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1
00:01:05,190 --> 00:01:07,360
[CHILDREN CHATTERING]
2
00:01:24,290 --> 00:01:26,120
WILLIE AND I
ARE GOING TO BE
VERY RICH
3
00:01:26,290 --> 00:01:28,040
BECAUSE WE GET
10 CENTS FOR
EVERY "A"
4
00:01:28,210 --> 00:01:29,840
AND A NICKEL
FOR EVERY "B."
5
00:01:30,000 --> 00:01:31,420
AND I GOT ALL Bs.
6
00:01:31,590 --> 00:01:34,420
THAT'S 25 CENTS,
BUT I'M GOING
TO GET EVEN MORE
7
00:01:34,590 --> 00:01:37,090
BECAUSE I GOT
THE BEST GRADES
IN THE WHOLE SCHOOL.
8
00:01:37,260 --> 00:01:41,060
MY PA SAYS THAT GRADES
AREN'T EVERYTHING, NELLIE.
9
00:01:41,220 --> 00:01:43,220
IT'S THE LEARNING
THAT COUNTS.
10
00:01:45,270 --> 00:01:47,350
EVEN EGGS GET GRADED.
11
00:01:58,200 --> 00:02:00,160
MARY, CAN I HELP YOU
WITH SOMETHING?
12
00:02:00,330 --> 00:02:04,250
NO, MA'AM. I JUST HAVE
TO FINISH COPYING MY NOTES
FOR TOMORROW'S TEST.
13
00:02:04,410 --> 00:02:07,710
AH, YES. IT'S TOO BAD
WE ONLY HAVE ONE
HISTORY TEXT.
14
00:02:07,870 --> 00:02:09,670
YOU WOULDN'T HAVE
TO COPY SO MUCH
MATERIAL.
15
00:02:09,830 --> 00:02:11,250
YES, MA'AM.
16
00:02:13,760 --> 00:02:17,130
MARY, I'M SORRY
I COULDN'T GIVE YOU
BETTER GRADES THIS TIME,
17
00:02:17,300 --> 00:02:21,430
BUT YOUR WORK JUST
WASN'T UP TO ITS
USUAL HIGH STANDARD.
18
00:02:21,600 --> 00:02:22,720
YES, MA'AM.
19
00:02:23,810 --> 00:02:25,350
I'LL TRY HARDER.
20
00:02:25,520 --> 00:02:28,440
THERE'S STILL 6 WEEKS
LEFT TO THE SEMESTER
21
00:02:28,600 --> 00:02:30,150
AND THE HISTORY
COMPETITION.
22
00:02:30,310 --> 00:02:31,560
IF YOU DO WELL IN THAT,
I'LL TAKE THAT
23
00:02:31,730 --> 00:02:33,780
INTO CONSIDERATION
IN YOUR FINAL GRADE.
24
00:02:33,940 --> 00:02:36,320
THANK YOU,
MISS BEADLE.
25
00:02:38,780 --> 00:02:41,740
MARY, IF YOU NEED
EXTRA HELP,
26
00:02:41,910 --> 00:02:44,080
PLEASE DON'T
HESITATE TO ASK.
27
00:02:44,240 --> 00:02:45,750
YOU KNOW
I'M AVAILABLE.
28
00:02:45,910 --> 00:02:47,790
PA SAYS, IF YOU DON'T
DO SOMETHING RIGHT
THE FIRST TIME,
29
00:02:47,960 --> 00:02:49,420
YOU HAVE TO TRY AGAIN.
30
00:02:49,580 --> 00:02:52,630
MAYBE I JUST HAVEN'T
TRIED HARD ENOUGH.
31
00:02:52,790 --> 00:02:54,670
GOOD-BYE, MISS BEADLE.
32
00:02:54,840 --> 00:02:56,210
GOOD-BYE, MARY.
33
00:03:09,020 --> 00:03:10,940
WHAT TOOK SO
LONG, MARY?
34
00:03:11,100 --> 00:03:12,980
TRYING TO GET MISS BEADLE
TO RAISE YOUR GRADES?
35
00:03:13,150 --> 00:03:14,150
WHAT'D
SHE GIVE YOU?
36
00:03:14,320 --> 00:03:16,480
I GOT TWO Bs
AND 3 As.
37
00:03:16,650 --> 00:03:19,320
YOU'D GET ANOTHER "A," NELLIE,
IF THEY GAVE A GRADE
FOR BEING NASTY.
38
00:03:19,490 --> 00:03:22,660
COME ON, MARY.
WE DON'T HAVE TO TALK TO HER.
39
00:03:28,870 --> 00:03:32,750
MARY, DON'T WORRY ABOUT
A DUMB, OLD REPORT CARD.
40
00:03:32,920 --> 00:03:37,340
I BET PA'D STILL LOVE US
IF NEITHER ONE OF US
EVER GOT AN "A."
41
00:03:37,510 --> 00:03:41,180
NELLIE IS RIGHT.
I DID AWFUL.
42
00:04:07,540 --> 00:04:08,490
CAROLINE,
THAT MAY HAVE BEEN
43
00:04:08,660 --> 00:04:10,080
THE BEST MINCEMEAT PIE
YOU EVER MADE.
44
00:04:10,250 --> 00:04:11,460
THANK YOU, CHARLES.
45
00:04:11,620 --> 00:04:13,750
SURE MAKES
A HARD DAY'S WORK
A LOT EASIER.
46
00:04:13,920 --> 00:04:16,840
SURE DOESN'T
MAKE THESE FORKS
EASIER TO CLEAN.
47
00:04:17,000 --> 00:04:19,170
WELL, YOU ALL HAVE
A RESPONSIBILITY.
48
00:04:19,340 --> 00:04:20,880
HMM. MATTER OF FACT,
I THINK I HAVE ONE LEFT.
49
00:04:21,050 --> 00:04:22,720
WASN'T THIS
REPORT CARD DAY?
50
00:04:22,880 --> 00:04:24,260
YES, IT WAS.
51
00:04:24,430 --> 00:04:26,390
I DIDN'T GET
A REPORT CARD.
52
00:04:26,550 --> 00:04:28,890
WELL, YOU WILL, CARRIE,
AS SOON AS YOU
START SCHOOL.
53
00:04:31,310 --> 00:04:34,770
Mary:
YOU GO FIRST, LAURA.
I'LL FINISH UP.
54
00:04:36,560 --> 00:04:38,190
ALRIGHTY.
55
00:04:38,360 --> 00:04:41,900
WELL, YOU DON'T
LOOK TOO WORRIED.
MUST BE PRETTY GOOD.
56
00:04:42,070 --> 00:04:43,860
ARITHMETIC...
GEOGRAPHY...
57
00:04:44,030 --> 00:04:47,120
HEY, IMPROVED
YOUR READING GRADE.
58
00:04:47,280 --> 00:04:51,250
CAN'T TAKE MUCH
CREDIT FOR THAT--
ALL REVIEW WORDS.
59
00:04:51,410 --> 00:04:53,330
MARY DOES A LOT
HARDER WORDS
THAN ME.
60
00:04:53,500 --> 00:04:55,630
WELL, OF COURSE SHE DOES.
MARY'S OLDER.
61
00:04:55,790 --> 00:04:59,880
YOU CAN ALWAYS BE PROUD
WHEN YOU MOVE A GRADE UP
LIKE THAT.
62
00:05:00,050 --> 00:05:01,420
YOU CAN BE PROUD
IF YOU TRY HARD,
63
00:05:01,590 --> 00:05:03,880
EVEN IF YOUR GRADES
DON'T SHOW IT,
CAN'T YOU, PA?
64
00:05:04,050 --> 00:05:04,930
OF COURSE YOU CAN.
65
00:05:05,090 --> 00:05:06,470
GOOD NIGHT, PA.
66
00:05:06,640 --> 00:05:08,550
MM. GOOD NIGHT,
SWEETHEART.
67
00:05:08,720 --> 00:05:09,600
GOOD NIGHT, MA.
68
00:05:09,760 --> 00:05:11,640
GOOD NIGHT, LAURA.
SLEEP TIGHT.
69
00:05:11,810 --> 00:05:14,190
Carrie:
GOOD NIGHT.
70
00:05:16,150 --> 00:05:18,110
YOU HAVE YOUR CARD
THERE, MARY?
71
00:05:23,070 --> 00:05:25,820
WELL, HOW DID MY STUDENT
DO THIS TIME?
72
00:05:25,990 --> 00:05:26,950
NOT VERY WELL.
73
00:05:27,120 --> 00:05:29,450
AW, IT CAN'T BE
THAT BAD.
74
00:05:29,620 --> 00:05:32,200
LET'S SEE...
75
00:05:32,370 --> 00:05:34,580
OK...
76
00:05:34,750 --> 00:05:36,670
WELL, OF COURSE,
YOU'RE GOING TO HAVE
TO TAKE INTO ACCOUNT
77
00:05:36,830 --> 00:05:39,840
YOUR WORK'S A LOT
HARDER NOW THAN
IT WAS BEFORE.
78
00:05:40,000 --> 00:05:41,340
YOU'RE GOING
TO HAVE TO STUDY
A LITTLE BIT MORE
79
00:05:41,500 --> 00:05:44,420
TO BRING THOSE GRADES
BACK UP TO WHERE
THEY WERE.
80
00:05:44,590 --> 00:05:46,050
YOU'RE NOT MAD AT ME?
81
00:05:46,220 --> 00:05:47,800
OF COURSE NOT.
I KNOW HOW HARD
YOU WORK.
82
00:05:47,970 --> 00:05:50,100
YOU'RE JUST GOING
TO HAVE TO TRY HARDER,
THAT'S ALL.
83
00:05:50,260 --> 00:05:51,810
I WILL, PA,
I PROMISE.
84
00:05:51,970 --> 00:05:52,810
I WILL TRY.
85
00:05:52,970 --> 00:05:54,680
I KNOW YOU WILL.
86
00:05:54,850 --> 00:05:56,310
GO ON, GET SOME SLEEP.
87
00:05:57,730 --> 00:05:58,560
GOOD NIGHT, MA.
88
00:05:58,730 --> 00:05:59,560
GOOD NIGHT, MARY.
89
00:05:59,730 --> 00:06:01,400
GOOD NIGHT, CARRIE.
SLEEP WELL.
90
00:06:06,030 --> 00:06:09,530
I'D WANTED TO TALK
TO YOU BEFORE YOU
SAW MARY'S REPORT.
91
00:06:10,830 --> 00:06:12,660
WHY? DID YOU THINK
I WAS GOING TO STOMP
AND RAISE CAIN
92
00:06:12,830 --> 00:06:13,660
AND EVERYTHING?
93
00:06:13,830 --> 00:06:16,790
NO. I WAS JUST
CONCERNED.
94
00:06:16,960 --> 00:06:18,880
I DON'T KNOW WHAT
ACCOUNTS FOR IT.
95
00:06:19,040 --> 00:06:20,380
SHE'S ALWAYS
DONE SO WELL,
96
00:06:20,540 --> 00:06:23,000
AND SHE'S REALLY
BEEN WORKING
HARDER THAN EVER.
97
00:06:23,170 --> 00:06:25,720
AH, I DON'T THINK WE HAVE
ANYTHING TO WORRY ABOUT.
98
00:06:25,880 --> 00:06:28,050
SHE'S A SMART STUDENT--
TAKES AFTER HER MOTHER.
99
00:06:28,220 --> 00:06:29,930
OH, CHARLES,
100
00:06:30,090 --> 00:06:31,850
YOU KNOW
I'M NO SMARTER
THAN YOU ARE.
101
00:06:32,010 --> 00:06:35,600
I SUPPOSE YOU'RE RIGHT.
I WAS SMART ENOUGH TO PICK
YOU OUT, WASN'T I?
102
00:06:36,930 --> 00:06:39,770
HEY, SLEEPY-EYES,
COME ON. TIME FOR BED.
103
00:06:39,940 --> 00:06:41,190
GIVE ME A KISS.
104
00:06:41,360 --> 00:06:42,770
COME HERE. COME HERE.
105
00:06:42,940 --> 00:06:45,110
[CHUCKLES]
106
00:06:45,280 --> 00:06:47,570
YOU SLEEP GOOD, OK?
107
00:06:47,740 --> 00:06:48,780
GOOD NIGHT, PA.
108
00:06:48,950 --> 00:06:50,870
GOOD NIGHT, DARLING.
SEE YOU IN THE MORNING.
109
00:07:00,710 --> 00:07:02,920
"BY THE END OF
MADISON'S ADMINISTRATION,
110
00:07:03,090 --> 00:07:05,510
"THE FEDERALIST PARTY HAD
PRACTICALLY DISAPPEARED.
111
00:07:05,670 --> 00:07:09,550
MONROE'S ADMINISTRATION
ITSELF WAS CALLED THE ERA
OF GOOD FEELING..."
112
00:07:09,720 --> 00:07:12,550
OH...
113
00:07:12,720 --> 00:07:14,140
AHH...
114
00:07:14,310 --> 00:07:16,470
YOUR SIDE OF THE BED
DOESN'T FEEL RIGHT.
I CAN'T SLEEP.
115
00:07:16,640 --> 00:07:19,690
YOU DON'T SLEEP
ON EITHER SIDE.
YOU JUST TALK.
116
00:07:19,850 --> 00:07:22,230
YOU KNOW MA DOESN'T
WANT US TO KEEP
THE LAMP ON.
117
00:07:22,400 --> 00:07:25,070
LAURA, I HAVE
A TEST TOMORROW.
I HAVE TO STUDY.
118
00:07:25,230 --> 00:07:28,900
PA SAYS STUDY DOESN'T
DO ANY GOOD UNLESS
YOU GET SOME SLEEP.
119
00:07:29,070 --> 00:07:33,030
WELL, I CAN'T STUDY
WITH YOU TWISTING
ALL THE TIME, ANYWAY.
120
00:07:33,200 --> 00:07:35,200
LET'S SWITCH BACK.
121
00:07:53,050 --> 00:07:55,350
YOU KNOW
SOMETHING, MARY?
122
00:07:55,510 --> 00:07:56,970
WHAT?
123
00:07:57,140 --> 00:08:01,810
THIS SIDE OF THE BED
DOESN'T FEEL ANY DIFFERENT.
124
00:08:01,980 --> 00:08:03,650
GOOD NIGHT, LAURA.
125
00:08:03,810 --> 00:08:05,360
GOOD NIGHT.
126
00:08:11,650 --> 00:08:15,370
[ROOSTER CROWS]
127
00:08:15,530 --> 00:08:18,620
[JACK BARKING]
128
00:08:18,790 --> 00:08:20,200
[CHARLES CHUCKLING]
129
00:08:20,370 --> 00:08:22,250
HOW YOU DOING, JACK, HUH?
130
00:08:25,670 --> 00:08:28,250
[ROOSTER CROWS]
131
00:08:30,630 --> 00:08:31,470
[ARF ARF]
132
00:08:31,630 --> 00:08:33,630
[ARF ARF]
133
00:08:35,390 --> 00:08:36,510
HI.
134
00:08:38,470 --> 00:08:39,350
HI, HALF-PINT.
135
00:08:39,520 --> 00:08:40,640
HI, PA.
136
00:08:40,810 --> 00:08:41,890
WHERE'S YOUR SISTER?
137
00:08:42,060 --> 00:08:43,310
MARY'S NOT SPEAKING
TO ME THIS MORNING.
138
00:08:43,480 --> 00:08:45,400
GOT OUT OF BED ON
THE WRONG SIDE, HUH?
139
00:08:45,560 --> 00:08:49,110
NO. WE SWITCHED BACK
TO OUR REGULAR SIDES.
140
00:08:58,660 --> 00:08:59,990
Charles: MARY?
141
00:09:00,160 --> 00:09:03,330
COME ON. YOU'RE GOING
TO BE LATE FOR SCHOOL.
142
00:09:03,500 --> 00:09:05,170
[FOOTSTEPS APPROACHING]
143
00:09:07,630 --> 00:09:09,670
HEY, IT'S LATE.
144
00:09:09,840 --> 00:09:11,210
WHAT ARE YOU
DOING IN BED?
145
00:09:11,380 --> 00:09:12,510
AT THIS RATE,
YOU'RE NOT GOING
146
00:09:12,670 --> 00:09:14,970
TO BE AT SCHOOL
IN TIME FOR RECESS.
147
00:09:15,130 --> 00:09:17,550
I DON'T FEEL LIKE
GOING TODAY, PA.
148
00:09:17,720 --> 00:09:18,600
WHAT'S THE MATTER?
149
00:09:18,760 --> 00:09:21,060
MY HEAD HURTS.
150
00:09:23,350 --> 00:09:25,810
WELL, YOU DON'T SEEM
TO HAVE ANY FEVER.
151
00:09:25,980 --> 00:09:27,520
MAYBE YOU JUST NEED
SOME BREAKFAST.
152
00:09:27,690 --> 00:09:31,650
HONEST, PA. I DON'T
FEEL VERY GOOD.
153
00:09:31,820 --> 00:09:35,200
ALL RIGHT. YOU STAY
IN BED AND REST.
154
00:09:35,360 --> 00:09:38,410
YOUR MA WILL FIX YOU
SOMETHING TO EAT
WHEN YOU FEEL HUNGRY.
155
00:09:38,570 --> 00:09:41,910
THANKS, PA.
156
00:09:53,260 --> 00:09:57,300
I THINK THESE
DOUBLE-YOLKS MERIT
AN EXTRA, OH,
157
00:09:57,470 --> 00:09:59,180
ONE PENNY A DOZEN,
MRS. INGALLS.
158
00:09:59,350 --> 00:10:02,060
OH, THANK YOU.
THAT'S VERY NICE,
MRS. OLESON.
159
00:10:02,220 --> 00:10:05,520
OF COURSE, I ALWAYS FEEL
THAT MERIT DESERVES
A REWARD.
160
00:10:05,690 --> 00:10:08,230
THAT'S ALWAYS BEEN A POLICY
IN OUR HOUSEHOLD
161
00:10:08,400 --> 00:10:12,360
EVER SINCE THE BEGINNING,
EVEN WITH THE CHILDREN.
162
00:10:12,530 --> 00:10:14,240
YES, LAURA TOLD ME.
163
00:10:16,240 --> 00:10:20,370
I'VE NEVER BELIEVED
IN PAYING CHILDREN
FOR GRADES.
164
00:10:20,530 --> 00:10:23,950
GRADES ARE A REWARD
IN THEMSELVES.
165
00:10:24,120 --> 00:10:25,250
IT MUST BE WORKING.
166
00:10:25,410 --> 00:10:27,250
WILLIE GOT
VERY GOOD GRADES,
167
00:10:27,420 --> 00:10:28,460
AND NELLIE [CHUCKLES]--
168
00:10:28,620 --> 00:10:32,040
NELLIE GOT THE BEST GRADES
IN THE SCHOOL.
169
00:10:33,170 --> 00:10:36,760
HOW'S, UH, HOW DID
YOUR MARY DO THIS TIME?
170
00:10:36,920 --> 00:10:38,430
WE'RE PROUD
OF OUR CHILDREN
171
00:10:38,590 --> 00:10:40,640
NO MATTER WHAT
THEIR GRADES ARE.
172
00:10:40,800 --> 00:10:44,390
THE GIRLS DO A LOT
OF WORK AROUND THE FARM.
173
00:10:44,560 --> 00:10:46,230
THAT'S PART
OF LEARNING, TOO.
174
00:10:46,390 --> 00:10:48,480
OH, I SUPPOSE.
175
00:10:48,640 --> 00:10:51,110
OF COURSE, I BELIEVE
176
00:10:51,270 --> 00:10:53,770
THAT IT'S MORE IMPORTANT
THAT THE TRUE SCHOLAR
177
00:10:53,940 --> 00:10:57,450
HAVE THAT TIME
TO DEVELOP THE MIND,
178
00:10:57,610 --> 00:11:01,410
AND THE, UM,
THE ANNUAL HISTORY AWARD
IS COMING UP.
179
00:11:01,570 --> 00:11:04,200
NOW, DON'T YOU THINK
THAT'S IMPORTANT, HMM?
180
00:11:04,370 --> 00:11:06,830
I SUPPOSE SO...
181
00:11:07,000 --> 00:11:09,170
IF YOU NEED IT.
182
00:11:09,330 --> 00:11:11,080
JUST CREDIT THE EGGS
TO MY ACCOUNT.
183
00:11:11,250 --> 00:11:13,420
THANK YOU. GOOD DAY,
MRS. OLESON.
184
00:11:19,050 --> 00:11:20,340
MISS BEADLE?
185
00:11:20,510 --> 00:11:22,890
MRS. INGALLS,
HOW GOOD TO SEE YOU.
PLEASE COME IN.
186
00:11:23,050 --> 00:11:24,220
I HOPE I'M NOT
INTERRUPTING YOUR WORK.
187
00:11:24,390 --> 00:11:25,810
OH, NO, NOT AT ALL.
PLEASE SIT DOWN.
188
00:11:25,970 --> 00:11:27,060
THANK YOU.
189
00:11:27,220 --> 00:11:28,850
LAURA TOLD ME MARY
WASN'T FEELING WELL.
190
00:11:29,020 --> 00:11:31,150
THAT'S WHAT I WANTED
TO SPEAK WITH YOU ABOUT.
191
00:11:31,310 --> 00:11:32,650
WELL, SHE'S NOT
SERIOUSLY ILL,
IS SHE?
192
00:11:32,810 --> 00:11:35,650
OH, NO, NO,
NOTHING LIKE THAT.
193
00:11:35,820 --> 00:11:37,400
IT'S ABOUT HER WORK.
194
00:11:37,570 --> 00:11:38,690
MRS. INGALLS,
TO TELL YOU THE TRUTH,
195
00:11:38,860 --> 00:11:40,610
I WISH I HAD A CLASSROOM
FULL OF STUDENTS
196
00:11:40,780 --> 00:11:44,200
THAT TRIED AS HARD
AS MARY DOES.
197
00:11:44,370 --> 00:11:45,370
THEN WHAT'S THE MATTER?
198
00:11:45,530 --> 00:11:48,660
SHE'S ALWAYS DONE SO WELL,
AND NOW...
199
00:11:48,830 --> 00:11:51,460
TO TELL YOU THE TRUTH,
I DON'T KNOW.
200
00:11:51,620 --> 00:11:54,590
SHE SEEMS TO APPLY
HERSELF, BUT...
201
00:11:54,750 --> 00:11:56,710
WELL, SHE JUST DOESN'T
SEEM TO BE ABLE TO COVER
202
00:11:56,880 --> 00:11:59,260
HALF THE MATERIAL
SHE USED TO.
203
00:11:59,420 --> 00:12:02,840
I WAS WONDERING IF SHE HAD
SOMETHING ELSE ON HER MIND.
204
00:12:03,010 --> 00:12:05,390
YOU MEAN
LIKE A BOYFRIEND.
205
00:12:05,550 --> 00:12:07,720
I WISH IT WERE THAT.
I THINK I COULD
HANDLE IT.
206
00:12:07,890 --> 00:12:09,930
I'M SURE YOU COULD.
207
00:12:10,100 --> 00:12:11,190
[SIGHS]
208
00:12:13,310 --> 00:12:14,730
YOU KNOW, SOMETIMES...
209
00:12:14,900 --> 00:12:17,530
A STUDENT CAN BE DOING
VERY WELL,
210
00:12:17,690 --> 00:12:20,030
AND THEN WE REACH
THE MORE COMPLICATED
MATERIAL,
211
00:12:20,190 --> 00:12:22,700
AND...THEY SEEM
TO FLOUNDER.
212
00:12:22,860 --> 00:12:26,700
YOU MEAN YOU THINK
MARY ISN'T SMART ENOUGH
TO DO THE ADVANCED WORK.
213
00:12:26,870 --> 00:12:28,660
NO, I DIDN'T SAY THAT.
214
00:12:28,830 --> 00:12:30,910
I JUST MEANT THAT
THERE COMES A POINT
215
00:12:31,080 --> 00:12:35,250
WHEN SOME STUDENTS
HAVE TO GO AT A SLOWER
PACE THAN OTHERS.
216
00:12:35,420 --> 00:12:38,550
I'VE SEEN STUDENTS
PUT BACK A GRADE
AND DO VERY WELL.
217
00:12:38,710 --> 00:12:40,090
THAT WOULD BREAK
MARY'S HEART.
218
00:12:40,260 --> 00:12:42,760
BELIEVE ME, I KNOW THAT.
219
00:12:42,930 --> 00:12:45,640
THAT'S WHY I HAVEN'T
SAID ANYTHING TO HER,
220
00:12:45,800 --> 00:12:48,180
BUT I THINK SHE'S BEGUN
TO REALIZE IT HERSELF.
221
00:12:48,350 --> 00:12:51,020
SHE HASN'T SAID
A THING AT HOME.
222
00:12:51,180 --> 00:12:55,400
DID SHE TELL YOU WE HAD
A HISTORY EXAM TODAY?
223
00:12:57,900 --> 00:13:00,610
SO THAT'S WHY SHE
DIDN'T WANT TO COME
TO SCHOOL TODAY.
224
00:13:00,780 --> 00:13:04,410
ON HER LAST EXAM,
SHE DIDN'T COMPLETE
HALF OF HER PAPER.
225
00:13:04,570 --> 00:13:07,070
I COULDN'T GIVE HER
A PASSING GRADE.
226
00:13:07,240 --> 00:13:11,330
OH, I UNDERSTAND THAT.
227
00:13:16,420 --> 00:13:19,800
WELL, WE'LL JUST HAVE
TO WORK HARDER.
228
00:13:19,960 --> 00:13:21,170
THANK YOU, MISS BEADLE.
229
00:13:21,340 --> 00:13:24,930
MRS. INGALLS,
I'LL HELP MARY
ANY WAY I CAN.
230
00:13:25,090 --> 00:13:26,640
I KNOW YOU WILL.
THANK YOU.
231
00:13:26,800 --> 00:13:28,680
YOU'RE WELCOME.
GOOD-BYE.
232
00:13:28,850 --> 00:13:30,100
GOOD-BYE.
233
00:13:34,810 --> 00:13:41,400
[DOOR CLOSES]
234
00:13:41,570 --> 00:13:43,860
CHARLES...
235
00:13:44,030 --> 00:13:45,990
MM-HMM?
236
00:13:46,160 --> 00:13:48,780
ARE YOU AWAKE?
237
00:13:48,950 --> 00:13:51,910
NO. I'M SOUND
ASLEEP.
238
00:13:52,080 --> 00:13:56,210
I WENT TO SEE
MISS BEADLE TODAY.
239
00:13:56,370 --> 00:13:58,790
YEAH. WHY DON'T YOU
TELL ME ABOUT IT
WHILE YOU GO TO SLEEP?
240
00:13:58,960 --> 00:14:03,460
CHARLES, MARY IS HAVING
A LOT OF TROUBLE.
241
00:14:05,970 --> 00:14:07,890
WHAT KIND
OF TROUBLE?
242
00:14:08,050 --> 00:14:11,260
SHE JUST ISN'T ABLE
TO KEEP UP WITH THE WORK.
243
00:14:11,430 --> 00:14:13,890
WELL, SHE'S GOT THE BEST
TEACHER IN MINNESOTA
RIGHT HERE IN THE HOUSE.
244
00:14:14,060 --> 00:14:15,480
CERTAINLY BETWEEN
THE TWO OF YOU--
245
00:14:15,640 --> 00:14:17,140
I TRIED TO HELP HER
TONIGHT.
246
00:14:17,310 --> 00:14:20,730
MISS BEADLE IS RIGHT.
SHE DOESN'T KNOW
HALF THE MATERIAL.
247
00:14:20,900 --> 00:14:21,980
ALL CHILDREN
HAVE TROUBLE
248
00:14:22,150 --> 00:14:23,980
WITH THEIR STUDIES
FROM TIME TO TIME.
249
00:14:24,150 --> 00:14:27,400
CHARLES, MARY MAY HAVE
TO BE KEPT BACK A YEAR.
250
00:14:27,570 --> 00:14:31,030
MISS BEADLE SAID SHE'S
GOING TO BE LEFT DOWN?
251
00:14:31,200 --> 00:14:33,910
SHE MAY NOT HAVE
ANY CHOICE.
252
00:14:34,080 --> 00:14:35,830
OH, THAT'S NOT
LIKE MARY.
253
00:14:36,000 --> 00:14:37,500
I BET IT'S A BOY.
254
00:14:37,670 --> 00:14:39,000
THAT'S WHAT I THOUGHT,
255
00:14:39,170 --> 00:14:41,460
BUT MISS BEADLE SAYS
THERE'S NO SIGN OF THAT.
256
00:14:41,630 --> 00:14:45,210
MARY WORKS HARD.
SHE JUST ISN'T ABLE
TO DO WELL.
257
00:14:48,880 --> 00:14:50,090
WELL, WE'LL TALK
TO HER TOMORROW,
258
00:14:50,260 --> 00:14:52,640
SEE IF WE CAN FIND OUT
WHAT THE PROBLEM IS.
259
00:14:52,810 --> 00:14:54,640
I JUST WANTED YOU
TO KNOW.
260
00:14:56,520 --> 00:14:58,100
DON'T WORRY ABOUT IT.
GET SOME SLEEP.
261
00:14:58,270 --> 00:15:00,270
GOOD NIGHT.
GOOD NIGHT.
262
00:15:40,520 --> 00:15:41,900
Miss Beadle: CLASS,
263
00:15:42,060 --> 00:15:43,940
FOR THOSE OF YOU
WHO ARE ENTERED IN
THE HISTORY COMPETITION,
264
00:15:44,110 --> 00:15:47,690
I'VE LISTED SEVERAL DATES
HERE ON THE BOARD FOR REVIEW.
265
00:15:47,860 --> 00:15:51,110
NOW, WHO WOULD LIKE
TO TAKE THE FIRST DATE...
266
00:15:51,280 --> 00:15:53,240
AND GIVE ME
ITS SIGNIFICANCE?
267
00:15:59,040 --> 00:16:00,080
NELLIE?
268
00:16:00,250 --> 00:16:04,130
1588. THE DEFEAT OF
THE SPANISH ARMADA.
269
00:16:04,290 --> 00:16:05,250
IT MARKED
THE BEGINNING
270
00:16:05,420 --> 00:16:07,300
OF ENGLAND'S POWER
OVER THE SEAS.
271
00:16:07,460 --> 00:16:09,170
VERY GOOD, NELLIE.
272
00:16:09,340 --> 00:16:12,430
NOW, WHO WOULD LIKE
TO TAKE THE SECOND DATE?
273
00:16:19,060 --> 00:16:20,060
WILLIE?
274
00:16:20,230 --> 00:16:25,400
IN 1492, COLUMBUS
DISCOVERED AMERICA.
275
00:16:25,560 --> 00:16:28,230
THAT'S RIGHT.
276
00:16:28,400 --> 00:16:29,990
ANYBODY KNOWS
THAT ONE.
277
00:16:30,150 --> 00:16:32,150
HE ALWAYS TAKES
THE EASY ONES.
278
00:16:32,320 --> 00:16:33,660
LAURA?
279
00:16:33,820 --> 00:16:36,200
SHH.
280
00:16:37,830 --> 00:16:40,410
ALL RIGHT, WHO WOULD LIKE
TO TAKE THIS ONE?
281
00:16:44,040 --> 00:16:48,710
NOW, I KNOW YOU KNOW IT.
IT WAS ON YOUR LAST ASSIGNMENT.
282
00:16:54,890 --> 00:16:57,550
MARY?
283
00:16:57,720 --> 00:17:01,140
WOULD YOU LIKE
TO TRY THIS ONE?
284
00:17:15,780 --> 00:17:17,700
I--I'M SORRY, MISS BEADLE.
285
00:17:17,870 --> 00:17:20,660
I DON'T KNOW THE ANSWER.
286
00:17:25,580 --> 00:17:26,540
NELLIE?
287
00:17:26,710 --> 00:17:29,040
1607. THE FOUNDING
OF JAMESTOWN,
288
00:17:29,210 --> 00:17:31,550
THE FIRST PERMANENT
SETTLEMENT IN
NORTH AMERICA,
289
00:17:31,710 --> 00:17:34,840
UNDER THE
LEADERSHIP OF
CAPTAIN JOHN SMITH.
290
00:17:35,010 --> 00:17:37,390
THAT'S RIGHT, NELLIE.
291
00:17:44,310 --> 00:17:45,560
MISS BEADLE SAYS
292
00:17:45,730 --> 00:17:47,690
I'LL GET EXTRA CREDIT
FOR MY HISTORY RECITATIONS.
293
00:17:47,860 --> 00:17:49,360
THAT'S VERY NICE,
NELLIE.
294
00:17:49,520 --> 00:17:51,730
MY MOTHER SAYS
HISTORY'S THE MOST
IMPORTANT SUBJECT.
295
00:17:51,900 --> 00:17:54,280
THAT'S WHY I 'M GOING
TO WIN THE HISTORY AWARD.
296
00:17:54,450 --> 00:17:57,070
I KNOW SHE'LL GIVE ME
SOMETHING NICE.
297
00:17:57,240 --> 00:17:58,700
CHRISTY WANTS TO PLAY
TWO-CAT. WE NEED ONE MORE.
298
00:17:58,870 --> 00:18:00,030
I CAN'T.
299
00:18:00,200 --> 00:18:02,160
I HAVE TO FINISH
MY CHORES EARLY
SO I CAN STUDY.
300
00:18:02,330 --> 00:18:05,040
YES, YOU'D BETTER STUDY.
YOU HAVEN'T BEEN DOING
WELL AT ALL.
301
00:18:05,210 --> 00:18:08,290
BE QUIET, NELLIE.
MY SISTER'S SMARTER
THAN YOU ANY OLD TIME.
302
00:18:08,460 --> 00:18:10,340
WELL, I DON'T MISS
EASY QUESTIONS
303
00:18:10,500 --> 00:18:12,130
WHEN MISS BEADLE
CALLS ON ME.
304
00:18:12,300 --> 00:18:15,050
PRETTY PLEASE
WITH SUGAR AND BERRIES?
305
00:18:15,220 --> 00:18:16,380
OH, ALL RIGHT.
306
00:18:16,550 --> 00:18:19,430
YAY'. MARY'S
GOING TO PLAY'.
307
00:18:23,720 --> 00:18:25,140
WHAT ARE YOU DOING
OUT HERE HALF-PINT?
308
00:18:25,310 --> 00:18:27,560
I THOUGHT IT WAS MARY'S TURN
TO RAKE UP.
309
00:18:27,730 --> 00:18:29,980
WELL, SHE'S GOT
A LOT OF HOMEWORK.
310
00:18:30,150 --> 00:18:32,070
BESIDES, I PROMISED.
311
00:18:32,230 --> 00:18:33,940
OH, KIND OF
TRADING OFF, HUH?
312
00:18:34,110 --> 00:18:37,910
NO, SHE GOT HURT
PLAYING TWO-CAT TODAY,
313
00:18:38,070 --> 00:18:39,410
AND IT WAS KINDA
MY FAULT.
314
00:18:39,570 --> 00:18:41,120
WELL, DID YOU TELL HER
YOU'RE SORRY?
315
00:18:41,280 --> 00:18:44,580
YEAH, BUT I DON'T THINK
SHE THOUGHT I MEANT IT.
316
00:18:47,120 --> 00:18:48,870
WELL, I THINK
YOU'VE DONE ENOUGH WORK
317
00:18:49,040 --> 00:18:50,420
TO SHOW HER YOU
MEANT IT. BESIDES,
318
00:18:50,580 --> 00:18:51,540
IT'S GETTING
CHILLY OUT HERE.
319
00:18:51,710 --> 00:18:52,590
THANKS, PA.
320
00:18:52,750 --> 00:18:54,050
AHH.
321
00:18:54,210 --> 00:18:56,340
I GUESS YOU KNOW
THAT RAKING THE STALLS
ISN'T MY FAVORITE.
322
00:18:56,510 --> 00:18:58,180
I HAD THAT FEELING.
NOW, WHY DON'T YOU
GO ON IN THE HOUSE?
323
00:18:58,340 --> 00:18:59,760
TELL YOUR MA
I'LL BE IN IN A MINUTE.
324
00:18:59,930 --> 00:19:01,090
OKEY-DOKE.
325
00:19:30,460 --> 00:19:32,080
HEY, SWEETHEART.
WHAT ARE YOU STILL
DOING UP?
326
00:19:32,250 --> 00:19:35,000
YOU SAID YOU HAD
15 MINUTES OF HOMEWORK.
THAT WAS AN HOUR AGO.
327
00:19:35,170 --> 00:19:37,800
THESE PROBLEMS ARE
JUST TAKING LONGER
THAN I THOUGHT.
328
00:19:37,970 --> 00:19:40,010
I'M SORRY.
I DIDN'T MEAN
TO WAKE YOU.
329
00:19:40,180 --> 00:19:42,090
NEVER MIND THAT.
YOU OUGHT TO BE
IN BED.
330
00:19:42,260 --> 00:19:46,220
PLEASE, PA. I JUST HAVE
TO FINISH THIS TIME.
331
00:19:46,390 --> 00:19:47,980
LOOK, MARY, I KNOW HOW
MUCH THIS MEANS TO YOU,
332
00:19:48,140 --> 00:19:50,480
BUT THERE'S SUCH A THING
AS STUDYING TOO HARD.
333
00:19:50,640 --> 00:19:51,850
I'VE NEVER BEEN ACCUSED
OF IT MYSELF,
334
00:19:52,020 --> 00:19:54,060
BUT IF YOU WORK
TOO LONG,
YOU GET TOO TIRED.
335
00:19:54,230 --> 00:19:55,980
YOU'LL END UP SITTING
LOOKING AT THOSE
PROBLEMS ALL NIGHT
336
00:19:56,150 --> 00:19:57,990
AND NEVER FINDING
THE ANSWERS.
337
00:19:58,150 --> 00:19:59,570
IT'S JUST THIS ONE PROBLEM.
338
00:19:59,740 --> 00:20:01,950
I CAN SOLVE IT IN A MINUTE.
I KNOW I CAN.
339
00:20:02,110 --> 00:20:05,120
YEAH, MISS BEADLE
WILL HAVE A SLEEPYHEAD
IN SCHOOL TOMORROW.
340
00:20:05,280 --> 00:20:07,790
HERE, LET ME SEE IT.
341
00:20:07,950 --> 00:20:09,250
I'M NOT AS GOOD AT
ARITHMETIC AS YOUR MA,
342
00:20:09,410 --> 00:20:12,040
BUT I CAN USUALLY
FIND THE ANSWER.
343
00:20:14,210 --> 00:20:15,840
THERE YOU GO.
344
00:20:16,000 --> 00:20:18,800
YOU JUST GOT TWO NUMBERS
REVERSED, THAT'S ALL.
345
00:20:18,960 --> 00:20:20,050
THERE. SEE?
346
00:20:30,930 --> 00:20:33,600
OH, YES.
I SEE IT NOW.
347
00:20:34,900 --> 00:20:37,360
BUT YOU COULDN'T
SEE IT FROM THE CHAIR,
COULD YOU?
348
00:20:38,360 --> 00:20:41,400
I--I SAW IT
JUST FINE, PA.
349
00:20:42,490 --> 00:20:44,530
THEN WHY DID YOU COME
OVER HERE TO READ IT?
350
00:20:46,410 --> 00:20:47,950
I SAW THEM, PA.
351
00:20:50,540 --> 00:20:52,040
GO STAND OVER
BY YOUR CHAIR.
352
00:21:10,350 --> 00:21:12,390
WHAT NUMBERS DID I
WRITE ON THE SLATE?
353
00:21:39,340 --> 00:21:40,500
I...
354
00:21:45,930 --> 00:21:47,430
I DON'T KNOW.
355
00:21:51,100 --> 00:21:55,270
I CAN'T SEE THEM, PA.
I CAN'T SEE THEM'.
356
00:22:46,280 --> 00:22:49,360
PA, HOW LONG DOES IT TAKE
TO GET TO MANKATO?
357
00:22:49,530 --> 00:22:53,540
IT TAKES ABOUT 3 DAYS.
IT'S A NICE TIME OF YEAR
TO MAKE THE TRIP, THOUGH.
358
00:22:53,700 --> 00:22:56,370
WHY COULDN'T DR. BAKER
JUST ORDER ME A PAIR
OF GLASSES?
359
00:22:56,540 --> 00:22:59,290
MRS. WHIPPLE GOT
HER SEWING GLASSES
OUT OF THE CATALOG.
360
00:22:59,460 --> 00:23:01,630
WELL, I WOULDN'T WANT
TO TRY TO CHANGE
MRS. WHIPPLE'S WAYS,
361
00:23:01,790 --> 00:23:03,340
BUT IF A PERSON'S
GOING TO GET GLASSES,
362
00:23:03,500 --> 00:23:05,590
THEY OUGHT TO HAVE
THEIR EYES EXAMINED,
ESPECIALLY A YOUNG PERSON.
363
00:23:05,760 --> 00:23:07,010
DOES IT HURT?
364
00:23:07,170 --> 00:23:09,890
NO. THIS DR. BURKE'S GOT
ALL THE NEWEST EQUIPMENT.
365
00:23:10,050 --> 00:23:13,060
DR. BAKER SAYS HE'S ABOUT
THE BEST EYE DOCTOR IN
THIS PART OF THE COUNTRY.
366
00:23:13,220 --> 00:23:15,310
IT'S GOING TO COST
AN AWFUL LOT OF MONEY,
ISN'T IT?
367
00:23:15,470 --> 00:23:17,480
DON'T YOU WORRY
ABOUT THAT.
368
00:23:17,640 --> 00:23:19,310
BUT I KNOW HOW HARD
YOU AND MA WORK,
369
00:23:19,480 --> 00:23:21,150
AND THERE ARE SO MANY
THINGS WE NEED.
370
00:23:21,310 --> 00:23:23,150
WELL, NONE IS AS IMPORTANT
AS YOUR EYESIGHT.
371
00:23:23,320 --> 00:23:26,610
DON'T YOU WORRY ABOUT IT.
WE'LL MANAGE. HYAH'.
372
00:23:38,710 --> 00:23:39,540
HMM. RIGHT.
373
00:23:39,710 --> 00:23:41,580
MM-HMM.
ALL RIGHT, MARY.
374
00:23:41,750 --> 00:23:43,880
NOW, IF YOU'LL
LOOK STRAIGHT AHEAD...
375
00:23:45,670 --> 00:23:46,840
GOOD.
376
00:23:50,590 --> 00:23:52,260
EXCELLENT.
377
00:23:58,020 --> 00:24:00,730
OK, MARY,
YOU CAN RELAX NOW.
378
00:24:03,110 --> 00:24:06,730
DR. BURKE, AM I GOING
TO BE ALL RIGHT?
379
00:24:06,900 --> 00:24:10,070
MARY, TO ME,
A BEAUTIFUL EYE
IS A HEALTHY EYE,
380
00:24:10,240 --> 00:24:13,410
AND YOU HAVE TWO
OF THE MOST BEAUTIFUL
EYES I'VE EVER SEEN.
381
00:24:13,570 --> 00:24:14,870
THANK YOU.
382
00:24:16,700 --> 00:24:18,580
ALL RIGHT, MARY.
IF YOU'LL HAVE
A SEAT OUTSIDE,
383
00:24:18,750 --> 00:24:21,160
I'D LIKE TO SPEAK
TO YOUR FATHER.
384
00:24:23,960 --> 00:24:25,250
MR. INGALLS?
385
00:24:26,920 --> 00:24:28,000
THANK YOU.
386
00:24:32,010 --> 00:24:33,260
HAVE A SEAT, PLEASE.
387
00:24:33,430 --> 00:24:34,760
THANK YOU.
388
00:24:39,180 --> 00:24:41,940
MR. INGALLS,
YOU'LL BE HAPPY TO KNOW
389
00:24:42,100 --> 00:24:43,650
MARY HAS NOTHING WRONG
WITH HER EYES
390
00:24:43,810 --> 00:24:46,770
A SIMPLE PAIR OF GLASSES
WON'T CORRECT.
391
00:24:46,940 --> 00:24:49,320
I AM HAPPY TO HEAR THAT.
SHE'S BEEN HAVING
A LOT OF TROUBLE.
392
00:24:49,480 --> 00:24:51,320
WELL, IT'S MAINLY
FROM EYE STRAIN--
393
00:24:51,490 --> 00:24:54,240
TIRED EYE MUSCLES
FROM GOING WITHOUT HELP
SO LONG.
394
00:24:54,410 --> 00:24:56,320
WHAT I CAN'T UNDERSTAND
IS WHY SHE DIDN'T SAY
ANYTHING.
395
00:24:56,490 --> 00:24:57,950
SHE DIDN'T TELL US.
396
00:24:58,120 --> 00:25:01,080
WELL, SAME REASON
PEOPLE DON'T COME TO ME
397
00:25:01,250 --> 00:25:03,540
TILL THEY'RE IN
REALLY BAD SHAPE.
398
00:25:03,710 --> 00:25:05,830
FEAR, SOMETIMES.
399
00:25:06,000 --> 00:25:09,170
MANY TIMES, POOR EYESIGHT
COMES ON SO GRADUALLY,
400
00:25:09,340 --> 00:25:11,630
THEY JUST DON'T REALIZE
THEIR EYES ARE BAD,
401
00:25:11,800 --> 00:25:14,130
ESPECIALLY WITH CHILDREN.
402
00:25:14,300 --> 00:25:15,640
HOW DID SHE MANAGE
FOR SO LONG?
403
00:25:15,800 --> 00:25:19,810
OH, LITTLE TRICKS--
SQUINTING WHEN
THE EYES ARE TIRED.
404
00:25:19,970 --> 00:25:22,600
EVER SEE HER PUSH BACK
ON THE SIDES OF THE EYES
LIKE THIS?
405
00:25:22,770 --> 00:25:25,190
SHE PROBABLY DID.
I JUST DIDN'T
REALIZE IT.
406
00:25:25,350 --> 00:25:29,400
MM-HMM. WELL,
WITH THE AMOUNT OF
SCHOOLWORK SHE HAS,
407
00:25:29,570 --> 00:25:31,650
THE TRICKS STOPPED
WORKING, THAT'S ALL.
408
00:25:33,360 --> 00:25:35,660
YOU'D THINK
HER MA OR I WOULD
HAVE NOTICED.
409
00:25:35,820 --> 00:25:37,660
NO, NOT SO.
410
00:25:37,820 --> 00:25:42,000
BEEN MY EXPERIENCE,
PARENTS ARE THE LAST
ONES TO NOTICE.
411
00:25:43,290 --> 00:25:44,790
MAYBE ONE DAY,
THEY'LL HAVE SENSE ENOUGH
412
00:25:44,960 --> 00:25:46,830
TO EXAMINE KIDS
WHEN THEY START SCHOOL,
413
00:25:47,000 --> 00:25:50,460
AND WE CAN AVOID
THE PROBLEM.
414
00:25:50,630 --> 00:25:55,010
WELL, IF YOU'LL GET
YOUR DAUGHTER,
415
00:25:55,180 --> 00:25:58,260
WE'LL SHOW HER
A WHOLE NEW WORLD.
416
00:27:00,820 --> 00:27:03,160
MARY...
417
00:27:03,330 --> 00:27:07,620
YOU'RE ABOUT
TO HAVE AN EXPERIENCE
YOU'LL ALWAYS REMEMBER.
418
00:27:23,100 --> 00:27:25,770
I CAN SEE IT, PA.
419
00:27:25,930 --> 00:27:29,140
I CAN READ IT ALL.
420
00:27:29,310 --> 00:27:31,270
I BET IF I HAD THAT SLATE,
YOU COULD READ IT NOW.
421
00:27:31,440 --> 00:27:33,770
I COULD READ ANYTHING.
422
00:27:33,940 --> 00:27:37,240
BUT YOU'RE GOING TO HAVE
TO WEAR YOUR GLASSES
ALL THE TIME--
423
00:27:37,400 --> 00:27:38,900
FOR A MONTH, ANYWAY--
424
00:27:39,070 --> 00:27:40,950
UNTIL THE EYE MUSCLES
HAVE HAD A CHANCE TO
REGAIN THEIR STRENGTH.
425
00:27:41,110 --> 00:27:43,950
I WILL, DR. BURKE.
YOU CAN COUNT ON IT.
426
00:27:44,120 --> 00:27:45,490
NO CHEATING, NOW.
REMEMBER.
427
00:27:45,660 --> 00:27:49,790
LATER ON, YOU CAN
USE THEM JUST FOR
YOUR SCHOOLWORK, OK?
428
00:27:49,960 --> 00:27:51,500
OK.
429
00:27:51,670 --> 00:27:53,340
THANK YOU, PA.
430
00:27:56,960 --> 00:27:57,800
THANK YOU, DOCTOR.
431
00:27:57,960 --> 00:27:59,470
MY PLEASURE.
432
00:28:19,780 --> 00:28:23,410
EVERYTHING LOOKS
SO BEAUTIFUL, PA'.
433
00:28:23,570 --> 00:28:25,990
EVERYTHING'S
JUST BEAUTIFUL'.
434
00:28:26,160 --> 00:28:27,490
THAT IT IS, SWEETHEART.
435
00:28:29,410 --> 00:28:30,500
PA, LOOK'.
436
00:28:34,420 --> 00:28:35,500
LOOK AT THEM GO'.
437
00:28:35,670 --> 00:28:38,420
I NEVER SAW
SO MANY BIRDS.
438
00:28:38,590 --> 00:28:39,800
I GOT A FEELING
THERE'S A LOT OF THINGS
439
00:28:39,960 --> 00:28:42,260
YOU'RE GOING TO SEE
YOU NEVER SAW BEFORE.
440
00:28:42,430 --> 00:28:44,300
ME, TOO, PA.
441
00:28:44,470 --> 00:28:48,640
I DIDN'T THINK
IT WAS GOING TO BE
SO DIFFERENT.
442
00:28:48,810 --> 00:28:53,100
YOU KNOW,
I JUST LOVE
MY GLASSES.
443
00:28:53,270 --> 00:28:56,110
WELL,
I JUST LOVE YOU.
444
00:28:56,270 --> 00:28:57,360
HYAH'.
445
00:29:36,440 --> 00:29:38,440
MA'. MA'.
446
00:29:38,610 --> 00:29:41,940
PA'S BACK'. PA'S BACK'.
447
00:29:45,610 --> 00:29:47,820
Charles: WHOA.
448
00:29:47,990 --> 00:29:49,450
WELCOME HOME, PA'.
449
00:29:49,620 --> 00:29:52,160
MARY'. I DIDN'T EXPECT
YOU HOME SO SOON.
450
00:29:52,330 --> 00:29:54,830
WELL, YOU CAN CREDIT
A COUPLE OF HUNGRY
INGALLS FOR THAT.
451
00:29:55,000 --> 00:29:56,000
HI, LOVEY.
452
00:29:56,170 --> 00:30:01,460
OH, MARY, YOUR GLASSES
ARE SO ATTRACTIVE.
453
00:30:01,630 --> 00:30:04,050
THANKS, MA.
454
00:30:05,510 --> 00:30:07,930
THEY MAKE YOU LOOK SMART
LIKE MISS BEADLE.
455
00:30:08,090 --> 00:30:08,930
THAT THEY DO.
456
00:30:09,100 --> 00:30:10,350
YOU GIRLS HURRY
IN THE HOUSE
457
00:30:10,510 --> 00:30:12,310
AND GET WASHED UP
FOR SUPPER.
I'M STARVING.
458
00:30:12,470 --> 00:30:13,390
YES, PA.
459
00:30:13,560 --> 00:30:15,270
THEY SURE ARE PRETTY.
460
00:30:16,440 --> 00:30:17,900
SHOULD HAVE SEEN HER
ON THE WAY HOME.
461
00:30:18,060 --> 00:30:19,900
IT WAS LIKE SHE WAS
LOOKING AT THE WORLD
FOR THE FIRST TIME.
462
00:30:20,060 --> 00:30:22,780
OH, I'M SO HAPPY FOR HER.
SHE IS GOING TO BE
ALL RIGHT, ISN'T SHE?
463
00:30:22,940 --> 00:30:25,450
DOCTOR SAID SHE'D
SEE TWICE AS WELL
WITH THOSE GLASSES.
464
00:30:25,610 --> 00:30:26,820
TWICE AS WELL?
465
00:30:26,990 --> 00:30:28,360
OF COURSE,
I COULDN'T HANDLE THAT.
466
00:30:28,530 --> 00:30:30,830
YOU'RE FAR TOO PRETTY
TO ME JUST THE WAY
YOU ARE.
467
00:30:30,990 --> 00:30:31,910
I'LL UNHITCH THE TEAM.
468
00:30:32,080 --> 00:30:33,910
OH, CHARLES.
469
00:30:42,210 --> 00:30:44,760
COME ON, WILLIE.
WE'LL BE LATE FOR SCHOOL.
470
00:30:44,920 --> 00:30:46,760
Willie:
I'M COMING.
471
00:30:48,800 --> 00:30:50,090
MORNING, NELLIE.
472
00:30:51,970 --> 00:30:53,850
WELL, LOOK AT
MISS FOUR-EYES.
473
00:30:54,020 --> 00:30:55,980
♪ MARY HAS FOUR EYES,
FOUR EYES ♪
474
00:30:56,140 --> 00:30:58,140
YOU BE QUIET, WILLIE.
475
00:30:58,310 --> 00:31:00,480
WELL, MARY
HAS FOUR EYES--
476
00:31:00,650 --> 00:31:03,320
TWO REAL ONES
AND TWO GLASS ONES.
477
00:31:03,480 --> 00:31:04,570
FOUR-EYES.
478
00:31:04,730 --> 00:31:06,990
AND YOU'RE GOING TO HAVE
TWO BLACK ONES.
479
00:31:07,150 --> 00:31:09,240
IT'S ALL RIGHT, LAURA.
NEVER MIND.
480
00:31:10,870 --> 00:31:13,790
MY MOTHER SAID YOUR PA
TOOK YOU TO MANKATO
TO GET GLASSES,
481
00:31:13,950 --> 00:31:16,370
BUT I NEVER THOUGHT
YOU'D HAVE THE NERVE
TO WEAR THEM.
482
00:31:16,540 --> 00:31:17,960
WHAT DO YOU MEAN,
NELLIE?
483
00:31:18,120 --> 00:31:21,670
OH, NOTHING. JUST I
WOULD NEVER WEAR
THE UGLY THINGS.
484
00:31:21,830 --> 00:31:24,380
MISS BEADLE WEARS GLASSES,
AND SHE'S NOT UGLY.
485
00:31:24,550 --> 00:31:26,170
SHE DOESN'T HAVE
A HUSBAND, EITHER,
486
00:31:26,340 --> 00:31:29,090
AND MARY'S GOING TO
BE AN OLD SPINSTER
JUST LIKE MISS BEADLE
487
00:31:29,260 --> 00:31:31,340
BECAUSE NO ONE EVER
MARRIES A FOUR-EYES.
488
00:31:31,510 --> 00:31:35,010
WELL, NO ONE WILL EVER
MARRY YOU BECAUSE YOU
SAY SUCH NASTY THINGS.
489
00:31:35,180 --> 00:31:38,100
COME ON, LAURA.
LET'S GO INSIDE.
490
00:31:41,480 --> 00:31:44,860
NYAH'. NYAH'.
491
00:31:51,200 --> 00:31:52,700
QUEEN ISABELLA
FURNISHED MONEY
492
00:31:52,870 --> 00:31:54,700
FOR COLUMBUS TO DISCOVER
THE NEW WORLD.
493
00:31:54,870 --> 00:31:56,330
VERY GOOD, NELLIE.
494
00:31:56,490 --> 00:31:59,540
MY MOTHER SAYS
QUEEN ISABELLA'S MORE
IMPORTANT THAN COLUMBUS.
495
00:31:59,710 --> 00:32:04,250
WELL, I THINK THAT
DEPENDS ON HOW YOU
LOOK AT IT, NELLIE.
496
00:32:04,420 --> 00:32:06,920
UH, MARY, WOULD YOU
LIKE TO TAKE
THE NEXT ONE?
497
00:32:07,090 --> 00:32:09,760
YES, MA'AM.
498
00:32:09,920 --> 00:32:12,550
[CLASS CHANTING "FOUR-EYES"]
499
00:32:12,720 --> 00:32:15,010
CLASS'.
500
00:32:22,400 --> 00:32:24,650
NOW, I THINK
THAT WILL BE
ENOUGH OF THAT.
501
00:32:27,480 --> 00:32:30,400
MARY, I HOPE YOU FIND
YOUR GLASSES TO BE
502
00:32:30,570 --> 00:32:32,780
AS MUCH OF A COMFORT
AS I DO MY OWN.
503
00:32:32,950 --> 00:32:35,330
YES, MA'AM.
504
00:32:35,490 --> 00:32:38,750
NOW, WOULD YOU LIKE
TO TAKE THE NEXT ONE?
505
00:32:41,410 --> 00:32:44,500
MAGELLAN, FERDINAND.
506
00:32:44,670 --> 00:32:48,630
THE FIRST EXPLORER
TO...CIRCUM...
507
00:32:48,800 --> 00:32:50,590
CIRCUMNAVIGATE.
508
00:32:50,760 --> 00:32:54,390
THE FIRST MAN
TO SAIL ALL THE WAY
AROUND THE WORLD.
509
00:32:54,550 --> 00:32:55,600
THAT'S VERY GOOD.
510
00:32:55,760 --> 00:32:56,970
YOU SEEM TO HAVE CAUGHT UP
ON YOUR STUDIES.
511
00:32:57,140 --> 00:32:58,220
YES, MA'AM.
512
00:32:58,390 --> 00:33:00,560
I READ A LOT
ON THE WAY BACK
FROM MANKATO.
513
00:33:00,730 --> 00:33:03,600
I HOPE THIS MEANS
THAT YOU'LL TAKE PART IN
THE HISTORY COMPETITION.
514
00:33:03,770 --> 00:33:05,150
THANK YOU,
MISS BEADLE.
515
00:33:06,480 --> 00:33:08,940
WHILE WE'RE ON THE SUBJECT,
YOU ALL MIGHT DO WELL
516
00:33:09,110 --> 00:33:11,110
TO REVIEW THE DATES
YOU WERE GIVEN LAST SEMESTER.
517
00:33:11,280 --> 00:33:14,280
YOU'LL BE RESPONSIBLE
FOR ALL THE MATERIAL
WE'VE COVERED.
518
00:33:14,450 --> 00:33:17,780
NOW, USE THE NEXT FEW
MINUTES BEFORE RECESS
FOR A STUDY PERIOD.
519
00:33:59,450 --> 00:34:03,160
MARY. MARY,
IT'S GETTING LATE.
520
00:34:03,330 --> 00:34:04,830
DO YOU HAVE
MUCH MORE TO DO?
521
00:34:05,000 --> 00:34:07,290
I JUST NEED
A COUPLE MORE MINUTES.
THEN I'LL BE FINISHED.
522
00:34:07,460 --> 00:34:11,340
GOOD. NOW, I SAW
MISS BEADLE
IN TOWN TODAY.
523
00:34:11,500 --> 00:34:12,630
SHE SAYS YOUR WORK
HAS IMPROVED
524
00:34:12,800 --> 00:34:15,010
A GREAT DEAL IN
THE PAST FEW DAYS
525
00:34:15,170 --> 00:34:16,880
SINCE YOU GOT
YOUR GLASSES.
526
00:34:17,050 --> 00:34:18,510
I'VE JUST ABOUT
CAUGHT UP.
527
00:34:18,680 --> 00:34:20,220
THAT'S GOOD.
528
00:34:20,390 --> 00:34:24,350
YOUR PA AND I ARE
SO PROUD OF YOU.
529
00:34:24,520 --> 00:34:26,230
MA?
MM-HMM?
530
00:34:26,390 --> 00:34:29,940
IF MY SCHOOLWORK
HADN'T GOTTEN BETTER
WITH MY GLASSES,
531
00:34:30,110 --> 00:34:31,690
WOULD YOU AND PA
BE ASHAMED OF ME?
532
00:34:31,860 --> 00:34:34,070
[LAUGHS] NO.
533
00:34:34,240 --> 00:34:35,740
WE LOVE YOU.
534
00:34:35,900 --> 00:34:38,360
BUT YOU ARE
A FINE STUDENT,
535
00:34:38,530 --> 00:34:41,030
AND YOU'RE
GOING TO MAKE
A FINE TEACHER...
536
00:34:41,200 --> 00:34:44,830
JUST LIKE
MISS BEADLE.
537
00:34:45,000 --> 00:34:46,210
OH, LISTEN TO ME.
538
00:34:46,370 --> 00:34:47,870
HERE I AM,
CHATTERING
LIKE A MAGPIE,
539
00:34:48,040 --> 00:34:49,500
KEEPING YOU
FROM YOUR WORK.
540
00:34:49,670 --> 00:34:50,750
GOOD NIGHT.
541
00:34:50,920 --> 00:34:52,040
GOOD NIGHT, MA.
542
00:34:52,210 --> 00:34:53,670
YOU FINISH
THAT LITTLE BIT,
AND THEN OFF TO BED.
543
00:34:53,840 --> 00:34:55,470
YES, MA.
ALL RIGHT.
544
00:35:08,560 --> 00:35:12,150
JUST LIKE MISS BEADLE.
545
00:35:14,030 --> 00:35:16,280
HERE SHE COMES.
QUICK, HIDE THEM.
546
00:35:19,820 --> 00:35:21,160
WE'RE PLAYING
A NEW GAME CALLED
"GUESS WHO."
547
00:35:21,320 --> 00:35:22,410
GUESS WHO?
548
00:35:22,580 --> 00:35:24,240
YES. WE ALL DO
AN IMITATION OF
SOMEONE WE KNOW
549
00:35:24,410 --> 00:35:26,910
AND HAVE TO GUESS
WHO IT IS.
WILLIE'S TURN.
550
00:35:27,080 --> 00:35:29,790
GUESS WHO I AM.
FOUR-EYES.
551
00:35:29,960 --> 00:35:31,210
NYAH, NYAH.
552
00:35:31,380 --> 00:35:32,710
♪ MARY HAS FOUR EYES ♪
553
00:35:32,880 --> 00:35:34,750
♪ MARY'S GOT
FOUR EYES ♪
554
00:35:34,920 --> 00:35:36,590
♪ NYAH, NYAH,
NYAH, NYAH ♪
555
00:35:36,760 --> 00:35:41,840
WILLIE'. WILLIE,
I TOLD YOU NOT TO CALL
MY SISTER NAMES'.
556
00:36:48,540 --> 00:36:49,370
HI, PA'.
557
00:36:49,540 --> 00:36:50,830
HI, HALF-PINT.
558
00:36:51,000 --> 00:36:53,670
CAN I MEET JENNIFER
FOR FISHING AND DO
MY CHORES AFTER?
559
00:36:53,830 --> 00:36:54,750
YOU GOT ANY HOMEWORK?
560
00:36:54,920 --> 00:36:56,000
NO.
561
00:36:56,170 --> 00:36:58,210
ALL RIGHT, GO AHEAD.
BUT DON'T BE TOO LONG.
562
00:36:58,380 --> 00:36:59,510
I WON'T'.
563
00:36:59,670 --> 00:37:01,760
WHAT WAS THAT ALL ABOUT,
AS IF I DIDN'T KNOW?
564
00:37:01,920 --> 00:37:05,890
SOMETIMES I THINK I SHOULD
HAVE BEEN A FISHERMAN
INSTEAD OF A FARMER.
565
00:37:17,650 --> 00:37:18,520
HI, MARY.
566
00:37:18,690 --> 00:37:19,940
HI.
567
00:37:20,110 --> 00:37:22,570
MARY?
568
00:37:22,740 --> 00:37:24,240
IS THERE ANYTHING WRONG?
569
00:37:24,410 --> 00:37:27,160
MARY, WHY AREN'T
YOU WEARING
YOUR GLASSES?
570
00:37:27,330 --> 00:37:29,540
I--I LOST THEM.
571
00:37:29,700 --> 00:37:31,450
YOU LOST THEM?
572
00:37:31,620 --> 00:37:32,710
WHERE?
573
00:37:32,870 --> 00:37:34,670
IN THE SCHOOLYARD,
I GUESS.
574
00:37:36,170 --> 00:37:37,380
YOU'RE SUPPOSED
TO BE WEARING THEM.
575
00:37:37,540 --> 00:37:41,210
I'M SORRY, PA.
I TOOK THEM OFF AT RECESS.
576
00:37:41,380 --> 00:37:42,760
I WAS AFRAID
I'D BREAK THEM.
577
00:37:42,920 --> 00:37:44,880
I DIDN'T MEAN
TO LOSE THEM.
578
00:37:45,050 --> 00:37:46,390
WHERE DID YOU PUT THEM?
579
00:37:46,550 --> 00:37:48,680
IN MY POCKET.
580
00:37:48,850 --> 00:37:52,430
WHEN I STARTED INSIDE,
THEY WERE GONE.
581
00:37:52,600 --> 00:37:53,940
I LOOKED EVERYWHERE.
582
00:37:54,100 --> 00:37:56,900
IT'S TOO LATE
TO DO ANYTHING
ABOUT IT NOW.
583
00:37:57,060 --> 00:37:58,610
YOU LOOK AGAIN
FIRST THING
IN THE MORNING.
584
00:37:58,770 --> 00:38:00,360
YES, SIR, I WILL.
585
00:38:00,520 --> 00:38:02,610
AND ASK THE REST
OF THE CHILDREN
AND MISS BEADLE.
586
00:38:02,780 --> 00:38:04,860
YES, PA.
587
00:38:05,030 --> 00:38:08,740
I--I'D BETTER GO
DO MY HOMEWORK.
588
00:38:12,160 --> 00:38:14,250
Mary: PA?
589
00:38:15,290 --> 00:38:17,580
I'M SORRY.
590
00:38:19,340 --> 00:38:20,750
SO AM I.
591
00:38:20,920 --> 00:38:23,970
IT'LL BE HARVEST TIME
BEFORE I CAN GET
ANOTHER PAIR OF GLASSES.
592
00:39:03,550 --> 00:39:04,380
PA?
593
00:39:04,550 --> 00:39:05,460
HI, MARY.
594
00:39:05,630 --> 00:39:06,760
DON'T TELL ME
YOU'RE HEADING OFF
595
00:39:06,920 --> 00:39:08,180
TO SCHOOL
THIS EARLY.
596
00:39:08,340 --> 00:39:10,180
MA GOT US OUT EARLY
TO LOOK FOR THE GLASSES.
597
00:39:10,340 --> 00:39:12,260
SOUNDS LIKE A GOOD IDEA.
598
00:39:14,720 --> 00:39:19,310
PA, IF I DON'T FIND MY
GLASSES, YOU DON'T HAVE
TO BUY ME ANOTHER PAIR.
599
00:39:24,110 --> 00:39:25,940
WHAT KIND OF THING
IS THAT TO SAY?
600
00:39:27,360 --> 00:39:30,030
I DON'T DESERVE
ANOTHER PAIR.
601
00:39:30,200 --> 00:39:32,700
I LOST THEM.
IT WAS MY FAULT.
602
00:39:34,290 --> 00:39:35,750
EVERYBODY MAKES
MISTAKES, MARY.
603
00:39:35,910 --> 00:39:39,420
YOU TOLD ME NOT TO TAKE
THEM OFF, AND I DID.
604
00:39:39,580 --> 00:39:42,380
I DON'T THINK
I SHOULD BE ALLOWED
TO HAVE ANOTHER PAIR.
605
00:39:50,180 --> 00:39:52,140
I'LL THINK ABOUT IT,
ALL RIGHT?
606
00:39:54,220 --> 00:39:56,520
WHY DON'T YOU HURRY UP?
MAYBE YOU'LL FIND THEM.
607
00:40:01,940 --> 00:40:03,650
YES, SIR.
608
00:40:03,810 --> 00:40:06,190
MARY?
609
00:40:06,360 --> 00:40:08,360
LOTS OF PEOPLE
WEAR GLASSES.
610
00:40:08,530 --> 00:40:09,650
EVEN MISS BEADLE
WEARS THEM.
611
00:40:09,820 --> 00:40:12,410
YEAH, I KNOW.
I BETTER HURRY UP.
612
00:40:16,620 --> 00:40:18,500
"IN 1846,
613
00:40:18,660 --> 00:40:20,710
"THE CAPE OF GOOD HOPE
WAS DISCOVERED.
614
00:40:20,870 --> 00:40:24,750
"THE PORTUGUESE SEEMED
LIKELY TO BE THE ONES WHO
WOULD ANSWER THE QUESTION,
615
00:40:24,920 --> 00:40:27,340
HO W SHA LL WE REA CH
THE INDIES?"
616
00:40:27,510 --> 00:40:29,720
THANK YOU, CHRISTY.
617
00:40:32,800 --> 00:40:37,770
MARY, WOULD YOU TAKE
THE NEXT PASSAGE,
PLEASE?
618
00:40:37,930 --> 00:40:40,310
Nellie: FOUR-EYES IS GOING
TO READ FOR US.
619
00:40:40,480 --> 00:40:42,730
NELLIE'.
620
00:40:44,560 --> 00:40:47,940
WHICH PASSAGE,
MISS BEADLE?
621
00:40:48,110 --> 00:40:50,240
THE THIRD ONE.
622
00:40:55,030 --> 00:40:57,950
I'M SORRY, MARY.
WE WON'T HAVE TIME
TO HAVE YOU READ.
623
00:40:58,120 --> 00:40:59,750
IT'S LUNCHTIME.
624
00:41:01,750 --> 00:41:05,000
FOR THOSE OF YOU WHO ARE
INTERESTED IN ENTERING
THE HISTORY COMPETITION,
625
00:41:05,170 --> 00:41:07,250
I MUST HAVE YOUR NAME
ON THIS PIECE OF PAPER.
626
00:41:07,420 --> 00:41:10,760
I'LL HAVE THE QUESTIONS
ON THE BOARD WHEN YOU
RETURN FROM LUNCH.
627
00:41:10,920 --> 00:41:12,720
ALL RIGHT, YOU MAY GO.
628
00:41:17,260 --> 00:41:18,060
LAURA?
629
00:41:18,220 --> 00:41:21,520
YES, MISS BEADLE?
630
00:41:22,640 --> 00:41:24,270
LAURA, DO YOU KNOW WHY
MARY HASN'T SIGNED UP
631
00:41:24,440 --> 00:41:25,940
FOR THE HISTORY
COMPETITION?
632
00:41:26,110 --> 00:41:27,770
SHE HAS A VERY GOOD
CHANCE OF WINNING.
633
00:41:27,940 --> 00:41:32,490
SHE DOESN'T THINK
SHE DOES, NOT SINCE
SHE LOST HER GLASSES.
634
00:41:32,650 --> 00:41:35,280
OH. I WONDERED
WHY SHE WASN'T
WEARING THEM.
635
00:41:35,450 --> 00:41:38,700
I GUESS IT'LL TAKE
A LITTLE WHILE BEFORE PA
CAN AFFORD ANOTHER PAIR.
636
00:41:38,870 --> 00:41:42,080
YES, I UNDERSTAND.
ALL RIGHT, THAT'S ALL.
637
00:41:42,250 --> 00:41:43,370
YES, MA'AM.
638
00:41:53,670 --> 00:41:55,890
BOY'. YOU OUGHT
TO SEE ALL
THOSE QUESTIONS
639
00:41:56,050 --> 00:41:57,470
SHE'S PUTTING
ON THE BOARD.
640
00:41:57,640 --> 00:42:00,350
NOBODY'S EVER GOING
TO FINISH ALL
THOSE QUESTIONS.
641
00:42:00,510 --> 00:42:04,480
I WILL, BECAUSE
MOTHER'S BEEN ASKING ME
QUESTIONS EVERY NIGHT,
642
00:42:04,640 --> 00:42:06,940
AND I HAVEN'T MISSED ONE
IN EVER SO LONG.
643
00:42:07,100 --> 00:42:10,520
WELL, MAYBE SHE JUST
DIDN'T ASK YOU THE RIGHT
QUESTIONS, NELLIE.
644
00:42:10,690 --> 00:42:13,320
MY MOTHER'S
THE BEST TEACHER
IN WALNUT GROVE,
645
00:42:13,490 --> 00:42:14,990
AND SHE'S GOING
TO GIVE ME A DOLLAR
646
00:42:15,150 --> 00:42:17,360
WHEN I WIN
THE HISTORY AWARD
AND PROVE IT.
647
00:42:19,030 --> 00:42:21,370
I SURE WISH YOU HADN'T
LOST THOSE GLASSES.
648
00:42:21,540 --> 00:42:25,000
THEN YOU COULD BEAT HER.
YOU'D BEAT HER REAL GOOD.
649
00:42:25,160 --> 00:42:28,710
I DON'T CARE.
IT DOESN'T MATTER.
I'M GETTING OFF.
650
00:42:29,960 --> 00:42:31,590
[CHILDREN LAUGHING
AND SHOUTING]
651
00:42:49,690 --> 00:42:51,980
[HORSE AND WAGON
APPROACHING]
652
00:42:57,910 --> 00:42:59,280
WHOA.
653
00:43:00,820 --> 00:43:02,490
HELLO, BLUE EYES.
654
00:43:03,910 --> 00:43:05,910
GOOD--GOOD MORNING.
655
00:43:10,420 --> 00:43:12,040
MY GOODNESS.
656
00:43:12,210 --> 00:43:15,630
WALNUT GROVE CERTAINLY
HAS MORE THAN ITS SHARE
OF BEAUTIFUL LADIES.
657
00:43:15,800 --> 00:43:16,970
THANK YOU.
658
00:43:17,130 --> 00:43:19,180
UM, YOU WOULDN'T
HAPPEN TO BE ABLE
TO TELL ME
659
00:43:19,340 --> 00:43:22,010
WHERE I MIGHT FIND
YOUR SCHOOLTEACHER?
660
00:43:22,180 --> 00:43:23,810
MISS BEADLE?
661
00:43:23,970 --> 00:43:25,310
MM-HMM.
662
00:43:25,470 --> 00:43:27,390
YES. SHE'S INSIDE.
663
00:43:27,560 --> 00:43:28,390
THANK YOU.
664
00:43:28,560 --> 00:43:30,020
YOU'RE WELCOME.
665
00:43:31,400 --> 00:43:34,190
THERE YOU GO,
BLUE EYES.
666
00:43:34,360 --> 00:43:36,570
THANK YOU.
667
00:43:48,080 --> 00:43:49,210
MARY'.
668
00:43:49,370 --> 00:43:51,330
OH, MISS BLUE EYES.
669
00:43:51,500 --> 00:43:56,050
I--I JUST CAME IN TO PUT
MY FLOWER IN SOME WATER.
670
00:43:56,210 --> 00:43:58,720
I SEE YOU'VE MET
MR. STACEY.
671
00:43:58,880 --> 00:44:00,430
WELL, NOT FORMALLY.
672
00:44:00,590 --> 00:44:02,800
MARY INGALLS,
THIS IS JOHN STACEY.
673
00:44:04,760 --> 00:44:07,430
MR. STACEY'S
A LAWYER FROM OVER
IN SPRINGFIELD.
674
00:44:07,600 --> 00:44:11,230
WHAT SHE ISN'T
TELLING YOU IS,
I'M HER BEAU,
675
00:44:11,400 --> 00:44:14,610
AND SHE'S VERY LUCKY
THAT I DIDN'T MEET
YOU FIRST, BLUE EYES.
676
00:44:14,770 --> 00:44:16,860
Miss Beadle:
OH, JOHN.
677
00:44:17,030 --> 00:44:18,780
I'M PLEASED TO MEET YOU.
678
00:44:18,940 --> 00:44:21,740
IT'S MY PLEASURE, MARY.
679
00:44:21,910 --> 00:44:26,580
EVA, DON'T KEEP ANYONE
AFTER SCHOOL TODAY,
680
00:44:26,740 --> 00:44:28,450
BECAUSE I'LL BE WAITING.
681
00:44:28,620 --> 00:44:31,290
ALL RIGHT, JOHN.
682
00:44:39,970 --> 00:44:40,840
[DOOR CLOSES]
683
00:44:41,010 --> 00:44:42,550
MARY, I'D LIKE
TO APOLOGIZE.
684
00:44:42,720 --> 00:44:44,970
I DIDN'T KNOW
ANYONE WAS HERE.
685
00:44:45,140 --> 00:44:47,310
IS HE REALLY YOUR BEAU?
686
00:44:48,470 --> 00:44:51,640
I THINK HE'S NICE.
687
00:44:51,810 --> 00:44:53,150
SO DO I.
688
00:44:56,650 --> 00:44:57,520
MISS BEADLE?
689
00:44:57,690 --> 00:44:59,280
HMM?
690
00:44:59,440 --> 00:45:01,780
IS IT TOO LATE FOR ME
TO TAKE THE HISTORY EXAM?
691
00:45:01,950 --> 00:45:03,780
OF COURSE NOT.
692
00:45:03,950 --> 00:45:05,990
WE STILL HAVE
5 MINUTES BEFORE
WE BEGIN.
693
00:45:06,160 --> 00:45:08,870
THANK YOU, MISS BEADLE'.
694
00:45:09,040 --> 00:45:11,160
MAYBE I CAN KEEP
MY FLOWER WITH YOURS.
695
00:45:11,330 --> 00:45:12,960
THANK YOU, MISS BEADLE.
696
00:45:27,180 --> 00:45:29,390
Laura: PA'.
697
00:45:29,560 --> 00:45:30,520
PA?
698
00:45:30,680 --> 00:45:32,390
DOWN HERE, HALF-PINT.
699
00:45:42,150 --> 00:45:43,280
WHAT YOU DOING?
700
00:45:43,450 --> 00:45:45,030
YOU SHOULD HAVE
SEEN HER, PA.
SHE WAS GREAT.
701
00:45:45,200 --> 00:45:46,570
MARY WON
THE HISTORY AWARD'.
702
00:45:46,740 --> 00:45:47,700
WHAT? SHE WON IT?
703
00:45:47,870 --> 00:45:49,160
YEAH.
NELLIE'S SO MAD.
704
00:45:49,330 --> 00:45:50,200
MARY ANSWERED
EVERYTHING'.
705
00:45:50,370 --> 00:45:51,200
WELL, WHERE IS SHE?
706
00:45:51,370 --> 00:45:52,750
SHE'S COMING.
I RAN AHEAD.
707
00:45:52,910 --> 00:45:54,420
I GOT TO TELL MA'.
708
00:46:04,090 --> 00:46:05,260
HEY, SCHOLAR'.
709
00:46:08,760 --> 00:46:10,760
LET ME SEE
THAT CERTIFICATE.
710
00:46:18,520 --> 00:46:21,070
THAT'S PRETTY IMPRESSIVE.
711
00:46:21,230 --> 00:46:22,150
CONGRATULATIONS.
712
00:46:22,320 --> 00:46:23,400
THANK YOU.
713
00:46:27,070 --> 00:46:29,950
YOU DON'T LOOK
TOO HAPPY FOR SOMEBODY
WHO JUST WON AN AWARD.
714
00:46:42,380 --> 00:46:45,880
I DIDN'T
LOSE THEM, PA.
715
00:46:46,050 --> 00:46:47,720
I HID THEM
IN AN OLD LOG...
716
00:46:47,890 --> 00:46:52,180
SO I WOULDN'T
HAVE TO WEAR THEM.
717
00:46:52,350 --> 00:46:56,890
NELLIE KEPT CALLING
ME FOUR-EYES.
718
00:46:57,060 --> 00:46:59,610
I'M SORRY I LIED.
719
00:47:01,190 --> 00:47:03,690
I KIND OF THOUGHT IT WAS
SOMETHING LIKE THAT.
720
00:47:08,160 --> 00:47:09,280
AH, COME HERE.
721
00:47:11,580 --> 00:47:13,790
I KNOW YOU DIDN'T
WANT TO LIE.
722
00:47:15,790 --> 00:47:19,460
THAT OLD SAYING
ISN'T TRUE, IS IT,
ABOUT STICKS AND STONES?
723
00:47:19,630 --> 00:47:20,630
NAMES DO HURT.
724
00:47:20,790 --> 00:47:22,090
THEY SURE DO.
725
00:47:22,250 --> 00:47:23,550
I KNOW THEY DO.
726
00:47:25,800 --> 00:47:28,130
BUT YOU GOT
THE CERTIFICATE.
727
00:47:28,300 --> 00:47:31,220
SO NO MORE TEARS,
ALL RIGHT?
728
00:47:31,390 --> 00:47:32,550
ALL RIGHT.
729
00:47:32,720 --> 00:47:34,680
I THINK WE OUGHT
TO TAKE IT HOME
AND SHOW YOUR MA.
730
00:47:34,850 --> 00:47:36,230
YOU KEEP GOING
THE WAY YOU ARE,
731
00:47:36,390 --> 00:47:39,690
YOU'RE GOING TO BE
AS GOOD A TEACHER
AS MISS BEADLE.
732
00:47:39,850 --> 00:47:41,980
THAT'S RIGHT, PA.
733
00:47:42,150 --> 00:47:43,820
JUST LIKE
MISS BEADLE.
734
00:47:45,030 --> 00:47:46,150
COME ON.
53421
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