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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:56,850 --> 00:00:59,060 [PLAYING "CAMPTOWN RACES"] 2 00:01:39,600 --> 00:01:41,890 WHAT ARE THESE, LITTLE MISS, HMM? 3 00:01:42,060 --> 00:01:45,730 HA HA HA! NOW THE TRICK IS TO SET YOUR MIND 4 00:01:45,890 --> 00:01:47,900 TO DO TWO THINGS AT ONCE, 5 00:01:48,060 --> 00:01:51,020 LIKE RUBBING YOUR TUMMY IN A CIRCLE 6 00:01:51,190 --> 00:01:54,440 AND PATTING YOUR HEAD WITH YOUR OTHER HAND. 7 00:01:54,610 --> 00:01:58,070 IT TAKES SOME LEARNING, BUT BRIGHT GIRLS LIKE YOU 8 00:01:58,240 --> 00:02:00,620 SHOULD BE ABLE TO DO IT IN NO TIME AT ALL. 9 00:02:00,780 --> 00:02:01,620 WE CAN DO IT! 10 00:02:01,790 --> 00:02:03,290 OF COURSE YOU CAN! 11 00:02:03,450 --> 00:02:08,920 SO CAN LAURA. NOW, SHALL WE TRY "AUNT RHODY" AGAIN? 12 00:02:09,080 --> 00:02:09,880 YES. 13 00:02:10,040 --> 00:02:10,840 READY? 14 00:02:11,000 --> 00:02:13,460 ♪ GO TELL AUNT RHODY ♪ 15 00:02:13,630 --> 00:02:15,970 ♪ GO TELL AUNT RHODY ♪ 16 00:02:16,130 --> 00:02:18,260 ♪ GO TELL AUNT RHODY ♪ 17 00:02:18,430 --> 00:02:20,550 ♪ HER OLD GRAY GOOSE IS DEAD ♪ 18 00:02:20,720 --> 00:02:22,970 Mary: ♪ SHE DIED LAST FRIDAY ♪ 19 00:02:23,140 --> 00:02:26,390 ♪ SHE DIED LAST FRIDAY ♪ 20 00:02:26,560 --> 00:02:28,730 ♪ SHE DIED LAST FRIDAY ♪ 21 00:02:28,900 --> 00:02:31,440 ♪ BEHIND THE OLD BARN SHED ♪ 22 00:02:31,610 --> 00:02:34,070 ♪ THE ONE SHE'S BEEN A-SAVING ♪ 23 00:02:34,230 --> 00:02:36,780 ♪ THE ONE SHE'S BEEN A-SAVING ♪ 24 00:02:36,950 --> 00:02:39,110 ♪ THE ONE SHE'S BEEN A-SAVING ♪ 25 00:02:39,280 --> 00:02:42,830 ♪ TO MAKE HER FEATHER BED ♪ 26 00:02:42,990 --> 00:02:44,290 GO ON, LAURA. 27 00:02:44,450 --> 00:02:46,620 I DON'T LIKE TO SING ABOUT DYING. 28 00:02:46,790 --> 00:02:47,750 IT'S SAD. 29 00:02:47,910 --> 00:02:50,710 Woman: NOTHING'S So SAD ABOUT DYING. 30 00:02:50,880 --> 00:02:51,920 I THINK IT'S SAD. 31 00:02:52,090 --> 00:02:55,170 WELL, WHEN YOU GET AS CLOSE TO IT AS I AM, 32 00:02:55,340 --> 00:02:56,920 'T'AIN'T SAD. 33 00:02:57,090 --> 00:03:00,760 JUST LIKE FINISHING A BOOK OR A QUILT 34 00:03:00,930 --> 00:03:02,970 OR MAYBE A LONG TRIP DOWN THE RIVER 35 00:03:03,140 --> 00:03:05,310 AND THEN STARTING OFF SOMEWHERE ELSE, 36 00:03:05,470 --> 00:03:08,980 MAYBE lT'LL BE MORE FUN THAN WHERE YOU WERE BEFORE. HA HA! 37 00:03:09,140 --> 00:03:10,980 HOW ABOUT "GOING TO BOSTON"? 38 00:03:11,150 --> 00:03:12,060 Girls: YEAH. 39 00:03:12,230 --> 00:03:13,900 ALL RIGHT NOW. READY? 40 00:03:14,070 --> 00:03:16,400 ♪ GOOD-BYE, GIRLS, I'M GOING TO BOSTON ♪ 41 00:03:16,570 --> 00:03:18,820 ♪ GOOD-BYE, GIRLS, I'M GOING TO BOSTON ♪ 42 00:03:18,990 --> 00:03:22,320 ♪ GOOD-BYE, GIRLS, I'M GOING TO BOSTON ♪ 43 00:03:22,490 --> 00:03:24,740 ♪ EARLY IN THE MORNING ♪ 44 00:03:24,910 --> 00:03:27,200 ♪ WON'T WE LOOK PRETTY IN THE BALLROOM? ♪ 45 00:03:27,370 --> 00:03:29,710 ♪ WON'T WE LOOK PRETTY IN THE BALLROOM? ♪ 46 00:03:29,870 --> 00:03:32,670 ♪ WON'T WE LOOK PRETTY IN THE BALLROOM ♪ 47 00:03:32,830 --> 00:03:36,300 ♪ EARLY IN THE MORNING? ♪ 48 00:03:36,460 --> 00:03:39,010 Woman: WE'RE OF AN AGE, ALMOST To THE DAY. 49 00:03:39,170 --> 00:03:40,680 YOU'D THINK WE'D BE MORE ALIKE. 50 00:03:40,840 --> 00:03:43,050 LET LOOSE ON THIS A LITTLE BIT, AMY. THAT'S IT. 51 00:03:43,220 --> 00:03:45,760 NOW I CAN GET IT. THERE. 52 00:03:45,930 --> 00:03:47,850 WHY WOULD YOU AND MISS MADDIE BE ALIKE? 53 00:03:48,020 --> 00:03:51,020 BORN 12 DAYS APART UNDER THE SAME SIGN. 54 00:03:51,190 --> 00:03:52,940 OH, I DON'T BELIEVE IN THAT NONSENSE. 55 00:03:53,100 --> 00:03:55,020 "THE SOUL OF PATIENCE," BOTH OF US, 56 00:03:55,190 --> 00:03:57,110 IT SAYS IN THE HOROLOGY BOOK. 57 00:03:57,280 --> 00:03:58,690 PATIENCE? YOU? 58 00:03:58,860 --> 00:04:00,860 HOW ELSE COULD I LIVE UNDER THE SAME ROOF FOR 8 YEARS 59 00:04:01,030 --> 00:04:03,360 WITH A KENTUCKY PRESBYTERIAN? 60 00:04:03,530 --> 00:04:07,870 WELL, JUST MAYBE IT WAS MISS MADDIE HAD THE PATIENCE. 61 00:04:08,040 --> 00:04:08,870 YOU PUT YOUR FINGER ON IT. 62 00:04:09,040 --> 00:04:10,160 IF YOU TAKE YOUR FINGER OFF IT, 63 00:04:10,330 --> 00:04:12,460 I'LL HANG IT UP ON THE WALL. 64 00:04:12,620 --> 00:04:14,210 PATIENCE SHE HAS... 65 00:04:14,380 --> 00:04:17,170 AND THE GRACE TO LET US DO THIS FOR HER. 66 00:04:17,340 --> 00:04:18,170 WHAT, SHE KNOWS? 67 00:04:18,340 --> 00:04:19,210 OF COURSE SHE DOES. 68 00:04:19,380 --> 00:04:20,420 SHE WASN'T BEHIND THE DOOR 69 00:04:20,590 --> 00:04:23,340 WHEN THE GOOD LORD PARCELED OUT SUSPICION. 70 00:04:23,510 --> 00:04:25,680 I THOUGHT IT WAS A PRETTY GOOD STORY WE MADE UP: 71 00:04:25,850 --> 00:04:28,720 LAURA AND MARY WANTING TO LEARN TO PLAY THE AUTOHARP. 72 00:04:28,890 --> 00:04:31,810 COME ON NOW, CHARLES. 73 00:04:31,980 --> 00:04:33,140 SHE DIDN'T BAT AN EYE. 74 00:04:33,230 --> 00:04:34,400 OF COURSE SHE DIDN'T. 75 00:04:34,560 --> 00:04:37,570 THE JOY OF IT IS LETTING US SURPRISE HER. 76 00:04:37,730 --> 00:04:40,650 NOT BAD, IF I DO SAY IT MYSELF. 77 00:04:40,820 --> 00:04:43,070 ONE MORE WILL DO IT. 78 00:04:43,240 --> 00:04:44,570 YEAH, THAT OLD FOX. 79 00:04:44,740 --> 00:04:46,700 I MUST SAY, SHE'S A FINE ACTRESS. 80 00:04:46,870 --> 00:04:52,160 THE PITY OF IT IS, IT MIGHT BE CLOSE TO HER LAST PERFORMANCE. 81 00:04:52,330 --> 00:04:54,420 I WROTE THAT TO ELIZA. 82 00:04:54,580 --> 00:04:55,460 HER DAUGHTER. 83 00:04:55,630 --> 00:04:57,790 HMM, ALL SHE HAS LEFT, 84 00:04:57,960 --> 00:05:01,920 WITH HER SON-IN-LAW TOM AND HER 4 GRANDCHILDREN. 85 00:05:02,090 --> 00:05:04,220 HER BOYS WERE KILLED IN THE WAR. 86 00:05:06,590 --> 00:05:08,810 SHE'S A FINE WOMAN, ELIZA. 87 00:05:08,970 --> 00:05:12,140 BUT LIKE MOST CHILDREN, SHE THINKS UPON A PARENT 88 00:05:12,310 --> 00:05:13,730 AS A PERMANENT FIXTURE, 89 00:05:13,890 --> 00:05:15,770 A FEATURE OF THE LANDSCAPE THAT ALWAYS WAS 90 00:05:15,940 --> 00:05:18,270 AND ALWAYS WILL BE, TIME WITHOUT END... 91 00:05:18,440 --> 00:05:19,980 LIKE A MOUNTAIN OR A ROCK. 92 00:05:20,150 --> 00:05:22,610 PRETTY GIRL. 93 00:05:22,780 --> 00:05:26,780 THAT ISN'T ELIZA. THAT'S ME BRIDGET AND HER TWO BROTHERS. 94 00:05:26,950 --> 00:05:28,160 WELL, I KNOW THAT. 95 00:05:28,320 --> 00:05:29,990 SHE'S STILL A PRETTY GIRL. TAKES AFTER HER MOTHER. 96 00:05:30,160 --> 00:05:32,540 HA HA! GET ON WITH YA. 97 00:05:32,700 --> 00:05:35,210 [KNOCK ON DOOR] 98 00:05:35,370 --> 00:05:36,460 COME IN. 99 00:05:37,960 --> 00:05:39,000 ANYBODY HOME? 100 00:05:39,170 --> 00:05:40,670 Amy: COME IN, DOCTOR. 101 00:05:40,840 --> 00:05:43,010 WIPE YOUR FEET. 102 00:05:43,170 --> 00:05:44,800 OOPS. 103 00:05:49,350 --> 00:05:52,890 FOR MADDIE. PICKED IT UP AT THE POST OFFICE. 104 00:05:53,060 --> 00:05:55,310 WELL, IT LOOKS LIKE A PARTY BREWING. 105 00:05:55,480 --> 00:05:57,650 SHE'LL BE 80 YEARS OLD TODAY. 106 00:05:57,810 --> 00:06:00,480 WISH HER A HAPPY BIRTHDAY FOR ME-- 107 00:06:00,650 --> 00:06:03,150 UNLESS, OF COURSE, I'M INVITED, 108 00:06:03,320 --> 00:06:05,280 IN WHICH CASE I'LL DO IT MYSELF. 109 00:06:05,450 --> 00:06:06,400 YOU'RE INVITED. 110 00:06:06,570 --> 00:06:07,530 I'LL BE THERE. 111 00:06:07,700 --> 00:06:09,200 OH, IT'S A SURPRISE. 112 00:06:09,370 --> 00:06:12,200 I KNOW. MADDIE TOLD ME. 113 00:06:13,290 --> 00:06:14,950 HA HA! 114 00:06:21,380 --> 00:06:25,260 ANOTHER LETTER FROM ELIZA. 115 00:06:25,420 --> 00:06:31,930 "CAN'T MAKE IT... TOO BUSY...SORRY." LIKE ALWAYS. 116 00:06:35,060 --> 00:06:37,100 SHOULD I TAKE IT OUT TO HER? 117 00:06:37,270 --> 00:06:40,770 OH, NO. 118 00:06:40,940 --> 00:06:43,150 SHE'LL KNOW ABOUT IT SOON ENOUGH. 119 00:06:45,110 --> 00:06:48,150 HEY...LEASTWAYS, WE'RE HAVING A PARTY. 120 00:06:49,070 --> 00:06:51,280 SHE WON'T WANT IT NOW. 121 00:07:11,680 --> 00:07:14,390 Amy: IT'S ALL FOR THE BEST. 122 00:07:14,560 --> 00:07:15,770 THEY'LL COME ON THANKSGMNG, 123 00:07:15,930 --> 00:07:18,560 AND YOU'LL BE FEELING BETTER THEN. 124 00:07:18,730 --> 00:07:21,100 YOU'LL BE YOUR OLD SELF FOR THANKSGMNG. 125 00:07:21,270 --> 00:07:23,900 YOU ALWAYS PERK UP IN THE FALL. 126 00:07:26,360 --> 00:07:29,030 WE'LL CELEBRATE OUR BIRTHDAYS TOGETHER. 127 00:07:29,200 --> 00:07:32,120 I'LL BAKE A CAKE FOR THE TWO OF US. 128 00:07:32,280 --> 00:07:33,910 YOU'RE 12 DAYS OLDER THAN I AM, 129 00:07:34,080 --> 00:07:37,080 SO YOU CAN BLOW OUT THE CANDLES. 130 00:07:37,250 --> 00:07:38,790 HOW WILL THAT BE? 131 00:07:44,840 --> 00:07:48,920 OH, CHILDREN DO HAVE THEIR OWN LIVES TO LIVE, YOU KNOW. 132 00:07:49,090 --> 00:07:50,880 WE LOSE SIGHT OF THAT. 133 00:07:51,050 --> 00:07:54,680 I REMEMBER WHEN I WAS BRINGING UP ME OWN. 134 00:07:54,850 --> 00:07:57,180 OH, SUCH A TIME I HAD! 135 00:07:57,350 --> 00:08:00,640 I NEVER GAVE A THOUGHT TO ME OWN MOTHER. 136 00:08:04,360 --> 00:08:07,780 I REMEMBER PULLING ME SEAN OUT OF A SALOON 137 00:08:07,940 --> 00:08:11,780 WHEN HE WAS... OH, 22, NO LESS. 138 00:08:11,950 --> 00:08:14,950 AND BRIDGET--GOSH! 139 00:08:15,120 --> 00:08:17,490 WE HAD IT OUT, THE TWO OF US. 140 00:08:17,660 --> 00:08:21,040 WHEN SHE WAS 16, SHE...SHE BROUGHT HOME 141 00:08:21,210 --> 00:08:26,460 A YOUNG BLOND BUCKO FROM A ST. PATRICK'S DAY DANCE. 142 00:08:26,630 --> 00:08:29,460 I DIDN'T APPROVE OF THE GLEAM IN HIS EYE, 143 00:08:29,630 --> 00:08:32,260 AND I PUT AN END TO IT THEN AND THERE, 144 00:08:32,430 --> 00:08:35,970 AND SHE DIDN'T SPEAK TO ME FOR A MONTH. 145 00:08:36,140 --> 00:08:39,890 AND ANDY...LORD LOVE HIM. 146 00:08:40,060 --> 00:08:42,060 HE WAS A TRIAL, THAT ONE. 147 00:08:42,230 --> 00:08:48,520 LORD KNOWS WHERE YOU WENT OR WHAT YOU'RE UP TO. 148 00:08:48,690 --> 00:08:52,740 WELL, YOU CAN'T EAT YOUR HEART OUT OVER THE YOUNG. 149 00:08:52,900 --> 00:08:54,910 THE BIRDS ARE OUT OF THE NEST AND ON THE WING 150 00:08:55,070 --> 00:08:57,530 AND GOOD RIDDANCE TO THEM, 151 00:08:57,700 --> 00:09:00,240 AND IT'S TIME YOU STOPPED THINKING ABOUT ELIZA 152 00:09:00,410 --> 00:09:02,330 AND TERRANCE AND... 153 00:09:13,590 --> 00:09:15,550 MADDIE? 154 00:09:17,850 --> 00:09:21,220 OH... 155 00:09:21,390 --> 00:09:22,980 MADDIE. 156 00:09:26,020 --> 00:09:28,310 Reverend Alden: LORD... 157 00:09:28,480 --> 00:09:31,610 BE WITH US IN THIS HOUR OF SORROW, 158 00:09:31,780 --> 00:09:33,070 AS WE GATHER TO MOURN THE PASSING 159 00:09:33,240 --> 00:09:36,240 OF ONE WHO'S TOUCHED ALL OUR LIVES, 160 00:09:36,410 --> 00:09:40,910 GIVEN WITHOUT STINT OF HER WARMTH AND LOVE AND UNDERSTANDING, 161 00:09:41,080 --> 00:09:44,750 AND ASKED NOTHING BUT WE LOVE HER IN RETURN. 162 00:09:44,910 --> 00:09:47,880 A GREAT AND NOBLE LADY WAS MADDIE ELDER. 163 00:09:48,040 --> 00:09:50,170 ON THIS OCCASION... 164 00:09:50,340 --> 00:09:53,130 DON'T YOU WANT TO GET CLOSER? 165 00:09:53,300 --> 00:09:56,220 I CAN MOURN BETTER DOWN HERE. 166 00:09:56,380 --> 00:09:59,140 SHE CAN HEAR ME WHEREVER SHE IS. 167 00:09:59,300 --> 00:10:01,060 WHAT ARE THEY DOING? 168 00:10:01,220 --> 00:10:04,060 THEY'RE SAYING GOOD-BYE. 169 00:10:04,230 --> 00:10:07,350 WHAT GOOD DOES IT DO WHEN SHE CAN'T HEAR THEM? 170 00:10:07,520 --> 00:10:10,150 Laura: WHY DIDN'T THEY COME TO HER BIRTHDAY? 171 00:10:10,310 --> 00:10:12,230 YOU CAN MISS A BIRTHDAY, 172 00:10:12,400 --> 00:10:14,490 AND NOBODY SAYS MUCH, 173 00:10:14,650 --> 00:10:17,200 BUT YOU CAN'T MISS A FUNERAL. 174 00:10:17,360 --> 00:10:19,240 WHY NOT? 175 00:10:19,410 --> 00:10:22,410 THAT'S JUST THE WAY GROWNUPS ARE. 176 00:10:22,580 --> 00:10:27,330 HMM...OUGHT TO BE THE OTHER WAY AROUND. 177 00:10:27,500 --> 00:10:29,750 A LOT OF THINGS IN LIFE 178 00:10:29,920 --> 00:10:32,750 OUGHT TO BE THE OTHER WAY AROUND. 179 00:10:32,920 --> 00:10:35,420 WE OUGHT TO HAVE OUR FUNERALS WHILE WE'RE STILL ALIVE 180 00:10:35,590 --> 00:10:38,340 SO'S WE COULD SAY GOOD-BYE TO EVERYBODY. 181 00:11:03,580 --> 00:11:07,750 OH, THANK YOU, CHARLES. 182 00:11:13,880 --> 00:11:16,630 IT MIGHT BE KIND OF LONELY AROUND HERE FOR A FEW DAYS. 183 00:11:16,800 --> 00:11:17,880 WHY DON'T YOU COME STAY WITH US? 184 00:11:18,050 --> 00:11:20,130 OH, NOW, DON'T WORRY ABOUT ME. 185 00:11:20,300 --> 00:11:22,260 I'VE GOT A LOT TO DO. 186 00:11:22,430 --> 00:11:23,300 YOU SURE? 187 00:11:23,470 --> 00:11:24,560 SURE. 188 00:11:24,720 --> 00:11:27,140 AT MY AGE, YOU GET USED TO LOSING A FRIEND 189 00:11:27,310 --> 00:11:29,190 EVERY NOW AND THEN. 190 00:11:29,350 --> 00:11:31,520 THANKS FOR THE THOUGHT. 191 00:12:59,860 --> 00:13:02,280 Mary: DEAR FATHER IN HEAVEN, 192 00:13:02,450 --> 00:13:03,900 WE THANK THEE. 193 00:13:04,070 --> 00:13:06,320 BLESS THIS FOOD TO OUR USE 194 00:13:06,490 --> 00:13:10,410 AND OUR HEARTS TO THY SERVICE. AMEN. 195 00:13:10,580 --> 00:13:11,410 Charles: AMEN. 196 00:13:11,580 --> 00:13:13,290 Laura: AMEN. 197 00:13:13,460 --> 00:13:14,750 I SAW AMY HEARN AT THE MERCANTILE TODAY. 198 00:13:14,920 --> 00:13:15,960 HOW IS SHE? 199 00:13:16,130 --> 00:13:17,960 WELL, SHE INSISTED ON SETTLING UP HER BILL 200 00:13:18,130 --> 00:13:21,420 AS IF SHE HAD SOME KIND OF PREMONITION. 201 00:13:21,590 --> 00:13:23,130 SHE'S GOT TO HAVE SOMETHING TO OCCUPY HER MIND. 202 00:13:23,300 --> 00:13:26,010 IT'S NOT GOOD FOR HER BEING IN THAT HOUSE BY HERSELF. 203 00:13:26,180 --> 00:13:27,970 [MUFFLED] I'LL so SEE HER. 204 00:13:28,140 --> 00:13:29,050 ME, TOO. 205 00:13:29,220 --> 00:13:30,510 ONE OF YOU GO TOMORROW, 206 00:13:30,680 --> 00:13:31,930 THE OTHER GO THE NEXT DAY. 207 00:13:32,100 --> 00:13:35,270 THAT WAY, SHE'LL HAVE TWO VISITS INSTEAD ONE. 208 00:13:35,440 --> 00:13:37,060 THAT'S A GOOD IDEA. 209 00:13:38,980 --> 00:13:40,820 Caroline: I MADE SOME PIE CRUST COOKIES. 210 00:13:40,980 --> 00:13:42,740 STOP BY WITH THEM ON YOUR WAY TO SCHOOL. 211 00:13:42,900 --> 00:13:44,110 IF SHE WANTS TO VISIT A LITTLE BIT, 212 00:13:44,280 --> 00:13:46,030 DON'T BE WORRIED ABOUT BEING LATE FOR SCHOOL. 213 00:13:46,200 --> 00:13:48,660 MAYBE WE CAN HAVE HER OVER FOR SUNDAY SUPPER. 214 00:13:48,820 --> 00:13:50,030 GOOD. 215 00:13:50,200 --> 00:13:53,160 I LIKE HER. SHE TALKS TO US LIKE WE'RE GROWNUPS. 216 00:13:53,330 --> 00:13:55,750 BECAUSE SHE HASN'T SEEN YOU EAT. 217 00:14:26,450 --> 00:14:29,200 PA! PA! 218 00:14:30,320 --> 00:14:31,620 HALF-PINT, WHAT'S THE MATTER? 219 00:14:31,780 --> 00:14:32,990 MISS... 220 00:14:33,160 --> 00:14:36,330 JUST TAKE IT EASY. WHAT IS IT? 221 00:14:36,500 --> 00:14:39,250 MISS AMY... SHE'S SICK. 222 00:14:39,420 --> 00:14:43,210 RUN ON TO SCHOOL. I'LL GET DOC BAKER. 223 00:14:43,380 --> 00:14:45,630 AHH... 224 00:14:45,800 --> 00:14:47,300 Boy: AHH. 225 00:14:47,470 --> 00:14:50,760 MMM. SORE? 226 00:14:50,930 --> 00:14:53,310 CAN'T TALK AT ALL? 227 00:14:53,470 --> 00:14:56,680 JUST AHH. 228 00:14:56,850 --> 00:14:58,440 IT CAME ON ALL OF A SUDDEN. 229 00:14:58,600 --> 00:14:59,940 WHEN? 230 00:15:00,100 --> 00:15:00,850 MONDAY. 231 00:15:01,020 --> 00:15:02,690 HMM. HE HAD IT BEFORE? 232 00:15:02,860 --> 00:15:04,530 IT HAPPENS ALL THE TIME. 233 00:15:04,690 --> 00:15:10,320 HMM. WELL, I THINK WE HAVE A SERIOUS CASE OF 5 DAY QUINCY. 234 00:15:10,490 --> 00:15:13,370 IT COMES ON MONDAY, LEAVES ON FRIDAY. 235 00:15:13,530 --> 00:15:14,990 THAT'S RIGHT, DOCTOR. 236 00:15:15,160 --> 00:15:16,410 OH, THAT'S NASTY. 237 00:15:16,580 --> 00:15:18,750 KEEPS AN EAGER YOUNG FELLOW LIKE THIS OUT OF SCHOOL. 238 00:15:18,910 --> 00:15:19,870 [DOOR OPENS] 239 00:15:20,040 --> 00:15:21,630 DOC, MISS AMY'S SICK. 240 00:15:21,790 --> 00:15:22,590 BAD? 241 00:15:22,750 --> 00:15:24,040 I DON'T KNOW. 242 00:15:29,340 --> 00:15:31,970 GIVE THE LAD CASTOR OIL EVERY 4 HOURS. 243 00:15:32,140 --> 00:15:34,390 GOTTA GO, MA. I'LL BE LATE FOR SCHOOL. 244 00:15:42,770 --> 00:15:44,270 HMM. 245 00:15:46,820 --> 00:15:49,150 YOU HAVE PAIN, AMY? 246 00:15:49,320 --> 00:15:50,320 MMM- 247 00:15:50,490 --> 00:15:52,030 WHERE? 248 00:15:52,200 --> 00:15:54,740 IN ME ARM. 249 00:15:54,910 --> 00:15:56,370 BAD? 250 00:15:59,620 --> 00:16:01,370 WATER. 251 00:16:09,470 --> 00:16:13,050 DOGGONE IT, AMY. I CAN'T FIND ANYTHING WRONG WITH YOU. 252 00:16:13,220 --> 00:16:15,010 YOUR TEMPERATURE'S NORMAL. 253 00:16:15,180 --> 00:16:17,770 YOUR PULSE ISN'T GREAT, BUT IT ISN'T BAD EITHER 254 00:16:17,930 --> 00:16:19,810 FOR A WOMAN YOUR AGE. 255 00:16:22,350 --> 00:16:26,650 DOC...CHARLES... 256 00:16:30,820 --> 00:16:33,110 PROMISE ME... 257 00:16:33,280 --> 00:16:34,780 ANYTHING, AMY. 258 00:16:34,950 --> 00:16:36,410 ME FUNERAL... 259 00:16:36,580 --> 00:16:40,500 NOW, I DON'T WANT YOU TO START TALKING LIKE THAT, ALL RIGHT? 260 00:16:40,660 --> 00:16:42,790 YOU'LL TAKE CARE OF IT-- 261 00:16:42,960 --> 00:16:46,130 THE WAKE, THE FUNERAL? 262 00:16:46,290 --> 00:16:47,170 THERE'S NOT GOING TO BE 263 00:16:47,340 --> 00:16:48,960 A WAKE OR A FUNERAL 264 00:16:49,130 --> 00:16:52,130 BECAUSE YOU'RE NOT GOING TO DIE. 265 00:16:52,300 --> 00:16:56,680 NO BLARNEY, DOC. NOT NOW. 266 00:16:58,140 --> 00:17:01,480 PROMISE ME YOU'LL WIRE MY CHILDREN: 267 00:17:01,640 --> 00:17:06,610 SEAN, BRIDGET, ANDY. 268 00:17:06,770 --> 00:17:10,650 I DON'T KNOW IF ANDY'S ALIVE OR DEAD, 269 00:17:10,820 --> 00:17:13,700 BUT TRY TO FIND HIM. 270 00:17:13,860 --> 00:17:15,610 PROMISE ME. 271 00:17:19,200 --> 00:17:21,700 I PROMISE, AMY. 272 00:17:21,870 --> 00:17:24,960 AND THE WAKE... 273 00:17:25,120 --> 00:17:30,090 YOU'LL GET THE PRIEST FROM MANKATO... 274 00:17:30,250 --> 00:17:33,130 CHARLES? 275 00:17:33,300 --> 00:17:35,260 ANYTHING YOU WANT. 276 00:17:35,430 --> 00:17:36,890 YOU PROMISE. 277 00:17:38,180 --> 00:17:40,560 I PROMISE. 278 00:17:40,720 --> 00:17:42,100 IT'S SETTLED, THEN. 279 00:17:42,270 --> 00:17:47,350 THE WAKE WILL BE ON WEDNESDAY, ON ME BIRTHDAY. 280 00:17:47,520 --> 00:17:51,150 THAT SHOULD BE A FINE DAY FOR THE WAKE, DON'T YOU THINK? 281 00:17:52,360 --> 00:17:54,360 AMY, I NEVER PUT A WOMAN, 282 00:17:54,530 --> 00:17:56,910 MUCH LESS AN 80-YEAR-OLD WOMAN, OVER MY KNEE, 283 00:17:57,070 --> 00:17:59,450 BUT YOU'RE COMING CLOSE TO BEING THE FIRST. 284 00:17:59,620 --> 00:18:01,030 OH, COME ON, DR. BAKER. 285 00:18:01,200 --> 00:18:02,290 SURELY YOU UNDERSTAND WHY-- 286 00:18:02,450 --> 00:18:04,120 I SURELY DON'T UNDERSTAND. 287 00:18:04,290 --> 00:18:06,670 I DON'T UNDERSTAND EITHER. I DON'T THINK IT'S FUNNY, AMY. 288 00:18:06,830 --> 00:18:08,500 IT WASN'T MEANT TO BE FUNNY. 289 00:18:08,670 --> 00:18:10,710 IT WAS MEANT PURELY AND SIMPLY 290 00:18:10,880 --> 00:18:12,710 TO BRING ME CHILDREN AND ME GRANDCHILDREN TO ME 291 00:18:12,880 --> 00:18:17,050 FOR THE FIRST TIME IN MORE YEARS THAN I'D LIKE TO COUNT. 292 00:18:17,220 --> 00:18:20,970 I SAW THE LIGHT WHEN POOR MADDIE PASSED OVER. 293 00:18:21,140 --> 00:18:22,720 REST HER SOUL. 294 00:18:22,890 --> 00:18:25,770 AMY HEARN, YOU'RE GOING TO HAVE TO TAKE 295 00:18:25,930 --> 00:18:27,810 YOUR BUSINESS ELSEWHERE. 296 00:18:27,980 --> 00:18:31,020 I'M NOT GOING TO BE A PART OF THIS KIND OF... 297 00:18:31,190 --> 00:18:32,730 DECEPTION! 298 00:18:32,900 --> 00:18:33,730 CHARLES? 299 00:18:33,900 --> 00:18:35,570 AMY, YOU CAN'T BE SERIOUS. 300 00:18:35,740 --> 00:18:40,490 I WANT TO SEE ME CHILDREN AND MY GRANDCHILDREN BEFORE I PASS OVER-- 301 00:18:40,660 --> 00:18:43,490 AN ALTOGETHER SERIOUS MATTER, CHARLES INGALLS, 302 00:18:43,660 --> 00:18:45,830 EVEN IF YOU DON'T THINK SO. 303 00:18:46,000 --> 00:18:49,250 IT'S AN IDIOTIC CONVENTION OF THE GROWNUP WORLD 304 00:18:49,420 --> 00:18:52,920 THAT YOUR LOVED ONES ONLY COME TO SEE YOU WHEN YOU'RE DEAD 305 00:18:53,090 --> 00:18:56,420 INSTEAD OF WHEN YOU CAN... OH, HOLD THEM 306 00:18:56,590 --> 00:18:59,090 AND LOVE THEM AND TALK TO THEM. 307 00:18:59,260 --> 00:19:03,260 AND I'M GOING TO CHANGE THAT IDIOTIC CUSTOM. 308 00:19:03,430 --> 00:19:05,520 AMY, YOU'RE NOT GOING TO TALK ME INTO-- 309 00:19:05,680 --> 00:19:07,060 WHY NOT, PRAY TELL? 310 00:19:07,230 --> 00:19:10,020 YOU'RE ASKING ME TO WIRE YOUR CHILDREN YOU'RE DEAD! 311 00:19:10,190 --> 00:19:12,690 BUT YOU'D WIRE THEM IF I WAS DEAD, WOULDN'T YOU? 312 00:19:12,860 --> 00:19:14,320 OF COURSE I WOULD. 313 00:19:14,480 --> 00:19:17,860 THEN WHY? WHY WOULD YOU PLEASE ME GHOST 314 00:19:18,030 --> 00:19:19,860 INSTEAD OF ME FLESH AND BLOOD? 315 00:19:20,030 --> 00:19:22,120 AMY, IT ISN'T THAT. 316 00:19:22,280 --> 00:19:24,580 IN THE NAME OF HEAVEN, WHAT IS IT? 317 00:19:24,740 --> 00:19:26,250 YOU'RE LIKE ME CHILDREN-- 318 00:19:26,410 --> 00:19:29,540 A DUTIFUL LETTER ONCE OR TWICE A YEAR: 319 00:19:29,710 --> 00:19:32,960 "DO YOU HAVE MONEY, MOTHER? DO YOU LACK FOR ANYTHING? 320 00:19:33,130 --> 00:19:34,960 IS THERE ANYTHING YOU WANT?" 321 00:19:35,130 --> 00:19:39,470 AND I WRITE THEM BACK, "ALL I LACK IS YOU. 322 00:19:39,630 --> 00:19:43,260 WHEN CAN YOU COME AND VISIT ME?" 323 00:19:43,430 --> 00:19:47,640 AND ANDY MARCHED OFF TO WAR WHEN HE WAS 19, 324 00:19:47,810 --> 00:19:50,480 WITH A SMILE AND A WHISTLE 325 00:19:50,640 --> 00:19:53,150 AND A LAST HUG AND A KISS. 326 00:19:53,310 --> 00:19:57,030 AND IN 15 YEARS, I'VE NOT HAD A WORD FROM HIM. 327 00:20:00,030 --> 00:20:05,030 THEY'LL COME TO ME FUNERAL BECAUSE IT'S A SIN NOT TO. 328 00:20:05,200 --> 00:20:08,950 AND THEY'LL WEEP AND SAY ALL THE THINGS 329 00:20:09,120 --> 00:20:11,120 I'LL NOT BE THERE TO HEAR. 330 00:20:13,460 --> 00:20:16,460 AND YOU, BOTH OF YOU, 331 00:20:16,630 --> 00:20:19,380 YOU'RE THE SAME. 332 00:20:19,550 --> 00:20:23,470 YOU'D DO FOR ME CORPSE BUT NOT FOR ME. 333 00:20:25,850 --> 00:20:28,890 AMY, I-.l.. 334 00:20:31,390 --> 00:20:32,730 CHARLES? 335 00:20:37,520 --> 00:20:38,860 Doc? 336 00:20:41,860 --> 00:20:43,360 IT'S SETTLED, THEN. 337 00:20:43,530 --> 00:20:46,240 NOTIFY THE CHILDREN AND THE PRIEST AT MANKATO, 338 00:20:46,410 --> 00:20:48,620 AND, CHARLES, YOU TAKE CHARGE OF THE PREPARATIONS. 339 00:20:48,790 --> 00:20:51,370 NOW, COME ON, COME ON, COME ON, COME ON. 340 00:20:56,040 --> 00:20:58,000 Amy: THERE'S PLENTY OF MONEY IN THE TILL, 341 00:20:58,170 --> 00:21:00,210 AND I'LL BE HERE TO ADVISE YOU. 342 00:21:00,380 --> 00:21:02,050 THERE'LL BE BLACKBERRY WINE, 343 00:21:02,220 --> 00:21:05,390 CHICKEN AND HAM AND POTATO SALAD, 344 00:21:05,550 --> 00:21:07,760 AND A BIRTHDAY CAKE WITH A CANDLE ON IT. 345 00:21:07,930 --> 00:21:11,390 NOW, YOU'D DO WELL TO GET THE WIRES OFF RIGHT AWAY. 346 00:21:11,560 --> 00:21:13,890 THE PRIEST AT MANKATO IS NEW, I UNDERSTAND, 347 00:21:14,060 --> 00:21:16,860 BUT THE PARISH WILL HAVE THE RECORDS OF ME CHILDREN. 348 00:21:17,020 --> 00:21:18,980 NOW, OFF WITH YOU. 349 00:21:23,070 --> 00:21:26,870 REMEMBER, CHARLES, DON'T SPARE THE EXPENSE: 350 00:21:27,030 --> 00:21:29,740 A FIRST-CLASS WAKE. 351 00:21:29,910 --> 00:21:32,330 YES, MA'AM. 352 00:21:32,500 --> 00:21:34,160 WHAT DO I SAY YOU DIED OF? 353 00:21:34,330 --> 00:21:37,290 I'M 80 YEARS OLD ON WEDNESDAY. 354 00:21:37,460 --> 00:21:40,170 SURELY YOU CAN THINK OF SOMETHING. 355 00:21:41,250 --> 00:21:42,420 YOU WHAT?! 356 00:21:42,590 --> 00:21:44,420 [HAMMERING] 357 00:21:47,140 --> 00:21:49,350 I TOLD YOU, CAROLINE. MISS AMY'S GOING TO DIE ON MONDAY, 358 00:21:49,510 --> 00:21:51,640 AND I HAVE TO HANDLE THE WAKE. 359 00:21:51,810 --> 00:21:53,850 CHARLES, YOU'RE NOT SERIOUS. 360 00:21:54,020 --> 00:21:55,940 I KNOW IT'S UNUSUAL. 361 00:21:56,100 --> 00:21:59,020 UNUSUAL? UNUSUAL'S NOT THE WORD. 362 00:21:59,190 --> 00:22:02,070 WHY, IT'S...IT'S... 363 00:22:02,230 --> 00:22:03,820 [HAMMERING] 364 00:22:03,990 --> 00:22:05,450 CHARLES, WILL YOU STOP THAT, PLEASE? 365 00:22:05,610 --> 00:22:07,030 THIS IS OUT OF THE QUESTION. 366 00:22:07,200 --> 00:22:10,830 I WANT YOU TO GO OVER, AND I WANT YOU TO EXPLAIN IT TO HER. 367 00:22:10,990 --> 00:22:11,830 CAROLINE, I AM NOT GOING TO GO OVER 368 00:22:11,990 --> 00:22:13,200 AND TELL AN 80-YEAR-OLD WOMAN 369 00:22:13,370 --> 00:22:14,750 THAT I'M GOING BACK ON MY PROMISE TO HER. 370 00:22:14,910 --> 00:22:16,580 I CAN'T DO THAT. 371 00:22:16,750 --> 00:22:19,380 ALL RIGHT, THEN, IF YOU CAN'T FACE HER... 372 00:22:19,540 --> 00:22:21,130 [HAMMERING] 373 00:22:21,290 --> 00:22:23,170 CHARLES! 374 00:22:23,340 --> 00:22:26,510 I'LL GO AND TALK TO HER. 375 00:22:26,680 --> 00:22:28,760 WELL, SOMEBODY HAS TO. 376 00:22:28,930 --> 00:22:31,930 WE SIMPLY CAN'T LET HER GO THROUGH WITH THIS... 377 00:22:32,100 --> 00:22:34,350 THIS...PLAN. 378 00:22:35,810 --> 00:22:38,650 WELL, BY NOW, SHE'S PROBABLY THOUGHT BETTER 379 00:22:38,810 --> 00:22:42,020 OF THE WHOLE IDEA ANYWAY. HA HA! 380 00:22:53,580 --> 00:22:54,870 MARY? 381 00:22:58,000 --> 00:23:00,000 MARY. 382 00:23:00,170 --> 00:23:03,000 WHAT? 383 00:23:03,170 --> 00:23:05,090 HOW LONG DO YOU WANT TO LIVE TO BE? 384 00:23:05,260 --> 00:23:08,720 OH, I DON'T KNOW. LET ME SLEEP. 385 00:23:08,880 --> 00:23:10,470 I WANT TO LIVE FOREVER. 386 00:23:10,640 --> 00:23:12,600 WELL, YOU CAN'T. 387 00:23:12,760 --> 00:23:14,350 WHO SAID? 388 00:23:14,510 --> 00:23:16,730 GOD. 389 00:23:16,890 --> 00:23:18,980 GOD NEVER TOLD YOU THAT. 390 00:23:19,140 --> 00:23:21,730 WILL YOU GO TO SLEEP? 391 00:23:25,360 --> 00:23:28,110 THAT'S WHAT IT'S LIKE. 392 00:23:28,280 --> 00:23:31,110 THAT'S WHAT WHAT'S LIKE? 393 00:23:31,280 --> 00:23:32,660 GOING TO SLEEP. 394 00:23:32,820 --> 00:23:38,000 WHEN YOU GO TO SLEEP, IT'S LIKE YOU'RE DEAD. 395 00:23:38,160 --> 00:23:39,870 GOOD NIGHT. 396 00:24:23,080 --> 00:24:24,460 [DOOR OPENS] 397 00:24:52,950 --> 00:24:54,950 WAS SHE VERY DISAPPOINTED? 398 00:24:55,120 --> 00:24:57,160 NO. 399 00:24:57,330 --> 00:24:59,620 HOW DID YOU MANAGE TO DO IT? 400 00:25:01,330 --> 00:25:03,000 I'M BAKING THE CAKE. 401 00:25:37,070 --> 00:25:38,200 MARK MY WORDS. 402 00:25:38,370 --> 00:25:41,330 UH-HUH. YOU KNOW WHAT FREE SILVER MEANS. 403 00:25:41,490 --> 00:25:42,830 INFLATION! 404 00:25:43,000 --> 00:25:46,370 ALL I KNOW IS, I'D RATHER HAVE A SILVER DOLLAR 405 00:25:46,540 --> 00:25:47,710 THAN A PIECE OF PAPER. 406 00:25:47,880 --> 00:25:49,920 GET THOSE BIG CLODHOPPERS OFF OF THERE. 407 00:25:50,090 --> 00:25:51,550 YOU KNOW WHAT THE DIFFERENCE IS? 408 00:25:51,710 --> 00:25:54,050 YOU GOT 100 SILVER DOLLARS IN YOUR POCKET, 409 00:25:54,220 --> 00:25:57,180 AND YOU FALL INTO A RIVER, YOU DROWN. 410 00:25:57,340 --> 00:25:59,010 THAT IS THE ONLY DIFFERENCE. 411 00:25:59,180 --> 00:26:00,600 HUH. 412 00:26:00,760 --> 00:26:02,140 Laura: DOC BAKER? 413 00:26:02,310 --> 00:26:04,350 OH, AFTERNOON, LAURA, MARY. 414 00:26:04,520 --> 00:26:07,020 HOW'S MISS AMY GETTING ALONG? 415 00:26:07,190 --> 00:26:09,230 SHE AILING? 416 00:26:09,400 --> 00:26:11,730 SORT OF. 417 00:26:11,900 --> 00:26:14,690 BUT SHE'S GOING TO GET ALL BETTER, ISN'T SHE, DOCTOR? 418 00:26:14,860 --> 00:26:19,070 WE...l MEAN, I SURELY HOPE SO. 419 00:26:20,370 --> 00:26:21,530 BYE! BYE! 420 00:26:21,700 --> 00:26:23,040 BYE. 421 00:26:27,750 --> 00:26:29,580 THAT'S A FINE OLD LADY. 422 00:26:29,750 --> 00:26:33,550 YOU KNOW, I HAD A FEELING THAT THERE WAS SOMETHING WRONG WHEN... 423 00:26:33,710 --> 00:26:36,420 EXCUSE ME, OLESON. GOT TO BE GOING. 424 00:26:38,890 --> 00:26:40,430 HMM. 425 00:26:45,390 --> 00:26:48,230 AMY, JUST THROW IN A COUPLE OF EXTRA... 426 00:26:48,400 --> 00:26:50,230 YOU KNOW, WHATCHAMACALLITS. 427 00:26:50,400 --> 00:26:52,770 YOU WON'T BE STAYING LONG. 428 00:26:54,650 --> 00:26:56,440 IT'S ALL CLEAR. 429 00:27:39,450 --> 00:27:42,620 I WONDER HOW COME WE DON'T HAVE WAKES AT OUR CHURCH. 430 00:27:42,780 --> 00:27:45,040 'CAUSE IT'S FUN, AND IF IT'S FUN, IT'S SINFUL. 431 00:27:45,200 --> 00:27:46,080 WHO SAYS? 432 00:27:46,240 --> 00:27:48,290 YOU JUST GET A FEELING ABOUT IT. 433 00:27:59,630 --> 00:28:00,840 AFTERNOON. 434 00:28:01,010 --> 00:28:02,010 Both: AFTERNOON. 435 00:28:02,180 --> 00:28:02,970 LOVELY DAY. 436 00:28:03,140 --> 00:28:04,430 YES, SIR. YES, SIR. 437 00:28:04,600 --> 00:28:06,640 I'M FATHER GORMAN FROM MANKATO. 438 00:28:06,810 --> 00:28:09,230 I WONDER IF YOU COULD DIRECT ME TO THE INGALLS' PLACE? 439 00:28:09,390 --> 00:28:13,480 UH, IF YOU PLEASE EXCUSE ME, I HAVE TO GO. 440 00:28:18,900 --> 00:28:22,700 THAT'S MY SISTER LAURA. SHE'S SHY. 441 00:28:34,210 --> 00:28:37,090 THAT'S THE GIRL. 442 00:28:37,250 --> 00:28:39,420 Amy: HE WAS A CAUTION, I'LL TELL YOU. 443 00:28:39,590 --> 00:28:40,670 THAT WAS ANDY. 444 00:28:40,840 --> 00:28:43,970 THE MOST EXASPERATING, INFURIATING, 445 00:28:44,140 --> 00:28:46,510 EXCRUCIATING CHILD THE LORD EVER MADE, 446 00:28:46,680 --> 00:28:48,850 AND YET, HE'D LOOK AT YOU 447 00:28:49,020 --> 00:28:50,230 WITH THE DEVIL IN HIS EYES, 448 00:28:50,390 --> 00:28:53,650 AND HE'D HAVE YOU IN THE PALM OF HIS HAND. 449 00:28:53,810 --> 00:28:57,110 HE COULD TALK A SERPENT OUT OF A TREE, THAT ONE. 450 00:28:57,270 --> 00:28:58,690 HA HA HA! 451 00:28:58,860 --> 00:29:01,610 AND NOW, IT'S TIME FOR YOUR NAP. 452 00:29:03,700 --> 00:29:05,200 SLEEPY-BYE. 453 00:29:05,370 --> 00:29:06,700 SLEEPY-BYE. 454 00:29:06,870 --> 00:29:08,120 SLEEPY-BYE. 455 00:29:10,370 --> 00:29:12,000 PA! 456 00:29:17,840 --> 00:29:21,130 PA! PA! THE PRIEST IS HERE! 457 00:29:27,890 --> 00:29:29,350 FATHER GORMAN! 458 00:29:29,510 --> 00:29:31,100 COME BACK HERE. 459 00:29:31,270 --> 00:29:32,930 HE'S NOT DUE HERE TILL TOMORROW. 460 00:29:33,100 --> 00:29:34,560 WELL, HE'S HERE TODAY. 461 00:29:34,730 --> 00:29:36,600 STAY BACK THERE WITH MISS AMY. 462 00:30:02,260 --> 00:30:04,760 THIS IS FATHER GORMAN FROM MANKATO. 463 00:30:04,920 --> 00:30:06,090 FATHER, I'M CHARLES INGALLS. 464 00:30:06,260 --> 00:30:07,180 THIS IS MY WIFE CAROLINE. 465 00:30:07,340 --> 00:30:08,180 HI. HOW ARE YOU? 466 00:30:08,340 --> 00:30:09,140 HOW DO YOU DO? 467 00:30:09,300 --> 00:30:10,310 OF COURSE, YOU MET MARY. 468 00:30:10,470 --> 00:30:11,890 MY, ALL THE GOOD SMELLS. 469 00:30:12,060 --> 00:30:13,640 WE HAVEN'T HAD MUCH EXPERIENCE GIVING A WAKE, 470 00:30:13,810 --> 00:30:15,350 BUT WE'RE DOING OUR BEST. 471 00:30:15,520 --> 00:30:18,060 FATHER, WON'T YOU MAKE YOURSELF MORE COMFORTABLE? 472 00:30:18,230 --> 00:30:20,820 I WON'T BE STAYING LONG, MRS. INGALLS. 473 00:30:25,780 --> 00:30:27,410 JUST WANT TO ASSURE YOU THAT I AM HERE 474 00:30:27,570 --> 00:30:30,530 AND WILL DO WHATEVER'S REQUIRED OF ME. 475 00:30:30,700 --> 00:30:33,700 I HAVEN'T HAD MUCH EXPERIENCE WITH WAKES EITHER. 476 00:30:33,870 --> 00:30:36,620 I'M VERY NEW AT THIS, JUST RECENTLY OUT OF THE SEMINARY. 477 00:30:36,790 --> 00:30:38,170 HMM. 478 00:30:47,380 --> 00:30:48,800 [CLEARS TH ROAT] 479 00:30:48,970 --> 00:30:50,760 I DIDN'T KNOW MRS. HEARN, BUT... 480 00:30:50,930 --> 00:30:52,430 REST HER SOUL... 481 00:30:52,600 --> 00:30:53,890 BUT MY PREDECESSOR, FATHER KELLY, 482 00:30:54,060 --> 00:30:55,680 KNEW HER VERY WELL. 483 00:30:58,100 --> 00:31:00,900 I UNDERSTAND SHE'S A GLORIOUS WOMAN. 484 00:31:01,060 --> 00:31:03,360 OH, SHE--SHE WAS. 485 00:31:05,150 --> 00:31:09,030 I THOUGHT PERHAPS YOU MIGHT FILL ME IN A LITTLE ON MRS. HEARN-- 486 00:31:09,200 --> 00:31:12,120 HER LIFE AND FRIENDS HERE IN WALNUT GROVE. 487 00:31:12,280 --> 00:31:14,160 LT'LL HELP ME QUITE A BIT WITH MY EULOGY. 488 00:31:14,330 --> 00:31:19,170 UH, FATHER, I... 489 00:31:19,330 --> 00:31:21,710 I REALLY DON'T THINK I CAN. 490 00:31:23,670 --> 00:31:25,880 I THINK I CAN PROBABLY HELP YOU, FATHER. 491 00:31:27,260 --> 00:31:30,010 WELL, SHE CAME HERE A LONG TIME AGO, I UNDERSTAND. 492 00:31:30,180 --> 00:31:32,350 YES, A VERY LONG TIME AGO. 493 00:31:32,510 --> 00:31:36,020 REALLY, A MUCH LONGER TIME AGO THAN WE CAME HERE. 494 00:31:36,180 --> 00:31:39,890 AND SHE AND MRS. ELDER... BOTH OF THEM WIDOWS? 495 00:31:40,060 --> 00:31:42,860 YES, THEY BOTH-- THEY WERE BOTH WIDOWS. 496 00:31:43,020 --> 00:31:46,530 CHARLES, I REALLY DON'T THINK WE CAN. 497 00:31:46,690 --> 00:31:48,700 FATHER... 498 00:31:48,860 --> 00:31:49,820 OH, HOW ARE YOU? 499 00:31:49,990 --> 00:31:53,280 I'D LIKE A WORD WITH YOU... 500 00:31:53,450 --> 00:31:56,240 OUTSIDE, WHERE WE CAN BE PRIVATE. 501 00:31:56,410 --> 00:31:59,040 OH, CERTAINLY. 502 00:31:59,210 --> 00:32:01,000 EXCUSE ME. 503 00:32:09,170 --> 00:32:12,260 THANK GOODNESS SHE'S FINALLY COME TO HER SENSES. 504 00:32:39,620 --> 00:32:41,410 I HOPE HE WON'T BE TOO ANGRY 505 00:32:41,580 --> 00:32:43,790 COMING ALL THAT WAY FOR NOTHING. 506 00:32:58,770 --> 00:33:01,140 GUESS WE WON'T NEED THAT. 507 00:33:09,280 --> 00:33:11,990 YOU MIGHT AS WELL HAVE THE ICING. 508 00:33:22,660 --> 00:33:24,830 THEY'RE COMING BACK. 509 00:33:42,390 --> 00:33:44,060 THANK YOU. 510 00:33:44,230 --> 00:33:46,770 THANK YOU SO MUCH FOR TELLING ME ABOUT HER. 511 00:33:46,940 --> 00:33:50,480 LT'LL BE AN HONOR TO ATTEND A WAKE FOR SUCH A MAGNIFICENT WOMAN. 512 00:33:53,570 --> 00:33:56,360 OH, MY THANKS TO YOU, TOO. 513 00:33:56,530 --> 00:33:58,490 YOU'VE BEEN A GREAT HELP. 514 00:34:00,490 --> 00:34:04,330 WELL...SEE YOU AT THE WAKE. 515 00:34:08,460 --> 00:34:10,840 GOD LOVE YOU, MISS O'HARA. 516 00:34:20,430 --> 00:34:23,020 Charles: MISS O'HA-- MISS O'HARA? 517 00:34:24,230 --> 00:34:26,060 ME MAIDEN NAME. 518 00:34:26,230 --> 00:34:30,860 AFTER ALL, IT WOULD BE A SIN TO DECEIVE A PRIEST. 519 00:34:33,150 --> 00:34:35,450 NOW, LET'S GET ON WITH IT. 520 00:34:35,610 --> 00:34:39,820 THE VERY LEAST I COULD DO IS LEND A HAND WITH THE WAKE. 521 00:34:41,410 --> 00:34:45,120 AFTER ALL, I'M THE DECEASED. 522 00:34:52,340 --> 00:34:54,300 [CHATTER] 523 00:35:03,260 --> 00:35:04,600 OH, MY. 524 00:35:04,770 --> 00:35:07,980 Woman: LOOK AT HER. SHE'S GOT HER THUMB IN IT. HA HA! 525 00:35:08,140 --> 00:35:09,690 WELL... 526 00:35:10,770 --> 00:35:12,020 ANY SIGN OF THEM? 527 00:35:12,190 --> 00:35:13,230 THEY'RE STILL AT DR. BAKER'S, 528 00:35:13,400 --> 00:35:14,400 CHANGING THEIR CLOTHES. 529 00:35:14,570 --> 00:35:15,900 PA SAYS THEY'LL BE HERE ANY MINUTE. 530 00:35:16,070 --> 00:35:17,570 ALL RIGHT. NOW, LET ME KNOW THE MINUTE THEY GET HERE. 531 00:35:17,740 --> 00:35:18,490 OK. 532 00:35:18,650 --> 00:35:19,570 I'LL GO WATCH OUT FOR THEM. 533 00:35:19,740 --> 00:35:21,530 Caroline: GOOD. 534 00:35:21,700 --> 00:35:22,870 LAURA-. 535 00:35:29,460 --> 00:35:34,920 WELL, OOH...IS THAT WHAT I THINK IT IS? 536 00:35:35,090 --> 00:35:38,880 SHE'S 80 TODAY... OR SHE WOULD HAVE BEEN. 537 00:35:39,050 --> 00:35:40,430 WELL... 538 00:35:40,590 --> 00:35:42,800 GLORIOUS WOMAN, MRS. HEARN. 539 00:35:42,970 --> 00:35:44,560 I WISH I'D KNOWN HER. 540 00:35:44,720 --> 00:35:48,940 BUT A, UM, BIRTHDAY CAKE AT THIS KIND OF A-- 541 00:35:49,100 --> 00:35:50,350 HER FRIEND EXPLAINED IT. 542 00:35:50,520 --> 00:35:52,360 THIS IS THE WAY MRS. HEARN WOULD HAVE WANTED IT: 543 00:35:52,520 --> 00:35:54,360 TO THINK OF THIS AS NOT A WAKE, 544 00:35:54,520 --> 00:35:56,230 BUT AS A BIRTHDAY PARTY. 545 00:35:56,400 --> 00:36:01,910 WELL, STILL, I DON'T KNOW IF I UNDERSTAND. 546 00:36:02,070 --> 00:36:05,160 I CAN ALMOST FEEL HER PRESENCE IN THIS ROOM. 547 00:36:07,450 --> 00:36:10,460 I KNOW WHAT YOU MEAN, FATHER. 548 00:36:10,620 --> 00:36:11,870 EXCUSE ME A MINUTE, PLEASE. 549 00:36:12,040 --> 00:36:13,840 OH, UM, UH... 550 00:36:28,890 --> 00:36:30,520 [KNOCK ON DOOR] 551 00:36:36,110 --> 00:36:37,900 THEY'LL BE HERE ANY MINUTE. 552 00:36:38,070 --> 00:36:39,650 ARE THE GUESTS HAVING A GOOD TIME? 553 00:36:39,820 --> 00:36:42,450 THEY WERE ALL VERY FOND OF YOU. 554 00:36:42,610 --> 00:36:49,330 OH. WELL, IT'S TIME I JOINED ME PARTY. 555 00:36:59,760 --> 00:37:02,840 A STRANGE LOOK IN HER EYE THE LAST TIME I SAW HER. 556 00:37:03,010 --> 00:37:07,010 INSISTED UPON PAYING HER BILL BEFORE THE FIRST OF THE MONTH. 557 00:37:08,640 --> 00:37:11,850 HMM. NOW, WHO COULD THAT BE? 558 00:37:13,230 --> 00:37:15,520 Father Gorman: OH, AN OLD FRIEND, 559 00:37:15,690 --> 00:37:18,610 BEEN CLOSE TO AMY HEARN FOR A LONG TIME. 560 00:37:49,810 --> 00:37:51,470 THEY'RE HERE. 561 00:37:51,640 --> 00:37:53,390 Hanson: THEY'RE HERE! 562 00:37:53,560 --> 00:37:54,850 Woman: YOU MEAN AMY... 563 00:37:55,020 --> 00:37:56,600 BRIDGET! 564 00:37:56,770 --> 00:37:59,400 BRIDGET! 565 00:37:59,570 --> 00:38:03,570 HANSON, IT'S SO GOOD TO SEE YOU. 566 00:38:03,740 --> 00:38:06,030 OH, RUTH. OH, MY GOODNESS. 567 00:38:06,200 --> 00:38:08,320 AMY WOULD BE SO HAPPY YOU COULD GET HERE. 568 00:38:08,490 --> 00:38:09,330 EXCUSE US JUST A MINUTE. 569 00:38:09,490 --> 00:38:10,490 FATHER GORMAN'S OVER HERE. 570 00:38:10,660 --> 00:38:12,410 THANK YOU SO MUCH. COME, CHILDREN. 571 00:38:12,580 --> 00:38:15,000 OH, YES, HOW ARE YOU? 572 00:38:15,160 --> 00:38:17,080 THIS IS AMY'S DAUGHTER BRIDGET. FATHER GORMAN. 573 00:38:17,250 --> 00:38:18,750 I'M SO HAPPY. 574 00:38:18,920 --> 00:38:21,250 I'M SO GLAD YOU COULD BE HERE. 575 00:38:21,420 --> 00:38:23,630 [INDISTINCT CONVERSATIONS] 576 00:38:29,140 --> 00:38:31,760 I CAN SEE WHY YOU'RE PROUD OF YOUR GRANDCHILDREN. 577 00:38:31,930 --> 00:38:34,520 THAT'S DENNIS, THE BIG ONE, 578 00:38:34,680 --> 00:38:37,270 AND MAUREEN, SAME AS YOUR DAUGHTER SHE'D BE, 579 00:38:37,440 --> 00:38:40,900 AND THE LITTLE ONE'S FREDDY. 580 00:38:41,070 --> 00:38:41,820 SEAN! 581 00:38:41,980 --> 00:38:43,230 MR. HEARN, MR. HANSON. 582 00:38:43,400 --> 00:38:46,490 SEAN I KNOW HIM SINCE HE WAS A LITTLE BOY. 583 00:38:46,650 --> 00:38:47,740 HE USED TO WORK FOR ME. 584 00:38:47,910 --> 00:38:49,120 THAT'S BEEN A LONG TIME NOW, THOUGH. 585 00:38:49,280 --> 00:38:51,330 YOU WANT TO COME AND WORK AGAIN TOMORROW? 586 00:38:51,490 --> 00:38:52,870 IF THINGS KEEP GOING THE WAY THEY ARE, 587 00:38:53,040 --> 00:38:54,120 I'LL BE BACK NEXT WEEK. 588 00:38:54,290 --> 00:38:55,120 Charles: SEAN. 589 00:38:55,290 --> 00:38:56,330 I'LL LOOK FOR YOU. 590 00:38:56,500 --> 00:38:57,620 SEAN, I'D LIKE YOU TO MEET THE FATHER. 591 00:38:57,790 --> 00:38:58,790 EXCUSE ME. 592 00:38:58,960 --> 00:39:02,500 JA. I KNOW HIM SINCE HE WAS LITTLE. 593 00:39:02,670 --> 00:39:07,050 Hanson: DOCTOR? YOU ARE ALL RIGHT? 594 00:39:07,220 --> 00:39:09,640 YES. IT'S JUST A LITTLE WARM. 595 00:39:09,800 --> 00:39:12,510 Charles: FATHER, I'D LIKE YOU To MEET SEAN. 596 00:39:12,680 --> 00:39:13,970 THAT'S FATHER GORMAN. 597 00:39:14,140 --> 00:39:15,430 HOW ARE YOU? 598 00:39:15,600 --> 00:39:17,770 [INDISTINCT CONVERSATIONS] 599 00:39:45,710 --> 00:39:47,590 YOU HAVE WAKES IN MANKATO? 600 00:39:47,760 --> 00:39:49,090 NOT LIKE THIS. 601 00:39:49,260 --> 00:39:50,720 NEITHER DO WE. 602 00:39:50,890 --> 00:39:51,930 DO YOU GOT A GRANDMA? 603 00:39:52,090 --> 00:39:53,600 BACK EAST IN WISCONSIN. 604 00:39:53,760 --> 00:39:54,720 EVER SEE HER? 605 00:39:54,890 --> 00:39:56,560 NOT FOR A LONG TIME. 606 00:39:58,850 --> 00:40:01,940 HOW LONG IS THIS GOING TO GO ON? 607 00:40:02,100 --> 00:40:04,070 IT'S UP TO HER. 608 00:40:08,900 --> 00:40:12,740 OH...MMM...HI. NICE EVENING. 609 00:40:34,010 --> 00:40:37,310 Sean: FLANAGAN... FLANAGAN'S WINDOW. 610 00:40:37,470 --> 00:40:38,390 ACROSS THE STREET. 611 00:40:38,560 --> 00:40:40,230 NO, NO, NO. THAT WAS FLYNN. 612 00:40:40,390 --> 00:40:42,730 FLANAGAN WAS 3 DOORS DOWN. 613 00:40:42,900 --> 00:40:44,400 AH, YES. HA! 614 00:40:44,560 --> 00:40:47,360 35 CENTS TO HAVE IT FIXED. 615 00:40:47,530 --> 00:40:51,070 SHE THOUGHT IT WAS ANDY THREW THAT BASEBALL. 616 00:40:51,240 --> 00:40:52,490 HE TOLD HER HE DID IT. 617 00:40:52,660 --> 00:40:53,990 HE TOOK THE BLAME. 618 00:40:54,160 --> 00:40:55,990 KNOWING HE WOULDN'T BE PUNISHED. 619 00:40:56,160 --> 00:40:58,240 AH, HE HAD A WAY WITH HER. 620 00:40:58,410 --> 00:41:00,870 AND WITH ME. HE DID IT FOR ME. 621 00:41:01,040 --> 00:41:05,250 HE KNEW I DIDN'T HAVE THAT 35 CENTS. 622 00:41:05,420 --> 00:41:07,840 YOU WEREN'T FOOLING ME, SEAN. 623 00:41:08,000 --> 00:41:10,340 I SAW IT ALL. 624 00:41:10,510 --> 00:41:11,920 WHY IS IT, I WONDER, 625 00:41:12,090 --> 00:41:15,930 THAT YOU NEVER KNOW WHAT THEY MEAN TO YOU 626 00:41:16,100 --> 00:41:18,930 UNTIL AFTER THEY'RE GONE? 627 00:41:19,100 --> 00:41:22,600 IT'S HARD TO BELIEVE WE'LL NEVER SEE HER AGAIN. 628 00:41:22,770 --> 00:41:25,600 HA HA! "WIPE YOUR FEET, SEAN." 629 00:41:25,770 --> 00:41:30,400 HA! IF THERE'S ONE THING I'LL REMEMBER ABOUT HER, IT'S THAT. 630 00:41:30,570 --> 00:41:33,110 "WIPE YOUR FEET." 631 00:41:33,280 --> 00:41:35,990 SHE WAS TELLING ME THAT TILL I WAS 30. 632 00:41:36,160 --> 00:41:39,620 I WAS NOSE-TO-NOSE WITH HER MORE THAN I LIKE TO REMEMBER. 633 00:41:39,790 --> 00:41:41,500 HA HA! YOU WERE. 634 00:41:41,660 --> 00:41:45,370 THE BLOND BOY YOU BROUGHT HOME FROM THE DANCE. 635 00:41:45,540 --> 00:41:47,540 OH, I WAS READY TO LEAVE HOME! 636 00:41:47,710 --> 00:41:50,250 I THOUGHT THE WORLD HAD ENDED. HA HA HA! 637 00:41:50,420 --> 00:41:51,880 WHEN SHE GOT THAT SET TO HER JAW, 638 00:41:52,050 --> 00:41:55,470 SHE WAS LIKE PHIL SHERIDAN LEADING A CHARGE. 639 00:41:55,630 --> 00:41:58,550 OH, FOR YEARS I'D NEVER ADMIT IT TO HER. 640 00:41:58,720 --> 00:42:00,140 THE BLOND BOY? 641 00:42:00,310 --> 00:42:06,020 SHE WAS RIGHT, SO EVERLASTINGLY RIGHT. 642 00:42:10,980 --> 00:42:13,490 I WASN'T SO SURE MYSELF. 643 00:42:20,990 --> 00:42:24,250 WELL, I UNDERSTAND YOU WERE HER DOCTOR. 644 00:42:25,500 --> 00:42:26,500 HMM? 645 00:42:26,670 --> 00:42:30,590 UM, YOU WERE HER DOCTOR, I UNDERSTAND? 646 00:42:30,750 --> 00:42:32,050 OH, YES, FATHER. 647 00:42:32,210 --> 00:42:34,130 AH. 648 00:42:34,300 --> 00:42:38,840 WELL, I TRUST SHE CAME TO A PEACEFUL END. 649 00:42:39,010 --> 00:42:42,390 NOTHING ABOUT AMY HEARN WAS PEACEFUL. 650 00:42:43,720 --> 00:42:45,770 AW, SEAN, IT WOULD BE WONDERFUL. 651 00:42:45,940 --> 00:42:47,520 I'D LIKE IT. YOU KNOW, I'D PUT HIM TO WORK, 652 00:42:47,690 --> 00:42:49,230 I'LL TELL YOU. I-- 653 00:42:51,610 --> 00:42:54,530 SAINTS BE PRAISED. 654 00:42:54,690 --> 00:42:56,860 HE'S COME HOME. 655 00:42:59,530 --> 00:43:00,700 OH! 656 00:43:00,870 --> 00:43:02,030 BRIDGET? 657 00:43:02,200 --> 00:43:05,700 ANDY! OH! 658 00:43:05,870 --> 00:43:07,370 OH! 659 00:43:07,540 --> 00:43:09,040 OH, ANDY. 660 00:43:09,210 --> 00:43:12,710 ANDY! HOW LONG HAS IT BEEN? 661 00:43:12,880 --> 00:43:15,300 TOO LONG. TOO LONG! 662 00:43:15,460 --> 00:43:17,090 OH, YOU...HA HA! 663 00:43:17,260 --> 00:43:18,590 HERE, LET ME LOOK AT YOU. 664 00:43:18,760 --> 00:43:21,050 OH, YOU LOOK SO HANDSOME! 665 00:43:21,220 --> 00:43:25,270 AND YOU--WHAT A FINE FIGURE OF A WOMAN YOU ARE. 666 00:43:27,060 --> 00:43:29,730 WHAT A PITY IT IS IT TOOK SOMETHING LIKE THIS 667 00:43:29,900 --> 00:43:31,610 TO BRING US TOGETHER AGAIN. 668 00:43:33,650 --> 00:43:36,110 AMEN TO THAT! 669 00:43:42,740 --> 00:43:43,990 MISS O'HARA. 670 00:43:44,160 --> 00:43:47,000 MISS O'HARA, AN OLD FRIEND OF AMY HEARN. 671 00:43:53,670 --> 00:43:55,250 MOTHER. 672 00:43:56,420 --> 00:43:58,050 DID HE CALL HER MOTHER? 673 00:43:58,220 --> 00:44:01,140 WHAT IN THE NAME OF COMMON SENSE? 674 00:44:01,300 --> 00:44:03,550 I'LL GET TO YOU LATER. 675 00:44:03,720 --> 00:44:06,890 LET ME DEAL WITH THIS ONE FIRST. 676 00:44:07,060 --> 00:44:10,980 YOU MISERABLE, UNGRATEFUL SPALPEEN, YOU! 677 00:44:11,150 --> 00:44:13,230 ALL THESE YEARS I'M THINKING YOU'RE DEAD, 678 00:44:13,400 --> 00:44:18,490 KILLED IN THE INDIAN WARS OR STONE RIVER OR SHILOH. 679 00:44:18,650 --> 00:44:21,280 HOW COULD YOU DO THIS TO ME, ANDY? 680 00:44:21,450 --> 00:44:23,700 HOW COULD YOU FORGET YOUR OWN MOTHER? 681 00:44:23,870 --> 00:44:26,200 15 YEARS OF HURT AND WORRY, 682 00:44:26,370 --> 00:44:28,950 WAITING FOR A LETTER FROM THE WAR DEPARTMENT, 683 00:44:29,120 --> 00:44:31,290 AND NOT A MOVE DO YOU MAKE 684 00:44:31,460 --> 00:44:35,960 UNTIL YOU THINK I'M DEAD AND GONE. 685 00:44:36,130 --> 00:44:37,300 AND YOU, SEAN. 686 00:44:37,460 --> 00:44:40,170 I'M SUPPOSED TO FORGIVE YOU, TOO, I SUPPOSE. 687 00:44:40,340 --> 00:44:42,300 NOW, JUST A MINUTE, AMY HEARN. 688 00:44:42,470 --> 00:44:44,800 YOU'VE GOT SOME EXPLAINING TO DO. 689 00:44:44,970 --> 00:44:46,720 HOW COULD YOU DO IT? 690 00:44:46,890 --> 00:44:48,970 HOW COULD YOU LET THEM TELL US YOU WERE DEAD? 691 00:44:49,140 --> 00:44:50,850 YOU HAD NO RIGHT, MOTHER! 692 00:44:51,020 --> 00:44:53,980 RIGHTS? YOU TALKING ABOUT RIGHTS? 693 00:44:54,150 --> 00:44:55,560 WHOSE RIGHTS? 694 00:44:55,730 --> 00:44:59,320 I'VE GOT A RIGHT TO SEE ME OWN CHILDREN AND GRANDCHILDREN. 695 00:44:59,490 --> 00:45:02,200 IT COMES BEFORE ANYTHING ELSE, 696 00:45:02,360 --> 00:45:05,240 AND YOU ASK HOW I COULD DO IT. 697 00:45:05,410 --> 00:45:10,330 WELL, IT ISN'T HARD WHEN YOU'VE TRIED EVERYTHING ELSE, 698 00:45:10,500 --> 00:45:13,790 WHEN YOU'RE SO HUNGRY FOR THE SIGHT AND FEEL OF YOUR FAMILY 699 00:45:13,960 --> 00:45:17,340 YOU CAN'T SLEEP AT NIGHTS THINKING OF THEM. 700 00:45:17,500 --> 00:45:19,420 AND WHEN IT COMES TO YOU, 701 00:45:19,590 --> 00:45:22,930 THE ONE THING THAT'LL BRING THEM TO YOU 702 00:45:23,090 --> 00:45:26,470 IS YOUR OWN WAKE... 703 00:45:26,640 --> 00:45:31,560 WELL, IT ISN'T HARD TO DO AT ALL, AT ALL. 704 00:45:35,060 --> 00:45:38,650 SEAN, I HEARD YOU SAY IT. 705 00:45:38,820 --> 00:45:40,280 "WHY IS IT," YOU SAID, 706 00:45:40,440 --> 00:45:42,860 "YOU HAVE TO WAIT UNTIL THEY'RE GONE 707 00:45:43,030 --> 00:45:46,240 BEFORE YOU KNOW WHAT THEY MEAN TO YOU?" 708 00:45:48,700 --> 00:45:54,460 WELL, YOU MEAN EVERYTHING TO ME, YOU 3. 709 00:46:02,090 --> 00:46:05,550 I'M 80 YEARS OLD, 710 00:46:05,720 --> 00:46:09,680 AND I DON'T HAVE MANY BIRTHDAYS LEFT. 711 00:46:09,850 --> 00:46:13,850 MAYBE...MAYBE NOT EVEN ONE, 712 00:46:14,020 --> 00:46:16,650 AND WHEN YOU THINK OF THAT, 713 00:46:16,810 --> 00:46:20,820 YOU'RE APT... 714 00:46:20,980 --> 00:46:23,530 YOU'RE APT TO BE FOOLISH. 715 00:46:28,950 --> 00:46:30,580 MA? 716 00:46:30,740 --> 00:46:32,620 OH, ANDY! 717 00:46:32,790 --> 00:46:33,700 OH, MA! 718 00:46:33,870 --> 00:46:36,460 OH, ANDY, MY DEAR BOY. 719 00:46:36,620 --> 00:46:37,670 AND SEAN. 720 00:46:37,830 --> 00:46:39,790 OH, MOTHER, I'M SO SORRY. 721 00:46:39,960 --> 00:46:41,920 AND BRIDGET! 722 00:46:42,090 --> 00:46:44,210 OH, MA. OH, MA! 723 00:46:46,630 --> 00:46:51,680 I HEARD WHAT YOU SAID ABOUT THE BLOND BOY. 724 00:46:51,850 --> 00:46:55,060 AYE, IT WAS A GREAT RELIEF TO ME. 725 00:46:55,230 --> 00:46:57,440 I WASN'T AT ALL SURE. 726 00:46:57,600 --> 00:47:00,440 OH! OH, MOTHER! 727 00:47:00,610 --> 00:47:03,400 [SEAN AND ANDY LAUGHING] 728 00:47:12,160 --> 00:47:13,950 WELL, COME ON! YOU HEARD WHAT EVERYBODY SAID. 729 00:47:14,120 --> 00:47:16,830 THIS IS NOT A WAKE. IT'S A BIRTHDAY PARTY. 730 00:47:33,100 --> 00:47:35,020 [CLAPPING] 731 00:47:45,820 --> 00:47:48,150 I HOPE YOU FIND IT IN YOUR HEART, FATHER, 732 00:47:48,320 --> 00:47:50,490 TO FORGIVE ME FOR FOOLING YOU SO. 733 00:47:50,660 --> 00:47:52,120 WELL, IT'S A LITTLE IRREGULAR, 734 00:47:52,280 --> 00:47:55,330 BUT I THINK THE BISHOP WILL UNDERSTAND. 735 00:47:55,490 --> 00:47:58,040 IF YOU FEEL YOU MUST TELL HIM. 736 00:48:07,510 --> 00:48:10,130 DOC, YOU GOT PERMISSION TO DANCE WITH MY WIFE. 737 00:48:10,300 --> 00:48:12,390 [LAUGHTER] 50937

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