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00:00:05,700 --> 00:00:05,940
This is a Countdown magazine here
2
00:00:05,940 --> 00:00:09,060
and it's just absolute nonsense
like this show.
3
00:00:09,060 --> 00:00:12,420
They've got me here, and I've been
waiting about four hours now
4
00:00:12,420 --> 00:00:12,660
They've got me here, and I've been
and I'm very bored.
5
00:00:12,660 --> 00:00:14,180
and I'm very bored.
6
00:00:14,180 --> 00:00:14,420
But if you're sensible,
and I'm very bored.
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00:00:14,420 --> 00:00:17,660
But if you're sensible,
you will buy my new album called...
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00:00:17,660 --> 00:00:20,180
# This is what you want,
this is what you get
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00:00:20,180 --> 00:00:22,180
# This is what you want,
this is what you get #
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00:00:22,180 --> 00:00:22,420
# This is what you want,
Available on Virgin Records.
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00:00:22,420 --> 00:00:23,660
Available on Virgin Records.
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00:00:23,660 --> 00:00:25,380
'Ello, boys and girls.
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00:00:25,380 --> 00:00:28,740
# Countdown, Countdown
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00:00:28,740 --> 00:00:30,500
# Countdown
15
00:00:30,500 --> 00:00:34,700
NARRATOR: Welcome to
Classic Countdown 1984.
16
00:00:34,700 --> 00:00:34,940
NARRATOR: Welcome to
# Countdown! #
17
00:00:34,940 --> 00:00:36,020
# Countdown! #
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00:00:38,980 --> 00:00:41,660
GRACE KNIGHT: It was 1984.
19
00:00:41,660 --> 00:00:44,140
And it felt like
the future had arrived.
20
00:00:44,140 --> 00:00:45,660
Beep, beep.
21
00:00:45,660 --> 00:00:45,900
Beep, beep.
A revolutionary new machine
called the Apple Macintosh
22
00:00:45,900 --> 00:00:48,820
A revolutionary new machine
called the Apple Macintosh
23
00:00:48,820 --> 00:00:51,540
has this little thing
called a 'mouse' here.
24
00:00:51,540 --> 00:00:53,860
But despite George Orwell's
famous novel,
25
00:00:53,860 --> 00:00:57,100
Big Brother wasn't exactly
watching yet.
26
00:00:57,100 --> 00:00:57,340
Big Brother wasn't exactly
Or was he?
27
00:00:57,340 --> 00:00:58,380
Or was he?
28
00:00:58,380 --> 00:00:58,620
So, we've got Bob and Irene Hill's
Or was he?
29
00:00:58,620 --> 00:01:00,340
So, we've got Bob and Irene Hill's
address and everything.
30
00:01:00,340 --> 00:01:00,580
So, we've got Bob and Irene Hill's
Yes.
31
00:01:00,580 --> 00:01:01,340
Yes.
32
00:01:01,340 --> 00:01:02,620
I hope they don't mind us
seeing that.
33
00:01:02,620 --> 00:01:02,860
I hope they don't mind us
I hope not.
34
00:01:02,860 --> 00:01:03,620
I hope not.
35
00:01:03,620 --> 00:01:03,860
In 1984, the first gold dollar coins
I hope not.
36
00:01:03,860 --> 00:01:07,300
In 1984, the first gold dollar coins
were rolled out.
37
00:01:07,300 --> 00:01:07,540
In 1984, the first gold dollar coins
And in the world of entertainment,
38
00:01:07,540 --> 00:01:09,220
And in the world of entertainment,
39
00:01:09,220 --> 00:01:11,820
there was much to spend them on.
40
00:01:11,820 --> 00:01:16,460
The heroes and villains of WWF
were taking over the world.
41
00:01:16,460 --> 00:01:18,980
And while Australia
didn't have Hulk Hogan,
42
00:01:18,980 --> 00:01:21,740
we did have Old Bad Back Jack.
43
00:01:23,340 --> 00:01:27,620
There were also plenty of bad guys to
boo on the big screen that year.
44
00:01:27,620 --> 00:01:31,060
Arnie introduced us to
The Terminator.
45
00:01:31,060 --> 00:01:34,180
Freddie Krueger introduced us
to our nightmares.
46
00:01:34,180 --> 00:01:36,700
And if there was something strange
in your neighbourhood,
47
00:01:36,700 --> 00:01:38,500
we knew who to call.
48
00:01:38,500 --> 00:01:38,700
The hardest part of it
we knew who to call.
49
00:01:38,700 --> 00:01:39,500
The hardest part of it
50
00:01:39,500 --> 00:01:42,060
was getting the word 'Ghostbusters'
in the song.
51
00:01:42,060 --> 00:01:43,620
I was like, Ghostbusters
is a real hard word to sing.
52
00:01:43,620 --> 00:01:43,860
I was like, Ghostbusters
is a real hard word to sing.
MOLLY: Exactly.
53
00:01:43,860 --> 00:01:44,620
MOLLY: Exactly.
54
00:01:44,620 --> 00:01:46,260
I mean, it's not exactly
the easiest sort of word
55
00:01:46,260 --> 00:01:46,500
I mean, it's not exactly
to put down and make it rhyme.
56
00:01:46,500 --> 00:01:47,260
to put down and make it rhyme.
57
00:01:47,260 --> 00:01:47,500
Yeah, so I came up with the idea of,
to put down and make it rhyme.
58
00:01:47,500 --> 00:01:50,060
Yeah, so I came up with the idea of,
"Who you going to call?"
59
00:01:50,060 --> 00:01:51,620
And then, "Ghostbusters"
is just added to it.
60
00:01:53,260 --> 00:01:54,420
(LAUGHS)
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00:01:54,420 --> 00:01:57,300
Alright, Australia, I have arrived!
62
00:01:57,300 --> 00:01:57,540
Alright, Australia, I have arrived!
weren't going to take it
63
00:01:57,540 --> 00:02:01,580
In '84, Twisted Sister told us they
weren't going to take it
64
00:02:01,580 --> 00:02:01,820
In '84, Twisted Sister told us they
weren't going to take it
and we followed suit.
65
00:02:01,820 --> 00:02:03,780
and we followed suit.
66
00:02:03,780 --> 00:02:07,740
We had spiky hairdos
and defiant attitudes.
67
00:02:07,740 --> 00:02:07,980
# I'll tell you something
We had spiky hairdos
and defiant attitudes.
68
00:02:07,980 --> 00:02:10,500
# I'll tell you something
69
00:02:10,500 --> 00:02:12,900
# Disturbing... #
70
00:02:12,900 --> 00:02:13,100
# Disturbing... #
Some extroverted...
71
00:02:13,100 --> 00:02:14,300
Some extroverted...
72
00:02:14,300 --> 00:02:17,060
# No, no, not me
# Everybody wants to work
73
00:02:17,060 --> 00:02:17,300
# No, no, not me
# No, no, not me
74
00:02:17,300 --> 00:02:18,860
# No, no, not me
75
00:02:18,860 --> 00:02:20,100
# Everybody wants to work
76
00:02:20,100 --> 00:02:21,580
# No, no, not me... #
77
00:02:21,580 --> 00:02:21,820
# Shake, shake, shake, shake,
shake, shake, shake, shake
# No, no, not me... #
78
00:02:21,820 --> 00:02:24,180
# Shake, shake, shake, shake,
shake, shake, shake, shake
79
00:02:24,180 --> 00:02:24,420
# Shake, shake, shake, shake... #
shake, shake, shake, shake
80
00:02:24,420 --> 00:02:25,660
# Shake, shake, shake, shake... #
81
00:02:25,660 --> 00:02:27,460
..others introverted.
82
00:02:33,220 --> 00:02:35,420
Either was fine.
83
00:02:35,420 --> 00:02:37,140
We did what we wanted.
84
00:02:37,140 --> 00:02:39,100
And wore sunglasses
whenever we wanted.
85
00:02:46,420 --> 00:02:50,060
# I wear my sunglasses at night
86
00:02:50,060 --> 00:02:50,260
# I wear my sunglasses at night
# So I can, so I can
87
00:02:50,260 --> 00:02:53,220
# So I can, so I can
88
00:02:53,220 --> 00:02:58,140
# Watch you weave and breathe
your storylines
89
00:03:01,220 --> 00:03:05,180
# I wear my sunglasses at night
90
00:03:05,180 --> 00:03:08,940
# So I can, so I can
91
00:03:08,940 --> 00:03:13,180
# Keep track of the visions
in my eyes
92
00:03:15,420 --> 00:03:19,060
# Well, she's deceiving me
93
00:03:20,180 --> 00:03:22,820
# It cuts my security
94
00:03:22,820 --> 00:03:27,260
# Had she got control of me?
95
00:03:27,260 --> 00:03:29,700
# I turn to her and say
96
00:03:31,060 --> 00:03:35,340
# Don't switch the blade
on the guy in shades, oh, no
97
00:03:38,660 --> 00:03:42,500
# Don't masquerade
with the guy in shades, oh, no
98
00:03:44,420 --> 00:03:46,020
# I can't believe it
99
00:03:46,020 --> 00:03:50,220
# 'Cause you got it made
with the guy in shades, oh, no
100
00:03:56,100 --> 00:03:59,700
# And I wear my sunglasses at night
101
00:03:59,700 --> 00:04:03,540
# So I can, so I can
102
00:04:03,540 --> 00:04:07,740
# Forget my name
while you collect your claim
103
00:04:10,460 --> 00:04:14,700
# And I wear my sunglasses at night
104
00:04:14,700 --> 00:04:17,980
# So I can, so I can
105
00:04:17,980 --> 00:04:18,220
# See the light
that's right before my eyes
# So I can, so I can
106
00:04:18,220 --> 00:04:22,540
# See the light
that's right before my eyes
107
00:04:24,860 --> 00:04:29,740
# While she's deceiving me
108
00:04:29,740 --> 00:04:29,940
# While she's deceiving me
# She cuts my security
109
00:04:29,940 --> 00:04:33,540
# She cuts my security
110
00:04:33,540 --> 00:04:36,940
# Has she got control of me?
111
00:04:36,940 --> 00:04:40,660
# I turn to her and say
112
00:04:40,660 --> 00:04:44,620
# Don't switch the blade
on the guy in shades, oh, no
113
00:04:48,220 --> 00:04:52,500
# Don't masquerade
with the guy in shades, oh, no
114
00:04:54,180 --> 00:04:55,780
# I can't believe it
115
00:04:55,780 --> 00:04:56,020
# I can't believe it
# Don't be afraid of
the guy in shades, oh, no
116
00:04:56,020 --> 00:04:59,980
# Don't be afraid of
the guy in shades, oh, no
117
00:05:01,580 --> 00:05:03,260
# It can't escape you
118
00:05:03,260 --> 00:05:07,380
# 'Cause you got it made
with the guy in shades, oh, no
119
00:05:21,620 --> 00:05:23,860
# Oh, no
120
00:05:25,540 --> 00:05:30,340
# I say, I wear my sunglasses
at night
121
00:05:30,340 --> 00:05:30,580
# I say, I wear my sunglasses
# I wear my sunglasses at night
122
00:05:30,580 --> 00:05:33,660
# I wear my sunglasses at night
123
00:05:33,660 --> 00:05:37,700
# I wear
my sunglasses at night
124
00:05:39,580 --> 00:05:41,380
# I say it to you now
125
00:05:41,380 --> 00:05:44,980
# I wear my sunglasses at night
126
00:05:44,980 --> 00:05:48,900
# I wear my sunglasses
at night
127
00:05:48,900 --> 00:05:49,140
# I wear my sunglasses
# I wear my sunglasses at night
128
00:05:49,140 --> 00:05:52,700
# I wear my sunglasses at night
129
00:05:54,620 --> 00:05:56,460
# I cry to you
130
00:05:56,460 --> 00:06:00,180
# I wear my sunglasses at night
131
00:06:00,180 --> 00:06:03,020
# I wear my sunglasses
at night. #
132
00:06:20,300 --> 00:06:21,460
Here comes the rain...
133
00:06:22,780 --> 00:06:23,980
..again.
134
00:06:23,980 --> 00:06:24,180
..again.
My God, it's the lounge room.
135
00:06:24,180 --> 00:06:25,700
My God, it's the lounge room.
136
00:06:27,580 --> 00:06:30,100
Ever since Little Richard
applied eyeliner,
137
00:06:30,100 --> 00:06:33,700
pop stars had experimented
with androgyny.
138
00:06:33,700 --> 00:06:37,620
In the early '80s,
Annie Lennox and Grace Jones
139
00:06:37,620 --> 00:06:40,540
discarded traditional
feminine fashion.
140
00:06:40,540 --> 00:06:45,540
By 1984, more musicians
were challenging conventions.
141
00:06:45,540 --> 00:06:45,780
# Ah, I hear you on the radio
By 1984, more musicians
were challenging conventions.
142
00:06:45,780 --> 00:06:50,100
# Ah, I hear you on the radio
143
00:06:50,100 --> 00:06:53,620
# I hear you all the time
144
00:06:53,620 --> 00:06:53,820
# I hear you all the time
# Hear you calling to my brain
145
00:06:53,820 --> 00:06:56,060
# Hear you calling to my brain
146
00:06:56,060 --> 00:06:59,500
# I want peace, peace of mind
147
00:06:59,500 --> 00:07:02,100
# I hear you on the radio
148
00:07:02,100 --> 00:07:05,340
# I hear you all the time. #
149
00:07:05,340 --> 00:07:08,580
Now, listen, tell me, when did you
first actually really,
150
00:07:08,580 --> 00:07:10,340
truly get the name Marilyn?
151
00:07:10,340 --> 00:07:12,140
Well, the kids at school
used to called me names,
152
00:07:12,140 --> 00:07:15,060
at first it was "Poof" and "Queer",
which, in England, is quite normal.
153
00:07:15,060 --> 00:07:16,780
And then when they got
more intelligent
154
00:07:16,780 --> 00:07:17,900
they decided to start
calling me Marilyn
155
00:07:17,900 --> 00:07:19,980
because I drew pictures of
Marilyn Monroe in my art class.
156
00:07:19,980 --> 00:07:21,660
So, I thought,
"Right, I'm going to keep the name
157
00:07:21,660 --> 00:07:23,860
"and show you that I can
make something of myself."
158
00:07:23,860 --> 00:07:25,660
What was the inspiration
for you to, sort of,
159
00:07:25,660 --> 00:07:28,740
try out some different art things
on your face as far as make-up?
160
00:07:28,740 --> 00:07:29,020
Basically, I mean,
when I was very young,
try out some different art things
on your face as far as make-up?
161
00:07:29,020 --> 00:07:30,660
Basically, I mean,
when I was very young,
162
00:07:30,660 --> 00:07:32,700
like, some people have curly hair,
they want it straight,
163
00:07:32,700 --> 00:07:32,940
and I just hated my face.
they want it straight,
164
00:07:32,940 --> 00:07:35,180
and I just hated my face.
165
00:07:35,180 --> 00:07:36,860
I thought it was the most
bland-looking little peanut
166
00:07:36,860 --> 00:07:37,100
I thought it was the most
I'd ever seen.
167
00:07:37,100 --> 00:07:37,980
I'd ever seen.
168
00:07:37,980 --> 00:07:39,220
And it was basically...
169
00:07:39,220 --> 00:07:40,220
I mean, obviously,
170
00:07:40,220 --> 00:07:40,460
when I started wearing make-up
I mean, obviously,
171
00:07:40,460 --> 00:07:41,900
when I started wearing make-up
I wore very little,
172
00:07:41,900 --> 00:07:43,860
I wore just eyeliner
and stuff like that.
173
00:07:43,860 --> 00:07:46,060
You know, there's no way of really
talking about make-up
174
00:07:46,060 --> 00:07:46,300
You know, there's no way of really
without making it sound effeminate.
175
00:07:46,300 --> 00:07:47,700
without making it sound effeminate.
176
00:07:47,700 --> 00:07:51,020
But it's never, ever been a means
for me to be a woman.
177
00:07:51,020 --> 00:07:52,820
I've got no desire to be a woman.
Right.
178
00:07:52,820 --> 00:07:54,780
I mean, you know, I'm a big guy,
I'm a man, you know.
179
00:07:54,780 --> 00:07:57,300
I think most people
when they meet me say,
180
00:07:57,300 --> 00:07:58,860
"God," they expect me
to be a real fairy.
181
00:07:58,860 --> 00:08:01,260
And so, like, the illusion
is completely shattered.
182
00:08:04,980 --> 00:08:06,780
# Guns that cross the street
183
00:08:06,780 --> 00:08:09,180
# You never know who you might meet
184
00:08:09,180 --> 00:08:11,460
# Who's in disguise
185
00:08:13,260 --> 00:08:15,140
# Ooh, as you blow a storm
186
00:08:15,140 --> 00:08:17,180
# There's no-one there
to keep you warm
187
00:08:17,180 --> 00:08:17,420
# There's no-one there
# It's no surprise
188
00:08:17,420 --> 00:08:19,100
# It's no surprise
189
00:08:19,100 --> 00:08:20,900
# There's something in my eyes
190
00:08:20,900 --> 00:08:24,740
# It's a miracle
It's a miracle
191
00:08:24,740 --> 00:08:24,980
# It's a miracle
# It's a miracle
192
00:08:24,980 --> 00:08:26,820
# It's a miracle
193
00:08:26,820 --> 00:08:30,740
# It's a miracle
It's a miracle
194
00:08:30,740 --> 00:08:30,980
# It's a miracle
# It's a miracle
195
00:08:30,980 --> 00:08:33,420
# It's a miracle
196
00:08:33,420 --> 00:08:37,940
# And dreams are made of emotion
197
00:08:38,900 --> 00:08:40,500
# Dance with the counterfeit
198
00:08:40,500 --> 00:08:42,540
# The plastic smiles
and micro heat
199
00:08:42,540 --> 00:08:46,580
# I'll meet you there,
I'll meet you there
200
00:08:46,580 --> 00:08:46,820
# I'll meet you there,
# Run to the edge of town
201
00:08:46,820 --> 00:08:48,220
# Run to the edge of town
202
00:08:48,220 --> 00:08:50,420
# Where Hollywood
lay its footprints down
203
00:08:50,420 --> 00:08:50,660
# Where Hollywood
# Monroe was there
204
00:08:50,660 --> 00:08:52,900
# Monroe was there
205
00:08:52,900 --> 00:08:54,140
# But do you really care?
206
00:08:54,140 --> 00:08:54,380
# It's a miracle
# But do you really care?
207
00:08:54,380 --> 00:08:58,060
# It's a miracle
It's a miracle
208
00:08:58,060 --> 00:08:58,300
# It's a miracle
# It's a miracle
209
00:08:58,300 --> 00:09:00,220
# It's a miracle
210
00:09:00,220 --> 00:09:04,100
# It's a miracle
It's a miracle
211
00:09:04,100 --> 00:09:04,340
# It's a miracle
# It's a miracle
212
00:09:04,340 --> 00:09:06,860
# It's a miracle
213
00:09:06,860 --> 00:09:11,220
# And dreams are made of emotion
214
00:09:13,180 --> 00:09:16,420
# Cry
# It's a miracle
215
00:09:17,380 --> 00:09:18,820
# Cry
216
00:09:18,820 --> 00:09:21,100
# It's a miracle
217
00:09:21,100 --> 00:09:21,340
# It's a miracle
# Cry
# It's a miracle
218
00:09:21,340 --> 00:09:24,860
# Cry
# It's a miracle
219
00:09:24,860 --> 00:09:25,100
# Cry
# Cry
220
00:09:25,100 --> 00:09:27,340
# Cry
221
00:09:27,340 --> 00:09:30,140
# It's a miracle
222
00:09:45,300 --> 00:09:46,940
# Guns that cross the street
223
00:09:46,940 --> 00:09:48,860
# You never know who you might meet
224
00:09:48,860 --> 00:09:53,380
# Who's in disguise,
who's in disguise
225
00:09:53,380 --> 00:09:55,140
# Ooh, as you blow a storm
226
00:09:55,140 --> 00:09:55,380
# Ooh, as you blow a storm
# There's no-one there
to keep you warm
227
00:09:55,380 --> 00:09:57,020
# There's no-one there
to keep you warm
228
00:09:57,020 --> 00:09:57,260
# There's no-one there
# It's no surprise
229
00:09:57,260 --> 00:09:59,140
# It's no surprise
230
00:09:59,140 --> 00:10:01,060
# There's something in my eyes
231
00:10:01,060 --> 00:10:05,060
# It's a miracle
It's a miracle
232
00:10:05,060 --> 00:10:07,100
# It's a miracle
233
00:10:07,100 --> 00:10:11,020
# It's a miracle
It's a miracle
234
00:10:11,020 --> 00:10:11,260
# It's a miracle
# It's a miracle
235
00:10:11,260 --> 00:10:13,500
# It's a miracle
236
00:10:13,500 --> 00:10:18,420
# And dreams are made of emotion
237
00:10:23,340 --> 00:10:29,180
# Ooh, bapa-doo, bapa-doo, bapa-doo,
bapa-doo that bone, yeah!
238
00:10:29,180 --> 00:10:29,420
# Ooh, bapa-doo, bapa-doo, bapa-doo,
bapa-doo that bone, yeah!
# Oh, oh! Ow!
239
00:10:29,420 --> 00:10:32,540
# Oh, oh! Ow!
240
00:10:35,100 --> 00:10:39,180
# It's a miracle
It's a miracle
241
00:10:39,180 --> 00:10:39,420
# It's a miracle
# It's a miracle
242
00:10:39,420 --> 00:10:41,180
# It's a miracle
243
00:10:41,180 --> 00:10:45,340
# It's a miracle
It's a miracle
244
00:10:45,340 --> 00:10:45,580
# It's a miracle
# It's a miracle
245
00:10:45,580 --> 00:10:47,580
# It's a miracle
246
00:10:47,580 --> 00:10:51,860
# It's a miracle
It's a miracle
247
00:10:51,860 --> 00:10:56,140
# It's a miracle
# Dreams are made of emotion
248
00:10:56,140 --> 00:10:57,260
# It's a miracle
249
00:11:00,020 --> 00:11:04,260
# It's a miracle
# Dreams are made of emotion
250
00:11:04,260 --> 00:11:05,380
# It's a miracle. #
251
00:11:11,980 --> 00:11:13,580
Hi there, I'm Boy George
from Culture Club,
252
00:11:13,580 --> 00:11:16,380
and this is Molly Meldrum's
beautiful home
253
00:11:16,380 --> 00:11:16,620
and this is Molly Meldrum's
that's been destroyed by flames.
254
00:11:16,620 --> 00:11:18,220
that's been destroyed by flames.
255
00:11:18,220 --> 00:11:19,740
Isn't it quaint?
256
00:11:19,740 --> 00:11:22,660
Guess he deserves it, actually.
Did it for the... (LAUGHS)
257
00:11:22,660 --> 00:11:22,900
Guess he deserves it, actually.
1984 was a tough year for Molly.
258
00:11:22,900 --> 00:11:25,140
1984 was a tough year for Molly.
259
00:11:25,140 --> 00:11:26,100
..did it for the insurance.
260
00:11:26,100 --> 00:11:26,340
He had to deal with
outspoken co-hosts.
..did it for the insurance.
261
00:11:26,340 --> 00:11:28,620
He had to deal with
outspoken co-hosts.
262
00:11:28,620 --> 00:11:32,060
I'm straight into the studio
to record an even better album
263
00:11:32,060 --> 00:11:32,340
I'm straight into the studio
to record an even better album
than, "This is What You Want,
This is What You Get"
264
00:11:32,340 --> 00:11:34,300
than, "This is What You Want,
This is What You Get"
265
00:11:34,300 --> 00:11:35,860
available currently on
Virgin Records.
266
00:11:35,860 --> 00:11:36,100
available currently on
MOLLY: On Virgin. Right.
267
00:11:36,100 --> 00:11:37,660
MOLLY: On Virgin. Right.
268
00:11:37,660 --> 00:11:37,900
And... (LAUGHS)
MOLLY: On Virgin. Right.
269
00:11:37,900 --> 00:11:40,460
And... (LAUGHS)
Which this show refused to play.
270
00:11:40,460 --> 00:11:42,060
No, it didn't.
Yes, you did.
271
00:11:42,060 --> 00:11:44,780
Oh, we did?
Oh. Talk to the director.
272
00:11:44,780 --> 00:11:46,660
Michael, I'll have to have
a talk to you, later.
273
00:11:46,660 --> 00:11:48,460
Did we do that, Gavin?
274
00:11:48,460 --> 00:11:48,660
And oversharing ones.
Did we do that, Gavin?
275
00:11:48,660 --> 00:11:49,740
And oversharing ones.
276
00:11:49,740 --> 00:11:51,180
What a performance.
277
00:11:51,180 --> 00:11:53,660
I've had some really heavy sex
since I've come to Australia.
278
00:11:53,660 --> 00:11:55,860
I said,
"I've had some really heavy sex."
279
00:11:55,860 --> 00:11:57,580
# Are you ready? #
280
00:11:57,580 --> 00:11:57,780
It must've been a blessed relief
# Are you ready? #
281
00:11:57,780 --> 00:11:59,300
It must've been a blessed relief
282
00:11:59,300 --> 00:12:02,300
when Rock Steady Crew
threw away the mikes
283
00:12:02,300 --> 00:12:02,540
and let their bodies do the talking.
threw away the mikes
284
00:12:02,540 --> 00:12:04,460
and let their bodies do the talking.
285
00:12:18,540 --> 00:12:20,540
# Hey, you, the Rock Steady Crew
286
00:12:20,540 --> 00:12:22,660
# Show what you do,
make a break, make a move
287
00:12:22,660 --> 00:12:22,900
# Show what you do,
# Hey, you, the Rock Steady Crew
288
00:12:22,900 --> 00:12:24,660
# Hey, you, the Rock Steady Crew
289
00:12:24,660 --> 00:12:24,900
# Hey, you, the Rock Steady Crew
# B-boys, breakers,
electric boogaloo
290
00:12:24,900 --> 00:12:27,020
# B-boys, breakers,
electric boogaloo
291
00:12:27,020 --> 00:12:28,820
# Hey, you, the Rock Steady Crew
292
00:12:28,820 --> 00:12:30,860
# Show what you do,
make a break, make a move
293
00:12:30,860 --> 00:12:31,100
# Show what you do,
# Hey, you, the Rock Steady Crew
294
00:12:31,100 --> 00:12:32,980
# Hey, you, the Rock Steady Crew
295
00:12:32,980 --> 00:12:35,460
# B-boys, breakers,
electric boogaloo
296
00:12:35,460 --> 00:12:39,260
# There's a new headline,
there's a new sensation
297
00:12:43,540 --> 00:12:47,340
# Everybody's talking
about the situation
298
00:12:52,060 --> 00:12:56,300
# Bodies in expression,
the music inspiration
299
00:12:56,300 --> 00:12:57,420
# Tell us when you feel it
300
00:12:57,420 --> 00:13:00,180
# 'Cause we're gonna
rock the nation
301
00:13:00,180 --> 00:13:00,420
# 'Cause we're gonna
rock the nation
# Hey, you, the Rock Steady Crew. #
302
00:13:00,420 --> 00:13:02,700
# Hey, you, the Rock Steady Crew. #
303
00:13:02,700 --> 00:13:07,980
By 1984, breakdancing had become
a pop culture phenomenon
304
00:13:07,980 --> 00:13:11,380
prompting the Countdown
Beat Street competition.
305
00:13:12,980 --> 00:13:15,900
It featured participants
from all over Australia.
306
00:14:02,540 --> 00:14:05,340
And who better to judge
our home-grown talent
307
00:14:05,340 --> 00:14:07,340
than our visiting b-boy masters.
308
00:14:07,340 --> 00:14:08,540
And the winners are...
309
00:14:08,540 --> 00:14:10,700
Energy Transfer!
310
00:14:10,700 --> 00:14:13,540
(CHEERING AND APPLAUSE)
311
00:14:17,900 --> 00:14:20,100
With famine in Ethiopia,
312
00:14:20,100 --> 00:14:21,860
recession in the UK,
313
00:14:21,860 --> 00:14:24,620
and continuing IRA unrest,
314
00:14:24,620 --> 00:14:24,860
many bands in 1984
and continuing IRA unrest,
315
00:14:24,860 --> 00:14:29,460
many bands in 1984
felt compelled to comment.
316
00:14:29,460 --> 00:14:29,700
In the US,
many bands in 1984
felt compelled to comment.
317
00:14:29,700 --> 00:14:30,460
In the US,
318
00:14:30,460 --> 00:14:33,220
there was a lot of money was coming
from the US to Ireland
319
00:14:33,220 --> 00:14:37,020
to support the men of violence
on both sides of the fence.
320
00:14:37,020 --> 00:14:37,300
to support the men of violence
on both sides of the fence.
And our attitude was, you know,
there's no glory to this.
321
00:14:37,300 --> 00:14:40,740
And our attitude was, you know,
there's no glory to this.
322
00:14:40,740 --> 00:14:43,260
There's no glory, and I say it
to people here in Australia,
323
00:14:43,260 --> 00:14:45,820
that, you know...
324
00:14:45,820 --> 00:14:47,100
..sending money over.
325
00:14:47,100 --> 00:14:50,700
There are places, sure, where your
money would be appreciated
326
00:14:50,700 --> 00:14:53,700
but not the men of violence,
we don't need money from bombs.
327
00:14:53,700 --> 00:14:53,980
It's like really hard
to get housing in London,
but not the men of violence,
we don't need money from bombs.
328
00:14:53,980 --> 00:14:55,980
It's like really hard
to get housing in London,
329
00:14:55,980 --> 00:14:56,220
first of all, private accommodation,
to get housing in London,
330
00:14:56,220 --> 00:14:57,980
first of all, private accommodation,
331
00:14:57,980 --> 00:15:00,580
like for rent it's just
extortionate.
332
00:15:00,580 --> 00:15:00,860
like for rent it's just
extortionate.
And also the council waiting lists
are just like miles long.
333
00:15:00,860 --> 00:15:05,220
And also the council waiting lists
are just like miles long.
334
00:15:05,220 --> 00:15:09,900
But there's so many empty,
vacant council premises.
335
00:15:09,900 --> 00:15:11,740
And what a lot of young people
are doing now
336
00:15:11,740 --> 00:15:11,980
And what a lot of young people
is actually just taking them over.
337
00:15:11,980 --> 00:15:13,420
is actually just taking them over.
338
00:15:13,420 --> 00:15:14,460
But most of the councils
339
00:15:14,460 --> 00:15:14,700
have got really sort of
But most of the councils
340
00:15:14,700 --> 00:15:18,020
have got really sort of
reactionary attitudes towards that.
341
00:15:18,020 --> 00:15:19,740
We got evicted eight weeks ago.
MOLLY: Right.
342
00:15:19,740 --> 00:15:21,860
They just kicked in the door
and told us to get out.
343
00:15:21,860 --> 00:15:22,100
They just kicked in the door
We couldn't do anything about it.
344
00:15:22,100 --> 00:15:23,340
We couldn't do anything about it.
345
00:15:23,340 --> 00:15:23,580
We'd been there for eight months,
We couldn't do anything about it.
346
00:15:23,580 --> 00:15:26,740
We'd been there for eight months,
you know, we felt at home.
347
00:15:26,740 --> 00:15:27,020
Actually, we took off
and went to India...man.
We'd been there for eight months,
you know, we felt at home.
348
00:15:27,020 --> 00:15:30,580
Actually, we took off
and went to India...man.
349
00:15:30,580 --> 00:15:30,820
And played there quite a lot.
and went to India...man.
350
00:15:30,820 --> 00:15:34,260
And played there quite a lot.
351
00:15:34,260 --> 00:15:34,460
And played there quite a lot.
Malaya and Thailand and Singapore.
352
00:15:34,460 --> 00:15:36,900
Malaya and Thailand and Singapore.
353
00:15:36,900 --> 00:15:38,820
And then we went to Romania,
354
00:15:38,820 --> 00:15:39,060
and then we went to Israel
And then we went to Romania,
355
00:15:39,060 --> 00:15:42,900
and then we went to Israel
during the Lebanese war to play.
356
00:15:42,900 --> 00:15:45,420
And places that were
very strange for us.
357
00:15:45,420 --> 00:15:47,100
And I don't know why
at the time we did it,
358
00:15:47,100 --> 00:15:48,660
it was to get out of
all that stuff,
359
00:15:48,660 --> 00:15:49,460
and to get out of my depression.
360
00:15:49,460 --> 00:15:51,860
And it was very good because it...
361
00:15:51,860 --> 00:15:52,820
..enervated me at the end,
362
00:15:52,820 --> 00:15:55,380
it made me think that what we were
doing was actually quite good
363
00:15:55,380 --> 00:15:55,620
it made me think that what we were
and good fun.
364
00:15:55,620 --> 00:15:57,220
and good fun.
365
00:15:57,220 --> 00:15:58,180
Within months,
366
00:15:58,180 --> 00:16:02,220
Bob Geldof would be organising
the charity supergroup, Band Aid.
367
00:16:03,940 --> 00:16:05,900
Many of us were hoping
for better days.
368
00:16:18,940 --> 00:16:22,620
# Oooooh
369
00:16:22,620 --> 00:16:27,140
# Ooh, I want to find
a better place
370
00:16:27,140 --> 00:16:30,460
# Oooooh
371
00:16:30,460 --> 00:16:34,300
# Ooh, I'm searching
for a better place
372
00:16:42,260 --> 00:16:46,780
# Oooooh, ooh
373
00:16:46,780 --> 00:16:50,460
# I'm tired of living in the sand
374
00:16:50,460 --> 00:16:54,780
# Oooooh, ooh
375
00:16:54,780 --> 00:16:57,900
# I'm searching for a better land
376
00:16:57,900 --> 00:17:03,300
# Heaven, must be there
377
00:17:03,300 --> 00:17:05,700
# Well, it's just got to be there
378
00:17:05,700 --> 00:17:07,300
# I've never
379
00:17:07,300 --> 00:17:09,380
# Never seen Eden
380
00:17:11,820 --> 00:17:14,740
# I don't want to live in this place
381
00:17:21,540 --> 00:17:26,140
# Oooooh, ooh
382
00:17:26,140 --> 00:17:29,740
# I'm always trying to escape
383
00:17:29,740 --> 00:17:33,580
# Oooooh, ooh
384
00:17:33,580 --> 00:17:33,780
# Oooooh, ooh
# I never know which road to take
385
00:17:33,780 --> 00:17:37,100
# I never know which road to take
386
00:17:37,100 --> 00:17:41,540
# Heaven, must be there
387
00:17:42,460 --> 00:17:44,740
# Well, it's just got to be there
388
00:17:44,740 --> 00:17:46,580
# I've never
389
00:17:46,580 --> 00:17:48,980
# Never seen Eden
390
00:17:48,980 --> 00:17:53,060
# I don't want to live in this place
391
00:17:53,060 --> 00:17:57,860
# Heaven, must be there
392
00:17:57,860 --> 00:18:00,300
# Well, it's just got to be there
393
00:18:00,300 --> 00:18:02,260
# I've never
394
00:18:02,260 --> 00:18:04,660
# Never seen Eden
395
00:18:06,660 --> 00:18:09,860
# I don't want to live in this place
396
00:18:15,900 --> 00:18:17,860
# Live in this place
397
00:18:20,300 --> 00:18:23,380
# Ooh
398
00:18:31,460 --> 00:18:34,500
# Live in this place, this place
399
00:18:40,020 --> 00:18:44,060
# Oooooh, ooh
400
00:18:44,060 --> 00:18:48,140
# I want to find a better place
401
00:18:48,140 --> 00:18:51,940
# Oooooh, ooh
402
00:18:51,940 --> 00:18:52,140
# Oooooh, ooh
# I'm searching for a better place
403
00:18:52,140 --> 00:18:55,780
# I'm searching for a better place
404
00:18:55,780 --> 00:19:00,460
# Heaven, must be there
405
00:19:00,460 --> 00:19:03,060
# Well, it's just got to be there
406
00:19:03,060 --> 00:19:04,980
# I've never
407
00:19:04,980 --> 00:19:07,220
# Never seen Eden
408
00:19:07,220 --> 00:19:10,340
# I don't want to live in this place
409
00:19:10,340 --> 00:19:11,340
# I don't want to live
410
00:19:11,340 --> 00:19:16,340
# Heaven, must be there
411
00:19:16,340 --> 00:19:18,500
# Well, it's just got to be there
412
00:19:18,500 --> 00:19:20,900
# I've never
413
00:19:20,900 --> 00:19:22,860
# Never seen Eden
414
00:19:22,860 --> 00:19:26,580
# I don't want to
live in this place
415
00:19:26,580 --> 00:19:26,820
# I don't want to
# Heaven, must be... #
416
00:19:26,820 --> 00:19:29,940
# Heaven, must be... #
417
00:19:30,900 --> 00:19:32,980
Oh, yeah! This is Gene Simmons!
418
00:19:32,980 --> 00:19:34,140
I'm Paul Stanley.
419
00:19:34,140 --> 00:19:35,140
Ace Frehley!
420
00:19:35,140 --> 00:19:36,140
Eric Carr.
421
00:19:36,140 --> 00:19:38,620
We're coming to you from New York
right across Australia.
422
00:19:38,620 --> 00:19:40,140
This is KISS' Countdown.
423
00:19:40,140 --> 00:19:42,020
And we're going to
rock'n'roll you all night.
424
00:19:42,020 --> 00:19:43,700
Yep!
Alright.
425
00:19:43,700 --> 00:19:46,020
There's no doubt that
over the years on Countdown
426
00:19:46,020 --> 00:19:46,260
There's no doubt that
we witnessed some memorable quartets,
427
00:19:46,260 --> 00:19:49,060
we witnessed some memorable quartets,
428
00:19:49,060 --> 00:19:49,300
bopped along with
some swinging trios...
we witnessed some memorable quartets,
429
00:19:49,300 --> 00:19:52,300
bopped along with
some swinging trios...
430
00:19:52,300 --> 00:19:56,980
# La-da-da-da-da,
la-da-da-da, la-da-da-da
431
00:19:56,980 --> 00:19:57,220
# La-da-da-da... #
la-da-da-da, la-da-da-da
432
00:19:57,220 --> 00:19:58,700
# La-da-da-da... #
433
00:19:58,700 --> 00:20:01,740
# I just want to spend a... #
434
00:20:01,740 --> 00:20:01,980
# I just want to spend a... #
of some great double acts.
435
00:20:01,980 --> 00:20:05,180
..and enjoyed the harmonies
of some great double acts.
436
00:20:05,180 --> 00:20:05,460
..and enjoyed the harmonies
of some great double acts.
# I just wanna
spend the night with you
437
00:20:05,460 --> 00:20:07,900
# I just wanna
spend the night with you
438
00:20:07,900 --> 00:20:08,140
# I just wanna
# I just want to do it right. #
439
00:20:08,140 --> 00:20:09,980
# I just want to do it right. #
440
00:20:09,980 --> 00:20:15,740
But in 1984, thanks to the emergence
of synthesisers and drum machines,
441
00:20:15,740 --> 00:20:20,060
a solo artist could give new meaning
to the term one-man band.
442
00:20:29,260 --> 00:20:32,340
# I love you whether or not
you love me
443
00:20:34,220 --> 00:20:37,340
# I love you even if
you think that I don't
444
00:20:38,860 --> 00:20:42,220
# Sometimes I find
you doubt my love for you
445
00:20:42,220 --> 00:20:42,460
# Sometimes I find
# But I don't mind
446
00:20:42,460 --> 00:20:44,020
# But I don't mind
447
00:20:44,020 --> 00:20:46,940
# Why should I mind?
Why should I mind?
448
00:20:48,020 --> 00:20:53,620
# What is love anyway?
449
00:20:53,620 --> 00:20:57,860
# Does anybody love anybody anyway?
450
00:20:57,860 --> 00:21:02,860
# What is love anyway?
451
00:21:02,860 --> 00:21:08,060
# Does anybody love anybody anyway?
452
00:21:08,060 --> 00:21:09,060
# Whoa
453
00:21:16,460 --> 00:21:21,460
# Can anybody love anyone so much
that they will never fear?
454
00:21:21,460 --> 00:21:21,700
# Can anybody love anyone so much
that they will never fear?
# Never worry, never be sad
455
00:21:21,700 --> 00:21:24,740
# Never worry, never be sad
456
00:21:26,220 --> 00:21:31,020
# The answer is they cannot love
this much, nobody can
457
00:21:31,020 --> 00:21:35,100
# This is why I don't mind you
doubting
458
00:21:35,100 --> 00:21:35,340
# This is why I don't mind you
# What is love anyway?
459
00:21:35,340 --> 00:21:40,700
# What is love anyway?
460
00:21:40,700 --> 00:21:45,420
# Does anybody love anybody anyway?
461
00:21:45,420 --> 00:21:50,220
# What is love anyway?
462
00:21:50,220 --> 00:21:54,980
# Does anybody love anybody anyway
463
00:21:54,980 --> 00:21:59,780
# Whoa, whoa-oh-oh
464
00:21:59,780 --> 00:22:02,460
# Whoa
465
00:22:13,340 --> 00:22:15,860
# And maybe love
is letting people be
466
00:22:15,860 --> 00:22:16,100
# And maybe love
# Just what they want to be
467
00:22:16,100 --> 00:22:18,660
# Just what they want to be
468
00:22:18,660 --> 00:22:21,860
# The door always must be
left unlocked
469
00:22:23,060 --> 00:22:28,060
# To love when circumstance
may lead someone away from you
470
00:22:28,060 --> 00:22:32,140
# And not to spend the time
just doubting
471
00:22:32,140 --> 00:22:32,380
# And not to spend the time
# What is love anyway?
472
00:22:32,380 --> 00:22:37,140
# What is love anyway?
473
00:22:37,140 --> 00:22:42,140
# Does anybody love anybody anyway?
474
00:22:42,140 --> 00:22:42,340
# What is love anyway?
# Does anybody love anybody anyway?
475
00:22:42,340 --> 00:22:47,100
# What is love anyway?
476
00:22:47,100 --> 00:22:51,860
# Does anybody love anybody anyway?
477
00:22:51,860 --> 00:22:52,060
# Does anybody love anybody anyway?
# Whoa
478
00:22:52,060 --> 00:22:54,300
# Whoa
479
00:22:54,300 --> 00:22:56,700
# Whoa-oh
480
00:22:56,700 --> 00:22:59,820
# Whoa
481
00:22:59,820 --> 00:23:04,780
# What is love anyway?
482
00:23:04,780 --> 00:23:09,220
# Does anybody love anybody anyway?
483
00:23:09,220 --> 00:23:11,620
# Whoa
484
00:23:11,620 --> 00:23:14,100
# Whoa-oh
485
00:23:14,100 --> 00:23:16,580
# Whoa
486
00:23:16,580 --> 00:23:18,380
# What is love. #
487
00:23:29,180 --> 00:23:31,740
Hi, Australia,
you crazy bunch of so-and-sos.
488
00:23:31,740 --> 00:23:33,300
You know who I am, I'm Billy Idol.
489
00:23:33,300 --> 00:23:35,300
(BEEP!)
Ready?
490
00:23:35,300 --> 00:23:35,540
(BEEP!)
Alright. Hi, I'm Billy Idol.
491
00:23:35,540 --> 00:23:36,580
Alright. Hi, I'm Billy Idol.
492
00:23:36,580 --> 00:23:38,820
And that's right,
you can catch anything from me.
493
00:23:38,820 --> 00:23:41,780
And so, Catch My Fall,
my new single.
494
00:23:41,780 --> 00:23:42,540
Alright, I'm Billy Idol.
495
00:23:42,540 --> 00:23:44,700
And five, four, three, two, one,
496
00:23:44,700 --> 00:23:46,700
this is Countdown's
10th anniversary.
497
00:23:46,700 --> 00:23:46,940
this is Countdown's
For rock'n'roll, Molly Meldrum, OK.
498
00:23:46,940 --> 00:23:49,980
For rock'n'roll, Molly Meldrum, OK.
499
00:23:52,300 --> 00:23:53,460
MOLLY: Alright, one more.
500
00:23:53,460 --> 00:23:55,300
# What set you free
501
00:23:55,300 --> 00:23:57,900
# I need you here by me
502
00:23:57,900 --> 00:23:59,500
# Because
503
00:23:59,500 --> 00:24:01,100
# In the midnight hour
504
00:24:01,100 --> 00:24:04,820
# She cried more, more, more
505
00:24:04,820 --> 00:24:06,900
# With a rebel yell
506
00:24:06,900 --> 00:24:09,900
# She cried more, more, more...
507
00:24:09,900 --> 00:24:10,140
Pop music in the mid '80s
# She cried more, more, more...
508
00:24:10,140 --> 00:24:13,660
Pop music in the mid '80s
was as healthy as ever.
509
00:24:13,660 --> 00:24:13,900
Pop music in the mid '80s
# More, more, more
510
00:24:13,900 --> 00:24:16,500
# More, more, more
511
00:24:16,500 --> 00:24:19,020
# With a rebel yell... #
512
00:24:19,020 --> 00:24:21,780
Especially if you had a great look.
513
00:24:21,780 --> 00:24:22,020
# And here the night will
pour out its wild desires
Especially if you had a great look.
514
00:24:22,020 --> 00:24:26,340
# And here the night will
pour out its wild desires
515
00:24:29,580 --> 00:24:33,940
# And when they play
the sticky music
516
00:24:33,940 --> 00:24:34,180
# And when they play
# On the radio
517
00:24:34,180 --> 00:24:37,220
# On the radio
518
00:24:37,220 --> 00:24:41,580
# Ooh, when they play
that sticky music
519
00:24:41,580 --> 00:24:43,820
# We'll cling so close. #
520
00:24:45,620 --> 00:24:49,020
Big hair, big suits,
and the name of a big movie star
521
00:24:49,020 --> 00:24:49,260
Big hair, big suits,
was as good a pop gimmick as any.
522
00:24:49,260 --> 00:24:51,820
was as good a pop gimmick as any.
523
00:24:52,780 --> 00:24:56,340
# Hopes dashed to the floor
like shattered teenage dreams
524
00:25:00,020 --> 00:25:03,500
# Boys living next door
are never what they seem
525
00:25:04,660 --> 00:25:06,420
# Oooh
526
00:25:06,420 --> 00:25:10,500
# A walk in the park
can become a bad dream
527
00:25:10,500 --> 00:25:13,900
# People are staring
and following me
528
00:25:13,900 --> 00:25:17,740
# This is my only
escape from it all
529
00:25:17,740 --> 00:25:22,660
# Watching a film
or a face on the wall
530
00:25:22,660 --> 00:25:25,220
# Robert De Niro's waiting
531
00:25:25,220 --> 00:25:27,620
# Talking Italian
532
00:25:29,620 --> 00:25:32,660
# Robert De Niro's waiting
533
00:25:32,660 --> 00:25:36,900
# Talking Italian
534
00:25:36,900 --> 00:25:39,900
# Robert De Niro's waiting
535
00:25:39,900 --> 00:25:44,460
# Talking Italian
536
00:25:44,460 --> 00:25:47,900
# Robert De Niro's waiting
537
00:25:51,300 --> 00:25:55,020
# I don't need a boy,
I've got a man of steel
538
00:25:58,660 --> 00:26:03,540
# Don't come any closer,
I don't wanna feel
539
00:26:03,540 --> 00:26:03,780
# Don't come any closer,
# Oooh
540
00:26:03,780 --> 00:26:05,620
# Oooh
541
00:26:05,620 --> 00:26:06,940
# Your breathing, your touching
542
00:26:06,940 --> 00:26:09,100
# But nothing's for free
543
00:26:09,100 --> 00:26:12,820
# I never want this to happen to me
544
00:26:12,820 --> 00:26:13,060
# Don't try to change me
# I never want this to happen to me
545
00:26:13,060 --> 00:26:16,460
# Don't try to change me
you're wasting your time
546
00:26:16,460 --> 00:26:21,180
# Now I've got something
much better in mind
547
00:26:21,180 --> 00:26:21,420
# Now I've got something
# Robert De Niro's waiting
548
00:26:21,420 --> 00:26:23,900
# Robert De Niro's waiting
549
00:26:23,900 --> 00:26:26,820
# Talking Italian
550
00:26:28,500 --> 00:26:31,340
# Robert De Niro's waiting
551
00:26:31,340 --> 00:26:35,780
# Talking Italian
552
00:26:35,780 --> 00:26:38,460
# Robert De Niro's waiting
553
00:26:38,460 --> 00:26:43,140
# Talking Italian
554
00:26:43,140 --> 00:26:47,580
# Robert De Niro's waiting
555
00:26:49,740 --> 00:26:53,380
# Talk, talk, talk, talk, talk
556
00:26:53,380 --> 00:26:56,420
# Talking
557
00:26:56,420 --> 00:26:58,060
# Oooh
558
00:26:58,060 --> 00:27:00,620
# Talk, talk, talk, talk, talk
559
00:27:00,620 --> 00:27:00,820
# Talk, talk, talk, talk, talk
# Talking
560
00:27:00,820 --> 00:27:02,780
# Talking
561
00:27:04,300 --> 00:27:07,940
# A walk in the park
can become a bad dream
562
00:27:07,940 --> 00:27:11,580
# People are staring
and following me
563
00:27:11,580 --> 00:27:15,260
# This is my only
escape from it all
564
00:27:15,260 --> 00:27:19,860
# Watching a film
or a face on the wall
565
00:27:19,860 --> 00:27:20,100
# Robert De Niro's waiting
# Watching a film
or a face on the wall
566
00:27:20,100 --> 00:27:22,580
# Robert De Niro's waiting
567
00:27:22,580 --> 00:27:27,460
# Talking Italian
568
00:27:27,460 --> 00:27:27,660
# Talking Italian
# Robert De Niro's waiting
569
00:27:27,660 --> 00:27:29,900
# Robert De Niro's waiting
570
00:27:29,900 --> 00:27:33,940
# Talking Italian
571
00:27:33,940 --> 00:27:35,060
# Italian
572
00:27:35,060 --> 00:27:37,140
# Robert De Niro's waiting
573
00:27:37,140 --> 00:27:42,060
# Talking Italian
574
00:27:42,060 --> 00:27:45,140
# Robert De Niro's waiting. #
575
00:28:01,300 --> 00:28:04,540
# Across every ocean
576
00:28:04,540 --> 00:28:08,460
# For the sake of locomotion
577
00:28:08,460 --> 00:28:08,660
# For the sake of locomotion
# But I wouldn't have a notion
578
00:28:08,660 --> 00:28:12,420
# But I wouldn't have a notion
579
00:28:12,420 --> 00:28:16,180
# How to save my soul...
580
00:28:16,180 --> 00:28:19,060
But there was a lot more to British
pop in the mid '80s,
581
00:28:19,060 --> 00:28:19,300
But there was a lot more to British
and new heroes that were relatable.
582
00:28:19,300 --> 00:28:21,780
and new heroes that were relatable.
583
00:28:24,260 --> 00:28:27,700
# Stop and make small talk
584
00:28:27,700 --> 00:28:31,220
# But I can't say no... #
585
00:28:31,220 --> 00:28:31,460
We literally
came out of the audience,
# But I can't say no... #
586
00:28:31,460 --> 00:28:32,780
We literally
came out of the audience,
587
00:28:32,780 --> 00:28:34,820
we were very, very
interested in fashion,
588
00:28:34,820 --> 00:28:38,100
and we had a few, what we thought,
were revolutionary ideas
589
00:28:38,100 --> 00:28:38,380
and we had a few, what we thought,
were revolutionary ideas
as far as the music business
was concerned.
590
00:28:38,380 --> 00:28:40,020
as far as the music business
was concerned.
591
00:28:40,020 --> 00:28:40,260
as far as the music business
So, we never actually had a tag.
592
00:28:40,260 --> 00:28:41,820
So, we never actually had a tag.
593
00:28:41,820 --> 00:28:43,460
And although the...
594
00:28:43,460 --> 00:28:46,260
..the music press did try
to label us New Romantics,
595
00:28:46,260 --> 00:28:50,140
even 'Futurist'
and half a dozen other names.
596
00:28:50,140 --> 00:28:52,180
It's very convenient for them
to do that with groups
597
00:28:52,180 --> 00:28:53,980
so they can then put
the tag on the group,
598
00:28:53,980 --> 00:28:56,500
lock them in the drawer
under 'N' for 'New Romantics'
599
00:28:56,500 --> 00:28:58,500
and everyone's
in their little niches.
600
00:28:58,500 --> 00:29:01,140
And it's all very easy
for them to write articles on.
601
00:29:01,140 --> 00:29:01,420
They think that if you continue
to write really strong songs,
And it's all very easy
for them to write articles on.
602
00:29:01,420 --> 00:29:05,500
They think that if you continue
to write really strong songs,
603
00:29:05,500 --> 00:29:05,740
and you can just keep doing that,
They think that if you continue
to write really strong songs,
604
00:29:05,740 --> 00:29:08,660
and you can just keep doing that,
605
00:29:08,660 --> 00:29:12,060
then you've got a lot more chance of
surviving for longer
606
00:29:12,060 --> 00:29:12,340
then you've got a lot more chance of
surviving for longer
than if you sort of become
preoccupied with...
607
00:29:12,340 --> 00:29:14,820
than if you sort of become
preoccupied with...
608
00:29:14,820 --> 00:29:17,860
..pictures in magazines
instead of writing songs.
609
00:29:17,860 --> 00:29:18,100
..pictures in magazines
Everybody else actually worried
610
00:29:18,100 --> 00:29:18,980
Everybody else actually worried
611
00:29:18,980 --> 00:29:20,980
about the flavour of the month
thing, didn't they?
612
00:29:20,980 --> 00:29:22,860
It was always the record company
and our managers
613
00:29:22,860 --> 00:29:23,100
It was always the record company
who were really like that.
614
00:29:23,100 --> 00:29:25,700
who were really like that.
615
00:29:25,700 --> 00:29:27,820
And I think if there was any chance
of it coming up,
616
00:29:27,820 --> 00:29:29,620
they certainly coped with it
very quickly.
617
00:29:29,620 --> 00:29:29,860
I just think people expect now,
they certainly coped with it
very quickly.
618
00:29:29,860 --> 00:29:31,060
I just think people expect now,
619
00:29:31,060 --> 00:29:33,140
they expect bands to be really,
really good.
620
00:29:33,140 --> 00:29:33,380
MOLLY: Right.
really good.
621
00:29:33,380 --> 00:29:34,140
MOLLY: Right.
622
00:29:34,140 --> 00:29:36,180
Whereas in Britain,
there's not a lot of good bands.
623
00:29:36,180 --> 00:29:41,140
In Australia, there is a lot
of good live bands
624
00:29:41,140 --> 00:29:41,420
In Australia, there is a lot
of good live bands
who, I mean, a lot of them
aren't known outside Australia.
625
00:29:41,420 --> 00:29:44,300
who, I mean, a lot of them
aren't known outside Australia.
626
00:29:44,300 --> 00:29:45,900
But you come here
and you see them in the pubs,
627
00:29:45,900 --> 00:29:46,140
But you come here
and they can really carry it off.
628
00:29:46,140 --> 00:29:47,140
and they can really carry it off.
629
00:29:47,140 --> 00:29:49,260
They learn that sort of thing
on the boards there,
630
00:29:49,260 --> 00:29:50,180
they really learn it.
631
00:29:50,180 --> 00:29:50,380
# Everywhere I go, everywhere I go
they really learn it.
632
00:29:50,380 --> 00:29:52,620
# Everywhere I go, everywhere I go
633
00:29:52,620 --> 00:29:54,500
# You're there...
634
00:29:54,500 --> 00:29:58,620
Indeed, Australian bands had taken
the synth-pop of the British
635
00:29:58,620 --> 00:29:58,900
Indeed, Australian bands had taken
the synth-pop of the British
and morphed it
into something uniquely local.
636
00:29:58,900 --> 00:30:02,620
and morphed it
into something uniquely local.
637
00:30:02,620 --> 00:30:05,700
# Could it be you really care?
638
00:30:08,500 --> 00:30:11,340
# I had your eye in my direction
639
00:30:11,340 --> 00:30:15,580
# You seem to smile
and then you walk away
640
00:30:15,580 --> 00:30:19,020
# I know we're running the same line
641
00:30:19,020 --> 00:30:21,860
# You know it's only
a matter of time... #
642
00:30:27,020 --> 00:30:28,980
# It's not so bad when you're away
643
00:30:30,580 --> 00:30:33,180
# I do the same things every day...
644
00:30:33,180 --> 00:30:33,420
# I do the same things every day...
Even '70s rock singers,
like Stephen Cummings,
645
00:30:33,420 --> 00:30:36,900
Even '70s rock singers,
like Stephen Cummings,
646
00:30:36,900 --> 00:30:37,140
Even '70s rock singers,
took it on board.
647
00:30:37,140 --> 00:30:38,060
took it on board.
648
00:30:38,060 --> 00:30:41,420
# Stop this raining in my heart
649
00:30:41,420 --> 00:30:41,660
# Another kick in the head
# Stop this raining in my heart
650
00:30:41,660 --> 00:30:45,500
# Another kick in the head
# Another kick in the head
651
00:30:45,500 --> 00:30:49,260
# Another smack in the mouth
# Another smack in the mouth
652
00:30:49,260 --> 00:30:49,500
# Another smack in the mouth
# Another lonely night
653
00:30:49,500 --> 00:30:50,980
# Another lonely night
654
00:30:50,980 --> 00:30:53,900
# Another lonely night,
where were you when I needed you?
655
00:30:53,900 --> 00:30:56,660
# Where were you
when I needed you? #
656
00:31:02,900 --> 00:31:06,700
Outfits like the Dropbears
added horns for a splash of funk.
657
00:31:08,260 --> 00:31:10,740
# You don't think you're so great
658
00:31:10,740 --> 00:31:12,580
# But you don't think you look bad
659
00:31:12,580 --> 00:31:14,620
# One will hand it to you
660
00:31:14,620 --> 00:31:17,220
# You know you've
got to take it back
661
00:31:20,540 --> 00:31:22,820
# You've got to stand up straight
662
00:31:25,660 --> 00:31:27,860
# Negotiate
663
00:31:29,820 --> 00:31:31,820
# Come on, girl
664
00:31:31,820 --> 00:31:33,860
# Be a proud
665
00:31:33,860 --> 00:31:36,100
# Woman... #
666
00:31:40,300 --> 00:31:41,220
# Ooh, ooh
667
00:31:41,220 --> 00:31:44,340
# Speaking ahead of time
668
00:31:44,340 --> 00:31:44,540
# Speaking ahead of time
# Playing waiting
669
00:31:44,540 --> 00:31:45,940
# Playing waiting
670
00:31:45,940 --> 00:31:48,420
The Machinations knew how
to get hips swaying.
671
00:31:48,420 --> 00:31:52,020
# She's keeping it out in the open
672
00:31:52,020 --> 00:31:53,620
# She's no angel
673
00:31:53,620 --> 00:31:56,980
# But she can make her own way
674
00:31:56,980 --> 00:31:59,380
# You've got no say in it
675
00:31:59,380 --> 00:32:00,860
# She's not in danger
676
00:32:00,860 --> 00:32:04,060
# She can make her own way
677
00:32:04,060 --> 00:32:06,460
# You've got no say in it
678
00:32:06,460 --> 00:32:08,460
# She's pure instinct
679
00:32:08,460 --> 00:32:11,140
# She should make her own way... #
680
00:32:13,140 --> 00:32:16,940
# You never look, you never see
681
00:32:16,940 --> 00:32:17,180
# You never look, you never see
when you're next to me
682
00:32:17,180 --> 00:32:20,500
# You never notice
when you're next to me
683
00:32:20,500 --> 00:32:20,780
# You never notice
when you're next to me
Pseudo Echo led the charge
from the beginning.
684
00:32:20,780 --> 00:32:23,100
Pseudo Echo led the charge
from the beginning.
685
00:32:23,100 --> 00:32:25,820
# Burning with desire
686
00:32:27,380 --> 00:32:31,980
# There's a beat for you
in my heart
687
00:32:31,980 --> 00:32:32,220
# There's a beat for you
# I tell you true from the start
688
00:32:32,220 --> 00:32:35,300
# I tell you true from the start
689
00:32:35,300 --> 00:32:39,340
# There's a beat for you
in my heart
690
00:32:39,340 --> 00:32:39,580
# There's a beat for you
# I tell you true from the start. #
691
00:32:39,580 --> 00:32:42,940
# I tell you true from the start. #
692
00:32:44,820 --> 00:32:46,580
And by 1984,
693
00:32:46,580 --> 00:32:50,620
we were exporting our own brand of
synth-pop to the world.
694
00:32:50,620 --> 00:32:50,860
# I lay down to rest my head
we were exporting our own brand of
synth-pop to the world.
695
00:32:50,860 --> 00:32:53,140
# I lay down to rest my head
696
00:32:53,140 --> 00:32:56,380
# My soul to keep the night
I dread
697
00:32:56,380 --> 00:32:58,260
# It's no dream
698
00:33:01,780 --> 00:33:04,420
# Slumber comes as darkness falls
699
00:33:04,420 --> 00:33:07,260
# And shadows dance across my walls
700
00:33:07,260 --> 00:33:08,900
# It's no dream
701
00:33:12,860 --> 00:33:15,780
# But I never sleep alone
702
00:33:15,780 --> 00:33:18,580
# My dreams become so real to me
703
00:33:18,580 --> 00:33:21,660
# I unplug the phone
704
00:33:21,660 --> 00:33:24,300
# While the night is young
705
00:33:24,300 --> 00:33:29,300
# Catch me I'm falling down again
706
00:33:29,300 --> 00:33:34,340
# I know it's a dream
but just the same
707
00:33:36,100 --> 00:33:38,940
# There's a face before my eyes
are closed
708
00:33:38,940 --> 00:33:42,780
# But I can't recognise
the danger there
709
00:33:47,140 --> 00:33:49,700
# Slumber comes as darkness falls
710
00:33:49,700 --> 00:33:52,500
# And shadows dance across my walls
711
00:33:52,500 --> 00:33:54,500
# It's no dream
712
00:33:58,300 --> 00:34:01,180
# But I never sleep alone
713
00:34:01,180 --> 00:34:04,020
# My dreams become so real to me
714
00:34:04,020 --> 00:34:06,780
# I unplug the phone
715
00:34:06,780 --> 00:34:09,180
# While the night is young
716
00:34:09,180 --> 00:34:14,820
# Catch me I'm falling down again
717
00:34:14,820 --> 00:34:17,220
# I know it's a dream
718
00:34:17,220 --> 00:34:20,620
# But just the same
719
00:34:20,620 --> 00:34:23,860
# Catch me I'm falling
720
00:34:23,860 --> 00:34:26,860
# Falling
721
00:34:26,860 --> 00:34:27,060
# Down
# Falling
722
00:34:27,060 --> 00:34:31,900
# Down
723
00:34:33,900 --> 00:34:37,300
# Down
724
00:35:00,300 --> 00:35:05,780
# Catch me I'm falling down again
725
00:35:05,780 --> 00:35:08,220
# I know it's a dream
726
00:35:08,220 --> 00:35:11,660
# But just the same
727
00:35:11,660 --> 00:35:16,460
# Catch me I'm falling down again
728
00:35:16,460 --> 00:35:19,580
# I know it's a dream
729
00:35:19,580 --> 00:35:23,180
# But just the same
730
00:35:23,180 --> 00:35:23,380
# I'm falling
# But just the same
731
00:35:23,380 --> 00:35:25,620
# I'm falling
732
00:35:28,900 --> 00:35:31,820
# I'm falling
733
00:35:33,700 --> 00:35:37,380
# Catch me I'm falling
734
00:35:40,060 --> 00:35:43,300
# I'm falling
735
00:35:45,140 --> 00:35:48,420
# Catch me I'm falling
736
00:35:51,540 --> 00:35:54,580
# I'm falling. #
737
00:36:08,420 --> 00:36:10,340
Hi, this is Jon Bon Jovi
of Bon Jovi
738
00:36:10,340 --> 00:36:12,340
wishing Countdown
a happy 10th anniversary
739
00:36:12,340 --> 00:36:16,020
and 10 more after that,
and 10 more after that.
740
00:36:16,020 --> 00:36:16,260
and 10 more after that,
and 10 more after that.
With the rise of MTV,
741
00:36:16,260 --> 00:36:17,980
With the rise of MTV,
742
00:36:17,980 --> 00:36:21,740
pop stars were more than ever
akin to movie stars.
743
00:36:21,740 --> 00:36:25,380
And big personalities
were best suited to the new age.
744
00:36:25,380 --> 00:36:25,620
And big personalities
More exciting, I mean, personally,
745
00:36:25,620 --> 00:36:26,780
More exciting, I mean, personally,
746
00:36:26,780 --> 00:36:27,020
I like our audiences
More exciting, I mean, personally,
747
00:36:27,020 --> 00:36:29,260
I like our audiences
to come to see us
748
00:36:29,260 --> 00:36:32,220
and to sweat as much as I sweat
on the stage. You know?
749
00:36:32,220 --> 00:36:34,260
Or if I can get them to sweat
half as much as I do,
750
00:36:34,260 --> 00:36:34,500
Or if I can get them to sweat
I know I've had a successful show.
751
00:36:34,500 --> 00:36:35,940
I know I've had a successful show.
752
00:36:35,940 --> 00:36:36,180
When the music goes, "Boom!"
and...
I know I've had a successful show.
753
00:36:36,180 --> 00:36:38,580
When the music goes, "Boom!"
and...
754
00:36:38,580 --> 00:36:38,820
..you know,
and...
755
00:36:38,820 --> 00:36:39,580
..you know,
756
00:36:39,580 --> 00:36:42,220
and you make yourself do something
that goes, "Boom!"
757
00:36:42,220 --> 00:36:42,460
and you make yourself do something
that goes, "Boom!"
20,000 heads go, "Ah!"
758
00:36:42,460 --> 00:36:44,740
20,000 heads go, "Ah!"
759
00:36:44,740 --> 00:36:45,540
MOLLY: Right.
760
00:36:45,540 --> 00:36:46,540
That's worth five bucks.
761
00:36:46,540 --> 00:36:47,540
In a business
762
00:36:47,540 --> 00:36:50,620
where singers increasingly
needed to be larger than life,
763
00:36:50,620 --> 00:36:50,860
where singers increasingly
some took that challenge head-on.
764
00:36:50,860 --> 00:36:52,740
some took that challenge head-on.
765
00:36:52,740 --> 00:36:52,980
# You think you're a man
but you're only a boy
some took that challenge head-on.
766
00:36:52,980 --> 00:36:56,180
# You think you're a man
but you're only a boy
767
00:36:56,180 --> 00:36:59,900
# You think you're a man,
you are only a toy
768
00:36:59,900 --> 00:37:00,180
# You think you're a man,
you are only a toy
# You think you're a man
but you just couldn't see
769
00:37:00,180 --> 00:37:03,740
# You think you're a man
but you just couldn't see
770
00:37:03,740 --> 00:37:07,340
# You weren't man enough
to satisfy me
771
00:37:23,020 --> 00:37:24,540
# Shut the door
772
00:37:24,540 --> 00:37:27,700
# Take a look around
and tell me what you find
773
00:37:28,660 --> 00:37:30,540
# Shut the door
774
00:37:30,540 --> 00:37:30,780
# Take a giant step for you
# Shut the door
775
00:37:30,780 --> 00:37:34,020
# Take a giant step for you
and all mankind
776
00:37:34,020 --> 00:37:34,260
# Take a giant step for you
# Then don't come back
777
00:37:34,260 --> 00:37:35,820
# Then don't come back
778
00:37:35,820 --> 00:37:39,740
# I always gave you so much more
than you deserved
779
00:37:39,740 --> 00:37:39,980
# I always gave you so much more
# No, don't come back
780
00:37:39,980 --> 00:37:41,820
# No, don't come back
781
00:37:41,820 --> 00:37:43,380
# 'Cause no-one makes a fool of me
782
00:37:43,380 --> 00:37:45,580
# You've got a nerve to walk away
783
00:37:45,580 --> 00:37:47,500
# Mark the words I'm gonna say
784
00:37:47,500 --> 00:37:51,100
# Mister,
you just made a big mistake
785
00:37:51,100 --> 00:37:55,300
# You think you're a man
but you're only a boy
786
00:37:55,300 --> 00:37:58,780
# You think you're a man,
you are only a toy
787
00:37:58,780 --> 00:38:02,540
# You think you're a man
but you just couldn't see
788
00:38:02,540 --> 00:38:06,220
# You weren't man enough
to satisfy me
789
00:38:21,940 --> 00:38:24,180
# Man, boy
790
00:38:25,700 --> 00:38:28,460
# Man, boy
791
00:38:29,620 --> 00:38:31,860
# Man, boy
792
00:38:33,260 --> 00:38:35,700
# Man, boy
793
00:38:52,020 --> 00:38:56,260
# You think you're a man
but you're only a boy
794
00:38:56,260 --> 00:38:59,660
# You think you're a man,
you are only a toy
795
00:38:59,660 --> 00:39:03,580
# You think you're a man
but you just couldn't see
796
00:39:03,580 --> 00:39:07,100
# You weren't man enough
to satisfy me. #
797
00:39:15,740 --> 00:39:17,980
So, listen, you enjoyed
the trip so far?
798
00:39:17,980 --> 00:39:18,820
It's been really fantastic.
799
00:39:18,820 --> 00:39:20,740
Australian audiences -
you can judge them.
800
00:39:20,740 --> 00:39:22,620
Well, Melbourne is like,
I mean, I'm shocked.
801
00:39:22,620 --> 00:39:22,900
Well, Melbourne is like,
I mean, I'm shocked.
I keep asking all the men
if they're women.
802
00:39:22,900 --> 00:39:25,220
I keep asking all the men
if they're women.
803
00:39:25,220 --> 00:39:26,700
Why?
(LAUGHS)
804
00:39:26,700 --> 00:39:28,980
Because it's like...it's
one of the most trendy places
805
00:39:28,980 --> 00:39:29,220
Because it's like...it's
I've been to in Australia so far.
806
00:39:29,220 --> 00:39:30,460
I've been to in Australia so far.
807
00:39:30,460 --> 00:39:32,140
We're now on the 10th anniversary.
808
00:39:32,140 --> 00:39:35,540
We had our honoured guest, the
Prime Minister Mr Bob Hawke,
809
00:39:35,540 --> 00:39:38,620
and he launched, with myself,
the International Youth Year.
810
00:39:38,620 --> 00:39:38,860
and he launched, with myself,
And we talked about a youth hotline
811
00:39:38,860 --> 00:39:40,580
And we talked about a youth hotline
812
00:39:40,580 --> 00:39:43,940
of which you can ring up
your local radio station.
813
00:39:43,940 --> 00:39:46,260
And once the hotline
starts working,
814
00:39:46,260 --> 00:39:48,660
you can ring in and sort of say
what you want for '85,
815
00:39:48,660 --> 00:39:50,260
what you think is wrong
with the country,
816
00:39:50,260 --> 00:39:52,380
what you think is wrong
with Molly Meldrum,
817
00:39:52,380 --> 00:39:54,020
what you think is wrong
with my hat,
818
00:39:54,020 --> 00:39:56,820
what you think is wrong
with anything you like
819
00:39:56,820 --> 00:39:59,100
to make Australia a better place.
820
00:39:59,100 --> 00:40:01,580
And, of course,
your favourite and mine,
821
00:40:01,580 --> 00:40:03,700
and especially for five girls in
Brisbane who,
822
00:40:03,700 --> 00:40:07,140
would you believe, have asked me to
take this petition across
823
00:40:07,140 --> 00:40:09,140
and present it to Duran Duran.
824
00:40:09,140 --> 00:40:11,900
It's 520 feet long.
825
00:40:11,900 --> 00:40:13,900
And it's go so many pleases
it wouldn't matter.
826
00:40:13,900 --> 00:40:17,260
And it all says, "Please, can we
please meet Duran Duran?"
827
00:40:17,260 --> 00:40:19,500
Well, girls, I'll also be talking to
Boy George and Marilyn,
828
00:40:19,500 --> 00:40:20,900
and they'll be furious
when they see this.
829
00:40:20,900 --> 00:40:23,060
You haven't even said
one please to meet them.
830
00:40:23,060 --> 00:40:25,380
So, I'll take it across
and see what happens.
831
00:40:25,380 --> 00:40:28,620
And me dog Ziggy here, she's got a
hat for her, haven't you?
832
00:40:28,620 --> 00:40:28,860
And me dog Ziggy here, she's got a
And I'll be missing her terribly.
833
00:40:28,860 --> 00:40:30,500
And I'll be missing her terribly.
834
00:40:30,500 --> 00:40:33,060
Um, number one,
do you like the Thompson Twins?
835
00:40:33,060 --> 00:40:33,300
Um, number one,
Hold Me Now?
836
00:40:33,300 --> 00:40:34,060
Hold Me Now?
837
00:40:34,060 --> 00:40:35,300
Yeah, the song's good.
Yeah?
838
00:40:35,300 --> 00:40:36,060
I like the song.
839
00:40:36,060 --> 00:40:37,140
So...
I don't like them much.
840
00:40:37,140 --> 00:40:37,380
So...
Why not?
841
00:40:37,380 --> 00:40:38,780
Why not?
842
00:40:38,780 --> 00:40:39,980
I don't know.
843
00:40:39,980 --> 00:40:40,780
You've hardly seen them.
844
00:40:40,780 --> 00:40:41,780
What do you think about radio?
845
00:40:41,780 --> 00:40:44,580
Do you think they could
play more songs?
846
00:40:44,580 --> 00:40:45,820
Like...
Oh.
847
00:40:45,820 --> 00:40:48,340
Radio stations don't play
many new songs.
848
00:40:48,340 --> 00:40:49,700
She's won me for life.
849
00:40:49,700 --> 00:40:51,140
They wait ages and ages
850
00:40:51,140 --> 00:40:54,700
until one other radio station will
start playing something.
851
00:40:54,700 --> 00:40:54,940
until one other radio station will
Right.
852
00:40:54,940 --> 00:40:55,700
Right.
853
00:40:55,700 --> 00:40:55,940
Earlier this week,
Right.
854
00:40:55,940 --> 00:40:59,820
Earlier this week,
we received a VHS cassette tape
855
00:40:59,820 --> 00:41:03,260
from this school in Adelaide,
actually in South Australia,
856
00:41:03,260 --> 00:41:06,140
Port Augusta, and it's
Flinders View Primary School,
857
00:41:06,140 --> 00:41:06,380
Port Augusta, and it's
and it was from grade 7.
858
00:41:06,380 --> 00:41:08,180
and it was from grade 7.
859
00:41:08,180 --> 00:41:09,180
And would you believe
860
00:41:09,180 --> 00:41:09,420
they've done this wonderful send up
And would you believe
861
00:41:09,420 --> 00:41:11,340
they've done this wonderful send up
of Countdown.
862
00:41:11,340 --> 00:41:14,140
So, the quality is not that hot,
but I tell you what,
863
00:41:14,140 --> 00:41:14,380
So, the quality is not that hot,
the performances are great.
864
00:41:14,380 --> 00:41:15,140
the performances are great.
865
00:41:15,140 --> 00:41:18,100
So, it's over to Port Augusta
Flinders View Primary School.
866
00:41:20,420 --> 00:41:24,260
# Beat it, just beat it
867
00:41:24,260 --> 00:41:27,140
# You better run,
you better do what you can
868
00:41:27,140 --> 00:41:30,340
# Don't wanna see no blood,
don't be a macho man. #
869
00:41:30,340 --> 00:41:31,860
OK, well, here we are
in Tower Records.
870
00:41:31,860 --> 00:41:33,020
How are you, Lionel?
871
00:41:33,020 --> 00:41:34,700
Jackson 5, 14 Greatest Hits.
872
00:41:34,700 --> 00:41:36,780
It's in fact a picture disc.
873
00:41:36,780 --> 00:41:38,340
And there's
the picture disc itself.
874
00:41:38,340 --> 00:41:41,700
And there's the Tamla Motown
Michael Jackson glove.
875
00:41:41,700 --> 00:41:43,540
I don't know if it's going to be
released in Australia,
876
00:41:43,540 --> 00:41:43,780
I don't know if it's going to be
but I tell you what, it's...
877
00:41:43,780 --> 00:41:45,580
but I tell you what, it's...
878
00:41:45,580 --> 00:41:47,380
..certainly wins
the tacky award of the year.
879
00:41:47,380 --> 00:41:49,900
I'm sitting right here
at the bar of Koala Blue.
880
00:41:49,900 --> 00:41:52,220
And, Olivia,
I'm looking after the shop
881
00:41:52,220 --> 00:41:52,460
And, Olivia,
and the profits are going right up.
882
00:41:52,460 --> 00:41:53,380
and the profits are going right up.
883
00:41:53,380 --> 00:41:54,460
Look what I've actually bought.
884
00:41:54,460 --> 00:41:56,860
I bought a St Kilda footy jumper,
885
00:41:56,860 --> 00:41:59,140
I bought a wonderful little apron,
a Vegemite apron.
886
00:41:59,140 --> 00:41:59,380
I bought a wonderful little apron,
Now, listen, a couple of weeks ago,
887
00:41:59,380 --> 00:42:00,340
Now, listen, a couple of weeks ago,
888
00:42:00,340 --> 00:42:01,860
God, I get into trouble
all the time,
889
00:42:01,860 --> 00:42:04,940
had a go at Rod Stewart,
only joking, everybody.
890
00:42:04,940 --> 00:42:07,820
You know, I sort of take it in the
chin, he takes it in the chin.
891
00:42:07,820 --> 00:42:10,340
I actually have had a few slaps
across the face from him as well.
892
00:42:10,340 --> 00:42:10,580
I actually have had a few slaps
Rod is coming out in January.
893
00:42:10,580 --> 00:42:11,380
Rod is coming out in January.
894
00:42:11,380 --> 00:42:13,660
Yes, I'll be at the concert,
and it is a good concert,
895
00:42:13,660 --> 00:42:13,900
Yes, I'll be at the concert,
saw it in Washington.
896
00:42:13,900 --> 00:42:14,660
saw it in Washington.
897
00:42:14,660 --> 00:42:14,900
So, don't get upset because
saw it in Washington.
898
00:42:14,900 --> 00:42:17,340
So, don't get upset because
we do have a go at each other.
899
00:42:17,340 --> 00:42:17,580
So, don't get upset because
I mean, it's going to be wonderful.
900
00:42:17,580 --> 00:42:18,500
I mean, it's going to be wonderful.
901
00:42:18,500 --> 00:42:20,500
Wham! will be out in January,
and Rod will be out in January.
902
00:42:20,500 --> 00:42:21,900
And we'll all probably
have a fist fight.
903
00:42:21,900 --> 00:42:24,220
We've also strongly urged
the government,
904
00:42:24,220 --> 00:42:28,940
who take 32.5% sales tax
for every overseas record,
905
00:42:28,940 --> 00:42:31,460
to drop their sales tax
in this case
906
00:42:31,460 --> 00:42:33,340
and give that to
the Ethiopian Fund as well.
907
00:42:33,340 --> 00:42:35,860
So, come on, Bob,
you've been on the show.
908
00:42:35,860 --> 00:42:37,700
Try to do this,
otherwise I want me hat back.
909
00:42:37,700 --> 00:42:37,940
Try to do this,
Alright, now listen...
910
00:42:37,940 --> 00:42:38,700
Alright, now listen...
911
00:42:38,700 --> 00:42:40,700
No, only joking, Bob.
I shouldn't be saying that.
912
00:42:44,420 --> 00:42:45,420
Personally,
913
00:42:45,420 --> 00:42:47,900
I don't really care for much
modern music at the moment.
914
00:42:47,900 --> 00:42:50,180
Is technology taking over too much
915
00:42:50,180 --> 00:42:53,020
and knocking sort of, like,
the feel out of music?
916
00:42:53,020 --> 00:42:54,740
I think...yes, for me.
917
00:42:54,740 --> 00:42:55,740
Certainly, yes.
918
00:42:55,740 --> 00:42:58,300
I find it very,
very mundane and dull.
919
00:42:58,300 --> 00:42:58,540
I find it very,
I don't think rock'n'roll music
920
00:42:58,540 --> 00:43:01,020
I don't think rock'n'roll music
921
00:43:01,020 --> 00:43:03,500
is supposed to be
metronomically in time.
922
00:43:03,500 --> 00:43:04,980
I think it spoils it completely.
923
00:43:04,980 --> 00:43:07,580
It's supposed to have a little bit
of an ebb and flow there.
924
00:43:07,580 --> 00:43:07,860
Like the synth-pop bands,
the new wave and post punk bands
It's supposed to have a little bit
of an ebb and flow there.
925
00:43:07,860 --> 00:43:11,380
Like the synth-pop bands,
the new wave and post punk bands
926
00:43:11,380 --> 00:43:15,060
had, in many ways,
gone back to the musical basics.
927
00:43:18,580 --> 00:43:21,340
# I changed my way of thinking too
928
00:43:23,340 --> 00:43:25,540
# I'm coming after you
929
00:43:27,860 --> 00:43:30,100
# I'm coming after midnight
930
00:43:30,100 --> 00:43:31,940
# Walking in the dark
931
00:43:35,220 --> 00:43:37,420
# Questions in the dark
932
00:43:39,580 --> 00:43:42,420
# Walking in the dark
933
00:43:44,460 --> 00:43:46,660
# Questions in the dark... #
934
00:43:54,300 --> 00:43:56,620
The instrumentation
was more traditional,
935
00:43:56,620 --> 00:43:56,860
but the attitude was still there,
was more traditional,
936
00:43:56,860 --> 00:43:58,380
but the attitude was still there,
937
00:43:58,380 --> 00:44:01,020
and the lyrics still
full of new ideas.
938
00:44:01,020 --> 00:44:01,260
and the lyrics still
full of new ideas.
# I know a place where we can go
939
00:44:01,260 --> 00:44:03,540
# I know a place where we can go
940
00:44:03,540 --> 00:44:06,900
# And I can take you there
if you try
941
00:44:06,900 --> 00:44:11,460
# Imagination
# Imagination
942
00:44:11,460 --> 00:44:13,980
# I know where we all belong
943
00:44:13,980 --> 00:44:17,220
# And we can get back there
if we try
944
00:44:17,220 --> 00:44:20,940
# Imagination
# Imagination
945
00:44:20,940 --> 00:44:24,180
# You know what I mean, baby
946
00:44:24,180 --> 00:44:26,340
# Come on, let's dance
947
00:44:26,340 --> 00:44:27,820
# I want to sing
948
00:44:27,820 --> 00:44:31,780
# I'm gonna set myself on fire
949
00:44:31,780 --> 00:44:33,140
# I can prove it
950
00:44:33,140 --> 00:44:35,100
# Gonna prove it
951
00:44:35,100 --> 00:44:38,420
# Just give me the madness
and then I'll be free
952
00:44:44,660 --> 00:44:47,180
# I know the sunny days are gone
953
00:44:47,180 --> 00:44:47,420
# I know the sunny days are gone
if you try
954
00:44:47,420 --> 00:44:50,940
# But we can get them back
if you try
955
00:44:50,940 --> 00:44:51,180
# Imagination
if you try
956
00:44:51,180 --> 00:44:55,300
# Imagination
957
00:44:55,300 --> 00:44:57,780
# Not everybody likes to sing
958
00:44:57,780 --> 00:44:58,020
# Not everybody likes to sing
# But we can change
their minds if you got
959
00:44:58,020 --> 00:45:01,100
# But we can change
their minds if you got
960
00:45:01,100 --> 00:45:01,340
# But we can change
# Imagination
961
00:45:01,340 --> 00:45:04,660
# Imagination
962
00:45:04,660 --> 00:45:08,100
# You know what I mean, baby
963
00:45:08,100 --> 00:45:10,180
# Come on, let's dance
964
00:45:10,180 --> 00:45:11,820
# I'm gonna sing
965
00:45:11,820 --> 00:45:15,220
# I'm gonna set myself on fire
966
00:45:15,220 --> 00:45:16,940
# I'm gonna prove it
967
00:45:16,940 --> 00:45:19,020
# I can prove it
968
00:45:19,020 --> 00:45:19,260
# Just give me the madness
# I can prove it
969
00:45:19,260 --> 00:45:22,740
# Just give me the madness
and then I am free
970
00:45:24,020 --> 00:45:25,700
# Whoa
971
00:46:00,500 --> 00:46:03,180
# I know the sunny days are gone
972
00:46:03,180 --> 00:46:03,420
# I know the sunny days are gone
if you try
973
00:46:03,420 --> 00:46:06,940
# But we get there and back
if you try
974
00:46:06,940 --> 00:46:07,180
# Imagination
if you try
975
00:46:07,180 --> 00:46:08,380
# Imagination
976
00:46:10,980 --> 00:46:13,580
# I know a place that we can go
977
00:46:13,580 --> 00:46:13,820
# And we can knock it back
# I know a place that we can go
978
00:46:13,820 --> 00:46:16,940
# And we can knock it back
if we try
979
00:46:16,940 --> 00:46:17,180
# And we can knock it back
# Imagination
980
00:46:17,180 --> 00:46:18,060
# Imagination
981
00:46:18,060 --> 00:46:20,060
# La-la-la-la-la-la
982
00:46:20,060 --> 00:46:24,020
# You know what I mean, baby
983
00:46:24,020 --> 00:46:24,260
# Yeah, we'll get
# You know what I mean, baby
984
00:46:24,260 --> 00:46:27,420
# Yeah, we'll get
the midnight flight
985
00:46:27,420 --> 00:46:27,660
# Yeah, we'll get
# Just looking for some imagination
986
00:46:27,660 --> 00:46:30,660
# Just looking for some imagination
987
00:46:30,660 --> 00:46:35,100
# Little bit of inspiration. #
988
00:46:35,100 --> 00:46:37,540
(CHEERING AND APPLAUSE)
989
00:46:41,460 --> 00:46:43,700
Well, mate, welcome to
the program, yet again.
990
00:46:43,700 --> 00:46:44,620
Thank you.
991
00:46:44,620 --> 00:46:46,780
And then, there was Elton.
992
00:46:46,780 --> 00:46:50,900
It seemed fitting that after
all his frequent visits here,
993
00:46:50,900 --> 00:46:54,860
Elton John married in Sydney in 1984.
994
00:46:54,860 --> 00:46:55,940
We saw Elton John get married.
995
00:46:55,940 --> 00:46:58,940
And we saw him say, "I do,"
and she, "I do."
996
00:46:58,940 --> 00:47:02,300
Of course, Molly was front and centre
in the proceedings.
997
00:47:03,540 --> 00:47:05,180
Well, there it is,
my old mate's finally done it.
998
00:47:05,180 --> 00:47:05,420
Well, there it is,
Elton got married to Renate.
999
00:47:05,420 --> 00:47:06,900
Elton got married to Renate.
1000
00:47:06,900 --> 00:47:10,380
Yep, he got to kiss the bride
and he told us all about it.
1001
00:47:10,380 --> 00:47:10,660
# Well she looked a peach
in the dress she made
Yep, he got to kiss the bride
and he told us all about it.
1002
00:47:10,660 --> 00:47:13,900
# Well she looked a peach
in the dress she made
1003
00:47:13,900 --> 00:47:16,300
# When she was still
her mama's little girl
1004
00:47:17,380 --> 00:47:20,580
# And when she walked down the aisle
everybody smiled
1005
00:47:20,580 --> 00:47:20,820
# And when she walked down the aisle
# At her innocence and curls
1006
00:47:20,820 --> 00:47:23,180
# At her innocence and curls
1007
00:47:24,140 --> 00:47:27,660
# And when the preacher said
is there anyone here
1008
00:47:27,660 --> 00:47:31,220
# Got a reason
why they shouldn't wed
1009
00:47:34,020 --> 00:47:35,860
# I should have stuck up my hand
1010
00:47:37,180 --> 00:47:39,380
# I should have got up to stand
1011
00:47:41,900 --> 00:47:46,260
# And this is what
I should have said
1012
00:47:47,940 --> 00:47:50,140
# I want to kiss the bride, yeah
1013
00:47:54,940 --> 00:47:57,340
# I want to kiss the bride, yeah
1014
00:48:01,860 --> 00:48:04,540
# Long before she met him
1015
00:48:04,540 --> 00:48:07,260
# She was mine, mine, mine
1016
00:48:08,980 --> 00:48:10,820
# Don't say I do
1017
00:48:12,540 --> 00:48:14,860
# Say bye, bye, bye
1018
00:48:15,860 --> 00:48:18,540
# And let me kiss the bride, yeah
1019
00:48:22,620 --> 00:48:25,100
# I want to kiss the bride, yeah
1020
00:48:30,740 --> 00:48:34,180
# Underneath her veil
I could see a tear
1021
00:48:34,180 --> 00:48:34,420
# Trickling down her pretty face
I could see a tear
1022
00:48:34,420 --> 00:48:37,420
# Trickling down her pretty face
1023
00:48:37,420 --> 00:48:37,660
# Trickling down her pretty face
I knew everything
1024
00:48:37,660 --> 00:48:41,020
# And when he slipped on the ring
I knew everything
1025
00:48:41,020 --> 00:48:41,260
# And when he slipped on the ring
I knew everything
# Would never be the same again
1026
00:48:41,260 --> 00:48:43,540
# Would never be the same again
1027
00:48:44,660 --> 00:48:48,020
# But if the groom would have known
he'd have had a fit
1028
00:48:48,020 --> 00:48:51,580
# About his wife
and the things we did
1029
00:48:54,220 --> 00:48:55,980
# And what I planned to say
1030
00:48:57,820 --> 00:48:59,620
# Yeah, on her wedding day
1031
00:49:02,180 --> 00:49:06,460
# Well, I thought it
but I kept it hid
1032
00:49:08,140 --> 00:49:10,460
# I want to kiss the bride, yeah
1033
00:49:14,980 --> 00:49:17,380
# I want to kiss the bride, yeah
1034
00:49:22,260 --> 00:49:24,780
# Long before she met him
1035
00:49:24,780 --> 00:49:27,620
# She was mine, mine, mine
1036
00:49:29,260 --> 00:49:31,060
# Don't say I do
1037
00:49:32,820 --> 00:49:35,020
# Say bye, bye, bye
1038
00:49:36,020 --> 00:49:38,380
# And let me kiss the bride, yeah
1039
00:49:42,860 --> 00:49:45,260
# I want to kiss the bride, yeah
1040
00:50:16,100 --> 00:50:18,420
# I want to kiss the bride, yeah
1041
00:50:23,100 --> 00:50:25,500
# I want to kiss the bride, yeah
1042
00:50:30,340 --> 00:50:32,820
# Long before she met him
1043
00:50:32,820 --> 00:50:35,620
# She was mine, mine, mine
1044
00:50:37,220 --> 00:50:39,060
# Don't say I do
1045
00:50:40,740 --> 00:50:43,100
# Say bye, bye, bye
1046
00:50:44,300 --> 00:50:46,340
# And let me kiss the bride, yeah
1047
00:50:51,020 --> 00:50:53,300
# I want to kiss the bride, yeah
1048
00:50:58,020 --> 00:51:00,380
# I want to kiss the bride, yeah
1049
00:51:05,020 --> 00:51:07,260
# I want to kiss the bride,
yeah. #
1050
00:51:15,220 --> 00:51:16,740
# Countdown! #
1051
00:51:16,740 --> 00:51:16,980
MAN: Well, when you look at
our player comfort meter
# Countdown! #
1052
00:51:16,980 --> 00:51:19,260
MAN: Well, when you look at
our player comfort meter
1053
00:51:19,260 --> 00:51:20,060
well, I wouldn't be surprised
1054
00:51:20,060 --> 00:51:20,300
well, I wouldn't be surprised
out there before the day is out.
1055
00:51:20,300 --> 00:51:22,660
if we see a few sweaty jockstraps
out there before the day is out.
1056
00:51:22,660 --> 00:51:22,940
if we see a few sweaty jockstraps
out there before the day is out.
The biggest Australian single
of the year
1057
00:51:22,940 --> 00:51:24,820
The biggest Australian single
of the year
1058
00:51:24,820 --> 00:51:27,820
was a novelty cricket track
from The Twelfth Man.
1059
00:51:27,820 --> 00:51:28,060
was a novelty cricket track
All in all,
1060
00:51:28,060 --> 00:51:28,820
All in all,
1061
00:51:28,820 --> 00:51:29,060
it looks like we're in for
All in all,
1062
00:51:29,060 --> 00:51:30,820
it looks like we're in for
a pretty good game here today.
1063
00:51:30,820 --> 00:51:33,020
Now, it's back to Richie in the
central missionary position.
1064
00:51:33,020 --> 00:51:34,380
Howzat?!
Oh!
1065
00:51:34,380 --> 00:51:34,660
INXS also spent time at the top
with Original Sin.
Howzat?!
Oh!
1066
00:51:34,660 --> 00:51:39,100
INXS also spent time at the top
with Original Sin.
1067
00:51:40,700 --> 00:51:42,460
# You might
1068
00:51:42,460 --> 00:51:43,620
# Know of
1069
00:51:43,620 --> 00:51:44,620
# The original sin. #
1070
00:51:44,620 --> 00:51:47,460
American women seem to be trying to
do the same thing to you as well.
1071
00:51:47,460 --> 00:51:48,860
Sure.
1072
00:51:48,860 --> 00:51:52,380
We're extremely willing to...
1073
00:51:54,140 --> 00:51:57,100
..throw all our clothes out
when they get hot, put it that way.
1074
00:51:57,100 --> 00:51:57,340
After Thriller,
..throw all our clothes out
when they get hot, put it that way.
1075
00:51:57,340 --> 00:51:59,700
After Thriller,
1076
00:51:59,700 --> 00:51:59,940
After Thriller,
Wham!'s
1077
00:51:59,940 --> 00:52:02,740
1984 will also be remembered for
Wham!'s
1078
00:52:02,740 --> 00:52:02,980
"Wake Me Up Before You Go-Go."
Wham!'s
1079
00:52:02,980 --> 00:52:05,220
"Wake Me Up Before You Go-Go."
1080
00:52:06,740 --> 00:52:10,500
And the release of Prince's
Purple Rain blockbuster movie
1081
00:52:10,500 --> 00:52:12,220
and soundtrack.
1082
00:52:12,220 --> 00:52:13,620
# When Doves Cry. #
1083
00:52:13,620 --> 00:52:17,780
Female artists dominated
the number one spot in '84.
1084
00:52:17,780 --> 00:52:21,700
Madonna found out about her
good fortune over the phone.
1085
00:52:21,700 --> 00:52:21,980
Madonna found out about her
good fortune over the phone.
MOLLY: Very well.
Listen, congratulations.
1086
00:52:21,980 --> 00:52:24,300
MOLLY: Very well.
Listen, congratulations.
1087
00:52:24,300 --> 00:52:26,540
Because the single, Like A Virgin,
has gone to number one this week.
1088
00:52:26,540 --> 00:52:28,780
MADONNA: (ON PHONE) You're kidding!
No, I'm not.
1089
00:52:28,780 --> 00:52:29,740
That's great.
1090
00:52:29,740 --> 00:52:29,980
Pat Benatar also broke through with
Love Is A Battlefield.
That's great.
1091
00:52:29,980 --> 00:52:33,980
Pat Benatar also broke through with
Love Is A Battlefield.
1092
00:52:33,980 --> 00:52:34,260
Pat Benatar also broke through with
Love Is A Battlefield.
You know, when you're touring you
don't look at chart positions
1093
00:52:34,260 --> 00:52:36,100
You know, when you're touring you
don't look at chart positions
1094
00:52:36,100 --> 00:52:39,100
and no-one calls you on the road
when you're in Idaho.
1095
00:52:39,100 --> 00:52:41,140
So, we didn't have any idea that the
record was doing that good
1096
00:52:41,140 --> 00:52:41,380
So, we didn't have any idea that the
until, you know...
1097
00:52:41,380 --> 00:52:43,380
until, you know...
1098
00:52:43,380 --> 00:52:45,180
..we started having sell-out shows.
1099
00:52:45,180 --> 00:52:45,420
And we were,
..we started having sell-out shows.
1100
00:52:45,420 --> 00:52:46,620
And we were,
"What the hell is this?"
1101
00:52:46,620 --> 00:52:46,860
And we were,
You know, it was really great.
1102
00:52:46,860 --> 00:52:48,580
You know, it was really great.
1103
00:52:48,580 --> 00:52:48,820
Tina Turner was in the midst
of a career resurgence.
You know, it was really great.
1104
00:52:48,820 --> 00:52:52,460
Tina Turner was in the midst
of a career resurgence.
1105
00:52:52,460 --> 00:52:52,700
We love you dearly.
of a career resurgence.
1106
00:52:52,700 --> 00:52:53,980
We love you dearly.
1107
00:52:53,980 --> 00:52:54,180
We love you dearly.
And thanks very much.
1108
00:52:54,180 --> 00:52:55,220
And thanks very much.
1109
00:52:55,220 --> 00:52:56,220
And Cyndi Lauper
1110
00:52:56,220 --> 00:52:59,660
performed her anthemic breakthrough
hit on Countdown
1111
00:52:59,660 --> 00:52:59,900
performed her anthemic breakthrough
after a slightly rude introduction.
1112
00:52:59,900 --> 00:53:02,580
after a slightly rude introduction.
1113
00:53:02,580 --> 00:53:05,060
Alright, now listen,
Cyndi Lauper, do you like her?
1114
00:53:05,060 --> 00:53:07,340
No, it's a bag.
1115
00:53:07,340 --> 00:53:08,980
Right, well I quite like
Cyndi actually.
1116
00:53:08,980 --> 00:53:09,220
Right, well I quite like
MAN: She wears a bag.
1117
00:53:09,220 --> 00:53:10,260
MAN: She wears a bag.
1118
00:53:10,260 --> 00:53:12,100
Yeah, sometimes she does.
It IS a bag.
1119
00:53:12,100 --> 00:53:12,940
I hate it.
1120
00:53:15,300 --> 00:53:18,420
# I come home in the morning light
1121
00:53:18,420 --> 00:53:22,940
# My mother says, "When you
gonna live your life right?"
1122
00:53:22,940 --> 00:53:26,700
# Oh, mama dear,
we're not the fortunate ones
1123
00:53:26,700 --> 00:53:30,340
# And girls they wanna have fun
1124
00:53:30,340 --> 00:53:34,940
# Oh, girls just want to have fun
1125
00:53:41,260 --> 00:53:44,420
# The phone rings
in the middle of the night
1126
00:53:44,420 --> 00:53:48,780
# My father yells,
"What you gonna do with your life?"
1127
00:53:48,780 --> 00:53:52,340
# Oh, daddy dear, you know you're
still number one
1128
00:53:52,340 --> 00:53:52,580
# Oh, daddy dear, you know you're
# But girls they wanna have fun
1129
00:53:52,580 --> 00:53:55,860
# But girls they wanna have fun
1130
00:53:55,860 --> 00:53:58,860
# Oh, girls just want to have
1131
00:53:58,860 --> 00:54:03,300
# That's all they really want
1132
00:54:03,300 --> 00:54:06,660
# Some fun
1133
00:54:06,660 --> 00:54:09,980
# When the working day is done
1134
00:54:09,980 --> 00:54:14,020
# Oh, girls, they wanna have fun
1135
00:54:14,020 --> 00:54:16,780
# Oh, girls just wanna have fun
1136
00:54:16,780 --> 00:54:16,980
# Girls they wanna, wanna have fun
# Oh, girls just wanna have fun
1137
00:54:16,980 --> 00:54:21,660
# Girls they wanna, wanna have fun
1138
00:54:21,660 --> 00:54:24,620
# Girls wanna have
1139
00:54:41,060 --> 00:54:44,020
# Some boys take a beautiful girl
1140
00:54:44,020 --> 00:54:44,260
# And hide her away
from the rest of the world
# Some boys take a beautiful girl
1141
00:54:44,260 --> 00:54:49,300
# And hide her away
from the rest of the world
1142
00:54:49,300 --> 00:54:52,180
# I want to be the one
to walk in the sun
1143
00:54:52,180 --> 00:54:52,420
# Oh, girls, they wanna have fun
to walk in the sun
1144
00:54:52,420 --> 00:54:55,900
# Oh, girls, they wanna have fun
1145
00:54:55,900 --> 00:54:56,100
# Oh, girls, they wanna have fun
# Oh, girls just wanna have
1146
00:54:56,100 --> 00:54:58,980
# Oh, girls just wanna have
1147
00:54:58,980 --> 00:55:03,260
# That's all they really want
1148
00:55:03,260 --> 00:55:06,500
# Some fun
1149
00:55:06,500 --> 00:55:09,740
# When the working day is done
1150
00:55:09,740 --> 00:55:13,940
# Oh, girls, they wanna have fun
1151
00:55:13,940 --> 00:55:16,620
# Oh, girls just want to have fun
1152
00:55:16,620 --> 00:55:21,460
# Girls, they wanna,
wanna have fun... #
1153
00:55:21,460 --> 00:55:23,220
Captions by Ericsson Access Services
1154
00:55:23,220 --> 00:55:25,260
Copyright Australian
Broadcasting Corporation
1155
00:55:25,260 --> 00:55:25,540
I tell you what I'll do, say
"You're watching Countdown and..."
Copyright Australian
Broadcasting Corporation
1156
00:55:25,540 --> 00:55:29,900
I tell you what I'll do, say
"You're watching Countdown and..."
1157
00:55:29,900 --> 00:55:34,180
Yeah, do that in the background.
(LAUGHS)
1158
00:55:34,180 --> 00:55:35,580
(AUSSIE ACCENT)
Hello, Australia, it's Marilyn.
1159
00:55:35,580 --> 00:55:35,820
You're a real brick!
Hello, Australia, it's Marilyn.
1160
00:55:35,820 --> 00:55:36,780
You're a real brick!
1161
00:55:37,940 --> 00:55:38,940
What a creature.
1162
00:55:38,940 --> 00:55:40,980
# Molly is stupid
1163
00:55:40,980 --> 00:55:42,260
# Molly is stupid... #
1164
00:55:42,260 --> 00:55:44,180
Thanks, Marilyn. Have you seen
Culture Club's new album?
1165
00:55:44,180 --> 00:55:44,420
Thanks, Marilyn. Have you seen
Oh, it's Waking Up With...(COUGHS)
1166
00:55:44,420 --> 00:55:46,340
Oh, it's Waking Up With...(COUGHS)
1167
00:55:46,340 --> 00:55:48,340
With the House on Fire, yes.
1168
00:55:48,340 --> 00:55:49,140
Lovely, isn't it?
1169
00:55:49,140 --> 00:55:50,140
That's the best thing for it.
1170
00:55:50,140 --> 00:55:51,580
You haven't seen George around,
have you?
1171
00:55:51,580 --> 00:55:54,100
Burn it! Burn it now!
(LAUGHTER)
1172
00:55:54,100 --> 00:55:56,900
(LAUGHS)
Oh, George. How are you?
1173
00:55:56,900 --> 00:55:58,820
You'll be seeing all of us
on Countdown next week
1174
00:55:58,820 --> 00:55:59,060
You'll be seeing all of us
for the 10th anniversary.
1175
00:55:59,060 --> 00:55:59,940
for the 10th anniversary.
1176
00:55:59,940 --> 00:56:00,940
Great album, mate.
1177
00:56:00,940 --> 00:56:01,180
Personally, I think it's sacrilege.
It's a great album.
Great album, mate.
1178
00:56:01,180 --> 00:56:04,060
Personally, I think it's sacrilege.
It's a great album.
1179
00:56:05,020 --> 00:56:06,700
GRACE: Visit the
Classic Countdown Website
1180
00:56:06,700 --> 00:56:10,940
for more pictures, interviews
and behind the scenes information.
92772
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