Original subtitles

[Ominous music]

[Pen scratching]

[Music continues]

Female: Please, let this get

to April.

[Door closes]

[Mailbox creaks]

Female #2: [Voices whispering]

Rachel.

We just want to talk.

I must have the echo.

I will find you.

*

[Voices whispering]

[Ominous music]

[Voices whispering]

She's here. Upstairs.

[Music continues]

Rachel? Come on out.

We just want to talk.

It's a trick!

Get her!

[Intense music]

Oh! Ugh.

Ah. Ah. No.

*

Rachel: Uh! Uh! Uh!

Uh, uh! Ahh!

Going somewhere, dear?

Rachel: Uh! Ahhh!

Unh!

Uh! Ahhh! Ahhh!

Ahhh!

*

female #2: It's mine now.

Give it to me.

Rachel: [Gasping]

No!

It can't be.

Agh!

She doesn't have it!

[Sighs]

[Mellow flute music]

Female #2: Who is this child?

[Music continues]

I wonder.

Clean up this mess.

Get her outta here.

*

[car starts]

[Alarm beeping]

Beep, beep, beep, beep, beep!

Mmm.

Hmm.

[Beeping continues]

Whose turn is it to take Sarah

to school today?

Yours.

[Beeping continues]

I took her yesterday.

I took her

three days last week

when you were under deadline.

Ohh. [Pouts]

[Sighs]

I liked it better when she went

to public school.

At least they had a bus.

I'll pick her up

after play rehearsal.

How's that?

Mmm, deal.

[Sighing]

[Door opens]

Morning sweetie.

Sarah: Mmm.

Come on. Time to wake up.

Mommy, it's too early.

I don't want to.

Well, you have to.

It's a school day. Come on.

Female #3: What's this?

Sarah: Umm.

Sarah?

Have you been feeding Helga

people food again?

Honey. Hey there, sweetie.

Come here. Come on.

Good morning. It's okay.

It's okay.

I told you.

It's really bad for her.

Sarah: Sorry.

I just thought she was tired

of eating the same thing

every day.

She's a hedgehog.

I don't think she cares.

Okay.

Did you hear something?

Okay, come on. Let's go.

Mmm. Hmmm.

Don't forget to brush

your teeth.

Sarah: Okay.

[Door bumps]

Bump!

[Scoffs]

Must be losing my mind.

*

[knocking]

Knock, knock, knock

*

[knocking]

Knock, knock, knock

[door creaks]

Creak!

Female #4: Can I help you?

Morning.

Does April Reilly live here?

Who wants to know?

L.a.p.d.

We'd like to speak

with Ms. Reilly for a moment

if that's alright.

Is she in some kind

of trouble?

Ma'am.

This is very important.

May we please come in

and speak with her?

[Door creaks]

Creak

have a seat. I'll get her.

[Door creaks and closes]

Can I help you?

April Reilly?

Yes.

Hi, I'm detective

Mike Simmons.

This is my partner,

Dan Crawford.

L.a.p.d.

Mm, what's this about?

You've got a lot

of interesting stuff laying

around here.

It's not mine, it's Casey's.

She runs a special makeup

effects shop.

Oh, she's, uh, your--

April: My wife.

You have a little girl.

Mmm hmm.

Mike: Must be weird for her

to see all these dead

body parts lying around.

April: She's smart enough

to know it's all make believe.

Hmm.

Are you involved in movies

as well?

April: I'm a news producer

for a tabloid show.

Do you mind telling me

what this is about?

Are you acquainted

with a young woman

by the name of Rachel Coleman?

Uh. I used to be.

Mike: What was

your relationship

to miss Coleman?

April: We were involved.

But that was ten years ago.

Are you still in contact

with her?

No.

She's dead. She drowned.

But they never found the body.

April: It was in the middle

of the ocean.

That would be

a little difficult.

What's going on?

Two days ago,

the San Francisco pd got a call

from a resident

in an upscale neighborhood

outside the city.

Placing a call

about a disturbance coming

from a home bordering

her property which was up

for sale.

The police checked it out.

It seems that Rachel Coleman

had been squatting in this house

for at least a month.

April: No.

That's impossible.

She's dead. I saw it.

She drowned.

Did you see her drown

or did you see her just fall

into some water.

I know what I saw.

Now, Ms. Reilly.

Well, it seems that the person

or persons in question

had left a short while before.

Now, I'd like to show you

something.

These were taken

from the security surveillance

cameras on the street

after a neighbor reported

hearing screaming coming

from the house.

The woman is Anne cassavettes.

She's been on

the FBI wanted list

for a lot of years.

What would somebody

like Anne cassavettes want

with miss Coleman?

No.

I have no idea what this is.

Ms. Reilly.

I understand that this is all

a huge shock to you.

But if there's any information

that you know

that could help us catch

this person, Ms. Reilly.

Rachel Coleman is dead.

I don't know where any of this

is leading.

But I'd like you to leave

my house.

*

Mike: If you change your mind.

Please, don't hesitate to call.

[Dark music]

[Door closes]

We can take Sarah to school

if you want.

No, no, no, no.

It's okay.

Okay?

Just, I didn't think

I'd have to deal with any

of this again.

What if Sarah finds out?

Sarah: I can't find

my butterfly clip.

April: Well, I guess

you'll have to do without it

for today.

Come on. Let's get going.

I'll talk to you tonight.

Casey: Okay.

April: Yeah.

Bye.

[Door creaks open and closed]

Were those guys policemen?

Yes they were.

Were they busting you

for something?

No, we're not busted.

Then what did they want?

They wanted to know

about an old friend of mine.

Who?

My friend Rachel.

She died when you were

very young.

Did she do something bad?

I don't know.

[Car starts]

[Melancholy music]

[Knocking]

Knock, knock, knock, knock

good morning.

April: Hey Sheila.

I know, I'm behind.

I promise I'll have something

for you to look at

by mid-morning.

Actually, I just came here

to let you know

that there's some woman here

to see you.

I don't have any appointments

this morning.

I definitely don't think

she's a client.

April: Can I help you?

April Reilly?

Yes?

I was a friend

of Rachel Coleman's.

The police were at your house

this morning.

They were looking for Rachel.

That means she's still alive,

isn't she?

How do you know

the police were at my house?

Have you heard from Rachel?

No. Rachel's dead.

[Crying]

Have they found her body?

No.

She, she died ten years go.

This whole thing with the police

is just some sort of mistake.

I thought she might still

be alive.

I always thought she faked

her death to trick them.

She was protecting you.

She wouldn't have done it

otherwise.

Protecting me from what?

Did Rachel ever tell you

about the echo project?

Echo project?

Dr. Cassavettes' school.

The experiment.

She never told you about that?

You mean, Anne cassavettes?

No, that was his wife.

How do you know about her?

The detective.

He mentioned her name.

What did he say about her?

Have they found her?

No.

They think they've seen her.

The police, they're looking

for information.

He knows something.

He could probably help.

Here.

The detective.

He gave me his card.

You should call him.

I don't wanna deal with cops.

You know something.

I have to go.

April: Wait.

I don't even know your name.

Is there any way

I can reach you?

No, there is not.

[Ominous music]

[Phone beeps]

Beep

it's me.

You're never gonna believe

who I just saw walking out

of April Reilly's office.

*

[phone ringing]

Ring! Ring!

Hold on while I get that.

Try not to move,

otherwise we'll have to do this

over again.

Okay?

[Ringing continues]

Gore girls.

Casey?

Casey: Hey hon.

You doing okay?

Can I talk to you

about something?

What is it?

April: A woman came

into my office this morning.

She was asking about Rachel.

Rachel, again?

Who was it this time?

I have no idea.

She creeped me out.

She did not seem well at all,

mentally.

Believe me.

Well, maybe it was one

of Rachel's ex-girlfriends.

You did say she had a few,

and not all of them normal

from what I heard.

April: Casey?

I'm worried about Sarah.

I mean, what if there is

something to all of this?

Do you think we should tell her?

I can't make that decision

for you.

Whatever you decide,

I'm behind it.

Okay?

Okay.

You probably have

your hands full.

I should let you go.

You're still picking up Sarah,

right?

Yeah, of course.

April: Okay.

I'll talk to you later.

Love you.

Casey: Love you too.

Bye.

[Ominous music]

Terry.

Can you do me a favor?

What's up?

Can you do some research

for me on a woman

named Anne cassavettes?

Which piece is this for?

Actually it, it isn't

for a piece.

It's personal.

Whoa.

I-If Richard finds out

that I do something like that,

you know I get

in major trouble, right?

Richard won't find out.

Please, Terry?

I wouldn't ask you if it wasn't

for something important.

Anne cassavettes?

Right.

I'm gonna have to make up

some kind of long-term story

or tell him you're working

on an extended piece, I mean.

Whatever you need to do.

Just let me know as soon

as you find out something.

And I promise

I'll make it up to you.

Yeah, you better.

Oh, and Terry?

Can you see if there's

any connection

between this cassavettes person

and something called

the echo project?

What in the world

are you into?

That's what I'm trying to

find out.

[Melancholy music]

[Door locks]

Click

[music continues]

[Phone beeps]

Beep, beep, beep

*

[phone ringing]

Ring

male: Los Angeles

police department.

Hi.

Detective Michael Simmons,

please.

Male: He's not

in the office at the moment.

May I take a message?

Yes.

My name is Yelena markova

and I have some information

about one of his cases.

Male: Okay.

Is this the best number

to reach you? 3070?

Yes.

That's my home number.

Male: Okay.

We'll let the detective know.

Thanks.

*

[knob creaks]

Creak

[shower water falling]

[Knocking]

Knock, knock, knock, knock

[music continues]

[Knocking]

Knock, knock, knock, knock

[Door unlocks

and creaks open]

Ahhh!

[Knife slices]

Shing!

[Intense music]

[Knocking]

Knock, knock, knock, knock

they left your mail

on my desk again.

Okay. Great, thanks.

Female #4: Richard wants

to see you again, also.

He wants to go over

that weekend piece again.

Whenever you have a chance.

Okay, tell him

I'll be right in.

[Paper rustling]

*

[rustling continues]

Rachel: Dear April,

I don't know where to begin.

I know that

for the past ten years

you believed me to be dead.

So I can't imagine

what you'd be feeling right now.

I just hope you'll understand

that what I did was

for your protection

and for my daughter's.

There's something I have

to tell you.

Before we met, I was involved

in something called

the echo project.

I could try to explain it

but right now, all you need

to know is that

since the project ended,

all the other subjects

have been killed.

If they find me,

they'll kill me.

And if they find out

I have a daughter,

they'll kill her too.

That's why I had to contact you.

I miss you so much.

I'll see you again soon.

And I can explain everything.

But until then,

you must keep this a secret

for her sake.

If anyone were to find out,

everything we care about

could be lost.

Love, Rachel.

*

Sarah: Can you help me

practice my lines tonight?

There's this one line

I keep forgetting.

Casey: Which part?

You know where I call

the sea monster a liar?

Still?

Alright.

I'll help you run through it

again tonight.

Yeah, upside down.

What?

Tracy summerfield says

she remembers her lines

upside down 'cause she says

it gets all the blood

to her brain

and she remembers better.

Well, we'll see how much

she remembers

when she passes out.

No, really.

She showed me how to make

my face turn red.

Wanna see?

Who did?

Tracy summerfield. Watch.

Alright, Sarah. That's enough.

You're killing

your brain cells.

Come on.

How is it killing

brain cells?

Casey: I don't know.

No, no, no, no. How?

Mom?

Mom?

Hey, sweetheart.

How are you?

What's wrong?

Um.

I'm fine.

Just a really long day at work.

Sarah, can I talk to April

alone for a minute?

Is it about the policemen

this morning?

I wanna stay and listen.

Honey, could you go wash

your hands for me?

I'm gonna put dinner on soon.

Okay.

Thank you.

What's going on?

Has it got something to do

with that woman that showed up

at your office?

April, why should you be worried

about that?

You said so yourself.

Rachel's dead.

Why won't you say something?

It's, it's nothing.

Just, it's just been

a really weird day, you know.

So let's talk about it.

We will.

But, you know, later tonight.

Okay?

I just, I, I just wanna get

dinner started

and clear my head.

[Dogs barking]

Woof-woof, woof-woof

I'll see you in the morning,

okay.

We'll go through those lines

again.

That's okay.

I think I got it now.

You sure?

Yeah.

I read it upside down.

Oh. Right.

So, Friday night's

the big night.

I already got our tickets.

We're in the third row.

You'll be able to see us

from the stage.

You're not supposed to look

at the audience.

Oh, right.

I forgot.

Sleep tight, honey.

See you in the morning.

Good night, mom.

Good night.

[Door closes]

You can come out now.

[Door creaks]

[Voices whispering]

*

hey.

You was right about the kid.

I say we move in tonight.

*

what if she's not dead?

What if that woman was telling

the truth?

You think she'll come looking

for you?

No, it's...

It's not that.

It's just...

What if someone found out

about Sarah?

What if someone did?

What the fuck is it, tuna?

Look, I don't know why

you're so concerned

about Sarah all of a sudden.

I'd like a little

communication here.

She's my kid too.

I have a right.

[Door opens]

[April and Casey whispering]

Casey: What is it?

I just thought maybe it's time

we told Sarah.

About Rachel?

I mean, she's old enough

to know and...

What if something were

to happen?

I, I wouldn't feel right

if Sarah didn't know the truth.

Then tell her.

Right now?

[Dreary music]

If it's bothering you

that much, maybe you should.

For your sake, not just hers.

Will you come with me?

Is that enough?

What's wrong?

[Voices whispering]

[Gasps]

Honey.

What are you doing up?

Who's this for?

It's for nobody.

What do you mean nobody?

Sarah.

Was someone here?

I can't tell.

What do you mean?

Sarah, was someone in here?

She's my friend.

Who?

Honey, you're not in trouble.

I need you to tell me, okay.

Please.

I can't.

She told me if I told anybody,

they'd find her.

She just wants my help.

She's just hungry, is all.

Where is she?

In the closet.

[Ominous music]

[Door creaks]

Creak

honey, there's no one in here.

I saw her.

She told me you were coming.

What?

She told me someone's coming!

[Glass breaks]

Crash!

*

Sarah, I need you to stay

right here, okay?

Do not leave your room.

[Ominous music]

[Door rattling]

Oh my god.

Call the police. Go!

[Music continues]

Sarah? Sarah! Sarah!

Oh! Oh god, Sarah's gone!

April, calm down.

She couldn't have gone far.

Oh my god!

Just call the police.

Okay.

I'll find her.

[Music continues]

Female #5: 911.

Stay your emergency.

Hello. We need your help.

Someone's breaking

into our house.

Female #5: Okay ma'am.

What's your address?

1425 alta Sierra.

Hurry.

[Door rattling]

Sarah! Sarah!

Sarah?

[Rattling continues]

[Door breaks]

Boom!

It's just the--

*

[footsteps]

[Ominous music]

She's here somewhere.

[Music continues]

[Voices whispering]

She's still in the house.

Keep looking.

[Music continues]

[Footsteps]

[Voices whispering]

*

[sirens wailing]

Whoo-whoo-whoo-whoo!

Anne: Out the back door, now!

*

thank god! Thank god!

Calm down.

There's three people

in the house.

Where are they?

They're still in the house.

Okay, alright. You okay?

Yeah, yeah.

Stay here.

Casey!

April?

Hold on, they're coming.

Sarah.

Sarah.

Where did you go to?

You scared us to death.

Honey, what's wrong?

Sarah.

*

Mike: Hi.

I'm detective Michael Simmons.

L.a.p.d.

I'm here to see April Reilly,

Sarah Reilly's mother.

Sure.

[Phone dialing]

Beep, beep, beep

hi, I have a detective

Michael Simmons here

to see April Reilly.

Great.

Just one minute.

Thank you.

Detective.

Did you catch them?

Mike: No.

We searched the whole area.

No trace.

How is she?

Oh, thank you.

She's in shock.

They're gonna keep her

overnight.

Well, that sounds hopeful.

Listen, we do have one lead.

Did a woman name Yelena markova

come to your office today?

A woman came to my office.

She didn't tell me her name

but that must've been her.

I gave her your card.

Did she contact you?

She left a message for me

while I was out of the office.

Have you talked to her yet?

I sent a unit over

to her house

when I got the message.

They found her body inside.

She was murdered.

Oh my god.

Casey: Murdered.

You mean by the same people

who were at our house.

We don't know that

but it's possible.

Listen, when she came

to the office, do you recall

any part of her conversation?

Um, she was a friend

of Rachel's.

She knew you had been asking me

about her.

I gave her your card,

but she said she didn't want

to involve the police.

Did she say why?

April: No. She was scared.

She mentioned something

about an experiment

that Anne cassavettes was

involved in.

Something called

the echo project.

[Sarah screaming]

Ahhh! Ahh! Ahh!

Ahh! Ahh! Ahh!

Male #2: Sarah, Sarah.

It's okay. Settle down.

Sarah: Ahh! Ahh!

April: What's wrong?

Sarah: Ahh! Ahh!

April: Sarah? Sarah honey.

Baby, look at me.

Honey.

Mom.

I'm here.

Don't play the echo game.

April: What, what is

the echo game?

She told me never to play it.

Who told you that?

The girl in my room.

Honey.

There was no one in your room.

Yes there was!

He has a picture of her

in his pocket.

[Ominous music]

Sarah: [Whispering]

That's her!

April: Rachel.

When did you see Rachel?

All the time.

Where?

Was she in our house?

Sarah, this is really important.

Where is Rachel now?

I don't want her

to get caught.

Nothing's going to happen

to her, I promise, okay.

We're safe here.

Now where is she?

It doesn't matter.

Just tell me

where she is, Sarah.

Knock it off.

Why don't they believe me?

[Voices whispering]

Sarah: Why can't they?

Why?

Doctor, what's wrong with her?

She's hallucinating badly.

It could be the medication.

But at least she's talking.

Mike: Sarah, you said

your friend was worried

about being caught.

Who is she hiding from?

The teacher.

Why?

What does she want?

Her echo.

What do you mean her echo?

Sarah. Sarah.

Doctor: I think she should

just rest.

Okay.

Doctor: You're okay.

We'll watch her.

This, uh, this woman

that was murdered.

How did she die?

Her throat was cut.

*

you think it has something

to do with this cassavettes

person?

The one Sarah's talking about.

You heard the doctor say

she was heavily hallucinating.

But if she did see Rachel,

I don't know

what we could do.

I'm sick of hearing

about Rachel.

Besides, you've no hard proof

that she's alive.

I do.

Can I talk to you outside?

I have something to show you.

*

I received a letter

from Rachel.

It arrived at my work

this afternoon.

She said Sarah might be

in danger.

Why didn't you tell me

about this?

She said to keep it quiet.

I believed her.

You put our daughter's life

in danger just to keep it quiet.

Miss lin. Please. Please.

Can I see the letter?

Yeah.

*

[paper rustling]

*

Sarah is Rachel's daughter.

She's our daughter.

Rachel is her birth mother.

April: Yes.

But we raised her as our own.

I wish you would've told me

this earlier.

I didn't think it mattered.

Sarah never even knew

about Rachel.

No one knew.

This woman, Anne cassavettes.

You think she knows?

That would explain

why they broke into your house.

They know Rachel will try

to contact her daughter.

But why would they want Rachel?

I guess the whole answer

is in this echo business.

But until we find that out,

I'm gonna put extra surveillance

on you and your entire family.

I'm gonna put an extra guard

in the lobby downstairs.

If you need to go anywhere,

we'll have an escort for you.

This is just

until we solve this.

Okay?

*

you should've told me

about the letter.

I was going to.

I just...

I just needed time to process

all of this.

I could've helped you.

You know you can always come

to me when you need to.

Why didn't you?

Casey. Please.

Please don't do this.

You, you have to understand.

I loved Rachel.

It took me so long

to get over her

and then when all this came up,

I just...

I, I didn't know what to think.

Do you still love her?

Doesn't matter anymore.

[April cries]

[Voices whispering]

[Ominous music]

[Whispering continues]

Rachel: Rest now, Sarah.

You'll need your strength later.

[Music continues]

[Woman announcing]

April: Uh.

What time is it?

Casey: Noon.

Where are you going?

Home. Get some clothes.

Take a shower.

I have to stop by work, too.

Take care of some things.

Cops are taking me.

I'll go with you.

One of us should stay.

I'll be back later tonight.

Then you can take a trip.

Okay?

April: Casey.

Be careful.

[Knocking]

Knock knock

nurse: Excuse me, Ms. Reilly.

Yes.

I got a call from the lobby.

The guard says there's a man

named Terry Morgan here

to see you.

Great.

I-I'll be right there.

[Elevator dings]

Ding

April: Terry.

April, downstairs they got

cops everywhere.

Yeah, I know.

Are you okay?

Richard said you were here.

Is your daughter alright?

For now.

Well, look.

Where can we talk?

You found something?

Yeah. I found something.

April, this is some spooky shit.

Anne cassavettes.

She's wanted by the FBI

for murdering her husband.

David cassavettes.

Right.

He was a doctor.

About 20 years ago,

he went looking for kids

with telepathic potential.

He brought about ten of them

back to his colony

in upstate New York.

It was kinda like a,

like school for the gifted.

April: Hmm.

Terry: He thought

he could help them focus

their abilities.

Anyway, he worked up there

for a while in secrecy.

Then two years later,

out of nowhere,

his body washed up

in the east river.

He had been dead for months.

She killed him.

Right.

Why?

Well, the official story is

that he was banging

his assistant, a Russian girl.

She worked with him

at the school.

They said Anne caught them

in the act and she went nuts.

After the murder,

the girlfriend just disappeared.

You said that's

the official story.

What's the unofficial story?

Well, it's a lot

of speculation, that stuff.

Conspiracy theory,

stuff like that.

Tell me.

Well, after Anne killed

her husband and dumped the body,

she took over the school.

She started to accelerate

the experiments.

You know, giving them injections

to stimulate their esp.

She even thought

that she could teach them

to manifest their esp

physically and then project it.

April: Project it?

Terry: Right.

She even thought

that she could absorb

the projections for herself.

If the kids ever questioned her,

she just played it off

like it was no big deal,

you know.

Tried to make it fun for them.

You mean, like a game.

Terry: Right.

But no one really knows

for sure what was going on

up there.

She was in control

of the whole thing

for like four months

until her husband's body

was found.

When police went to arrest her,

she was long gone.

Someone must've tipped her off.

April: What about

the students?

Terry: Dead or missing.

Some murdered.

They think cassavettes

in involved,

but there's no proof.

The police couldn't find

anything and no one

has been able to find her.

Did you ever find any mention

of something called

the echo game?

Echo game?

Mmm hmm.

Well, echo is a term they use

to, uh, refer

to their abilities.

It's like, uh, an aura inside

of them that gives them

their powers.

Terry, I need to borrow this,

okay?

What?

Look, you can borrow this.

But if anyone asks,

you did not get this from me.

Deal.

Thanks, Terry.

Detective Mike Simmons,

please.

Could you tell him

April Reilly called?

I have some new information

about my case.

Yeah, thanks.

Female #6: What are you

doing here?

I took off work.

What are you doing?

What does it look like?

I'm leaving you, Terry.

Leaving?

What-what, what did I do?

Your ex came by looking

for you?

My ex?

[Bag zips]

Zip!

I remember you telling me

about her.

Skinny, white, twice your age.

Hold on a minute.

What are you talking about?

I know your type.

Anyway, this isn't

the first time this happened.

What do you mean?

Two months ago.

The phone messages.

I'm not putting up with this

anymore.

Terry: Stacy, wait.

Stacy: I made my decision.

[Door slams]

Slam!

Shit!

[Thump]

Terry: What'd you forget?

Your fucking toothbrush?

*

what do you think?

A lot of this is

conspiracy theories.

The Internet is full

of this stuff.

It's not a very reliable source.

It says here

that cassavettes was trying

to figure out a way

to absorb their powers,

their echoes.

This one's

a little outlandish.

But think.

What if maybe she did figure out

a way?

But before she could do it,

she had to go on the run.

Maybe that's why she's after

the students.

To steal their echoes.

Or to cover up

the experiments.

Yeah.

But either way, I think we have

a pretty good idea

why they're after Rachel.

Which is why we have

to find her before they do.

April.

We got a call

from the San Francisco p.D.

They found Rachel's body.

She's been dead for at least

a week.

No.

I'm so sorry.

Sarah said she saw her

yesterday.

Mike: There's a lot happening

that we can't explain.

Well if Rachel's dead,

then what the hell do they want?

Look, you haven't gotten

a lot of sleep.

Why don't I take you home

for a while?

We can watch the house

while you rest.

That might be a good idea.

[Phone rings]

Ring!

Yeah, it looks good.

I'll get that.

Just give them an email

and tell them

to come pick it up tomorrow.

You gentlemen alright?

Can I get you a soda

or anything?

Gore girls.

Hey, it's me.

Casey: Hey.

I'm just finishing up here

so I can come over

and relieve you in a while.

Okay.

Um, i'm, I'm just gonna

head out now then.

The cops are taking me.

Sure.

How's Sarah?

April: She's sleeping.

Casey, Rachel's dead.

She died a week ago.

They just told me.

I'm sorry, hon.

Are you doing alright?

I'm just so confused.

I can't make sense

of any of this.

You don't have to make sense

of it now.

Just get some rest.

Casey?

I'm sorry.

I feel like I betrayed

your trust.

I didn't mean to.

I just know I never want

to have this feeling again.

I love you.

I love you too.

We'll talk later then?

Casey: You got it.

*

[sighs]

*

Casey's coming, hon.

See you soon.

*

[voices whispering]

Casey.

Well, I'm gonna get going.

Sure you don't need help

with inventory?

Casey: No, I got it.

You go ahead.

Okay, take care of yourself.

Casey: Thanks.

[Door creaks]

Creak

[thunder rumbles]

Hey.

She'll be out in a minute.

Male #3: I'll walk her

to her car.

Be right back.

[Dreary music]

[Thunder rumbles]

Mmph!

[Music continues]

Casey: Ugh!

Where is she?

Find her!

[Music continues]

Oh.

Oh! Oh! Ahhh!

Ah! Ahh!

[Door slams]

Slam!

Ahhh! Ahhh! Ahhh!

Ahhh! Ahhh! Ahh!

Nurse.

She's hysterical.

No, Casey!

Get off of me!

No, Sarah. Sarah.

Ahhh! Ahhh!

You're gonna hurt yourself.

It's alright.

Ahh!

No, there you go.

There you go.

It's alright.

It's alright.

Shh.

*

[thunder rumbles]

Aaargh!

Gus!

What are you doing?

You looked tense.

Stop it.

You're gonna wake up

the patients.

If we get loud enough,

we might.

But.

I have to watch the desk.

Nobody's coming.

The place is on lockdown.

What makes you think

you can have your way with me

whenever you want?

I don't.

But, you can have your way

with me whenever you want.

You know that, right?

Who says I want to?

Okay, you win.

[Heavy breathing]

Wait!

Gus: What?

Nurse: It's the girl's

other mom.

She's allowed up here.

Just, just go.

This'll just take a second.

Wait, come here.

Hold that thought.

Rachel: Sarah.

Sarah, hide.

They're coming for you.

What if they find me?

Rachel: They won't.

I'll help you.

I'm not leaving you.

Hurry.

Nurse: Hi, miss lin.

Welcome back.

Is everything okay?

*

your daughter had

another fit again earlier.

But I think she's sleeping

again now so.

*

you remember which room

it is, right?

Um, well here.

I'll show you.

*

nurse: Sarah?

[Ominous music]

Anne: No!

[Music continues]

Hey kid. What's goin' on?

Watch out!

Ahhh!

Anne: Don't be afraid, child.

I just want the echo.

You can't hide from us.

[Ominous music]

I will find you.

[Thunder rumbles]

Sounds like there's

a storm coming.

I think it's

a little ways off yet.

[Sighs]

Trouble sleeping?

Mmm.

[Thunder rumbles]

That's understandable.

How do you do it?

I mean, deal with this sort

of stuff every day.

How do you sleep at night?

Not well.

But it comes with the job.

You ever feel

like you've had enough?

Some days.

But quitting isn't gonna

help you.

Doing your job is the only thing

that makes you feel better.

Thing is, the more you do it,

the more death you see.

It's a never-ending cycle.

Well, I appreciate

everything.

Shh!

[Thunder rumbles]

Isn't one of your men

out there?

Frank?

Sarah?

Sarah, what on earth

are you doing here?

Mom, Casey's dead.

What?

They killed Casey.

Then they came to the hospital

to get me.

Who?

The teacher.

She wants the echo.

Frank!

*

oh my god!

Upstairs.

Sarah: Ahh!

Now!

*

April: Come on Sarah!

Get out of sight.

I'll take care of this myself.

[Door bangs]

Bang!

Mike: Freeze!

Don't move.

I said don't move!

Or I will drop you

where you stand!

Then get on with it.

*

[voices whispering]

[Gasping]

Sarah.

I want you to go hide for me,

okay?

Don't let them find you, okay?

You're gonna be okay.

You're gonna be alright.

Mom!

Okay?

Please don't. Go, go, go.

Ugh! Ugh!

[Gasps]

[Voices whispering]

Now, where are you?

[Voices whispering]

Upstairs!

[Ominous music]

[Bat striking]

Whomp! Whomp! Whomp! Whomp!

[Music continues]

[Footsteps]

Got you.

You're coming with me.

[Voices whispering]

[Panting]

[Bat strikes]

Whomp!

*

[whispering continues]

[Gasps]

[Bat strikes]

Whomp!

Unh! Unh! Unh!

[Gun fires]

Bang!

[Panting]

April: Oh god. Oh god.

Oh god.

Sarah honey, come here.

Come on. We have to go.

Baby, we have to go.

Come on.

Oh god. Come here, honey.

Come here.

Please get up.

Please, please.

Come here.

Hold on to me, okay?

Okay, good girl.

Good girl.

Oh god.

Sarah: [Whimpering]

Okay honey.

I need you to keep

your eyes closed for me, okay?

Sarah: Okay.

Okay.

Sarah: [Whimpering]

Keep 'em closed tight.

[Panting]

Shh!

Keep your eyes closed, baby.

Okay, you can look.

Shh.

Unh!

Mom?

[Gasping]

[Voices whispering]

See how easy it is, child?

With only the slightest effort,

you could turn a person

this way...

Or that.

Stop it!

*

I might've been able

to teach you a thing or two

with this gift

your mother gave you.

But I'm afraid

I can't let you keep it.

I've been searching for it

for so long.

Stop!

You're hurting her!

Hush now.

You'll get your turn.

[Gasping]

*

[voices whispering]

What?

[Whispering continues]

Oh-ho-ho-ho.

Don't even try it.

[Whispering continues]

Have it your way!

[Intense music]

[Screaming]

[Music continues]

You can't.

[Music continues]

Ahh! Ahh!

*

Sarah.

Sarah.

Oh god.

Did you see her?

Yeah.

Sweetheart, I did.

*

Casey: You should've told me

about the letter.

Why didn't you?

April: I loved Rachel.

It took me so long

to get over her.

And then when all this came up,

I just, I didn't know

what to think.

Casey: Do you still love her?

April: Doesn't matter anymore.