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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:59,010 --> 00:01:01,140 [INDISTINCT CHATTER] 2 00:01:40,180 --> 00:01:43,520 ARE YOU SURE YOU PUT IT IN YOUR POCKET WHEN YOU FROM LEFT HOME? 3 00:01:43,680 --> 00:01:45,270 I'M SURE I DID. 4 00:01:45,440 --> 00:01:47,600 ARE YOU SURE IT ISN'T IN THE LUNCHPAIL? 5 00:01:47,770 --> 00:01:49,900 NO. I DON'T THINK SO. 6 00:01:50,060 --> 00:01:51,690 I'LL LOOK. 7 00:01:53,190 --> 00:01:55,360 Willie: COME ON, LET'S GO'. 8 00:02:02,580 --> 00:02:04,370 COME ON'. GET YOUR ROCK'. 9 00:02:04,540 --> 00:02:06,250 WILLIE, LOOK'. A NICKEL'. 10 00:02:07,540 --> 00:02:09,250 IT'S MINE'. 11 00:02:11,630 --> 00:02:13,760 THERE'S A FIGHT'. LET'S SEE'. 12 00:02:13,920 --> 00:02:15,760 [CHILDREN SHOUTING] 13 00:02:37,950 --> 00:02:41,450 COME ON'. COME ON, JONAH'. 14 00:02:57,130 --> 00:02:58,470 THAT'S ENOUGH'. 15 00:02:58,630 --> 00:03:00,800 I SAID THAT'S ENOUGH'. 16 00:03:02,010 --> 00:03:04,470 WILL YOU KINDLY TELL ME WHAT THIS IS ALL ABOUT? 17 00:03:04,640 --> 00:03:05,770 HE STARTED IT'. 18 00:03:05,930 --> 00:03:07,770 I DID NOT'. IT WAS MY NICKEL. 19 00:03:07,930 --> 00:03:09,140 Willie: IT WAS MINE'. 20 00:03:09,310 --> 00:03:11,730 Jonah: LIAR'. MISS BEADLE, I SAW IT LYING THERE, 21 00:03:11,900 --> 00:03:12,980 AND THEN HE GRABBED IT. 22 00:03:13,150 --> 00:03:14,520 IT FELL OUT OF MY POCKET. 23 00:03:14,690 --> 00:03:16,230 ALL RIGHT. ONE AT A TIME. 24 00:03:16,400 --> 00:03:17,860 WHO HAS THE NICKEL? 25 00:03:19,650 --> 00:03:21,530 DO YOU SUPPOSE WE CAN SETTLE THIS 26 00:03:21,700 --> 00:03:22,990 WITHOUT ANY MORE FIGHTING? 27 00:03:23,160 --> 00:03:25,080 DID ANYONE HERE SEE WHAT HAPPENED? 28 00:03:25,240 --> 00:03:26,490 Mary: MISS BEADLE? 29 00:03:26,660 --> 00:03:28,250 YES, MARY. DID YOU SEE WHAT HAPPENED? 30 00:03:28,410 --> 00:03:31,500 NO, MA'AM, BUT DOES THE NICKEL HAVE A NICK ON THE EDGE 31 00:03:31,670 --> 00:03:33,630 AND SOME TREE GUM STUCK ON IT? 32 00:03:36,800 --> 00:03:38,090 YES, IT DOES. 33 00:03:38,260 --> 00:03:39,470 IT'S MINE. 34 00:03:39,630 --> 00:03:42,010 I WAS GOING TO BUY SOME PAPER TABLETS AFTER SCHOOL. 35 00:03:42,180 --> 00:03:43,890 THAT'S TRUE, MISS BEADLE. 36 00:03:47,100 --> 00:03:49,520 WELL, I'D SAY THAT SETTLES IT, WOULDN'T YOU? 37 00:03:49,680 --> 00:03:51,480 UNLESS WILLIE WOULD LIKE TO EXPLAIN 38 00:03:51,640 --> 00:03:54,900 HOW MARY'S NICKEL FELL OUT OF HIS POCKET. 39 00:03:58,530 --> 00:04:02,910 ALL RIGHT. RECESS IS OVER. I WANT YOU ALL BACK IN SCHOOL. 40 00:04:05,530 --> 00:04:07,040 HERE YOU ARE, MARY. 41 00:04:07,200 --> 00:04:08,240 THANK YOU. 42 00:04:08,410 --> 00:04:10,200 MY GOODNESS, SO MUCH FUSS OVER A NICKEL. 43 00:04:10,370 --> 00:04:13,080 YOU'D THINK IT WAS SUTTER'S MILL ALL OVER AGAIN. 44 00:04:13,250 --> 00:04:14,170 COME ON. 45 00:04:14,330 --> 00:04:15,460 WHAT WAS SUTTER'S MILL? 46 00:04:15,630 --> 00:04:17,920 LAURA, SUTTER'S MILL WAS THE SITE 47 00:04:18,090 --> 00:04:19,800 OF A RATHER IMPORTANT HISTORICAL EVENT. 48 00:04:19,960 --> 00:04:22,800 I'LL TELL YOU WHAT. WE'RE ABOUT TO HAVE A HISTORY LESSON. 49 00:04:22,970 --> 00:04:25,390 WHY DON'T WE DISCUSS SUTTER'S MILL AND WHAT HAPPENED THERE? 50 00:04:25,550 --> 00:04:28,850 THEN MAYBE YOU'LL UNDERSTAND WHY I MADE THAT REMARK. 51 00:04:31,180 --> 00:04:33,100 YOU COULD HAVE LICKED HIM GOOD. 52 00:04:33,270 --> 00:04:34,480 I KNOW. 53 00:04:34,650 --> 00:04:35,980 BUT IT WAS MARY'S NICKEL. 54 00:04:36,150 --> 00:04:38,110 WANT TO GO FISHING THIS SATURDAY? 55 00:04:38,270 --> 00:04:39,150 UH-HUH. 56 00:04:39,320 --> 00:04:41,240 COME ON. WE BETTER GET INSIDE. 57 00:04:54,330 --> 00:04:56,630 AND MISS BEADLE SAID WHEN PEOPLE FOUND OUT 58 00:04:56,790 --> 00:04:58,590 THAT THERE WAS GOLD AT SUTTER'S MILL, 59 00:04:58,750 --> 00:05:01,510 IT STARTED THE BIGGEST GOLD RUSH THE WORLD HAS EVER SEEN. 60 00:05:01,670 --> 00:05:03,470 THOUSANDS AND THOUSANDS OF MEN 61 00:05:03,630 --> 00:05:06,430 BRAVED THE WILDERNESS AND THE HIGH SEAS. 62 00:05:06,590 --> 00:05:09,060 AND THEY TOOK INDELIBLE RISKS-- 63 00:05:09,220 --> 00:05:10,560 INCREDIBLE RISKS. 64 00:05:10,720 --> 00:05:12,020 THAT'S WHAT I SAID. 65 00:05:12,180 --> 00:05:13,640 THEY TOOK INCREDIBLE RISKS 66 00:05:13,810 --> 00:05:15,440 AND ENDURED TERRIBLE HARDSHIPS 67 00:05:15,600 --> 00:05:18,400 TO GET TO THE PLACE WHERE THE GOLD WAS, 68 00:05:18,560 --> 00:05:21,570 AND THEY JUMPED ALL OVER EACH OTHER'S CLAIMS. 69 00:05:21,730 --> 00:05:23,280 THE WORD IS CLAIMJUMPED. 70 00:05:23,440 --> 00:05:24,700 [SIGHS] 71 00:05:24,860 --> 00:05:27,990 AND THEY STOLE AND KILLED EACH OTHER AND EVERYTHING. 72 00:05:28,160 --> 00:05:30,410 IT WAS WICKEDNESS LET LOOSE. 73 00:05:30,580 --> 00:05:34,080 MISS BEADLE SAID THAT IT WAS ACTUALLY A MIXED BLESSING. 74 00:05:34,250 --> 00:05:35,500 WHAT DID SHE MEAN? 75 00:05:35,670 --> 00:05:37,380 SOME GOT RICH, AND SOME GOT KILLED. 76 00:05:37,540 --> 00:05:40,340 I DON'T THINK THAT'S EXACTLY WHAT SHE MEANT, HALF-PINT. 77 00:05:40,500 --> 00:05:42,840 A LOT OF BAD THINGS HAPPENED, BUT A LOT OF GOOD CAME OUT OF IT. 78 00:05:43,010 --> 00:05:45,590 WE WOULDN'T BE HERE RIGHT NOW IF IT HADN'T BEEN FOR THAT. 79 00:05:45,760 --> 00:05:46,970 WHERE WOULD WE BE? 80 00:05:47,140 --> 00:05:48,970 WELL, I DON'T KNOW BUT NOT LOOKING FOR GOLD 81 00:05:49,140 --> 00:05:50,970 AT THE END OF THE RAINBOW, THAT'S FOR SURE. 82 00:05:51,140 --> 00:05:52,970 NOT THAT THERE'S ANYTHING WRONG WITH GOLD. 83 00:05:53,140 --> 00:05:54,640 IT'S JUST THAT IF IT'S AROUND, 84 00:05:54,810 --> 00:05:57,020 PEOPLE AREN'T TOO PARTICULAR HOW THEY GET IT. 85 00:05:57,190 --> 00:05:59,480 SOME PEOPLE CAN BE SO SILLY. 86 00:05:59,650 --> 00:06:02,570 THAT THEY CAN, HALF-PINT. THAT THEY CAN. 87 00:06:32,350 --> 00:06:35,020 WE HAVEN'T EVEN HAD A BITE YET. 88 00:06:35,180 --> 00:06:36,180 THIS IS THE PLACE. 89 00:06:36,350 --> 00:06:37,190 HOW DO YOU KNOW? 90 00:06:37,350 --> 00:06:38,480 'CAUSE I SAW HIM. 91 00:06:38,640 --> 00:06:40,610 FISH DON'T STAY IN THE SAME PLACE. 92 00:06:40,770 --> 00:06:43,270 THIS ONE DOES. HE'S A BIG OLD GRANDDADDY. 93 00:06:43,440 --> 00:06:45,610 I BET YOU NEVER SAW ONE NEAR AS BIG. 94 00:06:45,780 --> 00:06:47,070 BET I DID. 95 00:06:47,240 --> 00:06:50,360 SHH'. DON'T TALK SO MUCH. YOU'LL SCARE HIM AWAY. 96 00:06:52,280 --> 00:06:54,370 [GIGGLING] 97 00:06:55,700 --> 00:06:57,040 WHAT'S SO FUNNY? 98 00:06:57,210 --> 00:06:58,580 YOUR NAME'S JONAH. 99 00:06:58,750 --> 00:07:00,000 WHAT ABOUT IT? 100 00:07:00,170 --> 00:07:02,040 YOU'RE TRYING TO CATCH A WHALE. 101 00:07:02,210 --> 00:07:03,880 HA HA. I GOT HIM'. I GOT HIM'. 102 00:07:04,050 --> 00:07:06,550 HOLD THE LINE TIGHT'. HE'S HEADED FOR THOSE ROCKS'. 103 00:07:06,710 --> 00:07:08,090 WORK HIM HERE'. 104 00:07:08,260 --> 00:07:09,050 I AM'. 105 00:07:09,220 --> 00:07:10,840 IT SNAGGED. WAIT. 106 00:07:35,620 --> 00:07:37,330 DID YOU GET HIM? 107 00:07:37,500 --> 00:07:39,330 YOU SHOULD HAVE DONE WHAT I SAID. 108 00:07:39,500 --> 00:07:41,370 NOW LOOK AT ME. I'M ALL WET. 109 00:07:41,540 --> 00:07:42,670 IT'S NOT MY FAULT. 110 00:07:42,830 --> 00:07:44,670 WE MIGHT AS WELL FIND ANOTHER HOLE. 111 00:07:44,840 --> 00:07:46,590 YOU SCARED EVERYTHING ELSE AWAY. 112 00:07:46,750 --> 00:07:48,840 I'LL GET YOUR STUFF. 113 00:08:20,080 --> 00:08:22,330 JONAH, COME HERE'. 114 00:08:25,210 --> 00:08:26,590 I GOT YOUR STUFF. 115 00:08:26,750 --> 00:08:28,000 JONAH, LOOK. 116 00:08:28,170 --> 00:08:30,010 WHAT DO YOU THINK IT IS? 117 00:08:30,170 --> 00:08:31,510 WHERE DID YOU GET IT? 118 00:08:31,670 --> 00:08:33,010 IN THE WATER OVER THERE. 119 00:08:33,180 --> 00:08:35,090 IS IT WHAT I THINK IT IS? 120 00:08:35,260 --> 00:08:36,510 YEAH'. 121 00:08:40,980 --> 00:08:43,810 GOLD'. GOLD'. GOLD'. 122 00:08:43,980 --> 00:08:45,810 GOLD'. GOLD'. GOLD'. 123 00:08:45,980 --> 00:08:48,610 GOLD'. GOLD'. GOLD'. 124 00:08:52,990 --> 00:08:55,660 JONAH, STOP'. 125 00:08:55,820 --> 00:08:57,620 REMEMBER WHAT MISS BEADLE SAID 126 00:08:57,780 --> 00:08:59,660 ABOUT WHAT HAPPENED AT SUTTER'S MILL? 127 00:08:59,830 --> 00:09:01,700 YOU WANT THAT TO HAPPEN HERE? 128 00:09:01,870 --> 00:09:03,580 WELL, WHAT WILL WE DO? 129 00:09:03,750 --> 00:09:06,670 I DON'T KNOW, BUT WE DASN'T TELL ANYBODY. 130 00:09:06,830 --> 00:09:08,000 NOT EVEN OUR PARENTS? 131 00:09:08,170 --> 00:09:10,050 THEY'D WANT TO COME AND SEE FOR THEMSELVES. 132 00:09:10,210 --> 00:09:13,010 IF PEOPLE STARTED TO SEE THEM DIGGING OUT AROUND HERE, 133 00:09:13,170 --> 00:09:15,090 THEY'D WANT TO KNOW WHAT'S GOING ON, 134 00:09:15,260 --> 00:09:16,550 AND THEN THEY'D FIND OUT. 135 00:09:16,720 --> 00:09:20,180 DO YOU THINK WHAT MISS BEADLE SAID IS REALLY TRUE? 136 00:09:20,350 --> 00:09:22,600 WELL, YOU HEARD HER. IT'S HISTORY. 137 00:09:22,770 --> 00:09:24,980 IT'S IN OUR HISTORY BOOKS. 138 00:09:26,350 --> 00:09:28,020 JUST LOOK AT IT. 139 00:09:28,190 --> 00:09:29,190 GOLD DUST. 140 00:09:29,360 --> 00:09:31,530 WE'RE GOING TO HAVE TO PAN FOR IT, 141 00:09:31,690 --> 00:09:32,990 LIKE MISS BEADLE SAID. 142 00:09:33,150 --> 00:09:34,740 HOW DO YOU DO THAT? 143 00:09:34,900 --> 00:09:39,120 I DON'T KNOW. MAYBE IT SAYS HOW IN OUR HISTORY BOOKS. 144 00:09:39,280 --> 00:09:42,080 WE GOT TO SWEAR NOT TO TELL ANYBODY. 145 00:09:42,250 --> 00:09:45,040 WE GOT TO PROMISE TO KEEP IT A SECRET. 146 00:09:45,210 --> 00:09:49,090 WHEN WE GET IT ALL OUT, THEN WE CAN SHOW OUR PARENTS. 147 00:09:49,250 --> 00:09:51,710 THEY WON'T MIND IT BEING A SECRET THEN. 148 00:09:51,880 --> 00:09:53,210 SAY WHAT I SAY. 149 00:09:53,380 --> 00:09:54,380 I SWEAR... 150 00:09:54,550 --> 00:09:55,340 I SWEAR... 151 00:09:55,510 --> 00:09:56,840 NOT TO TELL A LIVING SOUL... 152 00:09:57,010 --> 00:09:58,550 NOT TO TELL A LIVING SOUL... 153 00:09:58,720 --> 00:09:59,890 ABOUT OUR DISCOVERY... 154 00:10:00,050 --> 00:10:01,100 ABOUT OUR DISCOVERY... 155 00:10:01,260 --> 00:10:02,560 ON PAIN OF DEATH. 156 00:10:02,720 --> 00:10:05,060 DO I GOT TO SAY THAT? 157 00:10:05,230 --> 00:10:06,560 SAY IT. 158 00:10:06,730 --> 00:10:09,440 ON PAIN OF DEATH. 159 00:10:09,610 --> 00:10:12,440 GOOD. COME ON. 160 00:10:12,610 --> 00:10:15,530 WE'LL START PANNING AFTER SCHOOL ON MONDAY. 161 00:10:16,950 --> 00:10:18,530 [THUNDER] 162 00:10:21,740 --> 00:10:25,540 DOESN'T MATTER ANYWAY. WE'RE ALREADY WET'. 163 00:10:31,920 --> 00:10:34,340 JONAH, LOOK'. 164 00:10:39,260 --> 00:10:42,810 THERE REALLY IS GOLD AT THE END OF THE RAINBOW. 165 00:11:13,040 --> 00:11:15,460 THAT ISN'T ALL HOMEWORK. 166 00:11:15,630 --> 00:11:18,220 IT IS TOO. 167 00:11:18,380 --> 00:11:19,720 IT'S ABOUT MINING. 168 00:11:19,880 --> 00:11:21,180 THAT'S NOT HOMEWORK. 169 00:11:21,340 --> 00:11:22,850 IT'S HISTORY, AND IT IS. 170 00:11:23,010 --> 00:11:24,810 I THOUGHT YOU HATED HISTORY. 171 00:11:24,970 --> 00:11:26,270 I DO. 172 00:11:26,430 --> 00:11:28,560 THEN HOW COME YOU'RE STAYING UP SO LATE READING IT? 173 00:11:28,730 --> 00:11:32,560 WELL, IT'S A SIN TO HATE, AND I'M TRYING TO GET OVER IT. 174 00:11:33,860 --> 00:11:36,230 HOW LONG ARE YOU GOING TO READ? 175 00:11:36,400 --> 00:11:38,190 TILL I'M FINISHED. 176 00:11:38,360 --> 00:11:40,570 YOU'RE KEEPING ME AWAKE. 177 00:11:41,990 --> 00:11:42,990 [SIGHS] 178 00:11:43,160 --> 00:11:44,580 ALL RIGHT. 179 00:14:01,420 --> 00:14:03,760 [GIGGLING] 180 00:14:03,920 --> 00:14:05,220 Mary: LAURA. 181 00:14:05,380 --> 00:14:07,260 LAURA, WAKE UP. 182 00:14:07,430 --> 00:14:09,300 HA HA HA'. 183 00:14:09,470 --> 00:14:11,180 LAURA'. 184 00:14:11,350 --> 00:14:13,270 WHAT ARE YOU LAUGHING AT? 185 00:14:13,430 --> 00:14:14,640 NEVER MIND. 186 00:14:14,810 --> 00:14:16,600 AND DON'T WAKE ME UP AGAIN. 187 00:14:16,770 --> 00:14:19,520 I'M GOING TO TRY AND GET BACK INTO MY DREAM. 188 00:14:29,660 --> 00:14:31,780 [GIGGLING] 189 00:14:50,970 --> 00:14:54,350 Mary: WHEN YOU WERE DREAMING LAST NIGHT, YOU LAUGHED. 190 00:14:54,520 --> 00:14:55,680 WHAT WAS SO FUNNY? 191 00:14:55,850 --> 00:14:57,270 I DREAMED WE WERE RICH. 192 00:14:57,430 --> 00:14:58,850 THAT DOESN'T SOUND FUNNY. 193 00:14:59,020 --> 00:15:00,440 WELL, IT WAS. 194 00:15:00,600 --> 00:15:06,530 WHAT WOULD YOU WISH FOR IF YOU COULD HAVE ANYTHING YOU WANTED? 195 00:15:06,690 --> 00:15:08,400 I'D WISH FOR SOMETHING FOR MA AND PA. 196 00:15:08,570 --> 00:15:12,030 SO WOULD I, BUT IF YOU COULD HAVE SOMETHING FOR YOURSELF, 197 00:15:12,200 --> 00:15:13,240 WHAT WOULD YOU WISH FOR? 198 00:15:13,410 --> 00:15:16,200 I DON'T KNOW. THIS IS SILLY. 199 00:15:16,370 --> 00:15:18,000 BESIDES, WE HAVE EVERYTHING WE NEED. 200 00:15:18,160 --> 00:15:19,580 OF COURSE, IF I COULD WISH FOR ANYTHING-- 201 00:15:19,750 --> 00:15:21,040 JONAH'. 202 00:15:21,210 --> 00:15:22,330 IF YOU DON'T WANT TO KNOW, 203 00:15:22,500 --> 00:15:24,550 WHY DID YOU ASK ME IN THE FIRST PLACE? 204 00:15:26,760 --> 00:15:28,130 DID YOU TELL ANYBODY? 205 00:15:28,300 --> 00:15:29,550 I ALMOST HAD TO. 206 00:15:29,720 --> 00:15:32,180 MY MA KEPT AT ME AND AT ME. 207 00:15:32,340 --> 00:15:33,600 YOU FIBBED'. 208 00:15:33,760 --> 00:15:35,470 WE DON'T DARE FIB. 209 00:15:35,640 --> 00:15:39,480 OTHERWISE, IT'S TOO HARD TO REMEMBER WHAT WE SAY. 210 00:15:39,640 --> 00:15:42,650 WE GOT TO DO SOMETHING THAT WE CAN TELL THEM ABOUT. 211 00:15:42,810 --> 00:15:44,060 ABOUT THE GOLD? 212 00:15:44,230 --> 00:15:46,570 SHH'. NO. LIKE WE'RE LOOKING FOR 213 00:15:46,730 --> 00:15:48,650 SOME BURIED TREASURE OR SOMETHING. 214 00:15:48,820 --> 00:15:50,950 HERE COMES BIG EARS. 215 00:15:52,280 --> 00:15:53,570 WHAT'S SO SECRETIVE? 216 00:15:53,740 --> 00:15:54,780 DON'T YOU WISH YOU KNEW? 217 00:15:54,950 --> 00:15:57,080 WHISPERING'S RUDE. 218 00:15:57,240 --> 00:15:59,580 SO IS LISTENING IN ON THE PEOPLE WHO ARE DOING IT. 219 00:15:59,750 --> 00:16:02,370 I JUST WANTED TO SHOW YOU THE APPLE I'M BRINGING MISS BEADLE. 220 00:16:02,540 --> 00:16:05,250 ISN'T IT THE MOST BEAUTIFUL ONE YOU'VE EVER SEEN? 221 00:16:05,420 --> 00:16:07,840 I BET YOU'RE NOT GIVING HER ANYTHING. 222 00:16:08,010 --> 00:16:10,340 OH, NELLIE, LET ME LOOK. 223 00:16:10,510 --> 00:16:12,430 TASTES AS GOOD AS IT LOOKS'. 224 00:16:12,590 --> 00:16:13,800 LAURA INGALLS'. 225 00:16:13,970 --> 00:16:14,800 NELLIE OLESON'. 226 00:16:14,970 --> 00:16:16,100 MISS BEADLE'. 227 00:16:16,260 --> 00:16:19,600 MISS BEADLE'. MISS BEADLE'. 228 00:16:27,780 --> 00:16:32,280 Jonah: 16 GRAMS--1 OUNCE. 16 OUNCES--1 POUND. 229 00:16:32,450 --> 00:16:34,780 100 POUNDS-- 1 HUNDREDWEIGHT. 230 00:16:34,950 --> 00:16:38,790 2,000 POUNDS--1 TON. 231 00:16:38,950 --> 00:16:40,620 THAT'S VERY GOOD, JONAH. 232 00:16:43,040 --> 00:16:44,710 NOW... 233 00:16:44,880 --> 00:16:48,130 WHO WOULD LIKE TO RECITE DRY MEASURE FOR ME? 234 00:16:49,960 --> 00:16:51,220 JONAH, YOU JUST RECITED. 235 00:16:51,380 --> 00:16:52,840 I JUST WANTED TO ASK A QUESTION. 236 00:16:53,010 --> 00:16:54,260 Miss Beadle: YES? 237 00:16:54,430 --> 00:16:57,140 HOW MUCH IS AN OUNCE OF GOLD WORTH? 238 00:16:57,300 --> 00:16:59,770 Miss Beadle: I DON'T THINK I KNOW THE ANSWER TO THAT ONE. 239 00:16:59,930 --> 00:17:01,480 I CAN LOOK IT UP FOR YOU. 240 00:17:01,640 --> 00:17:06,650 BUT I SEEM TO RECALL SOMEONE SAID ONCE IT WAS WORTH $20 AN OUNCE. 241 00:17:08,070 --> 00:17:10,400 Miss Beadle: WHY DO YOU ASK? 242 00:17:11,820 --> 00:17:17,160 MY UNCLE HAS A GOLD TOOTH. I WONDERED HOW MUCH IT WAS WORTH. 243 00:17:17,320 --> 00:17:21,370 ALL RIGHT, WHO WOULD LIKE TO RECITE LONG MEASURE? 244 00:17:21,540 --> 00:17:22,330 NELLIE. 245 00:17:22,500 --> 00:17:25,330 Nellie: 12 INCHES EQUAL 1 FOOT. 246 00:17:25,500 --> 00:17:27,790 3 FEET EQUAL 1 YARD. 247 00:17:29,500 --> 00:17:30,670 Mary: LAURA, WAIT'. 248 00:17:30,840 --> 00:17:32,300 CAN'T'. 249 00:17:38,430 --> 00:17:40,810 CHORES ARE ALL DONE. CAN I GO NOW, MA? 250 00:17:40,970 --> 00:17:42,270 WHAT ABOUT YOUR HOMEWORK? 251 00:17:42,430 --> 00:17:43,850 WE DID IT AT SCHOOL RECESS. HONEST. 252 00:17:44,020 --> 00:17:45,190 WHAT'S YOUR RUSH? 253 00:17:45,350 --> 00:17:47,100 I PROMISED JONAH I'D MEET HIM AT THE CREEK. 254 00:17:47,270 --> 00:17:49,310 WE'RE GOING TO TRY AND CATCH THAT BIG ONE IF IT'S ALL RIGHT. 255 00:17:49,480 --> 00:17:50,900 - PLEASE, MA. - I SUPPOSE SO. 256 00:17:51,070 --> 00:17:52,150 THANKS. 257 00:17:53,030 --> 00:17:54,650 Caroline: CLOSE THE DOOR'. 258 00:18:01,620 --> 00:18:03,700 [SQUAWKING] 259 00:18:18,590 --> 00:18:20,010 Caroline: LAURA'. 260 00:18:21,720 --> 00:18:24,020 DON'T YOU WANT YOUR FISHING POLE? 261 00:18:25,730 --> 00:18:27,270 OH, YEAH. 262 00:18:30,560 --> 00:18:31,570 THANKS, MA'. 263 00:18:31,730 --> 00:18:33,030 YOU'RE WELCOME. 264 00:19:00,510 --> 00:19:02,050 HOW'D YOU GET HERE AHEAD OF ME? 265 00:19:02,220 --> 00:19:04,850 SKIPPED MY CHORES AND PUT OFF MY HOMEWORK TILL AFTER SUPPER. 266 00:19:05,020 --> 00:19:06,810 YOU SHOULDN'T HAVE DONE THAT. 267 00:19:06,980 --> 00:19:10,270 WE SHOULD DO EVERYTHING JUST THE SAME, ONLY FASTER. 268 00:19:10,440 --> 00:19:14,610 THEN IT TAKES TWICE AS LONG TO MAKE UP FOR EVERYTHING. 269 00:19:14,780 --> 00:19:16,320 ANYWAY, IF'D YOU'D DONE YOUR HOMEWORK, 270 00:19:16,490 --> 00:19:18,150 YOU'D KNOW HOW TO PAN FOR GOLD. 271 00:19:18,320 --> 00:19:20,240 HOW? 272 00:19:20,410 --> 00:19:21,530 I'LL SHOW YOU. 273 00:19:21,700 --> 00:19:23,660 GOT TO GET MY PAN. 274 00:19:25,870 --> 00:19:27,200 COME ON. 275 00:19:39,630 --> 00:19:42,470 YOU'RE SUPPOSED TO SWIRL IT AROUND LIKE THIS. 276 00:19:42,640 --> 00:19:46,430 THEN ALL THE SAND GOES OUT, AND ALL THE GOLD STAYS. 277 00:19:51,770 --> 00:19:54,150 MAYBE YOU DID IT TOO SWIRLY. 278 00:19:54,310 --> 00:19:55,900 LET ME TRY IT. 279 00:20:17,800 --> 00:20:19,090 DOESN'T WORK. 280 00:20:19,260 --> 00:20:21,090 WHAT ARE WE GOING TO DO? 281 00:20:21,260 --> 00:20:23,050 IT'S SUPPOSED TO WORK. 282 00:20:23,220 --> 00:20:25,850 MAYBE THERE'S A TRICK TO IT. 283 00:20:26,010 --> 00:20:30,140 MAYBE IT'S BECAUSE IT'S GOLD DUST AND NOT NUGGETS. 284 00:20:31,310 --> 00:20:32,810 WE COULD PICK IT OUT. 285 00:20:32,980 --> 00:20:35,270 NO. GOLD DUST IS TOO TINY. 286 00:20:35,440 --> 00:20:38,900 THAT WOULD TAKE FOREVER AND EVER. 287 00:20:40,190 --> 00:20:43,110 THERE'S GOT TO BE ANOTHER WAY. 288 00:20:43,280 --> 00:20:44,530 LET'S THINK. 289 00:20:44,700 --> 00:20:46,070 WE COULD TELL OUR PARENTS. 290 00:20:46,240 --> 00:20:47,490 MAYBE THEY'LL KNOW. 291 00:20:47,660 --> 00:20:51,040 NO. WE AREN'T SUPPOSED TO TELL ANYBODY. 292 00:20:51,200 --> 00:20:53,040 WE GOT TO THINK OF SOMETHING. 293 00:20:53,210 --> 00:20:55,920 IT'S FOR THE GOOD OF OUR FAMILIES. 294 00:20:58,210 --> 00:21:01,090 HEY'. IF WE HAD SOME KIND OF SCREEN, 295 00:21:01,260 --> 00:21:03,180 WE COULD STRAIN IT OUT. 296 00:21:03,340 --> 00:21:04,550 YEAH'. 297 00:21:04,720 --> 00:21:07,180 BUT WHERE ARE WE GOING TO GET A SCREEN? 298 00:21:07,350 --> 00:21:09,430 YEAH. YEAH'. 299 00:21:10,310 --> 00:21:12,310 WHERE ARE YOU GOING? 300 00:21:12,480 --> 00:21:16,440 I THINK I KNOW WHERE I CAN GET A SCREEN. SEE YOU TOMORROW'. 301 00:21:46,300 --> 00:21:48,180 GET AWAY FROM THE CANDY. 302 00:21:48,350 --> 00:21:50,100 MA SAID WE COULD. 303 00:21:50,260 --> 00:21:51,600 I DON'T CARE WHAT SHE SAID. 304 00:21:51,770 --> 00:21:54,140 I SAID GET AWAY FROM THAT CANDY'. 305 00:21:54,310 --> 00:21:55,980 YOU TELL MA THAT. 306 00:21:59,860 --> 00:22:01,190 HAVE A NICE DAY. 307 00:22:01,360 --> 00:22:03,110 HAVE A NICE DAY. 308 00:22:03,280 --> 00:22:05,110 DON'T SLAM THE SCREEN DOOR'. 309 00:22:05,280 --> 00:22:07,990 Willie: I CAN'T. IT'S NOT HERE. 310 00:22:15,830 --> 00:22:17,080 NELS'. 311 00:22:22,340 --> 00:22:24,300 WHAT'S THE MATTER? 312 00:22:24,460 --> 00:22:25,760 NOTHING, I HOPE. 313 00:22:33,640 --> 00:22:35,640 I'LL GIVE YOU A WHOLE BAG OF LICORICE IF YOU'LL TELL ME. 314 00:22:35,810 --> 00:22:37,140 TELL WHAT? 315 00:22:37,310 --> 00:22:38,600 NONE OF YOUR BEESWAX. 316 00:22:38,770 --> 00:22:40,150 DON'T TELL HER A THING. 317 00:22:40,310 --> 00:22:41,650 I DIDN'T, HONEST. 318 00:22:41,820 --> 00:22:43,150 2 BAGS, 3, 4. 319 00:22:43,320 --> 00:22:44,570 NOT FOR A MILLION. 320 00:22:44,740 --> 00:22:46,070 WE'LL FIND OUT. YOU'LL SEE. 321 00:22:46,240 --> 00:22:47,650 THEN WE WON'T GIVE YOU ANYTHING. 322 00:22:47,820 --> 00:22:49,200 ♪ NYAH, NYAH ♪ 323 00:22:49,360 --> 00:22:51,120 THEY'RE TRYING TO FIND OUT WHAT WE'VE BEEN DOING. 324 00:22:51,280 --> 00:22:52,700 DID YOU TELL HER ANYTHING? 325 00:22:52,870 --> 00:22:54,160 NO. 326 00:22:54,330 --> 00:22:56,660 DO YOU KNOW HOW DANGEROUS IT WOULD BE IF SHE FOUND OUT? 327 00:22:56,830 --> 00:22:58,170 YOU COULD BE MURDERED. 328 00:22:58,330 --> 00:22:59,210 BY NELLIE? 329 00:22:59,370 --> 00:23:00,960 MM-HMM. 330 00:23:05,920 --> 00:23:08,010 WE'LL FIND OUT. WE'LL FOLLOW THEM WHEREVER THEY GO. 331 00:23:08,180 --> 00:23:10,680 WHY? THEY'RE JUST GOING INTO THE SCHOOLHOUSE. 332 00:23:10,840 --> 00:23:12,140 [BELL RINGING] 333 00:23:12,300 --> 00:23:13,930 AFTER SCHOOL, STUPID. 334 00:23:31,320 --> 00:23:33,620 WHERE DID YOU GET IT? 335 00:23:33,780 --> 00:23:35,950 FOUND IT. LOOK'. IT WORKS'. 336 00:23:37,330 --> 00:23:38,460 ANYBODY FOLLOW YOU? 337 00:23:38,620 --> 00:23:41,630 WILLIE TRIED. HE THOUGHT I DIDN'T SEE HIM. 338 00:23:41,790 --> 00:23:43,630 I LED HIM INTO THE SWAMP. 339 00:23:43,790 --> 00:23:45,960 I GUESS HE'S STILL THERE. 340 00:23:47,260 --> 00:23:49,550 NELLIE TRIED TO FOLLOW ME, TOO. 341 00:23:49,720 --> 00:23:53,600 LISTEN. WHATEVER WE FIND, WE'RE HALFSIES, 342 00:23:53,760 --> 00:23:57,180 EVEN IF I FIND A BIG GOLD NUGGET. 343 00:23:57,350 --> 00:23:58,560 HALF'S YOURS. 344 00:23:58,730 --> 00:24:02,100 SHARE AND SHARE ALIKE, AND NO FIGHTING OVER IT. 345 00:24:02,270 --> 00:24:04,150 Willie, faintly: OVER HERE, NELLIE'. 346 00:24:04,310 --> 00:24:05,980 Nellie: ALL RIGHT, WILLIE'. 347 00:24:09,570 --> 00:24:11,240 HURRY UP'. 348 00:24:11,400 --> 00:24:12,910 I AM. 349 00:24:15,740 --> 00:24:17,910 GET MY SHOES AND STUFF. 350 00:24:25,790 --> 00:24:27,090 I GOT THEM. 351 00:24:27,250 --> 00:24:28,920 GOOD. LET'S GO. 352 00:24:38,310 --> 00:24:39,520 THERE THEY ARE'. 353 00:24:39,680 --> 00:24:41,560 THOUGHT YOU COULD LOSE US, DIDN'T YOU? 354 00:24:41,730 --> 00:24:44,190 WHY, IT'S NELLIE AND WILLIE, JONAH. 355 00:24:44,350 --> 00:24:46,060 HELLO'. 356 00:24:46,230 --> 00:24:48,440 HOW DID YOU GET SO MUDDY, WILLIE? 357 00:24:48,610 --> 00:24:51,110 YOU KNOW HOW. 358 00:24:51,280 --> 00:24:53,990 SURE IS A NICE DAY FOR FISHING. 359 00:24:54,160 --> 00:24:57,240 THIS IS THE BIG SECRET? FISHING? 360 00:24:57,410 --> 00:24:58,950 WHAT DID YOU THINK? 361 00:24:59,120 --> 00:25:02,660 WELL, IF YOU ASK ME, FISHING'S A PLAIN WASTE OF TIME. 362 00:25:02,830 --> 00:25:04,460 COME ON, WILLIE. 363 00:25:12,970 --> 00:25:14,550 DON'T MOVE. 364 00:25:14,720 --> 00:25:15,970 THEY MAY BE SPYING. 365 00:25:16,140 --> 00:25:19,100 I KNOW. 366 00:25:19,260 --> 00:25:20,640 IT JUST SHOWS YOU. 367 00:25:20,810 --> 00:25:23,940 IT'S GETTING DANGEROUSER AND DANGEROUSER. 368 00:25:24,100 --> 00:25:27,520 WE'RE GONNA HAVE TO COME HERE EVERY TIME A DIFFERENT WAY. 369 00:25:27,690 --> 00:25:29,940 WE'RE GONNA HAVE TO BURY EVERYTHING 370 00:25:30,110 --> 00:25:32,820 AND BURY IT IN A DIFFERENT PLACE EVERY TIME. 371 00:25:32,990 --> 00:25:35,450 AND COVER OUR TRACKS. 372 00:25:35,610 --> 00:25:36,910 YOU KNOW SOMETHING, LAURA? 373 00:25:37,070 --> 00:25:38,330 WHAT? 374 00:25:38,490 --> 00:25:40,410 IT AIN'T EASY BEING RICH. 375 00:25:40,580 --> 00:25:42,660 I KNOW. 376 00:26:10,400 --> 00:26:11,820 OOH'. 377 00:26:16,700 --> 00:26:19,870 OH, WHEN IS SOMEBODY GOING TO DO SOMETHING AROUND HERE 378 00:26:20,030 --> 00:26:21,080 ABOUT THAT SCREEN DOOR? 379 00:26:21,240 --> 00:26:22,410 THAT'S WHAT I'D LIKE TO KNOW. 380 00:26:22,580 --> 00:26:23,950 I'VE ASKED EVERYBODY THAT'S COME IN. 381 00:26:24,120 --> 00:26:25,960 HA'. I SUPPOSE YOU EXPECT THE THIEF 382 00:26:26,120 --> 00:26:28,000 TO COME IN HERE AND OWN UP, HUH? 383 00:26:28,170 --> 00:26:29,540 "YES, SIR, MR. OLESON, SIR. 384 00:26:29,710 --> 00:26:31,960 "I'M SORRY, SIR, BUT I STOLE YOUR SCREEN DOOR, SIR. 385 00:26:32,130 --> 00:26:33,510 I'LL BRING IT RIGHT BACK, SIR." 386 00:26:33,670 --> 00:26:35,380 WHAT DO YOU WANT ME TO DO? 387 00:26:35,550 --> 00:26:37,510 YOU WANT ME TO ORDER ANOTHER ONE FROM THE CATALOG? 388 00:26:37,680 --> 00:26:39,470 NO. THAT WILL TAKE 4 WEEKS. 389 00:26:39,640 --> 00:26:41,350 ALL RIGHT. WHAT DO YOU WANT ME TO DO? 390 00:26:41,510 --> 00:26:46,350 I WANT OUR SCREEN DOOR BACK WHERE IT BELONGS, AND DON'T MOVE. 391 00:26:50,940 --> 00:26:51,770 [THWACK] 392 00:26:51,940 --> 00:26:52,770 GOT IT. 393 00:26:52,940 --> 00:26:54,360 UHH'. OH'. 394 00:27:00,700 --> 00:27:02,910 MARY, YOU COMING DOWN? 395 00:27:03,080 --> 00:27:04,740 CAN'T, PA. I GOT TO FINISH MY HOMEWORK. 396 00:27:04,910 --> 00:27:06,910 ALL RIGHT. 397 00:27:07,080 --> 00:27:09,080 WELL, HALF-PINT, I GUESS IT'S YOUR TURN TO PICK A TUNE. 398 00:27:09,250 --> 00:27:10,710 CAN I ASK YOU A QUESTION, PA? 399 00:27:10,880 --> 00:27:12,040 SURE. ASK AWAY. 400 00:27:12,210 --> 00:27:14,130 IF YOU COULD HAVE ANYTHING IN THE WHOLE WORLD, 401 00:27:14,300 --> 00:27:15,920 WHAT WOULD YOU WISH FOR? 402 00:27:16,090 --> 00:27:19,430 WELL, I DON'T KNOW. I'VE GOT EVERYTHING I WANT RIGHT HERE. 403 00:27:19,590 --> 00:27:21,140 BUT IF YOU COULD HAVE ANYTHING ELSE, 404 00:27:21,300 --> 00:27:23,350 WHAT WOULD YOU WISH FOR? 405 00:27:23,510 --> 00:27:25,140 ANYTHING ELSE. 406 00:27:25,310 --> 00:27:27,310 WELL, I THINK I'D LIKE A BIGGER HOUSE, 407 00:27:27,480 --> 00:27:28,980 SEPARATE ROOM FOR EACH ONE OF MY GIRLS, 408 00:27:29,140 --> 00:27:31,650 MAYBE AN EXTRA ROOM FOR MA TO PUT HER SEWING AND THINGS. 409 00:27:31,810 --> 00:27:33,440 WHAT WOULD YOU WISH FOR, MA? 410 00:27:33,610 --> 00:27:35,280 WELL, WHY DO YOU ASK? 411 00:27:35,440 --> 00:27:37,820 I JUST WANT TO KNOW. 412 00:27:37,990 --> 00:27:39,650 WELL, I'D WISH THAT JUST ONCE 413 00:27:39,820 --> 00:27:41,610 I COULD GO INTO OLESON'S MERCANTILE 414 00:27:41,780 --> 00:27:44,490 AND BUY EVERYTHING I WANTED. 415 00:27:44,660 --> 00:27:47,870 I WISH PA COULD PLAY THE FIDDLE'. 416 00:27:48,040 --> 00:27:50,870 WELL, THAT'S A WISH I THINK WE CAN GRANT. 417 00:27:51,040 --> 00:27:55,000 [PLAYING SLOW TUNE] 418 00:28:23,820 --> 00:28:25,950 [ELEGANT MUSIC PLAYING] 419 00:28:56,230 --> 00:28:58,980 [TWANGY COUNTRY MUSIC PLAYING] 420 00:30:52,350 --> 00:30:54,600 Charles: HALF-PINT? 421 00:30:54,770 --> 00:30:57,980 WHEN DID YOU START EATING PENCILS? 422 00:30:59,400 --> 00:31:00,230 HALF-PINT? 423 00:31:00,400 --> 00:31:01,480 HUH? 424 00:31:01,650 --> 00:31:03,610 I SAID WHEN DID YOU START EATING PENCILS? 425 00:31:03,780 --> 00:31:06,530 I--I WAS JUST LISTENING. 426 00:31:06,690 --> 00:31:08,660 WELL, I SHOULD HOPE SO. HOW DID YOU LIKE IT? 427 00:31:08,820 --> 00:31:12,280 IT WAS BEAUTIFUL. 428 00:31:32,350 --> 00:31:34,010 IT'S GONE. 429 00:31:34,180 --> 00:31:36,060 WHAT YOU DOING? 430 00:31:36,220 --> 00:31:38,100 JONAH, IT'S GONE'. SOMEBODY STOLE IT. 431 00:31:38,270 --> 00:31:40,650 IT MUST HAVE BEEN NELLIE OLESON. 432 00:31:40,810 --> 00:31:42,480 NO, IT WASN'T. LOOK. 433 00:31:52,200 --> 00:31:55,700 IT DIDN'T SEEM SAFE WHERE WE LEFT IT LAST NIGHT, 434 00:31:55,870 --> 00:31:57,500 SO I HID IT HERE. 435 00:31:57,660 --> 00:32:00,710 YOU SHOULDN'T DO THAT WITHOUT TELLING A PERSON FIRST. 436 00:32:00,870 --> 00:32:02,210 I'D HAVE TOLD YOU. 437 00:32:02,380 --> 00:32:03,540 BUT YOU DIDN'T. 438 00:32:03,710 --> 00:32:05,710 YOU HAD ME SCARED HALF TO DEATH JUST NOW. 439 00:32:05,880 --> 00:32:07,170 I DID IT FOR US. 440 00:32:07,340 --> 00:32:08,630 FROM NOW ON, 441 00:32:08,800 --> 00:32:10,510 BOTH OF US HAVE TO KNOW EVERYTHING ABOUT EVERYTHING, 442 00:32:10,680 --> 00:32:13,260 AND NO ONE SHOULD KEEP A SECRET FROM ANYBODY. 443 00:32:13,430 --> 00:32:15,220 I WASN'T KEEPING ANY SECRET. 444 00:32:15,390 --> 00:32:16,600 YES, YOU WERE'. 445 00:32:16,760 --> 00:32:18,980 BOY'. SUTTER'S MILL ALL OVER AGAIN. 446 00:32:19,140 --> 00:32:23,810 BANG BANG, YOU'RE DEAD, AND ALL THIS GOLD IS MINE. 447 00:32:26,820 --> 00:32:28,610 I'M SORRY. 448 00:32:31,240 --> 00:32:33,070 WONDER HOW MUCH IT WEIGHS. 449 00:32:33,240 --> 00:32:35,070 I DON'T KNOW, BUT IT'S PRETTY HEAVY. 450 00:32:35,240 --> 00:32:37,580 WE'RE GOING TO NEED MORE SACKS. 451 00:32:37,740 --> 00:32:40,580 IF GOLD IS WORTH $20 AN OUNCE, 452 00:32:40,750 --> 00:32:43,580 AND THERE'S 16 OUNCES IN A POUND, 453 00:32:43,750 --> 00:32:46,590 AND 100 POUNDS IN A HUNDREDWEIGHT... 454 00:32:46,750 --> 00:32:48,760 WELL, WE HAVEN'T GOT 100 POUNDS. 455 00:32:48,920 --> 00:32:52,630 BUT WE WILL. WE'LL HAVE MORE-- LOTS MORE. 456 00:32:52,800 --> 00:32:54,220 16... 457 00:32:54,390 --> 00:32:57,220 TIMES 20... 458 00:32:57,390 --> 00:32:59,270 TIMES 100. 459 00:32:59,430 --> 00:33:01,890 200? 1,000? 460 00:33:02,060 --> 00:33:04,400 WE BETTER GET BACK TO WORK. 461 00:33:08,190 --> 00:33:09,980 YOU KNOW, WHEN WE'RE ALL FINISHED, 462 00:33:10,150 --> 00:33:12,110 I'M GOING TO GIVE YOU MY FISHING POLE. 463 00:33:12,280 --> 00:33:13,610 AND THE FLOAT, TOO? 464 00:33:13,780 --> 00:33:14,910 FLOAT, TOO. 465 00:33:23,290 --> 00:33:25,420 [WHIMPERING] 466 00:33:31,170 --> 00:33:32,380 [RUFF] 467 00:33:52,940 --> 00:33:55,150 [YAWNS] 468 00:33:55,320 --> 00:33:57,450 OHH. THIS BED IS GONNA FEEL GOOD. 469 00:33:57,620 --> 00:34:00,790 I AM SO TIRED TONIGHT. 470 00:34:00,950 --> 00:34:03,450 DID YOU NOTICE LAURA THIS EVENING? 471 00:34:03,620 --> 00:34:06,370 MM-HMM. I HAD TO TAP HER ON THE HEAD TWICE DURING SUPPER 472 00:34:06,540 --> 00:34:08,540 JUST TO WAKE HER UP. 473 00:34:08,710 --> 00:34:11,500 I DON'T KNOW WHAT'S GOTTEN INTO THAT CHILD LATELY. 474 00:34:11,670 --> 00:34:14,130 WELL, MAYBE JUST A LITTLE TOUCH OF SPRING FEVER. 475 00:34:14,300 --> 00:34:15,800 IN AUGUST? 476 00:34:15,970 --> 00:34:18,640 WHATEVER IT IS, SHE'LL GET OVER IT. 477 00:34:18,800 --> 00:34:20,100 I'M SURE. 478 00:34:20,260 --> 00:34:21,930 HEY. AT LEAST IT'S NOT AFFECTING HER SCHOOLWORK. 479 00:34:22,100 --> 00:34:23,680 YOU SHOULD HAVE SEEN THE PROBLEM SHE WAS WORKING ON TONIGHT. 480 00:34:23,850 --> 00:34:26,230 IT WAS MULTIPLICATION IN THE THOUSANDS. 481 00:34:26,390 --> 00:34:27,850 I'VE NEVER SEEN THAT CHILD SO EXCITED 482 00:34:28,020 --> 00:34:29,560 ABOUT GETTING AN ANSWER. 483 00:34:29,730 --> 00:34:32,320 THAT'S WHAT I MEAN. I DON'T KNOW WHAT'S GOTTEN INTO HER. 484 00:34:32,480 --> 00:34:35,700 WELL, SHE JUST TAKES AFTER HER MOM-- VERY SMART. 485 00:34:35,860 --> 00:34:37,240 GOOD NIGHT. 486 00:34:37,410 --> 00:34:38,740 GOOD NIGHT. 487 00:34:42,830 --> 00:34:45,460 YOU'RE SURE IN A HURRY TO GET YOUR CHORES DONE, HALF-PINT. 488 00:34:45,620 --> 00:34:47,370 PROMISED JONAH I'D GO FISHING. 489 00:34:47,540 --> 00:34:49,420 YOU AND JONAH HAVE BEEN DOING A LOT OF FISHING LATELY, 490 00:34:49,580 --> 00:34:51,500 BUT YOU HAVEN'T BEEN CATCHING ANYTHING. 491 00:34:51,670 --> 00:34:52,880 JUST UNLUCKY, I GUESS. 492 00:34:53,050 --> 00:34:57,010 PA, IS IT RIGHT, IF A PERSON IS DOING SOMETHING 493 00:34:57,180 --> 00:34:59,390 FOR THE GOOD OF HER FAMILY, 494 00:34:59,550 --> 00:35:03,010 IF SHE DOESN'T COME RIGHT OUT AND SAY WHAT IT IS? 495 00:35:03,180 --> 00:35:04,600 YOU MEAN LIKE A SURPRISE? 496 00:35:04,770 --> 00:35:06,060 YEAH. 497 00:35:06,230 --> 00:35:09,560 YOU AND I WOULDN'T KNOW WHO THIS PERSON IS, WOULD WE? 498 00:35:09,730 --> 00:35:11,360 NO FAIR ASKING. 499 00:35:11,520 --> 00:35:13,780 ALL RIGHT. I WON'T ASK. 500 00:35:13,940 --> 00:35:17,700 I IMAGINE IT'S ALL RIGHT, LONG AS THIS PERSON ISN'T DOING ANYTHING WRONG. 501 00:35:17,860 --> 00:35:20,910 OH, THIS PERSON ISN'T DOING ANYTHING WRONG. 502 00:35:21,070 --> 00:35:24,870 IT'S KIND OF LIKE HUNTING FOR BURIED TREASURE. 503 00:35:25,040 --> 00:35:27,910 I DON'T THINK THERE'S ANYTHING WRONG WITH THAT. 504 00:35:28,080 --> 00:35:31,250 I MUST SAY, I DO THINK IT'S A WASTE OF TIME. 505 00:35:31,420 --> 00:35:34,170 I SUPPOSE. 506 00:37:31,910 --> 00:37:33,540 Charles: WHAT DO YOU THINK OF IT? 507 00:37:33,710 --> 00:37:35,960 HALF-PINT? 508 00:37:36,130 --> 00:37:38,170 YOU WERE A MILLION MILES AWAY. 509 00:37:38,340 --> 00:37:40,420 I WAS JUST ASKING YOU, WHAT DO YOU THINK OF THE SIGN? 510 00:37:40,590 --> 00:37:43,880 OH, IT'S BEAUTIFUL. 511 00:37:44,050 --> 00:37:45,010 GOT TO GO. 512 00:37:45,180 --> 00:37:48,180 HOPE YOU FIND SOME BURIED TREASURE. 513 00:38:01,730 --> 00:38:02,900 OW'. 514 00:38:03,070 --> 00:38:05,150 UHH'. 515 00:38:18,580 --> 00:38:20,670 DO YOU REALIZE HOW MUCH WE HAVE HERE? 516 00:38:20,840 --> 00:38:24,090 ALL'S I KNOW, IT'S MORE THAN I CAN FIGURE. 517 00:38:24,260 --> 00:38:26,130 I DON'T THINK IT'S SAFE HERE ANYMORE. 518 00:38:26,300 --> 00:38:28,180 NEITHER DO I. WHAT'LL WE DO? 519 00:38:28,340 --> 00:38:31,100 GUESS WE'RE JUST GOING TO HAVE TO TAKE IT TO THE BANK. 520 00:38:31,260 --> 00:38:33,600 THEN MR. SPRAGUE WILL KNOW. EVERYONE WILL KNOW. 521 00:38:33,770 --> 00:38:35,060 THEY WON'T KNOW WHERE WE GOT IT. 522 00:38:35,230 --> 00:38:36,560 WHEN WE GIVE IT TO MR. SPRAGUE, 523 00:38:36,730 --> 00:38:38,520 WE'LL ASK HIM TO PAY US WITH MONEY. 524 00:38:38,690 --> 00:38:40,940 IF HE DOESN'T HAVE ENOUGH MONEY IN THE BANK, 525 00:38:41,110 --> 00:38:43,360 THEN WE'RE JUST GOING TO HAVE TO TRUST HIM FOR THE REST. 526 00:38:43,530 --> 00:38:46,280 YOU THINK HE WON'T HAVE ENOUGH MONEY IN THE WHOLE BANK? 527 00:38:46,450 --> 00:38:47,780 I DOUBT IT. 528 00:38:47,950 --> 00:38:49,200 WOW'. 529 00:38:49,370 --> 00:38:53,120 WE'RE GOING TO HAVE TO TRY NOT TO LEAVE ANY TRACES. 530 00:38:53,290 --> 00:38:55,620 YOU'RE GOING TO HAVE TO TAKE THAT SCREEN BACK. 531 00:38:55,790 --> 00:38:59,000 I'LL PUT IT BACK WHERE I... FOUND IT, TONIGHT. 532 00:38:59,170 --> 00:39:02,710 GOOD. SO TOMORROW MORNING, MEET ME HERE, AND YOU BRING YOUR CART. 533 00:39:02,880 --> 00:39:04,630 TOMORROW'S SCHOOL DAY. 534 00:39:04,800 --> 00:39:07,720 I KNOW THAT. THAT WAY NOBODY CAN FOLLOW US HERE. 535 00:39:07,880 --> 00:39:09,300 THEY'LL ALL BE IN SCHOOL. 536 00:39:09,470 --> 00:39:11,300 YOU MEAN PLAY HOOKY? 537 00:39:11,470 --> 00:39:14,270 NO. IT'S NOT LIKE PLAYING HOOKY. 538 00:39:14,430 --> 00:39:16,770 IT'S MORE LIKE... 539 00:39:16,930 --> 00:39:19,190 A BUSINESS APPOINTMENT. 540 00:39:21,310 --> 00:39:24,320 YOU KNOW SOMETHING? WE'RE RICH'. 541 00:39:24,480 --> 00:39:26,070 YEAH. COME ON'. 542 00:39:27,450 --> 00:39:28,780 WE'RE RICH'. 543 00:39:28,950 --> 00:39:30,820 WE'RE RICH'. YAY'. 544 00:39:30,990 --> 00:39:32,580 WE'RE RICH'. 545 00:39:33,490 --> 00:39:34,580 YAY'. 546 00:39:49,550 --> 00:39:51,430 OH'. I FORGOT SOMETHING. I GOT TO GO BACK. 547 00:39:51,590 --> 00:39:53,050 BUT YOU'LL BE LATE FOR SCHOOL. 548 00:39:53,220 --> 00:39:55,010 CAN'T HELP IT. YOU GO AHEAD. I'LL TRY AND CATCH UP. 549 00:39:55,180 --> 00:39:56,810 ALL RIGHT. 550 00:40:22,080 --> 00:40:23,790 GET AWAY FROM THE CANDY. 551 00:40:23,960 --> 00:40:25,460 MA SAID WE COULD. 552 00:40:25,630 --> 00:40:27,380 THAT'S IT. WHEN YOU GET HOME FROM SCHOOL TODAY, 553 00:40:27,550 --> 00:40:29,970 THAT CANDY IS GOING TO BE GONE'. 554 00:40:30,130 --> 00:40:31,930 YOU TELL MA THAT. 555 00:40:38,140 --> 00:40:39,480 Harriet: AHH'. 556 00:40:39,640 --> 00:40:40,980 HAVE A NICE DAY. 557 00:40:41,140 --> 00:40:42,770 HAVE A NICE DAY. 558 00:40:45,690 --> 00:40:46,520 [LOUD RIP] 559 00:40:46,690 --> 00:40:47,980 Nellie: AAH'. 560 00:40:48,150 --> 00:40:50,280 SCREEN'S BACK. 561 00:41:17,510 --> 00:41:20,720 WAIT HERE WHILE I GET MR. SPRAGUE. 562 00:41:24,480 --> 00:41:27,440 DON'T TALK TO ANYBODY AND KEEP AN EYE OUT. 563 00:41:27,610 --> 00:41:28,980 FOR WHAT? 564 00:41:29,150 --> 00:41:29,900 ROBBERS. 565 00:41:30,070 --> 00:41:32,900 WELL, YOU BETTER HURRY UP. 566 00:41:41,620 --> 00:41:43,500 IT'S IN THOSE SACKS'. 567 00:41:43,660 --> 00:41:44,960 THOSE? 568 00:41:45,120 --> 00:41:47,790 YOU GOT TO PROMISE NOT TO TELL ANYBODY ABOUT ANYTHING. 569 00:41:47,960 --> 00:41:50,960 OTHERWISE, IT WILL BE SUTTER'S MILL ALL OVER AGAIN. 570 00:41:51,130 --> 00:41:52,380 DO YOU PROMISE? 571 00:41:52,550 --> 00:41:54,380 OF COURSE I PROMISE, YOUNG LADY. 572 00:41:54,550 --> 00:41:55,970 LET'S HAVE A LOOK AT IT FIRST. 573 00:41:56,140 --> 00:41:57,760 SHOW HIM, JONAH. 574 00:42:00,470 --> 00:42:02,890 IF YOU DON'T HAVE ENOUGH MONEY IN THE BANK, 575 00:42:03,060 --> 00:42:06,730 WE'LL TRUST YOU FOR THE REST. 576 00:42:06,900 --> 00:42:10,940 YOU, UH, MUST HAVE WORKED A LONG TIME DIGGING THIS ALL UP. 577 00:42:11,110 --> 00:42:12,320 PRETTY NEAR TWO WEEKS. 578 00:42:12,480 --> 00:42:14,860 AND YOU STAYED OUT OF SCHOOL TODAY TO BRING IT HERE? 579 00:42:15,030 --> 00:42:17,700 OF COURSE WE DID. YOU'RE NOT OPEN ON SATURDAYS. 580 00:42:17,870 --> 00:42:20,780 DON'T YOU THINK WE BETTER TAKE THIS STUFF IN SO YOU CAN WEIGH IT? 581 00:42:20,950 --> 00:42:23,620 I DON'T THINK THAT'S GOING TO BE NECESSARY. 582 00:42:23,790 --> 00:42:27,920 YOU WORKED MIGHTY HARD, AND YOU DESERVE BETTER THAN THIS, 583 00:42:28,080 --> 00:42:29,790 BUT YOU HAVE ONE CONSOLATION: 584 00:42:29,960 --> 00:42:31,880 THERE'S A LOT OF GROWNUPS MADE THE SAME MISTAKE. 585 00:42:32,050 --> 00:42:33,380 WHAT MISTAKE? 586 00:42:33,550 --> 00:42:35,420 I'M AFRAID THIS ISN'T GOLD. 587 00:42:35,590 --> 00:42:37,970 IT'S, UH...IRON PYRITE. 588 00:42:38,140 --> 00:42:39,300 WHAT'S THAT? 589 00:42:39,470 --> 00:42:43,850 WELL, UH...SOME PEOPLE CALL IT FOOL'S GOLD. 590 00:42:44,020 --> 00:42:47,390 I GUESS THE WORST KIND OF DISAPPOINTMENT 591 00:42:47,560 --> 00:42:49,360 IS THE KIND YOU WORK SO HARD AT, 592 00:42:49,520 --> 00:42:51,730 AND YOU'RE ALMOST SCARED TO DREAM OF IT. 593 00:42:51,900 --> 00:42:55,530 IF IT ISN'T GOLD, IRON'S WORTH SOMETHING, ISN'T IT? 594 00:42:55,690 --> 00:42:57,450 NOT THIS KIND. 595 00:42:58,860 --> 00:43:03,370 I'M SORRY. I'M TRULY SORRY. 596 00:43:06,580 --> 00:43:08,670 COME ON, JONAH. WE BETTER GO. 597 00:43:51,170 --> 00:43:53,630 THAT'S THE LAST OF IT. 598 00:43:53,790 --> 00:43:57,340 LOOK AT THAT OLD STUFF SHINE. 599 00:43:57,510 --> 00:44:00,930 WHAT WERE YOU PLANNING ON DOING WITH YOUR SHARE, LAURA? 600 00:44:01,090 --> 00:44:03,930 I DON'T EVEN WANT TO THINK ABOUT IT. 601 00:44:04,100 --> 00:44:06,770 I BET I'LL HAVE AN AWFUL DREAM TONIGHT. 602 00:44:06,930 --> 00:44:11,940 DOES THIS MEAN I DON'T GET YOUR FISHING ROD AND FLOAT? 603 00:44:12,100 --> 00:44:13,980 A PROMISE IS A PROMISE. 604 00:44:14,150 --> 00:44:15,520 IT'S YOURS. 605 00:44:15,690 --> 00:44:16,940 HONEST? 606 00:44:17,110 --> 00:44:20,030 THANKS'. SEE YOU TOMORROW'. 607 00:45:05,320 --> 00:45:07,910 Sprague: INGALLS, YOU GOT A MINUTE? 608 00:46:00,550 --> 00:46:02,050 HI. 609 00:46:02,210 --> 00:46:03,420 HI. 610 00:46:05,180 --> 00:46:07,510 SURE WOULD FOOL A PERSON, WOULDN'T IT? 611 00:46:09,810 --> 00:46:11,430 MR. SPRAGUE TOLD ME. 612 00:46:12,720 --> 00:46:15,060 I BET HE THINKS IT'S A BIG JOKE. 613 00:46:15,230 --> 00:46:17,060 JUST THE OPPOSITE, HALF-PINT. 614 00:46:17,230 --> 00:46:19,690 WELL, I BET EVERYBODY ELSE DOES. 615 00:46:19,860 --> 00:46:23,240 WE'RE THE ONLY ONES THAT KNOW ABOUT IT, 616 00:46:23,400 --> 00:46:25,740 AND I DON'T THINK IT'S VERY FUNNY 617 00:46:25,900 --> 00:46:27,740 WHEN SOMEBODY WORKS AS HARD AS YOU DID 618 00:46:27,910 --> 00:46:29,700 TRYING TO SURPRISE THEIR LOVED ONES. 619 00:46:31,910 --> 00:46:34,580 OH, PA'. I WAS GOING TO GIVE YOU SO MUCH. 620 00:46:34,750 --> 00:46:37,580 I WAS GOING TO BUY MA ALL SHE WANTED AT OLESON'S, 621 00:46:37,750 --> 00:46:40,750 AND I WAS GOING TO BUY YOU A BIG HOUSE AND EVERYTHING, 622 00:46:40,920 --> 00:46:43,050 AND NOW LOOK AT IT. 623 00:46:45,380 --> 00:46:47,220 HALF-PINT, YOU LISTEN TO ME. 624 00:46:47,380 --> 00:46:49,220 YOU GIVE US EVERYTHING WE WANT 625 00:46:49,390 --> 00:46:51,390 EVERY SINGLE DAY OF OUR LIVES. 626 00:46:52,850 --> 00:46:57,060 YOU GIVE US LOVE, RESPECT, AND JOY. 627 00:46:58,730 --> 00:47:03,360 THERE ISN'T ENOUGH GOLD IN THE WHOLE WORLD TO BUY THOSE THINGS. 628 00:47:06,360 --> 00:47:08,110 KIND OF NICE DREAMING ABOUT IT. 629 00:47:08,280 --> 00:47:10,530 WELL, SURE IT IS. THAT'S WHAT DREAMS ARE FOR. 630 00:47:10,700 --> 00:47:13,330 I DON'T KNOW ABOUT YOU, BUT I'M GETTING KIND OF AN APPETITE. 631 00:47:13,490 --> 00:47:14,950 ME, TOO. 632 00:47:15,120 --> 00:47:16,580 COME ON. 633 00:47:25,460 --> 00:47:27,260 YOU KNOW, PA, 634 00:47:27,420 --> 00:47:30,140 IT'S A PRETTY GOOD THING I DIDN'T BUY THAT HOUSE FOR YOU ANYHOW. 635 00:47:30,300 --> 00:47:33,720 MA WOULD HAVE AN AWFUL TIME CLEANING ALL THOSE ROOMS. 636 00:47:33,890 --> 00:47:36,180 HA HA'. YOU'RE RIGHT, HALF-PINT. 637 00:47:36,350 --> 00:47:38,560 YOU'RE ABSOLUTELY RIGHT. 44194

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