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These are the user uploaded subtitles that are being translated: 1 00:00:05,700 --> 00:00:05,940 This is a Countdown magazine here 2 00:00:05,940 --> 00:00:09,060 and it's just absolute nonsense like this show. 3 00:00:09,060 --> 00:00:12,420 They've got me here, and I've been waiting about four hours now 4 00:00:12,420 --> 00:00:12,660 They've got me here, and I've been and I'm very bored. 5 00:00:12,660 --> 00:00:14,180 and I'm very bored. 6 00:00:14,180 --> 00:00:14,420 But if you're sensible, and I'm very bored. 7 00:00:14,420 --> 00:00:17,660 But if you're sensible, you will buy my new album called... 8 00:00:17,660 --> 00:00:20,180 # This is what you want, this is what you get 9 00:00:20,180 --> 00:00:22,180 # This is what you want, this is what you get # 10 00:00:22,180 --> 00:00:22,420 # This is what you want, Available on Virgin Records. 11 00:00:22,420 --> 00:00:23,660 Available on Virgin Records. 12 00:00:23,660 --> 00:00:25,380 'Ello, boys and girls. 13 00:00:25,380 --> 00:00:28,740 # Countdown, Countdown 14 00:00:28,740 --> 00:00:30,500 # Countdown 15 00:00:30,500 --> 00:00:34,700 NARRATOR: Welcome to Classic Countdown 1984. 16 00:00:34,700 --> 00:00:34,940 NARRATOR: Welcome to # Countdown! # 17 00:00:34,940 --> 00:00:36,020 # Countdown! # 18 00:00:38,980 --> 00:00:41,660 GRACE KNIGHT: It was 1984. 19 00:00:41,660 --> 00:00:44,140 And it felt like the future had arrived. 20 00:00:44,140 --> 00:00:45,660 Beep, beep. 21 00:00:45,660 --> 00:00:45,900 Beep, beep. A revolutionary new machine called the Apple Macintosh 22 00:00:45,900 --> 00:00:48,820 A revolutionary new machine called the Apple Macintosh 23 00:00:48,820 --> 00:00:51,540 has this little thing called a 'mouse' here. 24 00:00:51,540 --> 00:00:53,860 But despite George Orwell's famous novel, 25 00:00:53,860 --> 00:00:57,100 Big Brother wasn't exactly watching yet. 26 00:00:57,100 --> 00:00:57,340 Big Brother wasn't exactly Or was he? 27 00:00:57,340 --> 00:00:58,380 Or was he? 28 00:00:58,380 --> 00:00:58,620 So, we've got Bob and Irene Hill's Or was he? 29 00:00:58,620 --> 00:01:00,340 So, we've got Bob and Irene Hill's address and everything. 30 00:01:00,340 --> 00:01:00,580 So, we've got Bob and Irene Hill's Yes. 31 00:01:00,580 --> 00:01:01,340 Yes. 32 00:01:01,340 --> 00:01:02,620 I hope they don't mind us seeing that. 33 00:01:02,620 --> 00:01:02,860 I hope they don't mind us I hope not. 34 00:01:02,860 --> 00:01:03,620 I hope not. 35 00:01:03,620 --> 00:01:03,860 In 1984, the first gold dollar coins I hope not. 36 00:01:03,860 --> 00:01:07,300 In 1984, the first gold dollar coins were rolled out. 37 00:01:07,300 --> 00:01:07,540 In 1984, the first gold dollar coins And in the world of entertainment, 38 00:01:07,540 --> 00:01:09,220 And in the world of entertainment, 39 00:01:09,220 --> 00:01:11,820 there was much to spend them on. 40 00:01:11,820 --> 00:01:16,460 The heroes and villains of WWF were taking over the world. 41 00:01:16,460 --> 00:01:18,980 And while Australia didn't have Hulk Hogan, 42 00:01:18,980 --> 00:01:21,740 we did have Old Bad Back Jack. 43 00:01:23,340 --> 00:01:27,620 There were also plenty of bad guys to boo on the big screen that year. 44 00:01:27,620 --> 00:01:31,060 Arnie introduced us to The Terminator. 45 00:01:31,060 --> 00:01:34,180 Freddie Krueger introduced us to our nightmares. 46 00:01:34,180 --> 00:01:36,700 And if there was something strange in your neighbourhood, 47 00:01:36,700 --> 00:01:38,500 we knew who to call. 48 00:01:38,500 --> 00:01:38,700 The hardest part of it we knew who to call. 49 00:01:38,700 --> 00:01:39,500 The hardest part of it 50 00:01:39,500 --> 00:01:42,060 was getting the word 'Ghostbusters' in the song. 51 00:01:42,060 --> 00:01:43,620 I was like, Ghostbusters is a real hard word to sing. 52 00:01:43,620 --> 00:01:43,860 I was like, Ghostbusters is a real hard word to sing. MOLLY: Exactly. 53 00:01:43,860 --> 00:01:44,620 MOLLY: Exactly. 54 00:01:44,620 --> 00:01:46,260 I mean, it's not exactly the easiest sort of word 55 00:01:46,260 --> 00:01:46,500 I mean, it's not exactly to put down and make it rhyme. 56 00:01:46,500 --> 00:01:47,260 to put down and make it rhyme. 57 00:01:47,260 --> 00:01:47,500 Yeah, so I came up with the idea of, to put down and make it rhyme. 58 00:01:47,500 --> 00:01:50,060 Yeah, so I came up with the idea of, "Who you going to call?" 59 00:01:50,060 --> 00:01:51,620 And then, "Ghostbusters" is just added to it. 60 00:01:53,260 --> 00:01:54,420 (LAUGHS) 61 00:01:54,420 --> 00:01:57,300 Alright, Australia, I have arrived! 62 00:01:57,300 --> 00:01:57,540 Alright, Australia, I have arrived! weren't going to take it 63 00:01:57,540 --> 00:02:01,580 In '84, Twisted Sister told us they weren't going to take it 64 00:02:01,580 --> 00:02:01,820 In '84, Twisted Sister told us they weren't going to take it and we followed suit. 65 00:02:01,820 --> 00:02:03,780 and we followed suit. 66 00:02:03,780 --> 00:02:07,740 We had spiky hairdos and defiant attitudes. 67 00:02:07,740 --> 00:02:07,980 # I'll tell you something We had spiky hairdos and defiant attitudes. 68 00:02:07,980 --> 00:02:10,500 # I'll tell you something 69 00:02:10,500 --> 00:02:12,900 # Disturbing... # 70 00:02:12,900 --> 00:02:13,100 # Disturbing... # Some extroverted... 71 00:02:13,100 --> 00:02:14,300 Some extroverted... 72 00:02:14,300 --> 00:02:17,060 # No, no, not me # Everybody wants to work 73 00:02:17,060 --> 00:02:17,300 # No, no, not me # No, no, not me 74 00:02:17,300 --> 00:02:18,860 # No, no, not me 75 00:02:18,860 --> 00:02:20,100 # Everybody wants to work 76 00:02:20,100 --> 00:02:21,580 # No, no, not me... # 77 00:02:21,580 --> 00:02:21,820 # Shake, shake, shake, shake, shake, shake, shake, shake # No, no, not me... # 78 00:02:21,820 --> 00:02:24,180 # Shake, shake, shake, shake, shake, shake, shake, shake 79 00:02:24,180 --> 00:02:24,420 # Shake, shake, shake, shake... # shake, shake, shake, shake 80 00:02:24,420 --> 00:02:25,660 # Shake, shake, shake, shake... # 81 00:02:25,660 --> 00:02:27,460 ..others introverted. 82 00:02:33,220 --> 00:02:35,420 Either was fine. 83 00:02:35,420 --> 00:02:37,140 We did what we wanted. 84 00:02:37,140 --> 00:02:39,100 And wore sunglasses whenever we wanted. 85 00:02:46,420 --> 00:02:50,060 # I wear my sunglasses at night 86 00:02:50,060 --> 00:02:50,260 # I wear my sunglasses at night # So I can, so I can 87 00:02:50,260 --> 00:02:53,220 # So I can, so I can 88 00:02:53,220 --> 00:02:58,140 # Watch you weave and breathe your storylines 89 00:03:01,220 --> 00:03:05,180 # I wear my sunglasses at night 90 00:03:05,180 --> 00:03:08,940 # So I can, so I can 91 00:03:08,940 --> 00:03:13,180 # Keep track of the visions in my eyes 92 00:03:15,420 --> 00:03:19,060 # Well, she's deceiving me 93 00:03:20,180 --> 00:03:22,820 # It cuts my security 94 00:03:22,820 --> 00:03:27,260 # Had she got control of me? 95 00:03:27,260 --> 00:03:29,700 # I turn to her and say 96 00:03:31,060 --> 00:03:35,340 # Don't switch the blade on the guy in shades, oh, no 97 00:03:38,660 --> 00:03:42,500 # Don't masquerade with the guy in shades, oh, no 98 00:03:44,420 --> 00:03:46,020 # I can't believe it 99 00:03:46,020 --> 00:03:50,220 # 'Cause you got it made with the guy in shades, oh, no 100 00:03:56,100 --> 00:03:59,700 # And I wear my sunglasses at night 101 00:03:59,700 --> 00:04:03,540 # So I can, so I can 102 00:04:03,540 --> 00:04:07,740 # Forget my name while you collect your claim 103 00:04:10,460 --> 00:04:14,700 # And I wear my sunglasses at night 104 00:04:14,700 --> 00:04:17,980 # So I can, so I can 105 00:04:17,980 --> 00:04:18,220 # See the light that's right before my eyes # So I can, so I can 106 00:04:18,220 --> 00:04:22,540 # See the light that's right before my eyes 107 00:04:24,860 --> 00:04:29,740 # While she's deceiving me 108 00:04:29,740 --> 00:04:29,940 # While she's deceiving me # She cuts my security 109 00:04:29,940 --> 00:04:33,540 # She cuts my security 110 00:04:33,540 --> 00:04:36,940 # Has she got control of me? 111 00:04:36,940 --> 00:04:40,660 # I turn to her and say 112 00:04:40,660 --> 00:04:44,620 # Don't switch the blade on the guy in shades, oh, no 113 00:04:48,220 --> 00:04:52,500 # Don't masquerade with the guy in shades, oh, no 114 00:04:54,180 --> 00:04:55,780 # I can't believe it 115 00:04:55,780 --> 00:04:56,020 # I can't believe it # Don't be afraid of the guy in shades, oh, no 116 00:04:56,020 --> 00:04:59,980 # Don't be afraid of the guy in shades, oh, no 117 00:05:01,580 --> 00:05:03,260 # It can't escape you 118 00:05:03,260 --> 00:05:07,380 # 'Cause you got it made with the guy in shades, oh, no 119 00:05:21,620 --> 00:05:23,860 # Oh, no 120 00:05:25,540 --> 00:05:30,340 # I say, I wear my sunglasses at night 121 00:05:30,340 --> 00:05:30,580 # I say, I wear my sunglasses # I wear my sunglasses at night 122 00:05:30,580 --> 00:05:33,660 # I wear my sunglasses at night 123 00:05:33,660 --> 00:05:37,700 # I wear my sunglasses at night 124 00:05:39,580 --> 00:05:41,380 # I say it to you now 125 00:05:41,380 --> 00:05:44,980 # I wear my sunglasses at night 126 00:05:44,980 --> 00:05:48,900 # I wear my sunglasses at night 127 00:05:48,900 --> 00:05:49,140 # I wear my sunglasses # I wear my sunglasses at night 128 00:05:49,140 --> 00:05:52,700 # I wear my sunglasses at night 129 00:05:54,620 --> 00:05:56,460 # I cry to you 130 00:05:56,460 --> 00:06:00,180 # I wear my sunglasses at night 131 00:06:00,180 --> 00:06:03,020 # I wear my sunglasses at night. # 132 00:06:20,300 --> 00:06:21,460 Here comes the rain... 133 00:06:22,780 --> 00:06:23,980 ..again. 134 00:06:23,980 --> 00:06:24,180 ..again. My God, it's the lounge room. 135 00:06:24,180 --> 00:06:25,700 My God, it's the lounge room. 136 00:06:27,580 --> 00:06:30,100 Ever since Little Richard applied eyeliner, 137 00:06:30,100 --> 00:06:33,700 pop stars had experimented with androgyny. 138 00:06:33,700 --> 00:06:37,620 In the early '80s, Annie Lennox and Grace Jones 139 00:06:37,620 --> 00:06:40,540 discarded traditional feminine fashion. 140 00:06:40,540 --> 00:06:45,540 By 1984, more musicians were challenging conventions. 141 00:06:45,540 --> 00:06:45,780 # Ah, I hear you on the radio By 1984, more musicians were challenging conventions. 142 00:06:45,780 --> 00:06:50,100 # Ah, I hear you on the radio 143 00:06:50,100 --> 00:06:53,620 # I hear you all the time 144 00:06:53,620 --> 00:06:53,820 # I hear you all the time # Hear you calling to my brain 145 00:06:53,820 --> 00:06:56,060 # Hear you calling to my brain 146 00:06:56,060 --> 00:06:59,500 # I want peace, peace of mind 147 00:06:59,500 --> 00:07:02,100 # I hear you on the radio 148 00:07:02,100 --> 00:07:05,340 # I hear you all the time. # 149 00:07:05,340 --> 00:07:08,580 Now, listen, tell me, when did you first actually really, 150 00:07:08,580 --> 00:07:10,340 truly get the name Marilyn? 151 00:07:10,340 --> 00:07:12,140 Well, the kids at school used to called me names, 152 00:07:12,140 --> 00:07:15,060 at first it was "Poof" and "Queer", which, in England, is quite normal. 153 00:07:15,060 --> 00:07:16,780 And then when they got more intelligent 154 00:07:16,780 --> 00:07:17,900 they decided to start calling me Marilyn 155 00:07:17,900 --> 00:07:19,980 because I drew pictures of Marilyn Monroe in my art class. 156 00:07:19,980 --> 00:07:21,660 So, I thought, "Right, I'm going to keep the name 157 00:07:21,660 --> 00:07:23,860 "and show you that I can make something of myself." 158 00:07:23,860 --> 00:07:25,660 What was the inspiration for you to, sort of, 159 00:07:25,660 --> 00:07:28,740 try out some different art things on your face as far as make-up? 160 00:07:28,740 --> 00:07:29,020 Basically, I mean, when I was very young, try out some different art things on your face as far as make-up? 161 00:07:29,020 --> 00:07:30,660 Basically, I mean, when I was very young, 162 00:07:30,660 --> 00:07:32,700 like, some people have curly hair, they want it straight, 163 00:07:32,700 --> 00:07:32,940 and I just hated my face. they want it straight, 164 00:07:32,940 --> 00:07:35,180 and I just hated my face. 165 00:07:35,180 --> 00:07:36,860 I thought it was the most bland-looking little peanut 166 00:07:36,860 --> 00:07:37,100 I thought it was the most I'd ever seen. 167 00:07:37,100 --> 00:07:37,980 I'd ever seen. 168 00:07:37,980 --> 00:07:39,220 And it was basically... 169 00:07:39,220 --> 00:07:40,220 I mean, obviously, 170 00:07:40,220 --> 00:07:40,460 when I started wearing make-up I mean, obviously, 171 00:07:40,460 --> 00:07:41,900 when I started wearing make-up I wore very little, 172 00:07:41,900 --> 00:07:43,860 I wore just eyeliner and stuff like that. 173 00:07:43,860 --> 00:07:46,060 You know, there's no way of really talking about make-up 174 00:07:46,060 --> 00:07:46,300 You know, there's no way of really without making it sound effeminate. 175 00:07:46,300 --> 00:07:47,700 without making it sound effeminate. 176 00:07:47,700 --> 00:07:51,020 But it's never, ever been a means for me to be a woman. 177 00:07:51,020 --> 00:07:52,820 I've got no desire to be a woman. Right. 178 00:07:52,820 --> 00:07:54,780 I mean, you know, I'm a big guy, I'm a man, you know. 179 00:07:54,780 --> 00:07:57,300 I think most people when they meet me say, 180 00:07:57,300 --> 00:07:58,860 "God," they expect me to be a real fairy. 181 00:07:58,860 --> 00:08:01,260 And so, like, the illusion is completely shattered. 182 00:08:04,980 --> 00:08:06,780 # Guns that cross the street 183 00:08:06,780 --> 00:08:09,180 # You never know who you might meet 184 00:08:09,180 --> 00:08:11,460 # Who's in disguise 185 00:08:13,260 --> 00:08:15,140 # Ooh, as you blow a storm 186 00:08:15,140 --> 00:08:17,180 # There's no-one there to keep you warm 187 00:08:17,180 --> 00:08:17,420 # There's no-one there # It's no surprise 188 00:08:17,420 --> 00:08:19,100 # It's no surprise 189 00:08:19,100 --> 00:08:20,900 # There's something in my eyes 190 00:08:20,900 --> 00:08:24,740 # It's a miracle It's a miracle 191 00:08:24,740 --> 00:08:24,980 # It's a miracle # It's a miracle 192 00:08:24,980 --> 00:08:26,820 # It's a miracle 193 00:08:26,820 --> 00:08:30,740 # It's a miracle It's a miracle 194 00:08:30,740 --> 00:08:30,980 # It's a miracle # It's a miracle 195 00:08:30,980 --> 00:08:33,420 # It's a miracle 196 00:08:33,420 --> 00:08:37,940 # And dreams are made of emotion 197 00:08:38,900 --> 00:08:40,500 # Dance with the counterfeit 198 00:08:40,500 --> 00:08:42,540 # The plastic smiles and micro heat 199 00:08:42,540 --> 00:08:46,580 # I'll meet you there, I'll meet you there 200 00:08:46,580 --> 00:08:46,820 # I'll meet you there, # Run to the edge of town 201 00:08:46,820 --> 00:08:48,220 # Run to the edge of town 202 00:08:48,220 --> 00:08:50,420 # Where Hollywood lay its footprints down 203 00:08:50,420 --> 00:08:50,660 # Where Hollywood # Monroe was there 204 00:08:50,660 --> 00:08:52,900 # Monroe was there 205 00:08:52,900 --> 00:08:54,140 # But do you really care? 206 00:08:54,140 --> 00:08:54,380 # It's a miracle # But do you really care? 207 00:08:54,380 --> 00:08:58,060 # It's a miracle It's a miracle 208 00:08:58,060 --> 00:08:58,300 # It's a miracle # It's a miracle 209 00:08:58,300 --> 00:09:00,220 # It's a miracle 210 00:09:00,220 --> 00:09:04,100 # It's a miracle It's a miracle 211 00:09:04,100 --> 00:09:04,340 # It's a miracle # It's a miracle 212 00:09:04,340 --> 00:09:06,860 # It's a miracle 213 00:09:06,860 --> 00:09:11,220 # And dreams are made of emotion 214 00:09:13,180 --> 00:09:16,420 # Cry # It's a miracle 215 00:09:17,380 --> 00:09:18,820 # Cry 216 00:09:18,820 --> 00:09:21,100 # It's a miracle 217 00:09:21,100 --> 00:09:21,340 # It's a miracle # Cry # It's a miracle 218 00:09:21,340 --> 00:09:24,860 # Cry # It's a miracle 219 00:09:24,860 --> 00:09:25,100 # Cry # Cry 220 00:09:25,100 --> 00:09:27,340 # Cry 221 00:09:27,340 --> 00:09:30,140 # It's a miracle 222 00:09:45,300 --> 00:09:46,940 # Guns that cross the street 223 00:09:46,940 --> 00:09:48,860 # You never know who you might meet 224 00:09:48,860 --> 00:09:53,380 # Who's in disguise, who's in disguise 225 00:09:53,380 --> 00:09:55,140 # Ooh, as you blow a storm 226 00:09:55,140 --> 00:09:55,380 # Ooh, as you blow a storm # There's no-one there to keep you warm 227 00:09:55,380 --> 00:09:57,020 # There's no-one there to keep you warm 228 00:09:57,020 --> 00:09:57,260 # There's no-one there # It's no surprise 229 00:09:57,260 --> 00:09:59,140 # It's no surprise 230 00:09:59,140 --> 00:10:01,060 # There's something in my eyes 231 00:10:01,060 --> 00:10:05,060 # It's a miracle It's a miracle 232 00:10:05,060 --> 00:10:07,100 # It's a miracle 233 00:10:07,100 --> 00:10:11,020 # It's a miracle It's a miracle 234 00:10:11,020 --> 00:10:11,260 # It's a miracle # It's a miracle 235 00:10:11,260 --> 00:10:13,500 # It's a miracle 236 00:10:13,500 --> 00:10:18,420 # And dreams are made of emotion 237 00:10:23,340 --> 00:10:29,180 # Ooh, bapa-doo, bapa-doo, bapa-doo, bapa-doo that bone, yeah! 238 00:10:29,180 --> 00:10:29,420 # Ooh, bapa-doo, bapa-doo, bapa-doo, bapa-doo that bone, yeah! # Oh, oh! Ow! 239 00:10:29,420 --> 00:10:32,540 # Oh, oh! Ow! 240 00:10:35,100 --> 00:10:39,180 # It's a miracle It's a miracle 241 00:10:39,180 --> 00:10:39,420 # It's a miracle # It's a miracle 242 00:10:39,420 --> 00:10:41,180 # It's a miracle 243 00:10:41,180 --> 00:10:45,340 # It's a miracle It's a miracle 244 00:10:45,340 --> 00:10:45,580 # It's a miracle # It's a miracle 245 00:10:45,580 --> 00:10:47,580 # It's a miracle 246 00:10:47,580 --> 00:10:51,860 # It's a miracle It's a miracle 247 00:10:51,860 --> 00:10:56,140 # It's a miracle # Dreams are made of emotion 248 00:10:56,140 --> 00:10:57,260 # It's a miracle 249 00:11:00,020 --> 00:11:04,260 # It's a miracle # Dreams are made of emotion 250 00:11:04,260 --> 00:11:05,380 # It's a miracle. # 251 00:11:11,980 --> 00:11:13,580 Hi there, I'm Boy George from Culture Club, 252 00:11:13,580 --> 00:11:16,380 and this is Molly Meldrum's beautiful home 253 00:11:16,380 --> 00:11:16,620 and this is Molly Meldrum's that's been destroyed by flames. 254 00:11:16,620 --> 00:11:18,220 that's been destroyed by flames. 255 00:11:18,220 --> 00:11:19,740 Isn't it quaint? 256 00:11:19,740 --> 00:11:22,660 Guess he deserves it, actually. Did it for the... (LAUGHS) 257 00:11:22,660 --> 00:11:22,900 Guess he deserves it, actually. 1984 was a tough year for Molly. 258 00:11:22,900 --> 00:11:25,140 1984 was a tough year for Molly. 259 00:11:25,140 --> 00:11:26,100 ..did it for the insurance. 260 00:11:26,100 --> 00:11:26,340 He had to deal with outspoken co-hosts. ..did it for the insurance. 261 00:11:26,340 --> 00:11:28,620 He had to deal with outspoken co-hosts. 262 00:11:28,620 --> 00:11:32,060 I'm straight into the studio to record an even better album 263 00:11:32,060 --> 00:11:32,340 I'm straight into the studio to record an even better album than, "This is What You Want, This is What You Get" 264 00:11:32,340 --> 00:11:34,300 than, "This is What You Want, This is What You Get" 265 00:11:34,300 --> 00:11:35,860 available currently on Virgin Records. 266 00:11:35,860 --> 00:11:36,100 available currently on MOLLY: On Virgin. Right. 267 00:11:36,100 --> 00:11:37,660 MOLLY: On Virgin. Right. 268 00:11:37,660 --> 00:11:37,900 And... (LAUGHS) MOLLY: On Virgin. Right. 269 00:11:37,900 --> 00:11:40,460 And... (LAUGHS) Which this show refused to play. 270 00:11:40,460 --> 00:11:42,060 No, it didn't. Yes, you did. 271 00:11:42,060 --> 00:11:44,780 Oh, we did? Oh. Talk to the director. 272 00:11:44,780 --> 00:11:46,660 Michael, I'll have to have a talk to you, later. 273 00:11:46,660 --> 00:11:48,460 Did we do that, Gavin? 274 00:11:48,460 --> 00:11:48,660 And oversharing ones. Did we do that, Gavin? 275 00:11:48,660 --> 00:11:49,740 And oversharing ones. 276 00:11:49,740 --> 00:11:51,180 What a performance. 277 00:11:51,180 --> 00:11:53,660 I've had some really heavy sex since I've come to Australia. 278 00:11:53,660 --> 00:11:55,860 I said, "I've had some really heavy sex." 279 00:11:55,860 --> 00:11:57,580 # Are you ready? # 280 00:11:57,580 --> 00:11:57,780 It must've been a blessed relief # Are you ready? # 281 00:11:57,780 --> 00:11:59,300 It must've been a blessed relief 282 00:11:59,300 --> 00:12:02,300 when Rock Steady Crew threw away the mikes 283 00:12:02,300 --> 00:12:02,540 and let their bodies do the talking. threw away the mikes 284 00:12:02,540 --> 00:12:04,460 and let their bodies do the talking. 285 00:12:18,540 --> 00:12:20,540 # Hey, you, the Rock Steady Crew 286 00:12:20,540 --> 00:12:22,660 # Show what you do, make a break, make a move 287 00:12:22,660 --> 00:12:22,900 # Show what you do, # Hey, you, the Rock Steady Crew 288 00:12:22,900 --> 00:12:24,660 # Hey, you, the Rock Steady Crew 289 00:12:24,660 --> 00:12:24,900 # Hey, you, the Rock Steady Crew # B-boys, breakers, electric boogaloo 290 00:12:24,900 --> 00:12:27,020 # B-boys, breakers, electric boogaloo 291 00:12:27,020 --> 00:12:28,820 # Hey, you, the Rock Steady Crew 292 00:12:28,820 --> 00:12:30,860 # Show what you do, make a break, make a move 293 00:12:30,860 --> 00:12:31,100 # Show what you do, # Hey, you, the Rock Steady Crew 294 00:12:31,100 --> 00:12:32,980 # Hey, you, the Rock Steady Crew 295 00:12:32,980 --> 00:12:35,460 # B-boys, breakers, electric boogaloo 296 00:12:35,460 --> 00:12:39,260 # There's a new headline, there's a new sensation 297 00:12:43,540 --> 00:12:47,340 # Everybody's talking about the situation 298 00:12:52,060 --> 00:12:56,300 # Bodies in expression, the music inspiration 299 00:12:56,300 --> 00:12:57,420 # Tell us when you feel it 300 00:12:57,420 --> 00:13:00,180 # 'Cause we're gonna rock the nation 301 00:13:00,180 --> 00:13:00,420 # 'Cause we're gonna rock the nation # Hey, you, the Rock Steady Crew. # 302 00:13:00,420 --> 00:13:02,700 # Hey, you, the Rock Steady Crew. # 303 00:13:02,700 --> 00:13:07,980 By 1984, breakdancing had become a pop culture phenomenon 304 00:13:07,980 --> 00:13:11,380 prompting the Countdown Beat Street competition. 305 00:13:12,980 --> 00:13:15,900 It featured participants from all over Australia. 306 00:14:02,540 --> 00:14:05,340 And who better to judge our home-grown talent 307 00:14:05,340 --> 00:14:07,340 than our visiting b-boy masters. 308 00:14:07,340 --> 00:14:08,540 And the winners are... 309 00:14:08,540 --> 00:14:10,700 Energy Transfer! 310 00:14:10,700 --> 00:14:13,540 (CHEERING AND APPLAUSE) 311 00:14:17,900 --> 00:14:20,100 With famine in Ethiopia, 312 00:14:20,100 --> 00:14:21,860 recession in the UK, 313 00:14:21,860 --> 00:14:24,620 and continuing IRA unrest, 314 00:14:24,620 --> 00:14:24,860 many bands in 1984 and continuing IRA unrest, 315 00:14:24,860 --> 00:14:29,460 many bands in 1984 felt compelled to comment. 316 00:14:29,460 --> 00:14:29,700 In the US, many bands in 1984 felt compelled to comment. 317 00:14:29,700 --> 00:14:30,460 In the US, 318 00:14:30,460 --> 00:14:33,220 there was a lot of money was coming from the US to Ireland 319 00:14:33,220 --> 00:14:37,020 to support the men of violence on both sides of the fence. 320 00:14:37,020 --> 00:14:37,300 to support the men of violence on both sides of the fence. And our attitude was, you know, there's no glory to this. 321 00:14:37,300 --> 00:14:40,740 And our attitude was, you know, there's no glory to this. 322 00:14:40,740 --> 00:14:43,260 There's no glory, and I say it to people here in Australia, 323 00:14:43,260 --> 00:14:45,820 that, you know... 324 00:14:45,820 --> 00:14:47,100 ..sending money over. 325 00:14:47,100 --> 00:14:50,700 There are places, sure, where your money would be appreciated 326 00:14:50,700 --> 00:14:53,700 but not the men of violence, we don't need money from bombs. 327 00:14:53,700 --> 00:14:53,980 It's like really hard to get housing in London, but not the men of violence, we don't need money from bombs. 328 00:14:53,980 --> 00:14:55,980 It's like really hard to get housing in London, 329 00:14:55,980 --> 00:14:56,220 first of all, private accommodation, to get housing in London, 330 00:14:56,220 --> 00:14:57,980 first of all, private accommodation, 331 00:14:57,980 --> 00:15:00,580 like for rent it's just extortionate. 332 00:15:00,580 --> 00:15:00,860 like for rent it's just extortionate. And also the council waiting lists are just like miles long. 333 00:15:00,860 --> 00:15:05,220 And also the council waiting lists are just like miles long. 334 00:15:05,220 --> 00:15:09,900 But there's so many empty, vacant council premises. 335 00:15:09,900 --> 00:15:11,740 And what a lot of young people are doing now 336 00:15:11,740 --> 00:15:11,980 And what a lot of young people is actually just taking them over. 337 00:15:11,980 --> 00:15:13,420 is actually just taking them over. 338 00:15:13,420 --> 00:15:14,460 But most of the councils 339 00:15:14,460 --> 00:15:14,700 have got really sort of But most of the councils 340 00:15:14,700 --> 00:15:18,020 have got really sort of reactionary attitudes towards that. 341 00:15:18,020 --> 00:15:19,740 We got evicted eight weeks ago. MOLLY: Right. 342 00:15:19,740 --> 00:15:21,860 They just kicked in the door and told us to get out. 343 00:15:21,860 --> 00:15:22,100 They just kicked in the door We couldn't do anything about it. 344 00:15:22,100 --> 00:15:23,340 We couldn't do anything about it. 345 00:15:23,340 --> 00:15:23,580 We'd been there for eight months, We couldn't do anything about it. 346 00:15:23,580 --> 00:15:26,740 We'd been there for eight months, you know, we felt at home. 347 00:15:26,740 --> 00:15:27,020 Actually, we took off and went to India...man. We'd been there for eight months, you know, we felt at home. 348 00:15:27,020 --> 00:15:30,580 Actually, we took off and went to India...man. 349 00:15:30,580 --> 00:15:30,820 And played there quite a lot. and went to India...man. 350 00:15:30,820 --> 00:15:34,260 And played there quite a lot. 351 00:15:34,260 --> 00:15:34,460 And played there quite a lot. Malaya and Thailand and Singapore. 352 00:15:34,460 --> 00:15:36,900 Malaya and Thailand and Singapore. 353 00:15:36,900 --> 00:15:38,820 And then we went to Romania, 354 00:15:38,820 --> 00:15:39,060 and then we went to Israel And then we went to Romania, 355 00:15:39,060 --> 00:15:42,900 and then we went to Israel during the Lebanese war to play. 356 00:15:42,900 --> 00:15:45,420 And places that were very strange for us. 357 00:15:45,420 --> 00:15:47,100 And I don't know why at the time we did it, 358 00:15:47,100 --> 00:15:48,660 it was to get out of all that stuff, 359 00:15:48,660 --> 00:15:49,460 and to get out of my depression. 360 00:15:49,460 --> 00:15:51,860 And it was very good because it... 361 00:15:51,860 --> 00:15:52,820 ..enervated me at the end, 362 00:15:52,820 --> 00:15:55,380 it made me think that what we were doing was actually quite good 363 00:15:55,380 --> 00:15:55,620 it made me think that what we were and good fun. 364 00:15:55,620 --> 00:15:57,220 and good fun. 365 00:15:57,220 --> 00:15:58,180 Within months, 366 00:15:58,180 --> 00:16:02,220 Bob Geldof would be organising the charity supergroup, Band Aid. 367 00:16:03,940 --> 00:16:05,900 Many of us were hoping for better days. 368 00:16:18,940 --> 00:16:22,620 # Oooooh 369 00:16:22,620 --> 00:16:27,140 # Ooh, I want to find a better place 370 00:16:27,140 --> 00:16:30,460 # Oooooh 371 00:16:30,460 --> 00:16:34,300 # Ooh, I'm searching for a better place 372 00:16:42,260 --> 00:16:46,780 # Oooooh, ooh 373 00:16:46,780 --> 00:16:50,460 # I'm tired of living in the sand 374 00:16:50,460 --> 00:16:54,780 # Oooooh, ooh 375 00:16:54,780 --> 00:16:57,900 # I'm searching for a better land 376 00:16:57,900 --> 00:17:03,300 # Heaven, must be there 377 00:17:03,300 --> 00:17:05,700 # Well, it's just got to be there 378 00:17:05,700 --> 00:17:07,300 # I've never 379 00:17:07,300 --> 00:17:09,380 # Never seen Eden 380 00:17:11,820 --> 00:17:14,740 # I don't want to live in this place 381 00:17:21,540 --> 00:17:26,140 # Oooooh, ooh 382 00:17:26,140 --> 00:17:29,740 # I'm always trying to escape 383 00:17:29,740 --> 00:17:33,580 # Oooooh, ooh 384 00:17:33,580 --> 00:17:33,780 # Oooooh, ooh # I never know which road to take 385 00:17:33,780 --> 00:17:37,100 # I never know which road to take 386 00:17:37,100 --> 00:17:41,540 # Heaven, must be there 387 00:17:42,460 --> 00:17:44,740 # Well, it's just got to be there 388 00:17:44,740 --> 00:17:46,580 # I've never 389 00:17:46,580 --> 00:17:48,980 # Never seen Eden 390 00:17:48,980 --> 00:17:53,060 # I don't want to live in this place 391 00:17:53,060 --> 00:17:57,860 # Heaven, must be there 392 00:17:57,860 --> 00:18:00,300 # Well, it's just got to be there 393 00:18:00,300 --> 00:18:02,260 # I've never 394 00:18:02,260 --> 00:18:04,660 # Never seen Eden 395 00:18:06,660 --> 00:18:09,860 # I don't want to live in this place 396 00:18:15,900 --> 00:18:17,860 # Live in this place 397 00:18:20,300 --> 00:18:23,380 # Ooh 398 00:18:31,460 --> 00:18:34,500 # Live in this place, this place 399 00:18:40,020 --> 00:18:44,060 # Oooooh, ooh 400 00:18:44,060 --> 00:18:48,140 # I want to find a better place 401 00:18:48,140 --> 00:18:51,940 # Oooooh, ooh 402 00:18:51,940 --> 00:18:52,140 # Oooooh, ooh # I'm searching for a better place 403 00:18:52,140 --> 00:18:55,780 # I'm searching for a better place 404 00:18:55,780 --> 00:19:00,460 # Heaven, must be there 405 00:19:00,460 --> 00:19:03,060 # Well, it's just got to be there 406 00:19:03,060 --> 00:19:04,980 # I've never 407 00:19:04,980 --> 00:19:07,220 # Never seen Eden 408 00:19:07,220 --> 00:19:10,340 # I don't want to live in this place 409 00:19:10,340 --> 00:19:11,340 # I don't want to live 410 00:19:11,340 --> 00:19:16,340 # Heaven, must be there 411 00:19:16,340 --> 00:19:18,500 # Well, it's just got to be there 412 00:19:18,500 --> 00:19:20,900 # I've never 413 00:19:20,900 --> 00:19:22,860 # Never seen Eden 414 00:19:22,860 --> 00:19:26,580 # I don't want to live in this place 415 00:19:26,580 --> 00:19:26,820 # I don't want to # Heaven, must be... # 416 00:19:26,820 --> 00:19:29,940 # Heaven, must be... # 417 00:19:30,900 --> 00:19:32,980 Oh, yeah! This is Gene Simmons! 418 00:19:32,980 --> 00:19:34,140 I'm Paul Stanley. 419 00:19:34,140 --> 00:19:35,140 Ace Frehley! 420 00:19:35,140 --> 00:19:36,140 Eric Carr. 421 00:19:36,140 --> 00:19:38,620 We're coming to you from New York right across Australia. 422 00:19:38,620 --> 00:19:40,140 This is KISS' Countdown. 423 00:19:40,140 --> 00:19:42,020 And we're going to rock'n'roll you all night. 424 00:19:42,020 --> 00:19:43,700 Yep! Alright. 425 00:19:43,700 --> 00:19:46,020 There's no doubt that over the years on Countdown 426 00:19:46,020 --> 00:19:46,260 There's no doubt that we witnessed some memorable quartets, 427 00:19:46,260 --> 00:19:49,060 we witnessed some memorable quartets, 428 00:19:49,060 --> 00:19:49,300 bopped along with some swinging trios... we witnessed some memorable quartets, 429 00:19:49,300 --> 00:19:52,300 bopped along with some swinging trios... 430 00:19:52,300 --> 00:19:56,980 # La-da-da-da-da, la-da-da-da, la-da-da-da 431 00:19:56,980 --> 00:19:57,220 # La-da-da-da... # la-da-da-da, la-da-da-da 432 00:19:57,220 --> 00:19:58,700 # La-da-da-da... # 433 00:19:58,700 --> 00:20:01,740 # I just want to spend a... # 434 00:20:01,740 --> 00:20:01,980 # I just want to spend a... # of some great double acts. 435 00:20:01,980 --> 00:20:05,180 ..and enjoyed the harmonies of some great double acts. 436 00:20:05,180 --> 00:20:05,460 ..and enjoyed the harmonies of some great double acts. # I just wanna spend the night with you 437 00:20:05,460 --> 00:20:07,900 # I just wanna spend the night with you 438 00:20:07,900 --> 00:20:08,140 # I just wanna # I just want to do it right. # 439 00:20:08,140 --> 00:20:09,980 # I just want to do it right. # 440 00:20:09,980 --> 00:20:15,740 But in 1984, thanks to the emergence of synthesisers and drum machines, 441 00:20:15,740 --> 00:20:20,060 a solo artist could give new meaning to the term one-man band. 442 00:20:29,260 --> 00:20:32,340 # I love you whether or not you love me 443 00:20:34,220 --> 00:20:37,340 # I love you even if you think that I don't 444 00:20:38,860 --> 00:20:42,220 # Sometimes I find you doubt my love for you 445 00:20:42,220 --> 00:20:42,460 # Sometimes I find # But I don't mind 446 00:20:42,460 --> 00:20:44,020 # But I don't mind 447 00:20:44,020 --> 00:20:46,940 # Why should I mind? Why should I mind? 448 00:20:48,020 --> 00:20:53,620 # What is love anyway? 449 00:20:53,620 --> 00:20:57,860 # Does anybody love anybody anyway? 450 00:20:57,860 --> 00:21:02,860 # What is love anyway? 451 00:21:02,860 --> 00:21:08,060 # Does anybody love anybody anyway? 452 00:21:08,060 --> 00:21:09,060 # Whoa 453 00:21:16,460 --> 00:21:21,460 # Can anybody love anyone so much that they will never fear? 454 00:21:21,460 --> 00:21:21,700 # Can anybody love anyone so much that they will never fear? # Never worry, never be sad 455 00:21:21,700 --> 00:21:24,740 # Never worry, never be sad 456 00:21:26,220 --> 00:21:31,020 # The answer is they cannot love this much, nobody can 457 00:21:31,020 --> 00:21:35,100 # This is why I don't mind you doubting 458 00:21:35,100 --> 00:21:35,340 # This is why I don't mind you # What is love anyway? 459 00:21:35,340 --> 00:21:40,700 # What is love anyway? 460 00:21:40,700 --> 00:21:45,420 # Does anybody love anybody anyway? 461 00:21:45,420 --> 00:21:50,220 # What is love anyway? 462 00:21:50,220 --> 00:21:54,980 # Does anybody love anybody anyway 463 00:21:54,980 --> 00:21:59,780 # Whoa, whoa-oh-oh 464 00:21:59,780 --> 00:22:02,460 # Whoa 465 00:22:13,340 --> 00:22:15,860 # And maybe love is letting people be 466 00:22:15,860 --> 00:22:16,100 # And maybe love # Just what they want to be 467 00:22:16,100 --> 00:22:18,660 # Just what they want to be 468 00:22:18,660 --> 00:22:21,860 # The door always must be left unlocked 469 00:22:23,060 --> 00:22:28,060 # To love when circumstance may lead someone away from you 470 00:22:28,060 --> 00:22:32,140 # And not to spend the time just doubting 471 00:22:32,140 --> 00:22:32,380 # And not to spend the time # What is love anyway? 472 00:22:32,380 --> 00:22:37,140 # What is love anyway? 473 00:22:37,140 --> 00:22:42,140 # Does anybody love anybody anyway? 474 00:22:42,140 --> 00:22:42,340 # What is love anyway? # Does anybody love anybody anyway? 475 00:22:42,340 --> 00:22:47,100 # What is love anyway? 476 00:22:47,100 --> 00:22:51,860 # Does anybody love anybody anyway? 477 00:22:51,860 --> 00:22:52,060 # Does anybody love anybody anyway? # Whoa 478 00:22:52,060 --> 00:22:54,300 # Whoa 479 00:22:54,300 --> 00:22:56,700 # Whoa-oh 480 00:22:56,700 --> 00:22:59,820 # Whoa 481 00:22:59,820 --> 00:23:04,780 # What is love anyway? 482 00:23:04,780 --> 00:23:09,220 # Does anybody love anybody anyway? 483 00:23:09,220 --> 00:23:11,620 # Whoa 484 00:23:11,620 --> 00:23:14,100 # Whoa-oh 485 00:23:14,100 --> 00:23:16,580 # Whoa 486 00:23:16,580 --> 00:23:18,380 # What is love. # 487 00:23:29,180 --> 00:23:31,740 Hi, Australia, you crazy bunch of so-and-sos. 488 00:23:31,740 --> 00:23:33,300 You know who I am, I'm Billy Idol. 489 00:23:33,300 --> 00:23:35,300 (BEEP!) Ready? 490 00:23:35,300 --> 00:23:35,540 (BEEP!) Alright. Hi, I'm Billy Idol. 491 00:23:35,540 --> 00:23:36,580 Alright. Hi, I'm Billy Idol. 492 00:23:36,580 --> 00:23:38,820 And that's right, you can catch anything from me. 493 00:23:38,820 --> 00:23:41,780 And so, Catch My Fall, my new single. 494 00:23:41,780 --> 00:23:42,540 Alright, I'm Billy Idol. 495 00:23:42,540 --> 00:23:44,700 And five, four, three, two, one, 496 00:23:44,700 --> 00:23:46,700 this is Countdown's 10th anniversary. 497 00:23:46,700 --> 00:23:46,940 this is Countdown's For rock'n'roll, Molly Meldrum, OK. 498 00:23:46,940 --> 00:23:49,980 For rock'n'roll, Molly Meldrum, OK. 499 00:23:52,300 --> 00:23:53,460 MOLLY: Alright, one more. 500 00:23:53,460 --> 00:23:55,300 # What set you free 501 00:23:55,300 --> 00:23:57,900 # I need you here by me 502 00:23:57,900 --> 00:23:59,500 # Because 503 00:23:59,500 --> 00:24:01,100 # In the midnight hour 504 00:24:01,100 --> 00:24:04,820 # She cried more, more, more 505 00:24:04,820 --> 00:24:06,900 # With a rebel yell 506 00:24:06,900 --> 00:24:09,900 # She cried more, more, more... 507 00:24:09,900 --> 00:24:10,140 Pop music in the mid '80s # She cried more, more, more... 508 00:24:10,140 --> 00:24:13,660 Pop music in the mid '80s was as healthy as ever. 509 00:24:13,660 --> 00:24:13,900 Pop music in the mid '80s # More, more, more 510 00:24:13,900 --> 00:24:16,500 # More, more, more 511 00:24:16,500 --> 00:24:19,020 # With a rebel yell... # 512 00:24:19,020 --> 00:24:21,780 Especially if you had a great look. 513 00:24:21,780 --> 00:24:22,020 # And here the night will pour out its wild desires Especially if you had a great look. 514 00:24:22,020 --> 00:24:26,340 # And here the night will pour out its wild desires 515 00:24:29,580 --> 00:24:33,940 # And when they play the sticky music 516 00:24:33,940 --> 00:24:34,180 # And when they play # On the radio 517 00:24:34,180 --> 00:24:37,220 # On the radio 518 00:24:37,220 --> 00:24:41,580 # Ooh, when they play that sticky music 519 00:24:41,580 --> 00:24:43,820 # We'll cling so close. # 520 00:24:45,620 --> 00:24:49,020 Big hair, big suits, and the name of a big movie star 521 00:24:49,020 --> 00:24:49,260 Big hair, big suits, was as good a pop gimmick as any. 522 00:24:49,260 --> 00:24:51,820 was as good a pop gimmick as any. 523 00:24:52,780 --> 00:24:56,340 # Hopes dashed to the floor like shattered teenage dreams 524 00:25:00,020 --> 00:25:03,500 # Boys living next door are never what they seem 525 00:25:04,660 --> 00:25:06,420 # Oooh 526 00:25:06,420 --> 00:25:10,500 # A walk in the park can become a bad dream 527 00:25:10,500 --> 00:25:13,900 # People are staring and following me 528 00:25:13,900 --> 00:25:17,740 # This is my only escape from it all 529 00:25:17,740 --> 00:25:22,660 # Watching a film or a face on the wall 530 00:25:22,660 --> 00:25:25,220 # Robert De Niro's waiting 531 00:25:25,220 --> 00:25:27,620 # Talking Italian 532 00:25:29,620 --> 00:25:32,660 # Robert De Niro's waiting 533 00:25:32,660 --> 00:25:36,900 # Talking Italian 534 00:25:36,900 --> 00:25:39,900 # Robert De Niro's waiting 535 00:25:39,900 --> 00:25:44,460 # Talking Italian 536 00:25:44,460 --> 00:25:47,900 # Robert De Niro's waiting 537 00:25:51,300 --> 00:25:55,020 # I don't need a boy, I've got a man of steel 538 00:25:58,660 --> 00:26:03,540 # Don't come any closer, I don't wanna feel 539 00:26:03,540 --> 00:26:03,780 # Don't come any closer, # Oooh 540 00:26:03,780 --> 00:26:05,620 # Oooh 541 00:26:05,620 --> 00:26:06,940 # Your breathing, your touching 542 00:26:06,940 --> 00:26:09,100 # But nothing's for free 543 00:26:09,100 --> 00:26:12,820 # I never want this to happen to me 544 00:26:12,820 --> 00:26:13,060 # Don't try to change me # I never want this to happen to me 545 00:26:13,060 --> 00:26:16,460 # Don't try to change me you're wasting your time 546 00:26:16,460 --> 00:26:21,180 # Now I've got something much better in mind 547 00:26:21,180 --> 00:26:21,420 # Now I've got something # Robert De Niro's waiting 548 00:26:21,420 --> 00:26:23,900 # Robert De Niro's waiting 549 00:26:23,900 --> 00:26:26,820 # Talking Italian 550 00:26:28,500 --> 00:26:31,340 # Robert De Niro's waiting 551 00:26:31,340 --> 00:26:35,780 # Talking Italian 552 00:26:35,780 --> 00:26:38,460 # Robert De Niro's waiting 553 00:26:38,460 --> 00:26:43,140 # Talking Italian 554 00:26:43,140 --> 00:26:47,580 # Robert De Niro's waiting 555 00:26:49,740 --> 00:26:53,380 # Talk, talk, talk, talk, talk 556 00:26:53,380 --> 00:26:56,420 # Talking 557 00:26:56,420 --> 00:26:58,060 # Oooh 558 00:26:58,060 --> 00:27:00,620 # Talk, talk, talk, talk, talk 559 00:27:00,620 --> 00:27:00,820 # Talk, talk, talk, talk, talk # Talking 560 00:27:00,820 --> 00:27:02,780 # Talking 561 00:27:04,300 --> 00:27:07,940 # A walk in the park can become a bad dream 562 00:27:07,940 --> 00:27:11,580 # People are staring and following me 563 00:27:11,580 --> 00:27:15,260 # This is my only escape from it all 564 00:27:15,260 --> 00:27:19,860 # Watching a film or a face on the wall 565 00:27:19,860 --> 00:27:20,100 # Robert De Niro's waiting # Watching a film or a face on the wall 566 00:27:20,100 --> 00:27:22,580 # Robert De Niro's waiting 567 00:27:22,580 --> 00:27:27,460 # Talking Italian 568 00:27:27,460 --> 00:27:27,660 # Talking Italian # Robert De Niro's waiting 569 00:27:27,660 --> 00:27:29,900 # Robert De Niro's waiting 570 00:27:29,900 --> 00:27:33,940 # Talking Italian 571 00:27:33,940 --> 00:27:35,060 # Italian 572 00:27:35,060 --> 00:27:37,140 # Robert De Niro's waiting 573 00:27:37,140 --> 00:27:42,060 # Talking Italian 574 00:27:42,060 --> 00:27:45,140 # Robert De Niro's waiting. # 575 00:28:01,300 --> 00:28:04,540 # Across every ocean 576 00:28:04,540 --> 00:28:08,460 # For the sake of locomotion 577 00:28:08,460 --> 00:28:08,660 # For the sake of locomotion # But I wouldn't have a notion 578 00:28:08,660 --> 00:28:12,420 # But I wouldn't have a notion 579 00:28:12,420 --> 00:28:16,180 # How to save my soul... 580 00:28:16,180 --> 00:28:19,060 But there was a lot more to British pop in the mid '80s, 581 00:28:19,060 --> 00:28:19,300 But there was a lot more to British and new heroes that were relatable. 582 00:28:19,300 --> 00:28:21,780 and new heroes that were relatable. 583 00:28:24,260 --> 00:28:27,700 # Stop and make small talk 584 00:28:27,700 --> 00:28:31,220 # But I can't say no... # 585 00:28:31,220 --> 00:28:31,460 We literally came out of the audience, # But I can't say no... # 586 00:28:31,460 --> 00:28:32,780 We literally came out of the audience, 587 00:28:32,780 --> 00:28:34,820 we were very, very interested in fashion, 588 00:28:34,820 --> 00:28:38,100 and we had a few, what we thought, were revolutionary ideas 589 00:28:38,100 --> 00:28:38,380 and we had a few, what we thought, were revolutionary ideas as far as the music business was concerned. 590 00:28:38,380 --> 00:28:40,020 as far as the music business was concerned. 591 00:28:40,020 --> 00:28:40,260 as far as the music business So, we never actually had a tag. 592 00:28:40,260 --> 00:28:41,820 So, we never actually had a tag. 593 00:28:41,820 --> 00:28:43,460 And although the... 594 00:28:43,460 --> 00:28:46,260 ..the music press did try to label us New Romantics, 595 00:28:46,260 --> 00:28:50,140 even 'Futurist' and half a dozen other names. 596 00:28:50,140 --> 00:28:52,180 It's very convenient for them to do that with groups 597 00:28:52,180 --> 00:28:53,980 so they can then put the tag on the group, 598 00:28:53,980 --> 00:28:56,500 lock them in the drawer under 'N' for 'New Romantics' 599 00:28:56,500 --> 00:28:58,500 and everyone's in their little niches. 600 00:28:58,500 --> 00:29:01,140 And it's all very easy for them to write articles on. 601 00:29:01,140 --> 00:29:01,420 They think that if you continue to write really strong songs, And it's all very easy for them to write articles on. 602 00:29:01,420 --> 00:29:05,500 They think that if you continue to write really strong songs, 603 00:29:05,500 --> 00:29:05,740 and you can just keep doing that, They think that if you continue to write really strong songs, 604 00:29:05,740 --> 00:29:08,660 and you can just keep doing that, 605 00:29:08,660 --> 00:29:12,060 then you've got a lot more chance of surviving for longer 606 00:29:12,060 --> 00:29:12,340 then you've got a lot more chance of surviving for longer than if you sort of become preoccupied with... 607 00:29:12,340 --> 00:29:14,820 than if you sort of become preoccupied with... 608 00:29:14,820 --> 00:29:17,860 ..pictures in magazines instead of writing songs. 609 00:29:17,860 --> 00:29:18,100 ..pictures in magazines Everybody else actually worried 610 00:29:18,100 --> 00:29:18,980 Everybody else actually worried 611 00:29:18,980 --> 00:29:20,980 about the flavour of the month thing, didn't they? 612 00:29:20,980 --> 00:29:22,860 It was always the record company and our managers 613 00:29:22,860 --> 00:29:23,100 It was always the record company who were really like that. 614 00:29:23,100 --> 00:29:25,700 who were really like that. 615 00:29:25,700 --> 00:29:27,820 And I think if there was any chance of it coming up, 616 00:29:27,820 --> 00:29:29,620 they certainly coped with it very quickly. 617 00:29:29,620 --> 00:29:29,860 I just think people expect now, they certainly coped with it very quickly. 618 00:29:29,860 --> 00:29:31,060 I just think people expect now, 619 00:29:31,060 --> 00:29:33,140 they expect bands to be really, really good. 620 00:29:33,140 --> 00:29:33,380 MOLLY: Right. really good. 621 00:29:33,380 --> 00:29:34,140 MOLLY: Right. 622 00:29:34,140 --> 00:29:36,180 Whereas in Britain, there's not a lot of good bands. 623 00:29:36,180 --> 00:29:41,140 In Australia, there is a lot of good live bands 624 00:29:41,140 --> 00:29:41,420 In Australia, there is a lot of good live bands who, I mean, a lot of them aren't known outside Australia. 625 00:29:41,420 --> 00:29:44,300 who, I mean, a lot of them aren't known outside Australia. 626 00:29:44,300 --> 00:29:45,900 But you come here and you see them in the pubs, 627 00:29:45,900 --> 00:29:46,140 But you come here and they can really carry it off. 628 00:29:46,140 --> 00:29:47,140 and they can really carry it off. 629 00:29:47,140 --> 00:29:49,260 They learn that sort of thing on the boards there, 630 00:29:49,260 --> 00:29:50,180 they really learn it. 631 00:29:50,180 --> 00:29:50,380 # Everywhere I go, everywhere I go they really learn it. 632 00:29:50,380 --> 00:29:52,620 # Everywhere I go, everywhere I go 633 00:29:52,620 --> 00:29:54,500 # You're there... 634 00:29:54,500 --> 00:29:58,620 Indeed, Australian bands had taken the synth-pop of the British 635 00:29:58,620 --> 00:29:58,900 Indeed, Australian bands had taken the synth-pop of the British and morphed it into something uniquely local. 636 00:29:58,900 --> 00:30:02,620 and morphed it into something uniquely local. 637 00:30:02,620 --> 00:30:05,700 # Could it be you really care? 638 00:30:08,500 --> 00:30:11,340 # I had your eye in my direction 639 00:30:11,340 --> 00:30:15,580 # You seem to smile and then you walk away 640 00:30:15,580 --> 00:30:19,020 # I know we're running the same line 641 00:30:19,020 --> 00:30:21,860 # You know it's only a matter of time... # 642 00:30:27,020 --> 00:30:28,980 # It's not so bad when you're away 643 00:30:30,580 --> 00:30:33,180 # I do the same things every day... 644 00:30:33,180 --> 00:30:33,420 # I do the same things every day... Even '70s rock singers, like Stephen Cummings, 645 00:30:33,420 --> 00:30:36,900 Even '70s rock singers, like Stephen Cummings, 646 00:30:36,900 --> 00:30:37,140 Even '70s rock singers, took it on board. 647 00:30:37,140 --> 00:30:38,060 took it on board. 648 00:30:38,060 --> 00:30:41,420 # Stop this raining in my heart 649 00:30:41,420 --> 00:30:41,660 # Another kick in the head # Stop this raining in my heart 650 00:30:41,660 --> 00:30:45,500 # Another kick in the head # Another kick in the head 651 00:30:45,500 --> 00:30:49,260 # Another smack in the mouth # Another smack in the mouth 652 00:30:49,260 --> 00:30:49,500 # Another smack in the mouth # Another lonely night 653 00:30:49,500 --> 00:30:50,980 # Another lonely night 654 00:30:50,980 --> 00:30:53,900 # Another lonely night, where were you when I needed you? 655 00:30:53,900 --> 00:30:56,660 # Where were you when I needed you? # 656 00:31:02,900 --> 00:31:06,700 Outfits like the Dropbears added horns for a splash of funk. 657 00:31:08,260 --> 00:31:10,740 # You don't think you're so great 658 00:31:10,740 --> 00:31:12,580 # But you don't think you look bad 659 00:31:12,580 --> 00:31:14,620 # One will hand it to you 660 00:31:14,620 --> 00:31:17,220 # You know you've got to take it back 661 00:31:20,540 --> 00:31:22,820 # You've got to stand up straight 662 00:31:25,660 --> 00:31:27,860 # Negotiate 663 00:31:29,820 --> 00:31:31,820 # Come on, girl 664 00:31:31,820 --> 00:31:33,860 # Be a proud 665 00:31:33,860 --> 00:31:36,100 # Woman... # 666 00:31:40,300 --> 00:31:41,220 # Ooh, ooh 667 00:31:41,220 --> 00:31:44,340 # Speaking ahead of time 668 00:31:44,340 --> 00:31:44,540 # Speaking ahead of time # Playing waiting 669 00:31:44,540 --> 00:31:45,940 # Playing waiting 670 00:31:45,940 --> 00:31:48,420 The Machinations knew how to get hips swaying. 671 00:31:48,420 --> 00:31:52,020 # She's keeping it out in the open 672 00:31:52,020 --> 00:31:53,620 # She's no angel 673 00:31:53,620 --> 00:31:56,980 # But she can make her own way 674 00:31:56,980 --> 00:31:59,380 # You've got no say in it 675 00:31:59,380 --> 00:32:00,860 # She's not in danger 676 00:32:00,860 --> 00:32:04,060 # She can make her own way 677 00:32:04,060 --> 00:32:06,460 # You've got no say in it 678 00:32:06,460 --> 00:32:08,460 # She's pure instinct 679 00:32:08,460 --> 00:32:11,140 # She should make her own way... # 680 00:32:13,140 --> 00:32:16,940 # You never look, you never see 681 00:32:16,940 --> 00:32:17,180 # You never look, you never see when you're next to me 682 00:32:17,180 --> 00:32:20,500 # You never notice when you're next to me 683 00:32:20,500 --> 00:32:20,780 # You never notice when you're next to me Pseudo Echo led the charge from the beginning. 684 00:32:20,780 --> 00:32:23,100 Pseudo Echo led the charge from the beginning. 685 00:32:23,100 --> 00:32:25,820 # Burning with desire 686 00:32:27,380 --> 00:32:31,980 # There's a beat for you in my heart 687 00:32:31,980 --> 00:32:32,220 # There's a beat for you # I tell you true from the start 688 00:32:32,220 --> 00:32:35,300 # I tell you true from the start 689 00:32:35,300 --> 00:32:39,340 # There's a beat for you in my heart 690 00:32:39,340 --> 00:32:39,580 # There's a beat for you # I tell you true from the start. # 691 00:32:39,580 --> 00:32:42,940 # I tell you true from the start. # 692 00:32:44,820 --> 00:32:46,580 And by 1984, 693 00:32:46,580 --> 00:32:50,620 we were exporting our own brand of synth-pop to the world. 694 00:32:50,620 --> 00:32:50,860 # I lay down to rest my head we were exporting our own brand of synth-pop to the world. 695 00:32:50,860 --> 00:32:53,140 # I lay down to rest my head 696 00:32:53,140 --> 00:32:56,380 # My soul to keep the night I dread 697 00:32:56,380 --> 00:32:58,260 # It's no dream 698 00:33:01,780 --> 00:33:04,420 # Slumber comes as darkness falls 699 00:33:04,420 --> 00:33:07,260 # And shadows dance across my walls 700 00:33:07,260 --> 00:33:08,900 # It's no dream 701 00:33:12,860 --> 00:33:15,780 # But I never sleep alone 702 00:33:15,780 --> 00:33:18,580 # My dreams become so real to me 703 00:33:18,580 --> 00:33:21,660 # I unplug the phone 704 00:33:21,660 --> 00:33:24,300 # While the night is young 705 00:33:24,300 --> 00:33:29,300 # Catch me I'm falling down again 706 00:33:29,300 --> 00:33:34,340 # I know it's a dream but just the same 707 00:33:36,100 --> 00:33:38,940 # There's a face before my eyes are closed 708 00:33:38,940 --> 00:33:42,780 # But I can't recognise the danger there 709 00:33:47,140 --> 00:33:49,700 # Slumber comes as darkness falls 710 00:33:49,700 --> 00:33:52,500 # And shadows dance across my walls 711 00:33:52,500 --> 00:33:54,500 # It's no dream 712 00:33:58,300 --> 00:34:01,180 # But I never sleep alone 713 00:34:01,180 --> 00:34:04,020 # My dreams become so real to me 714 00:34:04,020 --> 00:34:06,780 # I unplug the phone 715 00:34:06,780 --> 00:34:09,180 # While the night is young 716 00:34:09,180 --> 00:34:14,820 # Catch me I'm falling down again 717 00:34:14,820 --> 00:34:17,220 # I know it's a dream 718 00:34:17,220 --> 00:34:20,620 # But just the same 719 00:34:20,620 --> 00:34:23,860 # Catch me I'm falling 720 00:34:23,860 --> 00:34:26,860 # Falling 721 00:34:26,860 --> 00:34:27,060 # Down # Falling 722 00:34:27,060 --> 00:34:31,900 # Down 723 00:34:33,900 --> 00:34:37,300 # Down 724 00:35:00,300 --> 00:35:05,780 # Catch me I'm falling down again 725 00:35:05,780 --> 00:35:08,220 # I know it's a dream 726 00:35:08,220 --> 00:35:11,660 # But just the same 727 00:35:11,660 --> 00:35:16,460 # Catch me I'm falling down again 728 00:35:16,460 --> 00:35:19,580 # I know it's a dream 729 00:35:19,580 --> 00:35:23,180 # But just the same 730 00:35:23,180 --> 00:35:23,380 # I'm falling # But just the same 731 00:35:23,380 --> 00:35:25,620 # I'm falling 732 00:35:28,900 --> 00:35:31,820 # I'm falling 733 00:35:33,700 --> 00:35:37,380 # Catch me I'm falling 734 00:35:40,060 --> 00:35:43,300 # I'm falling 735 00:35:45,140 --> 00:35:48,420 # Catch me I'm falling 736 00:35:51,540 --> 00:35:54,580 # I'm falling. # 737 00:36:08,420 --> 00:36:10,340 Hi, this is Jon Bon Jovi of Bon Jovi 738 00:36:10,340 --> 00:36:12,340 wishing Countdown a happy 10th anniversary 739 00:36:12,340 --> 00:36:16,020 and 10 more after that, and 10 more after that. 740 00:36:16,020 --> 00:36:16,260 and 10 more after that, and 10 more after that. With the rise of MTV, 741 00:36:16,260 --> 00:36:17,980 With the rise of MTV, 742 00:36:17,980 --> 00:36:21,740 pop stars were more than ever akin to movie stars. 743 00:36:21,740 --> 00:36:25,380 And big personalities were best suited to the new age. 744 00:36:25,380 --> 00:36:25,620 And big personalities More exciting, I mean, personally, 745 00:36:25,620 --> 00:36:26,780 More exciting, I mean, personally, 746 00:36:26,780 --> 00:36:27,020 I like our audiences More exciting, I mean, personally, 747 00:36:27,020 --> 00:36:29,260 I like our audiences to come to see us 748 00:36:29,260 --> 00:36:32,220 and to sweat as much as I sweat on the stage. You know? 749 00:36:32,220 --> 00:36:34,260 Or if I can get them to sweat half as much as I do, 750 00:36:34,260 --> 00:36:34,500 Or if I can get them to sweat I know I've had a successful show. 751 00:36:34,500 --> 00:36:35,940 I know I've had a successful show. 752 00:36:35,940 --> 00:36:36,180 When the music goes, "Boom!" and... I know I've had a successful show. 753 00:36:36,180 --> 00:36:38,580 When the music goes, "Boom!" and... 754 00:36:38,580 --> 00:36:38,820 ..you know, and... 755 00:36:38,820 --> 00:36:39,580 ..you know, 756 00:36:39,580 --> 00:36:42,220 and you make yourself do something that goes, "Boom!" 757 00:36:42,220 --> 00:36:42,460 and you make yourself do something that goes, "Boom!" 20,000 heads go, "Ah!" 758 00:36:42,460 --> 00:36:44,740 20,000 heads go, "Ah!" 759 00:36:44,740 --> 00:36:45,540 MOLLY: Right. 760 00:36:45,540 --> 00:36:46,540 That's worth five bucks. 761 00:36:46,540 --> 00:36:47,540 In a business 762 00:36:47,540 --> 00:36:50,620 where singers increasingly needed to be larger than life, 763 00:36:50,620 --> 00:36:50,860 where singers increasingly some took that challenge head-on. 764 00:36:50,860 --> 00:36:52,740 some took that challenge head-on. 765 00:36:52,740 --> 00:36:52,980 # You think you're a man but you're only a boy some took that challenge head-on. 766 00:36:52,980 --> 00:36:56,180 # You think you're a man but you're only a boy 767 00:36:56,180 --> 00:36:59,900 # You think you're a man, you are only a toy 768 00:36:59,900 --> 00:37:00,180 # You think you're a man, you are only a toy # You think you're a man but you just couldn't see 769 00:37:00,180 --> 00:37:03,740 # You think you're a man but you just couldn't see 770 00:37:03,740 --> 00:37:07,340 # You weren't man enough to satisfy me 771 00:37:23,020 --> 00:37:24,540 # Shut the door 772 00:37:24,540 --> 00:37:27,700 # Take a look around and tell me what you find 773 00:37:28,660 --> 00:37:30,540 # Shut the door 774 00:37:30,540 --> 00:37:30,780 # Take a giant step for you # Shut the door 775 00:37:30,780 --> 00:37:34,020 # Take a giant step for you and all mankind 776 00:37:34,020 --> 00:37:34,260 # Take a giant step for you # Then don't come back 777 00:37:34,260 --> 00:37:35,820 # Then don't come back 778 00:37:35,820 --> 00:37:39,740 # I always gave you so much more than you deserved 779 00:37:39,740 --> 00:37:39,980 # I always gave you so much more # No, don't come back 780 00:37:39,980 --> 00:37:41,820 # No, don't come back 781 00:37:41,820 --> 00:37:43,380 # 'Cause no-one makes a fool of me 782 00:37:43,380 --> 00:37:45,580 # You've got a nerve to walk away 783 00:37:45,580 --> 00:37:47,500 # Mark the words I'm gonna say 784 00:37:47,500 --> 00:37:51,100 # Mister, you just made a big mistake 785 00:37:51,100 --> 00:37:55,300 # You think you're a man but you're only a boy 786 00:37:55,300 --> 00:37:58,780 # You think you're a man, you are only a toy 787 00:37:58,780 --> 00:38:02,540 # You think you're a man but you just couldn't see 788 00:38:02,540 --> 00:38:06,220 # You weren't man enough to satisfy me 789 00:38:21,940 --> 00:38:24,180 # Man, boy 790 00:38:25,700 --> 00:38:28,460 # Man, boy 791 00:38:29,620 --> 00:38:31,860 # Man, boy 792 00:38:33,260 --> 00:38:35,700 # Man, boy 793 00:38:52,020 --> 00:38:56,260 # You think you're a man but you're only a boy 794 00:38:56,260 --> 00:38:59,660 # You think you're a man, you are only a toy 795 00:38:59,660 --> 00:39:03,580 # You think you're a man but you just couldn't see 796 00:39:03,580 --> 00:39:07,100 # You weren't man enough to satisfy me. # 797 00:39:15,740 --> 00:39:17,980 So, listen, you enjoyed the trip so far? 798 00:39:17,980 --> 00:39:18,820 It's been really fantastic. 799 00:39:18,820 --> 00:39:20,740 Australian audiences - you can judge them. 800 00:39:20,740 --> 00:39:22,620 Well, Melbourne is like, I mean, I'm shocked. 801 00:39:22,620 --> 00:39:22,900 Well, Melbourne is like, I mean, I'm shocked. I keep asking all the men if they're women. 802 00:39:22,900 --> 00:39:25,220 I keep asking all the men if they're women. 803 00:39:25,220 --> 00:39:26,700 Why? (LAUGHS) 804 00:39:26,700 --> 00:39:28,980 Because it's like...it's one of the most trendy places 805 00:39:28,980 --> 00:39:29,220 Because it's like...it's I've been to in Australia so far. 806 00:39:29,220 --> 00:39:30,460 I've been to in Australia so far. 807 00:39:30,460 --> 00:39:32,140 We're now on the 10th anniversary. 808 00:39:32,140 --> 00:39:35,540 We had our honoured guest, the Prime Minister Mr Bob Hawke, 809 00:39:35,540 --> 00:39:38,620 and he launched, with myself, the International Youth Year. 810 00:39:38,620 --> 00:39:38,860 and he launched, with myself, And we talked about a youth hotline 811 00:39:38,860 --> 00:39:40,580 And we talked about a youth hotline 812 00:39:40,580 --> 00:39:43,940 of which you can ring up your local radio station. 813 00:39:43,940 --> 00:39:46,260 And once the hotline starts working, 814 00:39:46,260 --> 00:39:48,660 you can ring in and sort of say what you want for '85, 815 00:39:48,660 --> 00:39:50,260 what you think is wrong with the country, 816 00:39:50,260 --> 00:39:52,380 what you think is wrong with Molly Meldrum, 817 00:39:52,380 --> 00:39:54,020 what you think is wrong with my hat, 818 00:39:54,020 --> 00:39:56,820 what you think is wrong with anything you like 819 00:39:56,820 --> 00:39:59,100 to make Australia a better place. 820 00:39:59,100 --> 00:40:01,580 And, of course, your favourite and mine, 821 00:40:01,580 --> 00:40:03,700 and especially for five girls in Brisbane who, 822 00:40:03,700 --> 00:40:07,140 would you believe, have asked me to take this petition across 823 00:40:07,140 --> 00:40:09,140 and present it to Duran Duran. 824 00:40:09,140 --> 00:40:11,900 It's 520 feet long. 825 00:40:11,900 --> 00:40:13,900 And it's go so many pleases it wouldn't matter. 826 00:40:13,900 --> 00:40:17,260 And it all says, "Please, can we please meet Duran Duran?" 827 00:40:17,260 --> 00:40:19,500 Well, girls, I'll also be talking to Boy George and Marilyn, 828 00:40:19,500 --> 00:40:20,900 and they'll be furious when they see this. 829 00:40:20,900 --> 00:40:23,060 You haven't even said one please to meet them. 830 00:40:23,060 --> 00:40:25,380 So, I'll take it across and see what happens. 831 00:40:25,380 --> 00:40:28,620 And me dog Ziggy here, she's got a hat for her, haven't you? 832 00:40:28,620 --> 00:40:28,860 And me dog Ziggy here, she's got a And I'll be missing her terribly. 833 00:40:28,860 --> 00:40:30,500 And I'll be missing her terribly. 834 00:40:30,500 --> 00:40:33,060 Um, number one, do you like the Thompson Twins? 835 00:40:33,060 --> 00:40:33,300 Um, number one, Hold Me Now? 836 00:40:33,300 --> 00:40:34,060 Hold Me Now? 837 00:40:34,060 --> 00:40:35,300 Yeah, the song's good. Yeah? 838 00:40:35,300 --> 00:40:36,060 I like the song. 839 00:40:36,060 --> 00:40:37,140 So... I don't like them much. 840 00:40:37,140 --> 00:40:37,380 So... Why not? 841 00:40:37,380 --> 00:40:38,780 Why not? 842 00:40:38,780 --> 00:40:39,980 I don't know. 843 00:40:39,980 --> 00:40:40,780 You've hardly seen them. 844 00:40:40,780 --> 00:40:41,780 What do you think about radio? 845 00:40:41,780 --> 00:40:44,580 Do you think they could play more songs? 846 00:40:44,580 --> 00:40:45,820 Like... Oh. 847 00:40:45,820 --> 00:40:48,340 Radio stations don't play many new songs. 848 00:40:48,340 --> 00:40:49,700 She's won me for life. 849 00:40:49,700 --> 00:40:51,140 They wait ages and ages 850 00:40:51,140 --> 00:40:54,700 until one other radio station will start playing something. 851 00:40:54,700 --> 00:40:54,940 until one other radio station will Right. 852 00:40:54,940 --> 00:40:55,700 Right. 853 00:40:55,700 --> 00:40:55,940 Earlier this week, Right. 854 00:40:55,940 --> 00:40:59,820 Earlier this week, we received a VHS cassette tape 855 00:40:59,820 --> 00:41:03,260 from this school in Adelaide, actually in South Australia, 856 00:41:03,260 --> 00:41:06,140 Port Augusta, and it's Flinders View Primary School, 857 00:41:06,140 --> 00:41:06,380 Port Augusta, and it's and it was from grade 7. 858 00:41:06,380 --> 00:41:08,180 and it was from grade 7. 859 00:41:08,180 --> 00:41:09,180 And would you believe 860 00:41:09,180 --> 00:41:09,420 they've done this wonderful send up And would you believe 861 00:41:09,420 --> 00:41:11,340 they've done this wonderful send up of Countdown. 862 00:41:11,340 --> 00:41:14,140 So, the quality is not that hot, but I tell you what, 863 00:41:14,140 --> 00:41:14,380 So, the quality is not that hot, the performances are great. 864 00:41:14,380 --> 00:41:15,140 the performances are great. 865 00:41:15,140 --> 00:41:18,100 So, it's over to Port Augusta Flinders View Primary School. 866 00:41:20,420 --> 00:41:24,260 # Beat it, just beat it 867 00:41:24,260 --> 00:41:27,140 # You better run, you better do what you can 868 00:41:27,140 --> 00:41:30,340 # Don't wanna see no blood, don't be a macho man. # 869 00:41:30,340 --> 00:41:31,860 OK, well, here we are in Tower Records. 870 00:41:31,860 --> 00:41:33,020 How are you, Lionel? 871 00:41:33,020 --> 00:41:34,700 Jackson 5, 14 Greatest Hits. 872 00:41:34,700 --> 00:41:36,780 It's in fact a picture disc. 873 00:41:36,780 --> 00:41:38,340 And there's the picture disc itself. 874 00:41:38,340 --> 00:41:41,700 And there's the Tamla Motown Michael Jackson glove. 875 00:41:41,700 --> 00:41:43,540 I don't know if it's going to be released in Australia, 876 00:41:43,540 --> 00:41:43,780 I don't know if it's going to be but I tell you what, it's... 877 00:41:43,780 --> 00:41:45,580 but I tell you what, it's... 878 00:41:45,580 --> 00:41:47,380 ..certainly wins the tacky award of the year. 879 00:41:47,380 --> 00:41:49,900 I'm sitting right here at the bar of Koala Blue. 880 00:41:49,900 --> 00:41:52,220 And, Olivia, I'm looking after the shop 881 00:41:52,220 --> 00:41:52,460 And, Olivia, and the profits are going right up. 882 00:41:52,460 --> 00:41:53,380 and the profits are going right up. 883 00:41:53,380 --> 00:41:54,460 Look what I've actually bought. 884 00:41:54,460 --> 00:41:56,860 I bought a St Kilda footy jumper, 885 00:41:56,860 --> 00:41:59,140 I bought a wonderful little apron, a Vegemite apron. 886 00:41:59,140 --> 00:41:59,380 I bought a wonderful little apron, Now, listen, a couple of weeks ago, 887 00:41:59,380 --> 00:42:00,340 Now, listen, a couple of weeks ago, 888 00:42:00,340 --> 00:42:01,860 God, I get into trouble all the time, 889 00:42:01,860 --> 00:42:04,940 had a go at Rod Stewart, only joking, everybody. 890 00:42:04,940 --> 00:42:07,820 You know, I sort of take it in the chin, he takes it in the chin. 891 00:42:07,820 --> 00:42:10,340 I actually have had a few slaps across the face from him as well. 892 00:42:10,340 --> 00:42:10,580 I actually have had a few slaps Rod is coming out in January. 893 00:42:10,580 --> 00:42:11,380 Rod is coming out in January. 894 00:42:11,380 --> 00:42:13,660 Yes, I'll be at the concert, and it is a good concert, 895 00:42:13,660 --> 00:42:13,900 Yes, I'll be at the concert, saw it in Washington. 896 00:42:13,900 --> 00:42:14,660 saw it in Washington. 897 00:42:14,660 --> 00:42:14,900 So, don't get upset because saw it in Washington. 898 00:42:14,900 --> 00:42:17,340 So, don't get upset because we do have a go at each other. 899 00:42:17,340 --> 00:42:17,580 So, don't get upset because I mean, it's going to be wonderful. 900 00:42:17,580 --> 00:42:18,500 I mean, it's going to be wonderful. 901 00:42:18,500 --> 00:42:20,500 Wham! will be out in January, and Rod will be out in January. 902 00:42:20,500 --> 00:42:21,900 And we'll all probably have a fist fight. 903 00:42:21,900 --> 00:42:24,220 We've also strongly urged the government, 904 00:42:24,220 --> 00:42:28,940 who take 32.5% sales tax for every overseas record, 905 00:42:28,940 --> 00:42:31,460 to drop their sales tax in this case 906 00:42:31,460 --> 00:42:33,340 and give that to the Ethiopian Fund as well. 907 00:42:33,340 --> 00:42:35,860 So, come on, Bob, you've been on the show. 908 00:42:35,860 --> 00:42:37,700 Try to do this, otherwise I want me hat back. 909 00:42:37,700 --> 00:42:37,940 Try to do this, Alright, now listen... 910 00:42:37,940 --> 00:42:38,700 Alright, now listen... 911 00:42:38,700 --> 00:42:40,700 No, only joking, Bob. I shouldn't be saying that. 912 00:42:44,420 --> 00:42:45,420 Personally, 913 00:42:45,420 --> 00:42:47,900 I don't really care for much modern music at the moment. 914 00:42:47,900 --> 00:42:50,180 Is technology taking over too much 915 00:42:50,180 --> 00:42:53,020 and knocking sort of, like, the feel out of music? 916 00:42:53,020 --> 00:42:54,740 I think...yes, for me. 917 00:42:54,740 --> 00:42:55,740 Certainly, yes. 918 00:42:55,740 --> 00:42:58,300 I find it very, very mundane and dull. 919 00:42:58,300 --> 00:42:58,540 I find it very, I don't think rock'n'roll music 920 00:42:58,540 --> 00:43:01,020 I don't think rock'n'roll music 921 00:43:01,020 --> 00:43:03,500 is supposed to be metronomically in time. 922 00:43:03,500 --> 00:43:04,980 I think it spoils it completely. 923 00:43:04,980 --> 00:43:07,580 It's supposed to have a little bit of an ebb and flow there. 924 00:43:07,580 --> 00:43:07,860 Like the synth-pop bands, the new wave and post punk bands It's supposed to have a little bit of an ebb and flow there. 925 00:43:07,860 --> 00:43:11,380 Like the synth-pop bands, the new wave and post punk bands 926 00:43:11,380 --> 00:43:15,060 had, in many ways, gone back to the musical basics. 927 00:43:18,580 --> 00:43:21,340 # I changed my way of thinking too 928 00:43:23,340 --> 00:43:25,540 # I'm coming after you 929 00:43:27,860 --> 00:43:30,100 # I'm coming after midnight 930 00:43:30,100 --> 00:43:31,940 # Walking in the dark 931 00:43:35,220 --> 00:43:37,420 # Questions in the dark 932 00:43:39,580 --> 00:43:42,420 # Walking in the dark 933 00:43:44,460 --> 00:43:46,660 # Questions in the dark... # 934 00:43:54,300 --> 00:43:56,620 The instrumentation was more traditional, 935 00:43:56,620 --> 00:43:56,860 but the attitude was still there, was more traditional, 936 00:43:56,860 --> 00:43:58,380 but the attitude was still there, 937 00:43:58,380 --> 00:44:01,020 and the lyrics still full of new ideas. 938 00:44:01,020 --> 00:44:01,260 and the lyrics still full of new ideas. # I know a place where we can go 939 00:44:01,260 --> 00:44:03,540 # I know a place where we can go 940 00:44:03,540 --> 00:44:06,900 # And I can take you there if you try 941 00:44:06,900 --> 00:44:11,460 # Imagination # Imagination 942 00:44:11,460 --> 00:44:13,980 # I know where we all belong 943 00:44:13,980 --> 00:44:17,220 # And we can get back there if we try 944 00:44:17,220 --> 00:44:20,940 # Imagination # Imagination 945 00:44:20,940 --> 00:44:24,180 # You know what I mean, baby 946 00:44:24,180 --> 00:44:26,340 # Come on, let's dance 947 00:44:26,340 --> 00:44:27,820 # I want to sing 948 00:44:27,820 --> 00:44:31,780 # I'm gonna set myself on fire 949 00:44:31,780 --> 00:44:33,140 # I can prove it 950 00:44:33,140 --> 00:44:35,100 # Gonna prove it 951 00:44:35,100 --> 00:44:38,420 # Just give me the madness and then I'll be free 952 00:44:44,660 --> 00:44:47,180 # I know the sunny days are gone 953 00:44:47,180 --> 00:44:47,420 # I know the sunny days are gone if you try 954 00:44:47,420 --> 00:44:50,940 # But we can get them back if you try 955 00:44:50,940 --> 00:44:51,180 # Imagination if you try 956 00:44:51,180 --> 00:44:55,300 # Imagination 957 00:44:55,300 --> 00:44:57,780 # Not everybody likes to sing 958 00:44:57,780 --> 00:44:58,020 # Not everybody likes to sing # But we can change their minds if you got 959 00:44:58,020 --> 00:45:01,100 # But we can change their minds if you got 960 00:45:01,100 --> 00:45:01,340 # But we can change # Imagination 961 00:45:01,340 --> 00:45:04,660 # Imagination 962 00:45:04,660 --> 00:45:08,100 # You know what I mean, baby 963 00:45:08,100 --> 00:45:10,180 # Come on, let's dance 964 00:45:10,180 --> 00:45:11,820 # I'm gonna sing 965 00:45:11,820 --> 00:45:15,220 # I'm gonna set myself on fire 966 00:45:15,220 --> 00:45:16,940 # I'm gonna prove it 967 00:45:16,940 --> 00:45:19,020 # I can prove it 968 00:45:19,020 --> 00:45:19,260 # Just give me the madness # I can prove it 969 00:45:19,260 --> 00:45:22,740 # Just give me the madness and then I am free 970 00:45:24,020 --> 00:45:25,700 # Whoa 971 00:46:00,500 --> 00:46:03,180 # I know the sunny days are gone 972 00:46:03,180 --> 00:46:03,420 # I know the sunny days are gone if you try 973 00:46:03,420 --> 00:46:06,940 # But we get there and back if you try 974 00:46:06,940 --> 00:46:07,180 # Imagination if you try 975 00:46:07,180 --> 00:46:08,380 # Imagination 976 00:46:10,980 --> 00:46:13,580 # I know a place that we can go 977 00:46:13,580 --> 00:46:13,820 # And we can knock it back # I know a place that we can go 978 00:46:13,820 --> 00:46:16,940 # And we can knock it back if we try 979 00:46:16,940 --> 00:46:17,180 # And we can knock it back # Imagination 980 00:46:17,180 --> 00:46:18,060 # Imagination 981 00:46:18,060 --> 00:46:20,060 # La-la-la-la-la-la 982 00:46:20,060 --> 00:46:24,020 # You know what I mean, baby 983 00:46:24,020 --> 00:46:24,260 # Yeah, we'll get # You know what I mean, baby 984 00:46:24,260 --> 00:46:27,420 # Yeah, we'll get the midnight flight 985 00:46:27,420 --> 00:46:27,660 # Yeah, we'll get # Just looking for some imagination 986 00:46:27,660 --> 00:46:30,660 # Just looking for some imagination 987 00:46:30,660 --> 00:46:35,100 # Little bit of inspiration. # 988 00:46:35,100 --> 00:46:37,540 (CHEERING AND APPLAUSE) 989 00:46:41,460 --> 00:46:43,700 Well, mate, welcome to the program, yet again. 990 00:46:43,700 --> 00:46:44,620 Thank you. 991 00:46:44,620 --> 00:46:46,780 And then, there was Elton. 992 00:46:46,780 --> 00:46:50,900 It seemed fitting that after all his frequent visits here, 993 00:46:50,900 --> 00:46:54,860 Elton John married in Sydney in 1984. 994 00:46:54,860 --> 00:46:55,940 We saw Elton John get married. 995 00:46:55,940 --> 00:46:58,940 And we saw him say, "I do," and she, "I do." 996 00:46:58,940 --> 00:47:02,300 Of course, Molly was front and centre in the proceedings. 997 00:47:03,540 --> 00:47:05,180 Well, there it is, my old mate's finally done it. 998 00:47:05,180 --> 00:47:05,420 Well, there it is, Elton got married to Renate. 999 00:47:05,420 --> 00:47:06,900 Elton got married to Renate. 1000 00:47:06,900 --> 00:47:10,380 Yep, he got to kiss the bride and he told us all about it. 1001 00:47:10,380 --> 00:47:10,660 # Well she looked a peach in the dress she made Yep, he got to kiss the bride and he told us all about it. 1002 00:47:10,660 --> 00:47:13,900 # Well she looked a peach in the dress she made 1003 00:47:13,900 --> 00:47:16,300 # When she was still her mama's little girl 1004 00:47:17,380 --> 00:47:20,580 # And when she walked down the aisle everybody smiled 1005 00:47:20,580 --> 00:47:20,820 # And when she walked down the aisle # At her innocence and curls 1006 00:47:20,820 --> 00:47:23,180 # At her innocence and curls 1007 00:47:24,140 --> 00:47:27,660 # And when the preacher said is there anyone here 1008 00:47:27,660 --> 00:47:31,220 # Got a reason why they shouldn't wed 1009 00:47:34,020 --> 00:47:35,860 # I should have stuck up my hand 1010 00:47:37,180 --> 00:47:39,380 # I should have got up to stand 1011 00:47:41,900 --> 00:47:46,260 # And this is what I should have said 1012 00:47:47,940 --> 00:47:50,140 # I want to kiss the bride, yeah 1013 00:47:54,940 --> 00:47:57,340 # I want to kiss the bride, yeah 1014 00:48:01,860 --> 00:48:04,540 # Long before she met him 1015 00:48:04,540 --> 00:48:07,260 # She was mine, mine, mine 1016 00:48:08,980 --> 00:48:10,820 # Don't say I do 1017 00:48:12,540 --> 00:48:14,860 # Say bye, bye, bye 1018 00:48:15,860 --> 00:48:18,540 # And let me kiss the bride, yeah 1019 00:48:22,620 --> 00:48:25,100 # I want to kiss the bride, yeah 1020 00:48:30,740 --> 00:48:34,180 # Underneath her veil I could see a tear 1021 00:48:34,180 --> 00:48:34,420 # Trickling down her pretty face I could see a tear 1022 00:48:34,420 --> 00:48:37,420 # Trickling down her pretty face 1023 00:48:37,420 --> 00:48:37,660 # Trickling down her pretty face I knew everything 1024 00:48:37,660 --> 00:48:41,020 # And when he slipped on the ring I knew everything 1025 00:48:41,020 --> 00:48:41,260 # And when he slipped on the ring I knew everything # Would never be the same again 1026 00:48:41,260 --> 00:48:43,540 # Would never be the same again 1027 00:48:44,660 --> 00:48:48,020 # But if the groom would have known he'd have had a fit 1028 00:48:48,020 --> 00:48:51,580 # About his wife and the things we did 1029 00:48:54,220 --> 00:48:55,980 # And what I planned to say 1030 00:48:57,820 --> 00:48:59,620 # Yeah, on her wedding day 1031 00:49:02,180 --> 00:49:06,460 # Well, I thought it but I kept it hid 1032 00:49:08,140 --> 00:49:10,460 # I want to kiss the bride, yeah 1033 00:49:14,980 --> 00:49:17,380 # I want to kiss the bride, yeah 1034 00:49:22,260 --> 00:49:24,780 # Long before she met him 1035 00:49:24,780 --> 00:49:27,620 # She was mine, mine, mine 1036 00:49:29,260 --> 00:49:31,060 # Don't say I do 1037 00:49:32,820 --> 00:49:35,020 # Say bye, bye, bye 1038 00:49:36,020 --> 00:49:38,380 # And let me kiss the bride, yeah 1039 00:49:42,860 --> 00:49:45,260 # I want to kiss the bride, yeah 1040 00:50:16,100 --> 00:50:18,420 # I want to kiss the bride, yeah 1041 00:50:23,100 --> 00:50:25,500 # I want to kiss the bride, yeah 1042 00:50:30,340 --> 00:50:32,820 # Long before she met him 1043 00:50:32,820 --> 00:50:35,620 # She was mine, mine, mine 1044 00:50:37,220 --> 00:50:39,060 # Don't say I do 1045 00:50:40,740 --> 00:50:43,100 # Say bye, bye, bye 1046 00:50:44,300 --> 00:50:46,340 # And let me kiss the bride, yeah 1047 00:50:51,020 --> 00:50:53,300 # I want to kiss the bride, yeah 1048 00:50:58,020 --> 00:51:00,380 # I want to kiss the bride, yeah 1049 00:51:05,020 --> 00:51:07,260 # I want to kiss the bride, yeah. # 1050 00:51:15,220 --> 00:51:16,740 # Countdown! # 1051 00:51:16,740 --> 00:51:16,980 MAN: Well, when you look at our player comfort meter # Countdown! # 1052 00:51:16,980 --> 00:51:19,260 MAN: Well, when you look at our player comfort meter 1053 00:51:19,260 --> 00:51:20,060 well, I wouldn't be surprised 1054 00:51:20,060 --> 00:51:20,300 well, I wouldn't be surprised out there before the day is out. 1055 00:51:20,300 --> 00:51:22,660 if we see a few sweaty jockstraps out there before the day is out. 1056 00:51:22,660 --> 00:51:22,940 if we see a few sweaty jockstraps out there before the day is out. The biggest Australian single of the year 1057 00:51:22,940 --> 00:51:24,820 The biggest Australian single of the year 1058 00:51:24,820 --> 00:51:27,820 was a novelty cricket track from The Twelfth Man. 1059 00:51:27,820 --> 00:51:28,060 was a novelty cricket track All in all, 1060 00:51:28,060 --> 00:51:28,820 All in all, 1061 00:51:28,820 --> 00:51:29,060 it looks like we're in for All in all, 1062 00:51:29,060 --> 00:51:30,820 it looks like we're in for a pretty good game here today. 1063 00:51:30,820 --> 00:51:33,020 Now, it's back to Richie in the central missionary position. 1064 00:51:33,020 --> 00:51:34,380 Howzat?! Oh! 1065 00:51:34,380 --> 00:51:34,660 INXS also spent time at the top with Original Sin. Howzat?! Oh! 1066 00:51:34,660 --> 00:51:39,100 INXS also spent time at the top with Original Sin. 1067 00:51:40,700 --> 00:51:42,460 # You might 1068 00:51:42,460 --> 00:51:43,620 # Know of 1069 00:51:43,620 --> 00:51:44,620 # The original sin. # 1070 00:51:44,620 --> 00:51:47,460 American women seem to be trying to do the same thing to you as well. 1071 00:51:47,460 --> 00:51:48,860 Sure. 1072 00:51:48,860 --> 00:51:52,380 We're extremely willing to... 1073 00:51:54,140 --> 00:51:57,100 ..throw all our clothes out when they get hot, put it that way. 1074 00:51:57,100 --> 00:51:57,340 After Thriller, ..throw all our clothes out when they get hot, put it that way. 1075 00:51:57,340 --> 00:51:59,700 After Thriller, 1076 00:51:59,700 --> 00:51:59,940 After Thriller, Wham!'s 1077 00:51:59,940 --> 00:52:02,740 1984 will also be remembered for Wham!'s 1078 00:52:02,740 --> 00:52:02,980 "Wake Me Up Before You Go-Go." Wham!'s 1079 00:52:02,980 --> 00:52:05,220 "Wake Me Up Before You Go-Go." 1080 00:52:06,740 --> 00:52:10,500 And the release of Prince's Purple Rain blockbuster movie 1081 00:52:10,500 --> 00:52:12,220 and soundtrack. 1082 00:52:12,220 --> 00:52:13,620 # When Doves Cry. # 1083 00:52:13,620 --> 00:52:17,780 Female artists dominated the number one spot in '84. 1084 00:52:17,780 --> 00:52:21,700 Madonna found out about her good fortune over the phone. 1085 00:52:21,700 --> 00:52:21,980 Madonna found out about her good fortune over the phone. MOLLY: Very well. Listen, congratulations. 1086 00:52:21,980 --> 00:52:24,300 MOLLY: Very well. Listen, congratulations. 1087 00:52:24,300 --> 00:52:26,540 Because the single, Like A Virgin, has gone to number one this week. 1088 00:52:26,540 --> 00:52:28,780 MADONNA: (ON PHONE) You're kidding! No, I'm not. 1089 00:52:28,780 --> 00:52:29,740 That's great. 1090 00:52:29,740 --> 00:52:29,980 Pat Benatar also broke through with Love Is A Battlefield. That's great. 1091 00:52:29,980 --> 00:52:33,980 Pat Benatar also broke through with Love Is A Battlefield. 1092 00:52:33,980 --> 00:52:34,260 Pat Benatar also broke through with Love Is A Battlefield. You know, when you're touring you don't look at chart positions 1093 00:52:34,260 --> 00:52:36,100 You know, when you're touring you don't look at chart positions 1094 00:52:36,100 --> 00:52:39,100 and no-one calls you on the road when you're in Idaho. 1095 00:52:39,100 --> 00:52:41,140 So, we didn't have any idea that the record was doing that good 1096 00:52:41,140 --> 00:52:41,380 So, we didn't have any idea that the until, you know... 1097 00:52:41,380 --> 00:52:43,380 until, you know... 1098 00:52:43,380 --> 00:52:45,180 ..we started having sell-out shows. 1099 00:52:45,180 --> 00:52:45,420 And we were, ..we started having sell-out shows. 1100 00:52:45,420 --> 00:52:46,620 And we were, "What the hell is this?" 1101 00:52:46,620 --> 00:52:46,860 And we were, You know, it was really great. 1102 00:52:46,860 --> 00:52:48,580 You know, it was really great. 1103 00:52:48,580 --> 00:52:48,820 Tina Turner was in the midst of a career resurgence. You know, it was really great. 1104 00:52:48,820 --> 00:52:52,460 Tina Turner was in the midst of a career resurgence. 1105 00:52:52,460 --> 00:52:52,700 We love you dearly. of a career resurgence. 1106 00:52:52,700 --> 00:52:53,980 We love you dearly. 1107 00:52:53,980 --> 00:52:54,180 We love you dearly. And thanks very much. 1108 00:52:54,180 --> 00:52:55,220 And thanks very much. 1109 00:52:55,220 --> 00:52:56,220 And Cyndi Lauper 1110 00:52:56,220 --> 00:52:59,660 performed her anthemic breakthrough hit on Countdown 1111 00:52:59,660 --> 00:52:59,900 performed her anthemic breakthrough after a slightly rude introduction. 1112 00:52:59,900 --> 00:53:02,580 after a slightly rude introduction. 1113 00:53:02,580 --> 00:53:05,060 Alright, now listen, Cyndi Lauper, do you like her? 1114 00:53:05,060 --> 00:53:07,340 No, it's a bag. 1115 00:53:07,340 --> 00:53:08,980 Right, well I quite like Cyndi actually. 1116 00:53:08,980 --> 00:53:09,220 Right, well I quite like MAN: She wears a bag. 1117 00:53:09,220 --> 00:53:10,260 MAN: She wears a bag. 1118 00:53:10,260 --> 00:53:12,100 Yeah, sometimes she does. It IS a bag. 1119 00:53:12,100 --> 00:53:12,940 I hate it. 1120 00:53:15,300 --> 00:53:18,420 # I come home in the morning light 1121 00:53:18,420 --> 00:53:22,940 # My mother says, "When you gonna live your life right?" 1122 00:53:22,940 --> 00:53:26,700 # Oh, mama dear, we're not the fortunate ones 1123 00:53:26,700 --> 00:53:30,340 # And girls they wanna have fun 1124 00:53:30,340 --> 00:53:34,940 # Oh, girls just want to have fun 1125 00:53:41,260 --> 00:53:44,420 # The phone rings in the middle of the night 1126 00:53:44,420 --> 00:53:48,780 # My father yells, "What you gonna do with your life?" 1127 00:53:48,780 --> 00:53:52,340 # Oh, daddy dear, you know you're still number one 1128 00:53:52,340 --> 00:53:52,580 # Oh, daddy dear, you know you're # But girls they wanna have fun 1129 00:53:52,580 --> 00:53:55,860 # But girls they wanna have fun 1130 00:53:55,860 --> 00:53:58,860 # Oh, girls just want to have 1131 00:53:58,860 --> 00:54:03,300 # That's all they really want 1132 00:54:03,300 --> 00:54:06,660 # Some fun 1133 00:54:06,660 --> 00:54:09,980 # When the working day is done 1134 00:54:09,980 --> 00:54:14,020 # Oh, girls, they wanna have fun 1135 00:54:14,020 --> 00:54:16,780 # Oh, girls just wanna have fun 1136 00:54:16,780 --> 00:54:16,980 # Girls they wanna, wanna have fun # Oh, girls just wanna have fun 1137 00:54:16,980 --> 00:54:21,660 # Girls they wanna, wanna have fun 1138 00:54:21,660 --> 00:54:24,620 # Girls wanna have 1139 00:54:41,060 --> 00:54:44,020 # Some boys take a beautiful girl 1140 00:54:44,020 --> 00:54:44,260 # And hide her away from the rest of the world # Some boys take a beautiful girl 1141 00:54:44,260 --> 00:54:49,300 # And hide her away from the rest of the world 1142 00:54:49,300 --> 00:54:52,180 # I want to be the one to walk in the sun 1143 00:54:52,180 --> 00:54:52,420 # Oh, girls, they wanna have fun to walk in the sun 1144 00:54:52,420 --> 00:54:55,900 # Oh, girls, they wanna have fun 1145 00:54:55,900 --> 00:54:56,100 # Oh, girls, they wanna have fun # Oh, girls just wanna have 1146 00:54:56,100 --> 00:54:58,980 # Oh, girls just wanna have 1147 00:54:58,980 --> 00:55:03,260 # That's all they really want 1148 00:55:03,260 --> 00:55:06,500 # Some fun 1149 00:55:06,500 --> 00:55:09,740 # When the working day is done 1150 00:55:09,740 --> 00:55:13,940 # Oh, girls, they wanna have fun 1151 00:55:13,940 --> 00:55:16,620 # Oh, girls just want to have fun 1152 00:55:16,620 --> 00:55:21,460 # Girls, they wanna, wanna have fun... # 1153 00:55:21,460 --> 00:55:23,220 Captions by Ericsson Access Services 1154 00:55:23,220 --> 00:55:25,260 Copyright Australian Broadcasting Corporation 1155 00:55:25,260 --> 00:55:25,540 I tell you what I'll do, say "You're watching Countdown and..." Copyright Australian Broadcasting Corporation 1156 00:55:25,540 --> 00:55:29,900 I tell you what I'll do, say "You're watching Countdown and..." 1157 00:55:29,900 --> 00:55:34,180 Yeah, do that in the background. (LAUGHS) 1158 00:55:34,180 --> 00:55:35,580 (AUSSIE ACCENT) Hello, Australia, it's Marilyn. 1159 00:55:35,580 --> 00:55:35,820 You're a real brick! Hello, Australia, it's Marilyn. 1160 00:55:35,820 --> 00:55:36,780 You're a real brick! 1161 00:55:37,940 --> 00:55:38,940 What a creature. 1162 00:55:38,940 --> 00:55:40,980 # Molly is stupid 1163 00:55:40,980 --> 00:55:42,260 # Molly is stupid... # 1164 00:55:42,260 --> 00:55:44,180 Thanks, Marilyn. Have you seen Culture Club's new album? 1165 00:55:44,180 --> 00:55:44,420 Thanks, Marilyn. Have you seen Oh, it's Waking Up With...(COUGHS) 1166 00:55:44,420 --> 00:55:46,340 Oh, it's Waking Up With...(COUGHS) 1167 00:55:46,340 --> 00:55:48,340 With the House on Fire, yes. 1168 00:55:48,340 --> 00:55:49,140 Lovely, isn't it? 1169 00:55:49,140 --> 00:55:50,140 That's the best thing for it. 1170 00:55:50,140 --> 00:55:51,580 You haven't seen George around, have you? 1171 00:55:51,580 --> 00:55:54,100 Burn it! Burn it now! (LAUGHTER) 1172 00:55:54,100 --> 00:55:56,900 (LAUGHS) Oh, George. How are you? 1173 00:55:56,900 --> 00:55:58,820 You'll be seeing all of us on Countdown next week 1174 00:55:58,820 --> 00:55:59,060 You'll be seeing all of us for the 10th anniversary. 1175 00:55:59,060 --> 00:55:59,940 for the 10th anniversary. 1176 00:55:59,940 --> 00:56:00,940 Great album, mate. 1177 00:56:00,940 --> 00:56:01,180 Personally, I think it's sacrilege. It's a great album. Great album, mate. 1178 00:56:01,180 --> 00:56:04,060 Personally, I think it's sacrilege. It's a great album. 1179 00:56:05,020 --> 00:56:06,700 GRACE: Visit the Classic Countdown Website 1180 00:56:06,700 --> 00:56:10,940 for more pictures, interviews and behind the scenes information. 92772

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