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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:36,180 --> 00:01:38,510 DISHES--ALL THE WAY FROM FRANCE. 2 00:01:38,680 --> 00:01:40,100 JUST IMAGINE! 3 00:01:40,260 --> 00:01:43,520 YEAH, WELL, HAULING THEM ALL THE WAY FROM MANKATO IS PLENTY FOR ME. 4 00:01:43,680 --> 00:01:45,640 I HOPE SHE'LL LET US SEE THEM. 5 00:01:45,810 --> 00:01:48,230 WIDOW THURMOND WILL BE PROUD TO SHOW THEM TO YOU. 6 00:01:48,400 --> 00:01:50,110 WHY DO THEY CALL HER WIDOW? 7 00:01:50,270 --> 00:01:53,570 MRS. THURMOND'S AWFUL YOUNG, AND PRETTY, TOO. 8 00:01:53,740 --> 00:01:55,900 THAT'S JUST WHAT THEY CALL A WOMAN WHEN THEY LOSE THEIR HUSBAND. 9 00:01:56,070 --> 00:01:57,780 MATTER OF RESPECT, I GUESS. 10 00:01:57,950 --> 00:01:59,950 I WOULDN'T WANT TO BE CALLED WIDOW. 11 00:02:00,120 --> 00:02:01,740 REMINDS ME OF SPIDERS. 12 00:02:01,910 --> 00:02:03,580 [LAUGHING] 13 00:02:11,960 --> 00:02:13,210 THERE YOU GO. 14 00:02:15,090 --> 00:02:16,220 OH! 15 00:02:21,600 --> 00:02:22,600 MR. INGALLS. MARY. 16 00:02:22,760 --> 00:02:23,520 MA'AM. 17 00:02:23,680 --> 00:02:24,930 GOOD AFTERNOON, MRS. THURMOND. 18 00:02:25,100 --> 00:02:27,100 I DIDN'T EXPECT YOU BACK FROM MANKATO SO SOON. 19 00:02:27,270 --> 00:02:29,060 YEAH. WE GOT BACK THIS MORNING. 20 00:02:29,230 --> 00:02:30,770 I SAVED YOUR ORDER FOR LAST. 21 00:02:30,940 --> 00:02:32,440 I WAS KIND OF HOPING YOU'D SHOW YOUR NEW SET OF DISHES TO MARY, 22 00:02:32,610 --> 00:02:33,440 IF YOU WOULDN'T MIND. 23 00:02:33,610 --> 00:02:35,030 OH, IT WOULD BE MY PLEASURE. 24 00:02:35,190 --> 00:02:36,950 YOU SURE YOU CAN MANAGE THAT ALONE, NOW? 25 00:02:37,110 --> 00:02:38,910 MR. BURNSIDE WILL BE HERE SHORTLY TO FEED THE ANIMALS. 26 00:02:39,070 --> 00:02:40,620 OH, I'VE GOT IT FINE. 27 00:02:40,780 --> 00:02:43,200 WHY DON'T YOU AND I GO IN AND FIX SOME LEMONADE FOR YOUR FATHER? 28 00:02:43,370 --> 00:02:45,160 I THINK HE'LL WANT SOME BY THE TIME HE'S FINISHED. 29 00:02:45,330 --> 00:02:48,290 THANK YOU. I NEVER SAW ANY REAL CHINA FROM FRANCE BEFORE. 30 00:02:48,460 --> 00:02:50,830 WELL, MARY, TO TELL YOU THE TRUTH, NEITHER HAVE I. 31 00:02:58,010 --> 00:02:59,220 Charles: THERE YOU Go. 32 00:03:06,470 --> 00:03:07,980 OH, LOOK AT THAT. 33 00:03:08,140 --> 00:03:10,480 IT'S EVEN MORE BEAUTIFUL THAN I EXPECTED. 34 00:03:10,650 --> 00:03:12,480 YOUR HUSBAND MADE AN EXCELLENT CHOICE, MRS. THURMOND. 35 00:03:12,650 --> 00:03:13,520 I'VE NEVER SEEN PRETTIER. 36 00:03:13,690 --> 00:03:15,400 ARTHUR WAS ALWAYS SO THOUGHTFUL. 37 00:03:15,570 --> 00:03:16,480 NEITHER OF US HAD ANY IDEA 38 00:03:16,650 --> 00:03:20,110 HOW THINGS COULD CHANGE SO BEFORE... 39 00:03:20,280 --> 00:03:22,660 WELL, HOW ABOUT THAT LEMONADE NOW? 40 00:03:22,820 --> 00:03:24,240 MARY, WHY DON'T YOU TAKE YOUR FATHER INTO THE PARLOR 41 00:03:24,410 --> 00:03:26,490 AND DO THE HONORS-- I'LL GET SOME COOKIES. 42 00:03:26,660 --> 00:03:27,750 THANK YOU. 43 00:03:42,220 --> 00:03:44,350 ISN'T THIS THE PRETTIEST ROOM, PA? 44 00:03:44,510 --> 00:03:46,470 YEAH. THAT IT IS, SWEETHEART. 45 00:03:46,640 --> 00:03:48,640 ABOUT THE FINEST HOUSE I EVER DID SEE. 46 00:03:48,810 --> 00:03:51,730 MY GOODNESS. I ALMOST FORGOT THE ICE FOR THE LEMONADE. 47 00:03:51,900 --> 00:03:53,690 YOU EVEN HAVE YOUR OWN ICEHOUSE, MRS. THURMOND? 48 00:03:53,860 --> 00:03:55,150 MM-HMM. IT'S JUST A SMALL ONE. 49 00:03:55,320 --> 00:03:57,690 ARTHUR BUILT IT FOR ME WHEN HE PUT UP THE HOUSE. 50 00:03:57,860 --> 00:03:59,610 MA MAKES GOOD LEMONADE. 51 00:03:59,780 --> 00:04:01,070 WE DON'T HAVE AN ICEHOUSE. 52 00:04:01,240 --> 00:04:04,120 I JUST HAVEN'T GOTTEN AROUND TO BUILDING ONE YET. 53 00:04:04,280 --> 00:04:05,200 THANK YOU. 54 00:04:05,370 --> 00:04:06,580 MR. INGALLS. WHY DON'T WE SIT DOWN. 55 00:04:08,700 --> 00:04:09,870 WOULD YOU LIKE A COOKIE, MARY? 56 00:04:10,040 --> 00:04:12,040 MMM. THAT'S AN AWFULLY NICE DISH, TOO. 57 00:04:12,210 --> 00:04:14,630 THANK YOU, BUT I THINK WE'VE SEEN THE LAST OF THESE. 58 00:04:14,790 --> 00:04:16,670 AS SOON AS YOUR FATHER FINISHES MY CHINA CABINET, 59 00:04:16,840 --> 00:04:18,670 THEN I'LL HAVE A PROPER PLACE FOR THE NEW ONES. 60 00:04:18,840 --> 00:04:21,050 IT WON'T BE LONG. I DID MOST OF THE HARD WORK BEFORE I WENT TO MANKATO. 61 00:04:21,220 --> 00:04:22,300 MAYBE TOMORROW. 62 00:04:22,470 --> 00:04:24,720 WONDERFUL. I CAN'T WAIT TO SHOW THEM OFF. 63 00:04:24,890 --> 00:04:26,430 WHAT WILL YOU DO WITH THE OLD SET? 64 00:04:26,600 --> 00:04:27,720 OH, PROBABLY STORE THEM 65 00:04:27,890 --> 00:04:30,770 UNTIL SOMEBODY COMES ALONG WHO WANTS TO BUY THEM. 66 00:04:30,930 --> 00:04:32,230 MA SURE WOULD LIKE THEM. 67 00:04:32,390 --> 00:04:33,900 MARY, MIND YOUR MANNERS. 68 00:04:34,060 --> 00:04:36,060 OH, WELL, MR. INGALLS, IF YOU THINK YOUR WIFE WOULD TRULY LIKE THEM, 69 00:04:36,230 --> 00:04:39,690 I'D BE HAPPY TO ACCEPT YOUR WORK ON THE CABINET AS PAYMENT. 70 00:04:39,860 --> 00:04:41,150 YOU CAN TAKE THEM WITH YOU. 71 00:04:41,320 --> 00:04:42,740 WELL, I APPRECIATE THAT VERY MUCH-- 72 00:04:42,900 --> 00:04:44,160 OH, COULD WE, PA? 73 00:04:44,320 --> 00:04:45,320 MA WOULD LOVE THEM, 74 00:04:45,490 --> 00:04:46,530 AND THEY'D BE SO EASY TO WASH. 75 00:04:46,700 --> 00:04:49,240 I PROMISE I'D DO THEM EVERY NIGHT. 76 00:04:49,410 --> 00:04:52,080 THEY'D ONLY BE GOING TO WASTE HERE. 77 00:04:52,250 --> 00:04:53,330 WELL, AS I SAID, I APPRECIATE IT, 78 00:04:53,500 --> 00:04:55,250 BUT DISHES LIKE THAT MUST COME PRETTY DEAR. 79 00:04:55,420 --> 00:04:56,750 TO BE VERY HONEST WITH YOU, 80 00:04:56,920 --> 00:04:59,090 WE NEED THE MONEY RIGHT NOW MORE THAN WE DO THE DISHES. 81 00:04:59,250 --> 00:05:00,920 I COULD WORK EXTRA FOR MRS. WHIPPLE. 82 00:05:01,090 --> 00:05:02,760 THAT WOULD HELP SOME. 83 00:05:02,920 --> 00:05:04,590 NEVER ARGUE WITH A MAN'S PRACTICALITY, MARY. 84 00:05:04,760 --> 00:05:06,220 YOUR FATHER'S RIGHT. 85 00:05:06,390 --> 00:05:09,140 THERE ARE LOTS OF THINGS MORE IMPORTANT TO A FAMILY THAN DISHES. 86 00:05:09,310 --> 00:05:10,890 THANK YOU ANYWAY. 87 00:05:11,060 --> 00:05:14,890 WELL, WHY DON'T YOU FIX YOURSELF SOME LEMONADE BEFORE THE ICE MELTS, 88 00:05:15,060 --> 00:05:16,690 AND I'LL GET YOUR FATHER HIS MONEY. 89 00:05:19,770 --> 00:05:21,070 WOULD YOU LIKE SOME MORE, PA? 90 00:05:21,230 --> 00:05:23,360 MM. MAYBE JUST A LITTLE MORE ICE. 91 00:05:30,410 --> 00:05:32,910 SURE ARE PRETTY DISHES, PA. 92 00:05:33,080 --> 00:05:35,540 MARY, WE'VE TALKED ENOUGH ABOUT THE DISHES. 93 00:05:35,710 --> 00:05:36,920 YES, SIR. 94 00:05:47,390 --> 00:05:49,470 HAND-PAINTED IN FRANCE, MRS. THURMOND SAID. 95 00:05:49,640 --> 00:05:51,470 MM. SOUNDS BEAUTIFUL. 96 00:05:51,640 --> 00:05:53,270 DID SHE SAY HOW MANY WERE IN THE SET? 97 00:05:53,430 --> 00:05:54,930 SHE DIDN'T SAY, BUT IT WAS A BIG BARREL. 98 00:05:55,100 --> 00:05:56,310 MUST HAVE BEEN A LOT. 99 00:05:56,480 --> 00:05:58,600 THAT SOUNDS TERRIBLY EXPENSIVE. 100 00:05:58,770 --> 00:06:01,940 CHARLES, DO YOU KNOW WHAT CHINA LIKE THAT COSTS? 101 00:06:02,110 --> 00:06:04,990 UH, NO, DEAR. I'M SURE I DON'T KNOW. 102 00:06:05,150 --> 00:06:06,820 HEY, YOU KNOW, I GOT A GOOD IDEA TODAY. 103 00:06:06,990 --> 00:06:10,490 I THOUGHT EDWARDS AND I COULD PITCH IN AND BUILD A COUPLE OF ICEHOUSES. 104 00:06:10,660 --> 00:06:11,990 CHARLES, WE DON'T NEED AN ICEHOUSE. 105 00:06:12,160 --> 00:06:13,830 THE ICE WAS AWFUL GOOD IN THE LEMONADE TODAY. 106 00:06:14,000 --> 00:06:16,040 Laura: WE COULD EVEN MAKE ICE CREAM. 107 00:06:16,210 --> 00:06:18,210 SURE. YOU SEE? LOT OF THINGS WE CAN DO WITH THE ICE. 108 00:06:18,370 --> 00:06:19,630 LAKES FREEZE OVER, WE HARVEST THE ICE- 109 00:06:19,790 --> 00:06:20,960 WITH ALL THE STRAW AND SAWDUST WE'VE GOT, 110 00:06:21,130 --> 00:06:22,340 lT'LL KEEP THE WHOLE SUMMER. 111 00:06:22,500 --> 00:06:25,800 HEY, WE CAN EVEN HAVE ICICLES IN THE SUMMERTIME! 112 00:06:25,970 --> 00:06:27,550 I LIKE ICICLES. 113 00:06:27,720 --> 00:06:28,630 YOU DO? 114 00:06:28,800 --> 00:06:30,090 Charles: THERE YOU Go. WHAT Do YOU SAY? 115 00:06:30,260 --> 00:06:32,140 SAY YES, MA. I THINK HAVING OUR OWN ICEHOUSE 116 00:06:32,310 --> 00:06:33,970 WOULD BE THE BEST THING I CAN THINK OF, 117 00:06:34,140 --> 00:06:36,520 EXCEPT MAYBE A SET OF CHINA LIKE MRS. THURMOND'S. 118 00:06:36,680 --> 00:06:38,560 WELL, IT'S A WHILE BEFORE THE FIRST FREEZE. 119 00:06:38,730 --> 00:06:40,730 THERE'S PLENTY OF TIME TO TALK ABOUT IT. 120 00:06:40,900 --> 00:06:43,520 WELL, I BETTER STOP TALKING AND GET TO WORK ON THAT CABINET. 121 00:06:43,690 --> 00:06:44,530 DON'T WORK TOO LATE. 122 00:06:44,690 --> 00:06:45,820 I WON'T. 123 00:06:52,910 --> 00:06:56,040 OH, IT'S BEAUTIFUL, CHARLES. 124 00:06:56,200 --> 00:06:57,160 IT IS TURNING OUT NICE. 125 00:06:57,330 --> 00:06:58,620 BUT IT'S NOT ALL FINISHED YET. 126 00:06:58,790 --> 00:07:01,130 HANSON'S ORDERED SOME SPECIAL GLASS FROM MANKATO. 127 00:07:01,290 --> 00:07:02,710 GOING TO LOOK BEAUTIFUL WHEN THAT'S IN. 128 00:07:02,880 --> 00:07:05,920 OH, EVEN WITHOUT THE GLASS... 129 00:07:06,090 --> 00:07:08,720 THE WIDOW THURMOND IS GETTING A BARGAIN. 130 00:07:08,880 --> 00:07:10,590 I JUST WISH I WAS DOING IT FOR YOU. 131 00:07:10,760 --> 00:07:13,760 WELL, I DON'T THINK OUR DISHES WOULD DO IT JUSTICE. 132 00:07:13,930 --> 00:07:17,060 BESIDES, THERE ARE A LOT OF THINGS WE NEED MORE. 133 00:07:17,230 --> 00:07:19,890 YOU KNOW, I ALWAYS DID MEAN TO GET YOU A BETTER SET OF DISHES. 134 00:07:20,060 --> 00:07:23,730 OH, CHARLES, I DIDN'T MEAN THAT. 135 00:07:23,900 --> 00:07:24,730 RIGHT NOW, I'D SETTLE FOR 136 00:07:24,900 --> 00:07:26,400 A LITTLE MORE TIME WITH YOU. 137 00:07:26,570 --> 00:07:28,860 WITH THE TRIP TO MANKATO AND ALL, 138 00:07:29,030 --> 00:07:30,950 IT SEEMS LIKE I HARDLY EVER SEE YOU. 139 00:07:31,110 --> 00:07:32,410 IT WON'T BE LONG-- AS SOON AS I GET SPRAGUE PAID OFF AT THE BANK. 140 00:07:32,570 --> 00:07:33,490 THAT'LL BE IT, I PROMISE. 141 00:07:33,660 --> 00:07:34,450 PROMISE? 142 00:07:34,620 --> 00:07:36,080 PROMISE. 143 00:07:36,240 --> 00:07:39,000 WELL, IF YOU'RE GOING TO WORK SOME MORE, WILL YOU PUT THIS ON? 144 00:07:39,160 --> 00:07:40,290 I DON'T WANT YOU GETTING SICK. 145 00:07:40,460 --> 00:07:43,750 ALL RIGHT. I'LL BE IN IN A LITTLE WHILE. 146 00:07:43,920 --> 00:07:45,750 I LOVE YOU. 147 00:07:45,920 --> 00:07:46,750 GOOD NIGHT. 148 00:07:46,920 --> 00:07:48,010 GOOD NIGHT. 149 00:07:57,010 --> 00:07:58,100 DISHES. 150 00:08:05,400 --> 00:08:06,690 OH, MORNING, MR. SPRAGUE. 151 00:08:06,860 --> 00:08:09,860 MORNING, MR. INGALLS. YOU'RE A DAY EARLY. 152 00:08:10,030 --> 00:08:11,780 I REALLY WISH THAT ALL MY CUSTOMERS 153 00:08:11,950 --> 00:08:14,410 WERE AS PROMPT ABOUT PAYING THEIR NOTES. 154 00:08:14,570 --> 00:08:16,660 WELL, THAT'S NOT EXACTLY WHY I'M HERE. 155 00:08:16,830 --> 00:08:17,950 THERE'S NO TROUBLE, IS THERE? 156 00:08:18,120 --> 00:08:19,450 NO, NO. NO TROUBLE. I'VE GOT THE MONEY. 157 00:08:19,620 --> 00:08:21,830 I JUST WANTED TO TALK TO YOU ABOUT SOMETHING ELSE, 158 00:08:22,000 --> 00:08:23,580 SORT OF AN INVESTMENT. 159 00:08:23,750 --> 00:08:26,630 IN OTHER WORDS, YOU WANT AN EXTENSION ON YOUR NOTE. 160 00:08:26,790 --> 00:08:28,300 NO, NO. I'M GOING TO PAY THE LOAN OFF TOMORROW. 161 00:08:28,460 --> 00:08:29,880 THERE'S NO TROUBLE AT ALL. 162 00:08:30,050 --> 00:08:32,340 WHAT I WAS THINKING ABOUT WAS ANOTHER LOAN, 163 00:08:32,510 --> 00:08:34,010 JUST A SMALL ONE. 164 00:08:34,180 --> 00:08:36,180 ABOUT $8.00. 165 00:08:36,350 --> 00:08:37,970 $8.00. 166 00:08:38,140 --> 00:08:39,470 YEAH. IT WOULD MEAN AN AWFUL LOT TO ME, 167 00:08:39,640 --> 00:08:41,930 AND I COULD PAY YOU BACK AT HARVEST TIME. 168 00:08:42,100 --> 00:08:45,650 HMM. WELL, MAYBE, BUT, UH...OF COURSE, 169 00:08:45,810 --> 00:08:48,320 I WOULD HAVE TO KNOW THE NATURE OF THE INVESTMENT, 170 00:08:48,480 --> 00:08:50,900 THE PROSPECT OF RETURN, AND... 171 00:08:51,070 --> 00:08:52,490 IT'S NOT THAT KIND OF AN INVESTMENT. 172 00:08:52,650 --> 00:08:54,950 THIS IS MORE OF A PERSONAL THING. 173 00:08:55,110 --> 00:08:57,830 MR. INGALLS, I'VE FOUND THAT MONEY BORROWED FOR PERSONAL REASONS 174 00:08:57,990 --> 00:08:59,240 IS BEST DONE WITHOUT. 175 00:08:59,410 --> 00:09:02,160 HOWEVER, IF YOU TELL ME IT'S ESSENTIAL, WELL... 176 00:09:02,330 --> 00:09:04,290 WELL, I REALLY CAN'T SAY THAT IT'S ESSENTIAL, BUT-- 177 00:09:04,460 --> 00:09:06,670 WELL, GOOD. NOW YOU'VE MADE YOUR OWN DECISION. 178 00:09:06,830 --> 00:09:09,050 I'M VERY GLAD I WAS ABLE TO HELP YOU CHANGE YOUR MIND. 179 00:09:09,210 --> 00:09:10,840 BUT, MR. SPRAGUE, I DIDN'T SAY I'D CHANGED MY MIND. 180 00:09:11,010 --> 00:09:13,130 OH, BUT YOU WILL. YOU DON'T HAVE TO BE A BANKER TO SEE THAT. 181 00:09:13,300 --> 00:09:15,090 MR. INGALLS, A MAN'S GOOD CREDIT 182 00:09:15,260 --> 00:09:17,260 IS MORE IMPORTANT THAN HIS OWN PERSONAL COMFORT. 183 00:09:17,430 --> 00:09:21,890 YOU REMEMBER THAT AND YOU'LL NEVER MAKE ANY MISTAKES. GOOD DAY. 184 00:09:22,060 --> 00:09:23,020 YEAH. I'LL SEE YOU. 185 00:09:23,180 --> 00:09:24,270 ALL RIGHT. 186 00:09:49,210 --> 00:09:52,380 OH, IT'S NICE TO SEE GLASS IN THOSE DOORS AGAIN. 187 00:09:52,550 --> 00:09:53,590 I DON'T MIND TELLING YOU, 188 00:09:53,760 --> 00:09:55,970 I'LL BE GLAD WHEN I GET THIS FINISHED. 189 00:09:56,130 --> 00:09:57,390 IF I'D HAVE BROKEN ONE OF THESE PANES OF GLASS, 190 00:09:57,550 --> 00:09:59,220 IT WOULD HAVE TAKEN 5 YEARS OFF MY LIFE. 191 00:09:59,390 --> 00:10:01,260 [LAUGHS] You SOUND LIKE ARTHUR 192 00:10:01,430 --> 00:10:03,060 THE DAY HE PUT THE WINDOWS IN. 193 00:10:03,220 --> 00:10:04,310 HE SAID IF THERE'D BEEN ONE MORE, 194 00:10:04,480 --> 00:10:06,730 HE WOULD RATHER HAVE LEFT HOME THAN FINISH. 195 00:10:06,890 --> 00:10:08,230 WELL, I DON'T KNOW A MAN THAT WORKS WITH WOOD 196 00:10:08,400 --> 00:10:09,940 THAT LIKES WORKING WITH GLASS. 197 00:10:10,110 --> 00:10:11,360 THERE YOU GO. 198 00:10:15,740 --> 00:10:18,910 OH, THERE, NOW. 199 00:10:19,070 --> 00:10:21,410 DOESN'T THAT MAKE IT ALL WORTH IT? 200 00:10:21,580 --> 00:10:23,700 I MUST SAY, IT MAKES MY WOODWORK LOOK TWICE AS GOOD. 201 00:10:23,870 --> 00:10:25,960 YOU'RE FAR TOO MODEST, MR. INGALLS. 202 00:10:26,120 --> 00:10:27,080 WHY DON'T YOU HAVE A SANDWICH 203 00:10:27,250 --> 00:10:28,460 AND A NICE COLD GLASS OF BUTTERMILK 204 00:10:28,620 --> 00:10:29,880 WHILE I GET THE REST OF YOUR MONEY? 205 00:10:30,040 --> 00:10:31,130 THANK YOU. 206 00:11:10,250 --> 00:11:12,210 MR. INGALLS, HERE YOU ARE. 207 00:11:12,380 --> 00:11:14,050 THANK YOU VERY MUCH. 208 00:11:14,210 --> 00:11:15,500 I WAS JUST LOOKING AT YOUR WOODWORK HERE. 209 00:11:15,670 --> 00:11:17,760 OH, ISN'T IT TERRIBLE? 210 00:11:17,920 --> 00:11:20,720 ARTHUR USED AN EXPENSIVE EUROPEAN VARNISH AND IT JUST DIDN'T WORK. 211 00:11:20,890 --> 00:11:22,680 HE REDID THE REST OF THE ROOMS, BUT, UH... 212 00:11:22,850 --> 00:11:24,430 HE NEVER GOT TO THIS ONE. 213 00:11:24,600 --> 00:11:27,520 WELL, YOU KNOW, YOU COULD STRIP THAT WOOD DOWN AND PUT A SEALER ON IT. 214 00:11:27,680 --> 00:11:30,310 OH, BUT YOU'RE TALKING ABOUT AN AWFUL LOT OF WORK. 215 00:11:30,480 --> 00:11:31,900 TELL YOU WHAT-- 216 00:11:32,060 --> 00:11:36,110 I'LL REDO THE WOODWORK IN TRADE FOR YOUR OLD SET OF DISHES. 217 00:11:36,280 --> 00:11:38,320 OH, BUT THAT DOESN'T SEEM QUITE FAIR. 218 00:11:38,490 --> 00:11:40,780 IF YOU DON'T LIKE THE WORK, YOU DON'T HAVE TO MAKE THE TRADE. 219 00:11:40,950 --> 00:11:43,620 NO, THAT'S NOT WHAT I MEAN. BUT I KNOW THE AMOUNT OF EFFORT THAT IT TAKES. 220 00:11:43,780 --> 00:11:46,330 I THINK YOU'RE UNDERPRICING YOURSELF. 221 00:11:46,490 --> 00:11:47,580 I THINK IT'S FAIR. 222 00:11:47,750 --> 00:11:48,540 A DEAL? 223 00:11:48,700 --> 00:11:50,580 OH...A DEAL. 224 00:11:50,750 --> 00:11:52,500 THANK YOU. 225 00:11:52,670 --> 00:11:53,630 I'LL START TOMORROW AS SOON AS I FINISH AT THE MILL. 226 00:11:53,790 --> 00:11:54,670 THAT'LL BE FINE. 227 00:11:54,840 --> 00:11:55,880 YOU KNOW, I'D APPRECIATE IT 228 00:11:56,050 --> 00:11:57,170 IF YOU DIDN'T SAY ANYTHING ABOUT THIS. 229 00:11:57,340 --> 00:11:58,420 I'D KIND OF LIKE TO SURPRISE CAROLINE. 230 00:11:58,590 --> 00:11:59,470 YOU'RE JUST LIKE ARTHUR. 231 00:11:59,630 --> 00:12:00,760 EVERYTHING HAD TO BE A SURPRISE. 232 00:12:00,930 --> 00:12:02,050 MAKES IT TWICE AS MUCH FUN. 233 00:12:02,220 --> 00:12:03,680 DON'T WORRY. I WON'T MENTION YOUR SECRET. 234 00:12:03,840 --> 00:12:05,050 SEE YOU TOMORROW. THANK YOU. 235 00:12:05,220 --> 00:12:06,430 RIGHT. TOMORROW. 236 00:12:13,060 --> 00:12:14,360 WHOA. WHOA. 237 00:12:18,530 --> 00:12:20,990 CAROLINE, YOU'RE GOING TO GET YOUR DISHES. 238 00:12:45,720 --> 00:12:46,510 [JACK BARKS] 239 00:12:46,680 --> 00:12:48,140 GO ON, JACK. YOU STAY OUT. 240 00:12:57,820 --> 00:12:58,980 CHARLES. 241 00:12:59,150 --> 00:13:01,070 OH, I'M SORRY. I DIDN'T MEAN TO WAKE YOU. 242 00:13:05,240 --> 00:13:06,910 WHAT ARE YOU DOING UP SO EARLY? 243 00:13:07,070 --> 00:13:08,580 I TOLD YOU, I GOT A LOT OF EXTRA WORK AT THE MILL. 244 00:13:08,740 --> 00:13:10,700 I WANTED TO GET AN EARLY START. 245 00:13:10,870 --> 00:13:12,370 SO YOU GO WITHOUT BREAKFAST? 246 00:13:12,540 --> 00:13:15,080 WELL, YOU WERE SLEEPING SO PRETTY, I DIDN'T WANT TO WAKE YOU. 247 00:13:15,250 --> 00:13:16,420 AND YOU MAKE YOUR OWN LUNCH? 248 00:13:16,580 --> 00:13:18,090 THAT'S ALL RIGHT. I'M DOING A GOOD JOB. 249 00:13:21,550 --> 00:13:22,760 AND WHAT ARE YOU GOING TO DO WITH THIS ONE 250 00:13:22,920 --> 00:13:25,470 THAT I MADE YOU LAST NIGHT? 251 00:13:25,630 --> 00:13:27,640 I TOLD YOU ALL THAT EXTRA WORK GIVES ME A BIG APPETITE. 252 00:13:27,800 --> 00:13:29,100 I'LL TAKE THEM BOTH WITH ME. 253 00:13:31,770 --> 00:13:34,520 TRY TO GET SOME EXTRA SLEEP. 254 00:13:34,690 --> 00:13:35,770 BYE-BYE. 255 00:13:57,330 --> 00:14:00,130 HEY, CHARLES, TAKE IT EASY. 256 00:14:00,290 --> 00:14:02,510 YOU'RE NO USE TO ME IF YOU BREAK YOUR BACK. 257 00:14:02,670 --> 00:14:05,300 I'D HAVE TO HIRE TWO MULES TO DO YOUR JOB. 258 00:14:05,470 --> 00:14:07,470 I'M JUST TRYING TO GET THROUGH IT, THAT'S ALL. 259 00:14:07,640 --> 00:14:09,010 I WAS WONDERING IF I COULD GET OFF A COUPLE HOURS EARLY 260 00:14:09,180 --> 00:14:10,470 THE NEXT FEW DAYS. 261 00:14:10,640 --> 00:14:12,140 ANOTHER OUTSIDE JOB? 262 00:14:12,310 --> 00:14:14,060 SOMETHING LIKE THAT. 263 00:14:14,230 --> 00:14:15,940 LOOK, IF YOU'RE HAVING TROUBLE WITH SPRAGUE, 264 00:14:16,100 --> 00:14:17,520 MAYBE I CAN HELP YOU. 265 00:14:17,690 --> 00:14:19,020 NO. EVERYTHING'S FINE. 266 00:14:19,190 --> 00:14:21,270 I JUST NEED SOME TIME, IS ALL. 267 00:14:21,440 --> 00:14:22,940 WELL, YOU ALWAYS GET HERE EARLY, 268 00:14:23,110 --> 00:14:24,650 SO I DON'T CARE IF YOU LEAVE EARLY. 269 00:14:24,820 --> 00:14:25,780 I APPRECIATE IT. 270 00:14:25,950 --> 00:14:27,450 AH. IT'S NOTHING. 271 00:14:33,490 --> 00:14:35,200 Sprague: MM-HMM. 272 00:14:35,370 --> 00:14:40,830 5, 10, 11, 12, 13. 273 00:14:41,000 --> 00:14:43,670 SEEMS TO BE CORRECT. 274 00:14:43,840 --> 00:14:45,210 AND THERE'S YOUR NOTE. 275 00:14:45,380 --> 00:14:46,340 THANK YOU VERY MUCH, MR. SPRAGUE. 276 00:14:46,510 --> 00:14:47,720 A PLEASURE DOING BUSINESS WITH YOU. 277 00:14:47,880 --> 00:14:49,470 OH, NO. THE PLEASURE'S ALL MINE, MR. INGALLS. 278 00:14:49,640 --> 00:14:51,180 YOU SEE, MOST BANK CUSTOMERS DON'T REALIZE 279 00:14:51,350 --> 00:14:53,760 THAT A BANKER LIKES TO SEE HIS CUSTOMERS BUILD UP GOOD CREDIT 280 00:14:53,930 --> 00:14:54,930 AS WELL AS THEY DO. 281 00:14:55,100 --> 00:14:57,310 THAT IS THE SECRET TO THE GROWTH OF A BANK. 282 00:14:57,480 --> 00:14:59,480 I'LL REMIND YOU OF THAT NEXT TIME I NEED A LOAN. 283 00:14:59,650 --> 00:15:00,770 OH, UH, MR. INGALLS, 284 00:15:00,940 --> 00:15:02,520 REGARDING OUR CONVERSATION OF YESTERDAY, UH, 285 00:15:02,690 --> 00:15:04,110 CONSIDERING THE FACT THAT YOU'VE PAID OFF YOUR NOTE, 286 00:15:04,280 --> 00:15:06,610 IF YOU STILL WISH TO BORROW THE $8.00, WELL, UH... 287 00:15:06,780 --> 00:15:08,200 NO, NO. WHAT YOU GAVE ME WAS SOUND ADVICE. 288 00:15:08,360 --> 00:15:11,070 A MAN SHOULD NEVER BORROW MONEY IF HE DOESN'T HAVE TO. 289 00:15:11,240 --> 00:15:12,780 WELL, I DIDN'T MEAN TO DRIVE YOUR BUSINESS AWAY. 290 00:15:12,950 --> 00:15:14,660 NO. YOU DIDN'T. I JUST DON'T NEED THE MONEY ANYMORE. 291 00:15:14,830 --> 00:15:15,910 THANK YOU. 292 00:15:19,540 --> 00:15:21,420 I DON'T CARE WHAT YOU SAY, LAURA. 293 00:15:21,580 --> 00:15:23,460 THE MOON DOESN'T HAVE ANYTHING TO DO 294 00:15:23,630 --> 00:15:25,380 WITH WHETHER FISH BITE OR NOT. 295 00:15:25,550 --> 00:15:29,010 IT DOES TOO, WILLIE. EVERYONE KNOWS FISH BITE BETTER DURING THE FULL MOON. 296 00:15:29,170 --> 00:15:30,430 THE FISH CAN'T SEE THE MOON, 297 00:15:30,590 --> 00:15:33,300 SO HOW DO THEY KNOW IF THEY'RE HUNGRY OR NOT? 298 00:15:33,470 --> 00:15:35,680 COME ON, LAURA. WILLIE WOULD ARGUE WITH A SCARECROW. 299 00:15:35,850 --> 00:15:38,600 WELL, I'M NOT A SCARECROW, I'M RIGHT, AND I CAN PROVE IT RIGHT NOW. 300 00:15:38,770 --> 00:15:40,230 I'LL BET YOU MY BEST AGGIE. 301 00:15:40,390 --> 00:15:41,810 OK. I'LL GO ASK MY PA. 302 00:15:41,980 --> 00:15:42,810 OH, LAURA. 303 00:15:42,980 --> 00:15:45,820 PA! PA! 304 00:15:45,980 --> 00:15:48,900 PA! PA! 305 00:15:49,070 --> 00:15:51,570 YOUR PA HAS LEFT EARLY, LAURA. 306 00:15:51,740 --> 00:15:52,910 WELL, DO YOU KNOW WHERE HE IS? 307 00:15:53,070 --> 00:15:56,080 NO. I'M AFRAID NOT. UH, CAN I HELP YOU? 308 00:15:56,240 --> 00:15:57,700 YES, SIR. WILLIE HERE 309 00:15:57,870 --> 00:16:00,410 DOESN'T BELIEVE THAT FISH BITE BETTER DURING A FULL MOON. 310 00:16:00,580 --> 00:16:02,000 THEY HAVE A BET. 311 00:16:02,170 --> 00:16:04,630 WELL, I KNOW THAT THE MOON HAS SOMETHING TO DO WITH THE TIDES, 312 00:16:04,790 --> 00:16:08,050 BUT I CAN'T SAY AS I KNOW ANYTHING ABOUT FISH. 313 00:16:08,210 --> 00:16:09,630 THERE. I TOLD YOU. 314 00:16:09,800 --> 00:16:11,430 PAY UP, YOUR BEST AGGIE. 315 00:16:11,590 --> 00:16:13,090 HOLD YOUR HORSES, WILLIE. 316 00:16:13,260 --> 00:16:15,100 YOU SAID YOU COULD PROVE IT RIGHT NOW, 317 00:16:15,260 --> 00:16:17,260 DIDN'T SHE, MARY? 318 00:16:17,430 --> 00:16:19,480 WILLIE'S RIGHT, LAURA. I THINK YOU OWE HIM. 319 00:16:19,640 --> 00:16:20,850 BUT PA ISN'T HERE. 320 00:16:21,020 --> 00:16:25,730 DON'T MAKE NO DIFFERENCE. YOU LOSE. 321 00:16:25,900 --> 00:16:26,980 HERE. 322 00:16:30,530 --> 00:16:31,820 SORRY. 323 00:16:31,990 --> 00:16:33,030 THAT'S ALL RIGHT. 324 00:16:33,200 --> 00:16:35,030 I'LL ONLY WIN IT BACK FROM HIM, ANYWAY. 325 00:16:42,410 --> 00:16:44,120 NOW, NOT EATING YOUR SUPPER 326 00:16:44,290 --> 00:16:47,540 ISN'T GOING TO MAKE YOU FEEL ANY BETTER ABOUT LOSING YOUR AGGIE TO WILLIE. 327 00:16:47,710 --> 00:16:49,880 IF PA HAD BEEN AT THE MILL, I WOULD HAVE WON. 328 00:16:50,050 --> 00:16:52,470 WELL, YOU KNOW BETTER THAN TO GAMBLE ANYWAY, YOUNG LADY. 329 00:16:52,630 --> 00:16:53,800 I TRIED TO TELL HER NOT TO, 330 00:16:53,970 --> 00:16:55,390 BUT IF MR. HANSON HAD KNOWN WHERE PA WAS, 331 00:16:55,550 --> 00:16:56,640 SHE WOULD HAVE WALKED TO SLEEPY EYE 332 00:16:56,800 --> 00:16:58,430 TO KEEP FROM GMNG HER AGGIE TO WILLIE. 333 00:16:58,600 --> 00:16:59,770 WELL, THAT'S BECAUSE I KNOW I'M RIGHT 334 00:16:59,930 --> 00:17:01,350 AND PA CAN TELL WILLIE SO. 335 00:17:01,520 --> 00:17:03,980 YOUR PA HAS BETTER THINGS TO DO THAN WIN YOUR BETS FOR YOU. 336 00:17:04,140 --> 00:17:06,190 [WAGON APPROACHING] 337 00:17:06,360 --> 00:17:07,610 THERE'S YOUR FATHER NOW. 338 00:17:12,650 --> 00:17:13,780 LAURA, EAT UP. 339 00:17:13,950 --> 00:17:15,700 GIRLS, YOU START GETTING READY FOR BED. 340 00:17:15,860 --> 00:17:17,120 I'LL TAKE CARE OF THE DISHES. 341 00:17:21,450 --> 00:17:22,540 CHARLES? 342 00:17:22,710 --> 00:17:23,870 Charles: HI, DARLIN'. 343 00:17:25,790 --> 00:17:27,790 I'VE GOT A GOOD STEW. 344 00:17:27,960 --> 00:17:29,340 I KEPT IT HOT FOR YOU. 345 00:17:29,500 --> 00:17:32,010 OH, THANK YOU. I'M SORRY I'M LATE. 346 00:17:32,170 --> 00:17:34,090 GOT A LOT OF EXTRA WORK AT HANSON'S THE NEXT FEW DAYS. 347 00:17:34,260 --> 00:17:35,970 FIGURED I MIGHT AS WELL TAKE ADVANTAGE OF IT. 348 00:17:37,850 --> 00:17:39,680 YOU WERE AT THE MILL ALL DAY? 349 00:17:39,850 --> 00:17:41,600 UH-HUH. THIS WON'T TAKE ME LONG. 350 00:17:41,770 --> 00:17:43,020 I'LL BE INSIDE IN A MINUTE. 351 00:17:56,490 --> 00:17:57,280 GOOD NIGHT, MA. 352 00:17:57,450 --> 00:17:58,370 DON'T STUDY TOO LATE. 353 00:17:58,530 --> 00:18:00,160 I WON'T. 354 00:18:00,330 --> 00:18:04,960 MARY, DID MR. HANSON SAY HE DIDN'T KNOW WHERE PA WAS TODAY? 355 00:18:05,120 --> 00:18:06,750 THAT'S WHAT HE SAID. 356 00:18:06,920 --> 00:18:08,250 ARE YOU SURE? 357 00:18:08,420 --> 00:18:10,210 YEAH. SURE. WHY? 358 00:18:10,380 --> 00:18:12,340 OH, NO REASON. 359 00:18:12,500 --> 00:18:14,050 GOOD NIGHT. 360 00:18:14,210 --> 00:18:15,380 GOOD NIGHT, MA. 361 00:18:34,070 --> 00:18:36,530 CARRIE, COME ON OVER HERE 362 00:18:36,700 --> 00:18:39,360 AND TAKE IN SOME OF THIS KINDLING FOR MA. 363 00:18:39,530 --> 00:18:41,620 OK. 364 00:18:41,780 --> 00:18:43,790 THAT'S A GOOD GIRL. 365 00:18:43,950 --> 00:18:44,910 CAN YOU GET THE DOOR ALL RIGHT? 366 00:18:45,080 --> 00:18:47,080 [WAGON APPROACHING] 367 00:18:55,010 --> 00:18:56,840 OH. 368 00:18:57,010 --> 00:18:58,590 WHOA. 369 00:18:58,760 --> 00:18:59,930 MORNING, MRS. INGALLS. 370 00:19:00,090 --> 00:19:02,180 GOOD MORNING, MR. BURNSIDE. HOW'S MARTHA? 371 00:19:02,350 --> 00:19:04,100 OH, JUST FINE. JUST FINE. 372 00:19:04,260 --> 00:19:07,180 I BROUGHT THESE HERE PICKLED PEARS OVER THAT SHE PROMISED YOU. 373 00:19:07,350 --> 00:19:09,230 OH, HOW NICE. 374 00:19:09,390 --> 00:19:11,940 YOU KNOW, CHARLES JUST LOVES THESE. 375 00:19:12,110 --> 00:19:13,610 NOW, YOU BE SURE AND THANK HER FOR US. 376 00:19:13,770 --> 00:19:15,480 OH, I WILL. I CERTAINLY WILL. 377 00:19:15,650 --> 00:19:17,320 I'D APPRECIATE IT IF YOU DIDN'T MENTION TO HER 378 00:19:17,490 --> 00:19:19,070 THAT I'VE BEEN CARRYING THEM IN THE WAGON 379 00:19:19,240 --> 00:19:20,820 FOR 3 DAYS. 380 00:19:20,990 --> 00:19:22,160 OH, I WON'T. 381 00:19:22,320 --> 00:19:25,330 YOU KNOW, I MUST BE THE MOST FORGETFUL MAN ALIVE. 382 00:19:25,490 --> 00:19:27,120 I MEANT TO DROP THEM OFF AT THE WIDOW THURMOND'S 383 00:19:27,290 --> 00:19:29,290 FOR CHARLES TO BRING HOME. 384 00:19:29,460 --> 00:19:30,790 WIDOW THURMOND'S? 385 00:19:30,960 --> 00:19:33,210 WHY, SURE, SINCE WE'VE BOTH BEEN WORKING OVER THERE 386 00:19:33,380 --> 00:19:34,710 PRACTICALLY EVERY DAY. 387 00:19:34,880 --> 00:19:36,960 WHY, I THOUGHT IT WOULD SAVE ME A TRIP, 388 00:19:37,130 --> 00:19:39,510 BUT FOR 3 DAYS I'VE JUST BEEN DRIVING OFF, 389 00:19:39,680 --> 00:19:42,340 AND THERE HIS WAGON SITS, RIGHT OVER THERE, 390 00:19:42,510 --> 00:19:46,310 AND I JUST CLEAN FORGOT TO GIVE HIM THE PEARS. 391 00:19:46,470 --> 00:19:48,930 PLEASE, YOU WON'T MENTION IT TO THE WIFE, I HOPE. 392 00:19:49,100 --> 00:19:50,270 OH, NO, I WON'T. 393 00:19:50,440 --> 00:19:51,900 THAT'S GOOD. THAT'S GOOD. 394 00:19:52,060 --> 00:19:54,820 WELL, I'VE GOT TO BE GOING NOW. BYE. 395 00:19:54,980 --> 00:19:56,320 BYE, AND THANK YOU! 396 00:20:21,130 --> 00:20:22,340 WHERE'S PA? 397 00:20:25,800 --> 00:20:27,010 I DON'T SEE HIM. 398 00:20:37,980 --> 00:20:39,070 Hanson: GOOD DAY, MRS. INGALLS. 399 00:20:39,230 --> 00:20:40,490 HELLO, MR. HANSON. HOW ARE YOU? 400 00:20:40,650 --> 00:20:44,530 OH, FINE, THANK YOU. AND HOW ARE YOU, YOUNG LADY? 401 00:20:44,700 --> 00:20:46,530 FINE. THAT'S GOOD. 402 00:20:46,700 --> 00:20:48,120 IF YOU ARE LOOKING FOR CHARLES, 403 00:20:48,290 --> 00:20:49,370 YOU HAVE JUST MISSED HIM. 404 00:20:49,540 --> 00:20:50,910 OH, NO, I WASN'T LOOKING FOR HIM. 405 00:20:51,080 --> 00:20:53,040 I WAS JUST GOING TO DO SOME SHOPPING. 406 00:20:53,210 --> 00:20:58,050 WELL...IF YOU ASK ME, 407 00:20:58,210 --> 00:21:00,550 I WOULD HAVE A TALK WITH THAT MAN. 408 00:21:00,710 --> 00:21:02,170 HE IS TAKING ON FAR MORE WORK 409 00:21:02,340 --> 00:21:04,180 THAN ANY ONE MAN CAN HANDLE. 410 00:21:04,340 --> 00:21:05,680 DO YOU KNOW WHAT HE'S DOING NOW? 411 00:21:05,840 --> 00:21:07,260 NO. WHAT IS HE DOING? 412 00:21:07,430 --> 00:21:09,510 I MEAN, WELL, HE'S JUST BEEN SO BUSY, 413 00:21:09,680 --> 00:21:11,480 WE HAVEN'T HAD A CHANCE TO TALK. 414 00:21:11,640 --> 00:21:12,980 I DON'T KNOW WHAT HE'S DOING, EITHER, 415 00:21:13,140 --> 00:21:15,900 BUT YOU CAN BET YOUR BOOTS IT IS TOO MUCH. 416 00:21:16,060 --> 00:21:18,900 HE PUTS IN A HARD DAY'S WORK HERE AT THE MILL 417 00:21:19,070 --> 00:21:20,440 AND HE QUITS EARLY AND HE GOES 418 00:21:20,610 --> 00:21:22,190 AND DOES ANOTHER JOB. 419 00:21:22,360 --> 00:21:24,570 NOW, I HAVE KNOWN MEN AS STRONG AS CHARLES 420 00:21:24,740 --> 00:21:26,870 TO BURN THE CANDLE TOO LONG. 421 00:21:27,030 --> 00:21:29,910 BUT PLEASE, HAVE A TALK WITH HIM. 422 00:21:30,080 --> 00:21:32,910 I WILL. YOU CAN COUNT ON IT. 423 00:21:33,080 --> 00:21:34,080 THANK YOU. 424 00:21:34,250 --> 00:21:36,080 THANKS, MR. HANSON. 425 00:21:36,250 --> 00:21:37,420 BYE-BYE. GOOD-BYE. 426 00:21:37,580 --> 00:21:38,630 GOOD-BYE. 427 00:21:38,790 --> 00:21:40,670 Carrie: BYE. [CHUCKLES] 428 00:21:48,010 --> 00:21:50,510 Thurmond: YES...l THINK THIS ONE'S TOO PLAIN. 429 00:21:50,680 --> 00:21:52,020 Harriet: YES. YES. 430 00:21:52,180 --> 00:21:54,140 YES. THIS IS BEAUTIFUL. YES. THIS IS THE ONE I'LL TAKE. 431 00:21:54,310 --> 00:21:56,600 OH, MY, YES. 432 00:21:56,770 --> 00:21:59,560 OH, I REALLY KIND OF WANTED TO MAKE THIS BOLT FOR MYSELF, 433 00:21:59,730 --> 00:22:03,570 BUT THEN, OF COURSE, IT IS THE MOST EXPENSIVE ONE WE HAVE IN THE STORE. 434 00:22:03,740 --> 00:22:04,740 WOULD YOU CREDIT THAT TO MY ACCOUNT? 435 00:22:04,900 --> 00:22:06,070 YES. UH-HUH. 436 00:22:06,240 --> 00:22:07,450 OH, MY. I REALLY HAVE TO GET HOME. 437 00:22:07,610 --> 00:22:08,620 WOULD YOU MAKE SURE THAT MRS. WHIPPLE 438 00:22:08,780 --> 00:22:09,950 GETS THAT WHEN SHE COMES IN? 439 00:22:10,120 --> 00:22:11,160 SHE ALREADY HAS THE PATTERN. 440 00:22:11,330 --> 00:22:13,160 YES, CERTAINLY. I'LL BE VERY HAPPY TO. 441 00:22:13,330 --> 00:22:15,250 OH. MRS. INGALLS. 442 00:22:15,410 --> 00:22:16,960 MRS. OLESON. 443 00:22:17,120 --> 00:22:18,000 WIDOW THURMOND. 444 00:22:18,170 --> 00:22:19,380 MRS. INGALLS, HOW NICE TO SEE YOU. 445 00:22:19,540 --> 00:22:20,290 THANK YOU. 446 00:22:20,460 --> 00:22:22,340 OH, WHAT A PRETTY COLOR. 447 00:22:22,500 --> 00:22:24,840 YES. ISN'T IT LOVELY? 448 00:22:25,010 --> 00:22:27,220 MARY TOLD ME ABOUT YOUR LOVELY NEW CHINA. 449 00:22:27,380 --> 00:22:28,140 DID SHE? 450 00:22:28,300 --> 00:22:29,640 OH, NEW CHINA! 451 00:22:29,800 --> 00:22:33,270 MY, THERE'S NOTHING I APPRECIATE MORE THAN FINE CHINA. 452 00:22:33,430 --> 00:22:36,390 WELL, I'LL HAVE TO HAVE YOU LADIES OVER SOMEDAY SOON AND SHOW IT OFF. 453 00:22:36,560 --> 00:22:37,480 OH, WELL. 454 00:22:37,640 --> 00:22:39,230 EXCUSE ME. I REALLY MUST RUN. 455 00:22:40,810 --> 00:22:44,570 I UNDERSTAND YOU'RE VERY PLEASED WITH CHARLES' WORK. 456 00:22:44,740 --> 00:22:45,940 OH, YOU MEAN THE CABINET. 457 00:22:46,110 --> 00:22:48,070 IT'S LOVELY. WE'RE REALLY QUITE LUCKY 458 00:22:48,240 --> 00:22:51,370 TO HAVE SOMEONE LIKE MR. INGALLS IN WALNUT GROVE. 459 00:22:51,530 --> 00:22:53,910 I THINK SO. 460 00:22:54,080 --> 00:22:55,750 WELL, EXCUSE ME. I HAVE TO GO. 461 00:22:57,540 --> 00:22:59,830 OH! MRS. THURMOND, 462 00:23:00,000 --> 00:23:02,840 DON'T FORGET YOUR PASTILLES. 463 00:23:03,000 --> 00:23:05,050 OH, MRS. THURMOND! 464 00:23:07,300 --> 00:23:09,380 [No AUDIO] 465 00:23:38,330 --> 00:23:39,870 OH, MY. 466 00:23:40,040 --> 00:23:42,040 SUCH AN ATTRACTIVE LADY, THE WIDOW THURMOND. 467 00:23:42,210 --> 00:23:44,750 SUCH EXQUISITE TASTE AND... 468 00:23:44,920 --> 00:23:46,050 SO REFINED. 469 00:23:50,550 --> 00:23:52,260 AH, I MUST SAY, SHE CERTAINLY IS A CUT ABOVE 470 00:23:52,430 --> 00:23:55,890 WHAT ONE WOULD EXPECT TO FIND IN WALNUT GROVE. 471 00:23:56,060 --> 00:23:57,180 SHE'S VERY NICE. 472 00:23:57,350 --> 00:23:59,140 OH, BUT IT'S SUCH A TRAGEDY, 473 00:23:59,310 --> 00:24:03,270 SUCH A LOVELY YOUNG WOMAN HAVING TO LIVE ALL ALONE, 474 00:24:03,440 --> 00:24:06,730 AND SO WELL-TO-DO. 475 00:24:06,900 --> 00:24:08,740 HOW MUCH IS THIS? 476 00:24:08,900 --> 00:24:09,780 HMM? 477 00:24:09,950 --> 00:24:10,900 THIS CHALLIS? 478 00:24:11,070 --> 00:24:12,860 OH, IT'S RATHER EXPENSIVE, 479 00:24:13,030 --> 00:24:15,620 I'M AFRAID-- 45 CENTS A YARD. 480 00:24:17,660 --> 00:24:19,290 I'LL TAKE A YARD AND A HALF, PLEASE. 481 00:24:19,450 --> 00:24:21,920 OH, MY, THAT'S RATHER EXTRAVAGANT, ISN'T IT? 482 00:24:22,080 --> 00:24:23,210 NOW, HERE, HERE. 483 00:24:23,380 --> 00:24:28,760 THIS IS A VERY, VERY SERVICEABLE PIECE OF GOODS. 484 00:24:28,920 --> 00:24:29,710 THERE. 485 00:24:29,880 --> 00:24:31,590 I LIKE THIS. 486 00:24:31,760 --> 00:24:32,590 THANK YOU. 487 00:24:32,760 --> 00:24:33,840 ALL RIGHT. 488 00:24:47,070 --> 00:24:49,570 WILL YOU HURRY UP? WE'RE NEVER GOING TO GET HOME. 489 00:24:49,730 --> 00:24:50,740 THERE'S NO HURRY. 490 00:24:50,900 --> 00:24:51,860 THERE IS IF PA GETS HOME 491 00:24:52,030 --> 00:24:53,740 AND WE HAVEN'T DONE OUR CHORES. 492 00:24:53,910 --> 00:24:56,120 PA TOLD MA HE'D BE LATE. 493 00:24:56,280 --> 00:25:00,040 HE HAS TO GO TO SLEEPY EYE-- FOR MR. HANSON. 494 00:25:00,200 --> 00:25:01,000 LAURA. 495 00:25:01,160 --> 00:25:02,500 HUH? 496 00:25:02,660 --> 00:25:04,960 THAT'S PA'S WAGON IN FRONT OF MRS. THURMOND'S. 497 00:25:09,170 --> 00:25:11,170 I WONDER WHAT HE'S DOING OUT HERE. 498 00:25:11,340 --> 00:25:14,340 HE SAID HE WAS GOING TO SLEEPY EYE. 499 00:25:14,510 --> 00:25:18,260 AH, MR. HANSON PROBABLY CHANGED HIS MIND IS ALL. 500 00:25:18,430 --> 00:25:19,810 COME ON. WE'D BETTER GET HOME. 501 00:25:36,410 --> 00:25:38,030 [BARKING] 502 00:25:38,200 --> 00:25:39,120 WHAT DO YOU SAY, JACK? 503 00:25:39,280 --> 00:25:40,620 HI, PA! HI, GIRLS! 504 00:25:40,790 --> 00:25:41,660 HI, PA! 505 00:25:41,830 --> 00:25:43,160 THEY GOT YOU WORKING HARD, HUH? 506 00:25:43,330 --> 00:25:44,620 Mary: YEAH. 507 00:25:44,790 --> 00:25:49,960 OH, YOUR PA'S HOME. OOH, HAVE TO HIDE MAMA'S BLOUSE. 508 00:25:50,130 --> 00:25:52,590 OH, THAT'S A GOOD GIRL, CARRIE. THANK YOU. 509 00:26:00,180 --> 00:26:01,350 NOW, CARRIE, REMEMBER, 510 00:26:01,510 --> 00:26:03,230 KEEP A SECRET ABOUT MA'S BLOUSE. 511 00:26:03,390 --> 00:26:04,310 YES, MA. 512 00:26:04,480 --> 00:26:06,190 THANK YOU. 513 00:26:06,350 --> 00:26:07,100 CHARLES, HELLO! 514 00:26:07,270 --> 00:26:08,440 Charles: HI, DARLIN'. 515 00:26:08,610 --> 00:26:10,480 WELL, I'M GLAD YOU MADE IT HOME BEFORE DARK. 516 00:26:10,650 --> 00:26:13,110 WILL YOU HURRY? SUPPER'S READY AND IT'S A SURPRISE. 517 00:26:13,280 --> 00:26:14,110 BE RIGHT IN. 518 00:26:14,280 --> 00:26:15,360 GOOD. 519 00:26:17,660 --> 00:26:19,370 Mary: DID YOU HAVE A GOOD DAY, PA? 520 00:26:19,530 --> 00:26:22,450 OH, IT'S NEVER TOO GOOD A DAY WHEN I GOT THAT LONG TRIP TO SLEEPY EYE. 521 00:26:45,890 --> 00:26:50,860 MARY. MARY. ARE YOU SLEEPING? 522 00:26:51,020 --> 00:26:53,150 I'M TRYING TO. 523 00:26:53,320 --> 00:26:55,190 MARY, WHY DO YOU SUPPOSE PA DIDN'T TELL THE TRUTH 524 00:26:55,360 --> 00:26:57,570 ABOUT WHERE HE WAS THIS AFTERNOON? 525 00:26:57,740 --> 00:26:59,610 I DON'T THINK THAT'S ANY OF OUR BUSINESS. 526 00:26:59,780 --> 00:27:01,070 IT WILL BE IF THE WIDOW THURMOND 527 00:27:01,240 --> 00:27:04,410 TURNS OUT TO BE LIKE THE WICKED WIDOW IN "CINDERELLA." 528 00:27:04,580 --> 00:27:06,710 SHE WASN'T A WIDOW. SHE WAS THE WICKED STEPMOTHER. 529 00:27:06,870 --> 00:27:08,290 WELL, SHE DIDN'T HAVE A HUSBAND. 530 00:27:08,460 --> 00:27:11,420 SHE WAS SO MEAN, MAYBE HER HUSBAND JUST RAN AWAY FROM HOME. 531 00:27:11,580 --> 00:27:16,010 WELL, ANYWAY, SHE TRIED TO STEAL THE HANDSOME PRINCE AWAY FROM CINDERELLA. 532 00:27:16,170 --> 00:27:18,090 WELL, WHAT'S THAT GOT TO DO WITH ANYTHING? 533 00:27:18,260 --> 00:27:22,010 WELL, PA'S HANDSOME, AND THE WIDOW THURMOND DOESN'T HAVE A HUSBAND. 534 00:27:22,180 --> 00:27:23,810 LAURA, THAT'S A WICKED THOUGHT. 535 00:27:23,970 --> 00:27:26,350 NOT IF SHE'S REALLY A WICKED WIDOW. 536 00:27:29,100 --> 00:27:31,190 MRS. THURMOND WOULDN'T DO ANYTHING LIKE THAT. 537 00:27:34,440 --> 00:27:35,610 OR WOULD SHE? 538 00:27:41,160 --> 00:27:42,820 GOOD NIGHT. 539 00:27:42,990 --> 00:27:44,120 GOOD NIGHT. 540 00:28:00,470 --> 00:28:01,550 [BLOWS] 541 00:28:12,900 --> 00:28:14,650 CHARLES? 542 00:28:14,810 --> 00:28:17,440 OH, I THOUGHT YOU WERE ASLEEP. 543 00:28:17,610 --> 00:28:19,280 HOW'D YOU LIKE THE PICKLED PEARS? 544 00:28:19,440 --> 00:28:22,490 OH, THEY WERE DELICIOUS. I ATE THE WHOLE JARFUL. 545 00:28:22,660 --> 00:28:24,660 THEY'RE MRS. BURNSIDE'S. 546 00:28:24,820 --> 00:28:27,740 WELL, WHEN YOU SEE HER, YOU BE SURE TO THANK HER FOR ME. 547 00:28:27,910 --> 00:28:30,710 MR. BURNSIDE BROUGHT THEM BY TODAY. 548 00:28:30,870 --> 00:28:31,750 OH, HAROLD? 549 00:28:31,920 --> 00:28:33,000 MM-HMM. 550 00:28:33,170 --> 00:28:34,750 WHEN I SEE HIM, I'LL THANK HIM. 551 00:28:37,800 --> 00:28:40,970 HE WORKS FOR THE WIDOW THURMOND, DOESN'T HE? 552 00:28:43,430 --> 00:28:47,060 YEAH. HE DID THE LAST TIME I HEARD. WHY? 553 00:28:47,220 --> 00:28:48,720 OH, NO REASON... 554 00:28:50,810 --> 00:28:54,650 JUST THAT HE SAID HE SAW YOUR WAGON OUT THERE AND... 555 00:28:54,810 --> 00:28:56,650 I THOUGHT YOU'D FINISHED WORK ON THE CABINET. 556 00:28:58,400 --> 00:29:01,110 YEAH, I DID. I WAS JUST DELIVERING SOME LUMBER OUT FOR MR. HANSON. 557 00:29:03,490 --> 00:29:05,070 WIDOW THURMOND'S BUYING LUMBER? 558 00:29:07,370 --> 00:29:11,410 YEAH. SHE'S, UH, SHE'S PLANNING ON DOING SOME FIXING UP ON THE PLACE. 559 00:29:13,870 --> 00:29:16,670 I GUESS THAT MEANS YOU'LL BE WORKING FOR HER AGAIN. 560 00:29:16,840 --> 00:29:20,550 YEAH. IT'S GOING TO TAKE ME QUITE A WHILE TO FINISH UP. 561 00:29:20,710 --> 00:29:26,390 GOOD. THERE'S SOME THINGS I NEED TO ORDER FROM THE MERCANTILE. 562 00:29:26,550 --> 00:29:28,970 YEAH, WELL, I THINK YOU OUGHT TO WAIT ON THAT FOR A LITTLE WHILE. 563 00:29:29,140 --> 00:29:33,180 WHY? YOU SAID YOU'D BE EARNING THE EXTRA MONEY. 564 00:29:33,350 --> 00:29:35,100 WELL, I KNOW THAT, BUT I'D LIKE TO HAVE THE CASH IN MY HAND. 565 00:29:35,270 --> 00:29:37,650 YOU KNOW HOW I FEEL ABOUT CHARGING. 566 00:29:37,810 --> 00:29:38,940 ALL RIGHT. 567 00:29:39,110 --> 00:29:41,280 GOOD NIGHT. 568 00:29:41,440 --> 00:29:42,570 GOOD NIGHT. 569 00:29:59,790 --> 00:30:01,250 I FOUND SOME MORE! 570 00:30:13,430 --> 00:30:14,600 LOOK AT THESE, PA. 571 00:30:14,770 --> 00:30:15,810 HEY, THOSE ARE NICE ONES. 572 00:30:15,980 --> 00:30:17,480 THEY SURE ARE. 573 00:30:17,650 --> 00:30:19,400 YOU TWO MAKE MUSHROOM HUNTING REAL EASY. 574 00:30:19,560 --> 00:30:21,770 WE LIKE IT. BESIDES, YOU'VE BEEN WORKING SO HARD, 575 00:30:21,940 --> 00:30:23,150 YOU SHOULD HAVE SOME HELP. 576 00:30:23,320 --> 00:30:25,820 YEAH. YOU'VE BEEN WORKING TOO HARD. 577 00:30:25,990 --> 00:30:27,450 WELL, IT WON'T BE FOR MUCH LONGER. 578 00:30:27,610 --> 00:30:28,620 GOING TO SLEEPY EYE AGAIN TODAY, PA? 579 00:30:28,780 --> 00:30:30,410 NO. AFTER I GET DONE AT THE MILL, 580 00:30:30,580 --> 00:30:32,910 I'M GOING TO GO OVER AND DO SOME WORK AT THE WIDOW THURMOND'S. 581 00:30:33,080 --> 00:30:33,870 YOU ARE? 582 00:30:34,040 --> 00:30:35,120 MM-HMM. 583 00:30:35,290 --> 00:30:36,960 HEY, THERE'S SOME NICE ONES DOWN BY THE RIVER. 584 00:30:43,000 --> 00:30:45,130 ENOUGH MUSHROOMS HERE TO LAST A WHOLE YEAR. 585 00:30:47,180 --> 00:30:50,050 MARY'S DOING SOME WORK FOR THE WIDOW THURMOND. 586 00:30:50,220 --> 00:30:52,600 MRS. WHIPPLE HAS ME SEWING A DRESS FOR HER. 587 00:30:52,760 --> 00:30:54,180 WELL, DO A GOOD JOB ON IT. 588 00:30:54,350 --> 00:30:55,770 WIDOW THURMOND'S A NICE LADY. 589 00:30:55,930 --> 00:30:56,980 IT'S AWFUL HARD TO SEW FOR SOMEONE 590 00:30:57,140 --> 00:30:59,350 WHO DOESN'T HAVE A VERY GOOD FIGURE. 591 00:30:59,520 --> 00:31:01,110 IT MAY LOOK LIKE SHE'S WEARING CRINOLINES, 592 00:31:01,270 --> 00:31:04,070 BUT THAT'S REALLY HER UNDER THE SKIRT. 593 00:31:04,230 --> 00:31:05,690 WELL, YOU JUST DO THE BEST YOU CAN. 594 00:31:05,860 --> 00:31:07,990 I'M SURE SHE'S PAYING MRS. WHIPPLE A LOT OF MONEY. 595 00:31:11,160 --> 00:31:14,700 I WONDER IF IT'S AS MUCH AS SHE PAID FOR HER TEETH. 596 00:31:14,870 --> 00:31:16,160 WHAT? 597 00:31:16,330 --> 00:31:18,790 WELL, EVERYONE KNOWS THAT WIDOWS WEAR STORE-BOUGHTEN TEETH, 598 00:31:18,960 --> 00:31:20,000 AND THEY COME OUT AT NIGHT. 599 00:31:20,170 --> 00:31:21,580 WELL, I DON'T KNOW THAT, YOUNG LADY, 600 00:31:21,750 --> 00:31:23,210 AND I DON'T THINK IT'S A VERY NICE THING TO SAY. 601 00:31:23,380 --> 00:31:26,340 YOU COULD HURT SOMEBODY'S FEELINGS. 602 00:31:26,510 --> 00:31:29,510 WE GOT ENOUGH MUSHROOMS. YOU WANT A RIDE TO SCHOOL? 603 00:31:29,680 --> 00:31:31,720 NO. WE'LL WALK. 604 00:31:31,890 --> 00:31:35,180 YEAH. WE GOT PLENTY OF TIME. 605 00:31:35,350 --> 00:31:37,680 ALL RIGHT. I GOT TO GET GOING. 606 00:31:37,850 --> 00:31:38,690 SEE YOU AT SUPPER. 607 00:31:38,850 --> 00:31:39,980 Mary: SEE YOU. 608 00:31:43,110 --> 00:31:44,570 I DON'T THINK IT WORKED. 609 00:31:44,730 --> 00:31:47,690 THEN WE'LL JUST HAVE TO TRY SOMETHING ELSE. 610 00:31:47,860 --> 00:31:49,700 COME ON. LET'S GO. 611 00:31:53,370 --> 00:31:55,450 WE'VE GOT TO THINK OF SOMETHING. 612 00:31:55,620 --> 00:31:56,660 I'M TRYING. 613 00:31:56,830 --> 00:31:59,000 I WISH WE DIDN'T HAVE TO GO TO SCHOOL. 614 00:31:59,160 --> 00:32:00,040 WHY? 615 00:32:00,210 --> 00:32:02,170 IT'S TOO HARD TO THINK IN SCHOOL. 616 00:32:02,330 --> 00:32:04,710 THAT'S SILLY. YOU'RE SUPPOSED TO THINK IN SCHOOL. 617 00:32:04,880 --> 00:32:06,050 THAT'S NOT WHAT I MEAN. 618 00:32:06,210 --> 00:32:07,170 HEY, DO YOU HAVE TO WORK 619 00:32:07,340 --> 00:32:08,970 AT MRS. WHIPPLE'S AFTER SCHOOL? 620 00:32:09,130 --> 00:32:11,840 SURE. ON THAT WIDOW THURMOND'S DRESS. 621 00:32:12,010 --> 00:32:14,890 GREAT. THAT'S JUST THE EXCUSE WE NEED. 622 00:32:15,050 --> 00:32:16,720 EXCUSE? FOR WHAT? 623 00:32:16,890 --> 00:32:18,390 FOR GOING TO THE WIDOW'S WEB. 624 00:32:25,190 --> 00:32:26,270 WHOA. 625 00:32:36,660 --> 00:32:37,950 [KNOCK ON DOOR] 626 00:32:58,390 --> 00:33:00,390 Laura: CAN YOU SEE ANYTHING? 627 00:33:00,560 --> 00:33:02,270 NO. 628 00:33:02,440 --> 00:33:04,400 SHOULD WE WAIT? 629 00:33:04,560 --> 00:33:07,610 NO. WE'D BETTER DO IT NOW BEFORE I LOSE MY NERVE. 630 00:33:42,890 --> 00:33:45,230 WELL, HELLO, MARY, LAURA. 631 00:33:45,400 --> 00:33:47,770 MRS. THURMOND, MRS. WHIPPLE SENT ME BY TO FIT THE SKIRT. 632 00:33:47,940 --> 00:33:49,730 OH, WELL, I DON'T KNOW JUST NOW.-- 633 00:33:49,900 --> 00:33:53,490 WELL, I'M GOING TO HELP HER, SO IT WILL ONLY TAKE A MINUTE. 634 00:33:53,650 --> 00:33:54,900 ALL RIGHT. COME ON IN. 635 00:33:58,070 --> 00:33:59,160 THIS WAY. 636 00:34:10,840 --> 00:34:13,670 LAURA, WHY DON'T YOU TAKE THE PINS AND TACK IT TOGETHER 637 00:34:13,840 --> 00:34:15,050 AND I'LL HOLD IT UP. 638 00:34:15,220 --> 00:34:17,680 ISN'T IT CUSTOMARY TO BASTE THE DRESS TOGETHER 639 00:34:17,840 --> 00:34:19,010 BEFORE YOU FIT IT? 640 00:34:19,180 --> 00:34:19,890 UH... 641 00:34:20,050 --> 00:34:21,600 THIS NEW WAY'S FASTER. 642 00:34:21,760 --> 00:34:23,180 IT SAVES MAKING MISTAKES LATER. 643 00:34:23,350 --> 00:34:24,430 OH. 644 00:34:24,600 --> 00:34:28,350 YOU DON'T HAVE TO PULL OUT THE STITCHES. 645 00:34:28,520 --> 00:34:31,110 [HUMMING] 646 00:34:31,270 --> 00:34:33,530 Laura: THE EDGE IS UNEVEN. 647 00:34:33,690 --> 00:34:35,070 Mary: A LITTLE MORE OVER HERE. 648 00:34:35,240 --> 00:34:36,030 THERE. 649 00:34:36,200 --> 00:34:39,660 YEAH. LOOKS JUST ABOUT RIGHT. 650 00:34:39,820 --> 00:34:41,660 Charles: HI, GIRLS. UH! 651 00:34:41,830 --> 00:34:45,200 CAREFUL WHAT YOU'RE DOING WITH THE PINS. MIND YOU DON'T STICK MRS. THURMOND. 652 00:34:45,370 --> 00:34:47,750 OH, SHE'S BEEN DOING QUITE WELL SO FAR. 653 00:34:47,920 --> 00:34:50,750 PA, WHERE'D YOU COME FROM? 654 00:34:50,920 --> 00:34:54,210 WELL, I JUST TOLD YOU, BE CAREFUL WITH THE PINS. 655 00:34:54,380 --> 00:34:55,260 WHAT ARE YOU DOING? I NEVER SAW YOUR MA 656 00:34:55,420 --> 00:34:57,260 DO A FITTING LIKE THAT. 657 00:34:57,430 --> 00:34:59,550 UH, I GUESS YOU'RE RIGHT. 658 00:34:59,720 --> 00:35:01,470 IT DOESN'T LOOK LIKE IT'S GOING TO WORK. 659 00:35:01,640 --> 00:35:02,720 I GUESS MRS. WHIPPLE'S IDEA 660 00:35:02,890 --> 00:35:05,730 WASN'T SUCH A GOOD IDEA AFTER ALL. 661 00:35:05,890 --> 00:35:07,270 JUST HAVE TO BASTE IT. 662 00:35:07,440 --> 00:35:09,270 WELL, I HAVE A NEEDLE AND THREAD. WE COULD DO IT RIGHT NOW. 663 00:35:09,440 --> 00:35:11,440 NOW, HOLD ON A MINUTE. THIS IS VERY EXPENSIVE MATERIAL. 664 00:35:11,610 --> 00:35:13,360 I THINK YOU BETTER CHECK WITH MRS. WHIPPLE FIRST. 665 00:35:13,520 --> 00:35:14,730 YES. I APPRECIATE YOUR EFFORTS, GIRLS, 666 00:35:14,900 --> 00:35:17,280 BUT I THINK YOUR FATHER'S RIGHT. 667 00:35:17,450 --> 00:35:18,240 PA... 668 00:35:18,400 --> 00:35:19,200 HMM? 669 00:35:19,360 --> 00:35:21,240 IT'S SUCH A LONG WALK BACK. 670 00:35:21,410 --> 00:35:24,080 YOU WOULDN'T BE LEAVING NOW, WOULD YOU? 671 00:35:24,240 --> 00:35:25,330 NO. I'M AFRAID NOT. 672 00:35:25,500 --> 00:35:27,160 I'VE GOT A FEW THINGS TO DO HERE FIRST. 673 00:35:30,040 --> 00:35:31,250 I THOUGHT YOU MIGHT. 674 00:35:33,800 --> 00:35:37,420 UH...WELL, BYE, MRS. THURMOND. 675 00:35:37,590 --> 00:35:39,180 BYE. PA. 676 00:35:39,340 --> 00:35:40,430 BYE-BYE. 677 00:35:41,840 --> 00:35:43,600 PA... 678 00:35:43,760 --> 00:35:45,060 IT'S WAY PAST YOUR LUNCHTIME. 679 00:35:45,220 --> 00:35:46,520 AREN'T YOU GETTING HUNGRY? 680 00:35:46,680 --> 00:35:47,770 OH, DON'T YOU WORRY ABOUT ME. 681 00:35:47,930 --> 00:35:50,600 MRS. THURMOND WILL FIX ME A NICE SANDWICH. 682 00:35:50,770 --> 00:35:53,150 OH. YEAH. I'M SURE SHE WILL. 683 00:35:55,190 --> 00:35:55,980 BYE. 684 00:35:56,150 --> 00:35:57,280 Charles: BYE. 685 00:35:59,450 --> 00:36:00,660 SEE YOU AT SUPPER. 686 00:36:17,630 --> 00:36:20,720 "COME INTO MY PARLOR," SAID THE SPIDER TO THE FLY. 687 00:36:20,880 --> 00:36:22,470 WHAT? 688 00:36:22,640 --> 00:36:24,850 JUST THINKING ABOUT WIDOWS, 689 00:36:25,010 --> 00:36:26,600 BLACK WIDOWS. 690 00:36:26,760 --> 00:36:28,810 PA WAS WRONG. THEY ARE ALIKE. 691 00:36:28,980 --> 00:36:31,980 THEY INVITE THEIR PREY INTO THEIR PARLOR, AND BEFORE THEY KNOW IT, 692 00:36:32,140 --> 00:36:34,190 THEY'RE TRAPPED. 693 00:36:34,360 --> 00:36:35,770 JUST LIKE PA. 694 00:36:38,440 --> 00:36:39,570 [SIGHS] 695 00:37:08,260 --> 00:37:09,020 [HUMMING] 696 00:37:09,180 --> 00:37:10,020 MRS. OLESON? 697 00:37:10,180 --> 00:37:11,640 UH-HUH? 698 00:37:11,810 --> 00:37:14,730 WOULD YOU PUT THESE ON MRS. THURMOND'S ACCOUNT FOR ME, PLEASE? 699 00:37:14,900 --> 00:37:18,020 OH. MY. ARE YOU WORKING FOR MRS. THURMOND NOW? 700 00:37:18,190 --> 00:37:19,230 MM-HMM. 701 00:37:19,400 --> 00:37:21,860 OH, WELL, I THOUGHT MR. BURNSIDE WAS OVER THERE. 702 00:37:22,030 --> 00:37:24,700 OH, HE STILL IS. I'M JUST REFINISHING SOME WOODWORK FOR HER. 703 00:37:24,860 --> 00:37:27,240 OH. WELL, THAT'S STRANGE. 704 00:37:27,410 --> 00:37:28,450 SHE WAS IN HERE YESTERDAY 705 00:37:28,620 --> 00:37:30,040 AND SHE DIDN'T MENTION ANYTHING TO ME 706 00:37:30,200 --> 00:37:31,540 ABOUT YOU WORKING FOR HER. 707 00:37:31,700 --> 00:37:33,210 NO. I ASKED HER NOT TO TELL. 708 00:37:33,370 --> 00:37:36,210 I DON'T WANT CAROLINE TO HEAR ABOUT IT FOR A LITTLE WHILE. 709 00:37:36,380 --> 00:37:37,840 [SOFTLY] I SEE. 710 00:37:38,000 --> 00:37:40,550 IT'S GOT TO DO WITH A LITTLE SURPRISE I'VE GOT FOR HER. 711 00:37:40,710 --> 00:37:41,840 AH. HEH HEH. 712 00:37:42,010 --> 00:37:43,840 WELL, DON'T YOU WORRY, MR. INGALLS. 713 00:37:44,010 --> 00:37:46,720 I CERTAINLY WON'T MENTION IT TO ANYONE. 714 00:37:46,890 --> 00:37:48,970 I APPRECIATE THAT. GOOD DAY. 715 00:37:49,140 --> 00:37:50,390 GOOD DAY. 716 00:37:55,940 --> 00:37:58,060 NELS! NELS! 717 00:38:04,570 --> 00:38:05,740 HE'S COMING, MA! 718 00:38:10,660 --> 00:38:13,080 MA, YOU LOOK BEAUTIFUL. 719 00:38:13,250 --> 00:38:15,370 YOU'RE GOING TO TAKE PA'S BREATH AWAY. 720 00:38:15,540 --> 00:38:17,080 WELL, WE'LL SEE. SHE SURE IS. 721 00:38:17,250 --> 00:38:18,920 ESPECIALLY IF YOU USE THIS. 722 00:38:19,090 --> 00:38:20,750 OH, LAURA, THANK YOU, 723 00:38:20,920 --> 00:38:22,760 BUT I HATE TO USE YOUR LEMON VERBENA. 724 00:38:22,920 --> 00:38:24,760 GO AHEAD. USE A LOT. 725 00:38:24,920 --> 00:38:26,760 FLOWERS DON'T LOOK HALF AS PRETTY 726 00:38:26,930 --> 00:38:28,340 IF THEY DON'T SMELL GOOD. 727 00:38:42,820 --> 00:38:43,860 HI, EVERYBODY. 728 00:38:44,030 --> 00:38:45,400 Girls: HI, PA. 729 00:38:45,570 --> 00:38:46,780 HI. DID YOU ALL HAVE A NICE DAY? 730 00:38:46,950 --> 00:38:47,780 Girls: YEAH. 731 00:38:47,950 --> 00:38:49,240 MMM. THAT SUPPER DOES SMELL GOOD. 732 00:38:49,410 --> 00:38:51,200 THANK YOU. lT'LL BE READY IN JUST A MINUTE. 733 00:38:51,370 --> 00:38:53,700 GOOD. TAKE SOME SOAP DOWN TO THE CREEK AND WASH UP. PRETTY DIRTY. 734 00:39:07,170 --> 00:39:08,970 I DON'T THINK HE REALLY SAW YOU, MA. 735 00:39:09,140 --> 00:39:10,850 OH, WELL, IT DOESN'T MATTER. 736 00:39:11,010 --> 00:39:12,430 YOUR PA'S BEEN REAL BUSY. 737 00:39:15,140 --> 00:39:16,810 IT'S JUST A BLOUSE. 738 00:39:19,480 --> 00:39:21,270 IT'S FOOLISH TO WEAR IT TO SERVE IN, ANYWAY. 739 00:39:37,660 --> 00:39:39,290 [WHISPERING] What are you thinking about? 740 00:39:39,460 --> 00:39:42,670 I was just thinking about how sad Ma looked at supper tonight. 741 00:39:42,840 --> 00:39:46,550 Yeah. She hardly said anything. 742 00:39:48,630 --> 00:39:50,800 Maybe Pa was too tired to notice. 743 00:39:50,970 --> 00:39:53,970 Didn't look tired to me. 744 00:39:54,140 --> 00:39:55,260 Not to me either. 745 00:39:57,020 --> 00:39:58,020 IF I WAS MA, I'D GO-- 746 00:39:58,180 --> 00:40:00,350 Shh! They're right downstairs. 747 00:40:00,520 --> 00:40:02,520 If I was Ma, I'd go right over to that Mrs. Thurmond's 748 00:40:02,690 --> 00:40:05,400 and punch her in the stomach. 749 00:40:05,570 --> 00:40:07,030 Ma couldn't do that. 750 00:40:07,190 --> 00:40:10,400 Why not? I bet you if it was reversed, Pa would do it. 751 00:40:10,570 --> 00:40:14,990 He'd punch anybody that tried to work their wiles on Ma. 752 00:40:15,160 --> 00:40:17,870 Well, that's different. 753 00:40:18,040 --> 00:40:18,870 Why? 754 00:40:19,040 --> 00:40:20,540 Because Pa's a man. 755 00:40:20,710 --> 00:40:22,040 So? 756 00:40:22,210 --> 00:40:25,710 So it's different. Men are supposed to fight for women. 757 00:40:25,880 --> 00:40:28,090 What are women supposed to do? 758 00:40:28,260 --> 00:40:30,380 Well, I don't know, 759 00:40:30,550 --> 00:40:32,220 but men and women are just different. 760 00:40:32,380 --> 00:40:33,430 I know they're different. 761 00:40:33,590 --> 00:40:34,720 I've seen our mare birthing. 762 00:40:34,890 --> 00:40:36,600 But men and women both have stomachs, 763 00:40:36,760 --> 00:40:39,930 and I think Ma should punch Mrs. Thurmond's. 764 00:40:40,100 --> 00:40:41,850 Charles: WHAT'S THAT TALKING UP THERE? 765 00:40:42,020 --> 00:40:43,810 WE'RE JUST SAYING GOOD NIGHT, PA. 766 00:40:43,980 --> 00:40:46,730 NEXT THING I WANT TO HEAR FROM YOU TWO IS GOOD MORNING. 767 00:40:46,900 --> 00:40:48,900 YES, SIR. 768 00:40:49,070 --> 00:40:50,110 Good night. 769 00:40:50,280 --> 00:40:51,400 Good night. 770 00:40:53,820 --> 00:40:55,240 I SWEAR, THOSE TWO, THE MINUTE THEY GO TO BED, 771 00:40:55,410 --> 00:40:57,620 THEY TURN INTO CHATTERBOXES. 772 00:40:57,790 --> 00:40:58,700 I THINK I'M GOING TO TURN IN. 773 00:40:58,870 --> 00:41:01,160 I'VE GOT A HARD DAY TOMORROW. 774 00:41:01,330 --> 00:41:04,750 HOW MUCH IS MRS. THURMOND PAYING YOU FOR ALL THAT WORK? 775 00:41:04,920 --> 00:41:06,750 WELL, I'M NOT SURE. 776 00:41:06,920 --> 00:41:08,800 YOU DIDN'T SET A PRICE? 777 00:41:08,960 --> 00:41:09,760 NO, I DIDN'T. 778 00:41:09,920 --> 00:41:11,420 IT'S NOT THAT KIND OF JOB. 779 00:41:11,590 --> 00:41:14,090 IT'S KIND OF A HARD JOB TO FIGURE ON UNTIL IT'S DONE. 780 00:41:14,260 --> 00:41:15,930 BUT DON'T YOU WORRY. SHE'S A FAIR PERSON. 781 00:41:16,100 --> 00:41:18,760 I'M SURE SHE IS. 782 00:41:18,930 --> 00:41:19,850 HEY, YOU COMING TO BED? 783 00:41:20,020 --> 00:41:20,930 AS SOON AS I'M FINISHED. 784 00:41:21,100 --> 00:41:22,230 ALL RIGHT. 785 00:41:23,600 --> 00:41:25,440 SURE WAS A GOOD SUPPER YOU COOKED TONIGHT. 786 00:41:25,600 --> 00:41:27,400 THANK YOU. 787 00:41:27,570 --> 00:41:29,570 THAT'S A PRETTY NEW BLOUSE YOU HAD ON TODAY, TOO. 788 00:41:54,130 --> 00:41:56,260 [BELL RINGS] 789 00:42:07,860 --> 00:42:10,730 OH. MRS. INGALLS. 790 00:42:10,900 --> 00:42:12,280 HELLO, MRS. OLESON. 791 00:42:12,440 --> 00:42:13,900 OH, MY, MY. I BET YOUR HENS 792 00:42:14,070 --> 00:42:16,320 HAVE BEEN WORKING OVERTIME AGAIN, HAVEN'T THEY? 793 00:42:16,490 --> 00:42:19,030 WELL, WE HAVEN'T HAD TOO MUCH NEED FOR EGGS LATELY. 794 00:42:19,200 --> 00:42:20,870 CHARLES IS UP AND GONE BEFORE BREAKFAST. 795 00:42:21,040 --> 00:42:26,290 YES. I IMAGINE THAT HE HAS A VERY RIGOROUS SCHEDULE. 796 00:42:26,460 --> 00:42:29,170 WELL, THEY'VE BEEN VERY BUSY AT THE MILL. 797 00:42:29,340 --> 00:42:33,590 OH...IS THAT WHAT HE TOLD YOU? 798 00:42:33,760 --> 00:42:34,970 WHAT DO YOU MEAN BY THAT? 799 00:42:35,130 --> 00:42:39,180 OH. OH, BELIEVE ME, MRS. INGALLS, 800 00:42:39,350 --> 00:42:41,010 I DON'T WANT TO BE THE ONE TO TELL YOU, 801 00:42:41,180 --> 00:42:45,020 BUT, WELL, SINCE WE'RE SUCH GOOD FRIENDS, I MUST TELL YOU. 802 00:42:45,180 --> 00:42:46,390 PLEASE, MRS. OLESON-- 803 00:42:46,560 --> 00:42:49,360 MRS. INGALLS, I DON'T KNOW. IT UPSETS ME SO. 804 00:42:49,520 --> 00:42:51,150 I DON'T KNOW, WHY IS IT THAT THE WIFE 805 00:42:51,320 --> 00:42:52,730 IS ALWAYS THE LAST ONE TO KNOW? 806 00:42:52,900 --> 00:42:54,320 I DO. I KNOW EVERYTHING. 807 00:42:54,490 --> 00:42:58,660 DID YOU KNOW THAT MRS. THURMOND DID NOT TELL YOU THE TRUTH, 808 00:42:58,820 --> 00:43:02,740 NOR... NOR DID YOUR HUSBAND? 809 00:43:02,910 --> 00:43:03,740 I KNOW ALREADY. 810 00:43:03,910 --> 00:43:05,330 OH, MY DEAR... 811 00:43:05,500 --> 00:43:08,620 MY DEAR, YOU DON'T KNOW THE HALF OF IT. 812 00:43:08,790 --> 00:43:10,500 NOW, I HAVE BEEN ASKING AROUND-- 813 00:43:10,670 --> 00:43:13,380 PURELY OUT OF CONSIDERATION FOR YOU, YOU UNDERSTAND-- 814 00:43:13,550 --> 00:43:15,090 AND I UNDERSTAND THAT YOUR HUSBAND 815 00:43:15,260 --> 00:43:16,550 HAS BEEN SEEN COMING AND GOING 816 00:43:16,720 --> 00:43:19,970 FROM THE WIDOW THURMOND'S HOME EVERY DAY FOR A WEEK. 817 00:43:20,140 --> 00:43:21,890 NOW, IF I WERE YOU-- 818 00:43:22,050 --> 00:43:22,970 WELL, YOU'RE NOT ME, HARRIET! 819 00:43:23,140 --> 00:43:24,270 WHAT? 820 00:43:24,430 --> 00:43:26,140 IN THE FIRST PLACE, IT'S NONE OF YOUR BUSINESS. 821 00:43:26,310 --> 00:43:27,180 MRS.-. 822 00:43:27,350 --> 00:43:30,520 IN THE SECOND PLACE, I KNOW ALREADY. 823 00:43:30,690 --> 00:43:34,280 THIRDLY, I TRUST CHARLES COMPLETELY. 824 00:43:38,280 --> 00:43:39,910 [BELL RINGS] 825 00:43:42,070 --> 00:43:44,580 OH, IT LOOKS JUST BEAUTIFUL, MR. INGALLS. 826 00:43:44,740 --> 00:43:47,120 I'M GLAD YOU LIKE IT. LET'S HOPE CAROLINE LIKES THESE DISHES 827 00:43:47,290 --> 00:43:48,410 AS MUCH AS YOU LIKE THE WOODWORK. 828 00:43:48,580 --> 00:43:50,830 OH, I'M SURE SHE WILL. 829 00:43:51,000 --> 00:43:52,040 WHILE YOU'RE LOADING THAT ON THE WAGON, 830 00:43:52,210 --> 00:43:53,420 I'LL FIX US SOMETHING TO DRINK. 831 00:43:53,590 --> 00:43:54,710 SOUNDS GOOD. 832 00:44:16,820 --> 00:44:17,990 [WOMAN LAUGHING] 833 00:44:22,110 --> 00:44:23,820 [LAUGHING] 834 00:44:29,710 --> 00:44:31,170 [LAUGHING] 835 00:44:49,390 --> 00:44:50,480 [BARKS] 836 00:44:52,390 --> 00:44:53,480 [BARKS] 837 00:44:55,650 --> 00:44:56,730 [BARKS] 838 00:45:04,070 --> 00:45:05,160 CAROLINE! 839 00:45:09,040 --> 00:45:10,120 [JACK BARKING] 840 00:45:10,290 --> 00:45:12,410 GIRLS, TAKE CARRIE OUTSIDE, WILL YOU? 841 00:45:12,580 --> 00:45:14,460 I WANT TO SPEAK TO YOUR FATHER. 842 00:45:14,630 --> 00:45:16,250 YES, MA. COME ON, CARRIE. 843 00:45:21,760 --> 00:45:25,220 HI, GIRLS. HEY, DARLIN'. DIDN'T YOU HEAR ME CALLING YOU? 844 00:45:25,390 --> 00:45:26,600 I HEARD YOU, CHARLES. 845 00:45:26,760 --> 00:45:28,260 WELL, COME ON OUTSIDE. I WANT TO SHOW YOU SOMETHING. 846 00:45:28,430 --> 00:45:29,810 FIRST I HAVE SOMETHING I WANT TO TELL YOU. 847 00:45:29,970 --> 00:45:31,480 IT CAN WAIT. THIS IS MORE IMPORTANT. 848 00:45:31,640 --> 00:45:33,440 CHARLES, IT CAN'T BE MORE IMPORTANT. 849 00:45:33,600 --> 00:45:36,190 WELL, I'M TELLING YOU, IT'S MORE IMPORTANT. NOW, COME ON OUTSIDE. 850 00:45:38,820 --> 00:45:40,030 JUST COME ON. WE CAN TALK ABOUT 851 00:45:40,190 --> 00:45:41,740 WHATEVER YOU WANT TO TALK ABOUT IN A MINUTE. 852 00:45:45,450 --> 00:45:46,490 THERE. 853 00:45:46,660 --> 00:45:47,660 CHARLES, WHAT IS IT? 854 00:45:47,830 --> 00:45:49,950 WELL, GO ON, LOOK. LOOK INSIDE. 855 00:45:50,120 --> 00:45:51,250 [SIGHS] 856 00:45:58,840 --> 00:45:59,920 OPEN IT UP. 857 00:46:09,850 --> 00:46:11,270 IT'S JUST MRS. THURMOND'S OLD CHINA. 858 00:46:11,430 --> 00:46:15,390 I DID A LOT OF WOOD REFINISHING TO PAY FOR IT. 859 00:46:15,560 --> 00:46:16,730 I HOPE YOU LIKE IT. 860 00:46:18,860 --> 00:46:20,070 IT'S BEAUTIFUL. 861 00:46:23,650 --> 00:46:24,740 THANK YOU. 862 00:46:26,490 --> 00:46:27,570 THANK YOU. 863 00:46:29,280 --> 00:46:31,330 I'M GLAD YOU LIKE IT. 864 00:46:31,490 --> 00:46:33,700 I DO. 865 00:46:33,870 --> 00:46:35,620 HEY, YOU KNOW... 866 00:46:35,790 --> 00:46:37,040 I HAD TO TELL AN AWFUL LOT OF WHITE LIES 867 00:46:37,210 --> 00:46:38,540 TO KEEP THIS SECRET. 868 00:46:38,710 --> 00:46:40,420 I HOPE YOU DON'T MIND. 869 00:46:40,590 --> 00:46:43,090 I DON'T. 870 00:46:43,260 --> 00:46:45,300 WELL, WHAT WAS IT YOU WANTED TO TALK TO ME ABOUT IN THE HOUSE? 871 00:46:45,470 --> 00:46:46,630 TALK TO YOU ABOUT? 872 00:46:46,800 --> 00:46:48,680 YOU SAID YOU WANTED TO TALK TO ME ABOUT SOMETHING. 873 00:46:51,140 --> 00:46:52,760 OH, IT'S NOTHING. 874 00:46:52,930 --> 00:46:54,140 REALLY, IT'S NOTHING. 875 00:46:57,480 --> 00:46:59,690 I LOVE YOU. 876 00:46:59,860 --> 00:47:01,610 OH... 877 00:47:01,770 --> 00:47:02,980 I LOVE YOU. 878 00:47:15,580 --> 00:47:18,290 Laura, voice-over: WE USED THE NEW DISHES AT SUPPER THAT EVENING 879 00:47:18,460 --> 00:47:20,380 AND EVERY SUPPER AFTER THAT. 880 00:47:20,540 --> 00:47:24,000 THAT'S BECAUSE MA SAID SPECIAL DISHES AREN'T FOR SPECIAL TIMES, 881 00:47:24,170 --> 00:47:26,090 THEY'RE FOR SPECIAL PEOPLE, 882 00:47:26,260 --> 00:47:30,300 AND A FAMILY ALL TOGETHER IS THE MOST SPECIAL OF ALL. 63515

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