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1
00:00:06,812 --> 00:00:08,814
- Michele: FIVE,
SIX, SEVEN, EIGHT.
- ( tapping )
2
00:00:11,877 --> 00:00:13,879
CLEAN UP
THOSE SHUFFLES.
3
00:00:13,879 --> 00:00:15,881
MAKE SURE YOU REALLY
CHANGE YOUR WEIGHT
ON YOUR FEET.
4
00:00:18,885 --> 00:00:20,887
( music playing )
5
00:00:31,868 --> 00:00:33,400
ALL RIGHT.
GREAT JOB, EVERYONE.
6
00:00:33,400 --> 00:00:35,873
CLAP FOR YOURSELVES,
PLEASE.
7
00:00:35,873 --> 00:00:37,945
AND THE GHOST
OF DONALD O'CONNOR
8
00:00:37,945 --> 00:00:39,677
APPLAUDS YOU AS WELL.
9
00:00:39,677 --> 00:00:41,008
DON'T SAY THAT NAME.
10
00:00:41,008 --> 00:00:43,551
DON'T EVER
SAY THAT NAME.
11
00:00:45,753 --> 00:00:48,356
WOW, WHAT'S WITH MAYBIN?
SHE JUST BIT MY HEAD OFF.
12
00:00:48,356 --> 00:00:49,888
YOU DIDN'T MENTION
DONALD O'CONNOR, DID YOU?
13
00:00:49,888 --> 00:00:51,559
- YEAH.
- BIG MISTAKE.
14
00:00:51,559 --> 00:00:54,022
HEY, QUESTION--
WHEN IS THE ADULT
TAP CLASS DOING A RECITAL?
15
00:00:54,022 --> 00:00:55,564
WELL, I'D SAY
PROBABLY NEVER.
16
00:00:55,564 --> 00:00:57,025
WHAT? WHY?
17
00:00:57,025 --> 00:00:58,897
THE SHORTIES DO
RECITALS ALL THE TIME.
18
00:00:58,897 --> 00:01:00,769
YEAH, BUT THE SHORTIES
HAVE A BUILT IN AUDIENCE.
19
00:01:00,769 --> 00:01:01,900
YOU GUYS DON'T.
20
00:01:01,900 --> 00:01:02,771
ARE YOU SAYING PEOPLE
WOULDN'T COME
21
00:01:02,771 --> 00:01:04,433
TO AN ADULT
TAP RECITAL?
22
00:01:04,433 --> 00:01:07,506
THEY MIGHT IF IT WAS AN
ADULT FILM STAR TAP RECITAL.
23
00:01:07,506 --> 00:01:08,978
WELL, THEN MAYBE
NOT A RECITAL,
24
00:01:08,978 --> 00:01:10,339
BUT WE HAVE TO
DO SOMETHING.
25
00:01:10,339 --> 00:01:12,482
OH, I KNOW. HOW ABOUT
A TAP DANCE FLASH MOB?
26
00:01:12,482 --> 00:01:13,683
A TAP DANCE
FLASH MOB?
27
00:01:13,683 --> 00:01:14,884
YEAH YEAH.
28
00:01:14,884 --> 00:01:16,346
LIKE WE RUN INTO NORDSTROMS
WITHOUT WARNING
29
00:01:16,346 --> 00:01:18,018
AND WE SURROUND
THAT DUDE PLAYING
THE PIANO,
30
00:01:18,018 --> 00:01:19,489
AND THEN WE DO
A SHUFFLE STEP,
31
00:01:19,489 --> 00:01:20,951
A COUPLE OF STAMPS,
ADD A FLAP HEEL,
32
00:01:20,951 --> 00:01:21,952
AND THEN WE THROW
SHOES AT HIM.
33
00:01:21,952 --> 00:01:23,694
WHY WOULD YOU THROW
SHOES AT HIM?
34
00:01:23,694 --> 00:01:25,025
I DON'T KNOW.
'CAUSE WE'RE MAD AT
HIM FOR SOME REASON.
35
00:01:25,025 --> 00:01:26,897
MAYBE WE COULD SET UP
SOME SORT OF
36
00:01:26,897 --> 00:01:29,760
PERFORMANCE IN TOWN
THAT WOULDN'T INCLUDE
AN ASSAULT.
37
00:01:29,760 --> 00:01:31,562
WELL, I'M OPEN.
38
00:01:31,562 --> 00:01:32,563
SEE YOU.
39
00:01:32,563 --> 00:01:34,035
HEY.
40
00:01:34,035 --> 00:01:36,037
WHAT HAPPENED WITH
MAYBIN AND DONALD O'CONNOR?
41
00:01:36,037 --> 00:01:37,909
OH, IT'S DARK.
REALLY DARK.
42
00:01:37,909 --> 00:01:39,911
OH, AND DON'T MENTION
FIORELLO LAGUARDIA
43
00:01:39,911 --> 00:01:41,843
OR BOB BARKER
AROUND HER EITHER.
44
00:01:41,843 --> 00:01:43,845
- TRUST ME.
- ( crickets chirping )
45
00:01:53,626 --> 00:01:56,028
- ( switch clicks )
- ( door shuts )
46
00:02:01,033 --> 00:02:03,036
HEY, MICHELLE.
47
00:02:03,036 --> 00:02:04,898
- HI.
- HEY.
48
00:02:04,898 --> 00:02:05,899
WHAT ARE YOU
DOING HERE?
49
00:02:05,899 --> 00:02:07,570
I TOTALLY BLEW
AT CLASS TODAY.
50
00:02:07,570 --> 00:02:08,902
I JUST COULDN'T NAIL
THAT MOVE YOU SHOWED US--
51
00:02:08,902 --> 00:02:10,904
THAT FOUETTE
INTO THE ATTITUDE TURN.
52
00:02:10,904 --> 00:02:12,506
YEAH, IT'S TRICKY.
53
00:02:12,506 --> 00:02:15,048
YEAH, SO I THOUGHT I'D
COME DOWN AND REHEARSE A LITTLE.
54
00:02:15,048 --> 00:02:17,381
I LIKE IT WHEN
IT'S EMPTY AND QUIET.
55
00:02:17,381 --> 00:02:18,752
DIDN'T MEAN TO
INTERRUPT ANYTHING.
56
00:02:18,752 --> 00:02:20,584
NO, I WAS JUST TAKING OFF.
THE PLACE IS ALL YOURS.
57
00:02:20,584 --> 00:02:21,916
JUST LOCK UP WHEN
YOU'RE DONE, OKAY?
58
00:02:21,916 --> 00:02:23,017
SURE, THANKS.
59
00:02:23,017 --> 00:02:24,689
HOW ARE THINGS
AT HOME?
60
00:02:24,689 --> 00:02:25,860
PARENTS STILL FIGHTING?
61
00:02:25,860 --> 00:02:28,062
AT THE MOMENT,
THEY'RE JUST NOT SPEAKING,
62
00:02:28,062 --> 00:02:30,795
SO WE'RE GOING THROUGH
A MUCH-NEEDED QUIET PERIOD.
63
00:02:30,795 --> 00:02:32,797
WELL, I'M PROUD OF YOU.
64
00:02:32,797 --> 00:02:33,868
I HOPE
YOU KNOW THAT.
65
00:02:33,868 --> 00:02:35,030
PROUD OF WHAT?
66
00:02:35,030 --> 00:02:36,471
JUST MAKING IT
THROUGH JOFFREY,
67
00:02:36,471 --> 00:02:37,933
BEING BACK HERE
WITH EVERYTHING
GOING ON.
68
00:02:37,933 --> 00:02:38,974
IT'S BEEN
A LONG ROAD.
69
00:02:38,974 --> 00:02:40,105
VERY.
70
00:02:40,105 --> 00:02:41,577
AND I HOPE YOU KNOW
THAT IF YOU EVER
71
00:02:41,577 --> 00:02:42,578
NEED SOMEONE
TO TALK TO,
72
00:02:42,578 --> 00:02:44,710
OR JUST A PLACE
TO HANG...
73
00:02:44,710 --> 00:02:45,711
I'M HERE.
74
00:02:46,912 --> 00:02:48,144
THANKS.
75
00:02:49,585 --> 00:02:51,047
SO IS HE OUTSIDE
OR STILL ON HIS WAY?
76
00:02:51,047 --> 00:02:52,588
- WHO?
- DUDE.
77
00:02:52,588 --> 00:02:54,150
- OUTSIDE.
- YO, ROMAN!
78
00:02:57,423 --> 00:02:59,195
- HELLO, ROMAN.
- HELLO, MICHELLE.
79
00:02:59,195 --> 00:03:01,498
- YOU GETTING TALLER?
- MAYBE.
80
00:03:01,498 --> 00:03:03,130
- YOU'RE GETTING TALLER.
- HOW DID YOU KNOW?
81
00:03:03,130 --> 00:03:04,601
OH, LITTLE ONE,
I HAVE DONE
82
00:03:04,601 --> 00:03:06,733
ALL THAT YOU HAVE
DONE OR SHALL DO,
83
00:03:06,733 --> 00:03:08,936
THOUGHT OF ALL
YOU'VE THOUGHT
OR SHALL THINK.
84
00:03:08,936 --> 00:03:10,938
I AM ALL-KNOWING.
85
00:03:10,938 --> 00:03:12,069
I AM MICHELLE.
86
00:03:12,069 --> 00:03:13,771
- Roman: CAN I GO?
- YES.
87
00:03:15,142 --> 00:03:16,914
( door closes )
88
00:03:16,914 --> 00:03:18,646
GOT LEFTOVERS
AT MY PLACE,
89
00:03:18,646 --> 00:03:19,917
- YOU HUNGRY?
- I CAN ALWAYS EAT.
90
00:03:19,917 --> 00:03:21,579
I SWEAR HE'S
GETTING TALLER.
91
00:03:21,579 --> 00:03:23,051
- MAYBE.
- HE'S DEFINITELY
NOT GETTING SHORTER.
92
00:03:25,523 --> 00:03:26,625
( switch clicks )
93
00:03:29,758 --> 00:03:31,790
( theme music playing )
94
00:03:50,951 --> 00:03:52,953
( piano playing )
95
00:04:06,067 --> 00:04:07,528
NOT BAD.
96
00:04:09,270 --> 00:04:10,932
LADIES, USE YOUR CENTER.
97
00:04:10,932 --> 00:04:12,133
PARTNERING IS NOT
JUST ON THE GUYS,
98
00:04:12,133 --> 00:04:13,675
IT'S 50-50.
99
00:04:18,910 --> 00:04:20,912
- VERY MEDIOCRE.
- ( exhales sharply )
100
00:04:23,085 --> 00:04:25,617
ERIC, EDGAR,
YOU'RE LOSING STEAM.
101
00:04:26,719 --> 00:04:28,991
GUYS, SWAN LAKE,
THREE HOURS LONG.
102
00:04:28,991 --> 00:04:30,823
REMEMBER THAT.
103
00:04:30,823 --> 00:04:32,625
GETTING WORSE.
104
00:04:32,625 --> 00:04:35,098
GETTING WORSE.
105
00:04:35,098 --> 00:04:36,899
OKAY. LET'S DO IT AGAIN.
106
00:04:36,899 --> 00:04:38,031
COME ON!
107
00:04:38,031 --> 00:04:39,602
OKAY, OKAY.
ALL RIGHT.
108
00:04:39,602 --> 00:04:41,604
- ( music stops )
- NICE WORK, EVERYBODY.
109
00:04:41,604 --> 00:04:42,906
NICE WORK.
I'LL SEE YOU TOMORROW.
110
00:04:42,906 --> 00:04:44,608
APOLOGIES
TO THE GUYS.
111
00:04:44,608 --> 00:04:46,940
GUYS? WHAT, YOU'RE
NOT EVEN TALKING TO ME?
112
00:04:46,940 --> 00:04:49,213
IS THIS IT?
IS OUR RELATIONSHIP OVER?
113
00:04:49,213 --> 00:04:51,215
( cellphone ringing )
114
00:04:53,948 --> 00:04:55,950
- TALIA, HEY.
- OPEN THE E-MAIL
I JUST SENT YOU.
115
00:04:55,950 --> 00:04:57,021
That's a fine
how do you do.
116
00:04:57,021 --> 00:04:58,222
JUST OPEN IT NOW.
IT'S TOP PRIORITY
117
00:04:58,222 --> 00:04:59,624
AND TIME SENSITIVE.
118
00:04:59,624 --> 00:05:02,757
ALL RIGHT.
HOLD YOUR HORSES, CLAIRE DANES.
119
00:05:02,757 --> 00:05:04,028
WHAT AM I LOOKING AT?
120
00:05:04,028 --> 00:05:05,730
OUR FRIEND, MARION.
121
00:05:05,730 --> 00:05:07,762
OH, SO IT'S A PHOTO.
IT'S FUZZY.
122
00:05:07,762 --> 00:05:09,094
It's the best photo
we had of him.
123
00:05:09,094 --> 00:05:11,096
- IT'S A HIM?
- OF COURSE IT'S A HIM.
124
00:05:11,096 --> 00:05:12,297
His name's Marion?
125
00:05:12,297 --> 00:05:13,839
JOHN WAYNE'S GIVEN NAME
WAS MARION,
126
00:05:13,839 --> 00:05:15,300
AT LEAST ACCORDING
TO MARION.
127
00:05:15,300 --> 00:05:17,673
- IT'S A VERY FUZZY PHOTO.
- IT'S NOT THE BEST,
128
00:05:17,673 --> 00:05:20,005
- I'll grant you that.
- IS MARION BEING ATTACKED
BY A GIANT MOTH?
129
00:05:20,005 --> 00:05:22,208
- THAT'S HIS BEARD.
- HIS BEARD HAS WINGS?
130
00:05:22,208 --> 00:05:23,980
- Michelle!
- WHY AM I LOOKING AT THIS?
131
00:05:23,980 --> 00:05:25,111
'CAUSE YOU'RE
GOING OUT WITH HIM.
132
00:05:25,111 --> 00:05:26,813
- TALIA, NO.
- Yes.
133
00:05:26,813 --> 00:05:28,084
HE'S GOING TO BE
IN THE PARADISE AREA
134
00:05:28,084 --> 00:05:29,616
AND I TOLD HIM
ALL ABOUT YOU.
135
00:05:29,616 --> 00:05:30,957
YOU KNOW I DON'T
DO BLIND DATES.
136
00:05:30,957 --> 00:05:32,088
It's not blind.
You've got a picture.
137
00:05:32,088 --> 00:05:33,790
OF A WOMAN WITH A MOTH
EATING HER FACE.
138
00:05:33,790 --> 00:05:35,292
HE'S ACTUALLY
A VERY ATTRACTIVE
139
00:05:35,292 --> 00:05:36,763
REAL ESTATE DEVELOPER.
140
00:05:36,763 --> 00:05:37,764
And where do you
know Marion from?
141
00:05:37,764 --> 00:05:38,896
HE'S A FRIEND OF RICK'S.
142
00:05:38,896 --> 00:05:40,828
YOUR BOYFRIEND RICK?
RICK IS IN HIS 60s.
143
00:05:40,828 --> 00:05:43,871
- HOW OLD IS MARION?
- RICK SAID HE'S WAY
YOUNGER THAN HIM.
144
00:05:43,871 --> 00:05:45,032
HAVE YOU SEEN MARION
IN PERSON?
145
00:05:45,032 --> 00:05:46,974
I'm trusting
my Ricky on this.
146
00:05:46,974 --> 00:05:48,105
NOTHING ABOUT THIS
SMELLS GOOD.
147
00:05:48,105 --> 00:05:49,307
GIVE IT A SHOT.
WHAT CAN IT HURT?
148
00:05:51,309 --> 00:05:53,811
- DOES HE HAVE TEETH?
- RICK'S FRIENDS HAVE TEETH.
149
00:05:53,811 --> 00:05:55,814
Maybe not the ones
they were born with.
150
00:05:57,986 --> 00:05:59,948
MARION.
151
00:05:59,948 --> 00:06:02,150
( groans )
I'M SO RIDICULOUSLY STRESSED.
152
00:06:02,150 --> 00:06:03,822
SHH! TRYING TO READ
A BOOK HERE.
153
00:06:03,822 --> 00:06:05,224
WHY ARE YOU
STARING AT ME?
154
00:06:05,224 --> 00:06:06,855
JUST DRINKING IN
THE PICTURE.
155
00:06:06,855 --> 00:06:08,958
AND SWEATY.
LOOK HOW SWEATY I AM.
156
00:06:08,958 --> 00:06:10,830
I'M PRACTICALLY
DRIPPING.
157
00:06:10,830 --> 00:06:12,802
I MEAN IT.
SUPER TRYING TO FOCUS.
158
00:06:12,802 --> 00:06:15,004
SHOOT. IS GEORGE WILSON
MYRTLE'S HUSBAND OR BROTHER?
159
00:06:15,004 --> 00:06:16,766
HE WAS SUPPOSED TO
ARRIVE TONIGHT.
160
00:06:16,766 --> 00:06:17,967
CARL?
161
00:06:17,967 --> 00:06:20,240
I HAD HIS HOMECOMING
PERFECTLY TIMED OUT.
162
00:06:20,240 --> 00:06:21,641
THEN HE WENT WAY
OUT OF HIS WAY
163
00:06:21,641 --> 00:06:22,973
TO CATCH
AN EARLY TRAIN
164
00:06:22,973 --> 00:06:25,315
BECAUSE HE WANTED
TO GET HOME TO ME
165
00:06:25,315 --> 00:06:26,917
AS SOON AS POSSIBLE.
166
00:06:26,917 --> 00:06:28,178
BOO, THAT'S SWEET.
167
00:06:28,178 --> 00:06:29,720
CARL WAS AWAY
AT CAMP ALL SUMMER
168
00:06:29,720 --> 00:06:31,321
AND HE MISSED YOU.
169
00:06:31,321 --> 00:06:33,023
( camera clicks )
170
00:06:33,023 --> 00:06:34,255
THAT'S INSULTING.
171
00:06:34,255 --> 00:06:36,857
WHEN AM I EVER GOING TO
GET ANOTHER OPPORTUNITY?
172
00:06:36,857 --> 00:06:38,129
COMING HOME EARLY
TOTALLY MESSED UP
173
00:06:38,129 --> 00:06:39,931
ALL OF MY
PERFECT PLANNING.
174
00:06:39,931 --> 00:06:41,993
I WAS GONNA GET
A MANICURE.
175
00:06:41,993 --> 00:06:43,334
I WAS GONNA HAVE
ONE OF THOSE BATHS
176
00:06:43,334 --> 00:06:45,096
WITH THE SCENTED
BATH BOMB.
177
00:06:45,096 --> 00:06:47,298
AND I WAS GONNA
GET MY HAIR DONE,
178
00:06:47,298 --> 00:06:48,970
AND I WAS GONNA--
179
00:06:48,970 --> 00:06:51,243
- NEVER MIND.
- YOU WERE GONNA WHAT?
180
00:06:51,243 --> 00:06:53,105
I DON'T WANT TO SAY.
181
00:06:53,105 --> 00:06:55,807
IS IT SOME SORT OF
DOWN-THERE GROOMING?
182
00:06:55,807 --> 00:06:57,109
MATISSE!
183
00:06:57,109 --> 00:07:00,152
SHUT UP. YOU DO NOT KNOW
ABOUT THINGS LIKE THAT.
184
00:07:00,152 --> 00:07:02,385
WELL, CLEARLY I DO.
185
00:07:02,385 --> 00:07:03,956
Melanie:
BROTHER-- GEORGE IS
THE BROTHER.
186
00:07:03,956 --> 00:07:05,117
I KNEW THAT.
187
00:07:05,117 --> 00:07:06,789
I DON'T EVEN KNOW
WHAT TO WEAR.
188
00:07:06,789 --> 00:07:08,261
I BROUGHT
A COUPLE OF OPTIONS.
189
00:07:08,261 --> 00:07:09,862
I NEED YOUR OPINION.
190
00:07:09,862 --> 00:07:11,694
THIS ONE'S CUTE
BUT SUMMERY,
191
00:07:11,694 --> 00:07:13,066
THIS ONE'S
A LITTLE SEXIER.
192
00:07:13,066 --> 00:07:14,728
NATALIE PORTMAN'S
MY ROLE MODEL.
193
00:07:14,728 --> 00:07:15,929
WHICH ONE WOULD
NATALIE WEAR?
194
00:07:15,929 --> 00:07:17,471
- I LIKE THE FIRST ONE.
- SO DO I.
195
00:07:17,471 --> 00:07:19,002
AND I THINK
NATALIE WOULD TOO.
196
00:07:19,002 --> 00:07:20,003
SUMMERY IT IS.
197
00:07:20,003 --> 00:07:21,275
MELANIE!
198
00:07:21,275 --> 00:07:23,006
- ARE YOU WELL?
- YES.
199
00:07:23,006 --> 00:07:25,009
SHE FELL BEHIND IN HER
SUMMER READING LIST FOR SCHOOL.
200
00:07:25,009 --> 00:07:25,980
AND THE BOOKS
AREN'T HELPING.
201
00:07:25,980 --> 00:07:27,311
I'M HALFWAY THROUGH
THIS THING
202
00:07:27,311 --> 00:07:29,243
AND THE STUPID WHALE
HASN'T EVEN SHOWN UP YET.
203
00:07:29,243 --> 00:07:31,986
THERE'S NO WHALE
IN "THE GREAT GATSBY."
204
00:07:31,986 --> 00:07:33,448
ARE YOU JOKING?
205
00:07:33,448 --> 00:07:34,719
WHERE THE HELL
IS THIS STINKER GOING
206
00:07:34,719 --> 00:07:35,990
IF THERE'S NO WHALE?
207
00:07:35,990 --> 00:07:37,252
MANY'S A NIGHT
F. SCOTT PONDERED
208
00:07:37,252 --> 00:07:39,124
THAT VERY SAME QUESTION.
209
00:07:39,124 --> 00:07:40,455
( chuckles )
210
00:07:40,455 --> 00:07:41,997
OH, SHOOT.
211
00:07:41,997 --> 00:07:44,129
I LEFT THE BAG WITH
ALL MY MAKEUP DOWNSTAIRS.
212
00:07:44,129 --> 00:07:46,001
I'LL JUST GET
CHANGED AT HOME.
213
00:07:46,001 --> 00:07:47,903
WAIT, BOO.
214
00:07:47,903 --> 00:07:49,405
WHAT WERE YOU
TALKING ABOUT BEFORE
215
00:07:49,405 --> 00:07:52,067
WITH MATISSE?
216
00:07:52,067 --> 00:07:54,410
SHAVING ABOVE
MY KNEES.
217
00:07:56,012 --> 00:07:57,143
OH, BOO.
218
00:07:57,143 --> 00:07:58,144
LATER.
219
00:08:03,219 --> 00:08:05,021
- SURPRISE!
- CARL!
220
00:08:05,021 --> 00:08:06,353
WHAT ARE YOU
DOING HERE?
221
00:08:06,353 --> 00:08:08,455
I GOT LUCKY AND CAUGHT
THE SUPER EARLY TRAIN.
222
00:08:08,455 --> 00:08:10,187
ACTUALLY GOT UP
BEFORE REVEILLE.
223
00:08:10,187 --> 00:08:11,989
- COME HERE.
- NO.
224
00:08:11,989 --> 00:08:13,060
WHAT ARE YOU DOING?
225
00:08:13,060 --> 00:08:14,992
- I'M GROSS.
- PUT THOSE DOWN.
226
00:08:14,992 --> 00:08:16,393
- NO.
- I WANT TO HUG YOU.
227
00:08:16,393 --> 00:08:18,335
- NO.
- BOO, STOP.
COME ON.
228
00:08:18,335 --> 00:08:19,997
CARL, I JUST
FINISHED CLASS
229
00:08:19,997 --> 00:08:21,869
AND I CAME STRAIGHT HERE
FROM THE OYSTER BAR.
230
00:08:21,869 --> 00:08:23,070
I WAS MANNING
THE VATS.
231
00:08:23,070 --> 00:08:25,073
- I DON'T CARE.
- I SMELL LIKE ZUCCHINI STICKS.
232
00:08:25,073 --> 00:08:26,474
THIS IS RIDICULOUS.
233
00:08:26,474 --> 00:08:28,406
IT'S NOT FAIR
TO LIE ABOUT A TRAIN.
234
00:08:28,406 --> 00:08:30,008
WAIT WAIT.
HOLD ON HERE.
235
00:08:30,008 --> 00:08:32,380
IS THERE SOMETHING ELSE.
SOMETHING YOU'RE
NOT TELLING ME?
236
00:08:32,380 --> 00:08:33,882
I SWITCHED DEODORANTS.
237
00:08:33,882 --> 00:08:35,283
I'M VERY UNSURE ABOUT
THIS NEW DEODORANT.
238
00:08:35,283 --> 00:08:38,287
NO, BOO.
WE WERE APART
FOR SIX WEEKS.
239
00:08:38,287 --> 00:08:40,489
IS THERE ANYTHING
YOU NEED TO SAY TO ME?
240
00:08:40,489 --> 00:08:41,921
- LIKE WHAT?
- YOU KNOW WHAT.
241
00:08:41,921 --> 00:08:44,523
LOOK, I HAVE NOTHING
TO CONFESS TO.
242
00:08:44,523 --> 00:08:46,365
I WAS GOOD.
NOT THAT CAMP WANNAPAMOTHPA
243
00:08:46,365 --> 00:08:48,167
IS A HOT BED
OF SEXUAL ACTIVITY,
244
00:08:48,167 --> 00:08:50,800
BUT THE GIRLS' CAMP
IS JUST A QUICK SWIM
ACROSS THAT LAKE.
245
00:08:50,800 --> 00:08:53,133
AND GUYS WERE SWIMMING
ACROSS THAT LAKE AT NIGHT.
246
00:08:53,133 --> 00:08:55,475
IT'S NOT SAFE.
BUT I NEVER DID.
247
00:08:57,137 --> 00:08:59,479
SO WHAT ABOUT YOU?
248
00:08:59,479 --> 00:09:01,942
NO, NOTHING.
249
00:09:01,942 --> 00:09:02,983
BOO.
250
00:09:04,815 --> 00:09:06,216
I SAW "MAGIC MIKE"
TWICE.
251
00:09:06,216 --> 00:09:08,489
THAT'S IT? REALLY?
252
00:09:08,489 --> 00:09:09,950
ALL THIS IS
BECAUSE YOU SMELL?
253
00:09:09,950 --> 00:09:10,992
YES?
254
00:09:10,992 --> 00:09:13,294
GREAT. AND I
TOTALLY GET IT.
255
00:09:13,294 --> 00:09:15,556
CHANNING TATUM
IS A FINE ACTOR.
256
00:09:15,556 --> 00:09:17,098
KISS ME QUICK
THEN STEP AWAY.
257
00:09:17,098 --> 00:09:18,830
COOL.
258
00:09:18,830 --> 00:09:19,961
WAIT, DON'T BREATHE IN.
259
00:09:22,163 --> 00:09:23,435
THERE WILL BE
BETTER KISSING
260
00:09:23,435 --> 00:09:24,566
AFTER THE BATH BOMB.
261
00:09:24,566 --> 00:09:26,038
EXCELLENT.
262
00:09:26,038 --> 00:09:27,970
OH, AND HEY,
THURSDAY NIGHT'S
STILL GOOD, RIGHT?
263
00:09:27,970 --> 00:09:29,171
MY MOM NEEDS
TO KNOW.
264
00:09:29,171 --> 00:09:30,873
YOUR MOM? FOR WHAT?
265
00:09:30,873 --> 00:09:32,414
FOR DINNER.
YOU'RE MEETING THE PARENTS.
266
00:09:32,414 --> 00:09:34,146
DID WE MAKE
THAT PLAN?
267
00:09:34,146 --> 00:09:36,018
BEFORE I LEFT.
IT'S THE PERFECT TIME--
268
00:09:36,018 --> 00:09:37,620
BEFORE SCHOOL
GETS TOO CRAZY.
269
00:09:37,620 --> 00:09:39,081
AND I WAS GONNA
MEET YOUR PARENTS.
270
00:09:39,081 --> 00:09:40,323
IS NONE OF THIS
RINGING A BELL?
271
00:09:40,323 --> 00:09:42,025
NO NO NO.
IT'S RINGING A BELL.
272
00:09:42,025 --> 00:09:43,927
MY MOTHER'S BEEN TALKING
ABOUT THIS FOR WEEKS,
273
00:09:43,927 --> 00:09:44,958
SO ARE WE ON?
274
00:09:44,958 --> 00:09:46,289
SURE.
275
00:09:46,289 --> 00:09:47,961
GOOD. IT'LL BE FUN.
276
00:09:47,961 --> 00:09:50,163
AND TAKE THIS WITH YOU.
277
00:09:50,163 --> 00:09:52,496
WHILE EVERYONE ELSE
WAS SWIMMING AND FORNICATING,
278
00:09:52,496 --> 00:09:53,897
I CARVED THIS FOR YOU
BECAUSE YOU LIKE
279
00:09:53,897 --> 00:09:55,499
"THE HUNGER GAMES"
SO MUCH.
280
00:09:55,499 --> 00:09:57,501
IT'S CRUDE, BUT IT'LL
DO SOME DAMAGE.
281
00:09:59,373 --> 00:10:00,374
THANKS.
282
00:10:02,146 --> 00:10:04,278
I'M GLAD YOU'RE BACK.
283
00:10:04,278 --> 00:10:06,280
ME TOO.
284
00:10:07,452 --> 00:10:08,453
I'LL SEE YOU
WHEN I'M CLEAN.
285
00:10:10,054 --> 00:10:11,086
Boo: BYE.
286
00:10:19,024 --> 00:10:21,567
Truly: HELP!
MICHELLE, HELP.
287
00:10:21,567 --> 00:10:23,168
TRULY? TRULY,
WHAT ARE YOU DOING,
288
00:10:23,168 --> 00:10:24,500
SELLING THINGS
DOOR TO DOOR?
289
00:10:24,500 --> 00:10:26,172
IT'S A LONG STORY.
CAN I COME IN, PLEASE?
290
00:10:26,172 --> 00:10:27,433
YEAH YEAH YEAH.
IT'S OPEN.
291
00:10:27,433 --> 00:10:29,175
DID YOU JUST SEE
KATNISS RUN BY?
292
00:10:29,175 --> 00:10:30,376
OH, WITH A BOW AND ARROW?
YEAH.
293
00:10:30,376 --> 00:10:31,437
WILL YOU GRAB
THAT, PLEASE?
294
00:10:33,439 --> 00:10:36,112
- WHAT A NIGHTMARE.
- DID YOU NOT THINK
IT'S STRANGE
295
00:10:36,112 --> 00:10:37,384
THAT KATNISS RAN BY?
296
00:10:37,384 --> 00:10:39,186
NO. THIS IS
A NIGHTMARE.
297
00:10:39,186 --> 00:10:40,447
TRULY, WHAT'S
GOING ON HERE?
298
00:10:40,447 --> 00:10:42,049
WELL, I WENT TO TAKE
ALL THIS TO THE SHOP.
299
00:10:42,049 --> 00:10:43,250
IT'S MY NEW
FALL LINE.
300
00:10:43,250 --> 00:10:44,251
AND YOU'RE LIKING
THE POLKA DOTS THIS YEAR.
301
00:10:44,251 --> 00:10:45,522
VERY MUCH.
AND I WENT TO PUT
302
00:10:45,522 --> 00:10:47,394
MY KEY IN THE DOOR,
AND IT DOESN'T FIT.
303
00:10:47,394 --> 00:10:49,927
WHOA. THAT'S A RECURRING
DREAM I HAVE.
304
00:10:49,927 --> 00:10:51,198
THAT I GO UP
TO MY PLACE,
305
00:10:51,198 --> 00:10:53,060
BUT IT'S ONLY
SORTA KINDA MY PLACE,
306
00:10:53,060 --> 00:10:55,233
ALL MY STUFF'S THERE
BUT IT'S GOT 80-FOOT CEILINGS
307
00:10:55,233 --> 00:10:56,504
AND WEIRD WALLPAPER,
308
00:10:56,504 --> 00:10:58,036
AND I GO TO PUT
MY KEY IN THE LOCK,
309
00:10:58,036 --> 00:10:59,507
ONLY IT'S TOTALLY
THE WRONG SHAPE.
310
00:10:59,507 --> 00:11:01,509
DO YOU WANT TO HEAR
ABOUT MY STORY OR NOT?
311
00:11:01,509 --> 00:11:03,441
- YES, GO ON.
- IT'S MY STUPID LANDLADY.
312
00:11:03,441 --> 00:11:05,043
- SHE LOCKED ME OUT.
- WHAT? WHY?
313
00:11:05,043 --> 00:11:07,015
NO REASON EXCEPT
THAT SHE HATES ME.
314
00:11:07,015 --> 00:11:08,717
BUT SHE CAN'T DO THAT.
YOU HAVE A LEASE.
315
00:11:08,717 --> 00:11:10,249
YES-SSS.
316
00:11:10,249 --> 00:11:12,351
TRULY, DO YOU
HAVE A LEASE?
317
00:11:12,351 --> 00:11:14,053
NO.
318
00:11:14,053 --> 00:11:15,724
SO YOU'RE PAYING HER
MONTH-TO-MONTH?
319
00:11:15,724 --> 00:11:18,057
YEP.
320
00:11:18,057 --> 00:11:19,589
I MEAN,
WHEN I WAS PAYING HER.
321
00:11:19,589 --> 00:11:20,730
YOU HAVEN'T
BEEN PAYING HER?
322
00:11:20,730 --> 00:11:22,131
THIS IS NOT
THE TIME FOR JUDGING,
323
00:11:22,131 --> 00:11:23,563
THIS IS THE TIME
FOR HUGS.
324
00:11:23,563 --> 00:11:25,535
- FACTS FIRST, HUGS LATER.
- I HAD A LEASE,
325
00:11:25,535 --> 00:11:26,666
FOR FIVE FULL YEARS,
326
00:11:26,666 --> 00:11:27,737
AND THEN SHE SENT ME
THE NEW LEASE
327
00:11:27,737 --> 00:11:29,199
AND SHE HAD RAISED
THE RENT SO MUCH
328
00:11:29,199 --> 00:11:31,541
I GOT MAD AND I THREW IT
INTO THE FIRE.
329
00:11:31,541 --> 00:11:33,173
YOU WERE READING IT
NEXT TO A FIRE?
330
00:11:33,173 --> 00:11:35,105
NO, I LIT A FIRE AND
I THREW THE LEASE IN.
331
00:11:35,105 --> 00:11:37,047
WOW, YOU REALLY WANTED
TO BURN THAT THING.
332
00:11:37,047 --> 00:11:39,250
VERY VERY MUCH.
I KNOW I DON'T
HAVE A FIREPLACE,
333
00:11:39,250 --> 00:11:40,451
SO I HAD TO FIND
AN IRISH PUB.
334
00:11:40,451 --> 00:11:42,012
AND THEN I HAD
TO BUY A PINT,
335
00:11:42,012 --> 00:11:43,714
'CAUSE IT'S RUDE NOT TO
AFTER YOU USE THEIR FIREPLACE
336
00:11:43,714 --> 00:11:46,657
TO BURN YOUR LEASE--
AND IT'S SEXUAL BY THE WAY.
337
00:11:46,657 --> 00:11:48,519
- WHAT IS?
- YOUR DREAM ABOUT THE KEY.
338
00:11:48,519 --> 00:11:49,721
- BLATANTLY.
- LOOK, TRULY,
339
00:11:49,721 --> 00:11:51,062
FOCUS FOR ME HERE.
340
00:11:51,062 --> 00:11:52,063
YOUR BEHIND
ON YOUR RENT,
341
00:11:52,063 --> 00:11:53,064
YOU DON'T HAVE
A LEASE,
342
00:11:53,064 --> 00:11:54,065
- THIS IS NOT GOOD.
- I KNOW.
343
00:11:54,065 --> 00:11:55,197
IT'S VERY BAD.
344
00:11:55,197 --> 00:11:57,069
I TRIED TO TALK TO
MY LANDLADY ABOUT IT,
345
00:11:57,069 --> 00:11:58,600
BUT SHE'S NOT ANSWERING
MY PHONE CALLS
346
00:11:58,600 --> 00:12:01,073
AND I CAN'T GET
AN APPOINTMENT
UNTIL MARCH.
347
00:12:01,073 --> 00:12:03,405
SO YOU WANT TO LEAVE
YOUR STUFF HERE FOR
AWHILE?
348
00:12:03,405 --> 00:12:04,536
CAN I?
349
00:12:04,536 --> 00:12:06,539
I JUST NEED SOMETIME
TO THINK AND REGROUP
350
00:12:06,539 --> 00:12:08,010
AND FIGURE OUT HOW I'M
GOING TO COME UP WITH
351
00:12:08,010 --> 00:12:09,742
AN EXTRA $1200 A MONTH.
352
00:12:09,742 --> 00:12:11,143
ABSOLUTELY.
353
00:12:11,143 --> 00:12:13,086
I HAVE A LITTLE ROOM
IN MY ARMOIRE.
354
00:12:13,086 --> 00:12:15,218
WE'LL HANG THEM UP NICE,
AND WE'LL FIGURE THIS OUT.
355
00:12:15,218 --> 00:12:17,020
- THANKS.
- THIS IS REALLY CUTE.
356
00:12:17,020 --> 00:12:18,752
I LOVE THE COLOR.
HOW MUCH IS THIS?
357
00:12:18,752 --> 00:12:21,194
$1200 A MONTH?
358
00:12:23,056 --> 00:12:24,057
LET ME THINK
ABOUT IT.
359
00:12:28,632 --> 00:12:30,664
- ( bell rings )
- Boo: ALL THE FRESHMEN
LOOK SO YOUNG.
360
00:12:30,664 --> 00:12:32,206
WERE WE EVER
THAT YOUNG?
361
00:12:32,206 --> 00:12:34,308
LOOKS LIKE A PARTICULARLY
STUPID CROP THIS YEAR TOO.
362
00:12:34,308 --> 00:12:36,170
IT'S THAT DEER IN
THE HEADLIGHTS THING.
363
00:12:36,170 --> 00:12:37,311
- IT'S UNATTRACTIVE.
- HEY, WHAT ARE YOU
LISTENING TO?
364
00:12:37,311 --> 00:12:39,173
- HEY DON'T.
- SHE GOT THROUGH "GATSBY,"
365
00:12:39,173 --> 00:12:41,516
AND NOW SHE'S LISTENING
TO THE AUDIO BOOK OF
"THE SCARLET LETTER"
366
00:12:41,516 --> 00:12:43,518
WHILE SHE READS
"FAHRENHEIT 451."
367
00:12:43,518 --> 00:12:46,181
YEAH, "FAHRENHEIT 451,"
THE BOOK BURNING THING.
368
00:12:46,181 --> 00:12:48,183
RAY BRADBURY WAS
ONTO SOMETHING THERE.
369
00:12:50,656 --> 00:12:53,188
♪ SING A SONG
FOR THE WORLD TODAY ♪
370
00:12:53,188 --> 00:12:54,460
♪ I FEEL GOOD
IN A BRAND NEW WAY... ♪
371
00:12:54,460 --> 00:12:56,131
- WHAT ARE THEY?
- NEWBIES.
372
00:12:56,131 --> 00:12:57,463
BUT NOT FRESHMEN.
373
00:12:57,463 --> 00:12:59,135
EVERYBODY'S
STARING AT THEM.
374
00:13:06,172 --> 00:13:07,844
♪ FEEL LUCKY LIKE
I SAID I WOULD... ♪
375
00:13:07,844 --> 00:13:11,177
WOW. SHE SHOOK HER HAIR
JUST LIKE IN A SHAMPOO
COMMERCIAL.
376
00:13:11,177 --> 00:13:13,650
♪ SMILING IN
THE NEIGHBORHOOD... ♪
377
00:13:13,650 --> 00:13:15,482
WHAT'S WITH
THE FLOWERS?
378
00:13:15,482 --> 00:13:17,714
♪ OH OH OH
OH OH OH ♪
379
00:13:17,714 --> 00:13:20,117
♪ OH OH OH OH OH OH ♪
380
00:13:20,117 --> 00:13:22,189
♪ OH OH OH
OH OH OH... ♪
381
00:13:22,189 --> 00:13:24,191
THEY DIDN'T EVEN
BRING PEE-CHEES.
382
00:13:24,191 --> 00:13:25,122
♪ I FEEL SUPER GOOD. ♪
383
00:13:25,122 --> 00:13:27,665
( rapping on door )
384
00:13:27,665 --> 00:13:28,666
TRULY?
385
00:13:30,128 --> 00:13:31,469
SORRY, I COULDN'T
WAIT ANY LONGER.
386
00:13:31,469 --> 00:13:32,670
YOU SLEEP SO LATE.
387
00:13:32,670 --> 00:13:33,872
WELL, I'M GENERALLY
UP LATE.
388
00:13:33,872 --> 00:13:35,133
WAIT, YOU DON'T HAVE
A MORNING SHOW?
389
00:13:35,133 --> 00:13:37,205
- A WHAT?
- A MORNING SHOW.
390
00:13:37,205 --> 00:13:38,336
I USED TO WATCH
MATT AND KATIE
391
00:13:38,336 --> 00:13:39,408
AND AL AND ANNE,
AND THEN
392
00:13:39,408 --> 00:13:40,879
MATT AND MEREDITH
AND AL AND ANNE,
393
00:13:40,879 --> 00:13:42,581
AND THEN MATT AND ANNE
AND AL AND NATALIE,
394
00:13:42,581 --> 00:13:44,583
AND THEN I TRIED
CHARLIE AND GALE
AND SETH AND NORA,
395
00:13:44,583 --> 00:13:46,645
BUT WHEN I FOUND
GEORGE AND ROBIN
AND JOSH AND SAM,
396
00:13:46,645 --> 00:13:49,188
I FELT LIKE
I WAS HOME.
397
00:13:49,188 --> 00:13:50,519
WHAT CAN I DO
FOR YOU, TRULY?
398
00:13:50,519 --> 00:13:52,191
I HAVE A BIG FAVOR
TO ASK YOU.
399
00:13:52,191 --> 00:13:54,524
I HAVE A VALUED CUSTOMER.
HER NAME IS JILL
400
00:13:54,524 --> 00:13:56,456
AND EVERY YEAR I GIVE HER
A SPECIAL PRE-PEEK
401
00:13:56,456 --> 00:13:58,127
AT MY FALL LINE.
AND IF THERE WAS ANY WAY
402
00:13:58,127 --> 00:13:59,729
I COULD BRING HER BY,
IT WOULD BE SO GREAT.
403
00:13:59,729 --> 00:14:01,131
YEAH, SURE.
BRING HER BY.
404
00:14:01,131 --> 00:14:02,662
GREAT.
COME ON IN, JILL.
405
00:14:02,662 --> 00:14:04,464
OH, SHE'S HERE
WITH YOU NOW. OKAY.
406
00:14:04,464 --> 00:14:06,607
SO, HERE WE ARE, JILL.
407
00:14:06,607 --> 00:14:09,410
IT'S A LITTLE UNUSUAL.
408
00:14:09,410 --> 00:14:11,211
ECLECTIC AS WE SAY
409
00:14:11,211 --> 00:14:12,673
WHAT WITH THE
UNMADE BED.
410
00:14:12,673 --> 00:14:15,346
BUT YOU ARE THE FIRST
TO SEE THESE,
411
00:14:15,346 --> 00:14:16,347
AND OF COURSE
I CAN TAILOR
412
00:14:16,347 --> 00:14:17,548
ANYTHING
JUST FOR YOU.
413
00:14:17,548 --> 00:14:19,550
TRULY, I AM LOVING
THE COLORS HERE.
414
00:14:19,550 --> 00:14:21,352
THE COLORS
ARE GORGEOUS.
415
00:14:21,352 --> 00:14:23,424
WILL YOU EXCUSE ME
JUST A SECOND.
416
00:14:23,424 --> 00:14:26,658
( whispering )
SHE'S NOT REALLY
INTO THE HARD SELL.
417
00:14:26,658 --> 00:14:27,729
( whispering )
I WASN'T HARD
SELLING HER.
418
00:14:27,729 --> 00:14:29,331
I THINK THE COLORS
ARE GORGEOUS.
419
00:14:29,331 --> 00:14:31,193
THE COLORS WILL
SPEAK FOR THEMSELVES.
420
00:14:31,193 --> 00:14:32,865
SO THE COLORS DO
THE HARD SELLING.
421
00:14:32,865 --> 00:14:36,198
THIS IS MY BUSINESS.
PLEASE RESPECT IT.
422
00:14:36,198 --> 00:14:37,399
OKAY.
423
00:14:37,399 --> 00:14:40,342
SO, JILL.
I WILL LEAVE YOU
TO BROWSE IN PEACE.
424
00:14:40,342 --> 00:14:42,345
AND JUST LET ME KNOW
IF THERE'S ANYTHING YOU NEED.
425
00:14:42,345 --> 00:14:44,207
I'D LOVE COFFEE
IF YOU HAVE SOME.
426
00:14:48,351 --> 00:14:49,352
CREAM OR SUGAR, JILL?
427
00:14:49,352 --> 00:14:50,683
BOTH, PLEASE.
428
00:14:53,757 --> 00:14:54,758
SORRY.
429
00:14:56,490 --> 00:14:58,222
SORRY.
430
00:14:58,222 --> 00:14:59,363
SORRY.
431
00:14:59,363 --> 00:15:02,366
( speaking French )
432
00:15:03,697 --> 00:15:05,229
IT'S THE NEW
GIRL AGAIN.
433
00:15:05,229 --> 00:15:07,201
SO SHE'S FRENCH.
434
00:15:07,201 --> 00:15:09,333
SHE'S SPEAKING
FRENCH.
435
00:15:09,333 --> 00:15:11,336
DOES THAT
MAKE HER FRENCH?
436
00:15:11,336 --> 00:15:13,338
I SWEAR I SAW HER
SPEAKING JAPANESE
437
00:15:13,338 --> 00:15:15,340
TO MR. YAMIMOTO
EARLIER TODAY.
438
00:15:15,340 --> 00:15:17,682
SHE EVEN LOOKED
A LITTLE JAPANESE
WHEN SHE WAS DOING IT.
439
00:15:17,682 --> 00:15:19,684
WEIRD.
440
00:15:19,684 --> 00:15:21,216
VERY WEIRD.
441
00:15:21,216 --> 00:15:23,218
( bell ringing )
442
00:15:25,220 --> 00:15:27,222
( piano playing )
443
00:15:46,243 --> 00:15:47,674
SHE CHANGED
HER CLOTHES.
444
00:15:47,674 --> 00:15:49,676
- HER NAME'S COZETTE.
- INTERESTING.
445
00:15:49,676 --> 00:15:51,548
AND HER BROTHER'S
NAME IS FRANKIE.
446
00:15:51,548 --> 00:15:52,680
FRANNY AND ZOE.
447
00:15:52,680 --> 00:15:54,752
NO, FRANKIE
AND COZETTE.
448
00:15:54,752 --> 00:15:56,353
KEEP GOING, BOO.
449
00:15:56,353 --> 00:15:58,826
HE'S SUPPOSED TO BE
A BRILLIANT VIOLINIST.
450
00:15:58,826 --> 00:15:59,957
GINNY SAW HIM
PLAYING PIANO.
451
00:16:02,030 --> 00:16:03,691
HE WASN'T WEARING
THAT TIE BEFORE.
452
00:16:03,691 --> 00:16:05,033
OR THOSE PANTS.
453
00:16:05,033 --> 00:16:07,035
( speaking Spanish )
454
00:16:11,700 --> 00:16:13,372
AND SHE SPEAKS
SPANISH?
455
00:16:13,372 --> 00:16:15,504
AND JAPANESE AND FRENCH.
456
00:16:15,504 --> 00:16:18,047
AND HE PLAYS THE PIANO
AND THE VIOLIN.
457
00:16:18,047 --> 00:16:19,909
I THINK I NEED
TO SIT FOR AWHILE
458
00:16:19,909 --> 00:16:21,881
AND CLEAR MY HEAD.
459
00:16:27,056 --> 00:16:29,058
THAT ONLY HAPPENS
IN THE MOVIES.
460
00:16:38,899 --> 00:16:40,901
TODAY'S A GOOD DAY
TO ORDER THE FRIED CHICKEN.
461
00:16:40,901 --> 00:16:42,373
WE CHANGE THE GREASE
THE FIRST OF THE MONTH.
462
00:16:42,373 --> 00:16:43,874
OH, BUT I LIKE THE TASTE
OF OLD GREASE.
463
00:16:43,874 --> 00:16:45,336
IT'S GOT WESSONALITY.
464
00:16:45,336 --> 00:16:46,877
- SORRY.
- THIS'LL DO.
465
00:16:46,877 --> 00:16:48,839
HEY, TAKE A LOOK AT THIS
FOR ME, WILL YOU?
466
00:16:48,839 --> 00:16:50,581
I'M NOT GONNA SAY
ANY MORE ABOUT IT,
467
00:16:50,581 --> 00:16:52,383
JUST GIVE ME
YOUR THOUGHTS.
468
00:16:52,383 --> 00:16:55,016
- WELL, IT'S A CAR.
- IT'S A HUMAN.
469
00:16:55,016 --> 00:16:57,018
- THOSE AREN'T HEADLIGHTS?
- THOSE ARE EYEBALLS.
470
00:16:57,018 --> 00:16:58,720
- SHE'S CUTE.
- IT'S A MAN.
471
00:16:58,720 --> 00:17:00,552
IS SOMETHING
EATING HIS FACE?
472
00:17:00,552 --> 00:17:01,623
THIS IS HAPPENING, YES.
473
00:17:01,623 --> 00:17:02,654
WHO IS THIS?
474
00:17:02,654 --> 00:17:03,956
IT'S A POTENTIAL
BLIND DATE.
475
00:17:03,956 --> 00:17:05,797
A CLOSE FRIEND OF MINE IS
TRYING TO SET ME UP WITH HIM
476
00:17:05,797 --> 00:17:07,800
AND SHE KNOWS ME,
SO HE MIGHT BE GREAT,
477
00:17:07,800 --> 00:17:10,803
BUT I GET NERVOUS
AROUND NEW PEOPLE,
YOU KNOW?
478
00:17:10,803 --> 00:17:13,906
- ABSOLUTELY.
- I EITHER CLAM UP
OR I TALK TOO MUCH.
479
00:17:13,906 --> 00:17:15,438
THAT'S A TOUGH
BALANCING ACT.
480
00:17:15,438 --> 00:17:16,639
BUT I'M NOT MEETING
ENOUGH PEOPLE.
481
00:17:16,639 --> 00:17:18,841
I SHOULD PROBABLY
BE GOING OUT MORE,
RIGHT?
482
00:17:18,841 --> 00:17:20,513
YOU KNOW,
TAKING MORE CHANCES.
483
00:17:20,513 --> 00:17:22,715
I'M SOLICITING DATING ADVICE
FROM A 16-YEAR-OLD, AREN'T I?
484
00:17:22,715 --> 00:17:24,347
I'M 17 NOW.
485
00:17:24,347 --> 00:17:26,019
OH, WELL, HAPPY BIRTHDAY.
486
00:17:26,019 --> 00:17:28,021
COULD I ASK YOU
FOR SOME ADVICE?
487
00:17:28,021 --> 00:17:29,753
UH... I--
488
00:17:29,753 --> 00:17:31,925
CARL WANTS ME TO
MEET HIS PARENTS.
489
00:17:31,925 --> 00:17:33,427
YEAH, I DIDN'T
QUITE SAY YES.
490
00:17:33,427 --> 00:17:34,989
- I DON'T KNOW
WHAT TO DO.
- WELL...
491
00:17:34,989 --> 00:17:36,130
I'M FREAKING OUT
A LITTLE.
492
00:17:36,130 --> 00:17:37,792
OKAY OKAY.
LET'S SEE.
493
00:17:37,792 --> 00:17:40,134
MEETING THE PARENTS.
494
00:17:40,134 --> 00:17:41,796
WELL, BOO,
495
00:17:41,796 --> 00:17:43,768
MY FIRST PIECE OF ADVICE
WOULD BE "DON'T GO."
496
00:17:43,768 --> 00:17:45,039
- I HAVE TO.
- OH.
497
00:17:45,039 --> 00:17:47,071
WELL THEN, MY SECOND
PIECE OF ADVICE
498
00:17:47,071 --> 00:17:48,973
- WOULD BE "DON'T GO."
- I HAVE TO.
499
00:17:48,973 --> 00:17:52,507
OH, WELL THEN, MY THIRD,
FOURTH AND FIFTH PIECE
OF ADVICE WOULD BE--
500
00:17:52,507 --> 00:17:54,609
I GOT IT, THANKS.
BUT I HAVE TO GO.
501
00:17:54,609 --> 00:17:55,851
ALL RIGHT, ALL RIGHT.
502
00:17:55,851 --> 00:17:58,454
WELL, LET ME
JUST SAY THIS.
503
00:17:58,454 --> 00:18:00,586
THE KEY TO GETTING ALONG
WITH CARL'S PARENTS...
504
00:18:00,586 --> 00:18:03,419
- IS TO BE MYSELF.
- WHAT ARE YOU, HIGH? NO.
505
00:18:03,419 --> 00:18:06,162
THE TRICK IS TO BE
WHOEVER IT IS YOU THINK
THEY WANT YOU TO BE.
506
00:18:06,162 --> 00:18:08,124
- OH.
- AND TO SAY WHATEVER IT IS
507
00:18:08,124 --> 00:18:09,525
YOU THINK THEY
WANT YOU TO SAY.
508
00:18:09,525 --> 00:18:10,997
TRUST ME.
IT'S THE ONLY WAY.
509
00:18:10,997 --> 00:18:13,399
- SO, DON'T BE MYSELF?
- RIGHT.
510
00:18:13,399 --> 00:18:16,503
WELL, THAT'S GOOD,
BECAUSE I REALLY
DON'T KNOW WHO I AM.
511
00:18:16,503 --> 00:18:17,474
WELL, THERE YOU GO.
512
00:18:17,474 --> 00:18:18,875
OH, AND KEEP AN EYE
ON YOUR WATCH
513
00:18:18,875 --> 00:18:20,677
BECAUSE I'M TELLING YOU,
90 MINUTES IN
514
00:18:20,677 --> 00:18:21,879
TO THE SECOND,
515
00:18:21,879 --> 00:18:23,710
EVENINGS LIKE THIS
GO SOUTH FAST.
516
00:18:23,710 --> 00:18:25,012
HOW SO?
517
00:18:25,012 --> 00:18:27,414
WELL, YOU COULD SLIP
AND TELL AN OFF-COLOR JOKE.
518
00:18:27,414 --> 00:18:28,546
I DID THAT ONCE.
519
00:18:28,546 --> 00:18:29,687
OR YOU COULD GET DRUNK
520
00:18:29,687 --> 00:18:31,549
AND CALL YOUR BOYFRIEND'S DAD
A PICKLE-PUSS.
521
00:18:31,549 --> 00:18:33,491
I DID THAT ONCE.
OR YOU COULD THINK IT'S FUNNY
522
00:18:33,491 --> 00:18:35,853
TO MOVE THE DOG'S MOUTH AROUND
AND MAKE HIM SAY DIRTY THINGS.
523
00:18:35,853 --> 00:18:37,125
I DID THAT ONCE.
524
00:18:37,125 --> 00:18:38,456
YOU'RE NOT DRINKING,
SO THAT'LL HELP,
525
00:18:38,456 --> 00:18:40,528
BUT AT THAT 90-MINUTE MARK
CUT IF OFF.
526
00:18:40,528 --> 00:18:41,600
I DON'T
HAVE A WATCH.
527
00:18:41,600 --> 00:18:43,201
OH.
528
00:18:43,201 --> 00:18:44,533
IT'S GOT A TIMER.
529
00:18:44,533 --> 00:18:46,004
USE IT.
530
00:18:46,004 --> 00:18:48,006
THANKS.
I'VE GOTTA GET
BACK THERE.
531
00:18:49,468 --> 00:18:51,670
HE'S ONLY GOT
ONE NOSE, RIGHT?
532
00:18:53,472 --> 00:18:54,513
I HOPE.
533
00:18:56,545 --> 00:18:57,476
HI.
534
00:19:03,022 --> 00:19:04,954
- PASS THE STRING BEANS.
- WE'RE OUT OF STRING BEANS.
535
00:19:04,954 --> 00:19:06,556
WE'RE OUT OF
STRING BEANS?
536
00:19:06,556 --> 00:19:07,627
AND NOW IT BEGINS.
537
00:19:07,627 --> 00:19:09,489
I KNEW WE WOULD
RUN OUT OF STRING BEANS.
538
00:19:09,489 --> 00:19:10,560
EXCUSE ME,
KIND SIR?
539
00:19:10,560 --> 00:19:12,232
IT'S A CRAMER
FAMILY TRADITION.
540
00:19:12,232 --> 00:19:14,094
FIRST, WE NEVER
ORDER ENOUGH FOOD...
541
00:19:14,094 --> 00:19:15,536
- THREE ORDERS
OF STRING BEANS.
- THREE?
542
00:19:15,536 --> 00:19:17,238
( whispers )
...THEN ORDER TOO MUCH.
543
00:19:17,238 --> 00:19:18,869
- Man: SWEETIE, WHY THREE?
- Sweetie: BECAUSE
THEY'RE SMALL.
544
00:19:18,869 --> 00:19:20,671
- I DON'T WANT THE LEFTOVERS.
- THEY HEAT UP NICE.
545
00:19:20,671 --> 00:19:23,004
- WHATEVER WE ORDER, WE EAT.
- CARL HAS A GUEST.
546
00:19:23,004 --> 00:19:25,146
NO DOGGIE BAGS.
IF I SEE ONE OF THOSE
TIN FOIL ANIMALS,
547
00:19:25,146 --> 00:19:26,547
IT GOES STRAIGHT
IN THE TRASH.
548
00:19:26,547 --> 00:19:27,549
BOO, YOU'LL EAT
MORE FOOD, RIGHT?
549
00:19:27,549 --> 00:19:29,210
UH, YES, MRS. CRAMER.
550
00:19:29,210 --> 00:19:31,182
CALL ME SWEETIE.
EVERYONE CALLS ME SWEETIE.
551
00:19:31,182 --> 00:19:33,555
YOU DON'T HAVE TO
CALL HER ANYTHING
IF YOU DON'T WANT.
552
00:19:33,555 --> 00:19:34,756
ONE ORANGE CHICKEN,
553
00:19:34,756 --> 00:19:36,188
HAPPY FAMILY
IN A BIRD'S NEST.
554
00:19:36,188 --> 00:19:38,160
FIND A HAPPY FAMILY
TO EAT IT, WILL YOU?
555
00:19:38,160 --> 00:19:39,822
SCALLION PANCAKES.
556
00:19:39,822 --> 00:19:41,263
DO YOU LIKE PORK,
HONEY?
557
00:19:41,263 --> 00:19:42,264
YES.
558
00:19:42,264 --> 00:19:44,066
OH, 'CAUSE I DO NOT.
559
00:19:44,066 --> 00:19:45,498
NEITHER DO I.
560
00:19:45,498 --> 00:19:46,969
WELL, WHICH IS IT?
YOU LIKE PORK
OR YOU DON'T?
561
00:19:46,969 --> 00:19:49,702
WELL, I USED
TO LIKE IT,
562
00:19:49,702 --> 00:19:51,834
BUT JUST NOW
WHEN I SAID I DID,
563
00:19:51,834 --> 00:19:53,706
I WAS REMEMBERING
THE TIME THAT I DID...
564
00:19:53,706 --> 00:19:55,238
LIKE IT,
BUT I DON'T ANYMORE.
565
00:19:55,238 --> 00:19:57,040
UNLESS SOMEONE ELSE
WANTS SOME AND THEN I--
566
00:19:57,040 --> 00:19:58,281
JUST ORDER THE PORK, MOM.
567
00:19:58,281 --> 00:19:59,783
THIS IS WHY
THE WHOLE WORLD HATES US.
568
00:19:59,783 --> 00:20:01,144
NOBODY HATES US.
569
00:20:01,144 --> 00:20:03,016
MU SHU PORK.
570
00:20:03,016 --> 00:20:04,288
- AND THAT'LL DO US?
- THAT'LL DO US.
571
00:20:04,288 --> 00:20:06,220
OH, THAT'LL DO US.
AND THEM.
572
00:20:06,220 --> 00:20:07,751
AND THOSE PEOPLE
OVER THERE,
573
00:20:07,751 --> 00:20:09,253
AND THE WAITERS IN THE BACK
AND THEIR FAMILIES.
574
00:20:09,253 --> 00:20:11,295
- AND FOUR BLOCKS IN SOLVANG--
- Sweetie: JUST IGNORE HIM.
575
00:20:11,295 --> 00:20:13,027
HE'S HAVING A STROKE.
THANK YOU.
576
00:20:15,029 --> 00:20:17,031
SO, BOO.
577
00:20:17,031 --> 00:20:18,703
WHAT DO YOU GOT
GOING ON HERE?
578
00:20:18,703 --> 00:20:20,265
- WHAT IS THIS?
- MY FACE?
579
00:20:20,265 --> 00:20:22,707
- ARE YOU JEWISH?
- I COULD BE.
580
00:20:22,707 --> 00:20:23,939
SHE'S NOT JEWISH, MOM.
581
00:20:23,939 --> 00:20:25,710
BUT WHAT IS
GOING ON THERE?
582
00:20:25,710 --> 00:20:27,913
I'M SEEING A LOT
OF EASTERN EUROPE?
583
00:20:27,913 --> 00:20:29,314
MAYBE POLAND, HUNGARY?
584
00:20:29,314 --> 00:20:30,876
DO YOU LIKE
EASTERN EUROPE?
585
00:20:30,876 --> 00:20:32,147
DEPENDS ON THE ERA.
586
00:20:32,147 --> 00:20:33,649
HEY, DID I TELL YOU
ABOUT THE FIRST
587
00:20:33,649 --> 00:20:35,581
HIKING TRIP I DID IN MAINE?
588
00:20:35,581 --> 00:20:37,923
THERE WAS A BUNCH OF US,
AND WE WERE JUST GETTING
TO THE PEAK OF FIRST RIDGE--
589
00:20:37,923 --> 00:20:41,227
CARL, I HAVE HEARD
THE STORY OF YOU AND THE BEAR
590
00:20:41,227 --> 00:20:42,689
AND THE RUNNING
DOWN THE HILL.
591
00:20:42,689 --> 00:20:44,090
I DO NOT NEED TO HEAR
THE STORY OF YOU AND THE BEAR
592
00:20:44,090 --> 00:20:45,692
AND THE RUNNING
DOWN THE HILL AGAIN.
593
00:20:45,692 --> 00:20:47,564
NEITHER DOES YOUR
LITTLE GIRLFRIEND.
594
00:20:47,564 --> 00:20:49,035
NOW I AM HERE
TO GET TO KNOW HER.
595
00:20:49,035 --> 00:20:50,967
NOT YOU.
SO, BOO,
596
00:20:50,967 --> 00:20:52,099
DOES YOUR FAMILY SKI?
597
00:20:52,099 --> 00:20:54,872
UH... YES.
598
00:20:54,872 --> 00:20:55,873
REALLY?
599
00:20:55,873 --> 00:20:57,274
GOD, I HATE SKIERS.
600
00:20:57,274 --> 00:20:58,846
I MEAN, NO.
601
00:20:58,846 --> 00:21:00,578
OH, REALLY?
'CAUSE I WAS GONNA SAY
602
00:21:00,578 --> 00:21:02,309
I HATE THEM BECAUSE
THEY GET TO SKI.
603
00:21:02,309 --> 00:21:04,051
I WOULD LOVE TO SKI.
604
00:21:04,051 --> 00:21:06,584
- I NEVER LEARNED HOW.
- OH, WELL, WE SKI.
605
00:21:06,584 --> 00:21:08,056
AND WE LOVE IT.
606
00:21:08,056 --> 00:21:10,588
I LOVE IT.
SKIING.
607
00:21:10,588 --> 00:21:11,619
WELL THEN MAYBE
YOU COULD TEACH ME.
608
00:21:11,619 --> 00:21:12,921
NO.
609
00:21:12,921 --> 00:21:13,992
OKAY.
610
00:21:13,992 --> 00:21:16,124
- WHAT DID YOU DO?
- WASHED MY HANDS.
611
00:21:16,124 --> 00:21:18,266
- YOU CANCELED THE STRING BEANS.
- I DON'T WANT LEFTOVERS.
612
00:21:18,266 --> 00:21:20,068
BOO WANTED THOSE BEANS,
DIDN'T YOU, BOO?
613
00:21:20,068 --> 00:21:21,600
YOU KNOW, MOM,
YOU PROBABLY
DON'T REMEMBER
614
00:21:21,600 --> 00:21:24,033
BUT YOU'VE SEEN BOO
AT A COUPLE OF MY
DANCE RECITALS.
615
00:21:24,033 --> 00:21:26,235
SHE WAS THE GIRL
MOPPING THE FLOOR
WITH THE REST OF US.
616
00:21:26,235 --> 00:21:28,277
CARL RAVES ABOUT
YOUR DANCING.
617
00:21:28,277 --> 00:21:29,809
I'M NOT THAT GOOD.
618
00:21:29,809 --> 00:21:30,880
SHE'S GREAT.
619
00:21:30,880 --> 00:21:32,281
WHO'S YOUR FAVORITE
BALLERINA?
620
00:21:34,043 --> 00:21:35,385
SHE LOVES A BUNCH OF THEM.
621
00:21:35,385 --> 00:21:36,846
THE LIST IS LONG.
622
00:21:36,846 --> 00:21:38,388
IS YOUR NAME BOO?
623
00:21:38,388 --> 00:21:40,150
SO WHO DO YOU LIKE?
GELSEY KIRKLAND?
624
00:21:40,150 --> 00:21:41,151
YES.
625
00:21:41,151 --> 00:21:43,824
TERRIBLE COCAINE PROBLEM.
626
00:21:43,824 --> 00:21:45,025
NO.
627
00:21:45,025 --> 00:21:47,728
NO? SHE DIDN'T HAVE
A TERRIBLE COCAINE PROBLEM?
628
00:21:47,728 --> 00:21:48,999
MAYBE.
629
00:21:48,999 --> 00:21:50,931
SHE WROTE A BOOK--
A WHOLE BOOK ABOUT COCAINE,
630
00:21:50,931 --> 00:21:53,264
ABOUT SNORTING COCAINE,
ABOUT QUITTING COCAINE.
631
00:21:53,264 --> 00:21:54,906
MOM, PLEASE?
632
00:21:54,906 --> 00:21:57,268
SHUSH. NOW COME ON, HONEY,
YOU'RE A BALLERINA,
633
00:21:57,268 --> 00:21:59,240
SURELY YOU HAVE A FAVORITE.
WHO'S YOUR FAVORITE?
634
00:21:59,240 --> 00:22:01,012
- ( beeps )
- 90 MINUTES.
635
00:22:01,012 --> 00:22:02,173
WHAT?
636
00:22:02,173 --> 00:22:04,416
TIME FOR ME TO
GO TO THE BATHROOM.
637
00:22:04,416 --> 00:22:06,718
YOU SET AN ALARM
TO REMIND YOU TO
GO TO THE BATHROOM?
638
00:22:06,718 --> 00:22:07,979
YOU OKAY?
YOU NEED TO GO HOME?
639
00:22:07,979 --> 00:22:10,052
- LET ME TAKE YOU HOME.
- I'M FINE.
640
00:22:10,052 --> 00:22:12,154
I'LL BE RIGHT BACK.
641
00:22:13,385 --> 00:22:14,857
WHAT KIND OF A PERSON
SETS AN ALARM
642
00:22:14,857 --> 00:22:16,258
TO REMIND HER
TO GO TO THE BATHROOM?
643
00:22:16,258 --> 00:22:18,391
MOM, CAN YOU BACK OFF?
YOU'RE MAKING HER NERVOUS.
644
00:22:18,391 --> 00:22:20,062
OH PLEASE,
SHE SHOWED UP NERVOUS.
645
00:22:20,062 --> 00:22:21,133
WELL, YOU'RE
NOT HELPING.
646
00:22:21,133 --> 00:22:23,196
CARL, THIS GIRL,
SHE'S VERY NICE.
647
00:22:23,196 --> 00:22:24,397
DON'T DO THIS.
648
00:22:24,397 --> 00:22:26,069
SHE'S LIKE A LOAF
OF UNBAKED BREAD.
649
00:22:26,069 --> 00:22:27,070
THAT'S NOT FAIR.
650
00:22:27,070 --> 00:22:28,401
THIS WOMAN HAS
NO OPINIONS.
651
00:22:28,401 --> 00:22:30,203
- STOP.
- SHE SKIS, SHE DOESN'T SKI.
652
00:22:30,203 --> 00:22:31,945
SHE'S FROM POLAND,
SHE'S NOT FROM POLAND.
653
00:22:31,945 --> 00:22:33,276
SHE NEVER SAID
SHE WAS FROM POLAND
654
00:22:33,276 --> 00:22:34,878
AND YOU DON'T
KNOW HER.
655
00:22:34,878 --> 00:22:35,879
BUT YOU BETTER
GET TO KNOW HER
656
00:22:35,879 --> 00:22:37,281
BECAUSE SHE'S
THE ONE I LIKE.
657
00:22:37,281 --> 00:22:39,153
MORE THAN LIKE.
I COULD MARRY THIS GIRL.
658
00:22:39,153 --> 00:22:40,814
GET A GOOD JOB.
SHE EATS A LOT OF BEANS.
659
00:22:40,814 --> 00:22:42,757
WHAT ARE YOU TALKING ABOUT,
MARRY THIS GIRL?
660
00:22:42,757 --> 00:22:43,788
YOU'RE IN HIGH SCHOOL.
661
00:22:54,129 --> 00:22:55,971
WHAT THE HELL IS
GOING ON IN THERE?
662
00:22:57,132 --> 00:22:58,734
I'M NOT TALKING
TO MYSELF, DUDE.
663
00:22:58,734 --> 00:23:00,275
ANY IDEA WHAT'S
GOING ON IN MY HOUSE?
664
00:23:00,275 --> 00:23:02,007
I HAVE NO IDEA.
665
00:23:02,007 --> 00:23:04,139
OKAY, AND SASHA'S
NOT HERE, SO SCRAM.
666
00:23:04,139 --> 00:23:05,140
YEP.
667
00:23:08,013 --> 00:23:12,748
- ( piano playing )
- JUST A 24-HOUR TURNAROUND
ON ALL ALTERATIONS, LADIES.
668
00:23:12,748 --> 00:23:15,351
YOU ARE RUNNING DANGEROUSLY
LOW THERE, JILL.
669
00:23:15,351 --> 00:23:16,823
OH, WELL,
YOU KNOW WHAT TO DO.
670
00:23:16,823 --> 00:23:18,024
- DO I?
- TRULY.
671
00:23:18,024 --> 00:23:19,155
SUCH A CHARMING SPACE.
672
00:23:19,155 --> 00:23:20,957
IT'S A WORK IN PROGRESS,
673
00:23:20,957 --> 00:23:22,259
BUT IT'S REALLY
GETTING THERE.
674
00:23:22,259 --> 00:23:23,500
SUE, THAT BLOUSE
IS SO YOU,
675
00:23:23,500 --> 00:23:24,901
I DON'T WANT IT
ON ANYBODY ELSE.
676
00:23:24,901 --> 00:23:26,763
- TRULY!
- WOULD YOU LADIES EXCUSE ME
677
00:23:26,763 --> 00:23:27,805
FOR JUST A MOMENT.
678
00:23:29,136 --> 00:23:30,738
DON'T I AT LEAST GET
A GLASS OF WINE?
679
00:23:30,738 --> 00:23:32,009
WINE IS FOR CUSTOMERS.
680
00:23:32,009 --> 00:23:34,141
SO, DID I
KNOW ABOUT THIS?
681
00:23:34,141 --> 00:23:36,344
ABOUT MY FALL OPEN HOUSE?
I MEANT TO GIVE YOU A FLYER.
682
00:23:36,344 --> 00:23:38,476
HERE. ON THE BACK
IS INFORMATION ABOUT
683
00:23:38,476 --> 00:23:40,818
A WINTER HOT CHOCOLATE PARTY
I'M HOSTING IN DECEMBER.
684
00:23:40,818 --> 00:23:42,220
BRING THE KIDS,
'CAUSE THERE'S CAROLING.
685
00:23:42,220 --> 00:23:43,822
TRULY, THIS IS
NOT YOUR SHOP.
686
00:23:43,822 --> 00:23:45,183
LUCY, I HAVE AN
AUDREY HEPBURN HAT
687
00:23:45,183 --> 00:23:47,025
THAT WOULD LOOK
SIN CITY-SATIONAL
WITH THAT SKIRT.
688
00:23:48,156 --> 00:23:49,428
WHEN ARE YOU GOING TO
TALK TO YOUR LANDLORD?
689
00:23:49,428 --> 00:23:50,959
MMM, NEVER.
690
00:23:50,959 --> 00:23:53,292
NEVER? BUT,
TRULY, THIS THING
WE GOT GOING HERE,
691
00:23:53,292 --> 00:23:54,763
IT'S GOTTA END SOON.
692
00:23:54,763 --> 00:23:56,495
OH, GREAT, I WENT FROM
ONE MEAN LANDLORD TO ANOTHER?
693
00:23:56,495 --> 00:23:57,837
I'M NOT YOUR LANDLORD.
694
00:23:57,837 --> 00:23:59,038
- TRULY.
- AAH.
695
00:23:59,038 --> 00:24:00,840
HOW'S THAT SIZE
WORKING FOR YOU,
NANCY?
696
00:24:00,840 --> 00:24:02,301
- IT'S TOO BIG.
- TOO BIG?
697
00:24:02,301 --> 00:24:04,974
NANCY, SKINNY GIRL,
YOU ARE NOW OFFICIALLY A SIX.
698
00:24:04,974 --> 00:24:05,975
- NO.
- YES.
699
00:24:05,975 --> 00:24:07,006
- NO.
- YES.
700
00:24:07,006 --> 00:24:08,178
- NO!
- YES! NANCY, YOU'RE A SIX!
701
00:24:08,178 --> 00:24:09,279
ACCEPT IT!
702
00:24:09,279 --> 00:24:11,952
I WILL GET YOU THAT
SIX TOMORROW, NANCY.
703
00:24:11,952 --> 00:24:15,015
- SHE'S A SIX.
- TRULY.
704
00:24:15,015 --> 00:24:16,116
I MEAN IT HERE.
705
00:24:16,116 --> 00:24:17,487
OKAY.
706
00:24:17,487 --> 00:24:18,959
OKAY, I KNOW I NEED
TO TALK TO HER,
707
00:24:18,959 --> 00:24:20,821
BUT SHE'S JUST
SO INTIMIDATING,
708
00:24:20,821 --> 00:24:22,293
AND I HATE THAT
SCARY OFFICE OF HERS.
709
00:24:22,293 --> 00:24:23,964
AND IF I HAVE TO LOOK AT
THAT STUPID PICTURE OF HER
710
00:24:23,964 --> 00:24:26,027
PLAYING GOLF WITH
CONDOLEEZZA RICE
ONE MORE TIME...
711
00:24:26,027 --> 00:24:28,029
WELL, HOW ABOUT YOU MEET HER
ON NEUTRAL TERRITORY?
712
00:24:28,029 --> 00:24:29,270
LIKE THE OYSTER BAR?
713
00:24:29,270 --> 00:24:31,002
- MAYBE.
- AND I'LL GO WITH YOU
714
00:24:31,002 --> 00:24:32,834
FOR MORAL SUPPORT.
HOW ABOUT THAT?
715
00:24:32,834 --> 00:24:34,436
- REALLY?
- ANYTHING TO GET
MY PLACE BACK.
716
00:24:34,436 --> 00:24:36,578
I'M NOT SURE IF
THIS IS APPROPRIATE,
717
00:24:36,578 --> 00:24:38,039
BUT HOW MUCH
FOR THIS?
718
00:24:38,039 --> 00:24:39,040
I'M SORRY,
BUT YOU'RE RIGHT.
719
00:24:39,040 --> 00:24:39,981
THAT'S NOT APPROPRIATE.
720
00:24:39,981 --> 00:24:40,982
I'LL TAKE 50 BUCKS.
721
00:24:44,987 --> 00:24:46,588
WHAT'S THE MATTER
WITH YOU, BOO?
722
00:24:46,588 --> 00:24:48,050
YOU SEEM PENSIVE.
723
00:24:48,050 --> 00:24:50,523
CARL IS GOING
TO ASK ME TO
MARRY HIM.
724
00:24:50,523 --> 00:24:51,954
WHAT?
725
00:24:51,954 --> 00:24:54,026
HOW DO YOU KNOW?
726
00:24:54,026 --> 00:24:55,158
I HEARD HIM TALKING
TO HIS MOM
727
00:24:55,158 --> 00:24:57,030
WHEN I MET
THE PARENTS
LAST NIGHT.
728
00:24:57,030 --> 00:24:59,032
HOLY CRAP.
THIS IS BIG.
729
00:24:59,032 --> 00:25:00,233
HE'S GOING TO HAVE TO
WEAR LIFTS AT THE WEDDING
730
00:25:00,233 --> 00:25:01,364
OR ELSE THE KISS
WILL LOOK STUPID.
731
00:25:01,364 --> 00:25:02,606
SO YOU'VE HAD
SEX WITH HIM?
732
00:25:02,606 --> 00:25:04,307
NO, SASHA!
733
00:25:04,307 --> 00:25:06,269
IF I HAD,
I'D HAVE TOLD YOU.
734
00:25:06,269 --> 00:25:08,171
WHY IN THE WORLD
WOULD YOU TELL ME?
735
00:25:08,171 --> 00:25:09,843
ARE YOU FORGETTING
THE PACT?
736
00:25:09,843 --> 00:25:12,516
THE EIGHTH GRADE PACT?
737
00:25:12,516 --> 00:25:14,048
WE ALL VOWED
TO CALL EACH OTHER
738
00:25:14,048 --> 00:25:15,519
AFTER IT HAPPENED.
739
00:25:15,519 --> 00:25:17,852
YOU VOWED TO CALL US
WHILE IT HAPPENED.
740
00:25:17,852 --> 00:25:19,053
THAT SOUNDS LIKE ME.
741
00:25:19,053 --> 00:25:20,324
BOO, WHATEVER
THAT PACT WAS,
742
00:25:20,324 --> 00:25:22,056
IT WAS TWO AND A HALF
YEARS AGO.
743
00:25:22,056 --> 00:25:23,057
WE WERE BABIES.
744
00:25:23,057 --> 00:25:24,459
I WAS STILL TALLER
THAN MELANIE.
745
00:25:24,459 --> 00:25:27,062
I THOUGHT
IT WAS NICE,
746
00:25:27,062 --> 00:25:29,464
MADE IT LESS
OF A SCARY THING.
747
00:25:29,464 --> 00:25:31,196
IT WAS NICE, BOO.
748
00:25:31,196 --> 00:25:33,038
WE'LL TELL EACH OTHER,
I PROMISE.
749
00:25:33,038 --> 00:25:35,340
WHAT IS GOING ON HERE?
750
00:25:37,503 --> 00:25:38,574
Boo: WHAT IS SHE CARRYING?
751
00:25:38,574 --> 00:25:40,176
I THINK IT'S
A PICNIC BASKET.
752
00:25:41,507 --> 00:25:43,449
SHE RODE UP TO SCHOOL
IN A SCOOTER.
753
00:25:43,449 --> 00:25:45,251
WHERE DID SHE GET
THE PICNIC BASKET?
754
00:25:45,251 --> 00:25:46,953
AND SHE'S WEARING
A SUEDE DRESS.
755
00:25:46,953 --> 00:25:48,184
SHE WAS NOT WEARING
THAT THIS MORNING.
756
00:25:48,184 --> 00:25:49,986
OR THIS AFTERNOON
WHEN SHE CHANGED.
757
00:25:49,986 --> 00:25:51,558
IT'S HER THIRD
OUTFIT.
758
00:25:53,520 --> 00:25:56,123
( sighs )
BEAUTIFUL SPREAD.
759
00:25:56,123 --> 00:25:57,224
THAT'S WINE.
760
00:25:57,224 --> 00:25:59,066
I MEAN, IS THAT LEGAL?
761
00:25:59,066 --> 00:26:00,197
ISN'T SHE 16?
762
00:26:00,197 --> 00:26:01,929
Sasha: MITCH ALVARADO.
763
00:26:01,929 --> 00:26:03,370
Melanie: HE GAVE HER
A PECK ON THE CHEEK.
764
00:26:03,370 --> 00:26:06,073
HOW IN THE WORLD DOES
SHE ALREADY KNOW
MITCH ALVARADO?
765
00:26:06,073 --> 00:26:08,936
I'VE BEEN GOING TO SCHOOL
WITH MITCH ALVARADO
SINCE KINDERGARTEN.
766
00:26:08,936 --> 00:26:11,339
I STILL HAVEN'T
MET MITCH ALVARADO.
767
00:26:12,680 --> 00:26:14,212
THIS IS SO URBAN
AND SOPHISTICATED.
768
00:26:14,212 --> 00:26:15,543
I'M GONNA PUKE.
769
00:26:17,045 --> 00:26:18,647
GINNY, WE NEED INFORMATION.
GO GRILL THE BROTHER.
770
00:26:18,647 --> 00:26:21,049
- ME? WHY ME?
- BECAUSE WE VOTED
AND YOU WON.
771
00:26:21,049 --> 00:26:23,191
- YOU DIDN'T VOTE.
- WHO WANTS GINNY TO GO
TALK TO THE BROTHER?
772
00:26:27,196 --> 00:26:29,528
( sighs )
ALL RIGHT.
773
00:26:40,069 --> 00:26:41,070
HELLO, VIRGINIA.
774
00:26:41,070 --> 00:26:42,542
HOW DID YOU
KNOW MY NAME?
775
00:26:42,542 --> 00:26:44,074
HOW DID YOU
KNOW MINE?
776
00:26:44,074 --> 00:26:46,216
HOW DO YOU KNOW
I KNOW YOUR NAME?
777
00:26:46,216 --> 00:26:48,548
I DIDN'T.
I DO NOW.
778
00:26:51,081 --> 00:26:54,555
SO, YOU AND YOUR SISTER.
NEW KIDS IN TOWN, HUH?
779
00:26:54,555 --> 00:26:57,388
'CAUSE WE NOTICE
WHEN NEW PEOPLE
MOVE IN.
780
00:26:57,388 --> 00:26:59,730
WE'RE PERPETUALLY
BORED, SO...
781
00:26:59,730 --> 00:27:01,492
- THIS IS GOING
IN THE GARBAGE.
- WHAT IS?
782
00:27:01,492 --> 00:27:03,034
THIS.
783
00:27:03,034 --> 00:27:04,335
I CAN'T QUITE SEE--
784
00:27:04,335 --> 00:27:06,067
BUT YOU WOULD IF
I LET IT SURVIVE.
785
00:27:06,067 --> 00:27:09,000
IS THAT BAD,
SEEING A PICTURE?
786
00:27:09,000 --> 00:27:11,142
ISN'T THAT THE POINT?
787
00:27:13,004 --> 00:27:14,546
SO WHERE ARE
YOU GUYS FROM?
788
00:27:14,546 --> 00:27:16,448
WE'RE NOMADS.
WE'RE JUST IN FROM BAVARIA.
789
00:27:16,448 --> 00:27:18,751
BAVARIA, REALLY?
790
00:27:18,751 --> 00:27:20,553
THAT'S WHERE
MAD LUDWIG'S CASTLE IS.
791
00:27:20,553 --> 00:27:22,455
I'VE ALWAYS WANTED
TO SEE THAT.
792
00:27:22,455 --> 00:27:25,758
THE WAY HE SAW IT,
OR THE WAY IT IS?
793
00:27:25,758 --> 00:27:27,520
UH...
794
00:27:27,520 --> 00:27:29,062
YOU'LL SEE SOON.
795
00:27:34,567 --> 00:27:36,229
THAT'S ME.
THAT'S US.
796
00:27:39,533 --> 00:27:41,074
IT'S WARMER TODAY
THAN I THOUGHT.
797
00:27:49,113 --> 00:27:51,586
WHY DOESN'T MY PAELLA
LOOK LIKE THE PAELLA
IN THE BOOK?
798
00:27:51,586 --> 00:27:53,117
YOU SHOULD HAVE JUST
KEPT IT SIMPLE.
799
00:27:53,117 --> 00:27:55,119
IT'S JUST RICE, ONIONS,
GARLIC, SAUSAGE, SHRIMP,
800
00:27:55,119 --> 00:27:56,190
CHICKEN, MUSCLES,
AND SAFFRON STOCK.
801
00:27:56,190 --> 00:27:57,192
WHAT'S SIMPLER THAN THAT?
802
00:27:57,192 --> 00:27:58,523
SHE'S SUPPOSED TO
BE ON BED REST.
803
00:27:58,523 --> 00:28:00,125
I'M ON STOOL REST.
JUST AS GOOD.
804
00:28:00,125 --> 00:28:01,326
PLUS WE HAVE
A SPECIAL GUEST.
805
00:28:01,326 --> 00:28:02,527
I'M NOT
A SPECIAL GUEST.
806
00:28:02,527 --> 00:28:04,129
ARE YOU KIDDING?
THIS IS HISTORIC.
807
00:28:04,129 --> 00:28:05,530
BOO HAS NEVER
BROUGHT A BOY HOME
808
00:28:05,530 --> 00:28:06,732
EXCEPT WHEN SHE WAS SIX
AND SHE BROUGHT HOME
809
00:28:06,732 --> 00:28:08,063
LITTLE MAXIE RUCKER.
810
00:28:08,063 --> 00:28:09,535
WITHOUT INFORMING
MAXIE'S PARENTS.
811
00:28:09,535 --> 00:28:11,206
AND THEY ARRESTED
RUSTY AND ME
812
00:28:11,206 --> 00:28:12,738
BECAUSE WE WERE
RESPONSIBLE FOR
BOO'S ACTIONS
813
00:28:12,738 --> 00:28:14,170
OR SOMETHING.
814
00:28:14,170 --> 00:28:15,271
IT WAS HYSTERICAL.
815
00:28:15,271 --> 00:28:16,342
YOU KIDNAPPED A KID?
816
00:28:16,342 --> 00:28:18,214
HEY, HOW ABOUT WE NOT
BRING UP ANECDOTES
817
00:28:18,214 --> 00:28:19,415
FROM MY CHILDHOOD
TONIGHT, OKAY?
818
00:28:19,415 --> 00:28:20,576
THE PAELLA IN THE BOOK
IS BROWN.
819
00:28:20,576 --> 00:28:22,178
WHY IS MINE GREEN?
820
00:28:22,178 --> 00:28:23,450
PLEASE,
LET'S JUST ORDER PIZZAS.
821
00:28:23,450 --> 00:28:25,322
NO, THAT'S SURRENDERING.
NEVER SURRENDER!
822
00:28:25,322 --> 00:28:27,123
Boys:
NEVER SURRENDER!
NEVER SURRENDER!
823
00:28:27,123 --> 00:28:29,386
( yelling )
824
00:28:29,386 --> 00:28:32,129
I DIDN'T KNOW BEEZ
WOULD HAVE HIS TWO
BOOBS WITH HIM TONIGHT.
825
00:28:32,129 --> 00:28:33,330
WE HAD NO CHOICE.
WHEN IT'S MY TURN
826
00:28:33,330 --> 00:28:34,661
TO WATCH
WINKLEBURN KIDS,
827
00:28:34,661 --> 00:28:36,664
THEN IT'S MY TURN TO WATCH
THE WINKLEBURN KIDS.
828
00:28:36,664 --> 00:28:38,466
DO YOU BOIL IT
INSIDE THE POUCH,
829
00:28:38,466 --> 00:28:40,538
OR DO YOU OPEN THE POUCH
AND DUMP IT IN?
830
00:28:40,538 --> 00:28:42,340
I THINK YOU KEEP IT
IN THE POUCH
831
00:28:42,340 --> 00:28:43,701
AND DROP IT IN
THE BOILING WATER.
832
00:28:43,701 --> 00:28:45,473
THANK YOU, YOUNG MAN.
833
00:28:45,473 --> 00:28:47,075
RUSTY,
YOU'RE WATCHING TV.
834
00:28:47,075 --> 00:28:48,476
- I'M NOT WATCHING TV.
- THEN TURN IT OFF.
835
00:28:48,476 --> 00:28:50,608
- THE KIDS WILL START CRYING.
- YOU'LL START CRYING.
836
00:28:50,608 --> 00:28:51,610
MOM, LET'S GET
THIS DINNER MOVING.
837
00:28:51,610 --> 00:28:52,811
WE ARE LOSING
MOMENTUM.
838
00:28:52,811 --> 00:28:54,082
OH, I'LL PUT
BARBEQUE SAUCE ON IT.
839
00:28:54,082 --> 00:28:55,213
THAT'LL
MAKE IT BROWN.
840
00:28:55,213 --> 00:28:56,485
- YES.
- I LOVE BARBEQUE SAUCE.
841
00:28:56,485 --> 00:28:57,816
YOU KNOW, IF THERE'S
NOT GONNA BE ENOUGH,
842
00:28:57,816 --> 00:28:59,618
I CAN JUST EAT DOWN
AT THE FIREHOUSE.
843
00:28:59,618 --> 00:29:02,121
CHICKEN PARM NIGHT.
IT'S A GOOD NIGHT.
844
00:29:02,121 --> 00:29:03,722
DAD, WE ARE HAVING
DINNER WITH CARL.
845
00:29:03,722 --> 00:29:04,864
WELL, CARL CAN
COME WITH ME.
846
00:29:04,864 --> 00:29:06,465
I LIKE CARL.
847
00:29:06,465 --> 00:29:09,198
IT'S BARBEQUED PAELLA
I'M NOT TOO CRAZY ABOUT.
848
00:29:09,198 --> 00:29:12,171
( crashing )
849
00:29:14,334 --> 00:29:16,206
DID--
850
00:29:16,206 --> 00:29:17,637
DID ANYONE ELSE
HEAR THAT?
851
00:29:17,637 --> 00:29:18,839
THAT WAS JUST
BOO'S BROTHER.
852
00:29:18,839 --> 00:29:21,211
AND THE WINKLEBURNS.
THEY GET INTO IT.
853
00:29:21,211 --> 00:29:22,342
THEY SURE DO.
854
00:29:22,342 --> 00:29:24,785
THERE. BROWN PAELLA.
DISH THAT UP.
855
00:29:24,785 --> 00:29:26,717
I'M GONNA PEE.
856
00:29:26,717 --> 00:29:28,719
( country music playing )
857
00:29:34,495 --> 00:29:36,227
♪ I LIVE OUT WEST ♪
858
00:29:36,227 --> 00:29:37,699
♪ WHERE LIFE IS BEST ♪
859
00:29:37,699 --> 00:29:40,231
♪ AND THE CREATURES
STILL RUN WILD ♪
860
00:29:42,233 --> 00:29:45,337
♪ WHERE STETSON HATS
AND SHOTGUN CHAPS ♪
861
00:29:45,337 --> 00:29:47,309
♪ AND SPURS ARE
STILL IN STYLE... ♪
862
00:29:48,740 --> 00:29:50,312
( mouths )
863
00:29:50,312 --> 00:29:52,514
♪ DON'T EARN MUCH PAY
BUT THAT'S OKAY ♪
864
00:29:52,514 --> 00:29:55,418
♪ 'CAUSE I'M HAPPY
WITH WHO I AM ♪
865
00:29:57,280 --> 00:30:00,353
♪ I'M A ROOTIN' TOOTIN',
SIX-GUN SHOOTIN' ♪
866
00:30:00,353 --> 00:30:04,687
♪ YODELING COWHAND. ♪
867
00:30:04,687 --> 00:30:06,459
( yodeling )
868
00:30:06,459 --> 00:30:08,231
- OH.
- ( music stops )
869
00:30:08,231 --> 00:30:10,834
SO EXCITING.
YOU NEVER KNOW WHEN
IT'S GONNA END.
870
00:30:10,834 --> 00:30:12,265
WHOO.
871
00:30:12,265 --> 00:30:14,568
YOU KNOW, I CAN'T BELIEVE
YOU JUST WHIPPED UP
872
00:30:14,568 --> 00:30:15,899
THIS DESSERT, CARL.
WHAT'S IT CALLED AGAIN?
873
00:30:15,899 --> 00:30:17,241
BANANAS FOSTER.
874
00:30:17,241 --> 00:30:19,173
IT'S JUST BANANAS,
BROWN SUGAR, BUTTER,
875
00:30:19,173 --> 00:30:20,775
AND VANILLA ICE CREAM.
IT'S NOTHING.
876
00:30:20,775 --> 00:30:22,647
NOTHING! I'VE GOT RACHEL RAY
MAKING ME DESSERT HERE,
877
00:30:22,647 --> 00:30:23,708
AND HE SAYS
IT'S NOTHING.
878
00:30:23,708 --> 00:30:24,849
RACHEL RAY
IS A GIRL.
879
00:30:24,849 --> 00:30:26,781
PROOF. I WANT PROOF!
( laughs )
880
00:30:26,781 --> 00:30:27,852
HEY, MOM,
WHERE'S DAD?
881
00:30:27,852 --> 00:30:29,314
HE WENT TO THE BATHROOM
20 MINUTES AGO.
882
00:30:29,314 --> 00:30:30,485
I SHOULD PROBABLY
CHECK ON HIM.
883
00:30:30,485 --> 00:30:31,886
SOMETIMES HE'S SO TIRED
HE PULLS AN ELVIS
884
00:30:31,886 --> 00:30:33,358
AND FALLS ASLEEP
ON THE THRONE.
885
00:30:33,358 --> 00:30:36,822
LET'S HOPE HE'S NOT
PULLING A FULL ELVIS.
886
00:30:36,822 --> 00:30:39,294
LET'S HELP YOUR
MOTHER CLEAN UP.
887
00:30:46,972 --> 00:30:48,234
YOU'RE A SAINT.
888
00:30:48,234 --> 00:30:49,836
( scoffs )
889
00:30:49,836 --> 00:30:52,378
THE BANANA FOSTER
WAS REALLY GOOD.
890
00:30:52,378 --> 00:30:53,780
I HOPE SO.
891
00:30:53,780 --> 00:30:54,911
I DIDN'T USE
QUITE AS MUCH BUTTER
892
00:30:54,911 --> 00:30:56,382
AS I'D LIKE.
I THOUGHT IT WOULD BE
893
00:30:56,382 --> 00:30:57,714
A GOOD IDEA TO CUT OFF
THE PART OF THE CUBE
894
00:30:57,714 --> 00:30:58,915
THAT HAD TEETH
MARKS ON IT.
895
00:30:58,915 --> 00:31:00,247
YEAH.
896
00:31:00,247 --> 00:31:01,588
I CAN SHOW YOUR MOM
HOW TO MAKE IT.
897
00:31:01,588 --> 00:31:03,250
YOUR DAD WAS
REALLY INTO IT.
898
00:31:03,250 --> 00:31:04,321
EVEN BEEZ SEEMED TO--
899
00:31:04,321 --> 00:31:05,322
OKAY, I'LL MARRY YOU.
900
00:31:07,695 --> 00:31:08,726
- WHAT?
- LET'S DO IT.
901
00:31:08,726 --> 00:31:09,957
LET'S GET MARRIED.
902
00:31:09,957 --> 00:31:11,228
THE SOONER THE BETTER.
903
00:31:11,228 --> 00:31:12,500
MARRIED?
904
00:31:12,500 --> 00:31:14,632
I JUST NEED TO FINISH
HIGH SCHOOL FIRST, OKAY?
905
00:31:14,632 --> 00:31:16,234
AND YOU SHOULD TOO.
906
00:31:16,234 --> 00:31:17,635
THEN WE'LL GET MARRIED
AND GO TO COLLEGE.
907
00:31:17,635 --> 00:31:18,836
PEOPLE HAVE DONE THAT.
908
00:31:18,836 --> 00:31:20,969
THERE'S SPECIAL HOUSING
FOR MARRIED COUPLES.
909
00:31:20,969 --> 00:31:22,941
I THINK I SAW THAT
SOMEWHERE IN A MOVIE ONCE.
910
00:31:22,941 --> 00:31:24,873
"LOVE STORY."
"PORKY'S."
911
00:31:24,873 --> 00:31:26,274
- BOO.
- AND WHO KNOWS,
912
00:31:26,274 --> 00:31:27,976
AFTER I LOSE
THOSE LAST FEW POUNDS
913
00:31:27,976 --> 00:31:29,978
AND GET A LITTLE
MORE TRAINING,
914
00:31:29,978 --> 00:31:32,251
I CAN MAKE IT INTO
A GOOD DANCE COMPANY,
915
00:31:32,251 --> 00:31:33,022
MAYBE NEW YORK.
916
00:31:33,022 --> 00:31:34,924
WE'LL LIVE IN NEW YORK.
917
00:31:34,924 --> 00:31:36,255
THAT'S WHERE
YOU'LL GO TO SCHOOL.
918
00:31:36,255 --> 00:31:38,387
THERE ARE SOME GREAT
SCHOOLS IN NEW YORK.
919
00:31:38,387 --> 00:31:40,730
OR WE COULD JUST BE ENGAGED
AND LIVE IN NEW YORK
920
00:31:40,730 --> 00:31:42,662
WHILE I'M DANCING
AND YOU'RE GOING TO COLLEGE,
921
00:31:42,662 --> 00:31:44,864
BUT THAT PUTS ME IN THE
WHY-BUY-THE-COW-
922
00:31:44,864 --> 00:31:46,936
WHEN-YOU-CAN-GET-
THE-MILK-FOR-FREE CATEGORY,
923
00:31:46,936 --> 00:31:49,940
SO WE'RE JUST GOING TO
HAVE TO BIT THE BULLET
AND GET MARRIED.
924
00:31:49,940 --> 00:31:51,401
WHOA, WHOA, BOO--
925
00:31:51,401 --> 00:31:53,443
I KNOW I'M JUST A LOAF
OF UNBAKED BREAD, CARL,
926
00:31:53,443 --> 00:31:55,045
BUT I MAKE A GOOD WIFE.
927
00:31:55,045 --> 00:31:57,448
AND A GOOD MOTHER
TO YOUR CHILDREN,
928
00:31:57,448 --> 00:31:59,710
IF YOU WANT CHILDREN.
I'M TORN.
929
00:31:59,710 --> 00:32:01,712
IF I GIVE BIRTH
TO THE WINKLEBURN KIDS,
930
00:32:01,712 --> 00:32:03,454
I AM SENDING
THEM BACK.
931
00:32:03,454 --> 00:32:04,855
BOO, LET ME
SAY SOMETHING.
932
00:32:04,855 --> 00:32:05,987
OKAY, BUT HURRY
BECAUSE WE HAVE
933
00:32:05,987 --> 00:32:07,588
A LOT OF
PLANNING TO DO.
934
00:32:07,588 --> 00:32:08,589
WHERE IS THIS
COMING FROM?
935
00:32:08,589 --> 00:32:10,592
I HEARD YOU TALKING
TO SWEETIE.
936
00:32:10,592 --> 00:32:14,025
- OH, BOO--
- SAYING THAT I'M THE GIRL
YOU'RE GOING TO MARRY.
937
00:32:14,025 --> 00:32:15,727
I WAS TOUCHED.
938
00:32:15,727 --> 00:32:17,399
AND NAUSEOUS,
939
00:32:17,399 --> 00:32:19,401
BUT MOSTLY TOUCHED.
940
00:32:19,401 --> 00:32:20,933
BOO, LISTEN.
WHAT I SAID THAT NIGHT
941
00:32:20,933 --> 00:32:22,404
ABOUT US GETTING MARRIED?
942
00:32:22,404 --> 00:32:24,306
I DIDN'T MEAN IT
LITERALLY.
943
00:32:24,306 --> 00:32:25,537
YOU DIDN'T?
944
00:32:25,537 --> 00:32:26,539
MY MOTHER,
I LOVE HER,
945
00:32:26,539 --> 00:32:28,010
BUT SHE YAPS
946
00:32:28,010 --> 00:32:29,412
AND DOESN'T LISTEN.
947
00:32:29,412 --> 00:32:30,543
THE ONLY WAY I CAN
GET HER TO HEAR ME
948
00:32:30,543 --> 00:32:31,944
IS TO BE RIDICULOUSLY
DRAMATIC.
949
00:32:31,944 --> 00:32:34,917
SO YOU DON'T WANT
TO GET MARRIED.
950
00:32:34,917 --> 00:32:37,951
WELL, IT'S A LITTLE EARLY
DON'T YOU THINK?
951
00:32:37,951 --> 00:32:39,622
WELL, YEAH.
952
00:32:39,622 --> 00:32:41,725
NOT THAT I DON'T THINK
YOU'RE GREAT MARRIAGE
MATERIAL,
953
00:32:41,725 --> 00:32:43,727
BUT I KIND OF
954
00:32:43,727 --> 00:32:45,729
DON'T WANT TO MISS
MY LAST YEAR OF SUMMER CAMP.
955
00:32:45,729 --> 00:32:47,531
IT COMES WITH
HOT DOG PRIVILEGES.
956
00:32:48,732 --> 00:32:51,065
- YEAH.
- YEAH.
957
00:32:51,065 --> 00:32:52,736
YEAH.
958
00:32:52,736 --> 00:32:57,612
SO, I'M NOT JUST
A LOAF OF UNBAKED BREAD?
959
00:32:57,612 --> 00:33:00,074
NAH, YOU'RE FULLY BAKED.
960
00:33:02,076 --> 00:33:04,419
AND BY THE WAY,
YOU'RE DAD'S NOT
ON THE THRONE.
961
00:33:04,419 --> 00:33:06,952
HE SNUCK DOWN
TO THE FIREHOUSE
FOR SOME CHICKEN PARM.
962
00:33:06,952 --> 00:33:09,354
HE CONFIDED IN ME
MAN-TO-MAN.
963
00:33:09,354 --> 00:33:10,686
IT WAS COOL.
964
00:33:10,686 --> 00:33:12,027
HE'S EVEN BRINGING
ME ONE BACK.
965
00:33:18,634 --> 00:33:21,537
( foot tapping )
966
00:33:21,537 --> 00:33:22,869
TURN OFF YOUR MOTOR
THERE, SPEEDY.
967
00:33:22,869 --> 00:33:24,670
MY LEG ALWAYS JIGGLES
WHEN I'M NERVOUS.
968
00:33:24,670 --> 00:33:26,402
JUST TAKE
A DEEP BREATH.
969
00:33:26,402 --> 00:33:28,144
MY NIECE ISN'T EVEN ALLOWED
TO SIT ON MY LAP ANYMORE.
970
00:33:28,144 --> 00:33:30,146
NOT SINCE I CATAPULTED
HER INTO A WALL.
971
00:33:30,146 --> 00:33:32,409
GOD, THAT'S HER.
972
00:33:32,409 --> 00:33:33,680
HELLO, TRULY.
973
00:33:33,680 --> 00:33:34,751
HELLO, MILLY.
974
00:33:34,751 --> 00:33:35,882
THIS IS MY FRIEND,
MICHELLE.
975
00:33:35,882 --> 00:33:37,154
- NICE TO MEET YOU.
- OH.
976
00:33:37,154 --> 00:33:38,685
IF I HAD KNOWN
YOU WERE BRINGING
A FRIEND,
977
00:33:38,685 --> 00:33:40,087
- I'D HAVE BROUGHT LEONARD.
- WHO'S LEONARD?
978
00:33:40,087 --> 00:33:41,558
LEONARD'S A GOOD
FRIEND OF MINE.
979
00:33:41,558 --> 00:33:43,891
HE HAS A SAILBOAT,
AND SOMETIMES WE PLAY SQUASH.
980
00:33:43,891 --> 00:33:45,563
HE'S GOING TO BE
SORRY HE MISSED THIS.
981
00:33:47,565 --> 00:33:50,768
SO, SHALL WE PRETEND
WE'RE REALLY HERE
FOR A PLEASANT LUNCH
982
00:33:50,768 --> 00:33:52,430
OR SAVE OURSELVES
THE CALORIES?
983
00:33:52,430 --> 00:33:54,032
WE NEED TO TALK
ABOUT THE LEASE.
984
00:33:54,032 --> 00:33:55,433
SIGN IT AND
WE'RE GOOD TO GO.
985
00:33:55,433 --> 00:33:57,405
YOU RAISED
THE RENT 40%.
986
00:33:57,405 --> 00:33:58,937
IT REFLECTS
CURRENT MARKET COMPS.
987
00:33:58,937 --> 00:34:02,411
IF I KNEW WHAT THAT MEANT,
I'M SURE I WOULD DISAGREE
WITH IT.
988
00:34:02,411 --> 00:34:04,513
MILLY, I THINK WHAT
TRULY IS WONDERING
989
00:34:04,513 --> 00:34:07,416
IS DOES THE RENT INCREASE
NEED TO BE THAT STEEP?
990
00:34:07,416 --> 00:34:08,587
WELL, MICHELLE,
991
00:34:08,587 --> 00:34:10,549
NORMALLY I WOULD DEFER
TO LEONARD ON THIS,
992
00:34:10,549 --> 00:34:13,092
BUT I'LL HAVE YOU KNOW
THAT I'M DOING TRULY
A BIG FAVOR.
993
00:34:13,092 --> 00:34:15,024
I'VE GOT A NATIONAL
LUBE AND TUNE COMPANY
994
00:34:15,024 --> 00:34:16,095
BEGGING ME
FOR THAT SPACE,
995
00:34:16,095 --> 00:34:17,697
AND THEY PAY MORE.
996
00:34:17,697 --> 00:34:19,058
I CAN'T SAY WHICH
COMPANY IT IS,
997
00:34:19,058 --> 00:34:21,131
BUT YOU HAVE BOTH
GOTTEN LUBED THERE.
998
00:34:21,131 --> 00:34:23,163
WELL, WHAT ABOUT
THE IMPROVEMENTS
999
00:34:23,163 --> 00:34:24,835
I'VE MADE
TO THE SPACE?
1000
00:34:24,835 --> 00:34:27,107
A GLITTERY TOILET SEAT
WITH BARRY GIBBS' FACE ON IT
1001
00:34:27,107 --> 00:34:28,839
DOES NOT CONSTITUTE
AN IMPROVEMENT.
1002
00:34:28,839 --> 00:34:32,513
BUT MAYBE WE COULD
FIND A MIDDLE GROUND HERE.
1003
00:34:32,513 --> 00:34:34,445
HUH? SOMETHING THAT
WE COULD ALL LIVE WITH?
1004
00:34:34,445 --> 00:34:37,678
WELL, IF BY "WE" YOU MEAN
YOU, ME, TRULY AND LEONARD,
1005
00:34:37,678 --> 00:34:39,620
WELL, OF COURSE I'D HAVE TO
CONSULT WITH LEONARD ON THIS,
1006
00:34:39,620 --> 00:34:41,152
BUT NO, THERE IS
NO MIDDLE GROUND.
1007
00:34:41,152 --> 00:34:42,684
IT'S THE MARKET RATE
OR NOTHING.
1008
00:34:42,684 --> 00:34:44,486
MILLY, I HAVE INVESTED
ALL OF MY MONEY INTO SPARKLES.
1009
00:34:44,486 --> 00:34:46,658
I CAN'T BELIEVE YOU'RE WILLING
TO DESTROY IT LIKE THIS.
1010
00:34:46,658 --> 00:34:48,790
YOUR MONEY? REALLY?
1011
00:34:48,790 --> 00:34:50,862
- DON'T START.
- YOU'RE GONNA PRETEND
IT'S NOT MOM'S MONEY?
1012
00:34:50,862 --> 00:34:52,134
SO I BORROWED
MONEY FROM MOM.
1013
00:34:52,134 --> 00:34:53,235
- SO WHAT?
- MOM?
1014
00:34:53,235 --> 00:34:54,696
SO SHE DIPPED
INTO HER 401K
1015
00:34:54,696 --> 00:34:56,038
TO BUY YOU
A BUNCH OF DRESSES.
1016
00:34:56,038 --> 00:34:57,039
SHE NEVER DID
ANYTHING FOR ME.
1017
00:34:57,039 --> 00:34:58,771
OH, YOU ARE
SO HER FAVORITE,
1018
00:34:58,771 --> 00:34:59,972
WITH YOUR FANCY
HOLIDAY PARTIES
1019
00:34:59,972 --> 00:35:01,243
AND YOUR PERFECT
LITTLE DAUGHTER.
1020
00:35:01,243 --> 00:35:02,505
SHE'S NOT PERFECT ANYMORE.
1021
00:35:02,505 --> 00:35:04,046
NOT SINCE YOU GAVE HER
THAT CONCUSSION.
1022
00:35:04,046 --> 00:35:05,778
HOLD ON A SECOND.
QUICK QUESTION--
1023
00:35:05,778 --> 00:35:07,480
- ARE YOU TWO SISTERS?
- YES.
1024
00:35:07,480 --> 00:35:08,781
UNFORTUNATELY.
1025
00:35:08,781 --> 00:35:10,253
WHY DIDN'T YOU
MENTION THIS BEFORE?
1026
00:35:10,253 --> 00:35:12,185
IT WASN'T RELEVANT.
1027
00:35:12,185 --> 00:35:13,817
YOU'RE SISTERS.
IT'S RELEVANT.
1028
00:35:13,817 --> 00:35:15,018
IT'S BECAUSE
SHE HATES ME.
1029
00:35:15,018 --> 00:35:16,189
THAT'S WHY SHE
DIDN'T MENTION IT.
1030
00:35:16,189 --> 00:35:17,721
SHE HATES ME.
1031
00:35:17,721 --> 00:35:19,493
OKAY, TRULY, GO GET
A SODA OR SOMETHING.
1032
00:35:19,493 --> 00:35:20,694
LET ME TALK TO
MILLY FOR A SECOND.
1033
00:35:20,694 --> 00:35:21,825
REALLY, GO.
1034
00:35:26,170 --> 00:35:29,173
SO... SISTERS.
1035
00:35:29,173 --> 00:35:30,274
IT HAPPENS.
1036
00:35:30,274 --> 00:35:33,007
BUT IT'S ONLY HAPPENED
ONCE TO YOU, MILLY.
1037
00:35:33,007 --> 00:35:34,979
YOU HAVE ONE SWEET,
SPECIAL PERSON
1038
00:35:34,979 --> 00:35:36,911
YOU CAN CALL SISTER.
1039
00:35:36,911 --> 00:35:39,244
IS IT REALLY WORTH
A FEW LOUSY BUCKS
1040
00:35:39,244 --> 00:35:40,715
TO RUIN THAT?
1041
00:35:40,715 --> 00:35:42,047
WE HAVE TWO OTHER SISTERS.
1042
00:35:42,047 --> 00:35:44,650
ONE'S OKAY.
THE OTHER ONE'S AN ACTRESS.
1043
00:35:44,650 --> 00:35:46,592
BUT HOW CAN TRULY
NOT BE YOUR FAVORITE?
1044
00:35:46,592 --> 00:35:47,923
SHE'S GOT
SO MUCH SPUNK.
1045
00:35:47,923 --> 00:35:49,925
SPUNK IS WHAT GOT
MY ABBA CD'S TURNED INTO
1046
00:35:49,925 --> 00:35:51,197
A SUPER-CUTE PROM DRESS.
1047
00:35:51,197 --> 00:35:53,259
BUT MILLY,
YOU'RE A BUSINESSWOMAN.
1048
00:35:53,259 --> 00:35:56,132
YOUR FAMILY RELATIONSHIP
SHOULD NOT AFFECT YOUR BUSINESS.
1049
00:35:56,132 --> 00:35:57,163
SHOULD IT?
1050
00:35:58,605 --> 00:36:01,237
WELL, THERE'S MORE.
1051
00:36:01,237 --> 00:36:03,069
SHE...
1052
00:36:03,069 --> 00:36:04,771
SHE WHAT?
1053
00:36:04,771 --> 00:36:08,245
LOOK, TRULY DID SOMETHING
AWFUL TO ME ONCE.
1054
00:36:08,245 --> 00:36:10,017
BUT CONCUSSIONS HEAL,
DON'T THEY?
1055
00:36:10,017 --> 00:36:12,219
OH, WHO CARES ABOUT THAT?
SHE STOLE MY BOYFRIEND.
1056
00:36:12,219 --> 00:36:13,781
OH, OUCH.
1057
00:36:13,781 --> 00:36:16,153
AND IT WAS A MAN
I CARED FOR VERY DEEPLY.
1058
00:36:16,153 --> 00:36:17,154
AND SHE KNEW THAT.
1059
00:36:17,154 --> 00:36:19,026
BUT DON'T YOU
THINK IT'S TIME
1060
00:36:19,026 --> 00:36:20,188
TO REMOVE ALL THAT
FROM THE EQUATION
1061
00:36:20,188 --> 00:36:22,260
AND JUST LET TRULY
STAY IN HER SHOP
1062
00:36:22,260 --> 00:36:24,792
THAT SHE LOVES SO MUCH.
1063
00:36:24,792 --> 00:36:26,664
FORGET THE PAST
AND MOVE ON?
1064
00:36:26,664 --> 00:36:29,998
BUT TRULY KNEW THAT IT WAS
LEADING TO SOMETHING
MORE SERIOUS.
1065
00:36:29,998 --> 00:36:32,841
AND SHE WENT AHEAD
AND SEDUCED HUBBELL
AWAY FROM ME ANYWAY.
1066
00:36:32,841 --> 00:36:35,073
AM I JUST SUPPOSED TO
FORGET ABOUT ALL THAT?
1067
00:36:35,073 --> 00:36:36,905
I'M SORRY, DID YOU
JUST SAY HUBBELL?
1068
00:36:38,347 --> 00:36:40,609
DO YOU KNOW
WHO I AM?
1069
00:36:40,609 --> 00:36:42,651
YOU'RE TRULY'S FRIEND.
1070
00:36:42,651 --> 00:36:45,114
I'M MICHELLE SIMMS.
I MARRIED HUBBELL.
1071
00:36:45,114 --> 00:36:46,255
YOU'RE THE MADAME?
1072
00:36:46,255 --> 00:36:47,657
SHOWGIRL.
1073
00:36:52,262 --> 00:36:54,264
SO...
1074
00:36:54,264 --> 00:36:55,595
DO WE HAVE A DEAL?
1075
00:36:59,600 --> 00:37:02,072
TRULY, MI AMIGO,
WE HAVE GOT OURSELVES
A GAME PLAN.
1076
00:37:02,072 --> 00:37:03,203
I GET MY SHOP BACK?
1077
00:37:03,203 --> 00:37:04,274
NO, YOU KEEP
USING MY PLACE
1078
00:37:04,274 --> 00:37:05,336
UNTIL WE FIGURE
SOMETHING ELSE OUT.
1079
00:37:05,336 --> 00:37:06,937
THAT'S OUR GAME PLAN?
1080
00:37:06,937 --> 00:37:08,209
THAT'S ALL WE GOT.
AND I'M GIVING YOUR NIECE
1081
00:37:08,209 --> 00:37:09,810
TWO YEARS
OF FREE TAP CLASS
1082
00:37:09,810 --> 00:37:12,213
ONCE SHE GETS THAT
PROTECTIVE HELMET OFF.
1083
00:37:12,213 --> 00:37:13,945
THAT WOMAN IS ROUGH.
1084
00:37:16,317 --> 00:37:19,621
HE'S A MARTIAL ARTS EXPERT
AND A MASTER MECHANIC.
1085
00:37:19,621 --> 00:37:21,953
AND SHE SPEAKS FRENCH,
AND SPANISH, AND JAPANESE,
1086
00:37:21,953 --> 00:37:23,255
AND LATIN, AND FARSI
AND URDU.
1087
00:37:23,255 --> 00:37:24,796
- COME ON.
- I HEARD IT FROM
A GOOD SOURCE.
1088
00:37:24,796 --> 00:37:26,128
FLUENT URDU.
1089
00:37:26,128 --> 00:37:27,800
THEY'RE DEFINITELY
THE MOST POPULAR
KIDS IN SCHOOL.
1090
00:37:27,800 --> 00:37:29,261
IN JUST TWO DAYS?
HOW?
1091
00:37:29,261 --> 00:37:31,133
NETWORKING.
MULTI-LINGUAL NETWORKING.
1092
00:37:31,133 --> 00:37:32,805
HEY, WATCH IT,
ROOKIE.
1093
00:37:32,805 --> 00:37:34,737
ALL THE GIRLS ARE
IN LOVE WITH HIM.
1094
00:37:34,737 --> 00:37:35,938
- REALLY?
- NOT ME.
1095
00:37:35,938 --> 00:37:37,410
AND ALL THE GUYS ARE
IN LOVE WITH HER.
1096
00:37:37,410 --> 00:37:39,272
SOME OF THE GIRLS TOO.
NOT ME.
1097
00:37:39,272 --> 00:37:40,944
OKAY. STOP.
ENOUGH ABOUT HER.
1098
00:37:40,944 --> 00:37:42,946
- I AGREE.
- LET'S GET INSIDE.
WE'RE GONNA BE LATE.
1099
00:37:45,078 --> 00:37:47,080
( music playing )
1100
00:37:47,080 --> 00:37:50,053
♪ Cuckoo, cuckoo ♪
1101
00:37:50,053 --> 00:37:54,928
♪ What do you do? ♪
1102
00:37:56,090 --> 00:38:00,294
♪ In April,
I open my bill ♪
1103
00:38:00,294 --> 00:38:04,198
♪ In May,
I sing night and day ♪
1104
00:38:04,198 --> 00:38:09,003
♪ In June,
I change my tune ♪
1105
00:38:09,003 --> 00:38:11,776
♪ In July,
far far I fly... ♪
1106
00:38:11,776 --> 00:38:13,278
ISN'T SHE
INCREDIBLE?
1107
00:38:13,278 --> 00:38:14,409
HER NAME'S COZETTE.
1108
00:38:14,409 --> 00:38:16,952
SHE'S REALLY GONNA
RAISE THE BAR FOR US.
1109
00:38:19,955 --> 00:38:21,957
( music continues )
1110
00:38:21,957 --> 00:38:25,161
♪ Cuckoo, cuckoo ♪
1111
00:38:25,161 --> 00:38:29,195
♪ Cuckoo,
cuckoo ♪
1112
00:38:29,195 --> 00:38:32,298
♪ Cuckoo, cuckoo ♪
1113
00:38:32,298 --> 00:38:37,304
♪ What do you do? ♪
1114
00:38:38,705 --> 00:38:42,809
♪ In April,
I open my bill ♪
1115
00:38:42,809 --> 00:38:46,744
♪ In May,
I sing night and day ♪
1116
00:38:46,744 --> 00:38:51,289
♪ In June,
I change my tune ♪
1117
00:38:51,289 --> 00:38:54,992
♪ In July,
far far I fly ♪
1118
00:38:54,992 --> 00:39:03,401
♪ In August, away... ♪
1119
00:39:03,401 --> 00:39:07,906
♪ I must ♪
1120
00:39:07,906 --> 00:39:11,971
♪ Cuckoo,
cuckoo ♪
1121
00:39:11,971 --> 00:39:17,947
♪ Cuckoo, cuckoo... ♪
1122
00:39:20,219 --> 00:39:22,181
( applause )
1123
00:39:24,324 --> 00:39:26,326
TRIPPY SONG, HUH?
1124
00:39:26,326 --> 00:39:27,928
ALL RIGHT, EVERYONE.
LET'S GET THE BAR CENTERED
1125
00:39:27,928 --> 00:39:29,189
AND LET'S GET STARTED.
1126
00:39:29,189 --> 00:39:30,961
QUICK ANNOUNCEMENT, EVERYONE.
1127
00:39:30,961 --> 00:39:32,963
WE'RE STARTING
15 MINUTES LATER TOMORROW.
1128
00:39:34,434 --> 00:39:36,437
YOU CAN STILL COME,
STRETCH, RELAX...
1129
00:40:03,996 --> 00:40:05,998
( crickets chirping )
1130
00:40:12,005 --> 00:40:14,007
( clicking )
1131
00:40:20,514 --> 00:40:22,215
- ( beeps )
- ( door opens )
1132
00:40:24,318 --> 00:40:26,220
( sighs )
1133
00:40:32,456 --> 00:40:34,328
WE'VE GOT TO STOP
MEETING LIKE THIS.
1134
00:40:34,328 --> 00:40:36,200
OR TAKE IT TO
THE NEXT STEP.
1135
00:40:36,200 --> 00:40:37,862
MARRY, HAVE
A COUPLE OF KIDS.
1136
00:40:37,862 --> 00:40:39,304
WHO BEARS
THE CHILDREN?
1137
00:40:39,304 --> 00:40:40,465
HOW ABOUT WE ALTERNATE?
1138
00:40:40,465 --> 00:40:42,006
THAT'LL WORK.
1139
00:40:42,006 --> 00:40:43,308
I THOUGHT YOU HAD
A DATE TONIGHT.
1140
00:40:43,308 --> 00:40:45,010
I ENDED IT EARLY.
1141
00:40:45,010 --> 00:40:46,471
MARION WAS DEFINITELY
NOT MY TYPE.
1142
00:40:46,471 --> 00:40:47,913
YOU WENT OUT
WITH A CHICK?
1143
00:40:47,913 --> 00:40:49,044
IT WAS A GUY.
1144
00:40:49,044 --> 00:40:51,216
NOW FOR SOME REASON
I FEEL WEIRDLY COMPELLED
1145
00:40:51,216 --> 00:40:52,247
TO DEFEND HIM.
1146
00:40:52,247 --> 00:40:53,919
JOHN WAYNE'S
REAL NAME WAS MARION.
1147
00:40:53,919 --> 00:40:55,381
AND HE CHANGED IT
TO JOHN.
1148
00:40:55,381 --> 00:40:57,383
TRUE.
1149
00:40:57,383 --> 00:40:58,985
POOR MARION.
1150
00:40:58,985 --> 00:41:00,927
SO, LET ME GUESS--
YOU'RE HERE REHEARSING
1151
00:41:00,927 --> 00:41:02,388
THE TURN, TWIST,
SLIDE, KICK
1152
00:41:02,388 --> 00:41:04,330
YOU SAW BARYSHNIKOV
DO IN "WHITE NIGHTS"
1153
00:41:04,330 --> 00:41:05,461
AND YOU'RE NOT LEAVING
TILL YOU NAIL IT?
1154
00:41:05,461 --> 00:41:06,593
I WAS MEETING ROMAN.
1155
00:41:06,593 --> 00:41:08,064
- SASHA--
- RELAX.
1156
00:41:08,064 --> 00:41:09,596
- I JUST CANCELED IT.
- BUT WHY HERE?
1157
00:41:09,596 --> 00:41:10,897
WHY NOT YOUR HOUSE?
1158
00:41:10,897 --> 00:41:13,870
MY HOUSE IS
A DISASTER ZONE.
1159
00:41:13,870 --> 00:41:15,342
THERE'S NO WAY
I'M TALKING HIM THERE.
1160
00:41:15,342 --> 00:41:16,874
SO IT'S HERE?
IN A PLACE THAT
1161
00:41:16,874 --> 00:41:18,275
SMELLS LIKE
SWEATY TIGHTS,
1162
00:41:18,275 --> 00:41:20,007
BECAUSE THAT'LL REALLY
GET YOU IN THE MOOD.
1163
00:41:20,007 --> 00:41:21,479
IT'S NOTHING THAT
CALLS FOR MOOD.
1164
00:41:21,479 --> 00:41:23,351
WE JUST WANT A PLACE
TO TALK AND HANG
1165
00:41:23,351 --> 00:41:24,181
AND LISTEN TO MUSIC.
1166
00:41:24,181 --> 00:41:25,182
WHAT ABOUT SCHOOL?
1167
00:41:25,182 --> 00:41:26,654
I'M WITH MY FRIENDS
AT SCHOOL.
1168
00:41:26,654 --> 00:41:28,356
OH, SASHA, YOU DON'T KNOW
THE FIRST THING ABOUT DATING.
1169
00:41:28,356 --> 00:41:30,358
AS SOON AS YOU MEET A BOY,
YOU DUMP YOUR FRIENDS.
1170
00:41:30,358 --> 00:41:31,289
THAT'S WHAT
BOYS ARE FOR.
1171
00:41:31,289 --> 00:41:32,420
I DID NOT KNOW THAT.
1172
00:41:32,420 --> 00:41:34,963
SO YOU DON'T NEED
THE TALK.
1173
00:41:34,963 --> 00:41:35,964
THE TALK?
1174
00:41:35,964 --> 00:41:37,325
THE TALK.
1175
00:41:37,325 --> 00:41:38,497
THE TALK.
1176
00:41:38,497 --> 00:41:40,929
NO...
1177
00:41:40,929 --> 00:41:42,331
BUT YOU CAN
GIVE IT ANYWAY.
1178
00:41:42,331 --> 00:41:43,973
I'D LOVE TO HEAR
YOUR VERSION.
1179
00:41:43,973 --> 00:41:45,204
WELL, IT'S A GOOD ONE.
YOU'LL NEVER USE
1180
00:41:45,204 --> 00:41:46,605
A PUBLIC
TOILET SEAT AGAIN.
1181
00:41:46,605 --> 00:41:48,607
( footsteps approach )
1182
00:41:51,010 --> 00:41:52,341
I TOLD HIM
TO ABORT.
1183
00:41:52,341 --> 00:41:53,913
MUST HAVE BEEN
TOO LATE.
1184
00:41:56,346 --> 00:41:57,317
IT'S NOT ROMAN.
1185
00:42:01,151 --> 00:42:02,422
ARE YOU KIDDING?
1186
00:42:02,422 --> 00:42:04,354
I'VE BEEN TRYING TO GET
A HOLD OF YOU ALL DAY.
1187
00:42:04,354 --> 00:42:06,126
- WHAT'S UP?
- YOU DON'T ANSWER TEXTS,
1188
00:42:06,126 --> 00:42:07,357
PHONE CALLS, E-MAILS.
1189
00:42:07,357 --> 00:42:08,629
I'VE BEEN DRIVING AROUND.
1190
00:42:08,629 --> 00:42:10,130
I FINALLY SPOTTED
YOUR CAR OUT FRONT.
1191
00:42:10,130 --> 00:42:12,333
ALL THOSE "ROCKFORD FILES"
FINALLY PAID OFF.
1192
00:42:12,333 --> 00:42:14,105
ENOUGH MOUTH, SASHA.
1193
00:42:17,008 --> 00:42:18,209
YOU ARE TOUGH, KID.
1194
00:42:18,209 --> 00:42:20,942
FINE. I JUST THOUGHT
YOU'D WANT TO KNOW
1195
00:42:20,942 --> 00:42:22,343
HE'S LEAVING.
1196
00:42:22,343 --> 00:42:24,376
- WHO?
- YOUR DAD.
1197
00:42:24,376 --> 00:42:26,278
- AGAIN?
- NO, NOT AGAIN.
1198
00:42:26,278 --> 00:42:29,221
HE'S REALLY LEAVING.
IT'S OVER WITH US.
1199
00:42:29,221 --> 00:42:31,023
YOUR FATHER HAS
A SPECIAL SOMEONE
1200
00:42:31,023 --> 00:42:33,255
AND HE'S MOVING IN
WITH HIM.
1201
00:42:33,255 --> 00:42:36,358
I DID NOT THINK THIS
WAS GONNA BE MY LIFE.
1202
00:42:36,358 --> 00:42:37,490
ANYWAY,
HE'S MOVING OUT NOW.
1203
00:42:37,490 --> 00:42:39,061
- I'M GOING NEXT WEEK.
- GOING?
1204
00:42:39,061 --> 00:42:40,162
WHERE ARE YOU GOING?
1205
00:42:40,162 --> 00:42:42,165
BACK TO L.A.
I MISS IT.
1206
00:42:42,165 --> 00:42:44,437
I MISS ENCINO.
SUE ME.
1207
00:42:44,437 --> 00:42:45,498
WELL, WHAT ABOUT ME?
1208
00:42:45,498 --> 00:42:46,669
YOU HAVE A CHOICE,
SOPHIE.
1209
00:42:46,669 --> 00:42:49,102
YOU COULD EITHER
GO WITH YOUR DAD
TO SAN JOSE
1210
00:42:49,102 --> 00:42:50,373
OR YOU CAN
COME WITH ME.
1211
00:42:50,373 --> 00:42:52,506
JUST LET ME KNOW QUICK
SO I CAN MAKE PLANS.
1212
00:42:52,506 --> 00:42:54,047
WHAT ABOUT THE HOUSE?
1213
00:42:54,047 --> 00:42:55,248
OH, I'M DUMPING
THAT HOUSE.
1214
00:42:55,248 --> 00:42:56,250
I HATE THAT HOUSE.
1215
00:42:56,250 --> 00:42:58,011
SO THAT'S MY CHOICE?
1216
00:42:58,011 --> 00:42:59,012
TO MOVE AWAY?
1217
00:42:59,012 --> 00:43:00,654
- YES.
- NO!
1218
00:43:00,654 --> 00:43:02,216
- WHAT?
- I'M NOT GOING.
1219
00:43:02,216 --> 00:43:04,388
- I'M STAYING HERE.
- THAT IS NOT AN OPTION.
1220
00:43:04,388 --> 00:43:07,021
MY FRIENDS ARE HERE.
MY SCHOOL IS HERE.
1221
00:43:07,021 --> 00:43:08,192
MY BALLET IS HERE.
1222
00:43:08,192 --> 00:43:09,694
IF I'M GOING TO
GET INTO JOFFREY,
1223
00:43:09,694 --> 00:43:11,366
I CAN'T DISRUPT
MY TRAINING NOW.
1224
00:43:11,366 --> 00:43:12,367
FORGET IT.
1225
00:43:12,367 --> 00:43:14,329
YOU'RE 16, SASHA.
1226
00:43:14,329 --> 00:43:15,270
I'M NOT LEAVING.
1227
00:43:18,403 --> 00:43:19,735
I'M NOT LEAVING.
87035
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