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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:26,794 --> 00:00:29,997 CAPTIONING MADE POSSIBLE BY HOME BOX OFFICE, INC. 2 00:02:39,627 --> 00:02:41,128 SORRY. 3 00:02:48,302 --> 00:02:50,271 GOOD MORNING, SHERIFF EPWORTH. 4 00:02:50,304 --> 00:02:52,306 GOOD MORNING, BILLY RAY. 5 00:02:52,340 --> 00:02:56,109 I'LL BET YOU NEVER SEEN A DAY THIS PRETTY IN... 6 00:02:56,143 --> 00:02:57,311 UH... 7 00:02:57,345 --> 00:02:58,779 BOSTON. 8 00:02:58,812 --> 00:03:01,749 ACTUALLY, BOSTON CAN BE QUITE BEAUTIFUL, SHERIFF. 9 00:03:29,310 --> 00:03:30,744 OH, NETTIE! 10 00:03:30,778 --> 00:03:33,281 SORRY MAMA. BILLY RAY IS HERE. 11 00:03:33,314 --> 00:03:35,283 I NEVER WOULD HAVE KNOWN. 12 00:03:43,791 --> 00:03:45,793 NETTIE, NO MORE BILLY RAY. 13 00:03:45,826 --> 00:03:47,795 IT'S MR. SMITH, OK? 14 00:03:47,828 --> 00:03:49,797 [KNOCK ON DOOR] 15 00:03:49,830 --> 00:03:51,265 OK. 16 00:03:51,599 --> 00:03:53,567 MORNING, BILLY RAY. 17 00:03:53,601 --> 00:03:55,369 NETTIE. 18 00:03:55,403 --> 00:03:57,070 MORNING, MRS. TULEEN. 19 00:04:09,550 --> 00:04:12,486 OH, NETTIE. YOU NEED TO BE CAREFUL. 20 00:04:12,520 --> 00:04:14,021 I'LL GET THEM. 21 00:04:14,054 --> 00:04:17,024 YOU HAVE TO TAKE CARE OF THESE BOOKS. 22 00:04:22,563 --> 00:04:25,533 DO YOU EVER THINK ABOUT ME, BILLY RAY? 23 00:04:25,566 --> 00:04:27,501 OF COURSE I DO. 24 00:04:27,535 --> 00:04:29,036 I USUALLY WONDER 25 00:04:29,069 --> 00:04:32,039 WHETHER YOU'RE DOING YOUR HOMEWORK OR NOT. 26 00:04:32,072 --> 00:04:33,541 NO. I MEAN, 27 00:04:33,574 --> 00:04:37,044 DO YOU EVER THINK OF ME AS A WOMAN? 28 00:04:37,077 --> 00:04:40,047 SOMEDAY YOU'LL BE A VERY BEAUTIFUL WOMAN. 29 00:04:40,080 --> 00:04:42,550 IN OTHER WORDS, YOU DON'T. 30 00:04:42,583 --> 00:04:45,018 WHEN YOU'RE A LITTLE GIRL, 31 00:04:45,052 --> 00:04:47,555 YOU WANT TO BECOME A WOMAN. 32 00:04:47,588 --> 00:04:49,590 WHEN YOU'RE A GROWN WOMAN, 33 00:04:49,623 --> 00:04:54,161 YOU REALIZE HOW IMPORTANT IT IS TO BE A GIRL. 34 00:04:54,194 --> 00:04:56,163 IT'S DIFFERENT FOR A MAN. 35 00:04:56,196 --> 00:04:58,566 WHEN HE'S A BOY, HE'S EXPECTED TO BEHAVE. 36 00:04:58,599 --> 00:05:01,068 BUT WHEN HE BECOMES A MAN, 37 00:05:01,101 --> 00:05:04,037 HE HAS TO STAND TALL, SPEAK THE TRUTH, 38 00:05:04,071 --> 00:05:06,340 MAKE AN HONEST DAY'S LIVING, 39 00:05:06,374 --> 00:05:09,977 AND BE ABLE TO LOOK OTHER MEN IN THE EYE 40 00:05:10,010 --> 00:05:11,512 WITHOUT FLINCHING. 41 00:05:11,545 --> 00:05:13,481 GOOD MORNING, BILLY RAY! 42 00:05:13,514 --> 00:05:14,682 MORNING. 43 00:05:14,715 --> 00:05:17,017 BEAUTIFUL MORNING FOR PROCREATION. 44 00:05:17,050 --> 00:05:22,523 "BE FRUITFUL AND MULTIPLY", SAITH THE LORD. 45 00:05:22,556 --> 00:05:25,258 HA HA HA! 46 00:05:28,028 --> 00:05:29,597 BILLY RAY! 47 00:05:41,208 --> 00:05:44,545 NOW THINK ABOUT THIS FOR A MINUTE, LON. 48 00:05:44,578 --> 00:05:47,548 LET'S SAY YOU HAD 7 CHICKENS, 49 00:05:47,581 --> 00:05:52,019 AND YOUR NEIGHBOR CAME OVER AND TOOK AWAY 3 OF THEM. 50 00:05:52,052 --> 00:05:55,055 HOW MANY WOULD YOU HAVE LEFT? 51 00:05:58,091 --> 00:06:02,496 I THINK I'D HAVE 7 'CAUSE MY DADDY WOULD SHOOT HIM 52 00:06:02,530 --> 00:06:05,499 BEFORE HE GOT OUT THE HEN HOUSE. 53 00:06:05,533 --> 00:06:07,501 HA HA HA! 54 00:06:07,535 --> 00:06:10,504 I THINK THAT'S ENOUGH ARITHMETIC FOR TODAY, LON. 55 00:06:10,538 --> 00:06:12,506 WHY DON'T YOU SIT DOWN? 56 00:06:12,540 --> 00:06:14,007 HA HA HA! 57 00:06:17,044 --> 00:06:20,013 WE'RE STARTING A NEW KID DURANGO BOOK TODAY. 58 00:06:20,047 --> 00:06:23,451 THIS IS ONE MY PERSONAL FAVORITES. 59 00:06:23,484 --> 00:06:26,153 IS THERE A GIRL IN THIS ONE? 60 00:06:26,186 --> 00:06:28,021 YES, THERE IS, NETTIE. 61 00:06:28,055 --> 00:06:29,523 AW! AW! 62 00:06:29,557 --> 00:06:31,992 THERE'S SOMETHING IN HERE FOR EVERYONE. 63 00:06:32,025 --> 00:06:35,028 WE COULD GO BACK TO THE ARITHMETIC. 64 00:06:35,062 --> 00:06:36,530 NO! NO! 65 00:06:38,065 --> 00:06:41,835 "KID DURANGO OF ARIZONA-- THE DUST DEVILS. 66 00:06:43,937 --> 00:06:47,641 "THE LAYER OF DEW THAT COVERED THE PRAIRIE 67 00:06:47,675 --> 00:06:49,209 "DISAPPEARED QUICKLY 68 00:06:49,242 --> 00:06:51,812 "AS THE SUN ROSE OVER THE FOOTHILLS. 69 00:06:51,845 --> 00:06:53,380 "THE MOON HUNG AROUND FOR A WHILE 70 00:06:53,413 --> 00:06:56,049 "AND THEN SUNK FAR BELOW THE RANGES. 71 00:06:56,083 --> 00:06:59,453 "THE DAY BEGAN LIKE A THOUSAND OTHER ARIZONA DAYS. 72 00:06:59,487 --> 00:07:06,026 "THAT WAS... UNTIL THE CLOUD CAME. 73 00:07:06,059 --> 00:07:08,462 "IT BEGAN ON THE HORIZON-- 74 00:07:08,496 --> 00:07:12,633 "SHADOWS OF DUST MOVING AT GREAT SPEED, 75 00:07:12,666 --> 00:07:17,004 AND THEN THE POUNDING HOOVES ON THE HARD GROUND." 76 00:07:27,447 --> 00:07:29,517 "AS THE WHIRLWIND GOT CLOSER, 77 00:07:29,550 --> 00:07:32,019 "YOU COULD SEE INTO THE DUST-- 78 00:07:32,052 --> 00:07:35,088 "THE SHAPES OF HORSES AND THEN THE RIDERS, 79 00:07:35,122 --> 00:07:38,025 "RIDERS WITH GUNS ON BOTH HIPS 80 00:07:38,058 --> 00:07:39,993 "AND BANDOLEERS ACROSS THEIR CHESTS. 81 00:07:40,027 --> 00:07:42,496 "THEY RODE HARD. 82 00:07:42,530 --> 00:07:45,533 "THEY RODE WITH A PURPOSE. 83 00:07:45,566 --> 00:07:48,836 "AS THEY APPROACHED THE TOWN, 84 00:07:48,869 --> 00:07:51,539 THEY REINED BACK ON THEIR HORSES." 85 00:08:02,015 --> 00:08:04,151 "THE DUST AROUND THEM SETTLED, 86 00:08:04,184 --> 00:08:06,987 "AND YOU COULD SEE THEIR FACES-- 87 00:08:07,020 --> 00:08:09,957 "FACES WEATHERED BY THE MEXICAN SUN, 88 00:08:09,990 --> 00:08:12,660 FACES MARKED BY VIOLENCE." 89 00:08:12,693 --> 00:08:14,995 [HORSE NEIGHING] 90 00:08:16,530 --> 00:08:18,498 HA HA HA! 91 00:08:37,551 --> 00:08:40,988 "WHEN THE CITIZENS OF THE TOWN SAW THE RIDERS, 92 00:08:41,021 --> 00:08:42,522 "THEY INSTINCTIVELY WITHDREW 93 00:08:42,556 --> 00:08:44,992 "INTO THE SHADOWS OF THE BOARDWALK. 94 00:08:45,025 --> 00:08:47,027 "MANY OF THE MERCHANTS 95 00:08:47,060 --> 00:08:49,630 "WENT INSIDE THEIR SHOPS AND LOCKED THEIR DOORS. 96 00:08:49,663 --> 00:08:52,532 "SHADES CAME DOWN, CLOSED SIGNS APPEARED 97 00:08:52,566 --> 00:08:56,536 AS THE TOWN PREPARED TO LOOK THE OTHER WAY." 98 00:09:13,486 --> 00:09:16,456 "IT WAS PRETTY CLEAR WHY THEY WERE THERE. 99 00:09:16,489 --> 00:09:19,593 "THEY HAD AN APPOINTMENT AT THE BANK, 100 00:09:19,627 --> 00:09:22,996 AND IT WASN'T TO MAKE A DEPOSIT." 101 00:09:23,030 --> 00:09:25,265 HA HA HA! 102 00:09:39,880 --> 00:09:41,849 HA HA HA! 103 00:10:28,595 --> 00:10:30,563 HA HA HA! 104 00:10:34,067 --> 00:10:37,537 "THEY WERE A RUTHLESS BAND OF THIEVES AND KILLERS 105 00:10:37,570 --> 00:10:40,974 WITH NO REGARD FOR HUMAN LIFE." 106 00:10:48,115 --> 00:10:52,585 "IT WAS AS IF THEY WERE PUT ON THIS EARTH BY THE DEVIL 107 00:10:52,619 --> 00:10:55,088 "TO TORMENT DECENT, GOD-FEARING FOLKS 108 00:10:55,122 --> 00:10:58,091 WHO WORKED HARD TO MAKE AN HONEST LIVING." 109 00:10:58,125 --> 00:10:59,126 [GUNSHOT] 110 00:10:59,159 --> 00:11:00,627 A GUNSHOT. 111 00:11:00,660 --> 00:11:04,031 IT'S JUST LIKE IN THE STORY, BILLY RAY. 112 00:11:07,935 --> 00:11:10,470 THEY GOT GUNS! THEY'RE COMING! 113 00:11:10,503 --> 00:11:12,740 STAY IN YOUR SEATS! 114 00:11:15,976 --> 00:11:20,013 STAY IN YOUR SEATS! STAY IN YOUR SEATS! 115 00:11:21,081 --> 00:11:23,650 I'LL GO SEE. STAY IN HERE! 116 00:11:25,252 --> 00:11:26,820 NETTIE, MOVE! 117 00:11:26,854 --> 00:11:28,521 MOVE! 118 00:11:28,555 --> 00:11:30,690 THIS IS REAL, NETTIE! NETTIE! 119 00:11:33,093 --> 00:11:35,062 [SPEAKING SPANISH] 120 00:11:36,429 --> 00:11:38,065 OH! OH! 121 00:11:38,098 --> 00:11:39,032 HYAH! HYAH! 122 00:11:39,066 --> 00:11:41,301 LET ME GO! 123 00:11:41,334 --> 00:11:44,204 PLEASE PUT HER DOWN. 124 00:11:44,237 --> 00:11:45,873 BILLY! BILLY! 125 00:11:45,906 --> 00:11:47,674 SENOR! SENOR! 126 00:11:47,707 --> 00:11:49,076 HOLA. 127 00:11:49,109 --> 00:11:51,111 PLEASE. 128 00:11:51,144 --> 00:11:52,612 BILLY RAY! 129 00:11:54,481 --> 00:11:55,515 NETTIE! 130 00:11:55,548 --> 00:11:56,884 GRINGO! 131 00:11:58,618 --> 00:12:01,121 WAIT! WAIT! 132 00:12:01,154 --> 00:12:02,589 NETTIE! NETTIE! 133 00:12:04,024 --> 00:12:04,992 HELP ME! 134 00:12:05,025 --> 00:12:06,193 AAH! 135 00:12:06,226 --> 00:12:08,061 GRINGO! 136 00:12:08,095 --> 00:12:10,030 AAH! 137 00:12:10,063 --> 00:12:11,999 HA HA HA! 138 00:12:12,032 --> 00:12:14,534 BILLY! 139 00:12:14,567 --> 00:12:16,203 HA HA HA! 140 00:12:23,576 --> 00:12:26,046 WHO IN THE HELL WAS THAT? 141 00:12:26,079 --> 00:12:28,515 THEY SHOT HAROLD AND MR. WEST. 142 00:12:28,548 --> 00:12:30,550 WHERE THE HELL'S THE SHERIFF? 143 00:12:30,583 --> 00:12:32,052 SLEEPING, PROBABLY. 144 00:12:32,085 --> 00:12:35,055 WAKE HIM UP. ROUND UP A POSSE. 145 00:12:35,088 --> 00:12:37,424 THEY TOOK THE TULEEN GIRL! 146 00:12:37,457 --> 00:12:38,892 OH, MY GOD! 147 00:12:38,926 --> 00:12:41,394 MOUNT UP. 148 00:12:41,428 --> 00:12:42,729 ALL RIGHT! 149 00:12:44,597 --> 00:12:46,566 I THINK THEY RODE SOUTH, BOYS. 150 00:12:46,599 --> 00:12:48,035 COME ON, BOYS! LET'S GO. 151 00:12:48,068 --> 00:12:49,536 BILLY RAY? 152 00:12:49,569 --> 00:12:51,571 BILLY RAY, YOU ALL RIGHT? 153 00:12:51,604 --> 00:12:53,573 LOOKING KIND OF PEAKED. 154 00:12:53,606 --> 00:12:56,910 SOMEBODY BETTER GO GET THE DOC. 155 00:12:58,078 --> 00:13:00,080 THEY HAVE MY NETTIE! 156 00:13:39,586 --> 00:13:42,722 I HAVEN'T HEARD ANYTHING. 157 00:13:44,591 --> 00:13:46,526 IS MY DAUGHTER THERE? 158 00:13:46,559 --> 00:13:49,029 CAN ANYONE SEE MY NETTIE THERE? 159 00:13:49,062 --> 00:13:50,998 BILLY RAY, CAN YOU SEE? 160 00:13:51,031 --> 00:13:52,565 YEAH. HORSES. 161 00:13:52,599 --> 00:13:54,067 LOOK AT THAT. 162 00:13:54,101 --> 00:13:56,103 LOOKS LIKE JUST ONE RIDER. 163 00:13:56,136 --> 00:13:59,039 I DON'T THINK THERE'S ANYBODY ON THEM HORSES. 164 00:13:59,072 --> 00:14:01,474 I SEE THE SHERIFF. 165 00:14:01,508 --> 00:14:03,010 NAW! 166 00:14:03,043 --> 00:14:05,078 I SWEAR THAT'S HIM. 167 00:14:09,216 --> 00:14:11,218 WHERE ARE THE OTHERS? 168 00:14:18,058 --> 00:14:20,527 SHERIFF, YOU DON'T LOOK SO GOOD. 169 00:14:20,560 --> 00:14:22,495 SOMEBODY GET THE DOC! 170 00:14:22,529 --> 00:14:25,665 THAT'S JETHRO'S HORSE. WHERE THE HELL'S JETHRO? 171 00:14:27,234 --> 00:14:29,536 THERE'S BLOOD ON THE SADDLE. 172 00:14:29,569 --> 00:14:31,538 WHAT THE HELL HAPPENED, SHERIFF? 173 00:14:33,573 --> 00:14:37,010 OH, LORDY. THEY'VE CUT OUT HIS TONGUE! 174 00:14:37,044 --> 00:14:39,079 UUH! 175 00:14:44,051 --> 00:14:45,518 EXCUSE ME, DEPUTY. 176 00:14:45,552 --> 00:14:49,056 DID YOU SAY THAT THEY CUT OUT HIS TONGUE? 177 00:14:49,089 --> 00:14:51,558 HEY! HERE IT IS, RIGHT HERE! 178 00:14:54,561 --> 00:14:57,597 EVEN WITH A POSSE WE COULDN'T FIND THEM. 179 00:14:57,630 --> 00:14:59,732 U.S. GOVERNMENT AND THE FEDERALES 180 00:14:59,766 --> 00:15:02,169 BEEN SEARCHING FOR HIM FOR YEARS. 181 00:15:02,202 --> 00:15:04,604 I'LL TELL YOU SOMETHING ABOUT EL DIABLO. 182 00:15:04,637 --> 00:15:07,674 THEY DID FIND HIM ONCE. 183 00:15:07,707 --> 00:15:11,511 CAUGHT HIM DOWN IN AMOS-- BORDER TOWN NORTH OF LAREDO. 184 00:15:11,544 --> 00:15:14,914 CAUGHT, TRIED, AND HANGED HIM IN THE SAME NIGHT, 185 00:15:14,948 --> 00:15:17,917 BUT HE WOULDN'T DIE. 186 00:15:17,951 --> 00:15:21,021 HE JUST HANGED THERE BY HIS NECK, 187 00:15:21,054 --> 00:15:24,324 SPITTING AT THE CROWD LIKE THEY DISGUSTED HIM. 188 00:15:24,357 --> 00:15:26,826 CUSSED SO BAD, THE WOMENFOLK LEFT. 189 00:15:26,859 --> 00:15:29,696 I WAS THERE WHEN THEY CUT HIM DOWN. 190 00:15:29,729 --> 00:15:32,099 THANKFULLY, I LEFT WHEN I DID. 191 00:15:32,132 --> 00:15:35,368 THREE DAYS LATER-- SO THE STORY GOES-- 192 00:15:35,402 --> 00:15:38,538 EL DIABLO RETURNED TO AMOS WITH HIS MEN 193 00:15:38,571 --> 00:15:42,609 AND CUT OUT THE HEART OF EVERY MAN, WOMAN, AND CHILD 194 00:15:42,642 --> 00:15:45,045 IN THE WHOLE BLESSED TOWN 195 00:15:45,078 --> 00:15:49,016 AND JUST LEFT HIM THERE TO BLEACH IN THE SUN. 196 00:15:49,049 --> 00:15:50,017 AAH! 197 00:15:50,050 --> 00:15:51,518 [CRYING] 198 00:15:51,551 --> 00:15:54,454 PRETTY SOON, THEY STARTED TO ROT. 199 00:15:54,487 --> 00:15:56,056 THE BUZZARDS COME 200 00:15:56,089 --> 00:15:58,525 AND STARTED PECKING OUT THEIR EYEBALLS. 201 00:15:58,558 --> 00:16:00,560 THAT'S ENOUGH OF THAT! 202 00:16:00,593 --> 00:16:03,096 DEVIL DON'T NEVER DIE! NO, SIR! 203 00:16:03,130 --> 00:16:06,799 NO ONE WILL DO ANYTHING ABOUT GETTING MY NETTIE BACK! 204 00:16:06,833 --> 00:16:10,170 PROBABLY ALREADY CUT OUT HER HEART AND EATEN IT. 205 00:16:10,203 --> 00:16:13,173 I DIDN'T SAY NOTHING ABOUT EATING THEIR HEARTS. 206 00:16:13,206 --> 00:16:16,043 HE JUST CUT THEM OUT AND LEFT. 207 00:16:16,076 --> 00:16:17,010 SPIVEY! 208 00:16:17,044 --> 00:16:18,945 WELL, I'M SORRY, DEPUTY. 209 00:16:18,978 --> 00:16:21,981 OR ARE YOU THE SHERIFF NOW? 210 00:16:22,015 --> 00:16:24,584 'CAUSE IF YOU ARE, 211 00:16:24,617 --> 00:16:28,188 THEN IT'S YOUR RESPONSIBILITY TO GO AFTER EL DIABLO. 212 00:16:28,221 --> 00:16:31,458 WHAT ARE YOU GOING TO DO ABOUT IT, SHERIFF? 213 00:16:31,491 --> 00:16:32,992 WELL, IN THE LAST REPORT, 214 00:16:33,026 --> 00:16:36,529 THE DOC SAID THE SHERIFF'S FEELING MUCH BETTER. 215 00:16:36,563 --> 00:16:37,930 [CLUCK CLUCK] 216 00:16:37,964 --> 00:16:41,134 HE'S BEEN WORKING ON HIS SIGN LANGUAGE, TOO. 217 00:16:41,168 --> 00:16:42,535 HA HA HA! 218 00:16:42,569 --> 00:16:45,038 SPIVEY'S RIGHT. YOU'RE THE NEW SHERIFF. 219 00:16:45,072 --> 00:16:46,673 WE PAY YOU. 220 00:16:46,706 --> 00:16:48,041 THAT'S RIGHT. 221 00:16:48,075 --> 00:16:50,543 I INTEND TO BRING NETTIE BACK. 222 00:16:51,978 --> 00:16:53,546 THAT'S BILLY RAY! 223 00:16:53,580 --> 00:16:55,082 HA HA HA! 224 00:16:55,115 --> 00:16:58,051 HOW YOU PLANNING ON DOING THAT, BOY? 225 00:16:58,085 --> 00:17:00,253 I INTEND TO BRING BACK NETTIE. 226 00:17:00,287 --> 00:17:02,989 YOU AND WHO ELSE, SCHOOLTEACHER? 227 00:17:03,022 --> 00:17:05,992 YOU CAN'T GET EL DIABLO WITH A BOOK. 228 00:17:06,025 --> 00:17:09,028 WELL, ME AND KID DURANGO, THAT'S WHO. 229 00:17:09,062 --> 00:17:10,863 HO HO HO! 230 00:17:10,897 --> 00:17:13,366 I MEAN, KID DURANGO AND I. 231 00:17:13,400 --> 00:17:16,103 HEY, CHARLIE, YOU GOT COMPETITION. 232 00:17:16,136 --> 00:17:18,871 CAN'T EVEN SHOOT A GUN! 233 00:17:18,905 --> 00:17:20,740 BILLY RAY! 234 00:17:20,773 --> 00:17:23,576 I INTEND TO LEARN TO SHOOT A GUN. 235 00:17:23,610 --> 00:17:26,313 EL DIABLO WILL DROP A LOAD OF MANURE IN HIS PANTS 236 00:17:26,346 --> 00:17:28,781 WHEN HE SEES YOU COMING AT HIM. 237 00:17:28,815 --> 00:17:30,250 HA HA HA! 238 00:17:55,675 --> 00:17:58,044 WELL, I DO KNOW ONE MAN. 239 00:17:58,077 --> 00:18:02,282 MY SECOND COUSIN, MAGGIE SUE'S BROTHER-IN-LAW, 240 00:18:02,315 --> 00:18:04,117 J.D. SHONES. 241 00:18:04,151 --> 00:18:05,452 YEAH? 242 00:18:05,485 --> 00:18:08,921 HE'S SOME KIND OF LAWMAN NOW. 243 00:18:08,955 --> 00:18:10,757 TEXAS RANGER. 244 00:18:11,858 --> 00:18:15,027 HE'S SUPPOSED TO HAVE RODE WITH KID DURANGO. 245 00:18:18,298 --> 00:18:20,333 TELL YOU THE TRUTH, 246 00:18:20,367 --> 00:18:23,069 WE NEVER HAD ALL THAT MUCH TO DO WITH HIM. 247 00:18:23,102 --> 00:18:27,740 SORT OF THE DISGRACE OF THE FAMILY, YOU KNOW? 248 00:18:32,512 --> 00:18:35,515 HE SHOT AND KILLED MY COUSIN DEKE 249 00:18:35,548 --> 00:18:38,518 ABOUT EIGHT YEARS AGO UP IN SONOMA. 250 00:18:38,551 --> 00:18:42,021 HE ALSO SHOT AND KILLED MY DADDY'S BROTHER EDWARD. 251 00:18:45,024 --> 00:18:47,026 WHERE IS HE NOW? 252 00:18:47,059 --> 00:18:50,230 WELL, LAST TIME I HEARD, HE WAS UP IN MILLENIUM. 253 00:18:50,263 --> 00:18:53,333 SOME KIND OF MARSHAL OR RANGER UP THERE. 254 00:18:53,366 --> 00:18:55,668 HELL, AIN'T BUT A TURD'S DIFFERENCE 255 00:18:55,702 --> 00:18:59,272 BETWEEN J.D. AND THE SCUM HE HAULS IN, 256 00:18:59,306 --> 00:19:02,775 BUT IF ANYBODY CAN HELP YOU FIND KID DURANGO, 257 00:19:02,809 --> 00:19:04,577 IT WOULD BE HIM. 258 00:19:07,580 --> 00:19:10,049 YOU NEED BIGGER BOTTLES. 259 00:20:07,740 --> 00:20:09,208 OH! 260 00:20:12,512 --> 00:20:15,214 YOU BE DARN CAREFUL WHO YOU SHOW THAT TO. 261 00:20:15,248 --> 00:20:17,216 YES, SIR. 262 00:20:23,155 --> 00:20:26,092 SHERIFF EPWORTH WROTE YOU THIS NOTE. 263 00:20:28,661 --> 00:20:30,096 "DON'T GO." 264 00:20:33,533 --> 00:20:35,668 YOU THANK HIM FOR THE ADVICE. 265 00:20:35,702 --> 00:20:38,505 YOU'RE A DARN FOOL, BILLY RAY. 266 00:20:38,538 --> 00:20:40,940 YES, SIR. I KNOW. 267 00:20:42,241 --> 00:20:44,010 COME ON, ROJO. 268 00:20:44,043 --> 00:20:48,715 ONLY GOD CAN KILL THE DEVIL, BILLY RAY. 269 00:20:52,151 --> 00:20:54,053 FORWARD. 270 00:21:20,513 --> 00:21:22,482 GIDDY-UP. 271 00:21:22,515 --> 00:21:25,051 GIDDY-UP. 272 00:21:26,319 --> 00:21:28,254 THAT A-- WHOA! WHOA, SETTLE DOWN. 273 00:21:28,287 --> 00:21:30,189 IT'S ALL RIGHT. WHOA. 274 00:21:30,222 --> 00:21:31,824 WHOA. WHOA. 275 00:21:31,858 --> 00:21:33,526 WHOA-A-A! 276 00:21:33,560 --> 00:21:34,894 [BANG] 277 00:21:38,331 --> 00:21:40,867 BILLY RAY DONE SHOT HIS HORSE! 278 00:21:45,772 --> 00:21:49,609 MY JOURNEY DID NOT BEGIN ON A GOOD NOTE. 279 00:21:49,642 --> 00:21:52,111 I WAS DETERMINED TO PRESS ON. 280 00:21:52,144 --> 00:21:54,447 AFTER ARRANGING AN ALTERNATE MODE OF TRANSPORT, 281 00:21:54,481 --> 00:21:57,116 I ARRIVED IN MILLENIUM THREE DAYS LATER. 282 00:22:11,564 --> 00:22:13,366 AHEM. 283 00:22:13,400 --> 00:22:15,334 EXCUSE ME. 284 00:22:18,471 --> 00:22:21,508 WHERE COULD I FIND MR. J.D. SHONES? 285 00:22:21,541 --> 00:22:25,077 WHAT DO YOU WANT WITH HIM, SONNY? 286 00:22:25,111 --> 00:22:28,180 I JUST HAVE A VERY IMPORTANT QUESTION 287 00:22:28,214 --> 00:22:30,282 I'D LIKE TO ASK HIM. 288 00:22:30,316 --> 00:22:33,553 YOU SHOULD HAVE ASKED HIM YESTERDAY. 289 00:22:33,586 --> 00:22:35,955 ALL ABOARD! 290 00:22:36,856 --> 00:22:39,726 WE ARE NOW COMMITTING THIS MAN MR. JONES-- 291 00:22:39,759 --> 00:22:44,130 UH, MR. SHONE TO HIS LIFE IN THE HEREAFTER. 292 00:22:44,163 --> 00:22:47,400 WE WOULD LIKE TO TAKE A MOMENT 293 00:22:47,434 --> 00:22:50,403 TO ACKNOWLEDGE HIS CONTRIBUTIONS TO OUR COMMUNITY. 294 00:22:50,437 --> 00:22:55,241 AS SHERIFF, HE SERVED THE PUBLIC TO THE BEST OF HIS ABILITIES. 295 00:22:55,274 --> 00:22:58,244 HE SHOT EIGHT MEN AND THREE WOMEN, 296 00:22:58,277 --> 00:23:01,681 MOST OF WHOM WERE ENGAGED IN BREAKING THE LAW. 297 00:23:01,714 --> 00:23:05,151 I'M SURE THE OTHERS WERE HONEST MISTAKES. 298 00:23:05,184 --> 00:23:07,587 WHAT HAPPENED? 299 00:23:07,620 --> 00:23:09,155 FRIEND OF YOURS? 300 00:23:09,188 --> 00:23:11,658 SORT OF. 301 00:23:11,691 --> 00:23:14,193 YEAH. SAME HERE. 302 00:23:17,196 --> 00:23:19,599 SORT OF. 303 00:23:19,632 --> 00:23:22,001 YOU GOT BUSINESS WITH J.D.? 304 00:23:22,034 --> 00:23:23,503 YEAH. 305 00:23:26,338 --> 00:23:28,407 WELL, I'M THE SHERIFF NOW. 306 00:23:28,441 --> 00:23:31,277 MAYBE I CAN BE OF SOME ASSISTANCE. 307 00:23:31,310 --> 00:23:32,645 [GUNSHOT] 308 00:23:33,946 --> 00:23:35,948 ...AMEN. 309 00:23:38,485 --> 00:23:41,120 THROW THE DIRT ON HIM. LET'S GET OUT OF HERE. 310 00:23:41,153 --> 00:23:42,889 COME ON. 311 00:23:42,922 --> 00:23:46,292 YOU RELATED TO HIM? 312 00:23:46,325 --> 00:23:48,461 NO, SIR. 313 00:24:00,740 --> 00:24:03,810 JERAMIAH, COME ALONG RIGHT NOW! 314 00:24:03,843 --> 00:24:05,411 I WANT TO WATCH. 315 00:24:05,444 --> 00:24:08,347 I WANT TO THANK YOU FOR DISTRACTING HIM FOR ME. 316 00:24:32,204 --> 00:24:34,373 WHAT YOU LOOKIN' AT? 317 00:24:34,406 --> 00:24:36,509 YOU JUST SHOT HIM IN THE BACK. 318 00:24:36,543 --> 00:24:38,344 HIS BACK WAS TO ME. 319 00:24:38,377 --> 00:24:41,147 COME ON, BOY. HELP ME OUT OF THIS HOLE. 320 00:24:41,180 --> 00:24:43,950 COME ON! HELP ME OUT. 321 00:24:43,983 --> 00:24:46,653 BESIDES... 322 00:24:46,686 --> 00:24:49,656 HE SHOT J.D. IN THE BACK. 323 00:24:49,689 --> 00:24:51,524 JUST SEEMED RIGHT. 324 00:24:51,558 --> 00:24:53,492 HE KILLED J.D.? 325 00:24:53,526 --> 00:24:55,962 YEAH. HE WANTED TO BE SHERIFF REAL BAD. 326 00:24:55,995 --> 00:24:58,931 NOW HE'S SHERIFF, REAL BAD. 327 00:25:07,874 --> 00:25:11,010 RIO HERE DON'T LIKE GUNFIRE. 328 00:25:11,043 --> 00:25:13,045 HURTS HIS EARS. 329 00:25:13,079 --> 00:25:17,950 MAYBE YOU CAN TELL ME WHERE I CAN FIND KID DURANGO. 330 00:25:17,984 --> 00:25:20,687 WHAT DO YOU WANT HIM FOR? 331 00:25:20,720 --> 00:25:23,322 THEY SAY HE'S THE FASTEST GUN IN THE WEST. 332 00:25:23,355 --> 00:25:24,824 OH, YEAH? 333 00:25:24,857 --> 00:25:27,560 I WANT TO HIRE HIM. 334 00:25:29,428 --> 00:25:31,530 YOU GOT ANY MONEY? 335 00:25:31,564 --> 00:25:33,465 MAYBE. 336 00:25:33,499 --> 00:25:34,734 WELL... 337 00:25:34,767 --> 00:25:37,103 HIRE ME. 338 00:25:39,005 --> 00:25:41,273 I AIN'T AS FAST AS I USED TO BE, 339 00:25:41,307 --> 00:25:43,910 BUT I CHEAT REAL GOOD. 340 00:25:46,545 --> 00:25:49,181 FAST DON'T MEAN A WHOLE LOT THESE DAYS. 341 00:25:49,215 --> 00:25:52,484 US PROFESSIONAL FOLKS ARE TIRED OF FIGHTING FAIR 342 00:25:52,518 --> 00:25:54,887 AND DYING FOR IT. 343 00:25:54,921 --> 00:25:56,789 DO YOU KNOW KID DURANGO? 344 00:25:56,823 --> 00:25:58,758 YEAH. I KNOW HIM. 345 00:25:58,791 --> 00:26:00,727 COULD YOU TAKE ME TO HIM? 346 00:26:02,328 --> 00:26:05,064 WHERE ARE YOU FROM, BOY? 347 00:26:05,097 --> 00:26:07,700 ORIGINALLY, BOSTON, MASSACHUSETTS. 348 00:26:07,734 --> 00:26:09,602 OH, THAT FIGURES. 349 00:26:11,103 --> 00:26:13,773 I'M GETTING ON, RIO. 350 00:26:15,842 --> 00:26:18,077 WELL, MAYBE YOU COULD JUST-- 351 00:26:18,110 --> 00:26:20,680 YOU COULD POINT ME IN THE RIGHT DIRECTION, 352 00:26:20,713 --> 00:26:22,181 MR. UH... 353 00:26:22,214 --> 00:26:23,950 MR. UM... 354 00:26:23,983 --> 00:26:27,053 VAN LEEK. THOMAS VAN LEEK. 355 00:26:27,086 --> 00:26:29,789 I'D LIKE TO STAY HERE AND DRAW YOU A MAP, 356 00:26:29,822 --> 00:26:32,324 BUT I BETTER KEEP MOVING 357 00:26:32,358 --> 00:26:34,260 BEFORE SOMEBODY STARTS ASKING QUESTIONS 358 00:26:34,293 --> 00:26:37,363 ABOUT HOW THE SHERIFF GOT OUT OF OFFICE. 359 00:26:37,396 --> 00:26:39,899 ME AND RIO GOING TO HEAD FOR MEXICO. 360 00:26:39,932 --> 00:26:43,035 THE MAN I WISH TO APPREHEND IS IN MEXICO. 361 00:26:43,069 --> 00:26:46,205 MOUNT UP. YOU CAN TAG ALONG FOR A WHILE. 362 00:26:46,238 --> 00:26:49,508 I DON'T HAVE A HORSE. 363 00:27:01,487 --> 00:27:03,690 HEY! 364 00:27:03,723 --> 00:27:05,925 I'M SORRY, RIO. 365 00:27:05,958 --> 00:27:08,795 IF YOU WOULD BE SO KIND 366 00:27:08,828 --> 00:27:11,630 AS TO LEAVE THAT SADDLE WHERE IT IS, 367 00:27:11,664 --> 00:27:14,000 WE'LL BE ON OUR WAY. 368 00:27:14,033 --> 00:27:15,434 YES, SIR! 369 00:27:15,467 --> 00:27:17,036 YES! 370 00:27:31,851 --> 00:27:33,285 JUST A MINUTE! 371 00:27:49,235 --> 00:27:52,204 OH! WHOA! WHOA! 372 00:27:55,742 --> 00:27:58,210 OH! OH! OH! 373 00:28:04,183 --> 00:28:06,652 OH! OH! OH! 374 00:28:08,254 --> 00:28:09,621 AAH! 375 00:28:09,655 --> 00:28:11,523 AAH! 376 00:28:17,196 --> 00:28:19,665 OH! OH! OH! 377 00:28:28,474 --> 00:28:31,377 MY CONTACT IN MILLENIUM, MR. SHONES, 378 00:28:31,410 --> 00:28:33,279 HAD BEEN SHOT BY MR. MURPHY, 379 00:28:33,312 --> 00:28:37,349 WHO WAS IN TURN SHOT BY A MR. VAN LEEK. 380 00:28:37,383 --> 00:28:40,753 COINCIDTALLY, MR. VAN LEEK CLAIMED 381 00:28:40,787 --> 00:28:43,422 HE WAS A PERSONAL ACQUAINTANCE OF KID DURANGO. 382 00:28:43,455 --> 00:28:45,858 AFTER ARRANGING TRANSPORTATION FOR ME, 383 00:28:45,892 --> 00:28:47,726 I AM PRESENTLY ACCOMPANYING HIM 384 00:28:47,760 --> 00:28:49,628 ON HIS JOURNEY TO MEXICO. 385 00:28:49,661 --> 00:28:51,530 I'M COUNTING ON HIM PROVIDING ME 386 00:28:51,563 --> 00:28:53,465 WITH A FORMAL INTRODUCTION TO KID DURANGO 387 00:28:53,499 --> 00:28:55,434 WHEN WE REACH HIS HIDE-OUT. 388 00:29:01,941 --> 00:29:06,478 UH, HOW MUCH WAS YOU FIXING TO PAY 389 00:29:06,512 --> 00:29:08,380 THIS KID DURANGO 390 00:29:08,414 --> 00:29:11,417 FOR THIS JOB YOU NEEDED TO BE DONE? 391 00:29:12,952 --> 00:29:15,888 WHATEVER THE GOING RATE-- THE FAIR RATE-- 392 00:29:15,922 --> 00:29:17,890 HAPPENS TO BE. 393 00:29:21,393 --> 00:29:25,231 YOU NEVER DID SAY WHAT IT WAS YOU NEEDED TO BE DONE. 394 00:29:25,264 --> 00:29:28,935 HARD TO COME UP WITH A PRICE IF YOU DON'T KNOW THAT. 395 00:29:28,968 --> 00:29:32,104 I WANT TO RESCUE A YOUNG GIRL 396 00:29:32,138 --> 00:29:34,040 WHO WAS KIDNAPED BY A MAN 397 00:29:34,073 --> 00:29:36,742 PRESUD TO BE NAMED EL DIABLO. 398 00:29:36,775 --> 00:29:40,046 I WANT TO BRING HIM AND HIS COMPATRIOTS TO JUSTICE. 399 00:29:49,255 --> 00:29:51,323 WHAT'S THE MATTER? 400 00:29:57,329 --> 00:30:00,299 YOU CAN'T RIDE. YOU CAN'T SHOOT. 401 00:30:00,332 --> 00:30:02,234 YOU CAN'T EVEN THINK, BOY. 402 00:30:02,268 --> 00:30:04,403 YOU'RE IN THE WRONG TERRITORY. 403 00:30:11,543 --> 00:30:13,279 GOD DAMN FOOL. 404 00:30:15,882 --> 00:30:17,783 COME ON, RIO! 405 00:30:17,816 --> 00:30:19,085 [NEIGH] 406 00:30:22,254 --> 00:30:23,455 COME ON. 407 00:30:30,362 --> 00:30:33,365 ADDITIONAL DETAILS CONCERNING MY TRIP 408 00:30:33,399 --> 00:30:35,401 SEEMED TO DISCOURAGE MR. VAN LEEK 409 00:30:35,434 --> 00:30:37,636 FROM CONTINUING THE JOURNEY TOGETHER. 410 00:30:37,669 --> 00:30:39,638 I WAS ONCE AGAIN ALONE, 411 00:30:39,671 --> 00:30:42,508 BUT NEVERTHELESS STILL DETERMINED TO PURSUE MY QUEST. 412 00:30:53,785 --> 00:30:54,720 WHOA. 413 00:30:54,753 --> 00:30:56,722 [HOOF BEATS] 414 00:30:56,755 --> 00:30:58,524 HMM. 415 00:30:58,557 --> 00:31:00,026 [GUNSHOTS] 416 00:31:01,393 --> 00:31:02,861 UH-OH. 417 00:31:02,895 --> 00:31:04,696 GIDDY-UP! 418 00:31:04,730 --> 00:31:06,198 [GUNSHOTS] 419 00:31:06,232 --> 00:31:08,500 DON'T LET HIM GET AWAY! 420 00:31:11,370 --> 00:31:12,871 [GUNSHOTS] 421 00:31:13,973 --> 00:31:16,408 SHOOT HIM DOWN! 422 00:31:28,520 --> 00:31:29,989 HUH! HUH! 423 00:31:35,194 --> 00:31:37,129 KEEP ON HIM! 424 00:31:37,163 --> 00:31:39,198 I CAN'T SEE HIM. 425 00:31:39,231 --> 00:31:42,234 DON'T LET HIM OUT OF YOUR SIGHT! 426 00:31:42,268 --> 00:31:43,735 [NEIGH] 427 00:31:43,769 --> 00:31:45,171 OH! 428 00:31:45,204 --> 00:31:47,139 WHERE DID HE GO? 429 00:31:47,173 --> 00:31:49,641 OVER THERE IN THE GULLY! 430 00:31:49,675 --> 00:31:52,278 I DON'T SEE NO GULLY! 431 00:31:52,311 --> 00:31:55,047 IT'S RIGHT IN FRONT OF YOU. 432 00:31:55,081 --> 00:31:56,715 I'M SORRY. 433 00:31:56,748 --> 00:31:58,650 THIS WAY, YOU JACKASS. 434 00:31:58,684 --> 00:31:59,952 LET'S GO. 435 00:31:59,986 --> 00:32:02,521 HOW COULD YOU GUYS LET HIM GET AWAY? 436 00:32:02,554 --> 00:32:05,691 YOU COULDN'T HIT WATER IF YOU FELL OUT OF A BOAT! 437 00:32:08,460 --> 00:32:09,728 OH! 438 00:32:09,761 --> 00:32:11,330 OH! OH! 439 00:32:11,363 --> 00:32:12,798 UH! 440 00:32:12,831 --> 00:32:14,066 UH! 441 00:32:14,100 --> 00:32:15,634 OOH! 442 00:32:19,871 --> 00:32:22,674 THERE HE IS! 443 00:32:22,708 --> 00:32:26,078 HA HA! WE GOT HIM NOW, BOYS! 444 00:32:26,112 --> 00:32:27,546 [PANTING] 445 00:32:27,579 --> 00:32:29,481 I TOLD YOU IT WAS A GULLY. 446 00:32:29,515 --> 00:32:31,750 LET ME HAVE THE FIRST SHOT! 447 00:32:31,783 --> 00:32:33,852 HE'S GOING IN THE SHITTER! 448 00:32:33,885 --> 00:32:36,122 AWFUL BIG ONE! 449 00:32:36,155 --> 00:32:39,791 ONE OF THEM THREE HOLERS I SAW IN A CATALOGUE. 450 00:32:39,825 --> 00:32:41,660 YOU CAN'T READ. 451 00:32:41,693 --> 00:32:43,162 COME ON, LET'S GET HIM! 452 00:32:43,195 --> 00:32:45,697 WAIT TILL HE GETS OUT. 453 00:32:45,731 --> 00:32:47,666 HE MIGHT BE IN THERE A WEEK. 454 00:32:59,578 --> 00:33:00,779 [GUNSHOT] 455 00:33:22,368 --> 00:33:24,170 [SHOOTING STOPS] 456 00:33:32,944 --> 00:33:34,913 YOU THINK WE GOT HIM? 457 00:33:34,946 --> 00:33:37,349 YEAH. GO ON OVER. MAKE SURE. 458 00:33:37,383 --> 00:33:39,285 YOU GO. YOU'RE CLOSER. 459 00:33:39,318 --> 00:33:40,819 THE HELL I AM. 460 00:33:40,852 --> 00:33:42,221 DICK'S CLOSEST. 461 00:33:42,254 --> 00:33:44,022 I WENT FIRST LAST WEEK. 462 00:33:44,056 --> 00:33:46,292 I WENT FIRST AND GOT SHOT, REMEMBER? 463 00:33:46,325 --> 00:33:49,428 OH, SHUT UP. 464 00:33:49,461 --> 00:33:51,397 IT WAS ONLY IN THE HEAD. 465 00:33:51,430 --> 00:33:54,300 I SAID SHUT UP. 466 00:33:54,333 --> 00:33:56,202 GOOD AFTERNOON. 467 00:33:56,235 --> 00:34:00,372 JESUS H. CHRIST, VAN LEEK, DON'T SNEAK UP LIKE THAT. 468 00:34:00,406 --> 00:34:02,308 I WASN'T SNEAKING. 469 00:34:03,875 --> 00:34:06,078 WHAT DO YOU WANT? 470 00:34:06,112 --> 00:34:09,348 JUST PASSING THROUGH. 471 00:34:11,850 --> 00:34:15,087 YOU GOT SOMEBODY HOLED UP IN THERE? 472 00:34:15,121 --> 00:34:18,257 WE DO. SNARED UP LIKE A RABBIT. 473 00:34:18,290 --> 00:34:21,560 YEAH. THAT BOY WHO SHOT THE SHERIFF? 474 00:34:21,593 --> 00:34:23,028 YEAH. 475 00:34:23,061 --> 00:34:25,631 IS THERE A REWARD? 476 00:34:25,664 --> 00:34:27,499 NO. WE'RE JUST UP HERE 477 00:34:27,533 --> 00:34:30,136 BECAUSE WE WANT TO SEE JUSTICE DONE. 478 00:34:30,169 --> 00:34:32,104 OH. 479 00:34:34,039 --> 00:34:36,108 HOW MUCH? 480 00:34:36,142 --> 00:34:37,943 4--UH... 481 00:34:37,976 --> 00:34:39,645 $2OO, 482 00:34:39,678 --> 00:34:41,947 DEAD OR ALIVE. 483 00:34:43,749 --> 00:34:46,485 THAT SEEM LIKE ENOUGH TO GO AROUND. 484 00:34:46,518 --> 00:34:49,087 I AIN'T SPLITTIN' IT MORE THAN FIVE WAYS. 485 00:34:49,121 --> 00:34:51,457 I WAS HOPING THAT KID WOULD GET LUCKY 486 00:34:51,490 --> 00:34:53,225 AND SHOOT A COUPLE OF US. 487 00:34:53,259 --> 00:34:56,362 SO WHY DON'T YOU JUST BACK OFF, VAN LEEK? 488 00:34:58,830 --> 00:35:00,332 WELL... 489 00:35:04,270 --> 00:35:05,837 GOOD LUCK. 490 00:35:19,285 --> 00:35:22,588 THIS WON'T TAKE BUT A MINUTE, RIO. 491 00:35:27,626 --> 00:35:29,661 [HOOF BEATS] 492 00:35:34,966 --> 00:35:36,902 HEY, YOU GUYS HEAR THAT? 493 00:35:36,935 --> 00:35:38,604 IS THAT A HORSE? 494 00:35:41,106 --> 00:35:43,609 SURE AIN'T NO ARMADILLO. 495 00:35:46,478 --> 00:35:48,880 BUT I DON'T SEE NOTHING! 496 00:35:50,482 --> 00:35:52,284 [GUNSHOT] 497 00:35:52,318 --> 00:35:53,952 JAKE'S DOWN! 498 00:35:53,985 --> 00:35:56,021 I SAID, JAKE'S DOWN! 499 00:35:56,054 --> 00:35:57,589 AH, JESUS! 500 00:35:59,358 --> 00:36:01,126 WHO IS THAT? 501 00:36:01,159 --> 00:36:03,295 [GUNSHOTS] 502 00:36:13,239 --> 00:36:14,506 AH! 503 00:36:14,540 --> 00:36:15,173 UH! 504 00:36:15,207 --> 00:36:16,275 AH! 505 00:36:16,308 --> 00:36:18,210 GET DOWN! 506 00:36:18,244 --> 00:36:21,146 SOMEBODY SHOOT THAT SON OF A BITCH! 507 00:36:21,179 --> 00:36:23,315 [SHOUTING] 508 00:36:26,084 --> 00:36:28,186 LET'S GET OUT OF HERE! 509 00:36:39,130 --> 00:36:40,566 AH! 510 00:36:51,643 --> 00:36:53,279 OH! 511 00:37:15,267 --> 00:37:17,503 NICE SHOT, KID! 512 00:37:21,006 --> 00:37:22,674 THANK YOU. 513 00:38:09,254 --> 00:38:10,522 [GUNSHOT] 514 00:38:29,240 --> 00:38:32,177 THERE'S YOUR NEW HORSE UP THERE. 515 00:38:39,150 --> 00:38:41,286 MR. VAN LEEK. 516 00:38:42,854 --> 00:38:45,724 I'D LIKE TO TAKE YOU UP ON YOUR OFFER 517 00:38:45,757 --> 00:38:48,159 TO HELP ME GET EL DIABLO. 518 00:38:51,162 --> 00:38:53,965 I'LL THINK ABOUT IT. 519 00:38:53,999 --> 00:38:56,402 COME ON, RIO. 520 00:39:30,035 --> 00:39:32,804 THAT WAS AN IMPRESSIVE DISPLAY OF GUNMANSHIP TODAY. 521 00:39:34,806 --> 00:39:36,608 GUNMANSHIP. 522 00:39:36,642 --> 00:39:39,711 I WAS WONDERING IF YOU MIGHT CONSIDER 523 00:39:39,745 --> 00:39:43,048 TEACHING ME A FEW TRICKS OF THE TRADE. 524 00:39:43,081 --> 00:39:46,585 THEY AIN'T TRICKS, BOY. 525 00:39:46,618 --> 00:39:48,920 THEY'RE REAL AS DEATH. 526 00:40:02,968 --> 00:40:04,970 HERE. 527 00:40:17,082 --> 00:40:19,518 DON'T POINT THAT THING AT ME, BOY. 528 00:40:19,551 --> 00:40:21,653 I AIN'T A HORSE. 529 00:40:21,687 --> 00:40:23,489 SORRY. 530 00:40:26,992 --> 00:40:28,927 PICK A STAR. 531 00:40:28,960 --> 00:40:30,295 WHAT? 532 00:40:30,328 --> 00:40:32,898 LAY DOWN ON YOUR BACK. 533 00:40:32,931 --> 00:40:34,365 WHAT FOR? 534 00:40:34,399 --> 00:40:36,134 SHUT YOUR GOD DAMN HOLE, BOY, 535 00:40:36,167 --> 00:40:39,705 AND LAY DOWN ON YOUR BACK. 536 00:40:42,107 --> 00:40:43,575 NOW... 537 00:40:43,609 --> 00:40:45,376 PICK A STAR. 538 00:40:48,714 --> 00:40:50,315 [HORSE NEIGHS] 539 00:40:53,985 --> 00:40:55,320 GOT ONE. 540 00:41:10,168 --> 00:41:11,670 UH-HUH. 541 00:41:11,703 --> 00:41:13,772 THAT'S ENIF. 542 00:41:13,805 --> 00:41:15,306 ENIF? 543 00:41:15,340 --> 00:41:17,809 MM-HMM. THE STAR YOU'RE FIXING ON. 544 00:41:17,843 --> 00:41:22,080 IT'S THE BRIGHTEST STAR IN PEGASUS, 545 00:41:22,113 --> 00:41:26,585 THE CONSTELLATION OF THE WINGED HORSE. 546 00:41:26,618 --> 00:41:28,820 THAT FIGURES. 547 00:41:30,088 --> 00:41:32,157 NOW, DON'T DROP YOUR LOOK, BOY. 548 00:41:32,190 --> 00:41:34,192 YOU GOT TO CONCENTRATE. 549 00:41:34,225 --> 00:41:37,763 KEEP YOUR EYES FIXED ON THE TARGET... 550 00:41:37,796 --> 00:41:39,197 REAL STEADY. 551 00:41:39,230 --> 00:41:40,932 I GOT IT. 552 00:41:40,966 --> 00:41:43,234 GOOD. 553 00:41:44,570 --> 00:41:46,772 YOU KEEP IT THERE... 554 00:41:46,805 --> 00:41:48,574 TILL I TELL YOU TO STOP. 555 00:41:48,607 --> 00:41:50,441 YES, SIR. 556 00:41:50,475 --> 00:41:51,577 GOOD. 557 00:41:59,017 --> 00:42:02,287 UH-UH. DROP YOUR EYES FROM THAT TARGET, 558 00:42:02,320 --> 00:42:04,690 YOU'RE A DEAD MAN. 559 00:42:08,093 --> 00:42:10,028 PATIENCE... 560 00:42:10,061 --> 00:42:12,197 CONCENTRATION... 561 00:42:12,230 --> 00:42:15,133 THE FIRST TWO THINGS YOU GOT TO LEARN. 562 00:42:27,045 --> 00:42:28,346 UH-UH. 563 00:42:36,187 --> 00:42:37,956 I GOT IT. 564 00:43:07,552 --> 00:43:08,820 [GUNSHOT] 565 00:43:08,854 --> 00:43:10,555 [HORSE NEIGHS] 566 00:43:10,588 --> 00:43:13,324 YOU'D BETTER START PRAYING THAT WASN'T RIO. 567 00:43:53,064 --> 00:43:55,033 BEBE. 568 00:44:09,981 --> 00:44:12,117 YOU MISSED. 569 00:44:13,384 --> 00:44:15,386 HE MISSED? 570 00:44:15,420 --> 00:44:18,990 I GUESS THE BALANCE AIN'T QUITE RIGHT. 571 00:44:22,694 --> 00:44:26,064 WHERE THE HELL DID YOU GET THAT? 572 00:44:26,097 --> 00:44:28,599 RIGHT OFF THE SON OF BITCH'S BOOT. 573 00:44:28,633 --> 00:44:31,502 THIS BOY HERE GOT IT. 574 00:44:31,536 --> 00:44:34,773 THEY STOLE HIS GIRL. 575 00:44:34,806 --> 00:44:37,275 ACTUALLY, SHE WAS ONE OF MY STUDENTS. 576 00:44:37,308 --> 00:44:39,477 PRETTIEST ONE IN THE CLASS, I'LL BET. 577 00:44:39,510 --> 00:44:41,780 I MAKE IT A POLICY 578 00:44:41,813 --> 00:44:44,515 NOT TO GET INVOLVED WITH MY STUDENTS. 579 00:44:45,616 --> 00:44:48,987 WILL THIS GET US IN? 580 00:44:50,155 --> 00:44:52,257 COULD BE. 581 00:44:52,290 --> 00:44:55,861 OLD EL DIABLO DOES FAVOR HIS SPURS. 582 00:44:55,894 --> 00:44:58,764 OF COURSE GETTING IN IS THE EASY PART. 583 00:44:58,797 --> 00:45:01,833 IF YOU DON'T TAKE THE WHOLE DAMN THING IN WITH YOU, 584 00:45:01,867 --> 00:45:05,603 YOU JUST MIGHT GET BACK OUT AGAIN IN ONE PIECE. 585 00:45:10,041 --> 00:45:12,477 WHAT THE HELL ARE YOU LOOKING AT, BOY? 586 00:45:12,510 --> 00:45:14,379 NOTHING. 587 00:45:19,717 --> 00:45:22,620 DAMN RIGHT. THERE AIN'T NOTHIN' THERE. 588 00:45:24,890 --> 00:45:27,325 ALTHOUGH MR. VAN LEEK KEPT HIS INTENTIONS 589 00:45:27,358 --> 00:45:29,094 PRETTY MUCH TO HIMSELF, 590 00:45:29,127 --> 00:45:30,628 IT APPEARED THAT THE PLAN 591 00:45:30,661 --> 00:45:32,663 WAS TO ASSEMBLE A GROUP OF SKILLED PROFESSIONALS 592 00:45:32,697 --> 00:45:34,599 TO HELP ME IN MY ENDEAVOR. 593 00:45:34,632 --> 00:45:37,468 THE FIRST PERSON WAS MR. BEBE PATTERSON, 594 00:45:37,502 --> 00:45:40,839 WHO HAD BEEN CAPTURED BY EL DIABLO'S MEN YEARS AGO. 595 00:45:40,872 --> 00:45:43,474 HE MANAGED TO ESCAPE WITH SOME USEFUL INFORMATION, 596 00:45:43,508 --> 00:45:46,544 BUT RETURNED HOME MINUS A FOOT. 597 00:45:50,849 --> 00:45:56,087 * SHALL WE GATHER AT THE RIVER * 598 00:45:56,121 --> 00:46:01,726 * WHERE BRIGHT ANGEL FEET HAVE TROD? * 599 00:46:01,759 --> 00:46:06,832 * WITH ITS CRYSTAL TIDE FOREVER * 600 00:46:06,865 --> 00:46:12,403 * FLOWING FROM THE THRONE OF GOD? * 601 00:46:12,437 --> 00:46:17,909 * YES, WE'LL GATHER AT THE RIVER * 602 00:46:17,943 --> 00:46:23,081 * THE BEAUTIFUL, THE BEAUTIFUL RIVER * 603 00:46:23,114 --> 00:46:28,486 * GATHER WITH THE SAINTS AT THE RIVER * 604 00:46:28,519 --> 00:46:33,925 * THAT FLOWS FROM THE THRONE OF GOD ** 605 00:46:35,861 --> 00:46:39,630 HEAR THE WORD OF THE LORD, O PEOPLE OF-- 606 00:46:39,664 --> 00:46:42,300 BENDIX... 607 00:46:42,333 --> 00:46:43,902 BENDIX ROCK! 608 00:46:43,935 --> 00:46:45,904 FOR THE LORD HAS A CONTROVERSY 609 00:46:45,937 --> 00:46:47,873 WITH THE INHABITANTS OF THE LAND. 610 00:46:47,906 --> 00:46:51,209 THERE IS NO FAITHFULNESS OF GOD IN THE LAND. 611 00:46:51,242 --> 00:46:53,979 THERE IS SWEARING AND LYING, 612 00:46:54,012 --> 00:46:58,683 KILLING, STEALING, AND COMMITTING ADULTERY. 613 00:46:58,716 --> 00:46:59,885 AMEN! 614 00:46:59,918 --> 00:47:00,986 AMEN. 615 00:47:01,019 --> 00:47:02,220 AMEN! 616 00:47:02,253 --> 00:47:06,691 NOTHING ESCAPES THE POWER AND THE VISION OF THE LORD. 617 00:47:06,724 --> 00:47:10,495 THOSE WHO HAVE SINNED WILL BE PUNISHED. 618 00:47:10,528 --> 00:47:11,897 YES, LORD! 619 00:47:11,930 --> 00:47:15,633 BUT WE ARE HERE ALSO TO FORGIVE, 620 00:47:15,666 --> 00:47:18,703 TO ASK THE LORD FOR MERCY 621 00:47:18,736 --> 00:47:22,473 SO THAT THE SOULS OF JONATHAN NAPIER 622 00:47:22,507 --> 00:47:25,310 AND BOB ZAMUDIO..., 623 00:47:25,343 --> 00:47:26,477 OBERTO. 624 00:47:26,511 --> 00:47:28,579 SO THAT THEIR SOULS CAN BE SAVED. 625 00:47:28,613 --> 00:47:31,516 IF YOU DO NOT TAKE THE LORD SERIOUSLY, 626 00:47:31,549 --> 00:47:34,285 THEN HE WILL NOT TAKE YOU SERIOUSLY. 627 00:47:34,319 --> 00:47:37,188 NOT ONLY WILL THE SOULS OF THESE POOR UNFORTUNATES 628 00:47:37,222 --> 00:47:41,026 BE EXILED FOR ETERNITY IN HELL, 629 00:47:41,059 --> 00:47:43,528 BUT SO WILL YOURS AS WELL. 630 00:47:43,561 --> 00:47:47,432 YOU MUST SHARE WITH YOUR LORD THE FRUITS OF YOUR LABORS. 631 00:47:47,465 --> 00:47:50,635 ONLY THEN CAN HE TRULY BECOME YOUR SAVIOR! 632 00:47:50,668 --> 00:47:52,070 HANG THEM! 633 00:47:52,103 --> 00:47:53,571 GET ON WITH IT! 634 00:47:53,604 --> 00:47:55,974 I WANT TO SEE THIS COLLECTION PLATE 635 00:47:56,007 --> 00:47:58,109 PASSED AROUND ONCE AGAIN. 636 00:47:58,143 --> 00:48:01,679 I WANT TO SEE IT OVERFLOW WITH EVIDENCE 637 00:48:01,712 --> 00:48:03,915 OF YOUR LOVE FOR THE LORD! 638 00:48:03,949 --> 00:48:05,816 IF I'M DISAPPOINTED, 639 00:48:05,850 --> 00:48:07,852 THERE WON'T BE ANY SHOW. 640 00:48:07,885 --> 00:48:09,020 NO SHOW? 641 00:48:09,054 --> 00:48:13,024 ...OF JUSTICE METED OUT TODAY, 642 00:48:13,058 --> 00:48:16,261 BUT RATHER THESE MEN WILL BE RELEASED 643 00:48:16,294 --> 00:48:20,065 BACK INTO YOUR FOLD TO CONTINUE ROBBING AND KILLING 644 00:48:20,098 --> 00:48:21,933 AND HAVING THEIR WAY 645 00:48:21,967 --> 00:48:24,802 WITH YOUR WIVES AND DAUGHTERS, 646 00:48:24,835 --> 00:48:29,274 WITH THE SHEEPS AND GOATS AND TURKEYS OF YOUR FLOCKS. 647 00:48:29,307 --> 00:48:31,009 TURKEYS? 648 00:48:32,843 --> 00:48:35,947 MAY GOD BLESS YOU. 649 00:48:35,981 --> 00:48:38,016 BLESS YOU. 650 00:48:38,049 --> 00:48:40,718 BLESS YOU! 651 00:48:45,023 --> 00:48:46,691 AH! 652 00:48:46,724 --> 00:48:48,293 BLESS YOU. 653 00:48:50,161 --> 00:48:52,163 [BEBE] YOU RECOGNIZE THEM? 654 00:48:52,197 --> 00:48:54,665 ONE OF THEM IS BOB ZAMUDIO, 655 00:48:54,699 --> 00:48:56,867 A PRETTY GOOD HAND WITH EXPLOSIVES. 656 00:48:56,901 --> 00:49:01,306 THAT ONE DANGLING, I DON'T KNOW. 657 00:49:01,339 --> 00:49:04,375 WE COULD USE SOME HELP. 658 00:49:11,182 --> 00:49:12,550 [CLICK] 659 00:49:12,583 --> 00:49:14,385 [GUNSHOT] 660 00:49:30,501 --> 00:49:33,204 AFTERNOON, ATALICUS. 661 00:49:33,238 --> 00:49:35,940 LET US ALL JOIN IN AND SING THE HYMN 662 00:49:35,973 --> 00:49:38,443 WHAT A FRIEND WE HAVE IN JESUS 663 00:49:38,476 --> 00:49:44,082 WHILST THE GOOD LORD DETERMINES THE FATE OF OUR BRETHREN HERE. 664 00:49:44,115 --> 00:49:49,787 * WHAT A FRIEND WE HAVE IN JESUS * 665 00:49:49,820 --> 00:49:55,260 * ALL OUR SINS AND GRIEFS TO BEAR! * 666 00:49:55,293 --> 00:49:59,097 * WHAT A PRIVILEGE... 667 00:49:59,130 --> 00:50:01,232 EQUAL SHARES ALL AROUND. 668 00:50:01,266 --> 00:50:03,901 WE'RE GOING TO NEED YOUR DEAD MEN THERE. 669 00:50:03,934 --> 00:50:07,438 * ...EV'RYTHING TO GOD IN PRAYER! ** 670 00:50:07,472 --> 00:50:11,476 I THINK THAT CAN BE ARRANGED. 671 00:50:14,379 --> 00:50:16,614 TODAY WE WENT TO CHURCH. 672 00:50:16,647 --> 00:50:19,417 IT WAS VERY DIFFERENT FROM WHAT I WAS USED TO. 673 00:50:19,450 --> 00:50:22,620 I HAD THE OPPORTUNITY TO WITNESS MY FIRST HANGING. 674 00:50:22,653 --> 00:50:24,855 IN FACT, THE GENTLEMAN WHO WAS HANGED, 675 00:50:24,889 --> 00:50:26,724 A MR. PITCHFORK NAPIER, 676 00:50:26,757 --> 00:50:29,327 HAS ELECTED TO JOIN OUR OUTFIT. 677 00:50:29,360 --> 00:50:32,730 I'M LOOKING FORWARD TO DISCUSSING OUR PLANS 678 00:50:32,763 --> 00:50:34,865 WITH MY NEW COMPANIONS. 679 00:50:34,899 --> 00:50:39,670 WHO IN THE HELL IS THIS SNOT-NOSED LITTLE PANTYWAIST? 680 00:50:39,704 --> 00:50:41,839 HEE HEE HEE. 681 00:50:41,872 --> 00:50:43,708 HE'S WITH ME. 682 00:50:45,810 --> 00:50:48,546 HELL, HE'S THE ONE THAT STOLE THIS. 683 00:50:51,549 --> 00:50:54,352 IS THIS ALL WE GOT TO GO ON? 684 00:50:54,385 --> 00:50:57,288 HIS SPURS ARE LIKE HIS FINGERS. 685 00:50:57,322 --> 00:50:59,457 THEY'RE PART OF HIS BODY. 686 00:50:59,490 --> 00:51:02,227 THAT WAS HIS DADDY'S SPURS AND HIS DADDY'S DADDY'S. 687 00:51:02,260 --> 00:51:05,230 "HIS DADDY'S SPURS AND HIS DADDY'S DADDY'S." 688 00:51:05,263 --> 00:51:10,635 WHAT A SORRY BUNCH OF WASHED-UP HAS-BEENS, EH? 689 00:51:13,738 --> 00:51:15,206 IS MU VALUABLE. 690 00:51:15,240 --> 00:51:18,176 THOSE RED THINGS ARE REAL RUBIES, BOB. 691 00:51:18,209 --> 00:51:19,377 ROBERTO. 692 00:51:20,478 --> 00:51:23,114 EL DIABLO'S TREASURE. 693 00:51:25,283 --> 00:51:27,552 INDIAN GOLD, 694 00:51:27,585 --> 00:51:30,421 EUROPEAN GOLD, 695 00:51:30,455 --> 00:51:32,490 JUST WAITING THERE FOR US TO TAKE IT. 696 00:51:32,523 --> 00:51:34,159 HE'S RIGHT ABOUT THAT. 697 00:51:34,192 --> 00:51:36,227 I SEEN IT WITH MY OWN EYES. 698 00:51:36,261 --> 00:51:39,730 HE HAS SOMETHING WORTH MORE THAN GOLD. 699 00:51:39,764 --> 00:51:41,766 THERE'S A LITTLE GIRL-- 700 00:51:41,799 --> 00:51:43,801 HEY, FUCK YOUR LITTLE GIRL. 701 00:51:43,834 --> 00:51:45,470 YOU DON'T WANT TO DO THAT. 702 00:51:45,503 --> 00:51:47,037 YES, HE DOES. 703 00:51:47,071 --> 00:51:49,106 YES, HE DOES. 704 00:51:49,140 --> 00:51:51,542 HEH HEH HEH! COME ON, BOY. 705 00:51:51,576 --> 00:51:53,711 COME ON! 706 00:51:53,744 --> 00:51:56,347 COME AND GET IT, BOY. 707 00:52:02,119 --> 00:52:03,854 [CLICK] 708 00:52:07,792 --> 00:52:09,794 [SIZZLE] 709 00:52:09,827 --> 00:52:12,363 NOW, WE'RE GOING TO NEED DYNAMITE 710 00:52:12,397 --> 00:52:16,100 AND SOMEONE TO HANDLE IT. 711 00:52:19,304 --> 00:52:21,806 HOW ABOUT IT, BOBBY? 712 00:52:21,839 --> 00:52:24,509 I THINK I TOLD YOU ONCE OR TWICE 713 00:52:24,542 --> 00:52:27,812 THAT I DO NOT ANSWER TO THAT GRINGO NAME. 714 00:52:27,845 --> 00:52:30,681 LOOK, SENOR ROBERTO, 715 00:52:30,715 --> 00:52:33,684 WE WOULD VERY MUCH APPRECIATE YOU HELPING US 716 00:52:33,718 --> 00:52:35,820 WITH YOUR SPECIAL TALENT 717 00:52:35,853 --> 00:52:37,455 [ROBERTO] WELL... 718 00:52:37,488 --> 00:52:40,024 DYNAMITE IS LIKE A WOMAN-- 719 00:52:40,057 --> 00:52:42,960 IT TAKES THE RIGHT HOMBRE 720 00:52:42,993 --> 00:52:46,364 TO KNOW HOW TO MAKE HER EXPLODE. 721 00:52:47,665 --> 00:52:49,734 THERE'S SOMEBODY OUT THERE. 722 00:52:50,301 --> 00:52:52,270 I DON'T HEAR NOTHING. 723 00:52:52,303 --> 00:52:53,538 [SNIFF] 724 00:52:53,571 --> 00:52:55,740 INJUNS. 725 00:52:55,773 --> 00:52:58,409 THERE AIN'T NO INJUNS AROUND HERE. 726 00:52:58,443 --> 00:53:00,478 WE'RE IN MEXICO, ASSHOLE. 727 00:53:00,511 --> 00:53:02,613 THE PONKACHONKS, ASSHOLE. 728 00:53:02,647 --> 00:53:05,650 I LIVED WITH THEM FOR A YEAR. 729 00:53:05,683 --> 00:53:08,786 DON'T NEVER ROB NO INDIAN. 730 00:53:09,954 --> 00:53:13,090 I'D ROB AN INDIAN THE SAME AS ANY. 731 00:53:13,123 --> 00:53:17,161 YEAH? DID YOU SLEEP WITH HIS WIFE, TOO? 732 00:53:17,194 --> 00:53:20,030 WHAT WAS IT LIKE, SLEEPING WITH AN INDIAN WOMAN? 733 00:53:20,064 --> 00:53:22,733 BETTER THAN A NIGGER. 734 00:53:39,684 --> 00:53:41,952 [VAN LEEK] THANK YOU, BOY. 735 00:53:44,855 --> 00:53:47,725 NOW, GENERALLY I LETS A MAN OFF 736 00:53:47,758 --> 00:53:50,528 THE FIRST TIME HE SAY THAT TO ME-- 737 00:53:50,561 --> 00:53:53,398 THAT IS, IF HE SAY HE'S SORRY. 738 00:53:53,431 --> 00:53:56,834 HOW ABOUT YOU, MR. NAPIER? 739 00:53:56,867 --> 00:53:59,504 YOU SORRY? 740 00:53:59,537 --> 00:54:00,871 MMM! 741 00:54:00,905 --> 00:54:04,775 I DON'T HEAR YOU, MR. NAPIER. 742 00:54:04,809 --> 00:54:07,545 [CHOKING] 743 00:54:07,578 --> 00:54:09,179 I'M WAITING. 744 00:54:16,120 --> 00:54:19,490 BYE... NIGGER. 745 00:54:55,593 --> 00:54:58,128 UH... 746 00:54:58,162 --> 00:55:00,531 [HORSE NEIGHS] 747 00:55:00,565 --> 00:55:02,667 UH... 748 00:55:04,335 --> 00:55:05,736 OH... 749 00:55:06,837 --> 00:55:07,838 OH... 750 00:55:07,872 --> 00:55:09,940 HEY, YEE YA YEE YA! 751 00:55:09,974 --> 00:55:11,676 HEY, YEE YA HEY YA! 752 00:55:11,709 --> 00:55:14,111 HEY YA HEY YA! 753 00:55:14,144 --> 00:55:15,913 OOH! HOO! 754 00:55:17,748 --> 00:55:20,184 SOMEBODY OUGHT TO TALK TO HIM. 755 00:55:20,217 --> 00:55:22,587 GO ON, BOB. YOU SPEAKUM SIGNS. 756 00:55:22,620 --> 00:55:23,554 ROBERTO. 757 00:55:46,611 --> 00:55:50,247 I DON'T THINK CHIEF UNDERSTAND. 758 00:55:50,280 --> 00:55:53,183 [INDIAN] YOU'RE FULL OF SHIT, BROWN MAN. 759 00:55:54,685 --> 00:55:59,123 AND NAME NOT CHIEF. NAME DANCING BEAR. 760 00:56:02,593 --> 00:56:05,029 HEY YA YA! 761 00:56:05,062 --> 00:56:06,997 HEY YA YA! 762 00:56:07,031 --> 00:56:09,233 WE ADDED A NEW MEMBER LAST NIGHT, 763 00:56:09,266 --> 00:56:11,936 AN INDIAN, A MR. DANCING BEAR, 764 00:56:11,969 --> 00:56:15,072 WHO HAD BEEN TRACKING MR. NAPIER FOR SOME TIME. 765 00:56:15,105 --> 00:56:17,875 MR. NAPIER HAD BEDDED DOWN WITH HIS WIFE, 766 00:56:17,908 --> 00:56:21,779 A TRANSGRESSION NOT LOOKED UPON FAVORABLY BY HIS TRIBE. 767 00:56:21,812 --> 00:56:23,881 I NEVER LIKED HIM! 768 00:56:23,914 --> 00:56:25,783 DANCING BEAR TOLD US 769 00:56:25,816 --> 00:56:29,587 THAT EL DIABLO HAD STOLEN GOLD FROM HIS PEOPLE 770 00:56:29,620 --> 00:56:32,690 AND TURNED MANY OF THEM INTO SLAVES. 771 00:56:32,723 --> 00:56:36,994 UNO, DOS, TRES, CUATRO, CINCO... 772 00:56:37,027 --> 00:56:39,697 THE NEXT STEP WAS TO LOCATE A BOX OF DYNAMITE 773 00:56:39,730 --> 00:56:42,232 THAT MR. ZAMUDIO HAD BURIED IN THE GROUND. 774 00:56:42,266 --> 00:56:43,834 ONCE... 775 00:56:43,868 --> 00:56:45,335 ONCE THE SPOT WAS FOUND, 776 00:56:45,369 --> 00:56:48,005 I WAS VOLUNTEERED TO DIG IT UP. 777 00:56:55,946 --> 00:56:57,782 [SPEAKING SPANISH] 778 00:56:57,815 --> 00:56:59,817 WHAT? 779 00:56:59,850 --> 00:57:01,418 GET OUT OF THE HOLE. 780 00:57:16,534 --> 00:57:20,471 THIS LITTLE CACHE HAS ENABLED ROBERTO AND ME 781 00:57:20,505 --> 00:57:23,608 TO OPEN ACCOUNTS AT OVER 22 OF THE BEST BANKS 782 00:57:23,641 --> 00:57:25,342 IN THE SOUTHWEST. 783 00:57:25,375 --> 00:57:27,512 SHH-SHH-SHH-SHH! 784 00:57:27,545 --> 00:57:29,980 SHH-SHH-SHH-SHH! 785 00:57:30,014 --> 00:57:31,516 SHH! 786 00:57:31,549 --> 00:57:34,519 YOU CAN GET ME OUT OF HERE NOW. 787 00:57:34,552 --> 00:57:37,054 NOT FAST. 788 00:57:37,087 --> 00:57:38,956 WHAT'S THE MATTER? 789 00:57:38,989 --> 00:57:40,491 IT'S DECAYING, I THINK. 790 00:57:40,525 --> 00:57:42,126 WE SHOULDN'T HAVE BURIED IT HERE. 791 00:57:42,159 --> 00:57:45,362 THERE'S NO SHADE. 792 00:57:45,395 --> 00:57:48,298 I DON'T THINK NOW'S THE TIME TO MAKE ME ANGRY. 793 00:58:03,247 --> 00:58:05,082 AYE YI YI YI. 794 00:58:06,517 --> 00:58:09,119 [SPEAKING INDIAN LANGUAGE] 795 00:58:24,034 --> 00:58:25,903 [LAUGHTER] 796 00:58:27,071 --> 00:58:28,305 ROBERTO! 797 00:58:28,338 --> 00:58:30,274 COME ON! COME ON! 798 00:58:30,307 --> 00:58:32,476 BOB! HEY, BOB! 799 00:58:32,509 --> 00:58:35,012 IT'S GOOD, HUH? 800 00:58:35,045 --> 00:58:36,747 HA HA HA! 801 00:58:36,781 --> 00:58:38,549 OOH! HOO! 802 00:58:40,050 --> 00:58:41,786 THE DYNAMITE WAS SECURED 803 00:58:41,819 --> 00:58:44,254 BY MR. PATTERSON AND MR. ZAMUDIO. 804 00:58:44,288 --> 00:58:46,190 THERE STILL SEEMED TO BE SOME QUESTION 805 00:58:46,223 --> 00:58:47,958 AS TO ITS STABILITY. 806 00:58:47,992 --> 00:58:49,660 WE'RE FAR APART. 807 00:58:49,694 --> 00:58:52,196 THAT MIGHT NOT BE GOOD FOR THEIR MORALE. 808 00:58:52,229 --> 00:58:55,700 JOIN THEM, BOY. THEY'D WELCOME THE COMPANY. 809 00:59:01,438 --> 00:59:04,208 [BELL CLANGING] 810 00:59:06,577 --> 00:59:09,413 AFTER RIDING HARD THE ENTIRE DAY, 811 00:59:09,446 --> 00:59:11,281 WE FINALLY CROSSED INTO MEXICO. 812 00:59:11,315 --> 00:59:13,217 THE BUCKBOARD DIDN'T EXPLODE, 813 00:59:13,250 --> 00:59:15,620 AND I TOOK THIS AS A POSITIVE SIGN. 814 00:59:15,653 --> 00:59:18,155 I WAS GLAD WHEN WE PULLED INTO 815 00:59:18,188 --> 00:59:20,625 A SMALL VILLAGE FOR REFRESHMENTS. 816 00:59:53,891 --> 00:59:55,459 OW! 817 01:00:02,132 --> 01:00:05,102 [COUGH COUGH] 818 01:00:13,844 --> 01:00:16,380 [SPEAKING SPANISH] 819 01:00:16,413 --> 01:00:17,915 NO. 820 01:00:30,094 --> 01:00:32,562 WHAT DO YOU WANT, BOY? 821 01:00:32,596 --> 01:00:36,667 UH, LEMON--UH, WHATEVER HE'S HAVING. 822 01:00:36,701 --> 01:00:39,369 THE CANTINA WE SELECTED 823 01:00:39,403 --> 01:00:41,505 WOULD NOT HAVE BEEN MY FIRST CHOICE, 824 01:00:41,538 --> 01:00:43,607 BUT IT WAS THE ONLY ONE IN TOWN. 825 01:00:43,640 --> 01:00:48,112 IT HOSTED A DIFFERENT CLIENTELE THAN BACK EAST. 826 01:00:51,115 --> 01:00:52,649 AHEM. 827 01:00:58,055 --> 01:00:59,690 OW! 828 01:01:06,731 --> 01:01:08,232 AH! 829 01:01:15,706 --> 01:01:16,874 [COUGH] 830 01:01:17,842 --> 01:01:19,744 THOMAS, IS THAT YOU? 831 01:01:21,378 --> 01:01:24,648 BARTENDER, PUT THEIR DRINKS ON MY BILL. 832 01:01:24,681 --> 01:01:27,752 THOMAS, YOU DEVIL, PLEASE COME HERE. 833 01:01:27,785 --> 01:01:29,586 JOIN ME! 834 01:01:45,002 --> 01:01:47,404 [RATTLE RATTLE] 835 01:01:49,907 --> 01:01:53,210 THOMAS VAN LEEK-- AS I LIVE AND BREATHE? 836 01:01:53,243 --> 01:01:55,946 SO NICE TO SEE YOU. HELLO. 837 01:01:55,980 --> 01:01:57,414 HELLO. 838 01:01:57,447 --> 01:02:00,150 AREN'T YOU GOING TO INTRODUCE ME TO YOUR FRIEND? 839 01:02:00,184 --> 01:02:05,222 MM-HMM. THIS HERE IS BILLY RAY SMITH. 840 01:02:05,255 --> 01:02:07,057 BOY, THIS HERE 841 01:02:07,091 --> 01:02:09,894 IS TRUMAN FEATHERS, 842 01:02:09,927 --> 01:02:13,730 SOMETIMES KNOWN AS KID DURANGO. 843 01:02:15,365 --> 01:02:17,001 KID DURANGO? 844 01:02:17,034 --> 01:02:19,103 MM-HMM. KID DURANGO. 845 01:02:20,570 --> 01:02:22,439 K--KID DURANGO? 846 01:02:22,472 --> 01:02:23,874 MM-HMM. 847 01:02:23,908 --> 01:02:27,044 THIS BOY'S READ EVERY ONE OF YOUR BOOKS, TRUMAN. 848 01:02:28,112 --> 01:02:30,114 REALLY? 849 01:02:31,248 --> 01:02:33,183 KID DURANGO. 850 01:02:33,217 --> 01:02:35,285 MM-HMM. 851 01:02:36,420 --> 01:02:38,288 SO... 852 01:02:39,656 --> 01:02:41,558 WHAT BRINGS YOU TO THIS HOLE? 853 01:02:41,591 --> 01:02:44,561 WELL, I'M RESEARCHING OUR NEXT ADVENTURE. 854 01:02:44,594 --> 01:02:46,596 SMOKE SIGNALS INDICATED 855 01:02:46,630 --> 01:02:49,133 THAT YOU WERE HEADED IN THIS DIRECTION. 856 01:02:51,201 --> 01:02:54,839 YOU KNOW, I HAVE A HAT JUST LIKE THAT. 857 01:02:54,872 --> 01:02:57,507 I--I-- I LOVE YOUR OUTFIT. 858 01:02:57,541 --> 01:02:59,910 WHERE ARE YOU FROM? 859 01:02:59,944 --> 01:03:02,112 ORIGINALLY BOSTON, 860 01:03:02,146 --> 01:03:03,780 MASSACHUSETTS. 861 01:03:03,814 --> 01:03:06,016 OH, REALLY? I'VE BEEN TO RHODE ISLAND. 862 01:03:06,050 --> 01:03:09,519 WHAT DID HE MEAN WHEN HE SAID 863 01:03:09,553 --> 01:03:12,256 "OUR NEXT ADVENTURE"? 864 01:03:12,289 --> 01:03:14,258 WELL, IT'S A WONDERFUL ARRANGEMENT. 865 01:03:14,291 --> 01:03:16,560 YOU SEE, THOMAS RUNS AROUND THE WEST 866 01:03:16,593 --> 01:03:18,728 RISKING HIS SILLY NECK, 867 01:03:18,762 --> 01:03:21,298 AND I INCORPORATE HIS EXPLOITS 868 01:03:21,331 --> 01:03:24,501 INTO MY LITTLE TRUE STORIES. 869 01:03:24,534 --> 01:03:25,635 [DING] 870 01:03:27,504 --> 01:03:29,907 YOU MEAN... 871 01:03:29,940 --> 01:03:32,609 HE MEANS AIN'T NOBODY GONNA BUY NO STORIES 872 01:03:32,642 --> 01:03:35,112 ABOUT NO NEGRO COWBOYS. 873 01:03:35,145 --> 01:03:38,482 WELL, WELL, IT'S DRAMATIC LICENSE, REALLY. 874 01:03:38,515 --> 01:03:41,986 IT'S A NECESSARY EVIL IN THE LITERARY WORLD. 875 01:03:42,019 --> 01:03:43,653 DRAMATIC LICENSE, HELL! 876 01:03:43,687 --> 01:03:45,789 A WHOLE BUNCH OF LIES. 877 01:03:45,822 --> 01:03:50,027 YOU MADE ALL THAT MONEY, AND I NEVER DID SEE SQUAT! 878 01:03:50,060 --> 01:03:52,162 BUT WHAT REALLY GETS ME 879 01:03:52,196 --> 01:03:55,632 IS THAT CRAP ABOUT LOOKING A MAN IN THE EYE. 880 01:03:55,665 --> 01:04:00,170 A MAN DON'T GO FOR A GUN WITH HIS EYE! WATCH HIS HANDS. 881 01:04:00,204 --> 01:04:03,340 I'LL MAKE A NOTE OF IT. 882 01:04:03,373 --> 01:04:04,774 AH! 883 01:04:04,808 --> 01:04:06,443 HA HA HA! 884 01:04:06,476 --> 01:04:09,146 [SPEAKING SPANISH] 885 01:04:18,322 --> 01:04:21,425 THEY WERE WITH EL DIABLO IN THE BANK. 886 01:04:21,458 --> 01:04:22,659 SHH. 887 01:04:30,667 --> 01:04:33,603 THE UNATTRACTIVE ONE IS PESTOSO. 888 01:04:33,637 --> 01:04:36,273 THAT OTHER ONE AIN'T NO LADY-KILLER. 889 01:04:36,306 --> 01:04:39,209 YES. THAT'S CHAK MOL. 890 01:04:39,243 --> 01:04:41,811 YOU KNOW THEM? 891 01:04:41,845 --> 01:04:43,813 WELL, THEY COME HERE TO UNWIND 892 01:04:43,847 --> 01:04:46,250 AFTER THEIR FORAYS OF RAPING AND PILLAGING. 893 01:04:46,283 --> 01:04:49,186 I'VE INTERVIEWED BOTH OF THEM. 894 01:04:49,219 --> 01:04:52,889 PESTOSO IS SURPRISINGLY VERBAL. 895 01:04:52,923 --> 01:04:54,324 AH! HA HA! 896 01:04:55,825 --> 01:04:57,727 HEY, BOY. 897 01:05:03,367 --> 01:05:05,202 HOW DO YOU FEEL ABOUT 898 01:05:05,235 --> 01:05:07,737 BEING THE FASTEST GUN IN THE WEST? 899 01:05:11,108 --> 01:05:12,442 HUH? 900 01:05:29,126 --> 01:05:31,595 HEH HEH HEH! 901 01:05:31,628 --> 01:05:34,764 SO YOU'RE THE FASTEST GUN IN THE WEST, HUH? 902 01:05:34,798 --> 01:05:36,333 HEH HEH! 903 01:05:39,269 --> 01:05:42,839 DO YOU KNOW TO WHOM THIS BELONGS? 904 01:05:44,274 --> 01:05:46,876 WHERE YOU GET THAT, HUH? 905 01:05:46,910 --> 01:05:48,979 CAN YOU TAKE ME TO HIM? 906 01:05:49,013 --> 01:05:50,914 TAKE YOU TO WHO? 907 01:05:50,947 --> 01:05:53,250 TAKE YOU TO WHOM. 908 01:05:55,885 --> 01:05:57,587 ¿QUE IMPORTA, HOMBRE? 909 01:05:59,023 --> 01:06:02,159 EL DIABLO. 910 01:06:04,228 --> 01:06:06,563 EL DIABLO? 911 01:06:07,631 --> 01:06:09,499 HA HA HA! 912 01:06:18,175 --> 01:06:20,210 WHERE ARE YOU GOING, GRINGO, HUH? 913 01:06:48,472 --> 01:06:50,440 HEH HEH HEH! 914 01:07:17,567 --> 01:07:18,735 OW. 915 01:07:37,587 --> 01:07:39,689 ADIOS, GRINGO. HEH HEH HEH! 916 01:07:39,723 --> 01:07:40,790 [GUNSHOT] 917 01:07:40,824 --> 01:07:42,159 UH! 918 01:07:54,538 --> 01:07:58,208 I HAD SUCCESSFULLY SHOT A MAN IN A SHOWDOWN 919 01:07:58,242 --> 01:08:00,344 IN THE MIDDLE OF THE STREET AT HIGH NOON. 920 01:08:00,377 --> 01:08:03,247 ACTUALLY IT WAS MUCH LATER IN THE DAY, 921 01:08:03,280 --> 01:08:05,315 BUT IT WAS QUITE A THRILL. 922 01:08:06,616 --> 01:08:08,918 GOOD SHOT, BOY. 923 01:08:08,952 --> 01:08:10,687 I DON'T CONDONE KILLING, 924 01:08:10,720 --> 01:08:13,089 BUT THIS PESTOSO PROBABLY DESERVED IT. 925 01:08:13,123 --> 01:08:15,492 IF HE TRAVELED WITH EL DIABLO, 926 01:08:15,525 --> 01:08:18,428 HE HAD SEVERE CHARACTER FLAWS, I WAS SURE. 927 01:08:19,996 --> 01:08:21,965 GOOD SHOT. 928 01:08:23,533 --> 01:08:24,868 [BLOWS] 929 01:08:26,436 --> 01:08:27,537 UH! 930 01:08:42,051 --> 01:08:43,520 YOU? 931 01:08:47,157 --> 01:08:49,159 UH! 932 01:09:00,036 --> 01:09:02,639 I MEET YOU IN THE MORNING, 933 01:09:02,672 --> 01:09:05,742 JUST OUTSIDE OF TOWN. 934 01:09:07,244 --> 01:09:09,446 THE TREE OF DEATH. 935 01:09:10,814 --> 01:09:12,982 COME ALONE. 936 01:09:14,184 --> 01:09:16,085 TREE OF DEATH. 937 01:09:24,194 --> 01:09:25,395 OW! 938 01:09:26,796 --> 01:09:28,298 [SPEAKING SPANISH] 939 01:09:28,332 --> 01:09:31,468 NEVER TRUST A MAN THAT TALKS TO HIS SNAKE. 940 01:09:31,501 --> 01:09:33,570 IT'S TRUMAN. 941 01:09:36,172 --> 01:09:38,041 MORNING. 942 01:09:42,346 --> 01:09:45,148 WHAT THE HELL YOU THINK YOU'RE DOING, FEATHERS? 943 01:09:45,181 --> 01:09:49,619 I'VE DECIDED TO JOIN YOUR EXPEDITION. 944 01:09:49,653 --> 01:09:51,120 NOT WITH ME YOU AIN'T. 945 01:09:51,154 --> 01:09:53,590 YOU WON'T HAVE TO WORRY ABOUT ME. 946 01:09:53,623 --> 01:09:54,858 IT'S NOT YOU. 947 01:09:54,891 --> 01:09:57,327 I'M WORRIED ABOUT US WITH YOU OUT THERE. 948 01:09:57,361 --> 01:09:59,263 OH, THOMAS, PLEASE. 949 01:09:59,296 --> 01:10:00,930 I'M SURE I CAN PERFORM 950 01:10:00,964 --> 01:10:03,267 SOME VERY USEFUL FUNCTIONS ON THE TRAIL. 951 01:10:03,300 --> 01:10:06,270 I'M AN EXCELLENT COOK. 952 01:10:06,303 --> 01:10:07,871 YOU MAKE COFFEE? 953 01:10:07,904 --> 01:10:10,640 WELL, AS A MATTER OF FACT, 954 01:10:10,674 --> 01:10:12,842 I BROUGHT ALONG SOME FRESH COLOMBIAN BEANS. 955 01:10:12,876 --> 01:10:16,246 BY THE WAY, I MAKE A WONDERFUL OMELET. 956 01:10:16,280 --> 01:10:18,582 WHAT IS OMELET? 957 01:10:18,615 --> 01:10:21,951 WELL, OMELET IS DICED HAM, 958 01:10:21,985 --> 01:10:23,620 CHEESE, PEPPERS, 959 01:10:23,653 --> 01:10:26,690 FOLDED INTO THREE EGGS, COOKED IN AN IRON SKILLET. 960 01:10:26,723 --> 01:10:31,027 MUSHROOMS, SNAKE MEAT, SQUASH GOOD? 961 01:10:31,060 --> 01:10:34,163 WELL, I WOULDN'T RECOMMEND THE SQUASH, 962 01:10:34,197 --> 01:10:36,199 BUT IT'S UP TO YOU. 963 01:10:36,232 --> 01:10:38,968 FOR CHRIST'S SAKE, LET'S MOVE OUT! 964 01:10:39,002 --> 01:10:40,537 COME ON! 965 01:10:46,310 --> 01:10:47,777 HO! 966 01:10:47,811 --> 01:10:51,648 EVEN THOUGH I WAS STILL PUZZLED BY THE REVELATION 967 01:10:51,681 --> 01:10:54,183 THAT TRUMAN WAS KID DURANGO, OR NOT KID DURANGO, 968 01:10:54,217 --> 01:10:56,420 I WAS EXCITED THAT HE JOINED US. 969 01:10:56,453 --> 01:10:58,788 I COULD CLEAR UP SOME CONFUSION, 970 01:10:58,822 --> 01:11:01,758 AND I LOOKED FORWARD TO HIS OMELETS. 971 01:11:01,791 --> 01:11:04,227 I DON'T UNDERSTAND 972 01:11:04,260 --> 01:11:05,929 WHY YOU'RE COMING ALONG WITH US. 973 01:11:05,962 --> 01:11:09,032 WELL, ACTUALLY, IT'S YOUR EXAMPLE. 974 01:11:09,065 --> 01:11:12,235 YOU SEE, I'VE ALWAYS WRITTEN ABOUT OTHER PEOPLE'S EXPLOITS. 975 01:11:12,268 --> 01:11:15,138 I'D LIKE TO THINK BEFORE I PASS ON 976 01:11:15,171 --> 01:11:17,974 I COULD INCLUDE A FEW ADVENTURES OF MY OWN. 977 01:11:18,007 --> 01:11:22,011 THAT WAS A WONDERFUL MOMENT YESTERDAY IN THE STREET 978 01:11:22,045 --> 01:11:24,247 WITH YOU AND PESTOSO. 979 01:11:24,280 --> 01:11:27,384 IT WAS THRILLING. IT'LL VIRTUALLY WRITE ITSELF. 980 01:11:27,417 --> 01:11:30,654 YOU'RE GOING TO PUT ME IN A BOOK? 981 01:11:30,687 --> 01:11:32,021 OF COURSE. 982 01:11:32,055 --> 01:11:34,424 EVERY STORY NEEDS ITS HERO. 983 01:11:34,458 --> 01:11:36,225 HEY, BOY. 984 01:11:36,259 --> 01:11:38,161 LET ME SEE THAT SPUR. 985 01:11:38,194 --> 01:11:39,729 YES, SIR. 986 01:11:47,971 --> 01:11:50,206 YOU HOLD ONTO THAT, BOY. 987 01:11:50,239 --> 01:11:52,342 IT'S YOUR CALLING CARD. 988 01:11:52,376 --> 01:11:53,910 GO AHEAD ON. 989 01:11:53,943 --> 01:11:56,480 BE RIGHT BEHIND YOU. GO ON. 990 01:11:56,513 --> 01:11:58,948 GOOD LUCK, BILLY RAY. 991 01:11:58,982 --> 01:12:00,384 THANK YOU. 992 01:12:00,417 --> 01:12:02,185 GOOD-BYE. 993 01:12:07,256 --> 01:12:09,426 [BIRD CHIRPS] 994 01:12:20,036 --> 01:12:22,839 EXCUSE ME. COULD YOU TELL ME PRECISELY 995 01:12:22,872 --> 01:12:26,209 WHY THEY CALL THIS THE TREE OF DEATH? 996 01:12:26,242 --> 01:12:28,445 EXCUSE ME. 997 01:12:30,346 --> 01:12:32,382 I MET CHAK MOL AS ARRANGED, 998 01:12:32,416 --> 01:12:35,184 AND I FOLLOWED HIM DEEPER INTO MEXICO. 999 01:12:35,218 --> 01:12:38,054 MY NERVES, NORMALLY QUITE STEADY, 1000 01:12:38,087 --> 01:12:41,625 WERE ACTING UP AS I SENSED US GETTING CLOSER AND CLOSER 1001 01:12:41,658 --> 01:12:43,493 TO EL DIABLO. 1002 01:12:43,527 --> 01:12:45,929 I'M SURE THE TENSION WOULD HAVE BEEN EASED 1003 01:12:45,962 --> 01:12:48,798 IF CHAK MOL HAD BEEN A BETTER CONVERSATIONALIST. 1004 01:12:48,832 --> 01:12:51,501 PERHAPS HE WAS SHY. 1005 01:13:16,493 --> 01:13:18,327 Thank you. 1006 01:13:18,361 --> 01:13:19,496 Shh! 1007 01:13:21,130 --> 01:13:22,632 SORRY. 1008 01:13:33,209 --> 01:13:34,911 AH! 1009 01:13:34,944 --> 01:13:37,681 THEY'RE TOO SPREAD OUT FOR US TO GET ALL AT ONCE. 1010 01:13:37,714 --> 01:13:40,784 I THINK THERE MIGHT BE A SOLUTION 1011 01:13:40,817 --> 01:13:43,352 TO THIS PROBLEM FORTHCOMING. 1012 01:13:55,098 --> 01:13:57,100 HOMBRES! 1013 01:13:58,367 --> 01:14:00,203 UNO, 1014 01:14:00,236 --> 01:14:02,105 DOS... 1015 01:14:07,243 --> 01:14:08,878 TRES. 1016 01:14:23,760 --> 01:14:25,795 UH! AAH! 1017 01:15:01,330 --> 01:15:03,432 WE SPLIT UP HERE. 1018 01:15:03,466 --> 01:15:06,936 THAT LEFT TUNNEL LETS YOU OUT ABOVE THE VILLAGE. 1019 01:15:06,970 --> 01:15:10,206 WAIT FOR MY SIGNAL. 1020 01:15:10,239 --> 01:15:12,375 GOOD LUCK. 1021 01:15:12,408 --> 01:15:14,644 I THINK A LITTLE PRAYER IS IN ORDER 1022 01:15:14,678 --> 01:15:17,446 BEFORE WE EMBARK UPON THIS PERILOUS ORDEAL. 1023 01:15:17,480 --> 01:15:19,916 JOIN ME IN RECITING THE LORD'S PRAYER. 1024 01:15:19,949 --> 01:15:22,852 "OUR FATHER WHO ART IN HEAVEN, 1025 01:15:22,886 --> 01:15:25,622 "HALLOWED BE THY NAME. 1026 01:15:25,655 --> 01:15:29,058 "THY KINGDOM COME. THY WILL BE DONE 1027 01:15:29,092 --> 01:15:31,260 ON EARTH, AS IT IS IN HEAVEN." 1028 01:15:31,294 --> 01:15:34,598 THIS IS A SORRY WAR PARTY, BROWN MAN. 1029 01:15:34,631 --> 01:15:37,601 I DID THE BEST I COULD, RED MAN. 1030 01:15:39,335 --> 01:15:41,537 I'M HERE TO FREE MY PEOPLE. 1031 01:15:41,571 --> 01:15:43,673 DON'T YOU GET IN MY WAY. 1032 01:15:43,707 --> 01:15:46,375 WOULDN'T THINK OF IT. 1033 01:15:46,409 --> 01:15:48,044 HYAA! 1034 01:15:56,586 --> 01:15:58,187 THOMAS, 1035 01:15:58,221 --> 01:16:00,957 I'D LIKE TO HAVE A WORD WITH YOU. 1036 01:16:00,990 --> 01:16:02,558 IF IT'S SHORT. 1037 01:16:02,592 --> 01:16:05,862 I FIND YOUR BEHAVIOR IN THIS ENDEAVOR QUESTIONABLE. 1038 01:16:05,895 --> 01:16:08,598 IT'S PERFECTLY OBVIOUS TO ME WHAT YOU'RE DOING. 1039 01:16:08,632 --> 01:16:11,200 YOU'RE USING THIS BOY AS A DIVERSION 1040 01:16:11,234 --> 01:16:14,370 SO THAT YOU CAN STEAL LOTS OF GOLD. 1041 01:16:14,403 --> 01:16:16,806 ONLY DANCING BEAR'S MOTIVATED 1042 01:16:16,840 --> 01:16:19,075 BY HONORABLE INTENTIONS. 1043 01:16:19,108 --> 01:16:23,179 YOU'RE ALL A BUNCH OF MERCENARIES. 1044 01:16:24,413 --> 01:16:26,182 YOU FINISHED? 1045 01:16:26,215 --> 01:16:27,784 YES. 1046 01:16:27,817 --> 01:16:30,553 I--I HAD TO GET IT OFF MY CHEST. 1047 01:16:30,586 --> 01:16:35,191 I HOPE YOU FEEL BETTER. COME ON, RIO! 1048 01:16:35,224 --> 01:16:36,559 [NEIGH] 1049 01:16:39,796 --> 01:16:42,699 EL DIABLO WON'T TOUCH THAT KID WITHOUT HIS SPUR. 1050 01:16:45,568 --> 01:16:47,737 WHEN I ARRIVED AT EL DIABLO'S COMPOUND, 1051 01:16:47,771 --> 01:16:50,039 HE WAS NOT IN THE VICINITY. 1052 01:16:50,073 --> 01:16:52,876 I DECIDED TO WAIT AND NOT BE IMPATIENT. 1053 01:16:52,909 --> 01:16:56,913 I KNEW I WAS CARRYING AN ACE IN MY POCKET, SO TO SPEAK. 1054 01:17:01,685 --> 01:17:02,852 [NEIGH] 1055 01:17:25,709 --> 01:17:28,444 SO YOU ARE THE BOY WHO KILLED PESTOSO. 1056 01:17:31,547 --> 01:17:33,750 WHAT IS YOUR NAME, LITTLE BOY? 1057 01:17:33,783 --> 01:17:36,152 WILLIAM RAYMOND SMITH. 1058 01:17:36,185 --> 01:17:38,421 MR., UH... 1059 01:17:39,689 --> 01:17:41,190 DEVIL, IS IT? 1060 01:17:41,224 --> 01:17:43,727 I UNDERSTAND, MR. WILLIAM RAYMOND SMITH, 1061 01:17:43,760 --> 01:17:46,062 YOU HAVE BROUGHT SOMETHING FOR ME. 1062 01:17:47,630 --> 01:17:49,032 YES, SIR. 1063 01:17:51,267 --> 01:17:53,569 THIS IS MY SPUR, I BELIEVE. 1064 01:17:53,602 --> 01:17:55,338 THAT IS CORRECT. 1065 01:17:57,306 --> 01:17:59,776 THERE IS SOMETHING MISSING. 1066 01:17:59,809 --> 01:18:02,478 THAT IS ALSO CORRECT. 1067 01:18:04,347 --> 01:18:06,816 WHERE IS THE MISSING PIECE? 1068 01:18:08,217 --> 01:18:10,019 THAT'S FOR ME TO KNOW 1069 01:18:10,053 --> 01:18:12,255 AND YOU TO FIND OUT. 1070 01:18:12,288 --> 01:18:14,357 OH? 1071 01:18:14,390 --> 01:18:17,827 I WANT TO EXCHANGE IT, THE MISSING PIECE THAT IS, 1072 01:18:17,861 --> 01:18:19,362 FOR THE GIRL. 1073 01:18:19,395 --> 01:18:21,731 WHAT GIRL IS THAT? 1074 01:18:21,765 --> 01:18:24,267 MISS NETTIE TULEEN. 1075 01:18:25,769 --> 01:18:28,772 YOU KIDNAPED HER IN FRONT OF MY SCHOOL 1076 01:18:28,805 --> 01:18:30,706 ABOUT FIVE WEEKS AGO. 1077 01:18:32,776 --> 01:18:36,012 SO MANY TOWNS. SO MANY GIRLS. 1078 01:18:37,947 --> 01:18:40,249 SHE'S ABOUT 5'4", 1079 01:18:40,283 --> 01:18:42,485 BLOND HAIR, 1080 01:18:42,518 --> 01:18:44,320 BLUE EYES, 1081 01:18:44,353 --> 01:18:46,990 QUITE ATTRACTIVE, 1082 01:18:47,023 --> 01:18:49,192 AND A VERY GOOD STUDENT. 1083 01:18:54,497 --> 01:18:56,632 DOES SHE LOOK LIKE... 1084 01:18:56,665 --> 01:18:58,534 THIS GIRL? 1085 01:19:00,269 --> 01:19:02,471 YES, SHE DOES. 1086 01:19:08,644 --> 01:19:10,814 UH, I DON'T RECALL THAT OUTFIT. 1087 01:19:10,847 --> 01:19:12,581 YES. 1088 01:19:12,615 --> 01:19:15,451 SHE IS QUITE ATTRACTIVE. 1089 01:19:18,321 --> 01:19:21,190 I COULD NOT BELIEVE MY EYES. 1090 01:19:21,224 --> 01:19:23,192 THIS WAS NOT THE NETTIE 1091 01:19:23,226 --> 01:19:25,628 WHO WAS IN MY CLASSROOM FIVE WEEKS AGO. 1092 01:19:25,661 --> 01:19:28,531 IT WAS EL DIABLO'S WORK, I WAS SURE. 1093 01:19:30,466 --> 01:19:32,836 SHE IS A VERY GOOD STUDENT. 1094 01:19:37,273 --> 01:19:38,975 NETTIE! 1095 01:19:41,310 --> 01:19:44,713 I LIKE MY SPURS VERY MUCH, MR. SMITH. 1096 01:19:47,416 --> 01:19:49,552 THEY BELONGED TO MY FATHER 1097 01:19:49,585 --> 01:19:52,655 AND HIS FATHER'S FATHER'S FATHER. 1098 01:19:52,688 --> 01:19:55,224 I WOULD LIKE THE MISSING PIECE 1099 01:19:55,258 --> 01:19:57,260 YOU HAVE STOLEN. 1100 01:19:57,293 --> 01:19:59,195 TECHNICALLY, IT WASN'T STOLEN. 1101 01:19:59,228 --> 01:20:01,097 BUT, YOU SEE ROSITA? 1102 01:20:01,130 --> 01:20:02,698 ROSITA? 1103 01:20:02,731 --> 01:20:06,535 MY ROSITA MEANS MORE TO ME 1104 01:20:06,569 --> 01:20:09,538 THAN A FAMILY BAUBLE. 1105 01:20:26,222 --> 01:20:27,924 HUH. 1106 01:20:36,332 --> 01:20:38,401 THERE'S THE BOY. 1107 01:20:38,434 --> 01:20:40,469 UH-HUH. 1108 01:20:43,372 --> 01:20:45,574 THEY'RE ALL OVER THE PLACE. 1109 01:20:57,253 --> 01:20:59,822 IT SEEMS YOUR PLAN HAS TAKEN 1110 01:20:59,855 --> 01:21:02,125 AN UNEXPECTED TURN FOR THE WORSE, THOMAS. 1111 01:21:10,266 --> 01:21:11,600 UH! 1112 01:21:11,634 --> 01:21:15,004 SPARE SPURS. 1113 01:21:16,039 --> 01:21:19,008 SPOILED BY SPARE SPURS. 1114 01:21:19,042 --> 01:21:21,577 TRY SAYING THAT THREE TIMES FAST. 1115 01:21:21,610 --> 01:21:24,047 SPOILED BY SPARE SPURS. SPOILED BY SPARE SPURS. 1116 01:21:24,080 --> 01:21:25,514 SHUT UP! 1117 01:21:25,548 --> 01:21:27,450 I'M SORRY. 1118 01:21:27,483 --> 01:21:29,885 IT'S JUST I'M WORRIED ABOUT THE BOY. 1119 01:21:29,919 --> 01:21:32,221 DO YOU THINK THEY'LL HURT HIM? 1120 01:21:32,255 --> 01:21:35,558 I'M GOING TO HURT YOU IF YOU DON'T SHUT UP. 1121 01:21:38,261 --> 01:21:40,596 KID DURANGO. 1122 01:21:41,364 --> 01:21:43,666 MY PEOPLE ALWAYS RIDE IN THE BACK. 1123 01:21:43,699 --> 01:21:46,369 YOU CAN RIDE IN THE FRONT GOING HOME. 1124 01:21:46,402 --> 01:21:48,171 IT'S YOUR TURN. 1125 01:21:48,204 --> 01:21:51,140 I'M NOT GETTING IN THE BACK WITH THAT GODFORSAKEN-- 1126 01:21:51,174 --> 01:21:53,709 DON'T CALL HER GODFORSAKEN. 1127 01:22:07,323 --> 01:22:09,025 HELLO, GENTLEMEN. 1128 01:22:15,164 --> 01:22:18,767 I'LL HANDLE THIS. THESE ARE MY PEOPLE. 1129 01:22:21,370 --> 01:22:23,272 BUENOS DIAS, AMIGOS. 1130 01:22:23,306 --> 01:22:25,308 ¿COMO ESTAMOS? TODO BIEN. 1131 01:22:28,411 --> 01:22:30,513 NICE PANTS. 1132 01:22:33,149 --> 01:22:35,718 THESE ARE NOT MY PEOPLE. 1133 01:22:35,751 --> 01:22:38,354 DAMN! I KNEW WE SHOULD HAVE TAKEN A RIGHT 1134 01:22:38,387 --> 01:22:40,256 AT THAT LAST FORK. 1135 01:22:40,289 --> 01:22:42,358 THROW DOWN YOUR WEAPONS. 1136 01:22:42,391 --> 01:22:44,793 SETTLE DOWN HERE. WE GOT NO QUARREL. 1137 01:22:44,827 --> 01:22:46,595 WE'RE DELIVERING SUPPLIES. 1138 01:22:46,629 --> 01:22:49,498 ATALICUS COLLIN'S CATERING. HOW DO YOU DO? 1139 01:22:49,532 --> 01:22:51,467 I'D LIKE TO INTRODUCE MY ASSISTANTS. 1140 01:22:51,500 --> 01:22:53,536 THIS IS BOB AND BEBE. 1141 01:22:53,569 --> 01:22:56,472 WE HAVE FINE WINES, DELICACIES-- 1142 01:22:56,505 --> 01:22:57,906 [GUNSHOT] 1143 01:23:03,179 --> 01:23:05,948 WHAT'S IN THE BAG? 1144 01:23:07,983 --> 01:23:10,119 IT'S NOTHING. 1145 01:23:12,755 --> 01:23:16,259 YOU CAN HAVE ANYTHING YOU WANT IN THE WAGON, 1146 01:23:16,292 --> 01:23:20,129 BUT DON'T TOUCH THE BAG, OK? 1147 01:23:22,465 --> 01:23:26,269 I WILL DECIDE WHAT I WANT. 1148 01:23:28,471 --> 01:23:30,039 AMIGO, 1149 01:23:30,073 --> 01:23:32,007 I WOULD RATHER DIE 1150 01:23:32,041 --> 01:23:34,610 THAN TO GIVE YOU THAT BAG. 1151 01:23:36,445 --> 01:23:37,646 OH! 1152 01:23:49,225 --> 01:23:51,427 ANY OTHER REQUESTS? 1153 01:23:54,430 --> 01:23:56,699 GRINGO, THE BAG! 1154 01:23:58,534 --> 01:24:00,002 PRONTO! 1155 01:24:21,390 --> 01:24:23,392 [HISSING] 1156 01:24:23,426 --> 01:24:24,927 AAH! 1157 01:24:36,239 --> 01:24:38,241 UH! 1158 01:24:54,223 --> 01:24:56,292 [HISSING] 1159 01:25:06,235 --> 01:25:09,438 WHEN MY FAMILY CAME TO THIS COUNTRY, MR. SMITH, 1160 01:25:09,472 --> 01:25:12,641 THEY ENCOUNTERED INCREDIBLE INTELLIGENCE 1161 01:25:12,675 --> 01:25:16,379 AND INCREDIBLE SAVAGERY. 1162 01:25:18,981 --> 01:25:20,983 THE MAYAS BUILT PYRAMIDS, 1163 01:25:21,016 --> 01:25:23,519 CHARTED THE HEAVENS, AND GAVE US OUR CALENDAR 1164 01:25:23,552 --> 01:25:28,391 BUT THE AZTECS BROUGHT THE ART OF HUMAN SACRIFICE 1165 01:25:28,424 --> 01:25:30,226 TO A NEW HEIGHT. 1166 01:25:37,233 --> 01:25:39,602 [GUNSHOTS] 1167 01:26:06,362 --> 01:26:07,930 AW, JESUS! 1168 01:26:07,963 --> 01:26:10,233 COME ON! GOD! COME ON! 1169 01:26:10,266 --> 01:26:12,000 COME ON! 1170 01:26:12,034 --> 01:26:14,303 JEEZ! 1171 01:26:23,479 --> 01:26:25,848 OH, WHAT THE HELL! 1172 01:26:32,355 --> 01:26:34,657 YEEHA! 1173 01:26:34,690 --> 01:26:38,026 YEEHA HA HA HA! 1174 01:26:39,127 --> 01:26:41,330 EL DIABLO! 1175 01:26:41,364 --> 01:26:44,433 COMPANY IS COMING, YOU SON OF A BITCH! 1176 01:26:44,467 --> 01:26:48,804 HA HA HA! YEEHA! 1177 01:26:58,314 --> 01:27:00,215 AAH! 1178 01:27:10,058 --> 01:27:12,160 [WOMEN SCREAMING] 1179 01:27:48,196 --> 01:27:49,798 [GUNSHOT] 1180 01:28:26,168 --> 01:28:29,905 WHOLE LOT DIFFERENT THAN WRITING ABOUT IT, HUH, TRUMAN? 1181 01:28:35,277 --> 01:28:38,213 HE TOOK NETTIE. WE HAVE TO CATCH HIM. 1182 01:28:38,246 --> 01:28:39,582 MM-HMM. 1183 01:29:04,373 --> 01:29:06,975 OH HO HO HO HO! 1184 01:29:07,009 --> 01:29:10,646 GOOD OLD BEBE. 1185 01:29:17,219 --> 01:29:19,788 SO THAT'S WHY YOU'RE HERE, 1186 01:29:19,822 --> 01:29:21,457 FOR THE GOLD. 1187 01:29:21,490 --> 01:29:24,026 THAT'S MORE IMPORTANT TO YOU THAN SAVING THE GIRL? 1188 01:29:24,059 --> 01:29:27,396 THE GIRL AIN'T MY PROBLEM. 1189 01:29:47,483 --> 01:29:51,019 I FOUND A PIECE OF NETTIE'S OUTFIT NEXT TO THE CAVE. 1190 01:29:51,053 --> 01:29:53,789 IT CONFIRMED MY SUSPICION 1191 01:29:53,822 --> 01:29:57,660 THAT EL DIABLO HAD FORCED HER TO ESCAPE WITH HIM. 1192 01:30:30,225 --> 01:30:32,094 NETTIE? 1193 01:30:41,369 --> 01:30:42,771 NETTIE! 1194 01:30:57,352 --> 01:31:01,957 HELLO, LITTLE BOY. LOOKING FOR SOMETHING? 1195 01:31:01,990 --> 01:31:05,961 I WANT THE GIRL. 1196 01:31:05,994 --> 01:31:09,231 HOW ARE YOU GOING TO GET HER BACK, 1197 01:31:09,264 --> 01:31:11,934 WITH YOUR LITTLE STICK? 1198 01:31:11,967 --> 01:31:14,169 HA HA! 1199 01:31:20,442 --> 01:31:22,811 GIVE UP THE GIRL, DIABLO. 1200 01:31:22,845 --> 01:31:25,848 NOW, WHO IS THIS, LITTLE BOY? 1201 01:31:27,249 --> 01:31:29,184 MY NAME... 1202 01:31:33,522 --> 01:31:35,791 IS KID DURANGO. 1203 01:31:37,292 --> 01:31:38,927 HA HA HA HA! 1204 01:31:38,961 --> 01:31:41,163 OH. KID DURANGO. 1205 01:31:41,196 --> 01:31:44,066 AM I TO BE FRIGHTENED BY THIS NAME? 1206 01:31:44,099 --> 01:31:47,970 Truman, you don't have to do this. 1207 01:31:52,374 --> 01:31:55,778 YES, I DO. 1208 01:31:55,811 --> 01:31:57,012 Truman. 1209 01:31:58,847 --> 01:32:01,650 SINCE YOU ARE THE GUEST, MR. KID DURANGO, 1210 01:32:01,684 --> 01:32:04,653 I WILL WAIT FOR YOU TO MAKE THE FIRST MOVE. 1211 01:32:40,388 --> 01:32:43,592 TRUMAN, YOU DIDN'T HAVE TO DO THAT. 1212 01:32:45,928 --> 01:32:47,596 I DID. 1213 01:32:47,630 --> 01:32:49,297 UH! I DID. 1214 01:32:52,334 --> 01:32:53,869 UH! 1215 01:32:53,902 --> 01:32:55,904 OW! IT HURTS. 1216 01:32:55,938 --> 01:32:59,074 OH. I'M SORRY. I'M SORRY. 1217 01:32:59,107 --> 01:33:01,877 UH! OW! 1218 01:33:03,345 --> 01:33:05,681 I NEVER THOUGHT ABOUT THE PAIN. 1219 01:33:05,714 --> 01:33:10,118 I ASSUMED IT WOULD BE OVER QUICKLY. 1220 01:33:12,154 --> 01:33:16,692 PERHAPS I SHOULD HAVE LOOKED AT HIS HANDS, 1221 01:33:16,725 --> 01:33:19,728 NOT HIS EYES. 1222 01:33:21,797 --> 01:33:23,699 YOU KNOW, 1223 01:33:23,732 --> 01:33:27,335 YOU'RE RUINING A PERFECTLY GOOD SCARF. 1224 01:33:29,504 --> 01:33:31,740 I'M SORRY. 1225 01:33:33,575 --> 01:33:36,011 [COUGHING] 1226 01:33:38,613 --> 01:33:41,717 I WANT YOU TO DO SOMETHING FOR ME. 1227 01:33:41,750 --> 01:33:46,388 ANYTHING. ANYTHING. I'LL DO ANYTHING. 1228 01:33:47,522 --> 01:33:49,758 KILL HIM. 1229 01:33:49,792 --> 01:33:53,528 KILL EL DIABLO. 1230 01:33:55,297 --> 01:33:58,566 COMPLETE THE STORY, BILLY RAY. 1231 01:34:06,274 --> 01:34:09,044 TRUMAN, TRUMAN, YOU'RE NOT GOING TO DIE. 1232 01:34:10,312 --> 01:34:12,014 I KNOW. 1233 01:34:13,682 --> 01:34:17,285 I'VE NEVER FELT SO ALIVE. 1234 01:34:30,799 --> 01:34:33,736 IN WHOSE ARMS ARE YOU GOING TO DIE, LITTLE BOY? 1235 01:34:33,769 --> 01:34:36,638 HE DIDN'T EVEN GO FOR HIS GUN. 1236 01:34:36,671 --> 01:34:40,142 I WAS GETTING BORED. I'M BUSY. 1237 01:34:40,175 --> 01:34:43,946 NOW, WHERE WOULD YOU LIKE ME TO SHOOT YOU? 1238 01:34:43,979 --> 01:34:46,715 I WILL GIVE YOU THE CHOICE. 1239 01:34:46,749 --> 01:34:48,884 WHERE? 1240 01:34:48,917 --> 01:34:51,153 ¿EN LA CABEZA? 1241 01:34:53,121 --> 01:34:55,357 ¿EL CORAZON? 1242 01:34:55,390 --> 01:34:57,325 UH... 1243 01:34:57,359 --> 01:34:58,626 EL... 1244 01:35:01,596 --> 01:35:03,498 HA HA HA HA HA! 1245 01:35:03,531 --> 01:35:05,868 ¿ESTOMAGO? 1246 01:35:05,901 --> 01:35:07,970 I WOULD NOT RECOMMEND THE STOMACH. 1247 01:35:08,003 --> 01:35:10,806 IT'S VERY PAINFUL AND TAKES A LONG TIME TO DIE. 1248 01:35:10,839 --> 01:35:13,441 BUT MAKE YOUR DECISION QUICKLY, PLEASE. 1249 01:35:13,475 --> 01:35:16,244 YOU SEE, I'M AN IMPATIENT MAN. 1250 01:35:16,278 --> 01:35:20,482 HOW ABOUT YOU WING ME ON THE SHOULDER, RIGHT ABOUT HERE? 1251 01:35:24,219 --> 01:35:27,122 YOU ARE VERY FUNNY, LITTLE BOY. 1252 01:35:27,155 --> 01:35:29,091 HA. 1253 01:35:29,124 --> 01:35:31,559 I THINK MAYBE... 1254 01:35:34,262 --> 01:35:36,865 LA CABEZA. 1255 01:35:42,204 --> 01:35:43,571 DIABLO! 1256 01:36:35,223 --> 01:36:38,093 FINALLY, SOMEONE WHO IS WORTHY OF THE CHALLENGE. 1257 01:36:38,126 --> 01:36:40,963 CUT THE BULLSHIT, EL DIABLO. 1258 01:36:40,996 --> 01:36:43,498 MAKE YOUR MOVE. 1259 01:37:51,366 --> 01:37:53,601 YOU WANT A CHAW? 1260 01:38:08,416 --> 01:38:10,485 WANT TO TRY AGAIN? 1261 01:38:21,396 --> 01:38:23,331 [GUNSHOT] 1262 01:39:00,135 --> 01:39:01,536 [GUNSHOT] 1263 01:39:11,479 --> 01:39:15,483 DAMN, BOY. YOU SHOT HIM IN THE BACK. 1264 01:39:18,353 --> 01:39:20,722 WELL, HIS BACK WAS TO ME. 1265 01:39:25,227 --> 01:39:27,996 HA HA HA! 1266 01:39:31,266 --> 01:39:33,701 I FORGOT. 1267 01:39:43,945 --> 01:39:45,847 I SHOT EL DIABLO. 1268 01:39:45,880 --> 01:39:47,682 IT MAY NOT HAVE BEEN A SHOWDOWN 1269 01:39:47,715 --> 01:39:49,651 IN THE STREET AT HIGH NOON, 1270 01:39:49,684 --> 01:39:51,353 BUT IT HAPPENED. 1271 01:39:51,386 --> 01:39:54,322 MR. VAN LEEK WAS THERE TO DOCUMENT THE EVENT. 1272 01:39:54,356 --> 01:39:57,159 HE SEEMED TO APPROVE OF MY TACTICS. 1273 01:40:16,978 --> 01:40:20,448 WE BURIED THE PREACHER, ROBERTO, BEBE, AND TRUMAN 1274 01:40:20,482 --> 01:40:22,384 IN THE HIGH PLAINS. 1275 01:40:22,417 --> 01:40:24,719 DANCING BEAR PICKED OUT THE SPOT, 1276 01:40:24,752 --> 01:40:27,655 SAYING THAT THE GROUND WAS RICH IN HIS ANCESTORS' BLOOD 1277 01:40:27,689 --> 01:40:30,325 AND WOULD NOURISH OUR COMPATRIOTS' SOULS. 1278 01:40:32,327 --> 01:40:34,629 I DON'T HAVE MUCH LEFT TO SAY 1279 01:40:34,662 --> 01:40:37,665 EXCEPT I DON'T PLAN TO JOIN YOU SOON. 1280 01:40:42,637 --> 01:40:45,740 IT WAS WITH GREAT SADNESS AS I KNELT TO TRUMAN'S GRAVE. 1281 01:40:45,773 --> 01:40:47,642 HE HAD SAVED MY LIFE, 1282 01:40:47,675 --> 01:40:50,312 AND THERE WAS NO WAY TO PAY HIM BACK. 1283 01:40:50,345 --> 01:40:54,015 HE HAD PROVEN TO BE PERHAPS THE BRAVEST OF US ALL. 1284 01:40:54,048 --> 01:40:57,219 I REGRET THAT WOULD NEVER KNOW HIM. 1285 01:41:01,456 --> 01:41:03,225 COFFEE. 1286 01:41:03,258 --> 01:41:04,726 FLOUR. 1287 01:41:04,759 --> 01:41:06,628 YEAST. 1288 01:41:18,240 --> 01:41:20,242 LOOK AT THAT! 1289 01:41:20,275 --> 01:41:22,510 IT LOOKS LIKE BILLY RAY! 1290 01:41:27,415 --> 01:41:29,317 MY GOD! 1291 01:41:29,351 --> 01:41:31,653 IS THAT NETTIE TULEEN? 1292 01:41:44,332 --> 01:41:46,968 ISN'T THAT BILLY RAY? SURE LOOKS DIFFERENT. 1293 01:41:47,001 --> 01:41:50,272 YEAH. USED TO WEAR A HAT, DIDN'T HE? 1294 01:41:54,542 --> 01:41:55,977 OH! 1295 01:41:57,679 --> 01:42:00,282 THAT'S NETTIE TULEEN! SHE'S COME BACK. 1296 01:42:10,692 --> 01:42:13,461 DIDN'T THINK I'D SEE THAT BOY AGAIN. 1297 01:42:14,829 --> 01:42:16,264 WHOA. 1298 01:42:50,298 --> 01:42:52,934 THANK YOU. 1299 01:43:18,260 --> 01:43:20,962 COMING BACK, BILLY RAY? 1300 01:43:23,265 --> 01:43:25,367 SOMEDAY. 1301 01:43:51,793 --> 01:43:55,330 DID YOU KILL EL DIABLO, BILLY RAY? 1302 01:43:55,363 --> 01:43:58,300 ONLY GOD CAN KILL THE DEVIL, CHARLIE. 1303 01:43:58,333 --> 01:44:01,436 THAT'S RIGHT, BILLY RAY. THAT'S RIGHT. 1304 01:44:01,469 --> 01:44:03,405 HA HA HA! 1305 01:44:03,438 --> 01:44:05,507 WHEN I TOLD MR. VAN LEEK 1306 01:44:05,540 --> 01:44:07,809 I WAS GOING TO WRITE AN ACCOUNT OF OUR ADVENTURE, 1307 01:44:07,842 --> 01:44:09,176 HIS EARS PRICKED UP. 1308 01:44:09,210 --> 01:44:11,646 SUDDENLY HE WAS A FOUNTAIN OF INFORMATION, 1309 01:44:11,679 --> 01:44:14,081 OR SHOULD I SAY FABRICATION? 1310 01:44:14,115 --> 01:44:16,584 HE REALLY GOT ROLLING WHEN I MENTIONED 1311 01:44:16,618 --> 01:44:19,487 I INTENDED TO PEN A SERIES OF BOOKS. 1312 01:44:19,521 --> 01:44:21,856 DON'T WRITE ABOUT A WHITE BOY 1313 01:44:21,889 --> 01:44:24,892 WITH A FANCY HAT AND SHIRT. 1314 01:44:24,926 --> 01:44:28,195 I WANT TO HEAR ABOUT THE WAY IT REALLY IS, 1315 01:44:28,229 --> 01:44:30,365 ABOUT SQUARING OFF WITH ANOTHER MAN, 1316 01:44:30,398 --> 01:44:32,400 LOOK HIM RIGHT IN THE-- 1317 01:44:32,434 --> 01:44:34,636 IN THE BACK? 1318 01:44:34,669 --> 01:44:37,805 RIGHT. AND YOU SHOOT HIM-- 1319 01:44:37,839 --> 01:44:40,875 BEFORE HE KNOWS WHAT HIT HIM. 1320 01:44:40,908 --> 01:44:43,311 HA HA HA HA! 1321 01:44:43,345 --> 01:44:46,080 HA HA HA HA! 1322 01:45:01,363 --> 01:45:05,567 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1323 01:45:05,600 --> 01:45:08,670 CAPTIONS COPIGHT 199O HOME BOX OFFICE, INC. 1324 01:45:08,703 --> 01:45:12,206 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 81310