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1
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Previously on The Next Bride... It's
Brandon Armstrong!
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I want you guys to tell a story from
your life that is meaningful.
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When I was 15, I lost my mom.
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My story is about perseverance.
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How do you show it? Your eyes.
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I need to move.
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No!
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AJ, you had jive last week. You need to
come here with some creativity.
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It will not wash in the United States.
Nina, I would have liked you to have
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listened a little bit. Benji...
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Today I just kind of got away from you.
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Tonight was the last dance for Benji.
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Hi, guys.
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There they are.
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Say hi to our judges, Shirley and Mark
Ballard.
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Lovely to see you both. Looking
marvellous as always. Thank you.
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Danfu, you have been training together.
You've been living together, but you've
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also been competing against each other.
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Just how tough has this experience been
for you?
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Had its moments.
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Had its moments.
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Benji's gone, and it's because of the
lack of communication that we had.
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I feel extremely guilty and I don't want
that to happen this week.
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Mark, what's the tip you would give him
to make it as a pro? The key is to get
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the most out of your star that you have
been partnered with.
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Sometimes you have to be selfless to
look better as a couple. You'll shine
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more by showing off less.
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I want to see a dancer make it
impossible to turn them down. I want to
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witness a star being born.
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Rounding out our judging panel is our
guest judge.
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She has been a pro on Dancing with the
Stars since 2020.
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And she is one of the show's most
creative choreographers and remarkable
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performers. The incredible Britt
Stewart.
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I am absolutely obsessed with Britt.
She's my favorite pro.
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Wow. In ballroom, it's hard to find
Black representation.
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So it just makes this dream to be the
next pro of Dancing with the Stars feel
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even more possible.
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I'm alive.
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Amazing. Thank you, Robert.
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Wow. Great.
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Well, before judging our dancers, you
have set a challenge for them.
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One of the most popular elements of
Dancing with the Stars are the times we
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dance as a group.
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For example, the massive opening
numbers.
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Often, they include non-ballroom dance
styles and really give the show.
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spectacle, and scale. It is such a vital
part of becoming a pro. So this week's
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challenge, dancing as a group.
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That's right. This week, your challenge
is to recreate the very choreography
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that you just saw Britt do.
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You need to show us that you can work in
perfect unison.
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Group work is tough because it can get
messy very quickly. My focus was on
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competitive dancing, so group dancing is
very new to me.
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It's time to shine as part of a
collective.
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Good luck.
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Thank you.
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This is going to be a big week for them.
It's going to be amazing.
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I'm so excited.
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I would love to be doing a ballroom
dance. But we're all together. Yes.
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Let's stretch it out.
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How are we doing?
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Great. Fantastic.
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This is going to be a big week.
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Group numbers really give you an
opportunity to step out of the norms of
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ballroom, to not be so traditional, play
around, break the rules.
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I'm looking forward to seeing how each
one of you take my choreography, pick it
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up quickly, and how you can come forward
as individuals, but as a collective.
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Are you guys up for it? Absolutely.
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So spread out. I'm going to move very
quickly, okay? So let's hit it. We go
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one, two, three, four.
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Group performance is difficult because
synchronicity is so important. You have
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to be together with the other dancers.
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One more time. You have to be aware of
your space.
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So these dancers have a lot of work cut
out for them this week. For traditional
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Latin and ballroom dancers, this group
dance challenge could be a little bit
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more difficult.
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If you're unaware, it'll be messy, there
will be collisions, and it will not come
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together.
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I feel like I put an image that I can do
whatever, I'm strong, I'm a powerful
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dancer, but it is hard because we have
to work everything out with so many
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people, in fast music, with all the
things, and I'm doubting myself.
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I'm huge on details and dynamics.
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Right? So smooth into each other. One
question. Is it a three-step turn or
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just a one turn? Yes. So one, close,
press.
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Thank you. I'm really, really excited to
be able to do a group dance. And one,
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two. I love taking talented dancers and
making this incredible number together,
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learning very fast-paced choreography.
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It just makes me really excited to
dance.
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Good job, dancers.
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Amazing first session together.
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You can take this time to continue to
practice, help each other, support each
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other. All right?
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Okay, guys.
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I excel in a group dance. It's what we
do in the commercial world. It's what
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I'm best at. So I feel like this is
going to be my strong suit for sure.
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Five and six, seven and eight.
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One, two. The turn was on two.
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We're prepping on one, we're turning on
two, we're stepping on three.
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I think it would look meaner though if
we selected to go here.
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No. So prep one, turn two, step three.
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Whatever you want.
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I was trying to be involved and it just
tend to get shut down a lot. Isn't it
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five into a flow?
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Five. Yes, but it's still like five,
seven, eight. I think simplicity is key.
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Can we consider it like a body sway?
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You're going like.
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really fast there's no time to be like
okay listen to me then we can dip it
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down just a little little moment right
we're hitting back corner though right
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yeah okay what happened no okay i don't
know if it's that she doesn't believe
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that i can do it but she doesn't want to
listen you're so quiet then you make me
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scared i can't oh no i'm fine five six
seven eight
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One, two, keep that direction.
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What's happening?
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Three and four, promenade. I love
dancing in a group. It's kind of what
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I'm used to.
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I wasn't a ballroom dancer when I
started. I was on this underground hip
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-hop dance team.
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But Brit's choreography, it's probably
the most challenging group number I've
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done. I generally have no idea what's
going on.
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It's just a lot of moving parts.
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I'm, like, a little dumbfounded.
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Okay, do you need help with your feet?
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I have no idea what I'm doing.
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Okay. Here it's fine, here it's fine.
There's a swivel, but then there's that.
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No, it was after that.
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Okay, that's a telespin.
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Telespin? Telespin. And I'm seeing
Tristan struggle with spacing and
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picking up the choreography quick
enough. Land here.
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Land there. Yeah, you're going too far
out. Got it. You actually have the
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easiest track. Yes. And I'm seeing Nina
struggle with musicality and timing.
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They need to step it up.
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I keep screwing up the turn.
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Steph, you come forward to three, four.
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Yeah, so you just come straight forward.
Okay. Okay.
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Group stuff is definitely something that
I am very comfortable with doing because
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I grew up a commercial dancer.
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I did Dancing with the Stars, season 33,
Truth. So I'm excited to show my
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powerful side and just how fast I can
pick up choreography.
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I'm definitely in my element and I'm
feeling really good. One, three, four,
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five, and six, seven, eight, oh.
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Oh, are you okay?
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Oh, no.
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You okay?
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What happened?
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I think she got hit in the face.
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Can you look at me really quick?
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It's like a black eye. I don't know what
happened.
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The dance was moving so quickly and
Natalie got hit in the face.
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Was it with the nail or with the hair?
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My hands are getting really tingly.
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I just hate being the one that caused
that. Like, I just feel horrible. I know
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she's worked really hard to be here, and
I hope she's okay.
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It hurts really bad.
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We're going to go get you checked out,
all right?
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Sorry,
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I just care.
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Paramedics up there? I can't breathe
through my nose.
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Just try and slow your breathing down.
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They're going to give you some pain
relief, okay?
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I'm really feeling for Natalie. She is
part of this group challenge.
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This incident really showcases why
dancing as a unit, being aware of your
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space, is so important when you're doing
group dance work.
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If these dancers want to be a pro on
Dancing with the Stars, group numbers
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are so important.
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So this week, the challenge is to create
my group's choreography.
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These dancers don't know it yet, but I
have a surprise for them.
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Everything within this group dance
challenge is difficult.
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Just all the little steps.
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I'm a showman. I like to stand out, feel
special, but I have to keep myself in
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line so I'm not distracting from.
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The group.
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One, two, three, four, five, six, seven,
eight. Okay, one more time for Nina this
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beginning.
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There's a lot. There's a lot of content
in the routine.
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Sorry, guys. Ever since getting those
comments from week one, timing is
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definitely something I've been working
really hard on.
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It's a lot of pressure, and I don't want
to let anybody down, including myself.
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Dancers, I have a surprise for you.
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It's time to perform.
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You have had three hours to learn the
choreography, and that is the same time
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that pros on Dancing with the Stars have
to learn opening numbers and be camera
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ready. I am very excited to see you
perform, so please help me welcome my
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fellow judges.
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Oh, my God. You have Shirley and Mark
coming into the door. I've never learned
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a dance, especially a group dance, this
quick before.
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Now the pressure's really on. I don't
know what's going on.
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This is the most stressful day for me.
Not just because of the judges, but
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because I don't want to disappoint
myself, and I know I'm not 100% ready.
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I'm scared.
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Shirley and Mark, Natalie,
unfortunately, was injured.
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Still awaiting updates, but she's okay.
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Yeah. Okay, dancers, we would like you
to show us exactly what you've got, and
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I only hope it's spectacular.
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I feel like people are... I'm not ready
to be judged, let's say. Just a tad bit
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more. A tad bit more. Knowing the judge
is there, I think somebody's going to go
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home now. So I have to pull it out of
the bag.
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Oh, my
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God.
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Hey, Shirley, in your opinion, who was
the weakest dancer in this group
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challenge?
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Well, first of all, as a group, I just
want to say it was pretty difficult, but
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there was one person that was ahead by a
whole bar of music in the telly spin,
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and that person is Tristan.
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Mark? For me, again, it was rushing
music, slightly ahead, not fully being
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spatially aware of your partner.
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Unfortunately, it's going to be Nina.
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Tristan and Nina, you're not on the
chopping block just
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yet. There will be a second challenge to
prove what you have for the judges.
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It feels like a blessing to be given
another chance.
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All I can do is listen to the judges'
critique.
210
00:16:00,250 --> 00:16:01,250
Keep it going.
211
00:16:01,430 --> 00:16:02,630
Yeah, all good. Let it out.
212
00:16:02,990 --> 00:16:04,150
Let it out. Let it out.
213
00:16:06,460 --> 00:16:07,460
Come on, guys.
214
00:16:08,540 --> 00:16:09,740
I'm so upset.
215
00:16:10,200 --> 00:16:15,340
I just thought I had a handle on it, and
I didn't. Hey, I'm right there with you.
216
00:16:15,420 --> 00:16:18,180
I'm right there with you. Bro, you're
not going anywhere, okay?
217
00:16:18,660 --> 00:16:22,180
That's what matters, okay? I feel like I
let myself down, and I've always had my
218
00:16:22,180 --> 00:16:25,980
own back, so it was just pretty
upsetting.
219
00:16:27,140 --> 00:16:28,960
You got another opportunity tomorrow.
220
00:16:29,580 --> 00:16:31,500
We do this because we love it. Yeah.
221
00:16:31,720 --> 00:16:33,640
Yeah? So let's just keep it moving, bro,
okay?
222
00:16:34,540 --> 00:16:36,140
I'd like to rumble with you.
223
00:16:40,580 --> 00:16:41,060
I
224
00:16:41,060 --> 00:16:50,320
mean,
225
00:16:50,340 --> 00:16:51,520
Bridge is beautiful, honestly.
226
00:16:51,920 --> 00:16:53,360
Okay, you like her?
227
00:16:53,780 --> 00:16:54,780
I mean, yeah.
228
00:16:55,140 --> 00:16:56,140
You think she's hot?
229
00:16:56,520 --> 00:17:00,180
I caught myself getting lost. I forgot
what she was saying half the time.
230
00:17:00,500 --> 00:17:01,500
Dang.
231
00:17:01,840 --> 00:17:03,680
She's so, like, warm, too.
232
00:17:06,839 --> 00:17:09,500
I think today was the hardest day for me
for sure.
233
00:17:09,740 --> 00:17:12,700
I just feel like that rehearsal went
rough for me.
234
00:17:13,119 --> 00:17:18,140
I came into this challenge excited that
I have experience picking up choreo in
235
00:17:18,140 --> 00:17:19,800
one hour and then performing it on
stage.
236
00:17:20,060 --> 00:17:20,879
Yeah.
237
00:17:20,880 --> 00:17:26,380
And in rehearsals, it was a little like
clash, clash because I feel like Nina.
238
00:17:27,359 --> 00:17:30,820
I figured it was me. You don't have
respect for me.
239
00:17:32,430 --> 00:17:36,190
I got to a point in rehearsal where I
just was like, I just have to give up
240
00:17:36,190 --> 00:17:38,450
because I couldn't just keep doing a
back and forth.
241
00:17:39,830 --> 00:17:41,350
I'm so sorry that you felt that way.
242
00:17:42,470 --> 00:17:45,770
I genuinely was just trying to
understand because I'm not used to
243
00:17:45,770 --> 00:17:46,770
working so quickly.
244
00:17:46,870 --> 00:17:50,890
I was just trying to have a
conversation. So it felt less like you
245
00:17:50,890 --> 00:17:51,890
were trying to understand.
246
00:17:53,010 --> 00:17:57,870
We're trying to kind of take over
rehearsal.
247
00:17:59,450 --> 00:18:00,450
Really?
248
00:18:01,639 --> 00:18:02,639
Okay.
249
00:18:03,140 --> 00:18:07,920
If I can be completely honest and just
like speak my truth, any moments that I
250
00:18:07,920 --> 00:18:12,800
felt that I did talk, I also did feel
like I ended up pulling back. So it's
251
00:18:12,800 --> 00:18:17,660
really, it's ironic to me to hear that
it's again, I don't know how to work it
252
00:18:17,660 --> 00:18:22,320
out. I'm trying to be as sensitive and
as careful as possible, but it is group
253
00:18:22,320 --> 00:18:23,199
work this week.
254
00:18:23,200 --> 00:18:24,620
I have to bite the bullet.
255
00:18:25,070 --> 00:18:28,110
then that's what it's going to have to
be because you have to push past the
256
00:18:28,110 --> 00:18:31,570
uncomfortable feelings and we have to
work together. That's just my outlook on
257
00:18:31,570 --> 00:18:33,970
it, but I don't even know what to say.
258
00:18:45,990 --> 00:18:52,030
We're going for the high five. Hands
out, hands out. Come on, come on.
259
00:18:58,060 --> 00:18:59,680
How are we feeling?
260
00:18:59,880 --> 00:19:00,880
Everybody doing okay?
261
00:19:01,060 --> 00:19:02,060
We're feeling good.
262
00:19:02,400 --> 00:19:06,580
Of course, Natalie isn't here. She's
under medical supervision.
263
00:19:06,820 --> 00:19:09,940
She's doing okay, and we'll keep you
posted on her condition.
264
00:19:10,160 --> 00:19:12,540
But for now, the show must go on.
265
00:19:13,700 --> 00:19:18,840
Yesterday was, of course, your group
performance, and today you will be
266
00:19:18,840 --> 00:19:20,380
performing team dances.
267
00:19:21,120 --> 00:19:22,800
That is your second challenge.
268
00:19:23,000 --> 00:19:26,920
Form two teams and create an amazing...
269
00:19:27,320 --> 00:19:28,320
Team dance.
270
00:19:28,480 --> 00:19:34,980
Nina and Tristan, the judges singled you
out in the group dance. Now you have a
271
00:19:34,980 --> 00:19:38,980
chance to redeem yourself as team
captains.
272
00:19:40,020 --> 00:19:43,040
Bottom two to top dog.
273
00:19:43,740 --> 00:19:47,200
It feels like I'm being rewarded for
doing something wrong.
274
00:19:47,400 --> 00:19:50,400
You need to make these dances pop for
the audience at home.
275
00:19:50,960 --> 00:19:54,100
Team dances are a Dancing with the Stars
classic.
276
00:19:54,740 --> 00:19:57,560
Your routines should have clever
choreography.
277
00:19:57,900 --> 00:20:03,660
The partnerships should be creative. You
need to be in sync and dynamic. Just
278
00:20:03,660 --> 00:20:07,400
because you're the team captain does not
mean that you have to lead. Be smart
279
00:20:07,400 --> 00:20:10,080
about who's on your team and play on
everyone's strengths.
280
00:20:12,420 --> 00:20:17,240
Nina and Tristan, taking it in turns,
you will pick your team members.
281
00:20:18,240 --> 00:20:19,240
Nice job.
282
00:20:19,260 --> 00:20:23,440
Being team captain after feeling
helpless the day before, I kind of felt
283
00:20:23,440 --> 00:20:24,880
like I got to take my power back a
little bit.
284
00:20:25,220 --> 00:20:26,900
Nina, you got the first pick.
285
00:20:27,140 --> 00:20:30,920
All right. I have to go with my brother
from another mother, Alan.
286
00:20:31,220 --> 00:20:32,179
Up and over.
287
00:20:32,180 --> 00:20:32,919
Good start.
288
00:20:32,920 --> 00:20:34,200
Good start. Good start.
289
00:20:34,560 --> 00:20:35,560
Oh, no.
290
00:20:36,100 --> 00:20:37,100
Stephanie, come here, boo.
291
00:20:37,520 --> 00:20:39,660
Yeah. In your house? Yeah.
292
00:20:40,460 --> 00:20:41,540
Actually, very strategic.
293
00:20:42,080 --> 00:20:43,100
The next few picks.
294
00:20:43,860 --> 00:20:44,860
AJ.
295
00:20:46,830 --> 00:20:47,830
One, two, three.
296
00:20:49,110 --> 00:20:50,350
Nobody wants us.
297
00:20:51,610 --> 00:20:52,610
Selena.
298
00:20:57,050 --> 00:20:58,310
We're so bad.
299
00:20:58,730 --> 00:20:59,970
No, I wasn't.
300
00:21:01,210 --> 00:21:02,510
Eric, you know I love you.
301
00:21:03,570 --> 00:21:07,530
But we got to take that Rolls Royce for
a spin. Let's go, Adele. Come on.
302
00:21:09,450 --> 00:21:10,450
Let's go.
303
00:21:12,810 --> 00:21:14,770
We have our team.
304
00:21:15,340 --> 00:21:16,640
Let's see what dance style you got.
305
00:21:18,180 --> 00:21:19,220
Paso Doble!
306
00:21:20,300 --> 00:21:21,300
Tango!
307
00:21:21,900 --> 00:21:22,900
I'm ecstatic.
308
00:21:23,040 --> 00:21:27,600
As a ballroom champion, the tango is my
wheelhouse. I feel so at home. Very
309
00:21:27,600 --> 00:21:28,680
happy. Let's go.
310
00:21:29,240 --> 00:21:32,740
Team, you have very little time for
rehearsal.
311
00:21:33,000 --> 00:21:35,860
It is crucial that you work together.
312
00:21:36,080 --> 00:21:37,080
Absolutely.
313
00:21:40,340 --> 00:21:43,160
Team Tango. One.
314
00:21:43,560 --> 00:21:49,800
two please tell me our hair is down for
this are we setting up on the shoulder
315
00:21:49,800 --> 00:21:52,000
and then we're waiting for the music to
start so we're gonna be sitting here
316
00:21:52,000 --> 00:21:57,120
seven eight one two three something like
that that's cool yeah do you like it
317
00:21:57,120 --> 00:22:01,420
yeah i feel like we don't have to do it
the same thing It can be like trading
318
00:22:01,420 --> 00:22:03,580
off. You do something, we do something.
319
00:22:03,820 --> 00:22:10,080
The dynamic that I've built with this
team is I have a sprinkle of everything.
320
00:22:10,480 --> 00:22:13,580
Everyone has lots of ideas. They're all
bouncing off each other really well.
321
00:22:13,860 --> 00:22:16,020
Would you want to do like, maybe it's
the low Karina kick?
322
00:22:16,500 --> 00:22:17,920
You gotta tell me what that is.
323
00:22:18,560 --> 00:22:22,220
I like that you could do the up and I
could do the down, yeah.
324
00:22:22,520 --> 00:22:26,400
So I'm thinking the best way for me to
handle this as a leader is to step back
325
00:22:26,400 --> 00:22:27,760
and let them form their ideas.
326
00:22:28,060 --> 00:22:31,280
I already know Mark's going to say he's
going to want boom, boom, boom.
327
00:22:31,500 --> 00:22:33,020
It should be more hard hitting.
328
00:22:33,240 --> 00:22:34,240
OK, let's do that.
329
00:22:35,360 --> 00:22:37,840
Yeah, I can't do that.
330
00:22:38,860 --> 00:22:42,900
That's sick, though. I'm the only one
who's not a commercial dancer on our
331
00:22:42,900 --> 00:22:44,660
team. How are we trying to catch it?
332
00:22:45,180 --> 00:22:49,220
Even here. And then maybe you can bring
us up. Which I'm happy about because it
333
00:22:49,220 --> 00:22:50,860
allows me to clean up things.
334
00:22:51,280 --> 00:22:56,620
I like how you went around me from this,
like this, and like, you know, like
335
00:22:56,620 --> 00:23:00,980
really like keys it. I believe really is
going to help us. Not even necessarily
336
00:23:00,980 --> 00:23:04,900
at the moment because we'll have so many
more opportunities to do the transition.
337
00:23:05,460 --> 00:23:08,860
For me, it's always about creating the
rotation through the choreography. So we
338
00:23:08,860 --> 00:23:11,040
transfer around that block. We don't
want to pull back anyway.
339
00:23:11,240 --> 00:23:12,240
We want to extend.
340
00:23:12,400 --> 00:23:16,680
I'm ecstatic to have the team that I
have. I picked them for a reason. But
341
00:23:16,680 --> 00:23:19,220
the judges said maybe sometimes you need
to let go of the ring.
342
00:23:19,820 --> 00:23:23,800
So, as team captain, I passed on a huge
responsibility role to AJ.
343
00:23:24,060 --> 00:23:27,400
Say we're lifting you, and you are...
Maybe go, like, underneath. No.
344
00:23:27,720 --> 00:23:30,900
I've been put on the chopping block
already more than one time.
345
00:23:31,220 --> 00:23:34,180
Hopefully it's not the thing that sends
me home. No. Say you're just taking her
346
00:23:34,180 --> 00:23:37,660
armpits off. To actually put this
routine together, nobody else is better
347
00:23:37,660 --> 00:23:38,259
than me.
348
00:23:38,260 --> 00:23:42,000
Boom. Yeah. This is tango. I've done
this a million times. I've strictly come
349
00:23:42,000 --> 00:23:44,960
dancing. This is my wheelhouse. Mac. Oh,
okay.
350
00:23:45,220 --> 00:23:47,580
Into a circle before going into the...
351
00:23:47,820 --> 00:23:54,200
argentinian gauchos etc oh that's cool i
like it you see this method didn't mean
352
00:23:54,200 --> 00:24:01,100
madness one two and three and okay one
more time sorry and then
353
00:24:01,100 --> 00:24:04,630
we need to do something else yeah I
don't know where we're at. Here. Oh,
354
00:24:05,330 --> 00:24:06,149
you're over here.
355
00:24:06,150 --> 00:24:07,330
You're dancing with Selena.
356
00:24:07,630 --> 00:24:11,070
When I did Troop, everybody in the room
was, like, professional, top level, and
357
00:24:11,070 --> 00:24:13,190
they were very used to having to
choreograph under pressure.
358
00:24:13,510 --> 00:24:16,910
And I think this group specifically, it
was just kind of overwhelming because
359
00:24:16,910 --> 00:24:20,290
some people weren't used to it, and,
like, our ideas just weren't clicking.
360
00:24:20,770 --> 00:24:21,770
Are you okay?
361
00:24:22,250 --> 00:24:26,150
I'm very confused, but it's fine. My
thought process is let y'all finish
362
00:24:26,150 --> 00:24:27,550
this, and I'll catch up. Okay.
363
00:24:28,590 --> 00:24:33,190
Tristan was... chosen as the captain
role and i feel like as a team captain
364
00:24:33,190 --> 00:24:38,010
you want to build people up but i feel
like he's at a point in rehearsal now
365
00:24:38,010 --> 00:24:41,870
where he's just shut down feel free to
speak up like yeah i know it is a time
366
00:24:41,870 --> 00:24:45,870
crunch but it's better for all and have
a cohesive idea of what's happening than
367
00:24:45,870 --> 00:24:50,650
you feeling like it's just three of us
and then you yeah i just don't know how
368
00:24:50,650 --> 00:24:54,840
to like contribute giving any two cents
in is what we need right now Because
369
00:24:54,840 --> 00:24:56,060
we're all under a bunch of stress.
370
00:24:56,260 --> 00:24:58,820
And at the end of the day, you're the
one who gets to make the ending
371
00:24:58,820 --> 00:25:00,820
decision. Be like, actually, I don't
like that.
372
00:25:01,060 --> 00:25:03,020
You're a team captain. That's your role.
373
00:25:03,800 --> 00:25:05,200
I know it's a team challenge.
374
00:25:05,600 --> 00:25:07,940
But at the end of the day, I have to
look out for myself.
375
00:25:09,440 --> 00:25:10,520
Slowly, from five.
376
00:25:11,100 --> 00:25:12,840
Five, six, seven, eight.
377
00:25:13,200 --> 00:25:14,159
One, two.
378
00:25:14,160 --> 00:25:15,160
No, no, no.
379
00:25:15,220 --> 00:25:18,920
What did I do? What did I do? The team
that Nina picked is perfect.
380
00:25:19,850 --> 00:25:24,930
For her, right now the dynamic in the
group is AJ is the brains of the
381
00:25:24,930 --> 00:25:29,830
operation. It's very clear to me that I
have to step back just a little bit and
382
00:25:29,830 --> 00:25:33,510
become a team player in this specific
equation because I want to make sure
383
00:25:33,510 --> 00:25:35,910
that she stays safe and stays in the
competition.
384
00:25:36,230 --> 00:25:39,870
What's the time? 3-4. 3-4. And you step
forward and you prepare on what count? 5
385
00:25:39,870 --> 00:25:42,290
and 6. Beautiful. We do that slowly.
Great.
386
00:25:43,340 --> 00:25:46,960
When you get called out for not
listening, you have to be able to take a
387
00:25:46,960 --> 00:25:49,580
step back and letting AJ take the lead.
388
00:25:49,780 --> 00:25:51,100
I feel like I'm on the right track.
389
00:25:51,440 --> 00:25:54,480
Because I don't want to be the one to go
home.
390
00:25:57,100 --> 00:25:59,660
I will come down to you.
391
00:26:00,020 --> 00:26:05,340
I will bring you up. Nina is the team
leader, but I'm happy to take all the
392
00:26:05,340 --> 00:26:06,420
risk for this routine.
393
00:26:06,660 --> 00:26:11,660
This can be my week to showcase what I
can do because it could be my head on
394
00:26:11,660 --> 00:26:12,660
the chopping board.
395
00:26:12,890 --> 00:26:15,370
So you turn around, you're on one, two,
three.
396
00:26:15,570 --> 00:26:16,570
Yeah,
397
00:26:17,890 --> 00:26:24,890
I
398
00:26:24,890 --> 00:26:30,170
feel like a million bucks. How lucky are
we to be able to do this?
399
00:26:32,170 --> 00:26:35,230
I'm excited to see what they're going to
do today. I'm so excited.
400
00:26:36,160 --> 00:26:41,540
Welcome back to The Next Pro. We have
seen our dancers perform an incredible
401
00:26:41,540 --> 00:26:46,940
group number, but it's time to see what
they have created for the judges.
402
00:26:47,420 --> 00:26:50,440
Dancers, Natalie is not here.
403
00:26:50,800 --> 00:26:56,640
We'll explain her absence a little later
on. It is now time for your team
404
00:26:56,640 --> 00:27:01,820
dancers. This is the second challenge to
see your ability to work together as a
405
00:27:01,820 --> 00:27:05,500
team. All right, first up... It's team
Paso Doble.
406
00:27:07,920 --> 00:27:10,440
Everybody, how did we find rehearsals?
407
00:27:10,960 --> 00:27:15,940
Rehearsals were challenging, but in the
best way.
408
00:27:16,420 --> 00:27:19,860
Well, I'd like to know who took the lead
on the choreography and the timing,
409
00:27:19,920 --> 00:27:21,220
please. I will.
410
00:27:21,520 --> 00:27:25,700
It's a combination, yeah. We worked as a
team together.
411
00:27:26,040 --> 00:27:29,120
Yeah. Okay, it's time. Let's do it,
guys.
412
00:27:29,520 --> 00:27:30,520
Let's go.
413
00:27:31,100 --> 00:27:32,520
Are we doing it now?
414
00:27:32,780 --> 00:27:33,800
Yeah. Oh, shoot.
415
00:27:34,780 --> 00:27:35,780
Stressful change.
416
00:27:35,960 --> 00:27:36,960
Stressful change.
417
00:27:36,980 --> 00:27:37,980
I'm stressed for them.
418
00:27:38,580 --> 00:27:43,480
I feel like really all I can do now is
just show myself as a dancer and show
419
00:27:43,480 --> 00:27:45,620
the judges what I can do with what I was
given.
420
00:27:46,840 --> 00:27:48,360
I'm feeling nervous.
421
00:27:49,020 --> 00:27:50,280
I want to do my best.
422
00:27:50,540 --> 00:27:52,140
I don't want to let my team down.
423
00:29:56,940 --> 00:29:57,940
I like the ending.
424
00:29:59,380 --> 00:30:04,020
The beginning was dynamic. It was
powerful.
425
00:30:04,440 --> 00:30:06,480
The guys' cape work, good.
426
00:30:06,700 --> 00:30:10,180
And the girls coming forward, so strong.
Really good job.
427
00:30:10,400 --> 00:30:15,640
However, I felt like you were out there
as individuals. You didn't necessarily
428
00:30:15,640 --> 00:30:19,040
find that connection within each other,
which is so important.
429
00:30:19,340 --> 00:30:24,890
Tristan. You had a really tough time
during the group dance, and I was hoping
430
00:30:24,890 --> 00:30:27,030
that you would really step it up.
431
00:30:27,250 --> 00:30:29,530
Unfortunately, you looked a bit lost.
432
00:30:30,210 --> 00:30:35,650
Selena, I love watching you, but today I
just felt like your spatial awareness
433
00:30:35,650 --> 00:30:40,810
was lacking. I could see Stephanie
really locking in with you and you kind
434
00:30:40,810 --> 00:30:43,790
of not seeing her at times, so therefore
cues were off.
435
00:30:44,350 --> 00:30:48,370
There was a directness missing a little
bit and peripheral vision.
436
00:30:48,570 --> 00:30:53,070
Knee walks were off. The back kick was
off. I did find, Stephanie, that you
437
00:30:53,070 --> 00:30:54,070
were very, very aware.
438
00:30:54,230 --> 00:30:57,910
I can tell you've been in groups before
and Eric the same. Your peripheral was
439
00:30:57,910 --> 00:31:01,770
not bad at all. So you said that you all
had a part to play in this.
440
00:31:02,250 --> 00:31:07,130
Sometimes it's better to have one person
directing and one person cleaning.
441
00:31:07,630 --> 00:31:11,270
Because when you look back at this,
you're going to see quite a lot of arms
442
00:31:11,270 --> 00:31:13,050
off, overturned.
443
00:31:13,420 --> 00:31:15,580
Let me ask all of you guys, was this
hard?
444
00:31:16,060 --> 00:31:17,580
Yeah. Yes. It was hard.
445
00:31:18,280 --> 00:31:22,280
Now, I want you to imagine what it would
be like with a celebrity.
446
00:31:22,800 --> 00:31:25,440
All of you would have a different
celebrity, and they'd all be at
447
00:31:25,440 --> 00:31:26,440
different levels.
448
00:31:26,880 --> 00:31:29,060
But overall, it was fun. Thank you,
guys.
449
00:31:29,380 --> 00:31:30,380
Good job.
450
00:31:31,790 --> 00:31:36,370
I loved how it opened. I was like locked
down. It was strong and then it just
451
00:31:36,370 --> 00:31:37,750
kind of fell apart.
452
00:31:38,150 --> 00:31:41,490
I think because they over try, it no
longer becomes teamwork.
453
00:31:41,810 --> 00:31:45,630
Yeah. So it's finding that happy medium.
I'm excited to see the other group.
454
00:31:52,470 --> 00:31:58,390
Welcome back to The Next Pro. We are
midway through the team dances and the
455
00:31:58,390 --> 00:32:00,270
stakes are sky high.
456
00:32:00,590 --> 00:32:03,400
Next. It is time for Team Tango.
457
00:32:04,240 --> 00:32:09,200
Team, how did rehearsals go for you? It
was such a breath of fresh air to work
458
00:32:09,200 --> 00:32:12,640
with these amazing individuals. All egos
were checked at the door. I couldn't be
459
00:32:12,640 --> 00:32:13,920
happier with my team, honestly.
460
00:32:14,620 --> 00:32:18,860
I'd like to know who was assigned the
cleaning of this routine.
461
00:32:19,060 --> 00:32:23,000
We decided to let AJ take the lead on
the cleanliness and everything like
462
00:32:23,000 --> 00:32:24,120
that. And the choreographer?
463
00:32:25,180 --> 00:32:26,440
Everybody combined effort.
464
00:32:26,780 --> 00:32:29,940
AJ gave us bits and pieces, and then we
kind of made all the puzzle pieces fit.
465
00:32:30,360 --> 00:32:31,840
Very positively delivered.
466
00:32:32,260 --> 00:32:33,260
Well done.
467
00:32:33,500 --> 00:32:34,500
Let's do it, guys.
468
00:32:34,820 --> 00:32:39,000
Woo! Let's do it, guys. I think with AJ,
it will always be in time.
469
00:32:39,280 --> 00:32:42,440
Well, it's good to see him do ballroom,
isn't it? I've seen him do two jobs now.
470
00:32:42,680 --> 00:32:44,600
I'm anxious to see something else.
471
00:32:45,220 --> 00:32:50,140
I am nervous going into the performance,
but I hope that letting AJ take the
472
00:32:50,140 --> 00:32:53,840
reins today helps me perform to the best
of my ability and not be in the bottom
473
00:32:53,840 --> 00:32:57,480
two. It's smart of Nina as a team
captain to allow that, because then a
474
00:32:57,480 --> 00:32:59,540
couple of challenges ago, she got in
trouble for steamrolling.
475
00:33:00,010 --> 00:33:01,130
So I like that. Okay.
476
00:33:08,470 --> 00:33:09,470
Hey.
477
00:33:18,230 --> 00:33:20,090
Get up.
478
00:33:45,590 --> 00:33:46,590
One,
479
00:33:50,530 --> 00:33:52,990
two, three, four, five, six.
480
00:34:59,720 --> 00:35:00,638
shaped the end.
481
00:35:00,640 --> 00:35:04,160
I keep going until the lights come on. I
love it.
482
00:35:04,440 --> 00:35:06,000
It doesn't matter.
483
00:35:06,560 --> 00:35:07,560
I know, I know, I know.
484
00:35:07,940 --> 00:35:08,940
It's okay.
485
00:35:09,520 --> 00:35:13,420
He's really beating himself up over
that. What are the judges going to say?
486
00:35:16,320 --> 00:35:22,160
Alan, you fell.
487
00:35:24,440 --> 00:35:25,440
There's a lot going on.
488
00:35:25,620 --> 00:35:27,020
And sometimes we fall over.
489
00:35:27,380 --> 00:35:28,380
He got up quick.
490
00:35:29,000 --> 00:35:30,940
Didn't even notice. We've all fallen
over.
491
00:35:31,500 --> 00:35:32,500
Fine.
492
00:35:33,040 --> 00:35:37,120
The funny thing is, is when I fell over,
I was trying to get back up quick, and I
493
00:35:37,120 --> 00:35:38,180
kept falling over.
494
00:35:38,820 --> 00:35:41,860
I was like, this is not happening right
now. Well, you did. You got up great.
495
00:35:41,900 --> 00:35:44,620
You carried on. It was really well
saved. Nina.
496
00:35:46,080 --> 00:35:48,060
Yes. So much improvement today.
497
00:35:48,320 --> 00:35:49,740
Thank you. You're the team captain.
498
00:35:50,120 --> 00:35:54,980
You made the right choice in letting
some delegation happen over here.
499
00:35:55,340 --> 00:35:58,040
You worked together as a team.
500
00:35:58,780 --> 00:36:01,420
Something that I want you to
continuously work on because you did
501
00:36:01,420 --> 00:36:04,300
improve on it today. It's just a little
bit of the timing. You guys did the
502
00:36:04,300 --> 00:36:07,180
swivel side by side. They were
completely locked in.
503
00:36:07,660 --> 00:36:08,740
Super minor today.
504
00:36:09,140 --> 00:36:12,300
Thank you. I have got a concern or two
about the timing.
505
00:36:12,560 --> 00:36:16,320
And when you went into the swivels, you
were in the safe hands of AJ.
506
00:36:16,560 --> 00:36:21,440
I'll be very curious to see you when you
have to choreograph for a celebrity.
507
00:36:21,660 --> 00:36:24,620
I do want to argue a little because,
yeah, she had a great...
508
00:36:24,990 --> 00:36:28,610
lead from AJ, but he's not physically
picking her feet up off the floor.
509
00:36:29,130 --> 00:36:33,050
They were in... I'm going to say... No,
no, no, no, Mark. No, when they did
510
00:36:33,050 --> 00:36:36,470
those swivels side by side, those feet
were like this.
511
00:36:36,670 --> 00:36:37,890
It was not a criticism.
512
00:36:38,110 --> 00:36:41,670
It was an observation. And that was my
observation. Yes, well, I'm just saying.
513
00:36:42,210 --> 00:36:43,210
I'm just saying.
514
00:36:44,230 --> 00:36:45,730
Family love.
515
00:36:47,830 --> 00:36:52,970
Adele, you are a phenomenal lady dancer.
You have a great musical ear.
516
00:36:53,370 --> 00:36:57,330
You can follow when you need to follow,
and you can assert when you need to
517
00:36:57,330 --> 00:37:00,090
assert. But the star today for me was
AJ.
518
00:37:00,310 --> 00:37:04,130
In the first two weeks, you were a
little bit self-absorbed. It is not
519
00:37:04,130 --> 00:37:08,830
about you. It is about being very
connected to your teammates.
520
00:37:09,330 --> 00:37:14,670
And today, you were humble, you had
humility, you worked as a team, and you
521
00:37:14,670 --> 00:37:16,490
brought yourself down a peg or two.
522
00:37:17,750 --> 00:37:20,830
I am so impressed with what I just saw.
523
00:37:21,280 --> 00:37:23,040
Because you pushed the boundaries.
524
00:37:23,640 --> 00:37:28,800
And I know that as traditional dancers,
that was out of your comfort zone.
525
00:37:29,060 --> 00:37:30,060
Good job.
526
00:37:30,100 --> 00:37:31,100
Welcome.
527
00:37:31,560 --> 00:37:32,580
Thank you.
528
00:37:33,260 --> 00:37:34,260
Good job, guys.
529
00:37:35,120 --> 00:37:38,640
Guys. Do a show with your mom, they
said. It'll be fun, they said.
530
00:37:42,400 --> 00:37:43,780
It's just the delivery.
531
00:37:57,800 --> 00:38:04,000
Welcome back to The Next Pro. We've seen
Team Pasto and Team Tango Dance, but now
532
00:38:04,000 --> 00:38:07,080
it's time to find out what the judges'
decision is.
533
00:38:07,740 --> 00:38:11,560
Britt, you have been their mentor
through this process.
534
00:38:11,960 --> 00:38:16,600
I am just wishing you all of the best on
this journey. Good luck.
535
00:38:16,820 --> 00:38:17,820
Thank you.
536
00:38:17,860 --> 00:38:23,400
Shirley, which team dance impressed you
the most, making them safe from
537
00:38:23,400 --> 00:38:24,400
elimination?
538
00:38:24,780 --> 00:38:30,460
The team that impressed us the most due
to their synchronicity, their working
539
00:38:30,460 --> 00:38:35,440
together, is Team Tango. Thank you.
540
00:38:38,680 --> 00:38:39,680
Well done,
541
00:38:41,700 --> 00:38:43,200
Team Tango. Good job.
542
00:38:43,640 --> 00:38:46,740
That means you are safe from
elimination.
543
00:38:47,240 --> 00:38:48,240
Thank you.
544
00:38:48,460 --> 00:38:54,020
Judges, after seeing both the group
dance and team dances, which...
545
00:38:54,320 --> 00:38:56,620
Two dancers didn't quite hit the mark.
546
00:39:01,500 --> 00:39:07,100
The first dancer in Jeopardy is a
fantastic solo dancer,
547
00:39:07,340 --> 00:39:12,860
but inside the group didn't actually
have the peripheral awareness.
548
00:39:14,140 --> 00:39:18,360
So the first person for me in Jeopardy
is...
549
00:39:24,590 --> 00:39:25,590
Selena.
550
00:39:30,310 --> 00:39:34,430
The second dancer in Jeopardy! actually
started really strong, but throughout
551
00:39:34,430 --> 00:39:37,310
the dance lost confidence and lost a
little bit of steam.
552
00:39:37,750 --> 00:39:41,910
So the dancer that is in Jeopardy! is
553
00:39:41,910 --> 00:39:45,350
Tristan.
554
00:39:53,270 --> 00:39:54,270
Shelly.
555
00:39:54,890 --> 00:39:56,170
Who was going home tonight?
556
00:39:57,190 --> 00:40:00,470
Tonight was the last dance for...
557
00:40:00,470 --> 00:40:05,850
Neither of you.
558
00:40:09,290 --> 00:40:14,550
Following Natalie's injury, she was not
medically cleared to compete.
559
00:40:14,950 --> 00:40:17,910
And so, she has been eliminated.
560
00:40:18,410 --> 00:40:19,430
Oh, my God.
561
00:40:20,370 --> 00:40:23,990
This means you will all live to dance.
562
00:40:24,480 --> 00:40:25,480
Another day.
563
00:40:30,740 --> 00:40:31,740
How you doing?
564
00:40:33,620 --> 00:40:37,940
Group dances is what I do, so it was
hard being bottom two.
565
00:40:38,620 --> 00:40:40,240
How are you feeling for Natalie right
now?
566
00:40:40,520 --> 00:40:47,260
I feel so bad that she can't continue. I
was off of an accident.
567
00:40:47,780 --> 00:40:49,080
That's really harsh, though.
568
00:40:49,800 --> 00:40:51,560
Why don't you join your fellow dancers?
569
00:40:52,840 --> 00:40:53,840
Come on back.
570
00:40:55,280 --> 00:41:01,460
What a blow to Natalie. But she is here
to support everyone.
571
00:41:06,360 --> 00:41:10,520
Okay, how are you feeling? Really sad
and disappointed that I won't be able to
572
00:41:10,520 --> 00:41:11,620
continue in this competition.
573
00:41:13,800 --> 00:41:17,080
But the most important thing is just to
take care of my body so then I can dance
574
00:41:17,080 --> 00:41:19,700
again. Absolutely. You have to follow
medical advice.
575
00:41:20,410 --> 00:41:24,890
I love all of you so, so, so much, and
I'm going to miss you all. Thank you so
576
00:41:24,890 --> 00:41:26,610
much. Well done, Natalie.
577
00:41:27,410 --> 00:41:28,410
Well done.
578
00:41:32,210 --> 00:41:39,150
Eight dancers still remain, and they are
all one step closer to that role of
579
00:41:39,150 --> 00:41:44,990
a lifetime. As a pro on Dancing With The
Stars, thank you, as always, to our
580
00:41:44,990 --> 00:41:48,910
fabulous judges, Shirley, Mark, and, of
course, our guest judge, Britt Stewart.
581
00:41:49,400 --> 00:41:53,460
I'm Robert Irwin. Join us next week when
our dancers face a fresh new challenge
582
00:41:53,460 --> 00:41:54,680
here on The Next Pro.
583
00:41:54,960 --> 00:41:55,960
Good night.
584
00:42:00,360 --> 00:42:02,260
Next time on The Next Pro.
585
00:42:02,500 --> 00:42:03,500
Jenna Johnson!
586
00:42:04,480 --> 00:42:06,620
This week's theme is chemistry.
587
00:42:07,300 --> 00:42:09,460
Girls, you're going to pick a guy.
588
00:42:11,060 --> 00:42:15,000
I am petty, so I'm probably going to
twist the knife a few more times.
589
00:42:15,260 --> 00:42:16,380
I don't want to ruin our friendship.
590
00:42:17,140 --> 00:42:20,780
I'm sorry. If I had a choice, you would
have been my first pick.
591
00:42:22,320 --> 00:42:23,920
I am speechless.
592
00:42:25,340 --> 00:42:27,220
I'm not even sure I should be watching.
593
00:42:29,000 --> 00:42:30,280
I need a fan.
48412
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