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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,940 --> 00:00:04,140 In this corner, at 180 pounds, 2 00:00:04,140 --> 00:00:06,500 Ian "Molly" Meldrum! 3 00:00:06,500 --> 00:00:09,820 (BOOING) 4 00:00:09,820 --> 00:00:14,380 And in this corner, at 110 pounds, 5 00:00:14,380 --> 00:00:14,620 And in this corner, Miss Samantha Bang. 6 00:00:14,620 --> 00:00:16,380 Miss Samantha Bang. 7 00:00:16,380 --> 00:00:18,420 (CHEERING) 8 00:00:26,500 --> 00:00:28,380 (CHEERING) 9 00:00:28,380 --> 00:00:30,300 Ten! Nine! 10 00:00:30,300 --> 00:00:32,260 Eight! Seven! 11 00:00:32,260 --> 00:00:33,820 Six! Five! 12 00:00:33,820 --> 00:00:35,820 Four! Three! Two! One! 13 00:00:35,820 --> 00:00:38,420 AUDIENCE: Countdown! The winner! 14 00:00:38,420 --> 00:00:38,660 AUDIENCE: Countdown! # Countdown! 15 00:00:38,660 --> 00:00:41,780 # Countdown! 16 00:00:41,780 --> 00:00:44,260 # Countdown! Countdown! 17 00:00:44,260 --> 00:00:47,620 ANNOUNCER: Welcome to Classic Countdown, 1978! 18 00:00:47,620 --> 00:00:47,860 ANNOUNCER: Welcome # Countdown! # 19 00:00:47,860 --> 00:00:49,140 # Countdown! # 20 00:00:50,860 --> 00:00:54,180 JANE: 1977 belonged to Star Wars. 21 00:00:54,180 --> 00:00:54,460 But 1978 had two movie blockbusters. JANE: 1977 belonged to Star Wars. 22 00:00:54,460 --> 00:00:57,740 But 1978 had two movie blockbusters. 23 00:00:57,740 --> 00:00:57,980 But 1978 had two movie blockbusters. First came Superman. 24 00:00:57,980 --> 00:00:59,780 First came Superman. 25 00:00:59,780 --> 00:01:01,620 He is a visitor from outer space, 26 00:01:01,620 --> 00:01:01,860 He is a visitor but he is here, after all, 27 00:01:01,860 --> 00:01:03,460 but he is here, after all, 28 00:01:03,460 --> 00:01:03,700 fighting for truth, justice, but he is here, after all, 29 00:01:03,700 --> 00:01:05,740 fighting for truth, justice, and the American way. 30 00:01:05,740 --> 00:01:05,980 fighting for truth, justice, The American way worked fine. 31 00:01:05,980 --> 00:01:08,220 The American way worked fine. 32 00:01:08,220 --> 00:01:09,740 But the second Hollywood hit 33 00:01:09,740 --> 00:01:12,380 found its heroes here in Australia. 34 00:01:12,380 --> 00:01:12,660 You know, I'm proud to be Australian. found its heroes here in Australia. 35 00:01:12,660 --> 00:01:14,700 You know, I'm proud to be Australian. 36 00:01:14,700 --> 00:01:17,140 It'd be nice to feel that Australia was happy for me too. 37 00:01:17,140 --> 00:01:19,420 Australians were the flavour of the month, 38 00:01:19,420 --> 00:01:21,980 and it seemed there was nothing we couldn't do. 39 00:01:23,300 --> 00:01:25,220 We could lure the rest of the world 40 00:01:25,220 --> 00:01:27,860 to a rebel cricket competition. 41 00:01:27,860 --> 00:01:31,900 We could be trailblazers in the fight for equal rights. 42 00:01:31,900 --> 00:01:36,140 We could even break the world water speed record. 43 00:01:36,140 --> 00:01:39,780 If a new hero was needed, we could provide. 44 00:01:39,780 --> 00:01:43,260 Molly Meldrum had become the hero of Australian music, 45 00:01:43,260 --> 00:01:46,420 championing our songs on the world stage. 46 00:01:46,420 --> 00:01:46,660 championing our songs (CHEERING) 47 00:01:46,660 --> 00:01:48,300 (CHEERING) 48 00:01:50,740 --> 00:01:52,780 In 1978, Molly championed 49 00:01:52,780 --> 00:01:53,020 In 1978, Molly championed on Countdown. 50 00:01:53,020 --> 00:01:55,700 my own band's music on Countdown. 51 00:01:55,700 --> 00:01:58,020 And so, became a personal hero of mine. 52 00:01:58,020 --> 00:01:58,260 He still is. a personal hero of mine. 53 00:01:58,260 --> 00:02:00,260 He still is. 54 00:02:01,740 --> 00:02:04,740 # Goodbye, Johnny 55 00:02:04,740 --> 00:02:07,380 # See you round, so long 56 00:02:07,380 --> 00:02:09,900 # It's taken me a long, long time 57 00:02:09,900 --> 00:02:13,380 # I can see I had you figured wrong 58 00:02:13,380 --> 00:02:13,620 # I can see # You talk a lot about passion 59 00:02:13,620 --> 00:02:15,580 # You talk a lot about passion 60 00:02:15,580 --> 00:02:19,060 # But you still want to keep it cool 61 00:02:19,060 --> 00:02:20,980 # You might think I'm a fashion 62 00:02:20,980 --> 00:02:24,260 # But I know you can't keep to your rules 63 00:02:24,260 --> 00:02:24,500 # But I know you can't keep # Goodbye, Johnny 64 00:02:24,500 --> 00:02:27,220 # Goodbye, Johnny 65 00:02:27,220 --> 00:02:27,420 # I don't belong in your scene # Goodbye, Johnny 66 00:02:27,420 --> 00:02:29,980 # I don't belong in your scene 67 00:02:29,980 --> 00:02:30,220 # I don't belong in your scene pieces of bread 68 00:02:30,220 --> 00:02:32,900 # You're buttering up to me like pieces of bread 69 00:02:32,900 --> 00:02:35,740 # You're spreading yourself too thin 70 00:02:35,740 --> 00:02:38,700 # I found out what it's all about 71 00:02:38,700 --> 00:02:38,940 # I found out what it's all about # Don't try that sympathy game 72 00:02:38,940 --> 00:02:41,700 # Don't try that sympathy game 73 00:02:41,700 --> 00:02:44,420 # I'm through with whispering and I'm learning to shout 74 00:02:44,420 --> 00:02:47,060 # My loving can't stay the same 75 00:02:47,060 --> 00:02:48,700 # Because you're dead in the heart 76 00:02:48,700 --> 00:02:48,940 # Because you're dead # Dead in the head 77 00:02:48,940 --> 00:02:51,180 # Dead in the head 78 00:02:53,340 --> 00:02:56,220 # Dead in the heart, dead in the head 79 00:02:59,900 --> 00:03:02,980 # I used to hang in the shadow 80 00:03:02,980 --> 00:03:05,380 # Waiting for the sun to shine 81 00:03:05,380 --> 00:03:07,540 # Ooh 82 00:03:07,540 --> 00:03:11,980 # I got to dance to the drum 83 00:03:11,980 --> 00:03:14,700 # I tried to read 84 00:03:14,700 --> 00:03:17,580 # Between your lines 85 00:03:17,580 --> 00:03:20,060 # But it's getting tougher all the time 86 00:03:20,060 --> 00:03:22,300 # I don't think I can keep on trying 87 00:03:23,340 --> 00:03:25,980 # Goodbye, Johnny 88 00:03:25,980 --> 00:03:28,820 # I can't take no more of your jive 89 00:03:28,820 --> 00:03:31,460 # I'd gladly give you all of my money 90 00:03:31,460 --> 00:03:34,900 # If you'd just look me straight in the eye 91 00:03:34,900 --> 00:03:37,620 # I see through your rented skin 92 00:03:37,620 --> 00:03:37,860 # I see through # You can't fool me no more 93 00:03:37,860 --> 00:03:40,700 # You can't fool me no more 94 00:03:40,700 --> 00:03:40,940 # You're telling lies, and they're wearing thin # You can't fool me no more 95 00:03:40,940 --> 00:03:43,220 # You're telling lies, and they're wearing thin 96 00:03:43,220 --> 00:03:46,380 # Your heart is a padlocked door, hey 97 00:04:09,460 --> 00:04:12,140 # Dead in the heart, dead in the head 98 00:04:14,780 --> 00:04:16,540 # Hey! Dead in the heart 99 00:04:16,540 --> 00:04:18,700 # Dead in the head 100 00:04:21,860 --> 00:04:25,300 # You brought me diamonds and wine 101 00:04:25,300 --> 00:04:25,540 # You brought me # Words to melt my heart 102 00:04:25,540 --> 00:04:27,540 # Words to melt my heart 103 00:04:34,180 --> 00:04:37,180 # You never told me 104 00:04:37,180 --> 00:04:39,740 # About yourself 105 00:04:39,740 --> 00:04:42,380 # But I caught up with your press release 106 00:04:42,380 --> 00:04:42,660 # But I caught up with your press release # I think I'll stay on the shelf 107 00:04:42,660 --> 00:04:44,980 # I think I'll stay on the shelf 108 00:04:46,660 --> 00:04:50,060 # Goodbye, Johnny 109 00:04:50,060 --> 00:04:52,620 # Why don't you get out of town? 110 00:04:52,620 --> 00:04:55,420 # Take yourself out to Chunamarie 111 00:04:55,420 --> 00:04:57,900 # See if you can get off the ground 112 00:04:58,620 --> 00:05:00,820 # Goodbye, Johnny 113 00:05:04,220 --> 00:05:06,420 # Goodbye, Johnny 114 00:05:10,060 --> 00:05:12,300 # Goodbye, Johnny. # 115 00:05:20,460 --> 00:05:22,820 This is David Bowie, 116 00:05:22,820 --> 00:05:25,820 and we're on Countdown across Australia. 117 00:05:25,820 --> 00:05:26,060 and we're on Countdown # Look around 118 00:05:26,060 --> 00:05:28,300 # Look around 119 00:05:30,780 --> 00:05:33,500 # Be a part 120 00:05:33,500 --> 00:05:35,980 JANE: In the first three years of the show, 121 00:05:35,980 --> 00:05:39,300 Countdown audiences were treated to performances 122 00:05:39,300 --> 00:05:42,580 by some of Australia's best male vocalists. 123 00:05:42,580 --> 00:05:42,820 # And I love you best by some of Australia's best male vocalists. 124 00:05:42,820 --> 00:05:44,660 # And I love you best 125 00:05:46,220 --> 00:05:48,540 # You're not like the rest 126 00:05:50,540 --> 00:05:52,740 # You're there when I need you 127 00:05:52,740 --> 00:05:56,580 # You're there when I need 128 00:05:56,580 --> 00:05:58,620 # I'm going to need you. # 129 00:05:58,620 --> 00:06:01,660 From the experienced smoothness of Glenn Shorrock... 130 00:06:01,660 --> 00:06:01,900 From the experienced smoothness of # They're calling to me 131 00:06:01,900 --> 00:06:04,140 # They're calling to me 132 00:06:04,140 --> 00:06:06,860 ..to the silky funk of Mark Holden... 133 00:06:06,860 --> 00:06:07,100 ..to the silky funk # In the garden of love 134 00:06:07,100 --> 00:06:09,420 # In the garden of love 135 00:06:13,780 --> 00:06:18,740 # First thing in the morning and last thing at night 136 00:06:18,740 --> 00:06:18,980 # All is reborn into dark into light # First thing in the morning and last thing at night 137 00:06:18,980 --> 00:06:23,860 # All is reborn into dark into light 138 00:06:23,860 --> 00:06:28,860 # First thing in the morning I look through the sights 139 00:06:28,860 --> 00:06:29,100 # First thing in the morning I look through the sights # I aim to be there. # 140 00:06:29,100 --> 00:06:31,380 # I aim to be there. # 141 00:06:31,380 --> 00:06:35,100 ..and the beer band, chainsaw massacre vocals of Jimmy Barnes. 142 00:06:35,100 --> 00:06:37,180 # I been pasted to the telephone 143 00:06:37,180 --> 00:06:37,460 # Boxing Day break was wasted sitting home on my own # I been pasted to the telephone 144 00:06:37,460 --> 00:06:41,420 # Boxing Day break was wasted sitting home on my own 145 00:06:41,420 --> 00:06:43,260 # The beer we bought for Christmas 146 00:06:43,260 --> 00:06:44,580 # Ran dry this afternoon 147 00:06:44,580 --> 00:06:47,620 #On the radio it's New Year's Eve 148 00:06:47,620 --> 00:06:47,900 #On the radio it's New Year's Eve # What a low down time of the year 149 00:06:47,900 --> 00:06:49,620 # What a low down time of the year 150 00:06:49,620 --> 00:06:51,540 # to pack your luggage and leave. # 151 00:06:51,540 --> 00:06:54,860 In 1978, international acts showed 152 00:06:54,860 --> 00:06:55,100 they could more than compete. In 1978, international acts showed 153 00:06:55,100 --> 00:06:56,900 they could more than compete. 154 00:06:56,900 --> 00:06:57,140 they could more than compete. # I got something to say I been changing your direction 155 00:06:57,140 --> 00:06:59,900 # I got something to say I been changing your direction 156 00:06:59,900 --> 00:07:00,140 # And we're stepping away I been changing your direction 157 00:07:00,140 --> 00:07:02,140 # And we're stepping away 158 00:07:02,140 --> 00:07:02,380 # And we're stepping away # I bring emotion and I bring desire 159 00:07:02,380 --> 00:07:06,340 # I bring emotion and I bring desire 160 00:07:06,340 --> 00:07:10,620 # And I bring a potion to set you on fire. # 161 00:07:10,620 --> 00:07:13,460 Many male singers first heard on Countdown 162 00:07:13,460 --> 00:07:15,980 would become the most recognisable voices 163 00:07:15,980 --> 00:07:17,620 of the next generation. 164 00:07:17,620 --> 00:07:17,860 # Well, I been walking the streets in the evening of the next generation. 165 00:07:17,860 --> 00:07:21,980 # Well, I been walking the streets in the evening 166 00:07:21,980 --> 00:07:25,460 # Racing through the human jungles at night 167 00:07:25,460 --> 00:07:28,860 # I'm so confused, my mind is indifferent 168 00:07:28,860 --> 00:07:29,140 # I'm so confused, my mind is indifferent # I'm so weak, won't somebody shut off my light? 169 00:07:29,140 --> 00:07:32,420 # I'm so weak, won't somebody shut off my light? 170 00:07:40,420 --> 00:07:44,180 # Electricity runs through the video 171 00:07:44,180 --> 00:07:44,460 # Electricity runs through the video # And I watch it from this hole I call home 172 00:07:44,460 --> 00:07:47,900 # And I watch it from this hole I call home 173 00:07:47,900 --> 00:07:51,580 # All the stonies are dancing to the radio 174 00:07:51,580 --> 00:07:54,540 # And I got the world calling me up 175 00:07:54,540 --> 00:07:54,780 # And I got # Tonight on the phone 176 00:07:54,780 --> 00:07:57,180 # Tonight on the phone 177 00:07:57,180 --> 00:07:57,420 # I need a lover # Tonight on the phone 178 00:07:57,420 --> 00:08:01,060 # I need a lover that won't drive me crazy 179 00:08:01,060 --> 00:08:04,660 # Some girl to thrill me and then go away 180 00:08:04,660 --> 00:08:08,300 # I need a lover that won't drive me crazy 181 00:08:08,300 --> 00:08:09,540 # Some girl that knows the meaning of 182 00:08:09,540 --> 00:08:09,780 # Some girl that knows # Ah, hey, hit the highway 183 00:08:09,780 --> 00:08:11,780 # Ah, hey, hit the highway 184 00:08:26,580 --> 00:08:30,460 # Well, I'm not wiped out by this pool room life I'm living 185 00:08:30,460 --> 00:08:34,220 # I'm gonna quit this job, and go to school, head back home 186 00:08:34,220 --> 00:08:37,980 # And I'm not asking to be loved or be forgiven 187 00:08:37,980 --> 00:08:41,420 #Hell, I just can't face shaking in this bedroom 188 00:08:41,420 --> 00:08:41,660 #Hell, I just can't face shaking in # One more night alone 189 00:08:41,660 --> 00:08:43,900 # One more night alone 190 00:08:43,900 --> 00:08:47,140 # I need a lover that won't drive me crazy 191 00:08:47,140 --> 00:08:51,060 # I need a lover that won't drive me crazy 192 00:08:51,060 --> 00:08:55,100 # I need a lover that won't drive me crazy 193 00:08:55,100 --> 00:08:57,140 # Some girl that knows the meaning of 194 00:08:57,140 --> 00:08:57,380 # Some girl that knows # Hey, hit the highway 195 00:08:57,380 --> 00:08:59,300 # Hey, hit the highway 196 00:09:13,540 --> 00:09:17,060 # I need a lover that won't drive me crazy 197 00:09:17,060 --> 00:09:20,860 # Some girl to thrill me, and then go away 198 00:09:20,860 --> 00:09:21,140 # Some girl to thrill me, and then go away # I need a lover that won't drive me crazy 199 00:09:21,140 --> 00:09:24,300 # I need a lover that won't drive me crazy 200 00:09:24,300 --> 00:09:25,860 #Some girl that knows the meaning of 201 00:09:25,860 --> 00:09:26,100 #Some girl that knows # Hey, hit the highway 202 00:09:26,100 --> 00:09:28,100 # Hey, hit the highway 203 00:09:28,100 --> 00:09:30,180 # You betcha. # 204 00:09:44,180 --> 00:09:46,660 (CHEERING) 205 00:09:46,660 --> 00:09:49,260 JANE: The female vocalists who appeared on Countdown 206 00:09:49,260 --> 00:09:49,500 JANE: The female vocalists in the early years 207 00:09:49,500 --> 00:09:50,740 in the early years 208 00:09:50,740 --> 00:09:52,940 were often more impressive than the blokes. 209 00:09:52,940 --> 00:09:53,180 # I say play on were often more impressive than the blokes. 210 00:09:53,180 --> 00:09:56,020 # I say play on 211 00:09:56,020 --> 00:09:57,260 # Nothing you can say 212 00:09:57,260 --> 00:10:01,220 # Why don't you play on? 213 00:10:01,220 --> 00:10:01,420 # Why don't you play on? # Come on now, play on 214 00:10:01,420 --> 00:10:03,980 # Come on now, play on 215 00:10:03,980 --> 00:10:05,420 # Nothing you can say 216 00:10:05,420 --> 00:10:08,100 # Why don't you pla-a-a-a-y 217 00:10:08,100 --> 00:10:10,180 # Nothing you can try. # 218 00:10:10,180 --> 00:10:13,860 Marcia Hines' voice had made her Queen of Pop. 219 00:10:13,860 --> 00:10:14,140 # I don't have no doubt about it Marcia Hines' voice had made her Queen of Pop. 220 00:10:14,140 --> 00:10:17,460 # I don't have no doubt about it 221 00:10:17,460 --> 00:10:19,220 Renee Geyer would go on to record 222 00:10:19,220 --> 00:10:22,100 with international stars Neil Diamond, Sting, 223 00:10:22,100 --> 00:10:22,340 with international stars Neil Diamond, Sting, Bonnie Raitt and Joe Cocker. 224 00:10:22,340 --> 00:10:24,660 Bonnie Raitt and Joe Cocker. 225 00:10:24,660 --> 00:10:25,900 # I'm the way, yes, I am 226 00:10:25,900 --> 00:10:29,380 # I can't talk so loud about it 227 00:10:29,380 --> 00:10:32,580 # I'm so proud of you. # 228 00:10:35,980 --> 00:10:38,940 In 1978, Countdown also featured 229 00:10:38,940 --> 00:10:43,820 one of the most astounding new voices of the era, Kate Bush. 230 00:10:46,660 --> 00:10:49,020 # You 231 00:10:49,020 --> 00:10:49,220 # Stood # You 232 00:10:49,220 --> 00:10:51,740 # Stood 233 00:10:51,740 --> 00:10:54,900 # In the belltower 234 00:10:54,900 --> 00:10:57,580 # But now you're gone 235 00:10:57,580 --> 00:11:01,620 # So who knows 236 00:11:01,620 --> 00:11:01,820 # So who knows # All the sights 237 00:11:01,820 --> 00:11:05,180 # All the sights 238 00:11:05,180 --> 00:11:07,300 # Of Notre Dame 239 00:11:07,300 --> 00:11:11,820 # They've got the stars for the gallant hearts 240 00:11:11,820 --> 00:11:15,660 # I'm the replacement for your part 241 00:11:15,660 --> 00:11:15,900 # I'm the replacement # But all I want to do is forget 242 00:11:15,900 --> 00:11:21,580 # But all I want to do is forget 243 00:11:21,580 --> 00:11:24,500 # You friend 244 00:11:24,500 --> 00:11:28,460 # Hammer Horror 245 00:11:28,460 --> 00:11:30,900 # Won't leave it alone 246 00:11:32,620 --> 00:11:34,820 # The first time in my life 247 00:11:34,820 --> 00:11:38,820 # I keep the lights on to ease my soul 248 00:11:40,620 --> 00:11:44,820 # Hammer Horror 249 00:11:44,820 --> 00:11:47,860 # Won't leave it alone 250 00:11:47,860 --> 00:11:48,060 # I don't know # Won't leave it alone 251 00:11:48,060 --> 00:11:50,620 # I don't know 252 00:11:50,620 --> 00:11:53,540 # Is this the right thing to do? 253 00:11:57,540 --> 00:12:02,020 # Rehearsing 254 00:12:02,020 --> 00:12:05,140 # In your things 255 00:12:05,140 --> 00:12:05,340 # In your things # I feel guilty 256 00:12:05,340 --> 00:12:08,020 # I feel guilty 257 00:12:08,020 --> 00:12:11,980 # And retracing 258 00:12:11,980 --> 00:12:14,620 # All the scenes 259 00:12:14,620 --> 00:12:17,140 # Of your big hit 260 00:12:17,140 --> 00:12:21,460 # Oh, God, you needed the leading role 261 00:12:21,460 --> 00:12:25,460 # It wasn't me who made you go, though 262 00:12:25,460 --> 00:12:25,700 # It wasn't me # All I want to do 263 00:12:25,700 --> 00:12:27,940 # All I want to do 264 00:12:27,940 --> 00:12:31,460 # Is forget 265 00:12:31,460 --> 00:12:33,940 # You friend 266 00:12:33,940 --> 00:12:37,900 # Hammer Horror, Hammer Horror 267 00:12:37,900 --> 00:12:38,140 # Hammer Horror, # Won't leave it alone 268 00:12:38,140 --> 00:12:41,820 # Won't leave it alone 269 00:12:41,820 --> 00:12:44,220 # The first time in my life 270 00:12:44,220 --> 00:12:47,780 # I keep the lights on to ease my soul 271 00:12:49,980 --> 00:12:54,060 # Hammer Horror, Hammer Horror 272 00:12:54,060 --> 00:12:54,300 # Hammer Horror, # Won't leave it alone 273 00:12:54,300 --> 00:12:57,260 # Won't leave it alone 274 00:12:57,260 --> 00:12:59,860 # I don't know 275 00:12:59,860 --> 00:13:00,100 # Is this # I don't know 276 00:13:00,100 --> 00:13:02,740 # Is this the right thing to do? 277 00:13:06,340 --> 00:13:10,580 # Oh, oh, oh 278 00:13:10,580 --> 00:13:14,900 # Ooh-ooh-ooh 279 00:13:14,900 --> 00:13:17,460 # Oh, oh, oh, ooh 280 00:13:21,940 --> 00:13:24,140 # Who 281 00:13:24,140 --> 00:13:27,420 # Calls me 282 00:13:27,420 --> 00:13:31,300 # From the other side 283 00:13:31,300 --> 00:13:33,060 # Of the street 284 00:13:33,060 --> 00:13:34,820 # And who 285 00:13:34,820 --> 00:13:37,020 # Taps me 286 00:13:37,020 --> 00:13:40,140 # On the shoulder? 287 00:13:40,140 --> 00:13:40,340 # On the shoulder? # I turn around 288 00:13:40,340 --> 00:13:41,620 # I turn around 289 00:13:41,620 --> 00:13:43,140 # But you're gone 290 00:13:43,140 --> 00:13:46,500 # I've got a hunch that you're following 291 00:13:46,500 --> 00:13:46,740 # I've got a hunch # To get your own back on me 292 00:13:46,740 --> 00:13:50,660 # To get your own back on me 293 00:13:50,660 --> 00:13:52,780 # All I want to do 294 00:13:52,780 --> 00:13:56,340 # Is forget 295 00:13:56,340 --> 00:13:59,140 # You friend 296 00:13:59,140 --> 00:14:03,020 # Hammer Horror, Hammer Horror 297 00:14:03,020 --> 00:14:03,260 # Hammer Horror, # Won't leave it alone 298 00:14:03,260 --> 00:14:05,700 # Won't leave it alone 299 00:14:07,060 --> 00:14:09,300 # The first time in my life 300 00:14:09,300 --> 00:14:13,060 # I keep the lights on to ease my soul 301 00:14:14,980 --> 00:14:18,940 # Hammer Horror, Hammer Horror 302 00:14:18,940 --> 00:14:19,180 # Hammer Horror, # Won't leave it alone 303 00:14:19,180 --> 00:14:22,220 # Won't leave it alone 304 00:14:22,220 --> 00:14:24,780 # I don't know 305 00:14:24,780 --> 00:14:25,020 # Is this the right thing to do? # # I don't know 306 00:14:25,020 --> 00:14:28,540 # Is this the right thing to do? # 307 00:14:41,140 --> 00:14:43,340 (APPLAUDING AND CHEERING) 308 00:14:44,620 --> 00:14:47,180 JANE: Proving vocal talent wasn't everything, 309 00:14:47,180 --> 00:14:50,980 none of us could approach the megastar status of Dame Edna. 310 00:14:50,980 --> 00:14:51,220 # Hello, little fellow none of us could approach the megastar status of Dame Edna. 311 00:14:51,220 --> 00:14:54,580 # Hello, little fellow 312 00:14:54,580 --> 00:14:57,380 # Snuggled in your pram 313 00:14:57,380 --> 00:14:57,620 # Snuggled in your pram in store for you 314 00:14:57,620 --> 00:15:01,900 # What has life got in store for you 315 00:15:01,900 --> 00:15:03,860 # Little chap? 316 00:15:05,900 --> 00:15:09,460 # Has Dame Nature planned for you 317 00:15:09,460 --> 00:15:09,700 # Has Dame Nature # Something very grand for you? 318 00:15:09,700 --> 00:15:13,500 # Something very grand for you? 319 00:15:13,500 --> 00:15:14,860 # Are the good things of life 320 00:15:14,860 --> 00:15:18,340 # Going to drop into your lap 321 00:15:18,340 --> 00:15:20,980 # Little lamb? # 322 00:15:23,140 --> 00:15:25,580 Already a superstar on Broadway, 323 00:15:25,580 --> 00:15:27,020 Bette Midler was on the verge 324 00:15:27,020 --> 00:15:29,940 of her screen breakthrough role in The Rose. 325 00:15:29,940 --> 00:15:31,980 I am Molly. Oh! 326 00:15:31,980 --> 00:15:32,220 I am Molly. (LAUGHS) 327 00:15:32,220 --> 00:15:33,460 (LAUGHS) 328 00:15:33,460 --> 00:15:33,700 All your monster friends, (LAUGHS) 329 00:15:33,700 --> 00:15:35,380 All your monster friends, I suppose. 330 00:15:35,380 --> 00:15:35,620 No, the whole nation, unfortunately. I suppose. 331 00:15:35,620 --> 00:15:37,660 No, the whole nation, unfortunately. 332 00:15:37,660 --> 00:15:37,860 No, the whole nation, unfortunately. What do you mean unfortunately? 333 00:15:37,860 --> 00:15:39,500 What do you mean unfortunately? 334 00:15:39,500 --> 00:15:42,180 Oh, fortunately, I guess. I should say so! 335 00:15:42,180 --> 00:15:45,620 Kiss the ground. My god! Stay there. Really. 336 00:15:45,620 --> 00:15:47,860 Be grateful. Wasn't anything to write home about. 337 00:15:47,860 --> 00:15:49,180 With Cher... With Cher or shirt? 338 00:15:49,180 --> 00:15:49,460 With Cher... With Cher or shirt? Cher. With Cher? 339 00:15:49,460 --> 00:15:50,940 Cher. With Cher? 340 00:15:50,940 --> 00:15:51,220 You two are good friends. We're very good friends. Cher. With Cher? 341 00:15:51,220 --> 00:15:54,260 You two are good friends. We're very good friends. 342 00:15:54,260 --> 00:15:55,540 Still are? Yeah, very good friends. 343 00:15:55,540 --> 00:15:55,820 Still are? Yeah, very good friends. She never did me any dirt. Right. 344 00:15:55,820 --> 00:15:57,340 She never did me any dirt. Right. 345 00:15:57,340 --> 00:15:59,460 In fact, she sends me clothes. I get all her hand-me-downs. 346 00:15:59,460 --> 00:16:01,420 Truly, literally, really. Yeah. 347 00:16:01,420 --> 00:16:04,380 I had nothing to wear in England for my performance, 348 00:16:04,380 --> 00:16:06,020 my show, my party. 349 00:16:06,020 --> 00:16:08,900 And she sent me clothes. She said, "You poor thing." 350 00:16:08,900 --> 00:16:11,060 You know? She sent me a whole packet of clothes. 351 00:16:11,060 --> 00:16:11,300 You know? She sent me I am Care. Care from Cher. 352 00:16:11,300 --> 00:16:13,220 I am Care. Care from Cher. 353 00:16:13,220 --> 00:16:15,260 Alright. 354 00:16:15,260 --> 00:16:17,500 Dustin Hoffman is obviously a very good friend of yours. 355 00:16:17,500 --> 00:16:19,380 He's a nice guy, yes. He's a very good friend. 356 00:16:19,380 --> 00:16:19,620 He's a nice guy, yes. He's a nice man. 357 00:16:19,620 --> 00:16:20,820 He's a nice man. 358 00:16:20,820 --> 00:16:23,220 A little nya-nya, you know? 359 00:16:23,220 --> 00:16:24,620 Just to finish off now, 360 00:16:24,620 --> 00:16:25,980 of all the people you've worked with... 361 00:16:25,980 --> 00:16:27,620 Finish off? The interview. 362 00:16:27,620 --> 00:16:27,860 Finish off? Oh, I see. 363 00:16:27,860 --> 00:16:29,380 Oh, I see. 364 00:16:29,380 --> 00:16:31,860 You've worked and done specials with Neil Sedaka, 365 00:16:31,860 --> 00:16:33,780 and, as I said, the one with Dustin, 366 00:16:33,780 --> 00:16:36,060 and you've done things with Elton and Barbara, 367 00:16:36,060 --> 00:16:39,020 with Elton and "Chur." Chur? 368 00:16:39,020 --> 00:16:41,300 And also one with the late Bing Crosby that you did 369 00:16:41,300 --> 00:16:41,540 And also one with the late playing an usherette. 370 00:16:41,540 --> 00:16:42,740 playing an usherette. 371 00:16:42,740 --> 00:16:43,940 Oh, I was so mortified. 372 00:16:43,940 --> 00:16:46,620 Oh, god. Was that mortifying? 373 00:16:46,620 --> 00:16:48,300 Yeah? Oh, it was so hideous. 374 00:16:48,300 --> 00:16:48,540 Yeah? It was underdressed, you know? 375 00:16:48,540 --> 00:16:50,020 It was underdressed, you know? 376 00:16:50,020 --> 00:16:50,260 And I looked like a sausage, and no It was underdressed, you know? 377 00:16:50,260 --> 00:16:52,540 And I looked like a sausage, and no one told me. 378 00:16:52,540 --> 00:16:52,780 And I looked like a sausage, and no My dress sort of went "pbbt" 379 00:16:52,780 --> 00:16:54,820 My dress sort of went "pbbt" 380 00:16:54,820 --> 00:16:56,620 as I was running down the aisle. 381 00:16:56,620 --> 00:16:59,980 And I had to stop and say, "Button me! Help me! Help me!" 382 00:16:59,980 --> 00:17:02,940 Because I had gloves on my hands. Oh, it was just... 383 00:17:02,940 --> 00:17:05,380 Oh, god, was that awful. Well, look... 384 00:17:05,380 --> 00:17:08,060 And then Bing fell into the pit! 385 00:17:08,060 --> 00:17:10,740 Oh, my god! (LAUGHS) 386 00:17:11,500 --> 00:17:13,140 It was so awful! 387 00:17:13,140 --> 00:17:13,380 DIRECTOR: Stand-by, Ian. It was so awful! 388 00:17:13,380 --> 00:17:15,260 DIRECTOR: Stand-by, Ian. Quiet, please. 389 00:17:15,260 --> 00:17:15,500 DIRECTOR: Stand-by, Ian. Stand-by, Ian. 390 00:17:15,500 --> 00:17:17,540 Stand-by, Ian. 391 00:17:17,540 --> 00:17:20,460 JANE: Thanks to Livvy, and to her role in Grease, 392 00:17:20,460 --> 00:17:23,740 all of a sudden, it was cool to be Australian. 393 00:17:23,740 --> 00:17:24,020 Alan Carr, who was the producer of the movie, all of a sudden, it was cool to be Australian. 394 00:17:24,020 --> 00:17:26,340 Alan Carr, who was the producer of the movie, 395 00:17:26,340 --> 00:17:29,740 sent me the album with the original music and the script, 396 00:17:29,740 --> 00:17:31,980 and said he would like me for the part, was I interested? 397 00:17:31,980 --> 00:17:33,940 And I read it, and had an instinct about it 398 00:17:33,940 --> 00:17:34,180 And I read it, and had an instinct about it that it was right. 399 00:17:34,180 --> 00:17:35,660 that it was right. 400 00:17:35,660 --> 00:17:35,900 Then I heard that John Travolta that it was right. 401 00:17:35,900 --> 00:17:38,460 Then I heard that John Travolta was the leading man. 402 00:17:38,460 --> 00:17:41,660 And he, as yet, wasn't a big film star. 403 00:17:41,660 --> 00:17:43,940 Saturday Night Fever was not yet released. 404 00:17:43,940 --> 00:17:47,100 But I had a meeting with him, and we got on very well, 405 00:17:47,100 --> 00:17:50,780 and did a screen test together, and it seemed to work. 406 00:17:50,780 --> 00:17:52,500 And so that was the first step. 407 00:17:52,500 --> 00:17:54,660 And then we had three weeks of rehearsals, 408 00:17:54,660 --> 00:17:54,900 And then we had dancing rehearsals and stuff. 409 00:17:54,900 --> 00:17:56,860 dancing rehearsals and stuff. 410 00:17:56,860 --> 00:17:58,500 I had three months of incredible fun. 411 00:17:58,500 --> 00:18:00,420 It was really great. I loved it. 412 00:18:00,420 --> 00:18:02,460 IAN: And how does it feel to come, you know, back here 413 00:18:02,460 --> 00:18:05,060 being sort of what we think is your home city, 414 00:18:05,060 --> 00:18:05,300 being sort of what we think is your and what you probably do too. 415 00:18:05,300 --> 00:18:06,820 and what you probably do too. 416 00:18:06,820 --> 00:18:09,300 I do. It feels very exciting, actually. 417 00:18:09,300 --> 00:18:12,980 It's really a strange feeling because, you know, 418 00:18:12,980 --> 00:18:14,620 when I lived here, I mean, 419 00:18:14,620 --> 00:18:16,900 I did a lot of local TV and such. 420 00:18:16,900 --> 00:18:18,700 I used to watch other people come through 421 00:18:18,700 --> 00:18:20,540 and get all this attention, but I never thought 422 00:18:20,540 --> 00:18:21,980 I'd get all this attention. 423 00:18:21,980 --> 00:18:23,300 Yeah. It's a really lovely feeling. 424 00:18:23,300 --> 00:18:23,540 Yeah. It's the way to come home. 425 00:18:23,540 --> 00:18:25,340 It's the way to come home. 426 00:18:28,260 --> 00:18:31,300 # Well, you can tell by the way I use my walk, 427 00:18:31,300 --> 00:18:33,540 # I'm a woman's man, no time to talk 428 00:18:33,540 --> 00:18:36,180 JANE: The year had begun with another movie craze 429 00:18:36,180 --> 00:18:39,340 sweeping the world, Saturday Night Fever. 430 00:18:39,340 --> 00:18:39,580 sweeping the world, # That's OK. # 431 00:18:39,580 --> 00:18:41,180 # That's OK. # 432 00:18:41,180 --> 00:18:44,820 With the Bee Gees' disco hits dominating the soundtrack, 433 00:18:44,820 --> 00:18:48,140 Countdown celebrated another Aussie success story 434 00:18:48,140 --> 00:18:52,100 with a special episode and a national dance competition. 435 00:18:52,100 --> 00:18:52,340 with a special episode and # I can't wait until 436 00:18:52,340 --> 00:18:53,900 # I can't wait until 437 00:18:53,900 --> 00:18:56,380 # I see you again 438 00:18:57,060 --> 00:18:58,420 # Yeah, yeah 439 00:18:58,420 --> 00:19:00,340 # Uh-huh, uh-huh 440 00:19:00,340 --> 00:19:00,540 # I want to put on # Uh-huh, uh-huh 441 00:19:00,540 --> 00:19:02,460 # I want to put on 442 00:19:02,460 --> 00:19:04,940 # My, my, my, my boogie shoes. # 443 00:19:04,940 --> 00:19:05,180 # My, my, my, my boogie shoes. # # I heard somebody say 444 00:19:05,180 --> 00:19:06,420 # I heard somebody say 445 00:19:06,420 --> 00:19:10,020 # Burn, baby, burn, disco inferno 446 00:19:10,020 --> 00:19:10,300 # Burn, baby, burn, burn the mother down. # # Burn, baby, burn, disco inferno 447 00:19:10,300 --> 00:19:13,180 # Burn, baby, burn, burn the mother down. # 448 00:19:15,140 --> 00:19:18,580 # My baby moves at midnight 449 00:19:18,580 --> 00:19:18,820 # My baby moves at midnight until the dawn, yeah 450 00:19:18,820 --> 00:19:22,500 # Goes right on until the dawn, yeah 451 00:19:22,500 --> 00:19:22,740 # My woman takes me higher until the dawn, yeah 452 00:19:22,740 --> 00:19:26,260 # My woman takes me higher 453 00:19:26,260 --> 00:19:26,460 # My woman takes me higher # My woman keeps me warm 454 00:19:26,460 --> 00:19:28,300 # My woman keeps me warm 455 00:19:30,260 --> 00:19:33,420 # What you doing on your back? 456 00:19:33,420 --> 00:19:33,660 # What you doing on your back? on your back? 457 00:19:33,660 --> 00:19:36,500 # Ahh, what you doing on your back? 458 00:19:36,500 --> 00:19:36,740 # Ahh, what you doing on your back? # Ahh. # 459 00:19:36,740 --> 00:19:38,420 # Ahh. # 460 00:19:38,420 --> 00:19:38,660 But there could only be one winner on this dance floor. # Ahh. # 461 00:19:38,660 --> 00:19:40,940 But there could only be one winner on this dance floor. 462 00:19:40,940 --> 00:19:41,220 But there could only be one winner on this dance floor. (IMITATING FANFARE) The grand final. 463 00:19:41,220 --> 00:19:42,940 (IMITATING FANFARE) The grand final. 464 00:19:42,940 --> 00:19:45,460 New South Wales. New South Wales! 465 00:19:45,460 --> 00:19:46,900 (CHEERING) 466 00:19:46,900 --> 00:19:47,100 Oh, dear! Congratulations. (CHEERING) 467 00:19:47,100 --> 00:19:49,380 Oh, dear! Congratulations. 468 00:19:49,380 --> 00:19:51,220 Can I have a kiss? 469 00:19:52,260 --> 00:19:55,380 # The disco lady loves to dance 470 00:19:55,380 --> 00:19:55,580 More and more local musicians # The disco lady loves to dance 471 00:19:55,580 --> 00:19:56,820 More and more local musicians 472 00:19:56,820 --> 00:19:59,780 donned satin suits with big lapels 473 00:19:59,780 --> 00:20:01,700 and set up under the mirror balls. 474 00:20:01,700 --> 00:20:04,220 # She knows the cues, she loves the band 475 00:20:04,220 --> 00:20:06,620 # She loves the grooves 476 00:20:09,340 --> 00:20:11,300 # Yeah. # 477 00:20:11,300 --> 00:20:14,140 Hey, lady, come here! (CHEERING) 478 00:20:17,060 --> 00:20:20,380 Even JPY played the disco card. 479 00:20:20,380 --> 00:20:20,580 # Love is in the air Even JPY played the disco card. 480 00:20:20,580 --> 00:20:22,900 # Love is in the air 481 00:20:22,900 --> 00:20:25,020 # Everywhere I look around 482 00:20:28,260 --> 00:20:30,540 # Love is in the air 483 00:20:30,540 --> 00:20:30,740 # Love is in the air # Every sight and every sound 484 00:20:30,740 --> 00:20:33,020 # Every sight and every sound 485 00:20:35,380 --> 00:20:39,980 # And I don't know if I'm being foolish 486 00:20:39,980 --> 00:20:40,220 # And I don't know # Don't know if I'm being wise 487 00:20:40,220 --> 00:20:43,500 # Don't know if I'm being wise 488 00:20:43,500 --> 00:20:43,740 # But it's something # Don't know if I'm being wise 489 00:20:43,740 --> 00:20:46,660 # But it's something that I must believe in 490 00:20:48,180 --> 00:20:50,700 # And it's there when I look in your eyes 491 00:20:51,580 --> 00:20:54,140 # Love is in the air 492 00:20:54,140 --> 00:20:56,460 # In the whisper of the trees 493 00:20:59,540 --> 00:21:02,020 # Love is in the air 494 00:21:02,020 --> 00:21:04,420 # In the thunder of the seas 495 00:21:06,740 --> 00:21:10,780 # And I don't know if I'm just dreaming 496 00:21:10,780 --> 00:21:11,020 # And I don't know # Don't know if I feel safe 497 00:21:11,020 --> 00:21:14,420 # Don't know if I feel safe 498 00:21:14,420 --> 00:21:18,580 # But it's something that I must believe in 499 00:21:18,580 --> 00:21:22,220 # And it's there when you call out my name 500 00:21:30,700 --> 00:21:32,740 # Love is in the air 501 00:21:34,700 --> 00:21:36,900 # Love is in the air 502 00:21:37,860 --> 00:21:39,900 # Ohh 503 00:21:49,980 --> 00:21:52,580 # Love is in the air 504 00:21:52,580 --> 00:21:54,700 # In the rising of the sun 505 00:21:57,820 --> 00:22:00,260 # Love is in the air 506 00:22:00,260 --> 00:22:00,460 # Love is in the air # When the day is nearly done 507 00:22:00,460 --> 00:22:02,700 # When the day is nearly done 508 00:22:05,180 --> 00:22:09,460 # And I don't know if you're an illusion 509 00:22:09,460 --> 00:22:12,540 #Don't know if I see truth 510 00:22:12,540 --> 00:22:12,780 # But you're something #Don't know if I see truth 511 00:22:12,780 --> 00:22:16,580 # But you're something that I must believe in 512 00:22:16,580 --> 00:22:19,940 # And you're there when I reach out for you 513 00:22:21,100 --> 00:22:23,460 # Love is in the air 514 00:22:23,460 --> 00:22:25,580 # Everywhere I look around 515 00:22:28,820 --> 00:22:31,140 # Love is in the air 516 00:22:31,140 --> 00:22:33,180 # Every sight and every sound 517 00:22:36,100 --> 00:22:40,380 # And I don't know if I feel foolish 518 00:22:40,380 --> 00:22:43,580 # Don't know if I feel wise 519 00:22:43,580 --> 00:22:47,380 # But it's something that I must believe in 520 00:22:47,380 --> 00:22:51,060 # And it's there when I look in your eyes 521 00:22:59,660 --> 00:23:01,860 # Love is in the air 522 00:23:03,500 --> 00:23:05,700 # Love is in the air 523 00:23:06,580 --> 00:23:09,220 # Ohh 524 00:23:18,460 --> 00:23:20,780 # Oh, love is in the air. # 525 00:23:39,100 --> 00:23:42,580 JANE: Countdown was about new music, but from the beginning, 526 00:23:42,580 --> 00:23:46,100 Molly had always supported the show's family. 527 00:23:47,260 --> 00:23:49,820 # Women in uniform 528 00:23:49,820 --> 00:23:52,700 # Sometimes they look so cold 529 00:23:52,700 --> 00:23:55,380 # Women in uniform 530 00:23:55,380 --> 00:23:58,140 # But, ooh, they feel so warm 531 00:23:58,140 --> 00:23:59,540 # Women in uniform. # 532 00:23:59,540 --> 00:24:01,420 If the Hooks were playing one week... 533 00:24:02,260 --> 00:24:03,980 # Our time 534 00:24:03,980 --> 00:24:04,180 # Before the new # Our time 535 00:24:04,180 --> 00:24:06,420 # Before the new 536 00:24:06,420 --> 00:24:10,020 Shirl the Curl could always play solo the next. 537 00:24:10,020 --> 00:24:13,380 # Memories of the things we used to do 538 00:24:16,020 --> 00:24:19,740 # So open up your hearts and let me in 539 00:24:19,740 --> 00:24:22,860 # I'm Mr Summer, and I thought I'd drop in 540 00:24:22,860 --> 00:24:23,100 # I'm Mr Summer, # I'm Mr Summer, 541 00:24:23,100 --> 00:24:25,340 # I'm Mr Summer, 542 00:24:25,340 --> 00:24:28,780 # And I'm here for another spin. # 543 00:24:32,500 --> 00:24:35,020 Daryl and Sherbet were also welcome anytime. 544 00:24:35,020 --> 00:24:35,260 # I beg, steal or borrow Daryl and Sherbet were also welcome anytime. 545 00:24:35,260 --> 00:24:38,460 # I beg, steal or borrow 546 00:24:39,700 --> 00:24:41,900 # Ooh, yes, I do 547 00:24:41,900 --> 00:24:45,100 # I'm going to beg, steal or borrow. # 548 00:24:48,820 --> 00:24:51,020 And it goes without saying - 549 00:24:51,020 --> 00:24:54,780 any ex-member of Daddy Cool had a permanent booking. 550 00:24:54,780 --> 00:24:55,020 # Just like a savage beast had a permanent booking. 551 00:24:55,020 --> 00:24:56,460 # Just like a savage beast 552 00:24:56,460 --> 00:24:56,700 # Just like a savage beast # Many a man with an axe to grind 553 00:24:56,700 --> 00:25:00,260 # Many a man with an axe to grind 554 00:25:00,260 --> 00:25:02,980 # I leave my mark and I feel really fine. # 555 00:25:04,500 --> 00:25:06,980 In 1978, Countdown counted 556 00:25:06,980 --> 00:25:09,540 two of the biggest stars in the world 557 00:25:09,540 --> 00:25:09,780 two of the biggest stars as part of its family. 558 00:25:09,780 --> 00:25:12,020 as part of its family. 559 00:25:12,020 --> 00:25:15,820 Rod Stewart and Elton John had appeared so many times 560 00:25:15,820 --> 00:25:16,060 Rod Stewart and Elton John that the two tussled on air 561 00:25:16,060 --> 00:25:18,300 that the two tussled on air 562 00:25:18,300 --> 00:25:20,980 like brothers after a long Christmas lunch. 563 00:25:20,980 --> 00:25:23,980 There's a lot of songs within his album 564 00:25:23,980 --> 00:25:24,220 There's a lot of songs that a lot of people think, 565 00:25:24,220 --> 00:25:25,340 that a lot of people think, 566 00:25:25,340 --> 00:25:25,580 "You know, he's talking that a lot of people think, 567 00:25:25,580 --> 00:25:26,780 "You know, he's talking about himself." 568 00:25:26,780 --> 00:25:28,380 You know? Yeah. 569 00:25:28,380 --> 00:25:28,620 You know? What do you think? 570 00:25:28,620 --> 00:25:29,780 What do you think? 571 00:25:29,780 --> 00:25:30,020 I think it's definitely about him. What do you think? 572 00:25:30,020 --> 00:25:32,020 I think it's definitely about him. 573 00:25:32,020 --> 00:25:34,060 I mean, having known him for about five or six years, 574 00:25:34,060 --> 00:25:35,700 I'm sure it's about him, Do You Think I'm Sexy? 575 00:25:35,700 --> 00:25:37,380 Who's he kidding? Who's he written it about? 576 00:25:37,380 --> 00:25:37,620 Who's he kidding? Who's he written it about? I mean, I'm sure it's about him. 577 00:25:37,620 --> 00:25:38,980 I mean, I'm sure it's about him. 578 00:25:38,980 --> 00:25:40,460 I must admit, he didn't take the last remark 579 00:25:40,460 --> 00:25:40,700 I made to him very well. I must admit, he didn't take the last remark 580 00:25:40,700 --> 00:25:42,220 I made to him very well. 581 00:25:42,220 --> 00:25:44,420 He phoned up and he said, "I've made a disco album." 582 00:25:44,420 --> 00:25:45,940 I said, "You're a bit late, dear, aren't you?" 583 00:25:45,940 --> 00:25:47,780 And I haven't heard from him since. 584 00:25:47,780 --> 00:25:48,060 And I haven't heard from him since. I don't think it's just a disco album. 585 00:25:48,060 --> 00:25:49,740 I don't think it's just a disco album. 586 00:25:49,740 --> 00:25:51,660 I think there's a lot of rock'n'roll on it. 587 00:25:51,660 --> 00:25:54,540 And he made a very big disco record, 588 00:25:54,540 --> 00:25:57,620 which he stole the tune of from Brazil, 589 00:25:57,620 --> 00:25:59,860 and had to settle out of court and pay the money. 590 00:25:59,860 --> 00:26:00,100 and had to settle out of court and (LAUGHING) 591 00:26:00,100 --> 00:26:02,340 (LAUGHING) 592 00:26:02,340 --> 00:26:04,740 Do You Think I'm Sexy was stolen from something. 593 00:26:04,740 --> 00:26:06,660 We went to Rio together to the Carnival. 594 00:26:06,660 --> 00:26:09,380 And the main thing, he bought a record in Rio, which was 595 00:26:09,380 --> 00:26:09,620 And the main thing, he bought # Ole, Ole. # 596 00:26:09,620 --> 00:26:11,020 # Ole, Ole. # 597 00:26:11,020 --> 00:26:11,260 No, that's the World Cup one, which # Ole, Ole. # 598 00:26:11,260 --> 00:26:12,820 No, that's the World Cup one, which he also stole. 599 00:26:12,820 --> 00:26:13,060 No, that's the World Cup one, which (LAUGHING) 600 00:26:13,060 --> 00:26:14,860 (LAUGHING) 601 00:26:14,860 --> 00:26:17,340 It's da-dat-dat-dat-da, da-dat-dat-da, 602 00:26:17,340 --> 00:26:18,980 and not many people know it, but I have the record. 603 00:26:18,980 --> 00:26:19,220 and not many people know it, It's by a guy called Jorge Ben. 604 00:26:19,220 --> 00:26:20,820 It's by a guy called Jorge Ben. 605 00:26:20,820 --> 00:26:21,060 So I'd rather make probably It's by a guy called Jorge Ben. 606 00:26:21,060 --> 00:26:23,020 So I'd rather make probably a not so big selling record, 607 00:26:23,020 --> 00:26:27,180 and actually give the writers the right amount of money. 608 00:26:27,180 --> 00:26:29,700 If Mr Stewart's going to have a go at that, 609 00:26:29,700 --> 00:26:32,580 then why did he steal the tune and try and hush it up? 610 00:26:32,580 --> 00:26:34,580 MOLLY: Well, can we just sit down to you and Elton? 611 00:26:34,580 --> 00:26:36,380 I mean, like, at one stage, 612 00:26:36,380 --> 00:26:38,220 you were throwing so many barbed comments at each other 613 00:26:38,220 --> 00:26:39,820 that you would think that, you know, 614 00:26:39,820 --> 00:26:41,580 you were the two worst enemies in the world. 615 00:26:41,580 --> 00:26:43,780 Well, we still do throw comments at each other. 616 00:26:43,780 --> 00:26:45,700 The thing is he can't take it, you see? 617 00:26:45,700 --> 00:26:48,740 I don't mind. I think it's fun. Hmm. 618 00:26:48,740 --> 00:26:50,980 But sometimes, a little hit below the belt with him. 619 00:26:50,980 --> 00:26:53,500 Or on the top of the head. I'm not sure which. 620 00:26:53,500 --> 00:26:55,020 On the top of the head, yeah. Yeah. 621 00:26:55,020 --> 00:26:55,260 On the top of the head, yeah. But we are best of mates now. 622 00:26:55,260 --> 00:26:57,020 But we are best of mates now. 623 00:26:57,980 --> 00:27:00,180 JANE: One thing was for sure. 624 00:27:00,180 --> 00:27:03,340 Both Rod and Elton loved soccer. 625 00:27:03,340 --> 00:27:03,580 To prove his point, Both Rod and Elton loved soccer. 626 00:27:03,580 --> 00:27:06,820 To prove his point, or to outdo Rod, 627 00:27:06,820 --> 00:27:07,060 To prove his point, Elton brought the whole team in. 628 00:27:07,060 --> 00:27:09,900 Elton brought the whole team in. 629 00:27:09,900 --> 00:27:14,580 # Talking about, oh, Georgia 630 00:27:14,580 --> 00:27:18,380 # Take me to your Southlands 631 00:27:18,380 --> 00:27:20,500 # I sometimes feel 632 00:27:20,500 --> 00:27:23,780 # That life is rolling on 633 00:27:25,980 --> 00:27:29,820 # Oh, Georgia 634 00:27:29,820 --> 00:27:33,580 # Lead me through your heartlands 635 00:27:33,580 --> 00:27:37,100 # I need to see them one more time 636 00:27:37,100 --> 00:27:39,940 # Before they're gone. # 637 00:27:43,420 --> 00:27:47,020 This is Warren Zevon, so-called Excitable Boy, 638 00:27:47,020 --> 00:27:49,220 speaking to you from San Francisco. 639 00:27:49,220 --> 00:27:51,220 And you're watching Countdown. 640 00:27:51,220 --> 00:27:55,380 # Like a dog hanging on your leash 641 00:27:55,380 --> 00:27:55,660 JANE: A seasoned music writer and producer, # Like a dog hanging on your leash 642 00:27:55,660 --> 00:27:57,980 JANE: A seasoned music writer and producer, 643 00:27:57,980 --> 00:28:00,220 Molly also recognised the allure 644 00:28:00,220 --> 00:28:02,500 of a good old fashioned pop star. 645 00:28:02,500 --> 00:28:05,020 # You make me feel like dancing 646 00:28:05,020 --> 00:28:06,940 # I want to dance the night away 647 00:28:06,940 --> 00:28:07,180 # I want to dance # You make me feel like dancing 648 00:28:07,180 --> 00:28:10,140 # You make me feel like dancing 649 00:28:10,140 --> 00:28:11,940 # I'm going to dance the night away 650 00:28:11,940 --> 00:28:12,180 # I'm going to dance # You make me feel like dancing 651 00:28:12,180 --> 00:28:15,860 # You make me feel like dancing 652 00:28:15,860 --> 00:28:17,820 # I feel like dancing 653 00:28:17,820 --> 00:28:20,980 # Dancing, dance the night away 654 00:28:20,980 --> 00:28:22,780 # I feel like dancing 655 00:28:22,780 --> 00:28:24,980 # Dancing, ahh. # 656 00:28:26,380 --> 00:28:28,420 One singing surfer boy in particular 657 00:28:28,420 --> 00:28:32,340 brought the teenyboppers flocking into Studio 31. 658 00:28:32,340 --> 00:28:32,620 # You got me rolling like a wheel on the road brought the teenyboppers flocking into Studio 31. 659 00:28:32,620 --> 00:28:35,380 # You got me rolling like a wheel on the road 660 00:28:35,380 --> 00:28:35,620 # Turning round and round like a wheel on the road 661 00:28:35,620 --> 00:28:38,100 # Turning round and round 662 00:28:38,100 --> 00:28:39,820 # Nowhere to go 663 00:28:39,820 --> 00:28:42,860 # I got to find out if you're feeling it too 664 00:28:42,860 --> 00:28:43,140 # I got to find out if you're feeling it too # It's hard to tell, so here's what I do 665 00:28:43,140 --> 00:28:46,900 # It's hard to tell, so here's what I do 666 00:28:48,460 --> 00:28:52,340 # And every time I want more 667 00:28:52,340 --> 00:28:54,860 # I take you out on the floor 668 00:28:57,540 --> 00:29:00,300 # I was made for dancing 669 00:29:01,380 --> 00:29:04,420 # All, all, all, all night long 670 00:29:04,420 --> 00:29:07,820 # Yeah, I was made for dancing 671 00:29:08,820 --> 00:29:11,300 # All, all, all, all night long 672 00:29:20,300 --> 00:29:23,300 # The days and nights are moving by me and you 673 00:29:23,300 --> 00:29:28,020 # You're such a crazy love, you tear me in two 674 00:29:28,020 --> 00:29:28,300 # You're such a crazy love, you tear me in two # I spend my time moving to dreams and a phase 675 00:29:28,300 --> 00:29:31,340 # I spend my time moving to dreams and a phase 676 00:29:31,340 --> 00:29:35,180 # It's a crazy love you can see in my face 677 00:29:36,620 --> 00:29:38,820 # And every time I want more 678 00:29:40,500 --> 00:29:43,180 # I take you out on the floor 679 00:29:46,340 --> 00:29:49,420 # I was made for dancing 680 00:29:49,420 --> 00:29:53,340 # All, all, all, all night long 681 00:29:53,340 --> 00:29:56,940 # I was made for dancing 682 00:29:56,940 --> 00:29:59,660 # All, all, all, all night long 683 00:30:08,340 --> 00:30:11,700 # I was made for dancing 684 00:30:11,700 --> 00:30:16,140 #All, all, all, all night long 685 00:30:16,140 --> 00:30:19,660 # I was made for dancing 686 00:30:19,660 --> 00:30:22,380 # All, all, all, all night long 687 00:30:34,820 --> 00:30:37,540 # Dancing 688 00:30:39,100 --> 00:30:42,060 # I was made for dancing 689 00:30:42,060 --> 00:30:44,220 # Ahh 690 00:30:47,180 --> 00:30:49,940 # I was made for dancing 691 00:30:49,940 --> 00:30:52,420 # Dancing 692 00:30:53,780 --> 00:30:56,180 # Dancing 693 00:30:57,660 --> 00:31:01,020 # I was made for dancing 694 00:31:01,020 --> 00:31:03,540 # All, all, all, all night long 695 00:31:04,580 --> 00:31:08,820 # Yes, I was made for dancing 696 00:31:08,820 --> 00:31:11,380 # All, all, all, all night long 697 00:31:12,780 --> 00:31:16,260 # I was made for dancing 698 00:31:16,260 --> 00:31:18,980 # All, all, all, all night long 699 00:31:20,260 --> 00:31:22,500 # I was made for dancing 700 00:31:22,500 --> 00:31:24,620 (CHEERING) 701 00:31:26,780 --> 00:31:29,780 JANE: In '78, a lot of young people were rebelling 702 00:31:29,780 --> 00:31:31,340 against the bubblegum conformity 703 00:31:31,340 --> 00:31:34,300 that Leif Garrett represented. 704 00:31:34,300 --> 00:31:35,900 The local bands that emerged 705 00:31:35,900 --> 00:31:38,500 during the so-called post punk era 706 00:31:38,500 --> 00:31:38,740 during the so-called had a distinct attitude, 707 00:31:38,740 --> 00:31:40,460 had a distinct attitude, 708 00:31:40,460 --> 00:31:40,700 a new interpretation had a distinct attitude, 709 00:31:40,700 --> 00:31:42,740 a new interpretation of rock music. 710 00:31:44,900 --> 00:31:48,940 # You're just a barroom brandy 711 00:31:48,940 --> 00:31:52,940 # I want to touch you everyday 712 00:31:54,700 --> 00:31:58,580 # But you seem to leave me all the time 713 00:32:00,220 --> 00:32:03,900 # And I'm always asking you to stay 714 00:32:03,900 --> 00:32:08,860 # So, go, girl, I wanna be your baby 715 00:32:10,820 --> 00:32:13,620 # And spend my time with you 716 00:32:16,100 --> 00:32:19,620 # I wanna be your baby 717 00:32:20,620 --> 00:32:23,940 # And spend my love with you 718 00:32:25,380 --> 00:32:29,140 # I remember the first time that I met you 719 00:32:30,900 --> 00:32:35,860 # I felt that I had to take you home 720 00:32:35,860 --> 00:32:39,420 # But your eyes weren't looking in my direction 721 00:32:40,860 --> 00:32:44,340 # And sometimes you make me feel so alone 722 00:32:45,300 --> 00:32:50,100 # So I wanna be your baby 723 00:32:51,540 --> 00:32:54,220 # And spend my time with you 724 00:32:56,500 --> 00:32:59,700 # I wanna be your baby 725 00:33:00,820 --> 00:33:05,060 # And spend my time with you 726 00:33:16,740 --> 00:33:19,740 # I wanna be your baby 727 00:33:21,660 --> 00:33:25,180 # And spend my time with you 728 00:33:26,740 --> 00:33:30,060 # I wanna be your baby 729 00:33:31,340 --> 00:33:34,500 # And spend my time with you 730 00:33:39,700 --> 00:33:42,540 # I wanna be your baby 731 00:33:44,540 --> 00:33:47,180 # And spend my time with you 732 00:33:49,540 --> 00:33:52,900 # I wanna be your baby 733 00:33:53,900 --> 00:33:56,700 # And spend my time with you. # 734 00:34:17,260 --> 00:34:18,900 Hi, this is Johnny Mathis. 735 00:34:18,900 --> 00:34:19,140 You're watching Countdown Hi, this is Johnny Mathis. 736 00:34:19,140 --> 00:34:20,940 You're watching Countdown right across Australia. 737 00:34:22,420 --> 00:34:25,300 Oh-ho-ho! Once more! 738 00:34:26,660 --> 00:34:28,700 JANE: When a country band from New Zealand 739 00:34:28,700 --> 00:34:31,340 performed a Beatles' song on Countdown, 740 00:34:31,340 --> 00:34:35,700 it was probably safe to assume that cover songs were fair game. 741 00:34:35,700 --> 00:34:35,940 it was probably safe to assume that cover songs were fair game. # Falling 742 00:34:35,940 --> 00:34:37,940 # Falling 743 00:34:37,940 --> 00:34:41,140 # Oh, yes, I'm falling 744 00:34:41,140 --> 00:34:44,060 # But it keeps calling me 745 00:34:44,060 --> 00:34:47,340 # Back again. # 746 00:34:47,340 --> 00:34:47,540 # Stop, in the name of love # Back again. # 747 00:34:47,540 --> 00:34:50,900 # Stop, in the name of love 748 00:34:50,900 --> 00:34:53,580 # Before you break my heart. # 749 00:34:53,580 --> 00:34:56,380 No surprise then that a young gentleman from Adelaide, 750 00:34:56,380 --> 00:34:56,660 No surprise then that a young gentleman from Adelaide, Andy Upton, performed a song made famous by The Supremes. 751 00:34:56,660 --> 00:35:00,700 Andy Upton, performed a song made famous by The Supremes. 752 00:35:00,700 --> 00:35:00,940 Fellow South Australians Scandal Andy Upton, performed a song made famous by The Supremes. 753 00:35:00,940 --> 00:35:04,300 Fellow South Australians Scandal 754 00:35:04,300 --> 00:35:07,340 revived an early '70s UK hit. 755 00:35:07,340 --> 00:35:07,540 revived an early '70s UK hit. # Any day 756 00:35:07,540 --> 00:35:09,940 # Any day 757 00:35:09,940 --> 00:35:12,780 # How long 758 00:35:12,780 --> 00:35:14,980 # Has this been going on? 759 00:35:18,020 --> 00:35:21,140 # How long 760 00:35:21,140 --> 00:35:23,300 # Has this been going on? # 761 00:35:23,300 --> 00:35:23,500 # Wasted all my days over you # Has this been going on? # 762 00:35:23,500 --> 00:35:27,780 # Wasted all my days over you 763 00:35:30,500 --> 00:35:33,780 Don Mclean continued his tribute to Buddy Holly 764 00:35:33,780 --> 00:35:34,060 Don Mclean continued his tribute to Buddy Holly with a version of It Doesn't Matter Anymore. 765 00:35:34,060 --> 00:35:37,740 with a version of It Doesn't Matter Anymore. 766 00:35:37,740 --> 00:35:37,980 with a version # I'll go mine 767 00:35:37,980 --> 00:35:40,820 # I'll go mine 768 00:35:40,820 --> 00:35:42,500 # Now and forever 769 00:35:42,500 --> 00:35:45,420 # Until the end of time 770 00:35:45,420 --> 00:35:48,740 # I'll find somebody new 771 00:35:48,740 --> 00:35:50,460 # And baby 772 00:35:50,460 --> 00:35:52,700 # We'll say we're through 773 00:35:52,700 --> 00:35:52,940 # And you won't # We'll say we're through 774 00:35:52,940 --> 00:35:56,500 # And you won't matter anymore. # 775 00:35:56,500 --> 00:35:56,740 # And you won't (CHEERING) 776 00:35:56,740 --> 00:35:59,020 (CHEERING) 777 00:35:59,020 --> 00:36:01,500 But the show stopper was this cover 778 00:36:01,500 --> 00:36:01,740 But the show stopper of a Righteous Brothers song 779 00:36:01,740 --> 00:36:03,460 of a Righteous Brothers song 780 00:36:03,460 --> 00:36:07,180 by one of Australia's first all female bands. 781 00:36:07,180 --> 00:36:07,460 # You've been waiting much too long now by one of Australia's first all female bands. 782 00:36:07,460 --> 00:36:11,820 # You've been waiting much too long now 783 00:36:11,820 --> 00:36:16,140 # Looks like she's not coming home 784 00:36:16,140 --> 00:36:16,380 # Looks like she's not coming home # Girl 785 00:36:16,380 --> 00:36:18,660 # Girl 786 00:36:18,660 --> 00:36:23,260 # You've been loyal, true and faithful 787 00:36:23,260 --> 00:36:26,140 # All this time with being alone 788 00:36:27,940 --> 00:36:32,260 # If I could get that same dedication 789 00:36:32,260 --> 00:36:35,540 # I'd give you everything in creation 790 00:36:37,340 --> 00:36:39,740 # If she doesn't come back 791 00:36:39,740 --> 00:36:43,020 # If she doesn't come back 792 00:36:43,020 --> 00:36:43,260 # If she doesn't # I'll be your substitute 793 00:36:43,260 --> 00:36:45,500 # I'll be your substitute 794 00:36:47,020 --> 00:36:49,500 # Whenever you want me 795 00:36:52,180 --> 00:36:54,420 # I'll be your substitute 796 00:36:56,060 --> 00:36:58,540 # Whenever you need me 797 00:37:02,140 --> 00:37:04,580 # Girl 798 00:37:04,580 --> 00:37:09,020 # Every day you waited for her 799 00:37:09,020 --> 00:37:12,220 # I've been waiting here for you 800 00:37:13,940 --> 00:37:16,460 # Say 801 00:37:16,460 --> 00:37:21,020 # All this time I've been lonely 802 00:37:21,020 --> 00:37:24,020 # I know what you've been going through 803 00:37:26,060 --> 00:37:29,980 #I'll wait until my chances are good 804 00:37:29,980 --> 00:37:33,580 # But you can't keep relying on her 805 00:37:35,300 --> 00:37:37,740 # If she doesn't come back 806 00:37:37,740 --> 00:37:41,220 # If she doesn't come back 807 00:37:41,220 --> 00:37:41,460 # If she doesn't come back #I'll be your substitute 808 00:37:41,460 --> 00:37:43,740 #I'll be your substitute 809 00:37:45,060 --> 00:37:47,420 # Whenever you want me 810 00:37:50,340 --> 00:37:52,620 # I'll be your substitute 811 00:37:54,340 --> 00:37:56,780 # Whenever you need me 812 00:38:00,500 --> 00:38:04,140 # Each day by your window 813 00:38:04,140 --> 00:38:05,740 # You sit and sigh hoping 814 00:38:05,740 --> 00:38:08,740 # To see her face 815 00:38:08,740 --> 00:38:10,700 # Oh! 816 00:38:10,700 --> 00:38:14,660 # You might as well forget about her 817 00:38:14,660 --> 00:38:19,100 # And find someone to take her place 818 00:38:19,100 --> 00:38:22,540 # If she doesn't come back 819 00:38:22,540 --> 00:38:22,740 # I'll be your substitute # If she doesn't come back 820 00:38:22,740 --> 00:38:24,620 # I'll be your substitute 821 00:38:26,460 --> 00:38:28,860 # Whenever you want me 822 00:38:31,580 --> 00:38:33,780 # I'll be your substitute 823 00:38:35,820 --> 00:38:38,020 # Whenever you need me. # 824 00:38:55,100 --> 00:38:56,540 Countdown! 825 00:38:56,540 --> 00:38:57,740 Hello, how are you, Edna? 826 00:38:57,740 --> 00:38:59,220 Oh, what can I say, but thank you 827 00:38:59,220 --> 00:39:01,100 for honouring me with the invitation 828 00:39:01,100 --> 00:39:01,340 for honouring me to appear on your show. 829 00:39:01,340 --> 00:39:02,620 to appear on your show. 830 00:39:02,620 --> 00:39:02,860 It's always a pleasure. to appear on your show. 831 00:39:02,860 --> 00:39:04,300 It's always a pleasure. It's always a pleasure. 832 00:39:04,300 --> 00:39:05,820 What do you think of my little Edna boppers? 833 00:39:05,820 --> 00:39:07,500 Aren't they beautiful? They're marvellous. 834 00:39:07,500 --> 00:39:07,740 Aren't they beautiful? Where did you get them from? 835 00:39:07,740 --> 00:39:08,740 Where did you get them from? 836 00:39:08,740 --> 00:39:10,220 Oh... Moonee Ponds? 837 00:39:10,220 --> 00:39:12,860 Alright, now. Over the last... 838 00:39:12,860 --> 00:39:14,100 This is going to be a bit of a heavy, 839 00:39:14,100 --> 00:39:14,340 This is going to be so every one ready for it. 840 00:39:14,340 --> 00:39:15,860 so every one ready for it. 841 00:39:15,860 --> 00:39:18,060 You may have sort of seen an ad on... 842 00:39:18,060 --> 00:39:18,300 You may have sort I'm talking about Melbourne now. 843 00:39:18,300 --> 00:39:19,740 I'm talking about Melbourne now. 844 00:39:19,740 --> 00:39:19,980 On commercial television for I'm talking about Melbourne now. 845 00:39:19,980 --> 00:39:22,420 On commercial television for 3XY, with their supergroup. 846 00:39:22,420 --> 00:39:24,420 They've been advertising, etcetera, etcetera, like that. 847 00:39:24,420 --> 00:39:24,660 They've been advertising, etcetera, Yes, terrific. 848 00:39:24,660 --> 00:39:26,180 Yes, terrific. 849 00:39:26,180 --> 00:39:28,820 The only thing is that it's very amusing to see this ad 850 00:39:28,820 --> 00:39:31,740 because, apart from Darryl Cotton and Dragon, 851 00:39:31,740 --> 00:39:32,940 who feature on the ad, 852 00:39:32,940 --> 00:39:35,540 there's also Angry from Rose Tattoo, 853 00:39:35,540 --> 00:39:38,500 there's also Cheater, there's also Jo Jo Zep, 854 00:39:38,500 --> 00:39:40,860 there's also Ross Wilson from Mondo Rock. 855 00:39:40,860 --> 00:39:43,100 There's also Delilah, and there's also Keith Lamb. 856 00:39:43,100 --> 00:39:44,700 All have singles out at the moment, 857 00:39:44,700 --> 00:39:48,300 and the oddest thing is none of them are being played on 3XY. 858 00:39:48,300 --> 00:39:51,260 So I don't know how 3XY can say it's their supergroup 859 00:39:51,260 --> 00:39:53,100 when they're not even going to recognise them. 860 00:39:53,100 --> 00:39:54,380 Talking about good groups, 861 00:39:54,380 --> 00:39:56,620 Dire Straits is coming up on the show later on. 862 00:39:56,620 --> 00:39:59,220 I believe you know a couple of the guys. 863 00:39:59,220 --> 00:39:59,460 I actually...No, I don't. I believe you know a couple of the guys. 864 00:39:59,460 --> 00:40:00,860 I actually...No, I don't. 865 00:40:00,860 --> 00:40:02,500 No? You've been... 866 00:40:02,500 --> 00:40:04,380 Misinformed? Misinformed, yes. 867 00:40:04,380 --> 00:40:06,220 Bette Midler didn't know them either, obviously. 868 00:40:06,220 --> 00:40:06,500 Bette Midler didn't know them either, obviously. Anyway, have you heard of them anyhow? 869 00:40:06,500 --> 00:40:07,940 Anyway, have you heard of them anyhow? 870 00:40:07,940 --> 00:40:10,460 They're a really nice group. Yes, I have heard of them. 871 00:40:10,460 --> 00:40:12,740 They're going to be one of the hottest around, I figure. 872 00:40:12,740 --> 00:40:15,220 But, meanwhile. I wish you had heard of them. 873 00:40:15,220 --> 00:40:15,460 But, meanwhile. (LAUGHING) 874 00:40:15,460 --> 00:40:16,700 (LAUGHING) 875 00:40:16,700 --> 00:40:18,420 Over the last couple of weeks, we've had 876 00:40:18,420 --> 00:40:20,580 many, many international tours coming through. 877 00:40:20,580 --> 00:40:23,220 We've had Boz Scaggs, Bob Dylan, The Beach Boys. 878 00:40:23,220 --> 00:40:25,460 Some have been good, some have been bad, right? 879 00:40:25,460 --> 00:40:25,700 Some have been good, But I have never... 880 00:40:25,700 --> 00:40:26,860 But I have never... 881 00:40:26,860 --> 00:40:27,100 Last week, I went on the Countdown Council But I have never... 882 00:40:27,100 --> 00:40:29,420 Last week, I went on the Countdown Council 883 00:40:29,420 --> 00:40:29,660 to Perth and to Adelaide, on the Countdown Council 884 00:40:29,660 --> 00:40:31,140 to Perth and to Adelaide, 885 00:40:31,140 --> 00:40:31,380 to Perth and to Adelaide, a day earlier. 886 00:40:31,380 --> 00:40:33,100 and you were leaving a day earlier. 887 00:40:33,100 --> 00:40:35,420 And you'd just done a concert that night, 888 00:40:35,420 --> 00:40:35,700 And you'd just done a concert that night, and in Adelaide you'd just done a concert 889 00:40:35,700 --> 00:40:37,380 and in Adelaide you'd just done a concert 890 00:40:37,380 --> 00:40:37,620 and in Adelaide the night before, etcetera. 891 00:40:37,620 --> 00:40:38,900 the night before, etcetera. 892 00:40:38,900 --> 00:40:41,820 And I have never read reviews, rave reviews, 893 00:40:41,820 --> 00:40:43,700 for any artist than I've read for you. 894 00:40:43,700 --> 00:40:43,940 for any artist Alright. 895 00:40:43,940 --> 00:40:45,180 Alright. 896 00:40:45,180 --> 00:40:46,980 A lot's happened. You've grown up a lot, I think. 897 00:40:46,980 --> 00:40:48,620 Thank you. Don't you think? 898 00:40:48,620 --> 00:40:50,900 You have to. No, actually. Yeah. Don't be so... 899 00:40:50,900 --> 00:40:52,820 (LAUGHS) 900 00:40:52,820 --> 00:40:55,300 No, but what I'm trying to say. Or have you? 901 00:40:55,300 --> 00:40:57,100 No, I haven't. You seem to be maturing a lot more 902 00:40:57,100 --> 00:40:57,340 No, I haven't. You seem to be as far as your musical outlook 903 00:40:57,340 --> 00:40:58,540 as far as your musical outlook 904 00:40:58,540 --> 00:40:58,780 and everything as far as your musical outlook 905 00:40:58,780 --> 00:41:00,100 and everything like that is concerned. 906 00:41:00,100 --> 00:41:00,340 and everything You know, my voice has dropped. 907 00:41:00,340 --> 00:41:01,700 You know, my voice has dropped. 908 00:41:01,700 --> 00:41:03,460 Your voice has dropped? (LAUGHS) 909 00:41:03,460 --> 00:41:03,700 Your voice has dropped? You ever had a dirty weekend? 910 00:41:03,700 --> 00:41:05,100 You ever had a dirty weekend? 911 00:41:05,100 --> 00:41:07,180 (LAUGHS) 912 00:41:13,580 --> 00:41:15,980 # Take a long line 913 00:41:15,980 --> 00:41:16,180 # Take a long line # Take a long line 914 00:41:16,180 --> 00:41:21,340 # Take a long line 915 00:41:21,340 --> 00:41:21,540 # Take a long line # Reel him in. # 916 00:41:21,540 --> 00:41:23,380 # Reel him in. # 917 00:41:28,500 --> 00:41:31,900 JANE: In the '70s, Australians loved rock music so much 918 00:41:31,900 --> 00:41:32,140 JANE: In the '70s, Australians loved we even named a month after it. 919 00:41:32,140 --> 00:41:34,380 we even named a month after it. 920 00:41:34,380 --> 00:41:36,100 I'm Ronnie Sparks from 2SM in Sydney, 921 00:41:36,100 --> 00:41:37,820 the Sydney Rocktober... Rocktober... 922 00:41:37,820 --> 00:41:38,740 Rocktober. Rocktober. 923 00:41:38,740 --> 00:41:38,980 Rocktober. The Rocktober station in Perth. 924 00:41:38,980 --> 00:41:40,740 The Rocktober station in Perth. 925 00:41:40,740 --> 00:41:40,940 # We're rock and rolling, yeah The Rocktober station in Perth. 926 00:41:40,940 --> 00:41:43,900 # We're rock and rolling, yeah 927 00:41:43,900 --> 00:41:45,740 # We're rock and rolling, yeah. # 928 00:41:45,740 --> 00:41:46,020 # We're rock and rolling, yeah. # Countdown made sure that it fed the rock'n'roll beast 929 00:41:46,020 --> 00:41:48,340 Countdown made sure that it fed the rock'n'roll beast 930 00:41:48,340 --> 00:41:50,180 as much as possible. 931 00:41:51,660 --> 00:41:54,940 English bands had been given plenty of air time, 932 00:41:54,940 --> 00:41:55,220 and so would the emerging soft metal hair bands English bands had been given plenty of air time, 933 00:41:55,220 --> 00:41:57,260 and so would the emerging soft metal hair bands 934 00:41:57,260 --> 00:41:58,300 from the States. 935 00:41:58,300 --> 00:41:58,500 from the States. Ow! 936 00:41:58,500 --> 00:41:59,540 Ow! 937 00:41:59,540 --> 00:41:59,740 None of us are from California. Ow! 938 00:41:59,740 --> 00:42:01,300 None of us are from California. 939 00:42:01,300 --> 00:42:03,260 That's how come we don't sound like The Eagles. 940 00:42:03,260 --> 00:42:03,540 That's how come we don't sound like The Eagles. IAN: Obviously, you spend a lot of time on your stage act. 941 00:42:03,540 --> 00:42:05,620 IAN: Obviously, you spend a lot of time on your stage act. 942 00:42:05,620 --> 00:42:07,220 It's a pretty dynamic stage act. 943 00:42:07,220 --> 00:42:09,940 Alex, can you tell us a little bit about how that developed? 944 00:42:09,940 --> 00:42:12,460 By playing five hours, a night five days a week 945 00:42:12,460 --> 00:42:14,860 at different bars and clubs, sweating it out, 946 00:42:14,860 --> 00:42:18,100 and so-called "paying your dues." 947 00:42:18,100 --> 00:42:20,340 We used to play about, yeah, five hours 948 00:42:20,340 --> 00:42:22,900 of really hard grinding rock'n'roll. 949 00:42:22,900 --> 00:42:23,140 of really hard grinding No slow songs at all. 950 00:42:23,140 --> 00:42:24,820 No slow songs at all. 951 00:42:24,820 --> 00:42:28,420 And it just carried on over to our original music. 952 00:42:28,420 --> 00:42:30,700 Right now, being, as I say, a relatively new show, 953 00:42:30,700 --> 00:42:33,460 and having, sort of, a lot of, sort of dynamics 954 00:42:33,460 --> 00:42:33,700 and having, sort of, and sort of colour on stage, 955 00:42:33,700 --> 00:42:37,220 and sort of colour on stage, 956 00:42:37,220 --> 00:42:40,820 this is your first trip to, say, Europe and England, 957 00:42:40,820 --> 00:42:43,340 what has the reaction been like towards you? 958 00:42:43,340 --> 00:42:45,580 (ALL SCREAM) 959 00:42:45,580 --> 00:42:48,340 Hey, you scared the birds away. 960 00:42:48,340 --> 00:42:49,700 # TNT 961 00:42:49,700 --> 00:42:52,380 Oi! Oi! Oi! 962 00:42:52,380 --> 00:42:53,620 # TNT. # 963 00:42:53,620 --> 00:42:56,500 Oi! Oi! Oi! 964 00:42:56,500 --> 00:42:59,180 JANE: Viewers of Countdown knew that no band in the world 965 00:42:59,180 --> 00:43:02,300 could let there be rock like AC/DC. 966 00:43:02,300 --> 00:43:02,540 could let there be rock And, in turn, Akka Dakka, 967 00:43:02,540 --> 00:43:04,860 And, in turn, Akka Dakka, 968 00:43:04,860 --> 00:43:05,100 inspired other bands And, in turn, Akka Dakka, 969 00:43:05,100 --> 00:43:07,340 inspired other bands to be just like them. 970 00:43:11,300 --> 00:43:14,100 A good strategy in the shadow of AC/DC: 971 00:43:14,100 --> 00:43:14,340 get more tats and get angry. of AC/DC: 972 00:43:14,340 --> 00:43:17,220 get more tats and get angry. 973 00:43:17,220 --> 00:43:17,420 get more tats and get angry. # I don't need lots of people 974 00:43:17,420 --> 00:43:20,100 # I don't need lots of people 975 00:43:20,100 --> 00:43:22,340 # Telling me what to do 976 00:43:22,340 --> 00:43:25,100 # I don't need a long-haired lady 977 00:43:25,100 --> 00:43:25,340 # I don't need # To love me true as true 978 00:43:25,340 --> 00:43:27,980 # To love me true as true 979 00:43:27,980 --> 00:43:31,020 # All I need is a rock'n'roll band 980 00:43:31,020 --> 00:43:33,260 # Somewhere new to play 981 00:43:33,260 --> 00:43:36,340 # And I'm on my way 982 00:43:36,340 --> 00:43:38,580 # I'm on my way 983 00:43:38,580 --> 00:43:41,180 # I'm a rock'n'roll outlaw 984 00:43:41,180 --> 00:43:43,780 # And I'm on the run 985 00:43:43,780 --> 00:43:46,260 # I'm a rock'n'roll outlaw 986 00:43:46,260 --> 00:43:48,500 # I never needed anyone 987 00:43:58,980 --> 00:44:01,660 # My life isn't easy, baby 988 00:44:01,660 --> 00:44:01,860 # My life isn't easy, baby # It's the life that I need 989 00:44:01,860 --> 00:44:04,140 # It's the life that I need 990 00:44:04,140 --> 00:44:04,380 # I got music living # It's the life that I need 991 00:44:04,380 --> 00:44:07,180 # I got music living inside of me, 992 00:44:07,180 --> 00:44:07,420 # I got music living # I gotta set it free 993 00:44:07,420 --> 00:44:09,260 # I gotta set it free 994 00:44:09,260 --> 00:44:11,780 # All I need is a rock'n'roll band 995 00:44:11,780 --> 00:44:12,020 # All I need is # Somewhere new to play 996 00:44:12,020 --> 00:44:14,900 # Somewhere new to play 997 00:44:14,900 --> 00:44:17,180 # And I'm on my way 998 00:44:17,180 --> 00:44:19,620 # I'm on my way 999 00:44:19,620 --> 00:44:22,100 # Because I'm a rock'n'roll outlaw 1000 00:44:22,100 --> 00:44:24,660 # And I'm on the run 1001 00:44:24,660 --> 00:44:27,380 # I'm a rock'n'roll outlaw 1002 00:44:27,380 --> 00:44:29,980 # I never needed anyone 1003 00:44:31,500 --> 00:44:33,940 # Playing music, babe 1004 00:44:33,940 --> 00:44:36,580 # Is all I know 1005 00:44:36,580 --> 00:44:38,740 # Where it wants to take me, honey 1006 00:45:00,660 --> 00:45:03,260 # All I want from living 1007 00:45:03,260 --> 00:45:05,860 # Is just to be left alone 1008 00:45:05,860 --> 00:45:08,660 # All I need is an open road 1009 00:45:08,660 --> 00:45:11,060 # Because I'm a rolling stone 1010 00:45:11,060 --> 00:45:13,820 # All I need is a rock'n'roll band 1011 00:45:13,820 --> 00:45:14,060 # All I need is # Somewhere new to play 1012 00:45:14,060 --> 00:45:16,300 # Somewhere new to play 1013 00:45:16,300 --> 00:45:18,780 # And I'm on my way 1014 00:45:18,780 --> 00:45:21,660 # I'm on my way 1015 00:45:21,660 --> 00:45:23,860 # I'm a rock'n'roll outlaw 1016 00:45:23,860 --> 00:45:26,740 # I'm on the run 1017 00:45:26,740 --> 00:45:26,940 # I'm a rock'n'roll outlaw # I'm on the run 1018 00:45:26,940 --> 00:45:29,180 # I'm a rock'n'roll outlaw 1019 00:45:29,180 --> 00:45:31,860 # I never needed anyone 1020 00:45:35,020 --> 00:45:37,220 # Never needed 1021 00:45:42,220 --> 00:45:44,860 # I'm a rock'n'roll outlaw 1022 00:45:44,860 --> 00:45:47,260 # And I'm on the run 1023 00:45:47,260 --> 00:45:49,900 # I'm a rock'n'roll outlaw 1024 00:45:49,900 --> 00:45:52,300 # Mother, I don't need no one 1025 00:45:52,300 --> 00:45:54,700 # I'm a rock'n'roll outlaw 1026 00:45:54,700 --> 00:45:57,460 # And I'm on the run 1027 00:45:57,460 --> 00:45:59,900 # I'm a rock'n'roll outlaw 1028 00:45:59,900 --> 00:46:02,700 # I never needed anyone. # 1029 00:46:18,420 --> 00:46:22,260 JANE: Australian audiences also embraced New Wave. 1030 00:46:22,260 --> 00:46:25,900 Graham Parker and The Rumour became Countdown favourites. 1031 00:46:25,900 --> 00:46:26,140 # Crimson autograph became Countdown favourites. 1032 00:46:26,140 --> 00:46:29,620 # Crimson autograph 1033 00:46:29,620 --> 00:46:29,820 # Crimson autograph # Is what we leave behind 1034 00:46:29,820 --> 00:46:32,060 # Is what we leave behind 1035 00:46:33,700 --> 00:46:35,700 # Everywhere 1036 00:46:35,700 --> 00:46:38,860 # The man set foot 1037 00:46:38,860 --> 00:46:41,620 # Yeah 1038 00:46:41,620 --> 00:46:44,500 # War mongers laughing loud 1039 00:46:44,500 --> 00:46:47,220 # Behind a painted face 1040 00:46:48,900 --> 00:46:51,820 # Throwing titbits to the crowd 1041 00:46:51,820 --> 00:46:54,660 # Then blowing up the place 1042 00:46:54,660 --> 00:46:54,900 # Hey, Lord, don't ask me questions # Then blowing up the place 1043 00:46:54,900 --> 00:46:58,420 # Hey, Lord, don't ask me questions 1044 00:46:58,420 --> 00:47:02,220 # Hey, Lord, don't ask me questions 1045 00:47:02,220 --> 00:47:06,460 # Hey, Lord, don't ask me questions, please 1046 00:47:09,780 --> 00:47:13,940 # Hey, Lord, don't ask me questions 1047 00:47:13,940 --> 00:47:17,380 # Hey, Lord, don't ask me questions 1048 00:47:17,380 --> 00:47:20,940 # Hey, Lord, ain't no answer in me. # 1049 00:47:22,900 --> 00:47:26,500 # Well, I can hear guitars playing 1050 00:47:26,500 --> 00:47:29,900 # Lovely tunes, oh, yeah 1051 00:47:29,900 --> 00:47:32,300 # Well, every time that you 1052 00:47:33,660 --> 00:47:35,540 # Walk in the room. # 1053 00:47:35,540 --> 00:47:38,420 The Sports toured with The Rumour in Europe, 1054 00:47:38,420 --> 00:47:42,060 and Elvis Costello recorded this song by Joe Camilleri. 1055 00:47:45,940 --> 00:47:48,140 # So young 1056 00:47:49,140 --> 00:47:52,100 # We've discovered 1057 00:47:52,100 --> 00:47:52,300 # We've discovered # We've got them so confused 1058 00:47:52,300 --> 00:47:55,820 # We've got them so confused 1059 00:47:55,820 --> 00:47:59,460 # Don't mind putting the time in 1060 00:47:59,460 --> 00:47:59,700 # Don't mind putting # It's shocking 1061 00:47:59,700 --> 00:48:02,500 # It's shocking 1062 00:48:02,500 --> 00:48:05,620 # That's what they're all saying now 1063 00:48:05,620 --> 00:48:09,380 # When we're walking hand in hand 1064 00:48:09,380 --> 00:48:12,020 # As only you and I 1065 00:48:13,060 --> 00:48:15,380 # Oh, yeah 1066 00:48:15,380 --> 00:48:18,020 # Ooh, yeah, ooh, yeah, you say it's time, babe 1067 00:48:19,580 --> 00:48:22,700 # We've got them hanging on a string 1068 00:48:24,540 --> 00:48:27,220 # There's no time for compromises 1069 00:48:29,020 --> 00:48:31,220 # We got that killer thing 1070 00:48:31,220 --> 00:48:33,420 # So young, so young 1071 00:48:35,100 --> 00:48:37,300 # So young, so young 1072 00:48:38,900 --> 00:48:41,140 # So young, so young 1073 00:48:42,940 --> 00:48:44,980 # So young, so young 1074 00:48:46,420 --> 00:48:48,460 # It's wrong 1075 00:48:49,620 --> 00:48:51,660 # To run for cover 1076 00:48:52,700 --> 00:48:55,580 # We've got them in a spin 1077 00:48:55,580 --> 00:48:55,820 # We've got them in a spin the sticker in 1078 00:48:55,820 --> 00:48:58,220 # And we don't mind sticking the sticker in 1079 00:48:59,900 --> 00:49:02,740 # It's too late 1080 00:49:02,740 --> 00:49:06,060 # That's what they are saying now 1081 00:49:06,060 --> 00:49:06,340 # That's what they are saying now # About when we're walking hand in hand 1082 00:49:06,340 --> 00:49:09,540 # About when we're walking hand in hand 1083 00:49:09,540 --> 00:49:11,900 # The eyes are on you and I 1084 00:49:15,540 --> 00:49:18,180 # Ooh, yeah, ooh, yeah, they say it's time, babe 1085 00:49:19,740 --> 00:49:22,860 # We've got them hanging on a string 1086 00:49:24,700 --> 00:49:27,380 # There's no time for patronising 1087 00:49:29,180 --> 00:49:31,060 # We got that killer thing 1088 00:49:31,060 --> 00:49:31,260 # We got that killer thing # So young, so young 1089 00:49:31,260 --> 00:49:33,220 # So young, so young 1090 00:49:35,020 --> 00:49:37,220 # So young, so young 1091 00:49:38,820 --> 00:49:41,060 # So young, so young 1092 00:49:42,860 --> 00:49:44,900 # So young, so young 1093 00:50:02,100 --> 00:50:04,740 # Ooh, yeah, ooh, yeah, they say it's time, babe 1094 00:50:06,300 --> 00:50:09,420 # We've got them hanging on a string 1095 00:50:11,260 --> 00:50:13,940 # There's no time for compromises 1096 00:50:15,380 --> 00:50:17,140 # We got that killer thing 1097 00:50:17,140 --> 00:50:17,340 # We got that killer thing # So young, so young 1098 00:50:17,340 --> 00:50:19,300 # So young, so young 1099 00:50:21,100 --> 00:50:23,300 # So young, so young 1100 00:50:24,900 --> 00:50:27,140 # So young, so young 1101 00:50:28,940 --> 00:50:30,980 # So young, so young 1102 00:50:32,860 --> 00:50:35,060 # So young, so young 1103 00:50:36,820 --> 00:50:39,020 # So young, so young 1104 00:50:40,620 --> 00:50:42,860 # So young, so young 1105 00:50:44,660 --> 00:50:46,700 # So young, so young. # 1106 00:50:56,300 --> 00:50:59,700 JANE: After the success of Saturday Night Fever, 1107 00:50:59,700 --> 00:51:03,700 a lot of bands were hellbent on shaking their booties, 1108 00:51:03,700 --> 00:51:03,940 like La Belle Epoque. shaking their booties, 1109 00:51:03,940 --> 00:51:05,780 like La Belle Epoque. 1110 00:51:05,780 --> 00:51:05,980 like La Belle Epoque. # Because I'm-m-m-m-m 1111 00:51:05,980 --> 00:51:09,060 # Because I'm-m-m-m-m 1112 00:51:09,060 --> 00:51:10,740 # I'm feeling blue. # 1113 00:51:12,540 --> 00:51:14,260 # It's fun to stay at... # 1114 00:51:14,260 --> 00:51:17,060 The Village People would stay at the YMCA 1115 00:51:17,060 --> 00:51:21,340 and at the pointy end of the charts well into '79. 1116 00:51:21,340 --> 00:51:23,660 # It's a heartache 1117 00:51:25,180 --> 00:51:26,900 # Nothing but a heartache 1118 00:51:26,900 --> 00:51:27,140 # Nothing but a heartache a big gravelly hit 1119 00:51:27,140 --> 00:51:29,540 Welsh Dynamo Bonnie Tyler had a big gravelly hit 1120 00:51:29,540 --> 00:51:29,780 Welsh Dynamo Bonnie Tyler had a big gravelly hit with It's A Heartache. 1121 00:51:29,780 --> 00:51:31,180 with It's A Heartache. 1122 00:51:31,180 --> 00:51:33,260 # Break 1123 00:51:33,260 --> 00:51:35,860 # Then he lets you down. # 1124 00:51:37,620 --> 00:51:40,620 From Wuthering Heights, the intriguing Kate Bush 1125 00:51:40,620 --> 00:51:40,900 cast a spell of her own for three weeks. From Wuthering Heights, the intriguing Kate Bush 1126 00:51:40,900 --> 00:51:44,140 cast a spell of her own for three weeks. 1127 00:51:44,140 --> 00:51:44,380 IAN: Where did you get the idea for three weeks. 1128 00:51:44,380 --> 00:51:45,580 IAN: Where did you get the idea 1129 00:51:45,580 --> 00:51:47,260 of presenting a number like that? 1130 00:51:47,260 --> 00:51:47,540 of presenting a number like that? Well, the idea of actually moving and singing... 1131 00:51:47,540 --> 00:51:49,380 Well, the idea of actually moving and singing... 1132 00:51:49,380 --> 00:51:50,940 Yeah, with all those trees and that. 1133 00:51:50,940 --> 00:51:52,940 It was really due to my teacher, Lindsay Kemp, 1134 00:51:52,940 --> 00:51:56,300 who turned me onto the idea of movement being expression. 1135 00:51:56,300 --> 00:51:58,500 And we did it out there because that was in context 1136 00:51:58,500 --> 00:52:00,420 with the song, you know, on the moors. 1137 00:52:00,420 --> 00:52:00,700 You're watching Countdown all across Australia... with the song, you know, on the moors. 1138 00:52:00,700 --> 00:52:02,460 You're watching Countdown all across Australia... 1139 00:52:02,460 --> 00:52:02,700 But it really was Olivia's year. all across Australia... 1140 00:52:02,700 --> 00:52:04,420 But it really was Olivia's year. 1141 00:52:04,420 --> 00:52:09,180 She proved that Aussies would be no pushover in the future. 1142 00:52:09,180 --> 00:52:09,420 She proved that Aussies would be no pushover in the future. (LAUGHING) 1143 00:52:09,420 --> 00:52:11,700 (LAUGHING) 1144 00:52:11,700 --> 00:52:13,980 I didn't push her. 1145 00:52:13,980 --> 00:52:15,620 Honest to God, I didn't push her. 1146 00:52:15,620 --> 00:52:15,860 Honest to God, I stiffed up your shirt! 1147 00:52:15,860 --> 00:52:17,900 I stiffed up your shirt! 1148 00:52:19,340 --> 00:52:23,620 And local darlings Dragon had this super catchy hit. 1149 00:52:23,620 --> 00:52:27,220 To this day, one of the nation's favourite singalongs. 1150 00:52:27,220 --> 00:52:27,500 # Ten years in the jailer's eyes To this day, one of the nation's favourite singalongs. 1151 00:52:27,500 --> 00:52:29,020 # Ten years in the jailer's eyes 1152 00:52:29,020 --> 00:52:31,020 # And I'm thinking about my baby 1153 00:52:31,020 --> 00:52:31,260 # Looking at my life go by about my baby 1154 00:52:31,260 --> 00:52:34,140 # Looking at my life go by 1155 00:52:41,140 --> 00:52:43,820 # Falling in the streets I'm broke 1156 00:52:43,820 --> 00:52:48,860 # And I'm laughing at the poor man talking to the blind man 1157 00:52:56,780 --> 00:53:00,620 # See the lady in the streetcar lights 1158 00:53:00,620 --> 00:53:00,860 # See the lady # Colour a la Toulouse 1159 00:53:00,860 --> 00:53:03,100 # Colour a la Toulouse 1160 00:53:04,580 --> 00:53:08,220 # Television and the red, red wine 1161 00:53:08,220 --> 00:53:08,460 # Television # So won't you tell me 1162 00:53:08,460 --> 00:53:10,500 # So won't you tell me 1163 00:53:10,500 --> 00:53:13,540 # Won't you tell me the truth? 1164 00:53:13,540 --> 00:53:15,740 # Are you old enough? 1165 00:53:17,180 --> 00:53:19,540 # Are you old enough? 1166 00:53:21,060 --> 00:53:23,580 # Are you old enough? 1167 00:53:25,100 --> 00:53:28,940 # Are you old enough? 1168 00:53:28,940 --> 00:53:29,180 # Are you old enough? Ooh, ooh # Are you old enough? 1169 00:53:29,180 --> 00:53:32,660 # Are you old enough? Ooh, ooh 1170 00:53:32,660 --> 00:53:35,220 # Are you old enough? 1171 00:53:43,660 --> 00:53:47,140 # Time goes and here we stand 1172 00:53:47,140 --> 00:53:47,380 # Time goes and here we stand # Laughing at the sideshow, sinking in the quicksand 1173 00:53:47,380 --> 00:53:51,140 # Laughing at the sideshow, sinking in the quicksand 1174 00:53:58,740 --> 00:54:02,340 # The other side of another world 1175 00:54:02,340 --> 00:54:06,100 # Scratch my back go the coloured girls 1176 00:54:06,100 --> 00:54:07,900 # Yeah 1177 00:54:09,580 --> 00:54:11,780 # Oh, yeah 1178 00:54:14,620 --> 00:54:18,340 # I just wanted to kiss someone 1179 00:54:18,340 --> 00:54:18,540 # I got the moondog blues # I just wanted to kiss someone 1180 00:54:18,540 --> 00:54:20,460 # I got the moondog blues 1181 00:54:22,380 --> 00:54:26,140 # You just happened to be standing there 1182 00:54:26,140 --> 00:54:26,380 # So won't you tell me? to be standing there 1183 00:54:26,380 --> 00:54:28,380 # So won't you tell me? 1184 00:54:28,380 --> 00:54:31,460 # Won't you tell me the truth? 1185 00:54:31,460 --> 00:54:31,660 # Won't you tell me the truth? # Are you old enough? 1186 00:54:31,660 --> 00:54:33,700 # Are you old enough? 1187 00:54:34,860 --> 00:54:37,220 # Are you old enough? 1188 00:54:38,740 --> 00:54:41,260 # Are you old enough? 1189 00:54:42,780 --> 00:54:45,060 # Are you old enough? 1190 00:54:46,620 --> 00:54:50,340 # Are you old enough? Ooh, ooh 1191 00:54:50,340 --> 00:54:52,900 # Are you old enough? 1192 00:55:16,700 --> 00:55:20,580 # See the lady in the streetcar lights 1193 00:55:20,580 --> 00:55:20,820 # Colour a la Toulouse in the streetcar lights 1194 00:55:20,820 --> 00:55:23,060 # Colour a la Toulouse 1195 00:55:24,500 --> 00:55:27,980 # Television and a red, red wine 1196 00:55:27,980 --> 00:55:28,220 # So won't you tell me? and a red, red wine 1197 00:55:28,220 --> 00:55:30,460 # So won't you tell me? 1198 00:55:30,460 --> 00:55:33,220 # Won't you tell me the truth? 1199 00:55:33,220 --> 00:55:33,420 # Won't you tell me the truth? # Are you old enough? 1200 00:55:33,420 --> 00:55:35,660 # Are you old enough? 1201 00:55:37,060 --> 00:55:39,420 # Are you old enough? 1202 00:55:40,940 --> 00:55:43,460 # Are you old enough? 1203 00:55:44,980 --> 00:55:47,260 # Are you old enough? 1204 00:55:48,540 --> 00:55:50,740 # Are you old enough? 1205 00:55:52,300 --> 00:55:55,100 # Are you old enough? # 1206 00:56:10,780 --> 00:56:13,020 Oh, hi! I thought you were Harry Butler. 1207 00:56:13,020 --> 00:56:14,300 It's a TV camera. 1208 00:56:14,300 --> 00:56:16,220 I just came to say, Harry, 1209 00:56:16,220 --> 00:56:17,620 that I found it. 1210 00:56:17,620 --> 00:56:19,260 But anyway, besides that. 1211 00:56:19,260 --> 00:56:19,500 But anyway, besides that. You're watching Countdown right throughout Australia. 1212 00:56:19,500 --> 00:56:21,220 You're watching Countdown right throughout Australia. 1213 00:56:21,220 --> 00:56:21,460 You're watching Countdown And this is LA. 1214 00:56:21,460 --> 00:56:22,980 And this is LA. 1215 00:56:22,980 --> 00:56:27,340 This is sort of typical of the scenery here in LA. 1216 00:56:27,340 --> 00:56:30,020 No smog, beautiful green grass. 1217 00:56:30,020 --> 00:56:32,100 And Harry Butler knows, when you're on a good thing... 1218 00:56:34,500 --> 00:56:35,700 ..stick to it. Maybe. OK? 1219 00:56:35,700 --> 00:56:35,900 Captions by Ericsson Access Services ..stick to it. Maybe. OK? 1220 00:56:35,900 --> 00:56:37,340 Captions by Ericsson Access Services 1221 00:56:37,340 --> 00:56:37,580 Captions by Ericsson Access Services Australian Broadcasting Corporation 1222 00:56:37,580 --> 00:56:39,100 Copyright Australian Broadcasting Corporation 1223 00:56:39,100 --> 00:56:40,820 ANNOUNCER: Visit the Classic Countdown website 1224 00:56:40,820 --> 00:56:41,060 for more pictures, interviews Visit the Classic Countdown website 1225 00:56:41,060 --> 00:56:42,620 for more pictures, interviews 1226 00:56:42,620 --> 00:56:44,020 and behind the scenes information. 93116

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