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1
00:00:31,765 --> 00:00:34,065
LET'S DO IT, PEOPLE.
2
00:00:58,225 --> 00:01:00,225
LET'S GO, GUYS.
COME ON.
3
00:01:19,296 --> 00:01:22,381
( radio and television playing )
4
00:01:35,395 --> 00:01:36,244
POLICE!
5
00:01:36,279 --> 00:01:37,912
OPEN THE DOOR!
6
00:01:38,715 --> 00:01:40,248
DO IT.
7
00:01:43,987 --> 00:01:45,320
STAY WHERE YOU ARE!
8
00:01:57,585 --> 00:02:00,669
Officer:
THIS IS WHAT WE'RE LOOKING FOR.
9
00:02:05,542 --> 00:02:07,292
( woman screaming )
10
00:02:07,327 --> 00:02:09,461
Woman:
LEAVE HIM ALONE!
11
00:02:09,496 --> 00:02:10,728
LET GO OF HIM!
12
00:02:12,332 --> 00:02:15,000
KEEP YOUR HANDS
OFF OF ME!
13
00:02:15,035 --> 00:02:16,401
I KNOW MY RIGHTS!
14
00:02:16,437 --> 00:02:17,635
GET IN THERE.
15
00:02:17,671 --> 00:02:20,305
KEEP AWAY FROM ME!
16
00:02:22,375 --> 00:02:23,842
YOU KNOW
WHO THIS IS?
17
00:02:23,877 --> 00:02:24,977
UH-UH.
18
00:02:25,012 --> 00:02:27,662
LACEY KING.
19
00:02:29,233 --> 00:02:30,816
SHE'S A BIG PORNO STAR.
20
00:02:30,851 --> 00:02:32,317
MADE ABOUT 70 PICTURES.
21
00:02:32,352 --> 00:02:33,584
GET UP, SWEETHEART.
22
00:02:33,620 --> 00:02:36,471
REMEMBER WHEN BARTON
GOT MARRIED?
23
00:02:36,506 --> 00:02:38,173
THE MOVIE THEY SHOWED--
24
00:02:38,208 --> 00:02:40,275
SUSAN SAILS THE SEVEN SEAS?
25
00:02:40,310 --> 00:02:43,145
REMEMBER THAT GUY
FROM THE COAST GUARD?
26
00:02:43,180 --> 00:02:45,513
THIS LITTLE CUTIE WAS THE STAR.
27
00:02:55,809 --> 00:02:58,243
♪ WE NEVER THOUGHT OF FINDING ♪
28
00:02:58,278 --> 00:03:00,928
♪ THE PLACE WHERE WE BELONG ♪
29
00:03:00,964 --> 00:03:03,148
♪ DON'T HAVE TO STAND ALONE ♪
30
00:03:03,184 --> 00:03:06,134
♪ WE'LL NEVER LET YOU FALL ♪
31
00:03:06,169 --> 00:03:08,370
♪ DON'T NEED PERMISSION ♪
32
00:03:08,405 --> 00:03:11,022
♪ TO DECIDE WHAT YOU BELIEVE ♪
33
00:03:11,057 --> 00:03:12,290
♪ YOU'RE GONNA LEARN SOMETHING ♪
34
00:03:12,326 --> 00:03:13,475
♪ WHEN WE MEET YOU AFTER SCHOOL ♪
35
00:03:13,510 --> 00:03:15,527
♪ I SAID JUMP! ♪
36
00:03:15,562 --> 00:03:18,563
♪ DOWN ON JUMP STREET ♪
37
00:03:18,598 --> 00:03:20,348
♪ I SAID JUMP! ♪
38
00:03:20,383 --> 00:03:22,951
♪ DOWN ON JUMP STREET ♪
39
00:03:22,986 --> 00:03:25,353
♪ YOUR FRIENDS WILL BE THERE ♪
40
00:03:25,389 --> 00:03:28,073
♪ WHEN YOUR BACK IS
TO THE WALL ♪
41
00:03:28,108 --> 00:03:30,358
♪ YOU'LL FIND YOU NEED US ♪
42
00:03:30,394 --> 00:03:34,363
♪ 'CAUSE THERE'S NO ONE ELSE
TO CALL ♪
43
00:03:34,398 --> 00:03:36,381
♪ WHEN IT LOOKS HOPELESS ♪
44
00:03:36,416 --> 00:03:39,384
♪ A DECISION'S WHAT YOU NEED ♪
45
00:03:39,419 --> 00:03:40,968
♪ YOU BETTER BE READY ♪
46
00:03:41,004 --> 00:03:42,437
♪ 'CAUSE YOU'RE RUNNING OUT OF TIME ♪
47
00:03:42,472 --> 00:03:43,455
♪ I SAID JUMP! ♪
48
00:03:43,490 --> 00:03:45,107
♪ 21 JUMP STREET! ♪
49
00:04:10,600 --> 00:04:12,817
YOU'VE LOOKED
BETTER, LACEY.
50
00:04:16,273 --> 00:04:17,823
YOU REMEMBER ME?
51
00:04:22,512 --> 00:04:23,978
YEAH.
52
00:04:24,013 --> 00:04:26,381
FULLER, RIGHT?
53
00:04:27,968 --> 00:04:31,803
BIG-TIME PORNOGRAPHER
WHO TURNED OUT TO BE A COP.
54
00:04:31,839 --> 00:04:34,672
SO WHAT?
WE BEAT ALL THOSE BUSTS.
55
00:04:34,708 --> 00:04:36,591
YOU DON'T LOOK LIKE
YOU'RE BEATING MUCH TODAY.
56
00:04:37,711 --> 00:04:39,494
WHAT DO YOU WANT?
57
00:04:40,898 --> 00:04:45,716
YOU USED TO MAKE TWO,
THREE GRAND A FILM.
58
00:04:45,752 --> 00:04:47,953
THEN WHAT? $500?
59
00:04:47,988 --> 00:04:50,788
THEN 50?
60
00:04:50,824 --> 00:04:52,506
THEN FLUFFER?
61
00:04:57,197 --> 00:04:58,479
HOW OLD ARE YOU, LACEY?
62
00:04:58,515 --> 00:05:00,698
I'M LEGAL.
63
00:05:00,734 --> 00:05:02,751
BY A COUPLE MONTHS MAYBE.
64
00:05:02,786 --> 00:05:04,186
WHAT'S THE POINT?
65
00:05:04,221 --> 00:05:07,872
THE POINT IS, YOU'VE BEEN
WORKING SINCE YOU WERE 15.
66
00:05:07,908 --> 00:05:11,876
14. I LOOK OLD FOR MY AGE.
67
00:05:11,912 --> 00:05:14,880
YOU SAID IT.
68
00:05:18,152 --> 00:05:21,386
WHO STARTED YOU OUT, LACEY?
69
00:05:21,421 --> 00:05:22,787
COME ON, FULLER.
70
00:05:22,823 --> 00:05:25,923
GIVE ME A BREAK
WITH ALL THIS, OKAY?
71
00:05:25,959 --> 00:05:27,659
I HAD A HARD NIGHT.
72
00:05:27,694 --> 00:05:31,229
IT'S BEEN A HARD
COUPLE OF MONTHS.
73
00:05:31,265 --> 00:05:33,381
BUSTED THREE TIMES.
74
00:05:33,416 --> 00:05:35,817
ONCE FOR PROSTITUTION.
75
00:05:35,853 --> 00:05:38,920
TWICE FOR SMOKING CRACK.
76
00:05:40,591 --> 00:05:42,457
WHAT'S UPRIVER FOR YOU?
77
00:05:42,493 --> 00:05:43,525
WHAT HAPPENED
78
00:05:43,560 --> 00:05:47,445
TO THAT BIG
FEATURE MOVIE YOU
WERE GOING TO MAKE?
79
00:05:47,480 --> 00:05:50,114
MY AGENT COULDN'T CLOSE
THE DEAL.
80
00:05:50,149 --> 00:05:52,950
I WANTED A MOTOR HOME
AND A DRIVER.
81
00:05:52,986 --> 00:05:56,254
HE WANTED ME TO DATE
THE NATIONAL GUARD.
82
00:05:56,289 --> 00:05:58,189
HOW LONG HAVE YOU BEEN
SMOKING CRACK?
83
00:05:58,224 --> 00:06:00,241
LONG ENOUGH.
84
00:06:02,329 --> 00:06:04,846
THINK ANYONE OUT THERE
HAS A BRUSH?
85
00:06:04,881 --> 00:06:07,415
I WANT THE GUY WHO STARTED YOU.
86
00:06:07,450 --> 00:06:10,952
SO DO I, BUT HE DOESN'T RETURN
MY CALLS.
87
00:06:10,987 --> 00:06:12,420
HE'LL RETURN MINE.
88
00:06:12,456 --> 00:06:14,105
( laughs )
89
00:06:20,814 --> 00:06:22,981
I WANT THIS GUY.
90
00:06:23,016 --> 00:06:25,266
YOU TELL ME
WHO HE IS
91
00:06:25,302 --> 00:06:27,235
I'LL LET
YOU WALK
92
00:06:27,270 --> 00:06:29,321
ON THE COKE BEEF.
93
00:06:29,356 --> 00:06:31,089
YOU CAN'T DO THAT.
94
00:06:34,360 --> 00:06:37,245
ANYWAY, YOU WOULDN'T
EVEN BELIEVE ME.
95
00:06:37,280 --> 00:06:38,647
TRY ME.
96
00:06:40,717 --> 00:06:42,633
HOW DID IT HAPPEN?
97
00:06:44,605 --> 00:06:47,806
HOW DID THE FAMOUS LACEY KING
GET STARTED?
98
00:06:54,013 --> 00:06:57,115
( dance beat playing, audience applauding, cheering )
99
00:07:05,792 --> 00:07:08,059
( song playing )
100
00:07:25,762 --> 00:07:27,729
Announcer:
YOU LIKE THIS?
101
00:07:27,764 --> 00:07:30,014
( cheering )
102
00:07:30,050 --> 00:07:32,183
YOU'RE SUPPOSED TO LIKE THIS.
103
00:07:32,219 --> 00:07:34,586
WHILE YOU'RE GETTING OFF ON THIS
104
00:07:34,621 --> 00:07:35,903
REMEMBER TWO THINGS.
105
00:07:35,939 --> 00:07:37,372
ALL THESE FASHIONS
106
00:07:37,407 --> 00:07:41,459
ARE FROM SHOPS
RIGHT HERE IN THE MALL.
107
00:07:41,494 --> 00:07:43,744
AND THIS IS JUST ONE OF A SERIES
108
00:07:43,780 --> 00:07:46,280
OF SHOWS THAT YOU CAN BE
A PART OF.
109
00:07:46,315 --> 00:07:48,967
YOU CAN SIGN UP FOR AUDITIONS
110
00:07:49,002 --> 00:07:52,420
FOR THE TEEN SCENE SCHOOL
OF MODELING OVER THERE.
111
00:08:18,097 --> 00:08:20,999
GIRLS, YOU MIGHT WANT
TO HANG ON
112
00:08:21,034 --> 00:08:23,768
TO YOUR BOYFRIENDS
RIGHT AROUND NOW.
113
00:08:23,803 --> 00:08:26,437
THIS IS A LITTLE MORE EXPENSIVE
114
00:08:26,473 --> 00:08:29,540
THAN MOST OF THE PIECES
IN THE MALL.
115
00:08:29,576 --> 00:08:33,078
MAYBE YOU CAN GET YOUR MOMS
TO SPRING FOR IT.
116
00:08:33,113 --> 00:08:35,246
AND, GUYS, I KNOW
117
00:08:35,281 --> 00:08:38,266
YOU'RE WISHING YOU
COULD AFFORD IT, TOO.
118
00:08:38,302 --> 00:08:40,101
TRUST ME-- YOU CAN'T.
119
00:08:40,137 --> 00:08:41,552
NO, FRANK. NO WAY.
120
00:08:41,588 --> 00:08:43,237
FORGET THE BLEACHERS.
121
00:08:43,273 --> 00:08:45,957
YOU GET US DOWN
BEHIND FIRST BASE.
122
00:08:45,992 --> 00:08:47,158
FIELD LEVEL.
123
00:08:47,193 --> 00:08:49,360
PUSH DOWN THAT LIST
OF YOURS
124
00:08:49,395 --> 00:08:53,364
TILL YOU COME TO A ROW
WITH A SINGLE-DIGIT NUMBER.
125
00:08:53,399 --> 00:08:56,534
YEAH, HE IS A SPECIAL
OUT-OF-TOWN GUEST.
126
00:08:56,570 --> 00:08:57,868
HE'S MY SON.
127
00:08:57,904 --> 00:08:59,287
( no voice )
128
00:08:59,322 --> 00:09:01,339
OKAY, FRANK, THANKS.
129
00:09:02,675 --> 00:09:03,708
A SON?
130
00:09:03,743 --> 00:09:06,093
YEAH.
131
00:09:06,129 --> 00:09:08,463
WHAT DID YOU LEARN
AT THE SHOW?
132
00:09:08,498 --> 00:09:09,881
DO YOU HAVE ANY PICTURES?
133
00:09:09,916 --> 00:09:11,499
CAN WE STICK
TO THE BUSINESS HERE?
134
00:09:11,535 --> 00:09:12,767
HEY, OKAY, IT'S JUST THAT...
135
00:09:12,803 --> 00:09:15,353
WE DIDN'T REALLY KNOW
YOU WERE MARRIED.
136
00:09:15,388 --> 00:09:16,738
I'M NOT.
137
00:09:16,773 --> 00:09:17,922
IS HE?
138
00:09:17,957 --> 00:09:20,141
HE'S TOO YOUNG FOR YOU, HOFFS.
139
00:09:20,177 --> 00:09:21,760
HEY, I'M STILL
IN HIGH SCHOOL.
140
00:09:21,795 --> 00:09:22,761
MMM, HE IS FINE!
141
00:09:22,796 --> 00:09:24,061
ARE YOU SURE HE'S YOURS?
142
00:09:24,097 --> 00:09:25,196
DON'T PUSH IT, HOFFS.
143
00:09:25,232 --> 00:09:26,247
I DIVORCED MY WIFE
144
00:09:26,282 --> 00:09:28,033
BECAUSE SHE HAD
A SENSE OF HUMOR.
145
00:09:28,068 --> 00:09:29,200
YOU REALLY
HAVE A KID?
146
00:09:29,235 --> 00:09:30,534
YES, IOKI,
IT CAN HAPPEN.
147
00:09:30,570 --> 00:09:32,536
TWO PEOPLE MEET,
THEY FALL IN LOVE
148
00:09:32,572 --> 00:09:35,206
THEY FIGHT, THEY
MEET SOMEBODY ELSE,
THEY SPLIT UP.
149
00:09:35,241 --> 00:09:37,308
SUCH A ROMANTIC!
150
00:09:37,344 --> 00:09:39,243
Fuller:
HE IS A GOOD-LOOKING KID, HUH?
151
00:09:39,279 --> 00:09:41,762
YEAH, TAKES
AFTER HIS MOTHER.
152
00:09:42,665 --> 00:09:43,732
WHAT'S HIS NAME?
153
00:09:44,768 --> 00:09:45,734
KIP.
154
00:09:45,769 --> 00:09:48,002
SHORT FOR KIPLING.
155
00:09:48,037 --> 00:09:50,604
I WANTED TO NAME HIM
HANK, AFTER AARON.
156
00:09:50,640 --> 00:09:53,591
BUT THE WIFE, SHE HAD
THIS THING FOR POETS.
157
00:09:54,661 --> 00:09:56,294
WAIT TILL YOU
MEET THIS KID.
158
00:09:56,330 --> 00:09:58,813
HE'S PRESIDENT
OF THE STUDENT COUNCIL.
159
00:09:58,849 --> 00:10:00,031
HECK OF
A CURVE BALL.
160
00:10:00,066 --> 00:10:01,465
I'M GOING
TO PICK HIM UP
161
00:10:01,501 --> 00:10:03,034
THIS AFTERNOON--
WE'RE GOING TO...
162
00:10:07,657 --> 00:10:09,924
WHAT AM I TELLING
YOU GUYS THIS FOR?
163
00:10:11,528 --> 00:10:13,261
THE FASHION SHOW, GUYS.
164
00:10:13,296 --> 00:10:15,029
OH... THE FASHION
SHOW-- IT WAS...
165
00:10:15,064 --> 00:10:16,597
( clears throat )
166
00:10:16,633 --> 00:10:19,484
IT WAS VERY
EDUCATIONAL.
167
00:10:19,519 --> 00:10:21,670
YOU WANT US ALL
TO AUDITION?
168
00:10:21,705 --> 00:10:24,672
LACEY CLAIMS THIS GUY
WHO RUNS THE FASHION SCHOOL--
169
00:10:24,708 --> 00:10:26,191
MIKE FERRIS--
170
00:10:26,226 --> 00:10:29,660
WAS THE ONE WHO STARTED HER
IN THE PORN BUSINESS.
171
00:10:29,695 --> 00:10:31,462
IF THIS GUY'S
STILL ACTIVE
172
00:10:31,498 --> 00:10:32,630
I WANT TO KNOW.
173
00:10:32,665 --> 00:10:34,048
I WANT HIM PUT AWAY.
174
00:10:34,101 --> 00:10:36,334
ARE YOU SURE
ABOUT THIS INFORMATION?
175
00:10:36,369 --> 00:10:40,938
I SPENT 18 MONTHS UNDERCOVER
IN THE PORN INDUSTRY, HANSON--
176
00:10:40,974 --> 00:10:43,942
THE MOST DEPRESSING POINT
IN MY LIFE.
177
00:10:43,977 --> 00:10:45,844
YOU'RE TRUSTING
SOME COKEHEAD
178
00:10:45,879 --> 00:10:47,746
THEY FOUND IN A ROCK HOUSE?
179
00:10:47,781 --> 00:10:50,581
SHE'D DO ANYTHING
TO GET ON THE STREET.
180
00:10:52,252 --> 00:10:54,252
YOU MAY BE RIGHT.
181
00:10:54,287 --> 00:10:56,988
( music playing )
182
00:11:04,330 --> 00:11:06,931
Woman:
HAVE YOU GUYS HAD YOUR
PHOTOGRAPHS TAKEN OR NOT?
183
00:11:06,967 --> 00:11:08,432
LOOK AT THIS.
184
00:11:08,468 --> 00:11:10,969
THESE KIDS TAKE IT
SO SERIOUSLY.
185
00:11:12,973 --> 00:11:15,372
NEW SHIRT, HARRY?
186
00:11:16,959 --> 00:11:18,993
THIS OLD THING?
187
00:11:22,999 --> 00:11:26,200
THE TRICK IS... LOOK NATURAL.
188
00:11:27,921 --> 00:11:29,603
Woman:
YOU HAVE
YOUR NUMBERS.
189
00:11:29,639 --> 00:11:31,205
GO OVER
TO THE SIDE.
190
00:11:31,241 --> 00:11:33,508
WE'LL BE RIGHT
WITH YOU.
191
00:11:33,543 --> 00:11:34,509
HI.
192
00:11:34,544 --> 00:11:35,894
TAKE A NUMBER.
193
00:11:35,929 --> 00:11:38,046
JORDI WILL TAKE YOUR PICTURE.
194
00:11:38,081 --> 00:11:40,681
I'LL TELL YOU WHAT
TO DO AFTERWARDS.
195
00:11:40,717 --> 00:11:43,017
I HAVEN'T HAD
MY PICTURE TAKEN.
196
00:11:43,052 --> 00:11:47,087
( chattering )
197
00:11:49,458 --> 00:11:51,425
( chattering continues )
198
00:11:55,798 --> 00:11:58,816
CONGRATULATIONS
ON BEING CHOSEN.
199
00:11:58,852 --> 00:12:00,585
IT WAS A HARD CALL.
200
00:12:00,620 --> 00:12:03,972
Woman:
MODELING CLASSES
START SATURDAY.
201
00:12:04,007 --> 00:12:06,307
THE FIRST TWO
CLASSES ARE FREE.
202
00:12:06,343 --> 00:12:08,877
THOSE OF YOU
WHO DECIDE TO ENROLL
203
00:12:08,912 --> 00:12:10,194
WILL BE ELIGIBLE
204
00:12:10,230 --> 00:12:13,597
FOR THE FASHION SHOWS
WE DO AT LOCAL MALLS.
205
00:12:13,632 --> 00:12:16,684
THIS COULD BE THE
BOOST THAT YOU NEED
206
00:12:16,720 --> 00:12:18,819
TO START
A MODELING CAREER.
207
00:12:18,855 --> 00:12:20,238
WHO KNOWS?
208
00:12:20,273 --> 00:12:23,908
YOU COULD BE STANDING NEXT
TO THE NEXT SUPERSTAR.
209
00:12:23,943 --> 00:12:28,146
OR... THE NEXT STAR
COULD BE YOU.
210
00:12:34,470 --> 00:12:37,772
IT'S ALMOST AS IF I'VE
SEEN YOU IN PRINT BEFORE.
211
00:12:37,807 --> 00:12:42,043
IT'S NOT THAT YOUR LOOK
ISN'T ENTIRELY YOU.
212
00:12:42,078 --> 00:12:45,713
IT'S THAT IT IS
SO ENTIRELY YOU.
213
00:12:45,748 --> 00:12:47,348
YOU HAVE SOMETHING
AS UNIQUE
214
00:12:47,384 --> 00:12:48,816
AS A LOT
OF THE GIRLS
215
00:12:48,851 --> 00:12:50,451
THAT ARE WORKING
ALL THE TIME.
216
00:12:50,486 --> 00:12:52,086
BUT THEY'RE ALL MODELS.
217
00:12:52,122 --> 00:12:53,288
THEY'RE SPECIAL.
218
00:12:53,323 --> 00:12:55,390
NO, NO, THAT'S
NOT HOW IT WORKS.
219
00:12:55,425 --> 00:12:57,691
THEY WERE GIRLS
JUST LIKE YOU.
220
00:12:57,727 --> 00:12:59,527
AND THEY STARTED
AT YOUR SCHOOL?
221
00:12:59,562 --> 00:13:02,030
I MEAN, LOOK AT
THIS GREAT HAIR...
222
00:13:02,065 --> 00:13:03,464
AND THOSE EYES.
223
00:13:03,499 --> 00:13:06,067
I ALWAYS DREAMED
ABOUT THIS
224
00:13:06,102 --> 00:13:09,170
BUT I NEVER THOUGHT
IT COULD COME TRUE.
225
00:13:09,205 --> 00:13:11,005
MAYBE IT WILL SOMEDAY.
226
00:13:11,041 --> 00:13:12,473
YOU NEVER KNOW.
227
00:13:12,508 --> 00:13:13,825
HEY, GIRLS
228
00:13:13,860 --> 00:13:16,461
WE'RE GOING TO STOP
BY THE COFFEE SHOP.
229
00:13:16,496 --> 00:13:18,496
WHY DON'T YOU
COME ALONG?
230
00:13:18,531 --> 00:13:19,831
CAN WE?
231
00:13:19,866 --> 00:13:22,317
I'LL SEE YOU
IN CLASS, OKAY?
232
00:13:22,352 --> 00:13:24,084
OKAY.
233
00:13:24,120 --> 00:13:26,020
( girls giggling )
234
00:13:26,055 --> 00:13:27,371
REALLY GREAT WORK.
235
00:13:27,407 --> 00:13:29,057
YOU, TOO.
236
00:13:29,092 --> 00:13:31,743
Hoffs:
HE'S PREYING ON INSECURITIES
237
00:13:31,778 --> 00:13:33,677
THESE GIRLS HAD REINFORCED
238
00:13:33,713 --> 00:13:36,881
BY EVERY ELLE AND VOGUE
THEY'VE EVER BOUGHT.
239
00:13:36,917 --> 00:13:38,883
I USED TO BUY
BASEBALL CARDS.
240
00:13:38,919 --> 00:13:41,119
YOU TELL A GIRL
SHE'S BEAUTIFUL
241
00:13:41,154 --> 00:13:42,620
AND THEN IGNORE HER.
242
00:13:42,655 --> 00:13:43,955
SHE'S SO UNSETTLED
243
00:13:43,990 --> 00:13:46,224
SHE DOESN'T KNOW
WHAT TO THINK.
244
00:13:46,259 --> 00:13:47,658
SO FULLER'S RIGHT?
245
00:13:47,693 --> 00:13:50,261
THE GUY'S A LOWLIFE
WHETHER FULLER'S
RIGHT OR NOT.
246
00:13:52,832 --> 00:13:54,382
LOOK AT THIS GUY.
247
00:13:54,417 --> 00:13:56,116
HE BECOMES A MODEL
248
00:13:56,152 --> 00:13:59,020
AND GETS HIMSELF
A FASHION CONSULTANT.
249
00:13:59,055 --> 00:14:01,522
ENJOY IT
WITH A FRIEND.
250
00:14:01,557 --> 00:14:04,025
ENJOY IT
WITH A FRIEND.
251
00:14:04,060 --> 00:14:06,560
ENJOY IT
WITH A FRIEND.
252
00:14:08,064 --> 00:14:10,364
YOU SURE YOUR HAIR
CAN DO THAT?
253
00:14:10,399 --> 00:14:12,967
LOITERING, PANHANDLING...
254
00:14:13,002 --> 00:14:14,852
THEN HE TRIES
TO SELL ME INCENSE.
255
00:14:14,888 --> 00:14:16,337
NO SELLING-- GIVING.
256
00:14:16,372 --> 00:14:18,940
ELEEMOSYNARY,
THE GIVING OF ALMS.
257
00:14:18,975 --> 00:14:21,025
ENJOY IT
WITH A FRIEND.
258
00:14:21,060 --> 00:14:22,059
HE'S A COP.
259
00:14:22,095 --> 00:14:23,528
HE'S GOT NO FRIENDS.
260
00:14:23,563 --> 00:14:25,096
NAME?
261
00:14:25,131 --> 00:14:27,332
ENJOY IT
WITH A FRIEND.
262
00:14:27,367 --> 00:14:28,633
NAME!
263
00:14:31,137 --> 00:14:32,870
DREAD...
264
00:14:32,906 --> 00:14:34,155
DELLA...
265
00:14:34,190 --> 00:14:36,924
DELLA DAY, MON.
266
00:14:39,812 --> 00:14:41,913
OH, DORIS'S SON.
267
00:14:41,948 --> 00:14:43,814
CAN YOU BELIEVE THIS?
268
00:14:43,849 --> 00:14:45,149
THEY LOST MY SON.
269
00:14:45,185 --> 00:14:47,318
HE DIDN'T GET OFF THE PLANE.
270
00:14:47,353 --> 00:14:49,853
THEY DON'T KNOW WHERE HE IS.
271
00:15:06,790 --> 00:15:07,922
KIP?
272
00:15:07,957 --> 00:15:09,456
DAD, MON!
273
00:15:09,492 --> 00:15:11,626
HAPPINESS!
274
00:15:22,855 --> 00:15:25,690
( music playing on stereo )
275
00:15:38,587 --> 00:15:40,654
( switches music off )
276
00:15:40,690 --> 00:15:42,023
TAKE IT EASY,
DAD, MON.
277
00:15:42,058 --> 00:15:43,440
LAY THEM BONES
DOWN, EH?
278
00:15:47,179 --> 00:15:49,980
YOU THINK YOU COULD SPEAK
ENGLISH JUST LONG ENOUGH
279
00:15:50,015 --> 00:15:52,166
TO TELL ME
WHAT HAPPENED TO YOU?
280
00:15:52,201 --> 00:15:54,168
IT BE A BLESSED THING.
281
00:15:54,203 --> 00:15:56,988
I'VE EMBRACED THE TEACHINGS
OF MARCUS GARVEY.
282
00:15:57,023 --> 00:15:58,056
UH-HUH.
283
00:15:58,091 --> 00:16:01,275
MARCUS TELL YOU
TO WEAR A TABLECLOTH
284
00:16:01,310 --> 00:16:02,510
AND KNOT UP YOUR HAIR?
285
00:16:02,545 --> 00:16:03,611
ME LOCKS?
286
00:16:03,646 --> 00:16:05,847
THEY SING COMMITMENT,
DON'T THEY NOW?
287
00:16:05,882 --> 00:16:07,248
ANTENNA TO THE LORD.
288
00:16:07,283 --> 00:16:10,350
COME ON, KIP,
YOU'RE A BRIGHT KID.
289
00:16:10,386 --> 00:16:13,621
HOW DID YOU GET SUCKERED
INTO THIS... STUFF?
290
00:16:13,657 --> 00:16:17,474
I TOLD YOU I NO LONGER
BE GOING BY THAT NAME.
291
00:16:17,510 --> 00:16:20,194
IF YOU THINK I'M
GOING TO CALL YOU
292
00:16:20,230 --> 00:16:22,196
DREAD DELLA DELLA DAY
293
00:16:22,231 --> 00:16:25,249
THEN YOUR ANTENNA
NEEDS ADJUSTING.
294
00:16:25,285 --> 00:16:28,569
LOOK, YOU HAVE PROBLEMS
295
00:16:28,605 --> 00:16:32,773
WE'LL TALK THEM OUT, HUH?
296
00:16:32,808 --> 00:16:35,126
I HAVEN'T GOT A
PROBLEM IN THE WORLD.
297
00:16:35,161 --> 00:16:36,560
CAPTAIN...
298
00:16:36,595 --> 00:16:37,996
GIVE ME A MINUTE.
299
00:16:44,637 --> 00:16:46,070
KIP...
300
00:16:47,807 --> 00:16:49,273
WHAT HAPPENED?
301
00:16:49,308 --> 00:16:51,258
I FOUND JAH, MON.
302
00:16:51,293 --> 00:16:53,527
ONE LOVE.
303
00:16:53,563 --> 00:16:57,548
I FIND A HAPPINESS INSIDE.
304
00:16:57,584 --> 00:17:02,503
( sighing contentedly )
305
00:17:05,658 --> 00:17:07,608
PENHALL, YOU'LL LOVE IT.
306
00:17:07,643 --> 00:17:09,943
YOU'LL LEARN HOW
TO WALK AND SMILE--
307
00:17:09,979 --> 00:17:11,245
MAKEUP TIPS.
308
00:17:11,280 --> 00:17:12,913
I WON'T LOVE IT.
309
00:17:12,948 --> 00:17:14,415
I'LL HATE IT.
310
00:17:20,289 --> 00:17:22,322
HOW DID IT GO
WITH FERRIS?
311
00:17:22,358 --> 00:17:24,158
PENHALL AND I MADE IT.
312
00:17:24,193 --> 00:17:26,510
HE SAID I HAD
SOME PRIMITIVE APPEAL
313
00:17:26,545 --> 00:17:28,679
AND THAT I'LL BE A BIG STAR.
314
00:17:28,714 --> 00:17:30,264
THAT'S NOT FUNNY, PENHALL.
315
00:17:31,684 --> 00:17:35,019
THIS GUY USES 14-YEAR-OLDS
IN PORNOGRAPHIC FILMS.
316
00:17:35,054 --> 00:17:37,421
GET ME A LIST
OF STUDENTS
317
00:17:37,456 --> 00:17:39,807
WE CAN CROSS-CHECK
AGAINST VICE.
318
00:17:39,842 --> 00:17:40,691
AND HOFFS...
319
00:17:40,727 --> 00:17:42,660
LET FERRIS
KNOW THAT...
320
00:17:42,695 --> 00:17:45,530
I'D DO ALMOST ANYTHING
TO BECOME A MODEL.
321
00:17:45,565 --> 00:17:47,297
THAT'S THE JOB.
322
00:17:48,368 --> 00:17:49,333
LOOK...
323
00:17:49,369 --> 00:17:53,604
I'M JUST HAVING A LITTLE
TROUBLE WITH MY KID.
324
00:17:53,639 --> 00:17:55,105
THAT'S OKAY--
I UNDERSTAND.
325
00:17:55,140 --> 00:17:56,273
WELL, I CAN'T.
326
00:17:56,309 --> 00:17:58,692
I BARELY UNDERSTAND
A WORD HE'S SAYING.
327
00:17:58,728 --> 00:18:01,195
MAYBE YOU NEED
A RASTA-TO-ENGLISH DICTIONARY.
328
00:18:01,230 --> 00:18:03,196
KIP'S ONLY WHAT, 16?
329
00:18:03,232 --> 00:18:06,183
DON'T TELL ME
IT'S JUST A PHASE, HOFFS.
330
00:18:06,218 --> 00:18:07,451
THAT ONLY WORKS
331
00:18:07,486 --> 00:18:08,835
WHEN IT'S
NOT YOUR SON.
332
00:18:08,871 --> 00:18:09,870
( clears throat )
333
00:18:12,208 --> 00:18:13,724
( sighs )
334
00:18:13,760 --> 00:18:16,109
I'VE NEVER SEEN FULLER LOSE
HIS COOL LIKE THAT BEFORE.
335
00:18:16,145 --> 00:18:19,113
WAIT TILL I TURN UP
ON A MAGAZINE COVER.
336
00:18:20,733 --> 00:18:22,717
Woman:
MAKE BELIEVE IT'S
A REAL FASHION SHOOT.
337
00:18:22,752 --> 00:18:23,884
I JUST WANT TO SEE
338
00:18:23,920 --> 00:18:25,903
HOW YOU MOVE, HOW YOU
PLAY OFF EACH OTHER.
339
00:18:25,939 --> 00:18:27,104
OKAY, DOUG,
BEND THE ARM.
340
00:18:27,140 --> 00:18:28,656
A LITTLE MORE...
THAT'S RIGHT.
341
00:18:28,691 --> 00:18:30,925
LET'S GO FOR
THAT TOTAL BODY
PROFILE, OKAY?
342
00:18:30,960 --> 00:18:32,726
GOOD, GOOD... NICE WORK.
343
00:18:32,761 --> 00:18:36,147
MOVE IN A LITTLE TIGHTER
FOR THAT COMPOSITION--
344
00:18:36,182 --> 00:18:37,648
THAT ENSEMBLE LOOK.
345
00:18:37,683 --> 00:18:39,000
GOOD, GOOD, GOOD.
346
00:18:42,571 --> 00:18:47,441
JUDY, JUDY, YOU ARE REALLY
GETTING DANGEROUS NOW.
347
00:18:47,477 --> 00:18:49,360
I LOVE IT,
THOUGH.
348
00:18:49,395 --> 00:18:50,695
THAT'S GOING
TO WORK.
349
00:18:50,730 --> 00:18:51,829
THAT'S GOOD.
350
00:18:53,933 --> 00:18:58,585
TRINA, YOU ARE GOING TO MAKE IT
HARD TO SLEEP TONIGHT.
351
00:18:58,621 --> 00:18:59,920
GREAT LOOK.
352
00:18:59,955 --> 00:19:02,590
THE SECRET IS CREATING
A SMOOTH, EVEN BASE.
353
00:19:02,625 --> 00:19:04,258
AND REMEMBER, A DAY BASE
354
00:19:04,293 --> 00:19:06,944
IS TOTALLY DIFFERENT
FROM A NIGHT BASE.
355
00:19:06,979 --> 00:19:08,145
RIGHT.
356
00:19:08,180 --> 00:19:10,247
AND ALWAYS USE
HYPOALLERGENICS.
357
00:19:10,282 --> 00:19:11,448
OTHERWISE...
358
00:19:11,484 --> 00:19:12,783
ZITS.
ZITS.
ZITS.
359
00:19:12,819 --> 00:19:13,784
( all giggle )
360
00:19:13,820 --> 00:19:16,453
HEY, GIRLS, HOW'S IT GOING?
361
00:19:16,489 --> 00:19:17,454
MIKE!
362
00:19:17,490 --> 00:19:19,123
I TALKED TO MY MOM
363
00:19:19,158 --> 00:19:21,125
ABOUT TAKING
EXTRA MOVEMENT COURSES.
364
00:19:21,160 --> 00:19:23,460
SHE SAYS IT'S PROBABLY
WORTH THE MONEY.
365
00:19:23,496 --> 00:19:24,996
YOUR MOTHER'S
VERY SMART.
366
00:19:25,031 --> 00:19:26,497
I'M REALLY IMPRESSED.
367
00:19:26,533 --> 00:19:29,000
THIS IS THE KIND
OF DEDICATION
368
00:19:29,035 --> 00:19:31,435
IT TAKES TO
REALLY GET AHEAD.
369
00:19:31,470 --> 00:19:33,771
WELL, MY DAD'S
A LITTLE WORRIED.
370
00:19:33,806 --> 00:19:36,923
GOOD FATHERS ARE SUPPOSED
TO WORRY ABOUT THEIR KIDS.
371
00:19:36,959 --> 00:19:39,093
I WORRY
ABOUT YOU GUYS.
372
00:19:39,128 --> 00:19:40,411
JUDY, LISTEN.
373
00:19:40,446 --> 00:19:43,798
I'D LIKE TO TAKE YOUR
HEAD SHOTS PERSONALLY.
374
00:19:43,833 --> 00:19:46,700
YOU'RE GOING TO NEED
SOMEONE WITH EXPERIENCE
375
00:19:46,735 --> 00:19:47,885
TO BRING OUT
376
00:19:47,920 --> 00:19:50,670
THAT, UH... ELECTRICITY
IN YOUR EYES.
377
00:19:50,706 --> 00:19:51,855
YOU DON'T MIND?
378
00:19:51,890 --> 00:19:53,657
NOW, WHY WOULD I MIND?
379
00:19:53,693 --> 00:19:54,825
GREAT. GREAT.
380
00:19:54,860 --> 00:19:57,061
KEEP UP
THE GOOD WORK.
381
00:20:11,493 --> 00:20:13,327
YOU FLUSH
MY SMOKE, MAN?
382
00:20:13,362 --> 00:20:15,545
INTO MY PRIVATE
THINGS YOU WENT?
383
00:20:15,581 --> 00:20:19,032
NO ILLEGAL SUBSTANCES
IN MY HOME, KIP
384
00:20:19,068 --> 00:20:20,034
ESPECIALLY FOR YOU!
385
00:20:20,069 --> 00:20:22,119
BUT ILLEGAL SEARCH
AND SEIZURE
386
00:20:22,154 --> 00:20:24,004
IS OKAY
IN YOUR HOME?
387
00:20:24,039 --> 00:20:26,340
I CAN'T ALLOW
GANJA IN MY HOUSE.
388
00:20:26,375 --> 00:20:27,775
I AM A POLICE CAPTAIN.
389
00:20:27,810 --> 00:20:30,277
DOWN TO THE BONE YOU ARE.
390
00:20:32,548 --> 00:20:33,781
YOU KNOW...
391
00:20:33,816 --> 00:20:37,685
I AM GETTING TIRED
OF APOLOGIZING TO YOU.
392
00:20:37,720 --> 00:20:41,021
I'M STILL WAITING FOR
THE RIGHT KID TO SHOW UP.
393
00:20:42,675 --> 00:20:45,842
WHERE IS THAT HAPPY,
GOOD-LOOKING BOY I REMEMBER?
394
00:20:45,878 --> 00:20:49,330
MAYBE WHEN YOU LEFT,
I WASN'T SO HAPPY NO MORE.
395
00:20:58,173 --> 00:20:59,573
LOOK, KIP...
396
00:20:59,609 --> 00:21:02,059
I TOLD YOU I NO LONGER
397
00:21:02,094 --> 00:21:04,094
BE GOING
BY THAT NAME.
398
00:21:14,924 --> 00:21:16,974
DREAD...
399
00:21:20,546 --> 00:21:23,163
LET'S KEEP TRYING.
400
00:21:23,198 --> 00:21:25,532
LOOK AT THIS
BATHING SUIT.
401
00:21:25,567 --> 00:21:28,202
THEY WENT TO CRETE
TO TAKE THIS PICTURE.
402
00:21:28,237 --> 00:21:29,536
I THINK IT'S MYKONOS.
403
00:21:29,571 --> 00:21:32,172
CAN YOU IMAGINE
LIVING LIKE THAT?
404
00:21:32,208 --> 00:21:33,490
WEARING
BEAUTIFUL CLOTHES
405
00:21:33,525 --> 00:21:36,727
AND GOING TO EXOTIC PLACES
JUST TO BE PHOTOGRAPHED.
406
00:21:36,762 --> 00:21:38,829
IT DOESN'T SOUND
TOO BAD, HUH?
407
00:21:38,865 --> 00:21:41,715
I WOULD DO ANYTHING
TO LIVE LIKE THIS.
408
00:21:41,751 --> 00:21:43,049
LOOK AT THIS.
409
00:21:43,085 --> 00:21:44,951
I CAN'T EVEN FIGURE OUT
410
00:21:44,987 --> 00:21:46,954
WHAT THEY'RE TRYING
TO SELL HERE.
411
00:21:46,989 --> 00:21:49,223
HOW MANY PEOPLE
ARE IN THE PICTURE?
412
00:21:49,258 --> 00:21:51,058
YOU DON'T GET IT,
DO YOU?
413
00:21:51,094 --> 00:21:53,177
EXPOSURE IN A
NATIONAL MAGAZINE--
414
00:21:53,212 --> 00:21:55,512
WHO KNOWS WHERE
IT COULD LEAD?
415
00:21:55,548 --> 00:21:56,663
WHAT A TRIP.
416
00:21:56,698 --> 00:21:59,133
IF IT'S IN A FASHION
MAGAZINE, IT'S EROTIC.
417
00:21:59,168 --> 00:22:03,137
IF MY BROTHER BUYS IT
AND HIDES IT UNDER HIS MATTRESS
418
00:22:03,172 --> 00:22:04,488
IT'S DIRTY PICTURES.
419
00:22:07,009 --> 00:22:07,975
ALL RIGHT.
420
00:22:08,010 --> 00:22:09,093
DON'T MOVE.
421
00:22:09,128 --> 00:22:10,261
TERRIFIC.
422
00:22:10,296 --> 00:22:11,912
TERRIFIC.
423
00:22:11,947 --> 00:22:13,831
DON'T WORK
SO HARD, JUDY.
424
00:22:13,866 --> 00:22:17,852
DON'T TRY SO HARD
FOR THE CAMERA.
425
00:22:17,887 --> 00:22:21,471
IT'S JUST YOU
AND ME HERE ALONE.
426
00:22:22,808 --> 00:22:24,591
YEAH.
427
00:22:24,626 --> 00:22:27,227
SO, WHAT DO YOU SAY, MIKE?
428
00:22:27,263 --> 00:22:30,981
SHOULD I GO FOR A MORE...
SOPHISTICATED LOOK?
429
00:22:32,801 --> 00:22:33,817
YEAH.
430
00:22:36,272 --> 00:22:38,005
YEAH, THAT'S IT. THAT'S IT.
431
00:22:38,040 --> 00:22:40,724
AND ANOTHER.
432
00:22:40,759 --> 00:22:41,374
YEAH.
433
00:22:51,003 --> 00:22:52,786
WHAT'S THE MATTER, MIKE?
434
00:22:52,821 --> 00:22:53,837
IT'S FUNNY--
435
00:22:53,872 --> 00:22:56,122
I THINK YOU READ
A LITTLE OLDER
436
00:22:56,158 --> 00:22:58,225
THAN I THOUGHT YOU DID.
437
00:22:58,260 --> 00:23:00,461
IS THAT BAD?
438
00:23:00,496 --> 00:23:02,729
NO. NO.
439
00:23:14,310 --> 00:23:16,110
HOW DID
WE DO, GUYS?
440
00:23:16,145 --> 00:23:18,612
THESE GIRLS CHECK OUT
AS LEGITIMATE MODELS.
441
00:23:18,647 --> 00:23:20,464
VICE NEVER
HEARD OF THEM.
442
00:23:20,499 --> 00:23:22,249
HELLO.
443
00:23:22,285 --> 00:23:24,134
HOW DID THE
PHOTO SESSION GO?
444
00:23:24,170 --> 00:23:27,454
TRUTHFULLY, I THINK
WE'RE WASTING OUR TIME
445
00:23:27,489 --> 00:23:29,573
AND LACEY KING
GAVE YOU A LINE.
446
00:23:29,608 --> 00:23:30,641
WHY?
447
00:23:30,676 --> 00:23:33,477
BECAUSE FERRIS MADE YOU FEEL
448
00:23:33,512 --> 00:23:36,981
LIKE A PRETTY GIRL
WITH A FUTURE?
449
00:23:37,016 --> 00:23:39,216
THAT'S WHAT HE DOES.
THAT'S THE POINT.
450
00:23:39,251 --> 00:23:41,602
LOOK, I'VE BEEN
AROUND A BIT MYSELF.
451
00:23:41,637 --> 00:23:44,304
I JUST DON'T THINK
THIS IS THE GUY.
452
00:23:47,043 --> 00:23:48,175
DOMINIQUE.
453
00:23:48,210 --> 00:23:49,342
WHAT?
454
00:23:49,378 --> 00:23:51,411
THE GIRL WITH THE HAT ON.
455
00:23:53,032 --> 00:23:54,932
Hoffs:
YOU KNOW HER?
456
00:23:54,967 --> 00:23:56,383
Blowfish:
I WISH.
457
00:23:56,418 --> 00:23:57,768
THAT'S DOMINIQUE.
458
00:23:59,372 --> 00:24:01,354
DOMINIQUE'S DAYDREAM?
459
00:24:03,559 --> 00:24:05,593
COME ON, IT
WAS A CLASSIC.
460
00:24:05,628 --> 00:24:09,045
Hoffs:
SHE RUNS THE MODELING
SCHOOL WITH MIKE.
461
00:24:09,081 --> 00:24:10,380
Blowfish:
SHE'S A
PORN QUEEN.
462
00:24:10,416 --> 00:24:11,531
Hoffs:
NIKKI?
463
00:24:11,567 --> 00:24:12,866
YEAH, NIKKI--
464
00:24:12,901 --> 00:24:14,384
JUST A
PRETTY GIRL
465
00:24:14,419 --> 00:24:16,419
WHO USED TO HAVE
A FUTURE.
466
00:24:30,802 --> 00:24:32,903
( music playing )
467
00:24:44,750 --> 00:24:46,083
RELAX, DAD, MON.
468
00:24:46,118 --> 00:24:48,785
IT'S FOR EATING,
NOT SMOKING.
469
00:24:48,821 --> 00:24:50,654
OH, EVERYTHING
SURE SMELLS...
470
00:24:50,689 --> 00:24:51,788
GOOD FOR ME.
471
00:24:51,824 --> 00:24:53,424
VERY GOOD FOR YOU,
DAD, MON.
472
00:24:53,459 --> 00:24:55,492
SEAWEED, ALFALFA SHUCKS...
473
00:24:55,527 --> 00:24:58,228
STONE-GROUND
IN-THE-HUSK BARLEY.
474
00:24:58,264 --> 00:25:01,581
COULDN'T YOU FIND THE BOLOGNA
IN MY REFRIGERATOR?
475
00:25:01,616 --> 00:25:05,018
CARCINOGENS, RED DYE
NUMBER NINE.
476
00:25:05,054 --> 00:25:07,571
THE POISONS
OF BABYLON.
477
00:25:07,606 --> 00:25:09,072
NO RESPECT FOR THE SOUL.
478
00:25:09,108 --> 00:25:10,807
YOU USED TO LIVE OFF BOLOGNA.
479
00:25:10,842 --> 00:25:13,527
YOU MEAN I USED TO DIE ON IT.
480
00:25:17,800 --> 00:25:20,017
WHAT ARE THOSE?
481
00:25:20,052 --> 00:25:21,468
DESSERT-- BROWNIES.
482
00:25:21,503 --> 00:25:24,938
I MADE THEM MYSELF,
ENOUGH FOR EVERYONE.
483
00:25:28,160 --> 00:25:29,058
( knock at door )
484
00:25:29,094 --> 00:25:30,294
YEAH.
485
00:25:31,297 --> 00:25:32,997
EXCUSE ME, CAPTAIN FULLER.
486
00:25:33,032 --> 00:25:35,599
GOT A MOMENT
FOR A PRIVATE SCREENING?
487
00:25:39,288 --> 00:25:42,472
( music playing on TV )
488
00:25:46,611 --> 00:25:47,744
DOES THE SAME
GUY SCORE
489
00:25:47,780 --> 00:25:48,779
ALL THESE FILMS?
490
00:25:52,218 --> 00:25:54,351
WHAT I MEANT TO SAY, JUDE...
491
00:25:59,041 --> 00:26:02,792
This is the third time
you've been to my office.
492
00:26:02,828 --> 00:26:04,444
Your teachers tell me
493
00:26:04,479 --> 00:26:06,446
you're daydreaming
in class--
494
00:26:06,481 --> 00:26:09,299
not paying
attention.
495
00:26:11,237 --> 00:26:13,103
Yes, sir, Mr. Kay.
496
00:26:13,138 --> 00:26:16,307
Exactly what are you
daydreaming about, Dominique?
497
00:26:30,255 --> 00:26:31,772
ALL RIGHT, IT'S HER.
498
00:26:31,807 --> 00:26:32,773
SHUT IT OFF.
499
00:26:32,808 --> 00:26:34,057
WAIT. THIS IS
500
00:26:34,092 --> 00:26:35,925
WHERE THE HOME EC.
TEACHER COMES IN.
501
00:26:35,961 --> 00:26:37,711
HEY, I DON'T NEED THIS!
502
00:26:37,746 --> 00:26:38,545
SIT DOWN.
503
00:26:38,580 --> 00:26:39,529
WHAT DID I SAY?
504
00:26:39,565 --> 00:26:42,032
YOU GUYS JUST DON'T GET IT,
DO YOU?
505
00:26:42,068 --> 00:26:44,017
THE COPYRIGHT
ON THIS FILM
506
00:26:44,053 --> 00:26:45,302
IS FOUR YEARS OLD.
507
00:26:45,337 --> 00:26:46,437
SHE WAS 15
508
00:26:46,472 --> 00:26:48,054
WHEN SHE MADE THIS.
509
00:26:48,090 --> 00:26:49,122
FIFTEEN!
510
00:26:52,812 --> 00:26:57,848
( actors moaning, panting on TV )
511
00:26:59,235 --> 00:27:00,967
CHECK THIS STORE OUT.
512
00:27:01,003 --> 00:27:03,003
SOMEDAY I'LL FIGURE OUT
513
00:27:03,039 --> 00:27:06,140
WHY FALL FASHIONS
COME OUT IN JUNE.
514
00:27:06,175 --> 00:27:08,375
OH, LOOK AT THIS.
515
00:27:08,411 --> 00:27:11,995
THIS COLOR WOULD LOOK
REALLY GOOD ON YOU.
516
00:27:14,282 --> 00:27:15,699
YOU DON'T LIKE GREEN?
517
00:27:22,991 --> 00:27:28,228
MY OLDER BROTHER... SOMETIMES
HE AND HIS FRIENDS WILL, LIKE...
518
00:27:28,263 --> 00:27:29,629
YOU KNOW, RENT MOVIES.
519
00:27:32,234 --> 00:27:34,568
AND, UH, ONE OF THESE...
520
00:27:34,603 --> 00:27:37,888
ONE OF THESE MOVIES
HAD YOU IN IT.
521
00:27:39,774 --> 00:27:43,727
YOU WERE IN A MOVIE CALLED
DOMINIQUE'S DAYDREAM.
522
00:27:44,580 --> 00:27:45,845
NIKKI, DON'T BE MAD.
523
00:27:45,881 --> 00:27:47,080
I'M JUST CONCERNED.
524
00:27:47,115 --> 00:27:49,816
EVERYBODY AT THE SCHOOL
THINKS SO MUCH OF YOU.
525
00:27:49,851 --> 00:27:52,552
YOU CAN'T HELP WONDERING
WHERE IT ALL LEADS
526
00:27:52,588 --> 00:27:54,421
IF THAT'S WHERE
YOU ENDED UP.
527
00:27:54,456 --> 00:27:56,055
I DID NOT
END UP THERE.
528
00:27:56,091 --> 00:27:58,141
HOW OLD ARE YOU, NIKKI?
529
00:27:58,176 --> 00:27:59,792
OLDER THAN YOU.
530
00:27:59,828 --> 00:28:01,227
DID HE MAKE YOU DO IT?
531
00:28:01,262 --> 00:28:02,612
NOBODY MADE ME
DO ANYTHING.
532
00:28:02,647 --> 00:28:05,515
YOU THOUGHT STRIPPING
IN FRONT OF A CAMERA
533
00:28:05,550 --> 00:28:07,117
WAS A GREAT CAREER MOVE?
534
00:28:07,152 --> 00:28:08,685
I DON'T NEED
YOUR LECTURE.
535
00:28:08,720 --> 00:28:11,071
IF YOU HAD
THE SAME OPPORTUNITY
536
00:28:11,106 --> 00:28:12,973
YOU'D DO THE SAME THING.
537
00:28:13,008 --> 00:28:14,157
NO, I WOULDN'T.
538
00:28:14,193 --> 00:28:16,776
ONCE YOU GET TO WHERE
YOU WANT TO GO
539
00:28:16,812 --> 00:28:19,195
YOU DON'T HAVE
TO DO IT ANYMORE.
540
00:28:19,231 --> 00:28:21,131
LOOK, HE WAS STARTING OUT.
541
00:28:21,166 --> 00:28:22,516
I WAS STARTING OUT.
542
00:28:22,551 --> 00:28:24,651
MODELING IS A TOUGH BUSINESS.
543
00:28:24,687 --> 00:28:28,355
WE DID SOME CRAZY
THINGS TO PAY THE RENT.
544
00:28:28,390 --> 00:28:29,956
Nikki:
WE WERE PARTNERS.
545
00:28:29,992 --> 00:28:31,024
BEAUTIFUL.
546
00:28:31,059 --> 00:28:32,609
THAT LOOK IS SO SPECIAL.
547
00:28:32,645 --> 00:28:34,494
THAT'S IT. FABULOUS.
548
00:28:34,530 --> 00:28:35,862
OKAY, UP A LITTLE.
549
00:28:35,897 --> 00:28:36,930
TURN OUT MORE.
550
00:28:36,965 --> 00:28:37,931
THAT ONE.
551
00:28:37,966 --> 00:28:39,199
LET ME GET THAT.
552
00:28:39,235 --> 00:28:40,600
THAT'S IT.
553
00:28:40,635 --> 00:28:41,919
TURN OUT.
554
00:28:41,954 --> 00:28:43,920
OUT. OH, YEAH.
555
00:28:43,955 --> 00:28:45,271
OKAY, NOW.
556
00:28:45,307 --> 00:28:46,457
INNOCENT.
557
00:28:46,492 --> 00:28:48,808
SHY.
558
00:28:48,843 --> 00:28:50,444
MISCHIEVOUS NOW.
559
00:28:50,479 --> 00:28:53,179
PLAYFUL... YEAH!
560
00:28:53,215 --> 00:28:55,883
OKAY, NOW, TURN OUT TO ME.
561
00:28:55,918 --> 00:28:57,951
TURN OUT TO ME.
562
00:28:57,986 --> 00:28:59,586
NOW, DROP THE SHOULDER.
563
00:28:59,621 --> 00:29:01,237
ANOTHER INCH.
564
00:29:01,273 --> 00:29:02,739
YEAH, YEAH.
565
00:29:02,775 --> 00:29:04,408
YEAH.
566
00:29:04,443 --> 00:29:05,542
THAT'S GREAT.
567
00:29:05,577 --> 00:29:08,378
RELAX A SECOND.
I'LL CHANGE CAMERAS.
568
00:29:08,414 --> 00:29:11,064
YOU'RE GOING
TO LIKE THIS STUFF.
569
00:29:11,100 --> 00:29:15,352
IT'S, UH... IT'S A GOOD LOOK.
570
00:29:17,322 --> 00:29:19,439
LOOK IS VERY GOOD.
571
00:29:23,228 --> 00:29:24,895
WHAT? WHAT'S WRONG?
572
00:29:26,665 --> 00:29:29,366
WHY IS IT JUST GOOD?
573
00:29:29,401 --> 00:29:31,351
THE LOOK IS GREAT, TRINA.
574
00:29:31,387 --> 00:29:33,686
YOU'RE WAY AHEAD OF THE GAME.
575
00:29:33,722 --> 00:29:35,255
LOOK IS ROCK SOLID.
576
00:29:35,291 --> 00:29:38,658
PROBABLY GET SOME
CATALOG WORK RIGHT AWAY.
577
00:29:38,693 --> 00:29:39,826
CATALOG WORK?
578
00:29:39,862 --> 00:29:42,746
YOU MEAN LIKE
IN THE SUNDAY PAPER?
579
00:29:42,781 --> 00:29:44,764
TRINA, DON'T KNOCK IT.
580
00:29:44,800 --> 00:29:46,032
WORK IS WORK.
581
00:29:46,068 --> 00:29:49,920
ANYWAY, THAT'S THE LOOK
YOU'RE GIVING ME.
582
00:29:49,955 --> 00:29:52,022
THE CAMERA DOESN'T LIE.
583
00:29:54,226 --> 00:29:56,176
WE'LL RUN WITH IT, OKAY?
584
00:30:05,704 --> 00:30:06,987
WHAT'S THE MATTER?
585
00:30:07,022 --> 00:30:08,471
YOU WANT ME TO STOP?
586
00:30:14,796 --> 00:30:17,631
WHAT... WHAT IF I WORE
SOMETHING ELSE?
587
00:30:17,666 --> 00:30:19,049
I DON'T KNOW.
588
00:30:19,084 --> 00:30:22,669
EVERYTHING YOU BROUGHT
IS THE SAME KIND OF LOOK.
589
00:30:45,878 --> 00:30:47,427
RELAX, TRINA.
590
00:30:47,462 --> 00:30:49,746
I'M A PHOTOGRAPHER.
591
00:30:49,782 --> 00:30:53,416
I'VE DONE THIS LOTS OF TIMES.
592
00:31:19,595 --> 00:31:21,027
WHAT'S THE MATTER?
593
00:31:21,062 --> 00:31:23,680
NOTHING.
594
00:31:23,715 --> 00:31:27,216
IT... IT'S STUCK.
595
00:31:40,916 --> 00:31:42,682
OKAY, TRINA.
596
00:31:42,718 --> 00:31:46,536
DON'T WORRY ABOUT A THING.
597
00:31:46,571 --> 00:31:48,488
IT'S JUST YOU...
598
00:31:48,523 --> 00:31:50,940
AND ME.
599
00:32:07,475 --> 00:32:08,675
KIP?
600
00:32:10,178 --> 00:32:11,410
YOU HOME?
601
00:32:31,300 --> 00:32:33,266
I HOPE YOU
DON'T MIND.
602
00:32:33,302 --> 00:32:35,302
I GOT
INTO YOUR TOOLS.
603
00:32:35,337 --> 00:32:36,736
HOW WAS WORK?
604
00:32:36,771 --> 00:32:39,739
YOU KNOW... OKAY.
605
00:32:41,476 --> 00:32:42,875
WHAT, NO MUSIC?
606
00:32:42,911 --> 00:32:43,943
I DIDN'T THINK
607
00:32:43,979 --> 00:32:46,446
YOU DID ANYTHING
WITHOUT YOUR MUSIC.
608
00:32:46,482 --> 00:32:49,366
SOMETIMES I LIKE THE QUIET.
609
00:32:49,401 --> 00:32:50,900
IT'S GOOD
FOR THINKING.
610
00:32:50,935 --> 00:32:52,168
SIT DOWN, MON.
611
00:32:53,238 --> 00:32:55,037
DAD.
612
00:33:02,214 --> 00:33:05,781
I'VE BEEN WORKING
ON THIS THING FOR A WHILE.
613
00:33:05,817 --> 00:33:09,386
HELPS ME RELAX,
GETS ME AWAY FROM THE JOB.
614
00:33:09,421 --> 00:33:12,622
BUT I STILL NEVER SEEM
TO HAVE ENOUGH TIME...
615
00:33:17,228 --> 00:33:20,197
TO FINISH MY WEEKEND PROJECTS.
616
00:33:24,219 --> 00:33:26,369
LOOK, IT'S NOT THAT I'M AGAINST
617
00:33:26,405 --> 00:33:28,705
WHAT YOU'RE DOING
WITH YOUR LIFE.
618
00:33:28,740 --> 00:33:31,057
IT'S JUST
THAT IT'S...
619
00:33:31,092 --> 00:33:33,059
IT'S SO OUT
OF THE MAINSTREAM.
620
00:33:33,094 --> 00:33:35,796
I MEAN, COULDN'T YOU
HAVE STARTED OUT
621
00:33:35,831 --> 00:33:37,514
WITH CHRISTIAN SCIENCE?
622
00:33:37,549 --> 00:33:40,450
AT LEAST MARY BAKER EDDY
SPOKE ENGLISH.
623
00:33:43,204 --> 00:33:47,073
I'M SORRY.
I GUESS THAT REALLY WASN'T FAIR.
624
00:33:51,580 --> 00:33:54,347
IS IT A RAGE AT SCHOOL
OR SOMETHING?
625
00:33:54,382 --> 00:33:57,234
I'M NOT CAPABLE OF DOING
SOMETHING ON MY OWN?
626
00:33:57,269 --> 00:33:58,301
THAT'S NOT IT.
627
00:33:58,336 --> 00:34:00,753
YOU'VE NEVER BEEN A FOLLOWER.
628
00:34:00,788 --> 00:34:02,272
NOW ALL OF A SUDDEN
629
00:34:02,307 --> 00:34:05,174
YOU'RE INTERESTED
IN MY LIFE, DAD?
630
00:34:14,236 --> 00:34:15,635
I'M SORRY.
631
00:34:17,239 --> 00:34:20,106
I GUESS I'M BEING UNFAIR.
632
00:34:22,260 --> 00:34:24,911
LOOK, DAD.
633
00:34:24,946 --> 00:34:28,364
I'M A LONG WAY
FROM BEING A TRUE RASTA.
634
00:34:28,399 --> 00:34:31,351
BUT WHAT I AM
REALLY WORKS FOR ME.
635
00:34:31,403 --> 00:34:33,636
YOU DON'T HAVE
TO WORRY ABOUT ME
636
00:34:33,672 --> 00:34:37,273
RUNNING OFF TO GO
LIVE IN JAMAICA.
637
00:34:37,308 --> 00:34:39,926
MY GRADES ARE OKAY.
638
00:34:39,961 --> 00:34:41,360
I'M FINE.
639
00:34:41,396 --> 00:34:43,830
I REALLY AM, DAD.
640
00:34:52,857 --> 00:34:54,757
I'M GLAD.
641
00:34:54,793 --> 00:34:59,946
I REALLY DON'T MIND
THE ACCENT.
642
00:34:59,982 --> 00:35:01,047
IT JUST TAKES
643
00:35:01,082 --> 00:35:04,250
A LITTLE GETTING
USED TO, THAT'S ALL.
644
00:35:04,286 --> 00:35:05,918
LIKE MY MUSIC.
645
00:35:05,953 --> 00:35:07,086
NO, NO, NO, NO.
646
00:35:07,121 --> 00:35:09,855
IF YOU REALLY WANT
TO KNOW THE TRUTH
647
00:35:09,891 --> 00:35:12,392
I REALLY KIND
OF LIKE YOUR MUSIC.
648
00:35:12,427 --> 00:35:13,826
I MEAN, IT'S, UH...
649
00:35:13,861 --> 00:35:17,496
( jazz plays )
650
00:35:17,549 --> 00:35:20,566
I KIND OF LIKE YOURS, TOO,
DAD, MON.
651
00:35:29,978 --> 00:35:31,243
NIKKI, FORGET IT.
652
00:35:31,279 --> 00:35:32,712
SO SHE SAW A MOVIE.
653
00:35:32,747 --> 00:35:35,247
HALF OF NORTH
AMERICA'S SEEN IT.
654
00:35:35,283 --> 00:35:37,851
JUDY'S SUCH
A SWEETHEART, MIKE.
655
00:35:37,886 --> 00:35:40,687
I DON'T KNOW.
IT BROUGHT HER DOWN.
656
00:35:40,722 --> 00:35:43,807
Ferris:
IF SHE SAID
SHE'D KEEP HER MOUTH SHUT
657
00:35:43,842 --> 00:35:45,274
THEN WE'RE FINE.
658
00:35:45,310 --> 00:35:48,411
MAYBE WE SHOULD CLOSE
THE SCHOOL FOR A WHILE.
659
00:35:48,447 --> 00:35:50,279
WE DON'T NEED IT, RIGHT?
660
00:35:50,315 --> 00:35:52,349
WHAT ARE YOU TALKING ABOUT?
661
00:35:52,384 --> 00:35:54,083
THE SCHOOL IS IMPORTANT.
662
00:35:54,118 --> 00:35:55,184
IF WE CLOSE IT
663
00:35:55,220 --> 00:35:56,385
WHAT WILL YOU DO?
664
00:35:56,421 --> 00:35:58,754
WHAT DO YOU WANT ME
TO DO, MICHAEL?
665
00:36:14,956 --> 00:36:17,423
WE BOTH FEEL BETTER
AFTER A SHOOT.
666
00:36:17,459 --> 00:36:18,891
NIKKI, LISTEN TO ME.
667
00:36:18,927 --> 00:36:20,593
THE SHOOT THIS WEEKEND?
668
00:36:20,629 --> 00:36:23,196
I WANT YOU TO FORGET
ABOUT IT, OKAY?
669
00:36:23,231 --> 00:36:25,415
THAT'S WHAT
I'M SAYING.
670
00:36:25,450 --> 00:36:27,883
THAT'S WHAT
I'M DRIVING AT.
671
00:36:27,919 --> 00:36:30,636
NIKKI, YOU KNOW
THIS INDUSTRY.
672
00:36:30,672 --> 00:36:34,023
YOU, AT 15, WERE
A SENSATION FOR ME.
673
00:36:34,059 --> 00:36:37,894
BUT YOU AND I DON'T DEFINE
THE PARAMETERS OF THIS BUSINESS.
674
00:36:37,929 --> 00:36:40,146
THE INDUSTRY MAKES
ITS OWN DEMANDS.
675
00:36:40,181 --> 00:36:43,816
WE WORK WITHIN THOSE PARAMETERS
OR WE DON'T WORK AT ALL.
676
00:36:43,852 --> 00:36:46,102
WE HAVE NO PRODUCT.
677
00:36:46,137 --> 00:36:48,037
NIKKI, YOU AND I
678
00:36:48,056 --> 00:36:51,524
ARE GOING TO BE AROUND
FOR A LONG TIME.
679
00:36:51,560 --> 00:36:53,860
BUT WHAT'S NOT FAIR TO YOU
680
00:36:53,895 --> 00:36:57,780
IS FOR YOU TO TRY AND
BE THAT 15-YEAR-OLD KID
681
00:36:57,815 --> 00:37:00,149
FOR THE REST OF YOUR LIFE.
682
00:37:00,185 --> 00:37:02,418
OKAY?
683
00:37:04,139 --> 00:37:07,924
MAN, USED UP AT 18.
684
00:37:07,960 --> 00:37:09,441
GREAT BUSINESS, HUH?
685
00:37:09,477 --> 00:37:11,444
YOU KNOW ANY
OTHER INDUSTRY
686
00:37:11,479 --> 00:37:14,713
THAT'S GROWN 600%
FOR SEVEN YEARS STRAIGHT?
687
00:37:14,749 --> 00:37:16,065
Hanson:
NO WONDER.
688
00:37:16,100 --> 00:37:18,018
PEOPLE WATCH THIS
STUFF AT HOME.
689
00:37:18,053 --> 00:37:20,419
AN INDUSTRY DOESN'T GROW
LIKE THIS
690
00:37:20,455 --> 00:37:22,756
WITHOUT MEETING A PUBLIC DEMAND.
691
00:37:22,791 --> 00:37:25,258
THEY DON'T KNOW
THESE KIDS WIND UP
692
00:37:25,293 --> 00:37:27,060
TURNED OUT
ON THE STREETS.
693
00:37:27,095 --> 00:37:28,394
OR HOOKED ON DRUGS
694
00:37:28,429 --> 00:37:31,231
OR TOSSING THEMSELVES
OFF OF BALCONIES.
695
00:37:31,266 --> 00:37:34,033
I'M USING HER
HEARSAY CONFESSION
696
00:37:34,068 --> 00:37:35,385
TO NAIL DOWN
697
00:37:35,420 --> 00:37:36,970
A WARRANT.
698
00:37:37,005 --> 00:37:39,205
PENHALL, PUT TOGETHER
A HALF DOZEN BACKUP.
699
00:37:39,240 --> 00:37:40,790
THE REST OF YOU,
GET READY.
700
00:37:40,825 --> 00:37:43,043
WE'LL TURN THIS GUY'S
SCHOOL UPSIDE DOWN.
701
00:37:43,078 --> 00:37:45,178
LET'S GO DO IT.
702
00:37:52,921 --> 00:37:55,271
IT'S AN OLD
STORY, JUDE.
703
00:37:55,306 --> 00:37:56,622
PARENTS GET BUSY--
704
00:37:56,657 --> 00:37:59,792
FORGET TO TELL THEIR KIDS
HOW SPECIAL THEY ARE
705
00:37:59,827 --> 00:38:03,146
AND WE LOSE THEM
TO THE FIRST PERSON THAT DOES.
706
00:38:14,475 --> 00:38:16,042
YOU FEEL BETTER?
707
00:38:16,077 --> 00:38:18,845
I DON'T THINK
I WANT TO DO THIS.
708
00:38:18,880 --> 00:38:20,613
CAN I JUST GO HOME?
709
00:38:20,649 --> 00:38:23,566
THERE'S TIME AND MONEY
INVESTED, TRINA.
710
00:38:23,601 --> 00:38:26,686
ALL THESE PEOPLE ARE
HERE BECAUSE OF YOU.
711
00:38:26,722 --> 00:38:30,456
BUT IT WAS JUST SOMETHING
WE WERE TALKING ABOUT.
712
00:38:30,491 --> 00:38:31,925
BESIDES, YOU SAID
713
00:38:31,960 --> 00:38:33,475
I COULD CHANGE
MY MIND.
714
00:38:33,511 --> 00:38:35,312
WHO DO YOU THINK YOU ARE?
715
00:38:35,347 --> 00:38:39,315
DO YOU THINK YOU'RE
SPECIAL, HUH?
716
00:38:39,351 --> 00:38:41,184
WHAT MAKES YOU SO DIFFERENT?
717
00:38:41,219 --> 00:38:45,104
YOU THINK THERE'S SOMETHING
ESPECIALLY WONDERFUL ABOUT YOU?
718
00:38:45,140 --> 00:38:46,122
DO YOU?
719
00:38:46,158 --> 00:38:48,124
NO.
720
00:38:48,159 --> 00:38:50,193
WELL, THERE IS.
721
00:38:50,228 --> 00:38:55,565
YOU ARE SPECIAL... AND
THAT'S WHY YOU CAN'T LET
722
00:38:55,600 --> 00:38:59,252
A CHANCE LIKE THIS
SLIP AWAY.
723
00:39:01,839 --> 00:39:05,641
I'M JUST
STILL NOT SURE.
724
00:39:05,676 --> 00:39:09,312
I THINK WE'RE WAY
BEYOND THAT, TRINA.
725
00:39:09,347 --> 00:39:11,531
COME ON.
726
00:39:13,034 --> 00:39:18,104
Woman:
NO, SORRY. HE'S
NOT HERE TODAY.
727
00:39:18,139 --> 00:39:21,508
I'LL TELL HIM
YOU CALLED.
728
00:39:21,543 --> 00:39:22,509
HEY, GUYS.
729
00:39:22,544 --> 00:39:24,444
HOW YOU
DOING, CUTIE?
730
00:39:24,479 --> 00:39:26,513
WHAT'S WITH
THE CROWD?
731
00:39:26,548 --> 00:39:27,747
WHERE'S MICHAEL FERRIS?
732
00:39:27,799 --> 00:39:30,483
THE SCHOOL'S CLOSED TODAY.
733
00:39:30,518 --> 00:39:32,102
WHERE IS HE, JOANIE?
734
00:39:32,137 --> 00:39:33,402
I DON'T KNOW.
735
00:39:33,438 --> 00:39:34,854
HE'S GONE
FOR TWO DAYS.
736
00:39:34,889 --> 00:39:36,439
WE'VE GOT A WARRANT.
737
00:39:36,474 --> 00:39:37,924
LOOK AT IT
738
00:39:37,959 --> 00:39:39,008
THEN CALL YOUR BOSS.
739
00:39:39,043 --> 00:39:41,344
I DON'T KNOW WHERE HE IS.
740
00:39:41,379 --> 00:39:43,596
ALL RIGHT, YOUR MISTAKE, SISTER.
741
00:39:43,631 --> 00:39:45,098
LET'S DO THIS, GUYS.
742
00:39:45,133 --> 00:39:46,833
WHAT ARE WE LOOKING FOR?
743
00:39:46,868 --> 00:39:48,835
TWO DAYS IS HOW
LONG IT TAKES
744
00:39:48,870 --> 00:39:50,870
TO MAKE ONE
OF THESE MOVIES.
745
00:39:50,906 --> 00:39:53,106
FIND OUT WHERE
THEY'RE SHOOTING.
746
00:39:53,141 --> 00:39:55,508
LOOK FOR INVOICES
FROM HOTEL ROOMS
747
00:39:55,543 --> 00:39:57,811
CONTRACTS FROM
REAL ESTATE AGENTS
748
00:39:57,846 --> 00:40:01,347
LEASING AGREEMENTS
ON WAREHOUSES, HOMES, VEHICLES.
749
00:40:01,382 --> 00:40:03,216
HOW MUCH TIME
DO WE HAVE?
750
00:40:03,251 --> 00:40:05,702
DON'T EVEN ASK, JUDE.
751
00:40:18,616 --> 00:40:21,117
Man:
HE WANTS THE NEXT SHOT
OVER HERE.
752
00:40:21,152 --> 00:40:23,719
LIGHT THIS CORNER,
BUT KEEP THEM LOW.
753
00:40:23,755 --> 00:40:26,122
Ferris:
OKAY, COME ON, PEOPLE, LET'S GO.
754
00:40:26,157 --> 00:40:27,991
SET UP FOR THE NEXT SCENE.
755
00:40:28,026 --> 00:40:29,742
COME ON, MOVE IT.
756
00:40:35,584 --> 00:40:37,517
SEE, NIKKI?
SHE'S A GOOD KID.
757
00:40:37,552 --> 00:40:39,702
VERY FREE,
VERY GOOD INSTINCTS.
758
00:40:39,737 --> 00:40:42,755
I TOLD YOU EVERYTHING
WAS GOING TO BE FINE.
759
00:40:44,359 --> 00:40:47,126
( shrieking and screaming )
760
00:41:00,274 --> 00:41:01,256
LOVE THE LOOK.
761
00:41:01,292 --> 00:41:02,692
NOT REAL
WHOLESOME.
762
00:41:02,727 --> 00:41:04,594
DROP YOUR
SHOULDER, FROWN
763
00:41:04,629 --> 00:41:07,296
AND PUT YOUR HANDS
BEHIND YOUR BACK.
764
00:41:07,331 --> 00:41:09,565
THAT'S IT--
FABULOUS, FABULOUS!
765
00:41:09,601 --> 00:41:11,434
I WANT ALL
THIS TAGGED.
766
00:41:11,469 --> 00:41:13,135
I WANT ALL THE FILM.
767
00:41:14,122 --> 00:41:16,388
Hoffs:
TRINA!
768
00:41:19,327 --> 00:41:20,893
GIVE ME THAT FILM.
769
00:41:22,547 --> 00:41:24,163
GIVE ME THE FILM.
770
00:41:26,000 --> 00:41:29,419
GIVE ME
THE FILM, TRINA.
771
00:41:35,126 --> 00:41:39,512
WE HAVE TO PROCESS THIS FILM
TO TAKE FERRIS TO TRIAL.
772
00:41:39,547 --> 00:41:42,732
( sobbing )
773
00:41:42,767 --> 00:41:45,534
I JUST CAN'T TURN AND
WALK AWAY FROM THIS.
774
00:41:51,609 --> 00:41:53,609
I'M SOR...
775
00:42:23,274 --> 00:42:25,024
HOFFS!
776
00:42:48,416 --> 00:42:49,848
JUDY'S A COP?
777
00:42:49,884 --> 00:42:51,634
SHE'S WITH YOU GUYS?
778
00:42:54,205 --> 00:42:55,688
WHAT'S GOING TO HAPPEN
779
00:42:55,723 --> 00:42:57,389
WITHOUT THE FILM?
780
00:42:57,425 --> 00:42:59,491
NOTHING.
781
00:43:03,064 --> 00:43:06,749
WHAT IF I TESTIFY?
782
00:43:06,784 --> 00:43:10,252
Officer:
YOU HAVE THE RIGHT
TO REMAIN SILENT.
783
00:43:10,287 --> 00:43:12,405
YOU HAVE THE RIGHT
TO AN ATTORNEY...
784
00:43:12,440 --> 00:43:14,574
HEY, WAIT A MINUTE.
785
00:43:14,609 --> 00:43:16,442
WHERE ARE YOU
TAKING HER?
786
00:43:16,477 --> 00:43:17,460
WHAT IS THIS?
787
00:43:17,495 --> 00:43:19,996
SHE'S RIDING
WITH US, FERRIS.
788
00:43:20,031 --> 00:43:23,015
NIKKI, WHAT ARE YOU DOING?
789
00:43:23,050 --> 00:43:25,784
NIKKI, DON'T
DO THIS.
790
00:43:25,819 --> 00:43:27,536
NIKKI, LISTEN TO ME!
791
00:43:27,572 --> 00:43:29,822
DON'T DO THIS.
792
00:43:29,857 --> 00:43:30,856
NIKKI!
793
00:43:30,891 --> 00:43:32,542
YOU LISTEN TO ME.
794
00:43:32,577 --> 00:43:33,942
DON'T DO THIS.
795
00:43:33,978 --> 00:43:35,645
NIKKI!
796
00:43:48,443 --> 00:43:49,708
SIT DOWN.
797
00:43:53,047 --> 00:43:55,648
YOU COULD HAVE BLOWN
THE WHOLE CASE, HOFFS.
798
00:43:55,683 --> 00:43:57,866
TRINA WASN'T LACEY
KING, CAPTAIN.
799
00:43:57,902 --> 00:44:00,236
SHE WASN'T THREE YEARS
INTO THE BUSINESS.
800
00:44:00,271 --> 00:44:04,473
ALL I SAW WAS HER WHOLE LIFE
BEING RUINED BY THAT FILM.
801
00:44:04,508 --> 00:44:07,426
THERE WERE OTHER WAYS
TO BURY THAT FILM
802
00:44:07,462 --> 00:44:08,878
WITHOUT DESTROYING
803
00:44:08,913 --> 00:44:10,029
THE EVIDENCE.
804
00:44:10,064 --> 00:44:12,565
I'M SORRY. I WENT TOO FAR.
805
00:44:12,600 --> 00:44:14,116
YEAH.
806
00:44:21,459 --> 00:44:24,260
MICHAEL FERRIS
IS GOING AWAY.
807
00:44:24,295 --> 00:44:27,296
NIKKI GAVE US
A FULL STATEMENT--
808
00:44:27,332 --> 00:44:30,349
HOW OLD SHE WAS
WHEN SHE STARTED
809
00:44:30,385 --> 00:44:32,735
THE PURPOSE
OF THE SCHOOL
810
00:44:32,771 --> 00:44:35,004
AND THE OTHER UNDERAGE GIRLS
811
00:44:35,039 --> 00:44:37,757
THAT FERRIS USED
THROUGHOUT THE YEARS.
812
00:44:39,077 --> 00:44:41,077
I GUESS WE GOT LUCKY.
813
00:44:41,096 --> 00:44:43,428
SOMETIMES YOU DO.
814
00:44:45,483 --> 00:44:46,632
( knock at door )
815
00:44:46,668 --> 00:44:47,834
YEAH.
816
00:44:49,637 --> 00:44:51,153
YOU ALL SET?
817
00:44:51,188 --> 00:44:53,806
YEAH, I GOT MY SEAT
ON THE PLANE.
818
00:44:53,841 --> 00:44:55,574
NO SELLING YOUR TICKET
819
00:44:55,610 --> 00:44:57,226
THIS TIME?
820
00:45:00,898 --> 00:45:03,866
IT WAS GOOD
TO SEE YOU... DREAD.
821
00:45:03,902 --> 00:45:07,252
YOU KNOW, WHEN IT
COMES DOWN TO IT
822
00:45:07,288 --> 00:45:10,623
I'M JUST GLAD
THAT YOU'RE HAPPY.
823
00:45:12,310 --> 00:45:13,609
LATER.
824
00:45:21,686 --> 00:45:24,219
ENJOY IT
WITH A FRIEND, MON.
825
00:45:39,086 --> 00:45:42,805
HOFFS, WHAT DO YOU
THINK I'D LOOK LIKE
826
00:45:42,840 --> 00:45:45,591
WITH MY HAIR
LIKE THAT, MON?
57329
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