,823 YOU'RE GONNA MAKE ROGER DECOSTER LOOK LIKE MOLASSES. 484 00:25:23,856 --> 00:25:25,725 YOU'RE GONNA BE THE MOTOCROSS CHAMP OF THE WORLD. 485 00:25:25,758 --> 00:25:26,525 NOW COME ON. 486 00:25:26,559 --> 00:25:28,761 MIRACLE MAX SAYS STEP ON THE STARTER. 487 00:25:33,900 --> 00:25:34,967 [engine starts] 488 00:25:35,001 --> 00:25:37,970 MIRACLE MAX SAYS YOU'RE GONNA RIDE ALL OVER THIS HILL, 489 00:25:38,004 --> 00:25:39,906 AND WHAT'S MORE, YOU'RE GONNA LIKE IT. 490 00:25:39,939 --> 00:25:41,674 TRY. 491 00:26:20,947 --> 00:26:22,949 JUST THOUGHT I'D REMIND YOU 492 00:26:22,982 --> 00:26:25,918 THAT THE MAGIC PROPERTY LASTS ONLY AS LONG 493 00:26:25,952 --> 00:26:30,256 AS YOU AND THE SUBJECT ARE WITHIN SIGHT OF EACH OTHER. 494 00:26:35,061 --> 00:26:38,297 HEY, COME BACK! 495 00:26:48,975 --> 00:26:51,277 YOU ALL RIGHT? 496 00:26:51,310 --> 00:26:52,278 YEAH. 497 00:26:52,311 --> 00:26:55,347 YOU DID PRETTY GOOD, CONSIDERING THE HUNK OF JUNK 498 00:26:55,381 --> 00:26:56,348 YOU WAS RIDING ON. 499 00:26:56,382 --> 00:26:59,085 WELL, THAT'S NOT MY HUNK OF JUNK. 500 00:26:59,118 --> 00:27:00,720 IT BELONGS TO MY TRAINER. 501 00:27:00,753 --> 00:27:01,854 IT DOES? 502 00:27:01,888 --> 00:27:03,322 WHAT KIND OF TRAINER'S LEARNING YOU 503 00:27:03,355 --> 00:27:05,725 ON A RATTLY TRAP OL' THING LIKE THAT? 504 00:27:05,758 --> 00:27:07,326 OH, WELL, SO LONG AS IT RUNS, I GUESS. 505 00:27:07,359 --> 00:27:08,795 HEY, I'LL TELL YOU WHAT, YOU COME ON OUT 506 00:27:08,828 --> 00:27:10,029 , 507 00:27:10,062 --> 00:27:11,731 I'D BE GLAD TO RACE AGAINST YOU PROPER. 508 00:27:11,764 --> 00:27:12,965 BIG BILLY HUNNIKER'S THE MONIKER. 509 00:27:12,999 --> 00:27:15,101 NERVE NORDLINGER. 510 00:27:15,134 --> 00:27:17,336 NERVE WITH A "V." 511 00:27:17,369 --> 00:27:19,305 BE SEEING YOU NOW. 512 00:27:24,711 --> 00:27:29,081 YOU STUPID, DUMB IDIOT! 513 00:27:29,115 --> 00:27:31,417 IT'S A MIRACLE YOU WEREN'T KILLED. 514 00:27:31,450 --> 00:27:33,285 LOOK, WHEN I SAID OVER THE HILL, 515 00:27:33,319 --> 00:27:34,954 I DIDN'T MEAN LITERALLY OVER THE HILL. 516 00:27:34,987 --> 00:27:36,956 NOW LET ME TELL YOU SOMETHING. 517 00:27:36,989 --> 00:27:38,357 HOW YOU CHOOSE TO ENDANGER YOUR LIFE 518 00:27:38,390 --> 00:27:40,359 IN YOUR SPARE TIME IS BEYOND MY CONTROL. 519 00:27:40,392 --> 00:27:42,461 BUT WHEN YOU'RE RIDING THIS BIKE, 520 00:27:42,494 --> 00:27:43,963 I NEVER WANT YOU OUT OF MY SIGHT. 521 00:27:43,996 --> 00:27:46,032 EVER! IS THAT CLEAR? 522 00:27:46,065 --> 00:27:49,401 NOW LET'S CRUISE, EASY AND NICE, BACK TO THE CAR. 523 00:27:49,435 --> 00:27:50,903 YEAH. 524 00:27:50,937 --> 00:27:53,072 OKAY. 525 00:27:53,105 --> 00:27:56,075 [carnival music] 526 00:27:56,108 --> 00:28:04,316 ♪ 527 00:28:09,956 --> 00:28:11,023 FOUR. 528 00:28:11,057 --> 00:28:12,759 NEXT. I'LL TAKE ONE. 529 00:28:12,792 --> 00:28:14,493 SORRY. 530 00:28:14,526 --> 00:28:16,362 NO CHILDREN UNDER 12 ARE PERMITTED WITHOUT AN ADULT. 531 00:28:16,395 --> 00:28:17,830 HE'S WITH ME. 532 00:28:17,864 --> 00:28:18,965 I'M HIS UNCLE MAX. 533 00:28:18,998 --> 00:28:20,867 MAKE THAT TWO, PLEASE? 534 00:28:20,900 --> 00:28:22,468 YEAH. TWO. 535 00:28:22,501 --> 00:28:24,370 THANK YOU VERY MUCH. 536 00:28:24,403 --> 00:28:25,404 NEXT. 537 00:28:28,908 --> 00:28:30,877 BY THE WAY, WHOSE THE UNCLE MAX AM I? 538 00:28:30,910 --> 00:28:31,878 TOBY'S. 539 00:28:31,911 --> 00:28:33,279 TOBY WHO? 540 00:28:33,312 --> 00:28:36,883 TOBY HART, AND THANKS A LOT FOR HELPING ME. 541 00:28:36,916 --> 00:28:38,350 MY PLEASURE. 542 00:28:51,297 --> 00:28:53,399 [riders scream] 543 00:29:12,518 --> 00:29:14,386 WELL, I'LL SEE YA, UNCLE MAX. 544 00:29:14,420 --> 00:29:15,454 THANKS AGAIN. 545 00:29:15,487 --> 00:29:16,455 WHAT DO YOU MEAN, YOU'LL SEE ME? 546 00:29:16,488 --> 00:29:18,090 I THOUGHT YOU WERE HAVING SUCH A GREAT TIME? 547 00:29:18,124 --> 00:29:20,860 UH, I AM, BUT I RAN OUT OF MONEY, SO. 548 00:29:20,893 --> 00:29:22,561 WHAT ARE YOU WORRIED ABOUT? I GOT PLENTY OF MONEY. 549 00:29:22,594 --> 00:29:23,963 THE NEXT ONE'S ON ME. 550 00:29:23,996 --> 00:29:25,397 REALLY? SURE. 551 00:29:25,431 --> 00:29:27,066 I FIGURE WE SPEND SOME TIME TOGETHER, 552 00:29:27,099 --> 00:29:28,000 GET TO KNOW ONE ANOTHER. 553 00:29:28,034 --> 00:29:30,302 I'LL FIND OUT THE KIND OF THINGS YOU LIKE, 554 00:29:30,336 --> 00:29:31,971 YOU'LL FIND OUT THE KIND OF THINGS I LIKE. 555 00:29:32,004 --> 00:29:34,306 FOR INSTANCE, TOBY, IF YOU COULD HAVE ANYTHING 556 00:29:34,340 --> 00:29:36,575 IN THE WHOLE WORLD, WHAT WOULD IT BE? 557 00:29:36,608 --> 00:29:38,277 TO DO THE OCTOPUS AGAIN. 558 00:29:38,310 --> 00:29:40,046 WELL, THAT'S NOT EXACTLY WHAT I HAD IN MIND. 559 00:29:40,079 --> 00:29:41,948 DON'T YOU LIKE THE OCTOPUS? 560 00:29:41,981 --> 00:29:44,316 BETTER THAN LIFE ITSELF, BUT WHAT I THOUGHT WAS 561 00:29:44,350 --> 00:29:46,318 THAT IF YOU AND ME GOT OUR HEADS TOGETHER... 562 00:29:50,556 --> 00:29:53,559 [screams of excitement] 563 00:30:04,503 --> 00:30:06,973 OKAY, SO YOU DON'T WANT 564 00:30:07,006 --> 00:30:08,841 TO BE THE BEST PITCHER IN YOUR CLASS. 565 00:30:08,875 --> 00:30:12,378 AND YOU DON'T WANT TO BE THE STRONGEST KID IN THE WORLD. 566 00:30:12,411 --> 00:30:14,380 AND YOU DON'T WANT TO BE THE LEAD SOPRANO 567 00:30:14,413 --> 00:30:16,415 IN THE VIENNA BOYS' CHOIR. 568 00:30:16,448 --> 00:30:18,550 THEN WHAT DO YOU WANT TO BE? 569 00:30:18,584 --> 00:30:20,419 HEY, I GOT IT, I GOT IT. 570 00:30:20,452 --> 00:30:22,354 I GOT IT. INVISIBLE! 571 00:30:22,388 --> 00:30:24,390 IF YOU WERE INVISIBLE, YOU COULD COME HERE ALL THE TIME 572 00:30:24,423 --> 00:30:25,591 AND RIDE THE RIDES FOR FREE. 573 00:30:25,624 --> 00:30:27,593 WOULDN'T THAT BE GREAT? 574 00:30:27,626 --> 00:30:31,030 WAIT. BUT WOULDN'T THAT BE CHEATING? 575 00:30:31,063 --> 00:30:33,065 YEAH. YOU'RE RIGHT. 576 00:30:35,034 --> 00:30:36,302 YOU WOULDN'T WANT TO CHEAT. 577 00:30:36,335 --> 00:30:39,005 WELL, TOBY, OLD PAL, OLD SPORT, 578 00:30:39,038 --> 00:30:42,875 ISN'T THERE SOMETHING YOU WANT THAT'S SO BIG 579 00:30:42,909 --> 00:30:45,411 AND SO TERRIFIC AND SO IMPORTANT 580 00:30:45,444 --> 00:30:48,981 THAT YOU'D... WELL, YOU'D PRACTICALLY SELL YOUR SOUL FOR? 581 00:30:49,015 --> 00:30:51,417 HMM. 582 00:30:51,450 --> 00:30:53,385 WELL, THERE IS ONE THING. 583 00:30:53,419 --> 00:30:55,922 WHAT? TO HAVE YOU FOR MY FATHER. 584 00:30:55,955 --> 00:30:59,491 WELL, WHAT'S THE MATTER WITH YOUR OWN FATHER? 585 00:30:59,525 --> 00:31:01,327 DEAD. 586 00:31:01,360 --> 00:31:03,495 OH. 587 00:31:03,529 --> 00:31:05,497 SAY, IF YOU WERE MY FATHER, 588 00:31:05,531 --> 00:31:07,133 I CAN GO TO THE CARNIVAL FOR FREE 589 00:31:07,166 --> 00:31:08,500 ANY TIME I WANT ANYWAYS. 590 00:31:08,534 --> 00:31:09,468 'CAUSE YOU'D BRING ME. 591 00:31:09,501 --> 00:31:14,006 IT'S ONLY A COUPLE BLOCKS FROM THE HOUSE. 592 00:31:14,040 --> 00:31:15,441 I LIVE RIGHT OVER HERE. COME ON. 593 00:31:15,474 --> 00:31:18,010 OH. OKAY. 594 00:31:18,044 --> 00:31:19,078 I MEAN, HOW DO YOU KNOW 595 00:31:19,111 --> 00:31:20,913 YOUR MOTHER WOULD WANT TO MARRY ME? 596 00:31:20,947 --> 00:31:22,381 SHE WILL. 597 00:31:22,414 --> 00:31:24,616 WHY WOULDN'T SHE? 598 00:31:24,650 --> 00:31:27,153 [chatter] 599 00:31:27,186 --> 00:31:29,521 ARE THOSE ALL YOUR LITTLE BROTHERS AND SISTERS 600 00:31:29,555 --> 00:31:31,390 AND THINGS? 601 00:31:31,423 --> 00:31:33,592 (Toby) NAH, THEY'RE PART OF MOM'S DAYCARE CENTER, 602 00:31:33,625 --> 00:31:35,061 WHICH YOU'D BE HELPING HER WITH. 603 00:31:35,094 --> 00:31:36,528 AH. 604 00:31:36,562 --> 00:31:38,364 OH, AND THAT'S MOM OVER THERE. 605 00:31:38,397 --> 00:31:41,700 SHE'S A NEAT LADY MOST OF THE TIME. 606 00:31:41,733 --> 00:31:43,702 THERE. 607 00:31:43,735 --> 00:31:45,938 OKAY. 608 00:31:52,044 --> 00:31:53,679 HI, MOM. 609 00:31:53,712 --> 00:31:55,414 TOBY. 610 00:31:55,447 --> 00:31:58,150 MR. MAX DEVLIN. 611 00:31:58,184 --> 00:32:00,152 PENNY HART. TADA. 612 00:32:00,186 --> 00:32:02,654 HOW COME YOU'RE SO LATE AND YOU'RE SO DIRTY? 613 00:32:06,125 --> 00:32:08,027 AND I ASKED YOU NOT TO WASTE YOUR MONEY 614 00:32:08,060 --> 00:32:09,028 IN THAT PLACE AGAIN. 615 00:32:09,061 --> 00:32:10,396 UNCLE MAX PAID. 616 00:32:10,429 --> 00:32:11,697 UNCLE MAX. 617 00:32:11,730 --> 00:32:14,133 HE'S OKAY. I FOUND OUT ALL ABOUT HIM. 618 00:32:14,166 --> 00:32:16,535 HE'S IN REAL ESTATE, 38 YEARS OLD, 619 00:32:16,568 --> 00:32:18,670 NOT MARRIED, AND LOVES LITTLE KIDS. 620 00:32:18,704 --> 00:32:19,671 OH, I'LL BET. 621 00:32:19,705 --> 00:32:22,408 LISTEN, TOBY, I AM NOT GETTING MARRIED AGAIN 622 00:32:22,441 --> 00:32:23,442 FOR A GOOD LONG TIME. 623 00:32:23,475 --> 00:32:24,643 IF EVER. 624 00:32:24,676 --> 00:32:26,312 SO STOP MATCHMAKING. 625 00:32:26,345 --> 00:32:28,614 ONE OF THESE DAYS, YOU'RE GONNA DRAG HOME A MURDERER. 626 00:32:28,647 --> 00:32:30,116 THIS IS PROBABLY THE DAY. 627 00:32:30,149 --> 00:32:32,518 OH, MOM, HE'S NICE. 628 00:32:32,551 --> 00:32:33,552 LOOK AT HIM. 629 00:32:34,486 --> 00:32:36,989 (Max) THE NAME OF THIS GAME 630 00:32:37,023 --> 00:32:38,124 IS NAMES. 631 00:32:39,525 --> 00:32:41,527 I'M MAX. 632 00:32:41,560 --> 00:32:43,529 I'M TREMAINE. 633 00:32:43,562 --> 00:32:44,530 (Max) GOOD. 634 00:32:44,563 --> 00:32:45,664 I'M SEAN. 635 00:32:45,697 --> 00:32:47,333 SEAN. 636 00:32:47,366 --> 00:32:48,500 I'M CHRISTIANA. 637 00:32:48,534 --> 00:32:49,635 OH. CHRISTIANA. 638 00:32:49,668 --> 00:32:51,570 (Jerry) STELLA. 639 00:32:51,603 --> 00:32:53,539 YEAH? LET'S TRY IT AGAIN, OKAY? 640 00:32:53,572 --> 00:32:56,008 OKAY, YEAH. I'LL DO GOOD THIS TIME. 641 00:32:56,042 --> 00:32:57,409 ROLL MUSIC. 642 00:32:57,443 --> 00:32:58,510 ROLL PLAYBACK. 643 00:32:58,544 --> 00:33:00,312 TAKE 41. 644 00:33:00,346 --> 00:33:08,787 ♪ 645 00:33:08,820 --> 00:33:12,524 [softly] ♪ OH, IT'S SO HARD 646 00:33:12,558 --> 00:33:17,063 ♪ JUST SAYING WHAT I NEED ♪ 647 00:33:17,096 --> 00:33:19,031 ♪ WHEN... [coughs] 648 00:33:19,065 --> 00:33:21,433 I'M SORRY. 649 00:33:21,467 --> 00:33:23,535 I CAN'T. I'M SORRY. 650 00:33:23,569 --> 00:33:25,171 I'M BLOWING IT. TAKE FIVE, STELLA. 651 00:33:25,204 --> 00:33:26,472 WE'LL COME BACK TO IT IN A MINUTE. 652 00:33:26,505 --> 00:33:28,174 CUT IT. 653 00:33:28,207 --> 00:33:29,341 I'M KATIE. 654 00:33:29,375 --> 00:33:30,709 HOW DO YOU DO? 655 00:33:30,742 --> 00:33:33,412 I'M MOE. MOE. 656 00:33:33,445 --> 00:33:34,746 I'M... I'M MARIE. 657 00:33:34,780 --> 00:33:35,747 OH MY GOODNESS. 658 00:33:35,781 --> 00:33:38,817 JULATA. JOY. 659 00:33:38,850 --> 00:33:40,319 STELLA! 660 00:33:40,352 --> 00:33:42,554 (kids) STELLA? 661 00:33:42,588 --> 00:33:43,555 [laughter] 662 00:33:43,589 --> 00:33:44,623 [phone rings] 663 00:33:44,656 --> 00:33:46,625 (kid) YOU'VE GOT TO USE YOUR HAND... 664 00:33:46,658 --> 00:33:47,826 TOBY, WATCH THAT MAN. 665 00:33:47,859 --> 00:33:49,761 I DON'T WANT HIM LEFT ALONE WITH THOSE KIDS FOR TWO SECONDS. 666 00:33:49,795 --> 00:33:51,330 HE LOOKS THOROUGHLY UNRELIABLE. 667 00:33:51,363 --> 00:33:52,698 HELLO? 668 00:33:52,731 --> 00:33:53,765 OH, OH, I'M SORRY. 669 00:33:53,799 --> 00:33:56,468 I CAN'T TALK RIGHT NOW. I'M REALLY BUSY. 670 00:33:56,502 --> 00:33:58,537 (all) MAX? MAX? 671 00:33:58,570 --> 00:34:01,540 COME OUT, COME OUT, WHEREVER YOU ARE. 672 00:34:01,573 --> 00:34:02,441 MAX! 673 00:34:02,474 --> 00:34:03,642 (Penny) OKAY, GOOD. THANKS. 674 00:34:03,675 --> 00:34:04,710 BUH-BYE. 675 00:34:04,743 --> 00:34:06,745 MOM. I TOLD YOU NOT TO LEAVE HIM ALONE WITH THEM. 676 00:34:06,778 --> 00:34:08,147 I DIDN'T. 677 00:34:08,180 --> 00:34:09,448 HE LEFT THEM ALONE. 678 00:34:09,481 --> 00:34:11,617 JUST WHAT I THOUGHT. THOROUGHLY UNRELIABLE. 679 00:34:11,650 --> 00:34:13,485 (kids) MAX! 680 00:34:16,722 --> 00:34:17,823 MAX? 681 00:34:17,856 --> 00:34:19,825 (kids) MAX! MAX! 682 00:34:19,858 --> 00:34:22,761 ♪ 683 00:34:22,794 --> 00:34:25,831 ♪ OH, IT'S SO HARD 684 00:34:25,864 --> 00:34:28,667 [coughs] 685 00:34:28,700 --> 00:34:30,369 I'M SORRY. I CAN'T. 686 00:34:30,402 --> 00:34:31,837 YES, YOU CAN. (Jerry) STOP THE MUSIC. 687 00:34:31,870 --> 00:34:33,339 WHERE'D HE COME FROM? 688 00:34:33,372 --> 00:34:35,707 I DON'T KNOW. 689 00:34:35,741 --> 00:34:37,143 LISTEN, MAX, WE'VE DONE IT 690 00:34:37,176 --> 00:34:38,677 42 TIMES ALREADY. 691 00:34:38,710 --> 00:34:41,813 YEAH, BUT YOU DIDN'T DO IT 42 TIMES WITH ME HERE, OKAY. 692 00:34:41,847 --> 00:34:43,449 STELLA. YEAH? 693 00:34:43,482 --> 00:34:45,184 LET'S GIVE 'EM A PERFECT TAKE, OKAY? 694 00:34:45,217 --> 00:34:47,186 OKAY. ALL RIGHT. OKAY, GUYS, START THE MUSIC. 695 00:34:47,219 --> 00:34:49,355 START THE MUSIC. 696 00:34:49,388 --> 00:34:51,357 ROLL PLAYBACK. 697 00:34:51,390 --> 00:34:53,392 TAKE 43. 698 00:34:53,425 --> 00:34:58,530 ♪ 699 00:34:58,564 --> 00:35:02,368 ♪ OH, IT'S SO HARD 700 00:35:02,401 --> 00:35:06,438 ♪ SAYING WHAT I NEED 701 00:35:06,472 --> 00:35:08,674 ♪ WHEN I KNOW THAT IT MEANS ♪ 702 00:35:08,707 --> 00:35:10,776 ♪ THERE'S NO YOU 703 00:35:10,809 --> 00:35:13,379 ♪ 704 00:35:13,412 --> 00:35:16,848 ♪ I'VE NEVER LOVED 705 00:35:16,882 --> 00:35:20,652 ♪ AND BEEN SO SURE OF IT 706 00:35:20,686 --> 00:35:21,820 ♪ NOW I GUESS WE BOTH HAVE TO CHOOSE ♪ 707 00:35:21,853 --> 00:35:23,889 WHAT HAPPENED? 708 00:35:23,922 --> 00:35:26,158 ♪ 709 00:35:26,192 --> 00:35:32,564 ♪ OH, YOU SAY FRIENDS, AND I SAY THAT'S NOT ENOUGH ♪ 710 00:35:32,598 --> 00:35:34,200 ♪ GIVE IT UP 711 00:35:34,233 --> 00:35:39,671 ♪ OH, I SAY LOVE IS, BUT IT IS JUST TOO MUCH ♪ 712 00:35:39,705 --> 00:35:41,573 ♪ FOR YOU TO TOUCH 713 00:35:41,607 --> 00:35:45,744 ♪ OH-OHH 714 00:35:45,777 --> 00:35:47,413 ♪ I SHOULD SAY GOOD-BYE 715 00:35:47,446 --> 00:35:52,818 ♪ ANY FOOL COULD SEE 716 00:35:52,851 --> 00:35:55,587 ♪ YOU SAY FRIENDS 717 00:35:55,621 --> 00:35:58,690 ♪ AND I SAY IT'S NOT ENOUGH ♪ 718 00:35:58,724 --> 00:35:59,891 PROMISED TO SIGN EVERY ALBUM 719 00:35:59,925 --> 00:36:01,360 YOU BUY HERE TODAY. 720 00:36:01,393 --> 00:36:02,394 YOU WON'T BELIEVE THIS. 721 00:36:02,428 --> 00:36:03,395 STELLA, LOOK. 722 00:36:03,429 --> 00:36:05,497 NUMBER 28. 723 00:36:07,499 --> 00:36:08,667 IT'S CLIMBING. 724 00:36:08,700 --> 00:36:10,736 [phone rings] 725 00:36:12,738 --> 00:36:14,440 [phone rings] 726 00:36:14,473 --> 00:36:15,441 HELLO? 727 00:36:15,474 --> 00:36:16,775 HELLO, TOBY. 728 00:36:16,808 --> 00:36:18,610 THIS IS YOUR UNCLE MAX. 729 00:36:18,644 --> 00:36:19,845 (Toby) OH, HI. 730 00:36:19,878 --> 00:36:21,647 CAN I TALK TO YOUR MOTHER, PLEASE? 731 00:36:21,680 --> 00:36:24,450 UH, JUST A SEC, ALL RIGHT? 732 00:36:24,483 --> 00:36:25,451 IT'S FOR YOU, MOM. 733 00:36:25,484 --> 00:36:26,518 IT'S UNCLE MAX. 734 00:36:26,552 --> 00:36:28,554 UNCLE MAX? 735 00:36:28,587 --> 00:36:29,621 I DON'T BELIEVE IT. 736 00:36:29,655 --> 00:36:33,859 TELL HIM THAT I'M... TELL HIM THAT I'M NOT HERE. 737 00:36:33,892 --> 00:36:36,962 SHE SAYS TO SAY SHE'S NOT HERE. 738 00:36:36,995 --> 00:36:38,830 HUH... WELL, YOU TELL HER IT'S SOMEBODY ELSE. 739 00:36:38,864 --> 00:36:39,865 I HAVE TO TALK TO HER. 740 00:36:39,898 --> 00:36:42,601 HE SAYS TO SAY HE'S SOMEONE ELSE. 741 00:36:45,504 --> 00:36:48,374 EXCUSE ME, GUYS. 742 00:36:53,879 --> 00:36:55,481 HELLO. UNCLE MAX? 743 00:36:55,514 --> 00:36:56,848 UH, I DON'T KNOW WHO YOU ARE 744 00:36:56,882 --> 00:36:57,949 OR WHAT YOU WANT, 745 00:36:57,983 --> 00:37:00,018 BUT I WANT YOU TO LEAVE ME AND MY SON ALONE, PLEASE. 746 00:37:00,051 --> 00:37:02,654 (Max) MRS. HART, DON'T HANG UP ON ME, PLEASE, 747 00:37:02,688 --> 00:37:03,722 UNTIL YOU HEAR ME OUT, OKAY? 748 00:37:03,755 --> 00:37:06,858 YOU MAY THINK THIS SOUNDS INSANE, 749 00:37:06,892 --> 00:37:08,760 BUT I'VE FALLEN DEEPLY IN LOVE... 750 00:37:08,794 --> 00:37:11,363 [static] 751 00:37:11,397 --> 00:37:12,498 YOU KNOW WHAT YOU ARE? 752 00:37:12,531 --> 00:37:15,501 YOU ARE THE ONLY 11-YEAR-OLD PROCURER IN THE BUSINESS. 753 00:37:15,534 --> 00:37:16,602 WHAT'S A...? 754 00:37:16,635 --> 00:37:19,538 FORGET IT. 755 00:37:19,571 --> 00:37:22,541 [upbeat music] 756 00:37:22,574 --> 00:37:30,616 ♪ 757 00:37:37,556 --> 00:37:38,990 GREAT PARTY, JERRY. 758 00:37:40,992 --> 00:37:42,394 GREAT. 759 00:37:58,043 --> 00:38:01,747 MY SOURCES TELL ME THAT THE RECORD DEAL 760 00:38:01,780 --> 00:38:03,815 STELLA'S MANAGER NEGOTIATED FOR HER 761 00:38:03,849 --> 00:38:08,019 IS WELL UP THERE IN THE SIX FIGURES, 762 00:38:08,053 --> 00:38:10,989 WHICH MAKES STELLA A VERY LUCKY LITTLE GIRL. 763 00:38:11,022 --> 00:38:13,592 ♪ 764 00:38:13,625 --> 00:38:16,395 AND WHAT PERCENTAGE OF THE SIX-FIGURE DEAL 765 00:38:16,428 --> 00:38:18,630 IS LUCKY LITTLE MAXY GOING TO GET? 766 00:38:23,635 --> 00:38:25,571 SO, UH, WHERE'S YOUR GIRLFRIEND, HEIDI? 767 00:38:25,604 --> 00:38:27,673 PARENTS WOULDN'T LET HER COME. 768 00:38:27,706 --> 00:38:29,007 THEY'RE SUCH A PAIN. 769 00:38:29,040 --> 00:38:31,710 WELL, YOUR PARENTS ARE OKAY, AREN'T THEY? 770 00:38:31,743 --> 00:38:33,745 THEY'RE ALIVE. SURE. 771 00:38:33,779 --> 00:38:35,881 IN TOPANGA CANYON, THOUGH, IT'S DIFFERENT, YOU KNOW. 772 00:38:35,914 --> 00:38:37,716 THE PARENTS DON'T CARE WHERE YOU GO 773 00:38:37,749 --> 00:38:40,018 OR WHO YOU GO WITH OR WHAT KIND OF MUSIC YOU PLAY. 774 00:38:40,051 --> 00:38:42,621 YOU KNOW. I MEAN, MAXY, I AM REALLY LUCKY. 775 00:38:42,654 --> 00:38:44,990 I MEAN, THERE ARE SOME PARENTS, THEY ARE SO STRICT. 776 00:38:45,023 --> 00:38:48,527 THEY DON'T ALLOW ANYTHING BUT CLASSICAL AROUND THE HOUSE. 777 00:38:48,560 --> 00:38:50,396 AND THEY DON'T EVEN OWN A TV. 778 00:39:03,542 --> 00:39:06,678 HAVING A SWELL TIME, AREN'T WE? 779 00:39:06,712 --> 00:39:09,781 YEAH, THIS IS GREAT. I HOPE THIS LASTS FOREVER. 780 00:39:09,815 --> 00:39:12,418 I BET YOU'D BE WILLING TO SELL YOUR SOUL FOR THAT. 781 00:39:12,451 --> 00:39:13,952 HA! IF I HAD A SOUL TO SELL. 782 00:39:13,985 --> 00:39:16,388 WOULD YOU CARE TO PUT THAT ON PAPER? 783 00:39:16,422 --> 00:39:17,889 'CAUSE I'M THE GUY WHO CAN ARRANGE IT. 784 00:39:17,923 --> 00:39:20,626 REMEMBER ME. MIRACLE MAX. 785 00:39:20,659 --> 00:39:22,928 (Stella) RIGHT NOW, I'D SELL MY SOUL FOR A CHEESEBURGER. 786 00:39:22,961 --> 00:39:25,030 WELL, THAT TOO CAN BE ARRANGED. 787 00:39:25,063 --> 00:39:26,632 JUST PUT YOUR LITTLE JOHN HANCOCK RIGHT THERE 788 00:39:26,665 --> 00:39:27,699 AND WE'LL FILL THE DETAILS IN LATER. 789 00:39:27,733 --> 00:39:29,968 MAX, YOU KNOW, YOU'RE REALLY OFF THE WALL TONIGHT. 790 00:39:30,001 --> 00:39:31,036 HERE, HOLD THIS. 791 00:39:31,069 --> 00:39:32,871 I WANT TO TALK TO JERRY. 792 00:39:35,774 --> 00:39:37,876 OH, EAT FIRST AND CORRUPT LATER. 793 00:39:37,909 --> 00:39:39,478 THAT'S WHAT I ALWAYS SAY. 794 00:39:45,551 --> 00:39:47,686 HOW MUCH LATER ARE YOU PLANNING TO WAIT? 795 00:39:47,719 --> 00:39:49,821 IT'S ALREADY APRIL 10TH. 796 00:39:50,822 --> 00:39:51,790 WELL, LOOK AT HER. 797 00:39:51,823 --> 00:39:54,760 SHE'S AS GOOD AS IN THE BAG. 798 00:39:54,793 --> 00:39:57,463 AS GOOD AS IS NOT GOOD ENOUGH. 799 00:39:57,496 --> 00:39:58,664 NOW WHAT ABOUT THE OTHERS? 800 00:39:58,697 --> 00:40:00,599 OH, DON'T WORRY. 801 00:40:00,632 --> 00:40:02,534 I'M WORKING ON IT. 802 00:40:08,840 --> 00:40:09,975 [chatter] 803 00:40:10,008 --> 00:40:11,810 (male announcer) NAKAGUCHI'S BEEN RUNNING VERY WELL HERE. 804 00:40:11,843 --> 00:40:12,978 CERTAINLY COMPETITIVE HERE ON THE CROSS 805 00:40:13,011 --> 00:40:15,614 OF A WARM AFTERNOON. 806 00:40:15,647 --> 00:40:18,650 WE HAVE A LITTLE BOY WITH A RED SHIRT AND GREEN PANTS. 807 00:40:18,684 --> 00:40:21,019 HE'S HERE IN THE ANNOUNCER STAND. 808 00:40:21,052 --> 00:40:22,821 HIS PARENTS ARE LOST. 809 00:40:22,854 --> 00:40:24,856 A LITTLE BOY WITH A RED SHIRT... 810 00:40:24,890 --> 00:40:25,857 WHAT CATEGORY? 811 00:40:25,891 --> 00:40:28,760 EXPERT. 812 00:40:28,794 --> 00:40:29,895 I'M NOT SO SURE ABOUT THAT. 813 00:40:29,928 --> 00:40:31,196 I'M SURE. 814 00:40:33,231 --> 00:40:37,703 (announcer) IF YOU'RE IN THE FIRST RACE, YOU SHOULD BE AT THE STARTING LINE. 815 00:40:37,736 --> 00:40:39,538 GET YOUR BIKES TO THE STARTING LINE, PLEASE. 816 00:40:39,571 --> 00:40:40,806 HEY, MAN. 817 00:40:40,839 --> 00:40:41,907 HEY, I DON'T WANT YOU TO GET EXCITED NOW. 818 00:40:41,940 --> 00:40:43,041 I'M NOT EXCITED. 819 00:40:43,074 --> 00:40:44,943 OH, OH, MY GOD. DON'T TURN AROUND. 820 00:40:44,976 --> 00:40:46,512 THERE ARE TWO NAKAGUCHI SCOUTS SITTING 821 00:40:46,545 --> 00:40:47,513 RIGHT THERE IN THE BLEACHERS. 822 00:40:47,546 --> 00:40:48,947 WELL SHUT MY MOUTH. 823 00:40:48,980 --> 00:40:50,015 DON'T TURN AROUND. 824 00:40:50,048 --> 00:40:51,583 LOOK, I KNOW WHY THEY'RE HERE TOO. 825 00:40:51,617 --> 00:40:52,618 THEY'RE LOOKING FOR FACTORY RIDERS, 826 00:40:52,651 --> 00:40:53,552 AND IF YOU GO OUT THERE AND WIN, 827 00:40:53,585 --> 00:40:54,285 THEY'RE GONNA MAKE YOU ONE, I JUST KNOW IT. 828 00:40:54,319 --> 00:40:56,221 HONEY, THEY WILL. THEY WILL. 829 00:40:56,254 --> 00:40:57,889 I WANT YOU TO GO OUT AND DO YOUR BEST, BILLY, OKAY? 830 00:40:57,923 --> 00:40:58,924 LAVERNE, HONEY, DON'T I ALWAYS? 831 00:40:58,957 --> 00:41:00,592 YEAH. 832 00:41:00,626 --> 00:41:02,828 (announcer) NOW IF YOU ARE AT THE FIRST MOTO... 833 00:41:11,002 --> 00:41:13,271 HOW ABOUT A FEW LAST MINUTE POINTERS? 834 00:41:13,304 --> 00:41:15,006 WHAT FOR? YOU'VE BEEN OVER THIS TRACK 835 00:41:15,040 --> 00:41:16,875 A MILLION TIMES IN THE LAST FEW WEEKS. 836 00:41:16,908 --> 00:41:18,744 YEAH, BUT NEVER IN A RACE. 837 00:41:18,777 --> 00:41:20,011 IT'S VERY SIMPLE. 838 00:41:20,045 --> 00:41:22,814 YOU START, YOU RIDE LIKE A BAT OUT OF HELL, 839 00:41:22,848 --> 00:41:23,915 AND YOU WIN. 840 00:41:23,949 --> 00:41:26,552 HAVE YOU EVER SEEN ONE OF OUR BATS? 841 00:41:26,585 --> 00:41:29,555 UH, SCRATCH THAT. 842 00:41:29,588 --> 00:41:33,058 YOU START, AND YOU WIN. 843 00:41:33,091 --> 00:41:35,561 OKAY, I'LL BE WAITING OVER THERE. 844 00:41:38,830 --> 00:41:41,800 (announcer) ...STARTING LINE. 845 00:41:41,833 --> 00:41:44,002 START LOOKING 'EM OVER. 846 00:41:44,035 --> 00:41:45,571 30 SECONDS. 847 00:41:45,604 --> 00:41:48,940 FIELD IS ON THE STARTING LINE. 848 00:41:48,974 --> 00:41:51,943 THEY'RE ALL LINED UP. 849 00:41:51,977 --> 00:41:53,679 ABOUT TO START. 850 00:41:58,049 --> 00:42:01,820 STARTER HAS HIS HAND IN THE AIR. 851 00:42:01,853 --> 00:42:04,623 AND THERE THEY GO! 852 00:42:04,656 --> 00:42:05,924 [cheers] 853 00:42:05,957 --> 00:42:08,226 [announcer commentary] 854 00:42:08,259 --> 00:42:10,762 ...GOOD START GOING INTO THE FIRST TURN. 855 00:42:10,796 --> 00:42:12,598 AND OVER THE HILL, NUMBER 19 856 00:42:12,631 --> 00:42:16,034 MAKING A BIG MOVE. 857 00:42:16,067 --> 00:42:19,070 TYPICAL RIDE THERE BY RALPH HANSON. 858 00:42:19,104 --> 00:42:22,641 AND BIG BILLY HUNNIKER. 859 00:42:22,674 --> 00:42:23,975 AND NUMBER ONE AND 19, 860 00:42:24,009 --> 00:42:26,244 THEY ARE GOING HANDLEBAR TO HANDLEBAR. 861 00:42:26,277 --> 00:42:28,747 WHAT A RACE. 862 00:42:28,780 --> 00:42:31,617 AND 19 HAS TAKEN THE LEAD. 863 00:42:31,650 --> 00:42:33,351 HUNNIKER IS RUNNING SECOND. 864 00:42:33,384 --> 00:42:34,753 BIG BILLY WITH NUMBER ONE, 865 00:42:34,786 --> 00:42:37,789 WAS A NATIONAL CHAMPION ON HIS PLATE. 866 00:42:37,823 --> 00:42:40,592 HE'S HAVING PROBLEMS CATCHING THE NEWCOMER. 867 00:42:40,626 --> 00:42:41,727 THERE'S A MEDAL BACK THERE. 868 00:42:41,760 --> 00:42:44,863 GOD, THAT NUMBER 19. HE'S OUT OF SIGHT. 869 00:42:44,896 --> 00:42:47,332 NO, HE ISN'T. HE'S RIGHT OVER THERE. 870 00:42:47,365 --> 00:42:48,867 (announcer) HERE THEY COME. 871 00:42:49,968 --> 00:42:51,169 WHO IS HE ANYWAY? 872 00:42:51,202 --> 00:42:53,038 I DON'T KNOW, BUT BIG BILLY'S GONNA TAKE HIM IN THE FINAL. 873 00:42:53,071 --> 00:42:54,640 HOW DO YOU KNOW HE'S GONNA? 874 00:42:54,673 --> 00:42:55,641 'CAUSE HE HAPPENS TO BE 875 00:42:55,674 --> 00:42:58,744 THE BEST AMATEUR RIDER IN THE COUNTRY, DUMMY. 876 00:42:58,777 --> 00:43:04,783 (announcer) HERE THEY COME AROUND. 19'S STILL IN THE LEAD. 877 00:43:04,816 --> 00:43:05,851 COMING DOWN TOWARDS THE CHECKERED FLAG. 878 00:43:05,884 --> 00:43:09,354 AND NUMBER 19 WINS IT. 879 00:43:09,387 --> 00:43:11,289 NERD. NERD WON IT. 880 00:43:11,322 --> 00:43:14,626 (announcer) NUMBER 19. NORDLINGER. 881 00:43:14,660 --> 00:43:17,663 [exclamations] 882 00:43:22,968 --> 00:43:25,737 WOW, YOU WERE WONDERFUL. 883 00:43:25,771 --> 00:43:26,738 HEY, DOES EVERYBODY HERE KNOW MY GOOD BUDDY, 884 00:43:26,772 --> 00:43:27,739 BIG BILLY HUNNIKER? 885 00:43:27,773 --> 00:43:30,408 AND MRS. BIG BILLY HUNNIKER. 886 00:43:30,441 --> 00:43:31,810 WELL, THEY DO NOW. 887 00:43:31,843 --> 00:43:32,811 NICE FORM, BOY. WOW. 888 00:43:32,844 --> 00:43:34,980 YOU WERE GREAT. 889 00:43:35,013 --> 00:43:36,748 BEATS THE HELL OUT OF ME HOW YOU DONE IT, THOUGH. 890 00:43:36,782 --> 00:43:38,684 YEAH, COME ON, NERD. TELL US. 891 00:43:38,717 --> 00:43:39,851 HOW'D YOU DO IT? 892 00:43:39,885 --> 00:43:40,952 (girl) HOW DID YOU DO IT? 893 00:43:40,986 --> 00:43:43,388 TELL ME. [laughs] 894 00:43:43,421 --> 00:43:45,957 WELL, I-I JUST... 895 00:43:45,991 --> 00:43:47,726 DON'T GO AWAY. I'LL BE RIGHT BACK, OKAY? 896 00:43:47,759 --> 00:43:50,095 WONDERFUL. 897 00:43:50,128 --> 00:43:52,931 MAX? 898 00:43:52,964 --> 00:43:53,865 LISTEN, KID. 899 00:43:53,899 --> 00:43:56,001 THIS IS THE FIRST OF A LOT OF WINS FOR YOU, 900 00:43:56,034 --> 00:43:57,368 SO A WORD OF ADVICE. 901 00:43:57,402 --> 00:43:58,837 WHEN SOMEONE ASKS YOU HOW YOU DID IT, 902 00:43:58,870 --> 00:44:02,073 JUST SAY, "THAT'S MY LITTLE SECRET." 903 00:44:02,107 --> 00:44:05,811 OKAY. 904 00:44:05,844 --> 00:44:08,346 BUT HOW... HOW DID I DO IT? 905 00:44:08,379 --> 00:44:09,447 THAT'S MY LITTLE SECRET. 906 00:44:09,480 --> 00:44:11,850 JUST DON'T EVER DO IT WITHOUT ME. 907 00:44:46,885 --> 00:44:48,854 HI. 908 00:44:48,887 --> 00:44:50,488 IT'S ONLY DEAR OLD DADS. 909 00:44:50,521 --> 00:44:51,757 YOU WISH. 910 00:44:51,790 --> 00:44:53,058 WELL, IT'S NOT MY WISH. 911 00:44:53,091 --> 00:44:54,760 IT'S YOUR WISH. 912 00:44:54,793 --> 00:44:56,327 BUT SINCE YOUR VERY WISH IS MY COMMAND, 913 00:44:56,361 --> 00:44:59,297 I'M GONNA GIVE IT ONE MORE TRY. 914 00:44:59,330 --> 00:45:01,733 TOBY, YOU THINK YOUR MOTHER'S GONNA BE HOME TONIGHT, 915 00:45:01,767 --> 00:45:02,734 BY ANY CHANCE? 916 00:45:02,768 --> 00:45:04,302 YEAH, BUT NOT TO YOU, I BET. 917 00:45:04,335 --> 00:45:06,972 WHY? WELL, IT'S VERY DISCOURAGING. 918 00:45:07,005 --> 00:45:10,375 NOW SHE'LL PROBABLY END UP MARRYING BORING LARRY BINDER. 919 00:45:10,408 --> 00:45:12,477 WHAT'S A BORING LARRY BINDER? 920 00:45:12,510 --> 00:45:14,445 UM, MY MOM'S TENNIS TEACHER. 921 00:45:14,479 --> 00:45:16,815 YOU MEAN I'M NOT THE ONLY CONTENDER? 922 00:45:16,848 --> 00:45:20,351 GEE, IF IT'S JUST ANY OLD FATHER YOU'D SELL YOUR SOUL FOR... 923 00:45:20,385 --> 00:45:21,452 WELL, IT ISN'T. 924 00:45:21,486 --> 00:45:22,888 YOUR MY FIRST CHOICE. 925 00:45:22,921 --> 00:45:23,889 THAT'S A RELIEF. 926 00:45:23,922 --> 00:45:26,758 TOBY, DO YOU THINK YOU COULD KEEP YOUR MOTHER 927 00:45:26,792 --> 00:45:28,860 REALLY BUSY FOR THE REST OF THE DAY? 928 00:45:28,894 --> 00:45:29,861 WHY? 929 00:45:29,895 --> 00:45:31,930 JUST TRUST ME, OKAY? 930 00:45:31,963 --> 00:45:33,765 OKAY? OKAY. OKAY. 931 00:45:33,799 --> 00:45:37,102 (Toby) WEIRD ABOUT TWO THINGS. 932 00:45:37,135 --> 00:45:38,503 THE WAY THEY COME AND GO. 933 00:45:38,536 --> 00:45:39,805 (Penny) OH, IT'S WEIRD, ALL RIGHT. 934 00:45:39,838 --> 00:45:42,007 THREE HOURS AND $25 LATER. 935 00:45:42,040 --> 00:45:42,841 SORRY. 936 00:45:42,874 --> 00:45:45,410 IT JUST SUDDENLY GOT BETTER AGAIN. 937 00:46:08,299 --> 00:46:09,835 I'M SORRY. YOU MUST HAVE THE WRONG HOUSE. 938 00:46:09,868 --> 00:46:11,937 I DIDN'T AUTHORIZE ANY OF THIS. 939 00:46:11,970 --> 00:46:14,973 PENNY HART, 1723 TOBIAS STREET? 940 00:46:15,006 --> 00:46:16,374 I HOPE YOU'RE NOT MAD AT ME. 941 00:46:16,407 --> 00:46:17,575 I DON'T UNDERSTAND. 942 00:46:17,608 --> 00:46:20,511 WELL, I WANTED TO DO SOMETHING REALLY NICE 943 00:46:20,545 --> 00:46:22,280 SO YOU WOULDN'T THINK I WAS SUCH A TERRIBLE GUY. 944 00:46:22,313 --> 00:46:25,583 WELL, YOU DIDN'T HAVE TO GO THROUGH ALL THIS TROUBLE. 945 00:46:25,616 --> 00:46:27,285 I CAN'T ACCEPT THIS. 946 00:46:27,318 --> 00:46:29,955 OH, PLEASE. THE KIDS'LL REALLY ENJOY THE EQUIPMENT. 947 00:46:29,988 --> 00:46:32,924 AND IT'S GONNA MAKE ME FEEL VERY WARM INSIDE. 948 00:46:32,958 --> 00:46:34,592 (Toby) LOOK, MOM, 949 00:46:34,625 --> 00:46:36,962 GRASS, SO WE DON'T HAVE TO SIT IN THE DIRT ANYMORE. 950 00:46:40,031 --> 00:46:41,499 I'M REALLY VERY TOUCHED. 951 00:46:41,532 --> 00:46:44,469 OF COURSE, I'VE COMPLETELY DEPLETED MY SAVINGS ACCOUNT, 952 00:46:44,502 --> 00:46:47,973 BUT TOBY AND TREMAINE AND CONSUELA ARE WONDERFUL PEOPLE. 953 00:46:48,006 --> 00:46:52,010 AND OH, WHAT THE HECK. 954 00:46:54,145 --> 00:46:59,985 SO BETWEEN MANAGING THE NORDLINGER BOY AND STELLA, 955 00:47:00,018 --> 00:47:02,387 I'M PERPETUALLY ON THE RUN, AS YOU CAN IMAGINE. 956 00:47:02,420 --> 00:47:04,289 I DON'T HAVE TO IMAGINE. 957 00:47:04,322 --> 00:47:05,623 I CAN TELL BY LOOKING AT YOU. 958 00:47:05,656 --> 00:47:07,558 DON'T YOU EVER LOOK IN THE MIRROR WHEN YOU SHAVE? 959 00:47:07,592 --> 00:47:09,895 NOT IF I CAN HELP IT. 960 00:47:11,897 --> 00:47:13,398 TAKE TONIGHT. 961 00:47:13,431 --> 00:47:16,034 TONIGHT'S A PERFECT EXAMPLE OF WHAT I'M TALKING ABOUT. 962 00:47:16,067 --> 00:47:18,136 STAND FREE. WHO NEEDS IT? 963 00:47:18,169 --> 00:47:20,038 BELIEVE ME, PENNY. 964 00:47:20,071 --> 00:47:22,040 MY LIFE ISN'T MY OWN. 965 00:47:22,073 --> 00:47:23,608 AND ON TOP OF EVERYTHING ELSE 966 00:47:23,641 --> 00:47:25,877 IS MY REAL ESTATE RESPONSIBILITIES, 967 00:47:25,911 --> 00:47:27,645 WHICH ARE CONSIDERABLE. 968 00:47:27,678 --> 00:47:30,381 SOME LANDLORDS WILL ALLOW A PLACE TO GO TO HELL 969 00:47:30,415 --> 00:47:32,650 IN A TRASH CAN, BUT NOT ME. 970 00:47:32,683 --> 00:47:35,987 CONSTANT REPAIRS, CONSTANT MAINTENANCE, 971 00:47:36,021 --> 00:47:37,655 CONSTANT OUTLAYS OF TIME AND MONEY. 972 00:47:37,688 --> 00:47:39,991 I'LL BET. 973 00:47:40,025 --> 00:47:41,526 AND THEN THERE'S THE LITTLE OLD LADIES 974 00:47:41,559 --> 00:47:43,561 WHO INSIST ON KEEPING THEIR PETS 975 00:47:43,594 --> 00:47:45,330 AND THE YOUNG, MARRIED COUPLES 976 00:47:45,363 --> 00:47:46,631 WHO INSIST ON KEEPING THEIR KIDS. 977 00:47:46,664 --> 00:47:48,633 NOT THAT I'VE GOT ANYTHING AGAINST KIDS. 978 00:47:48,666 --> 00:47:51,502 BUT SOME LANDLORDS FEEL IT'S ROUGH ENOUGH 979 00:47:51,536 --> 00:47:53,371 TAKING CARE OF A PLACE THESE DAYS 980 00:47:53,404 --> 00:47:56,441 WITHOUT THEM THUMPING AND BUMPING AROUND, 981 00:47:56,474 --> 00:47:58,676 AND PLAYING HANDBALL ON YOUR WALLS AT ALL HOURS, 982 00:47:58,709 --> 00:48:02,347 AND PUTTING THEIR MANGY LITTLE HANDS ON YOUR FRESH PAINT. 983 00:48:02,380 --> 00:48:05,450 PLUS, THE WHINING AND THE WAILING ALL NIGHT. 984 00:48:05,483 --> 00:48:07,018 AND AT THE CRACK OF DAWN IN THE MORNING 985 00:48:07,052 --> 00:48:08,286 BEFORE YOU'VE HAD YOUR COFFEE, 986 00:48:08,319 --> 00:48:12,090 THEY'LL RING YOUR BELL WITH THE MOST INSIPID, STUPID QUESTIONS 987 00:48:12,123 --> 00:48:14,059 THAT YOU NEVER HAVE AN ANSWER TO. 988 00:48:14,092 --> 00:48:15,493 IT COULD DRIVE YOU NUTS. 989 00:48:15,526 --> 00:48:17,662 IS THAT HOW YOU REALLY FEEL ABOUT KIDS? 990 00:48:17,695 --> 00:48:20,898 WELL, SOMETIMES. 991 00:48:23,168 --> 00:48:24,702 ME TOO. 992 00:48:24,735 --> 00:48:26,537 SOMETIMES. 993 00:48:26,571 --> 00:48:29,007 [romantic music] 994 00:48:29,040 --> 00:48:37,048 ♪ 995 00:50:30,428 --> 00:50:33,498 [rock music] 996 00:50:33,531 --> 00:50:41,539 ♪ 997 00:50:44,742 --> 00:50:48,813 [chatter] 998 00:50:48,846 --> 00:50:51,182 EVERYBODY IN THE GRANITE LOUNGE AT 10:45 AM SHARP, 999 00:50:51,216 --> 00:50:52,350 AND THAT MEANS SHARP. 1000 00:50:52,383 --> 00:50:53,551 WE'VE GOT A HEAVY BODY COUNT. 1001 00:50:53,584 --> 00:50:54,552 AND, STELLA, I STILL DON'T KNOW 1002 00:50:54,585 --> 00:50:56,454 IF THE NUMBER ONE GROUPIE IS COMING OR NOT. 1003 00:50:56,487 --> 00:50:57,622 HER PARENTS WON'T LET HER. 1004 00:50:57,655 --> 00:50:58,823 WHAT DO YOU NEED HER FOR? 1005 00:50:58,856 --> 00:50:59,824 COMPANIONSHIP. 1006 00:50:59,857 --> 00:51:01,359 DON'T WORRY ABOUT IT, SWEETHEART. 1007 00:51:01,392 --> 00:51:02,593 I'LL FIND SOMEBODY FOR YOU. KEEP YOU COMPANY. 1008 00:51:02,627 --> 00:51:03,728 SOMEBODY YOU CAN RAP WITH. DIG? 1009 00:51:03,761 --> 00:51:05,430 WAIT A SECOND. MAX IS COMING, RIGHT? 1010 00:51:05,463 --> 00:51:06,364 RIGHT. 1011 00:51:06,397 --> 00:51:08,433 (Jerry) AHA. SPEAK OF THE DEVIL. 1012 00:51:08,466 --> 00:51:11,436 GREG WEEMS, I WANT YOU TO MEET MAX DEVLIN. 1013 00:51:11,469 --> 00:51:13,171 THE SVENGALI MANAGER. 1014 00:51:13,204 --> 00:51:14,572 NOW HIM YOU GOTTA TAKE VERY GOOD CARE OF 1015 00:51:14,605 --> 00:51:16,574 BECAUSE THIS DIPPY CHICK DOESN'T SING A NOTE 1016 00:51:16,607 --> 00:51:18,176 UNLESS HE'S PRACTICALLY IN HER POCKET. 1017 00:51:18,209 --> 00:51:19,477 HEY-HEY, RIGHT ON, EH? 1018 00:51:19,510 --> 00:51:20,478 (man) STELLA, YOU'RE ON. 1019 00:51:20,511 --> 00:51:21,712 COME HERE. 1020 00:51:21,746 --> 00:51:24,182 LISTEN TO ME, CAREFULLY. YEAH. 1021 00:51:24,215 --> 00:51:25,850 I'M GOING OUT FRONT TO WATCH YOU FROM THERE. 1022 00:51:25,883 --> 00:51:28,586 WITH THAT CROWD, TIMING IS EVERYTHING. 1023 00:51:28,619 --> 00:51:30,588 SO DON'T START TO SING 1024 00:51:30,621 --> 00:51:32,457 UNTIL I GIVE YOU THE CUE FROM THE AUDIENCE. 1025 00:51:32,490 --> 00:51:33,458 IS THAT CLEAR? 1026 00:51:33,491 --> 00:51:34,592 OKAY. IT'S CLEAR. 1027 00:51:34,625 --> 00:51:35,593 [audience cheers] 1028 00:51:35,626 --> 00:51:36,794 GREAT. 1029 00:51:36,827 --> 00:51:38,729 WISH ME LUCK. 1030 00:51:38,763 --> 00:51:42,767 [music starts] 1031 00:51:42,800 --> 00:51:47,472 ♪ 1032 00:51:47,505 --> 00:51:48,773 (male announcer) OKAY, HERE'S WHAT YOU'VE BEEN WAITING FOR. 1033 00:51:48,806 --> 00:51:51,676 LADIES AND GENTLEMEN, STELLA SUMMERS. 1034 00:51:51,709 --> 00:51:54,712 [cheers and applause] 1035 00:52:09,894 --> 00:52:11,196 (audience) COME ON, STELLA! 1036 00:52:11,229 --> 00:52:13,364 [clamoring from audience] 1037 00:52:19,870 --> 00:52:21,172 OKAY, STELLA! 1038 00:52:21,206 --> 00:52:22,873 KNOCK 'EM IN THE AISLES! 1039 00:52:22,907 --> 00:52:25,910 [cheers and applause] 1040 00:52:31,449 --> 00:52:35,853 ♪ OH, IT'S SO HARD 1041 00:52:35,886 --> 00:52:39,657 ♪ SAYING WHAT I NEED 1042 00:52:39,690 --> 00:52:41,959 ♪ WHEN I KNOW THAT IT MEANS ♪ 1043 00:52:41,992 --> 00:52:45,830 ♪ THERE'S NO YOU 1044 00:52:45,863 --> 00:52:46,864 ♪ 1045 00:52:46,897 --> 00:52:50,535 ♪ I'VE NEVER LOVED 1046 00:52:50,568 --> 00:52:54,205 ♪ AND BEEN SO SURE OF IT 1047 00:52:54,239 --> 00:52:59,710 ♪ NOW I KNOW WE BOTH HAVE TO CHOOSE ♪ 1048 00:52:59,744 --> 00:53:05,950 ♪ OH, YOU SAY FRIENDS, AND I SAY THAT'S NOT ENOUGH ♪ 1049 00:53:05,983 --> 00:53:08,519 ♪ GIVE IT UP 1050 00:53:08,553 --> 00:53:14,492 ♪ OH, I SAY LOVE IS, BUT IT IS JUST TOO MUCH ♪ 1051 00:53:14,525 --> 00:53:15,593 ♪ FOR YOU TO TOUCH 1052 00:53:15,626 --> 00:53:19,497 ♪ OH-OHH 1053 00:53:22,533 --> 00:53:25,770 BYE. BYE. 1054 00:53:25,803 --> 00:53:27,805 MAX. 1055 00:53:32,510 --> 00:53:33,911 THANK YOU. 1056 00:53:52,397 --> 00:53:53,698 [catcalls] 1057 00:53:53,731 --> 00:53:56,767 WHAT'S WRONG, PAL? NO GOOD WITHOUT YOUR COACH, HUH? 1058 00:53:56,801 --> 00:53:58,469 CAN'T START IT. WANT SOME HELP? 1059 00:54:01,406 --> 00:54:03,974 WHAT'S THE PROBLEM? HUH, BUD? 1060 00:54:04,008 --> 00:54:06,377 COME ON. KICK IT OVER, PAL. 1061 00:54:07,912 --> 00:54:09,680 START IT UP. COME ON. GET IT STARTED. 1062 00:54:09,714 --> 00:54:10,981 WELL. 1063 00:54:15,586 --> 00:54:18,589 [laughter] 1064 00:54:28,599 --> 00:54:30,368 (girl) COME ON! 1065 00:54:31,469 --> 00:54:32,637 WE GOTTA TAKE YOU. 1066 00:54:36,774 --> 00:54:39,777 [girls scream] 1067 00:54:56,794 --> 00:54:59,797 [screams] 1068 00:55:07,572 --> 00:55:10,541 [melancholy music] 1069 00:55:10,575 --> 00:55:18,583 ♪ 1070 00:55:27,792 --> 00:55:33,030 ♪ OH, YOU SAY FRIENDS, AND I SAY THAT'S NOT ENOUGH ♪ 1071 00:55:33,063 --> 00:55:34,965 ♪ GIVE IT UP 1072 00:55:34,999 --> 00:55:38,869 ♪ OH, I SAY LOVE IS BUT IT'S NOT ENOUGH ♪ 1073 00:55:38,903 --> 00:55:40,538 (Barney) MAX! 1074 00:55:40,571 --> 00:55:41,672 MAX! 1075 00:55:41,706 --> 00:55:42,807 ♪ FOR YOU TO TOUCH 1076 00:55:42,840 --> 00:55:46,511 ♪ OH-OHH 1077 00:55:46,544 --> 00:55:49,013 HEY, YOU, GET YOUR HANDS OFF THAT ROPE. 1078 00:55:49,046 --> 00:55:51,616 ♪ ANY FOOL COULD SEE 1079 00:55:51,649 --> 00:55:53,418 WHAT DID YOU DO THAT FOR? 1080 00:55:53,451 --> 00:55:54,318 WHAT ARE YOU, CRAZY? 1081 00:55:54,351 --> 00:55:55,586 I-I WAS JUST TRYING TO SAVE YOUR LIFE. 1082 00:55:55,620 --> 00:55:56,587 SAVE MY LIFE? 1083 00:55:56,621 --> 00:55:57,755 WHAT, BY KILLING ME? 1084 00:55:57,788 --> 00:55:58,789 YOU'RE CRAZY. 1085 00:55:58,823 --> 00:56:00,758 OH, NOW I'M SORRY, JERRY, REALLY. 1086 00:56:00,791 --> 00:56:02,026 JUST DON'T... DON'T TOUCH ME. 1087 00:56:02,059 --> 00:56:05,930 YOU, IT'S ALL YOUR FAULT. 1088 00:56:05,963 --> 00:56:08,733 GOSH, JERRY, I'M ALL WOUND UP. I'M SORRY. 1089 00:56:08,766 --> 00:56:09,600 TENSE. 1090 00:56:09,634 --> 00:56:13,538 I GOTTA GO AND RELAX IN THE MEN'S ROOM. 1091 00:56:15,840 --> 00:56:18,776 BARNEY, BARNEY, YOU SON OF A... WHERE ARE YOU? 1092 00:56:18,809 --> 00:56:19,810 THERE YOU ARE, YOU OBNOXIOUS... 1093 00:56:19,844 --> 00:56:22,847 OH, I'M... OH, SORRY. 1094 00:56:22,880 --> 00:56:24,515 HEY, HEY, IT'S OKAY. 1095 00:56:24,549 --> 00:56:26,817 WE'RE ALL SHOW BUSINESS HERE, YOU KNOW. 1096 00:56:26,851 --> 00:56:27,885 THAT'S RIGHT. 1097 00:56:27,918 --> 00:56:30,921 [applause] 1098 00:56:36,761 --> 00:56:39,630 YOU HARBORING SOME KIND OF DEATH WISH, MAX? 1099 00:56:39,664 --> 00:56:40,831 NO, BUT YOU ARE. 1100 00:56:40,865 --> 00:56:42,467 YOU'RE LUCKY YOU'RE DEAD, MAN, 1101 00:56:42,500 --> 00:56:43,601 OR SO HELP ME, 1102 00:56:43,634 --> 00:56:44,669 YOU WOULD BE. 1103 00:56:44,702 --> 00:56:45,536 YOU'RE GETTING ANGRY, MAX. 1104 00:56:45,570 --> 00:56:46,671 YOU'RE DARN RIGHT I AM. 1105 00:56:46,704 --> 00:56:50,608 DON'T YOU EVER, EVER TRY A STUNT LIKE THAT ON ME AGAIN. 1106 00:56:50,641 --> 00:56:52,510 JUST TRYING TO GET YOUR ATTENTION. 1107 00:56:52,543 --> 00:56:54,645 WELL, NEXT TIME, TRY TAPPING ME ON THE SHOULDER. 1108 00:56:54,679 --> 00:56:57,915 WHAT ABOUT MY CONTRACTS? 1109 00:56:57,948 --> 00:57:00,217 SO THAT'S WHAT THIS IS ALL ABOUT. 1110 00:57:00,250 --> 00:57:03,521 YES. MY ASSOCIATES ARE GETTING A LITTLE ITCHY. 1111 00:57:03,554 --> 00:57:04,989 I DON'T CARE. 1112 00:57:05,022 --> 00:57:08,459 I GOT UNTIL MIDNIGHT, MAY 15TH. 1113 00:57:08,493 --> 00:57:09,460 THAT'S OUR DEAL. 1114 00:57:09,494 --> 00:57:11,496 I'M TELLING YOU, I'M TRYING TO GET THESE PEOPLE 1115 00:57:11,529 --> 00:57:12,497 SO HOOKED ON ME, THEY'LL SIGN ANYTHING. 1116 00:57:12,530 --> 00:57:13,631 THAT TAKES TIME. 1117 00:57:13,664 --> 00:57:16,767 NOW IF I GO TOO FAST, I'M LIABLE TO BLOW THE WHOLE DEAL. 1118 00:57:16,801 --> 00:57:20,037 I LIKE YOUR STYLE, MAX. 1119 00:57:20,070 --> 00:57:23,608 YOU'RE A DEVIOUS FELLOW. 1120 00:57:27,845 --> 00:57:31,048 [flushing sound] 1121 00:57:31,081 --> 00:57:32,049 [knock at door] 1122 00:57:32,082 --> 00:57:33,217 WHO'S THAT? 1123 00:57:33,250 --> 00:57:35,553 OH, HI, MAXY. COME IN. 1124 00:57:39,790 --> 00:57:40,791 WHAT'S THAT? LET ME SEE. 1125 00:57:43,694 --> 00:57:44,762 "GENTLEMEN, I HEREBY ENGAGE YOU TO BE 1126 00:57:44,795 --> 00:57:47,998 "MY SOLE PERSONAL MANAGER FOR AN INDEFINITE PERIOD..." 1127 00:57:48,032 --> 00:57:49,233 AND STUFF AND STUFF... 1128 00:57:49,266 --> 00:57:50,901 HEY, WHAT IS THIS? 1129 00:57:50,935 --> 00:57:53,037 WELL, NOW THAT YOU'RE SUCH A BIG HIT, 1130 00:57:53,070 --> 00:57:54,939 I THOUGHT THAT IT WOULD BE A GOOD IDEA 1131 00:57:54,972 --> 00:57:57,542 FOR US TO ENTER INTO A BUSINESS-LIKE ARRANGEMENT. 1132 00:57:57,575 --> 00:57:58,709 THAT'S ALL. 1133 00:57:58,743 --> 00:58:00,010 WELL, WE HAVE A BUSINESS-LIKE ARRANGEMENT. 1134 00:58:00,044 --> 00:58:01,779 I MEAN, YOU GET 20% OF EVERYTHING I MAKE. 1135 00:58:01,812 --> 00:58:02,780 ISN'T THAT BUSINESS-LIKE? 1136 00:58:02,813 --> 00:58:06,517 BUT WE DON'T HAVE ANYTHING OFFICIALLY ON PAPER. 1137 00:58:06,551 --> 00:58:08,018 EH, IT DOESN'T MATTER. YOU GET THE BREAD ANYHOW. 1138 00:58:08,052 --> 00:58:09,754 WHAT DIFFERENCE DOES IT MAKE? 1139 00:58:09,787 --> 00:58:13,290 STELLA, SUPPOSE I DECIDED NOT TO SHOW UP SOME TIME 1140 00:58:13,323 --> 00:58:15,993 AND WITHOUT MY MIRACLE, YOU COULDN'T SING. 1141 00:58:16,026 --> 00:58:17,962 WELL, I DON'T KNOW. 1142 00:58:17,995 --> 00:58:19,930 THEN YOU GET 20% OF NOTHING. 1143 00:58:19,964 --> 00:58:22,232 I MEAN, WHY WOULD YOU DO A DUMB THING LIKE THAT? 1144 00:58:37,347 --> 00:58:39,216 (Toby) LISTEN, HOW'D YOU FIND US? 1145 00:58:39,249 --> 00:58:40,885 THERE MUST BE A HUNDRED MILLION PEOPLE HERE. 1146 00:58:40,918 --> 00:58:42,653 (Max) WELL, I TOLD YOU THIS MORNING. 1147 00:58:42,687 --> 00:58:44,655 INTUITION. 1148 00:58:44,689 --> 00:58:46,256 YEAH, WELL, I WISH YOUR INTUITION TOLD YOU 1149 00:58:46,290 --> 00:58:47,858 TO BRING YOUR SWIMMING TRUNKS. 1150 00:58:47,892 --> 00:58:49,226 WE COULDA GONE IN. 1151 00:58:49,259 --> 00:58:51,228 WELL, I'M STILL GLAD YOU CAME ANYWAYS. 1152 00:58:51,261 --> 00:58:52,262 I MISSED YA. 1153 00:58:52,296 --> 00:58:53,664 WELL, IT'S THE FIRST DAY OFF 1154 00:58:53,698 --> 00:58:55,265 WE'VE HAD IN QUITE SOME TIME. 1155 00:58:55,299 --> 00:58:57,602 YEAH, WELL, MY MOM MISSED YOU TOO. 1156 00:58:57,635 --> 00:58:58,903 YEAH? 1157 00:58:58,936 --> 00:59:00,838 SO YOU STILL WANT ME TO BE YOUR DAD, HUH? 1158 00:59:00,871 --> 00:59:02,773 YEAH. DON'T YOU WANNA BE? 1159 00:59:02,807 --> 00:59:05,576 WELL, OF COURSE I DO, TOBY, YOU KNOW THAT. 1160 00:59:05,610 --> 00:59:08,613 BUT A GUY LIKE ME'S GOTTA THINK PRETTY CAREFULLY 1161 00:59:08,646 --> 00:59:09,914 BEFORE HE GIVES UP HIS FREEDOM 1162 00:59:09,947 --> 00:59:12,650 AND TAKES ON THE RESPONSIBILITY OF A FAMILY. 1163 00:59:12,683 --> 00:59:13,718 SO ON AND SO FORTH. 1164 00:59:13,751 --> 00:59:16,621 I MEAN, IT'S, LIKE, YOU'RE GONNA GET ME FOR A FATHER, 1165 00:59:16,654 --> 00:59:18,322 BUT WHAT AM I GONNA GET FROM YOU? 1166 00:59:18,355 --> 00:59:19,657 I DON'T KNOW. WHAT DO YOU WANT? 1167 00:59:19,690 --> 00:59:20,925 WELL, WHAT DO YOU GOT? 1168 00:59:20,958 --> 00:59:24,895 UM, SOME BASEBALL CARDS, A CASSETTE DECK... 1169 00:59:24,929 --> 00:59:26,230 IT DOESN'T WORK TOO GOOD, BUT... 1170 00:59:26,263 --> 00:59:27,131 NEVER MIND, KEEP GOING. 1171 00:59:27,164 --> 00:59:28,966 I THINK WE CAN COME TO AN AGREEMENT HERE. 1172 00:59:28,999 --> 00:59:30,868 OKAY, LET ME THINK. 1173 00:59:30,901 --> 00:59:33,638 UH, I GOT A GUINNESS BOOK OF WORLD RECORDS. 1174 00:59:33,671 --> 00:59:34,839 WOW, THAT'S GREAT. 1175 00:59:34,872 --> 00:59:38,242 UM, LET ME SEE, A ROCK COLLECTION... 1176 00:59:38,275 --> 00:59:39,677 I ALWAYS WANTED ONE OF THOSE. 1177 00:59:39,710 --> 00:59:43,881 UM, A REAL PAIR OF HANDCUFFS WITH THE KEY... 1178 00:59:43,914 --> 00:59:45,249 OH, A KEY. 1179 00:59:45,282 --> 00:59:48,252 UM, LET ME THINK, I GOT SOME MORE STUFF. 1180 00:59:48,285 --> 00:59:50,287 YEAH. A RUBBER-COATED HARD BALL... 1181 00:59:50,320 --> 00:59:53,858 OH, WOW. UM, ONE MORE. WAIT. 1182 00:59:53,891 --> 00:59:56,961 OH, YEAH, AND TWO PACKS OF RED HOTS. 1183 00:59:56,994 --> 00:59:58,963 YOU KNOW, THOSE ARE THOSE LITTLE CINNAMON CANDIES. 1184 00:59:58,996 --> 00:59:59,964 OH, YUMMY, YEAH, YEAH. 1185 00:59:59,997 --> 01:00:00,798 THAT'S ENOUGH, ENOUGH. 1186 01:00:00,831 --> 01:00:02,633 OKAY, NOW LISTEN, HOW DOES THIS SOUND? 1187 01:00:02,667 --> 01:00:04,635 "I, THE UNDERSIGNED..." 1188 01:00:04,669 --> 01:00:05,502 THAT'S YOU. 1189 01:00:05,535 --> 01:00:10,274 "AGREE TO SURRENDER MY CARD COLLECTION, 1190 01:00:10,307 --> 01:00:12,076 "MY CASSETTE DECK, MY SOUL, 1191 01:00:12,109 --> 01:00:14,044 "MY GUINNESS BOOK OF WORLD RECORDS, 1192 01:00:14,078 --> 01:00:16,246 "TWO PACKAGES OF RED HOTS, 1193 01:00:16,280 --> 01:00:18,683 IN RETURN FOR WHICH..." 1194 01:00:18,716 --> 01:00:20,050 I'LL MARRY YOUR MOM, 1195 01:00:20,084 --> 01:00:21,819 AND I'LL BE YOUR DAD, OKAY? 1196 01:00:21,852 --> 01:00:22,987 HERE, NOW SIGN HERE. RIGHT THERE. 1197 01:00:23,020 --> 01:00:24,321 TRICKY. 1198 01:00:24,354 --> 01:00:27,925 THANKS. 1199 01:00:27,958 --> 01:00:30,761 YOU DIDN'T PUT YOUR PART YET. 1200 01:00:30,795 --> 01:00:33,698 NO FLIES ON HIM EITHER. 1201 01:00:33,731 --> 01:00:36,366 "MARRY MOM..." 1202 01:00:36,400 --> 01:00:37,868 NOW WILL YOU SIGN? 1203 01:00:37,902 --> 01:00:41,939 SURE. AS SOON AS YOU MARRY MY MOTHER. 1204 01:00:41,972 --> 01:00:46,977 HE HAS POTENTIAL. 1205 01:00:47,011 --> 01:00:50,280 SIX WEEKS AGO, YOU WERE NOWHERE ON THIS PLANET. 1206 01:00:50,314 --> 01:00:51,348 AND NOW LOOK AT YOU. 1207 01:00:51,381 --> 01:00:52,950 KING OF THE CASTLE AMONG YOUR PEERS 1208 01:00:52,983 --> 01:00:54,752 AND PEERLESS AMONG YOUR COMPETITORS. 1209 01:00:54,785 --> 01:00:56,253 THANKS TO ME. 1210 01:00:56,286 --> 01:00:57,722 THANKS TO YOU IS RIGHT, MAX. 1211 01:00:57,755 --> 01:00:58,923 NO, NO, DON'T GET ME WRONG NOW. 1212 01:00:58,956 --> 01:01:00,257 I'M NOT LOOKING FOR YOUR THANKS. 1213 01:01:00,290 --> 01:01:02,693 THANKS AREN'T IMPORTANT. IT'S YOUR LOYALTY. 1214 01:01:02,727 --> 01:01:04,361 YOUR LOYALTY IS WHAT'S IMPORTANT. 1215 01:01:04,394 --> 01:01:05,763 YOU HAVE THAT. 1216 01:01:05,796 --> 01:01:06,964 YEAH, WELL, YOU SAY THAT NOW, 1217 01:01:06,997 --> 01:01:09,033 BUT YOU'LL FORGIVE A TOUCH OF THE CYNIC. 1218 01:01:09,066 --> 01:01:11,702 I'VE SEEN IT HAPPEN TIME AND AGAIN. 1219 01:01:11,736 --> 01:01:14,304 AN OLDER GUY LIKE ME GIVES HIS ALL 1220 01:01:14,338 --> 01:01:15,940 TO A YOUNG PUNK LIKE YOU. 1221 01:01:15,973 --> 01:01:17,708 GOOD FAITH ON BOTH SIDES, YOU UNDERSTAND. 1222 01:01:17,742 --> 01:01:19,476 AND WHEN THE KID MAKES IT TO THE TOP, 1223 01:01:19,509 --> 01:01:21,979 WELL, BECAUSE THERE WAS NOTHING LEGALLY BINDING 1224 01:01:22,012 --> 01:01:23,347 BETWEEN 'EM... 1225 01:01:23,380 --> 01:01:25,950 MAX, YOU GOT SOMETHING FOR ME TO SIGN, 1226 01:01:25,983 --> 01:01:27,351 I'LL BE MORE THAN HAPPY TO SIGN IT. 1227 01:01:27,384 --> 01:01:28,986 NOW, MAX, NOW. 1228 01:01:29,019 --> 01:01:29,987 GET LOST. 1229 01:01:30,020 --> 01:01:31,756 HMM? 1230 01:01:31,789 --> 01:01:34,324 I WAS JUST SAYING HOW EASY IT WOULD BE TO GET LOST 1231 01:01:34,358 --> 01:01:35,793 IN A BIG CROWD LIKE THIS. 1232 01:01:35,826 --> 01:01:37,795 HERE. IT'S A STANDARD TRAINER-RIDER AGREEMENT. 1233 01:01:37,828 --> 01:01:38,829 SIGN RIGHT HERE. 1234 01:01:38,863 --> 01:01:41,866 [engines rev] 1235 01:01:45,936 --> 01:01:49,006 MAX, SOLE IS SPELLED S-O-L-E, NOT S-O-U-L. 1236 01:01:54,544 --> 01:01:56,881 WELL, MAX, YOU JUST BLEW IT AGAIN. 1237 01:01:56,914 --> 01:02:00,017 [splashing and shouts] 1238 01:02:05,389 --> 01:02:09,026 (child) OKAY, HOLD ONTO THIS! 1239 01:02:09,059 --> 01:02:12,062 [laughter and shrieks] 1240 01:02:24,474 --> 01:02:26,443 IS THAT HOW YOU REALLY FEEL ABOUT CHILDREN? 1241 01:02:26,476 --> 01:02:28,345 AH, WELL, YOU KNOW, SOMETIMES. 1242 01:02:28,378 --> 01:02:29,346 YEAH, I KNOW. SOMETIMES. 1243 01:02:29,379 --> 01:02:30,514 HOLD ON. 1244 01:02:30,547 --> 01:02:33,818 MAX, EVERYBODY'S HAVING A WONDERFUL TIME. 1245 01:02:33,851 --> 01:02:36,821 YEAH, WELL, THAT MAKES ME FEEL REALLY HAPPY. 1246 01:02:36,854 --> 01:02:39,556 YOU COULD STAY AS LONG AS YOU WANT TO. 1247 01:02:39,589 --> 01:02:40,590 WHERE ARE YOU GOING? 1248 01:02:40,624 --> 01:02:42,893 THEY EXTENDED THE CONCERT TOUR FOR ANOTHER DAY 1249 01:02:42,927 --> 01:02:44,995 SO I GOTTA LEAVE NOW. 1250 01:02:45,029 --> 01:02:47,264 BUT TOBY WILL BE CRUSHED. 1251 01:02:47,297 --> 01:02:48,532 AND WHAT ABOUT DINNER? 1252 01:02:48,565 --> 01:02:50,367 I DON'T KNOW WHY I PUT UP WITH YOU. 1253 01:02:50,400 --> 01:02:52,336 SINCE I'M SUCH A GOOD KISSER. 1254 01:02:52,369 --> 01:02:53,904 THAT SO, HUH? 1255 01:02:53,938 --> 01:02:55,572 [splashing] 1256 01:02:55,605 --> 01:02:59,276 WHERE IS HE GOING? 1257 01:02:59,309 --> 01:03:01,011 BAD NEWS. HE HAS TO LEAVE. 1258 01:03:01,045 --> 01:03:03,280 BUT... BUT NOW? 1259 01:03:03,313 --> 01:03:04,381 HE PROMISED TO TAKE ME TO THE CARNIVAL 1260 01:03:04,414 --> 01:03:06,817 RIGHT AFTER SWIMMING. 1261 01:03:06,851 --> 01:03:08,518 I KNOW. I KNOW. 1262 01:03:08,552 --> 01:03:09,519 HE PROMISED! 1263 01:03:09,553 --> 01:03:11,989 NOW YOU SEE HIM, NOW YOU DON'T. 1264 01:03:12,022 --> 01:03:14,791 WHAT GOOD OF A PERSON IS THAT? 1265 01:03:17,161 --> 01:03:18,128 [door opens] 1266 01:03:18,162 --> 01:03:21,298 [footsteps] 1267 01:03:31,876 --> 01:03:34,945 THAT'S THAT. 1268 01:03:34,979 --> 01:03:38,048 19 CITIES IN 21 DAYS AND A KNOCKOUT EVERY TIME. 1269 01:03:38,082 --> 01:03:40,017 YOU'RE WONDERFUL. 1270 01:03:45,555 --> 01:03:49,326 "EVERY NIGHT I MAKE LOVE TO 25,000 PEOPLE. 1271 01:03:49,359 --> 01:03:51,628 AND THEN I GO HOME ALONE." 1272 01:03:51,661 --> 01:03:57,001 JANIS JOPLIN, 1970. 1273 01:03:57,034 --> 01:03:58,002 STELLA SUMMERS, 1274 01:03:58,035 --> 01:04:00,404 1981. 1275 01:04:00,437 --> 01:04:05,075 HEY, MAXY, WOULD YOU DO ME A FAVOR? 1276 01:04:05,109 --> 01:04:06,576 LEND ME A DIME? 1277 01:04:08,545 --> 01:04:10,547 AND I'M GONNA BE ALONE, OKAY? 1278 01:04:27,464 --> 01:04:29,333 OPERATOR? 1279 01:04:29,366 --> 01:04:33,003 THIS IS COLLECT TO ANYBODY WHO'LL ANSWER. 1280 01:04:33,037 --> 01:04:34,571 I'M STEPHANIE PEPPER. 1281 01:04:38,342 --> 01:04:39,309 (recording) THE NUMBER YOU HAVE REACHED 1282 01:04:39,343 --> 01:04:40,544 IS NOT IN SERVICE AT THIS TIME. 1283 01:04:40,577 --> 01:04:41,745 AH, WHERE ARE YOU? 1284 01:04:41,778 --> 01:04:43,413 (recording) PLEASE MAKE SURE YOU HAVE DIALED CORRECTLY. 1285 01:04:43,447 --> 01:04:45,549 THIS IS A RECORDING. 1286 01:04:45,582 --> 01:04:47,617 [coin clatters] 1287 01:04:47,651 --> 01:04:49,453 [crying] 1288 01:04:49,486 --> 01:04:52,489 (Max) STEPHANIE PEPPER? 1289 01:04:57,327 --> 01:04:59,696 WHAT'S THE MATTER? 1290 01:04:59,729 --> 01:05:01,999 HOMESICK FOR TOPANGA CANYON? 1291 01:05:02,032 --> 01:05:06,670 [sniffling] NO. 1292 01:05:06,703 --> 01:05:08,038 BOROUGH PARK, BROOKLYN. 1293 01:05:08,072 --> 01:05:10,074 [laughs] 1294 01:05:12,977 --> 01:05:15,379 NICE MIDDLE CLASS FAMILY IN NEW YORK. 1295 01:05:18,015 --> 01:05:19,549 AND NOTHING BUT CLASSICAL MUSIC AT HOME 1296 01:05:19,583 --> 01:05:21,151 AND NO TV. 1297 01:05:21,185 --> 01:05:23,453 [sniffling] RIGHT. 1298 01:05:25,990 --> 01:05:29,526 PLUS, EVERY TIME I SAID I WANNA BECOME A STAR, 1299 01:05:29,559 --> 01:05:31,996 THEY'D SAY THAT'S NO KIND OF LIFE FOR ANYBODY TO LEAD. 1300 01:05:32,029 --> 01:05:35,365 MY PARENTS ARE SO SQUARE. 1301 01:05:36,433 --> 01:05:38,102 THEY WERE RIGHT ABOUT THAT, YOU KNOW. 1302 01:05:40,570 --> 01:05:43,540 I-I DON'T KNOW. 1303 01:05:43,573 --> 01:05:45,542 I GUESS THEY DIDN'T WANT TO SEE ME GET HURT. 1304 01:05:45,575 --> 01:05:46,576 YEAH. 1305 01:05:48,712 --> 01:05:49,613 I MEAN, THEY PROBABLY DIDN'T THINK 1306 01:05:49,646 --> 01:05:51,982 I WAS GOOD ENOUGH TO MAKE IT, YOU KNOW. 1307 01:05:54,684 --> 01:05:57,454 BUT I ALWAYS HAD THIS FUNNY FEELING... 1308 01:05:59,056 --> 01:06:00,690 THAT I WAS. 1309 01:06:00,724 --> 01:06:03,560 THAT I COULD. 1310 01:06:03,593 --> 01:06:05,062 AND I DID. 1311 01:06:05,095 --> 01:06:07,064 NOT WITHOUT ME. 1312 01:06:07,097 --> 01:06:10,067 I KNOW, MAXY, I KNOW. 1313 01:06:10,100 --> 01:06:11,701 AND I'M REALLY GRATEFUL TO YOU, I AM. 1314 01:06:11,735 --> 01:06:16,606 NOW'S THE TIME, MAX. 1315 01:06:16,640 --> 01:06:18,642 I'M NOT SO SURE I DID YOU ANY FAVORS. 1316 01:06:24,381 --> 01:06:27,384 [chatter] 1317 01:06:32,456 --> 01:06:34,358 LOOK, UNCLE MAX! 1318 01:06:34,391 --> 01:06:35,659 (children) UNCLE MAX! 1319 01:06:35,692 --> 01:06:37,427 HI! HI. 1320 01:06:37,461 --> 01:06:39,429 LISTEN, I'VE GOT TO SEE TOBY. HI, CHILDREN. 1321 01:06:39,463 --> 01:06:40,630 (children) NO! 1322 01:06:40,664 --> 01:06:42,466 (Max) OH, YEAH, YOU'RE GOING TO PLAY. 1323 01:06:42,499 --> 01:06:43,767 GO AND PLAY RHYTHM, RHYTHM. 1324 01:06:43,800 --> 01:06:47,037 OR PLAY HIDE AND SEEK, AND WOLF WILL BE IT. 1325 01:06:48,605 --> 01:06:50,107 COME ON. 1326 01:06:50,140 --> 01:06:51,608 OKAY, MARIE. 1327 01:06:54,078 --> 01:06:55,545 I GOT HERE AS SOON AS POSSIBLE. 1328 01:06:55,579 --> 01:06:56,813 YEAH? WHAT FOR? 1329 01:06:56,846 --> 01:06:58,415 WELL, I'M READY TO PROPOSE TO YOUR MOTHER. 1330 01:06:58,448 --> 01:06:59,416 WHERE IS SHE? 1331 01:06:59,449 --> 01:07:00,750 INSIDE, BUT DON'T BOTHER. 1332 01:07:00,784 --> 01:07:02,552 THE DEAL'S OFF. 1333 01:07:02,586 --> 01:07:03,653 COME HERE. 1334 01:07:03,687 --> 01:07:06,090 LOOK, YOU CAN KEEP THE ROCK COLLECTION 1335 01:07:06,123 --> 01:07:07,357 AND THE HANDCUFFS. 1336 01:07:07,391 --> 01:07:08,658 AND FORGET ABOUT THE RED HOTS. 1337 01:07:08,692 --> 01:07:11,061 I NEVER REALLY CARED FOR THEM ANYWAY. 1338 01:07:11,095 --> 01:07:12,762 THAT PART OF THE DEAL ISN'T WHAT BOTHERS ME. 1339 01:07:12,796 --> 01:07:14,164 WELL, WHAT PART DOES? 1340 01:07:14,198 --> 01:07:17,067 THE YOU PART. I THINK I'D RATHER HAVE BINDER. 1341 01:07:17,101 --> 01:07:18,568 YOU'RE NOT SO RELIABLE. 1342 01:07:18,602 --> 01:07:21,171 WELL, YOU'RE A FINE ONE TO TALK, TOBY. 1343 01:07:21,205 --> 01:07:22,839 IF YOU DON'T WANT ME FOR A FATHER, 1344 01:07:22,872 --> 01:07:24,774 THEN HOW AM I GONNA MARRY YOUR MOTHER? 1345 01:07:24,808 --> 01:07:27,611 WHICH IS SOMETHING I REALLY WANT TO DO. 1346 01:07:27,644 --> 01:07:29,113 VERY SIMPLE. 1347 01:07:29,146 --> 01:07:31,581 JUST ASK ME. 1348 01:07:31,615 --> 01:07:34,584 I THINK IT'S MY DECISION, NOT HIS, ISN'T IT? 1349 01:07:34,618 --> 01:07:35,819 DON'T YOU WANT A FATHER 1350 01:07:35,852 --> 01:07:37,687 WHO'S GONNA MAKE YOUR MOTHER VERY HAPPY? 1351 01:07:37,721 --> 01:07:38,855 BINDER'S BETTER. 1352 01:07:38,888 --> 01:07:40,690 YOU CAN COUNT ON HIM. 1353 01:07:40,724 --> 01:07:43,360 TOBY, BINDER IS BORING. 1354 01:07:43,393 --> 01:07:45,729 BINDER TOOK ME TO THE CARNIVAL SUNDAY. 1355 01:07:45,762 --> 01:07:47,597 YEAH, AND HOW WAS IT? 1356 01:07:47,631 --> 01:07:50,567 BORING. 1357 01:07:50,600 --> 01:07:51,701 TOBY, WHEN YOUR MOTHER AND I ARE MARRIED, 1358 01:07:51,735 --> 01:07:53,670 YOU'LL BE ABLE TO COUNT ON ME TOO. 1359 01:07:53,703 --> 01:07:55,439 I PROMISE. 1360 01:07:55,472 --> 01:07:58,442 OKAY, BUT SINCE YOU DON'T LIKE THE RED HOTS, 1361 01:07:58,475 --> 01:08:00,577 WELL, I GUESS I'LL KEEP 'EM ANYWAY. 1362 01:08:00,610 --> 01:08:01,745 THAT'S FAIR. 1363 01:08:08,385 --> 01:08:09,753 MIND IF I JOIN YOU? 1364 01:08:09,786 --> 01:08:11,788 WHAT ARE YOU DOING HERE? 1365 01:08:11,821 --> 01:08:13,890 I'VE NEVER BEEN TO THE GRAMMYS. 1366 01:08:13,923 --> 01:08:17,494 BE MY GUEST. 1367 01:08:17,527 --> 01:08:19,129 GOODY FOR ME. 1368 01:08:19,163 --> 01:08:20,364 GOODY FOR YOU TOO. 1369 01:08:20,397 --> 01:08:22,499 CONGRATULATIONS ON YOUR ENGAGEMENT. 1370 01:08:22,532 --> 01:08:23,500 WHEN'S THE HAPPY DAY? 1371 01:08:23,533 --> 01:08:24,601 SATURDAY. 1372 01:08:24,634 --> 01:08:26,870 SANDWICHED IN BETWEEN THE FIRST AND SECOND MOTOS. 1373 01:08:26,903 --> 01:08:29,173 AND AFTER THAT, STELLA'S CONCERT 1374 01:08:29,206 --> 01:08:30,440 AT THE MUSIC CENTER. 1375 01:08:30,474 --> 01:08:33,343 WELL, IT'S GONNA BE VERY BUSY. 1376 01:08:33,377 --> 01:08:35,679 THE 15TH? 1377 01:08:35,712 --> 01:08:37,647 YOU'RE CUTTING IT A LITTLE CLOSE, AREN'T YOU? 1378 01:08:37,681 --> 01:08:39,349 I HAD NO CHOICE IN THE MATTER. 1379 01:08:39,383 --> 01:08:40,584 IT WAS HER DECISION. 1380 01:08:40,617 --> 01:08:43,453 WELL, AT LEAST YOU'LL HAVE SAVED YOURSELF. 1381 01:08:43,487 --> 01:08:44,588 YEAH. 1382 01:08:44,621 --> 01:08:47,357 YOU DON'T LOOK TOO HAPPY ABOUT IT. 1383 01:08:47,391 --> 01:08:49,359 NOBODY SAID I HAD TO ENJOY IT. 1384 01:08:49,393 --> 01:08:51,628 BEATS LEVEL FOUR. 1385 01:08:52,896 --> 01:08:54,731 BUT YOUR HAIR LOOKS NICE. 1386 01:08:54,764 --> 01:08:57,734 THANK YOU. 1387 01:09:00,904 --> 01:09:03,907 [chatter and whoops] 1388 01:09:41,678 --> 01:09:42,646 JERRY! 1389 01:09:42,679 --> 01:09:44,881 GET ME AWAY FROM THEM! GET ME AWAY FROM THEM! 1390 01:09:44,914 --> 01:09:46,516 I WANT THEM AWAY FROM ME! 1391 01:09:46,550 --> 01:09:49,553 [screaming indistinctly] 1392 01:09:52,989 --> 01:09:55,359 AND THE WINNER IS... 1393 01:09:57,527 --> 01:09:59,463 ANY FOOL COULD SEE, STELLA SUMMERS. 1394 01:09:59,496 --> 01:10:01,731 [applause] 1395 01:10:01,765 --> 01:10:03,867 [orchestral music] 1396 01:10:03,900 --> 01:10:11,908 ♪ 1397 01:10:19,749 --> 01:10:21,351 THANK YOU. 1398 01:10:21,385 --> 01:10:23,420 WINNING THIS GRAMMY IS A GREAT HONOR. 1399 01:10:23,453 --> 01:10:26,656 AND TO THOSE WHO ARE NOT UP HERE WITH ME NOW 1400 01:10:26,690 --> 01:10:27,657 TO SHARE IT WITH ME, 1401 01:10:27,691 --> 01:10:30,894 MAX DEVLIN, MY MANAGER, 1402 01:10:30,927 --> 01:10:33,763 JERRY NADLER OF BLIZZARD, 1403 01:10:33,797 --> 01:10:37,000 I HAVE ONLY THIS TO SAY. 1404 01:10:37,033 --> 01:10:40,670 IT WAS A LONG, HARD PULL, MAN. 1405 01:10:40,704 --> 01:10:42,806 AND I'VE GOT NOBODY TO THANK BUT MYSELF. 1406 01:10:42,839 --> 01:10:46,376 [disapproving whispers] 1407 01:10:46,410 --> 01:10:47,744 [reluctant applause] 1408 01:10:47,777 --> 01:10:50,980 [orchestral music] 1409 01:10:51,014 --> 01:10:54,684 ♪ 1410 01:10:54,718 --> 01:10:57,821 MY GOD, SHE'S A MONSTER. 1411 01:10:57,854 --> 01:11:00,424 SHE'S FABULOUS, SWEETHEART. 1412 01:11:00,457 --> 01:11:01,925 IT'S JUST THE WAY WE LIKE 'EM. 1413 01:11:01,958 --> 01:11:04,861 ONE DOWN, TWO TO GO. 1414 01:11:04,894 --> 01:11:07,864 [triumphant festive music] 1415 01:11:07,897 --> 01:11:15,439 ♪ 1416 01:11:25,715 --> 01:11:27,617 COME ON. FAST, FAST. 1417 01:11:27,651 --> 01:11:29,753 THIS IS A SPECIALTY PRECAUTION INDEMNIFICATION THING 1418 01:11:29,786 --> 01:11:31,721 IN CASE OF AN ACCIDENT, DUH-DUH-DUH-DUH... 1419 01:11:31,755 --> 01:11:33,857 I, THE UNDERSIGNED, DECLARE THAT MY TRAINER, 1420 01:11:33,890 --> 01:11:35,592 MAX DEVLIN, DUH-DUH-DUH-DUH-DUH... 1421 01:11:35,625 --> 01:11:37,561 WILL TAKE SOLE RESPONSIBILITY FOR ME. 1422 01:11:37,594 --> 01:11:38,562 UH, HERE, NOW YOU SIGN IT. 1423 01:11:38,595 --> 01:11:40,730 ISN'T IT A LITTLE LATE IN THE GAME FOR THIS, MAX? 1424 01:11:40,764 --> 01:11:41,931 WELL, BETTER LATE THAN NEVER. 1425 01:11:41,965 --> 01:11:45,702 COME ON. SIGN IT. 1426 01:11:45,735 --> 01:11:47,371 [snorts] 1427 01:11:47,404 --> 01:11:48,805 MAX, YOUR SPELLING IS ATROCIOUS. 1428 01:11:48,838 --> 01:11:50,740 I TOLD YOU, "SOLE" IS S-O-L-E. 1429 01:11:50,774 --> 01:11:52,842 SIGN IT NOW. I'LL CORRECT IT LATER. 1430 01:11:52,876 --> 01:11:56,613 YEAH. ALL RIGHT. 1431 01:11:56,646 --> 01:12:00,550 (announcer) LADDERS COMING INTO THE POSITIONS NOW 1432 01:12:00,584 --> 01:12:03,420 FOR THE FEATURE EVENT OF THE AFTERNOON. 1433 01:12:05,422 --> 01:12:07,924 FANS WAITING TO SEE IF NERVE NORDLINGER CAN KEEP 1434 01:12:07,957 --> 01:12:08,958 HIS STREAK INTACT. 1435 01:12:08,992 --> 01:12:12,762 MOST OF THE FANS ARE HERE TO WATCH THE REMATCH 1436 01:12:12,796 --> 01:12:14,564 BETWEEN NORDLINGER AND HUNNIKER. 1437 01:12:22,806 --> 01:12:25,742 AND THERE THEY GO. THEY'RE OFF. 1438 01:12:25,775 --> 01:12:27,477 FEATURE RACE OF THE AFTERNOON. 1439 01:12:27,511 --> 01:12:30,614 AND IMMEDIATELY, NUMBER ONE, BIG BILLY HUNNIKER, 1440 01:12:30,647 --> 01:12:32,749 ALONG WITH NERVE NORDLINGER, 1441 01:12:32,782 --> 01:12:35,619 AND NUMBER NINE TRACY ALSO IN THERE. 1442 01:12:35,652 --> 01:12:40,624 A THREE-WAY RACE FOR THE LEAD. 1443 01:12:40,657 --> 01:12:44,394 JUST MAKE IT FAST AND SAFE. 1444 01:12:44,428 --> 01:12:45,662 WHY BOTHER WITH SAFE? 1445 01:12:45,695 --> 01:12:47,531 YOU ALREADY HAVE HIM DOWN ON PAPER. 1446 01:12:47,564 --> 01:12:49,799 'CAUSE I DON'T WANT HIM TO KILL HIMSELF. 1447 01:12:49,833 --> 01:12:52,936 (announcer) AND THEY'RE COMING DOWN THAT HILL IN GOOD SHAPE. 1448 01:12:55,705 --> 01:12:58,975 LOOKS LIKE SOMEBODY THERE HAD A PRIMARY CHAIN LOCK UP ON HIM. 1449 01:12:59,008 --> 01:13:00,977 HERE COMES HUNNIKER ON THE INSIDE. 1450 01:13:01,010 --> 01:13:02,479 OH, IT'S HUNNIKER. 1451 01:13:02,512 --> 01:13:03,747 [cheers] 1452 01:13:03,780 --> 01:13:04,948 TWO DOWN AND ONE TO GO. 1453 01:13:04,981 --> 01:13:06,750 I DIDN'T THINK IT WAS GONNA BE LIKE THAT. 1454 01:13:06,783 --> 01:13:08,552 WHAT DID YOU EXPECT? 1455 01:13:08,585 --> 01:13:10,720 I DON'T KNOW. I WASN'T THINKING. 1456 01:13:10,754 --> 01:13:13,723 [classical music] 1457 01:13:13,757 --> 01:13:21,765 ♪ 1458 01:13:39,883 --> 01:13:42,852 [Wagner's Bridal Chorus] 1459 01:13:42,886 --> 01:13:50,894 ♪ 1460 01:14:06,876 --> 01:14:09,646 (priest) BELOVED FAMILY AND FRIENDS, 1461 01:14:09,679 --> 01:14:12,215 WE ARE GATHERED HERE TO JOIN THIS MAN AND THIS WOMAN 1462 01:14:12,248 --> 01:14:13,483 IN THE BONDS OF HOLY MATRIMONY. 1463 01:14:13,517 --> 01:14:15,919 IF THERE'S ANYONE PRESENT WHO CAN SHOW JUST CAUSE 1464 01:14:15,952 --> 01:14:18,221 WHY THEY SHOULD NOT BE JOINED, LET HIM SPEAK NOW 1465 01:14:18,254 --> 01:14:20,557 OR FOREVER AFTER HOLD HIS PEACE. 1466 01:14:22,559 --> 01:14:24,027 WHAT A... WHO INVITED YOU? 1467 01:14:24,060 --> 01:14:26,963 I'M THE MAID OF HONOR. 1468 01:14:31,267 --> 01:14:34,738 (priest) DO YOU, MAXWELL DEVLIN, TAKE PENELOPE HART 1469 01:14:34,771 --> 01:14:36,606 TO BE YOUR LAWFULLY-WEDDED WIFE, 1470 01:14:36,640 --> 01:14:38,742 TO LOVE, TO HONOR, AND TO CHERISH 1471 01:14:38,775 --> 01:14:39,943 TILL DEATH DO YOU PART? 1472 01:14:39,976 --> 01:14:42,979 I DO. 1473 01:14:45,314 --> 01:14:46,583 DO YOU, PENELOPE HART, TAKE 1474 01:14:46,616 --> 01:14:48,852 MAXWELL DEVLIN TO BE YOUR LAWFULLY-WEDDED HUSBAND, 1475 01:14:48,885 --> 01:14:50,587 TO LOVE, TO HONOR, AND TO CHERISH 1476 01:14:50,620 --> 01:14:51,721 TILL DEATH DO YOU PART? 1477 01:14:51,755 --> 01:14:53,523 I DO. 1478 01:14:55,825 --> 01:14:57,026 BY THE POWER VESTED IN ME 1479 01:14:57,060 --> 01:14:58,795 BY THE LAWS OF THE STATE OF CALIFORNIA, 1480 01:14:58,828 --> 01:15:00,897 I NOW PRONOUNCE YOU HUSBAND AND WIFE. 1481 01:15:00,930 --> 01:15:04,668 [Mendelssohn's Wedding March] 1482 01:15:04,701 --> 01:15:07,671 ♪ 1483 01:15:07,704 --> 01:15:08,938 BETH HENRIETTA! 1484 01:15:08,972 --> 01:15:10,306 HELLO! 1485 01:15:10,339 --> 01:15:17,947 ♪ 1486 01:15:17,981 --> 01:15:21,818 WELL, SON, DID YOU FORGET ABOUT YOUR AGREEMENT 1487 01:15:21,851 --> 01:15:23,887 WITH DEAR, OLD DAD? 1488 01:15:25,889 --> 01:15:28,892 BUT I GET TO KEEP THE RED HOTS, OKAY? 1489 01:15:28,925 --> 01:15:31,961 WELL... OKAY. 1490 01:15:37,667 --> 01:15:39,669 [ominous bell rings] 1491 01:15:45,609 --> 01:15:46,943 MOM, I GOTTA TALK TO YOU FOR A SECOND. 1492 01:15:46,976 --> 01:15:47,977 SURE, WHAT? 1493 01:15:48,011 --> 01:15:50,246 OVER HERE. 1494 01:15:50,279 --> 01:15:52,849 EXCUSE ME. 1495 01:15:57,654 --> 01:15:59,756 TOBY, WHAT IS SO IMPORTANT 1496 01:15:59,789 --> 01:16:01,057 THAT YOU HAD TO DRAG ME AWAY FROM EVERYBODY? 1497 01:16:01,090 --> 01:16:03,026 IT'S SOMETHING ABOUT MAX. 1498 01:16:03,059 --> 01:16:04,661 I DON'T KNOW WHAT IT IS, 1499 01:16:04,694 --> 01:16:06,996 BUT I JUST DON'T SEEM TO LIKE HIM ANYMORE. 1500 01:16:07,030 --> 01:16:08,698 YOU'RE JUST JEALOUS. 1501 01:16:08,732 --> 01:16:09,799 IT'S NATURAL, OF COURSE. 1502 01:16:09,833 --> 01:16:14,237 NO, IT'S SOMETHING REALLY WEIRD AND BAD ABOUT MAX. 1503 01:16:14,270 --> 01:16:16,072 IN FACT, I HATE MAX! 1504 01:16:16,105 --> 01:16:17,974 SHH. 1505 01:16:18,007 --> 01:16:19,943 YOU SHOULD HAVE THOUGHT OF THAT BEFORE. 1506 01:16:19,976 --> 01:16:21,878 NOW SHAPE UP. GO PLAY. 1507 01:16:21,911 --> 01:16:25,081 SOME SWELL MARRIAGE WE'RE GONNA HAVE 1508 01:16:25,114 --> 01:16:26,282 IF HE HATES ME. 1509 01:16:26,315 --> 01:16:28,685 HE'LL BE IMPOSSIBLE TO LIVE WITH. 1510 01:16:28,718 --> 01:16:30,720 YOU DON'T HAVE TO WORRY ABOUT THAT. 1511 01:16:31,855 --> 01:16:34,023 SLIGHTEST HINT TO AGENT HARGRAVES, 1512 01:16:34,057 --> 01:16:35,959 AND IT'S ALL OVER. 1513 01:16:35,992 --> 01:16:38,227 WANNA SYNCHRONIZE YOUR WATCH? 1514 01:16:38,261 --> 01:16:40,830 THEY ALL SIGNED. 1515 01:16:40,864 --> 01:16:42,365 I'M FREE. 1516 01:16:43,933 --> 01:16:45,869 AREN'T I? 1517 01:16:45,902 --> 01:16:47,871 YES, YOU ARE. 1518 01:16:47,904 --> 01:16:50,674 BUT BY MIDNIGHT, THEY BELONG TO ME. 1519 01:16:50,707 --> 01:16:52,375 NOT UNTIL THE NATURAL END OF THEIR LIVES, 1520 01:16:52,408 --> 01:16:53,376 THAT'S WHAT YOU SAID. 1521 01:16:53,409 --> 01:16:56,680 POINT OF FACT... I LIED. 1522 01:16:56,713 --> 01:16:58,848 I NEED THEM NOW. 1523 01:16:58,882 --> 01:17:01,785 OH, NO, BARNEY. PLEASE. 1524 01:17:01,818 --> 01:17:04,020 I COULDN'T HAVE DONE IT IF I'D KNOWN THAT. 1525 01:17:04,053 --> 01:17:06,823 HE'S A GREAT KID. THEY'RE ALL GREAT KIDS. 1526 01:17:06,856 --> 01:17:09,025 BUT THAT KID... KILL HIM, AND YOU KILL HER! 1527 01:17:09,058 --> 01:17:13,930 UNFORTUNATELY, HER SOUL DOES NOT BELONG TO ME. 1528 01:17:13,963 --> 01:17:16,733 YOU WIN SOME, YOU LOSE SOME. 1529 01:17:16,766 --> 01:17:19,803 BUT THEN AGAIN, YOU HAVE 1530 01:17:19,836 --> 01:17:23,940 YOUR PRECIOUS LIFE. 1531 01:17:23,973 --> 01:17:26,943 [urgent music] 1532 01:17:26,976 --> 01:17:28,978 ♪ 1533 01:17:29,012 --> 01:17:30,046 OKAY, BARNEY. 1534 01:17:36,853 --> 01:17:38,454 I KNOW YOU'RE HERE. 1535 01:17:38,487 --> 01:17:42,959 LET ME SEE YOUR ROTTEN, LYING, DECEITFUL FACE NOW 1536 01:17:42,992 --> 01:17:45,428 WHEN I BURN YOUR CONTRACTS. 1537 01:17:45,461 --> 01:17:46,896 (Barney) BURN THOSE CONTRACTS, 1538 01:17:46,930 --> 01:17:53,002 AND ETERNAL DAMNATION IS YOURS. 1539 01:17:53,036 --> 01:17:57,807 YOU'LL KNOW THE UNMITIGATING PAIN AND HORROR 1540 01:17:57,841 --> 01:18:01,778 OF LIMBS BEING TORN FROM THEIR SOCKETS... 1541 01:18:01,811 --> 01:18:05,749 YOUR LIMBS, YOUR SOCKETS! 1542 01:18:05,782 --> 01:18:11,254 YOU'LL FEEL PAIN YOU NEVER IMAGINED IN LIFE. 1543 01:18:11,287 --> 01:18:13,757 YOURS. FOREVER. 1544 01:18:13,790 --> 01:18:17,360 FLESH YOU'LL SMELL BURNING. 1545 01:18:17,393 --> 01:18:20,797 YOUR FLESH ROTTING. 1546 01:18:20,830 --> 01:18:22,498 FOREVER. 1547 01:18:22,531 --> 01:18:24,500 YOU'LL NEVER GET THESE KIDS. 1548 01:18:24,533 --> 01:18:26,903 NEVER. 1549 01:18:26,936 --> 01:18:29,939 (Penny) MAX. 1550 01:18:34,443 --> 01:18:36,913 MAX. 1551 01:18:36,946 --> 01:18:38,414 MAX? 1552 01:18:40,950 --> 01:18:42,752 ARE YOU ALL RIGHT? 1553 01:18:42,786 --> 01:18:45,488 I HAVE TO GO NOW. 1554 01:18:45,521 --> 01:18:48,724 MAX, IT'S OUR WEDDING DAY. 1555 01:18:53,062 --> 01:18:55,398 THERE ARE PEOPLE WHO NEED ME. 1556 01:18:57,033 --> 01:19:00,269 I PROMISE TO COME BACK AS SOON AS I CAN. 1557 01:19:06,109 --> 01:19:07,743 MAX. 1558 01:19:23,927 --> 01:19:25,929 WELL, ANYWAYS, TO ANSWER YOUR QUESTION, 1559 01:19:25,962 --> 01:19:28,397 BIG BILLY HUNNIKER IS NOT ONLY A SWEETHEART OF A GUY, 1560 01:19:28,431 --> 01:19:31,034 HE'S ALSO ONE OF THE TRULY GREAT MX RACERS OF ALL TIME. 1561 01:19:35,504 --> 01:19:37,974 BUT CAN HE BEAT YOU OUT IN THE SECOND MOTO HERE TODAY, NERVE? 1562 01:19:38,007 --> 01:19:39,809 I WOULDN'T BE A BIT SURPRISED. 1563 01:19:39,843 --> 01:19:42,378 ESPECIALLY IF MY TRAINER DOESN'T SHOW UP. 1564 01:19:55,358 --> 01:19:57,393 SO THE WINNER OF THE 1980 NATIONALS 1565 01:19:57,426 --> 01:19:59,095 HERE IN ANAHEIM IS BIG BILLY HUNNIKER. 1566 01:19:59,128 --> 01:20:02,565 AS OF YET, NO WORD FROM MEDICS AS TO THE SEVERITY 1567 01:20:02,598 --> 01:20:05,401 OF INJURIES SUSTAINED TO NERVE NORDLINGER. 1568 01:20:05,434 --> 01:20:08,104 (Nerve) MAX! 1569 01:20:08,137 --> 01:20:09,372 OH, MAX, WHAT'D YOU MISS! 1570 01:20:09,405 --> 01:20:11,074 HOW'D IT HAPPEN? 1571 01:20:11,107 --> 01:20:12,508 I TRIPPED. ON YOUR BIKE? 1572 01:20:12,541 --> 01:20:15,044 NO, I TRIPPED BEFORE THE MOTO EVEN BEGAN. 1573 01:20:15,078 --> 01:20:16,479 OVER... OVER HER. 1574 01:20:16,512 --> 01:20:19,916 SHE DIDN'T SEE ME COMING, THOUGH, I MEAN... 1575 01:20:19,949 --> 01:20:24,553 SHE... I TRIPPED OVER HER AND FELL. 1576 01:20:24,587 --> 01:20:27,023 WHO ARE YOU? 1577 01:20:29,592 --> 01:20:32,395 WE HAVE THEM HERE TOO, YOU KNOW. 1578 01:20:32,428 --> 01:20:34,430 WE? 1579 01:20:36,665 --> 01:20:39,435 WHERE DO YOU COME FROM? 1580 01:20:40,970 --> 01:20:42,638 YOU'RE NOT GOING TO TAKE HIM AWAY NOW, 1581 01:20:42,671 --> 01:20:44,407 ARE YOU, YOUR HOLINESS? 1582 01:20:44,440 --> 01:20:47,944 OH, NO, HE'S MUCH TOO YOUNG TO DIE. 1583 01:20:55,484 --> 01:20:57,420 SO AM I. 1584 01:21:01,557 --> 01:21:04,360 I HOPE YOU'RE NOT MAD AT ME 1585 01:21:04,393 --> 01:21:06,963 FOR QUITTING THE RACING SCENE LIKE THAT. 1586 01:21:06,996 --> 01:21:08,564 I MEAN, AFTER ALL YOU'VE DONE FOR ME. 1587 01:21:08,597 --> 01:21:10,033 OH, DON'T BE SILLY. 1588 01:21:10,066 --> 01:21:12,001 I WAS THINKING OF MOVING ON ANYWAY. 1589 01:21:12,035 --> 01:21:14,337 I'M GONNA SEE YOU AGAIN, AREN'T I? 1590 01:21:14,370 --> 01:21:18,007 I DON'T THINK SO. 1591 01:21:18,041 --> 01:21:20,543 I'M GONNA BE GOING A LONG WAYS AWAY. 1592 01:21:20,576 --> 01:21:23,612 WELL, HEY, MAYBE I CAN SEE YOU WHEREVER YOU'RE GOING. 1593 01:21:23,646 --> 01:21:24,547 NO WAY. 1594 01:21:24,580 --> 01:21:26,983 I DON'T EVER WANNA SEE YOU WHERE I'M GOING. 1595 01:21:29,718 --> 01:21:33,322 I MEAN... THAT EVERYBODY HAS THEIR OWN THING 1596 01:21:33,356 --> 01:21:35,491 TO DO IN LIFE, RIGHT? 1597 01:21:38,527 --> 01:21:39,996 WELL, NOW, I GOTTA GO TO PLACES 1598 01:21:40,029 --> 01:21:43,399 THAT ARE REALLY HORRIBLE. 1599 01:21:43,432 --> 01:21:46,669 PLACES THAT NICE YOUNG MAN LIKE YOURSELF 1600 01:21:46,702 --> 01:21:48,304 SHOULD NEVER HAVE TO SEE. 1601 01:21:48,337 --> 01:21:50,006 OKAY? 1602 01:21:50,039 --> 01:21:53,009 WELL, AM I AT LEAST GONNA SEE YOU AT THE CONCERT TONIGHT? 1603 01:21:53,042 --> 01:21:54,610 NO, I DON'T THINK SO. 1604 01:21:54,643 --> 01:21:57,446 I'M GONNA BE GIVING UP ALL MY MANAGEMENT CONTRACTS, 1605 01:21:57,480 --> 01:21:59,082 EVEN STELLA'S. 1606 01:22:00,984 --> 01:22:02,018 I'LL SEE YOU AROUND THEN. 1607 01:22:02,051 --> 01:22:04,453 OH, YEAH, I'LL SEE YOU AROUND. 1608 01:22:09,692 --> 01:22:10,726 MAXY! 1609 01:22:10,759 --> 01:22:13,296 AH, THANK YOU FOR MY PARENTS. 1610 01:22:13,329 --> 01:22:14,663 THANK YOU. OH, IT'S... 1611 01:22:14,697 --> 01:22:17,400 LISTEN, STELLA, YOU KNOW HOW YOU SEEM TO BE COOLING IT 1612 01:22:17,433 --> 01:22:19,102 ON THE PERFORMING THING AND ALL? 1613 01:22:19,135 --> 01:22:20,669 WELL, I THINK NOW IS THE PERFECT TIME TO QUIT. 1614 01:22:20,703 --> 01:22:22,471 NOW? 1615 01:22:22,505 --> 01:22:24,640 WITH MY PARENTS OUT FRONT, BEFORE THE CONCERT? 1616 01:22:24,673 --> 01:22:27,010 ABSOLUTELY. ALL THE MORE REASON. MAX. 1617 01:22:27,043 --> 01:22:28,544 YOU KNOW HOW YOU ALWAYS WONDERED HOW COME YOU COULD SING 1618 01:22:28,577 --> 01:22:29,412 WHEN I WAS OUT THERE 1619 01:22:29,445 --> 01:22:31,114 AND NOT OTHERWISE, AND I KEPT TELLING YOU 1620 01:22:31,147 --> 01:22:33,482 THAT I COULD WORK MIRACLES, AND YOU BELIEVED ME? 1621 01:22:33,516 --> 01:22:34,750 WELL, I LIED. 1622 01:22:34,783 --> 01:22:37,053 I CAN'T MAKE MIRACLES, STELLA. 1623 01:22:37,086 --> 01:22:39,022 AND EVEN IF I COULD BEFORE, I CAN'T ANYMORE. 1624 01:22:39,055 --> 01:22:40,323 YOU'RE GONNA GO OUT THERE AND DIE. 1625 01:22:40,356 --> 01:22:42,158 YOU'RE GONNA FALL FLAT ON YOUR FACE. 1626 01:22:42,191 --> 01:22:43,159 I AM NOT. 1627 01:22:43,192 --> 01:22:44,493 I AM NOT. 1628 01:22:44,527 --> 01:22:46,129 STELLA, I'M GONNA PROVE IT TO YOU. 1629 01:22:46,162 --> 01:22:47,163 I'M GONNA WALK AROUND THIS CORNER, 1630 01:22:47,196 --> 01:22:49,498 AND YOU TRY TO SING, AND YOU WON'T BE ABLE TO. 1631 01:22:49,532 --> 01:22:51,734 NOW I'M WALKING AROUND THE CORNER, STELLA. 1632 01:22:51,767 --> 01:22:53,302 MAX. 1633 01:22:53,336 --> 01:22:54,570 MAX! 1634 01:22:57,073 --> 01:22:58,107 COME ON. 1635 01:22:58,141 --> 01:23:00,143 JERRY AND OTHER OTHERS, THEY ALWAYS SAID TO ME, 1636 01:23:00,176 --> 01:23:03,312 SAID MIRACLES IS ANOTHER WORD FOR CONFIDENCE. 1637 01:23:03,346 --> 01:23:04,580 I DON'T KNOW WHY YOU WANT TO TAKE MY CONFIDENCE 1638 01:23:04,613 --> 01:23:06,649 AWAY FROM ME NOW. 1639 01:23:06,682 --> 01:23:10,319 YOU ALWAYS BEEN SO GOOD TO ME, MAX. 1640 01:23:10,353 --> 01:23:13,556 AND IF EVER THERE WAS A TIME I WANTED TO BE GOOD... 1641 01:23:16,625 --> 01:23:18,461 I DON'T BELIEVE YOU. 1642 01:23:18,494 --> 01:23:20,563 I'M NOT GONNA LET YOU DO THIS TO ME. 1643 01:23:20,596 --> 01:23:23,066 BYE, STELLA. 1644 01:23:23,099 --> 01:23:24,433 HAVE A HAPPY... 1645 01:23:24,467 --> 01:23:25,601 MAX. 1646 01:23:25,634 --> 01:23:27,770 YOU KNOW, IF I'M GONNA FALL ON MY FACE, YOU CAN WATCH. 1647 01:23:31,707 --> 01:23:32,708 BYE, STELLA. 1648 01:23:34,177 --> 01:23:36,545 BYE. 1649 01:23:36,579 --> 01:23:39,482 MAX? 1650 01:23:39,515 --> 01:23:41,784 I'M GONNA MISS YOU. 1651 01:24:06,375 --> 01:24:07,776 OH, HI. YOU'RE BACK. 1652 01:24:07,810 --> 01:24:10,513 YEAH. 1653 01:24:10,546 --> 01:24:12,615 NOT FOR LONG, I'M AFRAID. 1654 01:24:12,648 --> 01:24:14,850 WHAT DO YOU MEAN? 1655 01:24:14,883 --> 01:24:18,754 UH, LOOK... 1656 01:24:18,787 --> 01:24:23,859 AT 12:00 I GOTTA BE SOMEWHERE ELSE. 1657 01:24:23,892 --> 01:24:25,794 SO I GUESS I OUGHTA TAKE OFF NOW. 1658 01:24:25,828 --> 01:24:28,431 BUT YOU'LL BE BACK. 1659 01:24:28,464 --> 01:24:29,465 YOU ALWAYS COME BACK. 1660 01:24:31,700 --> 01:24:33,436 NOT THIS TIME, SPORT. 1661 01:24:34,670 --> 01:24:40,576 WHERE I'M GOING IS TOO FAR AWAY TO COME BACK FROM. 1662 01:24:40,609 --> 01:24:44,680 UH, I JUST WANTED TO SAY GOOD-BYE. 1663 01:24:44,713 --> 01:24:46,715 YOU PROMISED. 1664 01:24:48,917 --> 01:24:51,120 WHAT'S THE MATTER? DON'T I RATE A GOOD-BYE? 1665 01:24:53,389 --> 01:24:55,558 YOU KNOW, IT REALLY STINKS. 1666 01:24:55,591 --> 01:24:59,162 EVERY FATHER I GET ALWAYS GOES AWAY AND NEVER COMES BACK. 1667 01:24:59,195 --> 01:25:02,598 ARE YOU GONNA DIE ON ME TOO? 1668 01:25:05,601 --> 01:25:06,869 AND WHAT ABOUT MOM? 1669 01:25:06,902 --> 01:25:09,338 WELL, WHAT'S SHE GONNA DO? 1670 01:25:09,372 --> 01:25:12,408 LOOK, TOBY, YOUR MOTHER'S A GREAT LADY... 1671 01:25:12,441 --> 01:25:17,413 SHE'LL GET ALONG JUST FINE WITHOUT ME. 1672 01:25:17,446 --> 01:25:19,715 NO, I WON'T. 1673 01:25:22,485 --> 01:25:24,520 TOBY. 1674 01:25:28,757 --> 01:25:30,726 I LOVE YOU, MAX. 1675 01:25:33,196 --> 01:25:36,599 HOW COULD YOU POSSIBLY LOVE ME? 1676 01:25:36,632 --> 01:25:39,468 I'M NOT LOVABLE. 1677 01:25:39,502 --> 01:25:42,571 I'M NOT EVEN NICE. 1678 01:25:42,605 --> 01:25:44,707 I'M IRRESPONSIBLE, UNRELIABLE, 1679 01:25:44,740 --> 01:25:47,376 YOU'VE SAID SO YOURSELF A MILLION TIMES. 1680 01:25:47,410 --> 01:25:51,447 LOOK, EVEN IF WE TRY, I'LL STILL PROBABLY LEAVE YOU 1681 01:25:51,480 --> 01:25:53,816 WITHOUT ANY WARNING. 1682 01:25:53,849 --> 01:25:55,918 I'M A ROTTEN PERSON. 1683 01:25:55,951 --> 01:25:59,855 THE ONLY TROUBLE WITH YOU, MAX, IS YOU HAVE NO SELF IMAGE. 1684 01:25:59,888 --> 01:26:01,724 YOU NOTICED? 1685 01:26:06,795 --> 01:26:08,797 OH, MY GOD. 1686 01:26:08,831 --> 01:26:12,368 I DON'T BELIEVE IT. 1687 01:26:12,401 --> 01:26:15,904 WHAT IS IT, MAX? WHAT'S WRONG? 1688 01:26:15,938 --> 01:26:17,640 IT'S ME. 1689 01:26:17,673 --> 01:26:19,675 I DON'T BELIEVE IT. 1690 01:26:20,843 --> 01:26:21,910 IT'S ME IN THE MIRROR. 1691 01:26:21,944 --> 01:26:24,680 I-I DON'T BELIEVE IT. 1692 01:26:24,713 --> 01:26:26,982 I WON. 1693 01:26:27,015 --> 01:26:30,486 I WON. 1694 01:26:30,519 --> 01:26:31,787 I WON. 1695 01:26:31,820 --> 01:26:32,921 WON WHAT? 1696 01:26:32,955 --> 01:26:36,359 I BEAT THAT LOUSY, ROTTEN, SLIMY, 1697 01:26:36,392 --> 01:26:37,493 NO-GOOD SON OF A... BEAT WHO? 1698 01:26:37,526 --> 01:26:39,695 BARNEY! I BEAT BARNEY! 1699 01:26:39,728 --> 01:26:41,430 HE HAD MY SOUL. 1700 01:26:41,464 --> 01:26:43,466 ARE YOU ALL RIGHT, MAX? 1701 01:26:43,499 --> 01:26:46,502 ALL RIGHT? 1702 01:26:46,535 --> 01:26:49,738 I'VE NEVER BEEN MORE ALL RIGHT IN MY LIFE. 1703 01:26:49,772 --> 01:26:50,973 HELLO. 1704 01:26:51,006 --> 01:26:54,410 THAT'S THE MOST AMAZING SIGHT I'VE EVER SEEN. 1705 01:26:54,443 --> 01:26:55,611 YOU'RE TALKING CRAZY, MAX. 1706 01:26:55,644 --> 01:26:57,446 DON'T... I KNOW IT'S CRAZY. 1707 01:26:57,480 --> 01:26:58,981 I KNOW... I KNOW... I KNOW IT SOUNDS CRAZY, 1708 01:26:59,014 --> 01:27:01,450 I KNOW THAT, BUT IT'S SO BASIC. 1709 01:27:01,484 --> 01:27:02,451 IT'S JUST SO SIMPLE. 1710 01:27:02,485 --> 01:27:03,719 IT'S LIKE IT'S GOOD AND BAD. 1711 01:27:03,752 --> 01:27:05,954 AND HEAVEN AND HELL AND GOD AND THE DEVIL. 1712 01:27:05,988 --> 01:27:08,691 PENNY, LOOK, ALL MY LIFE, 1713 01:27:08,724 --> 01:27:09,892 I MADE WRONG CHOICES. 1714 01:27:09,925 --> 01:27:11,594 I MADE WRONG CHOICES! 1715 01:27:11,627 --> 01:27:14,797 BUT THIS TIME I MADE THE RIGHT CHOICE, 1716 01:27:14,830 --> 01:27:16,532 AND THE DEVIL LOST MY SOUL. 1717 01:27:16,565 --> 01:27:18,000 HE LOST ME. 1718 01:27:18,033 --> 01:27:20,569 I'M GONNA CALL THE DOCTOR. 1719 01:27:20,603 --> 01:27:23,706 NO, NO, NO, PLEASE, PLEASE, PENNY, YOU HAVE TO TRUST ME. 1720 01:27:23,739 --> 01:27:24,607 PLEASE, TRUST ME. 1721 01:27:24,640 --> 01:27:26,775 I SWEAR, I'LL EXPLAIN EVERYTHING TO YOU. 1722 01:27:26,809 --> 01:27:30,379 BUT YOU HAVE TO TRUST ME NOW BECAUSE I LOVE YOU. 1723 01:27:30,413 --> 01:27:32,648 MORE THAN LIFE ITSELF. 1724 01:27:32,681 --> 01:27:35,851 AND YOU'RE NOT LEAVING, RIGHT? 1725 01:27:35,884 --> 01:27:38,821 I'LL NEVER LEAVE YOU. 1726 01:27:38,854 --> 01:27:41,924 WHERE'S TOBY? 1727 01:27:41,957 --> 01:27:43,392 TOBY! 1728 01:27:43,426 --> 01:27:44,793 TO... COME ON, WE GOTTA GO TO A CONCERT. 1729 01:27:44,827 --> 01:27:46,995 A CONCERT? 1730 01:27:47,029 --> 01:27:50,833 [music strikes up] 1731 01:27:50,866 --> 01:27:53,836 [cheers and applause] 1732 01:27:53,869 --> 01:28:01,877 ♪ 1733 01:28:14,657 --> 01:28:17,893 THANK YOU. 1734 01:28:17,926 --> 01:28:22,631 OF ALL THE AUDIENCES THAT I'VE EVER SUNG FOR, 1735 01:28:22,665 --> 01:28:25,000 I KNOW YOU'RE GONNA BE THE BEST. 1736 01:28:25,033 --> 01:28:27,370 THANK YOU. 1737 01:28:28,737 --> 01:28:30,639 BUT YOU'RE ALSO GONNA BE THE LAST. 1738 01:28:30,673 --> 01:28:32,475 [groans] 1739 01:28:32,508 --> 01:28:34,577 JUST FOR A WHILE. JUST FOR A WHILE. 1740 01:28:36,579 --> 01:28:39,715 YOU SEE, A YEAR IS A... 1741 01:28:39,748 --> 01:28:42,918 A LONG TIME TO BE AWAY FROM YOUR FAMILY. 1742 01:28:42,951 --> 01:28:46,422 AND YOUR HOME. 1743 01:28:46,455 --> 01:28:51,627 AND NO MATTER HOW SQUARE YOU ALWAYS THOUGHT THEY WERE, 1744 01:28:51,660 --> 01:28:53,562 REALLY DO GET TO MISSING THEM. 1745 01:28:53,596 --> 01:28:55,798 REALLY GET TO MISSING SCHOOL. 1746 01:28:55,831 --> 01:28:58,734 [laughter] 1747 01:28:58,767 --> 01:29:02,771 BUT NOW I'M GOING TO MISS ALL OF YOU. 1748 01:29:05,641 --> 01:29:08,377 BUT MOST OF ALL, I'M GONNA MISS A MAN 1749 01:29:08,411 --> 01:29:10,413 WHO... 1750 01:29:11,947 --> 01:29:14,650 IT'S, YOU KNOW, IT'S THAT THING THAT EVERYBODY ALWAYS SAYS. 1751 01:29:16,652 --> 01:29:19,655 EXCEPT I REALLY DO MEAN IT. 1752 01:29:21,657 --> 01:29:25,394 IF IT WASN'T FOR HIM, I WOULDN'T BE HERE RIGHT NOW. 1753 01:29:25,428 --> 01:29:34,036 ♪ 1754 01:29:34,069 --> 01:29:37,906 ♪ SO HERE I AM 1755 01:29:37,940 --> 01:29:41,844 ♪ ALONE AGAIN 1756 01:29:41,877 --> 01:29:47,516 ♪ NOT ALL LIKE I THOUGHT THAT I WOULD BE ♪ 1757 01:29:47,550 --> 01:29:53,622 ♪ YES, I LOST MY WAY 1758 01:29:53,656 --> 01:30:01,430 ♪ SEEMS LIKE YESTERDAY 1759 01:30:01,464 --> 01:30:06,001 ♪ SOMEBODY PROMISED ME THE SUNSHINE ♪ 1760 01:30:06,034 --> 01:30:12,675 ♪ SOMEBODY PROMISED ME THE MOON ♪ 1761 01:30:12,708 --> 01:30:19,548 ♪ SOMEBODY TOLD ME THERE'D BE ROSES AND RAINBOWS ♪ 1762 01:30:19,582 --> 01:30:24,953 ♪ I ONLY HOPE THEY'LL GET HERE SOON ♪ 1763 01:30:24,987 --> 01:30:31,627 ♪ SEEMS I'VE BEEN WAITING HERE FOREVER ♪ 1764 01:30:31,660 --> 01:30:37,032 ♪ THINKING THAT LOVE WOULD COME FOR FREE ♪ 1765 01:30:37,065 --> 01:30:43,639 ♪ SOMEONE'S STILL WAITING FOR THOSE ROSES AND RAINBOWS ♪ 1766 01:30:43,672 --> 01:30:49,645 ♪ I HOPE THAT SOMEONE WON'T BE ME ♪ 1767 01:30:49,678 --> 01:30:50,946 YOU SEE, MAXY. 1768 01:30:50,979 --> 01:30:54,517 ♪ 1769 01:30:54,550 --> 01:31:01,524 ♪ SO LET GO NOW, YOU'RE ON YOUR OWN ♪ 1770 01:31:01,557 --> 01:31:06,629 ♪ IT'S OKAY TO BE LONELY NOW AND THEN ♪ 1771 01:31:06,662 --> 01:31:11,767 ♪ OPEN UP YOUR EYES 1772 01:31:11,800 --> 01:31:17,906 ♪ YOU ARE MUCH TOO WISE 1773 01:31:17,940 --> 01:31:21,944 ♪ IF SOMEONE PROMISES YOU SUNSHINE ♪ 1774 01:31:21,977 --> 01:31:27,783 ♪ YOU BETTER KNOW THERE'LL STILL BE RAIN ♪ 1775 01:31:27,816 --> 01:31:33,055 ♪ IF SOMEONE SAYS THEY'LL BRING YOU ROSES AND RAINBOWS ♪ 1776 01:31:33,088 --> 01:31:38,727 ♪ YOU BETTER TAKE A LOOK AGAIN ♪ 1777 01:31:38,761 --> 01:31:43,932 ♪ YOU BETTER FIND OUT WHO YOU ARE, GIRL ♪ 1778 01:31:43,966 --> 01:31:48,771 ♪ BEFORE YOU RUN TO SOMEONE ELSE ♪ 1779 01:31:48,804 --> 01:31:54,042 ♪ INSTEAD OF WAITING FOR THOSE ROSES AND RAINBOWS ♪ 1780 01:31:54,076 --> 01:31:59,281 ♪ YOU BETTER GIVE THEM TO YOURSELF ♪ 1781 01:31:59,314 --> 01:32:03,952 ♪ SOMEBODY PROMISED ME THE SUNSHINE ♪ 1782 01:32:03,986 --> 01:32:09,625 ♪ SOMEBODY PROMISED ME THE MOON ♪ 1783 01:32:09,658 --> 01:32:14,663 ♪ SOMEBODY TOLD ME THERE'D BE ROSES AND RAINBOWS ♪ 1784 01:32:14,697 --> 01:32:20,068 ♪ AND NOW I KNOW THEY'RE COMING SOON ♪ 1785 01:32:20,102 --> 01:32:25,040 ♪ AND NOW I'M READY FOR THE SUNSHINE ♪ 1786 01:32:25,073 --> 01:32:30,345 ♪ AND I'M AS HAPPY AS CAN BE ♪ 1787 01:32:30,378 --> 01:32:35,884 ♪ AND ALL MY DAYS ARE FILLED WITH ROSES AND RAINBOWS ♪ 1788 01:32:35,918 --> 01:32:41,323 ♪ MY LIFE BELONGS TO ME 1789 01:32:41,356 --> 01:32:46,561 ♪ MY LIFE BELONGS TO ME ♪ 1790 01:32:53,902 --> 01:32:56,304 [cheers and applause] 1791 01:32:58,907 --> 01:33:01,009 [silently] THANK YOU VERY MUCH. 1792 01:33:01,043 --> 01:33:06,048 ♪ IF SOMEONE PROMISES YOU SUNSHINE ♪ 1793 01:33:06,081 --> 01:33:10,786 ♪ YOU BETTER KNOW THERE'LL STILL BE RAIN ♪ 1794 01:33:10,819 --> 01:33:15,290 ♪ IF SOMEONE SAYS THEY'LL BRING YOU ROSES AND RAINBOWS ♪ 1795 01:33:15,323 --> 01:33:20,395 ♪ YOU BETTER TAKE A LOOK AGAIN ♪ 1796 01:33:20,428 --> 01:33:25,067 ♪ YOU BETTER FIND OUT WHO YOU ARE, GIRL ♪ 1797 01:33:25,100 --> 01:33:29,337 ♪ BEFORE YOU RUN TO SOMEONE ELSE ♪ 1798 01:33:29,371 --> 01:33:33,909 ♪ INSTEAD OF WAITING FOR THOSE ROSES AND RAINBOWS ♪ 1799 01:33:33,942 --> 01:33:39,715 ♪ YOU BETTER GIVE THEM TO YOURSELF ♪ 1800 01:33:39,748 --> 01:33:41,817 ♪ OH 1801 01:33:41,850 --> 01:33:46,354 ♪ IF SOMEONE PROMISES YOU SUNSHINE ♪ 1802 01:33:46,388 --> 01:33:51,059 ♪ YOU BETTER KNOW THERE'LL STILL BE RAIN ♪ 1803 01:33:51,093 --> 01:33:55,898 ♪ IF SOMEONE SAYS THEY'LL BRING YOU ROSES AND RAINBOWS ♪ 1804 01:33:55,931 --> 01:34:00,335 ♪ YOU BETTER TAKE A LOOK AGAIN ♪ 1805 01:34:00,368 --> 01:34:05,040 ♪ YOU BETTER FIND OUT WHO YOU ARE, GIRL ♪ 1806 01:34:05,073 --> 01:34:10,245 ♪ BEFORE YOU RUN TO SOMEONE ELSE ♪ 1807 01:34:10,278 --> 01:34:14,449 ♪ INSTEAD OF WAITING FOR THOSE ROSES AND RAINBOWS ♪ 1808 01:34:14,482 --> 01:34:20,355 ♪ YOU BETTER GIVE THEM TO YOURSELF ♪ 1809 01:34:20,388 --> 01:34:21,990 ♪ OH 1810 01:34:22,024 --> 01:34:26,729 ♪ SOMEBODY PROMISED ME THE SUNSHINE ♪ 1811 01:34:26,762 --> 01:34:30,966 ♪ SOMEBODY PROMISED ME THE MOON ♪ 1812 01:34:30,999 --> 01:34:35,971 ♪ SOMEBODY TOLD ME THERE'D BE ROSES AND RAINBOWS ♪ 1813 01:34:36,004 --> 01:34:40,843 ♪ AND NOW I KNOW THEY'RE COMING SOON ♪ 1814 01:34:40,876 --> 01:34:45,714 ♪ AND NOW I'M READY FOR THE SUNSHINE ♪ 1815 01:34:45,748 --> 01:34:50,285 ♪ AND I'M AS HAPPY AS CAN BE ♪ 1816 01:34:50,318 --> 01:34:54,990 ♪ AND ALL MY DAYS ARE FILLED WITH ROSES AND RAINBOWS ♪ 1817 01:34:55,023 --> 01:34:59,995 ♪ MY LIFE BELONGS TO ME ♪ 1818 01:35:00,028 --> 01:35:03,031 Captioning by CaptionMax www.captionmax.com 116898