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1
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[rumbling]
2
00:00:10,362 --> 00:00:15,814
♪ ♪
3
00:00:15,894 --> 00:00:22,714
[explosion]
4
00:00:22,795 --> 00:00:27,015
[screaming and shouting]
5
00:00:27,600 --> 00:00:32,232
[Praetorian] Everyone
into the boat sheds. Now!
6
00:00:34,232 --> 00:00:37,286
[Amalthea] This isn't
just an earthquake, is it?
7
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[screaming]
8
00:00:39,798 --> 00:00:44,819
[Tom Hiddleston] Pompeii
isn't buried instantly.
9
00:00:44,899 --> 00:00:47,265
It took a day.
10
00:00:52,165 --> 00:00:56,018
So, by combining evidence...
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00:00:56,098 --> 00:00:57,319
Wow!
12
00:00:57,399 --> 00:00:59,731
...and imagination...
13
00:01:03,798 --> 00:01:09,484
...I'm tracing three real Romans
to see if they survive that day.
14
00:01:09,564 --> 00:01:10,751
A teenage boy.
15
00:01:10,831 --> 00:01:12,751
[Professor] Avianius
was possibly apprenticed
16
00:01:12,831 --> 00:01:16,685
to bronzesmiths
called the Masuri.
17
00:01:16,765 --> 00:01:19,685
[Claudia] Avi! I've got you.
I've got you.
18
00:01:19,765 --> 00:01:22,453
[Tom] Julia Felix, the one
I can't quite figure out.
19
00:01:22,533 --> 00:01:23,652
[Julia Felix]
We are leaving Pompeii.
20
00:01:23,731 --> 00:01:24,918
[Cassius]
I'm staying right here.
21
00:01:24,998 --> 00:01:27,385
[Julia] You haven't paid
your bill since when?
22
00:01:27,465 --> 00:01:28,385
[Amalthea] A month.
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00:01:28,465 --> 00:01:29,951
[Cassius] Impossible, woman.
24
00:01:30,031 --> 00:01:35,852
[Professor] Maybe it's
her attachment to the people.
25
00:01:35,932 --> 00:01:38,951
[Tom] And the third,
an old soldier
26
00:01:39,031 --> 00:01:43,819
who was once
the best of the best.
27
00:01:43,899 --> 00:01:45,786
[Helvia] Not everyone is
just out for themself.
28
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[Praetorian]
Sweet fantasy, rich lady.
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[Julia] Hear me, Isis.
I pray to you.
30
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[Darius] There seemed to have
been some sort of attempt
31
00:01:54,965 --> 00:01:56,085
of an evacuation.
32
00:01:56,165 --> 00:01:58,786
[Praetorian] Get them going!
Everyone is getting to safety!
33
00:01:58,865 --> 00:01:59,786
Come on!
34
00:01:59,865 --> 00:02:02,066
[Tom] Something did happen
on this beach.
35
00:02:10,899 --> 00:02:14,519
[watch beeping]
36
00:02:14,598 --> 00:02:20,551
[watch beeping]
37
00:02:20,632 --> 00:02:22,651
So, is this it?
38
00:02:22,731 --> 00:02:24,086
Praetorian's out of time?
39
00:02:24,165 --> 00:02:25,218
[Chris] Unfortunately, yes.
40
00:02:25,299 --> 00:02:29,019
We've now entered the last phase
of the eruption, phase 5,
41
00:02:29,098 --> 00:02:33,752
and it's the most deadly, what
we call a pyroclastic surge.
42
00:02:33,831 --> 00:02:36,419
That eruption column,
it's collapsing in on itself,
43
00:02:36,498 --> 00:02:39,451
generating these
huge boiling clouds,
44
00:02:39,532 --> 00:02:43,752
these burning avalanches
of rock and ash.
45
00:02:43,831 --> 00:02:45,519
They're hurtling down
the mountainside
46
00:02:45,598 --> 00:02:48,985
at over 60 miles per hour.
47
00:02:49,066 --> 00:02:52,032
Herculaneum is first
in the firing line.
48
00:02:54,332 --> 00:02:55,985
[Tom] They've helped
hundreds evacuate,
49
00:02:56,066 --> 00:02:58,799
but there are still so many
people on that beach.
50
00:03:01,265 --> 00:03:03,284
How long do they have?
51
00:03:03,365 --> 00:03:04,818
[Chris] Minutes.
52
00:03:04,899 --> 00:03:09,885
♪ ♪
53
00:03:09,966 --> 00:03:13,818
[explosion]
54
00:03:13,899 --> 00:03:16,951
[Praetorian]
Into the boat sheds, now!
55
00:03:17,032 --> 00:03:20,152
[screaming and shouting]
56
00:03:20,233 --> 00:03:22,931
[Helvia] Let's go!
57
00:03:25,664 --> 00:03:28,651
[Praetorian]
Now! Come on! Come on!
58
00:03:28,731 --> 00:03:32,919
[screaming and shouting]
59
00:03:32,998 --> 00:03:33,951
[Helvia] Hurry!
60
00:03:34,032 --> 00:03:35,353
[Praetorian] Shelter.
61
00:03:35,432 --> 00:03:39,485
♪ ♪
62
00:03:39,564 --> 00:03:41,451
[Chris] These flows
are traveling fast,
63
00:03:41,532 --> 00:03:43,485
but they're also incredibly hot.
64
00:03:43,564 --> 00:03:45,585
Over 900 degrees Fahrenheit.
65
00:03:45,664 --> 00:03:48,252
[Tom] Wait. 900 degrees?
66
00:03:48,332 --> 00:03:49,685
[Helvia] Wait at the back!
67
00:03:49,764 --> 00:03:53,186
[Chris] It's hot enough
to fuse metal to your bone.
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00:03:53,265 --> 00:03:55,598
[shouting]
69
00:03:59,799 --> 00:04:02,086
Hot enough to even
vaporize the blood
70
00:04:02,165 --> 00:04:04,598
in people's veins.
71
00:04:10,564 --> 00:04:13,132
[sobbing]
72
00:04:16,632 --> 00:04:23,451
[clock ticking]
73
00:04:23,531 --> 00:04:24,485
[clock ticking]
74
00:04:24,564 --> 00:04:29,966
[clock ticking]
75
00:04:35,398 --> 00:04:42,185
[clock ticking]
76
00:04:42,266 --> 00:04:48,918
[clock ticking]
77
00:04:48,999 --> 00:04:50,831
[clock ticking]
78
00:05:00,432 --> 00:05:07,185
♪ ♪
79
00:05:07,266 --> 00:05:10,786
♪ ♪
80
00:05:10,865 --> 00:05:12,886
[Tom] In those final moments,
81
00:05:12,966 --> 00:05:16,752
the boat sheds
were the only option,
82
00:05:16,831 --> 00:05:20,819
but tragically,
it wasn't enough.
83
00:05:20,899 --> 00:05:26,619
Although almost no remains
were found in the town above,
84
00:05:26,699 --> 00:05:29,285
roughly 300 bodies were found
85
00:05:29,365 --> 00:05:34,119
when the boat sheds
were excavated.
86
00:05:34,199 --> 00:05:36,685
So many people--
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00:05:36,764 --> 00:05:41,197
men, women, and children.
88
00:05:43,266 --> 00:05:46,351
The last citizens
of Herculaneum,
89
00:05:46,432 --> 00:05:50,019
all huddled together,
90
00:05:50,098 --> 00:05:55,851
holding on to one another
as they died.
91
00:05:55,932 --> 00:05:58,418
The archaeologists estimate
that Herculaneum was home
92
00:05:58,497 --> 00:06:01,418
to roughly 5,000 people.
93
00:06:01,499 --> 00:06:04,218
So if it weren't
for the evacuation,
94
00:06:04,298 --> 00:06:06,685
if it weren't for the sacrifice,
95
00:06:06,764 --> 00:06:10,899
the loss could have
been so much more.
96
00:06:16,098 --> 00:06:20,552
The remains of the Praetorian
guard were discovered here,
97
00:06:20,632 --> 00:06:24,619
where he fell on that beach.
98
00:06:24,699 --> 00:06:29,752
He was found with his
military belt, his full pay,
99
00:06:29,831 --> 00:06:32,552
and of course, his sword.
100
00:06:32,632 --> 00:06:36,384
These personal possessions,
as well as his physical remains,
101
00:06:36,464 --> 00:06:38,084
were all that was left of him,
102
00:06:38,165 --> 00:06:42,651
but they tell us so much
about the man he was.
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00:06:42,732 --> 00:06:48,019
♪ ♪
104
00:06:48,098 --> 00:06:54,886
♪ ♪
105
00:06:54,966 --> 00:06:58,584
♪ ♪
106
00:06:58,665 --> 00:07:02,685
We don't know his name.
107
00:07:02,764 --> 00:07:07,718
We know him only
as a Praetorian.
108
00:07:07,798 --> 00:07:11,951
♪ ♪
109
00:07:12,031 --> 00:07:18,685
♪ ♪
110
00:07:18,764 --> 00:07:21,685
But I know what he did.
111
00:07:21,764 --> 00:07:25,153
I don't need his name.
112
00:07:25,233 --> 00:07:28,252
I found the man.
113
00:07:28,331 --> 00:07:33,985
♪ ♪
114
00:07:34,064 --> 00:07:40,918
♪ ♪
115
00:07:40,999 --> 00:07:47,851
♪ ♪
116
00:07:47,932 --> 00:07:51,584
♪ ♪
117
00:07:51,665 --> 00:07:55,485
So, is that the end
of phase 5, Chris?
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00:07:55,564 --> 00:07:56,619
[Chris] I'm afraid not.
119
00:07:56,699 --> 00:07:58,951
The pyroclastic surge
that hit Herculaneum
120
00:07:59,031 --> 00:08:02,151
was just one in a series
that would be unleashed
121
00:08:02,232 --> 00:08:03,786
by Vesuvius that day.
122
00:08:03,865 --> 00:08:06,851
[Tom] So the very same thing
is coming for Pompeii,
123
00:08:06,932 --> 00:08:08,951
coming for Julia and Avianius?
124
00:08:09,031 --> 00:08:12,519
[Chris] Yes. The eruption column
will continue to collapse,
125
00:08:12,598 --> 00:08:16,485
generating pyroclastic surge
after pyroclastic surge.
126
00:08:16,564 --> 00:08:20,619
[Tom] So these surges
are about to hit Pompeii.
127
00:08:20,699 --> 00:08:22,218
I can't imagine
Avianius and Julia
128
00:08:22,298 --> 00:08:24,418
have more than an hour left
129
00:08:24,499 --> 00:08:27,031
before the city
is completely buried.
130
00:08:31,130 --> 00:08:34,217
[Tom] If anyone's
still alive down there,
131
00:08:34,298 --> 00:08:36,599
they're living in a nightmare.
132
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[screaming]
133
00:08:47,563 --> 00:08:49,785
[screaming]
134
00:08:49,865 --> 00:08:55,684
[screaming]
135
00:08:55,764 --> 00:09:00,451
This is Avianius' and
his mother's last chance.
136
00:09:00,532 --> 00:09:03,217
Their window for survival
is closing.
137
00:09:03,298 --> 00:09:05,184
[Claudia] Avi, are you ready?
138
00:09:05,264 --> 00:09:06,817
[Tom] They need to leave.
139
00:09:06,898 --> 00:09:10,118
And they need to leave now.
140
00:09:10,197 --> 00:09:13,018
[Claudia] We don't need
Granddad's mask, love.
141
00:09:13,097 --> 00:09:13,985
Leave it.
142
00:09:14,065 --> 00:09:17,051
Just take what we need
for the journey, okay?
143
00:09:17,130 --> 00:09:20,184
[Avianius] Alright, Mother.
144
00:09:20,264 --> 00:09:21,184
[Claudia] Okay, got everything?
145
00:09:21,264 --> 00:09:22,184
[Avianius] Yeah.
146
00:09:22,264 --> 00:09:24,099
[Claudia] Okay. Come. Here.
147
00:09:31,730 --> 00:09:34,631
[Tom] But escape
isn't gonna be easy.
148
00:09:38,565 --> 00:09:40,764
Temperatures are still rising.
149
00:09:46,264 --> 00:09:50,264
[rumbling]
150
00:09:52,563 --> 00:09:56,719
Rocks are raining down
in the darkness,
151
00:09:56,798 --> 00:09:59,197
blocking exits out of the city.
152
00:10:01,197 --> 00:10:02,884
[coughing]
153
00:10:02,965 --> 00:10:07,697
[explosion]
154
00:10:10,398 --> 00:10:13,650
And the air is
so full of ash and gas,
155
00:10:13,730 --> 00:10:16,831
it's like being inside
a burning black sandstorm.
156
00:10:23,030 --> 00:10:23,985
They wouldn't have
been able to see
157
00:10:24,065 --> 00:10:27,231
more than a few feet
in front of them.
158
00:10:30,532 --> 00:10:33,998
[rumbling]
159
00:10:35,563 --> 00:10:41,650
[coughing]
160
00:10:41,730 --> 00:10:44,217
[Claudia] Are you okay?
Come here. Come here.
161
00:10:44,298 --> 00:10:47,184
Here, Avi. Hold this.
Hold this over your mouth.
162
00:10:47,264 --> 00:10:49,932
Breathe. Breathe.
163
00:10:54,798 --> 00:11:01,051
♪ ♪
164
00:11:01,130 --> 00:11:06,798
♪ ♪
165
00:11:10,932 --> 00:11:13,965
Avi, don't look. Stay with me.
166
00:11:18,065 --> 00:11:21,664
[explosion]
167
00:11:29,599 --> 00:11:34,551
[Tom] This is the tipping point
for human survival.
168
00:11:34,630 --> 00:11:38,831
But by now, Julia's household
will be packed up.
169
00:11:42,231 --> 00:11:46,197
At last, she's ready to leave.
170
00:11:57,298 --> 00:11:59,152
[Julia] Is everything ready?
171
00:11:59,231 --> 00:12:01,951
[Amalthea]
Everything is packed.
172
00:12:02,030 --> 00:12:04,951
[Julia] Do you have water?
Enough blankets for the guests?
173
00:12:05,030 --> 00:12:07,051
[Amalthea] Of course.
174
00:12:07,130 --> 00:12:09,418
[Julia] Cassius?
175
00:12:09,499 --> 00:12:11,451
[Amalthea] Already
complaining of blisters.
176
00:12:11,530 --> 00:12:13,130
[Julia] Mm-hmm.
177
00:12:15,065 --> 00:12:18,519
[explosion]
178
00:12:18,599 --> 00:12:20,931
Then we are ready to leave.
179
00:12:31,298 --> 00:12:35,951
♪ ♪
180
00:12:36,030 --> 00:12:38,317
[Amalthea] Come on.
181
00:12:38,397 --> 00:12:40,217
We have to leave!
182
00:12:40,298 --> 00:12:42,351
Head to the city gate.
183
00:12:42,432 --> 00:12:43,817
This way!
184
00:12:43,898 --> 00:12:50,384
♪ ♪
185
00:12:50,465 --> 00:12:53,051
Come on. Mind your step.
Come on.
186
00:12:53,130 --> 00:12:54,251
♪ ♪
187
00:12:54,331 --> 00:13:00,384
♪ ♪
188
00:13:00,465 --> 00:13:01,817
[Amalthea] Julia!
189
00:13:01,898 --> 00:13:07,118
[Tom] So she lost everything,
but she found a way to escape.
190
00:13:07,197 --> 00:13:09,051
I knew Julia would find a way.
191
00:13:09,130 --> 00:13:11,418
[Caitie Barrett] Well,
I'm afraid I might have to
192
00:13:11,499 --> 00:13:13,085
correct you again
on that one, Tom.
193
00:13:13,164 --> 00:13:14,484
[Tom] Oh, dear.
194
00:13:14,563 --> 00:13:16,750
Please tell me
there was an evacuation.
195
00:13:16,831 --> 00:13:18,451
[Caitie] So that is consistent
196
00:13:18,532 --> 00:13:21,451
with how few human remains
they found.
197
00:13:21,532 --> 00:13:22,683
[Tom] Okay.
198
00:13:22,764 --> 00:13:25,519
[Caitie] But also, I think
there's something here
199
00:13:25,599 --> 00:13:30,417
you're gonna really want to see.
200
00:13:30,498 --> 00:13:33,817
[Tom] Wow.
201
00:13:33,898 --> 00:13:36,184
That's Julia's shrine
to the goddess Isis.
202
00:13:36,264 --> 00:13:37,384
[Caitie] That's right.
203
00:13:37,464 --> 00:13:40,085
So, remember in the garden, I
showed you where it used to be.
204
00:13:40,164 --> 00:13:42,451
Obviously, it's on its side
at the moment
205
00:13:42,532 --> 00:13:45,351
because it's undergoing
restoration.
206
00:13:45,432 --> 00:13:47,351
[Tom] It seems large
for a shrine
207
00:13:47,432 --> 00:13:49,251
you'd have in your home, no?
208
00:13:49,331 --> 00:13:51,618
[Caitie] It's actually one of
the largest domestic shrines
209
00:13:51,697 --> 00:13:52,784
excavated at Pompeii.
210
00:13:52,865 --> 00:13:53,850
[Tom] Wow.
211
00:13:53,931 --> 00:13:58,451
[Caitie] But when they excavated
the shrine in 1952,
212
00:13:58,532 --> 00:14:00,717
they found a body.
213
00:14:00,798 --> 00:14:01,784
[Tom] You think it's Julia?
214
00:14:01,865 --> 00:14:03,418
[Caitie] We don't really know.
215
00:14:03,499 --> 00:14:06,551
The physical remains
actually no longer survive.
216
00:14:06,630 --> 00:14:09,152
Archaeology has changed
a lot since those days.
217
00:14:09,231 --> 00:14:15,484
But the excavators describe
the remains as an adult woman
218
00:14:15,563 --> 00:14:17,684
wearing very expensive jewelry.
219
00:14:17,764 --> 00:14:20,297
It was found right
near this shrine.
220
00:14:24,230 --> 00:14:25,784
[Tom] If that body was Julia's,
221
00:14:25,865 --> 00:14:27,784
what was she doing
at the shrine?
222
00:14:27,865 --> 00:14:28,965
[sigh]
223
00:14:31,464 --> 00:14:36,018
What did I get wrong?
224
00:14:36,097 --> 00:14:40,484
She's smart. She's a leader.
225
00:14:40,563 --> 00:14:43,216
People listen to her.
226
00:14:43,297 --> 00:14:46,683
We know the horses and carts
were gone from the household.
227
00:14:46,764 --> 00:14:49,351
She's organized an evacuation.
228
00:14:49,432 --> 00:14:53,451
She stays.
229
00:14:53,530 --> 00:14:55,118
It doesn't make any sense.
230
00:14:55,197 --> 00:14:56,152
♪ ♪
231
00:14:56,231 --> 00:15:02,918
♪ ♪
232
00:15:02,998 --> 00:15:04,717
[bell rings]
233
00:15:04,798 --> 00:15:07,918
Let's try that again, shall we?
234
00:15:07,998 --> 00:15:13,217
[rewinding]
235
00:15:13,298 --> 00:15:15,697
[rewinding]
236
00:15:16,664 --> 00:15:18,850
[distant screaming]
237
00:15:18,931 --> 00:15:19,884
[sobbing]
238
00:15:19,965 --> 00:15:26,317
[sobbing]
239
00:15:26,397 --> 00:15:31,231
[Julia] Isis. Isis, hear me.
240
00:15:36,898 --> 00:15:37,985
♪ ♪
241
00:15:38,065 --> 00:15:44,451
♪ ♪
242
00:15:44,532 --> 00:15:45,750
Is everything ready?
243
00:15:45,831 --> 00:15:49,317
[Amalthea]
Everything is packed.
244
00:15:49,397 --> 00:15:51,831
[Julia] Then we are
ready to leave.
245
00:15:54,865 --> 00:15:58,283
I have one final thing to do.
246
00:15:58,364 --> 00:15:59,764
Follow.
247
00:16:02,364 --> 00:16:06,618
[Tom] But I don't understand,
Caitie, if that body was hers,
248
00:16:06,697 --> 00:16:07,850
why does she stay?
249
00:16:07,931 --> 00:16:11,118
[Caitie] Well, one
possible reason could be
250
00:16:11,197 --> 00:16:14,284
right here in front of us.
251
00:16:14,365 --> 00:16:15,884
[Tom] What, Isis?
252
00:16:15,965 --> 00:16:18,085
[Caitie] Romans
had many, many gods,
253
00:16:18,164 --> 00:16:21,150
including a lot that originally
came from other cultures
254
00:16:21,230 --> 00:16:22,884
like Egypt, in this case.
255
00:16:22,965 --> 00:16:25,750
And individuals could
pick and choose which ones
256
00:16:25,831 --> 00:16:28,351
they wanted to be
most devoted to.
257
00:16:28,432 --> 00:16:31,317
Isis was a cosmic creator.
258
00:16:31,397 --> 00:16:34,284
She could embody
all of the gods in one,
259
00:16:34,365 --> 00:16:36,051
and she was also
a mother figure.
260
00:16:36,130 --> 00:16:39,850
So she's a protector,
she could keep people safe.
261
00:16:39,931 --> 00:16:42,283
She's certainly a god you might
want to have on your side
262
00:16:42,364 --> 00:16:46,317
during a natural disaster.
263
00:16:46,397 --> 00:16:50,518
Also, when the shrine was found,
it was all set up for worship.
264
00:16:50,597 --> 00:16:53,951
There were sacred objects,
offerings.
265
00:16:54,030 --> 00:16:57,650
If people were taking other
valuables from the estate,
266
00:16:57,730 --> 00:17:01,216
it is striking these
were left in place.
267
00:17:01,297 --> 00:17:05,817
[Tom] There was someone praying
here during the eruption.
268
00:17:05,897 --> 00:17:07,483
[Julia] Give me your hands.
269
00:17:07,564 --> 00:17:10,617
[Tom] I don't know,
it just feels so fatalistic
270
00:17:10,698 --> 00:17:13,384
for Julia not to leave.
271
00:17:13,463 --> 00:17:15,718
[Julia] Come to me, Isis.
272
00:17:15,798 --> 00:17:19,550
Hear me, lady of the flame.
273
00:17:19,631 --> 00:17:22,817
Mother. Protector.
274
00:17:22,897 --> 00:17:24,451
I revere you.
275
00:17:24,530 --> 00:17:27,584
I beg your favor
and beseech you.
276
00:17:27,663 --> 00:17:29,718
Come to me, Isis.
277
00:17:29,798 --> 00:17:32,317
[Caitie] Could be
the opposite of fatalistic.
278
00:17:32,397 --> 00:17:33,683
[Tom] How?
279
00:17:33,763 --> 00:17:36,651
[Caitie] The Romans had a really
active approach to religion.
280
00:17:36,730 --> 00:17:39,483
They believed you could appeal
to the gods directly.
281
00:17:39,565 --> 00:17:41,718
You could use
offerings, prayers.
282
00:17:41,798 --> 00:17:45,917
We might imagine her feeling
like she needed to intercede
283
00:17:45,998 --> 00:17:49,417
with a divine protector
to save her household.
284
00:17:49,498 --> 00:17:50,483
[Tom] I see.
285
00:17:50,564 --> 00:17:55,416
So by appealing to Isis,
because she believes
286
00:17:55,497 --> 00:17:57,250
that she can provide
her household
287
00:17:57,330 --> 00:18:00,018
and the people she loves
with safe passage.
288
00:18:00,097 --> 00:18:04,519
[Caitie] That's certainly
a story that we can imagine.
289
00:18:04,598 --> 00:18:07,951
She's got a responsibility
to protect people,
290
00:18:08,030 --> 00:18:11,151
and there weren't any other
eruption victims found
291
00:18:11,230 --> 00:18:15,417
in domestic parts of the estate,
so maybe it worked.
292
00:18:15,498 --> 00:18:17,097
Who can say?
293
00:18:23,397 --> 00:18:26,483
[Amalthea] You aren't coming?
294
00:18:26,565 --> 00:18:27,951
[Julia] You know I cannot.
295
00:18:28,030 --> 00:18:30,718
[Amalthea]
Please. You must come.
296
00:18:30,798 --> 00:18:35,065
[Julia] Amalthea, you've always
put your faith in me, hmm?
297
00:18:37,798 --> 00:18:41,217
Do so one more time, please.
298
00:18:41,297 --> 00:18:42,351
No, don't cry. Don't cry.
299
00:18:42,431 --> 00:18:43,351
[Amalthea] Please!
300
00:18:43,431 --> 00:18:44,384
[Julia] Ah. Shh.
301
00:18:44,463 --> 00:18:45,483
[Amalthea] I can't.
302
00:18:45,565 --> 00:18:47,584
[Julia] Oh, look.
303
00:18:47,663 --> 00:18:50,518
The clasp's come loose again.
304
00:18:50,597 --> 00:18:55,584
Can you fix it for me?
305
00:18:55,663 --> 00:18:58,830
[Caitie] This was found
with the body in the garden.
306
00:19:07,964 --> 00:19:11,917
[Tom] It's like being
in her presence.
307
00:19:11,998 --> 00:19:14,683
[Caitie] Such a personal
object was there,
308
00:19:14,763 --> 00:19:18,085
touching this
real person's skin.
309
00:19:18,164 --> 00:19:20,451
[Julia] Thank you.
310
00:19:20,530 --> 00:19:23,651
[Caitie] The crescent moon,
there, it's an amulet.
311
00:19:23,730 --> 00:19:27,830
Represents protection,
for women and girls especially.
312
00:19:31,763 --> 00:19:34,251
[Julia] Keep this with you.
You'll need it. Mmm?
313
00:19:34,332 --> 00:19:35,518
[Amalthea] Thank you.
314
00:19:35,597 --> 00:19:38,085
[Julia] Now go, or Cassius
will drink all my wine.
315
00:19:38,164 --> 00:19:40,785
[Amalthea] I'll make sure
he gets the bill.
316
00:19:40,865 --> 00:19:43,998
[Julia] Go. Go, darling. Go.
317
00:20:03,497 --> 00:20:06,817
[Tom] I think
I finally get it now.
318
00:20:06,897 --> 00:20:10,651
She was doing everything
she could for them,
319
00:20:10,730 --> 00:20:13,750
so of course she stays.
320
00:20:13,830 --> 00:20:15,830
She was always gonna stay.
321
00:20:21,431 --> 00:20:22,384
♪ ♪
322
00:20:22,463 --> 00:20:28,483
♪ ♪
323
00:20:28,564 --> 00:20:32,351
[Julia] Hear me, Isis,
lady of the flame.
324
00:20:32,431 --> 00:20:36,951
♪ ♪
325
00:20:37,030 --> 00:20:43,483
♪ ♪
326
00:20:43,565 --> 00:20:44,817
[Amalthea] Come on. Come on.
327
00:20:44,897 --> 00:20:48,584
We need to leave,
and we need to leave quickly.
328
00:20:48,663 --> 00:20:50,518
You'll be alright.
329
00:20:50,597 --> 00:20:54,184
[Julia] Guide them and save them
from the monster.
330
00:20:54,265 --> 00:21:01,117
♪ ♪
331
00:21:01,198 --> 00:21:08,049
♪ ♪
332
00:21:08,130 --> 00:21:14,317
♪ ♪
333
00:21:14,396 --> 00:21:19,284
♪ ♪
334
00:21:19,364 --> 00:21:25,683
♪ ♪
335
00:21:25,763 --> 00:21:27,451
[Amalthea] Come on. Come on.
Come on. We're nearly there.
336
00:21:27,530 --> 00:21:29,451
Come on. Come on.
Come on. Come on.
337
00:21:29,530 --> 00:21:31,029
[Townsperson]
I can see the gate!
338
00:21:36,029 --> 00:21:39,217
[Tom] If you look at the world
through Julia's eyes,
339
00:21:39,297 --> 00:21:42,151
understand it
the way that she did,
340
00:21:42,230 --> 00:21:45,565
her decision makes total sense.
341
00:21:51,931 --> 00:21:58,351
The final act of a woman
who defied all conventions,
342
00:21:58,431 --> 00:22:01,798
lived her life on her terms.
343
00:22:06,030 --> 00:22:09,683
The final act of someone
who history tells us
344
00:22:09,763 --> 00:22:11,865
should be impossible.
345
00:22:15,730 --> 00:22:21,130
The final act
of impossible Julia.
346
00:22:27,130 --> 00:22:28,116
[rumbling]
347
00:22:28,196 --> 00:22:35,049
♪ ♪
348
00:22:35,130 --> 00:22:41,983
♪ ♪
349
00:22:42,065 --> 00:22:48,917
♪ ♪
350
00:22:48,998 --> 00:22:55,851
♪ ♪
351
00:22:55,931 --> 00:23:02,785
♪ ♪
352
00:23:02,865 --> 00:23:09,718
♪ ♪
353
00:23:09,798 --> 00:23:16,651
♪ ♪
354
00:23:16,730 --> 00:23:23,417
♪ ♪
355
00:23:23,498 --> 00:23:30,351
♪ ♪
356
00:23:30,431 --> 00:23:37,284
♪ ♪
357
00:23:37,364 --> 00:23:40,183
♪ ♪
358
00:23:40,263 --> 00:23:42,384
[Claudia] Okay. Here.
359
00:23:42,463 --> 00:23:43,717
Careful, careful.
360
00:23:43,797 --> 00:23:46,750
Okay, step, step, step.
361
00:23:46,830 --> 00:23:51,183
[Tom] These are literally
Pompeii's final minutes now,
362
00:23:51,263 --> 00:23:54,384
in this total darkness.
363
00:23:54,463 --> 00:23:56,718
All the records,
364
00:23:56,798 --> 00:24:01,584
all archaeological
evidence, vanishes.
365
00:24:01,663 --> 00:24:03,018
[Claudia] Okay,
I've got you, I've got you.
366
00:24:03,097 --> 00:24:08,084
[Tom] The people of Pompeii
completely fade from history.
367
00:24:08,163 --> 00:24:12,916
It's like a fog that
we can't see through.
368
00:24:12,997 --> 00:24:15,884
[Claudia] Ah.
369
00:24:15,963 --> 00:24:18,817
Ah.
370
00:24:18,897 --> 00:24:20,498
Eh.
371
00:24:23,431 --> 00:24:28,698
Avi, I'm sorry, I,
I think we took a wrong--
372
00:24:31,497 --> 00:24:36,250
I don't know where we are.
373
00:24:36,330 --> 00:24:39,651
[Avianius] It's down there, Mum.
374
00:24:39,730 --> 00:24:40,650
[Claudia] Are you sure?
375
00:24:40,730 --> 00:24:43,183
[Avianius] Yeah. It's that way.
376
00:24:43,263 --> 00:24:46,130
Granddad built half the roads
in this city, remember?
377
00:24:51,730 --> 00:24:55,263
[Claudia] Oh, I love you
so much, my Avi.
378
00:24:59,530 --> 00:25:01,917
Lead the way.
379
00:25:01,998 --> 00:25:04,084
[Avianius] Come on.
380
00:25:04,163 --> 00:25:10,683
[Tom] Avianius completely
fades from history, too.
381
00:25:10,763 --> 00:25:13,116
It's like a light that goes out.
382
00:25:13,196 --> 00:25:14,151
♪ ♪
383
00:25:14,230 --> 00:25:20,451
♪ ♪
384
00:25:20,530 --> 00:25:23,550
[typing]
385
00:25:23,631 --> 00:25:26,384
[Steven] Hmm, that's it.
386
00:25:26,463 --> 00:25:29,451
[printer whirring]
387
00:25:29,530 --> 00:25:30,451
[Tom] Steven?
388
00:25:30,530 --> 00:25:33,017
[Steven] Tom, is that you?
389
00:25:33,096 --> 00:25:35,916
I found it.
390
00:25:35,997 --> 00:25:37,284
[Tom] What? What, what,
what have you found?
391
00:25:37,364 --> 00:25:38,750
[Steven] The missing piece
of the puzzle.
392
00:25:38,830 --> 00:25:44,384
Evidence that tells us
the end of Avianius' story.
393
00:25:44,463 --> 00:25:46,817
[Tom] So, what happened?
394
00:25:46,897 --> 00:25:50,884
[Steven] It's all there
in that very short inscription.
395
00:25:50,963 --> 00:25:53,950
[Tom] Okay.
396
00:25:54,029 --> 00:25:56,049
Uh, dis manibus.
397
00:25:56,130 --> 00:25:57,049
Is that right?
398
00:25:57,130 --> 00:25:58,049
[Steven] Mm-hmm.
399
00:25:58,130 --> 00:26:00,416
[Tom] Dis manibus.
400
00:26:00,497 --> 00:26:02,017
To the spirits of the dead.
401
00:26:02,096 --> 00:26:03,250
[Steven] Mm-hmm.
402
00:26:03,330 --> 00:26:04,384
[Tom] This is a gravestone.
403
00:26:04,463 --> 00:26:06,416
[Steven] It is.
404
00:26:06,497 --> 00:26:07,851
[Tom] Avianius' gravestone.
405
00:26:07,931 --> 00:26:11,017
[Steven] But it's from
long after the eruption
406
00:26:11,096 --> 00:26:13,451
and from a completely
different community.
407
00:26:13,530 --> 00:26:14,584
[Tom] I don't follow.
408
00:26:14,663 --> 00:26:16,683
[Steven] It means he got out.
409
00:26:16,763 --> 00:26:20,717
It means he escaped Pompeii.
410
00:26:20,797 --> 00:26:22,217
[Tom] Avianius survives?
411
00:26:22,297 --> 00:26:26,284
[Steven] Yes.
412
00:26:26,364 --> 00:26:27,785
[Tom] We did it.
413
00:26:27,865 --> 00:26:30,084
We found a real survivor.
414
00:26:30,163 --> 00:26:31,049
Ha!
415
00:26:31,130 --> 00:26:33,250
This is a story of survival,
after all.
416
00:26:33,330 --> 00:26:36,897
It's a story
of Avianius' survival.
417
00:26:39,530 --> 00:26:41,183
Avianius Felicioni.
Felicioni.
418
00:26:41,263 --> 00:26:42,917
That's the first time
we've seen his full name.
419
00:26:42,998 --> 00:26:46,483
[Steven] It is, but there's
more on there as well.
420
00:26:46,564 --> 00:26:47,482
[Tom] Okay.
421
00:26:47,564 --> 00:26:52,650
Alumno carrisimo
masyri fecerunt.
422
00:26:52,730 --> 00:26:55,384
So, to carissimo,
is "dearest," right?
423
00:26:55,463 --> 00:26:57,784
Dearest Avianius.
424
00:26:57,864 --> 00:27:00,983
Uh, alumno.
425
00:27:01,065 --> 00:27:01,817
Alumno.
426
00:27:01,897 --> 00:27:07,384
Um, alumno is "student," right?
427
00:27:07,463 --> 00:27:10,851
[Steven] Or...
428
00:27:10,931 --> 00:27:15,116
[Tom] No.
429
00:27:15,196 --> 00:27:21,017
The inscription reveals
that Avianius was orphaned.
430
00:27:21,096 --> 00:27:24,518
That's the secondary
meaning of alumno.
431
00:27:24,597 --> 00:27:29,263
He survives,
but his mum does not.
432
00:27:32,163 --> 00:27:34,617
That's all it says.
433
00:27:34,698 --> 00:27:36,896
And we don't know
what happened to her.
434
00:27:45,330 --> 00:27:50,950
Maybe there are some stories
that are just too hard to tell.
435
00:27:51,029 --> 00:27:54,798
Some things you just
can't even imagine.
436
00:27:59,864 --> 00:28:01,416
Like a child
losing their mother.
437
00:28:01,497 --> 00:28:08,351
♪ ♪
438
00:28:08,431 --> 00:28:15,284
♪ ♪
439
00:28:15,364 --> 00:28:19,384
♪ ♪
440
00:28:19,463 --> 00:28:21,017
[Avianius] Please, please,
please, please,
441
00:28:21,096 --> 00:28:22,797
please, please, please.
442
00:28:27,663 --> 00:28:30,830
[Tom] To lose the person
who heard your first words.
443
00:28:34,630 --> 00:28:37,797
The person who picked you up
when you fell.
444
00:28:41,431 --> 00:28:43,730
The person
who is always there...
445
00:28:46,463 --> 00:28:49,217
...who knows you better
than you know yourself.
446
00:28:49,297 --> 00:28:55,983
♪ ♪
447
00:28:56,064 --> 00:28:57,151
♪ ♪
448
00:28:57,230 --> 00:29:03,217
♪ ♪
449
00:29:03,297 --> 00:29:08,116
And he's alone.
450
00:29:08,196 --> 00:29:12,163
Completely and utterly alone.
451
00:29:15,196 --> 00:29:18,263
Maybe imagination,
like history, just runs out.
452
00:29:34,630 --> 00:29:40,451
[clock ticking]
453
00:29:40,530 --> 00:29:47,384
[watch beeping]
454
00:29:47,463 --> 00:29:51,983
[watch beeping]
455
00:29:52,064 --> 00:29:55,784
[Tom] That's it.
456
00:29:55,864 --> 00:29:59,482
Their time's up.
457
00:29:59,564 --> 00:30:03,196
Pompeii's last day is over.
458
00:30:05,330 --> 00:30:10,616
The eruption column finally
collapses, and Pompeii is hit
459
00:30:10,696 --> 00:30:15,730
by wave after wave
of pyroclastic surge.
460
00:30:18,163 --> 00:30:21,196
All that life is extinguished.
461
00:30:24,564 --> 00:30:30,084
The town is buried,
along with its people.
462
00:30:30,163 --> 00:30:36,817
Their stories
sealed in ash for millennia.
463
00:30:36,896 --> 00:30:43,717
♪ ♪
464
00:30:43,797 --> 00:30:50,450
♪ ♪
465
00:30:50,529 --> 00:30:57,351
♪ ♪
466
00:30:57,431 --> 00:31:00,451
♪ ♪
467
00:31:00,530 --> 00:31:06,784
♪ ♪
468
00:31:06,864 --> 00:31:10,916
[clock ticking]
469
00:31:10,997 --> 00:31:17,230
[clock ticking]
470
00:31:46,696 --> 00:31:48,151
[Tom] When I started
this project,
471
00:31:48,230 --> 00:31:50,450
I had the idea that it was noble
472
00:31:50,529 --> 00:31:54,183
not to show the tragic
plaster casts of the bodies
473
00:31:54,263 --> 00:31:56,316
from the people of Pompeii,
474
00:31:56,396 --> 00:31:59,064
people frozen
in their final moments.
475
00:32:01,797 --> 00:32:03,215
They're known
all over the world,
476
00:32:03,296 --> 00:32:10,029
and I worry that we have become
desensitized to them.
477
00:32:12,430 --> 00:32:14,950
Desensitized to their lives,
478
00:32:15,029 --> 00:32:18,663
to the real people
and their real suffering.
479
00:32:21,762 --> 00:32:23,451
But the only way
you become desensitized
480
00:32:23,530 --> 00:32:27,982
is if you don't engage
with their stories.
481
00:32:28,064 --> 00:32:32,983
By tracing Julia and by tracing
the Praetorian and Avianius,
482
00:32:33,064 --> 00:32:36,482
we're engaged now, these
aren't just plaster casts,
483
00:32:36,564 --> 00:32:41,696
they are people
and these are their stories.
484
00:32:44,462 --> 00:32:49,497
And these people,
they lived, they loved.
485
00:32:51,431 --> 00:32:54,529
They had families,
they had homes.
486
00:32:56,663 --> 00:33:00,817
They had people who cared about
them and in the aftermath,
487
00:33:00,896 --> 00:33:07,084
who, who searched for them, and
when they couldn't find them,
488
00:33:07,163 --> 00:33:08,930
would have grieved for them.
489
00:33:14,696 --> 00:33:17,282
At the beginning
of this project,
490
00:33:17,363 --> 00:33:22,750
I set out to tell the story
of Pompeii that we don't know.
491
00:33:22,829 --> 00:33:27,215
Somehow, maybe stories
of survival.
492
00:33:27,296 --> 00:33:30,183
Avianius might have made it
out of the city alive.
493
00:33:30,263 --> 00:33:31,450
He might have survived
physically.
494
00:33:31,529 --> 00:33:35,017
But what does it mean to survive
495
00:33:35,096 --> 00:33:37,717
if you lose everything
in the process?
496
00:33:37,797 --> 00:33:44,450
♪ ♪
497
00:33:44,529 --> 00:33:51,351
♪ ♪
498
00:33:51,431 --> 00:33:57,884
♪ ♪
499
00:33:57,963 --> 00:34:00,084
[Sarita] You know, I think
survival is not just about
500
00:34:00,163 --> 00:34:05,115
staying alive, and it's
certainly not about forgetting
501
00:34:05,195 --> 00:34:07,849
or trying to erase the past,
502
00:34:07,930 --> 00:34:14,050
it's about continuing to live,
to choose to live and to grow.
503
00:34:14,130 --> 00:34:19,983
And it's when trauma and growth
can coexist in the same space
504
00:34:20,063 --> 00:34:25,717
that's going to allow
for a way forward.
505
00:34:25,797 --> 00:34:29,650
Psychologists will talk about
post-traumatic injury,
506
00:34:29,730 --> 00:34:31,717
but there is this
related phenomena
507
00:34:31,797 --> 00:34:34,217
called post-traumatic growth,
508
00:34:34,297 --> 00:34:37,016
and that's what can lead
to a future.
509
00:34:37,097 --> 00:34:38,949
[Tom] Hang on, is that a real
thing, post-traumatic growth?
510
00:34:39,030 --> 00:34:40,750
[Sarita] Yeah, it's experienced
by some people
511
00:34:40,829 --> 00:34:45,215
when they've been through
a traumatic event, like Pompeii.
512
00:34:45,295 --> 00:34:49,382
People try to find meaning
from what's happened to them,
513
00:34:49,463 --> 00:34:54,583
and that can lead to a deeper
sense of appreciation of life,
514
00:34:54,663 --> 00:34:59,182
a new purpose.
515
00:34:59,262 --> 00:35:01,682
[Tom] Maybe Avianius
can feel that.
516
00:35:01,762 --> 00:35:05,817
[Sarita] I think we do have
reason to be hopeful for him.
517
00:35:05,896 --> 00:35:12,416
♪ ♪
518
00:35:12,496 --> 00:35:15,583
Trauma is always going to be
part of his story,
519
00:35:15,663 --> 00:35:18,483
but it's not gonna be all of it.
520
00:35:18,563 --> 00:35:21,282
[Tom] Hmm. Thank you, Sarita.
521
00:35:21,362 --> 00:35:22,650
I think I'm learning
that there's more
522
00:35:22,730 --> 00:35:26,184
to disaster psychology than just
fire alarms and the amygdala.
523
00:35:26,264 --> 00:35:28,449
[Sarita] You know, I've
never really been that keen
524
00:35:28,530 --> 00:35:31,048
on the term
disaster psychologist, though.
525
00:35:31,130 --> 00:35:31,849
[Tom] Oh.
526
00:35:31,929 --> 00:35:33,382
[Sarita] I'd much
rather be known
527
00:35:33,463 --> 00:35:35,516
as a survival psychologist.
528
00:35:35,597 --> 00:35:38,317
[Tom] I'm pretty sure
I can help you with that.
529
00:35:38,396 --> 00:35:40,617
[rewinding]
530
00:35:40,697 --> 00:35:41,983
[Sarita] Aw, thanks.
531
00:35:42,063 --> 00:35:44,682
[Tom] That's okay.
That's the least I could do.
532
00:35:44,762 --> 00:35:46,650
[Sarita] Ah, guess I'm
a survival psychologist now.
533
00:35:46,730 --> 00:35:47,817
Thanks.
534
00:35:47,896 --> 00:35:50,164
[Tom] Just promise to not
set off any more fire alarms.
535
00:35:57,663 --> 00:35:59,784
[Steven] You know, I think
what people never consider
536
00:35:59,864 --> 00:36:06,063
about Pompeii is the immediate
aftermath of the eruption.
537
00:36:09,396 --> 00:36:10,563
[Patient] Ah!
538
00:36:13,164 --> 00:36:18,530
[sobbing]
539
00:36:22,097 --> 00:36:27,016
Avianius is just one
of so many stories
540
00:36:27,096 --> 00:36:29,150
of people that made it out.
541
00:36:29,231 --> 00:36:36,083
♪ ♪
542
00:36:36,164 --> 00:36:43,016
♪ ♪
543
00:36:43,097 --> 00:36:49,916
♪ ♪
544
00:36:49,996 --> 00:36:55,949
♪ ♪
545
00:36:56,030 --> 00:37:01,750
♪ ♪
546
00:37:01,829 --> 00:37:05,750
There could be thousands, maybe
tens of thousands of evacuees
547
00:37:05,829 --> 00:37:09,382
from Pompeii, Herculaneum, and
the other affected communities.
548
00:37:09,463 --> 00:37:11,496
[Tom] Mmm.
549
00:37:13,697 --> 00:37:16,682
[Steven] All displaced.
550
00:37:16,762 --> 00:37:21,150
All of them homeless.
All desperate.
551
00:37:21,231 --> 00:37:22,996
[Amalthea] We can rest here.
552
00:37:25,498 --> 00:37:26,382
[Tom] God, I never
thought about,
553
00:37:26,463 --> 00:37:28,048
I never thought about it
like that.
554
00:37:28,130 --> 00:37:30,251
It's, um, it's so resonant,
555
00:37:30,331 --> 00:37:32,750
it's such a contemporary
image as well.
556
00:37:32,829 --> 00:37:34,115
[Amalthea] Can you go
and get some water?
557
00:37:34,195 --> 00:37:35,117
[Evacuee] Yes.
558
00:37:35,197 --> 00:37:36,717
[Amalthea] Thank you.
559
00:37:36,797 --> 00:37:40,117
[Tom] The aftermath
of Vesuvius, in fact,
560
00:37:40,197 --> 00:37:45,717
would have been a full-blown
humanitarian crisis.
561
00:37:45,797 --> 00:37:51,416
♪ ♪
562
00:37:51,496 --> 00:37:53,983
And there would have been
temporary camps,
563
00:37:54,063 --> 00:38:00,784
there would have been lines
for food, separated families.
564
00:38:00,864 --> 00:38:05,682
Whole communities of people
fragmented and lost forever.
565
00:38:05,762 --> 00:38:10,730
[Steven] Wait. Not lost forever,
Pompeii wasn't lost.
566
00:38:12,295 --> 00:38:13,916
[Tom] Steven, Pompeii was lost.
567
00:38:13,996 --> 00:38:16,849
It was buried in tons and tons
of ash and pumice
568
00:38:16,929 --> 00:38:18,817
and waves of pyroclastic surge.
569
00:38:18,896 --> 00:38:20,117
Vesuvius has obliterated it.
570
00:38:20,197 --> 00:38:23,416
[Steven] That's fair.
The city of Pompeii is buried,
571
00:38:23,496 --> 00:38:25,083
but a city is not
just its buildings,
572
00:38:25,163 --> 00:38:28,884
it's not just its mosaics or
frescoes, it's its community.
573
00:38:28,963 --> 00:38:32,717
The people escaped and
they rebuilt their lives,
574
00:38:32,797 --> 00:38:36,983
and they prospered, they fell
in love, they started families.
575
00:38:37,063 --> 00:38:41,983
Pompeii survived because its
community, its people survived.
576
00:38:42,063 --> 00:38:47,215
[Tom] Pompeii isn't a place,
it's a people.
577
00:38:47,295 --> 00:38:48,630
[Steven] Exactly.
578
00:38:52,896 --> 00:38:54,782
And I've even been able
to trace patterns
579
00:38:54,862 --> 00:39:00,250
of post-eruption resettlement
all across the Bay of Naples,
580
00:39:00,329 --> 00:39:03,215
communities and entire families.
581
00:39:03,295 --> 00:39:07,817
They relocated,
rebuilt their lives,
582
00:39:07,896 --> 00:39:09,949
and they kept their faith, too.
583
00:39:10,028 --> 00:39:12,983
There's even evidence
for new temples to Isis,
584
00:39:13,063 --> 00:39:16,697
built in the years
following the eruption.
585
00:39:19,630 --> 00:39:23,916
[Tom] I suppose as devastating
as these disasters can be,
586
00:39:23,996 --> 00:39:28,896
they're also opportunities
for humanity to shine.
587
00:39:32,963 --> 00:39:35,264
[Steven] I think they are.
They are indeed.
588
00:39:43,797 --> 00:39:45,416
But let's take another look
at this inscription.
589
00:39:45,496 --> 00:39:50,115
I don't think you gave enough
attention to that word, alumno.
590
00:39:50,195 --> 00:39:52,028
[Tom] What?
591
00:39:55,195 --> 00:39:56,115
[Aurelia] Can we stop?
592
00:39:56,195 --> 00:39:57,483
[Marcus] Oh, okay. We'll stop.
593
00:39:57,563 --> 00:39:58,483
[Aurelia] Yeah. Yeah.
594
00:39:58,563 --> 00:39:59,483
[Marcus] We can stop.
595
00:39:59,563 --> 00:40:00,817
[Aurelia] Uh-huh.
596
00:40:00,896 --> 00:40:03,949
[Tom] Um, alumno means
"orphan," right?
597
00:40:04,030 --> 00:40:06,416
[Steven] Oh, you should brush up
on your Latin, Hiddleston.
598
00:40:06,496 --> 00:40:08,650
Um, it has another
meaning as well.
599
00:40:08,730 --> 00:40:12,416
Instead of orphan,
try reading it as "foster."
600
00:40:12,496 --> 00:40:13,717
[Tom] To the spirits
of the dead,
601
00:40:13,797 --> 00:40:18,063
the Masuri made this
for Avianius Felicioni.
602
00:40:20,396 --> 00:40:22,097
Their dearest...
603
00:40:24,996 --> 00:40:26,864
...foster son.
604
00:40:28,730 --> 00:40:32,449
That's what happened?
605
00:40:32,530 --> 00:40:36,182
The Masuri.
606
00:40:36,262 --> 00:40:40,682
[Aurelia] Avi. Avi!
607
00:40:40,762 --> 00:40:42,382
[Tom] The bronzesmith family.
608
00:40:42,463 --> 00:40:44,115
[Aurelia] Marcus, it's Avi!
609
00:40:44,195 --> 00:40:46,416
[Tom] They adopt Avianius.
610
00:40:46,496 --> 00:40:48,929
[Steven] That's how
I read it. Yeah.
611
00:40:52,896 --> 00:40:54,195
[Aurelia] Avi!
612
00:40:57,329 --> 00:40:58,650
Avi!
613
00:40:58,730 --> 00:41:05,349
♪ ♪
614
00:41:05,429 --> 00:41:12,282
♪ ♪
615
00:41:12,362 --> 00:41:19,215
♪ ♪
616
00:41:19,295 --> 00:41:24,150
♪ ♪
617
00:41:24,230 --> 00:41:30,150
[sobbing]
618
00:41:30,230 --> 00:41:32,784
Oh, Avi!
619
00:41:32,864 --> 00:41:37,295
[Marcus] Alright, alright.
We've got you. We've got you.
620
00:41:40,429 --> 00:41:44,115
You found us.
621
00:41:44,195 --> 00:41:45,929
[Tom] They've got him.
622
00:41:54,996 --> 00:42:00,681
History gives us facts--
names, dates, places--
623
00:42:00,762 --> 00:42:05,048
and while all of this evidence
is critical,
624
00:42:05,128 --> 00:42:08,715
it'll never give us
the full picture.
625
00:42:08,795 --> 00:42:15,063
How people felt. How people
lived. How people loved.
626
00:42:16,231 --> 00:42:19,349
And that's another
kind of truth.
627
00:42:19,429 --> 00:42:21,750
It's the truth
that comes from empathy
628
00:42:21,829 --> 00:42:24,548
and imagination
and storytelling.
629
00:42:24,630 --> 00:42:26,715
[bell rings]
630
00:42:26,795 --> 00:42:30,516
I hope that by combining
these two things,
631
00:42:30,597 --> 00:42:34,449
evidence and empathy,
632
00:42:34,530 --> 00:42:37,083
history and story,
633
00:42:37,163 --> 00:42:41,282
I hope I found a fuller truth.
634
00:42:41,362 --> 00:42:44,516
I know I found the people
of Pompeii,
635
00:42:44,597 --> 00:42:51,215
and I hope I've told
their historia.
636
00:42:51,295 --> 00:42:52,215
[knock on door]
637
00:42:52,295 --> 00:42:53,315
Yep?
638
00:42:53,396 --> 00:42:54,682
[David] Tom, they're
ready for you on set.
639
00:42:54,762 --> 00:42:56,949
[Tom] Great. Thank you, David.
I'll be right there.
640
00:42:57,028 --> 00:43:03,882
♪ ♪
641
00:43:03,963 --> 00:43:06,715
♪ ♪
642
00:43:06,795 --> 00:43:13,115
♪ ♪
643
00:43:13,195 --> 00:43:17,795
So, why do any of this?
Why try to understand?
644
00:43:18,795 --> 00:43:20,016
[Actor] I'll see you
at the wrap party.
645
00:43:20,096 --> 00:43:20,849
[Tom] I'll see you there.
646
00:43:20,929 --> 00:43:25,382
Connect with the people
of the past?
647
00:43:25,463 --> 00:43:29,048
We've come all this way,
gone to all this effort.
648
00:43:29,128 --> 00:43:30,682
Hey, Dario. Hi.
649
00:43:30,762 --> 00:43:34,983
And why use storytelling
to travel in time?
650
00:43:35,063 --> 00:43:36,782
[Crew member]
Okay, right. So, uh...
651
00:43:36,862 --> 00:43:39,250
[Tom] I think that we tell
stories about the past
652
00:43:39,329 --> 00:43:41,382
to understand something
about our present.
653
00:43:41,463 --> 00:43:47,615
It becomes a lens through which
we can examine who we are, now,
654
00:43:47,695 --> 00:43:49,548
and maybe by listening
to our ancestors...
655
00:43:49,630 --> 00:43:50,983
[Director] Okay, come on,
quiet on set now.
656
00:43:51,063 --> 00:43:54,516
[Tom] ...empathizing with them,
understanding them,
657
00:43:54,597 --> 00:43:55,882
we learn something
about ourselves
658
00:43:55,963 --> 00:44:00,250
and perhaps
even our future, so.
659
00:44:00,329 --> 00:44:02,163
[Director] I said quiet on set.
660
00:44:04,195 --> 00:44:05,916
[bell rings]
661
00:44:05,996 --> 00:44:07,083
And action.
662
00:44:07,163 --> 00:44:09,548
[Marcus] So what we do now,
in this moment,
663
00:44:09,630 --> 00:44:12,083
forges what this
bronze will become.
664
00:44:12,163 --> 00:44:14,016
[Avianius] Whoa! That's deep.
665
00:44:14,096 --> 00:44:15,849
We should put that
on the sign outside.
666
00:44:15,929 --> 00:44:18,250
Marcus Masurius.
Forging the future.
667
00:44:18,329 --> 00:44:19,250
[Marcus] Alright.
668
00:44:19,329 --> 00:44:20,282
[Avianius] No, seriously.
669
00:44:20,362 --> 00:44:21,483
Future generations
will want to know.
670
00:44:21,563 --> 00:44:23,963
[Marcus] Alright. Very clever.
671
00:44:29,929 --> 00:44:31,548
I'm sorry, sorry,
uh, I've forgotten.
672
00:44:31,630 --> 00:44:32,650
What's my line?
673
00:44:32,730 --> 00:44:34,250
[Director] Cut!
It's alright, don't worry.
674
00:44:34,329 --> 00:44:35,583
[bell rings]
675
00:44:35,663 --> 00:44:37,416
Hold on. Let's get going again.
676
00:44:37,496 --> 00:44:38,416
[Marcus] Sorry. Sorry, everyone.
677
00:44:38,496 --> 00:44:40,315
[Director] Let's go again.
678
00:44:40,396 --> 00:44:43,449
[muffled voices]
679
00:44:43,530 --> 00:44:47,583
[Crew member] 242 take 58.
680
00:44:47,663 --> 00:44:51,817
[Tom] Let's try that
again, shall we?
681
00:44:51,896 --> 00:44:53,016
[bell rings]
682
00:44:53,096 --> 00:44:59,949
♪ ♪
683
00:45:00,028 --> 00:45:06,882
♪ ♪
684
00:45:06,963 --> 00:45:13,815
♪ ♪
685
00:45:13,896 --> 00:45:20,715
♪ ♪
686
00:45:20,795 --> 00:45:27,650
♪ ♪
687
00:45:27,730 --> 00:45:34,416
♪ ♪
688
00:45:34,496 --> 00:45:41,349
♪ ♪
689
00:45:41,429 --> 00:45:48,282
♪ ♪
690
00:45:48,362 --> 00:45:55,215
♪ ♪
691
00:45:55,295 --> 00:46:02,150
♪ ♪
692
00:46:02,230 --> 00:46:09,083
♪ ♪
693
00:46:09,163 --> 00:46:13,215
♪ ♪
694
00:46:13,295 --> 00:46:19,483
♪ ♪
695
00:46:19,563 --> 00:46:21,648
Well, thank you, Steven.
696
00:46:21,728 --> 00:46:25,115
[Steven] You know, there's hope
for you yet, young Hiddleston.
697
00:46:25,195 --> 00:46:27,715
If this whole acting thing
doesn't work out,
698
00:46:27,795 --> 00:46:30,250
there's always room in the
Pompeii Survivors' Project
699
00:46:30,329 --> 00:46:31,615
for somebody fluent in Latin.
700
00:46:31,695 --> 00:46:34,983
[Tom] Well,
fortaus fortuna uvet.
701
00:46:35,063 --> 00:46:37,496
[laughing]
49048
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