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These are the user uploaded subtitles that are being translated: 1 00:00:01,020 --> 00:00:04,380 (TELEPHONE RINGS) 2 00:00:04,380 --> 00:00:05,620 MAN: Hello. 3 00:00:05,620 --> 00:00:07,020 This is Daryl Braithwaite from Sherbet. 4 00:00:07,020 --> 00:00:11,580 Listen, I just want to remind you that next Sunday, the 7th of March, 5 00:00:11,580 --> 00:00:14,620 is the start of a brand-new Countdown series. 6 00:00:14,620 --> 00:00:15,980 Oh, terrific! 7 00:00:15,980 --> 00:00:20,980 And there'll be such people as John Paul Young, Ted Mulry, 8 00:00:20,980 --> 00:00:24,100 AC/DC, and a lot of other good people. 9 00:00:24,100 --> 00:00:26,620 And it's a show that you won't want to miss 10 00:00:26,620 --> 00:00:28,140 'cause it's a start of a brand-new year. 11 00:00:28,140 --> 00:00:28,900 It's gonna be fantastic. 12 00:00:28,900 --> 00:00:32,740 Next Sunday, 7th of March, Countdown. 13 00:00:32,740 --> 00:00:33,980 I'll be watching. 14 00:00:33,980 --> 00:00:36,020 Yeah, OK. Bye. 15 00:00:38,300 --> 00:00:40,340 # Do the hustle! # 16 00:00:40,340 --> 00:00:43,580 # Countdown, Countdown 17 00:00:43,580 --> 00:00:44,780 # Countdown # 18 00:00:44,780 --> 00:00:48,460 NARRATOR: Welcome to Classic Countdown, 1976. 19 00:00:48,460 --> 00:00:48,700 # Countdown! # NARRATOR: Welcome to Classic Countdown, 1976. 20 00:00:48,700 --> 00:00:49,740 # Countdown! # 21 00:00:49,740 --> 00:00:49,940 # Countdown! # (CHEERING) 22 00:00:49,940 --> 00:00:54,780 (CHEERING) 23 00:00:58,660 --> 00:01:02,980 # There's times when I'm out, and times when I'm down 24 00:01:02,980 --> 00:01:03,220 # Times when I'm loose and times when I'm down 25 00:01:03,220 --> 00:01:05,180 # Times when I'm loose 26 00:01:05,180 --> 00:01:07,380 # And times when I'm bound 27 00:01:07,380 --> 00:01:11,140 # It don't bother me 'cause I let it be 28 00:01:11,140 --> 00:01:11,380 # It don't bother me # And just keep on smiling 29 00:01:11,380 --> 00:01:13,940 # And just keep on smiling 30 00:01:13,940 --> 00:01:16,100 # Keep on smiling 31 00:01:16,100 --> 00:01:18,420 # There's times when I will 32 00:01:18,420 --> 00:01:20,620 # And times when I won't. # 33 00:01:20,620 --> 00:01:21,860 WILBUR: After the upheavals of 1975, 34 00:01:21,860 --> 00:01:25,300 the new year seemed to usher in a period of stability in Australia. 35 00:01:26,580 --> 00:01:30,060 We knew who and what we liked, and we would now stick with them, 36 00:01:30,060 --> 00:01:30,940 thank you very much. 37 00:01:30,940 --> 00:01:32,740 ALL: We want ABBA! 38 00:01:32,740 --> 00:01:35,420 We want ABBA! 39 00:01:35,420 --> 00:01:38,380 MOLLY: So, you're a little bit older than some of the other people 40 00:01:38,380 --> 00:01:39,140 in the queue here. 41 00:01:39,140 --> 00:01:40,660 Yes, I'm a grandmother. That's quite right. 42 00:01:40,660 --> 00:01:40,900 Yes, I'm a grandmother. I'm waiting for my granddaughters. 43 00:01:40,900 --> 00:01:42,740 I'm waiting for my granddaughters. 44 00:01:42,740 --> 00:01:43,740 (CHEERING, YELLING) 45 00:01:43,740 --> 00:01:46,340 BOY: Hey, ABBA, you beauty! 46 00:01:46,340 --> 00:01:46,580 MOLLY: Well, what happens once BOY: Hey, ABBA, you beauty! 47 00:01:46,580 --> 00:01:48,820 MOLLY: Well, what happens once your granddaughters arrive? 48 00:01:48,820 --> 00:01:51,460 Are you going to see them to the gate and then go home? 49 00:01:51,460 --> 00:01:53,980 Certainly not. I'm going to see ABBA. 50 00:01:53,980 --> 00:01:55,180 (CHEERING) 51 00:01:55,180 --> 00:01:58,820 WILBUR: ABBA notched up five top-20 hits. 52 00:01:58,820 --> 00:02:01,060 The local charts were still home to trusty favourites, 53 00:02:01,060 --> 00:02:03,460 Sherbet, Skyhooks, JPY and Marcia Hines. 54 00:02:04,980 --> 00:02:06,580 Here is a platinum record as well. 55 00:02:06,580 --> 00:02:08,660 So, you'll be able to wear them as earrings, Marcia. 56 00:02:08,660 --> 00:02:11,340 (APPLAUSE) 57 00:02:11,340 --> 00:02:11,580 In politics, after the challenging Whitlam years, (APPLAUSE) 58 00:02:11,580 --> 00:02:14,180 In politics, after the challenging Whitlam years, 59 00:02:14,180 --> 00:02:17,860 the electorate returned a coalition government. 60 00:02:17,860 --> 00:02:21,020 The US elected an avuncular Southerner as president, 61 00:02:21,020 --> 00:02:21,260 The US elected an avuncular Southerner as president, and the Olympic Games in Montreal 62 00:02:21,260 --> 00:02:22,820 and the Olympic Games in Montreal 63 00:02:22,820 --> 00:02:23,060 predicted a convincing and the Olympic Games in Montreal 64 00:02:23,060 --> 00:02:25,300 predicted a convincing picture of world unity. 65 00:02:26,940 --> 00:02:29,460 On the small screen, the public was glued to comfortable soaps 66 00:02:29,460 --> 00:02:32,980 like The Sullivans and The Young Doctors. 67 00:02:32,980 --> 00:02:37,900 If you switched on the TV, everything seemed light and breezy. 68 00:02:37,900 --> 00:02:38,140 # You have the tango If you switched on the TV, everything seemed light and breezy. 69 00:02:38,140 --> 00:02:39,860 # You have the tango 70 00:02:39,860 --> 00:02:42,060 # Skip the fandango 71 00:02:42,060 --> 00:02:45,260 # Waltz 'round the floor 72 00:02:46,380 --> 00:02:48,420 # They get the folita 73 00:02:48,420 --> 00:02:50,620 # The Spanish monita 74 00:02:50,620 --> 00:02:52,540 # In old Mexico 75 00:02:52,540 --> 00:02:55,060 # They let themselves go 76 00:02:55,060 --> 00:02:57,020 # The continental 77 00:02:57,020 --> 00:02:59,700 # Was ever so gentle 78 00:02:59,700 --> 00:03:01,140 # The rumba was cool 79 00:03:01,140 --> 00:03:03,540 # When you kept to the rule 80 00:03:03,540 --> 00:03:05,500 # In came the conga 81 00:03:05,500 --> 00:03:07,900 # The line just got longer 82 00:03:07,900 --> 00:03:09,900 # Hiya, conga 83 00:03:09,900 --> 00:03:11,820 # Hiya, conga 84 00:03:11,820 --> 00:03:12,060 # Do the ooh ja ja ja # Hiya, conga 85 00:03:12,060 --> 00:03:13,700 # Do the ooh ja ja ja 86 00:03:13,700 --> 00:03:15,740 # Do the ooh ja ja ja 87 00:03:15,740 --> 00:03:15,980 # Do the ooh ja ja ja ja ja ja 88 00:03:15,980 --> 00:03:20,260 # Do the ooh ja ja ja 89 00:03:20,260 --> 00:03:22,500 # Do the ooh ja ja ja 90 00:03:22,500 --> 00:03:24,340 # Do the ooh ja ja ja 91 00:03:24,340 --> 00:03:27,540 # Do the ooh ja ja ja 92 00:03:28,540 --> 00:03:30,580 # Ah 93 00:03:35,820 --> 00:03:38,260 # Ooh ja ja ja 94 00:03:46,060 --> 00:03:47,980 # I want the boogie 95 00:03:47,980 --> 00:03:50,380 # The shadow shoo-doogie 96 00:03:50,380 --> 00:03:50,580 # The shadow shoo-doogie # Rock and roll jive 97 00:03:50,580 --> 00:03:52,340 # Rock and roll jive 98 00:03:52,340 --> 00:03:54,860 # Kept us alive 99 00:03:54,860 --> 00:03:56,900 # Rock it 100 00:04:03,140 --> 00:04:05,380 # You taught me how to 101 00:04:05,380 --> 00:04:07,300 # Ooh, ya, ya 102 00:04:07,300 --> 00:04:09,220 # Then you told me how 103 00:04:09,220 --> 00:04:11,860 # With your ooh ja ja 104 00:04:11,860 --> 00:04:13,420 # Ooh ja ja ja ja 105 00:04:13,420 --> 00:04:16,140 # Ooh ja ja ja ja 106 00:04:16,140 --> 00:04:18,100 # Ooh ja ja ja ja 107 00:04:18,100 --> 00:04:19,900 # Ooh ja ja ja ja 108 00:04:19,900 --> 00:04:20,140 # Ooh ja ja # Do the ooh ja ja ja 109 00:04:20,140 --> 00:04:21,900 # Do the ooh ja ja ja 110 00:04:21,900 --> 00:04:24,180 # Do the ooh ja ja ja 111 00:04:24,180 --> 00:04:24,420 # Do the ooh # Do the ooh ja ja ja 112 00:04:24,420 --> 00:04:28,260 # Do the ooh ja ja ja 113 00:04:28,260 --> 00:04:28,500 # Do the ooh # Do the ooh ja ja ja 114 00:04:28,500 --> 00:04:30,420 # Do the ooh ja ja ja 115 00:04:30,420 --> 00:04:30,660 # Do the ooh # Do the ooh ja ja ja 116 00:04:30,660 --> 00:04:32,660 # Do the ooh ja ja ja 117 00:04:32,660 --> 00:04:36,820 # Do the ooh ja ja ja 118 00:04:36,820 --> 00:04:37,060 # Do the ooh # Do the ooh ja ja ja 119 00:04:37,060 --> 00:04:38,900 # Do the ooh ja ja ja 120 00:04:38,900 --> 00:04:41,300 # Do the ooh ja ja ja 121 00:04:41,300 --> 00:04:43,060 # Do the ooh ja ja ja. # 122 00:04:43,060 --> 00:04:45,100 (CHEERING) 123 00:04:57,660 --> 00:04:59,700 # Countdown! # 124 00:04:59,700 --> 00:04:59,900 Hi, this is Angus from AC/DC, # Countdown! # 125 00:04:59,900 --> 00:05:01,860 Hi, this is Angus from AC/DC, 126 00:05:01,860 --> 00:05:04,740 reminding you that you're on the top rock show in Australia, 127 00:05:04,740 --> 00:05:04,980 reminding you that you're on the top rock show in Australia, Countdown. 128 00:05:04,980 --> 00:05:06,740 Countdown. 129 00:05:06,740 --> 00:05:06,940 # Dirty deeds, done dirt cheap Countdown. 130 00:05:06,940 --> 00:05:10,180 # Dirty deeds, done dirt cheap 131 00:05:10,180 --> 00:05:14,180 # Dirty deeds, done dirt cheap 132 00:05:14,180 --> 00:05:17,620 # Dirty deeds, done dirt cheap 133 00:05:17,620 --> 00:05:17,860 # Dirty deeds, done dirt cheap # Dirty deeds and they're done dirt cheap 134 00:05:17,860 --> 00:05:20,940 # Dirty deeds and they're done dirt cheap 135 00:05:20,940 --> 00:05:24,620 # Dirty deeds and they're done dirt cheap. # 136 00:05:24,620 --> 00:05:27,740 WILBUR: Australia developed its own unique style of hard rock, 137 00:05:27,740 --> 00:05:27,980 WILBUR: Australia developed its own best expressed by one band, AC/DC. 138 00:05:27,980 --> 00:05:31,100 best expressed by one band, AC/DC. 139 00:05:31,100 --> 00:05:31,900 # Alright 140 00:05:31,900 --> 00:05:33,340 # TNT 141 00:05:33,340 --> 00:05:35,740 # Oi, oi, oi 142 00:05:35,740 --> 00:05:37,940 # TNT, oi! # 143 00:05:37,940 --> 00:05:41,580 The ABC championed AC/DC from the beginning. 144 00:05:41,580 --> 00:05:43,100 With each performance on Countdown, 145 00:05:43,100 --> 00:05:46,460 the band fuelled the fire of its growing reputation. 146 00:05:46,460 --> 00:05:46,700 Oh, hello. the band fuelled the fire of its growing reputation. 147 00:05:46,700 --> 00:05:47,460 Oh, hello. 148 00:05:47,460 --> 00:05:49,420 This is Bon from AC/DC, 149 00:05:49,420 --> 00:05:51,420 and although we're over the seas at the moment 150 00:05:51,420 --> 00:05:53,660 and dining with the queen, of course, you know, 151 00:05:53,660 --> 00:05:56,220 we haven't forgotten about you, our Countdown fans. 152 00:05:56,220 --> 00:05:59,620 And here to prove it is our brand-new single, "Jailbreak." 153 00:05:59,620 --> 00:06:03,420 And don't forget, you see it first on Countdown. 154 00:06:03,420 --> 00:06:03,660 And don't forget, you In '76 for AC/DC, 155 00:06:03,660 --> 00:06:05,980 In '76 for AC/DC, 156 00:06:05,980 --> 00:06:06,220 Countdown produced one of its most famous film clips. In '76 for AC/DC, 157 00:06:06,220 --> 00:06:09,820 Countdown produced one of its most famous film clips. 158 00:06:09,820 --> 00:06:12,540 # There was a friend of mine on murder 159 00:06:14,500 --> 00:06:18,100 # And the judge's gavel fell 160 00:06:18,100 --> 00:06:18,300 # And the judge's gavel fell # Jury found him guilty 161 00:06:18,300 --> 00:06:20,940 # Jury found him guilty 162 00:06:20,940 --> 00:06:24,500 # Gave him sixteen years in hell 163 00:06:24,500 --> 00:06:27,660 # He said, I ain't spending my life here 164 00:06:28,900 --> 00:06:32,220 # I ain't living alone 165 00:06:32,220 --> 00:06:36,500 # Ain't breaking no rocks on the chain gang 166 00:06:36,500 --> 00:06:38,740 # I'm breakin' out and headin' home 167 00:06:38,740 --> 00:06:38,980 # I'm breakin' # I'm gonna make a jailbreak 168 00:06:38,980 --> 00:06:41,620 # I'm gonna make a jailbreak 169 00:06:43,100 --> 00:06:46,100 # And I'm lookin' towards the sky 170 00:06:46,100 --> 00:06:48,820 # I'm gonna make a jailbreak 171 00:06:50,060 --> 00:06:53,260 # Oh, how I wish that I could fly 172 00:06:53,260 --> 00:06:54,260 (EXPLOSION) 173 00:06:54,260 --> 00:06:57,260 # All in the name of liberty 174 00:07:01,460 --> 00:07:04,340 # All in the name of liberty 175 00:07:07,060 --> 00:07:08,460 # Got to be free 176 00:07:08,460 --> 00:07:10,460 # Jailbreak 177 00:07:12,940 --> 00:07:15,740 # Let me out of here 178 00:07:15,740 --> 00:07:17,780 # Jailbreak 179 00:07:20,380 --> 00:07:22,980 # Sixteen years 180 00:07:22,980 --> 00:07:24,820 # Jailbreak 181 00:07:27,700 --> 00:07:30,220 # Had more than I can take 182 00:07:30,220 --> 00:07:32,260 # Jailbreak 183 00:07:35,980 --> 00:07:38,580 # Yeah 184 00:07:38,580 --> 00:07:38,820 # He said he'd seen his lady being fooled with # Yeah 185 00:07:38,820 --> 00:07:41,620 # He said he'd seen his lady being fooled with 186 00:07:43,860 --> 00:07:47,500 # By another man 187 00:07:47,500 --> 00:07:50,900 # She was down and he was up 188 00:07:50,900 --> 00:07:53,700 # He had a gun in his hand 189 00:07:53,700 --> 00:07:53,900 # He had a gun in his hand # Bullets started flying everywhere 190 00:07:53,900 --> 00:07:57,660 # Bullets started flying everywhere 191 00:07:57,660 --> 00:08:01,140 # And people started to scream 192 00:08:01,140 --> 00:08:04,060 # Big man lying on the ground 193 00:08:04,060 --> 00:08:05,780 # With a hole in his body 194 00:08:05,780 --> 00:08:07,620 # Where his life had been 195 00:08:07,620 --> 00:08:11,140 # But it was all in the name of liberty 196 00:08:15,540 --> 00:08:18,100 # All in the name of liberty 197 00:08:20,300 --> 00:08:22,540 # Oh, I got to be free 198 00:08:22,540 --> 00:08:25,020 # Jailbreak (EXPLOSION) 199 00:08:29,820 --> 00:08:32,340 # Jailbreak 200 00:08:32,340 --> 00:08:36,060 # I got to break out 201 00:08:36,060 --> 00:08:37,060 # Out of here 202 00:08:37,060 --> 00:08:42,100 (GUITAR SOLO) 203 00:08:44,260 --> 00:08:49,300 (GUITAR SOLO CONTINUES) 204 00:08:52,700 --> 00:08:55,260 (EXPLOSION) 205 00:08:55,260 --> 00:08:55,460 # Heartbeats (EXPLOSION) 206 00:08:55,460 --> 00:08:57,300 # Heartbeats 207 00:08:58,260 --> 00:09:00,460 # They were racin' 208 00:09:02,500 --> 00:09:05,740 # Freedom 209 00:09:05,740 --> 00:09:07,780 # He was chasin' 210 00:09:09,940 --> 00:09:13,580 # Spotlights 211 00:09:13,580 --> 00:09:17,260 # Sirens 212 00:09:17,260 --> 00:09:20,980 # Rifles firing 213 00:09:20,980 --> 00:09:24,020 # But he made it out 214 00:09:24,020 --> 00:09:26,460 (GUNSHOTS) 215 00:09:26,460 --> 00:09:28,780 # With a bullet in his back 216 00:09:28,780 --> 00:09:30,900 (GUNSHOTS) # Jailbreak 217 00:09:36,300 --> 00:09:38,340 # Jailbreak 218 00:09:43,340 --> 00:09:45,540 # Jailbreak 219 00:09:50,460 --> 00:09:52,660 # Jailbreak 220 00:09:57,580 --> 00:09:59,780 # Jailbreak 221 00:10:04,780 --> 00:10:06,820 # Jailbreak. # 222 00:10:10,900 --> 00:10:13,540 Hi, this is Leo Sayer. 223 00:10:13,540 --> 00:10:16,300 I'm (SPEAKS GIBBERISH). 224 00:10:16,300 --> 00:10:16,540 We won't use that. I'm (SPEAKS GIBBERISH). 225 00:10:16,540 --> 00:10:18,140 We won't use that. Edit, edit, edit. 226 00:10:18,140 --> 00:10:18,380 We won't use that. (SPEAKS GIBBERISH) 227 00:10:18,380 --> 00:10:21,060 (SPEAKS GIBBERISH) 228 00:10:21,060 --> 00:10:22,820 Hello, this is Leo Sayer. 229 00:10:22,820 --> 00:10:24,460 Pleased to meet you all again. 230 00:10:24,460 --> 00:10:25,940 I'm on Countdown this week on ABC. 231 00:10:25,940 --> 00:10:26,940 Make sure you watch it. 232 00:10:26,940 --> 00:10:27,940 I'll be there. 233 00:10:27,940 --> 00:10:29,180 See you then. 234 00:10:29,180 --> 00:10:31,980 (CHEERING) 235 00:10:31,980 --> 00:10:34,180 # Countdown! # 236 00:10:34,180 --> 00:10:37,020 # You go to the fields on week days... # 237 00:10:37,020 --> 00:10:42,020 WILBUR: In '76, the Australian charts rewarded traditional rock and pop, 238 00:10:42,020 --> 00:10:42,260 WILBUR: In '76, the Australian charts but there was no denying 239 00:10:42,260 --> 00:10:43,700 but there was no denying 240 00:10:43,700 --> 00:10:48,060 that dance music was enjoying a huge surge in popularity in the US, 241 00:10:48,060 --> 00:10:49,780 with disco about to explode. 242 00:10:49,780 --> 00:10:53,220 # Whoa, Nutbush 243 00:10:53,220 --> 00:10:55,260 # They call it Nutbush city limits. # 244 00:10:59,820 --> 00:11:01,060 It's a clue to the future, really, 245 00:11:01,060 --> 00:11:01,300 It's a clue to the future, really, this new album 246 00:11:01,300 --> 00:11:03,140 because I've just started working on this new album 247 00:11:03,140 --> 00:11:05,900 and the first things that we've done 248 00:11:05,900 --> 00:11:08,420 is we've cut a couple of old Motown songs, 249 00:11:08,420 --> 00:11:09,500 would you believe it? 250 00:11:09,500 --> 00:11:13,900 "Reflections" and the "Tears of a Clown." 251 00:11:13,900 --> 00:11:15,580 You know, I mean, we're kind of moving away. 252 00:11:15,580 --> 00:11:17,340 I've been working with a lot of the black musicians. 253 00:11:17,340 --> 00:11:19,860 Ray Parker, he used to play with Stevie Wonder, 254 00:11:19,860 --> 00:11:23,020 Willie Weeks, a black bass player. 255 00:11:23,020 --> 00:11:25,540 And we've been putting down things that sound so black. 256 00:11:25,540 --> 00:11:27,420 I mean, they could've been put down by, I don't know, 257 00:11:27,420 --> 00:11:27,660 I mean, they could've Tom Dowd or somebody. 258 00:11:27,660 --> 00:11:29,940 Tom Dowd or somebody. 259 00:11:29,940 --> 00:11:30,140 # You've got a cute way of talking Tom Dowd or somebody. 260 00:11:30,140 --> 00:11:32,900 # You've got a cute way of talking 261 00:11:34,860 --> 00:11:37,500 # You got the better of me 262 00:11:39,820 --> 00:11:43,860 # Just snap your fingers and I'm walking 263 00:11:43,860 --> 00:11:44,100 # Just snap your # Like a dog hanging on your lead 264 00:11:44,100 --> 00:11:47,620 # Like a dog hanging on your lead 265 00:11:49,900 --> 00:11:52,300 # I'm in a spin, you know 266 00:11:52,300 --> 00:11:54,740 # Shaking on a string, you know 267 00:11:54,740 --> 00:11:58,180 # You make me feel like dancing 268 00:11:58,180 --> 00:11:59,780 # I'm gonna dance the night away 269 00:11:59,780 --> 00:12:02,860 # You make me feel like dancing 270 00:12:02,860 --> 00:12:03,060 # I'm gonna dance the night away # You make me feel like dancing 271 00:12:03,060 --> 00:12:04,660 # I'm gonna dance the night away 272 00:12:04,660 --> 00:12:08,580 # You make feel like dancing 273 00:12:08,580 --> 00:12:10,220 # I feel like dancing # Whoo 274 00:12:10,220 --> 00:12:11,780 # Dancing # Whoo 275 00:12:11,780 --> 00:12:12,020 # Dance the night away # Whoo 276 00:12:12,020 --> 00:12:13,300 # Dance the night away 277 00:12:13,300 --> 00:12:13,540 # Dance the night away # Yeah, I feel like dancing # Whoo 278 00:12:13,540 --> 00:12:15,820 # Yeah, I feel like dancing # Whoo 279 00:12:15,820 --> 00:12:19,380 # Dancing, ah 280 00:12:19,380 --> 00:12:22,180 # Quarter to four in the morning 281 00:12:24,340 --> 00:12:29,540 # I ain't feeling tired, no, no, no, no, no 282 00:12:29,540 --> 00:12:32,860 # Just hold me tight and leave on the light 283 00:12:34,300 --> 00:12:39,300 # 'Cause I don't want to go home 284 00:12:39,300 --> 00:12:41,740 # You put a spell on me 285 00:12:41,740 --> 00:12:45,020 # I'm right where you want me to be 286 00:12:45,020 --> 00:12:47,540 # You make me feel like dancing 287 00:12:47,540 --> 00:12:49,300 # I'm gonna dance the night away 288 00:12:49,300 --> 00:12:49,500 # You make me feel like dancing, # I'm gonna dance the night away 289 00:12:49,500 --> 00:12:52,420 # You make me feel like dancing, 290 00:12:52,420 --> 00:12:54,300 # I'm gonna dance the night away 291 00:12:54,300 --> 00:12:58,260 # You make feel like dancing 292 00:12:58,260 --> 00:12:58,500 # You make feel like dancing # I feel like dancing # Whoo 293 00:12:58,500 --> 00:13:00,180 # I feel like dancing # Whoo 294 00:13:00,180 --> 00:13:01,580 # Dancing # Whoo 295 00:13:01,580 --> 00:13:01,820 # Dancing # Dance the night away 296 00:13:01,820 --> 00:13:03,140 # Dance the night away 297 00:13:03,140 --> 00:13:05,020 # Yeah, I feel like dancing # Whoo 298 00:13:05,020 --> 00:13:06,420 # Dancing # Whoo 299 00:13:06,420 --> 00:13:07,740 # Dance the night away 300 00:13:07,740 --> 00:13:09,820 # I feel like dancing # Whoo 301 00:13:09,820 --> 00:13:11,100 # Dancing # Whoo 302 00:13:11,100 --> 00:13:11,340 # Dancing # Dance the night away 303 00:13:11,340 --> 00:13:12,620 # Dance the night away 304 00:13:12,620 --> 00:13:14,940 # Yeah, I feel like dancing # Whoo 305 00:13:14,940 --> 00:13:15,820 # Dancing # Whoo 306 00:13:15,820 --> 00:13:16,060 # Dancing # Oh 307 00:13:16,060 --> 00:13:18,660 # Oh 308 00:13:18,660 --> 00:13:21,220 # Doo-doo-doo-doo-doo-doo, doo-doo 309 00:13:21,220 --> 00:13:23,700 # Doo-doo-doo-doo-doo-doo, doo-doo 310 00:13:23,700 --> 00:13:26,140 # Doo-doo-doo-doo-doo-doo, doo-doo 311 00:13:26,140 --> 00:13:26,380 # Doo-doo-doo-doo-doo-doo, # Doo-doo-doo-doo-doo-doo, doo-doo 312 00:13:26,380 --> 00:13:28,820 # Doo-doo-doo-doo-doo-doo, doo-doo 313 00:13:28,820 --> 00:13:29,060 # Doo-doo-doo-doo-doo-doo, # Doo-doo-doo-doo-doo-doo, doo-doo 314 00:13:29,060 --> 00:13:31,060 # Doo-doo-doo-doo-doo-doo, doo-doo 315 00:13:31,060 --> 00:13:31,300 # Doo-doo-doo-doo-doo-doo, doo-doo # Doo-doo-doo-doo-doo-doo, doo-doo 316 00:13:31,300 --> 00:13:33,580 # Doo-doo-doo-doo-doo-doo, doo-doo 317 00:13:33,580 --> 00:13:36,180 # And if you'll let me stay 318 00:13:36,180 --> 00:13:38,700 # We'll dance our lives away 319 00:13:38,700 --> 00:13:41,500 # You make me feel like dancing 320 00:13:41,500 --> 00:13:41,700 # You make me feel like dancing # I want to dance my life away 321 00:13:41,700 --> 00:13:43,460 # I want to dance my life away 322 00:13:43,460 --> 00:13:46,620 # You make me feel like dancing 323 00:13:46,620 --> 00:13:49,060 # I want to dance my life away. # 324 00:13:58,540 --> 00:14:01,100 (TELEPHONE RINGS) 325 00:14:01,100 --> 00:14:02,500 Hello. 326 00:14:02,500 --> 00:14:04,140 MAN: Hello, it's me again, John Paul Young. 327 00:14:04,140 --> 00:14:06,660 I just thought I'd ring you and remind you just one more time 328 00:14:06,660 --> 00:14:09,460 that we'll be on Countdown tomorrow night. 329 00:14:09,460 --> 00:14:13,180 We meaning me, John Paul Young, Sherbet, AC/DC, 330 00:14:13,180 --> 00:14:13,420 We meaning me, John Paul Young, Ted Mulry, Hush, 331 00:14:13,420 --> 00:14:15,340 Ted Mulry, Hush, 332 00:14:15,340 --> 00:14:17,020 and they all say, 333 00:14:17,020 --> 00:14:19,980 "Look, Small, is she going to be watching tomorrow night?" 334 00:14:19,980 --> 00:14:22,540 Yeah, for sure. Unreal. 335 00:14:22,540 --> 00:14:24,580 OK, bye. 336 00:14:28,460 --> 00:14:30,700 WILBUR: Molly was settling into his job as a roving reporter. 337 00:14:30,700 --> 00:14:31,660 Well, here we are. 338 00:14:31,660 --> 00:14:33,540 Welcome to Countdown in London. 339 00:14:33,540 --> 00:14:36,700 Sent around the world to get the big interviews. 340 00:14:36,700 --> 00:14:36,980 Soul music, I guess that kind of associates me with soul music. Sent around the world to get the big interviews. 341 00:14:36,980 --> 00:14:40,420 Soul music, I guess that kind of associates me with soul music. 342 00:14:40,420 --> 00:14:44,420 And soul music is a natural type feeling. 343 00:14:44,420 --> 00:14:44,660 And soul music is a natural type feeling. It's something that's not taught. 344 00:14:44,660 --> 00:14:46,380 It's something that's not taught. 345 00:14:46,380 --> 00:14:48,900 So anyone, any person in the world 346 00:14:48,900 --> 00:14:52,020 that sits down to a musical instrument, to a canvas, 347 00:14:52,020 --> 00:14:56,980 to a letter, whatever they're doing and whatever their thing is, 348 00:14:56,980 --> 00:14:59,900 and they create it naturally without have been taught 349 00:14:59,900 --> 00:15:03,380 by books and other things, that's soul. 350 00:15:03,380 --> 00:15:03,620 by books and And I think that's what I am. 351 00:15:03,620 --> 00:15:07,900 And I think that's what I am. 352 00:15:07,900 --> 00:15:09,460 I'm just a... 353 00:15:09,460 --> 00:15:10,500 I'm a natural. 354 00:15:10,500 --> 00:15:10,700 "Piano Man," I think, I'm a natural. 355 00:15:10,700 --> 00:15:12,300 "Piano Man," I think, 356 00:15:12,300 --> 00:15:12,540 "Piano Man," I think, some people were concerned. 357 00:15:12,540 --> 00:15:14,340 might have typecast me as some as some people were concerned. 358 00:15:14,340 --> 00:15:14,580 "Oh, 'Piano Man'". some people were concerned. 359 00:15:14,580 --> 00:15:15,340 "Oh, 'Piano Man'". 360 00:15:15,340 --> 00:15:17,140 "Well, it's a story song, 361 00:15:17,140 --> 00:15:18,900 and so that's the kind of songs the guy does". 362 00:15:18,900 --> 00:15:19,180 and so that's the kind of songs the guy does". When, in fact, the rest of the album, 363 00:15:19,180 --> 00:15:20,580 When, in fact, the rest of the album, 364 00:15:20,580 --> 00:15:20,820 When, in fact, there isn't another song like that. 365 00:15:20,820 --> 00:15:22,740 there isn't another song like that. 366 00:15:22,740 --> 00:15:24,020 They're all different. 367 00:15:24,020 --> 00:15:28,740 And "Street Life," which came after "Piano Man," 368 00:15:28,740 --> 00:15:32,340 was kind of a rebellion against being typecast. 369 00:15:32,340 --> 00:15:34,380 It was a whole change up in form. 370 00:15:34,380 --> 00:15:38,500 And likewise, Turnstiles, is like the title of the album, 371 00:15:38,500 --> 00:15:41,020 Turnstiles. I mean, there's... 372 00:15:41,020 --> 00:15:43,660 ..eight different tracks and eight different styles of music 373 00:15:43,660 --> 00:15:46,180 'cause we all like to play different kinds of music. 374 00:15:46,180 --> 00:15:48,740 Some people in the music business might have wanted me 375 00:15:48,740 --> 00:15:51,620 to do is like, "Why don't you put out 'Piano Man Two'"? 376 00:15:51,620 --> 00:15:51,860 to do is like, "Why don't You know? 377 00:15:51,860 --> 00:15:52,620 You know? 378 00:15:52,620 --> 00:15:54,340 And then "Piano Man Three," and so forth and so on, 379 00:15:54,340 --> 00:15:54,580 And then "Piano Man Three," and I don't want to do that 380 00:15:54,580 --> 00:15:55,620 and I don't want to do that 381 00:15:55,620 --> 00:15:55,860 'cause once you start imitating and I don't want to do that 382 00:15:55,860 --> 00:15:58,340 'cause once you start imitating yourself, you're dead. 383 00:16:03,700 --> 00:16:05,140 Hey, what are you lot doing in the pool room 384 00:16:05,140 --> 00:16:05,380 at six o'clock on a Sunday? lot doing in the pool room 385 00:16:05,380 --> 00:16:06,900 at six o'clock on a Sunday? 386 00:16:06,900 --> 00:16:08,860 You should be home watching Countdown. 387 00:16:08,860 --> 00:16:09,100 You should be home watching Countdown. # Ooh, baby, stop me 388 00:16:09,100 --> 00:16:12,620 # Ooh, baby, stop me 389 00:16:12,620 --> 00:16:14,460 # You say that you love me. # 390 00:16:14,460 --> 00:16:15,460 Put me up. 391 00:16:15,460 --> 00:16:18,220 (CHEERING) 392 00:16:18,220 --> 00:16:19,820 WILBUR: In '75, the Bay City Rollers 393 00:16:19,820 --> 00:16:20,060 had dropped in WILBUR: In '75, the Bay City Rollers 394 00:16:20,060 --> 00:16:22,020 had dropped in for a promotional appearance. 395 00:16:22,020 --> 00:16:22,260 had dropped in (FANS CHEERING) 396 00:16:22,260 --> 00:16:25,500 (FANS CHEERING) 397 00:16:25,500 --> 00:16:28,820 In 1976, the Tartan Terrors were one of the first 398 00:16:28,820 --> 00:16:29,060 In 1976, the Tartan in a long line of international acts 399 00:16:29,060 --> 00:16:30,540 in a long line of international acts 400 00:16:30,540 --> 00:16:34,500 to realise the value of performing live in Studio 31. 401 00:16:36,260 --> 00:16:39,820 # I don't know what it is that makes me love you so 402 00:16:39,820 --> 00:16:43,380 # I only know I never want to let you go 403 00:16:43,380 --> 00:16:43,620 # I only know I never want to let you go # 'Cause you started something 404 00:16:43,620 --> 00:16:45,420 # 'Cause you started something 405 00:16:45,420 --> 00:16:47,300 # Can't you see? 406 00:16:47,300 --> 00:16:47,540 # And ever since we met, # Can't you see? 407 00:16:47,540 --> 00:16:50,740 # And ever since we met, you've had a hold on me 408 00:16:50,740 --> 00:16:50,980 # And ever since we met, # It happens to be true 409 00:16:50,980 --> 00:16:54,300 # It happens to be true 410 00:16:54,300 --> 00:16:56,540 # I only want to be with you 411 00:17:03,260 --> 00:17:06,660 # It doesn't matter where you go or what you do 412 00:17:06,660 --> 00:17:10,460 # I want to spend each moment of the day with you 413 00:17:10,460 --> 00:17:10,740 # I want to spend each moment of the day with you # Look what has happened with just one kiss 414 00:17:10,740 --> 00:17:13,980 # Look what has happened with just one kiss 415 00:17:13,980 --> 00:17:17,700 # I never knew that I could be in love like this 416 00:17:17,700 --> 00:17:17,940 # I never knew that I # It's crazy, but it's true 417 00:17:17,940 --> 00:17:21,420 # It's crazy, but it's true 418 00:17:21,420 --> 00:17:23,460 # I only want to be with you 419 00:17:25,340 --> 00:17:28,500 # You stopped and smiled at me 420 00:17:28,500 --> 00:17:32,420 # And asked me if I cared to dance 421 00:17:32,420 --> 00:17:36,300 # I fell into your open arms 422 00:17:36,300 --> 00:17:38,100 # I didn't stand a chance 423 00:17:38,100 --> 00:17:39,300 # Now, listen, honey 424 00:17:39,300 --> 00:17:39,540 # I just want to be beside you everywhere # Now, listen, honey 425 00:17:39,540 --> 00:17:42,940 # I just want to be beside you everywhere 426 00:17:42,940 --> 00:17:46,420 # As long as we're together, honey, I don't care 427 00:17:46,420 --> 00:17:46,660 # 'Cause you started something I don't care 428 00:17:46,660 --> 00:17:48,460 # 'Cause you started something 429 00:17:48,460 --> 00:17:50,020 # Can't you see? 430 00:17:50,020 --> 00:17:50,260 # Can't you see? # And ever since we met, you've had a hold on me 431 00:17:50,260 --> 00:17:53,620 # And ever since we met, you've had a hold on me 432 00:17:53,620 --> 00:17:53,860 # And ever since we met, # No matter what you do 433 00:17:53,860 --> 00:17:57,180 # No matter what you do 434 00:17:57,180 --> 00:17:59,580 # I only want to be with you 435 00:18:28,140 --> 00:18:31,100 # You stopped and smiled at me 436 00:18:31,100 --> 00:18:35,260 # And asked me if I cared to dance 437 00:18:35,260 --> 00:18:38,820 # I fell into your open arms 438 00:18:38,820 --> 00:18:40,940 # I didn't stand a chance 439 00:18:40,940 --> 00:18:41,940 # Now, listen, honey 440 00:18:41,940 --> 00:18:42,180 # I just want to be # Now, listen, honey 441 00:18:42,180 --> 00:18:45,500 # I just want to be beside you everywhere 442 00:18:45,500 --> 00:18:49,060 # And as long as we're together, honey, I don't care 443 00:18:49,060 --> 00:18:49,300 # And as long as we're together, # 'Cause I started something 444 00:18:49,300 --> 00:18:51,220 # 'Cause I started something 445 00:18:51,220 --> 00:18:52,740 # Can't you see? 446 00:18:52,740 --> 00:18:56,540 # And ever since we met, you've had a hold on me 447 00:18:56,540 --> 00:18:59,860 # No matter what you do 448 00:18:59,860 --> 00:19:02,260 # I only want to be with you 449 00:19:05,380 --> 00:19:08,740 # No matter, no matter what you do 450 00:19:08,740 --> 00:19:08,980 # I only want to be with you no matter what you do 451 00:19:08,980 --> 00:19:12,140 # I only want to be with you 452 00:19:12,140 --> 00:19:12,340 # I only want to be with you # Whoo 453 00:19:12,340 --> 00:19:14,260 # Whoo 454 00:19:14,260 --> 00:19:18,060 # No matter, no matter what you do 455 00:19:18,060 --> 00:19:20,140 # I only want to be with you 456 00:19:20,140 --> 00:19:23,420 # Oh, oh, oh 457 00:19:23,420 --> 00:19:26,900 # Oh, oh 458 00:19:26,900 --> 00:19:29,980 # Oh, oh, oh. # 459 00:19:29,980 --> 00:19:34,220 (CROWD CHEERS) 460 00:19:34,220 --> 00:19:36,340 ANNOUNCER: Throughout the network of ABC Television 461 00:19:36,340 --> 00:19:40,700 on 146 stations across Australia, this is... 462 00:19:40,700 --> 00:19:42,940 CROWD: Countdown! 463 00:19:42,940 --> 00:19:44,180 WILBUR: The successful Rollers tour 464 00:19:44,180 --> 00:19:47,620 ensured that glam rock remained strong here. 465 00:19:47,620 --> 00:19:50,660 Its stomping beats appearing in local hits, too. 466 00:19:50,660 --> 00:19:50,900 Its stomping beats appearing in local hits, too. # I hate the music 467 00:19:50,900 --> 00:19:52,620 # I hate the music 468 00:19:52,620 --> 00:19:52,860 # 'Cause every # I hate the music 469 00:19:52,860 --> 00:19:56,020 # 'Cause every time I hear that melody 470 00:19:58,300 --> 00:20:00,500 # It just reminds me of 471 00:20:00,500 --> 00:20:03,260 # The things we did together 472 00:20:04,660 --> 00:20:08,060 # The way we used to be 473 00:20:08,060 --> 00:20:10,500 # The way that life was better. # 474 00:20:10,500 --> 00:20:13,380 There's no doubt that glam did take some unexpected twists 475 00:20:13,380 --> 00:20:15,940 and turns, raising more than a few eyebrows. 476 00:20:15,940 --> 00:20:16,220 # Johnny is a guy who can't make up his mind and turns, raising more than a few eyebrows. 477 00:20:16,220 --> 00:20:20,100 # Johnny is a guy who can't make up his mind 478 00:20:20,100 --> 00:20:23,940 # He says "I like it both ways" 479 00:20:23,940 --> 00:20:27,740 # Johnny's world is inside out 480 00:20:27,740 --> 00:20:27,940 # Johnny's world is inside out # His daddy thinks he's insane 481 00:20:27,940 --> 00:20:31,380 # His daddy thinks he's insane 482 00:20:36,180 --> 00:20:38,060 # He goes out on the town 483 00:20:38,060 --> 00:20:40,260 # Flashes around 484 00:20:40,260 --> 00:20:43,980 # Is his mind deranged? 485 00:20:43,980 --> 00:20:45,660 # Couples walk by 486 00:20:45,660 --> 00:20:47,620 # He watches them all 487 00:20:47,620 --> 00:20:50,780 # To him, they're all the same 488 00:20:56,220 --> 00:20:59,980 # I like it both ways 489 00:20:59,980 --> 00:21:03,940 # I like it both ways 490 00:21:03,940 --> 00:21:04,180 # I like it both ways both ways 491 00:21:04,180 --> 00:21:07,980 # I like it both ways 492 00:21:07,980 --> 00:21:08,220 # I like it both ways # I like it both ways 493 00:21:08,220 --> 00:21:12,100 # I like it both ways 494 00:21:14,140 --> 00:21:15,940 # When Johnny's with Julie 495 00:21:15,940 --> 00:21:18,100 # He tells her she's his girl 496 00:21:18,100 --> 00:21:22,500 # Says "I'll love you always" 497 00:21:22,500 --> 00:21:24,180 # She got to love to find 498 00:21:24,180 --> 00:21:26,220 # Within his schizophrenic mind 499 00:21:26,220 --> 00:21:29,460 # Because he likes it both ways 500 00:21:34,700 --> 00:21:36,620 # One day, it's a rose 501 00:21:36,620 --> 00:21:38,260 # Another day, a thorn 502 00:21:38,260 --> 00:21:42,140 # He just can't make the choice 503 00:21:42,140 --> 00:21:44,340 # Like when he seems so hard to find 504 00:21:44,340 --> 00:21:46,100 # He can't make up his mind 505 00:21:46,100 --> 00:21:49,500 # Between a high or low-pitched voice 506 00:21:54,620 --> 00:21:57,780 # I like it both ways 507 00:21:58,780 --> 00:22:02,340 # I like it both ways 508 00:22:02,340 --> 00:22:02,580 # I like it both ways # I like it both ways 509 00:22:02,580 --> 00:22:06,260 # I like it both ways 510 00:22:06,260 --> 00:22:06,500 # I like it # I like it both ways 511 00:22:06,500 --> 00:22:11,260 # I like it both ways 512 00:22:11,260 --> 00:22:11,500 # I like it (TELEPHONE RINGS) 513 00:22:11,500 --> 00:22:16,220 (TELEPHONE RINGS) 514 00:22:17,180 --> 00:22:20,940 # I like it both ways 515 00:22:20,940 --> 00:22:21,180 # I like it # I like it both ways 516 00:22:21,180 --> 00:22:24,620 # I like it both ways 517 00:22:24,620 --> 00:22:27,140 (TELEPHONE RINGS) # I like it both ways 518 00:22:35,900 --> 00:22:37,780 # Johnny is a guy 519 00:22:37,780 --> 00:22:39,820 # Who can't make up his mind 520 00:22:39,820 --> 00:22:40,020 # Who can't make up his mind # He says, "I like it both ways" 521 00:22:40,020 --> 00:22:44,020 # He says, "I like it both ways" 522 00:22:44,020 --> 00:22:47,940 # Johnny's world is inside out 523 00:22:47,940 --> 00:22:51,180 # His daddy thinks he's insane 524 00:22:52,580 --> 00:23:00,020 # Insane # Insane 525 00:23:00,020 --> 00:23:00,260 # Insane # Oh, insane 526 00:23:00,260 --> 00:23:03,340 # Oh, insane 527 00:23:03,340 --> 00:23:07,300 (GUITAR SOLO) 528 00:23:07,300 --> 00:23:09,180 # I like it both ways 529 00:23:10,420 --> 00:23:12,820 # I like it both ways 530 00:23:13,980 --> 00:23:16,620 # I like it both ways 531 00:23:18,300 --> 00:23:20,700 # I like it both ways 532 00:23:22,260 --> 00:23:24,580 # I like it both ways 533 00:23:26,020 --> 00:23:28,540 # I like it both ways 534 00:23:29,940 --> 00:23:31,980 # I like it both ways. # 535 00:23:42,860 --> 00:23:45,380 Hey, this is Phil Lynott from Thin Lizzy, 536 00:23:45,380 --> 00:23:47,580 and you're looking at Countdown right across Australia. 537 00:23:51,100 --> 00:23:53,980 WILBUR: Musical nostalgia proved a force in 1976. 538 00:23:55,980 --> 00:23:59,940 # Has anybody seen Old Sid around? 539 00:24:03,140 --> 00:24:08,180 # Maybe he's curled up on the ground 540 00:24:10,580 --> 00:24:15,620 # In a park or by the sea 541 00:24:16,940 --> 00:24:24,020 # Has anybody seen Old Sid? 542 00:24:24,020 --> 00:24:27,900 # Has anybody seen Old Sid around? # 543 00:24:31,100 --> 00:24:32,140 # Tomorrow night # 544 00:24:32,140 --> 00:24:35,260 # At the Darktown Strutter's Ball. # 545 00:24:35,260 --> 00:24:35,500 # At the Darktown Strutter's Ball. # Even old dance hall tunes were successfully repackaged 546 00:24:35,500 --> 00:24:38,140 Even old dance hall tunes were successfully repackaged 547 00:24:38,140 --> 00:24:38,380 Even old dance hall tunes and sold as pop. 548 00:24:38,380 --> 00:24:40,180 and sold as pop. 549 00:24:50,540 --> 00:24:51,540 (SCREAMING) 550 00:24:51,540 --> 00:24:54,500 With TV show Happy Days a global phenomenon, 551 00:24:54,500 --> 00:24:57,740 audiences looked back with fondness to the music of the '50s. 552 00:24:57,740 --> 00:24:57,980 # At daydream junior high school to the music of the '50s. 553 00:24:57,980 --> 00:25:00,740 # At daydream junior high school 554 00:25:00,740 --> 00:25:04,580 # We used to harmonise 555 00:25:04,580 --> 00:25:07,660 # Me and Frankie and Jimmy 556 00:25:07,660 --> 00:25:07,860 # Me and Frankie and Jimmy # And some Italian guy 557 00:25:07,860 --> 00:25:11,420 # And some Italian guy 558 00:25:11,420 --> 00:25:14,220 # We were singing oldies 559 00:25:14,220 --> 00:25:17,700 # But they were newies then 560 00:25:17,700 --> 00:25:20,900 # And today when I play my old 45's 561 00:25:20,900 --> 00:25:24,620 # I remember when 562 00:25:24,620 --> 00:25:27,580 # We practised in a subway 563 00:25:27,580 --> 00:25:31,540 # In a lobby or a hall 564 00:25:31,540 --> 00:25:34,380 # Crowded in a doorway 565 00:25:34,380 --> 00:25:37,940 # Singing doo-wops to the wall 566 00:25:37,940 --> 00:25:40,980 # And if we went to a party 567 00:25:40,980 --> 00:25:44,460 # And they wouldn't let us sing 568 00:25:44,460 --> 00:25:47,740 # We'd lock ourselves in the bathroom 569 00:25:47,740 --> 00:25:47,980 # We'd lock ourselves in the # And nobody could get in 570 00:25:47,980 --> 00:25:50,540 # And nobody could get in 571 00:25:50,540 --> 00:25:50,780 # 'Cause we were # And nobody could get in 572 00:25:50,780 --> 00:25:54,340 # 'Cause we were looking for an echo 573 00:25:54,340 --> 00:25:54,580 # 'Cause we were # An answer to our sound 574 00:25:54,580 --> 00:25:57,940 # An answer to our sound 575 00:25:57,940 --> 00:26:01,260 # A place to be in harmony 576 00:26:01,260 --> 00:26:06,300 # A place we almost found 577 00:26:07,860 --> 00:26:11,460 # Ooh, ooh, ooh, ooh 578 00:26:11,460 --> 00:26:13,940 # And the girls would gather 'round us 579 00:26:13,940 --> 00:26:17,740 # And our heads would really swell 580 00:26:17,740 --> 00:26:21,060 # We'd sing songs by The Moonglows 581 00:26:21,060 --> 00:26:21,260 # We'd sing songs by The Moonglows # The Harptones and The Dells 582 00:26:21,260 --> 00:26:24,260 # The Harptones and The Dells 583 00:26:24,260 --> 00:26:27,340 # And when we sang sincerely 584 00:26:27,340 --> 00:26:30,780 # We really sang it high 585 00:26:30,780 --> 00:26:34,420 # Even though it was falsetto 586 00:26:34,420 --> 00:26:39,220 # We almost reached the sky 587 00:26:39,220 --> 00:26:44,260 # We've sung a lot of changes since 1955 588 00:26:45,900 --> 00:26:49,020 # Had a lot of bad arrangements 589 00:26:49,020 --> 00:26:52,180 # We've tried to harmonise 590 00:26:52,180 --> 00:26:55,860 # Now we've turned into oldies 591 00:26:55,860 --> 00:26:59,220 # But they were newies then 592 00:26:59,220 --> 00:27:02,140 # And today when I play my old 45's 593 00:27:02,140 --> 00:27:05,580 # I remember when 594 00:27:05,580 --> 00:27:05,780 # We were looking for an echo # I remember when 595 00:27:05,780 --> 00:27:09,060 # We were looking for an echo 596 00:27:09,060 --> 00:27:12,500 # An answer to our sound 597 00:27:12,500 --> 00:27:15,940 # A place to be in harmony 598 00:27:15,940 --> 00:27:20,780 # A place we almost found 599 00:27:22,940 --> 00:27:25,340 # Ooh, ooh, ooh 600 00:27:25,340 --> 00:27:28,980 # We were looking for an echo 601 00:27:28,980 --> 00:27:32,180 # An answer to our sound 602 00:27:32,180 --> 00:27:35,700 # A place to be in harmony 603 00:27:35,700 --> 00:27:40,740 # A place we almost found 604 00:27:43,300 --> 00:27:45,820 # Ooh, ooh 605 00:27:45,820 --> 00:27:46,620 # Found. # 606 00:27:46,620 --> 00:27:49,100 WILBUR: Nice jacket on the saxophone player. 607 00:27:51,780 --> 00:27:53,740 (CROWD CHEERS) 608 00:27:53,740 --> 00:27:57,300 Even the youngest stars of the day seemed content to continue 609 00:27:57,300 --> 00:27:59,540 the bloodline of old time rock and roll. 610 00:27:59,540 --> 00:28:02,100 I was very, very influenced by the music of the early '60s. 611 00:28:02,100 --> 00:28:05,180 I like Phil Spector and The Beatles and The Beach Boys, 612 00:28:05,180 --> 00:28:07,700 and I think that shows in my writing. 613 00:28:09,500 --> 00:28:12,700 And I, by rights, probably should've been influenced 614 00:28:12,700 --> 00:28:17,420 by Elton John and David Bowie and the artists of the '70s, 615 00:28:17,420 --> 00:28:22,100 which I was, but the '60s and the early, real pop records 616 00:28:22,100 --> 00:28:23,460 were the biggest influence on me of all. 617 00:28:23,460 --> 00:28:23,700 were the biggest ANNOUNCER: Shaun Cassidy! 618 00:28:23,700 --> 00:28:24,820 ANNOUNCER: Shaun Cassidy! 619 00:28:24,820 --> 00:28:25,020 # Everybody ANNOUNCER: Shaun Cassidy! 620 00:28:25,020 --> 00:28:25,820 # Everybody 621 00:28:25,820 --> 00:28:28,300 # Get down and get with it 622 00:28:28,300 --> 00:28:29,420 # Come on, everybody 623 00:28:29,420 --> 00:28:31,820 # Get down and get with it 624 00:28:31,820 --> 00:28:34,300 # Come on, everybody, get down 625 00:28:34,300 --> 00:28:36,140 # That's rock n' roll 626 00:28:38,500 --> 00:28:42,140 # It's when smokin' and the heat 627 00:28:42,140 --> 00:28:45,820 # Have got your heart pounding right with the beat 628 00:28:45,820 --> 00:28:49,460 # Don't try to fight it, just get excited 629 00:28:49,460 --> 00:28:49,700 # That's rock 'n' roll # Don't try to fight it, just get excited 630 00:28:49,700 --> 00:28:53,300 # That's rock 'n' roll 631 00:28:53,300 --> 00:28:56,780 # Now don't you worry 'bout being a star 632 00:28:56,780 --> 00:29:00,580 # It doesn't matter who or what you are 633 00:29:00,580 --> 00:29:04,220 # Just get the rhythm and let it fill you 634 00:29:04,220 --> 00:29:04,460 # Just get the rhythm and let it fill you # That's rock 'n' roll 635 00:29:04,460 --> 00:29:08,180 # That's rock 'n' roll 636 00:29:08,180 --> 00:29:09,780 # Well, come on, everybody 637 00:29:09,780 --> 00:29:11,940 # Get down and get with it 638 00:29:11,940 --> 00:29:13,380 # Come on, everybody 639 00:29:13,380 --> 00:29:15,780 # Get down and get with it 640 00:29:15,780 --> 00:29:16,860 # Come on, everybody 641 00:29:16,860 --> 00:29:18,060 # Get down 642 00:29:18,060 --> 00:29:20,100 # That's rock 'n' roll 643 00:29:22,940 --> 00:29:27,980 (FANS SCREAM, CHEER) 644 00:29:37,460 --> 00:29:39,140 # Well, come on, everybody 645 00:29:39,140 --> 00:29:39,340 # Well, come on, everybody # Get down and get with it 646 00:29:39,340 --> 00:29:41,300 # Get down and get with it 647 00:29:41,300 --> 00:29:42,820 # Come on, everybody 648 00:29:42,820 --> 00:29:45,180 # Get down and get with it 649 00:29:45,180 --> 00:29:46,340 # Come on, everybody 650 00:29:46,340 --> 00:29:47,340 # Get down 651 00:29:47,340 --> 00:29:49,380 # That's rock 'n' roll 652 00:29:52,060 --> 00:29:55,860 # And if you feel it, clap your hands 653 00:29:55,860 --> 00:29:59,220 # Let's see some sweat for the boys in the band 654 00:29:59,220 --> 00:29:59,460 # Let's see some # Now lemme hear ya 655 00:29:59,460 --> 00:30:01,180 # Now lemme hear ya 656 00:30:01,180 --> 00:30:02,940 # Lemme hear ya 657 00:30:02,940 --> 00:30:04,460 # That's rock 'n' roll 658 00:30:04,460 --> 00:30:04,700 # Everybody get down and get with it # That's rock 'n' roll 659 00:30:04,700 --> 00:30:06,980 # Everybody get down and get with it 660 00:30:06,980 --> 00:30:08,340 # Come on, everybody 661 00:30:08,340 --> 00:30:10,740 # Get down and get with it 662 00:30:10,740 --> 00:30:12,140 # Come on, everybody 663 00:30:12,140 --> 00:30:13,140 # Get down 664 00:30:13,140 --> 00:30:13,340 # Get down # That's rock 'n' roll 665 00:30:13,340 --> 00:30:15,740 # That's rock 'n' roll 666 00:30:15,740 --> 00:30:17,660 You, all of you! 667 00:30:17,660 --> 00:30:19,540 # Well, come on, everybody 668 00:30:19,540 --> 00:30:21,660 # Get down and get with it 669 00:30:21,660 --> 00:30:23,300 # Come on, everybody 670 00:30:23,300 --> 00:30:24,100 # Get down 671 00:30:24,100 --> 00:30:25,620 # Get with it 672 00:30:25,620 --> 00:30:27,180 # Come on, everybody 673 00:30:27,180 --> 00:30:28,180 # Get down 674 00:30:28,180 --> 00:30:32,460 # That's rock 'n' roll. # 675 00:30:32,460 --> 00:30:33,780 # Countdown! # 676 00:30:33,780 --> 00:30:34,020 You must be sort of the most wanted artist # Countdown! # 677 00:30:34,020 --> 00:30:35,340 You must be sort of the most wanted artist 678 00:30:35,340 --> 00:30:35,580 we've had for a long, long time, the most wanted artist 679 00:30:35,580 --> 00:30:37,820 we've had for a long, long time, 680 00:30:37,820 --> 00:30:39,460 and we've finally got you in Australia. 681 00:30:39,460 --> 00:30:41,340 What's it feel like, not to be in Australia, 682 00:30:41,340 --> 00:30:41,620 What's it feel like, not to be in Australia, but to come such a long way with so many hit records behind you 683 00:30:41,620 --> 00:30:46,100 but to come such a long way with so many hit records behind you 684 00:30:46,100 --> 00:30:47,860 and have to perform to such a reputation? 685 00:30:47,860 --> 00:30:49,300 Well, I'd rather talk about what it's like 686 00:30:49,300 --> 00:30:52,180 being here in Australia, and it's been fantastic. 687 00:30:52,180 --> 00:30:54,900 We came into Brisbane and did three shows. 688 00:30:54,900 --> 00:30:57,060 Beautiful, beautiful, beautiful people. 689 00:30:57,060 --> 00:30:57,300 Beautiful, beautiful, And the last three shows in Sydney. 690 00:30:57,300 --> 00:30:59,020 And the last three shows in Sydney. 691 00:30:59,020 --> 00:31:00,620 And now, to open up the Moomba Festival 692 00:31:00,620 --> 00:31:03,740 is a whole other tremendous excitement for all of us 693 00:31:03,740 --> 00:31:06,020 and it's part of an adventure, you know, for all of us. 694 00:31:06,020 --> 00:31:08,580 So, I'm pleased to be here and we want to do the best show 695 00:31:08,580 --> 00:31:10,300 that we can, and that's basically why we're here. 696 00:31:10,300 --> 00:31:11,780 We're here for music. Do you enjoy still... 697 00:31:11,780 --> 00:31:12,020 We're here for music. Despite what you gentlemen think. 698 00:31:12,020 --> 00:31:13,780 Despite what you gentlemen think. 699 00:31:13,780 --> 00:31:14,020 But do you enjoy Despite what you gentlemen think. 700 00:31:14,020 --> 00:31:16,260 But do you enjoy still performing live on stage? 701 00:31:16,260 --> 00:31:18,300 I love it. It's my favourite thing. 702 00:31:18,300 --> 00:31:18,540 I love it. It's fantastic. 703 00:31:18,540 --> 00:31:19,380 It's fantastic. 704 00:31:19,380 --> 00:31:20,380 There is nothing more to say 705 00:31:20,380 --> 00:31:22,460 because Neil Diamond's music speaks for Australia. 706 00:31:22,460 --> 00:31:23,980 Thank you. Thank you very much. 707 00:31:23,980 --> 00:31:24,220 Thank you. I'll see you again. 708 00:31:24,220 --> 00:31:25,020 I'll see you again. 709 00:31:25,020 --> 00:31:26,260 OK, gang. 710 00:31:26,260 --> 00:31:27,780 Yes? OK. 711 00:31:27,780 --> 00:31:30,620 Yes, yeah. 712 00:31:30,620 --> 00:31:33,820 (SCREAMING) 713 00:31:33,820 --> 00:31:36,460 WILBUR: The public found solace in safe, traditional entertainers, 714 00:31:36,460 --> 00:31:40,420 but pop music would also rely on old-fashioned teenage lust. 715 00:31:40,420 --> 00:31:40,660 # Gonna sit down and talk to myself but pop music would also rely on old-fashioned teenage lust. 716 00:31:40,660 --> 00:31:43,660 # Gonna sit down and talk to myself 717 00:31:45,940 --> 00:31:50,820 # I won't let nobody get me off my shelf 718 00:31:53,940 --> 00:31:56,420 # This time I understand 719 00:31:56,420 --> 00:32:00,940 # Gonna make it to the promised land and 720 00:32:00,940 --> 00:32:01,180 # Gonna make it # This time 721 00:32:01,180 --> 00:32:08,300 # This time 722 00:32:08,300 --> 00:32:12,380 # This time, gonna head in the right direction 723 00:32:12,380 --> 00:32:12,620 # This time, gonna # In the right direction. # 724 00:32:12,620 --> 00:32:15,220 # In the right direction. # 725 00:32:15,220 --> 00:32:15,420 Marc Hunter got pulses racing, # In the right direction. # 726 00:32:15,420 --> 00:32:16,900 Marc Hunter got pulses racing, 727 00:32:16,900 --> 00:32:17,140 Marc Hunter got pulses racing, enjoyed plenty of success 728 00:32:17,140 --> 00:32:19,660 but Countdown also enjoyed plenty of success 729 00:32:19,660 --> 00:32:19,900 with Shirl 'The Curl.' enjoyed plenty of success 730 00:32:19,900 --> 00:32:20,740 with Shirl 'The Curl.' 731 00:32:20,740 --> 00:32:24,300 # Hey 732 00:32:24,300 --> 00:32:24,500 # Hey # Come back to me 733 00:32:24,500 --> 00:32:26,980 # Come back to me 734 00:32:26,980 --> 00:32:29,380 # Darling, you see 735 00:32:29,380 --> 00:32:32,300 # I can give you all the things 736 00:32:32,300 --> 00:32:36,140 # That you've wanted before 737 00:32:38,860 --> 00:32:43,860 # If you will stay with me 738 00:32:43,860 --> 00:32:45,780 # Yeah. # 739 00:32:45,780 --> 00:32:46,580 # Baby, if your 740 00:32:46,580 --> 00:32:46,780 And, of course, Marcia. # Baby, if your 741 00:32:46,780 --> 00:32:47,940 And, of course, Marcia. 742 00:32:47,940 --> 00:32:52,540 # New love ever turns you down 743 00:32:52,540 --> 00:32:52,740 # New love ever turns you down # Come back 744 00:32:52,740 --> 00:32:54,020 # Come back 745 00:32:54,020 --> 00:32:56,620 # I will be around 746 00:32:56,620 --> 00:33:00,180 # Just waiting for you 747 00:33:00,180 --> 00:33:05,220 # I don't know what else to do. # 748 00:33:08,380 --> 00:33:10,740 And speaking of old fashioned teenage lust... 749 00:33:10,740 --> 00:33:10,980 (CHEERING, SCREAMING) And speaking of old fashioned teenage lust... 750 00:33:10,980 --> 00:33:15,780 (CHEERING, SCREAMING) 751 00:33:18,980 --> 00:33:23,220 # If you've ever been lonely 752 00:33:23,220 --> 00:33:25,660 # Then you'll understand 753 00:33:25,660 --> 00:33:29,860 # Why I treasure every smile you show me 754 00:33:29,860 --> 00:33:30,100 # Why I treasure # And every touch of your ha-and 755 00:33:30,100 --> 00:33:34,660 # And every touch of your ha-and 756 00:33:34,660 --> 00:33:34,900 # Well, I've # And every touch of your ha-and 757 00:33:34,900 --> 00:33:38,740 # Well, I've been waiting a long time 758 00:33:38,740 --> 00:33:38,980 # Well, I've # For a girl like you 759 00:33:38,980 --> 00:33:41,540 # For a girl like you 760 00:33:41,540 --> 00:33:45,780 # Oh, and maybe this will be the right time 761 00:33:45,780 --> 00:33:46,020 # Oh, and maybe # For all my dreams to come true 762 00:33:46,020 --> 00:33:48,260 # For all my dreams to come true 763 00:33:50,860 --> 00:33:53,420 # I wanna make you my lady 764 00:33:53,420 --> 00:33:55,300 # Make you my lady 765 00:33:55,300 --> 00:33:58,340 # Love is so hard to find, girl 766 00:33:58,340 --> 00:34:00,980 # I wanna make you my lady 767 00:34:00,980 --> 00:34:01,180 # I wanna make you my lady # Take you, my lady 768 00:34:01,180 --> 00:34:03,180 # Take you, my lady 769 00:34:03,180 --> 00:34:05,900 # Then you'll be forever mine, girl 770 00:34:08,540 --> 00:34:12,260 # Do you think I'm pretending? 771 00:34:12,260 --> 00:34:15,860 # Do you think I'd lie, lady? 772 00:34:15,860 --> 00:34:19,460 # Oh, it could be never-ending 773 00:34:19,460 --> 00:34:22,180 # If you'll give it a try 774 00:34:24,140 --> 00:34:26,540 # I wanna make you my lady 775 00:34:26,540 --> 00:34:28,940 # Make you my lady 776 00:34:28,940 --> 00:34:31,820 # Love is so hard to find, girl 777 00:34:31,820 --> 00:34:34,620 # I wanna make you my lady 778 00:34:34,620 --> 00:34:36,500 # Take you, my lady 779 00:34:36,500 --> 00:34:40,100 # Then you'll be forever mine, girl 780 00:34:41,940 --> 00:34:45,820 # Gonna fly over a rainbow 781 00:34:45,820 --> 00:34:50,020 # Gonna find a heaven on earth we can share 782 00:34:50,020 --> 00:34:50,260 # Gonna find a # Paradise is not far away, so 783 00:34:50,260 --> 00:34:53,140 # Paradise is not far away, so 784 00:34:53,140 --> 00:34:54,980 # Just show me you care 785 00:34:54,980 --> 00:34:58,540 # And I'll take you there 786 00:35:03,460 --> 00:35:05,820 # I wanna make you my lady 787 00:35:05,820 --> 00:35:07,740 # Take you my lady 788 00:35:07,740 --> 00:35:10,940 # Love is so hard to find, girl 789 00:35:10,940 --> 00:35:13,700 # I wanna make you my lady 790 00:35:13,700 --> 00:35:16,380 # Take you my lady 791 00:35:18,820 --> 00:35:21,460 # I'm gonna make you my lady 792 00:35:21,460 --> 00:35:23,420 # Take you my lady 793 00:35:23,420 --> 00:35:26,420 # Love is so hard to find, girl 794 00:35:26,420 --> 00:35:26,620 # Love is so hard to find, girl # I wanna make you my lady 795 00:35:26,620 --> 00:35:28,900 # I wanna make you my lady 796 00:35:28,900 --> 00:35:31,460 # Take you my lady 797 00:35:31,460 --> 00:35:35,740 # Then you'll be forever mine. # 798 00:35:35,740 --> 00:35:37,780 (SCREAMING, CHEERING) 799 00:35:52,180 --> 00:35:55,820 (TELEPHONE RINGS) 800 00:35:55,820 --> 00:35:56,980 Hello? 801 00:35:56,980 --> 00:35:58,300 MAN: Hello. (BEEPS) 802 00:35:58,300 --> 00:35:58,540 MAN: Hello. Oh, sorry, I'm... 803 00:35:58,540 --> 00:36:00,060 Oh, sorry, I'm... 804 00:36:00,060 --> 00:36:02,300 Daryl Braithwaite from Sherbet? 805 00:36:02,300 --> 00:36:03,300 Now coming to you live from Perth. 806 00:36:03,300 --> 00:36:05,300 Listen, tonight is the night 807 00:36:05,300 --> 00:36:10,140 'cause Countdown starts back on the airwaves again, television waves. 808 00:36:10,140 --> 00:36:10,380 'cause Countdown starts back on the Yeah, I watched it all last year. 809 00:36:10,380 --> 00:36:12,620 Yeah, I watched it all last year. 810 00:36:12,620 --> 00:36:12,860 It's a great show with ourselves, Yeah, I watched it all last year. 811 00:36:12,860 --> 00:36:15,500 It's a great show with ourselves, because we're on it. 812 00:36:17,260 --> 00:36:19,860 We've got John Paul Young, Ted Mulry, AC/DC, 813 00:36:19,860 --> 00:36:23,740 and a host of other good people who worked with me last year. 814 00:36:23,740 --> 00:36:27,420 About a year it was, and you're gonna help make this year great. 815 00:36:27,420 --> 00:36:29,180 What are you doing after tonight? 816 00:36:29,180 --> 00:36:31,140 Switch the old channels (SPEAKS INDISTINCTLY)... 817 00:36:31,140 --> 00:36:31,380 Switch the old channels Unreal. Yeah, I will. 818 00:36:31,380 --> 00:36:32,780 Unreal. Yeah, I will. 819 00:36:32,780 --> 00:36:34,820 OK, bye. 820 00:36:37,740 --> 00:36:40,660 WILBUR: In the US, West Coast rock was reaching its zenith. 821 00:36:40,660 --> 00:36:43,980 In '76, Hotel California won the Grammy for album of the year. 822 00:36:46,540 --> 00:36:49,660 Back home, Jon English had a big hit with a very different song 823 00:36:49,660 --> 00:36:49,900 Back home, Jon English had a big hit about a hotel in California. 824 00:36:49,900 --> 00:36:52,180 about a hotel in California. 825 00:36:52,180 --> 00:36:52,380 # She came in one night from Omaha about a hotel in California. 826 00:36:52,380 --> 00:36:55,020 # She came in one night from Omaha 827 00:36:55,020 --> 00:36:56,500 # Worn out 828 00:36:56,500 --> 00:36:56,740 # Worn out # 'Cause she never could sleep on trains 829 00:36:56,740 --> 00:36:59,020 # 'Cause she never could sleep on trains 830 00:37:03,980 --> 00:37:07,460 # She took the bus to Hollywood 831 00:37:07,460 --> 00:37:09,940 # Lookin' for a room in the pouring rain 832 00:37:14,780 --> 00:37:17,780 # With her hair so blonde and her eyes so brown 833 00:37:17,780 --> 00:37:18,020 # With her hair so # She thought she'd take this town 834 00:37:18,020 --> 00:37:19,820 # She thought she'd take this town 835 00:37:19,820 --> 00:37:22,660 # And turn it upside down 836 00:37:25,820 --> 00:37:30,100 # But I was living in a hotel just off Sunset 837 00:37:30,100 --> 00:37:32,380 # She moved in across the hall 838 00:37:37,060 --> 00:37:39,820 # And she said she'd be a movie star 839 00:37:39,820 --> 00:37:43,660 # And waited every morning for a call 840 00:37:48,180 --> 00:37:50,860 # So I asked her in to share a drink 841 00:37:50,860 --> 00:37:51,100 # So I asked her in to share a drink # But she hardly had the time 842 00:37:51,100 --> 00:37:53,980 # But she hardly had the time 843 00:37:53,980 --> 00:37:56,700 # A call might come tomorrow 844 00:37:56,700 --> 00:37:59,380 # She had to learn her lines 845 00:37:59,380 --> 00:38:01,940 # On Hollywood Seven, rooms to rent 846 00:38:01,940 --> 00:38:04,180 # 'Til your name goes up in lights 847 00:38:08,780 --> 00:38:10,540 # Whoa, Hollywood Seven 848 00:38:10,540 --> 00:38:11,700 # You can dream your dream 849 00:38:11,700 --> 00:38:13,820 # For seven bucks a night 850 00:38:18,700 --> 00:38:21,460 # Well, the months went by without a job 851 00:38:21,460 --> 00:38:25,420 # The money that she saved was nearly spent 852 00:38:29,660 --> 00:38:33,140 # So she started bringing strangers home 853 00:38:33,140 --> 00:38:33,420 # Trying to find a way to pay the rent # So she started bringing strangers home 854 00:38:33,420 --> 00:38:35,740 # Trying to find a way to pay the rent 855 00:38:40,580 --> 00:38:43,620 # Well, she'd sit down and drink my coffee 856 00:38:43,620 --> 00:38:43,860 # With nothin' much to say down and drink my coffee 857 00:38:43,860 --> 00:38:46,340 # With nothin' much to say 858 00:38:46,340 --> 00:38:46,580 # With nothin' much to say # Just busy rehearsing in her mind 859 00:38:46,580 --> 00:38:49,340 # Just busy rehearsing in her mind 860 00:38:49,340 --> 00:38:49,580 # Just busy # The scene she'd never play 861 00:38:49,580 --> 00:38:52,420 # The scene she'd never play 862 00:38:52,420 --> 00:38:54,620 # On Hollywood Seven, rooms to rent 863 00:38:54,620 --> 00:38:56,820 # 'Til your name goes up in lights 864 00:39:01,220 --> 00:39:02,900 # Oh, Hollywood Seven 865 00:39:02,900 --> 00:39:04,740 # You can dream your dreams 866 00:39:04,740 --> 00:39:06,580 # For seven bucks a night 867 00:39:16,900 --> 00:39:18,420 # Well, I found her there one morning 868 00:39:18,420 --> 00:39:23,460 # When she didn't come for coffee when I called 869 00:39:27,460 --> 00:39:30,500 # She'd gone and brought the wrong one home this time 870 00:39:30,500 --> 00:39:34,180 # There were crazy lipstick marks all over the wall 871 00:39:38,380 --> 00:39:41,300 # Now she's goin' back to Omaha 872 00:39:41,300 --> 00:39:43,860 # But not the way she'd planned 873 00:39:43,860 --> 00:39:44,100 # There'll be no # But not the way she'd planned 874 00:39:44,100 --> 00:39:46,700 # There'll be no crowd to cheer her on 875 00:39:46,700 --> 00:39:46,940 # There'll be no # No welcome home, no band 876 00:39:46,940 --> 00:39:49,260 # No welcome home, no band 877 00:39:49,260 --> 00:39:50,900 # On Hollywood Seven 878 00:39:50,900 --> 00:39:51,900 # Rooms to rent 879 00:39:51,900 --> 00:39:54,100 # 'Til your name goes up in lights 880 00:39:58,460 --> 00:39:59,980 # Oh, Hollywood Seven 881 00:39:59,980 --> 00:40:01,540 # You can dream your dreams 882 00:40:01,540 --> 00:40:03,580 # For seven bucks a night 883 00:40:08,140 --> 00:40:09,700 # On Hollywood Seven 884 00:40:09,700 --> 00:40:10,700 # Dreams to rent 885 00:40:10,700 --> 00:40:14,620 # 'Til your name goes up in lights 886 00:40:14,620 --> 00:40:16,420 # Oh, Hollywood Seven 887 00:40:16,420 --> 00:40:17,660 # You can pay your dues 888 00:40:17,660 --> 00:40:20,540 # For seven bucks a night. # 889 00:40:22,940 --> 00:40:23,940 (CHEERING) 890 00:40:23,940 --> 00:40:27,540 Of course, some narrative songs have pathos and tragedy. 891 00:40:27,540 --> 00:40:29,300 Others are just songs about cars and girls. 892 00:40:31,100 --> 00:40:33,340 # Jump in my car 893 00:40:34,500 --> 00:40:36,700 # I want to take you home 894 00:40:38,420 --> 00:40:40,180 # Mm, jump in my car 895 00:40:41,740 --> 00:40:44,500 # It's too far to walk on your own 896 00:40:46,700 --> 00:40:48,060 # No, thank you, sir 897 00:40:48,060 --> 00:40:50,700 # Ah, come on, I'm a trustworthy guy 898 00:40:50,700 --> 00:40:50,940 # Ah, come on, # No, thank you, sir 899 00:40:50,940 --> 00:40:51,900 # No, thank you, sir 900 00:40:51,900 --> 00:40:54,540 # Oh, little girl, I wouldn't tell you no lie 901 00:40:54,540 --> 00:40:54,780 # Oh, little girl, # I know your game 902 00:40:54,780 --> 00:40:55,820 # I know your game 903 00:40:55,820 --> 00:40:56,060 # How can you say that? # I know your game 904 00:40:56,060 --> 00:40:58,300 # How can you say that? We only just met 905 00:40:58,300 --> 00:40:58,540 # How can you say that? # You're all the same 906 00:40:58,540 --> 00:40:59,460 # You're all the same 907 00:40:59,460 --> 00:41:02,220 # Ooh, she's got me there, but I'll get her yet 908 00:41:02,220 --> 00:41:02,460 # Ooh, she's got me there, # I got you there 909 00:41:02,460 --> 00:41:03,220 # I got you there 910 00:41:03,220 --> 00:41:06,620 # No, you didn't, I was catching my breath 911 00:41:06,620 --> 00:41:08,220 # And look, it's starting to rain 912 00:41:08,220 --> 00:41:09,780 # And baby, you'll catch your death 913 00:41:09,780 --> 00:41:10,780 # Well, I don't know 914 00:41:10,780 --> 00:41:14,020 # Ah, come on, it costs nothing to try 915 00:41:14,020 --> 00:41:17,740 # And you'll arrive home nice and dry 916 00:41:17,740 --> 00:41:18,660 # Mm-mm 917 00:41:18,660 --> 00:41:20,100 # Jump in my car 918 00:41:21,900 --> 00:41:23,900 # I want to take you home 919 00:41:25,340 --> 00:41:27,660 # Come on, jump in my car 920 00:41:29,380 --> 00:41:31,820 # It's too far to walk on your own 921 00:41:32,740 --> 00:41:37,780 (GUITAR SOLO) 922 00:41:52,820 --> 00:41:55,260 # Mm-mm, jump in my car 923 00:41:56,820 --> 00:41:58,700 # I want to take you home 924 00:42:00,660 --> 00:42:02,540 # Come on, jump in my car 925 00:42:04,220 --> 00:42:06,620 # It's too far to walk on your ow-own 926 00:42:09,020 --> 00:42:10,180 # Well, maybe I will 927 00:42:10,180 --> 00:42:12,980 # Ah, that's better Now you're talking sense 928 00:42:12,980 --> 00:42:13,220 # Jeepers, keep still # Ah, that's better Now you're talking sense 929 00:42:13,220 --> 00:42:13,980 # Jeepers, keep still 930 00:42:13,980 --> 00:42:16,900 # Well, if you like, I'll just put up a fence 931 00:42:16,900 --> 00:42:17,140 # No need to get smart I'll just put up a fence 932 00:42:17,140 --> 00:42:18,020 # No need to get smart 933 00:42:18,020 --> 00:42:18,260 # No need to get smart we'll soon be on our way 934 00:42:18,260 --> 00:42:20,740 # Well, alright, we'll soon be on our way 935 00:42:20,740 --> 00:42:20,980 # We better start we'll soon be on our way 936 00:42:20,980 --> 00:42:21,900 # We better start 937 00:42:21,900 --> 00:42:22,100 # We better start # What for? 938 00:42:22,100 --> 00:42:22,900 # What for? 939 00:42:22,900 --> 00:42:23,100 # Because it's such a long way # What for? 940 00:42:23,100 --> 00:42:24,620 # Because it's such a long way 941 00:42:24,620 --> 00:42:24,820 # Because it's such a long way # Well, why, where do you live? 942 00:42:24,820 --> 00:42:25,900 # Well, why, where do you live? 943 00:42:25,900 --> 00:42:26,700 # I live down south 944 00:42:26,700 --> 00:42:28,740 # It's roughly 84 miles 945 00:42:28,740 --> 00:42:29,860 # Hey, slow down 946 00:42:29,860 --> 00:42:32,340 # You must be joking there behind that cute smile 947 00:42:32,340 --> 00:42:33,380 # Oh, no, I'm not 948 00:42:33,380 --> 00:42:33,620 # Well, if you're not, # Oh, no, I'm not 949 00:42:33,620 --> 00:42:36,220 # Well, if you're not, there's only one thing to say 950 00:42:36,220 --> 00:42:36,460 # Well, if you're not, # And what's that? 951 00:42:36,460 --> 00:42:37,340 # And what's that? 952 00:42:37,340 --> 00:42:38,860 # Get out the car 953 00:42:38,860 --> 00:42:39,060 # Get on your way # Get out the car 954 00:42:39,060 --> 00:42:40,700 # Get on your way 955 00:42:40,700 --> 00:42:40,900 # Get on your way # Get out of my car 956 00:42:40,900 --> 00:42:42,340 # Get out of my car 957 00:42:42,340 --> 00:42:42,580 # But you just said that you'd take me home # Get out of my car 958 00:42:42,580 --> 00:42:44,980 # But you just said that you'd take me home 959 00:42:44,980 --> 00:42:45,220 # Well, if it's not too far said that you'd take me home 960 00:42:45,220 --> 00:42:45,980 # Well, if it's not too far 961 00:42:45,980 --> 00:42:48,660 # But there's no way that I can get there alone 962 00:42:48,660 --> 00:42:48,900 # I couldn't care less that I can get there alone 963 00:42:48,900 --> 00:42:50,260 # I couldn't care less 964 00:42:50,260 --> 00:42:50,500 # I couldn't care less could see you next week 965 00:42:50,500 --> 00:42:52,740 # Well, maybe I could see you next week 966 00:42:52,740 --> 00:42:53,940 # But you look a mess 967 00:42:53,940 --> 00:42:56,660 # Well, look who's talking You got no right to speak 968 00:42:56,660 --> 00:42:56,900 # Well, look who's talking You got no right to speak # Get out of my car 969 00:42:56,900 --> 00:42:58,380 # Get out of my car 970 00:42:58,380 --> 00:43:00,860 # You told me that you were a really nice guy 971 00:43:00,860 --> 00:43:02,460 # Well, I ain't 972 00:43:02,460 --> 00:43:07,180 # Well, yeah, get out of my car, yeah 973 00:43:07,180 --> 00:43:07,420 # Well, yeah, # Get out, get out of my car. # 974 00:43:07,420 --> 00:43:09,460 # Get out, get out of my car. # 975 00:43:09,460 --> 00:43:11,500 (CHEERING) 976 00:43:27,460 --> 00:43:28,940 # Countdown! # 977 00:43:28,940 --> 00:43:29,180 # Countdown! # Uh, the Bay City Rollers have had a lot of caning 978 00:43:29,180 --> 00:43:31,500 Uh, the Bay City Rollers have had a lot of caning 979 00:43:31,500 --> 00:43:31,740 Uh, the Bay City Rollers over the last two years, 980 00:43:31,740 --> 00:43:32,780 over the last two years, 981 00:43:32,780 --> 00:43:35,260 and a lot of people are spreading it around 982 00:43:35,260 --> 00:43:37,180 that they don't play their own instruments. 983 00:43:37,180 --> 00:43:38,020 Wrong, they do. 984 00:43:38,020 --> 00:43:39,900 They write a lot of their own songs. 985 00:43:39,900 --> 00:43:40,140 They write a lot Now, they're very young musicians. 986 00:43:40,140 --> 00:43:41,100 Now, they're very young musicians. 987 00:43:41,100 --> 00:43:44,580 They aren't in the class, of course, like Supertramp or ELO 988 00:43:44,580 --> 00:43:47,060 or Led Zeppelin or any of the groups like that, 989 00:43:47,060 --> 00:43:49,980 but they are very young and they've got a long way to go. 990 00:43:49,980 --> 00:43:50,220 but they are very young and But I tell you what, 991 00:43:50,220 --> 00:43:50,980 But I tell you what, 992 00:43:50,980 --> 00:43:54,180 with the song writing ability of both Woody and Eric, 993 00:43:54,180 --> 00:43:56,380 I think they're going to prove a lot of people wrong 994 00:43:56,380 --> 00:43:58,020 over the next couple of years, alright? 995 00:43:58,020 --> 00:43:58,260 over the next OK, now, just tell us again 996 00:43:58,260 --> 00:43:59,180 OK, now, just tell us again 997 00:43:59,180 --> 00:44:01,420 what you think of "Yesterday's Hero" by the Bay City Rollers. 998 00:44:01,420 --> 00:44:01,660 I think it's quite... what you think of "Yesterday's Hero" by the Bay City Rollers. 999 00:44:01,660 --> 00:44:03,020 I think it's quite... 1000 00:44:03,020 --> 00:44:04,820 it's quite good, but it could've been better. 1001 00:44:04,820 --> 00:44:05,580 OK. 1002 00:44:05,580 --> 00:44:06,820 'Cause they've done better things. 1003 00:44:06,820 --> 00:44:07,060 'Cause they've done better things. Well, this is a prediction for us, at the moment. 1004 00:44:07,060 --> 00:44:09,100 Well, this is a prediction for us, at the moment. 1005 00:44:09,100 --> 00:44:10,780 Alright. Alright. 1006 00:44:10,780 --> 00:44:12,580 We all know what your taste is. (CHUCKLES) 1007 00:44:12,580 --> 00:44:13,700 When can we expect... 1008 00:44:13,700 --> 00:44:15,540 I know with this album selling and selling and selling, 1009 00:44:15,540 --> 00:44:15,780 I know with this album selling and why bother writing music? 1010 00:44:15,780 --> 00:44:16,620 why bother writing music? 1011 00:44:16,620 --> 00:44:18,380 When are you going to do a new one? 1012 00:44:18,380 --> 00:44:18,620 We're doing a new one in January and February, Molly. When are you going to do a new one? 1013 00:44:18,620 --> 00:44:20,540 We're doing a new one in January and February, Molly. 1014 00:44:20,540 --> 00:44:22,420 It'll be out about the 1st of April. 1015 00:44:22,420 --> 00:44:23,820 It'll be called Cruisin' for a Bruisin'. 1016 00:44:23,820 --> 00:44:24,100 It'll be called Cruisin' for a Bruisin'. Cruisin' for a Bruisin'? Yeah, 1017 00:44:24,100 --> 00:44:24,900 Cruisin' for a Bruisin'? Yeah, 1018 00:44:24,900 --> 00:44:26,900 and that's what you'll be, too, if you don't play it. 1019 00:44:26,900 --> 00:44:27,660 Oh, yes, OK. 1020 00:44:27,660 --> 00:44:28,700 I'll hit you so hard in the head, 1021 00:44:28,700 --> 00:44:30,540 you'll have to open your fly to see where you're going. 1022 00:44:30,540 --> 00:44:31,860 Now, Squeak. Yes. 1023 00:44:31,860 --> 00:44:33,380 Are you gonna behave yourself today? 1024 00:44:33,380 --> 00:44:34,140 No way. 1025 00:44:34,140 --> 00:44:35,780 I see, alright. We'll just look forward to that. 1026 00:44:35,780 --> 00:44:39,500 No way. Now, number 15 of the...the... 1027 00:44:39,500 --> 00:44:39,740 No way. Oh! 1028 00:44:39,740 --> 00:44:40,500 Oh! 1029 00:44:40,500 --> 00:44:41,820 See how they can do that? 1030 00:44:41,820 --> 00:44:44,020 That's ridiculous, isn't it? 1031 00:44:44,020 --> 00:44:45,100 I mean, look, 1032 00:44:45,100 --> 00:44:48,580 I live in terror what they're liable to do to me next week. 1033 00:44:48,580 --> 00:44:48,820 I live in terror what they're liable (EXPLOSION) 1034 00:44:48,820 --> 00:44:50,020 (EXPLOSION) 1035 00:44:50,020 --> 00:44:51,540 (GASPS) 1036 00:44:51,540 --> 00:44:52,940 Heavens forbid! 1037 00:44:52,940 --> 00:44:54,300 And the number one... 1038 00:44:54,300 --> 00:44:55,780 What's...what's that? 1039 00:44:55,780 --> 00:45:00,060 Well, this is a present for you from the staff at the ABC. 1040 00:45:00,060 --> 00:45:01,620 Thanks. They're getting desperate. 1041 00:45:01,620 --> 00:45:02,780 There's a very nice note on there for you. 1042 00:45:02,780 --> 00:45:04,900 I bet, yes. It's a nice note. 1043 00:45:04,900 --> 00:45:05,140 I bet, yes. These were used before. 1044 00:45:05,140 --> 00:45:06,260 These were used before. 1045 00:45:06,260 --> 00:45:07,260 They weren't. 1046 00:45:07,260 --> 00:45:08,420 They were. 1047 00:45:08,420 --> 00:45:08,660 Look, some poor They were. 1048 00:45:08,660 --> 00:45:11,660 Look, some poor nun has gone blind making them. 1049 00:45:11,660 --> 00:45:13,100 I can see Mark Holden's sweat on there! 1050 00:45:13,100 --> 00:45:14,100 (CHUCKLES) Good heavens. 1051 00:45:14,100 --> 00:45:15,500 Have you...read the note, mate. Come on. 1052 00:45:15,500 --> 00:45:15,740 Have you...read the note, mate. I'm gonna read the note. 1053 00:45:15,740 --> 00:45:18,140 I'm gonna read the note. 1054 00:45:18,140 --> 00:45:18,380 "Return to props after use". I'm gonna read the note. 1055 00:45:18,380 --> 00:45:20,620 "Return to props after use". (CHUCKLES) 1056 00:45:22,140 --> 00:45:24,580 A little bit of Hush, please, sweetheart. 1057 00:45:28,060 --> 00:45:29,860 Nice one, huh? Great. 1058 00:45:29,860 --> 00:45:31,260 I know! 1059 00:45:31,260 --> 00:45:31,460 # What's your dilemma? I know! 1060 00:45:31,460 --> 00:45:32,260 # What's your dilemma? 1061 00:45:32,260 --> 00:45:34,260 # Won't you please tell me, Emma? 1062 00:45:34,260 --> 00:45:37,780 # I don't wanna lay you down 1063 00:45:37,780 --> 00:45:42,620 # Sometimes it's hard to bend 1064 00:45:43,660 --> 00:45:48,660 # Turn around, you better start all over again 1065 00:45:50,060 --> 00:45:53,100 # Please tell me, Emma 1066 00:45:53,100 --> 00:45:54,180 # Don't get excited 1067 00:45:54,180 --> 00:45:55,180 # You'll be invited. # 1068 00:45:55,180 --> 00:45:57,780 WILBUR: As Aussie bands became regular fixtures in the charts, 1069 00:45:57,780 --> 00:46:00,220 we cheered for their overseas success as well. 1070 00:46:00,220 --> 00:46:01,340 You arrive in London, 1071 00:46:01,340 --> 00:46:04,340 and in America, the album sold number 73 on the chart. 1072 00:46:04,340 --> 00:46:04,620 Well, America's where we're confident. and in America, the album sold number 73 on the chart. 1073 00:46:04,620 --> 00:46:05,740 Well, America's where we're confident. 1074 00:46:05,740 --> 00:46:09,140 I don't know about here because you know what England's like. 1075 00:46:09,140 --> 00:46:10,940 They either like you or they don't like you. 1076 00:46:10,940 --> 00:46:12,180 When are you back in Australia? December? 1077 00:46:12,180 --> 00:46:13,660 DEREK: Christmas. Early December. 1078 00:46:13,660 --> 00:46:13,940 DEREK: Christmas. Early December. Yeah. Christmas time. 1079 00:46:13,940 --> 00:46:15,140 Yeah. Christmas time. 1080 00:46:15,140 --> 00:46:17,380 I found some diamonds, dear. They're beautiful. 1081 00:46:17,380 --> 00:46:19,180 See you soon. Say goodbye. 1082 00:46:19,180 --> 00:46:20,580 Bye-bye, Cathy. Bye-bye. 1083 00:46:20,580 --> 00:46:20,820 Bye-bye, Cathy. I'm gonna go now. 1084 00:46:20,820 --> 00:46:22,740 I'm gonna go now. 1085 00:46:22,740 --> 00:46:22,940 Sweet little girl... I'm gonna go now. 1086 00:46:22,940 --> 00:46:23,900 Sweet little girl... 1087 00:46:23,900 --> 00:46:25,100 And when a local act did succeed 1088 00:46:25,100 --> 00:46:28,020 in breaking the tyranny of distance... 1089 00:46:28,020 --> 00:46:29,460 Yes. 1090 00:46:29,460 --> 00:46:29,660 Yes. ..we felt like we'd all succeeded. 1091 00:46:29,660 --> 00:46:31,220 ..we felt like we'd all succeeded. 1092 00:46:31,220 --> 00:46:32,220 Yeah. 1093 00:46:32,220 --> 00:46:33,260 This is Air Supply with a song 1094 00:46:33,260 --> 00:46:35,540 that's taken a long time to get up there, 1095 00:46:35,540 --> 00:46:36,460 but it's "Love And Other Bruises." 1096 00:46:36,460 --> 00:46:38,940 Fantastic. (CHEERING) 1097 00:46:56,460 --> 00:47:01,500 # As the time slips through your fingers 1098 00:47:04,700 --> 00:47:09,260 # 'Til it's almost time to go 1099 00:47:13,260 --> 00:47:18,260 # And the morning breaks between us 1100 00:47:21,340 --> 00:47:25,980 # And the ice melts into snow 1101 00:47:29,260 --> 00:47:34,300 # I'm alright loving you 1102 00:47:37,460 --> 00:47:44,460 # I'm alright loving you 1103 00:47:46,180 --> 00:47:50,020 # Love and other bruises 1104 00:47:50,020 --> 00:47:53,300 # Didn't have to choose us 1105 00:47:54,700 --> 00:47:58,780 # But it did and I'm alive 1106 00:47:58,780 --> 00:48:02,500 # And I'm trying to survive 1107 00:48:02,500 --> 00:48:06,540 # Love and other bruises 1108 00:48:06,540 --> 00:48:10,500 # Makes us all good losers 1109 00:48:10,500 --> 00:48:14,580 # I can't help it, talking loud 1110 00:48:14,580 --> 00:48:18,340 # It's because I'm on a cloud 1111 00:48:22,860 --> 00:48:27,900 # Won't you please take me home? 1112 00:48:31,100 --> 00:48:35,100 # Won't you please, please take me home? 1113 00:48:39,660 --> 00:48:43,620 # I'm so mixed up over you 1114 00:48:47,820 --> 00:48:51,820 # I don't want to be alone 1115 00:48:56,020 --> 00:49:00,700 # I'm alright loving you 1116 00:49:04,660 --> 00:49:09,460 # I'm alright loving you... 1117 00:49:12,580 --> 00:49:16,460 # Love and other bruises 1118 00:49:16,460 --> 00:49:20,740 # Didn't have to choose us 1119 00:49:20,740 --> 00:49:24,780 # But it did and I'm alive 1120 00:49:24,780 --> 00:49:28,900 # And I'm trying to survive 1121 00:49:28,900 --> 00:49:33,100 # Love and other bruises 1122 00:49:33,100 --> 00:49:37,260 # Makes us all good losers 1123 00:49:37,260 --> 00:49:41,500 # I can't help it, talking loud 1124 00:49:41,500 --> 00:49:45,100 # It's because I'm on a cloud 1125 00:49:45,100 --> 00:49:45,300 # Love and other bruises # It's because I'm on a cloud 1126 00:49:45,300 --> 00:49:48,660 # Love and other bruises 1127 00:49:48,660 --> 00:49:53,100 # Makes us all good losers 1128 00:49:53,100 --> 00:49:57,380 # I can't help it, talking loud 1129 00:49:57,380 --> 00:49:57,580 # I can't help it, talking loud # It's because I'm on a cloud 1130 00:49:57,580 --> 00:50:01,420 # It's because I'm on a cloud 1131 00:50:01,420 --> 00:50:04,940 # Love and other bruises 1132 00:50:04,940 --> 00:50:09,380 # Makes us all good losers 1133 00:50:09,380 --> 00:50:13,420 # I can't help it, talking loud 1134 00:50:13,420 --> 00:50:15,460 # It's because... # 1135 00:50:21,060 --> 00:50:23,060 # I want to end it 1136 00:50:23,060 --> 00:50:25,460 # Mama 1137 00:50:25,460 --> 00:50:27,300 # Open up 1138 00:50:27,300 --> 00:50:29,260 # I'm coming back in 1139 00:50:29,260 --> 00:50:29,500 # I don't like it out here no more # I'm coming back in 1140 00:50:29,500 --> 00:50:32,780 # I don't like it out here no more 1141 00:50:32,780 --> 00:50:33,020 # Mama, open up it out here no more 1142 00:50:33,020 --> 00:50:36,100 # Mama, open up 1143 00:50:36,100 --> 00:50:36,300 # Mama, open up # I'm coming back in 1144 00:50:36,300 --> 00:50:38,060 # I'm coming back in 1145 00:50:38,060 --> 00:50:42,380 # I don't like it out here no more. # 1146 00:50:42,380 --> 00:50:45,940 By the end of '76, there were more rumblings in the music industry. 1147 00:50:45,940 --> 00:50:49,820 Another explosion was about to happen, this one in the UK. 1148 00:50:49,820 --> 00:50:53,500 Australian musicians would become trailblazers in new genres, 1149 00:50:53,500 --> 00:50:53,740 Australian musicians would become such as punk and new wave. 1150 00:50:53,740 --> 00:50:55,780 such as punk and new wave. 1151 00:50:55,780 --> 00:50:57,700 Rather than looking to the past, 1152 00:50:57,700 --> 00:51:01,780 it looked like the year ahead would be one for ringing the changes. 1153 00:51:01,780 --> 00:51:06,180 (PHONE RINGS) 1154 00:51:06,180 --> 00:51:07,860 Hello? 1155 00:51:07,860 --> 00:51:09,260 MAN: Oh, hello. 1156 00:51:09,260 --> 00:51:10,300 This is John Paul Young. 1157 00:51:10,300 --> 00:51:12,580 I just thought I'd ring you to let you know 1158 00:51:12,580 --> 00:51:16,540 that Countdown's gonna be on next Sunday, the 7th of March, 1159 00:51:16,540 --> 00:51:21,540 and it's gonna be compering the show with Sherbet. 1160 00:51:21,540 --> 00:51:26,140 We'll have Sherbet on the show, AC/DC, Ted Mulry, Hush, 1161 00:51:26,140 --> 00:51:26,380 We'll have Sherbet on the and lots of other people. 1162 00:51:26,380 --> 00:51:27,860 and lots of other people. 1163 00:51:27,860 --> 00:51:30,700 So, why don't you watch on the 7th of March? 1164 00:51:30,700 --> 00:51:31,780 Countdown on the ABC. 1165 00:51:31,780 --> 00:51:33,980 Unreal. Yeah, I'll be watching. 1166 00:51:33,980 --> 00:51:34,220 Unreal. OK, bye. 1167 00:51:34,220 --> 00:51:36,020 OK, bye. 1168 00:51:40,220 --> 00:51:42,540 # Countdown! # 1169 00:51:42,540 --> 00:51:42,740 # She's too hot # Countdown! # 1170 00:51:42,740 --> 00:51:45,100 # She's too hot 1171 00:51:45,100 --> 00:51:47,860 # Too hot to touch 1172 00:51:50,260 --> 00:51:52,460 # Ooh 1173 00:51:52,460 --> 00:51:56,300 # Too hot to love. # 1174 00:51:56,300 --> 00:51:59,300 WILBUR: Although the singles of local acts got close, 1175 00:51:59,300 --> 00:51:59,580 1976 was pretty much a two horse race. WILBUR: Although the singles of local acts got close, 1176 00:51:59,580 --> 00:52:02,500 1976 was pretty much a two horse race. 1177 00:52:02,500 --> 00:52:02,740 At the start of the year, much a two horse race. 1178 00:52:02,740 --> 00:52:03,580 At the start of the year, 1179 00:52:03,580 --> 00:52:06,500 "Bohemian Rhapsody" had the public entranced. 1180 00:52:06,500 --> 00:52:06,780 "Bohemian Rhapsody" had the public entranced. MOLLY: It was "Bohemian Rhapsody," and A Night at the Opera. 1181 00:52:06,780 --> 00:52:10,420 MOLLY: It was "Bohemian Rhapsody," and A Night at the Opera. 1182 00:52:10,420 --> 00:52:12,940 I mean, that was the absolute breaker. 1183 00:52:12,940 --> 00:52:14,220 It got us to a very different area. 1184 00:52:14,220 --> 00:52:19,220 I mean, the cross section of the public then were so different. 1185 00:52:19,220 --> 00:52:19,460 I mean, the cross section of the I mean, we were...then suddenly... 1186 00:52:19,460 --> 00:52:20,980 I mean, we were...then suddenly... 1187 00:52:20,980 --> 00:52:21,220 ..we suddenly realised we were I mean, we were...then suddenly... 1188 00:52:21,220 --> 00:52:23,020 ..we suddenly realised we were playing to mums and dads. 1189 00:52:23,020 --> 00:52:23,260 ..we suddenly realised we were And then there was that ABBA song. 1190 00:52:23,260 --> 00:52:24,900 And then there was that ABBA song. 1191 00:52:24,900 --> 00:52:25,100 Oh, it's a new... And then there was that ABBA song. 1192 00:52:25,100 --> 00:52:27,340 Oh, it's a new... 1193 00:52:27,340 --> 00:52:30,420 ..brand-new song which is called "Fernando." 1194 00:52:31,620 --> 00:52:35,500 And I'm singing the lead vocals together with Anna, 1195 00:52:35,500 --> 00:52:35,740 And I'm singing the lead and Bjorn and Ben, of course. 1196 00:52:35,740 --> 00:52:38,060 and Bjorn and Ben, of course. 1197 00:52:38,060 --> 00:52:38,300 Australian expat, Noosha Fox, had the number one "S-S-S-Single Bed," and Bjorn and Ben, of course. 1198 00:52:38,300 --> 00:52:42,220 Australian expat, Noosha Fox, had the number one "S-S-S-Single Bed," 1199 00:52:42,220 --> 00:52:42,460 for three weeks. the number one "S-S-S-Single Bed," 1200 00:52:42,460 --> 00:52:43,300 for three weeks. 1201 00:52:43,300 --> 00:52:43,540 for three weeks. MOLLY: When did you really first know about the fact 1202 00:52:43,540 --> 00:52:45,340 MOLLY: When did you really first know about the fact 1203 00:52:45,340 --> 00:52:48,460 that "Single Bed" was, in fact, a giant hit in Australia? 1204 00:52:48,460 --> 00:52:51,540 Well, first of all, someone went to me, 1205 00:52:51,540 --> 00:52:55,740 a friend of mine went to me from Australia and said, you know, 1206 00:52:55,740 --> 00:52:58,740 "This record's really getting airplay there." 1207 00:52:58,740 --> 00:53:00,580 "People are starting to listen to it." 1208 00:53:00,580 --> 00:53:02,020 "We saw you on Countdown." 1209 00:53:02,020 --> 00:53:03,620 And then the next thing I knew, you know, 1210 00:53:03,620 --> 00:53:08,180 the record company telephoned me and said, "It's number one." 1211 00:53:09,940 --> 00:53:13,140 But the local song for which we remember 1976 1212 00:53:13,140 --> 00:53:15,100 is Sherbet's cricket catchphrase song, 1213 00:53:15,100 --> 00:53:15,340 number one for a month, "Howzat." cricket catchphrase song, 1214 00:53:15,340 --> 00:53:17,580 number one for a month, "Howzat." 1215 00:53:18,780 --> 00:53:21,500 # You told me I was the one 1216 00:53:23,180 --> 00:53:27,700 # The only one who got your head undone 1217 00:53:27,700 --> 00:53:33,940 # And for a while, I believed the line that you spun 1218 00:53:36,820 --> 00:53:39,460 # But I've been looking at you 1219 00:53:41,260 --> 00:53:45,620 # Looking closely at the things you do 1220 00:53:45,620 --> 00:53:51,380 # I didn't see you the way you wanted me to 1221 00:53:52,300 --> 00:53:54,260 # How # How 1222 00:53:54,260 --> 00:53:56,180 # Howzat 1223 00:53:56,180 --> 00:53:57,180 # You messed about 1224 00:53:57,180 --> 00:53:58,220 # I caught you out 1225 00:53:58,220 --> 00:53:58,420 # Howzat # I caught you out 1226 00:53:58,420 --> 00:54:00,860 # Howzat 1227 00:54:00,860 --> 00:54:04,540 # Now that I found where you're at 1228 00:54:04,540 --> 00:54:06,460 # It's goodbye 1229 00:54:06,460 --> 00:54:08,700 # Well, howzat? 1230 00:54:08,700 --> 00:54:12,100 # It's goodbye... 1231 00:54:16,380 --> 00:54:18,860 # You only came for a smile 1232 00:54:21,020 --> 00:54:25,460 # Even though you're really not my style 1233 00:54:25,460 --> 00:54:28,900 # I didn't think that you'd run me 'round 1234 00:54:28,900 --> 00:54:29,140 # I didn't think # Like you do 1235 00:54:29,140 --> 00:54:31,980 # Like you do 1236 00:54:31,980 --> 00:54:33,620 # How # How 1237 00:54:33,620 --> 00:54:35,420 # Howzat 1238 00:54:35,420 --> 00:54:36,420 # You messed about 1239 00:54:36,420 --> 00:54:37,420 # I caught you out 1240 00:54:37,420 --> 00:54:37,620 # Howzat # I caught you out 1241 00:54:37,620 --> 00:54:40,180 # Howzat 1242 00:54:40,180 --> 00:54:44,020 # Now that I found where you're at 1243 00:54:44,020 --> 00:54:45,900 # It's goodbye 1244 00:54:45,900 --> 00:54:48,100 # Well, howzat? 1245 00:54:48,100 --> 00:54:52,340 # It's goodbye 1246 00:54:52,340 --> 00:54:52,540 # It's goodbye # Oh, yeah 1247 00:54:52,540 --> 00:54:54,540 # Oh, yeah 1248 00:54:54,540 --> 00:54:54,740 # Oh, yeah # Oh, yeah 1249 00:54:54,740 --> 00:54:56,980 # Oh, yeah 1250 00:55:03,860 --> 00:55:08,900 (GUITAR SOLO) 1251 00:55:33,500 --> 00:55:36,180 # Well, I've been looking at you 1252 00:55:36,180 --> 00:55:38,100 # I'll tell you what I see 1253 00:55:38,100 --> 00:55:38,340 # I'll tell you what I see # Looking closely at the things you do 1254 00:55:38,340 --> 00:55:40,620 # Looking closely at the things you do 1255 00:55:40,620 --> 00:55:40,860 # Looking closely # No, you can't fool me 1256 00:55:40,860 --> 00:55:42,660 # No, you can't fool me 1257 00:55:42,660 --> 00:55:47,660 # I didn't see it the way you wanted me to 1258 00:55:48,740 --> 00:55:50,260 # How # How 1259 00:55:50,260 --> 00:55:50,500 # How # Howzat 1260 00:55:50,500 --> 00:55:52,740 # Howzat 1261 00:55:52,740 --> 00:55:53,580 # You messed about 1262 00:55:53,580 --> 00:55:54,740 # I caught you out 1263 00:55:54,740 --> 00:55:57,140 # Howzat 1264 00:55:57,140 --> 00:56:00,780 # Now that I found where you're at 1265 00:56:00,780 --> 00:56:01,020 # Now that I # It's goodbye... 1266 00:56:01,020 --> 00:56:05,820 # It's goodbye... 1267 00:56:07,420 --> 00:56:09,620 # Howzat 1268 00:56:09,620 --> 00:56:10,740 # You messed about 1269 00:56:10,740 --> 00:56:11,740 # I caught you out 1270 00:56:11,740 --> 00:56:14,140 # Howzat 1271 00:56:14,140 --> 00:56:17,620 # Now that I found where you're at 1272 00:56:17,620 --> 00:56:19,860 # It's goodbye 1273 00:56:19,860 --> 00:56:22,900 # Well, howzat 1274 00:56:22,900 --> 00:56:26,180 # Goodbye 1275 00:56:26,180 --> 00:56:28,180 # Oh, yeah 1276 00:56:28,180 --> 00:56:30,780 # Ooh, yeah 1277 00:56:30,780 --> 00:56:33,260 # Goodbye, goodbye, goodbye, goodbye, goodbye 1278 00:56:33,260 --> 00:56:33,500 # Good... goodbye, goodbye 1279 00:56:33,500 --> 00:56:36,540 # Good... 1280 00:56:38,900 --> 00:56:40,860 # Bye. # 1281 00:56:47,660 --> 00:56:48,740 (ALL LAUGH) 1282 00:56:48,740 --> 00:56:53,180 # It's a long way to the top if you want to rock and roll! # 1283 00:56:53,180 --> 00:56:56,100 MOLLY: This could only happen on Countdown. 1284 00:56:56,100 --> 00:56:56,340 Come home with me! only happen on Countdown. 1285 00:56:56,340 --> 00:56:58,060 Come home with me! 1286 00:56:58,060 --> 00:56:59,620 WILBUR: Visit the Classic Countdown website 1287 00:56:59,620 --> 00:57:02,100 for more pictures, interviews, and behind the scenes information. 95244

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