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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:01,430 --> 00:01:02,680 [CHARLES WHISTLES] 2 00:01:02,680 --> 00:01:03,810 Charles: JACK! 3 00:01:16,660 --> 00:01:17,740 HERE, BOY. 4 00:01:22,290 --> 00:01:24,250 THAT'S-A-BOY. GOOD, JACK. 5 00:01:27,630 --> 00:01:28,790 DO YOU WANT TO SEE? 6 00:01:44,060 --> 00:01:47,400 OOH, CARRIE, WHERE DO YOU THINK YOU'RE GOING? 7 00:01:47,400 --> 00:01:49,900 MARY! LAURA! COME TO BREAKFAST. 8 00:01:49,900 --> 00:01:51,230 ALL RIGHT, MA. 9 00:01:51,230 --> 00:01:52,900 LAURA. 10 00:01:52,900 --> 00:01:55,280 HURRY UP! YOU HEARD MA. 11 00:01:55,280 --> 00:01:58,360 DON'T YOU DARE MAKE US LATE FOR SCHOOL-- 12 00:01:58,360 --> 00:02:00,330 NOT ON THE VERY FIRST DAY. 13 00:02:00,330 --> 00:02:01,490 I'M NOT GOING. 14 00:02:07,040 --> 00:02:08,080 IT'S A FINE MORNING. 15 00:02:08,080 --> 00:02:09,170 ISN'T IT? 16 00:02:09,170 --> 00:02:10,210 GOOD MORNING, MA. 17 00:02:10,210 --> 00:02:11,210 MARY. 18 00:02:11,210 --> 00:02:12,250 MORNING, PA. 19 00:02:12,250 --> 00:02:13,460 MORNING, MARY. HAVE A GOOD SLEEP? 20 00:02:13,460 --> 00:02:14,420 YEAH. 21 00:02:14,420 --> 00:02:15,420 IS LAURA NEARLY READY? 22 00:02:15,420 --> 00:02:16,880 SHE SAYS SHE'S NOT GOING. 23 00:02:19,930 --> 00:02:21,640 NOW, DON'T WORRY. I'LL SEE TO IT. 24 00:02:41,660 --> 00:02:44,330 WHAT'S THE MATTER, HALF-PINT? 25 00:02:44,330 --> 00:02:45,620 I DON'T WANT TO GO. 26 00:02:54,460 --> 00:02:57,920 IT'S KIND OF HARD FOR ME TO HEAR YOU WITH THOSE COVERS ALL OVER YOUR HEAD. 27 00:02:57,920 --> 00:03:00,720 I DON'T WANT TO GO. I WANT TO STAY HERE. 28 00:03:03,140 --> 00:03:06,180 WELL, I WISH YOU COULD STAY. 29 00:03:06,180 --> 00:03:08,850 YOU KNOW, I MADE A PROMISE TO YOUR MA. 30 00:03:08,850 --> 00:03:11,150 TOLD HER ONCE WE GOT SETTLED, IF WE WERE NEAR A SCHOOL, 31 00:03:11,150 --> 00:03:13,690 YOU AND YOUR SISTER WOULD GO. 32 00:03:13,690 --> 00:03:15,940 BUT YOU NEED ME HERE. 33 00:03:15,940 --> 00:03:18,320 WHO'S GOING TO HELP YOU WITH THE FISH TRAPS? 34 00:03:18,320 --> 00:03:20,200 WHO'S GOING TO TAKE CARE OF JACK? 35 00:03:20,200 --> 00:03:23,450 YOU'RE GOING TO HAVE TIME FOR ALL THAT. 36 00:03:23,450 --> 00:03:24,780 YOU WOULDN'T WANT ME TO BREAK A PROMISE 37 00:03:24,780 --> 00:03:27,040 I MADE TO YOUR MA, WOULD YOU? 38 00:03:27,040 --> 00:03:28,870 NO, PA. 39 00:03:28,870 --> 00:03:30,830 OK. 40 00:03:30,830 --> 00:03:32,670 THAT'S MY GIRL. 41 00:03:32,670 --> 00:03:34,040 NOW, YOU HURRY UP AND GET DRESSED. 42 00:03:34,040 --> 00:03:35,340 BREAKFAST IS GOING TO GET COLD. 43 00:03:40,510 --> 00:03:41,890 TELL YOU SOMETHING YOU DON'T KNOW. 44 00:03:43,680 --> 00:03:46,640 YOU'RE GOING TO LIKE SCHOOL. 45 00:03:46,640 --> 00:03:47,770 YES, PA. 46 00:03:49,930 --> 00:03:53,900 LET'S HAVE ANOTHER LOOK AT THOSE HANDS. 47 00:03:53,900 --> 00:03:56,270 IT'S FINE. OH, YOURS, TOO, CARRIE, 48 00:03:56,270 --> 00:03:57,860 SPIC AND SPAN. 49 00:03:57,860 --> 00:03:59,530 MA, MY NECK HURTS. 50 00:03:59,530 --> 00:04:02,110 WHAT? MARY SCRATCHED SO HARD, 51 00:04:02,110 --> 00:04:04,160 SHE LIKELY TOOK THE SKIN CLEAN OFF. 52 00:04:04,160 --> 00:04:05,910 YOU'RE BIG ENOUGH TO DO YOUR OWN SCRUBBING, 53 00:04:05,910 --> 00:04:07,040 ONLY YOU WON'T. 54 00:04:07,040 --> 00:04:09,330 I DON'T LIKE BEING BIG. 55 00:04:09,330 --> 00:04:11,000 I WISH I WAS CARRIE. 56 00:04:13,330 --> 00:04:17,210 MA...YOU THINK THEY'LL LIKE US? 57 00:04:17,210 --> 00:04:19,460 WHAT KIND OF A FOOLISH QUESTION IS THAT? 58 00:04:19,460 --> 00:04:21,470 OF COURSE THEY'LL LIKE YOU. 59 00:04:21,470 --> 00:04:25,260 YOU JUST BE FRIENDLY AND MIND YOUR MANNERS. 60 00:04:25,260 --> 00:04:27,680 NOW, LET ME HAVE A BETTER LOOK AT YOU. 61 00:04:27,680 --> 00:04:28,770 TURN AROUND. 62 00:04:33,730 --> 00:04:36,400 YOU GIRLS ARE SPROUTING UP SO FAST. 63 00:04:36,400 --> 00:04:37,570 THERE'S NOTHING LEFT OF THOSE HEMS 64 00:04:37,570 --> 00:04:38,780 FOR ME TO LET DOWN. 65 00:04:40,030 --> 00:04:42,860 WELL, YOU'RE FRESH AND CLEAN, 66 00:04:42,860 --> 00:04:45,410 AND YOU'RE STARTING SCHOOL. 67 00:04:45,410 --> 00:04:46,740 THAT'S THE IMPORTANT THING. 68 00:04:49,240 --> 00:04:50,240 MA? 69 00:04:50,240 --> 00:04:51,370 HMM? 70 00:04:51,370 --> 00:04:53,710 HOW LONG IS ALL THIS LEARNING GOING TO TAKE? 71 00:04:53,710 --> 00:04:55,290 [CHUCKLES] 72 00:04:55,290 --> 00:04:58,420 WE START LEARNING WHEN WE'RE BORN, LAURA. 73 00:04:58,420 --> 00:05:02,300 AND IF WE'RE WISE, WE DON'T STOP UNTIL THE LORD CALLS US HOME. 74 00:05:04,380 --> 00:05:06,260 THAT LONG? 75 00:05:06,260 --> 00:05:07,760 COME. 76 00:05:07,760 --> 00:05:09,680 I HAVE SOMETHING SPECIAL FOR YOU TWO. 77 00:05:25,110 --> 00:05:28,120 MY SCHOOLBOOKS ARE YOURS NOW. 78 00:05:28,120 --> 00:05:29,450 YOU TAKE GOOD CARE OF THEM. 79 00:05:29,450 --> 00:05:30,700 WE WILL, MA. 80 00:05:30,700 --> 00:05:34,120 WELL, TIME TO GET STARTED. 81 00:05:34,120 --> 00:05:36,210 NOW, LAURA, YOU TAKE THE LUNCH PAIL. 82 00:05:36,210 --> 00:05:38,840 REMEMBER TO BRING IT HOME-- AND THE CLOTH. 83 00:05:38,840 --> 00:05:39,960 Laura: I WILL. 84 00:05:41,960 --> 00:05:45,430 WELL, EVERYBODY'S ALL SET FOR SCHOOL. 85 00:05:45,430 --> 00:05:46,930 NOW, NO DAWDLIN'. 86 00:05:46,930 --> 00:05:48,800 I DON'T WANT YOU TO BE LATE THE FIRST DAY, ALL RIGHT? 87 00:05:48,800 --> 00:05:49,800 BE GOOD GIRLS. 88 00:05:49,800 --> 00:05:50,810 WE WILL, MA. 89 00:05:50,810 --> 00:05:52,310 ON YOUR WAY. HAVE A GOOD TIME. 90 00:06:01,900 --> 00:06:03,030 BYE, MA. 91 00:06:04,650 --> 00:06:07,110 GOOD-BYE, PA. 92 00:06:07,110 --> 00:06:08,450 BYE, CARRIE. 93 00:06:15,000 --> 00:06:17,620 A LOT OF GOOD-BYES FOR SOMEBODY WHO'S GOING TO BE HOME FOR SUPPER. 94 00:06:21,710 --> 00:06:23,590 HA HA HA! 95 00:06:23,590 --> 00:06:25,260 HEY, YOU HOLD IT, YOUNG LADY! 96 00:06:25,260 --> 00:06:27,470 WE GET TO HOLD ON TO YOU FOR A COUPLE OF YEARS YET. 97 00:06:30,970 --> 00:06:32,100 THERE THEY GO. 98 00:06:38,390 --> 00:06:40,400 CHARLES, THEY LOOK SO SMALL. 99 00:06:42,690 --> 00:06:43,980 STOP WORRYING. 100 00:07:05,920 --> 00:07:07,220 COME ON, LAURA. 101 00:07:28,070 --> 00:07:29,950 COME ON. YOU'RE GONNA MAKE US LATE. 102 00:07:46,170 --> 00:07:48,130 [CHILDREN PLAYING AND SHOUTING] 103 00:07:48,130 --> 00:07:49,590 Mary: LAURA, COME ON. 104 00:08:00,600 --> 00:08:02,600 KICK IT OVER HERE, QUICK! 105 00:08:02,600 --> 00:08:03,900 GO AHEAD, LAURA. 106 00:08:03,900 --> 00:08:04,900 UH-UH. YOU FIRST. 107 00:08:04,900 --> 00:08:06,360 WHY ME? 108 00:08:06,360 --> 00:08:09,110 'CAUSE YOU'RE ALWAYS BRAGGING ABOUT BEING OLDEST. 109 00:08:09,110 --> 00:08:11,860 IT'S YOUR PLACE TO GO FIRST. 110 00:08:11,860 --> 00:08:13,030 WE'LL GO TOGETHER. 111 00:08:34,470 --> 00:08:36,010 FROM THE SOUND OF YOU, 112 00:08:36,010 --> 00:08:38,310 WE FIGURED WE'D COME INTO A FLOCK OF PRAIRIE CHICKENS. 113 00:08:38,310 --> 00:08:39,390 LAURA! 114 00:08:39,390 --> 00:08:42,140 SNIPES YOURSELVES-- LONG-LEGGED SNIPES. 115 00:08:42,140 --> 00:08:43,850 Children: ♪ SNIPES, SNIPES ♪ 116 00:08:43,850 --> 00:08:45,690 ♪ LONG-LEGGED SNIPES ♪ 117 00:08:45,690 --> 00:08:49,440 ♪ SNIPES, SNIPES, LONG-LEGGED SNIPES ♪ 118 00:08:49,440 --> 00:08:51,530 ♪ SNIPES, SNIPES... ♪ 119 00:08:51,530 --> 00:08:54,360 YOU STOP BEING MEAN TO THEM, OR I'LL TELL MAMA ON YOU. 120 00:08:54,360 --> 00:08:55,410 GO AHEAD, CHRISTY. 121 00:08:55,410 --> 00:08:56,700 SEE IF I CARE! 122 00:09:05,420 --> 00:09:07,040 COUNTRY GIRLS. 123 00:09:22,600 --> 00:09:24,730 [CHILDREN TALKING] 124 00:09:36,320 --> 00:09:37,620 [TAPPING] 125 00:09:37,620 --> 00:09:38,660 SETTLE DOWN, CHILDREN. 126 00:09:38,660 --> 00:09:39,740 SETTLE DOWN. 127 00:09:45,580 --> 00:09:47,000 Teacher: WON'T YOU COME IN, GIRLS? 128 00:10:11,480 --> 00:10:14,490 YOU MUST BE THE NEW GIRLS FROM PLUM CREEK, AREN'T YOU? 129 00:10:14,490 --> 00:10:15,650 YES, MA'AM. 130 00:10:15,650 --> 00:10:17,070 I'M MISS BEADLE. 131 00:10:17,070 --> 00:10:20,030 I'M MARY INGALLS, MA'AM, AND THAT'S LAURA. 132 00:10:20,030 --> 00:10:21,870 Miss Beadle: I'M VERY PLEASED TO MEET YOU, 133 00:10:21,870 --> 00:10:23,580 AND I'LL PUT YOUR NAME IN THIS REGISTER, 134 00:10:23,580 --> 00:10:25,330 AND THAT WILL MAKE IT OFFICIAL. 135 00:10:31,250 --> 00:10:33,210 WE HAVE OUR OWN BOOKS. 136 00:10:35,340 --> 00:10:36,920 THEY BELONGED TO MA. 137 00:10:36,920 --> 00:10:39,340 OH, I CAN SEE SHE TOOK FINE CARE OF THEM. 138 00:10:41,390 --> 00:10:44,140 NOW, HOW MUCH SCHOOLING HAVE YOU GIRLS HAD? 139 00:10:46,390 --> 00:10:48,100 NONE. 140 00:10:48,100 --> 00:10:49,310 BUT I CAN READ. 141 00:10:56,530 --> 00:10:59,280 [SOFTLY] I CAN'T, BUT I KNOW THE ALPHABET. 142 00:10:59,280 --> 00:11:02,070 I THOUGHT YOU OUGHT TO KNOW. 143 00:11:02,070 --> 00:11:03,410 THANK YOU, LAURA. 144 00:11:03,410 --> 00:11:05,830 AND DON'T YOU WORRY. YOU'LL LEARN FAST. 145 00:11:05,830 --> 00:11:08,210 AND I'LL HELP YOU EVERY SPARE MINUTE I CAN. 146 00:11:08,210 --> 00:11:09,370 THANK YOU. 147 00:11:12,500 --> 00:11:14,130 CHILDREN... 148 00:11:14,130 --> 00:11:16,710 I'D LIKE YOU TO WELCOME 2 NEW STUDENTS. 149 00:11:16,710 --> 00:11:18,880 THIS IS MARY AND LAURA INGALLS. 150 00:11:18,880 --> 00:11:20,180 Children, weakly: HELLO. 151 00:11:23,260 --> 00:11:26,140 NOW, I WOULDN'T CALL THAT MUCH OF A WELCOME. 152 00:11:26,140 --> 00:11:28,980 WE'D LIKE TO HEAR YOU SAY, "GOOD MORNING, MARY..." 153 00:11:28,980 --> 00:11:32,020 Children: GOOD MORNING, MARY. 154 00:11:32,020 --> 00:11:33,110 AND... 155 00:11:34,820 --> 00:11:36,690 Children: GOOD MORNING, LAURA. 156 00:11:38,900 --> 00:11:40,490 THERE'S A NICE PLACE FOR YOU RIGHT UP FRONT. 157 00:11:40,490 --> 00:11:42,700 THAT WAY, YOU CAN SIT TOGETHER AND SHARE YOUR BOOKS. 158 00:11:47,160 --> 00:11:48,750 DID YOU BRING A SLATE? 159 00:11:48,750 --> 00:11:50,290 NO, MA'AM. 160 00:11:50,290 --> 00:11:52,960 WELL, YOU CAN'T LEARN TO WRITE PROPERLY WITHOUT A SLATE. 161 00:11:52,960 --> 00:11:54,090 I'LL LEND YOU MINE. 162 00:11:55,210 --> 00:11:56,840 Nellie: COUNTRY GIRLS. 163 00:12:01,300 --> 00:12:03,510 Miss Beadle: HERE YOU Go. 164 00:12:03,510 --> 00:12:04,800 THANK YOU, MISS BEADLE. 165 00:12:04,800 --> 00:12:06,220 YOU'RE WELCOME. 166 00:12:06,220 --> 00:12:07,350 NOW, LAURA, I'D LIKE YOU TO TURN 167 00:12:07,350 --> 00:12:09,230 TO THE FIRST PAGE IN YOUR SPELLER. 168 00:12:09,230 --> 00:12:10,350 LET'S SEE HOW MANY NEW WORDS 169 00:12:10,350 --> 00:12:12,230 YOU CAN TAKE HOME WITH YOU TONIGHT. 170 00:12:12,230 --> 00:12:13,350 YES, MA'AM! 171 00:12:18,400 --> 00:12:21,900 ALL RIGHT, CLASS. TODAY WE'RE GOING TO START WITH SUMS. 172 00:12:21,900 --> 00:12:25,240 [CHILDREN GROAN] 173 00:12:25,240 --> 00:12:26,660 Miss Beadle: WILLIE? 174 00:12:26,660 --> 00:12:28,120 YES, MA'AM? 175 00:12:28,120 --> 00:12:29,500 BY 3s, PLEASE, WILLIE. 176 00:12:44,050 --> 00:12:45,470 MA'AM? 177 00:12:45,470 --> 00:12:48,510 HOW'S HE EVER GONNA GET ALL THOSE NUMBERS OFF AGAIN? 178 00:12:48,510 --> 00:12:50,640 [CHILDREN LAUGH] 179 00:12:52,770 --> 00:12:53,940 SILENCE! 180 00:12:55,150 --> 00:12:57,270 THERE WILL BE SILENCE IN THIS CLASSROOM. 181 00:13:02,740 --> 00:13:05,160 WILLIE, LAURA HAS ASKED A QUESTION. 182 00:13:05,160 --> 00:13:06,950 WILL YOU PLEASE DEMONSTRATE THE ANSWER? 183 00:13:13,870 --> 00:13:15,460 MARY, LOOK. 184 00:13:15,460 --> 00:13:17,880 IT'S CLEAN AS A WHISTLE. 185 00:13:17,880 --> 00:13:19,750 WHAT DID I TELL YOU? 186 00:13:19,750 --> 00:13:21,420 COUNTRY GIRLS. 187 00:13:21,420 --> 00:13:23,840 DON'T EVEN KNOW WHAT A BLACKBOARD IS. 188 00:13:23,840 --> 00:13:24,930 NELLIE. 189 00:13:34,390 --> 00:13:40,570 Laura: C-A-T, CAT. 190 00:13:40,570 --> 00:13:41,650 MM-HMM. 191 00:13:44,110 --> 00:13:49,580 B-A-T, BAT. 192 00:13:49,580 --> 00:13:50,660 RIGHT. 193 00:13:52,790 --> 00:13:57,170 M-A-T, MAT. 194 00:13:59,960 --> 00:14:05,050 P-A-T, PAT. 195 00:14:05,050 --> 00:14:05,970 GOOD. 196 00:14:05,970 --> 00:14:07,890 I LEARNED THE WHOLE FIRST ROW. 197 00:14:07,890 --> 00:14:10,890 HEY, HOW ABOUT IF I GIVE YOU ONE THAT ISN'T EVEN ON THAT FIRST ROW? 198 00:14:10,890 --> 00:14:12,010 LET ME SEE. WHAT'S A GOOD WORD? 199 00:14:12,010 --> 00:14:13,850 HOW ABOUT RAT? 200 00:14:16,890 --> 00:14:18,060 RAT. 201 00:14:21,860 --> 00:14:28,610 R...A...T, RAT. 202 00:14:28,610 --> 00:14:30,030 PERFECT. 203 00:14:30,030 --> 00:14:32,240 I'D SAY THAT WAS A FINE DAY'S WORK. 204 00:14:32,240 --> 00:14:34,580 IT SEEMS TO ME YOU KIND OF LIKE SCHOOL, HUH? 205 00:14:34,580 --> 00:14:36,500 OH, I DO, PA. 206 00:14:36,500 --> 00:14:39,080 AND YOU SHOULD JUST SEE MISS BEADLE. 207 00:14:39,080 --> 00:14:42,500 SHE'S THE BEST TEACHER IN THE WHOLE WORLD, 208 00:14:42,500 --> 00:14:45,010 AND SHE SMILES ALL THE TIME, 209 00:14:45,010 --> 00:14:47,840 AND SHE SMELLS AS GOOD AS SHE LOOKS. 210 00:14:47,840 --> 00:14:49,550 I CAME RIGHT OUT AND ASKED, 211 00:14:49,550 --> 00:14:52,850 AND SHE TOLD ME SHE WEARS SOMETHING CALLED LEMON VERBENA. 212 00:14:52,850 --> 00:14:54,060 HMM. 213 00:14:54,060 --> 00:14:58,480 SHE'S THE MOST BEAUTIFUL LADY I EVER SAW... 214 00:14:58,480 --> 00:15:00,350 EXCEPT FOR MA, OF COURSE. 215 00:15:00,350 --> 00:15:03,360 WELL, I MUST SAY SHE MUST BE SOMETHING SPECIAL 216 00:15:03,360 --> 00:15:05,900 TO BE EVEN CLOSE TO YOUR MA. 217 00:15:05,900 --> 00:15:06,860 CHARLES! 218 00:15:06,860 --> 00:15:07,820 Charles: HOW ABOUT YOU, MARY? 219 00:15:07,820 --> 00:15:09,070 DID YOU LIKE SCHOOL TODAY? 220 00:15:09,070 --> 00:15:11,030 THERE'S A REAL NICE GIRL NAMED CHRISTY. 221 00:15:11,030 --> 00:15:13,240 SHE'LL PROBABLY BE MY BEST FRIEND. 222 00:15:13,240 --> 00:15:14,330 GOOD. 223 00:15:14,330 --> 00:15:16,120 ANYBODY IN PARTICULAR YOU LIKE, LAURA? 224 00:15:16,120 --> 00:15:18,660 SOMEONE IN PARTICULAR I DON'T LIKE-- 225 00:15:18,660 --> 00:15:19,960 THAT SNIPPY NELLIE OLESON. 226 00:15:19,960 --> 00:15:21,170 LAURA! 227 00:15:21,170 --> 00:15:24,710 YOU KNOW WHAT SHE CALLED US? COUNTRY GIRLS. 228 00:15:24,710 --> 00:15:25,880 WELL, YOU ARE COUNTRY GIRLS. 229 00:15:25,880 --> 00:15:27,380 THERE'S NOTHING BAD ABOUT THAT. 230 00:15:27,380 --> 00:15:29,380 THERE IS THE WAY SHE SAID IT. 231 00:15:29,380 --> 00:15:31,340 "LOOK AT THE COUNTRY GIRLS!" 232 00:15:31,340 --> 00:15:34,390 MADE ME SO MAD, I WANTED TO SMACK HER GOOD. 233 00:15:34,390 --> 00:15:37,390 NOW, JUST A MINUTE. I DON'T WANT TO HEAR YOU TALKING LIKE THAT. 234 00:15:37,390 --> 00:15:40,480 YOU GO TO SCHOOL TO LEARN, NOT TO FIGHT. 235 00:15:40,480 --> 00:15:41,770 PART OF WHAT YOU HAVE TO LEARN 236 00:15:41,770 --> 00:15:43,730 IS HOW TO GET ON WITH OTHERS. 237 00:15:43,730 --> 00:15:46,400 ALL RIGHT. I'LL TRY. 238 00:15:46,400 --> 00:15:50,110 NOW, YOUNG LADY, YOU'RE GOING TO DO A LOT MORE THAN JUST TRY. 239 00:15:50,110 --> 00:15:52,870 REMEMBER, LAURA, DO UNTO OTHERS... 240 00:15:52,870 --> 00:15:53,870 THAT'S RIGHT. 241 00:15:53,870 --> 00:15:55,830 AND THAT MEANS NO NAME-CALLING, 242 00:15:55,830 --> 00:15:58,410 NO FIGHTING, AND NO TEASING. 243 00:15:58,410 --> 00:16:00,040 UNDERSTOOD? 244 00:16:00,040 --> 00:16:01,120 YES, SIR. 245 00:16:02,540 --> 00:16:03,630 ALL RIGHT. 246 00:16:05,790 --> 00:16:07,960 HERE. 247 00:16:07,960 --> 00:16:09,420 YOU TAKE THAT IN TO OLESON'S STORE TOMORROW 248 00:16:09,420 --> 00:16:11,380 AND BUY YOURSELVES A SLATE. 249 00:16:11,380 --> 00:16:14,010 YOU OUGHT TO HAVE ENOUGH LEFT OVER FOR A PAPER TABLET. 250 00:16:14,010 --> 00:16:16,560 OH, PA, THANK YOU! 251 00:16:16,560 --> 00:16:19,430 Laura: THANK YOU. 252 00:16:19,430 --> 00:16:21,600 THEN YOU'RE NOT MAD AT ME? 253 00:16:21,600 --> 00:16:24,810 WELL, NOT YET, BUT I WILL BE 254 00:16:24,810 --> 00:16:26,650 IF YOU TWO ARE NOT UP IN BED 255 00:16:26,650 --> 00:16:28,650 QUICKER THAN I CAN SAY JACK-- 256 00:16:28,650 --> 00:16:29,820 ROBINSON! ROBINSON! 257 00:16:38,370 --> 00:16:40,080 IT'S HARD TO BELIEVE THAT'S THE SAME LITTLE GIRL 258 00:16:40,080 --> 00:16:42,830 WE COULD HARDLY GET OUT OF BED THIS MORNING. 259 00:16:42,830 --> 00:16:44,540 I HOPED SHE'D LIKE IT, 260 00:16:44,540 --> 00:16:45,630 BUT I DIDN'T KNOW. 261 00:16:45,630 --> 00:16:47,210 OH, SHE'LL BE FINE. 262 00:16:47,210 --> 00:16:50,300 SURE WAS FEISTY ABOUT THAT NELLIE OLESON, WASN'T SHE? 263 00:16:50,300 --> 00:16:51,470 I WONDER WHY. 264 00:16:51,470 --> 00:16:52,930 YOU HAVEN'T MET HER MOTHER. 265 00:16:52,930 --> 00:16:54,470 HAVE YOU? MM-HMM. 266 00:16:54,470 --> 00:16:56,800 Laura: PA? 267 00:16:56,800 --> 00:17:00,220 HAT. H-A-T. 268 00:17:00,220 --> 00:17:01,640 HAT. 269 00:17:01,640 --> 00:17:04,060 B-E-D. BED. 270 00:17:04,060 --> 00:17:05,190 GOOD NIGHT, PA. 271 00:17:06,690 --> 00:17:07,940 GOOD NIGHT, LAURA. 272 00:17:15,240 --> 00:17:16,620 WHAT YOU DOING? 273 00:17:16,620 --> 00:17:19,280 FAT. F-A-T. FAT. 274 00:17:48,060 --> 00:17:49,020 GOOD MORNING. 275 00:17:49,020 --> 00:17:50,190 Girls: GOOD MORNING. 276 00:17:50,190 --> 00:17:53,030 I'LL BE WITH YOU IN A MINUTE, GIRLS. 277 00:17:53,030 --> 00:17:54,610 YOU SURE YOU GOT THE MONEY, MARY? 278 00:17:54,610 --> 00:17:56,860 IT'S IN MY POCKET-- RIGHT WHERE MA PINNED IT. 279 00:17:56,860 --> 00:17:57,950 [DOOR CLOSES] 280 00:17:59,950 --> 00:18:01,870 ♪ SNIPES, SNIPES, LONG-LEGGED SNIPES ♪ 281 00:18:01,870 --> 00:18:03,040 WILLIE, NELLIE-- YOU TWO GET ON OUT OF HERE NOW. 282 00:18:03,040 --> 00:18:04,910 THIS STORE IS NOT A PLAYHOUSE. 283 00:18:04,910 --> 00:18:06,920 WILLIE, DO YOU HEAR ME? OUT! 284 00:18:11,500 --> 00:18:14,210 WELL, NOW, WHAT CAN I DO FOR YOU TODAY? 285 00:18:14,210 --> 00:18:15,880 WE'D LIKE A SLATE, MR. OLESON, 286 00:18:15,880 --> 00:18:18,300 AND A PAPER TABLET FOR SCHOOL, PLEASE. 287 00:18:18,300 --> 00:18:19,600 I'VE GOT JUST WHAT YOU NEED. 288 00:18:22,640 --> 00:18:24,850 THOSE ARE MINE! 289 00:18:24,850 --> 00:18:26,730 GO AHEAD. KEEP IT. 290 00:18:26,730 --> 00:18:29,520 IT'S ALL OURS, ANYWAY. 291 00:18:29,520 --> 00:18:32,860 WE CAN HAVE AS MUCH CANDY AS WE WANT. 292 00:18:32,860 --> 00:18:34,030 HERE WE ARE. 293 00:18:40,070 --> 00:18:42,990 PA SAID THAT WOULD BE ENOUGH TO PAY FOR THE BOTH. 294 00:18:42,990 --> 00:18:44,410 AND HE WAS RIGHT, 295 00:18:44,410 --> 00:18:46,080 BUT YOU'LL NEED A SLATE PENCIL, 296 00:18:46,080 --> 00:18:47,960 UNLESS YOU ALREADY HAVE ONE. 297 00:18:47,960 --> 00:18:49,540 NO, SIR, WE DON'T. 298 00:18:49,540 --> 00:18:51,960 WELL, THAT WILL BE ANOTHER PENNY. 299 00:18:51,960 --> 00:18:55,090 I DON'T THINK THE COUNTRY GIRLS HAVE ANOTHER PENNY. 300 00:18:55,090 --> 00:18:56,420 WHAT DO YOU THINK, WILLIE? 301 00:18:56,420 --> 00:18:58,010 I'M TELLING YOU TWO FOR THE LAST TIME. 302 00:18:58,010 --> 00:18:59,300 NOW YOU GET ON OUT OF HERE! 303 00:19:05,890 --> 00:19:08,520 WELL, IF YOU WEREN'T PLANNING ON BUYING A PENCIL, 304 00:19:08,520 --> 00:19:10,810 I IMAGINE YOU'RE A LITTLE SHORT. 305 00:19:10,810 --> 00:19:12,480 YOU JUST TAKE IT ALONG WITH YOU ANYHOW, 306 00:19:12,480 --> 00:19:15,730 AND TELL YOUR PA TO PAY ME THE NEXT TIME HE COMES INTO TOWN. 307 00:19:15,730 --> 00:19:18,450 NO, SIR. CASH ON THE BARREL. 308 00:19:18,450 --> 00:19:21,320 PA MAKES THAT A STRICT RULE. 309 00:19:21,320 --> 00:19:22,740 AND IT'S A GOOD ONE, 310 00:19:22,740 --> 00:19:26,200 THOUGH MOST FOLKS FIND IT HARD TO LIVE BY. 311 00:19:26,200 --> 00:19:28,080 WE THANK YOU ANYWAY, MR. OLESON. 312 00:19:28,080 --> 00:19:29,160 YOU'RE WELCOME, GIRLS. 313 00:19:29,160 --> 00:19:30,170 BYE-BYE. 314 00:19:30,170 --> 00:19:32,250 BYE. 315 00:19:47,810 --> 00:19:52,020 THAT NELLIE OLESON'S THE MEANEST GIRL I EVER DID SEE. 316 00:19:52,020 --> 00:19:54,650 I COULD NEVER BE THAT MEAN. 317 00:19:54,650 --> 00:19:56,150 I COULD. 318 00:19:56,150 --> 00:19:57,320 MEANER... 319 00:19:57,320 --> 00:20:00,490 IF MA AND PA WOULD LET ME. 320 00:20:00,490 --> 00:20:03,780 WE DO NEED A SLATE PENCIL, LAURA. 321 00:20:03,780 --> 00:20:05,740 PA GAVE US SO MUCH ALREADY. 322 00:20:05,740 --> 00:20:07,490 WE CAN'T ASK FOR MORE. 323 00:20:07,490 --> 00:20:08,580 NO. 324 00:20:11,120 --> 00:20:14,250 OUR CHRISTMAS PENNIES! WE STILL HAVE THOSE. 325 00:20:14,250 --> 00:20:17,170 I COULD USE MINE TO BUY THE PENCIL, AND WE'D SHARE IT. 326 00:20:17,170 --> 00:20:19,670 AND YOU COULD OWN HALF MY PENNY. 327 00:20:19,670 --> 00:20:21,260 COME ON. WE'LL BE LATE FOR SCHOOL. 328 00:20:46,370 --> 00:20:47,990 THAT'S VERY GOOD, LAURA. 329 00:20:55,210 --> 00:20:59,380 "HOW... 330 00:20:59,380 --> 00:21:00,840 "WOU... 331 00:21:00,840 --> 00:21:02,840 VVOUL..." 332 00:21:02,840 --> 00:21:04,010 THE "L" IS SILENT. 333 00:21:04,010 --> 00:21:06,350 I KNOW IT'S CONFUSING, BUT... 334 00:21:06,350 --> 00:21:07,550 "WOOED." 335 00:21:07,550 --> 00:21:09,680 "HOW..." 336 00:21:09,680 --> 00:21:10,720 "WOULD." 337 00:21:10,720 --> 00:21:12,730 THAT'S RIGHT. THAT'S RIGHT. 338 00:21:12,730 --> 00:21:15,980 "HOW WOULD... 339 00:21:15,980 --> 00:21:19,110 YE-OO..." 340 00:21:22,150 --> 00:21:23,780 "You"! YEAH. 341 00:21:25,570 --> 00:21:28,530 "HOW WOULD YOU..." 342 00:21:28,530 --> 00:21:29,700 "LICKY"? 343 00:21:29,700 --> 00:21:32,870 NO. "I." 344 00:21:32,870 --> 00:21:33,830 "LIKE." 345 00:21:33,830 --> 00:21:35,920 THAT'S RIGHT. 346 00:21:35,920 --> 00:21:37,250 WHAT ABOUT THE "E"? 347 00:21:37,250 --> 00:21:39,210 WELL, YOU DON'T-- IT'S SILENT. 348 00:21:39,210 --> 00:21:41,420 LIKE THE "L"? THAT'S RIGHT. 349 00:21:41,420 --> 00:21:42,460 OH. 350 00:21:47,390 --> 00:21:49,470 [No AUDIO] 351 00:22:00,520 --> 00:22:02,860 Laura, narrating: IF I HAD A REMEMBRANCE BOOK, 352 00:22:02,860 --> 00:22:06,070 THERE'S ONE THING I'D WANT TO PUT IN IT ABOUT SCHOOL. 353 00:22:06,070 --> 00:22:09,370 MA AND PA WERE RIGHT. IT WAS FUN. 354 00:22:09,370 --> 00:22:11,410 ESPECIALLY WHEN ALL THE DIFFERENT LETTERS 355 00:22:11,410 --> 00:22:13,700 STARTED TURNING INTO WORDS. 356 00:22:13,700 --> 00:22:16,750 BUT LEARNING TO WRITE WAS ONE OF THE HARDEST THINGS 357 00:22:16,750 --> 00:22:18,330 I EVER HOPED TO DO. 358 00:22:23,380 --> 00:22:26,510 RECESS WAS SUPPOSED TO BE THE MOST FUN, 359 00:22:26,510 --> 00:22:32,720 ONLY NELLIE OLESON WOULDN'T EVER LET US PLAY ANYTHING BUT RING AROUND THE ROSY. 360 00:22:32,720 --> 00:22:35,350 CAN'T WE PLAY SOMETHING ELSE? 361 00:22:35,350 --> 00:22:36,640 Children: ♪ RING AROUND THE ROSY... ♪ 362 00:22:36,640 --> 00:22:38,150 Laura, narrating: I DIDN'T WANT To, 363 00:22:38,150 --> 00:22:40,610 BUT MA SAID, "DO UNTO OTHERS..." 364 00:22:40,610 --> 00:22:42,320 I COULDN'T HELP WONDERING 365 00:22:42,320 --> 00:22:45,740 WHEN NELLIE'S MA WOULD GET AROUND TO TELLING HER THE SAME THING. 366 00:22:47,280 --> 00:22:48,990 THERE WE ARE, MRS. GRANDY. 367 00:22:48,990 --> 00:22:50,620 DID YOU SAY 60 CENTS? 368 00:22:50,620 --> 00:22:52,410 THAT'S RIGHT. 369 00:22:52,410 --> 00:22:53,330 THANK YOU. 370 00:22:53,330 --> 00:22:54,750 GIVE MY BEST TO ELI, 371 00:22:54,750 --> 00:22:57,540 AND TELL HIM NOT TO MAKE HIMSELF SUCH A STRANGER, HMM? 372 00:22:57,540 --> 00:22:59,540 THANK YOU, NELS. I WILL. 373 00:22:59,540 --> 00:23:00,580 GOOD DAY, MRS. GRAN DY. 374 00:23:00,580 --> 00:23:01,750 GOOD DAY, NELS. 375 00:23:04,300 --> 00:23:05,460 GOOD DAY. 376 00:23:14,770 --> 00:23:15,770 HELLO. 377 00:23:15,770 --> 00:23:16,680 OH! 378 00:23:16,680 --> 00:23:18,020 I'M MRS. INGALLS. 379 00:23:18,020 --> 00:23:19,640 HOW DO YOU DO, MRS. INGALLS? 380 00:23:19,640 --> 00:23:21,560 I BELIEVE MY HUSBAND SPOKE WITH YOU. 381 00:23:21,560 --> 00:23:23,360 YES, YES. YES, INDEED. 382 00:23:23,360 --> 00:23:25,730 FRESH EGGS. HE SAID YOU BUY THEM. 383 00:23:25,730 --> 00:23:27,240 YES, WE DO. 384 00:23:27,240 --> 00:23:28,530 Woman: I Do THE BUYING. 385 00:23:33,080 --> 00:23:35,200 MRS. INGALLS, MY WIFE. 386 00:23:35,200 --> 00:23:36,620 HOW DO YOU DO, MRS. OLESON? 387 00:23:36,620 --> 00:23:40,750 WELL, NELLIE'S TOLD ME ABOUT YOUR, UH, GIRLS. 388 00:23:40,750 --> 00:23:42,040 ALL GOOD, I HOPE. 389 00:23:42,040 --> 00:23:43,880 HOW MANY DO WE HAVE HERE? 390 00:23:43,880 --> 00:23:44,960 3 DOZEN. 391 00:23:50,550 --> 00:23:52,260 BROWN? 392 00:23:52,260 --> 00:23:53,930 THESE EGGS ARE BROWN. 393 00:23:53,930 --> 00:23:55,600 THEY DON'T BRING AS MUCH AS WHITE. 394 00:23:58,560 --> 00:24:01,560 7 OF THEM ARE DOUBLE YOLKS. 395 00:24:01,560 --> 00:24:04,230 BROWN EGGS GET 4 CENTS LESS A DOZEN. 396 00:24:10,360 --> 00:24:13,620 ALL RIGHT. 4 CENTS LESS FOR THE BROWN. 397 00:24:13,620 --> 00:24:14,700 AH. 398 00:24:21,750 --> 00:24:23,670 [WHIMPERING] 399 00:24:23,670 --> 00:24:27,000 HEY, JACK. THERE YOU GO. GO ON, BOY. 400 00:24:42,480 --> 00:24:44,230 PRETTY QUIET TONIGHT. 401 00:24:44,230 --> 00:24:45,480 YES. HASN'T BEEN A WORD OUT OF THEM 402 00:24:45,480 --> 00:24:47,770 FOR MORE THAN AN HOUR. 403 00:24:47,770 --> 00:24:48,940 I WAS TALKING ABOUT YOU. 404 00:24:51,900 --> 00:24:53,450 I MET MRS. OLESON TODAY. 405 00:24:55,620 --> 00:24:56,660 OH. 406 00:24:58,450 --> 00:24:59,870 IF NELLIE'S ANYTHING LIKE HER MOTHER, 407 00:24:59,870 --> 00:25:02,210 I CAN UNDERSTAND WHY LAURA'S BEEN SO UPSET. 408 00:25:04,960 --> 00:25:06,460 DO YOU KNOW WHAT SHE TOLD ME? 409 00:25:06,460 --> 00:25:07,670 MM-MMM- 410 00:25:07,670 --> 00:25:10,840 SHE TOLD ME BROWN EGGS BRING LESS THAN WHITE. 411 00:25:10,840 --> 00:25:12,010 MUST BE SOMETHING PECULIAR TO MINNESOTA. 412 00:25:12,010 --> 00:25:13,510 I NEVER HEARD OF THAT BEFORE. 413 00:25:13,510 --> 00:25:16,680 YOU NEVER HEARD IT BEFORE 'CAUSE IT ISN'T TRUE. 414 00:25:16,680 --> 00:25:19,510 SHE PAID ME 4 CENTS LESS A DOZEN FOR THE BROWN, 415 00:25:19,510 --> 00:25:20,810 AND THEN SHE TURNED AROUND AND SOLD THEM 416 00:25:20,810 --> 00:25:22,430 FOR EXACTLY THE SAME AS THE WHITE. 417 00:25:22,430 --> 00:25:24,810 I WAS BUYING THIS THREAD. I HEARD HER DO IT. 418 00:25:24,810 --> 00:25:26,440 I'LL TALK TO HER HUSBAND. HE'S A FAIR MAN. 419 00:25:26,440 --> 00:25:30,730 NO. IF YOU DO THAT, SHE WON'T BUY ANY EGGS. 420 00:25:30,730 --> 00:25:33,030 WE NEED THE MONEY. 421 00:25:33,030 --> 00:25:34,110 [SIGHS] 422 00:25:34,110 --> 00:25:35,990 I'LL HANDLE IT. 423 00:25:35,990 --> 00:25:38,620 WANT TO FIGHT YOUR OWN BATTLES, HUH? 424 00:25:38,620 --> 00:25:40,450 THIS ONE. 425 00:25:40,450 --> 00:25:41,660 AND, CHARLES, I INTEND TO WIN. 426 00:25:41,660 --> 00:25:42,870 [JACK BARKS] 427 00:25:46,830 --> 00:25:49,250 JUST REMEMBER-- DO UNTO OTHERS... 428 00:25:52,920 --> 00:25:56,220 [DOOR OPENS AND CLOSES] 429 00:26:03,180 --> 00:26:05,640 ♪ RING AROUND THE ROSY ♪ 430 00:26:05,640 --> 00:26:07,690 ♪ POCKETFUL OF POSIES ♪ 431 00:26:07,690 --> 00:26:11,690 ♪ ASHES, ASHES, WE ALL FALL DOWN ♪ 432 00:26:13,820 --> 00:26:16,570 COME ON, LAURA. DON'T YOU WANT TO PLAY? 433 00:26:16,570 --> 00:26:20,240 WHY DO WE ALWAYS HAVE TO PLAY RING AROUND THE ROSY? 434 00:26:20,240 --> 00:26:21,990 BECAUSE I SAY SO. 435 00:26:21,990 --> 00:26:24,040 ♪ RING AROUND THE ROSY ♪ 436 00:26:24,040 --> 00:26:25,540 Laura: ♪ UNCLE JOHN IS SICK A-BED ♪ 437 00:26:25,540 --> 00:26:27,250 ♪ WHAT SHALL WE SEND HIM? ♪ 438 00:26:27,250 --> 00:26:29,380 ♪ PIECE OF PIE, A PIECE OF CAKE ♪ 439 00:26:29,380 --> 00:26:33,380 ♪ UNCLE JOHN IS SICK A-BED, WHAT SHALL WE SEND HIM? ♪ 440 00:26:33,380 --> 00:26:35,220 LAURA INGALLS, YOU STOP THAT! 441 00:26:36,550 --> 00:26:38,890 ♪ APPLE AND DUMPLING ♪ 442 00:26:38,890 --> 00:26:40,890 WHAT SHALL WE SEND IT IN? 443 00:26:40,890 --> 00:26:42,390 STOP! 444 00:26:42,390 --> 00:26:45,350 YOU HAVE IT YOUR WAY EVERY SINGLE DAY, NELLIE. 445 00:26:45,350 --> 00:26:48,400 WELL, TODAY, I WANT TO PLAY UNCLE JOHN! 446 00:26:48,400 --> 00:26:51,020 RING AROUND THE ROSY! 447 00:26:51,020 --> 00:26:52,190 UNCLE JOHN! 448 00:26:54,190 --> 00:26:56,570 YOU WANT TO FIGHT, I'LL FIGHT! 449 00:26:56,570 --> 00:26:59,610 YOU WANT TO PLAY, WE'RE PLAYING UNCLE JOHN! 450 00:27:01,990 --> 00:27:04,080 GO ON. GO AHEAD. 451 00:27:04,080 --> 00:27:06,830 SO I DID WHAT YOU SAID I SHOULDN'T. 452 00:27:06,830 --> 00:27:09,580 THAT IS, I DID UNTO NELLIE, 453 00:27:09,580 --> 00:27:13,040 BUT NOT WHAT YOU HAD IN MIND. 454 00:27:13,040 --> 00:27:16,420 I'M SORRY FOR GOING AGAINST YOU. 455 00:27:16,420 --> 00:27:18,170 SEEMS LIKE IT KEPT BUILDING UP INSIDE ME 456 00:27:18,170 --> 00:27:20,890 RIGHT FROM THAT FIRST DAY. 457 00:27:20,890 --> 00:27:22,220 [SIGHS] 458 00:27:22,220 --> 00:27:24,810 WELL, AT LEAST YOU DID ONE THING RIGHT, HALF-PINT. 459 00:27:24,810 --> 00:27:26,020 I DID? 460 00:27:26,020 --> 00:27:30,100 MM-HMM. YOU CAME TO US AND TOLD US ON YOUR OWN. 461 00:27:30,100 --> 00:27:33,730 YOUR MA AND I DIDN'T HAVE TO HEAR IT FROM SOMEBODY ELSE. 462 00:27:33,730 --> 00:27:36,190 NOW WHAT DO YOU THINK WE OUGHT TO DO ABOUT IT? 463 00:27:36,190 --> 00:27:38,280 WHATEVER YOU THINK'S BEST, PA, 464 00:27:38,280 --> 00:27:39,820 BUT SHE DID START IT. 465 00:27:45,830 --> 00:27:49,910 YOU THOUGHT YOU HAD GOOD REASON FOR WHAT YOU DID. 466 00:27:49,910 --> 00:27:51,040 AND THIS TIME, JUST FOR ONCE, 467 00:27:51,040 --> 00:27:53,380 I'M INCLINED TO AGREE WITH YOU. 468 00:27:53,380 --> 00:27:55,590 THE IMPORTANT THING IS, ARE YOU GOING TO DO IT AGAIN? 469 00:27:55,590 --> 00:27:58,380 NO, PA. 470 00:27:58,380 --> 00:27:59,920 THAT A PROMISE? 471 00:27:59,920 --> 00:28:01,010 PROMISE. 472 00:28:03,090 --> 00:28:05,430 ALL RIGHT. WE WON'T SAY ANY MORE ABOUT IT. 473 00:28:05,430 --> 00:28:06,510 OFF TO BED. 474 00:28:15,820 --> 00:28:19,690 HALF-PINT, DON'T FORGET NOW. YOU MADE A PROMISE. 475 00:28:19,690 --> 00:28:21,740 YOU WON'T DO IT AGAIN. 476 00:28:21,740 --> 00:28:23,910 OH, NO, PA. I WON'T. 477 00:28:23,910 --> 00:28:25,580 I WON'T HAVE TO. 478 00:28:25,580 --> 00:28:27,120 NELLIE'S SCARED OF ME NOW. 479 00:28:35,710 --> 00:28:37,420 CHARLES, YOU WERE MUCH TOO EASY ON HER. 480 00:28:37,420 --> 00:28:39,880 SHE'S NOT THE LEAST BIT SORRY FOR WHAT SHE DID. 481 00:28:39,880 --> 00:28:43,010 YOU HEARD WHAT THE CHILD SAID. IT WAS NELLIE'S FAULT. 482 00:28:43,010 --> 00:28:44,800 THE BIBLE SAYS TURN THE OTHER CHEEK. 483 00:28:44,800 --> 00:28:46,760 I THINK THAT'S SOMETIMES EASIER SAID THAN DONE, 484 00:28:46,760 --> 00:28:49,220 OR WE'D ALL BE WEARING HALOS INSTEAD OF HOMESPUN. 485 00:28:52,940 --> 00:28:55,400 [PLAYING SLOW TUNE] 486 00:28:55,400 --> 00:28:57,270 YOU'RE AS BAD AS SHE IS. 487 00:29:00,240 --> 00:29:02,320 WELL, AT LEAST SHE COMES BY IT HONESTLY. 488 00:29:38,400 --> 00:29:39,570 MORNING, MRS. INGALLS. 489 00:29:39,570 --> 00:29:42,900 GOOD MORNING, MR. OLESON. 490 00:29:42,900 --> 00:29:45,280 WELL, I EXPECT YOU'RE HERE TO APOLOGIZE 491 00:29:45,280 --> 00:29:47,870 FOR WHAT HAPPENED YESTERDAY AT THE SCHOOL. 492 00:29:47,870 --> 00:29:49,870 I'M HERE TO SELL EGGS, MRS. OLESON. 493 00:29:52,080 --> 00:29:53,250 HMM. 494 00:29:53,250 --> 00:29:55,920 I MIGHT HAVE EXPECTED AS MUCH. 495 00:29:55,920 --> 00:29:58,540 LET ME TELL YOU SOMETHING, MRS. INGALLS. 496 00:29:58,540 --> 00:30:00,920 YOUR DAUGHTER LAURA IS A TROUBLEMAKER, 497 00:30:00,920 --> 00:30:02,920 AND YOU'D BEST TAKE HER IN HAND. 498 00:30:02,920 --> 00:30:04,760 STARTING FIGHTS IN THE SCHOOLYARD 499 00:30:04,760 --> 00:30:07,340 AND PUSHING OTHER CHILDREN AROUND! 500 00:30:07,340 --> 00:30:10,220 NELLIE APPARENTLY HAS HER OWN VERSION OF THE TRUTH. 501 00:30:10,220 --> 00:30:11,970 IF YOU'D CARE TO QUESTION THE OTHER CHILDREN-- 502 00:30:11,970 --> 00:30:14,270 BROWN EGGS ARE STILL 4 CENTS LESS. 503 00:30:19,940 --> 00:30:21,940 YOU DIDN'T BRING ANY BROWN EGGS. 504 00:30:21,940 --> 00:30:24,820 OH, MY HUSBAND SOLD THEM TO THE MEN AT HANSON'S MILL 505 00:30:24,820 --> 00:30:26,820 FOR 3 CENTS MORE THAN YOU PAID ME. 506 00:30:28,450 --> 00:30:30,370 THAT'S GRATITUDE. 507 00:30:30,370 --> 00:30:34,120 NO. THAT'S GOOD BUSINESS. 508 00:30:34,120 --> 00:30:37,460 MAYBE THEY'LL BUY YOUR WHITE EGGS AS WELL. 509 00:30:37,460 --> 00:30:41,960 AS A MATTER OF FACT, MY HUSBAND SAID THEY'D BE GLAD TO GET THEM. 510 00:30:41,960 --> 00:30:43,460 GOOD DAY, MRS. OLESON. 511 00:30:45,050 --> 00:30:48,340 NOW, MRS. INGALLS... 512 00:30:48,340 --> 00:30:50,470 I'M A VERY BUSY WOMAN, 513 00:30:50,470 --> 00:30:53,140 TOO BUSY TO QUIBBLE OVER PENNIES. 514 00:30:53,140 --> 00:30:56,890 UM, WE'LL BUY YOUR BROWN EGGS, 515 00:30:56,890 --> 00:30:58,270 SAME PRICE AS THE WHITE. 516 00:31:07,400 --> 00:31:09,320 IF IT'S YARD GOODS YOU'RE AFTER, MRS. INGALLS, 517 00:31:09,320 --> 00:31:13,700 YOU'LL FIND THIS IS MORE TO YOUR NEEDS. 518 00:31:13,700 --> 00:31:15,080 THANK YOU, MRS. OLESON. 519 00:31:15,080 --> 00:31:16,040 MM-HMM. 520 00:31:16,040 --> 00:31:17,910 I PREFER THIS. 521 00:31:17,910 --> 00:31:19,460 WON'T WEAR WELL. 522 00:31:19,460 --> 00:31:23,800 COUNTRY FOLK HAVE TO THINK MORE ON THE PRACTICAL. 523 00:31:23,800 --> 00:31:25,840 I'LL TAKE THE BLUE. 524 00:31:25,840 --> 00:31:27,550 IT WILL BE A MISTAKE. 525 00:31:27,550 --> 00:31:29,720 THEN IT WILL BE MY MISTAKE. 526 00:31:29,720 --> 00:31:31,050 I BELIEVE IT'S CUSTOMARY 527 00:31:31,050 --> 00:31:33,600 TO LET THE BUYER DO THE CHOOSING, MRS. OLESON. 528 00:31:35,390 --> 00:31:38,100 THAT'S QUITE ALL RIGHT. 529 00:31:38,100 --> 00:31:39,690 I BEG YOUR PARDON. 530 00:31:41,020 --> 00:31:43,400 I'LL TAKE A DRESS LENGTH, PLEASE. 531 00:31:43,400 --> 00:31:45,230 WELL, IT DOES COME DEAR, 532 00:31:45,230 --> 00:31:47,490 BUT THERE'S NOT A FINER PIECE OF GOODS IN THE STORE. 533 00:31:47,490 --> 00:31:49,400 [DOOR SLAMS] 534 00:31:49,400 --> 00:31:51,530 IT'S GOING TO LOOK RIGHT SMART ON YOU, MRS. INGALLS. 535 00:31:59,370 --> 00:32:02,670 DON'T TOUCH, LAURA! YOU'LL GET IT ALL GRUBBY. 536 00:32:02,670 --> 00:32:04,290 [SIGH] I DON'T KNOW WHAT POSSESSED ME, 537 00:32:04,290 --> 00:32:07,260 SPENDING SO MUCH MONEY ON MYSELF. 538 00:32:07,260 --> 00:32:11,180 IF MRS. OLESON JUST HADN'T GONE ON SO ABOUT COUNTRY FOLKS, 539 00:32:11,180 --> 00:32:14,390 AS IF ALL WE'RE FIT TO WEAR IS FLOUR SACKS. 540 00:32:14,390 --> 00:32:15,640 I'M GLAD YOU BOUGHT IT. 541 00:32:15,640 --> 00:32:16,560 SO AM I. 542 00:32:16,560 --> 00:32:17,720 Charles: So AM I. 543 00:32:21,730 --> 00:32:25,020 PRIDE GOETH BEFORE A FALL. 544 00:32:25,020 --> 00:32:27,690 I'LL JUST TAKE IT BACK AND SEE IF MR. OLESON 545 00:32:27,690 --> 00:32:28,990 WILL GIVE ME THE MONEY ON IT. 546 00:32:32,070 --> 00:32:33,410 CAROLINE, WHY DO YOU THINK THE GOOD LORD 547 00:32:33,410 --> 00:32:35,120 WENT TO ALL THAT TROUBLE OF MAKING YOU SO PRETTY 548 00:32:35,120 --> 00:32:36,990 IF HE DIDN'T WANT YOU TO HAVE A NEW BLUE DRESS? 549 00:32:39,080 --> 00:32:41,120 YOU'LL BE BEAUTIFUL, MA. 550 00:32:41,120 --> 00:32:43,500 I CAN'T WAIT TILL EVERYONE SEES YOU. 551 00:32:43,500 --> 00:32:47,090 THEY'RE GOING TO THINK THEY'RE LOOKING AT A PIECE OF HEAVEN. 552 00:32:47,090 --> 00:32:48,420 IF THEY DON'T THINK THAT ALREADY, 553 00:32:48,420 --> 00:32:49,670 I CAN'T SAY MUCH FOR THEIR JUDGMENT 554 00:32:49,670 --> 00:32:50,840 OR THEIR EYESIGHT. 555 00:32:52,050 --> 00:32:54,260 OH! WHAT AM I GOING TO DO WITH YOU? 556 00:32:58,720 --> 00:33:01,140 WHAT AM I GOING TO DO WITH THE LOT OF YOU? 557 00:33:09,280 --> 00:33:11,280 Laura, narrating: MA GATHERED ENOUGH EGGS 558 00:33:11,280 --> 00:33:12,650 TO WALK US INTO TOWN 559 00:33:12,650 --> 00:33:15,370 TWO OR 3 TIMES EVERY WEEK. 560 00:33:15,370 --> 00:33:16,950 SOMETIMES, SHE'D TELL US ABOUT 561 00:33:16,950 --> 00:33:19,160 WHEN SHE WAS A LITTLE GIRL. 562 00:33:19,160 --> 00:33:21,540 I TRIED SCRUNCHING HER DOWN IN MY MIND, 563 00:33:21,540 --> 00:33:25,670 SO AS I COULD SEE HER ALL BAREFOOT, PIGTAILS FLYING, 564 00:33:25,670 --> 00:33:27,500 BUT IT NEVER DID WORK. 565 00:33:27,500 --> 00:33:29,880 SHE KEPT RIGHT ON BEING MOM, 566 00:33:29,880 --> 00:33:31,380 WHICH WAS ALL RIGHT, 567 00:33:31,380 --> 00:33:36,300 SINCE WE LOVED HER A WHOLE LOT JUST THE WAY SHE WAS. 568 00:33:36,300 --> 00:33:37,850 ARITHMETIC WAS EASY, 569 00:33:37,850 --> 00:33:39,850 AND I LIKED READING MOST OF ALL, 570 00:33:39,850 --> 00:33:43,560 BUT WRITING--I DIDN'T THINK I'D EVER LEARN 571 00:33:43,560 --> 00:33:46,520 TO PUT DOWN BIG WORDS THE WAY MARY DID, 572 00:33:46,520 --> 00:33:48,440 NOT EVEN WITH MA TO HELP ME. 573 00:33:51,360 --> 00:33:52,400 WAIT UP, MARY! 574 00:33:52,400 --> 00:33:53,900 DON'T TELL TILL I GET THERE! 575 00:33:53,900 --> 00:33:55,110 MA! MA! 576 00:33:55,110 --> 00:33:56,910 Caroline: WHAT'S THE MATTER? 577 00:33:56,910 --> 00:33:58,490 WHERE'S PA? 578 00:33:58,490 --> 00:33:59,990 WHAT'S GOING ON DOWN THERE? 579 00:33:59,990 --> 00:34:01,830 Laura: WE'RE GOING To HAVE A VISITORS' DAY. 580 00:34:01,830 --> 00:34:03,870 PRACTICALLY EVERYBODY IN TOWN WILL BE THERE. 581 00:34:03,870 --> 00:34:06,790 YOU AND MA AND ALL THE PARENTS AND ALL THE KIDS. 582 00:34:06,790 --> 00:34:08,710 YOU GET TO SEE WHERE MARY AND ME SIT. 583 00:34:08,710 --> 00:34:10,500 Mary: WE ALL HAVE To WRITE WHAT THEY CALL AN ESSAY 584 00:34:10,500 --> 00:34:14,170 ABOUT ANYTHING WE WANT AND STAND UP IN FRONT AND READ IT OUT LOUD. 585 00:34:14,170 --> 00:34:16,340 AND YOU COULD WEAR YOUR NEW BLUE DRESS. 586 00:34:16,340 --> 00:34:18,140 YOU BETTER GET STARTED ON THAT, MA. 587 00:34:18,140 --> 00:34:19,680 IT'S THE END OF THIS WEEK. 588 00:34:19,680 --> 00:34:22,350 YOU TWO BETTER GET BUSY ON YOUR ESSAYS RIGHT NOW. 589 00:34:22,350 --> 00:34:23,890 WE WILL. COME ON! 590 00:34:27,770 --> 00:34:31,730 AND WAIT TILL YOU SMELL MISS BEADLE'S LEMON VERBENA! 591 00:34:40,450 --> 00:34:42,160 Laura, narrating: MA AND MARY AND ME 592 00:34:42,160 --> 00:34:45,290 WORKED HARD AND STEADY THAT WHOLE WEEK, 593 00:34:45,290 --> 00:34:47,920 BUT BEFORE WE KNEW IT, TIME WAS UP. 594 00:34:47,920 --> 00:34:51,000 VISITORS' DAY WAS THE NEXT MORNING. 595 00:34:51,000 --> 00:34:53,590 MA'S DRESS WAS PRETTY NEAR DONE, 596 00:34:53,590 --> 00:34:56,720 AND SO WAS MARY'S ESSAY. 597 00:34:56,720 --> 00:34:59,220 Mary: WELL, I'M FINISHED. 598 00:34:59,220 --> 00:35:00,220 KNOW WHAT I WROTE ABOUT? 599 00:35:00,220 --> 00:35:01,550 WHAT, DEAR? 600 00:35:01,550 --> 00:35:04,310 ABOUT PA BUILDING THE LITTLE HOUSE ON THE PRAIRIE 601 00:35:04,310 --> 00:35:07,100 AND THE WOLVES AND THE INDIANS 602 00:35:07,100 --> 00:35:09,560 AND HAVING TO MOVE ON 603 00:35:09,560 --> 00:35:12,230 AND HOW WE CAME TO PLUM CREEK. 604 00:35:12,230 --> 00:35:13,480 HOW'S THAT SOUND? 605 00:35:13,480 --> 00:35:15,570 THAT SOUNDS GOOD TO ME. 606 00:35:15,570 --> 00:35:17,570 WHAT DID YOU WRITE ABOUT, LAURA? 607 00:35:17,570 --> 00:35:20,820 MINE? MINE'S A SURPRISE. 608 00:35:20,820 --> 00:35:22,120 WELL, THAT'S FAIR ENOUGH. 609 00:35:22,120 --> 00:35:23,450 I'LL TELL YOU, THAT SURPRISE 610 00:35:23,450 --> 00:35:26,120 IS GOING TO COME PRETTY EARLY IN THE MORNING. 611 00:35:26,120 --> 00:35:28,870 IT'S ABOUT TIME FOR YOU GIRLS TO BE GETTING TO BED. 612 00:35:28,870 --> 00:35:30,460 I KNOW IT'S TIME FOR CARRIE AND ME. 613 00:35:32,590 --> 00:35:34,250 I'LL PUT HER TO SLEEP. 614 00:35:34,250 --> 00:35:35,300 COME ON, LAURA. 615 00:35:35,300 --> 00:35:36,420 IN A MINUTE. 616 00:35:48,850 --> 00:35:51,600 WHAT IS IT, LAURA? 617 00:35:51,600 --> 00:35:53,860 THE ESSAY? 618 00:35:53,860 --> 00:35:57,440 IT'S NOT AN ESSAY-- NOT LIKE MARY'S. 619 00:35:57,440 --> 00:36:00,280 IT'S NOT SUPPOSED TO BE LIKE MARY'S. 620 00:36:00,280 --> 00:36:01,450 SHE'S OLDER THAN YOU ARE. 621 00:36:01,450 --> 00:36:03,320 SHE KNOWS MORE WORDS. 622 00:36:03,320 --> 00:36:05,280 I KNOW LOTS OF WORDS, MA. 623 00:36:05,280 --> 00:36:07,250 TROUBLE IS, THEY'RE IN MY HEAD, 624 00:36:07,250 --> 00:36:08,790 AND I CAN'T GET 'EM DOWN ON PAPER 625 00:36:08,790 --> 00:36:10,870 LIKE THEY'RE SUPPOSED TO BE. 626 00:36:10,870 --> 00:36:13,130 ALL I KNOW HOW TO WRITE IS LITTLE WORDS. 627 00:36:13,130 --> 00:36:15,210 THAT'S ALL YOU'RE SUPPOSED TO KNOW. 628 00:36:15,210 --> 00:36:17,550 YOU'RE JUST SAYING THAT TO MAKE ME FEEL BETTER. 629 00:36:17,550 --> 00:36:21,300 I'M SAYING THAT BECAUSE IT'S TRUE. 630 00:36:21,300 --> 00:36:23,090 MA... 631 00:36:23,090 --> 00:36:25,680 IF I WAS TO TELL YOU SOMETHING, 632 00:36:25,680 --> 00:36:27,470 COULD YOU KEEP IT SECRET? 633 00:36:27,470 --> 00:36:31,730 IF YOU ASK ME TO, OF COURSE. 634 00:36:31,730 --> 00:36:33,520 I'M SCARED. 635 00:36:33,520 --> 00:36:37,230 I'M SCARED OF GETTING UP IN FRONT OF ALL THOSE PEOPLE. 636 00:36:37,230 --> 00:36:39,990 I JUST KNOW THEY'RE GOING TO LAUGH AT ME. 637 00:36:39,990 --> 00:36:41,530 DARLING, THEY WON'T LAUGH. 638 00:36:43,740 --> 00:36:45,740 ALL THAT MISS BEADLE ASKS OF YOU 639 00:36:45,740 --> 00:36:48,330 IS THAT YOU DO YOUR BEST. 640 00:36:48,330 --> 00:36:50,790 AND AS LONG AS YOU DO YOUR BEST, LAURA, 641 00:36:50,790 --> 00:36:53,290 WE'LL ALWAYS BE PROUD OF YOU. 642 00:36:53,290 --> 00:36:54,710 BUT THEY LAUGHED BEFORE, 643 00:36:54,710 --> 00:36:57,840 WHEN THEY CALLED US LONG-LEGGED SNIPES. 644 00:36:57,840 --> 00:37:00,300 THAT WAS JUST TEASING, 645 00:37:00,300 --> 00:37:03,380 AND THAT WAS BEFORE THEY KNEW YOU. 646 00:37:03,380 --> 00:37:06,930 BUT WHAT IF THEY DO LAUGH? 647 00:37:06,930 --> 00:37:08,470 THEY WON'T, LAURA. 648 00:37:11,730 --> 00:37:12,980 THEY WON'T. 649 00:37:42,300 --> 00:37:43,380 CAROLINE? 650 00:37:46,300 --> 00:37:47,390 CAROLINE? 651 00:37:50,560 --> 00:37:51,970 YES? 652 00:37:51,970 --> 00:37:53,520 ARE YOU ALL RIGHT? 653 00:37:53,520 --> 00:37:56,060 EVERYTHING'S FINE, CHARLES. 654 00:37:56,060 --> 00:37:58,230 I'M SORRY IF THE LIGHT DISTURBED YOU. 655 00:37:58,230 --> 00:37:59,520 NO, IT'S ALL RIGHT. 656 00:37:59,520 --> 00:38:01,190 MUST BE MIDNIGHT. WHY DON'T YOU COME TO BED? 657 00:38:02,650 --> 00:38:06,570 I WILL, SOON AS I'M FINISHED. 658 00:38:06,570 --> 00:38:07,700 GOOD NIGHT. 659 00:38:27,260 --> 00:38:28,930 COME ON, GIRLS! TIME FOR BREAKFAST! 660 00:38:31,310 --> 00:38:32,470 THERE WE GO. 661 00:38:34,480 --> 00:38:35,850 Mary: MORNING, PA! 662 00:38:35,850 --> 00:38:37,190 MORNING, MARY. 663 00:38:37,190 --> 00:38:39,560 SOME MILK? UH. 664 00:38:39,560 --> 00:38:40,520 Laura: MORNING, PA. 665 00:38:40,520 --> 00:38:41,770 GOOD MORNING, SWEETIE. 666 00:38:41,770 --> 00:38:44,030 MMM, YOU LOOK PRETTY THIS MORNING. 667 00:38:44,030 --> 00:38:44,990 MWAH. HI, DARLING. 668 00:38:44,990 --> 00:38:46,150 Caroline: GOOD MORNING! 669 00:38:59,920 --> 00:39:02,500 MA, YOU USED YOUR YARD GOODS 670 00:39:02,500 --> 00:39:04,840 TO MAKE DRESSES FOR US. 671 00:39:04,840 --> 00:39:06,260 AND WHY NOT? 672 00:39:06,260 --> 00:39:08,720 MY BROWN DRESS IS PERFECTLY GOOD. 673 00:39:08,720 --> 00:39:10,760 THERE. 674 00:39:10,760 --> 00:39:13,060 BESIDES, I DON'T HAVE TO GET UP IN FRONT OF ALL THOSE PEOPLE 675 00:39:13,060 --> 00:39:14,350 LIKE YOU DO. 676 00:39:14,350 --> 00:39:16,980 WE WOULDN'T HAVE MINDED WEARING OUR CALICOES. 677 00:39:16,980 --> 00:39:18,640 WE WOULDN'T HAVE MINDED. 678 00:39:18,640 --> 00:39:21,810 WELL, I WOULD HAVE MINDED. 679 00:39:21,810 --> 00:39:22,980 HOW LONG ARE YOU GOING TO MAKE ME WAIT 680 00:39:22,980 --> 00:39:24,780 TO SEE HOW THEY LOOK ON YOU? 681 00:39:24,780 --> 00:39:27,070 I'M GOING TO PUT MINE ON RIGHT NOW. 682 00:39:27,070 --> 00:39:29,070 I SURELY DO LOVE YOU, MA. 683 00:39:35,950 --> 00:39:37,290 YOU'RE QUITE A WOMAN, MA. 684 00:39:40,830 --> 00:39:43,960 I WANT A NEW DRESS FOR MY DOLLY. 685 00:39:43,960 --> 00:39:48,510 HA HA HA! YOU'LL GET ONE, SWEETHEART. 686 00:39:48,510 --> 00:39:52,180 Willie: "I HAVE BEEN RIDING HORSES ALL OF MY DAYS. 687 00:39:52,180 --> 00:39:56,930 I LIKE RIDING HORSES MORE THAN I LIKE..." 688 00:39:56,930 --> 00:39:59,440 [CHILDREN GIGGLING] 689 00:39:59,440 --> 00:40:02,400 "MORE THAN I LIKE... 690 00:40:02,400 --> 00:40:04,230 "I LIKE RIDING HORSES. 691 00:40:04,230 --> 00:40:08,530 "MY PA IS GOING TO BUY ME A PONY. 692 00:40:08,530 --> 00:40:13,200 "HE WILL LET ME PICK OUT ANY PONY IN THE TOWN... 693 00:40:13,200 --> 00:40:16,330 TO BUY FOR ME FOR MY BIRTHDAY." 694 00:40:25,250 --> 00:40:28,090 Miss Beadle: THANK YOU, WILLIE. 695 00:40:28,090 --> 00:40:30,260 AND NOW WE'LL HEAR FROM NELLIE OLESON. 696 00:40:38,890 --> 00:40:40,730 "MY HOME. 697 00:40:40,730 --> 00:40:44,730 "MY HOME IS THE BEST HOUSE IN ALL OF WALNUT GROVE. 698 00:40:44,730 --> 00:40:48,360 "WE HAVE CARPETS IN EVERY ROOM-- BOUGHTEN CARPETS. 699 00:40:48,360 --> 00:40:50,070 "WE HAVE 3 SETS OF DISHES: 700 00:40:50,070 --> 00:40:52,450 "ONE FOR EVERY DAY, ONE FOR SUNDAY, 701 00:40:52,450 --> 00:40:53,910 AND ONE FOR WHEN SOMEONE--" 702 00:40:53,910 --> 00:40:56,030 [GIGGLING] 703 00:40:59,910 --> 00:41:03,420 "...FOR SOMEONE SPECIAL AND VERY IMPORTANT COMES TO VISIT, 704 00:41:03,420 --> 00:41:05,580 WHICH WE'VE NEVER EVEN USED YET." 705 00:41:05,580 --> 00:41:07,090 "WE HAVE REAL LACE CURTAINS..." 706 00:41:08,500 --> 00:41:12,010 "AND 6 GENUINE OIL PAINTINGS AND--" 707 00:41:12,010 --> 00:41:14,090 [LAUGHTER] 708 00:41:18,890 --> 00:41:20,020 [LAUGHTER STOPS] 709 00:41:22,020 --> 00:41:23,560 "AND 6 GENUINE OIL PAINTINGS, 710 00:41:23,560 --> 00:41:26,940 "AND I HAVE MY OWN ROOM, AND WILLIE HAS HIS OWN. 711 00:41:26,940 --> 00:41:29,150 "ALL OF OUR FURNITURE IS BOUGHTEN, TOO, 712 00:41:29,150 --> 00:41:31,030 "AND IT COST A WHOLE LOT. 713 00:41:31,030 --> 00:41:34,110 "IF I TOLD YOU HOW MUCH, YOU'D PROBABLY FAINT DEAD AWAY. 714 00:41:34,110 --> 00:41:36,240 "BUT MY PA, OLESON'S MERCANTILE, 715 00:41:36,240 --> 00:41:39,450 "SAYS TALKING ABOUT HOW MUCH THINGS COST ISN'T PROPER, 716 00:41:39,450 --> 00:41:42,040 "BUT IT COST DEAR, I CAN TELL YOU THAT, 717 00:41:42,040 --> 00:41:44,790 "AND IT'S THE NICEST FURNITURE OF ANY FURNITURE 718 00:41:44,790 --> 00:41:47,960 IN ANY HOUSE IN WALNUT GROVE." 719 00:41:47,960 --> 00:41:50,050 [APPLAUSE] 720 00:41:55,380 --> 00:41:57,010 THANK YOU, NELLIE. 721 00:41:57,010 --> 00:41:59,310 AND NOW WE'LL HEAR FROM LAURA INGALLS. 722 00:42:19,660 --> 00:42:20,870 "MY MOTHER." 723 00:42:22,200 --> 00:42:24,830 MY SISTER MARY IS GOING TO TELL YOU 724 00:42:24,830 --> 00:42:29,000 HOW PA BROUGHT US WEST AND HOW HARD HE WORKED, 725 00:42:29,000 --> 00:42:31,130 AND I DON'T MEAN TO TAKE ANYTHING FROM HIM 726 00:42:31,130 --> 00:42:35,510 BY TELLING YOU MA WORKED PLENTY HARD HERSELF. 727 00:42:35,510 --> 00:42:37,300 STILL DOES. 728 00:42:37,300 --> 00:42:40,390 SHE COOKS AND SEWS AND CLEANS 729 00:42:40,390 --> 00:42:44,680 AND TAKES CARE OF THE LOT OF US, PA INCLUDED. 730 00:42:44,680 --> 00:42:46,810 I REMEMBER ONCE WHEN I WAS LITTLE, 731 00:42:46,810 --> 00:42:48,810 COMING DOWN WITH THE FEVER. 732 00:42:48,810 --> 00:42:51,980 MA SAT UP NEXT TO ME ALL NIGHT LONG. 733 00:42:51,980 --> 00:42:55,440 I SLEPT SOME, BUT SHE, NEVER. 734 00:42:55,440 --> 00:43:00,200 ANYTIME I'D OPEN MY EYES, SHE'D BE THERE, SMILING, 735 00:43:00,200 --> 00:43:03,540 PUTTING A COLD CLOTH TO MY HEAD. 736 00:43:03,540 --> 00:43:06,330 NOW WITH ME AND MARY SPROUTING UP-- 737 00:43:06,330 --> 00:43:08,250 WHICH IS WHAT MA CALLS IT-- 738 00:43:08,250 --> 00:43:11,210 IF THERE'S THE LEAST LITTLEST NOISE IN THE NIGHT, 739 00:43:11,210 --> 00:43:14,670 MA WOULD COME CLIMBING UP THE LADDER INTO THE LOFT 740 00:43:14,670 --> 00:43:17,170 TO MAKE SURE WE'RE ALL RIGHT. 741 00:43:17,170 --> 00:43:20,090 I RECKON THERE'S TIMES SHE GETS BONE-TIRED, 742 00:43:20,090 --> 00:43:22,390 BUT YOU'D NEVER KNOW IT. 743 00:43:22,390 --> 00:43:24,600 HER SMILE'S THE LAST THING I SEE 744 00:43:24,600 --> 00:43:27,270 BEFORE I CLOSE MY EYES AT NIGHT 745 00:43:27,270 --> 00:43:31,060 AND THE FIRST THING I WANT TO SEE IN THE MORNING. 746 00:43:31,060 --> 00:43:33,650 SHE'S BEEN SELLING EGGS TO THE MERCANTILE 747 00:43:33,650 --> 00:43:38,070 AND SAVED ENOUGH TO BUY YARD GOODS TO MAKE HERSELF A NEW DRESS. 748 00:43:38,070 --> 00:43:43,910 THIS MORNING, MARY AND ME FOUND OUT SHE MADE DRESSES FOR THE TWO OF US INSTEAD. 749 00:43:43,910 --> 00:43:47,410 THAT'S BECAUSE SHE LOVES US. 750 00:43:47,410 --> 00:43:50,330 THAT'S THE KIND OF MOTHER MA IS, 751 00:43:50,330 --> 00:43:52,130 AND THAT'S WHY WE LOVE HER SO MUCH. 752 00:43:53,880 --> 00:43:55,960 [APPLAUSE] 753 00:44:08,520 --> 00:44:10,600 [No AUDIO] 754 00:44:21,450 --> 00:44:23,370 YOU'RE A LUCKY MAN, MR. INGALLS. 755 00:44:23,370 --> 00:44:24,950 WELL, THANK YOU, MR. OLESON. 756 00:44:24,950 --> 00:44:26,040 GUESS THAT'S THE ONE THING IN THIS LIFE 757 00:44:26,040 --> 00:44:27,700 I'M ABSOLUTELY SURE OF. 758 00:44:27,700 --> 00:44:28,830 Mrs. Oleson: NELS! 759 00:44:32,960 --> 00:44:34,750 VERY LUCKY. 760 00:44:34,750 --> 00:44:36,750 MA'AM. 761 00:44:36,750 --> 00:44:39,130 MA, PA, WHAT DID YOU THINK? 762 00:44:39,130 --> 00:44:40,380 DID YOU LIKE MY ESSAY? 763 00:44:40,380 --> 00:44:42,510 I THOUGHT IT WAS LOVELY, MARY. 764 00:44:42,510 --> 00:44:43,840 YOU MADE ME OUT TO BE A BIT OF A HERO, 765 00:44:43,840 --> 00:44:45,550 BUT I GUESS I CAN'T FAULT YOU FOR THAT. 766 00:44:54,940 --> 00:44:56,020 LAURA. 767 00:44:57,480 --> 00:45:00,320 WHAT YOU SAID TODAY WAS BEAUTIFUL, 768 00:45:00,320 --> 00:45:04,070 AND I'LL TREASURE IT AS LONG AS I LIVE, 769 00:45:04,070 --> 00:45:05,870 BUT... 770 00:45:05,870 --> 00:45:08,790 IT WASN'T WHAT YOU HAD WRITTEN DOWN ON THE PAPER, WAS IT? 771 00:45:11,160 --> 00:45:13,870 IT'S WHAT I WOULD HAVE WRITTEN IF I COULD. 772 00:45:13,870 --> 00:45:16,420 I KNOW THAT, DEAR, 773 00:45:16,420 --> 00:45:19,920 BUT IT WASN'T REALLY AN ESSAY, WAS IT? 774 00:45:22,800 --> 00:45:23,880 NO, MA. 775 00:45:37,860 --> 00:45:41,690 I THINK I BETTER GIVE IT TO MISS BEADLE. 776 00:45:41,690 --> 00:45:43,450 WHAT DO YOU THINK SHE'LL DO? 777 00:45:43,450 --> 00:45:44,660 THAT'S UP TO MISS BEADLE. 778 00:46:18,020 --> 00:46:19,570 AH, MRS. INGALLS! 779 00:46:19,570 --> 00:46:22,780 YOU AND YOUR HUSBAND MUST BE VERY PROUD OF YOUR GIRLS TODAY. 780 00:46:22,780 --> 00:46:23,820 WE ARE. 781 00:46:23,820 --> 00:46:25,360 AND YOU, YOUNG LADY, 782 00:46:25,360 --> 00:46:27,280 YOU GAVE ONE OF THE FINEST RECITATIONS 783 00:46:27,280 --> 00:46:28,700 IT'S BEEN MY PLEASURE TO HEAR. 784 00:46:32,790 --> 00:46:35,040 LAURA WANTED YOU TO SEE HER PAPER, MISS BEADLE. 785 00:46:36,580 --> 00:46:37,620 OH. 786 00:46:47,010 --> 00:46:49,340 YES. 787 00:46:49,340 --> 00:46:52,680 LAURA'S SPELLING HAS IMPROVED A GREAT DEAL. 788 00:46:52,680 --> 00:46:55,930 HER PENMANSHIP NEEDS A LITTLE IMPROVEMENT. 789 00:46:55,930 --> 00:46:58,270 BUT I THINK WITH A LITTLE MORE HARD WORK, 790 00:46:58,270 --> 00:47:00,480 BY THE TIME THE SCHOOL YEAR'S OUT, 791 00:47:00,480 --> 00:47:02,150 SHE'LL HAVE THAT MASTERED AS WELL. 792 00:47:08,320 --> 00:47:09,700 THANK YOU, MISS BEADLE. 793 00:47:36,020 --> 00:47:39,560 Laura, narrating: MA TOOK MARY'S ESSAY AND MINE, Too. 794 00:47:39,560 --> 00:47:42,560 SHE SAID SHE WAS GOING TO PUT THEM IN THE SPECIAL BOX 795 00:47:42,560 --> 00:47:45,860 WHERE SHE KEPT THE SCHOOLBOOKS AND HER WEDDING DRESS 796 00:47:45,860 --> 00:47:48,450 AND EVERYTHING SHE LOVED MOST. 797 00:47:48,450 --> 00:47:51,660 MADE US PROUD SHE'D WANT 'EM FOR REMEMBERING. 798 00:47:51,660 --> 00:47:53,910 BUT I KNEW, EVEN WITHOUT THE PAPERS, 799 00:47:53,910 --> 00:47:57,330 THERE WASN'T ONE OF US LIKELY TO FORGET THAT DAY. 800 00:47:57,330 --> 00:47:58,620 NOT EVER. 55258

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