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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:19,700 --> 00:01:21,290 Laura: LET'S HAVE A RELAY RACE! 2 00:01:21,450 --> 00:01:23,160 Boy: LET'S CHOOSE SIDES. 3 00:01:28,330 --> 00:01:30,670 Boy: I CHOOSE LAURA INGALLS. 4 00:01:33,550 --> 00:01:34,920 HEY, LAURA. 5 00:01:35,090 --> 00:01:38,640 LAURA, COME ON. I CHOSE YOU. 6 00:01:38,800 --> 00:01:39,800 WHAT ABOUT ME? 7 00:01:39,970 --> 00:01:42,020 YOU'RE TOO FAT TO RUN. 8 00:01:42,180 --> 00:01:43,810 [CHILDREN LAUGHING] 9 00:01:46,020 --> 00:01:47,770 Boy: GIVE IT TO ME! 10 00:01:52,190 --> 00:01:53,780 [CHILDREN SHOUTING] 11 00:02:04,500 --> 00:02:06,290 [BELL RINGING] 12 00:02:32,610 --> 00:02:33,610 HI. 13 00:02:33,780 --> 00:02:35,070 HI. 14 00:02:36,530 --> 00:02:39,530 ALL THAT RUNNING MADE ME THIRSTY. 15 00:02:39,700 --> 00:02:42,240 YOU RUN PRETTY GOOD FOR A GIRL. 16 00:02:50,170 --> 00:02:51,170 IS IT JOHN JOHNSON? 17 00:02:51,330 --> 00:02:52,500 IS THAT YOUR FORMAL NAME? 18 00:02:52,670 --> 00:02:53,960 NO, MA'AM. IT'S JOHNNY. 19 00:02:54,130 --> 00:02:55,170 JOHNNY. IS IT? 20 00:02:55,340 --> 00:02:56,840 Laura, voice-over: HIS NAME WAS JOHNNY JOHNSON. 21 00:02:57,010 --> 00:03:00,300 I KNEW JUST HOW HE FELT STANDING UP THERE-- 22 00:03:00,470 --> 00:03:03,140 SHY AND SCARY, WITH EVERYBODY STARING... 23 00:03:03,300 --> 00:03:06,850 EVEN WORSE THAN THE FIRST DAY MARY AND I CAME TO SCHOOL, 24 00:03:07,020 --> 00:03:08,940 BECAUSE HE WAS ALL ALONE. 25 00:03:09,100 --> 00:03:10,600 WHY DON'T YOU LOOK AT THIS BOOK? 26 00:03:10,770 --> 00:03:12,940 LOOK AT THE FIRST CHAPTER. 27 00:03:13,110 --> 00:03:18,150 HE LOOKS LIKE A SCARECROW IN SOMEBODY'S GARDEN. 28 00:03:18,320 --> 00:03:19,450 Miss Beadle: ALL RIGHT. 29 00:03:19,610 --> 00:03:21,030 YOU CAN TAKE THIS SEAT RIGHT HERE IN FRONT. 30 00:03:21,200 --> 00:03:22,660 ALL RIGHT. 31 00:03:42,720 --> 00:03:45,390 Miss Beadle: LET'S BEGIN OUR DAY WITH READING. 32 00:03:45,560 --> 00:03:47,770 PATRICK, WOULD YOU LIKE TO START? 33 00:03:51,940 --> 00:03:54,560 START RIGHT HERE. 34 00:03:54,730 --> 00:03:57,280 Patrick: "BY SEA AND STREAMS AND FIELDS AND WOODS 35 00:03:57,440 --> 00:04:00,740 "THE WILD BIRDS REAR THEIR LITTLE BROODS. 36 00:04:00,900 --> 00:04:03,200 "LOOK FOR THEIR NEST, BUT DO NOT TAKE. 37 00:04:03,360 --> 00:04:05,740 "NESTS ARE SUCH TIRESOME THINGS TO MAKE. 38 00:04:05,910 --> 00:04:09,580 "WHAT PRETTY LOVE AND TENDER CARE WERE SPENT 39 00:04:09,750 --> 00:04:11,540 "THOSE WARM NESTS TO PREPARE. 40 00:04:11,710 --> 00:04:14,420 "LOOK AND ADMIRE AS WELL YOU MAY, 41 00:04:14,580 --> 00:04:16,750 BUT NEVER TAKE THE EGGS AWAY." 42 00:04:16,920 --> 00:04:18,630 THAT'S VERY GOOD, PATRICK. 43 00:04:18,800 --> 00:04:20,380 THAT DESERVES A GOLD STAR. 44 00:04:20,550 --> 00:04:21,970 THANK YOU, MA'AM. 45 00:04:23,760 --> 00:04:25,800 LAURA, I THINK YOU'RE NEXT. 46 00:04:29,970 --> 00:04:31,140 LAURA. 47 00:04:31,310 --> 00:04:34,020 STOP DAYDREAMING. MISS BEADLE CALLED ON YOU. 48 00:04:37,320 --> 00:04:39,150 WANT TO START RIGHT HERE? 49 00:04:42,450 --> 00:04:48,830 "BY SEA AND STREAMS AND FIELDS AND WOODS 50 00:04:48,990 --> 00:04:52,750 "THE WILD BIRDS REAR THEIR LITTLE BROODS. 51 00:04:52,910 --> 00:04:55,920 "LOOK FOR THEIR NEST, BUT DO NOT TAKE. 52 00:04:56,080 --> 00:04:58,880 "NESTS ARE SUCH TIRESOME THINGS TO MAKE. 53 00:04:59,050 --> 00:05:02,470 "WHAT PRETTY LOVE AND TENDER CARE WERE SPENT 54 00:05:02,630 --> 00:05:04,760 "THOSE WARM NESTS TO PREPARE. 55 00:05:04,930 --> 00:05:07,600 "LOOK AND ADMIRE AS WELL AS YOU MAY, 56 00:05:07,760 --> 00:05:10,470 BUT NEVER TAKE THE EGGS AWAY." 57 00:05:12,600 --> 00:05:14,810 THAT'S VERY GOOD, LAURA. 58 00:05:29,700 --> 00:05:31,160 COME ON, LAURA. 59 00:05:31,330 --> 00:05:33,790 WHAT A SLOWPOKE YOU ARE TODAY. 60 00:05:33,960 --> 00:05:35,460 I'M TIRED. 61 00:05:35,620 --> 00:05:38,540 YOU WOULDN'T BE IF YOU DIDN'T PLAY ROUGH BOYS' GAMES. 62 00:05:39,920 --> 00:05:41,210 NOW WHAT? 63 00:05:41,380 --> 00:05:43,380 I JUST WANT TO SEE IF THERE ARE ANY MORE INITIALS 64 00:05:43,550 --> 00:05:44,800 ON THE SWEETHEART TREE. 65 00:05:44,970 --> 00:05:45,930 WHO CARES? 66 00:05:46,090 --> 00:05:48,140 CARVING ON A TREE IS PLAIN SILLY. 67 00:05:48,300 --> 00:05:51,470 I'D BE FURIOUS IF ANY BOY PUT MY INITIALS UP THERE. 68 00:05:51,640 --> 00:05:54,060 COME ON. WE'VE GOT CHORES AND HOMEWORK TO DO. 69 00:05:54,230 --> 00:05:57,810 I GOT A PEBBLE IN MY SHOE. 70 00:05:57,980 --> 00:06:00,940 WHY, IT'S JOHNNY JOHNSON. 71 00:06:01,110 --> 00:06:04,490 I DIDN'T KNOW YOU LIVED OUT OUR WAY, JOHNNY. 72 00:06:04,650 --> 00:06:06,150 YEAH. I, UH... 73 00:06:06,320 --> 00:06:10,030 I TAKE THIS ROAD AS FAR AS THE MORGAN TURNOFF. 74 00:06:10,200 --> 00:06:12,490 WE GO FARTHER, SO WE CAN WALK TOGETHER. 75 00:06:12,660 --> 00:06:13,750 MAYBE HE DOESN'T WANT TO. 76 00:06:13,910 --> 00:06:15,040 THIS IS MY SISTER MARY. 77 00:06:15,200 --> 00:06:16,160 HOW DO YOU DO? 78 00:06:16,330 --> 00:06:17,670 I'M READY. LET'S GO. 79 00:06:17,830 --> 00:06:19,630 ALL RIGHT. 80 00:06:22,840 --> 00:06:26,510 YOU USE A ROPE BETTER THAN MOST ANY BOY I EVER SAW. 81 00:06:26,670 --> 00:06:27,630 HA HA HA! 82 00:06:27,800 --> 00:06:29,260 WELL, I GET LOTS OF PRACTICE 83 00:06:29,430 --> 00:06:32,430 HERDING THE STOCK TO PASTURE AND BACK. 84 00:06:32,600 --> 00:06:35,680 THAT'S ALL YOU USE--A ROPE? 85 00:06:35,850 --> 00:06:37,390 HA HA! OF COURSE NOT. 86 00:06:37,560 --> 00:06:40,400 I GOT A BIG STICK TO GET AFTER THEM WITH. 87 00:06:40,560 --> 00:06:42,360 LIKE MISS BEADLE GETS AFTER SOME OF THE BOYS 88 00:06:42,520 --> 00:06:43,690 WITH HER RULER. 89 00:06:43,860 --> 00:06:45,150 HA HA HA! 90 00:06:46,530 --> 00:06:47,530 YOU KNOW, UH... 91 00:06:47,700 --> 00:06:49,410 MISS BEADLE SEEMS REAL NICE. 92 00:06:49,570 --> 00:06:51,870 SHE SAID SHE'D HELP ME ALL SHE COULD. 93 00:06:52,030 --> 00:06:53,950 YOU KNOW, ME BEING LATE STARTING AND ALL. 94 00:06:54,120 --> 00:06:55,200 SHE WILL, TOO. 95 00:06:55,370 --> 00:06:57,330 AND ANYBODY WHO STUDIES HARD CAN GO AHEAD 96 00:06:57,500 --> 00:06:59,250 JUST AS FAST AS THEY CAN. 97 00:06:59,420 --> 00:07:01,710 WELL, SEEMS TO ME YOU DID 98 00:07:01,880 --> 00:07:03,710 JUST ABOUT EVERYTHING RIGHT TODAY, MARY. 99 00:07:03,880 --> 00:07:05,550 YOU MUST STUDY REAL HARD. 100 00:07:05,710 --> 00:07:08,760 MA TAUGHT MARY A LOT BEFORE SHE STARTED SCHOOL. 101 00:07:08,930 --> 00:07:10,890 OUR MA USED TO BE A TEACHER. 102 00:07:11,050 --> 00:07:13,140 I WANT TO BE A TEACHER, TOO. 103 00:07:13,300 --> 00:07:15,720 WELL, THAT'S A MIGHTY FINE AMBITION. 104 00:07:15,890 --> 00:07:18,430 GOLLY, MY MIND'S JUMPING LIKE A JACKRABBIT 105 00:07:18,600 --> 00:07:21,060 FROM ALL THE THINGS MISS BEADLE SAID TODAY. 106 00:07:21,230 --> 00:07:23,520 LET'S SEE WHO'S THE BEST ROCK THROWER. 107 00:07:23,690 --> 00:07:26,030 ALL RIGHT. YOU GO FIRST. 108 00:07:26,190 --> 00:07:29,490 I'LL TRY FOR THAT TREE OVER YONDER. 109 00:07:33,200 --> 00:07:35,120 HA! YOU HIT IT! 110 00:07:35,280 --> 00:07:36,370 VERY GOOD. 111 00:07:36,540 --> 00:07:38,200 ALL RIGHT, MARY. 112 00:07:38,370 --> 00:07:40,080 HERE. YOU GO NEXT. 113 00:07:40,250 --> 00:07:42,420 OH, I'M NO GOOD AT THROWING ROCKS. 114 00:07:42,580 --> 00:07:44,000 OH, GO ON. 115 00:07:44,170 --> 00:07:46,250 YOU NEVER KNOW WHEN YOU'RE GOING TO HAVE TO HIT A VARMINT. 116 00:07:46,420 --> 00:07:48,420 NOW, GO ON. TRY THAT TREE RIGHT OVER THERE. 117 00:07:54,350 --> 00:07:57,100 THAT'S NOT BAD, MARY. NOT BAD AT ALL. 118 00:07:57,270 --> 00:07:58,930 BUT YOU'RE GOING TO HAVE TO THROW A LITTLE HARDER NOW. 119 00:07:59,100 --> 00:08:02,230 HERE. SEE, NOW, YOU HAVE TO KEEP YOUR ARM STRAIGHT. 120 00:08:02,400 --> 00:08:05,360 COME ON. WE GOT CHORES AND HOMEWORK TO DO. 121 00:08:10,650 --> 00:08:12,780 [PLAYING LIVELY TUNE] 122 00:08:35,180 --> 00:08:37,970 MORE MUSIC, PAPA! 123 00:08:38,140 --> 00:08:40,680 Caroline: IT'S TIME FOR YOU TO DANCE TO BED. 124 00:08:40,850 --> 00:08:43,640 PLAY ONE MORE SONG, PA. PLEASE. 125 00:08:43,810 --> 00:08:45,100 Charles: MY AUDIENCE COMMANDS. 126 00:08:45,270 --> 00:08:48,440 I'LL PLAY ONE GUARANTEED TO PUT CARRIE TO SLEEP. 127 00:08:48,610 --> 00:08:50,740 [PLAYS SLOW MELODY] 128 00:08:58,660 --> 00:09:00,240 [GIGGLING] 129 00:09:00,410 --> 00:09:01,580 MA... 130 00:09:01,750 --> 00:09:03,330 YOU HAVE TOO MUCH ENERGY. 131 00:09:03,500 --> 00:09:04,710 HMM? 132 00:09:04,870 --> 00:09:07,040 WOULD YOU TELL ME WHAT IT WAS LIKE BACK IN THE OLDEN DAYS 133 00:09:07,210 --> 00:09:09,300 WHEN YOU AND PA WERE COURTING? 134 00:09:09,460 --> 00:09:10,760 I DON'T THINK I CAN REMEMBER 135 00:09:10,920 --> 00:09:12,470 THAT FAR BACK IN HISTORY. 136 00:09:12,630 --> 00:09:14,680 YOU KNOW WHAT I MEAN. 137 00:09:14,840 --> 00:09:17,300 DID YOU KNOW RIGHT OFF THAT YOU LOVED HIM? 138 00:09:17,470 --> 00:09:19,680 I THINK SO. 139 00:09:19,850 --> 00:09:22,140 DID HE KNOW, TOO? 140 00:09:22,310 --> 00:09:24,730 I'M NOT SURE. 141 00:09:24,890 --> 00:09:25,850 YOUR PA WAS NEVER ONE 142 00:09:26,020 --> 00:09:28,480 FOR MAKING SHEEP'S EYES AT GIRLS. 143 00:09:28,650 --> 00:09:31,030 WHY, HE WAS SO SHY... 144 00:09:31,190 --> 00:09:33,690 I DIDN'T EVEN KNOW IF HE LIKED ME. 145 00:09:33,860 --> 00:09:36,610 WELL, HOW'D YOU FIND OUT FOR SURE? 146 00:09:38,370 --> 00:09:41,450 WELL, I FINALLY DECIDED IF I WAITED FOR HIM, 147 00:09:41,620 --> 00:09:43,450 I MIGHT NEVER FIND OUT. 148 00:09:45,210 --> 00:09:47,460 SO EVEN THOUGH IT WAS CONSIDERED VERY FORWARD 149 00:09:47,630 --> 00:09:50,170 FOR YOUNG LADIES TO DO THE ASKING, 150 00:09:50,340 --> 00:09:52,510 I INVITED HIM ON A PICNIC. 151 00:09:52,670 --> 00:09:54,630 AND WHAT DID HE SAY? 152 00:09:56,180 --> 00:09:58,220 UH, HE SAID, UH... 153 00:09:58,390 --> 00:10:00,300 "DON'T MIND IF I DO," 154 00:10:00,470 --> 00:10:04,680 WHICH WASN'T EXACTLY THE RESPONSE I WAS LOOKING FOR. 155 00:10:04,850 --> 00:10:07,400 BUT ON THAT PICNIC, 156 00:10:07,560 --> 00:10:10,310 WE FOUND OUT THAT WE WERE KINDRED SPIRITS. 157 00:10:10,480 --> 00:10:12,650 WHAT'S A KINDRED SPIRIT? 158 00:10:14,400 --> 00:10:16,450 WELL... 159 00:10:16,610 --> 00:10:20,450 THAT MEANS YOU CAN READ EACH OTHER'S THOUGHTS 160 00:10:20,620 --> 00:10:23,160 WITHOUT PUTTING THEM INTO WORDS. 161 00:10:25,540 --> 00:10:27,920 GOOD NIGHT, HONEY. 162 00:10:28,080 --> 00:10:30,330 SLEEP TIGHT. 163 00:10:30,500 --> 00:10:31,880 GOOD NIGHT, CARRIE. 164 00:10:32,040 --> 00:10:33,670 Carrie: GOOD NIGHT. 165 00:10:37,930 --> 00:10:39,430 MARY? 166 00:10:39,590 --> 00:10:41,760 GO TO SLEEP. 167 00:10:41,930 --> 00:10:44,930 WHAT DID YOU THINK OF JOHNNY JOHNSON? 168 00:10:45,100 --> 00:10:47,440 DIDN'T THINK MUCH OF ANYTHING. 169 00:10:47,600 --> 00:10:49,770 HE SURE THROWS ROCKS GOOD. 170 00:10:49,940 --> 00:10:52,320 WHO WANTS TO THROW ROCKS? 171 00:10:53,320 --> 00:10:55,190 I THINK HE'S LIKE PA. 172 00:10:55,360 --> 00:10:58,320 WHY, HE'S DOWNRIGHT HOMELY COMPARED TO PA. 173 00:10:58,490 --> 00:11:02,450 I THINK HE'S THE BEST-LOOKING BOY IN THE WHOLE SCHOOL. 174 00:11:02,620 --> 00:11:04,200 THAT'S NOT SAYING MUCH. 175 00:11:04,370 --> 00:11:06,330 GO TO SLEEP, LAURA. 176 00:11:08,120 --> 00:11:10,670 CAN'T. HAVE TO GO OUT BACK. 177 00:11:18,260 --> 00:11:20,630 HEY, ISN'T IT ABOUT TIME YOU WERE IN BED? 178 00:11:20,800 --> 00:11:23,010 I HAVE TO GO TO THE OUTHOUSE, PA. 179 00:11:23,180 --> 00:11:25,010 OH. THAT'S DIFFERENT. 180 00:11:26,640 --> 00:11:29,770 PA...WOULD YOU TELL ME WAY, WAY BACK 181 00:11:29,940 --> 00:11:31,770 WHEN MA ASKED YOU TO GO ON A PICNIC, 182 00:11:31,940 --> 00:11:33,480 WHAT DID YOU THINK? 183 00:11:33,650 --> 00:11:35,650 NOW, WHO TOLD YOU ABOUT THAT? 184 00:11:35,820 --> 00:11:37,190 MA TOLD ME. 185 00:11:37,360 --> 00:11:38,650 OH, SHE DID, DID SHE? 186 00:11:38,820 --> 00:11:40,070 MM-HMM. 187 00:11:40,240 --> 00:11:41,990 WHAT DID YOU THINK? 188 00:11:42,160 --> 00:11:44,450 NOW, YOU PROMISE NOT TO TELL? 189 00:11:44,620 --> 00:11:45,700 CROSS MY HEART. 190 00:11:45,870 --> 00:11:47,040 ALL RIGHT. 191 00:11:47,200 --> 00:11:48,950 WELL, I KNEW YOUR MA WOULD JUST DIE OF A BROKEN HEART 192 00:11:49,120 --> 00:11:50,660 IF I DIDN'T GO ALONG, 193 00:11:50,830 --> 00:11:53,790 SO I ACCEPTED AND THEN HOPED TO HEAVEN SHE WAS A GOOD COOK. 194 00:11:53,960 --> 00:11:55,000 YOU'RE TEASING. 195 00:11:55,170 --> 00:11:56,500 NO, I'M NOT. 196 00:11:56,670 --> 00:11:57,840 DIDN'T YOU EVER HEAR THE WAY TO A MAN'S HEART 197 00:11:58,010 --> 00:12:00,090 IS THROUGH HIS STOMACH? 198 00:12:00,260 --> 00:12:02,680 HEY. FALLING STAR. 199 00:12:02,840 --> 00:12:05,050 OH, I MISSED IT. 200 00:12:05,220 --> 00:12:06,760 WELL, I'LL TELL YOU WHAT. 201 00:12:06,930 --> 00:12:08,020 I ALREADY HAVE EVERYTHING I WANT, 202 00:12:08,180 --> 00:12:09,520 SO I'LL GIVE YOU MY WISH. 203 00:12:09,680 --> 00:12:12,020 BUT DON'T YOU HAVE TO SEE THE STAR TO GET YOUR WISH? 204 00:12:12,190 --> 00:12:14,810 MM-MM. I SAW IT, AND I'M GIVING MY WISH TO YOU. 205 00:12:17,530 --> 00:12:19,690 OH. THE WAY YOU'RE SCRUNCHING YOUR EYES TOGETHER, 206 00:12:19,860 --> 00:12:22,030 IT MUST BE A PRETTY IMPORTANT WISH. 207 00:12:22,200 --> 00:12:23,320 GOT IT? 208 00:12:23,490 --> 00:12:24,490 MM-HMM. 209 00:12:24,660 --> 00:12:25,700 OK. YOU RUN ON OUT BACK. 210 00:12:25,870 --> 00:12:28,580 BUT I DON'T HAVE TO GO ANYMORE, PA. 211 00:12:28,740 --> 00:12:30,500 WELL, THEN YOU BETTER GET TO BED. 212 00:12:30,660 --> 00:12:32,710 OH, PA, I DO LOVE YOU. 213 00:12:32,870 --> 00:12:35,290 I LOVE YOU, TOO. 214 00:12:35,460 --> 00:12:37,040 OFF TO BED. HAVE A GOOD SLEEP. 215 00:12:37,210 --> 00:12:38,670 YOU, TOO, PA. 216 00:12:53,270 --> 00:12:56,560 CHRISTY, YOUR WORD IS "PUZZLE." 217 00:12:56,730 --> 00:13:01,940 PUZZLE, P-U-Z-Z-L, PUZZLE. 218 00:13:02,110 --> 00:13:03,900 I'M SORRY. THAT'S WRONG. 219 00:13:05,160 --> 00:13:06,870 MARY? 220 00:13:07,030 --> 00:13:10,540 PUZZLE, P-U-Z-Z-L-E, PUZZLE. 221 00:13:10,700 --> 00:13:12,580 THAT'S CORRECT. 222 00:13:12,750 --> 00:13:16,630 NELLIE, YOUR WORD IS "WHISTLE." 223 00:13:16,790 --> 00:13:20,670 WHISTLE, W-H-I-S-L-E, WHISTLE. 224 00:13:20,840 --> 00:13:22,880 I'M SORRY, NELLIE. THAT'S WRONG. 225 00:13:24,930 --> 00:13:25,970 MARY? 226 00:13:26,140 --> 00:13:30,010 WHISTLE, W-H-I-S-T-L-E, WHISTLE. 227 00:13:30,180 --> 00:13:31,310 THAT'S CORRECT. THAT MAKES YOU THE WINNER 228 00:13:31,470 --> 00:13:33,890 FOR THE WEEK, AND YOU GET A GOLD STAR. 229 00:13:40,770 --> 00:13:41,940 WELL, IT'S A FEW MINUTES EARLY, 230 00:13:42,110 --> 00:13:45,450 BUT I THINK I'LL DISMISS THE CLASS ANYWAY. 231 00:13:45,610 --> 00:13:46,820 HAVE A NICE WEEKEND, 232 00:13:46,990 --> 00:13:49,780 BUT NOT SO NICE THAT YOU FORGET TO DO YOUR HOMEWORK. 233 00:13:52,040 --> 00:13:54,290 - JOHNNY. - YES, MA'AM? 234 00:13:54,460 --> 00:13:57,370 I BELIEVE IT'S YOUR TURN TO CLEAN THE BLACKBOARDS. 235 00:13:57,540 --> 00:13:59,170 YES, MA'AM. 236 00:14:04,760 --> 00:14:06,510 LAURA? 237 00:14:08,090 --> 00:14:10,350 DID YOU WISH TO SPEAK TO ME ABOUT SOMETHING? 238 00:14:12,220 --> 00:14:15,810 WELL, I, UH... 239 00:14:15,980 --> 00:14:18,150 I WANTED... 240 00:14:18,310 --> 00:14:21,480 I HOPE YOU HAVE A GOOD TIME, TOO. 241 00:14:21,650 --> 00:14:23,440 THANK YOU, LAURA. 242 00:14:36,660 --> 00:14:38,870 WAIT A MINUTE, MARY. 243 00:14:39,040 --> 00:14:40,130 WHAT? 244 00:14:40,290 --> 00:14:42,000 I REMEMBER I FORGOT SOMETHING. I HAVE TO GO BACK. 245 00:14:42,170 --> 00:14:43,090 OH, FIDDLE. 246 00:14:43,250 --> 00:14:44,800 YOU REALLY ARE A FLUTTERBUDGET. 247 00:14:44,960 --> 00:14:45,920 I'LL GO WITH YOU. 248 00:14:46,090 --> 00:14:47,260 OH, NO. YOU DON'T HAVE TO COME. 249 00:14:47,420 --> 00:14:49,470 YOU CAN WAIT HERE. I'LL RUN ALL THE WAY. 250 00:15:00,350 --> 00:15:01,980 [FOOTSTEPS] 251 00:15:06,190 --> 00:15:08,320 WE'RE HAVING A PICNIC AT CATTAIL LAKE TOMORROW. 252 00:15:08,490 --> 00:15:09,820 THE FISHING'S REAL GOOD. 253 00:15:09,990 --> 00:15:12,490 SEE YOU OUT THERE...EARLY! 254 00:15:22,380 --> 00:15:24,460 OH. 255 00:15:33,390 --> 00:15:36,140 DON'T WORRY, JOHNNY. I'M A GOOD COOK. 256 00:15:39,180 --> 00:15:42,690 DO YOU WANT TO COME? 257 00:15:42,860 --> 00:15:44,820 DON'T MIND IF I DO. 258 00:15:55,240 --> 00:15:58,000 JUST LIKE PA. 259 00:16:05,750 --> 00:16:07,420 OH! 260 00:16:07,590 --> 00:16:09,760 YOU GAVE ME A START, SNEAKING UP ON ME LIKE THAT. 261 00:16:09,920 --> 00:16:11,260 WHAT DO YOU MEAN, SNEAKING? 262 00:16:11,430 --> 00:16:12,970 BOOK OF ETIQUETTE SAYS WHEN YOU'RE KISSED BY A MAN, 263 00:16:13,140 --> 00:16:14,300 YOU'RE SUPPOSED TO KISS HIM BACK. 264 00:16:14,470 --> 00:16:15,760 OH, IT DOES? 265 00:16:15,930 --> 00:16:18,430 YES. THAT'S THE CHARLES INGALLS BOOK OF ETIQUETTE. 266 00:16:24,150 --> 00:16:26,690 [JACK BARKING] 267 00:16:26,860 --> 00:16:28,780 HI, JACK! 268 00:16:35,820 --> 00:16:38,410 OH, PA, THANK YOU! 269 00:16:38,580 --> 00:16:39,950 FOR WHAT, HALF-PINT? 270 00:16:40,120 --> 00:16:42,460 FOR A WISH THAT'S COME TRUE. 271 00:16:48,050 --> 00:16:50,800 DON'T LOOK AT ME. SHE'S YOUR DAUGHTER. 272 00:16:53,180 --> 00:16:56,390 WE'VE GOT TO GET THAT KEROSENE CAN REFILLED. 273 00:16:56,550 --> 00:17:00,470 YES. LET'S SEE. WE NEED NAVY BEANS... 274 00:17:00,640 --> 00:17:02,520 - ALL RIGHT. - FLOUR... 275 00:17:02,690 --> 00:17:04,400 UH, SALT, TEA... 276 00:17:04,560 --> 00:17:07,560 AND, UH, LET'S HAVE A LITTLE WHITE SUGAR. 277 00:17:07,730 --> 00:17:09,020 ALL FINISHED, MA. 278 00:17:09,190 --> 00:17:11,650 SPICK-AND-SPAN OR JUST A LICK AND A PROMISE? 279 00:17:11,820 --> 00:17:13,990 I EVEN FOUND THAT RIBBON I LOST. 280 00:17:14,150 --> 00:17:16,370 IT WAS WAY, WAY UNDER THE BED. 281 00:17:16,530 --> 00:17:18,830 WHERE ELSE WOULD IT BE? 282 00:17:18,990 --> 00:17:21,160 CAN I TAKE ALONG THE OATMEAL COOKIES? 283 00:17:21,330 --> 00:17:22,910 CERTAINLY. 284 00:17:24,960 --> 00:17:27,380 YOU'RE REALLY IN A HURRY THIS MORNING, HALF-PINT. 285 00:17:27,540 --> 00:17:29,630 YOU SAY THE FISH BITE BEST EARLY. 286 00:17:29,800 --> 00:17:32,210 WHAT ARE YOU GOING TO USE FOR BAIT--OATMEAL COOKIES? 287 00:17:32,380 --> 00:17:33,840 'COURSE NOT. GRUBS AND WORMS. 288 00:17:34,010 --> 00:17:35,680 IT'S AN AWFUL BIG LUNCH FOR ONE LITTLE GIRL. 289 00:17:35,840 --> 00:17:37,590 WELL, FISHING MAKES ME REAL HUNGRY. 290 00:17:37,760 --> 00:17:38,970 BYE, MA. BYE, PA. 291 00:17:39,140 --> 00:17:41,060 YOU BE CAREFUL. 292 00:17:41,220 --> 00:17:42,930 WHAT ABOUT THE DOOR? 293 00:17:59,990 --> 00:18:01,950 Johnny: HEY, THERE! 294 00:18:03,540 --> 00:18:05,370 OH, HI! 295 00:18:05,540 --> 00:18:06,710 HI. 296 00:18:06,870 --> 00:18:08,250 THIS IS JACK. 297 00:18:08,420 --> 00:18:09,500 HI, JACK. HOW YOU DOING? 298 00:18:09,670 --> 00:18:10,840 HE'S A GOOD ONE. 299 00:18:11,000 --> 00:18:12,250 MY PA HAD TO GO INTO TOWN, 300 00:18:12,420 --> 00:18:13,710 SO I HAD SOME EXTRA CHORES TO DO. 301 00:18:13,880 --> 00:18:14,880 THAT'S ALL RIGHT. 302 00:18:15,050 --> 00:18:17,090 GAVE ME TIME TO FIND SOME FAT GRUBS. 303 00:18:17,260 --> 00:18:19,470 YEAH, I GUESS. 304 00:18:19,640 --> 00:18:21,970 UM...MARY DIDN'T WAIT, HUH? 305 00:18:22,140 --> 00:18:23,720 NO. SHE'D RATHER STAY HOME 306 00:18:23,890 --> 00:18:26,230 WITH HER NOSE IN ONE OF HER SCHOOLBOOKS. 307 00:18:26,390 --> 00:18:27,850 OHH... 308 00:18:28,020 --> 00:18:30,230 YOU KNOW, I RECKON THAT'S WHY SHE'S SO SMART. 309 00:18:30,400 --> 00:18:31,860 YOU KNOW, I BET SHE'LL WIN THAT GOLD MEDAL 310 00:18:32,020 --> 00:18:33,690 FOR THE BEST STUDENT, DON'T YOU THINK? 311 00:18:33,860 --> 00:18:35,030 NOW, IF WE DON'T GET STARTED, 312 00:18:35,190 --> 00:18:36,650 WE WON'T EVEN GET A BITE. 313 00:18:39,820 --> 00:18:41,660 HEY, YOU GOT ONE! 314 00:18:41,830 --> 00:18:44,240 GOLLY, MOSES, LAURA! 315 00:18:44,410 --> 00:18:46,080 THAT'S THE BIGGEST ONE YET! 316 00:18:46,250 --> 00:18:47,580 BOY! 317 00:18:47,750 --> 00:18:48,750 HEY, THAT WAS REALLY SMART, 318 00:18:48,920 --> 00:18:50,080 THE WAY YOU LET HIM SWALLOW UP YOUR BAIT 319 00:18:50,250 --> 00:18:52,710 RATHER THAN YANKING ON HIM REALLY QUICK. 320 00:18:54,760 --> 00:18:56,800 YEAH. HE'S A BIG'UN! 321 00:19:00,050 --> 00:19:01,680 BOY, LAURA, YOU KNOW, YOU AIN'T NOTHING 322 00:19:01,850 --> 00:19:04,470 LIKE THE OTHER GIRLS. 323 00:19:04,640 --> 00:19:05,930 I'M NOT? 324 00:19:06,100 --> 00:19:08,640 NO! YOU'RE-- YOU'RE DIFFERENT. 325 00:19:08,810 --> 00:19:11,270 YOU REALLY THINK SO, JOHNNY? 326 00:19:11,440 --> 00:19:12,860 SURE, I DO. 327 00:19:13,020 --> 00:19:15,280 YOU KNOW, I DON'T KNOW ANY OTHER GIRL IN THE WHOLE SCHOOL 328 00:19:15,440 --> 00:19:18,150 WHO CAN PUT A WIGGLY WORM ON THE HOOK THE WAY YOU DO. 329 00:19:41,130 --> 00:19:43,050 WHAT A PRETTY SONG-- 330 00:19:43,220 --> 00:19:46,220 SQUIRRELS PLAYING AND FISH JUMPING. 331 00:19:46,390 --> 00:19:49,640 THIS IS SUCH A CHEERFUL PLACE. 332 00:19:49,810 --> 00:19:50,980 AT TIMES LIKE THIS, 333 00:19:51,140 --> 00:19:53,730 I FEEL ALL WARM AND SPARKY INSIDE. 334 00:19:53,900 --> 00:19:56,440 YOU EVER FEEL THAT WAY, JOHNNY? 335 00:20:14,710 --> 00:20:16,840 HEY. IT SURE WAS GOOD FISHING. 336 00:20:17,000 --> 00:20:18,340 IT WAS GOOD LUNCH, TOO. 337 00:20:18,510 --> 00:20:20,670 HEY. YOU GOT ANY MORE OF THEM FINE OATMEAL COOKIES LEFT? 338 00:20:20,840 --> 00:20:22,340 YOU ATE THEM ALL. 339 00:20:22,510 --> 00:20:24,930 OH. WELL, HERE'S YOUR CATCH, LAURA. 340 00:20:25,100 --> 00:20:26,260 YOU WANT SOME OF MINE? 341 00:20:26,430 --> 00:20:28,060 OH, NO, NO, NO. IT'S JUST MY PA AND ME. 342 00:20:28,220 --> 00:20:29,850 I THINK THIS IS FINE. 343 00:20:30,020 --> 00:20:32,560 WELL, I GOT TO BE GOING. 344 00:20:32,730 --> 00:20:35,270 BYE-BYE, JACK. 345 00:20:35,440 --> 00:20:37,860 OH. HEY, LAURA. 346 00:20:38,030 --> 00:20:39,610 WILL YOU DO ME A FAVOR? 347 00:20:39,780 --> 00:20:41,110 SURE! 348 00:20:41,280 --> 00:20:43,070 WILL YOU TELL MARY THAT IF THAT HARRY BAKER 349 00:20:43,240 --> 00:20:45,240 KEEPS ON PESTERING HER THAT I'LL BE GLAD 350 00:20:45,410 --> 00:20:46,740 TO TEACH HIM SOME MANNERS, ALL RIGHT? 351 00:20:46,910 --> 00:20:49,040 WELL, HARRY PESTERS ALL THE GIRLS. 352 00:20:49,200 --> 00:20:51,660 HE PESTERS ME, TOO! 353 00:20:51,830 --> 00:20:53,500 WELL, YOU OUGHT TO CUFF HIM ONE ON THE EAR THEN. 354 00:20:53,670 --> 00:20:55,080 I'LL SEE YOU. 355 00:20:58,050 --> 00:21:00,590 JACK, YOU COME BACK HERE! 356 00:21:10,020 --> 00:21:12,060 Laura, voice-over: IT WAS A ROTTEN PICNIC, 357 00:21:12,230 --> 00:21:15,400 NOT LIKE MA FINDING OUT SHE AND PA WERE KINDRED SPIRITS 358 00:21:15,560 --> 00:21:17,810 WHO COULD READ EACH OTHER'S THOUGHTS. 359 00:21:17,980 --> 00:21:19,480 ALL THAT I LEARNED ABOUT JOHNNY WAS 360 00:21:19,650 --> 00:21:22,150 THAT HE COULD EAT A LOT OF OATMEAL COOKIES. 361 00:21:24,280 --> 00:21:26,740 MA SAID YOU COULD TELL EACH OTHER'S THOUGHTS. 362 00:21:26,910 --> 00:21:28,950 WELL, AS MUCH AS ANY MAN CAN READ 363 00:21:29,120 --> 00:21:32,250 ANY WOMAN'S THOUGHTS, I GUESS. 364 00:21:32,410 --> 00:21:35,500 CAN I ASK A COUPLE QUESTIONS ABOUT WHAT MEN THINK? 365 00:21:35,670 --> 00:21:37,000 MM-HMM. WHY NOT? 366 00:21:37,170 --> 00:21:40,920 MA'S SMART. DO MEN LIKE SMART GIRLS THE BEST? 367 00:21:41,090 --> 00:21:42,510 UH, SOME DO. 368 00:21:42,670 --> 00:21:44,630 SOME LIKE THEM SWEET AND GENTLE. 369 00:21:44,800 --> 00:21:46,550 SOME LIKE THEM FULL OF VINEGAR. 370 00:21:46,720 --> 00:21:49,430 YOUR MA'S KIND OF ALL THOSE THINGS ROLLED INTO ONE. 371 00:21:49,600 --> 00:21:51,430 WHAT DID YOU LIKE BEST ABOUT MA? 372 00:21:51,600 --> 00:21:54,390 WELL, I THINK WHAT I LIKED BEST ABOUT HER 373 00:21:54,560 --> 00:21:55,770 WAS SHE KNEW WHEN TO BE QUIET AND NOT ASK A BUNCH 374 00:21:55,940 --> 00:21:58,730 OF SILLY QUESTIONS WHILE A MAN WAS WORKING. 375 00:21:58,900 --> 00:22:00,570 JUST ONE MORE, PA. 376 00:22:00,730 --> 00:22:03,280 ALL RIGHT. ONE MORE. 377 00:22:03,440 --> 00:22:06,530 DID YOU LIKE ANY OTHER GIRLS BEFORE YOU LIKED MA? 378 00:22:08,320 --> 00:22:12,330 DID YOU EVER PUT YOURS AND HER INITIALS ON A SWEETHEART TREE? 379 00:22:12,490 --> 00:22:14,750 WELL, THAT'S 2 QUESTIONS, HALF-PINT. 380 00:22:14,910 --> 00:22:16,670 AS FOR THE INITIALING, 381 00:22:16,830 --> 00:22:17,960 I DON'T THINK I DID, ALTHOUGH I WOULD HAVE 382 00:22:18,130 --> 00:22:19,630 IF I WOULD HAVE THOUGHT OF IT. 383 00:22:19,790 --> 00:22:21,840 AS FOR WHETHER I LIKED ANY OTHER GIRLS, 384 00:22:22,000 --> 00:22:24,460 I WOULDN'T ANSWER THAT QUESTION FOR YOU OR YOUR MA. 385 00:22:24,630 --> 00:22:25,760 NOW, RUN ALONG, 386 00:22:25,920 --> 00:22:27,840 LET ME FINISH CARRIE'S HIGHCHAIR, HUH? 387 00:22:38,650 --> 00:22:39,980 HAS LAURA BEEN ASKING YOU 388 00:22:40,150 --> 00:22:42,020 SOME FUNNY QUESTIONS LATELY? 389 00:22:42,190 --> 00:22:45,070 SHE ASKED ME HOW WE MET, 390 00:22:45,240 --> 00:22:46,400 ABOUT OUR COURTSHIP. 391 00:22:46,570 --> 00:22:47,860 WELL, I'LL BE DARNED. 392 00:22:48,030 --> 00:22:49,200 WHEN I WAS OUT BY THE BARN WORKING, 393 00:22:49,360 --> 00:22:50,740 SHE WAS ASKING ME THE SAME KIND OF THING-- 394 00:22:50,910 --> 00:22:52,660 WHAT MEN LIKE ABOUT WOMEN. 395 00:22:52,830 --> 00:22:55,660 - REALLY? - YEAH. 396 00:22:55,830 --> 00:22:58,330 DON'T SUPPOSE SHE'S GOT A LITTLE CASE OF PUPPY LOVE, DO YOU? 397 00:22:58,500 --> 00:23:02,500 - LAURA? - MM-HMM. 398 00:23:02,670 --> 00:23:04,210 WELL, CHARLES... 399 00:23:04,380 --> 00:23:06,550 I CAN REMEMBER CHASING SOMEBODY 400 00:23:06,720 --> 00:23:10,010 WHEN I WAS YOUNGER THAN LAURA IS. 401 00:23:10,180 --> 00:23:12,390 I EVEN REMEMBER SLOWING DOWN SO YOU COULD CATCH ME. 402 00:23:12,550 --> 00:23:14,310 HA HA! 403 00:23:26,320 --> 00:23:27,240 YOU KNOW... 404 00:23:27,400 --> 00:23:28,570 I THOUGHT WHAT REVEREND ALDEN SAID 405 00:23:28,740 --> 00:23:30,700 ABOUT THE MISSIONS IN CHINA WAS INTERESTING. 406 00:23:30,860 --> 00:23:33,030 I HOPE HE TELLS US MORE NEXT SUNDAY. 407 00:23:33,200 --> 00:23:34,910 WHAT DID YOU THINK, LAURA? 408 00:23:35,080 --> 00:23:37,540 I THOUGHT THE SERMON WAS TOO LONG. 409 00:23:37,700 --> 00:23:39,370 WELL...WHY? 410 00:23:39,540 --> 00:23:42,080 BECAUSE MY LEGS WENT TO SLEEP. 411 00:23:51,300 --> 00:23:52,970 HEY, HALF-PINT. 412 00:23:53,140 --> 00:23:54,550 IF I HAVE THIS FISH TRAP FINISHED 413 00:23:54,720 --> 00:23:56,060 BY THE TIME YOU GET DONE COLLECTING EGGS, 414 00:23:56,220 --> 00:23:57,520 YOU CAN HELP ME PUT IT IN THE CREEK. 415 00:23:57,680 --> 00:23:59,430 OK, PA. 416 00:24:02,520 --> 00:24:05,360 IT'S JOHNNY JOHNSON! 417 00:24:10,900 --> 00:24:12,200 LAURA... 418 00:24:12,360 --> 00:24:13,990 CARRIE'S ASLEEP. 419 00:24:50,320 --> 00:24:52,610 WELL, IF IT ISN'T JOHNNY JOHNSON. 420 00:24:52,780 --> 00:24:54,610 HEY, I WAS JUST TELLING YOUR PA HERE 421 00:24:54,780 --> 00:24:56,320 HE DON'T NEED TO WORK ON THAT FISH TRAP 422 00:24:56,490 --> 00:24:59,290 THE WAY YOU CATCH FISH, LAURA. 423 00:24:59,450 --> 00:25:03,170 WANT TO HELP US SET IT UP AT THE FALLS, JOHNNY? 424 00:25:03,330 --> 00:25:05,130 WELL, HEY, I'D SURE LIKE TO. 425 00:25:05,290 --> 00:25:06,500 GOOD. 426 00:25:06,670 --> 00:25:08,550 ONLY I DON'T KNOW IF I CAN. 427 00:25:08,710 --> 00:25:09,750 WHY NOT? 428 00:25:09,920 --> 00:25:11,300 WELL... 429 00:25:11,460 --> 00:25:14,130 YOU SEE, I CAME HERE TO ASK A FAVOR. 430 00:25:14,300 --> 00:25:15,640 WHAT KIND OF FAVOR? 431 00:25:15,800 --> 00:25:17,300 WELL... 432 00:25:17,470 --> 00:25:19,810 YOU SEE, I'M GETTING REALLY BEHIND 433 00:25:19,970 --> 00:25:21,640 IN THESE READING WORDS, YOU KNOW? 434 00:25:21,810 --> 00:25:24,270 AND THAT MAKES THE HOMEWORK AWFULLY HARD. 435 00:25:24,440 --> 00:25:28,360 SO I WAS FIGURING ON MAYBE ASKING MARY TO HELP SOME. 436 00:25:28,520 --> 00:25:31,650 YOU KNOW, I MEAN, HER WANTING TO BE A TEACHER AND ALL, 437 00:25:31,820 --> 00:25:34,320 MAYBE SHE WOULDN'T MIND. 438 00:25:34,490 --> 00:25:35,910 IF IT'S ALL RIGHT, THAT IS. 439 00:25:36,070 --> 00:25:37,820 IT'S FINE WITH ME. 440 00:25:37,990 --> 00:25:39,490 YOU DON'T THINK SHE'D MIND? 441 00:25:39,660 --> 00:25:42,200 I MEAN, YOU KNOW, TAKING HER AWAY FROM HER STUDYING AND ALL. 442 00:25:42,370 --> 00:25:44,160 ONLY ONE WAY TO FIND OUT. 443 00:25:44,330 --> 00:25:46,000 GO ON TO THE HOUSE AND ASK HER. 444 00:25:46,170 --> 00:25:48,960 YES, SIR. THANK YOU VERY MUCH. 445 00:25:49,130 --> 00:25:50,750 A NICE BOY. 446 00:25:50,920 --> 00:25:53,720 WHY DON'T YOU CUT ME SOME MORE LENGTHS OF STRING, HUH? 447 00:25:53,880 --> 00:25:56,050 GOT TO COLLECT THE EGGS. 448 00:25:59,600 --> 00:26:02,140 Johnny: HEY, MARY. 449 00:26:02,310 --> 00:26:04,560 MARY! 450 00:26:05,600 --> 00:26:06,690 OH, HI, JOHNNY. 451 00:26:06,850 --> 00:26:08,520 HI. MARY, I WAS WONDERING 452 00:26:08,690 --> 00:26:10,860 IF YOU'D HELP ME WITH MY READING WORDS A LITTLE BIT. 453 00:26:11,020 --> 00:26:13,030 SURE. COME ON IN. 454 00:26:13,190 --> 00:26:14,530 I'D APPRECIATE IT. 455 00:26:21,740 --> 00:26:23,450 MIND THE MUSH, PLEASE, MARY. 456 00:26:23,620 --> 00:26:25,040 MUSH MEAT, MARY. 457 00:26:25,210 --> 00:26:26,210 YES, MA. 458 00:26:26,370 --> 00:26:28,080 - MA? - MM-HMM? 459 00:26:28,250 --> 00:26:30,420 CAN I WEAR MY BLUE SUNDAY RIBBONS TO SCHOOL TODAY? 460 00:26:30,590 --> 00:26:32,420 PLEASE, MAY I. 461 00:26:32,590 --> 00:26:33,920 PLEASE, MAY I? 462 00:26:34,090 --> 00:26:36,130 PROVIDED YOU REMEMBER TO WEAR THEM HOME AGAIN. 463 00:26:36,300 --> 00:26:38,220 I WILL. 464 00:26:43,810 --> 00:26:44,850 MORNING. 465 00:26:45,020 --> 00:26:46,560 MORNING, PA. 466 00:26:47,560 --> 00:26:48,770 Charles: MORNING, HALF-PINT. 467 00:26:48,940 --> 00:26:50,980 MORNING, PA. 468 00:26:51,150 --> 00:26:53,730 WAIT A MINUTE. I'LL FETCH THE WATER, MARY. 469 00:26:53,900 --> 00:26:55,440 IT'S NOT YOUR TURN. 470 00:26:55,610 --> 00:26:57,610 WELL, YOU'LL HAVE TO OWE ME A TURN SOMETIME. 471 00:26:57,780 --> 00:26:59,070 AFTER ALL, I AM THE FASTEST RUNNER. 472 00:26:59,240 --> 00:27:01,320 WE DON'T WANT TO BE LATE FOR SCHOOL. 473 00:27:06,370 --> 00:27:09,170 FIRST TIME WE EVER HEARD HER FIGHTING TO DO THE CHORES. 474 00:27:23,050 --> 00:27:25,180 [JACK WHIMPERING] 475 00:27:33,820 --> 00:27:36,280 MY FAVORITE SUBJECT WAS RECESS. 476 00:27:36,440 --> 00:27:38,650 I CAN REMEMBER ONE TIME GETTING MY KNUCKLES RAPPED 477 00:27:38,820 --> 00:27:40,780 BY THE TEACHER DURING ARITHMETIC. 478 00:27:40,950 --> 00:27:43,240 THE PROBLEM WAS, "IT IS NOW 9:30. 479 00:27:43,410 --> 00:27:45,700 "RECESS IS AT 10:45. 480 00:27:45,870 --> 00:27:48,370 HOW LONG IS IT TILL RECESS?" 481 00:27:48,540 --> 00:27:50,080 AN HOUR AND 15 MINUTES. 482 00:27:50,250 --> 00:27:51,330 THAT'S CORRECT. 483 00:27:51,500 --> 00:27:53,130 BUT MY ANSWER WAS "TOO LONG." 484 00:27:53,290 --> 00:27:54,500 CHARLES. 485 00:27:54,670 --> 00:27:56,340 I NEVER SAID I WAS A GOOD STUDENT. 486 00:28:04,510 --> 00:28:06,260 Laura: I FELL IN THE CREEK. 487 00:28:06,430 --> 00:28:07,770 LAURA! 488 00:28:07,930 --> 00:28:09,060 ARE YOU HURT? 489 00:28:09,230 --> 00:28:10,850 I'M NOT HURT, MA. 490 00:28:11,020 --> 00:28:12,270 HERE'S THE WATER. 491 00:28:12,440 --> 00:28:14,230 WE DIDN'T NEED QUITE THAT MUCH WATER, HALF-PINT. 492 00:28:14,400 --> 00:28:16,860 NOW, YOU GO ON UPSTAIRS AND GET SOME DRY CLOTHES ON. 493 00:28:17,030 --> 00:28:18,820 THERE'S ONLY YOUR SUNDAY DRESS. 494 00:28:18,990 --> 00:28:20,240 I'LL BE CAREFUL OF IT, MA. 495 00:28:20,400 --> 00:28:22,700 YOU BETTER. IT'S THE ONLY GOOD DRESS YOU GOT. 496 00:28:24,160 --> 00:28:25,740 YOU'RE NOT TO GET IT TORN PLAYING 497 00:28:25,910 --> 00:28:27,080 ANY ROUGH-AND-TUMBLE GAMES. 498 00:28:27,240 --> 00:28:28,240 PROMISE? 499 00:28:28,410 --> 00:28:30,210 I PROMISE, MA. 500 00:28:40,340 --> 00:28:42,880 [CHILDREN LAUGHING AND SINGING] 501 00:29:00,780 --> 00:29:02,490 - THERE'S MA! - THERE'S MA! 502 00:29:06,120 --> 00:29:07,490 Mary: MA! 503 00:29:07,660 --> 00:29:09,370 DID YOU COME TO VISIT SCHOOL? 504 00:29:09,540 --> 00:29:12,040 NO. I JUST CAME TO SAY HELLO TO MISS BEADLE. 505 00:29:12,210 --> 00:29:13,370 HOW NICE! 506 00:29:13,540 --> 00:29:15,290 WHY DON'T YOU 2 GIRLS RUN ON AND PLAY? 507 00:29:15,460 --> 00:29:17,460 RECESS IS ALMOST OVER NOW. 508 00:29:20,510 --> 00:29:22,470 COME SIT UP HERE. 509 00:29:23,880 --> 00:29:26,300 I GATHER THIS IS MORE THAN A SOCIAL VISIT. 510 00:29:26,470 --> 00:29:28,260 UH, YES, IT IS. 511 00:29:28,430 --> 00:29:30,600 - OH, THIS IS LOVELY. - THANK YOU. 512 00:29:30,770 --> 00:29:31,890 ARE YOU WORRIED ABOUT LAURA? 513 00:29:32,060 --> 00:29:33,690 YES, I AM. 514 00:29:33,850 --> 00:29:36,560 YES. I AM, TOO. 515 00:29:36,730 --> 00:29:38,730 SHE'S SUCH A GOOD STUDENT, 516 00:29:38,900 --> 00:29:40,190 BUT LATELY... 517 00:29:40,360 --> 00:29:41,690 WELL, SHE JUST HASN'T BEEN DOING THE KIND OF WORK 518 00:29:41,860 --> 00:29:43,320 SHE SHOULD BE DOING. 519 00:29:44,740 --> 00:29:47,740 SHE'S DISTRACTED. SHE'S INATTENTIVE. 520 00:29:47,910 --> 00:29:49,700 BOY STRUCK'? 521 00:29:49,870 --> 00:29:52,160 I'M AFRAID SO. 522 00:29:54,370 --> 00:29:56,290 JOHNNY JOHNSON? 523 00:29:57,830 --> 00:30:00,920 HE'S A NEW BOY, STARTED SCHOOL A FEW DAYS AGO. 524 00:30:01,090 --> 00:30:02,510 HE'S A NICE BOY, 525 00:30:02,670 --> 00:30:06,130 BUT I'M AFRAID HE'S JUST NOT INTERESTED IN LAURA. 526 00:30:07,390 --> 00:30:10,890 HE ASKED MARY TO HELP HIM WITH HIS READING. 527 00:30:11,060 --> 00:30:14,140 YES. MARY'S BEEN VERY POLITE AND VERY HELPFUL, 528 00:30:14,310 --> 00:30:18,150 BUT I'M AFRAID SHE'S NOT INTERESTED IN JOHNNY JOHNSON. 529 00:30:20,020 --> 00:30:22,070 I DON'T KNOW IF THAT MAKES THE PROBLEM EASIER 530 00:30:22,230 --> 00:30:23,820 OR MORE DIFFICULT. 531 00:30:25,240 --> 00:30:28,110 FROM WHAT I CAN REMEMBER FROM MY TEACHING DAYS, 532 00:30:28,280 --> 00:30:31,450 THESE FIRST LOVES ARE LIKE A HEAT RASH-- 533 00:30:31,620 --> 00:30:34,160 QUICKLY COME AND QUICKLY GONE. 534 00:30:35,790 --> 00:30:37,830 I WOULDN'T WORRY ABOUT IT. 535 00:30:38,000 --> 00:30:39,420 BUT IF IT WILL MAKE YOU FEEL ANY BETTER, 536 00:30:39,580 --> 00:30:42,000 I DO INTEND TO TALK TO LAURA ABOUT HER HOMEWORK. 537 00:30:43,170 --> 00:30:44,800 THANK YOU, MISS BEADLE. 538 00:30:44,960 --> 00:30:47,340 YOU'RE WELCOME, AND DON'T WORRY. 539 00:30:58,980 --> 00:31:03,610 [CHILDREN LAUGHING AND PLAYING] 540 00:31:03,780 --> 00:31:06,530 [CHILDREN SINGING "RING AROUND THE ROSIE"] 541 00:31:11,280 --> 00:31:13,080 HARRY, NO! 542 00:31:13,240 --> 00:31:14,580 SOMEBODY STOP HIM! 543 00:31:14,740 --> 00:31:16,290 HEY, DON'T DO THAT! HE DIDN'T DO NOTHING TO YOU! 544 00:31:16,450 --> 00:31:17,460 Johnny: GIVE ME THAT! 545 00:31:17,620 --> 00:31:18,670 GIVE IT BACK! IT'S MINE! 546 00:31:18,830 --> 00:31:20,710 JOHNNY! HARRY! COME IN HERE THIS INSTANT! 547 00:31:28,680 --> 00:31:30,680 NOW SEE WHAT YOU'VE DONE? 548 00:31:30,840 --> 00:31:32,800 YOU'VE GOT THEM BOTH IN TROUBLE. 549 00:31:32,970 --> 00:31:34,640 WHY DIDN'T YOU JUST GRAB THE SLINGSHOT 550 00:31:34,810 --> 00:31:37,020 INSTEAD OF SQUEALING FOR JOHNNY TO TAKE NOTICE 551 00:31:37,180 --> 00:31:38,480 AND COME TO YOUR RESCUE? 552 00:31:38,640 --> 00:31:41,440 WELL, IF THAT ISN'T A POT CALLING THE KETTLE BLACK! 553 00:31:41,600 --> 00:31:43,770 YOU'RE THE ONE ALWAYS TRYING TO GET HIM TO TAKE NOTICE. 554 00:31:43,940 --> 00:31:46,860 I DON'T GIVE A HOOT FOR YOUR DUMB OLD JOHNNY JOHNSON. 555 00:31:47,030 --> 00:31:48,780 HE'S NOT DUMB! 556 00:31:48,950 --> 00:31:52,070 AND JUST FOR THAT, YOU CAN WALK HOME BY YOURSELF! 557 00:32:13,890 --> 00:32:15,510 Johnny: HEY, LAURA! 558 00:32:21,770 --> 00:32:22,850 HI. 559 00:32:23,020 --> 00:32:24,190 THOUGHT YOU HAD TO STAY AFTER SCHOOL. 560 00:32:24,360 --> 00:32:26,020 JUST TO GET MY NEW READER. 561 00:32:26,190 --> 00:32:27,360 YOU FINISHED THE OLD ONE? 562 00:32:27,530 --> 00:32:29,860 - YEAH. - YOU SURE ARE FAST. 563 00:32:30,030 --> 00:32:32,410 WELL, I COULDN'T HAVE DONE IT WITHOUT MARY'S HELP. 564 00:32:32,570 --> 00:32:33,780 SHE SURE IS A GOOD TEACHER. 565 00:32:33,950 --> 00:32:35,370 COME ON. LET'S CATCH UP AND TELL HER. 566 00:32:39,700 --> 00:32:41,870 WELL, AIN'T YOU COMING? 567 00:32:43,250 --> 00:32:45,080 IS SOMETHING WRONG? 568 00:32:45,250 --> 00:32:47,090 JUST TUCKERED. 569 00:32:47,250 --> 00:32:48,170 AW. 570 00:32:48,340 --> 00:32:50,090 WELL, I'LL SEE YOU TOMORROW. 571 00:32:50,260 --> 00:32:52,720 HEY, MARY! 572 00:32:53,760 --> 00:32:55,390 WAIT A MINUTE! 573 00:33:41,640 --> 00:33:43,940 NO PICTURES. LETTERS. 574 00:33:44,100 --> 00:33:45,140 PICTURES. 575 00:33:45,310 --> 00:33:47,230 NO, CARRIE. WE'RE GOING TO MAKE LETTERS NOW. 576 00:33:47,400 --> 00:33:49,230 - PICTURES. - LETTERS! 577 00:33:49,400 --> 00:33:51,320 - PICTURES! - LETTERS! 578 00:33:51,480 --> 00:33:52,780 LET HER DRAW! 579 00:33:52,940 --> 00:33:55,910 WHY DO YOU ALWAYS HAVE TO SPOIL EVERYTHING ANYWAY? 580 00:33:56,070 --> 00:33:57,870 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 581 00:33:58,030 --> 00:33:59,580 YOU DO, TOO. 582 00:33:59,740 --> 00:34:01,910 WE USED TO ALWAYS HAVE FUN WALKING HOME. 583 00:34:02,080 --> 00:34:04,960 NOW ALL YOU DO IS SHOW OFF PLAYING TEACHER. 584 00:34:05,120 --> 00:34:06,460 DON'T BE SILLY. 585 00:34:06,620 --> 00:34:07,830 I'M NOT BEING SILLY. 586 00:34:08,000 --> 00:34:10,420 AND YOU'RE TWO-FACED, MARY INGALLS, 587 00:34:10,590 --> 00:34:12,840 SAYING ONE THING BEHIND JOHNNY'S BACK 588 00:34:13,010 --> 00:34:14,880 AND ACTING ANOTHER TO HIS FACE! 589 00:34:15,050 --> 00:34:17,300 IT WASN'T MY IDEA TO PLAY TEACHER. IT WAS HIS! 590 00:34:17,470 --> 00:34:18,590 YOU'RE JUST A FOOLISH-- 591 00:34:18,760 --> 00:34:19,760 SHUT UP! 592 00:34:19,930 --> 00:34:21,260 YOU JUST SHUT UP! 593 00:34:21,430 --> 00:34:23,180 LAURA! I DON'T WANT YOU TO SPEAK TO YOUR SISTER THAT WAY, 594 00:34:23,350 --> 00:34:25,100 NOR TO ANYONE ELSE! 595 00:34:25,270 --> 00:34:28,350 ALL RIGHT. NOW, WHAT'S THIS ALL ABOUT? 596 00:34:28,520 --> 00:34:32,280 JUST A LITTLE ARGUMENT. 597 00:34:32,440 --> 00:34:34,110 WELL, NOTHING IS SOLVED BY SHUTTING OFF 598 00:34:34,280 --> 00:34:35,950 THE OTHER PERSON'S ARGUMENT. 599 00:34:36,110 --> 00:34:39,200 NOW, LAURA, I WANT YOU TO HEAR YOUR SISTER OUT. 600 00:34:59,970 --> 00:35:02,220 LAURA? 601 00:35:02,390 --> 00:35:04,560 I SENT THE GIRLS OUTSIDE... 602 00:35:04,720 --> 00:35:07,060 SO WE CAN HAVE A PRIVATE TALK. 603 00:35:11,060 --> 00:35:14,400 SAYING WHAT'S RIGHT ISN'T TAKING ANYBODY'S PART. 604 00:35:14,570 --> 00:35:17,400 NOW, I'M GOING TO TELL YOU JUST WHAT I TOLD MARY. 605 00:35:17,570 --> 00:35:19,410 QUARRELS WOULD NEVER LAST LONG 606 00:35:19,570 --> 00:35:22,280 IF THERE WAS ONLY ONE PERSON AT FAULT. 607 00:35:22,450 --> 00:35:24,540 I WANT YOU BOTH TO THINK ON THAT 608 00:35:24,700 --> 00:35:27,000 AND TO MAKE UP. 609 00:35:27,160 --> 00:35:28,920 YES, MA. 610 00:35:31,710 --> 00:35:34,090 WHAT'S REALLY BOTHERING YOU? 611 00:35:34,250 --> 00:35:37,630 NOTHING. HONEST. 612 00:35:37,800 --> 00:35:40,010 THAT'S NOT HONEST, LAURA. 613 00:35:45,930 --> 00:35:47,140 DO YOU THINK YOU'RE THE ONLY LITTLE GIRL 614 00:35:47,310 --> 00:35:49,690 WHO EVER FELT THIS WAY? 615 00:35:51,270 --> 00:35:55,480 BOTH YOUR PA AND I FELT JUST AS YOU DO ONCE. 616 00:35:55,650 --> 00:35:58,110 BUT EVERYTHING WAS WORKING OUT FINE 617 00:35:58,280 --> 00:36:00,150 WHEN YOU AND PA WERE COURTING. 618 00:36:00,320 --> 00:36:02,110 NO. I MEAN EARLIER, BEFORE THAT, 619 00:36:02,280 --> 00:36:06,660 WHEN WE WERE YOUNGER, WHEN WE WERE YOUR AGE. 620 00:36:06,830 --> 00:36:09,330 WE HAD OUR SHARE OF HEARTACHES. 621 00:36:09,500 --> 00:36:13,250 WELL, IT'S HARD THINKING OF YOU AND PA LITTLE. 622 00:36:13,420 --> 00:36:15,210 I SUPPOSE IT IS... 623 00:36:15,380 --> 00:36:18,800 BUT THE FARTHER YOU GET AWAY FROM IT, 624 00:36:18,970 --> 00:36:21,590 WHY, WE CAN EVEN LOOK BACK NOW AND LAUGH, 625 00:36:21,760 --> 00:36:24,640 JUST AS YOU WILL BE ABLE TO LAUGH AT THIS ONE DAY. 626 00:36:24,800 --> 00:36:25,970 YOU'LL SEE. 627 00:36:26,140 --> 00:36:29,980 IT'S ALL PART OF GROWING UP TO BE A WOMAN. 628 00:36:30,140 --> 00:36:33,100 I DON'T THINK I WANT TO GROW UP TO BE A WOMAN. 629 00:36:33,270 --> 00:36:35,730 - IT HURTS. - OH! 630 00:36:40,320 --> 00:36:44,450 WELL, NOBODY GROWS UP ALL THE WAY. 631 00:36:44,620 --> 00:36:47,200 THERE'S A LITTLE GIRL INSIDE EVERY WOMAN, 632 00:36:47,370 --> 00:36:51,160 JUST AS THERE'S A WOMAN INSIDE EVERY LITTLE GIRL. 633 00:36:51,330 --> 00:36:55,170 AND YOU MUSTN'T BE AFRAID TO HURT 634 00:36:55,330 --> 00:36:58,130 BECAUSE THAT'S A PART OF LIFE. 635 00:36:58,300 --> 00:37:01,010 HURT IS SOMETHING TO MEASURE HAPPINESS BY. 636 00:37:01,170 --> 00:37:04,970 IT'S LIKE VALLEYS AND MOUNTAIN PEAKS. 637 00:37:05,140 --> 00:37:06,180 WITHOUT THEM BOTH, 638 00:37:06,350 --> 00:37:09,390 THE WORLD WOULD BE FLAT AND UNINTERESTING. 639 00:37:09,560 --> 00:37:12,940 WITH ME IT'S ALL VALLEYS. 640 00:37:13,100 --> 00:37:14,690 I KEEP TRYING TO THINK OF WAYS 641 00:37:14,850 --> 00:37:16,360 TO MAKE JOHNNY LIKE ME BETTER, 642 00:37:16,520 --> 00:37:19,110 BUT NONE OF THEM SEEM TO WORK. 643 00:37:19,280 --> 00:37:22,700 HONEY, ONE OF THE BIGGEST MISTAKES THAT PEOPLE MAKE 644 00:37:22,860 --> 00:37:24,780 IS TRYING TO CHANGE THEMSELVES 645 00:37:24,950 --> 00:37:27,160 SO THAT SOMEBODY ELSE WILL LIKE THEM. 646 00:37:29,200 --> 00:37:33,710 IN A WAY, THAT'S A KIND OF A LIE. 647 00:37:33,870 --> 00:37:35,830 DEEP DOWN INSIDE OF ALL OF US 648 00:37:36,000 --> 00:37:37,960 THERE'S A SENSE OF TRUENESS 649 00:37:38,130 --> 00:37:40,300 TELLING US WHO WE REALLY ARE. 650 00:37:42,340 --> 00:37:46,010 BOTH YOUR PA AND I WANT YOU TO BE YOUR OWN TRUE SELF 651 00:37:46,180 --> 00:37:48,930 BECAUSE WE LOVE YOU, LAURA. 652 00:37:55,060 --> 00:37:59,650 I REMEMBER HE LIKED ME THE BEST THE FIRST DAY. 653 00:37:59,820 --> 00:38:02,110 HE SAID I WAS A PRETTY GOOD RUNNER. 654 00:38:02,280 --> 00:38:03,610 GOOD. 655 00:38:06,910 --> 00:38:09,700 NOW, WILL YOU COME DOWN AND GIVE ME A HAND WITH SUPPER? 656 00:38:14,410 --> 00:38:17,040 - MA? - HMM? 657 00:38:19,380 --> 00:38:21,920 I JUMPED IN THE CREEK. 658 00:38:22,090 --> 00:38:24,220 I KNOW THAT. 659 00:38:36,190 --> 00:38:38,810 SHE WAS JUST AS CUTE AS SHE COULD BE, 660 00:38:38,980 --> 00:38:42,020 TRYING TO FIGURE OUT WAYS TO GET THAT BOY TO LIKE HER, 661 00:38:42,190 --> 00:38:45,490 AND ALL THE TIME, HE WAS SMITTEN WITH MARY. 662 00:38:45,650 --> 00:38:47,820 I THOUGHT HE JUST WANTED MARY TO HELP HIM WITH HIS READING. 663 00:38:47,990 --> 00:38:51,160 OH, THAT WAS JUST AN EXCUSE. 664 00:38:51,330 --> 00:38:53,040 HOW OLD IS HE? 665 00:38:53,200 --> 00:38:55,870 I DON'T KNOW. 14, 15. 666 00:38:56,040 --> 00:38:57,120 WELL, WHY DOESN'T HE GET MISS BEADLE TO HELP HIM? 667 00:38:57,290 --> 00:38:58,500 THAT'S WHAT SHE'S THERE FOR. 668 00:38:58,670 --> 00:39:00,750 MARY WAS JUST TRYING TO BE NICE. 669 00:39:00,920 --> 00:39:03,710 WELL, I DON'T LIKE IT. 670 00:39:03,880 --> 00:39:04,960 WHY, CHARLES INGALLS! 671 00:39:05,130 --> 00:39:07,130 YOU SAID YOURSELF WHAT A NICE BOY HE IS. 672 00:39:07,300 --> 00:39:08,930 WELL, THAT'S WHEN I THOUGHT HE WAS A BOY! 673 00:39:09,090 --> 00:39:10,340 HE'S 15 YEARS OLD, CAROLINE. 674 00:39:10,510 --> 00:39:12,390 THAT'S NOT A BOY ANYMORE. THAT'S A MAN. 675 00:39:12,560 --> 00:39:15,560 YOU KNOW WHAT A FELLA'S LIKE WHEN HE'S 15 YEARS OLD? 676 00:39:15,730 --> 00:39:18,140 NO, CHARLES. YOU TELL ME. 677 00:39:18,310 --> 00:39:20,900 WHAT WERE YOU LIKE WHEN YOU WERE 15? 678 00:39:24,610 --> 00:39:26,570 GO SEE TO THE STOCK. 679 00:39:32,450 --> 00:39:35,200 I KNOW IT LOOKS DIFFICULT, BUT JUST THINK IT THROUGH. 680 00:39:35,370 --> 00:39:37,120 YOU CAN DO IT. 681 00:39:38,580 --> 00:39:40,670 THAT'S RIGHT. 682 00:39:40,830 --> 00:39:42,920 MEET ME BY THE SWEETHEART TREE. 683 00:39:43,090 --> 00:39:44,420 WHAT? 684 00:39:44,590 --> 00:39:47,760 AFTER SCHOOL, MEET ME BY THE SWEETHEART TREE. 685 00:39:47,920 --> 00:39:50,010 OH, YES. 686 00:40:10,950 --> 00:40:12,530 HI. 687 00:40:21,120 --> 00:40:24,040 SURE IS A BEAUTIFUL OLD TREE, ISN'T IT? 688 00:40:25,420 --> 00:40:28,050 YEAH...SURE IS. 689 00:40:30,420 --> 00:40:31,720 MUST BE, OH... 690 00:40:31,880 --> 00:40:35,220 A HUNDRED YEARS OLD, DON'T YOU THINK? 691 00:40:35,390 --> 00:40:36,470 [CHUCKLES] 692 00:40:36,640 --> 00:40:38,390 I GUESS. 693 00:40:43,310 --> 00:40:46,070 ARE THERE RINGS INSIDE TO TELL FOR SURE? 694 00:40:47,980 --> 00:40:49,490 OH...HA! 695 00:40:49,650 --> 00:40:51,530 I SUPPOSE. 696 00:40:51,700 --> 00:40:54,530 I DON'T KNOW MUCH ABOUT TREES. 697 00:40:54,700 --> 00:40:56,990 HOW MANY NAMES DO YOU FIGURE ARE ON IT? 698 00:40:57,160 --> 00:40:59,250 OH... 699 00:40:59,410 --> 00:41:01,750 LOOKS LIKE A WHOLE MESS. 700 00:41:03,080 --> 00:41:05,420 SOME BOYS DO IT IN SECRET. 701 00:41:09,130 --> 00:41:12,840 WELL, I RECKON IT'S BECAUSE THEY'RE SCARED. 702 00:41:13,010 --> 00:41:14,840 BUT YOU'RE NOT SCARED. 703 00:41:15,010 --> 00:41:17,430 YOU ASKED ME RIGHT OUT TO MEET YOU HERE. 704 00:41:17,600 --> 00:41:20,390 YEAH. 705 00:41:20,560 --> 00:41:21,980 WELL... 706 00:41:22,140 --> 00:41:24,310 YOU'RE DIFFERENT, LAURA. 707 00:41:24,480 --> 00:41:26,110 I KNOW. 708 00:41:26,270 --> 00:41:28,980 I'M A PRETTY GOOD RUNNER FOR A GIRL. 709 00:41:29,150 --> 00:41:32,400 I'M NOT FUSSY ABOUT PUTTING WIGGLY OLD WORMS ON HOOKS. 710 00:41:32,570 --> 00:41:37,200 NO. IT'S... IT'S MORE THAN THAT. 711 00:41:37,370 --> 00:41:39,450 YOU SEEM... 712 00:41:39,620 --> 00:41:46,460 WELL, A FELLA CAN-- CAN SAY THINGS TO YOU THAT... 713 00:41:46,630 --> 00:41:49,090 WELL, HE'D BE KIND OF EMBARRASSED 714 00:41:49,250 --> 00:41:53,630 TO SAY TO SOMEBODY ELSE, YOU KNOW? 715 00:41:53,800 --> 00:41:57,010 YOU SEEM TO UNDERSTAND THE WAY I FEEL. 716 00:41:59,600 --> 00:42:01,890 KINDRED SPIRITS. 717 00:42:04,310 --> 00:42:07,230 SHOW ME WHAT YOU CARVED, JOHNNY. PLEASE? 718 00:42:09,650 --> 00:42:11,730 ALL RIGHT. 719 00:42:15,070 --> 00:42:17,070 WELL, WHAT DO YOU THINK? 720 00:42:20,080 --> 00:42:21,870 I FIGURED YOU COULD TELL ME, 721 00:42:22,040 --> 00:42:25,660 YOU BEING SO CLOSE TO HER AND ALL. 722 00:42:25,830 --> 00:42:28,080 HOW DO YOU THINK SHE'LL LIKE IT? 723 00:42:30,500 --> 00:42:32,590 LAURA! 724 00:43:13,050 --> 00:43:16,970 CAROLINE, YOU SURE HAVE A WAY WITH BUFFALOFISH. 725 00:43:17,130 --> 00:43:18,380 NEVER DID UNDERSTAND WHERE THEY GOT SO MANY 726 00:43:18,550 --> 00:43:20,090 FUNNY NAMES FOR FISH-- 727 00:43:20,260 --> 00:43:24,180 BUFFALOFISH, CATFISH... 728 00:43:24,350 --> 00:43:25,980 EVEN BUTTERFISH. 729 00:43:30,730 --> 00:43:32,560 WELL, I CAN TELL YOU WHERE THEY GOT THE NAME BULLHEAD. 730 00:43:32,730 --> 00:43:35,570 NOW, THAT'S THE STUBBORNEST FISH I EVER DID TRY TO CATCH. 731 00:43:35,730 --> 00:43:37,190 Caroline: HEH. 732 00:43:39,740 --> 00:43:41,570 HOW WAS SCHOOL TODAY? 733 00:43:41,740 --> 00:43:43,580 IT WAS FINE, PA. 734 00:43:43,740 --> 00:43:44,830 Mary: NOT FOR ME. 735 00:43:44,990 --> 00:43:46,250 I'LL BE THE LAUGHINGSTOCK 736 00:43:46,410 --> 00:43:48,000 OF EVERY GIRL IN SCHOOL TOMORROW, 737 00:43:48,160 --> 00:43:50,750 ALL BECAUSE OF THAT NUMSKULL JOHNNY JOHNSON. 738 00:43:50,920 --> 00:43:52,500 Caroline: WHAT ON EARTH? 739 00:43:52,670 --> 00:43:54,340 WHY, HE SEEMED LIKE SUCH A NICE LAD. 740 00:43:54,500 --> 00:43:57,590 HE SNEAKED OFF AND PUT MY NAME ON THE SWEETHEART TREE 741 00:43:57,760 --> 00:43:59,760 FOR EVERYBODY TO GAPE AT. 742 00:43:59,930 --> 00:44:01,140 "JOHNNY LOVES MARY." 743 00:44:01,300 --> 00:44:03,550 AND I DON'T EVEN LIKE HIM! 744 00:44:03,720 --> 00:44:05,470 WILLIE'S RIGHT. 745 00:44:05,640 --> 00:44:07,310 HE LOOKS LIKE A SCARECROW, 746 00:44:07,470 --> 00:44:10,440 AND HE'S ADDLEBRAINED, AS WELL. 747 00:44:10,600 --> 00:44:13,520 HOW COULD YOU BE SO MEAN? 748 00:44:13,690 --> 00:44:16,030 HE'S THE BEST RUNNER AND ROPER IN THE WHOLE SCHOOL! 749 00:44:16,190 --> 00:44:18,190 YOU'RE THE NUMSKULL! 750 00:44:20,780 --> 00:44:22,360 [DOOR SLAMS] 751 00:44:27,660 --> 00:44:29,660 WHY DON'T YOU LET ME GO? 752 00:44:29,830 --> 00:44:30,910 SOMETIMES WHEN YOU LOSE ONE MAN, 753 00:44:31,080 --> 00:44:32,880 IT HELPS TO TALK TO ANOTHER ONE. 754 00:45:42,400 --> 00:45:44,200 IT'S NOT FAIR, PA. 755 00:45:44,360 --> 00:45:46,870 SHE DOESN'T CARE A HOOT ABOUT HIM, 756 00:45:47,030 --> 00:45:50,950 AND IT'S HER NAME HE PUT ON THE TREE. 757 00:45:51,120 --> 00:45:52,450 I COULD HAVE DIED. 758 00:45:52,620 --> 00:45:53,870 IT WAS THE MOST TRAGICAL THING 759 00:45:54,040 --> 00:45:56,250 THAT EVER HAPPENED IN MY WHOLE LIFE. 760 00:45:58,460 --> 00:46:02,460 KIND OF LIKE THAT TIME WE LOST THAT OLD DOG JACK, HUH? 761 00:46:02,630 --> 00:46:05,050 JACK FOUND US AGAIN. 762 00:46:05,220 --> 00:46:08,010 AND JOHNNY WILL FIND YOU AGAIN. 763 00:46:08,180 --> 00:46:09,970 YOU THINK HE WILL? 764 00:46:10,140 --> 00:46:11,560 WHY, SURE, HE WILL. 765 00:46:11,720 --> 00:46:13,770 YOU KNOW, I REMEMBER WHEN I WAS A BOY, 766 00:46:13,930 --> 00:46:16,270 I KNEW THIS LITTLE GAL. 767 00:46:16,440 --> 00:46:18,860 SHE HAD PIGTAILS AND FRECKLES. 768 00:46:19,020 --> 00:46:20,520 SHE WAS ABOUT 4 YEARS YOUNGER THAN ME, 769 00:46:20,690 --> 00:46:23,150 WHICH IS LIKE A HUNDRED WHEN YOU'RE 15. 770 00:46:23,320 --> 00:46:24,530 JOHNNY'S 15. 771 00:46:24,700 --> 00:46:26,070 YEAH. 772 00:46:26,240 --> 00:46:27,570 I USED TO CALL HER "TAGALONG" 773 00:46:27,740 --> 00:46:30,490 BECAUSE SHE WAS ALWAYS CHASING AFTER ME ALL THE TIME. 774 00:46:30,660 --> 00:46:32,290 I DIDN'T PAY HER ANY MIND. 775 00:46:32,450 --> 00:46:33,910 THEN ALL OF A SUDDEN ONE DAY, 776 00:46:34,080 --> 00:46:36,920 I NOTICED A WHOLE BUNCH OF BOYS BUZZING AROUND HER 777 00:46:37,080 --> 00:46:38,830 LIKE BEES TO HONEY. 778 00:46:39,000 --> 00:46:40,340 I TOOK A GOOD LOOK AT HER, 779 00:46:40,500 --> 00:46:42,800 AND I REALIZED THAT SHE HAD BLOSSOMED 780 00:46:42,960 --> 00:46:45,920 INTO ABOUT THE PRETTIEST THING I'D EVER SEEN. 781 00:46:46,090 --> 00:46:47,260 I FIGURED SHE'D TAKE TO ME RIGHT OFF 782 00:46:47,430 --> 00:46:50,760 BUT SHE COULDN'T SEE ME FOR DUST. 783 00:46:50,930 --> 00:46:52,260 HER NAME WAS CAROLINE. 784 00:46:52,430 --> 00:46:53,890 MA? 785 00:46:55,770 --> 00:46:57,140 MA. 786 00:46:59,730 --> 00:47:01,690 AND YOU'RE JUST LIKE HER. 787 00:47:03,110 --> 00:47:04,740 JUST LIKE HER. 788 00:47:06,200 --> 00:47:07,570 YOU WAIT AND SEE. 789 00:47:07,740 --> 00:47:09,410 ONE OF THESE DAYS YOU'RE GOING TO HAVE LOTS OF BEAUS. 790 00:47:09,570 --> 00:47:10,820 I WOULDN'T BE SURPRISED 791 00:47:10,990 --> 00:47:12,660 IF JOHNNY JOHNSON'S ONE OF THEM, SWEET THING. 792 00:47:12,830 --> 00:47:15,620 I'M NOT A SWEET THING, PA. 793 00:47:15,790 --> 00:47:17,040 I BLAMED IT ALL ON MARY, 794 00:47:17,210 --> 00:47:19,330 AND IT WASN'T EVEN HER FAULT. 795 00:47:19,500 --> 00:47:23,590 I SAID WICKED THINGS TO HER ON PURPOSE. 796 00:47:23,750 --> 00:47:26,050 I MEANT TO BE HURTFUL, 797 00:47:26,220 --> 00:47:29,680 BUT IT DIDN'T STOP MY HURTING. 798 00:47:29,840 --> 00:47:31,640 WELL, YOU LEARNED A LESSON. 799 00:47:31,800 --> 00:47:33,810 HURTING BACK DOESN'T HELP. 800 00:47:33,970 --> 00:47:36,390 THERE'S LOT OF WAYS TO MAKE AMENDS. 801 00:47:38,100 --> 00:47:40,060 I GUESS I WAS JEALOUS. 802 00:47:41,400 --> 00:47:43,190 OH, SO WAS I. 803 00:47:43,360 --> 00:47:44,480 YOU, PA? 804 00:47:44,650 --> 00:47:46,780 MM-HMM. 805 00:47:46,940 --> 00:47:48,200 SOME YOUNG SPROUT 806 00:47:48,360 --> 00:47:50,320 WAS TRYING TO STEAL MY BEST GIRL. 807 00:47:50,490 --> 00:47:52,240 OH, PA! 808 00:47:55,660 --> 00:47:57,910 I LOVE YOU. 809 00:48:00,170 --> 00:48:02,080 NOW... 810 00:48:02,250 --> 00:48:04,000 IF YOU'RE GOING TO GROW UP TO BE AS PRETTY AS YOUR MA, 811 00:48:04,170 --> 00:48:05,250 I THINK WE OUGHT TO GET YOU HOME 812 00:48:05,420 --> 00:48:06,550 AND GIVE YOU SOME SUPPER. 813 00:48:06,710 --> 00:48:09,590 HA HA! 56046

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