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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:25,080 --> 00:01:27,710 CAN'T TALK TO YOU THIS MORNING, BUNNY. I'M LATE FOR SCHOOL. 2 00:01:27,870 --> 00:01:29,670 SEE YOU. LOVE YOU! 3 00:01:48,650 --> 00:01:50,230 SORRY I'M LATE, MISS BEADLE. 4 00:01:50,400 --> 00:01:53,190 LAURA, YOUR SISTER WAS HERE ON TIME. NOW, WHY WEREN'T YOU? 5 00:01:53,360 --> 00:01:54,690 I HAD TO STOP BY STENSON'S ORCHARD 6 00:01:54,860 --> 00:01:56,740 TO GET AN APPLE FOR SOMEONE. 7 00:01:56,900 --> 00:02:01,620 WELL, THAT'S VERY NICE OF YOU, LAURA. THANK YOU. 8 00:02:01,780 --> 00:02:03,660 IT WASN'T FOR YOU, MISS BEADLE, 9 00:02:03,830 --> 00:02:05,540 BUT I'LL GET YOU ONE NEXT TIME. 10 00:02:05,700 --> 00:02:07,120 IT WAS FOR A HORSE. 11 00:02:07,290 --> 00:02:08,290 [CHILDREN LAUGHING] 12 00:02:08,460 --> 00:02:10,250 Miss Beadle: ALL RIGHT, CLASS. 13 00:02:10,420 --> 00:02:11,540 LAURA, THAT WAS STILL VERY NICE, 14 00:02:11,710 --> 00:02:12,960 BUT I THINK IN THE FUTURE 15 00:02:13,130 --> 00:02:14,960 YOU SHOULD GIVE PRESENTS TO A FRIEND AFTER SCHOOL. 16 00:02:15,130 --> 00:02:16,510 Laura: YES, MA'AM. 17 00:02:16,670 --> 00:02:17,760 ALL RIGHT, CLASS... 18 00:02:17,920 --> 00:02:19,300 I'M GOING TO GIVE YOU 10 MINUTES TO REVIEW 19 00:02:19,470 --> 00:02:21,930 THE SPELLING WORDS ON PAGE 38, 20 00:02:22,100 --> 00:02:24,600 AND THEN WE'RE GOING TO HAVE AN ORAL QUIZ. 21 00:02:27,560 --> 00:02:28,810 SERVES YOU RIGHT. 22 00:02:28,980 --> 00:02:30,690 I TOLD YOU NOT TO FEED MY HORSE. 23 00:02:30,850 --> 00:02:32,150 SHE LIKES APPLES. 24 00:02:32,310 --> 00:02:33,980 I DON'T CARE WHAT SHE LIKES. 25 00:02:34,150 --> 00:02:36,110 SHE'S NOT YOUR HORSE ANYMORE. SHE'S MINE. 26 00:02:36,280 --> 00:02:38,240 AND I TOLD YOU TO STAY AWAY FROM HER. 27 00:02:38,400 --> 00:02:42,200 YOU ONLY DO IT BECAUSE YOU WANT HER TO LIKE YOU MORE THAN SHE LIKES ME. 28 00:02:42,370 --> 00:02:44,950 SO THAT'S WHY YOU GIVE MISS BEADLE APPLES. 29 00:02:45,120 --> 00:02:46,450 Miss Beadle: LAURA. 30 00:02:46,620 --> 00:02:48,950 I JUST GAVE YOU SOME WORK TO DO. NOW, WHY ARE YOU TALKING? 31 00:02:49,120 --> 00:02:52,040 NELLIE WAS JUST TELLING ME WHY SHE GIVES YOU APPLES. 32 00:02:52,210 --> 00:02:53,380 I WAS NOT! 33 00:02:53,540 --> 00:02:55,960 YOU HAVE ABOUT 5 MINUTES OF THAT REVIEW TIME LEFT. 34 00:02:56,130 --> 00:02:58,010 I THINK YOU SHOULD USE IT. 35 00:03:00,760 --> 00:03:03,050 I HATE YOU. 36 00:03:03,220 --> 00:03:05,140 I HOPE SO. 37 00:03:11,560 --> 00:03:15,480 JASON! JASON! 38 00:03:15,650 --> 00:03:17,650 DO YOU WANT TO WATCH ME RIDE MY HORSE? 39 00:03:17,820 --> 00:03:18,900 I'M WAITING FOR SOMEONE. 40 00:03:19,070 --> 00:03:20,150 I'LL LET YOU RIDE HER. 41 00:03:20,320 --> 00:03:21,490 THAT'S REAL NICE, NELLIE, 42 00:03:21,650 --> 00:03:22,820 BUT LIKE I SAID, I'M WAITING FOR SOMEONE. 43 00:03:22,990 --> 00:03:24,160 WHO ARE YOU WAITING FOR? 44 00:03:24,320 --> 00:03:25,490 SOMEBODY. 45 00:03:25,660 --> 00:03:26,870 YOU'RE WAITING FOR LAURA INGALLS, AREN'T YOU? 46 00:03:27,040 --> 00:03:28,450 WELL, IF YOU MUST KNOW, YES. 47 00:03:28,620 --> 00:03:29,830 I HATE YOU. 48 00:03:30,000 --> 00:03:32,580 YOU'VE BEEN EATING ONIONS? 49 00:03:32,750 --> 00:03:34,580 - HI, JASON. - HI, LAURA. 50 00:03:34,750 --> 00:03:36,130 - ARE YOU READY? - IN A MINUTE. 51 00:03:36,290 --> 00:03:38,550 I'VE MADE THAT NEW FLOATER FOR YOU. 52 00:03:38,710 --> 00:03:39,800 IT'S BEAUTIFUL. 53 00:03:39,960 --> 00:03:41,300 GLAD YOU LIKE IT. 54 00:03:41,470 --> 00:03:43,300 IT'S THE MOST BEAUTIFUL FLOATER I'VE EVER SEEN. 55 00:03:43,470 --> 00:03:44,680 YOU WANT TO TRY IT OUT THIS WEEKEND? 56 00:03:44,840 --> 00:03:45,840 SURE! 57 00:03:46,010 --> 00:03:47,180 I'LL FIND OUT WHERE THE FISH ARE BITING. 58 00:03:47,350 --> 00:03:48,510 - ALL RIGHT. - SEE YOU. 59 00:03:48,680 --> 00:03:50,020 SO LONG, MARY. 60 00:03:53,850 --> 00:03:56,480 A FLOATER. HOW ROMANTIC. 61 00:03:56,650 --> 00:03:58,190 CAN WE GO NOW? I'VE BEEN WAITING FOREVER. 62 00:03:58,360 --> 00:04:01,030 I'M SORRY. I WANTED TO CLEAN THE BLACKBOARDS EXTRA GOOD 63 00:04:01,190 --> 00:04:02,820 TO MAKE UP FOR BEING LATE. 64 00:04:02,990 --> 00:04:05,030 - AND TALKING IN CLASS. - I WAS NOT TALKING! 65 00:04:05,200 --> 00:04:06,320 YOU WERE, TOO. 66 00:04:06,490 --> 00:04:09,490 WAS NOT. NELLIE WAS TALKING, AND I WAS ANSWERING. 67 00:04:09,660 --> 00:04:11,450 NEVER MIND. 68 00:04:11,620 --> 00:04:14,540 I NEVER SHOULD'VE TRADED MY PONY TO MR. OLESON. 69 00:04:14,710 --> 00:04:16,920 LAURA INGALLS! YOU WERE SO PROUD AT CHRISTMAS 70 00:04:17,090 --> 00:04:18,630 WHEN YOU GAVE MA THAT STOVE. 71 00:04:18,800 --> 00:04:20,050 I KNOW I WAS. 72 00:04:20,210 --> 00:04:22,880 BUT NELLIE DOESN'T TREAT BUNNY THE WAY SHE SHOULD. 73 00:04:23,050 --> 00:04:24,300 SHE DOESN'T LOVE HER. 74 00:04:24,470 --> 00:04:26,720 WELL, THERE'S NOTHING YOU CAN DO ABOUT IT NOW. 75 00:04:26,890 --> 00:04:28,180 I SUPPOSE. 76 00:04:28,350 --> 00:04:31,220 ARE YOU GOING TO TELL MA THAT I GOT IN TROUBLE TODAY? 77 00:04:31,390 --> 00:04:33,100 NO, I WON'T TELL. 78 00:04:33,270 --> 00:04:36,850 THANKS, MARY. 79 00:04:37,020 --> 00:04:38,480 [NEIGHING] 80 00:04:41,150 --> 00:04:42,480 [CRACK] 81 00:04:47,570 --> 00:04:50,580 STAY AWAY FROM HER! DON'T TOUCH MY HORSE! 82 00:04:50,740 --> 00:04:52,540 I'M NOT HURTING ANYTHING. 83 00:04:52,700 --> 00:04:54,960 I SAID, STAY AWAY FROM HER! 84 00:04:55,120 --> 00:04:56,370 DON'T DO THAT! 85 00:04:56,540 --> 00:04:58,830 SHE'S MY HORSE, AND I'LL DO AS I PLEASE! 86 00:04:59,000 --> 00:05:00,750 YOU WON'T GET ANYWHERE BEING MEAN TO HER. 87 00:05:00,920 --> 00:05:04,340 I KNOW HOW TO HANDLE A HORSE. 88 00:05:04,510 --> 00:05:07,090 [NEIGHING] 89 00:05:07,260 --> 00:05:10,180 [SCREAMING] 90 00:05:10,350 --> 00:05:11,850 BUNNY, COME BACK! 91 00:05:12,020 --> 00:05:13,680 BUNNY! 92 00:05:13,850 --> 00:05:16,020 [NELLIE SCREAMING] 93 00:05:16,190 --> 00:05:18,810 Laura: BUNNY, COME BACK! 94 00:05:18,980 --> 00:05:20,560 BUNNY! 95 00:05:25,400 --> 00:05:28,530 [SCREAMING] 96 00:05:28,700 --> 00:05:34,240 NELLIE! 97 00:05:34,410 --> 00:05:36,330 NELLIE, ARE YOU ALL RIGHT? 98 00:05:36,500 --> 00:05:37,870 NELLIE? 99 00:05:38,040 --> 00:05:42,170 SHE'S HURT BAD. YOU STAY WITH HER. I'LL GET DOC BAKER. 100 00:06:11,700 --> 00:06:13,780 CAN YOU TELL ANYTHING YET, DOC? 101 00:06:13,950 --> 00:06:16,870 NOT YET, NELS. SHE'S GOT A SLIGHT CONCUSSION. 102 00:06:17,040 --> 00:06:18,000 OH, NO! 103 00:06:18,160 --> 00:06:19,660 I SAID SLIGHT, MRS. OLESON. 104 00:06:19,830 --> 00:06:23,500 Mrs. Oleson: OH. WELL, WHY DOESN'T SHE WAKE UP? 105 00:06:23,670 --> 00:06:26,960 Dr. Baker: WELL, SHE'S TAKEN A PRETTY NASTY HIT ON THE HEAD. 106 00:06:27,130 --> 00:06:28,840 WHAT ABOUT HER ARM? 107 00:06:29,010 --> 00:06:30,970 I PUT A SPLINT ON IT JUST IN CASE. 108 00:06:31,140 --> 00:06:34,180 SHE MAY HAVE A SLIGHT BREAK. 109 00:06:34,350 --> 00:06:37,390 OH, NELS! [SIGHS] 110 00:06:37,560 --> 00:06:40,640 WHY DID YOU EVER LET HER HAVE THAT HORSE? 111 00:06:40,810 --> 00:06:43,230 HARRIET, DON'T WORRY. SHE'S GOING TO BE ALL RIGHT. 112 00:06:43,400 --> 00:06:45,360 THAT WAS YOUR HORSE, LAURA INGALLS. 113 00:06:45,530 --> 00:06:48,860 YOU SHOULD HAVE TOLD US THAT THAT WAS A DANGEROUS ANIMAL! 114 00:06:49,030 --> 00:06:50,450 Mr. Oleson: HARRIET, IT WAS AN ACCIDENT. 115 00:06:50,610 --> 00:06:51,700 WELL, IT WASN'T! 116 00:06:51,860 --> 00:06:54,070 THAT HORSE DELIBERATELY RAN NELLIE 117 00:06:54,240 --> 00:06:55,580 RIGHT INTO A TREE. 118 00:06:55,740 --> 00:06:57,950 IT WAS NO ACCIDENT! 119 00:06:58,120 --> 00:07:00,040 THAT HORSE SHOULD BE PUT TO SLEEP. 120 00:07:00,210 --> 00:07:02,540 IT WASN'T BUNNY'S FAULT. 121 00:07:02,710 --> 00:07:06,130 I KNOW WHERE THE FAULT LIES, LAURA INGALLS. 122 00:07:06,300 --> 00:07:08,380 YOU TRADED A VICIOUS ANIMAL 123 00:07:08,550 --> 00:07:09,710 BECAUSE YOU WANTED TO GET RID OF IT 124 00:07:09,880 --> 00:07:12,840 FOR A STOVE THAT COST A GREAT DEAL OF MONEY! 125 00:07:13,010 --> 00:07:14,800 Mr. Oleson: HARRIET, YOU'RE UPSET. 126 00:07:14,970 --> 00:07:16,140 I HAVE A RIGHT TO BE UPSET! 127 00:07:16,310 --> 00:07:19,220 AND YOU MARK MY WORDS, LAURA INGALLS... 128 00:07:19,390 --> 00:07:21,230 IF ANYTHING HAPPENS TO MY NELLIE, 129 00:07:21,390 --> 00:07:23,730 IT'S ALL YOUR FAULT. 130 00:07:23,900 --> 00:07:27,400 MOTHER? 131 00:07:27,570 --> 00:07:31,900 OH...MOTHER'S HERE, DARLING. MOTHER'S HERE. 132 00:07:32,070 --> 00:07:35,240 YOUNG LADY, YOU GAVE EVERYBODY QUITE A SCARE. 133 00:07:35,410 --> 00:07:36,990 HOW DO YOU FEEL? 134 00:07:37,160 --> 00:07:40,410 I DON'T KNOW. KIND OF STRANGE. 135 00:07:40,580 --> 00:07:41,960 Dr. Baker: A LITTLE DIZZY? 136 00:07:42,120 --> 00:07:43,750 NO, IT'S NOT THAT. 137 00:07:43,920 --> 00:07:47,090 WELL, WHAT, NELLIE? WHAT IS IT? 138 00:07:47,250 --> 00:07:49,130 MY LEGS. 139 00:07:49,300 --> 00:07:51,300 I CAN'T FEEL MY LEGS. 140 00:07:51,470 --> 00:07:55,680 I CAN'T FEEL THEM. 141 00:07:55,850 --> 00:08:00,270 WELL...WE'D BETTER HAVE A LOOK. 142 00:08:00,430 --> 00:08:02,640 WHAT ARE YOU GOING TO DO WITH THE NEEDLE? 143 00:08:02,810 --> 00:08:06,270 OH, THIS ISN'T GOING TO HURT, NELLIE. 144 00:08:06,440 --> 00:08:09,150 NOW, I WANT YOU TO SPEAK UP 145 00:08:09,320 --> 00:08:12,030 AS SOON AS YOU FEEL ANYTHING, ALL RIGHT? 146 00:08:23,580 --> 00:08:25,420 FEEL ANYTHING AT ALL? 147 00:08:25,580 --> 00:08:27,040 NO. 148 00:08:55,950 --> 00:08:57,320 CAN YOU MOVE YOUR LEGS, HONEY? 149 00:08:57,490 --> 00:09:00,030 I CAN'T. 150 00:09:00,200 --> 00:09:03,250 OH, DEAR GOD, NO! 151 00:09:03,410 --> 00:09:04,450 [SOBBING] 152 00:09:04,620 --> 00:09:06,080 NOW, MRS. OLESON... 153 00:09:06,250 --> 00:09:07,500 IT'S ONLY A TEMPORARY CONDITION. 154 00:09:07,670 --> 00:09:09,290 I'VE SEEN THIS BEFORE. 155 00:09:09,460 --> 00:09:13,170 Mrs. Oleson: OHH... NELLIE, MY BABY! 156 00:09:13,340 --> 00:09:14,420 [CRYING] 157 00:09:14,590 --> 00:09:15,880 HARRIET... 158 00:09:16,050 --> 00:09:19,800 NELS, YOU GO DOWN TO THE STABLE, AND YOU SHOOT THAT HORSE! 159 00:09:19,970 --> 00:09:21,260 HARRIET! 160 00:09:21,430 --> 00:09:24,140 EITHER YOU DO IT, OR I WILL, NELS! 161 00:09:24,310 --> 00:09:27,480 WELL, I HOPE YOU'RE HAPPY, LAURA INGALLS, 162 00:09:27,650 --> 00:09:30,730 NOW THAT YOU'VE MADE MY LITTLE GIRL CRIPPLED! 163 00:09:30,900 --> 00:09:33,570 MRS. OLESON, YOU CAN'T BLAME ANYONE FOR THIS. 164 00:09:33,730 --> 00:09:35,490 AND IT'S TOO EARLY TO PREDICT WHETHER-- 165 00:09:35,650 --> 00:09:38,240 WELL, MAKE HER WALK, DOCTOR. 166 00:09:42,870 --> 00:09:44,870 WALK, NELLIE. 167 00:09:45,040 --> 00:09:46,960 I CAN'T, MOTHER. 168 00:09:47,120 --> 00:09:50,880 [SOBBING] 169 00:09:51,040 --> 00:09:54,210 YOU GET OUT OF MY HOUSE, LAURA INGALLS, 170 00:09:54,380 --> 00:09:57,050 AND DON'T YOU EVER COME BACK HERE AGAIN! 171 00:09:57,220 --> 00:10:00,470 AND YOU PUT THAT ANIMAL TO SLEEP! 172 00:10:00,640 --> 00:10:02,720 LAURA! 173 00:10:16,740 --> 00:10:17,900 SHH. 174 00:10:18,070 --> 00:10:21,410 IT'S ALL RIGHT. IT'S ALL RIGHT. 175 00:10:21,570 --> 00:10:24,330 I DIDN'T MEAN IT. 176 00:10:24,490 --> 00:10:27,200 IT'S NOT YOUR FAULT. 177 00:10:27,370 --> 00:10:29,250 IT'S ALL RIGHT. 178 00:10:29,420 --> 00:10:31,250 IT IS, TOO, MY FAULT. 179 00:10:31,420 --> 00:10:32,750 I DID WANT BUNNY TO LIKE ME 180 00:10:32,920 --> 00:10:35,590 MORE THAN SHE LIKED NELLIE. 181 00:10:35,760 --> 00:10:37,590 THAT'S WHY ALL OF THIS HAPPENED, 182 00:10:37,760 --> 00:10:38,800 BECAUSE OF ME. 183 00:10:38,970 --> 00:10:42,180 THAT'S NOT TRUE. 184 00:10:42,350 --> 00:10:43,680 IT'S NOT YOUR FAULT. 185 00:10:43,850 --> 00:10:46,260 IT'S NOT BUNNY'S FAULT. 186 00:10:46,430 --> 00:10:49,270 SHE DIDN'T KNOW ANY BETTER. 187 00:10:49,440 --> 00:10:50,440 I KEPT FEEDING HER, 188 00:10:50,600 --> 00:10:53,440 AND THAT'S WHY SHE CAME TO ME. 189 00:10:53,610 --> 00:10:55,020 WHAT ARE YOU GOING TO DO? 190 00:10:55,190 --> 00:10:57,150 I CAN'T LET THEM KILL BUNNY. THAT WOULD BE MY FAULT, TOO. 191 00:10:57,320 --> 00:10:58,570 I CAN'T LET THEM FIND HER! 192 00:10:58,740 --> 00:11:00,860 BUT SHE'S NOT YOUR HORSE TO TAKE. 193 00:11:01,030 --> 00:11:03,530 I HAVE TO! 194 00:11:03,700 --> 00:11:06,700 LAURA! LAURA! 195 00:11:20,630 --> 00:11:22,220 CHARLES-- 196 00:11:22,390 --> 00:11:25,890 CAROLINE, I'VE LOOKED EVERYPLACE. WE'RE JUST GOING TO HAVE TO WAIT. 197 00:11:30,020 --> 00:11:32,690 [HORSE NICKERS] 198 00:11:38,110 --> 00:11:39,280 Caroline: LAURA! 199 00:11:39,440 --> 00:11:40,990 OH, THANK HEAVENS! 200 00:11:41,150 --> 00:11:43,320 WE WERE SO WORRIED ABOUT YOU. 201 00:11:43,490 --> 00:11:47,120 I'M SORRY. I DIDN'T KNOW WHAT TO DO. 202 00:11:47,280 --> 00:11:51,370 I WANTED TO HIDE BUNNY, BUT I DIDN'T KNOW WHERE. 203 00:11:51,540 --> 00:11:54,080 THEY WERE GOING TO SHOOT HER, 204 00:11:54,250 --> 00:11:57,500 AND IT WASN'T EVEN HER FAULT. 205 00:11:57,670 --> 00:12:02,470 I KNOW. IT'S ALL RIGHT NOW. 206 00:12:03,970 --> 00:12:06,140 Charles: WHY DON'T YOU GO ON IN THE HOUSE WITH YOUR MA? 207 00:12:06,300 --> 00:12:09,470 I'LL PUT BUNNY UP IN THE BARN. 208 00:12:09,640 --> 00:12:11,850 DON'T LET ANYONE HURT HER. 209 00:12:12,020 --> 00:12:13,730 PLEASE, PA. 210 00:12:17,520 --> 00:12:18,900 NOBODY'S GOING TO HURT BUNNY. 211 00:12:19,070 --> 00:12:21,280 DON'T YOU WORRY ABOUT THAT. 212 00:12:21,440 --> 00:12:23,360 GO ON WITH YOUR MA, OK? 213 00:12:23,530 --> 00:12:25,280 COME ON. 214 00:12:44,220 --> 00:12:45,380 HOW IS SHE? 215 00:12:45,550 --> 00:12:48,050 SHE FEELS RESPONSIBLE. 216 00:12:48,220 --> 00:12:51,890 SHE JUST KEEPS REPEATING THAT IT WAS HER FAULT. 217 00:12:52,060 --> 00:12:54,560 I TOLD HER MRS. OLESON DIDN'T MEAN IT, 218 00:12:54,730 --> 00:12:58,060 THAT SHE WAS JUST UPSET, BUT... 219 00:12:58,230 --> 00:13:00,060 SHE WON'T LISTEN. 220 00:13:07,240 --> 00:13:09,160 [SIGHS] 221 00:13:11,410 --> 00:13:15,330 I JUST WONDER IF NELLIE'S HURT AS BAD AS IT SOUNDS. 222 00:13:15,500 --> 00:13:18,540 I SUPPOSE WE WON'T KNOW FOR A WHILE. 223 00:13:21,090 --> 00:13:25,300 WELL, I'M GOING TO TOWN WITH LAURA TOMORROW. 224 00:13:25,470 --> 00:13:26,760 GO TO THE OLESONS', ASK ABOUT NELLIE, 225 00:13:26,930 --> 00:13:30,600 SEE IF THERE'S ANYTHING WE CAN DO. 226 00:13:30,760 --> 00:13:32,760 I PRAY SHE'S ALL RIGHT. 227 00:13:34,100 --> 00:13:37,810 NOT JUST FOR NELLIE'S SAKE, BUT FOR LAURA'S. 228 00:13:39,940 --> 00:13:42,070 OH, I DON'T KNOW WHAT IT WOULD DO TO HER. 229 00:13:42,230 --> 00:13:44,360 HANG ON JUST A MINUTE. 230 00:13:45,490 --> 00:13:47,320 NOW, WE DON'T KNOW HOW BADLY SHE'S HURT. 231 00:13:47,490 --> 00:13:49,070 I MEAN-- 232 00:13:49,240 --> 00:13:53,410 FOR ALL WE KNOW, TOMORROW SHE COULD BE OVER IT AND BE JUST FINE. 233 00:13:53,580 --> 00:13:55,750 BE BACK TO THE SAME OLD NASTY NELLIE. 234 00:13:55,910 --> 00:13:57,910 [LAUGHS] 235 00:13:58,080 --> 00:14:01,000 YOU'RE RIGHT. 236 00:14:01,170 --> 00:14:03,800 SO WE KEEP THAT THOUGHT, RIGHT? 237 00:14:07,300 --> 00:14:11,140 COME ON TO BED. 238 00:14:11,300 --> 00:14:12,800 SOON. 239 00:14:18,600 --> 00:14:21,650 I LOVE YOU. 240 00:14:24,190 --> 00:14:26,440 IT'LL BE ALL RIGHT. 241 00:14:26,610 --> 00:14:28,700 GOOD NIGHT. 242 00:15:24,790 --> 00:15:25,880 GOOD MORNING, DOCTOR. 243 00:15:26,050 --> 00:15:28,420 MORNING, CHARLES...LAURA. 244 00:15:28,590 --> 00:15:30,380 HELLO, DOCTOR. 245 00:15:30,550 --> 00:15:31,630 HOW'S THE LITTLE GIRL? 246 00:15:31,800 --> 00:15:34,340 SHE'S NO BETTER... BUT NO WORSE. 247 00:15:36,810 --> 00:15:37,970 WHAT DO YOU THINK? 248 00:15:38,140 --> 00:15:39,720 I DON'T KNOW. 249 00:15:39,890 --> 00:15:41,640 SHE TOOK A PRETTY GOOD HIT ON THE HEAD. 250 00:15:41,810 --> 00:15:44,900 SOMETIMES THESE THINGS ARE TEMPORARY. SOMETIMES THEY'RE NOT. 251 00:15:45,060 --> 00:15:47,610 WE'LL JUST HAVE TO WAIT. 252 00:15:47,780 --> 00:15:50,070 I'D BETTER BE OFF ON MY ROUNDS. SEE YOU, CHARLES. 253 00:15:50,240 --> 00:15:54,030 SEE YOU, DOC. 254 00:15:54,200 --> 00:15:56,780 HALF PINT, TIME TO GO IN. 255 00:15:56,950 --> 00:16:01,330 PA, PLEASE... I CAN'T GO IN THERE. 256 00:16:01,500 --> 00:16:03,330 I KNOW HOW YOU FEEL, BUT I WANT YOU TO COME WITH ME. 257 00:16:03,500 --> 00:16:05,790 NOW, COME ON. 258 00:16:30,690 --> 00:16:32,360 NELS? 259 00:16:32,530 --> 00:16:35,360 CHARLES. I DIDN'T HEAR YOU COME IN. 260 00:16:35,530 --> 00:16:37,070 WE JUST SAW DOC BAKER OUTSIDE. 261 00:16:37,240 --> 00:16:39,910 YEAH. WELL, THERE'S NO CHANGE YET. 262 00:16:40,080 --> 00:16:41,240 HOW'S NELLIE FEELING? 263 00:16:41,410 --> 00:16:44,120 WELL, SHE'S BEING VERY BRAVE, CHARLES... 264 00:16:44,290 --> 00:16:46,460 TELLING US ALL NOT TO WORRY. 265 00:16:46,630 --> 00:16:48,670 DOESN'T SEEM TO BE AFFECTING HER APPETITE ANY, EITHER. 266 00:16:48,840 --> 00:16:53,170 SHE HAD A BOX AND A HALF OF BONBONS ALREADY THIS MORNING. 267 00:16:53,340 --> 00:16:54,470 WHAT ABOUT YOU? HOW YOU DOING? 268 00:16:54,630 --> 00:16:56,380 OH, I'LL BE ALL RIGHT. 269 00:16:56,550 --> 00:16:58,140 IT'S MY WIFE I'M WORRIED ABOUT. 270 00:16:58,300 --> 00:17:01,810 REVEREND ALDEN'S COMING BY THIS AFTERNOON TO TALK TO HER. 271 00:17:01,970 --> 00:17:03,220 MAYBE THAT'LL HELP. 272 00:17:03,390 --> 00:17:04,980 NELS, I KNOW YOU HAVE ENOUGH ON YOUR MIND, 273 00:17:05,140 --> 00:17:06,480 BUT I WANTED TO TELL YOU ABOUT THE HORSE. 274 00:17:06,650 --> 00:17:08,350 OH, I ALREADY KNOW ABOUT THAT. 275 00:17:08,520 --> 00:17:10,900 DORFLER TOLD ME THAT HE SAW LAURA RIDE OUT. 276 00:17:11,070 --> 00:17:12,780 I KNOW SHE HAD NO RIGHT TO TAKE THE ANIMAL. 277 00:17:12,940 --> 00:17:18,360 SHE HAD EVERY RIGHT. IT WASN'T THE ANIMAL'S FAULT. IT WAS JUST-- 278 00:17:18,530 --> 00:17:20,660 IT JUST HAPPENED. 279 00:17:20,830 --> 00:17:24,200 I COULDN'T HAVE DESTROYED THE ANIMAL, ANYWAY. 280 00:17:24,370 --> 00:17:27,120 I'D APPRECIATE IT IF YOU WOULDN'T SAY ANYTHING TO MY MISSIS ABOUT THAT. 281 00:17:27,290 --> 00:17:28,920 SHE THINKS THE HORSE JUST RAN OFF, 282 00:17:29,080 --> 00:17:33,880 AND I THINK IT'S BEST WE JUST KEEP IT THAT WAY FOR A WHILE. 283 00:17:34,050 --> 00:17:35,630 I'M SORRY ABOUT YESTERDAY, LAURA. 284 00:17:35,800 --> 00:17:39,510 MY WIFE WAS... JUST UPSET, THAT'S ALL. 285 00:17:39,680 --> 00:17:44,600 NELLIE WAS ASKING ABOUT YOU. WANTED TO SEE YOU. 286 00:17:44,770 --> 00:17:48,230 WELL, MAYBE I SHOULD WAIT TILL SHE'S FEELING BETTER. 287 00:17:48,400 --> 00:17:50,350 SHE ASKED ABOUT YOU THIS MORNING. 288 00:17:50,520 --> 00:17:51,980 WHY DON'T YOU GO ON UP? 289 00:17:53,860 --> 00:17:55,740 IT'S ALL RIGHT. 290 00:18:05,500 --> 00:18:07,830 WELL, I BETTER GET BACK TO THE MILL. 291 00:18:11,000 --> 00:18:13,000 WE'RE PRAYING FOR HER. 292 00:18:13,170 --> 00:18:14,800 THANK YOU, CHARLES. 293 00:18:28,730 --> 00:18:30,600 [KNOCK ON DOOR] 294 00:18:35,230 --> 00:18:37,110 [WEAKLY] WHO IS IT? 295 00:18:37,280 --> 00:18:39,280 IT'S ME...LAURA. 296 00:18:39,450 --> 00:18:41,360 COME IN. 297 00:18:52,790 --> 00:18:54,420 COME SIT BY ME. 298 00:18:54,590 --> 00:18:56,710 SIT RIGHT HERE. 299 00:19:02,180 --> 00:19:03,590 WHAT'S IT LIKE OUTSIDE TODAY? 300 00:19:03,760 --> 00:19:06,060 IS THE SUN SHINING? 301 00:19:06,220 --> 00:19:07,850 IT'S A FINE MORNING. 302 00:19:08,020 --> 00:19:09,430 THAT'S WHAT I MISS THE MOST... 303 00:19:09,600 --> 00:19:13,940 SEEING THE SUN, THE BLUE SKY... HEARING THE BIRDS SING. 304 00:19:14,110 --> 00:19:15,980 BUT I'LL HAVE TO GET USED TO IT. 305 00:19:16,150 --> 00:19:19,280 OH, NELLIE... DON'T SAY THAT. 306 00:19:19,440 --> 00:19:20,900 YOU'RE GOING TO GET BETTER. 307 00:19:21,070 --> 00:19:22,200 YOU HAVE TO. 308 00:19:22,360 --> 00:19:24,820 DON'T CRY, LAURA. I KNOW YOU DIDN'T MEAN IT. 309 00:19:24,990 --> 00:19:26,990 I FORGIVE YOU. 310 00:19:27,160 --> 00:19:28,870 OH, NELLIE... I'M SORRY. 311 00:19:29,040 --> 00:19:32,960 I WISH THERE WAS SOMETHING I COULD DO TO HELP YOU. 312 00:19:33,130 --> 00:19:35,460 I'D DO ANYTHING... ANYTHING. 313 00:19:35,630 --> 00:19:36,840 I KNOW HOW YOU FEEL. 314 00:19:37,000 --> 00:19:39,710 IT'S ENOUGH JUST KNOWING YOU'RE MY FRIEND. 315 00:19:39,880 --> 00:19:42,300 THERE IS...ONE THING YOU COULD DO. 316 00:19:42,470 --> 00:19:43,970 I HATE TO ASK, BUT-- 317 00:19:44,140 --> 00:19:47,760 OH, NO, PLEASE. ANYTHING. 318 00:19:47,930 --> 00:19:52,020 WELL, I WON'T BE ABLE TO GO TO SCHOOL ANYMORE-- 319 00:19:52,190 --> 00:19:53,940 OH, NELLIE, DON'T SAY THAT. 320 00:19:54,100 --> 00:19:56,060 YOU'RE GOING TO GET BETTER SOON. 321 00:19:56,230 --> 00:19:57,270 PERHAPS... 322 00:19:57,440 --> 00:20:00,940 BUT I'M AFRAID IT WOULD TAKE A MIRACLE. 323 00:20:01,110 --> 00:20:02,110 OH, NELLIE... 324 00:20:02,280 --> 00:20:04,030 Nellie: NOW, DON'T START CRYING AGAIN. 325 00:20:04,200 --> 00:20:07,030 YOU SAID YOU'D HELP ME. 326 00:20:08,410 --> 00:20:12,790 WELL...I WON'T BE ABLE TO GO TO SCHOOL ANYMORE, 327 00:20:12,960 --> 00:20:15,500 AND I DON'T WANT TO FALL BEHIND. 328 00:20:15,670 --> 00:20:17,840 I THOUGHT, IF YOU WEREN'T TOO BUSY, 329 00:20:18,000 --> 00:20:21,510 YOU COULD BRING MY ASSIGNMENTS HERE AND HELP ME KEEP UP. 330 00:20:21,670 --> 00:20:23,010 WOULD YOU DO THAT, LAURA? 331 00:20:23,180 --> 00:20:25,550 OH, YES! EVERY DAY. 332 00:20:25,720 --> 00:20:28,600 YOU'RE SUCH A GOOD FRIEND, LAURA. 333 00:20:28,760 --> 00:20:31,020 OH! 334 00:20:31,180 --> 00:20:32,270 WHAT'S WRONG? 335 00:20:32,430 --> 00:20:33,770 IT'S NOTHING. 336 00:20:33,940 --> 00:20:36,690 I'LL JUST HAVE TO CLOSE MY EYES AND REST FOR A MOMENT. 337 00:20:36,860 --> 00:20:38,650 SEE YOU AFTER SCHOOL. 338 00:20:38,820 --> 00:20:40,020 RIGHT AFTER. 339 00:20:40,190 --> 00:20:42,030 GOOD. Y-YOU'D BETTER GO NOW. 340 00:20:42,190 --> 00:20:44,740 ALL RIGHT. 341 00:20:44,910 --> 00:20:47,070 SEE YOU AFTER SCHOOL. 342 00:20:54,370 --> 00:20:57,750 [SAW BUZZING] 343 00:20:57,920 --> 00:20:59,460 PAUL, WHERE'S MY PA? 344 00:20:59,630 --> 00:21:02,210 AROUND THE CORNER, WORKING ON THE FLUME. 345 00:21:02,380 --> 00:21:05,220 [HAMMERING] 346 00:21:05,380 --> 00:21:07,300 PA! 347 00:21:07,470 --> 00:21:08,970 YOU BETTER GET IN THAT SCHOOLHOUSE, YOUNG LADY. 348 00:21:09,140 --> 00:21:10,470 YOU'RE LATE ALREADY. 349 00:21:10,640 --> 00:21:14,100 I HAD TO ASK YOU SOMETHING FIRST. IT'S ABOUT NELLIE. 350 00:21:14,270 --> 00:21:15,640 ALL RIGHT. WHAT IS IT? 351 00:21:15,810 --> 00:21:17,310 WELL, SHE NEEDS SOME HELP WITH HER HOMEWORK, 352 00:21:17,480 --> 00:21:19,770 AND I TOLD HER I COULD DO IT AFTER SCHOOL. 353 00:21:19,940 --> 00:21:22,230 I COULD ASK MARY TO DO MY CHORES. 354 00:21:22,400 --> 00:21:24,110 WHAT ABOUT YOUR OWN HOMEWORK? 355 00:21:24,280 --> 00:21:27,070 I COULD DO MINE AT THE SAME TIME. PLEASE, PA? 356 00:21:27,240 --> 00:21:30,240 IT WOULD MAKE ME FEEL A LOT BETTER ABOUT WHAT HAPPENED. 357 00:21:30,410 --> 00:21:32,700 NELLIE DIDN'T BLAME YOU FOR THAT, DID SHE? 358 00:21:32,870 --> 00:21:35,450 NO, SIR. SHE JUST NEEDS SOME HELP. 359 00:21:35,620 --> 00:21:37,250 PLEASE? 360 00:21:38,420 --> 00:21:40,130 ALL RIGHT, YOU CAN HELP HER. 361 00:21:40,290 --> 00:21:41,250 THANKS! 362 00:21:41,420 --> 00:21:42,590 BUT DON'T BE TOO LATE! 363 00:21:42,750 --> 00:21:44,170 I WON'T! 364 00:21:47,090 --> 00:21:49,010 [HAMMERING] 365 00:21:58,100 --> 00:21:59,770 I'LL DO YOUR CHORES SATURDAY AND SUNDAY. 366 00:21:59,940 --> 00:22:01,270 YOU DON'T HAVE TO. 367 00:22:01,440 --> 00:22:03,110 YES, I DO. IT'S MY FAULT ANY OF THIS HAPPENED ANYWAY. 368 00:22:03,280 --> 00:22:04,730 WILL YOU STOP SAYING THAT? 369 00:22:04,900 --> 00:22:06,610 WELL, I CAN'T HELP THINKING THAT THAT'S THE WAY IT IS. 370 00:22:06,780 --> 00:22:08,360 HEY, LAURA, CAN YOU GO FISHING SATURDAY? 371 00:22:08,530 --> 00:22:09,530 SURE! 372 00:22:09,700 --> 00:22:12,070 I'D BETTER BE GOING. 373 00:22:31,930 --> 00:22:33,680 THE NEXT WORD IS "ALLOWED." 374 00:22:33,850 --> 00:22:36,470 A-L-L-O-W-E-D. ALLOWED. 375 00:22:36,640 --> 00:22:37,980 RIGHT. MARMALADE. 376 00:22:38,140 --> 00:22:40,560 WAS JASON IN SCHOOL TODAY? 377 00:22:40,730 --> 00:22:41,810 YEAH. 378 00:22:41,980 --> 00:22:43,110 MARMALADE. 379 00:22:43,270 --> 00:22:46,530 WE SURE HAD A LOT OF ARGUMENTS OVER HIM. 380 00:22:46,690 --> 00:22:47,940 I SUPPOSE. 381 00:22:48,110 --> 00:22:50,030 DID YOU TALK TO HIM TODAY? 382 00:22:50,200 --> 00:22:51,570 JUST FOR A LITTLE WHILE. 383 00:22:51,740 --> 00:22:55,620 DID HE ASK FOR ME? 384 00:22:55,790 --> 00:22:59,040 HE TOLD ME TO TELL YOU HE SAID HELLO. 385 00:22:59,210 --> 00:23:01,080 IF I TELL YOU SOMETHING, LAURA, 386 00:23:01,250 --> 00:23:04,340 WILL YOU KEEP IT A SECRET... CROSS YOUR HEART? 387 00:23:04,500 --> 00:23:06,170 CROSS MY HEART. 388 00:23:06,340 --> 00:23:09,840 I LOVE JASON. I TRULY DO. 389 00:23:10,010 --> 00:23:12,010 BUT NOW THAT I'M LIKE THIS, 390 00:23:12,180 --> 00:23:14,720 HE WON'T PAY ME ANY MIND. 391 00:23:14,890 --> 00:23:17,430 HE'LL FIND ANOTHER GIRL. 392 00:23:17,600 --> 00:23:19,180 I KNOW THIS SOUNDS AWFUL, LAURA, 393 00:23:19,350 --> 00:23:21,640 BUT I WOULD FEEL SO HATEFUL 394 00:23:21,810 --> 00:23:24,860 TO ANY GIRL THAT WOULD SHINE UP TO JASON. 395 00:23:25,020 --> 00:23:26,610 I JUST WOULDN'T BE ABLE TO HELP IT. 396 00:23:26,780 --> 00:23:29,530 CAN YOU UNDERSTAND? 397 00:23:29,690 --> 00:23:31,530 I THINK SO. 398 00:23:31,700 --> 00:23:33,030 I KNEW YOU WOULD. 399 00:23:33,200 --> 00:23:35,740 YOU'RE SUCH A GOOD FRIEND, LAURA. 400 00:23:35,910 --> 00:23:37,990 NOW, WHAT WAS THE NEXT WORD? 401 00:23:38,160 --> 00:23:39,450 MARMALADE. 402 00:23:39,620 --> 00:23:43,330 M-A-R-M-A-L-A-D-E. MARMALADE. 403 00:23:56,390 --> 00:23:57,510 AFTERNOON, MR. INGALLS. 404 00:23:57,680 --> 00:23:59,270 AFTERNOON, JASON. 405 00:23:59,430 --> 00:24:02,180 I JUST WANTED TO STOP BY AND MAKE SURE LAURA WASN'T SICK OR NOTHING. 406 00:24:02,350 --> 00:24:03,980 NO, NO. SHE'S NOT SICK. SHE'S UP IN THE BARN. 407 00:24:04,150 --> 00:24:05,560 WE WERE SUPPOSED TO GO FISHING TODAY. 408 00:24:05,730 --> 00:24:07,570 MAYBE SHE'S MAD AT ME OR SOMETHING. 409 00:24:07,730 --> 00:24:09,070 YOU DO SOMETHING TO MAKE HER MAD? 410 00:24:09,230 --> 00:24:11,440 NO, BUT SOMETIMES GIRLS GET MAD AT YOU ANYWAY. 411 00:24:11,610 --> 00:24:14,410 I KNOW WHAT YOU MEAN. ONLY ONE WAY TO FIND OUT-- GO ASK HER. 412 00:24:14,570 --> 00:24:16,280 I SUPPOSE. 413 00:24:24,250 --> 00:24:27,290 [FOOTSTEPS] 414 00:24:27,460 --> 00:24:28,840 HI. 415 00:24:29,000 --> 00:24:29,960 OH...HI. 416 00:24:30,130 --> 00:24:31,800 I WAITED FOR YOU FOR TWO HOURS. 417 00:24:31,970 --> 00:24:35,260 I'M SORRY. I JUST GOT REAL BUSY WITH CHORES. 418 00:24:35,430 --> 00:24:36,760 SO I SEE. 419 00:24:36,930 --> 00:24:39,310 WELL, I JUST FINISHED A FEW MINUTES AGO. 420 00:24:39,470 --> 00:24:41,060 ALL RIGHT, I BELIEVE YOU. 421 00:24:41,220 --> 00:24:44,230 WHY'D YOU SAY IT LIKE THAT? DO YOU THINK I'M LYING? 422 00:24:44,390 --> 00:24:45,520 OF COURSE NOT. 423 00:24:45,690 --> 00:24:47,190 Laura: THEN WHY'D YOU SAY IT LIKE THAT? 424 00:24:47,360 --> 00:24:48,440 LIKE WHAT? 425 00:24:48,610 --> 00:24:50,610 [SARCASTICALLY] "ALL RIGHT, I BELIEVE YOU." 426 00:24:50,780 --> 00:24:52,280 I DIDN'T SAY IT LIKE THAT. 427 00:24:52,440 --> 00:24:54,070 YOU DID! 428 00:24:54,240 --> 00:24:56,570 ALL RIGHT, I DID. 429 00:25:01,120 --> 00:25:02,290 I DIDN'T COME BY TO ARGUE. 430 00:25:02,450 --> 00:25:04,580 I JUST CAME BY TO MAKE SURE YOU WERE ALL RIGHT. 431 00:25:04,750 --> 00:25:07,000 WHY DON'T YOU STOP BY NELLIE'S AND SEE HOW SHE'S FEELING? 432 00:25:07,170 --> 00:25:09,750 I WASN'T SUPPOSED TO BE FISHING WITH NELLIE. 433 00:25:09,920 --> 00:25:11,630 DON'T YOU EVEN CARE HOW SHE IS? 434 00:25:11,800 --> 00:25:14,090 SURE, I DO. 435 00:25:14,260 --> 00:25:17,800 I GUESS YOU DON'T FEEL THE SAME WAY ABOUT HER, NOW THAT SHE-- 436 00:25:17,970 --> 00:25:19,140 NOW THAT SHE'S HURT. 437 00:25:19,300 --> 00:25:20,300 FEEL WHAT WAY? 438 00:25:20,470 --> 00:25:22,680 I NEVER FELT NOTHING FOR NELLIE ANY OLD WAY. 439 00:25:22,850 --> 00:25:25,680 I MEAN, I'M SORRY SHE'S HURT AND ALL, BUT SHUCKS, LAURA-- 440 00:25:25,850 --> 00:25:27,350 GO AWAY. 441 00:25:29,560 --> 00:25:32,110 DAD BURN IT, LAURA, WHAT'S THE MATTER WITH YOU? 442 00:25:32,280 --> 00:25:34,860 NOTHING. NOTHING'S THE MATTER WITH ME. 443 00:25:35,030 --> 00:25:37,820 JUST GO AWAY AND DON'T COME BACK HERE ANYMORE. 444 00:25:37,990 --> 00:25:40,740 - LAURA! - GO AWAY! 445 00:25:47,500 --> 00:25:48,830 JUST SO AS YOU'LL KNOW, 446 00:25:49,000 --> 00:25:51,670 I DIDN'T BELIEVE YOU ABOUT FINISHING YOUR CHORES. 447 00:26:17,650 --> 00:26:19,610 THIRD TIME IN TWO WEEKS SHE'S BEEN LATE FOR SUPPER. 448 00:26:19,780 --> 00:26:21,740 I KNOW. 449 00:26:21,910 --> 00:26:23,370 I'M GOING TO PUT A STOP TO IT, THAT'S ALL. 450 00:26:23,540 --> 00:26:25,080 SHE'S BEEN NEGLECTING HER HOMEWORK, HER CHORES... 451 00:26:25,250 --> 00:26:26,830 I DON'T MIND DOING THEM, PA. 452 00:26:27,000 --> 00:26:29,540 I KNOW YOU DON'T MIND, MARY, BUT YOU CAN'T DO THEM FOREVER. 453 00:26:29,710 --> 00:26:31,000 IT'S JUST TILL NELLIE GETS BETTER. 454 00:26:31,170 --> 00:26:33,170 AND IF SHE DOESN'T? 455 00:26:33,340 --> 00:26:34,880 THAT'S SOMETHING WE'RE GOING TO HAVE TO FACE, 456 00:26:35,050 --> 00:26:37,800 AND LAURA'S GOING TO HAVE TO FACE IT, TOO. 457 00:26:37,970 --> 00:26:39,550 I FEEL AS SORRY FOR NELLIE AS ANYBODY ELSE, 458 00:26:39,720 --> 00:26:44,350 BUT LAURA CAN'T SPEND THE REST OF HER LIFE TAKING CARE OF HER. 459 00:26:44,510 --> 00:26:46,640 [BARN DOOR SQUEAKS] 460 00:26:53,400 --> 00:26:56,730 LAURA? 461 00:26:56,900 --> 00:26:58,070 BE RIGHT IN, MA. 462 00:26:58,240 --> 00:26:59,650 I'M JUST SEEING TO BUNNY. 463 00:26:59,820 --> 00:27:01,570 WE'VE ALREADY HAD OUR SUPPER. 464 00:27:01,740 --> 00:27:04,240 I'M SORRY, MA. I HAD TO HELP NELLIE WITH HER MAPS. 465 00:27:04,410 --> 00:27:06,910 I'LL BE JUST A MINUTE. 466 00:27:07,080 --> 00:27:08,040 [SIGHS] 467 00:27:08,200 --> 00:27:09,500 I'M GOING TO HAVE A TALK WITH HER. 468 00:27:09,660 --> 00:27:11,040 LET ME TALK TO HER. 469 00:27:11,210 --> 00:27:13,290 ALL RIGHT, BUT I'M NOT GOING TO HAVE ANY MORE OF THIS. 470 00:27:13,460 --> 00:27:15,380 I'LL TELL HER. 471 00:27:27,930 --> 00:27:29,520 IS PA REAL ANGRY? 472 00:27:29,680 --> 00:27:33,400 YOUR FATHER ISN'T ANGRY WITH YOU. HE'S WORRIED ABOUT YOU, 473 00:27:33,560 --> 00:27:34,860 AND SO AM I. 474 00:27:35,020 --> 00:27:36,940 NO. I'M ALL RIGHT. THERE'S NOTHING TO WORRY ABOUT. 475 00:27:37,110 --> 00:27:40,110 I THINK THERE IS WHEN YOU CONTINUE TO KEEP THESE HOURS. 476 00:27:40,280 --> 00:27:42,530 IT WAS JUST THIS ONCE BECAUSE OF NELLIE'S MAPS. 477 00:27:42,700 --> 00:27:45,070 IT HASN'T BEEN JUST THIS ONCE. 478 00:27:45,240 --> 00:27:46,660 IT'S HAPPENED BEFORE. 479 00:27:46,830 --> 00:27:49,330 NOW, I KNOW YOU WANT TO HELP, 480 00:27:49,500 --> 00:27:51,290 BUT IF THIS CONTINUES, YOUR FATHER AND I 481 00:27:51,460 --> 00:27:54,330 ARE GOING TO HAVE TO PUT A STOP TO YOUR WORKING WITH NELLIE. 482 00:27:54,500 --> 00:27:58,340 MA, PLEASE. YOU CAN'T DO THAT. 483 00:27:58,510 --> 00:28:03,130 DO YOU HAVE SOME MAPS DUE FOR GEOGRAPHY TOMORROW? 484 00:28:03,300 --> 00:28:04,510 YES, MA'AM. 485 00:28:04,680 --> 00:28:07,680 MAY I SEE THEM? 486 00:28:07,850 --> 00:28:09,600 I HAVEN'T FINISHED THEM YET. 487 00:28:09,770 --> 00:28:12,940 THEN LET ME SEE WHAT YOU'VE DONE SO FAR. 488 00:28:13,100 --> 00:28:14,810 YES, MA. 489 00:28:29,120 --> 00:28:33,160 I'LL DO IT TONIGHT. I SWEAR IT. 490 00:28:33,330 --> 00:28:35,370 PLEASE DON'T TELL PA. PLEASE? 491 00:28:35,540 --> 00:28:39,250 I HAVE TO KEEP HELPING NELLIE UNTIL I CAN SET THINGS RIGHT. 492 00:28:39,420 --> 00:28:41,380 PLEASE DON'T STOP ME FROM HELPING HER. 493 00:28:41,550 --> 00:28:44,550 [SIGHS] 494 00:28:44,720 --> 00:28:46,590 THERE, NOW... 495 00:28:46,760 --> 00:28:52,140 IT'S ALL RIGHT. 496 00:28:55,270 --> 00:28:58,110 MRS. OLESON TALKED TO ME TODAY. 497 00:28:58,270 --> 00:29:01,020 SHE THANKED ME FOR HELPING NELLIE. 498 00:29:01,190 --> 00:29:04,780 IT'S THE FIRST THING SHE'S SAID TO ME SINCE THAT DAY. 499 00:29:04,950 --> 00:29:06,820 IT MADE ME SO HAPPY. 500 00:29:06,990 --> 00:29:11,330 PLEASE DON'T STOP ME FROM HELPING HER. 501 00:29:11,490 --> 00:29:12,750 ALL RIGHT. 502 00:29:12,910 --> 00:29:14,160 THANK YOU. 503 00:29:14,330 --> 00:29:16,210 BUT NO MORE COMING HOME AFTER DARK. 504 00:29:16,370 --> 00:29:18,040 YES, MA'AM. 505 00:29:18,210 --> 00:29:21,670 AND YOU SEE TO IT THAT YOU KEEP UP WITH YOUR OWN WORK AT SCHOOL. 506 00:29:21,840 --> 00:29:24,720 I WILL. I PROMISE. 507 00:29:24,880 --> 00:29:27,680 I LOVE YOU. 508 00:29:27,840 --> 00:29:29,720 AND I LOVE YOU. 509 00:29:56,330 --> 00:29:58,620 [NELLIE GIGGLING] 510 00:29:58,790 --> 00:30:00,460 YOU'RE SUCH A PRETTY DOLL. 511 00:30:00,630 --> 00:30:03,210 WE'RE GOING TO GET ALL KINDS OF THINGS. 512 00:30:03,380 --> 00:30:07,170 YOU ALREADY GOT A NEW DOLL FOR YOUR FRIEND. 513 00:30:07,340 --> 00:30:10,050 SHE'S ALMOST AS PRETTY AS YOU ARE. 514 00:30:10,220 --> 00:30:12,350 [GIGGLING] 515 00:30:12,510 --> 00:30:14,930 AND THE NEXT THING WE'LL GET IS A NEW DOLL HOUSE, 516 00:30:15,100 --> 00:30:16,430 BIG ENOUGH FOR ALL OF YOU, 517 00:30:16,600 --> 00:30:17,890 WITH NEW DOLL FURNITURE 518 00:30:18,060 --> 00:30:21,610 AND A WHOLE BUNCH OF NEW DOLL DRESSES. 519 00:30:21,770 --> 00:30:24,940 HEY...HOW'D YOU GET IN THAT CHAIR? 520 00:30:25,110 --> 00:30:28,450 THERE AIN'T NOTHING WRONG WITH YOU! 521 00:30:32,950 --> 00:30:34,160 HEY! 522 00:30:34,330 --> 00:30:37,580 NOT A SOUND. DO YOU HEAR ME? NOT A SOUND! 523 00:30:39,620 --> 00:30:41,000 I'M TELLING-- 524 00:30:41,170 --> 00:30:42,420 YOU LISTEN TO ME. 525 00:30:42,590 --> 00:30:44,340 YOU SAY ANYTHING, AND I'LL SAY YOU'RE LYING. 526 00:30:44,500 --> 00:30:45,630 YOU KNOW THEY'LL BELIEVE ME 527 00:30:45,800 --> 00:30:48,130 BECAUSE YOU LIE MORE THAN I DO. 528 00:30:48,300 --> 00:30:50,470 AND IF YOU DON'T SAY ANYTHING, 529 00:30:50,640 --> 00:30:53,470 I'LL GIVE YOU STUFF LIKE CHOCOLATE AND GUMDROPS... 530 00:30:53,640 --> 00:30:55,640 LOTS OF THEM. 531 00:30:55,810 --> 00:30:57,310 WHAT DO YOU SAY? 532 00:30:57,480 --> 00:30:58,770 [MUFFLED] 533 00:30:58,940 --> 00:31:00,060 WHAT? 534 00:31:00,230 --> 00:31:02,230 I WON'T TELL. 535 00:31:02,400 --> 00:31:04,820 BUT WHAT ARE YOU DOING IT FOR? 536 00:31:04,980 --> 00:31:09,820 THE LONGER I'M SICK, THE MORE THINGS I'LL GET. 537 00:31:09,990 --> 00:31:11,320 WE'LL GET. 538 00:31:11,490 --> 00:31:14,120 ALL RIGHT... WE'LL GET. 539 00:31:14,280 --> 00:31:15,700 DO YOU WANT SOME CANDY NOW? 540 00:31:15,870 --> 00:31:18,330 NAH. I'VE GOT TO GO TO THE OUTHOUSE. 541 00:31:18,500 --> 00:31:20,910 I'LL GET IT ON THE WAY BACK. 542 00:31:22,170 --> 00:31:25,040 I LIKE CHOCOLATE BEST. 543 00:31:30,510 --> 00:31:31,840 [SIGHS] 544 00:31:32,010 --> 00:31:34,720 [BELL RINGS] 545 00:31:41,690 --> 00:31:44,100 Nellie: I WON'T PULL THE COVERS DOWN! 546 00:31:44,270 --> 00:31:45,940 Mr. Oleson: NELLIE, THE DOCTOR HAS TO CHECK YOU. 547 00:31:46,110 --> 00:31:49,610 THERE'S NO REASON. I TOLD YOU I CAN'T FEEL ANYTHING. 548 00:31:49,780 --> 00:31:51,740 IT'S THE ONLY WAY TO TELL WHETHER YOU'RE IMPROVING. 549 00:31:51,910 --> 00:31:54,200 I DON'T LIKE TO BE STUCK BY A NEEDLE. 550 00:31:54,370 --> 00:31:55,870 IT DOESN'T HURT, DOES IT? 551 00:31:56,030 --> 00:31:59,540 OF COURSE NOT. I CAN'T FEEL ANYTHING. I TOLD YOU THAT. 552 00:31:59,700 --> 00:32:02,870 I JUST DON'T LIKE IT. DON'T LET HIM DO IT, MOTHER. 553 00:32:03,040 --> 00:32:05,290 DOCTOR, LET'S NOT UPSET THE CHILD. 554 00:32:05,460 --> 00:32:08,090 ALL RIGHT. I'LL DROP BY IN A DAY OR TWO. 555 00:32:08,250 --> 00:32:09,300 I'LL SEE YOU OUT. 556 00:32:09,460 --> 00:32:11,380 - HELLO, LAURA. - HI, DR. BAKER. 557 00:32:11,550 --> 00:32:13,340 THANKS FOR STOPPING BY, DOC. 558 00:32:13,510 --> 00:32:17,850 LAURA, COME HERE AND SEE WHAT MOTHER GOT ME TODAY. 559 00:32:18,010 --> 00:32:19,970 IT'S ALL THE WAY FROM ENGLAND. 560 00:32:20,140 --> 00:32:21,680 IT'S BEAUTIFUL. 561 00:32:21,850 --> 00:32:24,730 MOTHER'S ORDERED ME LOTS OF OTHER THINGS, HAVEN'T YOU, MOTHER? 562 00:32:24,900 --> 00:32:27,190 OH, YES, INDEED. 563 00:32:27,360 --> 00:32:29,570 YOU GOT AN "A" FOR YOUR MAPS. 564 00:32:29,730 --> 00:32:32,150 OH, WELL... 565 00:32:32,320 --> 00:32:34,740 NELLIE, HOW WONDERFUL! 566 00:32:34,910 --> 00:32:38,740 OH, MY, ISN'T THAT NICE! 567 00:32:38,910 --> 00:32:41,450 UH, HOW DID YOU DO, LAURA? 568 00:32:41,620 --> 00:32:43,250 NOT SO GOOD. 569 00:32:43,410 --> 00:32:45,330 OH, WELL... 570 00:32:45,500 --> 00:32:48,340 MAYBE, NELLIE-- IF IT ISN'T TOO TIRING FOR YOU-- 571 00:32:48,500 --> 00:32:51,090 MAYBE YOU'D LIKE TO HELP LAURA WITH HER HOMEWORK, HUH? 572 00:32:51,260 --> 00:32:52,260 OF COURSE, MOTHER. 573 00:32:52,420 --> 00:32:56,590 OH...THAT'S MY SWEET GIRL... 574 00:32:56,760 --> 00:32:59,720 WELL...I BETTER GET BACK TO THE STORE. 575 00:32:59,890 --> 00:33:02,100 THANK YOU FOR THE DOLL, MOTHER. 576 00:33:02,270 --> 00:33:05,350 YOU DESERVE IT FOR THAT "A." 577 00:33:06,940 --> 00:33:08,860 IT IS BEAUTIFUL, ISN'T IT? 578 00:33:09,020 --> 00:33:10,770 NELLIE... 579 00:33:10,940 --> 00:33:13,610 MY MA TALKED TO ME LAST NIGHT. 580 00:33:13,780 --> 00:33:15,780 SHE WANTED TO SEE MY MAPS. 581 00:33:15,950 --> 00:33:18,030 YOU DIDN'T SAY ANYTHING, DID YOU? 582 00:33:18,200 --> 00:33:21,030 NO. BUT I CAN'T KEEP DOING ALL YOUR WORK 583 00:33:21,200 --> 00:33:23,750 AND KEEP MINE UP AT THE SAME TIME. 584 00:33:23,910 --> 00:33:26,160 IT'S HARD FOR ME NOW. 585 00:33:26,330 --> 00:33:27,460 I KNOW, BUT-- 586 00:33:27,630 --> 00:33:29,460 OHH...I FEEL DIZZY, LAURA. 587 00:33:29,630 --> 00:33:32,800 TAKE MY PILLOW AWAY SO I CAN LIE BACK. 588 00:33:32,960 --> 00:33:34,670 SHOULD I RUN AFTER DR. BAKER? 589 00:33:34,840 --> 00:33:36,800 NO, NO. IT'LL GO AWAY. 590 00:33:36,970 --> 00:33:40,970 I JUST HAVE TO REST. DO I HAVE ANY HOMEWORK? 591 00:33:41,140 --> 00:33:42,810 ARITHMETIC. 592 00:33:42,970 --> 00:33:44,980 OHH...I FEEL DIZZY. 593 00:33:45,140 --> 00:33:49,940 COULD YOU DO IT FOR ME... JUST THIS TIME? PLEASE? 594 00:33:53,190 --> 00:33:55,150 ALL RIGHT. YOU REST. 595 00:33:55,320 --> 00:33:56,700 THANK YOU. 596 00:34:02,490 --> 00:34:06,120 DON'T FORGET TO WRITE YOUR NUMBERS SMALL LIKE I DO. 597 00:34:06,290 --> 00:34:08,000 I WON'T FORGET. 598 00:34:25,350 --> 00:34:26,480 Dr. Baker: CHARLES? 599 00:34:26,640 --> 00:34:27,640 HI, DOC. 600 00:34:27,810 --> 00:34:29,190 - NELS. - HEY, CHARLES. 601 00:34:29,350 --> 00:34:30,520 HOW'S NELLIE GETTING ALONG? 602 00:34:30,690 --> 00:34:31,690 NO CHANGE YET. 603 00:34:31,860 --> 00:34:33,270 CHARLES, WE WANTED TO ASK YOU A FAVOR. 604 00:34:33,440 --> 00:34:34,520 SURE, ANYTHING. 605 00:34:34,690 --> 00:34:36,150 WELL, NELLIE'S BEEN COOPED UP IN THAT ROOM 606 00:34:36,320 --> 00:34:37,320 FOR QUITE A WHILE NOW, 607 00:34:37,490 --> 00:34:38,740 AND I THINK IT'D BE GOOD FOR HER 608 00:34:38,910 --> 00:34:40,030 TO BEGIN TO GET OUT. 609 00:34:40,200 --> 00:34:41,620 I'VE ORDERED A WHEELCHAIR FROM MINNEAPOLIS 610 00:34:41,780 --> 00:34:43,030 BUT IT'LL BE ANOTHER 3 OR 4 WEEKS 611 00:34:43,200 --> 00:34:44,200 BEFORE IT GETS HERE. 612 00:34:44,370 --> 00:34:45,700 AND THAT'S WHERE YOU COME IN. 613 00:34:45,870 --> 00:34:47,540 I'VE GOT AN OLD ONE, BUT... 614 00:34:47,710 --> 00:34:48,870 IT NEEDS QUITE A BIT OF WORK. 615 00:34:49,040 --> 00:34:50,040 BE MY PLEASURE. 616 00:34:50,210 --> 00:34:51,370 I WANT TO PAY YOU FOR IT. 617 00:34:51,540 --> 00:34:52,830 I DON'T WANT TO HEAR YOU TALKING LIKE THAT, 618 00:34:53,000 --> 00:34:54,170 I TOLD YOU IT'D BE MY PLEASURE. 619 00:34:54,340 --> 00:34:55,420 IT'S OVER IN MY OFFICE. 620 00:34:55,590 --> 00:34:56,880 LET'S LOAD IT IN MY WAGON RIGHT NOW. 621 00:34:57,050 --> 00:34:58,010 GOOD! 622 00:34:58,170 --> 00:34:59,340 HAVE HER FIXED UP AS SOON AS I CAN. 623 00:34:59,510 --> 00:35:00,880 THANK YOU, CHARLES. 624 00:35:10,060 --> 00:35:11,600 HI, HALF PINT. WHAT ARE YOU DOING UP? 625 00:35:11,770 --> 00:35:13,560 I WANTED TO KISS YOU GOOD NIGHT. 626 00:35:13,730 --> 00:35:15,860 ALL RIGHTY. 627 00:35:16,030 --> 00:35:18,240 - YOU HAVE A GOOD DREAM. - OKAY. 628 00:35:34,590 --> 00:35:36,130 WHAT'S THIS? 629 00:35:36,300 --> 00:35:38,170 IT'S JUST AN OLD WHEELCHAIR I'M FIXING UP FOR NELLIE, 630 00:35:38,340 --> 00:35:40,260 UNTIL SHE GETS HER NEW ONE. 631 00:35:40,420 --> 00:35:41,760 BUT SHE DOESN'T NEED A WHEELCHAIR. 632 00:35:41,930 --> 00:35:45,970 SHE'LL BE GETTING BETTER SOON, JUST LIKE SHE WAS. 633 00:35:46,140 --> 00:35:47,640 HALF PINT, WE DON'T KNOW THAT. 634 00:35:47,810 --> 00:35:50,770 I DO. I KNOW IT. 635 00:35:50,940 --> 00:35:53,100 I PRAY TO GOD EVERY NIGHT. 636 00:35:53,270 --> 00:35:55,270 HE'LL LISTEN TO ME. 637 00:35:57,860 --> 00:35:59,110 HALF PINT, I WANT YOU TO LISTEN-- 638 00:35:59,280 --> 00:36:02,450 NO! 639 00:36:02,610 --> 00:36:05,530 I WON'T LISTEN TO YOU. 640 00:36:05,700 --> 00:36:07,580 GOD WILL FIX EVERYTHING. 641 00:36:07,740 --> 00:36:10,080 YOU WAIT AND SEE. 642 00:36:10,250 --> 00:36:12,960 YOU WAIT AND SEE! 643 00:36:13,120 --> 00:36:14,540 HALF PINT! 644 00:36:30,520 --> 00:36:32,480 THERE YOU GO, DOC. I THINK THAT'LL HOLD IT. 645 00:36:32,640 --> 00:36:34,230 CHARLES, THAT CHAIR IS AS GOOD AS NEW. 646 00:36:34,400 --> 00:36:35,690 WELL, I WOULDN'T GO THAT FAR, 647 00:36:35,860 --> 00:36:37,610 BUT IT'LL MAKE DO UNTIL THE NEW ONE GETS HERE. 648 00:36:37,770 --> 00:36:39,770 WELL, I KNOW THE OLESONS WILL APPRECIATE IT. 649 00:36:39,940 --> 00:36:40,980 IT'S MY PLEASURE. 650 00:36:41,150 --> 00:36:42,820 Caroline: DR. BAKER, HELLO! 651 00:36:42,990 --> 00:36:44,490 CAROLINE! HELLO! 652 00:36:44,660 --> 00:36:46,070 WE'RE READY, CHARLES. 653 00:36:46,240 --> 00:36:49,370 GOOD. WE'RE GOING TO GO ON A PICNIC, DO A LITTLE FISHING. 654 00:36:49,540 --> 00:36:50,620 I ENVY YOU. 655 00:36:50,790 --> 00:36:51,830 WILL YOU JOIN US? 656 00:36:52,000 --> 00:36:53,210 OH, I'M AFRAID NOT. 657 00:36:53,370 --> 00:36:55,670 FOLKS AROUND HERE SEEM DEAD SET ON GETTING SICK 658 00:36:55,830 --> 00:36:57,630 WHENEVER THE FISH ARE BITING. 659 00:36:57,790 --> 00:36:58,880 HAVE A GOOD DAY. 660 00:36:59,050 --> 00:37:00,840 SAME TO YOU, DOC. 661 00:37:04,680 --> 00:37:06,720 LAURA CHANGE HER MIND ABOUT COMING? 662 00:37:06,890 --> 00:37:09,100 NO. 663 00:37:09,260 --> 00:37:10,810 I'LL TALK TO HER ONE MORE TIME. 664 00:37:10,970 --> 00:37:12,520 GOOD. 665 00:37:21,940 --> 00:37:23,030 WE'RE LEAVING NOW. 666 00:37:23,190 --> 00:37:26,150 HAVE A GOOD TIME. 667 00:37:26,320 --> 00:37:27,660 SURE YOU WON'T CHANGE YOUR MIND? 668 00:37:27,820 --> 00:37:31,450 GOT A LOT OF WORK TO DO. 669 00:37:31,620 --> 00:37:32,700 LAURA-- 670 00:37:32,870 --> 00:37:36,040 I DON'T REALLY FEEL LIKE FISHING TODAY, PA. 671 00:37:40,880 --> 00:37:42,630 WE'LL SEE YOU LATER. 672 00:37:57,980 --> 00:37:59,480 [CHUCKLES] 673 00:38:01,980 --> 00:38:03,650 THERE YOU GO, YOUNG LADY. 674 00:38:03,820 --> 00:38:04,940 HOW'S THAT? 675 00:38:05,110 --> 00:38:06,990 FINE. 676 00:38:07,150 --> 00:38:11,620 TO MAKE IT GO, YOU JUST...PUSH. 677 00:38:11,780 --> 00:38:13,080 YOU CAN USE YOUR OTHER ARM. 678 00:38:13,240 --> 00:38:16,000 I'M GOING TO TAKE THAT SPLINT OFF IN A FEW DAYS. 679 00:38:16,160 --> 00:38:18,120 TRY IT, HONEY. 680 00:38:30,510 --> 00:38:31,680 [DR. BAKER LAUGHING] 681 00:38:31,850 --> 00:38:32,890 VERY GOOD! 682 00:38:33,060 --> 00:38:34,930 YES, THAT'S VERY GOOD, DEAR. 683 00:38:35,100 --> 00:38:36,770 WHEN WILL FATHER BE BACK? 684 00:38:36,930 --> 00:38:38,480 OH, EARLY THIS AFTERNOON. 685 00:38:38,640 --> 00:38:40,440 MR. OLESON TOOK WILLIE OVER TO SPRINGFIELD 686 00:38:40,600 --> 00:38:42,610 TO PICK UP NELLIE'S NEW DOLL HOUSE. 687 00:38:42,770 --> 00:38:44,610 IT'S THE BEST ONE IN THE WORLD. 688 00:38:44,780 --> 00:38:46,780 YOU'RE A LUCKY GIRL. I'D BETTER BE GOING. 689 00:38:46,940 --> 00:38:48,610 OH, WELL, THANK YOU VERY MUCH, DOCTOR, 690 00:38:48,780 --> 00:38:49,900 FOR BRINGING THE CHAIR BY. 691 00:38:50,070 --> 00:38:51,490 IT'LL MAKE THINGS A LOT BETTER FOR HER. 692 00:38:51,660 --> 00:38:55,120 YES. WELL, I MUST RIDE OUT TO MR. INGALLS AND THANK HIM 693 00:38:55,290 --> 00:38:56,660 AS SOON AS I GET THE CHANCE. 694 00:38:56,830 --> 00:38:58,290 HE WAS HAPPY TO DO IT. GOOD-BYE. 695 00:38:58,460 --> 00:39:00,210 - GOOD-BYE. - BYE, NELLIE. 696 00:39:09,970 --> 00:39:14,720 MOTHER, WHY DON'T YOU RIDE OUT TO INGALLS' NOW AND THANK HIM? 697 00:39:14,890 --> 00:39:16,260 WELL, DON'T BE SILLY, NELLIE. 698 00:39:16,430 --> 00:39:18,390 I CAN'T--I CAN'T LEAVE YOU ALONE. 699 00:39:18,560 --> 00:39:20,020 I CAN TAKE CARE OF MYSELF. 700 00:39:20,190 --> 00:39:22,270 OH, NOW, I DIDN'T MEAN ANYTHING BY THAT, DEAR, 701 00:39:22,440 --> 00:39:25,820 IT'S JUST THAT-- WELL, I HAVE TO LOOK AFTER THE STORE. 702 00:39:25,980 --> 00:39:27,320 I CAN DO THAT. 703 00:39:27,490 --> 00:39:31,820 THE CUSTOMERS CAN REACH ANYTHING THAT'S TOO HIGH FOR ME. 704 00:39:31,990 --> 00:39:33,660 WELL, NELLIE, I... 705 00:39:33,820 --> 00:39:35,990 MOTHER, PLEASE? 706 00:39:36,160 --> 00:39:39,910 OH...YOU'RE SUCH A BRAVE GIRL. 707 00:39:40,080 --> 00:39:42,460 WELL, ALL RIGHT... 708 00:39:42,630 --> 00:39:44,210 IF IT'LL MAKE YOU HAPPY. 709 00:39:44,380 --> 00:39:45,840 THANK YOU, MOTHER. 710 00:39:46,000 --> 00:39:47,960 NOW, IF-- IF YOU GET TIRED-- 711 00:39:48,130 --> 00:39:49,800 I WON'T. 712 00:39:49,970 --> 00:39:51,340 ALL RIGHT. 713 00:39:51,510 --> 00:39:53,430 I'LL BE BACK SOON. 714 00:40:19,700 --> 00:40:21,960 NO USE US BOTH BEING COOPED UP ALL DAY. 715 00:40:22,120 --> 00:40:24,040 BESIDES, YOU NEED THE EXERCISE. 716 00:40:24,210 --> 00:40:28,210 WE WON'T GO FAR. NOT YET, ANYWAYS. 717 00:40:28,380 --> 00:40:30,380 WELL! 718 00:40:30,550 --> 00:40:33,550 WHERE DID YOU GET THAT HORSE? 719 00:40:33,720 --> 00:40:36,090 ANSWER ME! 720 00:40:36,260 --> 00:40:37,550 I-- 721 00:40:37,720 --> 00:40:40,560 Mrs. Oleson: YOU'VE HAD HER ALL THE TIME, HAVEN'T YOU? 722 00:40:40,720 --> 00:40:42,060 YES, MA'AM. 723 00:40:42,230 --> 00:40:45,350 SO...THAT'S WHY YOU'VE BEEN SO NICE TO MY NELLIE-- 724 00:40:45,520 --> 00:40:47,230 JUST TO GET ON MY GOOD SIDE 725 00:40:47,400 --> 00:40:49,520 SO YOU CAN KEEP THAT FILTHY ANIMAL. 726 00:40:49,690 --> 00:40:50,780 THAT'S NOT TRUE! 727 00:40:50,940 --> 00:40:53,860 IT IS TRUE... AND IT WON'T WORK. 728 00:40:54,030 --> 00:40:55,910 WHERE'S YOUR FATHER? 729 00:40:56,070 --> 00:40:57,120 I DON'T KNOW. 730 00:40:57,280 --> 00:40:59,910 WELL, IT DOESN'T MATTER. 731 00:41:00,080 --> 00:41:01,580 I'LL TAKE THAT ANIMAL WITH ME. 732 00:41:01,750 --> 00:41:05,460 NO! PLEASE! IT WASN'T BUNNY'S FAULT! NELLIE KNOWS THAT! 733 00:41:05,620 --> 00:41:09,130 I SAID...I WILL TAKE THAT ANIMAL WITH ME! 734 00:41:09,300 --> 00:41:10,630 NO! 735 00:41:12,420 --> 00:41:15,970 [NEIGHS] 736 00:41:18,180 --> 00:41:19,180 LAURA! 737 00:41:19,350 --> 00:41:21,760 LAURA, YOU COME BACK HERE! 738 00:41:59,760 --> 00:42:03,390 [MUSIC BOX PLAYING] 739 00:42:26,540 --> 00:42:27,660 [MUSIC STOPS] 740 00:42:27,830 --> 00:42:29,790 [KNOCKING] 741 00:42:33,250 --> 00:42:34,880 COME IN! 742 00:42:38,840 --> 00:42:39,880 HI, LAURA. 743 00:42:40,050 --> 00:42:43,010 HI, NELLIE. WHAT HAVE YOU BEEN DOING? 744 00:42:43,180 --> 00:42:45,810 TAKING CARE OF THE STORE FOR MOTHER. 745 00:42:45,980 --> 00:42:47,680 I JUST SAW YOUR MA. 746 00:42:47,850 --> 00:42:50,060 SHE ASKED ME TO TAKE YOU OUT IN YOUR CHAIR. 747 00:42:50,230 --> 00:42:51,940 BUT THERE'S NOBODY HERE BUT ME. 748 00:42:52,110 --> 00:42:53,650 SHE'LL BE BACK IN A MINUTE. 749 00:42:53,820 --> 00:42:54,900 COME ON... WE WON'T GO FAR. 750 00:42:55,070 --> 00:42:56,230 BUT I'M NOT EVEN DRESSED. 751 00:42:56,400 --> 00:42:58,190 YOU LOOK FINE. 752 00:42:58,360 --> 00:42:59,530 ARE YOU SURE IT'S ALL RIGHT? 753 00:42:59,700 --> 00:43:01,910 WOULD I LIE TO YOU, NELLIE? 754 00:43:05,580 --> 00:43:07,700 WHERE DID THAT HORSE COME FROM? 755 00:43:07,870 --> 00:43:09,370 - I DON'T KNOW. - NOT SO FAST! 756 00:43:09,540 --> 00:43:11,370 I HAVE TO GET A GOOD START TO GET YOU UP THE HILL. 757 00:43:11,540 --> 00:43:13,040 YOU SAID WE WEREN'T GOING TO GO FAR. 758 00:43:13,210 --> 00:43:15,380 DON'T WORRY, WE WON'T. 759 00:43:33,900 --> 00:43:35,730 PHEW! PHEW! 760 00:43:35,900 --> 00:43:37,230 I GOT TO REST. 761 00:43:37,400 --> 00:43:39,610 THAT'S ALL RIGHT WITH ME. 762 00:43:39,780 --> 00:43:42,950 IT MUST FEEL GOOD TO BE ABLE TO GET OUT. 763 00:43:43,120 --> 00:43:45,370 FEELS GOOD TO ME. 764 00:43:47,700 --> 00:43:50,120 I HAVEN'T BEEN ABLE TO GO ANYWHERE, 765 00:43:50,290 --> 00:43:53,250 NOT WITH YOUR HOMEWORK AND MINE. 766 00:43:53,420 --> 00:43:55,130 I'M NOT COMPLAINING, MIND YOU. 767 00:43:55,290 --> 00:43:58,000 IT'S THE LEAST I COULD DO AFTER WHAT HAPPENED. 768 00:43:58,170 --> 00:43:59,420 ARE YOU ALL RIGHT? 769 00:43:59,590 --> 00:44:00,840 WELL, WHY DO YOU ASK THAT? 770 00:44:01,010 --> 00:44:04,260 I DON'T KNOW. YOU JUST SEEM TO BE ACTING FUNNY. 771 00:44:04,430 --> 00:44:05,800 THERE'S YOUR MA. 772 00:44:05,970 --> 00:44:08,930 I'LL BET SHE'LL BE GLAD TO SEE YOU WALK. 773 00:44:09,100 --> 00:44:10,980 MRS. OLESON! 774 00:44:11,140 --> 00:44:13,940 MRS. OLESON! UP HERE! 775 00:44:14,100 --> 00:44:15,940 UH...WHA--NEL-- 776 00:44:16,110 --> 00:44:17,690 LAURA INGALLS! 777 00:44:17,860 --> 00:44:20,860 WHAT HAVE YOU DONE WITH THAT FILTHY ANIMAL? 778 00:44:21,030 --> 00:44:23,110 NELLIE... YOUR MOTHER WANTS YOU! 779 00:44:23,280 --> 00:44:24,910 [SCREAMING] 780 00:44:25,070 --> 00:44:26,120 NELLIE! 781 00:44:26,280 --> 00:44:27,280 [SCREAMING] 782 00:44:27,450 --> 00:44:29,950 YOU'RE SUCH A GOOD FRIEND, NELLIE! 783 00:44:30,120 --> 00:44:32,330 [SCREAMING] 784 00:44:41,470 --> 00:44:43,300 NELLIE! 785 00:44:43,470 --> 00:44:47,100 [CRYING] 786 00:44:47,260 --> 00:44:50,180 NELLIE...MY BABY... 787 00:44:50,350 --> 00:44:53,560 IT'S A MIRACLE! 788 00:45:09,700 --> 00:45:11,540 IS MRS. OLESON GOING TO BE ALL RIGHT? 789 00:45:11,700 --> 00:45:15,000 SHE'S RESTING. SHE'LL BE FINE. 790 00:45:15,170 --> 00:45:17,460 I DIDN'T MEAN TO SCARE HER THAT BAD. 791 00:45:17,630 --> 00:45:19,670 I WAS JUST SO ANGRY, IS ALL. 792 00:45:19,840 --> 00:45:21,840 WELL, I DON'T BLAME YOU. 793 00:45:22,010 --> 00:45:25,010 NELLIE HAS DONE SOME MEAN THINGS, BUT THIS... 794 00:45:25,180 --> 00:45:26,930 WELL, I'M NOT MAD NOW. 795 00:45:27,090 --> 00:45:30,680 I'M SO GLAD SHE'S ALL RIGHT. 796 00:45:30,850 --> 00:45:33,020 SO AM I, LAURA. 797 00:45:33,180 --> 00:45:36,600 SO AM I. 798 00:45:36,770 --> 00:45:38,350 [CHUCKLES] 799 00:45:38,520 --> 00:45:41,020 YOU'RE QUITE A LITTLE GIRL. 800 00:45:41,190 --> 00:45:44,570 MRS. OLESON WON'T BE MAD AT BUNNY NOW, WILL SHE? 801 00:45:44,740 --> 00:45:46,900 WELL...IT WOULDN'T DO HER MUCH GOOD 802 00:45:47,070 --> 00:45:50,120 TO BE MAD AT YOUR HORSE, WOULD IT? 803 00:45:50,280 --> 00:45:51,910 MY HORSE? 804 00:45:52,080 --> 00:45:53,620 THAT'S WHAT I SAID. 805 00:45:53,790 --> 00:45:57,170 YOU KNOW, AN ANIMAL IS NO DIFFERENT THAN A PERSON. 806 00:45:57,330 --> 00:46:02,040 IT NEEDS TO BE WITH SOMEONE WHO LOVES IT. 807 00:46:02,210 --> 00:46:05,380 TAKE HER HOME. 808 00:46:05,550 --> 00:46:08,130 THANK YOU, MR. OLESON. 809 00:46:25,240 --> 00:46:26,400 HI, JASON. 810 00:46:26,570 --> 00:46:27,530 HI. 811 00:46:27,700 --> 00:46:29,820 YOU WANT TO GO FISHING WITH ME AND MY PA? 812 00:46:29,990 --> 00:46:31,990 DO YOU MEAN IT? 813 00:46:32,160 --> 00:46:34,330 I SURE DO. 814 00:46:34,500 --> 00:46:36,500 WELL, LET'S GO! 815 00:46:58,230 --> 00:47:02,100 I HATE YOU, LAURA! I HATE YOU! 816 00:47:02,270 --> 00:47:03,770 I HATE YOU! [GLASS BREAKS] 817 00:47:03,940 --> 00:47:05,780 I HATE YOU! 818 00:47:05,940 --> 00:47:09,150 HATE YOU! 819 00:47:09,320 --> 00:47:14,160 I HATE YOU! 820 00:47:17,790 --> 00:47:22,170 I HATE YOU! I HATE YOU! 821 00:47:22,330 --> 00:47:25,460 DON'T BREAK THAT STUFF! 822 00:47:25,630 --> 00:47:26,710 GIVE IT TO ME! 823 00:47:26,880 --> 00:47:28,130 IT'S GIRL STUFF! 824 00:47:28,300 --> 00:47:30,130 SO WHAT! I COULD SELL IT! 825 00:47:30,300 --> 00:47:33,640 GET OUT. 826 00:47:33,800 --> 00:47:35,220 GET OUT! 827 00:47:44,360 --> 00:47:46,650 Line 833 828 00:47:46,820 --> 00:47:49,030 Line 834 56734

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