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(HONKING)
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Hey!
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ALL: Countdown.
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Countdown.
5
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Countdown!
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(ALL IMITATE GUITARS)
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# Countdown, Countdown
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# Countdown,
Countdown
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ANNOUNCER: Welcome
to Classic Countdown, 1982.
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ANNOUNCER: Welcome
# Countdown! #
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# Countdown! #
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SHANE: Some developments made life
a little brighter in 1982.
13
00:00:31,020 --> 00:00:34,900
Firstly,
we all started working out.
14
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Firstly,
we all started working out.
Then we learned we could just
as easily work out at home.
15
00:00:35,180 --> 00:00:38,820
Then we learned we could just
as easily work out at home.
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Invading aliens from outer space
turned out to be friendly.
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Invading aliens from outer space
(BAND PLAYS 'WHO CAN IT BE NOW?')
18
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(BAND PLAYS 'WHO CAN IT BE NOW?')
19
00:00:45,860 --> 00:00:47,620
And life was simply better
20
00:00:47,620 --> 00:00:47,860
And life was simply better
in a big way.
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because the saxophone was back
in a big way.
22
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We got our first look at an
indestructible new technology.
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And here it is,
the compact disc.
24
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It's a marvellous little thing.
It's a laser disc.
25
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You can see the sort
of laser colours in it.
26
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Because it's laser cut,
you can sort of finger it.
27
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You can sort of scratch it,
and everything like that,
28
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and it will not
impair the sound.
29
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A federal election
wasn't far off,
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so we also started
to face some facts.
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ABC reporters
in their conversations
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with caucus members
at the conference
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have concluded Mr Hawke has
a better chance
34
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than he has so far been given.
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But Mr Keating's undecided.
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REPORTER: It was
the biggest demonstration
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since the days of the Vietnam
moratorium marches.
38
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But it looked like
two big issues would be
39
00:01:40,140 --> 00:01:43,740
the environment
and rights for Indigenous people.
40
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What do we want?
Land rights!
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When do we want it?
Now!
42
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Of course,
sporting events would provide
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the usual distraction
from too much thinking.
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# No whiskey for sale... #
45
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In 1982, the Americans sent
# No whiskey for sale... #
46
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In 1982, the Americans sent
the big guns to Countdown
47
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In 1982, the Americans sent
the big guns to Countdown
to remind us
who invented rock'n'roll.
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to remind us
who invented rock'n'roll.
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to remind us
# Is all you get in jail
50
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# Is all you get in jail
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# They call it Nutbush
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# Oh, Nutbush
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# They call it Nutbush city
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# Nutbush City Limits. #
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(CHEERING)
56
00:02:34,700 --> 00:02:38,060
# I saw him dancing there
by the record machine
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00:02:39,620 --> 00:02:43,020
# I knew he must have been
about 17
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# The beat was going strong
59
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# Playing my favourite song
60
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# And I could tell
it wouldn't be long
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00:02:52,740 --> 00:02:55,980
# That he was with me,
yeah, me
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# And I could tell
it wouldn't be long
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#That he was with me,
yeah, me, singing
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#That he was with me,
# I love rock'n'roll
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# I love rock'n'roll
66
00:03:03,580 --> 00:03:06,020
# So put another dime
in the jukebox, baby
67
00:03:06,020 --> 00:03:06,260
# So put another dime
# I love rock'n'roll
68
00:03:06,260 --> 00:03:08,500
# I love rock'n'roll
69
00:03:08,500 --> 00:03:11,180
# So come and take your time
and dance with me
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# Ow!
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# He smiled so I got up
and asked for his name
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00:03:20,620 --> 00:03:24,060
# "That don't matter," he said,
"'cause it's all the same"
73
00:03:25,700 --> 00:03:30,140
# Said, "Can I take you home
where we can be alone?"
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# And next we were moving on
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# He was with me, yeah, me
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# Next we were moving on
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# He was with me,
# Next we were moving on
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# He was with me,
yeah, me, singing
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# He was with me,
# I love rock'n'roll
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00:03:42,820 --> 00:03:45,060
# I love rock'n'roll
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00:03:45,060 --> 00:03:45,300
# So put another dime
in the jukebox, baby
# I love rock'n'roll
82
00:03:45,300 --> 00:03:47,340
# So put another dime
in the jukebox, baby
83
00:03:47,340 --> 00:03:47,580
# I love rock'n'roll
in the jukebox, baby
84
00:03:47,580 --> 00:03:49,820
# I love rock'n'roll
85
00:03:49,820 --> 00:03:52,580
# So come and take your time
and dance with me
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00:03:53,940 --> 00:03:55,180
# Ow! #
87
00:04:07,140 --> 00:04:13,740
# Said, "Can I take you home
where we can be alone?"
88
00:04:13,740 --> 00:04:15,540
# Next we're moving on
89
00:04:15,540 --> 00:04:18,380
# He was with me, yeah, me
90
00:04:18,380 --> 00:04:18,620
# He was with me, yeah, me
# And we'll be moving on
and singing that same old song
91
00:04:18,620 --> 00:04:21,860
# And we'll be moving on
and singing that same old song
92
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# And we'll be moving on
# Yeah, with me, singing
93
00:04:22,100 --> 00:04:24,340
# Yeah, with me, singing
94
00:04:24,340 --> 00:04:26,220
# I love rock'n'roll
95
00:04:26,220 --> 00:04:26,460
# So put another dime
# I love rock'n'roll
96
00:04:26,460 --> 00:04:28,740
# So put another dime
in the jukebox, baby
97
00:04:28,740 --> 00:04:28,980
# So put another dime
# I love rock'n'roll
98
00:04:28,980 --> 00:04:31,220
# I love rock'n'roll
99
00:04:31,220 --> 00:04:34,100
# So come and take your time
and dance with me
100
00:04:34,100 --> 00:04:34,340
# So come and take your time
# I love rock'n'roll
101
00:04:34,340 --> 00:04:36,580
# I love rock'n'roll
102
00:04:36,580 --> 00:04:36,820
# So put another dime
# I love rock'n'roll
103
00:04:36,820 --> 00:04:39,100
# So put another dime
in the jukebox, baby
104
00:04:39,100 --> 00:04:39,340
# So put another dime
# I love rock'n'roll
105
00:04:39,340 --> 00:04:41,340
# I love rock'n'roll
106
00:04:41,340 --> 00:04:43,540
# So come and take your time
and dance with
107
00:04:43,540 --> 00:04:43,780
# So come and take your time
# I love rock'n'roll
108
00:04:43,780 --> 00:04:45,740
# I love rock'n'roll
109
00:04:45,740 --> 00:04:48,500
# So put another dime
in the jukebox, baby
110
00:04:48,500 --> 00:04:50,740
# I love rock'n'roll
111
00:04:50,740 --> 00:04:52,660
# So come and take your time
and dance with
112
00:04:52,660 --> 00:04:52,900
# So come and take your time
# I love rock'n'roll
113
00:04:52,900 --> 00:04:54,940
# I love rock'n'roll
114
00:04:54,940 --> 00:04:58,020
# So put another dime
in the jukebox, baby
115
00:04:58,020 --> 00:04:59,940
# I love rock'n'roll
116
00:04:59,940 --> 00:05:02,100
# So come and take your time
and dance with
117
00:05:02,100 --> 00:05:02,340
# So come and take your time
# I love rock'n'roll
118
00:05:02,340 --> 00:05:04,580
# I love rock'n'roll
119
00:05:04,580 --> 00:05:06,820
# So put another dime
in the jukebox, baby
120
00:05:06,820 --> 00:05:09,100
# I love rock'n'roll
121
00:05:09,100 --> 00:05:09,340
# So come and take your time
# I love rock'n'roll
122
00:05:09,340 --> 00:05:12,100
# So come and take your time
and dance with me. #
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00:05:12,100 --> 00:05:12,340
# So come and take your time
(CHEERING)
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(CHEERING)
125
00:05:17,460 --> 00:05:20,380
SHANE: A parade
of American bands followed
126
00:05:20,380 --> 00:05:20,620
Joan Jett to Countdown in '82,
SHANE: A parade
of American bands followed
127
00:05:20,620 --> 00:05:23,220
Joan Jett to Countdown in '82,
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00:05:23,220 --> 00:05:26,300
each seeming more impressive
than the last.
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00:05:26,300 --> 00:05:26,540
# Baby makes her blue jeans
than the last.
130
00:05:26,540 --> 00:05:28,220
# Baby makes her blue jeans
131
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# Yes, she makes
her blue jeans talk
132
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# Baby makes her blue jeans
133
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# Yes, she makes
her blue jeans talk... #
134
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They could take blue-eyed soul
and give it a backbeat.
135
00:05:44,740 --> 00:05:44,980
# Oh, here she comes
They could take blue-eyed soul
and give it a backbeat.
136
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# Oh, here she comes
137
00:05:47,540 --> 00:05:50,300
# Watch out, boy,
she'll chew you up
138
00:05:50,300 --> 00:05:50,540
# Oh, here she comes
she'll chew you up
139
00:05:50,540 --> 00:05:52,340
# Oh, here she comes
140
00:05:52,340 --> 00:05:52,540
# Oh, here she comes
# She's a maneater
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00:05:52,540 --> 00:05:54,300
# She's a maneater
142
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# Oh, here she comes
143
00:05:58,180 --> 00:06:00,660
# Watch out, boy,
she'll chew you up
144
00:06:00,660 --> 00:06:00,900
# Watch out, boy,
# Oh, here she comes
145
00:06:00,900 --> 00:06:02,900
# Oh, here she comes
146
00:06:02,900 --> 00:06:05,500
# She's a maneater. #
147
00:06:05,500 --> 00:06:05,740
No-one created teen idols
better than the Americans.
# She's a maneater. #
148
00:06:05,740 --> 00:06:09,180
No-one created teen idols
better than the Americans.
149
00:06:09,180 --> 00:06:09,420
# How can I live without her
better than the Americans.
150
00:06:09,420 --> 00:06:13,020
# How can I live without her
151
00:06:13,020 --> 00:06:17,220
# When she's all I'm living for?
152
00:06:17,220 --> 00:06:17,420
# When she's all I'm living for?
# How can I live without her
153
00:06:17,420 --> 00:06:21,460
# How can I live without her
154
00:06:21,460 --> 00:06:22,940
# Live like I did before? #
155
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And they had music from California
156
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with a confidence and energy
that was infectious.
157
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# Can you hear them?
158
00:06:40,460 --> 00:06:42,300
# They talk about us
159
00:06:42,300 --> 00:06:43,580
# Telling lies
160
00:06:43,580 --> 00:06:45,220
# Well, that's no surprise
161
00:06:45,220 --> 00:06:47,180
# Can you see them?
162
00:06:47,180 --> 00:06:50,100
# See right through them
163
00:06:50,100 --> 00:06:50,340
# They have no shield,
# See right through them
164
00:06:50,340 --> 00:06:53,660
# They have no shield,
no secrets to reveal
165
00:06:53,660 --> 00:06:57,060
# It doesn't matter
what they say
166
00:06:57,060 --> 00:07:01,420
# In the jealous games
people play
167
00:07:03,260 --> 00:07:05,500
# Our lips are sealed
168
00:07:07,140 --> 00:07:11,060
# There's a weapon
that we must use
169
00:07:11,060 --> 00:07:11,300
# In our defence
that we must use
170
00:07:11,300 --> 00:07:13,180
# In our defence
171
00:07:13,180 --> 00:07:14,780
# Silence
172
00:07:14,780 --> 00:07:16,300
# When you look at them
173
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# Look right through them
174
00:07:18,700 --> 00:07:20,580
# That's when they'll disappear
175
00:07:20,580 --> 00:07:23,460
# That's when we'll be feared
176
00:07:23,460 --> 00:07:26,460
# It doesn't matter what they say
177
00:07:26,460 --> 00:07:30,900
# In the jealous games people play
178
00:07:32,540 --> 00:07:34,460
# Our lips are sealed
179
00:07:35,780 --> 00:07:38,580
# Give no mind to what they say
180
00:07:39,780 --> 00:07:43,460
# It doesn't matter anyway
181
00:07:45,340 --> 00:07:47,540
# Our lips are sealed
182
00:07:58,300 --> 00:08:01,980
# Hush, my darling
183
00:08:01,980 --> 00:08:02,180
# Hush, my darling
# Don't you cry
184
00:08:02,180 --> 00:08:05,820
# Don't you cry
185
00:08:05,820 --> 00:08:09,700
# Quiet angel
186
00:08:09,700 --> 00:08:12,220
# Forget their lies
187
00:08:12,220 --> 00:08:12,420
# Can you hear them?
# Forget their lies
188
00:08:12,420 --> 00:08:14,660
# Can you hear them?
189
00:08:14,660 --> 00:08:16,380
# They talk about us
190
00:08:16,380 --> 00:08:19,740
# Telling lies
well, that's no surprise
191
00:08:19,740 --> 00:08:21,420
# Can you see them?
192
00:08:21,420 --> 00:08:23,100
# See right through them
193
00:08:24,380 --> 00:08:27,940
# They have no shield,
no secrets to reveal
194
00:08:27,940 --> 00:08:28,180
# They have no shield,
# It doesn't matter what they say
195
00:08:28,180 --> 00:08:31,900
# It doesn't matter what they say
196
00:08:31,900 --> 00:08:35,740
# In the jealous games people play
197
00:08:37,660 --> 00:08:40,780
# Our lips are sealed
198
00:08:40,780 --> 00:08:44,380
# Pay no mind to what they say
199
00:08:44,380 --> 00:08:48,820
# It doesn't matter anyway
200
00:08:50,340 --> 00:08:52,660
# Our lips are sealed... #
201
00:09:05,740 --> 00:09:08,300
# There's an old piano
and they play it hot... #
202
00:09:08,300 --> 00:09:08,580
SHANE: But the British
weren't fazed,
# There's an old piano
and they play it hot... #
203
00:09:08,580 --> 00:09:10,220
SHANE: But the British
weren't fazed,
204
00:09:10,220 --> 00:09:10,460
unleashing Shakin' Stevens,
weren't fazed,
205
00:09:10,460 --> 00:09:12,060
unleashing Shakin' Stevens,
206
00:09:12,060 --> 00:09:15,620
one of their biggest-selling
singles artists of the '80s.
207
00:09:15,620 --> 00:09:15,900
one of their biggest-selling
singles artists of the '80s.
# But they laugh a lot
behind the green door
208
00:09:15,900 --> 00:09:19,100
# But they laugh a lot
behind the green door
209
00:09:19,100 --> 00:09:20,300
# Green door
210
00:09:20,300 --> 00:09:23,660
# Wish they'd let me in
so I could find out what's
211
00:09:23,660 --> 00:09:23,900
# Wish they'd let me in
# Behind the green door... #
212
00:09:23,900 --> 00:09:26,140
# Behind the green door... #
213
00:09:26,140 --> 00:09:28,620
Prolific '70s hitmakers
Hot Chocolate
214
00:09:28,620 --> 00:09:28,860
were still going strong.
Hot Chocolate
215
00:09:28,860 --> 00:09:30,460
were still going strong.
216
00:09:30,460 --> 00:09:34,020
# It started with a kiss
217
00:09:34,020 --> 00:09:34,260
# It started with a kiss
# Never thought
it would come to this
218
00:09:34,260 --> 00:09:37,260
# Never thought
it would come to this
219
00:09:38,580 --> 00:09:42,340
# Started with a kiss
220
00:09:42,340 --> 00:09:42,580
# Never thought
# Started with a kiss
221
00:09:42,580 --> 00:09:45,660
# Never thought
it would come to this
222
00:09:46,820 --> 00:09:49,380
# You don't remember me, do you?
223
00:09:51,260 --> 00:09:53,300
# You don't remember me, do you? #
224
00:09:55,060 --> 00:09:58,500
They also had
the King of Countdown, Elton.
225
00:09:58,500 --> 00:10:02,620
# Blue eyes
holding back the tears
226
00:10:02,620 --> 00:10:02,860
# Blue eyes
holding back the tears
# Holding back the pain
227
00:10:02,860 --> 00:10:06,900
# Holding back the pain
228
00:10:08,340 --> 00:10:12,700
# Baby's got blue eyes
229
00:10:13,820 --> 00:10:16,780
# And she's alone
230
00:10:19,940 --> 00:10:22,380
# Again. #
231
00:10:23,540 --> 00:10:25,540
Like they'd done
with Fleetwood Mac,
232
00:10:25,540 --> 00:10:28,740
the English could always
borrow a US singer.
233
00:10:31,220 --> 00:10:34,740
# Each day drags by
until finally
234
00:10:34,740 --> 00:10:34,980
# Each day drags by
# My time descends on me
235
00:10:34,980 --> 00:10:39,460
# My time descends on me
236
00:10:39,460 --> 00:10:42,940
# I go to sleep
237
00:10:42,940 --> 00:10:44,900
# Sleep
238
00:10:44,900 --> 00:10:45,140
# And imagine that
# Sleep
239
00:10:45,140 --> 00:10:48,940
# And imagine that
you're there with me
240
00:10:48,940 --> 00:10:49,180
# And imagine that
# I go to sleep
241
00:10:49,180 --> 00:10:52,460
# I go to sleep
242
00:10:52,460 --> 00:10:54,260
# Sleep
243
00:10:54,260 --> 00:10:57,700
# And imagine that
you're there with me. #
244
00:10:57,700 --> 00:11:00,260
And if the Brits needed
to scare away the opposition,
245
00:11:00,260 --> 00:11:03,500
they just knew they could call in
the heavy artillery.
246
00:11:03,500 --> 00:11:03,740
# I left alone
they just knew they could call in
the heavy artillery.
247
00:11:03,740 --> 00:11:05,100
# I left alone
248
00:11:06,580 --> 00:11:07,980
# My mind was blank
249
00:11:09,580 --> 00:11:11,860
# I needed time to think
250
00:11:11,860 --> 00:11:15,780
# To get the memories from my mind
251
00:11:15,780 --> 00:11:17,140
# What did I see
252
00:11:18,260 --> 00:11:20,100
# Can I believe
253
00:11:21,300 --> 00:11:24,780
# That what I saw
that night was real
254
00:11:24,780 --> 00:11:25,020
# That what I saw
# And not just fantasy?
255
00:11:25,020 --> 00:11:27,940
# And not just fantasy?
256
00:11:27,940 --> 00:11:29,580
# Just what I saw
257
00:11:30,700 --> 00:11:32,620
# In my old dreams
258
00:11:33,820 --> 00:11:37,140
# Were they reflections
of my warped mind
259
00:11:37,140 --> 00:11:37,380
# Were they reflections
# Staring back at me?
260
00:11:37,380 --> 00:11:39,180
# Staring back at me?
261
00:11:40,140 --> 00:11:41,820
# 'Cause in my dreams
262
00:11:43,100 --> 00:11:44,940
# It's always there
263
00:11:46,020 --> 00:11:49,100
# The evil face
that twists my mind
264
00:11:49,100 --> 00:11:49,340
# The evil face
# And brings me to despair
265
00:11:49,340 --> 00:11:51,620
# And brings me to despair
266
00:11:52,940 --> 00:12:05,860
# Yeah!
267
00:12:05,860 --> 00:12:06,100
# Night was black,
was no use holding back
# Yeah!
268
00:12:06,100 --> 00:12:09,940
# Night was black,
was no use holding back
269
00:12:09,940 --> 00:12:10,180
# Because I just had to see
was no use holding back
270
00:12:10,180 --> 00:12:12,420
# Because I just had to see
271
00:12:12,420 --> 00:12:15,540
# Was someone watching me?
272
00:12:15,540 --> 00:12:15,780
# Was someone watching me?
dark figures move and twist
273
00:12:15,780 --> 00:12:19,580
# In the mist,
dark figures move and twist
274
00:12:19,580 --> 00:12:19,820
# In the mist,
dark figures move and twist
# Was all this for real?
275
00:12:19,820 --> 00:12:22,100
# Was all this for real?
276
00:12:22,100 --> 00:12:25,220
# Or just some kind of hell?
277
00:12:25,220 --> 00:12:27,620
# 666
278
00:12:27,620 --> 00:12:29,940
# The number of the beast
279
00:12:29,940 --> 00:12:31,940
# Hell and fire
280
00:12:31,940 --> 00:12:34,020
# Was spawned to be released
281
00:12:35,940 --> 00:12:40,500
# Torches blazed,
and sacred chants were praised
282
00:12:40,500 --> 00:12:42,500
# As they start to cry
283
00:12:42,500 --> 00:12:45,700
# Hands held to the sky
284
00:12:45,700 --> 00:12:49,540
# In the night,
the fires are burning bright
285
00:12:49,540 --> 00:12:49,780
# In the night,
# The ritual has begun
286
00:12:49,780 --> 00:12:52,060
# The ritual has begun
287
00:12:52,060 --> 00:12:55,380
# Satan's work is done
288
00:12:55,380 --> 00:12:57,260
# 666
289
00:12:57,260 --> 00:12:59,660
# The number of the beast
290
00:12:59,660 --> 00:13:01,860
# Sacrifice
291
00:13:01,860 --> 00:13:04,060
# Is going on tonight
292
00:14:17,460 --> 00:14:19,300
# This can't go on
293
00:14:19,300 --> 00:14:21,780
# I must inform the law
294
00:14:21,780 --> 00:14:23,980
# Can this still be real?
295
00:14:23,980 --> 00:14:26,820
# Or just some crazy dream?
296
00:14:26,820 --> 00:14:27,060
# But I feel drawn
# Or just some crazy dream?
297
00:14:27,060 --> 00:14:31,340
# But I feel drawn
towards the chanting hordes
298
00:14:31,340 --> 00:14:33,940
# They seem to mesmerise
299
00:14:33,940 --> 00:14:36,660
# Can't avoid their eyes
300
00:14:36,660 --> 00:14:38,700
# 666
301
00:14:38,700 --> 00:14:41,460
# The number of the beast
302
00:14:41,460 --> 00:14:43,300
# 666
303
00:14:43,300 --> 00:14:45,700
# The one for you and me
304
00:14:47,380 --> 00:14:49,180
# I'm coming back
305
00:14:50,580 --> 00:14:52,260
# I will return
306
00:14:53,460 --> 00:14:56,020
# And I'll possess your body
307
00:14:56,020 --> 00:14:59,780
# And I'll make you burn
308
00:14:59,780 --> 00:15:01,220
# I have the fire
309
00:15:02,420 --> 00:15:04,220
# I have the force
310
00:15:05,300 --> 00:15:08,620
# I have the power
to make my evil
311
00:15:08,620 --> 00:15:08,860
# I have the power
# Take its course. #
312
00:15:08,860 --> 00:15:10,300
# Take its course. #
313
00:15:13,420 --> 00:15:15,820
(CHEERING)
314
00:15:27,940 --> 00:15:30,860
SHANE: The real strength
in the British musical armoury
315
00:15:30,860 --> 00:15:31,100
was synth pop.
in the British musical armoury
316
00:15:31,100 --> 00:15:32,460
was synth pop.
317
00:15:40,340 --> 00:15:41,940
There's a big movement in England
318
00:15:41,940 --> 00:15:42,180
that they're trying to foist
There's a big movement in England
319
00:15:42,180 --> 00:15:44,660
that they're trying to foist
a lot of American music on us,
320
00:15:44,660 --> 00:15:46,460
and they're doing it quite well
at the moment.
321
00:15:46,460 --> 00:15:48,300
They managed it well
with Foreigner, didn't they?
322
00:15:48,300 --> 00:15:50,140
That got into
the top 10 in Britain
323
00:15:50,140 --> 00:15:53,620
and that was only because
in the main pop program
324
00:15:53,620 --> 00:15:55,220
on British television,
325
00:15:55,220 --> 00:15:59,020
they've got five minutes that's
devoted just to American music.
326
00:15:59,020 --> 00:15:59,260
they've got five minutes that's
Which...
327
00:15:59,260 --> 00:16:00,220
Which...
328
00:16:00,220 --> 00:16:02,300
Which I think's really offensive.
329
00:16:02,300 --> 00:16:02,540
Well, we've always sort of expected
Which I think's really offensive.
330
00:16:02,540 --> 00:16:04,500
Well, we've always sort of expected
to be quite successful
331
00:16:04,500 --> 00:16:07,020
right from the start, but then
when we were successful,
332
00:16:07,020 --> 00:16:09,740
it was very, very big
and very, very quick.
333
00:16:09,740 --> 00:16:09,980
it was very, very big
Shocking, really.
334
00:16:09,980 --> 00:16:11,220
Shocking, really.
335
00:16:11,220 --> 00:16:12,900
I always knew
that I would be successful,
336
00:16:12,900 --> 00:16:14,540
but I never thought
I'd have to start playing
337
00:16:14,540 --> 00:16:14,780
but I never thought
the synthesiser to do it.
338
00:16:14,780 --> 00:16:16,100
the synthesiser to do it.
339
00:16:17,500 --> 00:16:19,380
You notice, when he plays
synthesiser like that,
340
00:16:19,380 --> 00:16:19,660
his hands suddenly
start going like this.
You notice, when he plays
synthesiser like that,
341
00:16:19,660 --> 00:16:21,980
his hands suddenly
start going like this.
342
00:16:21,980 --> 00:16:23,780
And then he goes back.
343
00:16:23,780 --> 00:16:25,660
It's like Dr Strangelove
with his arm.
344
00:16:25,660 --> 00:16:27,780
And then Adrian rushes up
and gives me another injection.
345
00:16:27,780 --> 00:16:30,980
Hello. I'm Joanne
from the Human League.
346
00:16:30,980 --> 00:16:33,300
(ALL LAUGH)
347
00:16:33,300 --> 00:16:35,140
Oh, stop laughing at me.
348
00:16:35,140 --> 00:16:37,140
Stop putting this accent on.
349
00:16:41,980 --> 00:16:45,500
SHANE: Already one of
Princess Diana's favourite bands,
350
00:16:45,500 --> 00:16:45,780
SHANE: Already one of
Princess Diana's favourite bands,
Duran Duran were about
to become global favourites,
351
00:16:45,780 --> 00:16:49,100
Duran Duran were about
to become global favourites,
352
00:16:49,100 --> 00:16:49,340
Duran Duran were about
doing synth pop their own way.
353
00:16:49,340 --> 00:16:51,820
doing synth pop their own way.
354
00:16:51,820 --> 00:16:55,300
# I saw you
at the air race yesterday
355
00:16:55,300 --> 00:16:58,900
# April showers
get out of my way
356
00:16:58,900 --> 00:17:02,900
# Fear of flying, no, not me
357
00:17:05,780 --> 00:17:08,580
# I'm never bothered what you say
358
00:17:08,580 --> 00:17:11,980
# Someone's kid just lives for today
359
00:17:11,980 --> 00:17:16,260
# It ain't your problem anyway
360
00:17:18,300 --> 00:17:21,620
# 'Cause I've got my own way
361
00:17:21,620 --> 00:17:24,900
# I can find my own way
362
00:17:24,900 --> 00:17:28,300
# 'Cause I've got my own way
363
00:17:28,300 --> 00:17:31,380
# Hey, yay-yay-yay-yay-yay
364
00:17:31,380 --> 00:17:35,020
# 'Cause I've got my own way
365
00:17:35,020 --> 00:17:38,260
# I can find my own way
366
00:17:38,260 --> 00:17:42,420
# 'Cause I've got my own way
367
00:17:44,300 --> 00:17:46,700
(CHEERING)
368
00:17:59,060 --> 00:18:02,100
# A public figure, what a pain
369
00:18:02,100 --> 00:18:05,700
# Just puts another rattle
in your brain
370
00:18:05,700 --> 00:18:10,220
# Take another green,
but it's not the same
371
00:18:12,100 --> 00:18:15,700
# But now you're on
the sand lane everyday
372
00:18:15,700 --> 00:18:19,100
# Dancing with the bulls
in any old way
373
00:18:19,100 --> 00:18:22,980
# Running like a fox
to keep up with me
374
00:18:25,140 --> 00:18:28,580
# 'Cause I've got my own way
375
00:18:28,580 --> 00:18:31,820
# I can find my own way
376
00:18:31,820 --> 00:18:35,020
# 'Cause I've got my own way
377
00:18:35,020 --> 00:18:38,260
# Hey, yay-yay-yay-yay-yay
378
00:18:38,260 --> 00:18:41,740
# 'Cause I've got my own way
379
00:18:41,740 --> 00:18:45,220
# I can find my own way
380
00:18:45,220 --> 00:18:48,420
# 'Cause I've got my own way
381
00:18:48,420 --> 00:18:51,700
# Hey, yay-yay-yay-yay-yay
382
00:19:25,380 --> 00:19:28,580
# 'Cause I've got my own way
383
00:19:28,580 --> 00:19:28,780
# I can find my own way
# 'Cause I've got my own way
384
00:19:28,780 --> 00:19:31,900
# I can find my own way
385
00:19:31,900 --> 00:19:35,380
# 'Cause I've got my own way
386
00:19:35,380 --> 00:19:35,580
# 'Cause I've got my own way
# Hey, yay-yay-yay-yay-yay
387
00:19:35,580 --> 00:19:38,780
# Hey, yay-yay-yay-yay-yay
388
00:19:38,780 --> 00:19:41,900
# 'Cause I've got my own way
389
00:19:41,900 --> 00:19:45,260
# I can find my own way
390
00:19:45,260 --> 00:19:48,940
# 'Cause I've got my own way
391
00:19:48,940 --> 00:19:54,700
# Hey, yay-yay-yay-yay-yay. #
392
00:20:08,900 --> 00:20:11,460
(CHEERING)
393
00:20:17,780 --> 00:20:20,060
# Button up your lips
394
00:20:21,940 --> 00:20:24,940
SHANE: Jamaican-born artist
Grace Jones
395
00:20:24,940 --> 00:20:29,500
took synth pop and gave it
some New York sophistication.
396
00:20:31,740 --> 00:20:33,340
# Walking
397
00:20:33,340 --> 00:20:35,580
# Walking in the rain. #
398
00:20:37,340 --> 00:20:40,860
American band Devo
plugged in their synthesisers
399
00:20:40,860 --> 00:20:41,100
and did this with them.
plugged in their synthesisers
400
00:20:41,100 --> 00:20:42,580
and did this with them.
401
00:20:42,580 --> 00:20:42,780
and did this with them.
# I been working in a coalmine
402
00:20:42,780 --> 00:20:44,300
# I been working in a coalmine
403
00:20:44,300 --> 00:20:45,660
# Going down, down
404
00:20:45,660 --> 00:20:47,340
# Working in a coalmine
405
00:20:47,340 --> 00:20:48,860
# Whew, about to slip down... #
406
00:20:48,860 --> 00:20:49,100
(BAND PLAYS 'WHIP IT')
# Whew, about to slip down... #
407
00:20:49,100 --> 00:20:51,140
(BAND PLAYS 'WHIP IT')
And this.
408
00:21:02,300 --> 00:21:03,980
# Crack that whip
409
00:21:05,100 --> 00:21:07,020
# Give the past the slip
410
00:21:08,380 --> 00:21:10,140
# Step on a crack
411
00:21:11,340 --> 00:21:13,140
# Break your momma's back
412
00:21:15,780 --> 00:21:18,660
# When a problem comes along
# You must whip it
413
00:21:18,660 --> 00:21:21,860
# Before the cream sits out too long
# You must whip it
414
00:21:21,860 --> 00:21:24,580
# When something's going wrong
# You must whip it
415
00:21:25,820 --> 00:21:27,340
# Now whip it
416
00:21:27,340 --> 00:21:28,780
# Into shape
417
00:21:28,780 --> 00:21:30,340
# Shape it up
418
00:21:30,340 --> 00:21:31,820
# Get straight
419
00:21:31,820 --> 00:21:33,500
# Go forward
420
00:21:33,500 --> 00:21:34,780
# Move ahead
421
00:21:34,780 --> 00:21:36,260
# Try to detect it
422
00:21:36,260 --> 00:21:37,820
# It's not too late
423
00:21:37,820 --> 00:21:39,380
# To whip it
424
00:21:39,380 --> 00:21:40,460
# Whip it good!
425
00:21:42,980 --> 00:21:45,980
# When a good time turns around
# You must whip it
426
00:21:45,980 --> 00:21:49,300
# You will never live it down
# Unless you whip it
427
00:21:49,300 --> 00:21:51,860
# No-one gets away
# Until they whip it
428
00:21:54,420 --> 00:21:55,700
# I say whip it
429
00:21:57,300 --> 00:21:58,580
# Whip it good
430
00:22:00,420 --> 00:22:01,580
# I say whip it
431
00:22:03,260 --> 00:22:04,660
# Whip it good
432
00:22:24,180 --> 00:22:25,740
# Crack that whip
433
00:22:27,380 --> 00:22:29,140
# Give the past the slip
434
00:22:30,260 --> 00:22:31,980
# Step on a crack
435
00:22:33,220 --> 00:22:35,060
# Break your momma's back
436
00:22:37,620 --> 00:22:40,580
# When a problem comes along
# You must whip it
437
00:22:40,580 --> 00:22:43,780
# Before the cream sits out too long
# You must whip it
438
00:22:43,780 --> 00:22:44,060
# Before the cream sits out too long
# You must whip it
# When something's going wrong
# You must whip it
439
00:22:44,060 --> 00:22:46,500
# When something's going wrong
# You must whip it
440
00:22:47,620 --> 00:22:49,140
# Now whip it
441
00:22:49,140 --> 00:22:50,900
# Into shape
442
00:22:50,900 --> 00:22:52,140
# Shape it up
443
00:22:52,140 --> 00:22:53,620
# Get straight
444
00:22:53,620 --> 00:22:55,100
# Go forward
445
00:22:55,100 --> 00:22:56,700
# Move ahead
446
00:22:56,700 --> 00:22:58,060
# Try to detect it
447
00:22:58,060 --> 00:22:59,620
# It's not too late
448
00:22:59,620 --> 00:23:01,220
# To whip it
449
00:23:01,220 --> 00:23:02,780
# Into shape
450
00:23:02,780 --> 00:23:04,460
# Shape it up
451
00:23:04,460 --> 00:23:05,820
# Get straight
452
00:23:05,820 --> 00:23:07,300
# Go forward
453
00:23:07,300 --> 00:23:08,820
# Move ahead
454
00:23:08,820 --> 00:23:10,500
# Try to detect it
455
00:23:10,500 --> 00:23:11,660
# It's not too late
456
00:23:11,660 --> 00:23:13,420
# To whip it
457
00:23:13,420 --> 00:23:15,020
# Whip it good. #
458
00:23:26,860 --> 00:23:28,820
Hi. I'm Clare from Altered Images
459
00:23:28,820 --> 00:23:31,220
and you're watching Countdown '82.
460
00:23:31,220 --> 00:23:33,020
(LAUGHS)
461
00:23:33,020 --> 00:23:33,220
(LAUGHS)
Wow. Alright, we'll start again.
462
00:23:33,220 --> 00:23:35,140
Wow. Alright, we'll start again.
463
00:23:35,140 --> 00:23:37,020
Serious face.
464
00:23:37,020 --> 00:23:37,980
No giggling.
465
00:23:37,980 --> 00:23:38,220
SHANE: English pop stars seemed
so confident and polished.
No giggling.
466
00:23:38,220 --> 00:23:42,980
SHANE: English pop stars seemed
so confident and polished.
467
00:23:42,980 --> 00:23:43,260
SHANE: English pop stars seemed
so confident and polished.
MOLLY: When you look back on
the three hits that you've had,
468
00:23:43,260 --> 00:23:48,380
MOLLY: When you look back on
the three hits that you've had,
469
00:23:48,380 --> 00:23:51,420
do you and your brothers sort of
purposely go out to find...
470
00:23:51,420 --> 00:23:54,220
You know? In other words,
do you knock back tracks
471
00:23:54,220 --> 00:23:57,700
that you may write, or what?
472
00:23:57,700 --> 00:23:59,700
Is it calculated thing?
473
00:23:59,700 --> 00:24:01,580
It's a strange
question, you know.
474
00:24:01,580 --> 00:24:04,060
Um...
I mean, is it like...
475
00:24:04,060 --> 00:24:05,300
Let me start again.
476
00:24:05,300 --> 00:24:07,780
I didn't understand
the question at all. (LAUGHS)
477
00:24:07,780 --> 00:24:10,540
I'm totally mixed up myself.
It went on for so long.
478
00:24:10,540 --> 00:24:10,780
I'm totally mixed up myself.
It was like an epic.
479
00:24:10,780 --> 00:24:11,900
It was like an epic.
480
00:24:11,900 --> 00:24:14,140
I'm flavour of the month
every month, or whatever it is.
481
00:24:14,140 --> 00:24:14,420
You couldn't imagine some
of the new British musicians
I'm flavour of the month
every month, or whatever it is.
482
00:24:14,420 --> 00:24:17,060
You couldn't imagine some
of the new British musicians
483
00:24:17,060 --> 00:24:19,860
being anything other
than a pop star.
484
00:24:19,860 --> 00:24:20,140
being anything other
than a pop star.
For me, the warrior
make-up is me
485
00:24:20,140 --> 00:24:23,540
For me, the warrior
make-up is me
486
00:24:23,540 --> 00:24:28,740
as much as Alice Cooper's make-up
is, you know, the thing
487
00:24:28,740 --> 00:24:31,220
with the...you know,
the ghoulish thing.
488
00:24:31,220 --> 00:24:33,460
That's sort of what people
identify with him
489
00:24:33,460 --> 00:24:35,140
and he'll never
get away from that.
490
00:24:35,140 --> 00:24:37,220
I don't think I'll ever get
away from the warrior,
491
00:24:37,220 --> 00:24:37,460
I don't think I'll ever get
not that I want to.
492
00:24:37,460 --> 00:24:38,740
not that I want to.
493
00:24:38,740 --> 00:24:38,980
There'll never be
not that I want to.
494
00:24:38,980 --> 00:24:40,220
There'll never be
another Beatles.
495
00:24:40,220 --> 00:24:40,460
There'll never be
But I hope in ten year's time,
496
00:24:40,460 --> 00:24:41,820
But I hope in ten year's time,
497
00:24:41,820 --> 00:24:44,060
people will say there'll never be
another Adam and the Ants.
498
00:24:44,060 --> 00:24:44,340
SHANE: While Adam was looking
to the future,
people will say there'll never be
another Adam and the Ants.
499
00:24:44,340 --> 00:24:46,540
SHANE: While Adam was looking
to the future,
500
00:24:46,540 --> 00:24:49,620
I was inspired
by stories as old as time,
501
00:24:49,620 --> 00:24:52,620
and Goanna joined
the struggle for justice.
502
00:24:56,340 --> 00:24:58,540
(CHEERING, APPLAUSE)
503
00:25:09,340 --> 00:25:11,260
# Out here nothing changes
504
00:25:11,260 --> 00:25:13,660
# Not in a hurry anyway
505
00:25:15,820 --> 00:25:18,660
# You feel the endlessness
506
00:25:18,660 --> 00:25:18,900
# With the coming
# You feel the endlessness
507
00:25:18,900 --> 00:25:21,180
# With the coming
of the light of day
508
00:25:22,500 --> 00:25:25,180
# Talking about a chosen place
509
00:25:25,180 --> 00:25:28,100
# You want to sell it
in a marketplace, well
510
00:25:33,100 --> 00:25:34,580
# Well, just a minute now
511
00:25:39,620 --> 00:25:41,380
# You're standing on
512
00:25:41,380 --> 00:25:43,100
# Solid rock
513
00:25:43,100 --> 00:25:46,140
# Standing on sacred ground
514
00:25:46,140 --> 00:25:49,780
# Living on borrowed time
515
00:25:49,780 --> 00:25:51,700
# And the winds of change
516
00:25:51,700 --> 00:25:54,100
# Are blowing down the line
517
00:25:58,460 --> 00:26:00,660
# Right down the line
518
00:26:07,020 --> 00:26:10,020
# Around about the dawn of time
519
00:26:10,020 --> 00:26:13,540
# When dreaming all began
520
00:26:13,540 --> 00:26:16,260
# A crowd of people came
521
00:26:16,260 --> 00:26:20,020
# Well, they were looking
for their promised land
522
00:26:20,020 --> 00:26:20,300
# Well, they were looking
for their promised land
# They're running
from the heart of darkness
523
00:26:20,300 --> 00:26:22,620
# They're running
from the heart of darkness
524
00:26:24,220 --> 00:26:26,460
# Searching
for the heart of light
525
00:26:30,460 --> 00:26:32,700
# Well, I think
we found paradise
526
00:26:37,020 --> 00:26:39,500
# But they were standing on
527
00:26:39,500 --> 00:26:40,900
# Solid rock
528
00:26:40,900 --> 00:26:43,780
# Standing on sacred ground
529
00:26:43,780 --> 00:26:47,500
# Living on borrowed time
530
00:26:47,500 --> 00:26:49,540
# And the winds of change
531
00:26:49,540 --> 00:26:51,620
# Were blowing cold that night
532
00:26:53,540 --> 00:26:55,580
# No
533
00:27:37,100 --> 00:27:40,740
# Well, they were standing
on the shore one day
534
00:27:40,740 --> 00:27:43,860
# Saw the white sails
in the sun
535
00:27:43,860 --> 00:27:46,500
# And it wasn't long
before they felt the sting
536
00:27:46,500 --> 00:27:46,740
# White man, white law, white gun
# And it wasn't long
before they felt the sting
537
00:27:46,740 --> 00:27:50,500
# White man, white law, white gun
538
00:27:50,500 --> 00:27:53,740
# Don't tell me that it's justified
539
00:27:53,740 --> 00:27:55,700
# 'Cause somewhere
540
00:27:55,700 --> 00:27:56,940
# Well, someone lied
541
00:28:01,340 --> 00:28:03,060
# Yeah, well, someone lied
542
00:28:08,260 --> 00:28:09,940
# Someone lied
543
00:28:11,140 --> 00:28:12,300
# Genocide
544
00:28:14,780 --> 00:28:16,980
# Well, someone lied
545
00:28:16,980 --> 00:28:19,020
# Oh!
546
00:28:20,580 --> 00:28:22,780
# And now you're standing on
547
00:28:22,780 --> 00:28:24,420
# Solid rock
548
00:28:24,420 --> 00:28:27,740
# Standing on sacred ground
549
00:28:27,740 --> 00:28:31,020
# Living on borrowed time
550
00:28:31,020 --> 00:28:32,900
# And the winds of change
551
00:28:32,900 --> 00:28:35,100
# Are blowing down the line
552
00:28:35,100 --> 00:28:36,700
# Solid rock
553
00:28:36,700 --> 00:28:40,460
# Standing on sacred ground
554
00:28:40,460 --> 00:28:43,580
# Living on borrowed time
555
00:28:43,580 --> 00:28:45,500
# And the winds of change
556
00:28:45,500 --> 00:28:48,020
# Are blowing down the line
557
00:28:48,020 --> 00:28:50,340
# Solid rock
558
00:28:50,340 --> 00:28:52,740
# Oh-ho, sacred ground
559
00:28:52,740 --> 00:28:56,260
# Living on borrowed time
560
00:28:56,260 --> 00:28:58,180
# And the winds of change
561
00:28:58,180 --> 00:29:00,820
# Are blowing down the line
562
00:29:00,820 --> 00:29:02,420
# Oh, no
563
00:29:04,340 --> 00:29:06,580
# The line. #
(CHEERING)
564
00:29:12,700 --> 00:29:14,980
# And tell me
565
00:29:14,980 --> 00:29:15,220
# And tell me
there in England... #
566
00:29:15,220 --> 00:29:18,700
if it's still raining
there in England... #
567
00:29:18,700 --> 00:29:21,820
SHANE: We were just
starting out, but in 1982,
568
00:29:21,820 --> 00:29:22,100
SHANE: We were just
starting out, but in 1982,
it felt like some of our peers
had gone up a gear.
569
00:29:22,100 --> 00:29:24,900
it felt like some of our peers
had gone up a gear.
570
00:29:27,140 --> 00:29:29,540
# And tell me
571
00:29:29,540 --> 00:29:29,780
# If it's still raining
# And tell me
572
00:29:29,780 --> 00:29:32,980
# If it's still raining
there in England
573
00:29:34,140 --> 00:29:37,500
# Adventures so hard to come by
574
00:29:37,500 --> 00:29:41,660
# If you ever come back,
just drop by
575
00:29:41,660 --> 00:29:43,500
# One perfect day
576
00:29:44,980 --> 00:29:47,700
# One perfect day
577
00:29:47,700 --> 00:29:50,660
# One perfect day... #
578
00:29:54,220 --> 00:29:57,380
# Lady, what's your name?
579
00:29:57,380 --> 00:29:59,780
Barnesy's brother, John Swan,
580
00:29:59,780 --> 00:30:02,460
finally had
some well-deserved success.
581
00:30:02,460 --> 00:30:02,700
# In the rain
some well-deserved success.
582
00:30:02,700 --> 00:30:05,220
# In the rain
583
00:30:05,220 --> 00:30:05,460
# In the rain
# Just a little smile
will make my day
584
00:30:05,460 --> 00:30:09,060
# Just a little smile
will make my day
585
00:30:10,900 --> 00:30:13,340
# Loving you has made me live
586
00:30:13,340 --> 00:30:16,220
# Again
587
00:30:16,220 --> 00:30:18,220
# What's your name?
588
00:30:19,460 --> 00:30:23,140
# And can I walk
beside you in the rain?
589
00:30:24,900 --> 00:30:29,460
# Just a little smile
will make my day... #
590
00:30:31,100 --> 00:30:33,660
Split Enz kept taking
their writing up a notch.
591
00:30:33,660 --> 00:30:38,220
# I don't want to sail for the
middle of nowhere tonight
592
00:30:38,220 --> 00:30:38,500
# I don't want to sail for the
middle of nowhere tonight
# Dirty Creature's got me at
a disadvantage from the inside
593
00:30:38,500 --> 00:30:46,620
# Dirty Creature's got me at
a disadvantage from the inside
594
00:30:46,620 --> 00:30:46,860
# Dirty Creature's got me at
# Yeah, yeah
595
00:30:46,860 --> 00:30:51,340
# Yeah, yeah
596
00:30:51,340 --> 00:30:51,580
# I don't want to sail upon
# Yeah, yeah
597
00:30:51,580 --> 00:30:56,860
# I don't want to sail upon
the waters of invention tonight... #
598
00:31:11,540 --> 00:31:13,980
And there was no doubt INXS
599
00:31:13,980 --> 00:31:16,660
were about to pass everyone
in the straight.
600
00:31:41,980 --> 00:31:45,940
# I'm standing here on the ground
601
00:31:47,740 --> 00:31:53,580
# The sky above won't fall down
602
00:31:53,580 --> 00:31:55,620
# See no evil
603
00:31:55,620 --> 00:31:58,220
# In all directions
604
00:31:59,380 --> 00:32:01,900
# Resolution
605
00:32:01,900 --> 00:32:03,980
# Of happiness
606
00:32:05,340 --> 00:32:07,300
# Things have been dark
607
00:32:07,300 --> 00:32:09,740
# For too long
608
00:32:11,140 --> 00:32:13,060
# Don't change for you
609
00:32:14,060 --> 00:32:17,100
# Don't change a thing for me
610
00:32:19,820 --> 00:32:21,580
# Don't change for you
611
00:32:22,740 --> 00:32:26,460
# Don't change a thing for me
612
00:32:37,260 --> 00:32:41,100
# I found a love I had lost
613
00:32:43,260 --> 00:32:47,740
# It was gone for too long
614
00:32:49,180 --> 00:32:51,180
# Hear no evil
615
00:32:51,180 --> 00:32:53,580
# In all directions
616
00:32:53,580 --> 00:32:55,060
# Directions
617
00:32:55,060 --> 00:32:57,580
# Execution
618
00:32:57,580 --> 00:32:59,540
# Of bitterness
619
00:33:01,020 --> 00:33:05,620
# Message received
loud and clear
620
00:33:06,940 --> 00:33:09,700
# Don't change for you
621
00:33:09,700 --> 00:33:12,900
# Don't change a thing for me
622
00:33:15,900 --> 00:33:18,380
# Don't change for you
623
00:33:18,380 --> 00:33:21,580
# Don't change a thing for me
624
00:33:44,780 --> 00:33:48,700
# I'm standing here
on the ground
625
00:33:50,980 --> 00:33:53,180
# The sky above
626
00:33:53,180 --> 00:33:55,740
# Won't fall down
627
00:33:56,740 --> 00:34:01,060
# See no evil in all directions
628
00:34:02,540 --> 00:34:06,980
# Resolution of happiness
629
00:34:08,540 --> 00:34:12,860
# Things have been dark
for too long
630
00:34:14,260 --> 00:34:17,180
# Don't change for you
631
00:34:17,180 --> 00:34:20,220
# Don't change a thing for me
632
00:34:22,980 --> 00:34:26,060
# Don't change for you
633
00:34:26,060 --> 00:34:29,340
# Don't change a thing for me
634
00:34:31,540 --> 00:34:34,460
# Don't change for you
635
00:34:34,460 --> 00:34:37,980
# Don't change a thing for me
636
00:34:48,940 --> 00:34:52,060
# Don't
637
00:34:52,060 --> 00:34:55,860
# Change
638
00:34:57,780 --> 00:35:00,660
# Don't
639
00:35:00,660 --> 00:35:04,900
# Change. #
640
00:35:23,900 --> 00:35:27,460
# You can take a mule
up the mountains
641
00:35:27,460 --> 00:35:27,700
# To the picnic spots... #
up the mountains
642
00:35:27,700 --> 00:35:30,340
# To the picnic spots... #
643
00:35:33,060 --> 00:35:36,780
SHANE: The fashions displayed
in the Countdown studio in 1982
644
00:35:36,780 --> 00:35:39,700
were wide ranging,
from Heather Favell's
645
00:35:39,700 --> 00:35:42,700
comfortably snug jeans
and sunny polo...
646
00:35:42,700 --> 00:35:42,940
comfortably snug jeans
# Holiday
647
00:35:42,940 --> 00:35:44,580
# Holiday
648
00:35:44,580 --> 00:35:48,300
# From city madness
649
00:35:50,020 --> 00:35:52,580
# Cock...tails
650
00:35:52,580 --> 00:35:54,340
# On the patio... #
651
00:35:54,340 --> 00:35:54,580
# And the music starts to play,
and I'm so excited
# On the patio... #
652
00:35:54,580 --> 00:35:59,260
# And the music starts to play,
and I'm so excited
653
00:35:59,260 --> 00:36:01,660
..to the quintessentially
'80s crimped hair
654
00:36:01,660 --> 00:36:01,900
..to the quintessentially
'80s crimped hair
and pastels of the Moir Sisters.
655
00:36:01,900 --> 00:36:04,180
and pastels of the Moir Sisters.
656
00:36:04,180 --> 00:36:05,740
# It feels alright
657
00:36:05,740 --> 00:36:07,660
# I'm alright
658
00:36:07,660 --> 00:36:10,060
# We're alright
659
00:36:10,060 --> 00:36:12,940
# It feels alright
660
00:36:12,940 --> 00:36:14,620
# I'm alright
661
00:36:14,620 --> 00:36:16,860
# We're alright. #
662
00:36:16,860 --> 00:36:17,060
Julian Cope of Teardrop Explodes
# We're alright. #
663
00:36:17,060 --> 00:36:19,900
Julian Cope of Teardrop Explodes
664
00:36:19,900 --> 00:36:21,660
almost started a craze
665
00:36:21,660 --> 00:36:24,660
where everyone dressed
Old Testament style.
666
00:36:24,660 --> 00:36:24,900
where everyone dressed
Old Testament style.
Almost.
667
00:36:24,900 --> 00:36:26,140
Almost.
668
00:36:27,220 --> 00:36:29,700
# Darkness that is shattered
669
00:36:29,700 --> 00:36:31,820
# By the dawn... #
670
00:36:37,380 --> 00:36:40,860
(CHEERING)
671
00:36:40,860 --> 00:36:44,980
And the Fruit Pastilles'
punk powered dressing
672
00:36:44,980 --> 00:36:47,300
just screams 1982.
673
00:36:50,500 --> 00:36:53,580
# I don't ever want
to see you again
674
00:36:53,580 --> 00:36:53,860
# I don't ever want
to see you again
# I don't ever want
to hear your name again
675
00:36:53,860 --> 00:36:57,020
# I don't ever want
to hear your name again
676
00:36:57,020 --> 00:37:00,260
# I don't ever want
to know of you again
677
00:37:00,260 --> 00:37:03,660
# I no longer
consider you a friend
678
00:37:03,660 --> 00:37:07,020
# Round sticks of bamboo
slammed under nails
679
00:37:07,020 --> 00:37:10,340
# I'd rather be lacerated
by a cat of nine tails
680
00:37:10,340 --> 00:37:12,100
# I'd rather be
whipped and beaten
681
00:37:12,100 --> 00:37:13,780
# Bashed and mutilated
682
00:37:13,780 --> 00:37:17,500
# I'd much prefer to be
publicly humiliated - ow!
683
00:37:17,500 --> 00:37:17,780
# But I don't ever want
to see you again
# I'd much prefer to be
publicly humiliated - ow!
684
00:37:17,780 --> 00:37:20,580
# But I don't ever want
to see you again
685
00:37:20,580 --> 00:37:24,380
# I don't ever want
to hear your name again
686
00:37:24,380 --> 00:37:27,260
# I don't ever want
to know of you again
687
00:37:27,260 --> 00:37:27,540
# I don't ever want
to know of you again
# I no longer
consider you a friend
688
00:37:27,540 --> 00:37:30,420
# I no longer
consider you a friend
689
00:37:30,420 --> 00:37:32,220
Hope, I just don't know what
to do about that boy.
690
00:37:32,220 --> 00:37:34,260
He's made me
so irritable I could die.
691
00:37:34,260 --> 00:37:36,220
Chas, just get rid of him!
Get him out of your life!
692
00:37:36,220 --> 00:37:37,580
He's not for you!
Just get rid of him!
693
00:37:37,580 --> 00:37:39,340
Chop his head off!
Murder him! Murder him!
694
00:37:39,340 --> 00:37:39,620
BOTH: Murder him! Murder him!
Murder him! Murder him!
Chop his head off!
Murder him! Murder him!
695
00:37:39,620 --> 00:37:41,260
BOTH: Murder him! Murder him!
Murder him! Murder him!
696
00:37:41,260 --> 00:37:43,780
Murder him! Murder him!
Murder him!
697
00:37:43,780 --> 00:37:44,060
# Drag me through
a field of deadly thorns
Murder him! Murder him!
Murder him!
698
00:37:44,060 --> 00:37:46,940
# Drag me through
a field of deadly thorns
699
00:37:46,940 --> 00:37:50,060
# I'd rather they left me
bleeding, starving, of course!
700
00:37:50,060 --> 00:37:50,340
# I'd rather they left me
bleeding, starving, of course!
# I'd rather they set fire
to my hair and stamped it out
701
00:37:50,340 --> 00:37:53,380
# I'd rather they set fire
to my hair and stamped it out
702
00:37:53,380 --> 00:37:57,100
# I'd rather they acupuncture me
inside and out, out, out!
703
00:37:57,100 --> 00:38:00,540
# But I don't ever want
to see you again
704
00:38:00,540 --> 00:38:03,580
# I don't ever want
to hear your name again
705
00:38:03,580 --> 00:38:03,860
# I don't ever want
to know of you again
# I don't ever want
to hear your name again
706
00:38:03,860 --> 00:38:07,060
# I don't ever want
to know of you again
707
00:38:07,060 --> 00:38:10,540
# I no longer
consider you a friend
708
00:38:10,540 --> 00:38:10,820
# I no longer
consider you a friend
# I'd rather be scalded
in a vat of molten lead
709
00:38:10,820 --> 00:38:14,180
# I'd rather be scalded
in a vat of molten lead
710
00:38:14,180 --> 00:38:17,340
# I'd rather be bashed
repeatedly about the head
711
00:38:17,340 --> 00:38:20,780
# I'd rather knitting needles
going through my brain
712
00:38:20,780 --> 00:38:23,820
# I'd rather suffer
the most excruciating pain
713
00:38:23,820 --> 00:38:26,060
Chas, here he comes, walking
down the street toward us.
714
00:38:26,060 --> 00:38:26,300
Chas, here he comes, walking
What are you going to do?
715
00:38:26,300 --> 00:38:27,700
What are you going to do?
716
00:38:27,700 --> 00:38:27,940
I'm going to get him
What are you going to do?
717
00:38:27,940 --> 00:38:29,300
I'm going to get him
and get him good.
718
00:38:29,300 --> 00:38:29,540
I'm going to get him
Oh, hell, he's seen us!
719
00:38:29,540 --> 00:38:30,740
Oh, hell, he's seen us!
720
00:38:30,740 --> 00:38:35,660
I hate him!
Get him!
721
00:38:35,660 --> 00:38:35,900
I hate him!
(BOTH SCREAM)
722
00:38:35,900 --> 00:38:37,740
(BOTH SCREAM)
723
00:38:37,740 --> 00:38:39,540
# I don't ever want
to see you again... #
724
00:38:58,540 --> 00:39:01,980
Oh, thank you very much,
you salty young dogs.
725
00:39:01,980 --> 00:39:03,820
You're over there?
You're better this week?
726
00:39:03,820 --> 00:39:05,740
Much better, Molly, thank you.
The sea air, eh?
727
00:39:05,740 --> 00:39:06,020
It is.
Thank goodness for that.
Much better, Molly, thank you.
The sea air, eh?
728
00:39:06,020 --> 00:39:07,300
It is.
Thank goodness for that.
729
00:39:07,300 --> 00:39:07,540
What's your name?
Thank goodness for that.
730
00:39:07,540 --> 00:39:08,460
What's your name?
731
00:39:08,460 --> 00:39:08,700
What's your name?
Your name's what?
732
00:39:08,700 --> 00:39:10,580
MOLLY: My name is Ian.
Your name's what?
733
00:39:10,580 --> 00:39:11,900
Molly.
Molly.
734
00:39:11,900 --> 00:39:14,460
Now, I've got a daughter
called Molly, and I just hope
735
00:39:14,460 --> 00:39:14,740
Now, I've got a daughter
called Molly, and I just hope
she doesn't look like you
when she grows up.
736
00:39:14,740 --> 00:39:16,260
she doesn't look like you
when she grows up.
737
00:39:16,260 --> 00:39:16,500
she doesn't look like you
(LAUGHS) Fair enough.
738
00:39:16,500 --> 00:39:18,020
(LAUGHS) Fair enough.
739
00:39:20,020 --> 00:39:23,660
Alright, would you believe
that this little monster here...
740
00:39:23,660 --> 00:39:25,860
We'll see if we can
get a close-up of it.
741
00:39:25,860 --> 00:39:26,100
We'll see if we can
(BEEPS)
742
00:39:26,100 --> 00:39:27,940
(BEEPS)
743
00:39:27,940 --> 00:39:28,180
That little monster
(BEEPS)
744
00:39:28,180 --> 00:39:29,700
That little monster
there that's been eating
745
00:39:29,700 --> 00:39:32,580
and gobbling away things
is a guy called the Pac-Man, right?
746
00:39:32,580 --> 00:39:34,860
And it's been causing a storm
right around the country,
747
00:39:34,860 --> 00:39:35,100
And it's been causing a storm
including America, as well.
748
00:39:35,100 --> 00:39:36,300
including America, as well.
749
00:39:36,300 --> 00:39:38,220
In fact, it's the most
popular game in America.
750
00:39:38,220 --> 00:39:39,580
And of course, the good
old recording industry
751
00:39:39,580 --> 00:39:39,820
And of course, the good
had to get in on the act,
752
00:39:39,820 --> 00:39:40,900
had to get in on the act,
753
00:39:40,900 --> 00:39:43,380
and here's the single
called Pac-Man Fever.
754
00:39:43,380 --> 00:39:44,740
It's a disco sort of number,
755
00:39:44,740 --> 00:39:44,980
and it's sort of, like,
It's a disco sort of number,
756
00:39:44,980 --> 00:39:47,300
and it's sort of, like,
well, it's OK.
757
00:39:47,300 --> 00:39:50,420
And I think that we're all
quite heartily sick and tired.
758
00:39:50,420 --> 00:39:52,300
And it just makes
my stomach churn to see
759
00:39:52,300 --> 00:39:55,380
in the papers every day
and on the news at night
760
00:39:55,380 --> 00:39:58,700
the awful carnage that's going on
throughout the world today.
761
00:39:58,700 --> 00:40:00,740
I don't pick any sides,
but it just breaks my heart
762
00:40:00,740 --> 00:40:04,020
to see children in the news,
as we've been seeing in Beirut,
763
00:40:04,020 --> 00:40:06,540
just lying in hospitals,
the poor little things,
764
00:40:06,540 --> 00:40:09,140
with arms missing
and everything else like that.
765
00:40:09,140 --> 00:40:10,780
And I think the people
of Australia are very lucky,
766
00:40:10,780 --> 00:40:11,020
And I think the people
but we can do more than that,
767
00:40:11,020 --> 00:40:12,180
but we can do more than that,
768
00:40:12,180 --> 00:40:13,740
and I think
the people of Australia
769
00:40:13,740 --> 00:40:13,980
and I think
could strive for some peace.
770
00:40:13,980 --> 00:40:14,860
could strive for some peace.
771
00:40:14,860 --> 00:40:16,660
And after all,
it was only two years ago
772
00:40:16,660 --> 00:40:17,900
when we had
the Year of the Child,
773
00:40:17,900 --> 00:40:19,740
so let's start looking
after all the children
774
00:40:19,740 --> 00:40:21,660
throughout the world
and say something about it.
775
00:40:23,580 --> 00:40:26,660
Alright, amidst the chaos,
here's another album.
776
00:40:26,660 --> 00:40:28,940
How do you hold them, Neil,
so they don't flare?
777
00:40:28,940 --> 00:40:29,180
How do you hold them, Neil,
so they don't flare?
You look at the monitor, Tim,
778
00:40:29,180 --> 00:40:30,780
You look at the monitor, Tim,
779
00:40:30,780 --> 00:40:32,460
so that you make sure
it's not flaring.
780
00:40:32,460 --> 00:40:34,460
See, there's
the old flare there.
781
00:40:34,460 --> 00:40:35,780
Well, that's enough
said about that.
782
00:40:35,780 --> 00:40:37,660
I believe it's... Well...
You don't like it?
783
00:40:37,660 --> 00:40:39,620
Alright,
just very quickly explain.
784
00:40:39,620 --> 00:40:42,140
It's one of these
supergroup thingies.
785
00:40:42,140 --> 00:40:43,500
John Wetton, Steve Howe.
786
00:40:43,500 --> 00:40:45,540
I don't go for it myself.
I don't mind it.
787
00:40:45,540 --> 00:40:47,700
Watch out for it because it
is going to be a big one.
788
00:40:47,700 --> 00:40:49,500
You saw them before.
OK, moving along.
789
00:40:49,500 --> 00:40:49,740
You saw them before.
Alright, moving right along...
790
00:40:49,740 --> 00:40:50,660
Alright, moving right along...
791
00:40:50,660 --> 00:40:50,860
Now, listen, I've got to say...
Alright, moving right along...
792
00:40:50,860 --> 00:40:53,300
Now, listen, I've got to say...
793
00:40:53,300 --> 00:40:55,460
What a spunk! She's great.
794
00:40:55,460 --> 00:40:56,980
What a spank?
795
00:40:56,980 --> 00:40:58,820
What does that mean? What a spank?
796
00:40:58,820 --> 00:40:59,020
What does that mean? What a spank?
No, spunk.
797
00:40:59,020 --> 00:41:00,300
No, spunk.
798
00:41:00,300 --> 00:41:03,460
It means you're pretty good,
alright, in Australian terms.
799
00:41:03,460 --> 00:41:03,700
It means you're pretty good,
Oh. Pretty good? That's all?
800
00:41:03,700 --> 00:41:05,500
Oh. Pretty good? That's all?
801
00:41:05,500 --> 00:41:06,700
No, no, no.
802
00:41:06,700 --> 00:41:06,900
I must congratulate you, seriously.
No, no, no.
803
00:41:06,900 --> 00:41:08,620
I must congratulate you, seriously.
804
00:41:08,620 --> 00:41:08,860
I must congratulate you, seriously.
On that single.
805
00:41:08,860 --> 00:41:10,380
Thank you, Molly.
On that single.
806
00:41:10,380 --> 00:41:11,940
What are your names?
Where's Hope?
807
00:41:11,940 --> 00:41:12,180
This is Hope and I'm Chastity.
Where's Hope?
808
00:41:12,180 --> 00:41:13,420
This is Hope and I'm Chastity.
809
00:41:13,420 --> 00:41:15,780
Oh, you're too courteous.
Michael and Marc, right?
810
00:41:15,780 --> 00:41:16,780
You're too wonderful.
811
00:41:16,780 --> 00:41:17,020
You're too wonderful.
It's an absolute
wonderful single,
812
00:41:17,020 --> 00:41:18,820
It's an absolute
wonderful single,
813
00:41:18,820 --> 00:41:19,060
It's an absolute
and it's time to say goodnight.
814
00:41:19,060 --> 00:41:20,180
and it's time to say goodnight.
815
00:41:20,180 --> 00:41:21,460
Goodnight!
816
00:41:21,460 --> 00:41:23,020
Do you like the single?
Love it.
817
00:41:23,020 --> 00:41:24,060
Yeah, it is. It's great.
818
00:41:24,060 --> 00:41:26,540
So the advice we give you two
is be clean as well.
819
00:41:26,540 --> 00:41:28,940
It's time to say goodnight.
OK. Clean and wonderful.
820
00:41:28,940 --> 00:41:29,220
Alright, listen,
it's time to say goodnight...
It's time to say goodnight.
OK. Clean and wonderful.
821
00:41:29,220 --> 00:41:31,420
Alright, listen,
it's time to say goodnight...
822
00:41:31,420 --> 00:41:32,940
WOMAN: Elton!
and the number one record...
823
00:41:32,940 --> 00:41:33,180
Hold on. Shh, shh.
and the number one record...
824
00:41:33,180 --> 00:41:34,420
Hold on. Shh, shh.
825
00:41:34,420 --> 00:41:34,620
Hold on. Shh, shh.
The number...
826
00:41:34,620 --> 00:41:35,540
The number...
827
00:41:35,540 --> 00:41:36,900
(CHEERING)
828
00:41:36,900 --> 00:41:38,740
The number one record...
829
00:41:38,740 --> 00:41:38,940
The number one record...
The number one record...
830
00:41:38,940 --> 00:41:40,420
The number one record...
831
00:41:40,420 --> 00:41:40,620
The number one record...
(CHEERING)
832
00:41:40,620 --> 00:41:42,380
(CHEERING)
833
00:41:49,460 --> 00:41:51,500
The number one record...
834
00:41:51,500 --> 00:41:53,020
(CHEERING)
835
00:41:53,020 --> 00:41:55,780
Before I was rudely interrupted,
836
00:41:55,780 --> 00:41:58,580
the number one record
is your supporting group,
837
00:41:58,580 --> 00:42:00,860
who've done a great job
on the show.
838
00:42:00,860 --> 00:42:03,940
Moving Pictures.
Moving Pictures. What About Me.
839
00:42:09,500 --> 00:42:12,500
# Nothing grows in Texas
840
00:42:12,500 --> 00:42:16,540
SHANE: Australian trailblazers
kept pointing the way forward.
841
00:42:16,540 --> 00:42:16,780
# Nothing grows in Texas
kept pointing the way forward.
842
00:42:16,780 --> 00:42:20,260
# Nothing grows in Texas
843
00:42:20,260 --> 00:42:20,460
# Nothing grows in Texas
# Nothing grows
844
00:42:20,460 --> 00:42:23,940
# Nothing grows
845
00:42:23,940 --> 00:42:25,820
# In Texas. #
846
00:42:27,580 --> 00:42:31,980
The local metal scene
continued to find its own voice.
847
00:42:31,980 --> 00:42:32,220
# Hanging around
continued to find its own voice.
848
00:42:32,220 --> 00:42:33,500
# Hanging around
849
00:42:33,500 --> 00:42:33,740
# Hanging around
# In my fantasy
# Fantasy
850
00:42:33,740 --> 00:42:37,260
# In my fantasy
# Fantasy
851
00:42:37,260 --> 00:42:39,740
# You're in my fantasy
# Fantasy.... #
852
00:42:41,180 --> 00:42:46,180
In 1982, Sardine released
arguably the nation's first
853
00:42:46,180 --> 00:42:49,260
enviro-electric,
punk protest song.
854
00:42:49,260 --> 00:42:49,540
enviro-electric,
punk protest song.
# They took away
your beauty strong
855
00:42:49,540 --> 00:42:51,180
# They took away
your beauty strong
856
00:42:51,180 --> 00:42:55,740
# And played business
over your grave
857
00:42:55,740 --> 00:42:59,340
# And sold to you
with plastic bags
858
00:42:59,340 --> 00:43:02,340
# What the river god
gave for free... #
859
00:43:04,020 --> 00:43:07,580
# And if it doesn't feel right
when I hold you tight
860
00:43:07,580 --> 00:43:07,820
# Oh, baby, it's alright
when I hold you tight
861
00:43:07,820 --> 00:43:09,500
# Oh, baby, it's alright
862
00:43:09,500 --> 00:43:09,700
# Oh, baby, it's alright
# I am awfully lonely
863
00:43:09,700 --> 00:43:12,780
# I am awfully lonely
864
00:43:12,780 --> 00:43:15,980
# I am awfully lonely... #
865
00:43:15,980 --> 00:43:16,220
Chrissy Amphlett
# I am awfully lonely... #
866
00:43:16,220 --> 00:43:18,940
Chrissy Amphlett
inspired generations
867
00:43:18,940 --> 00:43:19,180
Chrissy Amphlett
of future female rock stars.
868
00:43:19,180 --> 00:43:21,420
of future female rock stars.
869
00:43:21,420 --> 00:43:25,140
# If we do get involved
870
00:43:25,140 --> 00:43:27,660
# Ooh, baby
871
00:43:27,660 --> 00:43:31,420
# Wonder if we could
get involved... #
872
00:43:36,300 --> 00:43:39,220
But when you become
the first international voice
873
00:43:39,220 --> 00:43:43,580
of an entire ancient culture,
as No Fixed Address did,
874
00:43:43,580 --> 00:43:45,660
then you're more
than a trailblazer.
875
00:43:45,660 --> 00:43:46,860
You're a revolutionary.
876
00:43:46,860 --> 00:43:47,060
# Sitting in the sunlight
You're a revolutionary.
877
00:43:47,060 --> 00:43:49,700
# Sitting in the sunlight
878
00:43:49,700 --> 00:43:52,180
# With my head towards the sun
879
00:43:53,340 --> 00:43:56,300
# Suddenly, there's a cloud above me
880
00:43:56,300 --> 00:43:56,540
# Suddenly, there's a cloud above me
# Blocking out that sunlight
from my eyes
881
00:43:56,540 --> 00:44:00,300
# Blocking out that sunlight
from my eyes
882
00:44:00,300 --> 00:44:00,540
# Blocking out that sunlight
# Ooh, ooh
883
00:44:00,540 --> 00:44:03,860
# Ooh, ooh
884
00:44:03,860 --> 00:44:06,780
# From my eyes, from my eyes
885
00:44:06,780 --> 00:44:10,380
# Ooh, ooh
886
00:44:10,380 --> 00:44:12,580
# From my eyes
887
00:44:12,580 --> 00:44:15,180
# In this world,
you've got to have eyes
888
00:44:15,180 --> 00:44:18,380
# Because the people try
to blow your mind
889
00:44:18,380 --> 00:44:21,500
# Like the cloud that was
floating in the sky
890
00:44:21,500 --> 00:44:21,740
# Like the cloud that was
# Blocking out the sunlight
891
00:44:21,740 --> 00:44:24,220
# Blocking out the sunlight
892
00:44:24,220 --> 00:44:25,940
# From my eyes
893
00:44:25,940 --> 00:44:29,020
# Ooh, ooh
894
00:44:29,020 --> 00:44:32,180
# From my eyes, from my eyes
895
00:44:32,180 --> 00:44:35,620
# Ooh, ooh
896
00:44:35,620 --> 00:44:37,660
# From my eyes
897
00:44:37,660 --> 00:44:37,900
# I need some light
so that I can see
# From my eyes
898
00:44:37,900 --> 00:44:41,700
# I need some light
so that I can see
899
00:44:41,700 --> 00:44:41,940
# Oh, yeah
so that I can see
900
00:44:41,940 --> 00:44:43,900
# Oh, yeah
901
00:44:43,900 --> 00:44:46,060
# Don't go taking the sunlight
902
00:44:46,060 --> 00:44:46,300
# Don't go taking the sunlight
# Because that's
all that I can see
903
00:44:46,300 --> 00:44:50,420
# Because that's
all that I can see
904
00:44:50,420 --> 00:44:53,900
# I need sunlight so that I can
905
00:44:53,900 --> 00:44:55,980
# Fight for my rights
906
00:44:55,980 --> 00:44:58,820
# So, so
907
00:44:58,820 --> 00:45:00,900
# I can be free
908
00:45:00,900 --> 00:45:03,100
# Oh, yeah
909
00:45:15,700 --> 00:45:18,380
# If you sit with me
910
00:45:18,380 --> 00:45:21,900
# And try to be my friend
911
00:45:21,900 --> 00:45:25,340
# Don't ever try
to take the sunlight
912
00:45:25,340 --> 00:45:27,140
# It's all that I can see
913
00:45:27,140 --> 00:45:29,220
# I don't want to be blind
914
00:45:29,220 --> 00:45:32,540
# Ooh, ooh
915
00:45:32,540 --> 00:45:32,780
# Oh, yeah,
I don't want to be blind
# Ooh, ooh
916
00:45:32,780 --> 00:45:35,620
# Oh, yeah,
I don't want to be blind
917
00:45:35,620 --> 00:45:38,860
# Ooh, ooh
918
00:45:38,860 --> 00:45:41,100
# Whoa, man
919
00:45:41,100 --> 00:45:41,300
# Whoa, man
# Whoa, whoa, whoa, whoa
920
00:45:41,300 --> 00:45:43,260
# Whoa, whoa, whoa, whoa
921
00:45:43,260 --> 00:45:45,060
# Don't take that sunlight
922
00:45:45,060 --> 00:45:48,060
# I need the sunlight,
yeah, yeah
923
00:45:48,060 --> 00:45:49,860
# Whoa, whoa, whoa, whoa
924
00:45:49,860 --> 00:45:54,140
# Don't take that sunlight,
I need the sunlight, yeah, yeah
925
00:45:54,140 --> 00:45:54,380
# Don't take that sunlight,
# Whoa, whoa, whoa, whoa... #
926
00:45:54,380 --> 00:45:56,220
# Whoa, whoa, whoa, whoa... #
927
00:46:17,580 --> 00:46:19,820
# Daddy's home... #
928
00:46:19,820 --> 00:46:20,060
SHANE: Many of the old campaigners
would continue
# Daddy's home... #
929
00:46:20,060 --> 00:46:22,380
SHANE: Many of the old campaigners
would continue
930
00:46:22,380 --> 00:46:24,900
to be relevant
in the new decade.
931
00:46:24,900 --> 00:46:26,740
Cliff was still hanging on.
932
00:46:26,740 --> 00:46:30,820
# To stay
933
00:46:30,820 --> 00:46:33,580
# Daddy's home
934
00:46:33,580 --> 00:46:36,580
# To
935
00:46:36,580 --> 00:46:37,980
# Stay
936
00:46:37,980 --> 00:46:41,340
# I'm not a thousand miles away. #
937
00:46:41,340 --> 00:46:43,540
(CHEERING)
938
00:46:44,300 --> 00:46:47,340
# Give me a happy ending... #
939
00:46:47,340 --> 00:46:50,420
Peter Cupples from Stylus
would record a song
940
00:46:50,420 --> 00:46:52,940
for the soundtrack
of The Pirate Movie,
941
00:46:52,940 --> 00:46:55,740
giving Molly the chance
to barge in.
942
00:46:55,740 --> 00:46:55,980
giving Molly the chance
# Everything will work out
943
00:46:55,980 --> 00:46:57,300
# Everything will work out
944
00:46:57,300 --> 00:46:59,140
# It'll all work out
945
00:46:59,140 --> 00:47:02,420
# For a happy ending... #
946
00:47:02,420 --> 00:47:02,620
# There's no way... #
# For a happy ending... #
947
00:47:02,620 --> 00:47:04,860
# There's no way... #
948
00:47:04,860 --> 00:47:08,020
And modern Oz rock had really begun
with Daddy Cool,
949
00:47:08,020 --> 00:47:11,140
so it was great to see
Ross Wilson powering on.
950
00:47:11,140 --> 00:47:11,380
so it was great to see
Ross Wilson powering on.
# This is no time
951
00:47:11,380 --> 00:47:13,060
# This is no time
952
00:47:13,060 --> 00:47:15,460
# Oh, no time
953
00:47:15,460 --> 00:47:18,460
# No time to be let down
954
00:47:18,460 --> 00:47:21,540
# To be let down
955
00:47:21,540 --> 00:47:23,660
# Oh, no, girl
956
00:47:23,660 --> 00:47:26,780
# I tell you this is no time
957
00:47:26,780 --> 00:47:29,580
# Well, baby, this is no time
958
00:47:29,580 --> 00:47:31,780
# No, no time
959
00:47:31,780 --> 00:47:35,180
# No time to be let down
960
00:47:35,180 --> 00:47:37,740
# To be let down
961
00:47:37,740 --> 00:47:39,940
# Let down
962
00:47:39,940 --> 00:47:43,100
# I tell you, this is no time... #
963
00:47:43,100 --> 00:47:43,300
# I never dreamed... #
# I tell you, this is no time... #
964
00:47:43,300 --> 00:47:45,540
# I never dreamed... #
965
00:47:45,540 --> 00:47:48,020
That's not to say
that the younger brigade
966
00:47:48,020 --> 00:47:48,260
weren't holding their own.
that the younger brigade
967
00:47:48,260 --> 00:47:49,580
weren't holding their own.
968
00:47:49,580 --> 00:47:49,780
weren't holding their own.
# This life preserved
969
00:47:49,780 --> 00:47:52,460
# This life preserved
970
00:47:52,460 --> 00:47:55,100
# For a friend
971
00:47:55,100 --> 00:47:58,140
# Who you trying
to get in touch with?
972
00:47:58,140 --> 00:48:01,380
# Who you trying to get
in touch with?
973
00:48:01,380 --> 00:48:03,900
# Who you trying
to get in touch with?
974
00:48:05,180 --> 00:48:07,940
# I'm almost with you
975
00:48:07,940 --> 00:48:11,100
# I can sense it, wait for me
976
00:48:11,100 --> 00:48:14,340
# I'm almost with you
977
00:48:14,340 --> 00:48:17,340
# Is this the taste of victory? #
978
00:48:17,340 --> 00:48:20,020
(BAND PLAYS 'WHAT ABOUT ME')
979
00:48:23,940 --> 00:48:28,380
And Aussie newcomers Moving Pictures
had one of the songs of the year.
980
00:48:29,660 --> 00:48:31,700
# Well there's a little boy waiting
981
00:48:31,700 --> 00:48:35,300
# At the counter of a corner shop
982
00:48:35,300 --> 00:48:35,500
# At the counter of a corner shop
# He's been waiting down there
983
00:48:35,500 --> 00:48:37,260
# He's been waiting down there
984
00:48:37,260 --> 00:48:39,260
# Waiting half the day
985
00:48:39,260 --> 00:48:39,500
# They never ever see him
# Waiting half the day
986
00:48:39,500 --> 00:48:42,580
# They never ever see him
from the top
987
00:48:42,580 --> 00:48:42,820
# They never ever see him
# He gets pushed around
988
00:48:42,820 --> 00:48:44,660
# He gets pushed around
989
00:48:44,660 --> 00:48:46,580
# Knocked to the ground
990
00:48:46,580 --> 00:48:51,420
# He gets to his feet and he says
991
00:48:51,420 --> 00:48:54,300
# What about me?
992
00:48:54,300 --> 00:48:55,620
# It isn't fair
993
00:48:55,620 --> 00:48:59,140
# I've had enough
Now I want my share
994
00:48:59,140 --> 00:48:59,380
# I've had enough
# Can't you see?
995
00:48:59,380 --> 00:49:01,380
# Can't you see?
996
00:49:01,380 --> 00:49:03,460
# I wanna live
997
00:49:03,460 --> 00:49:03,700
# But you just take more
# I wanna live
998
00:49:03,700 --> 00:49:08,180
# But you just take more
than you give
999
00:49:08,180 --> 00:49:10,500
# Well, there's
a pretty girl serving
1000
00:49:10,500 --> 00:49:10,740
# Well, there's
# At the counter of the corner shop
1001
00:49:10,740 --> 00:49:13,980
# At the counter of the corner shop
1002
00:49:13,980 --> 00:49:16,180
# She's been waiting back there
1003
00:49:16,180 --> 00:49:17,740
# Waiting for her dream
1004
00:49:17,740 --> 00:49:17,980
# Her dreams walk in and out,
# Waiting for her dream
1005
00:49:17,980 --> 00:49:21,300
# Her dreams walk in and out,
they never stop
1006
00:49:21,300 --> 00:49:25,460
# Well, she's not too proud
to cry out loud
1007
00:49:25,460 --> 00:49:30,260
# She runs to the street
and she screams
1008
00:49:30,260 --> 00:49:30,500
# She runs to the street
# What about me?
1009
00:49:30,500 --> 00:49:32,900
# What about me?
1010
00:49:32,900 --> 00:49:34,340
# It isn't fair
1011
00:49:34,340 --> 00:49:34,580
# I've had enough
# It isn't fair
1012
00:49:34,580 --> 00:49:37,820
# I've had enough
Now I want my share
1013
00:49:37,820 --> 00:49:38,060
# I've had enough
# Can't you see?
1014
00:49:38,060 --> 00:49:40,300
# Can't you see?
1015
00:49:40,300 --> 00:49:42,340
# I wanna live
1016
00:49:42,340 --> 00:49:46,860
# But you just take more
than you give
1017
00:49:48,820 --> 00:49:51,060
# More than you give
1018
00:50:04,660 --> 00:50:08,500
# Take a step back
and see the little people
1019
00:50:08,500 --> 00:50:11,460
# They might be young
but they're the ones
1020
00:50:11,460 --> 00:50:17,220
# That make the big people big
1021
00:50:17,220 --> 00:50:21,020
# So listen as they whisper
1022
00:50:22,260 --> 00:50:24,300
# What about me?
1023
00:50:24,300 --> 00:50:24,500
# Now I'm standing on the corner
# What about me?
1024
00:50:24,500 --> 00:50:26,460
# Now I'm standing on the corner
1025
00:50:26,460 --> 00:50:29,060
# All the world's gone home
1026
00:50:30,180 --> 00:50:32,060
# Nobody's changed
1027
00:50:32,060 --> 00:50:34,060
# Nobody's been saved
1028
00:50:34,060 --> 00:50:37,540
# And I'm feeling cold and alone
1029
00:50:37,540 --> 00:50:37,740
# And I'm feeling cold and alone
# I guess I'm lucky
1030
00:50:37,740 --> 00:50:39,420
# I guess I'm lucky
1031
00:50:39,420 --> 00:50:41,380
# I smile a lot
1032
00:50:41,380 --> 00:50:46,420
# But sometimes I wish for more
1033
00:50:46,420 --> 00:50:50,180
# Than I've got
1034
00:50:50,180 --> 00:50:52,500
# What about me?
1035
00:50:52,500 --> 00:50:54,020
# It isn't fair
1036
00:50:54,020 --> 00:50:54,260
# I've had enough
Now I want my share
# It isn't fair
1037
00:50:54,260 --> 00:50:57,500
# I've had enough
Now I want my share
1038
00:50:57,500 --> 00:50:57,740
# Can't you see?
Now I want my share
1039
00:50:57,740 --> 00:50:59,980
# Can't you see?
1040
00:50:59,980 --> 00:51:01,660
# I wanna live
1041
00:51:01,660 --> 00:51:04,620
# But you just take more
1042
00:51:04,620 --> 00:51:04,820
# But you just take more
# What about me?
1043
00:51:04,820 --> 00:51:07,260
# What about me?
1044
00:51:07,260 --> 00:51:09,020
# It isn't fair
1045
00:51:09,020 --> 00:51:12,580
# I've had enough
Now I want my share
1046
00:51:12,580 --> 00:51:14,620
# Can't you see?
1047
00:51:14,620 --> 00:51:16,620
# I wanna live
1048
00:51:16,620 --> 00:51:19,460
# But you just take more
1049
00:51:19,460 --> 00:51:22,340
# You just take more
1050
00:51:22,340 --> 00:51:27,260
# You just take more than you give
1051
00:51:28,620 --> 00:51:30,980
# What about me?
1052
00:51:33,140 --> 00:51:35,100
# What about me?
1053
00:51:37,020 --> 00:51:40,140
# What about me? #
1054
00:51:50,180 --> 00:51:52,740
# Do you really want
to hurt me? #
1055
00:51:52,740 --> 00:51:56,580
SHANE: Moving Pictures remained
at number one for six weeks in '82,
1056
00:51:56,580 --> 00:51:59,580
but Culture Club
weren't to be outdone,
1057
00:51:59,580 --> 00:51:59,860
but Culture Club
weren't to be outdone,
also staying
at the top for six weeks
1058
00:51:59,860 --> 00:52:02,220
also staying
at the top for six weeks
1059
00:52:02,220 --> 00:52:02,460
also staying
with Do You Really Want To Hurt Me?
1060
00:52:02,460 --> 00:52:03,940
with Do You Really Want To Hurt Me?
1061
00:52:03,940 --> 00:52:06,500
I'm so sorry that we can't come
and play in Adelaide.
1062
00:52:06,500 --> 00:52:08,780
The next time we come,
we should put on a show.
1063
00:52:08,780 --> 00:52:09,060
Although he had the looks
of Prince Charming,
The next time we come,
we should put on a show.
1064
00:52:09,060 --> 00:52:11,380
Although he had the looks
of Prince Charming,
1065
00:52:11,380 --> 00:52:13,620
Adam Ant had his last hurrah
1066
00:52:13,620 --> 00:52:16,420
on the Australian charts
with Goody Two Shoes.
1067
00:52:16,420 --> 00:52:16,700
on the Australian charts
with Goody Two Shoes.
MOLLY: Is there any pressure
that you feel yourself
1068
00:52:16,700 --> 00:52:18,740
MOLLY: Is there any pressure
that you feel yourself
1069
00:52:18,740 --> 00:52:20,260
that you've got
to come up with something
1070
00:52:20,260 --> 00:52:20,500
that you've got
because you are there at the top?
1071
00:52:20,500 --> 00:52:21,580
because you are there at the top?
1072
00:52:21,580 --> 00:52:23,700
Yeah. I mean,
it's very competitive.
1073
00:52:23,700 --> 00:52:27,580
But I'm only competing with myself
because I know to a point...
1074
00:52:27,580 --> 00:52:30,260
Oh, your old records?
Yeah. Well...
1075
00:52:30,260 --> 00:52:30,500
# And she said
Oh, your old records?
Yeah. Well...
1076
00:52:30,500 --> 00:52:31,300
# And she said
1077
00:52:31,300 --> 00:52:33,780
# Do you come from
a land down under?
1078
00:52:33,780 --> 00:52:36,220
Men At Work's single, Down Under,
1079
00:52:36,220 --> 00:52:38,140
showed no signs of sinking.
1080
00:52:40,540 --> 00:52:42,780
# Can't you hear,
can't you hear the thunder?
1081
00:52:44,540 --> 00:52:47,380
# You better run,
you better take cover... #
1082
00:52:47,380 --> 00:52:48,980
ALL: Goodnight, Australia.
1083
00:52:48,980 --> 00:52:50,900
Hey!
1084
00:52:50,900 --> 00:52:51,140
But the infectious cheerleader chant,
Mickey, by Toni Basil,
Hey!
1085
00:52:51,140 --> 00:52:55,460
But the infectious cheerleader chant,
Mickey, by Toni Basil,
1086
00:52:55,460 --> 00:52:57,980
continues to get them up
on the dance floor,
1087
00:52:57,980 --> 00:52:58,260
continues to get them up
on the dance floor,
shaking their floggers
decades later.
1088
00:52:58,260 --> 00:53:00,580
shaking their floggers
decades later.
1089
00:53:00,580 --> 00:53:01,940
# You're so fine, you blow my mind
1090
00:53:01,940 --> 00:53:04,940
# Hey, Mickey
Hey, Mickey
1091
00:53:04,940 --> 00:53:05,180
# Hey, Mickey
# Oh, Mickey, you're so fine
1092
00:53:05,180 --> 00:53:06,620
# Oh, Mickey, you're so fine
1093
00:53:06,620 --> 00:53:08,380
# You're so fine, you blow my mind
1094
00:53:08,380 --> 00:53:09,580
# Hey, Mickey
1095
00:53:28,340 --> 00:53:30,220
# Hey, Mickey!
1096
00:53:30,220 --> 00:53:33,780
# You've been around all night
and that's a little long
1097
00:53:33,780 --> 00:53:36,900
# You think you've got the right,
but I think you've got it wrong
1098
00:53:36,900 --> 00:53:37,140
# You think you've got the right,
# Why can't you say goodnight
1099
00:53:37,140 --> 00:53:38,380
# Why can't you say goodnight
1100
00:53:38,380 --> 00:53:40,500
# So you can take me home, Mickey?
1101
00:53:43,380 --> 00:53:46,620
# 'Cause when you say you will,
it always means you won't
1102
00:53:46,620 --> 00:53:49,780
# You're giving me the chills, baby
Please, baby, don't
1103
00:53:49,780 --> 00:53:53,260
# Every night you still
leave me all alone, Mickey
1104
00:53:56,300 --> 00:53:59,580
# Oh, Mickey, what a pity
you don't understand
1105
00:53:59,580 --> 00:54:02,740
# You take me by the heart
when you take me by the hand
1106
00:54:02,740 --> 00:54:05,860
# Oh, Mickey, you're so pretty,
can't you understand?
1107
00:54:05,860 --> 00:54:06,100
# Oh, Mickey, you're so pretty,
# It's guys like you, Mickey
1108
00:54:06,100 --> 00:54:08,700
# It's guys like you, Mickey
1109
00:54:08,700 --> 00:54:11,180
# Oh, what you do Mickey,
do, Mickey
1110
00:54:11,180 --> 00:54:13,500
# Don't break my heart, Mickey
1111
00:54:13,500 --> 00:54:13,700
# Hey, Mickey
# Don't break my heart, Mickey
1112
00:54:13,700 --> 00:54:15,340
# Hey, Mickey
1113
00:54:15,340 --> 00:54:17,380
# Now when you take me by the hooves
1114
00:54:17,380 --> 00:54:19,140
# Who's ever gonna know
1115
00:54:19,140 --> 00:54:22,580
# And every time you move,
I let a little more show
1116
00:54:22,580 --> 00:54:25,860
# There's something you can use,
so don't say no, Mickey
1117
00:54:29,020 --> 00:54:31,900
# So come on and give it to me
any way you can
1118
00:54:31,900 --> 00:54:35,220
# Anyway you want to do it,
I'll take it like a man
1119
00:54:35,220 --> 00:54:35,460
# Anyway you want to do it,
# But please, baby, please
1120
00:54:35,460 --> 00:54:36,860
# But please, baby, please
1121
00:54:36,860 --> 00:54:38,900
# Don't leave me in a jam, Mickey
1122
00:54:41,940 --> 00:54:44,820
# Oh, Mickey, what a pity
you don't understand
1123
00:54:44,820 --> 00:54:48,660
# You take me by the heart
when you take me by the hand
1124
00:54:48,660 --> 00:54:51,420
# Oh, Mickey, you're so pretty,
can't you understand?
1125
00:54:51,420 --> 00:54:51,660
# Oh, Mickey, you're so pretty,
# It's guys like you, Mickey
1126
00:54:51,660 --> 00:54:54,260
# It's guys like you, Mickey
1127
00:54:54,260 --> 00:54:56,740
# Oh what you do, Mickey,
do, Mickey
1128
00:54:56,740 --> 00:54:58,220
# Don't break my heart, Mickey
1129
00:55:01,180 --> 00:55:02,940
# Oh, Mickey, you're so fine
1130
00:55:02,940 --> 00:55:04,460
# You're so fine, you blow my mind
1131
00:55:04,460 --> 00:55:06,940
# Hey, Mickey
Hey, Mickey
1132
00:55:07,780 --> 00:55:09,460
# Oh, Mickey, you're so fine
1133
00:55:09,460 --> 00:55:09,660
# Oh, Mickey, you're so fine
# You're so fine, you blow my mind
1134
00:55:09,660 --> 00:55:10,860
# You're so fine, you blow my mind
1135
00:55:10,860 --> 00:55:13,940
# Hey, Mickey
Hey, Mickey
1136
00:55:13,940 --> 00:55:14,180
# Hey, Mickey
# Oh Mickey, you're so fine
1137
00:55:14,180 --> 00:55:15,660
# Oh Mickey, you're so fine
1138
00:55:15,660 --> 00:55:17,420
# You're so fine, you blow my mind
1139
00:55:17,420 --> 00:55:18,580
# Hey, Mickey
1140
00:55:20,500 --> 00:55:23,460
# Oh, Mickey, what a pity
you don't understand
1141
00:55:23,460 --> 00:55:27,180
# You take me by the heart
when you take me by the hand
1142
00:55:27,180 --> 00:55:29,860
# Oh, Mickey, you're so pretty,
can't you understand?
1143
00:55:29,860 --> 00:55:30,100
# It's guys like you, Mickey
can't you understand?
1144
00:55:30,100 --> 00:55:32,620
# It's guys like you, Mickey
1145
00:55:32,620 --> 00:55:32,860
# It's guys like you, Mickey
# Oh what you do, Mickey,
do, Mickey
1146
00:55:32,860 --> 00:55:35,140
# Oh what you do, Mickey,
do, Mickey
1147
00:55:35,140 --> 00:55:36,620
# Don't break my heart, Mickey
1148
00:55:36,620 --> 00:55:39,700
# Oh, Mickey, what a pity
you don't understand
1149
00:55:39,700 --> 00:55:42,820
# You take me by the heart
when you take me by the hand
1150
00:55:42,820 --> 00:55:45,940
# Oh, Mickey, you're so pretty,
can't you understand?
1151
00:55:45,940 --> 00:55:46,180
# Oh, Mickey, you're so pretty,
# It's guys like you, Mickey
1152
00:55:46,180 --> 00:55:48,820
# It's guys like you, Mickey
1153
00:55:48,820 --> 00:55:51,340
# Oh, what you do, Mickey,
do, Mickey
1154
00:55:51,340 --> 00:55:52,700
# Don't break my heart, Mickey
1155
00:55:52,700 --> 00:55:55,660
# Oh, Mickey, what a pity
you don't understand
1156
00:55:55,660 --> 00:55:59,060
# You take me by the heart
when you take me by the hand
1157
00:55:59,060 --> 00:56:01,580
# Oh, Mickey, you're so pretty,
can't you understand? #
1158
00:56:17,740 --> 00:56:20,620
Camera's rolling, and cue.
1159
00:56:20,620 --> 00:56:22,860
Hi, I'm Toni Basil.
Give us an M!
1160
00:56:22,860 --> 00:56:24,860
And we're on Sunset Boulevard...
Give us an I! Give us a C!
1161
00:56:24,860 --> 00:56:26,500
..in Los Angeles...
Give us a K! Give us a Y!
1162
00:56:26,500 --> 00:56:27,940
and you're watching...
Mickey!
1163
00:56:27,940 --> 00:56:29,220
..Countdown.
1164
00:56:29,220 --> 00:56:31,700
SHANE: Visit the
Classic Countdown website
1165
00:56:31,700 --> 00:56:33,580
for more pictures, interviews,
1166
00:56:33,580 --> 00:56:35,860
and behind-the-scenes information.
87875
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