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These are the user uploaded subtitles that are being translated: 1 00:01:46,100 --> 00:01:47,850 "THE PARTY WAS A MERRY ONE. 2 00:01:48,020 --> 00:01:52,190 "ICHABOD CRANE WAS AT HIS BEST WHEN HE DANCED WITH KATRINA VAN TASSEL. 3 00:01:52,360 --> 00:01:53,570 "ICHABOD ATE HEARTILY, 4 00:01:53,730 --> 00:01:55,900 "THEN HE WENT OUT ON THE PORCH WITH THE MEN 5 00:01:56,070 --> 00:01:58,570 AND EXCHANGED SLEEPY HOLLOW GHOST STORIES." 6 00:01:58,740 --> 00:02:01,030 I WANT TO GO WITH YOU AND MARY. 7 00:02:01,200 --> 00:02:02,490 YOU'RE TOO LITTLE. 8 00:02:02,660 --> 00:02:05,240 THIS IS THE NIGHT THAT THE GHOSTS AND GOBLINS ARE OUT. 9 00:02:05,410 --> 00:02:07,160 I CAN RUN FAST. 10 00:02:07,330 --> 00:02:09,040 NOT AS FAST AS GHOSTS. 11 00:02:09,210 --> 00:02:10,250 LISTEN. 12 00:02:10,420 --> 00:02:13,290 "ICHABOD STARTED HOME ON THE GAUNT GUNPOWDER." 13 00:02:13,460 --> 00:02:14,920 THAT'S THE NAME OF HIS HORSE. 14 00:02:15,090 --> 00:02:18,260 "ICHABOD SAW SOMETHING HUGE AND WHITE UNDER A TREE. 15 00:02:18,420 --> 00:02:20,050 Laura: "HE CALLED, BUT GOT NO ANSWER. 16 00:02:20,220 --> 00:02:22,970 "ICHABOD'S HAIR STOOD STRAIGHT ON END. 17 00:02:23,140 --> 00:02:24,100 "THE STRANGER. 18 00:02:24,260 --> 00:02:25,930 "IT LOOKED LIKE A HEADLESS HORSEMAN, 19 00:02:26,100 --> 00:02:28,020 "BUT IT SEEMED TO HOLD ITS HEAD ON THE CANTLE. 20 00:02:28,180 --> 00:02:30,310 Laura: KEPT PACE WITH HIM FAST OR SLOW." 21 00:02:30,480 --> 00:02:32,020 HE DIDN'T HAVE ANY HEAD? 22 00:02:32,190 --> 00:02:35,520 NOT WHERE IT SHOULD BE. IT WAS IN HIS HANDS. 23 00:02:35,690 --> 00:02:36,940 Laura: "ICHABOD WAS SO FRIGHTENED--" 24 00:02:37,110 --> 00:02:38,780 THANK YOU, DARLING. 25 00:02:38,950 --> 00:02:42,700 Laura: "WHEN HE REACHED THE BRIDGE, HE HEARD THE HORSEMAN CLOSE IN ON HIM. 26 00:02:42,870 --> 00:02:45,580 "AS HE TURNED TO LOOK, THE SPIRIT THREW ITS HEAD AT ICHABOD. 27 00:02:45,740 --> 00:02:48,450 HE TRIED TO DODGE, BUT THE HEAD TUMBLED HIM INTO THE DUST." 28 00:02:48,620 --> 00:02:51,330 IF SHE DOESN'T HURRY, IT WILL BE TIME TO GET BACK BEFORE WE EVEN LEAVE. 29 00:02:51,500 --> 00:02:52,830 I KNOW THE STORY. SHE'S ALMOST DONE. 30 00:02:53,000 --> 00:02:56,960 "BUT ICHABOD WAS NEVER SEEN IN SLEEPY HOLLOW AGAIN." 31 00:02:57,130 --> 00:02:59,420 WHAT HAPPENED TO HIM? 32 00:02:59,590 --> 00:03:01,840 I DON'T KNOW. THAT'S THE END OF THE STORY. 33 00:03:04,010 --> 00:03:05,390 GOOD NIGHT. 34 00:03:07,310 --> 00:03:08,720 HEY, REMEMBER, YOU TWO, I WANT YOU HOME BY 9:30. 35 00:03:08,890 --> 00:03:10,480 WE DON'T HAVE A WATCH. 36 00:03:10,640 --> 00:03:12,730 YOU'VE GOT A CLOCK RIGHT IN THE SKY. IT'S A FULL MOON TONIGHT. 37 00:03:12,900 --> 00:03:14,690 WHEN IT CLIMBS HIGH ENOUGH TO PEEK OVER THE TOP OF THE TREES, 38 00:03:14,860 --> 00:03:16,730 IT'LL BE 9:00, TIME FOR YOU TO START HOME. 39 00:03:16,900 --> 00:03:17,820 WE'LL WATCH IT. 40 00:03:17,980 --> 00:03:18,860 ALL RIGHT. GOT YOUR SOAP? 41 00:03:19,030 --> 00:03:20,320 YEP. 42 00:03:20,490 --> 00:03:22,150 ALL RIGHT, SCOOT. HAVE A GOOD TIME. WATCH OUT FOR GHOSTS. 43 00:03:22,320 --> 00:03:23,490 Laura: THERE AREN'T ANY GHOSTS. 44 00:03:23,660 --> 00:03:25,120 ON HALLOWEEN EVE? I WOULDN'T BE SO SURE. 45 00:03:25,280 --> 00:03:27,950 - HA HA! BYE. - HAVE A GOOD TIME. 46 00:03:32,580 --> 00:03:35,170 I NEVER THOUGHT I'D SEE YOU ENCOURAGE SOAPING WINDOWS. 47 00:03:35,340 --> 00:03:36,340 WELL, IT'S NOT MY IDEA, IT'S OLESON'S. 48 00:03:36,500 --> 00:03:37,960 SEE, THE KIDS HAVE FUN DOING IT, 49 00:03:38,130 --> 00:03:39,880 AND THEN HE DOESN'T HAVE TO SUPPLY THE SOAP THE NEXT DAY 50 00:03:40,050 --> 00:03:41,220 WHEN HE WASHES THE WINDOWS. 51 00:03:41,380 --> 00:03:42,760 OH! 52 00:03:42,930 --> 00:03:45,260 Carrie: IT'S TOO DARK. I'M SCARED. 53 00:03:45,430 --> 00:03:48,180 I KNEW IT. THOSE GHOST STORIES. 54 00:03:53,850 --> 00:03:56,310 WHAT'S WRONG, CARRIE? 55 00:03:56,480 --> 00:03:58,360 I SAW SOMETHING. 56 00:03:59,070 --> 00:04:00,650 WHAT WAS IT? 57 00:04:00,820 --> 00:04:03,740 I DON'T KNOW. IT MOVED. 58 00:04:03,910 --> 00:04:05,490 WHERE? 59 00:04:05,660 --> 00:04:08,580 DOWN THERE, UNDER MY COVERS. 60 00:04:10,620 --> 00:04:11,950 Caroline: HERE? 61 00:04:12,120 --> 00:04:13,580 YES, MA'AM. 62 00:04:15,380 --> 00:04:16,750 CARRIE... 63 00:04:19,050 --> 00:04:20,670 THOSE ARE YOUR FEET. 64 00:04:21,550 --> 00:04:23,590 I'M AFRAID OF FEET. 65 00:04:26,340 --> 00:04:28,760 NOW, THERE'S NOTHING TO BE AFRAID OF. 66 00:04:31,560 --> 00:04:32,890 COME ON. 67 00:04:38,020 --> 00:04:40,230 THERE IS NOTHING TO BE AFRAID OF. 68 00:04:43,240 --> 00:04:45,240 NOW GO BACK TO SLEEP. 69 00:05:37,790 --> 00:05:38,870 MA! 70 00:05:39,040 --> 00:05:40,380 [BARKING] 71 00:05:45,130 --> 00:05:47,340 YOU MADE US LATE, SO THEY ALREADY SOAPED ALL THE WINDOWS. 72 00:05:47,510 --> 00:05:49,010 WELL, THERE'S PLENTY MORE. 73 00:05:49,180 --> 00:05:51,600 I'M GOING TO GO AROUND THE CORNER AND SOAP THE OTHER WINDOWS. 74 00:05:57,980 --> 00:05:59,310 [DOOR CREAKS] 75 00:06:14,740 --> 00:06:16,500 Harriet: I ASK FOR ONE LITTLE TRIP, 76 00:06:16,660 --> 00:06:18,870 AND YOU SAY WE CAN'T AFFORD IT, 77 00:06:19,040 --> 00:06:21,670 AND THEN YOU WASTE MONEY WITH BOTH HANDS! 78 00:06:21,830 --> 00:06:24,460 SPENDING OUR HARD-EARNED MONEY ON HER! 79 00:06:24,630 --> 00:06:26,960 YOU LEAVE HER OUT OF IT. SHE'S NONE OF YOUR BUSINESS. 80 00:06:27,130 --> 00:06:29,260 SHE IS, WHEN YOU SPEND OUR MONEY ON HER! 81 00:06:29,430 --> 00:06:30,430 I BUY WHAT WE NEED. 82 00:06:30,590 --> 00:06:33,720 Harriet: OH! YEAH, LIKE A SILLY TIN SWORD 83 00:06:33,890 --> 00:06:36,810 YOU JUST COULDN'T DO WITHOUT. 84 00:06:36,970 --> 00:06:40,770 THESE SWORDS ARE MADE OF THE FINEST TOLEDO STEEL, 85 00:06:40,940 --> 00:06:43,900 AND THEY COME FROM MY FAMILY COAT OF ARMS. 86 00:06:44,070 --> 00:06:46,690 Harriet: THEY'RE TIN SWORDS, AND A COAT OF ARMS 87 00:06:46,860 --> 00:06:49,070 AS BOGUS AS THE PEDDLER WHO SOLD THEM TO YOU. 88 00:06:49,240 --> 00:06:50,610 Nels: TIN, HUH? 89 00:06:50,780 --> 00:06:51,860 Harriet: YEAH. 90 00:06:52,030 --> 00:06:53,490 ALL RIGHT. I'LL SHOW YOU. 91 00:06:55,030 --> 00:06:57,580 Harriet: NELS, YOU PUT THAT THING DOWN. 92 00:06:57,750 --> 00:06:58,750 Nels: TIN, IS IT? 93 00:06:58,910 --> 00:07:01,210 I'LL SHOW YOU WHETHER IT'S TIN! 94 00:07:01,370 --> 00:07:02,460 [METAL CLANGS] 95 00:07:02,630 --> 00:07:03,960 [CRASH] 96 00:07:04,790 --> 00:07:07,210 Nels: WHO'S THERE? 97 00:07:07,380 --> 00:07:09,760 OH, LAURA INGALLS! 98 00:07:15,890 --> 00:07:20,730 OH, I EXPECT YOU SAW WHAT--WHAT JUST HAPPENED. 99 00:07:20,890 --> 00:07:22,350 I--KIND OF. 100 00:07:23,270 --> 00:07:25,230 WELL, I DIDN'T MEAN TO DO IT, 101 00:07:25,400 --> 00:07:27,940 BUT PEOPLE DO LOSE THEIR TEMPERS. 102 00:07:28,110 --> 00:07:29,730 I HAD TO SHOW HER. I JUST HAD TO. 103 00:07:30,860 --> 00:07:33,610 NOW, YOU CAN UNDERSTAND THAT, CAN'T YOU? 104 00:07:33,780 --> 00:07:34,780 YES, SIR. 105 00:07:34,950 --> 00:07:36,370 AH, I KNEW YOU WOULD. 106 00:07:37,080 --> 00:07:38,910 HA HA HA HA! 107 00:07:39,080 --> 00:07:42,080 I MUST SAY, IT CERTAINLY TOOK HER BY SURPRISE. 108 00:07:42,250 --> 00:07:45,210 SHE WON'T BE SAYING ANYTHING ABOUT THIS SWORD FROM NOW ON. 109 00:07:47,000 --> 00:07:48,960 WE'RE GOOD FRIENDS, AREN'T WE? 110 00:07:49,130 --> 00:07:50,670 SURE. 111 00:07:50,840 --> 00:07:55,890 YOU CAN UNDERSTAND WHY I'D LIKE TO KEEP THIS A SECRET-- 112 00:07:56,050 --> 00:07:57,180 YOURS AND MINE. 113 00:07:57,350 --> 00:07:58,930 UH-HUH. 114 00:07:59,100 --> 00:08:02,100 NOT A WORD TO ANYONE. 115 00:08:02,270 --> 00:08:03,690 YOU PROMISE? 116 00:08:03,850 --> 00:08:05,270 CROSS MY HEART, HOPE TO-- 117 00:08:07,190 --> 00:08:08,650 FINE! 118 00:08:08,820 --> 00:08:11,780 WE CAN CONSIDER THE WHOLE MATTER DEAD AND BURIED. 119 00:08:11,940 --> 00:08:13,650 GOOD NIGHT, LAURA. 120 00:08:19,330 --> 00:08:20,700 [DOOR CLOSES] 121 00:08:25,540 --> 00:08:27,250 COME ON, MARY. HURRY! RUN! 122 00:08:28,290 --> 00:08:30,210 LAURA! 123 00:08:30,380 --> 00:08:33,420 YOU WASTE MONEY THAT I COULD HAVE USED TO VISIT MY MOTHER 124 00:08:33,590 --> 00:08:35,550 ON A DRESSMAKER'S DUMMY, 125 00:08:35,720 --> 00:08:37,300 AND THEN YOU DESTROY HER! 126 00:08:37,470 --> 00:08:38,970 THE DUMMY DOESN'T TALK SO MUCH. 127 00:08:39,140 --> 00:08:40,600 WHAT? 128 00:08:40,770 --> 00:08:44,100 I SAID... I CHANGED MY MIND. 129 00:08:44,270 --> 00:08:46,560 I DECIDED TO SEND YOU HOME TO SEE YOUR MOTHER. 130 00:08:46,730 --> 00:08:48,480 OH. WELL... 131 00:08:48,650 --> 00:08:49,860 UH... 132 00:08:50,020 --> 00:08:52,030 THANK YOU, NELS. I'LL GO PACK. 133 00:09:01,040 --> 00:09:02,660 Mary: LAURA! WAIT! 134 00:09:07,580 --> 00:09:15,720 LAURA! 135 00:09:15,880 --> 00:09:17,430 WAIT UP! 136 00:09:17,590 --> 00:09:19,390 Mary: LAURA, PLEASE WAIT. 137 00:09:29,360 --> 00:09:31,650 WHAT GOT INTO YOU, RUNNING LIKE THAT? 138 00:09:31,820 --> 00:09:33,980 IF YOU'D SEEN WHAT I SAW, YOU'D RUN, TOO. 139 00:09:34,150 --> 00:09:35,150 COME ON! 140 00:09:35,320 --> 00:09:36,820 NO. TELL ME WHAT YOU SAW. 141 00:09:36,990 --> 00:09:38,610 MR. OLESON. 142 00:09:38,780 --> 00:09:39,910 WHAT'S SCARY ABOUT HIM? 143 00:09:40,070 --> 00:09:41,660 YOU SEE HIM EVERY DAY. 144 00:09:41,830 --> 00:09:43,580 NOT WITH A BIG, LONG SWORD. 145 00:09:43,740 --> 00:09:44,740 HE HAD A SWORD? 146 00:09:44,910 --> 00:09:46,660 HE CUT OFF MRS. OLESON'S HEAD! 147 00:09:46,830 --> 00:09:48,830 LAURA INGALLS, YOU SHOULD WASH YOUR MOUTH OUT WITH SOAP 148 00:09:49,000 --> 00:09:50,460 FOR TELLING A STORY LIKE THAT. 149 00:09:50,630 --> 00:09:51,960 BUT I SAW HIM! 150 00:09:52,130 --> 00:09:54,050 MR. OLESON IS A NICE MAN. 151 00:09:54,210 --> 00:09:55,510 HE WOULDN'T HURT A FLY. 152 00:09:55,670 --> 00:09:57,630 IT'S THE TRUTH, HONEST. 153 00:09:57,800 --> 00:09:59,380 HE TOLD ME NOT TO TELL. 154 00:09:59,550 --> 00:10:01,090 I'M NOT GOING TO LISTEN TO ANOTHER WORD. 155 00:10:01,260 --> 00:10:03,970 YOU'RE JUST TRYING TO SCARE ME THE WAY YOU SCARED CARRIE. 156 00:10:06,060 --> 00:10:08,770 BUT I DID SEE HIM. 157 00:10:08,940 --> 00:10:10,480 I DID! 158 00:10:10,650 --> 00:10:12,440 [OWL HOOTING] 159 00:10:17,360 --> 00:10:19,450 [HOWLING] 160 00:10:30,790 --> 00:10:31,830 - HI, MA, PA. - YOU'RE HOME EARLY. 161 00:10:32,000 --> 00:10:33,420 YES, MA'AM. 162 00:10:33,590 --> 00:10:35,500 WELL, I DIDN'T EXPECT YOU FOR ANOTHER HOUR. WHAT HAPPENED? 163 00:10:35,670 --> 00:10:37,460 LAURA'S FAULT. SHE'LL TELL YOU. GOOD NIGHT. 164 00:10:37,630 --> 00:10:38,420 WHAT HAPPENED, HALF-PINT? 165 00:10:38,590 --> 00:10:40,090 I SAW SOMETHING, PA. 166 00:10:40,260 --> 00:10:42,760 Charles: AHA! GHOSTS. I TOLD YOU THEY WALKED AROUND ON HALLOWEEN. 167 00:10:42,930 --> 00:10:44,800 NO, SOMETHING WORSE THAN THAT. 168 00:10:44,970 --> 00:10:46,720 I SAW SOMEBODY CUT SOMEBODY'S HEAD OFF. 169 00:10:46,890 --> 00:10:48,100 LAURA! 170 00:10:48,270 --> 00:10:50,230 COME ON, HALF-PINT. YOU COME HOME WITH SOME TALL TALES, 171 00:10:50,390 --> 00:10:51,940 BUT THIS ONE'S TOO MUCH EVEN FOR HALLOWEEN. 172 00:10:52,100 --> 00:10:53,650 BUT I DID SEE IT. 173 00:10:53,810 --> 00:10:55,690 Charles: YOU'VE BEEN READING TOO MANY GHOST STORIES. 174 00:10:55,860 --> 00:10:57,110 PA, YOU HAVE TO LISTEN. 175 00:10:57,280 --> 00:10:59,740 YOU CAN EXPECT CARRIE TO BELIEVE A STORY LIKE THAT, 176 00:10:59,900 --> 00:11:01,150 BUT YOU CAN'T EXPECT US TO. 177 00:11:01,320 --> 00:11:02,570 YEAH, YOUR MA'S RIGHT. 178 00:11:02,740 --> 00:11:05,200 FUN IS FUN, BUT I WANT YOU TO GET OFF TO BED NOW. 179 00:11:05,370 --> 00:11:07,330 DON'T YOU EVEN WANT TO KNOW WHOSE HEAD GOT CUT OFF? 180 00:11:07,500 --> 00:11:10,750 IT'S GOING TO BE YOURS IF YOU DON'T GET OFF TO BED. NOW, SCOOT. 181 00:11:14,630 --> 00:11:15,590 PA? 182 00:11:15,750 --> 00:11:17,710 Charles: I TOLD YOU--TO BED. 183 00:11:25,100 --> 00:11:26,810 WELL? DID YOU TELL THEM? 184 00:11:26,970 --> 00:11:28,470 YEAH, I TOLD THEM. 185 00:11:28,640 --> 00:11:29,810 WHAT DID THEY SAY? 186 00:11:29,980 --> 00:11:31,560 THEY DON'T BELIEVE ME, EITHER. 187 00:11:31,730 --> 00:11:33,690 THEY WOULDN'T EVEN LISTEN. 188 00:11:33,850 --> 00:11:35,190 WELL, WHAT DO YOU EXPECT? 189 00:11:35,360 --> 00:11:37,150 THAT'S THE SILLIEST STORY I'VE EVER HEARD. 190 00:11:37,320 --> 00:11:38,820 YOU'D BETTER COME TO BED. 191 00:11:52,750 --> 00:11:54,830 [HOWLING] 192 00:12:34,870 --> 00:12:36,040 AAH! 193 00:12:36,210 --> 00:12:40,550 All: [SCREAMING] 194 00:12:40,710 --> 00:12:42,130 [PANTING] 195 00:12:55,690 --> 00:12:57,770 [HOWLING] 196 00:13:08,780 --> 00:13:11,080 [ROOSTER CROWS] 197 00:13:19,840 --> 00:13:22,130 THERE'S YOUR DOLLAR, AND I CAN'T THANK YOU ENOUGH. 198 00:13:22,300 --> 00:13:24,630 A DOLLAR WILL PAY FOR FANCY'S OATS. 199 00:13:25,550 --> 00:13:27,220 GETTING ME UP AT THE CRACK OF DAWN! 200 00:13:27,380 --> 00:13:31,010 I STILL DON'T KNOW WHY I COULDN'T HAVE WAITED TO TAKE THE STAGE. 201 00:13:31,180 --> 00:13:32,640 OH, THIS WILL BE MUCH MORE COMFORTABLE. 202 00:13:32,810 --> 00:13:34,930 NOT TO MENTION CHEAPER AND A WHOLE LOT FASTER. 203 00:13:35,100 --> 00:13:36,390 AAH! 204 00:13:44,780 --> 00:13:46,610 Mary: IF I GET A BAD GRADE ON THAT SPELLING TEST TODAY, 205 00:13:46,780 --> 00:13:47,740 IT'LL BE ALL YOUR FAULT. 206 00:13:47,910 --> 00:13:48,990 Laura: WHY? 207 00:13:49,160 --> 00:13:50,910 Mary: BECAUSE YOU KEPT ME AWAKE ALL NIGHT IS WHY-- 208 00:13:51,080 --> 00:13:53,280 ROLLING AROUND ON THE BED AND MOANING 209 00:13:53,450 --> 00:13:55,040 AND FLOPPING THE COVERS ALL OVER. 210 00:13:55,200 --> 00:13:56,620 WELL, I COULDN'T HELP IT. 211 00:13:56,790 --> 00:13:58,250 I WAS HAVING A NIGHTMARE. 212 00:13:58,420 --> 00:14:00,710 BESIDES, YOU WOULD, TOO, IF YOU'D SEEN WHAT I DID. 213 00:14:00,880 --> 00:14:03,290 OH, LAURA, DON'T START THAT DUMB STORY AGAIN. 214 00:14:03,460 --> 00:14:05,920 IT'S NOT A STORY! I SAW IT. 215 00:14:06,090 --> 00:14:07,630 WHEN WE GET INTO TOWN, 216 00:14:07,800 --> 00:14:10,220 WHY DON'T YOU JUST GO TO THE OLESONS' AND SEE FOR YOURSELF? 217 00:14:10,390 --> 00:14:11,550 SEE WHAT? 218 00:14:11,720 --> 00:14:12,760 SEE MRS. OLESON. 219 00:14:12,930 --> 00:14:14,100 I DON'T WANT TO SEE HER. 220 00:14:14,270 --> 00:14:15,220 WHY NOT? 221 00:14:15,390 --> 00:14:16,560 BECAUSE SHE HASN'T GOT ANY HEAD. 222 00:14:16,730 --> 00:14:18,350 YOU'D BETTER STOP TALKING LIKE THAT, 223 00:14:18,520 --> 00:14:19,890 OR YOU'RE GOING TO GET IN TROUBLE. 224 00:14:20,060 --> 00:14:21,480 YOU WON'T BELIEVE ME. 225 00:14:21,650 --> 00:14:23,060 OF COURSE NOT! 226 00:14:23,230 --> 00:14:26,280 THEN I'LL JUST WALK TO SCHOOL WITH SOMEONE WHO WILL. 227 00:14:28,780 --> 00:14:30,150 WHERE ARE YOU GOING? 228 00:14:30,320 --> 00:14:34,080 WHY SHOULD I TELL YOU? YOU WOULDN'T BELIEVE ME ANYWAY. 229 00:14:51,180 --> 00:14:52,470 MARY WAS WITH YOU? 230 00:14:52,640 --> 00:14:54,010 YEAH, BUT NOT WHERE SHE COULD SEE. 231 00:14:54,180 --> 00:14:55,600 SHE DIDN'T BELIEVE ME. 232 00:14:55,760 --> 00:14:57,220 DID YOU TELL YOUR FOLKS? 233 00:14:57,390 --> 00:15:00,640 I TOLD THEM THE MINUTE I GOT HOME, 234 00:15:00,810 --> 00:15:04,520 BUT PA ALMOST LAUGHED AT ME, BUT NOT REALLY. 235 00:15:04,690 --> 00:15:06,480 HE SAID I WAS IMAGINING THINGS. 236 00:15:06,650 --> 00:15:07,940 I EXPECT HE'S RIGHT. 237 00:15:08,110 --> 00:15:09,320 YOU, TOO? 238 00:15:09,490 --> 00:15:11,740 I THOUGHT WE WERE BEST FRIENDS. 239 00:15:11,910 --> 00:15:12,860 WE ARE, 240 00:15:13,030 --> 00:15:14,620 BUT MR. OLESON WITH A LONG SWORD? 241 00:15:14,780 --> 00:15:15,870 YOU THINK I'M LYING. 242 00:15:16,040 --> 00:15:17,160 I DIDN'T SAY THAT. 243 00:15:17,330 --> 00:15:19,200 JUST THE SAME AS. 244 00:15:19,370 --> 00:15:22,870 LAURA, PEOPLE IMAGINE THINGS. 245 00:15:23,040 --> 00:15:27,210 ONE NIGHT IN THE BARN, I SAW A GIANT JUMPING AT ME. 246 00:15:27,380 --> 00:15:29,550 SCARED ME OUT OF MY SKIN, 247 00:15:29,720 --> 00:15:32,380 TILL MY PA SHOWED ME IT WAS JUST A SHADOW. 248 00:15:32,550 --> 00:15:34,430 YOU COULD HAVE MADE A MISTAKE. I DID. 249 00:15:34,600 --> 00:15:37,560 WE'LL GO TO OLESON'S MERCANTILE, AND I'LL PROVE IT. 250 00:15:37,720 --> 00:15:38,970 WE'LL BE LATE FOR SCHOOL. 251 00:15:39,140 --> 00:15:40,480 YOU'RE SCARED. 252 00:15:40,640 --> 00:15:41,730 I AM NOT. 253 00:15:41,890 --> 00:15:43,230 THEN COME ON. 254 00:15:47,860 --> 00:15:49,530 [BELL RINGS] 255 00:15:49,690 --> 00:15:51,440 Nels: BE RIGHT THERE! 256 00:15:53,700 --> 00:15:55,570 WELL, LAURA, CARL, HOW ARE YOU TODAY? 257 00:15:55,740 --> 00:15:57,240 Laura and Carl: HI, MR. OLESON. 258 00:15:57,410 --> 00:15:58,450 WHAT CAN I DO FOR YOU? 259 00:15:58,620 --> 00:15:59,740 WE'D LIKE A PENCIL, PLEASE. 260 00:15:59,910 --> 00:16:01,450 WELL, ALL RIGHT. 261 00:16:06,250 --> 00:16:07,500 HERE WE ARE. 262 00:16:07,670 --> 00:16:09,250 TWO FOR A PENNY. 263 00:16:09,420 --> 00:16:10,420 OH, NO, SIR. 264 00:16:10,590 --> 00:16:11,630 I'D LIKE THE SPECIAL KIND, 265 00:16:11,800 --> 00:16:14,260 THE ONE THAT MRS. OLESON GIVES ME. 266 00:16:14,430 --> 00:16:16,930 OH. MRS. OLESON? 267 00:16:17,100 --> 00:16:19,510 Nels: WELL, I DON'T KNOW. THESE ARE THE ONLY ONES THAT I KNOW ABOUT, 268 00:16:19,680 --> 00:16:22,430 AND SHE WENT AWAY THIS MORNING. 269 00:16:22,600 --> 00:16:25,350 SHE'LL JUST BE GONE FOR A FEW DAYS TO VISIT HER MOTHER. 270 00:16:27,900 --> 00:16:30,650 I'LL WAIT, THANK YOU. 271 00:16:30,820 --> 00:16:32,150 ALL RIGHT. 272 00:16:43,000 --> 00:16:44,620 I TOLD YOU, SHE'S NOT THERE. 273 00:16:44,790 --> 00:16:46,290 HE SAID SHE WENT TO HER MOTHER'S. 274 00:16:46,460 --> 00:16:48,170 HE WINKED AT ME. YOU SAW HIM. 275 00:16:48,340 --> 00:16:50,290 HE COULD HAVE HAD SOMETHING IN HIS EYE. 276 00:16:52,510 --> 00:16:54,090 IF MRS. OLESON IS GOING TO GO SEE HER MOTHER, 277 00:16:54,260 --> 00:16:56,720 SHE'S GOT TO BE ON THE STAGE. 278 00:16:56,890 --> 00:16:58,890 OF COURSE SHE IS! 279 00:16:59,050 --> 00:17:00,350 SHE CAN'T BE. 280 00:17:00,510 --> 00:17:01,850 SHE HASN'T GOT A HEAD. 281 00:17:02,020 --> 00:17:04,350 COME ON, SILLY. I'LL SHOW YOU. 282 00:17:16,320 --> 00:17:17,570 MRS. OLESON! MRS. OLESON! 283 00:17:17,740 --> 00:17:19,490 Mrs. Foster: HELLO, CARL. 284 00:17:21,700 --> 00:17:24,040 HI, MRS. FOSTER. 285 00:17:24,200 --> 00:17:25,790 IS THERE ANYTHING WRONG? 286 00:17:25,960 --> 00:17:28,210 NO, MA'AM. 287 00:17:28,830 --> 00:17:30,500 HAVE A GOOD TRIP. 288 00:17:30,670 --> 00:17:32,050 THANK YOU. 289 00:17:42,510 --> 00:17:45,270 YOU KNOW SOMETHING? I'M SCARED. 290 00:17:46,850 --> 00:17:48,900 COME ON. 291 00:18:12,000 --> 00:18:13,420 WHAT ARE WE GOING TO DO? 292 00:18:13,590 --> 00:18:16,760 WELL, I TOLD MARY, AND MA AND PA, 293 00:18:16,920 --> 00:18:18,630 BUT THEY DIDN'T BELIEVE ME. 294 00:18:18,800 --> 00:18:22,390 WHAT WE NEED IS A SHERIFF, BUT WALNUT GROVE DOESN'T HAVE ONE. 295 00:18:22,550 --> 00:18:23,720 MANKATO DOES. 296 00:18:23,890 --> 00:18:25,010 YOU COULD WRITE HIM A LETTER. 297 00:18:25,180 --> 00:18:27,060 I DON'T HAVE A STAMP. 298 00:18:27,230 --> 00:18:30,270 EVEN IF I DID, HE'D PROBABLY JUST LAUGH AT ME ANYWAY. 299 00:18:30,440 --> 00:18:32,730 THEN WE JUST WAIT. 300 00:18:32,900 --> 00:18:35,690 WHEN MRS. OLESON DOESN'T COME HOME, THEN EVERYBODY'LL KNOW. 301 00:18:35,860 --> 00:18:36,820 OH, NO. 302 00:18:36,990 --> 00:18:38,740 WHAT MR. OLESON DID WAS PURELY WICKED. 303 00:18:38,900 --> 00:18:41,570 HE'S DANGEROUS. HE MIGHT EVEN DO IT AGAIN! 304 00:18:41,740 --> 00:18:45,450 YOU CAN ONLY CUT OFF A PERSON'S HEAD ONCE. 305 00:18:45,620 --> 00:18:47,410 NOT MRS. OLESON'S. 306 00:18:47,580 --> 00:18:50,750 WHAT IF NELLIE AND WILLIE START ASKING ABOUT WHERE THEIR MA IS? 307 00:18:50,920 --> 00:18:52,210 Laura: NO TELLING WHAT HE'LL DO. 308 00:18:52,380 --> 00:18:53,920 I DON'T WANT TO TALK ABOUT IT. 309 00:18:54,090 --> 00:18:56,590 WE GOT TO TALK ABOUT IT. 310 00:18:56,760 --> 00:18:58,340 IF SOMETHING AWFUL HAPPENS TO NELLIE AND WILLIE, 311 00:18:58,510 --> 00:19:00,760 IT'LL BE OUR FAULT. 312 00:19:00,930 --> 00:19:02,930 WE GOT TO WARN THEM. 313 00:19:03,100 --> 00:19:05,640 I'M NOT THE ONE WHO SAW THEM. 314 00:19:05,810 --> 00:19:07,350 I'M NOT ASKING YOU TO SAY ANYTHING, 315 00:19:07,520 --> 00:19:08,770 JUST BE THERE. 316 00:19:08,930 --> 00:19:11,770 THAT'S WHAT BEST FRIENDS ARE FOR, ISN'T IT? 317 00:19:11,940 --> 00:19:13,650 WELL, ISN'T IT? 318 00:19:13,810 --> 00:19:15,150 I GUESS SO. 319 00:19:15,320 --> 00:19:18,690 [BELL RINGS] 320 00:19:18,860 --> 00:19:20,900 COME ON. 321 00:19:21,070 --> 00:19:23,410 I SURE WISH I HAD A DIFFERENT BEST FRIEND. 322 00:19:27,410 --> 00:19:29,290 Laura: NELLIE, WILLIE! 323 00:19:29,450 --> 00:19:30,620 WHAT DO YOU WANT? 324 00:19:30,790 --> 00:19:32,120 GOT SOMETHING SECRET TO TELL YOU. 325 00:19:32,290 --> 00:19:33,710 ALL RIGHT, BUT HURRY. 326 00:19:36,250 --> 00:19:38,250 WELL, WHAT'S THE BIG SECRET? 327 00:19:38,420 --> 00:19:40,130 I DON'T KNOW HOW TO TELL YOU THIS, NELLIE. 328 00:19:40,300 --> 00:19:41,510 USE YOUR MOUTH. 329 00:19:41,680 --> 00:19:43,800 HA HA! THAT'S A GOOD ONE. 330 00:19:45,600 --> 00:19:47,810 YOUR FATHER CUT OFF YOUR MOTHER'S HEAD. 331 00:19:49,640 --> 00:19:51,430 - HE WHAT? - HA HA! 332 00:19:51,600 --> 00:19:52,980 HE CUT OFF YOUR MOTHER'S HEAD. 333 00:19:53,150 --> 00:19:56,940 YOUR BIG SECRET WAS TO TELL ME SOME DUMB STORY LIKE THAT? 334 00:19:57,110 --> 00:19:58,940 BUT IT'S TRUE! 335 00:19:59,110 --> 00:20:00,480 COME ON, WILLIE. 336 00:20:00,650 --> 00:20:04,490 TELL MY MOTHER THAT WHEN SHE COMES BACK FROM GRANDMA'S. 337 00:20:04,660 --> 00:20:06,450 SHE WASN'T ON THE STAGE! 338 00:20:20,300 --> 00:20:21,590 MMM! 339 00:20:41,860 --> 00:20:43,860 OH! OH! 340 00:20:52,000 --> 00:20:53,160 OH, DEAR. 341 00:20:53,330 --> 00:20:56,870 OH, HER FAVORITE APRON. 342 00:21:03,340 --> 00:21:05,050 Willie: GET OUT OF MY WAY! 343 00:21:05,220 --> 00:21:06,880 Nellie: DON'T PUSH! 344 00:21:09,010 --> 00:21:10,220 DON'T TAKE THEM ALL! 345 00:21:10,390 --> 00:21:11,760 I CAN TAKE AS MANY AS I WANT! 346 00:21:11,930 --> 00:21:13,720 OUT! OUT! OUT! 347 00:21:13,890 --> 00:21:15,560 I TOLD YOU TO KEEP OUT OF THE CANDY. 348 00:21:15,730 --> 00:21:16,480 MA SAID I COULD. 349 00:21:16,650 --> 00:21:18,020 WELL, YOUR MA IS GONE. 350 00:21:18,190 --> 00:21:20,440 AND YOU, YOUNG LADY, YOU GET UPSTAIRS AND DO YOUR HOMEWORK. 351 00:21:20,610 --> 00:21:21,690 I DID IT... AT SCHOOL. 352 00:21:21,860 --> 00:21:23,070 ME TOO. 353 00:21:23,240 --> 00:21:26,400 GOOD, THEN THE TWO OF YOU CAN SET THE TABLE FOR SUPPER. 354 00:21:26,570 --> 00:21:27,860 NOW! 355 00:21:30,830 --> 00:21:31,950 WILLIE! 356 00:21:32,120 --> 00:21:33,200 WE GOT TO SET THE TABLE. 357 00:21:33,370 --> 00:21:35,330 THAT'S GIRLS' WORK. 358 00:21:35,500 --> 00:21:38,250 PA SAID BOTH OF US, AND YOU'LL HELP, OR I'LL CALL HIM. 359 00:21:38,420 --> 00:21:40,540 ALL RIGHT, I'LL HELP. 360 00:21:46,840 --> 00:21:48,010 WILLIE... 361 00:21:48,180 --> 00:21:49,260 LOOK. 362 00:21:49,430 --> 00:21:50,760 WHAT IS IT? 363 00:21:51,470 --> 00:21:53,510 BLOOD. 364 00:21:53,680 --> 00:21:57,940 LAURA DID SAY MA WASN'T ON THE STAGE. 365 00:21:59,770 --> 00:22:03,480 AND PA SAID SHE WAS GONE. 366 00:22:03,650 --> 00:22:05,070 PA WOULDN'T DO A THING-- 367 00:22:05,240 --> 00:22:06,570 [DOOR BANGS] 368 00:22:16,370 --> 00:22:19,960 WELL, DON'T JUST STAND THERE. MOVE! 369 00:22:31,800 --> 00:22:33,010 WHAT'S THE MATTER WITH YOU TWO? 370 00:22:33,180 --> 00:22:34,600 WHY AREN'T YOU EATING? 371 00:22:34,770 --> 00:22:35,850 THIS IS VERY GOOD BEEF, 372 00:22:36,020 --> 00:22:37,600 EVEN IF I DO SAY SO MYSELF. 373 00:22:37,770 --> 00:22:39,190 JUST NOT HUNGRY. 374 00:22:39,350 --> 00:22:40,440 WELL, YOU'D BETTER EAT IT 375 00:22:40,600 --> 00:22:41,940 IF YOU KNOW WHAT'S GOOD FOR YOU. 376 00:22:42,110 --> 00:22:43,400 YES, SIR. 377 00:22:43,570 --> 00:22:45,650 WORKED VERY HARD ON THIS SUPPER. 378 00:22:45,820 --> 00:22:48,490 MMM! AS A MATTER OF FACT, I HAD A LITTLE ACCIDENT. 379 00:22:48,650 --> 00:22:50,820 SPILLED SAUCE ALL OVER YOUR MOTHER'S BEST APRON. 380 00:22:50,990 --> 00:22:53,320 REMIND ME TO RINSE IT OUT LATER. 381 00:22:53,490 --> 00:22:54,990 SAUCE. 382 00:22:56,290 --> 00:22:58,500 BOY, AM I GLAD! 383 00:22:59,370 --> 00:23:00,370 WHAT? 384 00:23:00,540 --> 00:23:03,500 HE MEANS HE WAS GLAD YOU SPILLED SAUCE ON IT. 385 00:23:03,670 --> 00:23:05,880 OH. 386 00:23:06,050 --> 00:23:09,630 PA, I'LL TELL YOU SOMETHING IF YOU PROMISE NOT TO LAUGH. 387 00:23:11,510 --> 00:23:13,300 I'LL TRY NOT TO. 388 00:23:13,470 --> 00:23:16,010 WELL, LAURA INGALLS-- SILLY LAURA-- 389 00:23:16,180 --> 00:23:18,390 SHE SAID THAT YOU CUT OFF MA'S HEAD. 390 00:23:18,560 --> 00:23:19,810 I WAS TELLING HIM! 391 00:23:19,980 --> 00:23:21,140 WHY CAN'T I TELL HIM? 392 00:23:21,310 --> 00:23:22,440 SHH! SHH! 393 00:23:22,600 --> 00:23:24,980 LAURA INGALLS SAID THAT? 394 00:23:27,360 --> 00:23:31,030 LAND SAKES. SHE DID SEE SOMETHING. 395 00:23:31,200 --> 00:23:34,280 THAT MANNEQUIN WAS SITTING IN THE CHAIR BY THE WINDOW, 396 00:23:34,450 --> 00:23:36,870 AND I HAD MY SWORD, AND I, UM... 397 00:23:37,040 --> 00:23:39,200 WELL, THE MANNEQUIN LOST ITS HEAD. 398 00:23:39,370 --> 00:23:41,000 Nels: IT'S VERY EMBARRASSING, 399 00:23:41,160 --> 00:23:44,330 BUT ACCIDENTS ALWAYS ARE. 400 00:23:44,500 --> 00:23:46,420 I HAD NO IDEA THAT SHE-- 401 00:23:46,590 --> 00:23:49,050 WELL, I'LL HAVE TO EXPLAIN IT TO HER. 402 00:23:49,210 --> 00:23:51,090 I'LL DO IT FOR YOU, PA. 403 00:23:51,260 --> 00:23:53,840 WELL, THANK YOU, NELLIE. THAT'S VERY NICE OF YOU. 404 00:23:54,010 --> 00:23:57,390 WELL, SINCE I FIXED THE SUPPER, 405 00:23:57,560 --> 00:23:59,720 I THINK THAT YOU TWO CAN DO THE DISHES. 406 00:23:59,890 --> 00:24:02,560 OH, I'LL SOAK OUT MA'S APRON, TOO. 407 00:24:03,900 --> 00:24:05,440 WELL, THANK YOU, NELLIE. 408 00:24:05,610 --> 00:24:07,360 I'LL BE OUT IN THE STORE. 409 00:24:14,070 --> 00:24:15,160 REMEMBER THIS? 410 00:24:15,320 --> 00:24:17,320 REMEMBER HOW SCARED YOU WERE WHEN YOU SAW THIS? 411 00:24:17,490 --> 00:24:19,410 YOU THOUGHT PA HAD DONE SOMETHING TERRIBLE. 412 00:24:19,580 --> 00:24:20,740 YOU WERE SCARED, TOO. 413 00:24:20,910 --> 00:24:22,410 I WAS, AND I KNEW BETTER. 414 00:24:22,580 --> 00:24:25,420 JUST THINK HOW WE COULD USE THIS TO SCARE LAURA AND CARL. 415 00:24:25,580 --> 00:24:27,000 I DON'T WANT TO. 416 00:24:27,170 --> 00:24:29,210 DO WHAT I TELL YOU, AND I'LL DO YOUR HOMEWORK 417 00:24:29,380 --> 00:24:31,420 AND WASH THE DISHES FOR YOU. 418 00:24:31,590 --> 00:24:33,760 GIVE ME YOUR ROAST BEEF, AND IT'S A DEAL. 419 00:24:59,870 --> 00:25:02,500 IT SURE IS QUIET. 420 00:25:02,660 --> 00:25:05,540 IT SURE IS. 421 00:25:05,710 --> 00:25:07,290 CARRIE ASLEEP, 422 00:25:07,460 --> 00:25:10,130 PA OUT IN THE BARN MENDING THE HARNESS, 423 00:25:10,300 --> 00:25:12,380 MARY IN THE LOFT DOING HOMEWORK. 424 00:25:12,550 --> 00:25:14,470 ON HER NIGHT TO DO THE DISHES. 425 00:25:14,630 --> 00:25:16,840 WE SWAPPED. 426 00:25:17,010 --> 00:25:18,760 SO WE COULD TALK? 427 00:25:18,930 --> 00:25:20,640 HOW'D YOU KNOW? 428 00:25:20,810 --> 00:25:23,310 WELL... 429 00:25:23,480 --> 00:25:26,980 WE HAD YOUR FAVORITE MEAT PIE FOR SUPPER 430 00:25:27,150 --> 00:25:30,480 AND YOU ONLY PICKED AT IT. 431 00:25:30,650 --> 00:25:32,730 WE HAD CUSTARD FOR DESSERT, 432 00:25:32,900 --> 00:25:36,150 AND YOU DIDN'T WANT ANY. 433 00:25:36,320 --> 00:25:39,110 SOMETHING'S TROUBLING YOU. 434 00:25:39,280 --> 00:25:42,280 WHAT IS IT? DO YOU WANT TO TELL ME ABOUT IT? 435 00:25:42,450 --> 00:25:43,950 I DID LAST NIGHT. 436 00:25:44,120 --> 00:25:45,790 I SAW IT, MA. 437 00:25:45,960 --> 00:25:49,790 I SAW MR. OLESON... THROUGH THE WINDOW. 438 00:25:51,130 --> 00:25:55,050 LAURA, HALLOWEEN IS A TIME FOR TRICKS, 439 00:25:55,220 --> 00:25:56,970 AND SCARING PEOPLE. 440 00:25:57,130 --> 00:25:59,010 MR. OLESON PROBABLY SAW YOU COMING 441 00:25:59,180 --> 00:26:02,100 AND PLAYED A SCARY TRICK ON YOU. 442 00:26:03,010 --> 00:26:04,140 IT WASN'T A TRICK. 443 00:26:04,310 --> 00:26:05,850 I SAW MR. OLESON. 444 00:26:06,020 --> 00:26:07,770 Caroline: LAURA, 445 00:26:07,940 --> 00:26:10,020 YOU CAN'T HONESTLY BELIEVE THAT MR. OLESON 446 00:26:10,190 --> 00:26:12,400 WOULD DELIBERATELY HURT ANYONE, 447 00:26:12,570 --> 00:26:14,730 ESPECIALLY WITH A SWORD. 448 00:26:16,530 --> 00:26:18,740 Caroline: ISN'T THAT A SILLY IDEA? 449 00:26:20,240 --> 00:26:21,740 I GUESS SO. 450 00:26:22,990 --> 00:26:24,370 GOOD NIGHT, MA. 451 00:26:26,250 --> 00:26:28,370 SWEET DREAMS. 452 00:26:36,670 --> 00:26:40,380 GOOD NIGHT. 453 00:26:47,310 --> 00:26:49,390 [HOWLING] 454 00:27:28,140 --> 00:27:30,810 [CREEPY ORGAN MUSIC PLAYING] 455 00:28:05,470 --> 00:28:07,760 AAH! 456 00:28:07,930 --> 00:28:09,350 [PANTING] 457 00:28:09,520 --> 00:28:11,390 LAURA INGALLS, WHAT'S WRONG WITH YOU? 458 00:28:11,560 --> 00:28:13,560 I DON'T KNOW. 459 00:28:13,730 --> 00:28:16,270 IT WAS-- IT WAS AWFUL. 460 00:28:16,440 --> 00:28:18,520 A NIGHTMARE AGAIN? 461 00:28:18,690 --> 00:28:20,030 YEAH. 462 00:28:23,070 --> 00:28:25,490 AN AWFUL ONE. 463 00:28:25,660 --> 00:28:29,450 WELL, GO TO SLEEP AND TRY NOT TO DREAM. 464 00:28:29,620 --> 00:28:30,700 I CAN'T. 465 00:28:30,870 --> 00:28:31,750 WHY NOT? 466 00:28:31,910 --> 00:28:33,370 I HAVE TO GO TO THE OUTHOUSE. 467 00:28:33,540 --> 00:28:36,670 GO AHEAD, AND TRY NOT TO POUNCE ON THE BED WHEN YOU GET BACK. 468 00:28:41,920 --> 00:28:44,220 [HOWLING] 469 00:28:49,680 --> 00:28:50,680 Mary: LAURA! 470 00:28:50,850 --> 00:28:51,850 SORRY. 471 00:28:52,020 --> 00:28:53,560 I THOUGHT YOU HAD TO GO TO THE OUTHOUSE. 472 00:28:53,730 --> 00:28:54,810 I CHANGED MY MIND. 473 00:28:54,980 --> 00:28:56,350 THEN GO TO SLEEP. 474 00:29:03,150 --> 00:29:04,610 [HOWLING] 475 00:29:08,780 --> 00:29:10,530 [ROOSTER CROWS] 476 00:29:26,720 --> 00:29:28,340 HERE, YOU SEE? 477 00:29:28,510 --> 00:29:31,430 THE LATEST THING. 478 00:29:31,600 --> 00:29:33,140 OH! 479 00:29:33,310 --> 00:29:35,770 YOU CAN MOVE HER ARMS... 480 00:29:35,940 --> 00:29:37,730 INTO ANY POSITION YOU WANT. 481 00:29:37,900 --> 00:29:38,940 THAT'S VERY GOOD. 482 00:29:39,110 --> 00:29:41,570 YEAH, THE SAME WITH THE HEAD-- LEGS, TOO. 483 00:29:41,730 --> 00:29:44,230 Thaddeus: THIS ONE WILL DO EVERYTHING BUT TALK. 484 00:29:44,400 --> 00:29:45,530 HOW MUCH? 485 00:29:45,700 --> 00:29:47,320 $9.25. 486 00:29:47,490 --> 00:29:50,410 BUT A LOT OF WORK GOES INTO ONE OF THESE BEAUTIES. 487 00:29:50,580 --> 00:29:52,370 THAT'S MIGHTY HIGH. 488 00:29:52,540 --> 00:29:55,160 YEAH, WELL, I COULD GIVE YOU SOMETHING ON THE OTHER ONE I SOLD YOU, 489 00:29:55,330 --> 00:29:57,210 SO LONG AS IT'S STILL IN GOOD CONDITION. 490 00:29:57,370 --> 00:30:00,290 NO, NO, UH... I THINK I MIGHT-- 491 00:30:00,460 --> 00:30:03,000 I'LL PROBABLY NEED BOTH OF THOSE. 492 00:30:03,170 --> 00:30:04,630 I'LL TAKE IT FOR $9.25. 493 00:30:04,800 --> 00:30:06,010 GOOD ENOUGH. 494 00:30:06,170 --> 00:30:08,430 YEAH, I'LL THROW IN ONE OF THESE HEAVY CLOTH BAGS. 495 00:30:08,590 --> 00:30:09,430 I USUALLY GET 50 CENTS FOR THEM. 496 00:30:09,590 --> 00:30:11,090 WELL, THANK YOU, THADDEUS. 497 00:30:11,260 --> 00:30:14,180 YEAH, NOW, KEEP HER IN HERE WHEN SHE'S NOT IN THE WINDOW-- 498 00:30:14,350 --> 00:30:16,100 SAVE HER FROM GETTING CHIPPED. 499 00:30:16,270 --> 00:30:17,810 Nels: I'LL DO THAT. 500 00:30:17,980 --> 00:30:21,360 THERE'S $9.25. 501 00:30:21,520 --> 00:30:22,440 THANK YOU. 502 00:30:22,610 --> 00:30:27,240 MY, SHE-- SHE REALLY IS A--A BEAUTY. 503 00:30:27,400 --> 00:30:29,150 YEAH. 504 00:30:29,320 --> 00:30:30,610 SEE YOU IN A MONTH. 505 00:30:30,780 --> 00:30:32,950 RIGHT, THADDEUS. GOOD DAY. 506 00:30:33,120 --> 00:30:34,700 THANK YOU. 507 00:30:51,680 --> 00:30:53,350 [WHISPERING] IS HE THERE? 508 00:31:06,530 --> 00:31:09,740 [WHISPERING] HE'S THERE. GO ON. 509 00:31:21,790 --> 00:31:23,540 DADBURN IT! 510 00:31:23,710 --> 00:31:26,500 I'M GLAD I DIDN'T PAY FOR THIS BAG. 511 00:31:26,670 --> 00:31:28,420 IT'S NOT BIG ENOUGH. 512 00:31:28,590 --> 00:31:31,510 THE LEGS-- THE LEGS ARE TOO LONG. 513 00:31:31,680 --> 00:31:33,390 Nels: WELL, I'LL JUST PUT THE LEGS IN SOMETHING ELSE 514 00:31:33,550 --> 00:31:36,390 AND KEEP THE REST OF HER IN HERE. 515 00:31:40,180 --> 00:31:41,640 [THUD] 516 00:31:41,810 --> 00:31:44,400 WHOA! SHE'S A HEAVY ONE! 517 00:32:03,210 --> 00:32:04,210 [CRASH] 518 00:32:04,380 --> 00:32:05,790 Nels: WHO'S THERE? 519 00:32:17,930 --> 00:32:20,060 WHY DON'T WE JUST PRETEND IT NEVER HAPPENED? 520 00:32:20,220 --> 00:32:21,560 I CAN'T. 521 00:32:21,730 --> 00:32:23,350 GROWNUPS ARE SUPPOSED TO KNOW EVERYTHING. 522 00:32:23,520 --> 00:32:25,560 THEY KEEP TELLING YOU YOU DIDN'T SEE ANYTHING. 523 00:32:25,730 --> 00:32:27,900 WHAT'S WRONG WITH PRETENDING THEY'RE RIGHT? 524 00:32:28,070 --> 00:32:30,820 THEY'RE NOT. 525 00:32:30,990 --> 00:32:32,360 Willie: PSST! 526 00:32:34,490 --> 00:32:36,740 COME HERE. COME ON. 527 00:32:47,840 --> 00:32:48,920 WHAT DO YOU WANT? 528 00:32:49,090 --> 00:32:51,210 SHH! NOT SO LOUD. 529 00:32:51,380 --> 00:32:53,010 I DON'T WANT NELLIE TO HEAR. 530 00:32:53,170 --> 00:32:54,260 HEAR WHAT? 531 00:32:54,430 --> 00:32:56,130 GET DOWN. 532 00:32:59,100 --> 00:33:00,600 I THINK YOU'RE RIGHT ABOUT PA. 533 00:33:00,770 --> 00:33:04,430 YOU LAUGHED AT US WHEN WE TOLD YOU YESTERDAY. 534 00:33:04,600 --> 00:33:06,230 WHAT CHANGED YOUR MIND? 535 00:33:06,400 --> 00:33:07,560 SOMETHING I FOUND, 536 00:33:07,730 --> 00:33:09,190 SOMETHING I'M GOING TO SHOW YOU, 537 00:33:09,360 --> 00:33:12,940 Willie: BUT FIRST I GOT TO TELL YOU WHAT I HEARD LAST NIGHT-- 538 00:33:13,110 --> 00:33:16,410 DIGGING NOISES, ALMOST ALL LAST NIGHT. 539 00:33:16,570 --> 00:33:17,700 DIGGING NOISES? 540 00:33:17,870 --> 00:33:18,910 WHERE? 541 00:33:19,080 --> 00:33:20,450 FROM THE CELLAR. 542 00:33:20,620 --> 00:33:22,450 I DIDN'T KNOW YOU HAD A CELLAR. 543 00:33:22,620 --> 00:33:24,160 SURE WE GOT A CELLAR. 544 00:33:24,330 --> 00:33:28,960 Willie: UNDER THE STOREROOM, WHERE PA KEEPS ALL HIS APPLES AND PEARS. 545 00:33:29,130 --> 00:33:31,170 THAT'S WHERE HE WAS DIGGING. 546 00:33:33,510 --> 00:33:34,880 COULDN'T WE TALK SOMEPLACE ELSE? 547 00:33:35,050 --> 00:33:38,180 SURE. I'LL SHOW YOU WHAT I FOUND. 548 00:33:59,070 --> 00:34:01,240 MY MA'S APRON. 549 00:34:01,410 --> 00:34:03,120 BLOOD. 550 00:34:07,460 --> 00:34:09,040 WHAT DID NELLIE HAVE TO SAY ABOUT THAT? 551 00:34:09,210 --> 00:34:11,500 I DIDN'T TELL HER, AND I'M NOT GOING TO. 552 00:34:11,670 --> 00:34:13,300 SHE'S YOUR SISTER. 553 00:34:13,460 --> 00:34:15,170 I TOLD HER ABOUT THE DIGGING NOISES, 554 00:34:15,340 --> 00:34:18,090 BUT SHE SAID SHUT UP OR SHE'D TELL PA. 555 00:34:18,260 --> 00:34:21,140 Willie: AND I DON'T KNOW WHAT I'D DO IF SHE TOLD PA. 556 00:34:21,300 --> 00:34:22,470 TELL SOMEBODY ELSE. 557 00:34:22,640 --> 00:34:24,890 NO, WE TRIED THAT, AND IT DIDN'T WORK. 558 00:34:25,060 --> 00:34:26,640 WHAT DO YOU WANT US TO DO? 559 00:34:26,810 --> 00:34:31,440 I TRIED TO GO DOWN TO THE CELLAR THIS MORNING, BUT I WAS TOO A-SCARED. 560 00:34:31,610 --> 00:34:33,610 ME TOO. 561 00:34:33,780 --> 00:34:36,440 IF YOU TWO WOULD COME DOWN TO THE CELLAR WITH ME, 562 00:34:36,610 --> 00:34:39,450 MAYBE WE COULD FIND OUT WHAT PA WAS DOING. 563 00:34:40,530 --> 00:34:41,910 WE'D LIKE TO HELP YOU, 564 00:34:42,080 --> 00:34:44,620 BUT WITH YOUR PA AND NELLIE BEING RIGHT THERE, 565 00:34:44,790 --> 00:34:46,330 IT WOULDN'T BE SUCH A GOOD IDEA. 566 00:34:46,500 --> 00:34:47,700 SURE WOULDN'T. 567 00:34:47,870 --> 00:34:49,540 AND THE SCHOOL BELL'S GOING TO RING ANY MINUTE. 568 00:34:49,710 --> 00:34:51,290 Willie: BUT PA'S GOING TO CLOSE THE STORE EARLY, 569 00:34:51,460 --> 00:34:53,420 AND HE'S GOING TO GO TO SPRINGFIELD, 570 00:34:53,590 --> 00:34:56,210 AND NELLIE'S GOING TO BE UPSTAIRS STUDYING. 571 00:34:59,010 --> 00:35:00,430 WE'LL THINK ABOUT IT. 572 00:35:12,400 --> 00:35:15,690 WE DISCUSSED THE RIGHTS AND THE PRIVILEGES OF BEING A CITIZEN. 573 00:35:15,860 --> 00:35:19,650 NOW WHAT ARE THE OBLIGATIONS OF BEING A GOOD CITIZEN? 574 00:35:19,820 --> 00:35:20,950 MARY. 575 00:35:21,110 --> 00:35:22,200 HE PAYS TAXES. 576 00:35:22,370 --> 00:35:23,490 THAT'S RIGHT. 577 00:35:23,660 --> 00:35:25,080 NELLIE. 578 00:35:25,240 --> 00:35:27,160 HE RUNS FOR OFFICE? 579 00:35:27,330 --> 00:35:30,080 HE MAY, BUT IT'S NOT AN OBLIGATION. 580 00:35:30,250 --> 00:35:31,250 YES, SARAH. 581 00:35:31,420 --> 00:35:32,750 HE OBEYS THE LAWS? 582 00:35:32,920 --> 00:35:35,040 THAT'S RIGHT. 583 00:35:35,210 --> 00:35:37,050 WILLIE? 584 00:35:37,210 --> 00:35:40,090 IF A GOOD CITIZEN KNOWS ABOUT A CRIME, HE HAS TO TELL. 585 00:35:40,260 --> 00:35:41,840 Miss Beadle: THAT'S RIGHT. 586 00:35:42,010 --> 00:35:44,800 IF A CITIZEN IS ABSOLUTELY SURE A CRIME HAS BEEN COMMITTED, 587 00:35:44,970 --> 00:35:47,930 THEN HE HAS AN OBLIGATION TO REPORT IT TO THE PROPER AUTHORITIES. 588 00:35:48,100 --> 00:35:49,890 Miss Beadle: ANY QUESTIONS? 589 00:35:51,060 --> 00:35:53,060 ALL RIGHT, WE'LL GO ON WITH OUR SPELLING. 590 00:36:09,870 --> 00:36:11,960 [HOWLING] 591 00:36:35,860 --> 00:36:37,980 SHH, JACK. SHH! 592 00:36:39,900 --> 00:36:41,360 STAY . 593 00:36:47,780 --> 00:36:50,830 [HOWLING] 594 00:37:02,340 --> 00:37:04,380 [OWL HOOTS] 595 00:37:09,510 --> 00:37:11,390 [ANIMAL WHIMPERING] 596 00:37:23,610 --> 00:37:25,320 [TWIG SNAPS] [ANIMAL WHIMPERS] 597 00:37:44,050 --> 00:37:45,300 CARL? 598 00:37:45,470 --> 00:37:48,130 BOY, AM I GLAD TO SEE YOU. 599 00:37:48,300 --> 00:37:50,100 I DIDN'T KNOW IF YOU'D BE HERE. 600 00:37:50,260 --> 00:37:52,060 I TOLD YOU I WOULD. 601 00:37:55,140 --> 00:37:58,020 THIS CEMETERY AIN'T LIKE THIS IN THE DAYTIME. 602 00:37:58,190 --> 00:37:59,230 I NOTICED. 603 00:37:59,400 --> 00:38:00,980 SCARY, HUH? 604 00:38:02,150 --> 00:38:03,480 Laura: WELL, AT LEAST WE'VE GOT THE MOONLIGHT 605 00:38:03,650 --> 00:38:05,650 UNTIL WILLIE PUTS THE CANDLE IN THE STORE WINDOW. 606 00:38:05,820 --> 00:38:07,400 YEAH. 607 00:38:11,780 --> 00:38:13,910 [OWL HOOTING] 608 00:38:44,860 --> 00:38:47,280 [ANIMAL WHIMPERING] 609 00:38:47,450 --> 00:38:48,860 NO CANDLE YET? 610 00:38:50,110 --> 00:38:51,740 I CAN'T SEE ANY. 611 00:38:51,910 --> 00:38:53,490 HE'D BETTER HURRY UP. 612 00:38:53,660 --> 00:38:56,910 IF MY PA WAKES UP WHEN I GET HOME, I'LL GET BLISTERED. 613 00:38:57,080 --> 00:38:59,620 WE GOT A CITIZEN'S DUTY. 614 00:38:59,790 --> 00:39:01,620 I'LL STILL GET BLISTERED. 615 00:39:01,790 --> 00:39:05,050 ME TOO. 616 00:39:05,210 --> 00:39:06,460 I'M STARVING. 617 00:39:06,630 --> 00:39:10,130 WILLIE SHOULD HAVE SNEAKED US SOME APPLES. 618 00:39:10,300 --> 00:39:14,100 HE COULDN'T. THE APPLES ARE IN THE CELLAR. 619 00:39:14,260 --> 00:39:17,310 WHERE HIS PA'S BEEN DIGGING. 620 00:39:17,480 --> 00:39:19,140 YEAH. 621 00:39:19,310 --> 00:39:20,640 [OWL HOOTING] 622 00:39:20,810 --> 00:39:22,520 [BELL RINGS] 623 00:39:34,160 --> 00:39:35,530 THERE IT IS. 624 00:39:41,460 --> 00:39:42,540 Nellie: WILLIE! 625 00:39:42,710 --> 00:39:44,630 I'M COMING! 626 00:39:49,760 --> 00:39:50,970 DO YOU KNOW WHAT TO SAY? 627 00:39:51,130 --> 00:39:52,630 YOU TOLD ME A HUNDRED TIMES. 628 00:39:52,800 --> 00:39:54,590 WELL, DON'T FORGET. 629 00:39:54,760 --> 00:39:55,890 NOW, GET BACK IN THE STORE. 630 00:39:56,060 --> 00:39:57,600 THEY'LL BE HERE ANY MINUTE. 631 00:39:57,770 --> 00:39:59,140 HURRY UP! 632 00:39:59,310 --> 00:40:01,940 YOU GOT TO GET OUT OF THE WAY BEFORE I CLOSE THE DOOR. 633 00:40:16,410 --> 00:40:19,290 [KNOCKING SOFTLY ON DOOR] 634 00:40:19,450 --> 00:40:21,450 HE AIN'T THERE. 635 00:40:21,620 --> 00:40:23,960 HE IS. HE PUT THE CANDLE IN THE WINDOW. 636 00:40:25,920 --> 00:40:27,670 I WAS NEVER MUCH FOR CELLARS, ANYWAY. 637 00:40:27,840 --> 00:40:29,590 I THINK I'LL GO. 638 00:40:32,970 --> 00:40:34,720 COME IN, BUT BE QUIET. 639 00:40:46,310 --> 00:40:47,730 [WHISPERING] COME ON. 640 00:40:48,900 --> 00:40:50,610 Laura: HURRY. 641 00:40:59,540 --> 00:41:01,740 TAKE A CANDLE. WE'LL EACH HAVE ONE. 642 00:41:01,910 --> 00:41:03,620 BETTER THAT WAY. 643 00:41:06,710 --> 00:41:09,250 CAN'T WE JUST LIFT IT A LITTLE AND TAKE A PEEK? 644 00:41:09,420 --> 00:41:11,130 I DON'T THINK SO. 645 00:41:11,300 --> 00:41:12,710 IT'S A BIG OLD CELLAR. 646 00:41:12,880 --> 00:41:16,010 Willie: LOTS OF BOXES AND STUFF DOWN THERE. 647 00:41:19,260 --> 00:41:20,760 YOU SURE WE OUGHT TO DO THIS? 648 00:41:20,930 --> 00:41:23,270 WHAT'S THE MATTER? YOU SCARED? 649 00:41:23,430 --> 00:41:24,600 YEAH. 650 00:41:24,770 --> 00:41:27,600 I'M NOT, NOT WITH 3 OF US. 651 00:41:28,770 --> 00:41:30,650 LET'S GET IT OVER WITH. 652 00:41:30,820 --> 00:41:34,030 WELL...GUESS I'D BETTER GO FIRST. 653 00:41:37,910 --> 00:41:40,780 NO. IT'S YOUR CELLAR. YOU GO FIRST. 654 00:41:40,950 --> 00:41:43,410 NOW YOU GOT ME SCARED AGAIN. 655 00:41:44,500 --> 00:41:46,040 LET'S ALL STAY CLOSE. 656 00:42:04,310 --> 00:42:05,390 [METAL CLANGS] 657 00:42:05,560 --> 00:42:06,640 THERE. 658 00:42:06,810 --> 00:42:08,810 THERE'S THE SHOVEL. 659 00:42:08,980 --> 00:42:11,610 NO SIGN OF DIGGING ANYWHERE. 660 00:42:11,770 --> 00:42:13,690 MAYBE BEHIND THOSE BOXES. 661 00:42:15,530 --> 00:42:17,360 YEAH... WHERE HE'D DO IT. 662 00:42:19,660 --> 00:42:21,450 COULDN'T SEE IT RIGHT AWAY. 663 00:42:22,870 --> 00:42:24,990 GUESS WE'D BETTER GO LOOK. 664 00:42:25,160 --> 00:42:27,080 DON'T PUSH. I'M GOING. 665 00:42:47,020 --> 00:42:49,350 Nellie: OOH! 666 00:42:49,520 --> 00:42:50,520 WHAT WAS THAT? 667 00:42:50,690 --> 00:42:51,850 I DIDN'T HEAR NOTHING. 668 00:42:52,020 --> 00:42:53,020 I DID. 669 00:42:53,190 --> 00:42:54,980 SOME KIND OF MOUSE, MAYBE. 670 00:42:55,150 --> 00:42:58,530 SOUNDED MORE LIKE SOMEBODY DYING. 671 00:42:58,700 --> 00:43:00,110 I DON'T HEAR IT NOW. 672 00:43:01,200 --> 00:43:03,120 GOT TO LOOK BACK IN THEM BOXES. 673 00:43:03,280 --> 00:43:06,370 YOU WANT TO GO FIRST? GO AHEAD. 674 00:43:06,540 --> 00:43:08,120 WE'LL ALL GO. 675 00:43:10,670 --> 00:43:12,130 Nellie: OOH! 676 00:43:13,710 --> 00:43:18,840 OOH! 677 00:43:20,590 --> 00:43:22,140 Laura: HURRY UP! COME ON! 678 00:43:26,470 --> 00:43:27,520 Laura: WAIT FOR WILLIE! 679 00:43:27,680 --> 00:43:28,770 Carl: THE GHOST ALREADY GOT HIM! 680 00:43:28,930 --> 00:43:31,020 COME ON! START PILING STUFF ON! 681 00:43:38,440 --> 00:43:40,150 COME ON, HURRY! 682 00:43:53,080 --> 00:43:54,790 [JIGGLING DOORKNOB] 683 00:43:57,590 --> 00:43:59,170 IN THERE, QUICK, BEFORE IT GETS US! 684 00:44:07,720 --> 00:44:09,060 CHILDREN? 685 00:44:10,680 --> 00:44:12,190 CHILDREN, IS THAT YOU? 686 00:44:14,770 --> 00:44:15,940 [CRASH] 687 00:44:16,110 --> 00:44:17,690 [RATTLE] 688 00:44:17,860 --> 00:44:19,190 [CLANG] 689 00:44:24,030 --> 00:44:25,870 CHILDREN, 690 00:44:26,030 --> 00:44:27,830 DON'T HIDE FROM MOTHER. 691 00:44:30,950 --> 00:44:32,250 AAH! 692 00:44:33,210 --> 00:44:35,170 IS IT STILL THERE? 693 00:44:35,330 --> 00:44:37,290 YEAH. 694 00:44:37,460 --> 00:44:39,000 I WISH I WAS AT HOME. 695 00:44:39,170 --> 00:44:40,800 SO DO I. 696 00:44:40,960 --> 00:44:42,550 I'M SCARED. 697 00:44:42,720 --> 00:44:44,510 IT MIGHT HELP IF YOU'D HOLD MY HAND. 698 00:44:48,310 --> 00:44:49,810 WHY DON'T YOU? 699 00:44:49,970 --> 00:44:51,140 WHY DON'T I WHAT? 700 00:44:51,310 --> 00:44:52,430 HOLD MY HAND. 701 00:44:52,600 --> 00:44:54,230 I AM. 702 00:45:05,990 --> 00:45:07,280 OH! 703 00:45:07,740 --> 00:45:09,080 [THUD] 704 00:45:15,790 --> 00:45:17,250 MRS. OLESON. 705 00:45:20,300 --> 00:45:22,090 HARRIET. 706 00:45:22,260 --> 00:45:23,510 HARRIET! 707 00:45:23,670 --> 00:45:25,470 WHAT--GET ME SOME WATER, QUICK, PLEASE. 708 00:45:25,630 --> 00:45:27,340 WHAT HAPPENED, HARRIET? 709 00:45:27,510 --> 00:45:29,050 OH, MY-- 710 00:45:29,220 --> 00:45:30,350 WHAT ARE YOU DOING HERE? 711 00:45:30,510 --> 00:45:32,350 WILLIE TOLD US YOU-- 712 00:45:35,440 --> 00:45:36,600 HE ASKED US TO HELP HIM. 713 00:45:36,770 --> 00:45:39,190 OH. 714 00:45:39,360 --> 00:45:40,940 THANK YOU. 715 00:45:41,110 --> 00:45:42,440 [SOFTLY] WILLIE TOLD THEM? 716 00:45:42,610 --> 00:45:43,690 WHAT WAS ALL THAT NOISE? 717 00:45:43,860 --> 00:45:46,530 WELL, WE THOUGHT THAT THIS WAS MRS. OLESON. 718 00:45:46,700 --> 00:45:50,160 Nels: NELLIE DIDN'T TELL YOU THAT IT WAS A DRESSMAKER'S MANNEQUIN THAT LOST ITS HEAD? 719 00:45:50,330 --> 00:45:52,700 IT'S IN THERE ON THE SHELF. 720 00:45:52,870 --> 00:45:54,540 NELLIE DIDN'T TELL US ANYTHING. 721 00:45:56,000 --> 00:45:57,170 BUT WILLIE TALKED TO YOU. 722 00:45:57,330 --> 00:45:58,370 WHERE IS HE? 723 00:45:58,540 --> 00:46:00,330 IN THE CELLAR. 724 00:46:00,500 --> 00:46:01,920 Nels: I'D APPRECIATE IT IF YOU'D TELL HIM 725 00:46:02,090 --> 00:46:03,800 I'D LIKE TO SEE HIM UP HERE RIGHT NOW. 726 00:46:03,960 --> 00:46:05,300 YES, SIR. 727 00:46:05,470 --> 00:46:06,550 Harriet: OHH! 728 00:46:06,720 --> 00:46:08,800 OH, MY... HARRIET. 729 00:46:10,470 --> 00:46:11,430 A TRICK. 730 00:46:11,600 --> 00:46:13,220 ONE OF NELLIE'S OLD TRICKS. 731 00:46:15,180 --> 00:46:16,980 AND A DIRTY ONE, TOO. 732 00:46:17,140 --> 00:46:20,310 WAIT A MINUTE. I GOT AN IDEA. 733 00:46:22,650 --> 00:46:24,230 YEAH! 734 00:46:24,400 --> 00:46:26,320 [WHISPERING INDISTINCTLY] 735 00:46:29,820 --> 00:46:31,200 [BOTH GIGGLING] 736 00:46:43,380 --> 00:46:48,800 AAH! 737 00:46:48,970 --> 00:46:52,680 [BOTH GIGGLING] 738 00:46:52,850 --> 00:46:54,010 DID YOU HEAR HER SCREAM? 739 00:46:54,180 --> 00:46:55,770 LOUDER THAN THE WHISTLE ON HANSON'S MILL. 740 00:46:55,930 --> 00:46:57,020 [BOTH GIGGLING] 741 00:46:57,180 --> 00:46:58,850 [HORSE WHINNIES] 742 00:46:59,020 --> 00:47:24,210 [EVIL LAUGHTER] 743 00:47:24,380 --> 00:47:26,000 [HORSE WHINNIES] 744 00:47:32,090 --> 00:47:37,850 [EVIL LAUGHTER] 49818

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