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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:22,870 --> 00:01:24,540 LAURA, YOU'RE USUALLY THE FIRST ONE GONE 2 00:01:24,710 --> 00:01:27,540 WHEN CLASS IS DISMISSED. IS THERE SOMETHING YOU WANT? 3 00:01:27,710 --> 00:01:31,050 UH, NO, MA'AM. I WAS JUST STRAIGHTENING UP MY DESK. 4 00:01:31,210 --> 00:01:32,340 OH, GOOD. 5 00:02:27,440 --> 00:02:29,100 HENRY, HAVE YOU SEEN MARY? 6 00:02:29,270 --> 00:02:30,940 RIGHT OUT THERE. 7 00:02:31,110 --> 00:02:32,940 OH. OH, YEAH. 8 00:02:34,320 --> 00:02:37,200 BET YOU CLEAN THOSE ERASERS BETTER THAN ANYBODY. 9 00:02:37,360 --> 00:02:39,950 NOTHING TO IT ONCE YOU GET THE HANG. 10 00:02:40,110 --> 00:02:41,910 KIND OF LIKE DANCING, I GUESS. 11 00:02:42,080 --> 00:02:43,160 I GUESS. 12 00:02:43,330 --> 00:02:44,700 SEE YOU. 13 00:02:44,870 --> 00:02:45,910 HENRY. 14 00:02:46,080 --> 00:02:47,370 Mary: LAURA'. 15 00:02:49,370 --> 00:02:50,330 LAURA, COME ON. 16 00:02:50,500 --> 00:02:52,670 MA IS WAITING FOR US AT THE POST OFFICE. 17 00:03:06,270 --> 00:03:07,930 Mary and Laura: HI, MR. EDWARDS. 18 00:03:08,100 --> 00:03:09,520 Edwards: HI, KIDS'. 19 00:03:11,690 --> 00:03:12,810 Grace: THANK YOU. 20 00:03:15,650 --> 00:03:16,900 GOOD AFTERNOON, MRS. SNIDER. 21 00:03:17,070 --> 00:03:18,530 - MA, GUESS WHAT. - WHAT? 22 00:03:18,700 --> 00:03:20,360 BERT MILLER ASKED ME TO THE SPRING DANCE WITH HIM, 23 00:03:20,530 --> 00:03:23,200 AND HE'S THE ONLY BOY I REALLY WANTED TO GO WITH. 24 00:03:23,370 --> 00:03:24,490 THAT'S NICE, MARY. 25 00:03:24,660 --> 00:03:26,330 IT SOUNDS LIKE YOU HAD A GOOD DAY, MARY. 26 00:03:26,490 --> 00:03:27,830 OH, I DID. COME ON, CARRIE. 27 00:03:28,000 --> 00:03:29,370 LET'S BEAT THEM HOME. 28 00:03:29,540 --> 00:03:30,830 Laura: HELLO, MA. 29 00:03:31,000 --> 00:03:33,540 OH, IT DOESN'T LOOK LIKE YOU HAD SUCH A GOOD DAY. 30 00:03:33,710 --> 00:03:35,250 WHAT'S THE MATTER, LAURA? 31 00:03:35,420 --> 00:03:37,920 WELL, I'VE BEEN THINKING... 32 00:03:38,090 --> 00:03:40,130 WELL, YOU CAN HEAR FAIRY TALES 33 00:03:40,300 --> 00:03:42,140 AND STORIES, AND YOU NEVER 34 00:03:42,300 --> 00:03:43,850 REALLY KNOW HOW TRAGICAL THINGS ARE 35 00:03:44,010 --> 00:03:46,010 UNLESS YOU REALLY FEEL THEM YOURSELF. 36 00:03:46,180 --> 00:03:47,520 NOW I KNOW HOW CINDERELLA FELT 37 00:03:47,680 --> 00:03:49,600 WHEN NOBODY ASKED HER TO THE BALL. 38 00:03:49,770 --> 00:03:53,190 OH. NOW, IT CAN'T BE THAT BAD. 39 00:03:53,350 --> 00:03:55,860 WELL, THE ONLY 2 WALLFLOWERS AT THE SPRING DANCE 40 00:03:56,020 --> 00:03:57,780 ARE GOING TO BE OLD NELLIE OLESON AND ME. 41 00:03:57,940 --> 00:04:00,400 OH, YOU CAN ADD THE WIDOW SNIDER TO THAT LIST. 42 00:04:00,570 --> 00:04:01,860 WHAT? 43 00:04:02,030 --> 00:04:04,620 WELL, MR. EDWARDS HASN'T SAID A WORD ABOUT TAKING ME. 44 00:04:04,780 --> 00:04:07,790 WELL, YOU KNOW WHAT A PROCRASTINATOR MR. EDWARDS IS. 45 00:04:07,950 --> 00:04:11,750 INDEED I DO. LAST YEAR HE NEVER DID GET AROUND TO ASKING ME. 46 00:04:11,920 --> 00:04:14,420 BUT MR. EDWARDS LOVES DANCING. 47 00:04:14,580 --> 00:04:15,880 HE LOVES DANCING, HONEY, 48 00:04:16,040 --> 00:04:18,210 BUT HE DOESN'T LOVE DRESS-UP DANCES. 49 00:04:18,380 --> 00:04:20,470 HE WENT FISHING INSTEAD. 50 00:04:21,510 --> 00:04:22,760 WELL, THERE'S STILL A WEEK LEFT. 51 00:04:22,930 --> 00:04:24,260 THAT'S PLENTY OF TIME. 52 00:04:24,430 --> 00:04:26,140 THAT DOESN'T HELP ME. 53 00:04:26,300 --> 00:04:27,390 THERE'S ONLY WILLIE OLESON 54 00:04:27,560 --> 00:04:29,720 AND HENRY HENDERSON LEFT. 55 00:04:29,890 --> 00:04:31,520 I'M SURPRISED WILLIE HASN'T ASKED ANYBODY. 56 00:04:31,680 --> 00:04:34,230 HE ASKED EVERYBODY, AND THEY ALL SAID NO. 57 00:04:34,400 --> 00:04:35,560 AND HENRY HENDERSON 58 00:04:35,730 --> 00:04:37,860 DOESN'T EVEN TALK TO GIRLS. 59 00:04:43,360 --> 00:04:46,410 GRACE, I MAY BE SPEAKING OUT OF TURN, 60 00:04:46,570 --> 00:04:47,910 BUT THAT MAN TAKES YOU 61 00:04:48,080 --> 00:04:50,240 ENTIRELY TOO MUCH FOR GRANTED. 62 00:04:50,410 --> 00:04:52,750 IT'S HIGH TIME HE WAS SHAKEN OUT OF HIS COMPLACENCY. 63 00:04:52,910 --> 00:04:54,330 I'M AFRAID IT WOULD TAKE A BOLT 64 00:04:54,500 --> 00:04:56,880 FROM THE BLUE TO DO THAT. 65 00:04:57,040 --> 00:05:00,550 WELL, THERE'S ALWAYS ONE SURE CURE FOR COMPLACENCY, 66 00:05:00,710 --> 00:05:02,220 AND THAT'S COMPETITION. 67 00:05:02,380 --> 00:05:04,090 WE ONLY COMPETE AT FISHING. 68 00:05:04,260 --> 00:05:07,260 OH, NO. NOT THAT KIND OF COMPETITION. 69 00:05:07,430 --> 00:05:11,640 COMPETITION FOR YOU-- A SUITOR. 70 00:05:11,810 --> 00:05:14,440 OH, CAROLINE, ISAIAH'S THE ONLY SUITOR I'VE HAD 71 00:05:14,600 --> 00:05:16,100 SINCE MY HUSBAND PASSED ON. 72 00:05:16,270 --> 00:05:18,650 WHERE IN THE WORLD AM I GOING TO FIND ANOTHER ONE? 73 00:05:18,820 --> 00:05:21,990 WELL, IT DOESN'T MATTER IF YOU FIND ANOTHER ONE. 74 00:05:22,150 --> 00:05:24,780 IT ONLY MATTERS IF MR. EDWARDS THINKS YOU HAVE. 75 00:05:24,950 --> 00:05:26,780 REMEMBER HOW HE SPARKED YOUR INTEREST 76 00:05:26,950 --> 00:05:28,780 WITH THAT SCENTED LETTER THAT HE SENT HIMSELF? 77 00:05:28,950 --> 00:05:31,660 WELL, TURNABOUT IS FAIR PLAY. 78 00:05:31,830 --> 00:05:33,710 DO YOU REALLY THINK IT MIGHT WORK? 79 00:05:33,870 --> 00:05:35,000 I KNOW IT WOULD. 80 00:05:35,160 --> 00:05:37,040 WHY, IF I'D WAITED FOR CHARLES 81 00:05:37,210 --> 00:05:38,630 TO MAKE THE FIRST MOVE, 82 00:05:38,790 --> 00:05:41,210 I MIGHT BE A SPINSTER TODAY. 83 00:05:41,380 --> 00:05:43,460 I FINALLY TOOK A DRASTIC STEP-- 84 00:05:43,630 --> 00:05:45,090 STARTED MAKING SHEEP'S EYES 85 00:05:45,260 --> 00:05:46,630 AT ANOTHER BOY. 86 00:05:46,800 --> 00:05:50,640 WELL, IF HE DOESN'T MAKE A MOVE SOON, 87 00:05:50,810 --> 00:05:52,810 IT SURE CAN'T DO ANY HARM TO TRY. 88 00:05:52,970 --> 00:05:55,140 Caroline: YOU KNOW, DESPERATE SITUATIONS 89 00:05:55,310 --> 00:05:57,440 CALL FOR DESPERATE MEASURES. 90 00:05:57,600 --> 00:05:58,810 I'LL SEE YOU TOMORROW, CAROLINE. 91 00:05:58,980 --> 00:06:00,020 BYE. 92 00:06:00,190 --> 00:06:01,650 BYE. 93 00:06:05,110 --> 00:06:06,360 LAURA. 94 00:06:06,530 --> 00:06:08,280 DREAMING? 95 00:06:08,450 --> 00:06:09,820 [LAUGHS] 96 00:06:41,560 --> 00:06:45,610 MARY, CAN I ASK YOU A QUESTION? 97 00:06:45,780 --> 00:06:47,240 SURE. 98 00:06:47,400 --> 00:06:50,240 HOW DID YOU GET BERT TO ASK YOU TO THE DANCE? 99 00:06:50,410 --> 00:06:52,990 I JUST STOOD STILL WHILE HE WAS ASKING ME. 100 00:06:53,160 --> 00:06:57,370 WELL, DIDN'T YOU MAKE SHEEP'S EYES AT HIM FIRST? 101 00:06:57,540 --> 00:06:59,000 HA HA'. OF COURSE NOT. 102 00:06:59,170 --> 00:07:02,340 WELL, YOU MUST HAVE DONE SOMETHING. 103 00:07:02,500 --> 00:07:04,840 I JUST TALKED TO HIM IS ALL. 104 00:07:05,000 --> 00:07:06,340 WHAT ABOUT? 105 00:07:06,510 --> 00:07:09,380 HISTORY, MOSTLY. BERT'S REAL GOOD IN HISTORY. 106 00:07:09,550 --> 00:07:11,720 HE LIKES TO TALK ABOUT THAT. 107 00:07:11,890 --> 00:07:15,680 HENRY HATES HISTORY, JUST LIKE ME. 108 00:07:15,850 --> 00:07:18,600 MAYBE WE COULD TALK ABOUT HOW MUCH WE HATE IT. 109 00:07:18,770 --> 00:07:21,560 IT WOULD BE BETTER IF YOU TALK ABOUT SOMETHING HE LIKES, 110 00:07:21,730 --> 00:07:23,480 SOMETHING HE'S GOOD AT. 111 00:07:23,650 --> 00:07:25,020 YEAH? 112 00:07:25,190 --> 00:07:27,740 SURE. ALL BOYS LIKE TO TALK ABOUT THINGS THEY'RE GOOD AT. 113 00:07:30,530 --> 00:07:32,910 ALL RIGHT. I'LL TRY THAT. 114 00:07:33,070 --> 00:07:35,410 - THANKS. - YOU'RE WELCOME. 115 00:07:35,580 --> 00:07:37,290 - GOOD NIGHT. - GOOD NIGHT. 116 00:07:43,210 --> 00:07:45,880 SURE HOPE THERE'S SOMETHING THAT HENRY'S GOOD AT. 117 00:07:48,880 --> 00:07:51,180 NEVER SAW YOU MISS AN EASY SHOT LIKE THAT BEFORE. 118 00:07:51,340 --> 00:07:52,550 IT'S YOUR TURN, HENRY. 119 00:07:52,720 --> 00:07:54,510 I'LL TRADE YOU THESE FOR THAT BIG AGGIE OF YOURS. 120 00:07:54,680 --> 00:07:56,430 SHH'. DON'T YOU KNOW YOU'RE NOT SUPPOSED TO TALK 121 00:07:56,600 --> 00:07:58,930 WHEN SOMEONE ELSE IS TRYING TO PLAY? 122 00:07:59,100 --> 00:08:00,940 OH, MY'. WISH I COULD SHOOT LIKE THAT. 123 00:08:01,100 --> 00:08:02,400 YOU THINK YOU COULD SHOW ME HOW? 124 00:08:02,560 --> 00:08:03,810 I'M NOT PLAYING ANYMORE. 125 00:08:03,980 --> 00:08:05,570 YOU SHOOT ALL RIGHT NOW. 126 00:08:05,730 --> 00:08:07,280 THING I LIKE TO DO BEST IS FISHING. 127 00:08:07,440 --> 00:08:08,780 YOU LIKE TO GO FISHING? 128 00:08:08,940 --> 00:08:10,530 YEP. 129 00:08:10,700 --> 00:08:13,360 PA SAYS MOST GIRLS DON'T HAVE THE PATIENCE. 130 00:08:13,530 --> 00:08:15,450 THEY GET ALL FIDGETY, ESPECIALLY WHEN IT'S TIME 131 00:08:15,620 --> 00:08:17,950 TO BAIT THE HOOK WITH A SQUIGGLY WORM. 132 00:08:18,120 --> 00:08:20,540 I CAUGHT MY BIGGEST FISH USING A BRIGHT-COLORED 133 00:08:20,710 --> 00:08:23,040 PIECE OF YARN ON THE HOOK AS WELL AS A GRUB. 134 00:08:23,210 --> 00:08:24,500 YOU EVER TRY THAT? 135 00:08:24,670 --> 00:08:25,590 NOPE. 136 00:08:25,750 --> 00:08:27,960 BEST TIME TO CATCH A FISH IS THE DAY 137 00:08:28,130 --> 00:08:30,550 AFTER A FULL MOON-- THIS SATURDAY, 138 00:08:30,720 --> 00:08:32,180 AND IF THE DAY AFTER IS CLOUDY, 139 00:08:32,340 --> 00:08:34,300 THEY'LL BITE GOOD ON ANYTHING. 140 00:08:34,470 --> 00:08:35,680 I BET YOU'RE THE BEST MARBLE PLAYER 141 00:08:35,850 --> 00:08:37,470 - IN THE WHOLE SCHOOL. - MAYBE. 142 00:08:37,640 --> 00:08:38,970 YOU'RE A FAST RUNNER, TOO. 143 00:08:39,140 --> 00:08:40,980 I BET YOU'RE THE FASTEST RUNNER. 144 00:08:41,140 --> 00:08:42,350 I'M NOT SO SURE. 145 00:08:42,520 --> 00:08:45,650 - I'M A PRETTY GOOD RUNNER FOR A GIRL. - YEAH. 146 00:08:45,810 --> 00:08:47,650 THAT'S WHY I DON'T GET TIRED OUT WHEN I'M DANCING. 147 00:08:47,820 --> 00:08:49,070 I BET YOU DON'T EITHER. 148 00:08:49,230 --> 00:08:50,780 I DON'T DANCE. 149 00:08:50,940 --> 00:08:53,650 I'M TEACHING MY BABY SISTER HOW TO DANCE. 150 00:08:53,820 --> 00:08:56,200 BET I COULD TEACH ANY PERSON 151 00:08:56,370 --> 00:08:57,580 IF THE PERSON WANTED TO LEARN. 152 00:08:57,740 --> 00:09:00,790 I SUPPOSE. I GOT CHORES TO DO. SEE YOU. 153 00:09:03,830 --> 00:09:05,210 Laura: I DID WHAT YOU SAID 154 00:09:05,370 --> 00:09:08,500 AND I TALKED TO HENRY ABOUT WHAT HE WAS GOOD AT. 155 00:09:08,670 --> 00:09:10,420 I EVEN LOST ALL MY MARBLES ON PURPOSE, 156 00:09:10,590 --> 00:09:12,590 JUST SO HE'D BE BETTER THAN ME. 157 00:09:12,760 --> 00:09:14,260 WELL, DIDN'T HE SAY ANYTHING TO YOU? 158 00:09:14,430 --> 00:09:15,760 NO. HENRY DOESN'T TALK MUCH. 159 00:09:15,930 --> 00:09:19,350 I JUST STOOD STILL AND WAITED FOR HIM TO ASK ME. 160 00:09:19,510 --> 00:09:21,020 WHAT HAPPENED THEN? 161 00:09:21,180 --> 00:09:23,020 THAT'S WHEN HE TALKED TO ME. 162 00:09:23,180 --> 00:09:26,850 HE SAID, "I GOT TO GO NOW." 163 00:09:27,020 --> 00:09:28,770 WELL, MAYBE HE'LL ASK YOU TOMORROW. 164 00:09:28,940 --> 00:09:30,230 MAYBE. 165 00:09:36,320 --> 00:09:37,570 GOOD MORNING, OLESON. 166 00:09:37,740 --> 00:09:39,200 YEAH. GOOD MORNING, EDWARDS. WHAT CAN I DO FOR YOU? 167 00:09:39,370 --> 00:09:40,910 I'M ABOUT TO RUN OUT OF CHEWING TOBACCO. 168 00:09:41,080 --> 00:09:43,700 WELL, WE'LL TAKE CARE OF THAT. 169 00:09:43,870 --> 00:09:45,210 OH, GOOD MORNING, LADIES. 170 00:09:45,370 --> 00:09:46,460 OH, GOOD MORNING. 171 00:09:46,620 --> 00:09:48,210 HEY. I MISSED YOU AT THE POKER GAME LAST NIGHT. 172 00:09:48,380 --> 00:09:50,040 Harriet: SOME PEOPLE SPEND THEIR TIME 173 00:09:50,210 --> 00:09:52,050 IN MORE WORTHWHILE PURSUITS. 174 00:09:52,210 --> 00:09:53,970 SO WOULD I IF I COULD THINK OF ONE. 175 00:09:57,390 --> 00:09:59,010 Harriet: HERE, NOW, THIS MATERIAL-- 176 00:09:59,180 --> 00:10:02,680 WHEN THIS FIRST CAME IN, I SAID TO MR. OLESON, 177 00:10:02,850 --> 00:10:05,230 "THIS IS JUST PERFECT FOR GRACE SNIDER." 178 00:10:05,390 --> 00:10:07,270 OH, I DON'T KNOW. GRAY IS SUCH A DRAB COLOR. 179 00:10:07,440 --> 00:10:08,480 WELL, IT'S SO PRACTICAL. 180 00:10:08,650 --> 00:10:10,400 I WAS LOOKING FOR SOMETHING SPRIGHTLIER, 181 00:10:10,560 --> 00:10:12,730 YOU KNOW, FOR SPECIAL OCCASIONS... 182 00:10:12,900 --> 00:10:15,650 LIKE, UH, THE SPRING DANCE. 183 00:10:17,240 --> 00:10:19,780 WHAT DO YOU THINK, MR. EDWARDS? 184 00:10:19,950 --> 00:10:22,490 WELL, IF I WAS GOING TO TRIP THE LIGHT FANTASTIC, 185 00:10:22,660 --> 00:10:24,200 I THINK I'D FANCY THE BLUE. 186 00:10:24,370 --> 00:10:25,790 PUTS ME IN MIND OF CATTAIL LAKE 187 00:10:25,960 --> 00:10:27,580 JUST BEFORE SUNUP. 188 00:10:27,750 --> 00:10:29,170 THEN YOU LIKE THE BLUE? 189 00:10:29,330 --> 00:10:31,250 MM-HMM. 190 00:10:31,420 --> 00:10:33,000 I'LL TAKE SOME OF THIS. 191 00:10:33,170 --> 00:10:34,460 HEY, YOU KNOW, YOU OUGHT TO TRY 192 00:10:34,630 --> 00:10:36,050 THE FISHING UP THERE. IT'S REAL GOOD. 193 00:10:36,220 --> 00:10:37,760 AIN'T GOOD FOR A MAN TO BE COOPED UP INSIDE 194 00:10:37,930 --> 00:10:38,930 ALL THE TIME. 195 00:10:39,090 --> 00:10:40,260 OH, FOR HEAVEN'S SAKES. 196 00:10:40,430 --> 00:10:41,850 DON'T YOU HAVE ANYTHING BETTER TO DO 197 00:10:42,010 --> 00:10:43,600 THAN TO WASTE YOUR TIME GOING FISHING 198 00:10:43,760 --> 00:10:44,930 AND ALL THAT NONSENSE? 199 00:10:45,100 --> 00:10:48,270 SURE I DO--PLAYING POKER. HA HA'. 200 00:10:48,440 --> 00:10:49,600 SAY, YOU MISSED A FUNNY STORY 201 00:10:49,770 --> 00:10:50,940 LAST NIGHT AT THE CARD GAME. 202 00:10:51,110 --> 00:10:52,610 HANSON WAS TELLING THIS STORY, SEE, 203 00:10:52,770 --> 00:10:55,400 ABOUT A COUPLE THAT WAS CELEBRATING 25 YEARS OF WEDLOCK. 204 00:10:55,570 --> 00:10:58,610 SEE, THE WIFE, SHE'S CHATTERING ON ABOUT THE COURTSHIP 205 00:10:58,780 --> 00:11:00,740 AND THE WEDDING WAY BACK THEN. 206 00:11:00,910 --> 00:11:02,530 FINALLY, SHE TURNS TO HIM, AND SHE 207 00:11:02,700 --> 00:11:05,160 SAYS, "HORACE, DO YOU LOVE ME STILL?" 208 00:11:05,330 --> 00:11:07,750 HE SAID, "MY DEAR, THAT'S THE WAY I LOVE YOU BEST." 209 00:11:07,910 --> 00:11:09,460 HA HA'. HA HA... 210 00:11:10,960 --> 00:11:12,460 [WHISPERS] DISGUSTING MAN. 211 00:11:12,630 --> 00:11:15,130 UM, I WANT A DRESS LENGTH AND A HALF OF THIS. 212 00:11:15,300 --> 00:11:18,970 I WANT THE SKIRT REAL FULL FOR DANCING. 213 00:11:19,130 --> 00:11:21,970 Edwards: DANCING? OH, HEY, SAY, LISTEN, THERE. 214 00:11:22,140 --> 00:11:23,800 UM, SOMETHING I BEEN MEANING TO ASK YOU. 215 00:11:23,970 --> 00:11:25,680 - OH? - YEAH. WELL... 216 00:11:25,850 --> 00:11:27,560 I KNOW I'M KIND OF LATE TO GETTING AROUND TO IT. 217 00:11:27,730 --> 00:11:29,270 OH, WELL, BETTER LATE THAN NEVER. 218 00:11:29,440 --> 00:11:30,980 WELL, I SHOULD HAVE ASKED YOU BEFORE THE QUILTING BEE. 219 00:11:31,150 --> 00:11:33,020 THINGS MIGHT NOT BE THE SAME NOW. 220 00:11:33,190 --> 00:11:35,270 WHAT'S THE QUILTING BEE GOT TO DO WITH DANCING? 221 00:11:35,440 --> 00:11:36,980 OH, IT'S SPRING, BREEZES, 222 00:11:37,150 --> 00:11:39,150 KITES JUST DANCING IN THE AIR. 223 00:11:39,320 --> 00:11:40,570 YOU SEE, I NEED SOME REMNANTS 224 00:11:40,740 --> 00:11:42,160 FOR A TAIL FOR THE ONE I'M MAKING FOR HALF-PINT. 225 00:11:42,320 --> 00:11:44,780 I THOUGHT YOU MIGHT HAVE SOME LEFT. 226 00:11:44,950 --> 00:11:47,370 I JUST MIGHT BE ABLE TO FIND YOU SOME. 227 00:11:47,540 --> 00:11:49,370 WELL, I SURELY WOULD APPRECIATE IT. 228 00:11:49,540 --> 00:11:51,000 WELL, GOT MY TOBACCO. 229 00:11:51,170 --> 00:11:53,420 BEST BE GETTING ON BACK TO WORK. 230 00:11:53,580 --> 00:11:55,380 YOU PUT THIS ON MY BILL. 231 00:11:55,540 --> 00:11:57,000 Harriet: THAT WILL BE THE BLUE? 232 00:11:57,170 --> 00:11:59,920 Grace: NO. ANYTHING BUT THE BLUE. 233 00:12:00,090 --> 00:12:01,590 OH. 234 00:12:21,200 --> 00:12:23,490 Laura, voice-over: I KEPT THINKING ABOUT WHAT MA HAD SAID, 235 00:12:23,660 --> 00:12:27,740 HOW SHE MADE SHEEP'S EYES AT SOME BOY TO MAKE PA JEALOUS. 236 00:12:29,290 --> 00:12:32,540 BUT WHO WAS THERE TO MAKE HENRY HENDERSON JEALOUS WITH? 237 00:12:44,890 --> 00:12:46,260 LIKE MA SAID, 238 00:12:46,430 --> 00:12:49,600 DESPERATE SITUATIONS CALL FOR DESPERATE MEASURES. 239 00:12:57,820 --> 00:12:59,980 OH, SAY, MISS GRACE. 240 00:13:00,150 --> 00:13:01,400 YES. 241 00:13:01,570 --> 00:13:04,240 YOU WON'T FORGET MY REMNANTS, WILL YOU? 242 00:13:04,410 --> 00:13:06,620 DON'T WORRY. I WON'T FORGET. 243 00:13:12,330 --> 00:13:17,080 BLAST THAT MAN'. IF THERE WAS JUST SOMEBODY ELSE... 244 00:13:17,250 --> 00:13:18,960 ANYBODY ELSE. 245 00:13:21,800 --> 00:13:22,970 OH. 246 00:13:23,130 --> 00:13:24,760 GOOD DAY, GRACE. 247 00:13:24,930 --> 00:13:27,600 DID THAT PACKAGE OF MEDICINE I ORDERED COME IN YET? 248 00:13:30,470 --> 00:13:33,600 Grace: WHY, YES. YES. JUST THIS MORNING. 249 00:13:33,770 --> 00:13:36,060 I'LL BE HAPPY TO GET IT FOR YOU. 250 00:13:37,610 --> 00:13:39,060 OH. 251 00:13:40,820 --> 00:13:42,690 OHH. 252 00:13:42,860 --> 00:13:44,450 GRACE, ARE YOU FEELING POORLY? 253 00:13:44,610 --> 00:13:46,280 I JUST GOT THIS STRANGE, GIDDY FEELING. 254 00:13:46,450 --> 00:13:47,740 JUST CAME OVER ME ALL OF A SUDDEN. 255 00:13:47,910 --> 00:13:48,780 HERE. HERE. SIT DOWN. 256 00:13:48,950 --> 00:13:50,450 OH, MY GOODNESS. 257 00:13:55,160 --> 00:13:56,000 ARE YOU IN PAIN? 258 00:13:56,170 --> 00:13:58,710 NO. NO PAIN. 259 00:13:58,880 --> 00:14:00,340 GRACE, TELL ME, HOW LONG HAS IT BEEN 260 00:14:00,500 --> 00:14:02,880 SINCE YOU'VE SEEN ME PROFESSIONALLY, OR ANY OTHER DOCTOR? 261 00:14:03,050 --> 00:14:04,880 OH, DEAR, I DON'T RIGHTLY REMEMBER. 262 00:14:05,050 --> 00:14:06,300 TWO YEARS, MAYBE. MAYBE MORE. 263 00:14:06,470 --> 00:14:07,680 WELL, THAT'S TOO BLAME LONG. 264 00:14:07,840 --> 00:14:09,140 NOW, YOU'RE COMING OVER TO MY OFFICE, 265 00:14:09,300 --> 00:14:10,800 AND WE'LL GET TO THE BOTTOM OF THIS. 266 00:14:10,970 --> 00:14:12,770 THAT'S THE TROUBLE WITH PEOPLE AROUND HERE. 267 00:14:12,930 --> 00:14:16,270 THEY NEVER SEE A DOCTOR UNTIL THEY'RE SICK, UNTIL IT'S TOO LATE. 268 00:14:40,670 --> 00:14:42,550 THERE, THERE, GRACE. YOU'RE GOING TO BE 269 00:14:42,710 --> 00:14:44,710 ALL RIGHT. NOW, JUST LEAN ON ME. 270 00:15:04,070 --> 00:15:06,030 Nellie: HOW ABOUT THIS ONE-- 271 00:15:06,190 --> 00:15:07,820 IF YOUR UNCLE'S SISTER IS NOT YOUR AUNT, 272 00:15:07,990 --> 00:15:09,530 WHAT RELATION IS SHE TO YOU? 273 00:15:09,700 --> 00:15:12,200 Henry: RECKON IF I HAD AN UNCLE, SHE'D BE MY MA. 274 00:15:12,370 --> 00:15:14,370 OH, HENRY, YOU'RE SO SMART. 275 00:15:14,540 --> 00:15:16,910 HERE. YOU BETTER TAKE YOUR MARBLES BACK. 276 00:15:17,080 --> 00:15:18,500 BUT THEY'RE YOURS. 277 00:15:18,660 --> 00:15:20,580 I'LL EVEN GIVE YOU BACK THE ONES I WON FROM YOU. 278 00:15:20,750 --> 00:15:23,000 I'LL EVEN GIVE YOU MY BIG AGGIE. 279 00:15:23,170 --> 00:15:24,630 MY PA'S GOT MARBLES IN THE STORE. 280 00:15:24,800 --> 00:15:26,340 I CAN GET ALL I WANT. 281 00:15:26,510 --> 00:15:27,720 NOT LIKE MY AGGIE. 282 00:15:27,880 --> 00:15:29,760 MINE'S THE BEST AGGIE IN ALL OF MINNESOTA. 283 00:15:29,930 --> 00:15:33,100 BET YOU WANT ME TO DO SOMETHING MEAN TO MY SISTER. 284 00:15:33,260 --> 00:15:34,970 NO. JUST A FAVOR. 285 00:15:35,140 --> 00:15:36,680 WHAT KIND OF FAVOR? 286 00:15:36,850 --> 00:15:40,060 YOU HAVE TO PRETEND LIKE YOU LIKE ME, LIKE YOU'RE MY BEAU. 287 00:15:40,230 --> 00:15:42,270 THAT'S NO FAVOR. THAT'S A CHORE. 288 00:15:42,440 --> 00:15:45,400 I DON'T LIKE IT ANY MORE THAN YOU DO, WILLIE OLESON. 289 00:15:45,570 --> 00:15:48,320 THEN HOW COME YOU WANT ME TO DO IT? 290 00:15:48,490 --> 00:15:52,780 NEVER MIND WHY. YOU WANT THE AGGIE OR DON'T YOU? 291 00:15:52,950 --> 00:15:54,990 HOW MUCH DO I HAVE TO PRETEND? 292 00:15:55,160 --> 00:15:57,790 A LOT. LIKE YOU'RE STUCK ON ME. 293 00:15:57,950 --> 00:15:59,960 WHAT? 294 00:16:00,120 --> 00:16:02,960 JUST FOR THE REST OF THE WEEK, MAYBE NOT THAT LONG. 295 00:16:05,590 --> 00:16:07,760 THE AGGIE AND THE CLOUDY. 296 00:16:07,920 --> 00:16:09,210 WHAT? 297 00:16:15,350 --> 00:16:16,510 OH... 298 00:16:16,680 --> 00:16:18,720 OH, ALL RIGHT. THE AGGIE AND THE CLOUDY. 299 00:16:18,890 --> 00:16:20,810 GIVE ME THE MARBLES. 300 00:16:20,980 --> 00:16:24,440 WHEN A PERSON DOES A FAVOR FOR ANOTHER PERSON, THE TRADE COMES FIRST, 301 00:16:24,610 --> 00:16:27,020 BUT WHEN A PERSON'S PAYING FOR A CHORE, 302 00:16:27,190 --> 00:16:30,440 IT COMES AFTER THE CHORE'S BEEN DONE. 303 00:16:30,610 --> 00:16:34,110 HOLD MY HAND. SMILE. SMILE. 304 00:16:37,830 --> 00:16:39,290 NOW, DON'T FORGET, MEET ME BY 305 00:16:39,450 --> 00:16:41,540 THE SWEETHEART TREE TOMORROW. 306 00:16:43,170 --> 00:16:44,210 BYE. 307 00:16:44,380 --> 00:16:45,920 HI, HENRY. 308 00:17:30,380 --> 00:17:32,670 Charles: HEY, EDWARDS, LOOK OUT. 309 00:17:32,840 --> 00:17:35,010 HOW YOU DOING THIS MORNING? WORK GOING ALL RIGHT? 310 00:17:35,180 --> 00:17:36,970 OH, YEAH. FINE. 311 00:17:37,140 --> 00:17:39,180 WORKING HARD THIS MORNING. 312 00:17:39,350 --> 00:17:40,640 GOT THE HOBSON ORDER OUT. 313 00:17:40,810 --> 00:17:43,850 IT'S BEEN BUSIER THAN A BEAR IN A BEEHIVE. 314 00:17:53,650 --> 00:17:54,450 CHARLES'. 315 00:17:54,610 --> 00:17:55,990 TALK TO YOU A MINUTE? 316 00:17:56,160 --> 00:17:57,910 I'LL BE RIGHT THERE, DOC. 317 00:18:12,210 --> 00:18:13,670 AH, WHAT YOU NEED, DOC? 318 00:18:27,730 --> 00:18:30,360 EDWARDS, COME ON'. WE GOT WORK TO DO'. 319 00:18:34,860 --> 00:18:36,820 EDWARDS'. COME ON'. 320 00:19:02,100 --> 00:19:04,520 - HEY, YOU FEELING ALL RIGHT? - YEAH. I FEEL FINE. 321 00:19:04,680 --> 00:19:06,850 - THE MISSIS AND THE GIRLS, THEY FEEL ALL RIGHT? - EVERYBODY'S WELL. 322 00:19:07,020 --> 00:19:08,850 YOU WORRIED ME, YOU KNOW, GOING OVER TO DOC BAKER'S LIKE THAT. 323 00:19:09,020 --> 00:19:11,610 NO. I PROMISED THE DOC I'D MAKE HIM A HAT RACK. I FORGOT ALL ABOUT IT. 324 00:19:11,770 --> 00:19:13,070 OH, WELL, THAT EXPLAINS IT, THEN. 325 00:19:13,230 --> 00:19:14,940 YEP. GOT TO BE ON MY WAY. 326 00:19:15,110 --> 00:19:18,570 YOU, UH... SEE GRACE SNIDER OVER THERE, DID YOU? 327 00:19:18,740 --> 00:19:20,280 YEAH. SHE'S SITTING IN THE WAITING ROOM. 328 00:19:20,450 --> 00:19:22,120 LOOKS KIND OF PEAKED, I IMAGINE. 329 00:19:22,280 --> 00:19:24,160 NO. I THOUGHT SHE LOOKED REAL GOOD. 330 00:19:24,330 --> 00:19:25,830 SEE YOU. 331 00:19:31,880 --> 00:19:35,750 [HUMMING] 332 00:19:35,920 --> 00:19:37,460 WELL, GRACE, 333 00:19:37,630 --> 00:19:39,050 IT'S ALWAYS ENCOURAGING TO KNOW 334 00:19:39,220 --> 00:19:41,130 ONE OF MY PATIENTS IS FEELING BETTER. 335 00:19:41,300 --> 00:19:43,760 I'M SURE IT'S YOUR TONIC THAT DID IT FOR ME, DOCTOR. 336 00:19:43,930 --> 00:19:45,060 I HOPE SO. 337 00:19:45,220 --> 00:19:46,640 AND THANKS FOR BRINGING THE MAIL. 338 00:19:46,810 --> 00:19:48,480 I'VE BEEN WAITING FOR ONE OF THOSE LETTERS FOR WEEKS. 339 00:19:48,640 --> 00:19:51,440 WELL, IT'S THE LEAST I COULD DO. 340 00:20:27,220 --> 00:20:29,850 HOWDY, GRACE. MIGHTY FINE DAY, ISN'T IT? 341 00:20:30,020 --> 00:20:31,690 WELL, WHY WOULDN'T IT BE A FINE DAY? 342 00:20:31,850 --> 00:20:33,270 OH, WELL, SPRING WEATHER, YOU KNOW, 343 00:20:33,440 --> 00:20:34,770 IT'S AS CHANGEABLE AS A WOMAN 344 00:20:34,940 --> 00:20:36,820 IN FRONT OF A HAT STORE WINDOW. 345 00:20:36,980 --> 00:20:39,190 YOU KNOW, YOU PREDICTED THIS WEATHER LAST WINTER. 346 00:20:39,360 --> 00:20:40,820 I WAS VERY IMPRESSED. 347 00:20:40,990 --> 00:20:41,740 THAT SO? 348 00:20:41,900 --> 00:20:43,660 YOU SAID THAT WHEN TREES 349 00:20:43,820 --> 00:20:45,200 SPLIT THEIR BARK IN THE WINTER, 350 00:20:45,370 --> 00:20:47,870 IT'S A SURE SIGN OF A WARM, DRY SPRING, 351 00:20:48,040 --> 00:20:50,080 AND IT SURELY SEEMS TO BE. 352 00:20:50,250 --> 00:20:51,540 I GOT TO HAND IT TO YOU, GRACE, 353 00:20:51,710 --> 00:20:53,170 YOU SURE AIN'T A WOMAN TO COMPLAIN. 354 00:20:53,330 --> 00:20:54,830 WELL, WHAT WOULD I HAVE TO COMPLAIN ABOUT? 355 00:20:55,000 --> 00:20:56,710 OH, WELL, THERE AIN'T NO USE IN TRYING TO HIDE IT. 356 00:20:56,880 --> 00:20:59,250 I AIN'T ONE TO PRY, BUT I COULDN'T HELP NOTICING 357 00:20:59,420 --> 00:21:01,840 ALL THEM TRIPS YOU BEEN MAKING TO DOC BAKER'S. 358 00:21:02,010 --> 00:21:03,680 WHAT, DID THE SICKNESS COME ON YOU ALL OF A SUDDEN, DID IT? 359 00:21:03,840 --> 00:21:06,050 SICKNESS? I DON'T KNOW WHAT YOU MEAN. 360 00:21:06,220 --> 00:21:07,720 WHAT SICKNESS? 361 00:21:07,890 --> 00:21:11,560 WHAT DO--YOU MEAN HE AIN'T DOCTORING YOU? 362 00:21:11,730 --> 00:21:13,730 WHY, NO. HE DID GIVE ME A CHECK UP, 363 00:21:13,890 --> 00:21:15,560 AND HE PRESCRIBED A TONIC, 364 00:21:15,730 --> 00:21:17,560 BUT HE SAYS I'M IN FINE SHAPE. 365 00:21:17,730 --> 00:21:20,690 WELL, SURE DID A LOT OF PATTING WHILE HE WAS TELLING YOU. 366 00:21:20,860 --> 00:21:23,820 WELL, DR. BAKER AND I ARE OLD FRIENDS. 367 00:21:23,990 --> 00:21:26,370 BESIDES, WE HAD SOMETHING VERY IMPORTANT TO DISCUSS. 368 00:21:26,530 --> 00:21:30,240 OH. SOMETHING YOU FORGOT TO DISCUSS WHEN YOU WAS OVER THERE YESTERDAY? 369 00:21:30,410 --> 00:21:33,410 WE DISCUSSED IT YESTERDAY, AND WE DISCUSSED IT TODAY. AND I-- 370 00:21:33,580 --> 00:21:35,710 OH, WELL, IT'S ALL RIGHT. IT AIN'T NONE OF MY BUSINESS. 371 00:21:35,870 --> 00:21:37,580 I JUST COME BY TO SEE IF YOU WAS ALL RIGHT. 372 00:21:37,750 --> 00:21:38,960 OH, ISAIAH. 373 00:21:39,130 --> 00:21:40,090 ISAIAH, WAIT A MINUTE. 374 00:21:40,250 --> 00:21:42,090 ISAIAH'. 375 00:21:42,260 --> 00:21:44,010 ISAIAH'. 376 00:21:57,520 --> 00:21:59,980 WAIT A MINUTE, LAURA. I'M LOSING MY SHOE. 377 00:22:00,150 --> 00:22:02,730 ALL RIGHT. BUT YOU HAVEN'T KEPT YOUR PART OF THE BARGAIN. 378 00:22:02,900 --> 00:22:05,530 I MET YOU BY THE SWEETHEART TREE, DIDN'T I? 379 00:22:05,700 --> 00:22:09,280 YES. BUT I'M NOT GETTING MY MARBLES' WORTH. 380 00:22:09,450 --> 00:22:12,240 RECESS IS ALMOST OVER, AND YOU HAVEN'T HELD MY HAND ONCE. 381 00:22:12,410 --> 00:22:13,580 I HAD TO GO TO THE OUTHOUSE. 382 00:22:13,750 --> 00:22:15,120 YOU ALWAYS HAVE TO GO TO THE OUTHOUSE. 383 00:22:15,290 --> 00:22:16,790 I CAN'T HOLD YOUR HAND ALL THE TIME. 384 00:22:16,960 --> 00:22:17,870 WELL, YOU HAVE TO IF YOU WANT THE AGGIE 385 00:22:18,040 --> 00:22:19,580 AND ALL YOUR OTHER MARBLES BACK. 386 00:22:19,750 --> 00:22:21,290 DON'T FORGET THE CLOUDY. 387 00:22:21,460 --> 00:22:23,420 I DIDN'T, BUT YOU'RE NOT KEEPING YOUR PART OF THE BARGAIN. 388 00:22:23,590 --> 00:22:26,260 I CAN'T HOLD HANDS ALL THE TIME. MY HAND GETS WET. [BELL RINGING] 389 00:22:26,430 --> 00:22:28,180 MINE, TOO. COME ON. WE GOT TO GO. 390 00:22:38,980 --> 00:22:42,110 Charles: AHH. WHAT A BEAUTIFUL NIGHT. 391 00:22:42,270 --> 00:22:44,280 I THOUGHT YOU WERE ALL THROUGH WITH YOUR HOMEWORK, HALF-PINT. 392 00:22:44,440 --> 00:22:46,400 WELL, WE'RE HAVING A BIBLE QUIZ IN SUNDAY SCHOOL. 393 00:22:46,570 --> 00:22:50,280 OH. WELL, GOOD. I'LL ASK YOU A FEW QUESTIONS. 394 00:22:50,450 --> 00:22:51,780 SEE IF YOU CAN ANSWER THEM. 395 00:22:51,950 --> 00:22:54,750 WHERE DO THEY MENTION BASEBALL IN THE BIBLE? 396 00:22:54,910 --> 00:22:56,370 - BASEBALL? - MM-HMM. 397 00:22:56,540 --> 00:22:58,420 I DIDN'T KNOW THEY PLAYED BASEBALL IN THE BIBLE. 398 00:22:58,580 --> 00:23:01,040 MM-HMM. VERY FIRST LINE, BOOK OF GENESIS... 399 00:23:02,500 --> 00:23:04,960 IN THE "BIG INNING." HA HA'. 400 00:23:05,130 --> 00:23:06,470 CHARLES. 401 00:23:06,630 --> 00:23:08,800 ALL RIGHT. LET ME TRY ANOTHER ONE. 402 00:23:08,970 --> 00:23:11,800 CAN YOU TELL ME WHAT TIME OF DAY GOD CREATED ADAM? 403 00:23:11,970 --> 00:23:13,760 WHAT TIME? 404 00:23:13,930 --> 00:23:15,430 JUST BEFORE EVE. 405 00:23:18,350 --> 00:23:19,640 JUST BEFORE EVE. 406 00:23:21,190 --> 00:23:23,440 I'M GOING TO GO OUTSIDE AND SMOKE MY PIPE. 407 00:23:28,650 --> 00:23:30,700 Caroline: IT'S TIME FOR BED. 408 00:23:30,860 --> 00:23:31,870 YOU GIRLS GO AHEAD AND GET READY. 409 00:23:32,030 --> 00:23:33,620 I'LL BE UP TO TUCK YOU IN. 410 00:23:45,130 --> 00:23:46,760 PA, CAN I ASK YOU A QUESTION? 411 00:23:46,920 --> 00:23:49,050 MM-HMM. IF IT'S NOT TOO HARD TO ANSWER. 412 00:23:49,220 --> 00:23:51,550 WELL, IS IT RIGHT TO PRETEND THAT SOMETHING 413 00:23:51,720 --> 00:23:54,220 THAT ISN'T TRUE IS TRUE IF IT'S IN A GOOD CAUSE? 414 00:23:54,390 --> 00:23:57,140 WELL, THAT ALL DEPENDS ON WHO'S PRETENDING AND WHY. 415 00:23:57,310 --> 00:23:58,640 GIVE ME A "FOR INSTANCE." 416 00:23:58,810 --> 00:24:00,890 WELL, THERE'S THIS PERSON, 417 00:24:01,060 --> 00:24:02,270 AND THIS PERSON IS PRETENDING 418 00:24:02,440 --> 00:24:04,480 TO LIKE SOMEBODY JUST SO THAT 419 00:24:04,650 --> 00:24:07,280 ANOTHER PERSON WOULD TAKE NOTICE OF HER. 420 00:24:07,440 --> 00:24:09,190 OH, I SEE. WELL, I THINK THIS PERSON OUGHT 421 00:24:09,360 --> 00:24:11,400 TO BE VERY CAREFUL THEY DON'T HURT THAT OTHER PERSON'S FEELINGS. 422 00:24:11,570 --> 00:24:14,700 YOU KNOW, MAKING PEOPLE JEALOUS CAN BE HURTFUL SOMETIMES. 423 00:24:14,870 --> 00:24:17,080 BUT SOMETIMES IT JUST SPARKS THEIR INTEREST, 424 00:24:17,240 --> 00:24:19,750 LIKE WHEN MA MADE SHEEP'S EYES AT ANOTHER BOY 425 00:24:19,910 --> 00:24:21,580 WHEN YOU TWO WERE IN SCHOOL. 426 00:24:21,750 --> 00:24:23,080 WHERE'D YOU HEAR THAT? 427 00:24:23,250 --> 00:24:24,670 WELL, I HEARD MA TALKING TO MRS. SNIDER 428 00:24:24,840 --> 00:24:27,920 ABOUT HOW TO GET MR. EDWARDS TO ASK HER TO THE DANCE. 429 00:24:28,090 --> 00:24:30,300 OH, I SEE. WOMEN'S WILES, HUH? 430 00:24:30,470 --> 00:24:32,010 BUT IT DOES WORK, DOESN'T IT, PA? 431 00:24:32,180 --> 00:24:33,550 MM-HMM. SOMETIMES. 432 00:24:33,720 --> 00:24:35,300 BUT SOMETHING YOU HAVE TO REMEMBER. 433 00:24:35,470 --> 00:24:37,310 NOW, WOMEN THAT SOW THE SEEDS OF JEALOUSY 434 00:24:37,470 --> 00:24:40,140 SOMETIMES REAP A LOT MORE THAN THEY BARGAIN FOR. 435 00:24:40,310 --> 00:24:43,770 I GUESS. BUT ANY CROP'S 436 00:24:43,940 --> 00:24:45,190 BETTER THAN NO CROP AT ALL. 437 00:24:45,360 --> 00:24:46,770 [LAUGHING] I SUPPOSE IT IS. 438 00:24:46,940 --> 00:24:49,400 - GOOD NIGHT, PA. - GOOD NIGHT, LOVE. 439 00:24:49,570 --> 00:24:51,320 HAVE A GOOD SLEEP. 440 00:25:08,960 --> 00:25:11,840 HMM...THIS NEEDS MORE SALT. 441 00:25:13,260 --> 00:25:15,800 YOU SHOULD HAVE SAID SOMETHING BEFORE YOU ATE IT ALL. 442 00:25:15,970 --> 00:25:17,390 NO, I SHOULDN'T. IT WAS MY TURN 443 00:25:17,550 --> 00:25:19,760 TO GET OUT OF BED AND GET THE SALT. 444 00:25:25,940 --> 00:25:27,480 I DIDN'T REALIZE "SILAS MARNER" WAS FUNNY. 445 00:25:27,650 --> 00:25:30,190 IT'S NOT "SILAS MARNER." I WAS THINKING ABOUT EDWARDS. 446 00:25:30,360 --> 00:25:32,400 OH? 447 00:25:32,570 --> 00:25:34,400 MMM. YOU SHOULD HAVE SEEN HIM TODAY. 448 00:25:34,570 --> 00:25:36,240 I'VE SEEN A DOG CHASING HIS TAIL 449 00:25:36,410 --> 00:25:38,120 WHO WAS HAPPIER THAN HIM. 450 00:25:38,280 --> 00:25:39,700 WHAT WAS THE MATTER? 451 00:25:39,870 --> 00:25:42,080 I DON'T KNOW. HE'S GOT SOME SILLY IDEA IN HIS HEAD 452 00:25:42,250 --> 00:25:45,330 THAT SOMETHING'S GOING ON BETWEEN GRACE AND DR. BAKER. 453 00:25:45,500 --> 00:25:48,210 HMM. I GUESS THAT'S NOT SUCH A SILLY IDEA. 454 00:25:48,380 --> 00:25:50,170 GRACE IS AN ATTRACTIVE WOMAN. 455 00:25:50,340 --> 00:25:51,590 I KNOW SHE'S AN ATTRACTIVE WOMAN, 456 00:25:51,760 --> 00:25:54,630 BUT EDWARDS HAS GOT NO REASON TO BE JEALOUS. 457 00:25:55,930 --> 00:25:57,720 QUESTION IS, WHERE DID HE EVER GET AN IDEA LIKE THAT? 458 00:25:57,890 --> 00:26:02,270 THAT'S A VERY GOOD QUESTION, CHARLES. GOOD NIGHT. 459 00:26:16,820 --> 00:26:18,410 THERE. 460 00:26:23,540 --> 00:26:25,210 JIGGLE IT. 461 00:26:25,370 --> 00:26:28,880 YOU WILL NEVER CATCH ONE UNLESS YOU JIGGLE IT. 462 00:26:29,040 --> 00:26:30,290 WHAT'S THE SENSE OF CATCHING THEM 463 00:26:30,460 --> 00:26:32,250 IF MY MOTHER WON'T COOK THEM? 464 00:26:32,420 --> 00:26:34,210 I'M GOING TO HUNT ARROWHEADS. 465 00:26:34,380 --> 00:26:35,970 YOU'RE SUPPOSED TO STICK WITH ME. 466 00:26:36,130 --> 00:26:37,590 I WON'T GO FAR. 467 00:26:37,760 --> 00:26:39,180 WILLIE'. 468 00:26:56,440 --> 00:26:57,780 Henry: HI. 469 00:26:57,950 --> 00:27:00,910 WHY, IT'S HENRY HENDERSON. WHAT YOU DOING UP HERE, HENRY? 470 00:27:01,070 --> 00:27:02,870 THIS IS THE DAY YOU SAID THEY'D BE BITING. 471 00:27:03,030 --> 00:27:05,290 OH, IT IS. LOOK'. 472 00:27:07,790 --> 00:27:11,080 GOLLY, LAURA. YOU SURE CAUGHT A MESS OF THEM. 473 00:27:11,250 --> 00:27:13,800 Willie: I'M STARVING. 474 00:27:14,880 --> 00:27:16,880 WE GOT DIBS ON THIS SPOT, HENRY. 475 00:27:17,050 --> 00:27:18,930 Laura: THERE'S ENOUGH ROOM FOR EVERYONE. 476 00:27:19,090 --> 00:27:20,760 FIRST IS FIRST. 477 00:27:20,930 --> 00:27:23,350 TWO IS COMPANY. THREE IS A CROWD, 478 00:27:23,510 --> 00:27:25,770 AND 4 AND 5 IS 9. 479 00:27:27,390 --> 00:27:29,440 I'M TEACHING WILLIE HOW TO FISH. 480 00:27:29,600 --> 00:27:32,110 YOU CAN LEARN ANYTHING IF YOU SET YOUR MIND TO IT. 481 00:27:32,270 --> 00:27:34,070 MA'S EVEN TEACHING PA TO WALTZ. 482 00:27:34,230 --> 00:27:35,320 I CAN DO IT JUST AS GOOD. 483 00:27:35,480 --> 00:27:36,860 YOU GOT A BITE. 484 00:27:38,280 --> 00:27:40,110 LOOKS LIKE A BIG ONE. 485 00:27:42,990 --> 00:27:45,910 JERK THE POLE THAT WAY, AND YOU'LL LOSE THEM EVERY TIME. 486 00:27:58,630 --> 00:28:00,090 Kiss me on the cheek. 487 00:28:00,260 --> 00:28:01,470 What? 488 00:28:01,630 --> 00:28:03,050 You heard me. 489 00:28:03,220 --> 00:28:04,550 I'll throw up. 490 00:28:04,720 --> 00:28:06,930 You want the aggie, don't you? 491 00:28:09,930 --> 00:28:12,270 WHY, WILLIE OLESON, MIND YOUR MANNERS. 492 00:28:12,440 --> 00:28:13,730 QUIT IT'. 493 00:28:13,900 --> 00:28:15,150 IF YOU DIDN'T WANT HIM TO KISS YOU, 494 00:28:15,320 --> 00:28:16,940 YOU SHOULDN'T HOLD HIS HAND ALL THE TIME. 495 00:28:17,110 --> 00:28:20,490 WELL, HE SHOULDN'T KISS ME WITHOUT ASKING FIST. 496 00:28:20,650 --> 00:28:22,490 BUT YOU SAID-- 497 00:28:22,660 --> 00:28:24,410 STOP IT'. 498 00:28:24,570 --> 00:28:25,530 SHE'S RIGHT. 499 00:28:25,700 --> 00:28:27,700 NOT AN HONORABLE THING WITHOUT ASKING. 500 00:28:27,870 --> 00:28:30,210 SEE? HENRY KNOWS HOW TO BEHAVE LIKE A GENTLEMAN, 501 00:28:30,370 --> 00:28:32,080 DON'T YOU, HENRY? 502 00:28:32,250 --> 00:28:35,040 A GENTLEMAN ASKS A GIRL FOR A KISS OR FOR A DANCE, 503 00:28:35,210 --> 00:28:37,420 DOESN'T HE, HENRY? 504 00:28:37,590 --> 00:28:39,800 I RECKON, BUT ONE THING YOU DON'T DO 505 00:28:39,960 --> 00:28:41,760 IS HORN IN ON A PAIR OF LOVEBIRDS. 506 00:28:41,930 --> 00:28:44,760 SEE YOU. I'LL FIND MY OWN PLACE TO FISH. 507 00:28:50,180 --> 00:28:52,810 WILLIE OLESON. SON OF A GUN. 508 00:29:00,360 --> 00:29:02,740 NOTHING EVER WORKS RIGHT WITH YOU, WILLIE. 509 00:29:02,900 --> 00:29:04,360 BUT I JUST DID WHAT YOU-- 510 00:29:04,530 --> 00:29:06,200 OH, BE QUIET'. 511 00:29:09,990 --> 00:29:12,870 BUT I JUST DID WHAT YOU TOLD ME TO. 512 00:29:13,040 --> 00:29:15,080 DUMB GIRLS. 513 00:29:25,510 --> 00:29:26,680 Charles: HEY'. HOW YOU DOING, DOC? 514 00:29:26,850 --> 00:29:28,390 HELLO, CHARLES. THOUGHT I'D STOP BY 515 00:29:28,560 --> 00:29:30,680 AND SEE HOW YOU'RE DOING WITH THAT HAT RACK. 516 00:29:30,850 --> 00:29:32,980 I GOT IT ALL FINISHED. COME ON INSIDE. I'LL SHOW IT TO YOU. 517 00:29:33,140 --> 00:29:34,230 GOOD'. 518 00:29:38,480 --> 00:29:40,020 Charles: I THINK YOU'RE GOING TO LIKE IT. 519 00:29:45,610 --> 00:29:48,240 DID A FINE JOB, CHARLES. FINE JOB. 520 00:29:48,410 --> 00:29:49,910 YOU DO SOME FANCY CARVING. 521 00:29:50,080 --> 00:29:51,620 WELL, SO DO YOU, DOC. 522 00:29:51,790 --> 00:29:54,580 WELL, MINE REQUIRE STITCHES. 523 00:29:54,750 --> 00:29:57,630 YOU KNOW, NORDSTROM WANTS AN EARLY CROP OF CORN, 524 00:29:57,790 --> 00:29:59,170 BUT HE'S AFRAID NATURE MIGHT RUN 525 00:29:59,340 --> 00:30:01,420 A LITTLE DAB OF WINTER BACK ON US. WHAT DO YOU THINK? 526 00:30:01,590 --> 00:30:03,380 I THINK YOU OUGHT TO WATCH THE HICKORY TREES. 527 00:30:03,550 --> 00:30:04,970 THEY'RE NOT GOING TO BUD TILL WINTER'S OVER, 528 00:30:05,130 --> 00:30:06,380 NO MATTER HOW NICE THE SPRING SEEMS. 529 00:30:06,550 --> 00:30:09,050 WELL, I'LL TELL HIM THAT. HOW MUCH DO I OWE YOU? 530 00:30:09,220 --> 00:30:10,560 AH, JUST GIVE ME A CREDIT, DOC. 531 00:30:10,720 --> 00:30:12,310 I CAN'T LET YOU DO THAT. 532 00:30:12,470 --> 00:30:15,690 DOC, I GOT 3 GIRLS. WHEN ONE OF THEM GETS SICK, THEY ALL GET SICK. 533 00:30:15,850 --> 00:30:17,940 IT'S ALWAYS NICE TO KNOW YOU GOT SOME CREDIT AT THE DOCTOR'S OFFICE. 534 00:30:18,100 --> 00:30:20,110 WELL, IF THAT'S WHAT YOU WANT. 535 00:30:20,270 --> 00:30:21,270 IT IS. 536 00:30:21,440 --> 00:30:23,280 Caroline: DOCTOR. 537 00:30:25,530 --> 00:30:28,570 DR. BAKER, WOULD YOU DO SOMETHING FOR ME? 538 00:30:28,740 --> 00:30:29,910 CERTAINLY. IF I CAN. 539 00:30:30,070 --> 00:30:32,370 WILL YOU GIVE THESE FLOWERS TO GRACE? 540 00:30:32,540 --> 00:30:34,120 SHE FANCIES THEM SO. 541 00:30:34,290 --> 00:30:36,120 BE PLEASED TO. THEY'RE PRETTY. 542 00:30:36,290 --> 00:30:37,790 THANK YOU. 543 00:30:37,960 --> 00:30:38,790 THANKS AGAIN, CHARLES. 544 00:30:38,960 --> 00:30:40,500 SO LONG, DOC. 545 00:30:47,470 --> 00:30:51,300 CAROLINE, I THINK I KNOW WHO'S PUTTING THOSE IDEAS IN EDWARDS' HEAD. 546 00:30:51,470 --> 00:30:52,510 HMM. 547 00:30:56,560 --> 00:30:57,640 [CHUCKLES] 548 00:31:04,440 --> 00:31:06,860 WHOA'. WHOA'. 549 00:31:07,030 --> 00:31:08,320 CHILDREN. 550 00:31:08,490 --> 00:31:10,780 DR. BAKER, CAN I HAVE A RIDE HOME? 551 00:31:10,950 --> 00:31:13,370 WHY, SURE, WILLIE. CLIMB UP. 552 00:31:15,500 --> 00:31:18,410 SAY, THAT'S A NICE STRING OF FISH, LAURA. 553 00:31:18,580 --> 00:31:20,750 THE BIGGEST ONE GOT AWAY. 554 00:31:22,420 --> 00:31:24,210 THE BIGGEST ONE GOT AWAY. 555 00:31:24,380 --> 00:31:27,010 OH. MM-HMM. 556 00:31:27,170 --> 00:31:28,550 BYE. 557 00:31:51,360 --> 00:31:52,870 WHOA'. THERE YOU ARE, WILLIE. 558 00:31:53,030 --> 00:31:55,200 THANK YOU, DR. BAKER. 559 00:31:55,370 --> 00:31:57,120 YOU'RE WELCOME. ANYTIME. 560 00:32:14,140 --> 00:32:17,180 GRACE, CAROLINE INGALLS SENT THESE TO YOU. 561 00:32:17,350 --> 00:32:20,310 OH. WHY, THEY'RE LOVELY. 562 00:32:20,480 --> 00:32:23,060 [LOUDLY] OH, THANK YOU SO MUCH FOR BRINGING THEM OVER. 563 00:32:23,230 --> 00:32:26,070 I REALLY APPRECIATE IT. 564 00:32:26,230 --> 00:32:29,190 MY PLEASURE. GRACE... 565 00:32:29,360 --> 00:32:31,570 HAVE YOU BEEN HAVING HEARING PROBLEMS LATELY? 566 00:32:31,740 --> 00:32:33,660 OH, WHY, NO. 567 00:32:33,820 --> 00:32:35,530 OH, SAY, I WAS WONDERING, 568 00:32:35,700 --> 00:32:38,490 HAVE YOU FINISHED THE DICKENS BOOK THAT I LENT YOU? 569 00:32:38,660 --> 00:32:41,160 OH, YES. YES. I'LL BRING IT BACK 570 00:32:41,330 --> 00:32:43,250 TONIGHT ON MY WAY HOME FROM DINNER AT HANSON'S. 571 00:32:43,420 --> 00:32:47,000 OH, NOW THAT WOULD BE JUST FINE. 572 00:32:54,010 --> 00:32:55,970 OH, EASY, THERE, EDWARDS. EASY. 573 00:32:56,140 --> 00:32:58,770 LOOKS LIKE YOU GOT A TOUCH OF INDIGESTION. 574 00:32:58,930 --> 00:33:00,310 YOU COME OVER TO MY OFFICE, 575 00:33:00,480 --> 00:33:02,730 AND I'LL GIVE YOU SOMETHING TO SETTLE YOUR STOMACH. 576 00:33:07,270 --> 00:33:10,740 DID YOU SEE THAT? MADE ME SWALLOW MY TOBACCO SO IT WOULD GIVE ME INDIGESTION 577 00:33:10,900 --> 00:33:12,450 SO HE COULD CHARGE ME TO CURE IT. 578 00:33:12,610 --> 00:33:15,240 AREN'T THESE PRETTY, ISAIAH? 579 00:33:15,410 --> 00:33:17,120 SEEMS LIKE A MEDICAL MAN OUGHT TO HAVE MORE TO DO 580 00:33:17,280 --> 00:33:19,290 THAN JUST DAWDLE AROUND THE FIELD PICKING POSIES. 581 00:33:19,450 --> 00:33:20,660 OUGHT TO BE TENDING TO BUSINESS. 582 00:33:20,830 --> 00:33:23,370 OH, ISAIAH, WAS THERE SOMETHING SPECIAL 583 00:33:23,540 --> 00:33:25,000 YOU CAME IN HERE TO ASK ME? 584 00:33:25,170 --> 00:33:27,340 MY COUGHING FIT MUST HAVE KNOCKED IT OUT OF MY HEAD. 585 00:33:27,500 --> 00:33:30,460 ISAIAH, WHY DON'T YOU COME OVER AFTER SUPPER TONIGHT 586 00:33:30,630 --> 00:33:31,800 AND HAVE A PIECE OF CHERRY PIE, 587 00:33:31,960 --> 00:33:33,260 AND THEN BY THAT TIME, MAYBE YOU'LL 588 00:33:33,420 --> 00:33:34,840 REMEMBER WHAT YOU WANTED TO ASK ME. 589 00:33:35,010 --> 00:33:36,300 I WAS GOING TO WORK ON LAURA'S KITE. 590 00:33:36,470 --> 00:33:39,390 I'VE GOT THOSE REMNANTS ALL READY FOR YOU. 591 00:33:39,560 --> 00:33:40,810 - YOU DO? - UH-HUH. 592 00:33:42,430 --> 00:33:45,480 WELL...NEVER COULD RESIST YOUR CHERRY PIE. 593 00:33:51,530 --> 00:33:54,320 CRACKER JACK STORY, GRACE. CRACKER JACK. 594 00:33:54,490 --> 00:33:58,830 "TALE OF TWO CITIES--" ADVENTURE, INTRIGUE, 595 00:33:58,990 --> 00:34:01,330 AND A LOVE STORY THAT BRINGS TEARS TO YOUR EYES. 596 00:34:01,490 --> 00:34:05,040 OH, YOU KNOW, I'VE HAD TEARS IN MY EYES ALL AFTERNOON, DOCTOR. 597 00:34:05,210 --> 00:34:08,170 I THINK I MUST HAVE A SPECK OF DUST IN THIS ONE. 598 00:34:08,330 --> 00:34:11,170 WELL, THEN, COME OVER HERE TO THE LIGHT, AND LET ME TAKE A LOOK. 599 00:34:14,920 --> 00:34:18,260 NOW, BEND DOWN A LITTLE. 600 00:34:18,430 --> 00:34:20,350 MM-HMM. NOW UP. 601 00:34:20,510 --> 00:34:22,310 ♪ OLD DAN TUCKER WAS A FINE OLD MAN ♪ 602 00:34:22,470 --> 00:34:24,270 ♪ WASHED HIS FACE IN A FRYIN' PAN ♪ 603 00:34:24,430 --> 00:34:26,060 ♪ COMBED HIS HAIR WITH A WAGON WHEEL ♪ 604 00:34:26,230 --> 00:34:29,560 ♪ DIED WITH A TOOTHACHE IN HIS HEEL ♪ 605 00:34:29,730 --> 00:34:30,860 WELL, YOU... 606 00:34:32,480 --> 00:34:34,900 AHA'. AHA'. AIN'T THIS A FINE HOW-DO-YOU-DO? 607 00:34:35,070 --> 00:34:36,400 ISAIAH, YOU'RE EARLY. 608 00:34:36,570 --> 00:34:38,910 WHAT, YOU GOT THIS WORKED OUT LIKE A RAILROAD TIMETABLE? 609 00:34:39,070 --> 00:34:40,530 HE'S THE 8:00, I ROLL IN AT 9:00? 610 00:34:40,700 --> 00:34:42,370 WHAT IN THE DEVIL ARE YOU TALKING ABOUT? 611 00:34:42,540 --> 00:34:43,580 OH, DON'T PLAY INNOCENT WITH ME. 612 00:34:43,750 --> 00:34:45,250 I CAUGHT THE TWO OF YOU DEAD TO RIGHTS. 613 00:34:45,410 --> 00:34:47,370 HE'S JUST TRYING TO GET A SPECK OF DUST OUT OF MY EYE. 614 00:34:47,540 --> 00:34:49,290 WELL, MAYBE I OUGHT TO PUT SOMETHING IN YOUR EYE, LIKE A FIST. 615 00:34:49,460 --> 00:34:50,380 WHAT? 616 00:34:50,540 --> 00:34:51,790 WELL, THEN ON SECOND THOUGHT, MAYBE 617 00:34:51,960 --> 00:34:53,420 I OUGHTN'T TO HIT A MAN WHO DONE ME A GOOD TURN, 618 00:34:53,590 --> 00:34:55,550 SHOWED ME HOW FICKLE-HEARTED YOU COULD BE. 619 00:34:55,720 --> 00:34:58,470 WELL, IT'S BETTER THAT I FOUND IT OUT NOW THAN BEFORE IT WAS TOO LATE. 620 00:34:58,630 --> 00:35:02,260 - ISAIAH'. - NOW, JUST A MINUTE, EDWARDS'. NOW--EDWARDS'. 621 00:35:13,780 --> 00:35:15,030 IT JUST ISN'T WORKING. 622 00:35:15,190 --> 00:35:16,570 WHAT'S NOT WORKING? 623 00:35:16,740 --> 00:35:18,400 I SPENT MOST OF MY TIME WITH WILLIE. 624 00:35:18,570 --> 00:35:20,320 I SHARED MY LUNCH WITH HIM, 625 00:35:20,490 --> 00:35:23,200 AND I EVEN LET HENRY SEE HIM GIVE ME A KISS ON THE CHEEK, 626 00:35:23,370 --> 00:35:25,410 BUT HE'S NOT JEALOUS AT ALL. 627 00:35:25,580 --> 00:35:27,000 SHOULD HAVE KNOWN THAT. NOBODY WOULD BE 628 00:35:27,160 --> 00:35:30,170 JEALOUS OF WILLIE, EXCEPT MAYBE A GOPHER. 629 00:35:30,330 --> 00:35:31,920 MAYBE THAT'S IT. WELL, ANYWAY, 630 00:35:32,080 --> 00:35:33,840 I'M GOING TO TRY SOMETHING DIFFERENT TODAY-- 631 00:35:34,000 --> 00:35:36,340 PEAR-BUTTER SANDWICHES. 632 00:35:36,510 --> 00:35:38,760 FEELS LIKE YOU GOT ENOUGH FOR THE WHOLE SCHOOL. 633 00:35:38,930 --> 00:35:40,890 THAT'S BECAUSE HENRY LIKES THEM A LOT. 634 00:35:41,050 --> 00:35:43,930 SO AFTER LUNCH, HE'S JUST GOT TO ASK ME OUT TO THE DANCE. 635 00:35:44,100 --> 00:35:46,020 I WOULDN'T COUNT ON IT. IF HE EATS ALL THOSE, 636 00:35:46,180 --> 00:35:48,640 DR. BAKER MAY JUST PUT HIM TO BED FOR A WEEK. 637 00:35:48,810 --> 00:35:49,810 YOU REALLY THINK SO? 638 00:35:49,980 --> 00:35:52,730 HA HA'. NO. I'M JUST KIDDING. 639 00:35:52,900 --> 00:35:55,570 SOUNDS LIKE THE BEST IDEA YOU'VE HAD YET. GOOD LUCK. 640 00:35:55,730 --> 00:35:57,030 THANKS. 641 00:36:02,200 --> 00:36:04,280 I CAN'T FIND MY LUNCH ANYWHERE. 642 00:36:04,450 --> 00:36:06,200 WHY DON'T YOU TRY WILLIE? 643 00:36:13,080 --> 00:36:15,630 WAIT HERE. I THINK I FOUND MY LUNCH. 644 00:36:20,220 --> 00:36:22,840 WILLIE, WHAT ARE YOU DOING WITH MY LUNCH? 645 00:36:23,010 --> 00:36:24,640 PEAR BUTTER'S MY FAVORITE'. 646 00:36:24,800 --> 00:36:26,180 THERE'S NONE LEFT FOR HENRY. 647 00:36:26,350 --> 00:36:29,230 YOU DON'T HAVE TO WORRY ABOUT HENRY ANYMORE. 648 00:36:29,390 --> 00:36:31,350 I'M GOING TO DO JUST LIKE YOU ASKED. 649 00:36:31,520 --> 00:36:33,230 STOP IT, WILLIE. 650 00:36:33,400 --> 00:36:35,480 I KNOW WHAT YOU MEAN WHEN YOU ACT THAT WAY. 651 00:36:37,480 --> 00:36:38,610 SORRY, HENRY, 652 00:36:38,780 --> 00:36:40,360 BUT WILLIE ATE ALL THE PEAR-BUTTER SANDWICHES. 653 00:36:40,530 --> 00:36:44,030 I HAVE SOME BROWN SUGAR AND CINNAMON LEFT IF YOU'D LIKE SOME. 654 00:36:44,200 --> 00:36:45,830 STOP IT'. 655 00:36:45,990 --> 00:36:47,990 YOU SURE YOU WOULDN'T LIKE SOME BROWN SUGAR AND CINNAMON? 656 00:36:48,160 --> 00:36:51,080 THANKS, BUT I GOT MY OWN BACON SANDWICHES INSIDE. 657 00:36:51,250 --> 00:36:53,040 WASN'T VERY HUNGRY ANYWAY. 658 00:36:56,670 --> 00:36:58,550 GUESS IT REALLY WORKED THAT TIME. 659 00:36:58,710 --> 00:37:00,170 HE SURE DOES LOOK MAD. 660 00:37:00,340 --> 00:37:01,590 HE'S NOT. I AM. 661 00:37:01,760 --> 00:37:03,010 NO REASON TO BE. 662 00:37:03,180 --> 00:37:06,260 IF HE DON'T TAKE YOU TO THE DANCE, I WILL, 663 00:37:06,430 --> 00:37:08,760 BUT YOU STILL GOT TO PAY ME MY MARBLES. 664 00:37:35,420 --> 00:37:38,920 LAURA, FOR HEAVEN'S SAKES, YOU BETTER GET TO SLEEP. 665 00:37:39,090 --> 00:37:40,590 HOW DO YOU EXPECT ME TO SLEEP 666 00:37:40,760 --> 00:37:42,720 IF TOMORROW'S MY LAST CHANCE? 667 00:37:42,880 --> 00:37:45,130 YOU COULD GO TO THE DANCE WITH WILLIE. 668 00:37:45,300 --> 00:37:46,720 I'D RATHER BE A WALLFLOWER 669 00:37:46,890 --> 00:37:49,060 THAN GO TO THE DANCE WITH WILLIE. 670 00:37:50,810 --> 00:37:52,220 WHERE ARE YOU GOING? 671 00:37:52,390 --> 00:37:54,810 I HAVE TO TALK TO MA. 672 00:37:59,360 --> 00:38:02,150 HEY, NOW, WHAT ARE YOU DOING UP SO LATE? 673 00:38:02,320 --> 00:38:03,610 YOU'RE NOT FEELING SICK, ARE YOU? 674 00:38:03,780 --> 00:38:06,780 NO, PA, BUT I WISH I WAS. 675 00:38:06,950 --> 00:38:08,740 THEN I'D HAVE AN EXCUSE 676 00:38:08,910 --> 00:38:10,830 NOT TO GO TO THE SPRING DANCE. 677 00:38:10,990 --> 00:38:12,410 WHAT'S THIS ALL ABOUT? 678 00:38:12,580 --> 00:38:14,080 I THOUGHT YOU LIKED DANCING. 679 00:38:14,250 --> 00:38:17,920 I DO. IT'S FUN WHEN YOU HAVE THE RIGHT PARTNER. 680 00:38:18,080 --> 00:38:19,380 THERE'S GOING TO BE A LOT OF BOYS THERE. 681 00:38:19,540 --> 00:38:21,550 YOU'LL HAVE LOTS OF PARTNERS. 682 00:38:21,710 --> 00:38:22,920 NOT A SPECIAL ONE. 683 00:38:23,090 --> 00:38:26,050 WELL, YOU GOT ME. 684 00:38:26,220 --> 00:38:28,140 I LOVE YOU, PA... 685 00:38:30,100 --> 00:38:31,760 BUT IT'S JUST NOT LIKE HAVING A BOY 686 00:38:31,930 --> 00:38:33,980 ASK YOU OUT TO THE DANCE. 687 00:38:34,140 --> 00:38:36,190 WELL, THERE'S STILL TOMORROW. 688 00:38:36,350 --> 00:38:38,770 MAYBE SOMEBODY WILL INVITE YOU TOMORROW. 689 00:38:38,940 --> 00:38:40,650 MAYBE. BUT I DON'T KNOW WHAT TO DO. 690 00:38:40,820 --> 00:38:42,980 I TRIED WHAT YOU SAID. 691 00:38:43,150 --> 00:38:44,240 WHAT I SAID? 692 00:38:44,400 --> 00:38:48,030 ABOUT MAKING HIM JEALOUS LIKE YOU DID TO PA, 693 00:38:48,200 --> 00:38:50,780 LIKE YOU TOLD MRS. SNIDER. 694 00:38:52,620 --> 00:38:54,620 IT WORKED WITH PA, BUT I 695 00:38:54,790 --> 00:38:57,330 MUST BE DOING SOMETHING WRONG 696 00:38:57,500 --> 00:39:00,460 BECAUSE IT JUST ISN'T WORKING WITH HENRY. 697 00:39:00,630 --> 00:39:02,840 WELL, I WOULDN'T STAY UP THE WHOLE NIGHT WORRYING ABOUT IT. 698 00:39:03,000 --> 00:39:05,920 YOU GET SOME SLEEP. EVERYTHING ALWAYS LOOKS BRIGHTER IN THE MORNING. 699 00:39:06,090 --> 00:39:07,840 YES, SIR. GOOD NIGHT, MA. 700 00:39:08,010 --> 00:39:10,970 GOOD NIGHT. SWEET DREAMS. 701 00:39:11,140 --> 00:39:13,010 - GOOD NIGHT, PA. - GOOD NIGHT, DARLING. 702 00:39:18,690 --> 00:39:20,650 WELL, WE SHOULD HAVE KNOWN SOMETHING WAS WRONG WHEN SHE 703 00:39:20,810 --> 00:39:22,820 STARTED TAKING UP WITH WILLIE OLESON. 704 00:39:23,940 --> 00:39:25,570 SHE MUST HAVE OVERHEARD WHAT I SAID TO GRACE 705 00:39:25,740 --> 00:39:27,190 AND APPLIED IT TO HER OWN SITUATION. 706 00:39:27,360 --> 00:39:29,200 FROM WHAT I UNDERSTAND, IT'S NOT 707 00:39:29,360 --> 00:39:31,280 WORKING OUT TOO WELL FOR GRACE EITHER. 708 00:39:31,450 --> 00:39:32,580 NO, IT ISN'T. 709 00:39:32,740 --> 00:39:35,120 I WISH I'D KEPT OUT OF THE WHOLE THING. 710 00:39:35,290 --> 00:39:37,410 WELL, CAROLINE, YOU KNOW IT'S IMPOSSIBLE 711 00:39:37,580 --> 00:39:38,710 FOR A WOMAN NOT TO GIVE ADVICE ON 712 00:39:38,870 --> 00:39:41,250 HOW TO SNARE A MAN, EVEN IF IT'S WRONG. 713 00:39:41,420 --> 00:39:44,710 WELL, AT LEAST IT WAS SOUND ADVICE. IT WORKED ON YOU. 714 00:39:45,840 --> 00:39:48,590 WELL, SURE IT DID, UP TO A POINT. I GOT ANGRY. 715 00:39:48,760 --> 00:39:50,510 JUST AS ANGRY AS EDWARDS, 716 00:39:50,680 --> 00:39:56,020 OR DON'T YOU REMEMBER THAT. HMM? 717 00:39:56,180 --> 00:39:57,430 OH'. 718 00:39:58,930 --> 00:40:00,480 I HAD FORGOTTEN. 719 00:40:01,810 --> 00:40:03,190 I IMAGINE YOU ALSO FORGOT 720 00:40:03,360 --> 00:40:05,440 YOU WERE THE ONE THAT ENDED UP ASKING ME TO THE DANCE. 721 00:40:07,900 --> 00:40:09,320 YOU DO REMEMBER THAT. 722 00:40:11,200 --> 00:40:12,240 YES. 723 00:40:14,950 --> 00:40:16,200 SOUND ADVICE. 724 00:40:18,290 --> 00:40:19,710 CAROLINE, WHEN ALL ELSE FAILS, 725 00:40:19,870 --> 00:40:21,960 TELL THE TRUTH. 726 00:40:22,120 --> 00:40:23,630 THE WHOLE TRUTH. 727 00:40:23,790 --> 00:40:25,840 AND NOTHING BUT THE TRUTH. 728 00:40:31,970 --> 00:40:34,680 Caroline: MEMORY IS A CAPRICIOUS THING, 729 00:40:34,850 --> 00:40:41,810 AND SOMETIMES 2 PEOPLE REMEMBER THE SAME THING 730 00:40:41,980 --> 00:40:43,690 A LITTLE DIFFERENTLY. 731 00:40:45,230 --> 00:40:49,490 I MEAN, AS THE YEARS GO BY, 732 00:40:49,650 --> 00:40:53,030 SOMETIMES WE FORGET THE LITTLE DETAILS... 733 00:40:54,070 --> 00:40:58,240 ESPECIALLY SOME OF THE SMALL SETBACKS. 734 00:40:59,910 --> 00:41:02,160 LAST NIGHT, CHARLES REMINDED ME 735 00:41:02,330 --> 00:41:05,840 OF THE MISSING INGREDIENT IN THE RECIPE I GAVE YOU-- 736 00:41:06,000 --> 00:41:08,000 OF WHAT TO DO IF THINGS DIDN'T WORK OUT. 737 00:41:08,170 --> 00:41:10,970 BUT PA WAS JEALOUS. HE SAID HE WAS. 738 00:41:11,130 --> 00:41:15,010 YES. HE WAS ALSO VERY ANGRY... 739 00:41:15,180 --> 00:41:17,600 AND TOO PROUD TO LET ON. 740 00:41:17,760 --> 00:41:22,980 AND SO I HAD TO TRACK HIM DOWN, 741 00:41:23,140 --> 00:41:28,020 CONFESS MY DECEPTION, AND ASK HIM TO THE DANCE. 742 00:41:28,190 --> 00:41:29,320 BUT THE GIRLS 743 00:41:29,480 --> 00:41:31,900 AREN'T SUPPOSED TO DO THE ASKING. 744 00:41:32,070 --> 00:41:35,070 ISAIAH WOULD NEVER LET ME HEAR THE END OF IT. 745 00:41:36,990 --> 00:41:38,160 WELL, SWALLOWING YOUR PRIDE 746 00:41:38,330 --> 00:41:40,160 DOESN'T GIVE YOU INDIGESTION... 747 00:41:40,330 --> 00:41:42,370 IF IT PUTS THINGS TO RIGHTS. 748 00:41:42,540 --> 00:41:44,790 WELL, THE WORST THEY CAN SAY IS NO, 749 00:41:44,960 --> 00:41:47,880 AND YOU'D BE NO WORSE OFF THAN YOU ARE NOW. 750 00:42:11,190 --> 00:42:11,980 CHARLES. 751 00:42:12,150 --> 00:42:13,360 HI, GRACE. 752 00:42:13,530 --> 00:42:15,110 HAVE YOU SEEN ISAIAH? 753 00:42:15,280 --> 00:42:16,910 HE WAS HERE JUST A FEW MINUTES AGO. 754 00:42:17,070 --> 00:42:19,660 HE'S BEEN ALL OVER TOWN "JUST A FEW MINUTES AGO" 755 00:42:19,830 --> 00:42:21,290 ALL MORNING LONG. 756 00:42:21,450 --> 00:42:24,620 WELL, I CAN'T SPEND ANY MORE TIME TRYING TO TRACK HIM DOWN. 757 00:42:24,790 --> 00:42:26,540 IF YOU DO SEE HIM, WOULD YOU TELL HIM 758 00:42:26,710 --> 00:42:28,170 THERE'S A PACKAGE FOR HIM OVER AT THE POST OFFICE? 759 00:42:28,330 --> 00:42:29,420 I'LL DO IT. 760 00:42:29,590 --> 00:42:30,960 THANKS A LOT. 761 00:42:36,590 --> 00:42:37,680 PSST'. 762 00:42:38,720 --> 00:42:40,140 WHAT ARE YOU DOING UP THERE? 763 00:42:40,300 --> 00:42:42,680 GRACE WAS JUST LOOKING FOR YOU. 764 00:42:42,850 --> 00:42:44,180 WHAT DID SHE WANT? 765 00:42:44,350 --> 00:42:47,520 SHE SAID SHE HAD A PACKAGE FOR YOU OVER AT THE POST OFFICE. 766 00:42:47,690 --> 00:42:51,690 THAT JUST GOES TO SHOW YOU. SEE, I AIN'T EXPECTING ONE. 767 00:42:51,860 --> 00:42:55,190 THAT THERE'S JUST A TRICK TO GET ME OVER THERE SO SHE CAN BAWL ME OUT. 768 00:42:56,860 --> 00:42:58,700 WELL, I CAN'T IMAGINE A MOUNTAIN MAN 769 00:42:58,860 --> 00:42:59,910 WHO'S NOT AFRAID OF FIGHTING A GRIZZLY BEAR 770 00:43:00,070 --> 00:43:01,490 TO BE AFRAID OF A WOMAN. 771 00:43:01,660 --> 00:43:04,540 AFRAID? NOW, WHO'S AFRAID? I AIN'T AFRAID OF NOTHING'. 772 00:43:04,700 --> 00:43:06,540 WHY DON'T YOU GO OVER AND PICK UP YOUR PACKAGE, THEN? 773 00:43:06,710 --> 00:43:08,250 THAT'S WHAT I'M GOING TO DO. 774 00:43:10,790 --> 00:43:12,960 YOU--YOU SURE YOU DON'T NEED SOME HELP WITH THAT? 775 00:43:13,130 --> 00:43:14,130 NO. I CAN HANDLE THIS ALL BY MYSELF FINE. 776 00:43:14,300 --> 00:43:15,550 - YOU'RE SURE? - MM-HMM. 777 00:43:15,710 --> 00:43:17,010 OH. 778 00:43:17,170 --> 00:43:21,890 WELL, UH...GUESS I'LL GO PICK UP MY PACKAGE. 779 00:43:37,650 --> 00:43:39,700 MRS. SNIDER, I COME FOR MY PACKAGE. 780 00:43:44,240 --> 00:43:45,830 THEY SAY THE WAY TO A MAN'S HEART 781 00:43:46,000 --> 00:43:47,910 IS THROUGH HIS STOMACH. 782 00:43:48,080 --> 00:43:49,500 YOU MUST BE COLLECTING HEARTS 783 00:43:49,670 --> 00:43:51,500 THE WAY GERONIMO COLLECTS SCALPS. 784 00:43:51,670 --> 00:43:53,340 IT'S DOWNRIGHT SHAMEFUL. 785 00:43:53,500 --> 00:43:54,920 OH, I ADMIT IT'. 786 00:43:55,090 --> 00:43:56,880 I HAVE BEEN SHAMEFUL, 787 00:43:57,050 --> 00:43:59,130 USING POOR, INNOCENT DR. BAKER TO GET YOU JEALOUS 788 00:43:59,300 --> 00:44:00,510 JUST SO YOU'D BREAK DOWN 789 00:44:00,680 --> 00:44:02,140 AND INVITE ME TO THE SPRING DANCE. 790 00:44:02,300 --> 00:44:03,930 WELL, IF YOU'RE NOT GOING TO ASK ME, 791 00:44:04,100 --> 00:44:06,600 I'M GOING TO HAVE TO ASK YOU. 792 00:44:06,770 --> 00:44:08,980 WELL, YES OR NO? 793 00:44:10,890 --> 00:44:12,650 NEVER COULD RESIST YOUR CHERRY PIE. 794 00:44:12,810 --> 00:44:14,110 HA HA. 795 00:44:27,120 --> 00:44:30,040 AH, COME ON, SLOW POKE. HURRY UP. 796 00:44:30,210 --> 00:44:33,920 YOU GO ON AHEAD. I DON'T FEEL LIKE WALKING FAST. 797 00:45:05,780 --> 00:45:07,450 WOULD YOU QUIT FOLLOWING ME? 798 00:45:07,620 --> 00:45:08,580 A PROMISE IS A PROMISE, 799 00:45:08,740 --> 00:45:10,580 AND I PROMISED TO STICK WITH YOU. 800 00:45:10,750 --> 00:45:12,290 WELL, YOU DON'T HAVE TO ANYMORE. 801 00:45:12,460 --> 00:45:13,420 WHY NOT? 802 00:45:13,580 --> 00:45:16,170 YOU JUST DON'T, THAT'S ALL. 803 00:45:16,340 --> 00:45:18,800 Willie: I WANT 2 MORE. 804 00:45:18,960 --> 00:45:21,090 THE AGGIE AND THE CLOUDY WAS ALL I PROMISED. 805 00:45:21,260 --> 00:45:24,430 IT WILL TAKE 2 MORE TO UNSTICK ME. 806 00:45:26,600 --> 00:45:27,720 THOSE 2. 807 00:45:27,890 --> 00:45:30,310 WELL, HURRY UP AND TAKE THEM AND GET OUT OF HERE. 808 00:45:39,190 --> 00:45:42,360 HENRY, CAN I ASK YOU SOMETHING? 809 00:45:42,530 --> 00:45:43,900 WHY DON'T YOU ASK KNOW-IT-ALL WILLIE? 810 00:45:44,070 --> 00:45:45,240 YOU'RE SO STUCK ON HIM. 811 00:45:45,410 --> 00:45:46,410 I'M NOT STUCK ON HIM. 812 00:45:46,570 --> 00:45:48,580 I SAW YOU GIVING HIM MARBLES. 813 00:45:51,540 --> 00:45:52,410 Laura: HENRY'. 814 00:45:52,580 --> 00:45:54,080 HENRY'. 815 00:45:54,250 --> 00:45:56,580 HENRY, WAIT A MINUTE. 816 00:45:56,750 --> 00:45:58,840 THE MARBLES I GAVE HIM WERE FOR A TRADE. 817 00:45:59,000 --> 00:45:59,920 FOR WHAT? 818 00:46:00,090 --> 00:46:02,550 FOR YOU, ONLY IT DIDN'T WORK. 819 00:46:02,710 --> 00:46:06,760 YOU SEE, I WANTED TO GO TO THE SPRING DANCE WITH YOU, 820 00:46:06,930 --> 00:46:09,300 ONLY YOU WOULDN'T ASK ME, 821 00:46:09,470 --> 00:46:10,640 SO I THOUGHT THAT IF YOU THOUGHT 822 00:46:10,810 --> 00:46:12,100 THAT SOMEBODY ELSE LIKED ME... 823 00:46:12,270 --> 00:46:15,350 YOU MEAN YOU DID IT ON PURPOSE ON ACCOUNT OF ME? 824 00:46:17,730 --> 00:46:19,020 WILL YOU TAKE ME? 825 00:46:21,230 --> 00:46:23,190 I RECKON...IF YOU CAN SHOW ME SOME STEPS, 826 00:46:23,360 --> 00:46:25,610 OTHERWISE, YOU'RE GOING TO HAVE SORE TOES. 827 00:46:25,780 --> 00:46:27,990 DON'T WORRY. I GOT TOUGH TOES. 828 00:46:28,160 --> 00:46:29,240 SEE YOU'. 829 00:46:44,050 --> 00:46:46,260 [PLAYING A WALTZ] 830 00:47:16,830 --> 00:47:20,000 IT'S LIKE I SAID, WHEN ALL ELSE FAILS... 831 00:47:20,170 --> 00:47:21,170 TELL THE TRUTH. 832 00:47:21,340 --> 00:47:22,460 MM-HMM. THAT'S RIGHT. 833 00:47:22,630 --> 00:47:24,630 CHARLES, DON'T YOU WANT TO DANCE? 834 00:47:24,800 --> 00:47:26,880 CAROLINE, I WAS JUST WAITING FOR YOU TO ASK ME. 61163

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