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1
00:01:21,682 --> 00:01:24,752
[ Footsteps Running ]
2
00:01:25,819 --> 00:01:29,223
[ Honking ]
3
00:02:20,674 --> 00:02:23,311
[ Wings Flapping,
Bird Chattering ]
4
00:02:32,653 --> 00:02:35,723
[ Groaning ]
5
00:02:38,259 --> 00:02:39,960
I SAW...
6
00:02:39,993 --> 00:02:46,166
SOMETHING NASTY
IN THE WOODSHED.
7
00:02:57,311 --> 00:02:59,713
[ Thunderclap ]
8
00:03:37,518 --> 00:03:41,889
[ Man ]
HELP! HELP! HELP!
9
00:04:13,921 --> 00:04:18,426
[ Man ]
I'VE ALWAYS FOUND YOUR CHOICE
OF HOBBY, MADAM, QUITE UNIQUE.
10
00:04:18,459 --> 00:04:21,962
YES. WHAT DO
YOU THINK, SNELLER?
11
00:04:21,995 --> 00:04:24,565
NOT REALLY
MY DEPARTMENT,
MADAM.
12
00:04:24,598 --> 00:04:27,701
VENUS DESIGN.
WABER BROTHERS, 1918.
13
00:04:27,735 --> 00:04:30,971
FAMED CORSETIERES TO THE GENTRY.
AND IF YOU LOOK CAREFULLY,
14
00:04:31,004 --> 00:04:35,676
YOU'LL SEE IT'S GOT ONLY
TWO ELASTIC PANELS IN FRONT
INSTEAD OF THE USUAL THREE.
15
00:04:35,709 --> 00:04:37,778
SO IT HAS, MADAM.
[ Car Engine Rattling ]
16
00:04:40,581 --> 00:04:43,784
IT'S MISS POSTE.
OH, POOR THING.
GO AND LET HER IN.
17
00:04:49,857 --> 00:04:52,092
SNELLER, HOW ARE YOU?
VERY WELL, MISS.
18
00:04:52,125 --> 00:04:55,663
I'M SO SORRY TO HEAR
ABOUT YOUR PARENTS.
THANK YOU, SNELLER.
19
00:04:55,696 --> 00:05:00,000
DO YOU HAVE ONE AND SIX
FOR THE DRIVER?
I'LL SEE TO IT, MISS.
20
00:05:00,033 --> 00:05:03,971
FLORA, DARLING, WAS
THE FUNERAL TOO AWFUL?
21
00:05:04,004 --> 00:05:06,674
UGH! HORRID.
THOUGH I'M BOUND TO SAY...
22
00:05:06,707 --> 00:05:09,543
ALL THE LONDON RELATIVES
SEEMED TO ENJOY IT NO END.
23
00:05:09,577 --> 00:05:12,513
DID ANY OF THEM ASK YOU
TO GO AND LIVE WITH THEM?
I MEANT TO WARN YOU.
24
00:05:12,546 --> 00:05:16,083
RELATIVES AT FUNERALS
ALWAYS DO THAT.
NOT ME.
25
00:05:16,116 --> 00:05:18,819
I'VE ONLY
A HUNDRED POUNDS A YEAR,
AND I CAN'T PLAY BRIDGE.
26
00:05:18,852 --> 00:05:21,054
AND I WAS NEVER
VERY CLOSE TO MY PARENTS.
27
00:05:21,088 --> 00:05:24,492
OF COURSE YOU CAN STAY HERE
AS LONG AS YOU LIKE, DARLING,
28
00:05:24,525 --> 00:05:27,060
BUT YOU'LL PROBABLY WANT TO TAKE
UP SOME KIND OF WORK SOMETIME;
29
00:05:27,094 --> 00:05:29,597
EARN ENOUGH FOR
A FLAT OF YOUR OWN.
30
00:05:29,630 --> 00:05:31,699
WHAT KIND OF WORK?
31
00:05:31,732 --> 00:05:34,968
IT'S AGES SINCE I DID ANY,
BUT THERE MUST BE SOMETHING
THAT WOULD SUIT YOU.
32
00:05:35,002 --> 00:05:38,906
BOOKKEEPING, BEEKEEPING.
I CAN'T
DO THAT, MARY.
33
00:05:38,939 --> 00:05:40,774
REALLY.
NOW, FLORA,
DON'T BE FEEBLE.
34
00:05:40,808 --> 00:05:44,578
YOU KNOW YOU'D BE MISERABLE
IF YOU HAVEN'T A JOB
AND ALL YOUR FRIENDS HAVE.
35
00:05:44,612 --> 00:05:49,617
BESIDES, A HUNDRED POUNDS
A YEAR-- HA! HARDLY KEEP
YOU IN STOCKINGS AND FANS.
36
00:05:49,650 --> 00:05:52,920
OH, THANK YOU, SNELLER.
BATTENBURG! MY FAVORITE.
37
00:05:53,854 --> 00:05:55,789
YOU MUST HAVE
SOME AMBITION.
38
00:05:55,823 --> 00:05:58,559
I DO. I WANT
TO BE A WRITER.
39
00:05:58,592 --> 00:06:00,861
WHEN I'M 53,
I MEAN TO WRITE A NOVEL...
40
00:06:00,894 --> 00:06:03,931
AS GOOD AS PERSUASION,
BUT WITH A MODERN SETTING.
41
00:06:03,964 --> 00:06:08,536
WELL, HOW WILL YOU SPEND
THE NEXT 30 YEARS?
LIVING LIFE.
42
00:06:08,569 --> 00:06:13,006
COLLECTING MATERIAL.
SURELY NO ONE CAN
OBJECT TO THAT.
43
00:06:13,040 --> 00:06:17,911
I HAVE SUCH A LOT IN COMMON
WITH JANE AUSTEN. NEITHER
OF US COULD ENDURE A MESS.
44
00:06:17,945 --> 00:06:20,113
WHAT WILL YOU LIVE ON--
OR OFF?
45
00:06:20,147 --> 00:06:23,984
AS YOU SAID: RELATIVES.
I'M PECULIARLY
RICH IN THEM.
46
00:06:24,017 --> 00:06:26,153
THEY HAVEN'T ASKED YOU.
THE LONDON ONES
HAVEN'T,
47
00:06:26,186 --> 00:06:28,789
BUT THERE ARE PLENTY MORE
ALL OVER THE COUNTRY.
48
00:06:28,822 --> 00:06:34,061
I'LL SEND OFF SOME
PITEOUS LETTERS TOMORROW.
WHAT SHALL WE DO TONIGHT?
49
00:06:34,094 --> 00:06:36,497
ARE ANY OF YOUR ADMIRERS
BACK FROM THEIR JUNGLES?
50
00:06:36,530 --> 00:06:40,601
YOU MUST SEE THE NEW RIVER CLUB.
IT'S EVER SO SMART AND SELECT.
SNELLER,
51
00:06:40,634 --> 00:06:42,703
ARE ANY OF
THE MEN HOME?
52
00:06:42,736 --> 00:06:47,107
I BELIEVE MR. FAIRFORD
AND MR. BISCUIT.
AH, BIKKI!
53
00:06:47,140 --> 00:06:50,944
CHARLES FAIRFORD?
HE'S A RELATIVE,
A SORT OF SECOND COUSIN.
54
00:06:50,978 --> 00:06:53,146
TELEPHONE, MADAM.
55
00:06:54,081 --> 00:06:57,451
UM, BELGRAVIA--
56
00:06:57,485 --> 00:06:59,587
2211.
57
00:06:59,620 --> 00:07:02,756
* [ Uptempo Dance ]
58
00:07:09,497 --> 00:07:13,233
HOW WAS KENYA, BIKKI?
I'VE HEARD AWFUL THINGS
ABOUT IT.
59
00:07:13,266 --> 00:07:15,736
IT'S ALL TRUE.
60
00:07:15,769 --> 00:07:19,473
MORE BUBBLY?
OH, JUST POUR IT,
BIKKI.
61
00:07:19,507 --> 00:07:21,942
MARY SAYS YOU WANT
TO LIVE WITH RELATIVES.
62
00:07:21,975 --> 00:07:25,045
OH, YOU SHOULDN'T HAVE SAID,
MARY. HE MIGHT THINK I WANT
TO GO AND LIVE WITH HIM...
63
00:07:25,078 --> 00:07:27,247
AND WAS ANGLING
FOR AN INVITATION.
64
00:07:27,280 --> 00:07:32,753
YOU'D BE VERY WELCOME.
MOTHER WOULD LOVE IT
IF YOU DID.
65
00:07:32,786 --> 00:07:35,789
WHAT DO YOU DO, CHARLES?
66
00:07:35,823 --> 00:07:40,728
EMBRYO PARSON, ACTUALLY.
OH, WELL, THAT REALLY
MAKES IT AWKWARD.
67
00:07:40,761 --> 00:07:45,265
ANYWAY, YOU'RE NOT ENOUGH
OF A CHALLENGE. I LIKE
TO ORGANIZE THINGS AND TIDY UP.
68
00:07:45,298 --> 00:07:47,501
YOU SEEM TIDY ALREADY.
69
00:07:47,535 --> 00:07:50,638
BESIDES, I WANT TO LEARN
ABOUT REAL LIFE.
70
00:07:50,671 --> 00:07:52,973
WHAT FOR?
TO PUT IT IN BOOKS.
71
00:07:53,006 --> 00:07:55,042
OH, I SEE.
72
00:07:57,611 --> 00:07:59,780
HOW ABOUT IT, MARY?
73
00:07:59,813 --> 00:08:01,882
I THINK BIKKI
WANTS TO DANCE.
74
00:08:03,751 --> 00:08:06,086
[ Man ]
WHAT ABOUT THAT
GAME OF GOLF?
75
00:08:06,119 --> 00:08:08,155
[ Laughing ]
76
00:08:08,188 --> 00:08:11,792
[ Man ]
I SAY.
77
00:08:21,334 --> 00:08:23,303
YOU EVER THINK
OF GETTING MARRIED?
78
00:08:23,336 --> 00:08:27,207
I BELIEVE IN ARRANGED
MARRIAGES, DON'T YOU?
RATHER OUT OF DATE.
79
00:08:27,240 --> 00:08:31,779
NOT AT ALL.
I'VE ALWAYS LIKED THE PHRASE
"A MARRIAGE HAS BEEN ARRANGED."
80
00:08:31,812 --> 00:08:34,582
WHEN I FEEL LIKE IT,
I'LL ARRANGE ONE.
81
00:08:34,615 --> 00:08:38,285
IF YOU GET BORED,
WHEREVER YOU ARE, PHONE.
82
00:08:38,318 --> 00:08:40,721
I'LL COME AND RESCUE YOU
IN MY PLANE.
83
00:08:40,754 --> 00:08:45,225
HAVE YOU A PLANE, CHARLES?
MMM. BELISHA BAT
CALLED SPEED COP TWO.
84
00:08:45,258 --> 00:08:48,562
ARE YOU SURE AN EMBRYO PARSON
SHOULD HAVE A PLANE?
85
00:08:48,596 --> 00:08:52,232
EVERYONE SHOULD HAVE A PLANE.
[ Laughing ]
OH, REALLY, CHARLES.
86
00:09:00,808 --> 00:09:03,777
POST, MISS POSTE.
87
00:09:03,811 --> 00:09:06,313
THERE YOU ARE.
THEY'VE ALL ANSWERED.
NOW YOU'LL BE SORRY.
88
00:09:06,346 --> 00:09:10,017
WELL, WAIT NOW.
I'LL HAVE TO SEE
WHAT THEY HAVE TO SAY.
89
00:09:10,050 --> 00:09:13,987
THEN I'LL MAKE
MY CHOICE.
WELL, GO ON THEN.
90
00:09:18,659 --> 00:09:21,294
"MY DEAR NIECE,
SUCH A SAD LOSS--"
91
00:09:21,328 --> 00:09:24,364
BUT WE MUST ALL KEEP
A STIFF UPPER LIP.
92
00:09:24,397 --> 00:09:26,333
YOU'D BE MOST WELCOME HERE.
93
00:09:26,366 --> 00:09:31,138
THE WORTHING AIR IS BRACING,
AND DEAR ROSEDALE IS ALWAYS--
94
00:09:31,171 --> 00:09:34,007
"FULL OF THE HAPPIEST
OF BOARDERS.
95
00:09:34,041 --> 00:09:37,244
YOU'LL FIND A TRUE
HOME ATMOSPHERE
AND PLENTY OF FUN."
96
00:09:37,277 --> 00:09:41,181
AND COUSIN PEGGY,
NOW ARKELA OF
HER OWN TROOP,
97
00:09:41,214 --> 00:09:44,284
WOULD LOVE TO SHARE
HER BEDROOM WITH YOU.
98
00:09:44,317 --> 00:09:46,353
"YOUR LOVING AUNT GWEN."
99
00:09:47,688 --> 00:09:50,891
SHARE.
I COULDN'T.
100
00:09:53,827 --> 00:09:58,065
[ Man ]
I WAS SHOCKED BY YOUR LETTER--
101
00:09:58,098 --> 00:10:01,769
SO SHOCKED,
MY OLD TROUBLE IS BACK.
102
00:10:01,802 --> 00:10:07,140
I AM VERY WILLING TO SHELTER
YOUR WEE GIRLHOOD UNDER MY ROOF,
103
00:10:07,174 --> 00:10:11,211
EH, BUT I FEAR
YOU COULD FIND IT DULL...
104
00:10:11,244 --> 00:10:16,884
WITH NO COMPANY SAVE
MY POOR CHAIRBOUND SELF,
105
00:10:16,917 --> 00:10:19,186
MY MAN-- HOOTS--
106
00:10:19,219 --> 00:10:23,857
AND MY HOUSEKEEPER,
NOW TOTALLY DEAF.
107
00:10:23,891 --> 00:10:26,994
"STILL, THERE IS MARVELOUS
BIRD LIFE TO BE FOUND
IN THE MARSHES...
108
00:10:27,027 --> 00:10:29,663
THAT SURROUND MY RUIN
ON ALL SIDES."
109
00:10:29,697 --> 00:10:32,165
[ Hacking Cough ]
[ Flora Reading ]
"I MUST END NOW,
110
00:10:32,199 --> 00:10:34,434
"AS MY OLD TROUBLE
IS RETURNING.
111
00:10:34,467 --> 00:10:38,672
YOUR LOVING
Uncle McKNAG."
NO, FLORA. NO.
112
00:10:41,942 --> 00:10:46,914
[ Woman ] I'VE EXPECTED
TO HEAR FROM ROBERT POSTE'S
CHILD THESE 20 YEARS.
113
00:10:46,947 --> 00:10:52,052
CHILD, MY MAN ONCE DID
YOUR FATHER A GREAT WRONG.
114
00:10:52,085 --> 00:10:55,823
IF YOU'LL COME HERE,
I'LL DO MY BEST TO ATONE.
115
00:10:55,856 --> 00:10:59,827
BUT NEVER ASK WHAT FOR.
MY LIPS ARE SEALED.
116
00:10:59,860 --> 00:11:03,030
"WE'RE NOT LIKE OTHER FOLK
MAYBE, BUT THERE HAVE ALWAYS
BEEN STARKADDERS...
117
00:11:03,063 --> 00:11:05,032
AT COLD COMFORT FARM."
118
00:11:05,065 --> 00:11:10,370
WILL YOU STOP IT?
"AND WE WILL DO OUR BEST TO
WELCOME ROBERT POSTE'S CHILD."
119
00:11:10,403 --> 00:11:13,473
CHILD, CHILD,
120
00:11:13,506 --> 00:11:15,909
IF YOU COME
TO THIS DOOMED HOUSE,
121
00:11:16,944 --> 00:11:18,779
WHAT IS THERE TO SAVE YOU?
122
00:11:18,812 --> 00:11:21,314
"YOUR COUSIN,
JUDITH STARKADDER."
123
00:11:21,348 --> 00:11:25,452
JUDITH STARKADDER?
THE DAUGHTER OF MY
GREAT-AUNT, ADA DOOM.
124
00:11:25,485 --> 00:11:27,755
WHOM MOTHER
COULDN'T ABIDE.
125
00:11:27,788 --> 00:11:29,256
OH, IT SOUNDS APPALLING.
126
00:11:29,289 --> 00:11:33,293
INTERESTING AND APPALLING.
THE OTHERS JUST SOUND
APPALLING.
127
00:11:33,326 --> 00:11:35,295
OH, FLORA.
I'M WILLING TO BET...
128
00:11:35,328 --> 00:11:38,098
THERE ARE ALSO COUSINS
CALLED "SETH" AND "REUBEN."
129
00:11:38,131 --> 00:11:40,901
- WHY?
- HIGHLY SEXED YOUNG MEN
LIVING ON FARMS...
130
00:11:40,934 --> 00:11:43,170
ARE ALWAYS CALLED
"SETH" OR "REUBEN."
131
00:11:43,203 --> 00:11:45,773
REALLY. I MEAN,
THERE PROBABLY ISN'T
EVEN A BATHROOM.
132
00:11:45,806 --> 00:11:48,308
IT IS SUSSEX,
FOR GOODNESS' SAKE.
133
00:11:48,341 --> 00:11:52,345
WELL, IF YOU'VE REALLY MADE UP
YOUR MIND TO GO, YOU'D BETTER.
YOU'LL SOON TIRE OF IT ANYHOW.
134
00:11:52,379 --> 00:11:54,314
I THINK I WILL GO.
135
00:11:54,347 --> 00:11:58,318
I'M VERY KEEN TO KNOW
WHAT COUSIN JUDITH MEANS
BY MY "RIGHTS."
136
00:12:04,457 --> 00:12:06,860
[ Mary ] YOU HAVE TO CHANGE
TRAINS FOUR TIMES AND GET OUT
SOMEWHERE
137
00:12:06,894 --> 00:12:09,196
CALLED BEERSHORN HALT.
138
00:12:09,229 --> 00:12:12,365
DON'T WORRY, MARY.
THERE'LL BE PLENTY OF
MATERIAL FOR MY NOVEL...
139
00:12:12,399 --> 00:12:14,902
AND PERHAPS
ONE OR TWO FAMILY
MESSES I CAN CLEAR UP.
140
00:12:14,935 --> 00:12:16,870
SOMETHING TO TAKE
TO THE COUNTRY.
141
00:12:16,904 --> 00:12:19,272
FLOWERS COME FROM
THE COUNTRY, CHARLES.
142
00:12:19,306 --> 00:12:22,409
OHH. IT'S VERY
KIND OF YOU.
143
00:12:23,343 --> 00:12:25,312
MAY I COME WITH YOU
TO THE STATION?
144
00:12:25,345 --> 00:12:28,081
PLEASE DO.
I LIKE TO GO OFF IN STYLE.
145
00:12:31,251 --> 00:12:32,752
GOOD-BYE, MY DOVE.
146
00:12:32,786 --> 00:12:36,256
I SHALL EXPECT REGULAR
LETTERS FROM YOU LETTING
US KNOW OF YOUR PROGRESS.
147
00:12:36,289 --> 00:12:38,291
I CAN SEND
YOU THINGS.
WHAT THINGS?
148
00:12:38,325 --> 00:12:41,061
OH, PROPER CLOTHES,
CHEERFUL FASHION PAPERS.
149
00:12:41,094 --> 00:12:43,931
YOU'LL NEED THEM.
YOU'VE NEVER LIVED
IN THE COUNTRY.
150
00:12:43,964 --> 00:12:46,099
I'M SURE I'LL FIND IT
VERY AMUSING.
151
00:12:47,367 --> 00:12:51,471
MIND YOU,
WIRE IF YOU WANT ANY
GUMBOOTS OR ANYTHING.
152
00:12:57,610 --> 00:12:59,880
[ Whistle Blowing ]
153
00:13:02,215 --> 00:13:04,151
[ Thinking ]
IT WAS WINTER,
154
00:13:04,184 --> 00:13:08,588
THE GRIMMEST HOUR
OF THE DARKEST DAY
OF THE YEAR.
155
00:13:08,621 --> 00:13:10,858
OH, NO.
156
00:13:12,192 --> 00:13:14,227
REALLY.
157
00:13:17,264 --> 00:13:21,401
[ Thinking ]
THE GOLDEN ORB
HAD ALMOST DISAPPEARED...
158
00:13:21,434 --> 00:13:25,405
BEHIND THE INTERLACING FINGERS
OF THE HAWTHORN.
159
00:13:32,612 --> 00:13:37,450
[ Metal Banging ]
ADAM LAMBSBREATH!
160
00:13:37,484 --> 00:13:39,953
[ Banging Pail ]
161
00:13:42,255 --> 00:13:45,893
- [ Cow Bellowing ]
- STEADY, GRACELESS.
162
00:13:45,926 --> 00:13:48,395
COME ON, FECKLESS.
FILL 'UN UP.
163
00:13:48,428 --> 00:13:52,299
ADAM?
THERE YOU ARE.
164
00:13:52,332 --> 00:13:57,304
HOW MANY PAILS TODAY?
DUNNO KNOW HOW MANY,
MISS JUDITH. 'TIS HARD TO TELL.
165
00:13:57,337 --> 00:14:02,209
IF POINTLESS GOT OVER
HER INDIGESTION, MAYBE FOUR.
IF NOT, MAYBE THREE.
166
00:14:02,242 --> 00:14:04,611
[ Giggling ]
167
00:14:05,913 --> 00:14:10,083
[ Moaning ]
168
00:14:11,451 --> 00:14:15,555
GET OUT OF THERE,
SETH, YOU NO-GOOD
SON OF MINE.
169
00:14:15,588 --> 00:14:19,993
GOOD DAY, MOTHER.
DO YOU WANT TO
BREAK MY HEART?
170
00:14:20,027 --> 00:14:24,197
- THAT'S RIGHT.
- LIBERTINE. WHO'S
THAT UP THERE?
171
00:14:24,231 --> 00:14:26,499
JUST LOOKIN' FOR EGGS,
MISS JUDITH.
172
00:14:27,500 --> 00:14:29,536
GET BACK TO
THE VICARAGE, VIOLET.
173
00:14:29,569 --> 00:14:31,471
AND ANOTHER THING, ADAM.
174
00:14:31,504 --> 00:14:34,607
YOU'LL HAVE TO TAKE THE TRAP
DOWN TO BEERSHORN HALT.
MEET THE TRAIN.
175
00:14:34,641 --> 00:14:38,645
ROBERT POSTE'S CHILD'S
COMIN' TODAY.
AFTER THE FARM, IS SHE?
176
00:14:38,678 --> 00:14:41,148
OH, MUN I,
MISS JUDITH?
177
00:14:41,181 --> 00:14:44,284
CAN'T SETH GO
INSTEAD OF ME?
178
00:14:44,317 --> 00:14:48,321
HOW CAN I LOOK IN
HER LITTLE FLOWER FACE
KNOWING WHAT I KNOWS?
179
00:14:48,355 --> 00:14:51,124
YOU REMEMBER WHAT HAPPENED
WHEN HE WENT TO MEET
THE NEW KITCHEN MAID.
180
00:14:51,158 --> 00:14:53,626
NO. YOU GO, ADAM.
181
00:14:53,660 --> 00:14:57,397
DON'T KNOW HOW MANY TIMES
I FEARED THIS DAY WOULD COME.
182
00:14:57,430 --> 00:15:00,567
HOW WILL I KNOW
THE LITTLE MAIDY?
183
00:15:00,600 --> 00:15:03,670
WHO ELSE IS GONNA GET OFF
AT BEERSHORN HALT?
184
00:15:07,674 --> 00:15:13,446
[ Thinking ]
THE MAN'S HUGE BODY, RUDE
AS A WIND-TORTURED THORN,
185
00:15:13,480 --> 00:15:17,317
WAS PRINTED DARK
AGAINST THE FLAME
OF SUN THAT--
186
00:15:17,350 --> 00:15:23,223
THAT THROBBED--
THAT THROBBED ON THE TIP
OF MOCKUNCLE HILL.
187
00:15:23,256 --> 00:15:26,159
THE GOLDEN ORB--
[ Conductor ]
BEERSHORN!
188
00:15:26,193 --> 00:15:28,261
OH.
189
00:15:38,005 --> 00:15:40,207
[ Blows Whistle ]
[ Train Whistle
Blowing ]
190
00:16:03,196 --> 00:16:05,765
UGH!
HOW REVOLTING!
191
00:16:05,798 --> 00:16:08,435
DON'T YOU KNOW
THIS TRAP'S FILTHY?
192
00:16:08,468 --> 00:16:11,404
[ Grunting ]
193
00:16:13,473 --> 00:16:17,010
ARE YE THE LITTLE MAIDY,
ROBERT POSTE'S CHILD?
194
00:16:17,044 --> 00:16:19,079
YES, I'M THE LITTLE MAIDY.
WHO ARE YOU?
195
00:16:19,112 --> 00:16:23,750
ADAM.
ADAM LAMBSBREATH.
196
00:16:23,783 --> 00:16:27,487
YE GET UP.
I'LL SEE TO THEM,
ROBERT POSTE'S CHILD.
197
00:16:27,520 --> 00:16:32,259
MISS POSTE. OR MISS FLORA,
IF YOU WANT TO BE
COMPLETELY FEUDAL.
198
00:16:32,292 --> 00:16:34,327
UGH!
199
00:16:43,103 --> 00:16:46,606
[ Flora ] WHERE'S THIS?
HOWLIN', ROBERT
POSTE'S CHILD.
200
00:16:46,639 --> 00:16:48,808
HOWLING?
ARE WE NEARLY THERE?
201
00:16:48,841 --> 00:16:52,679
ANOTHER FEW MILES YET,
ROBERT POSTE'S CHILD.
202
00:16:52,712 --> 00:16:54,747
GIT ON, VIPER.
203
00:16:57,717 --> 00:17:03,090
WHAT'S THE FARM LIKE?
THE SEEDS WITHER AND THE EARTH
WILL NOT NOURISH 'EM.
204
00:17:03,123 --> 00:17:06,359
THE COWS ARE BARREN.
THE SOWS ARE FARREN.
205
00:17:06,393 --> 00:17:10,563
ALL IS TURNED
TO SOURNESS AND RUIN.
OH, DEAR.
206
00:17:10,597 --> 00:17:13,133
IS THERE NO MONEY?
'TAIN'T MONEY.
207
00:17:13,166 --> 00:17:16,603
THERE'S A CURSE ON THE PLACE,
ROBERT POSTE'S CHILD.
208
00:17:16,636 --> 00:17:20,107
'TIS THE STARKADDERS'S DOOM.
209
00:17:20,140 --> 00:17:23,410
[ Flora ]
OH, I'M SURE IT'S NOT
AS BAD AS ALL THAT.
210
00:17:23,443 --> 00:17:25,478
[ Groaning ]
211
00:17:27,547 --> 00:17:29,816
[ Adam ]
VIPER.
212
00:17:30,617 --> 00:17:33,253
WHOA THERE, VIPER.
213
00:17:33,286 --> 00:17:36,689
WELL, IT IS A LITTLE GLOOMY,
I AGREE.
214
00:17:45,165 --> 00:17:48,635
WHOA. WHOA, VIPER!
215
00:17:49,902 --> 00:17:54,141
GET 'E DOWN,
ROBERT POSTE'S CHILD.
216
00:17:57,144 --> 00:18:00,513
OH, HOW DO YOU DO?
YOU MUST BE COUSIN JUDITH.
217
00:18:00,547 --> 00:18:05,885
IT'S SO GOOD OF YOU TO
HAVE ME. ISN'T IT CURIOUS
WE'VE NEVER MET BEFORE?
218
00:18:05,918 --> 00:18:08,788
'TIS ROBERT POSTE'S CHILD,
ALL RIGHT.
[ Cow Bellowing ]
219
00:18:08,821 --> 00:18:12,192
THAT'S GRACELESS,
LOOKING OUT FOR ME.
220
00:18:12,225 --> 00:18:15,162
YOU GET BACK
TO YOUR COWS, ADAM.
MY LUGGAGE.
221
00:18:15,195 --> 00:18:19,799
MERIAM'LL BRING IT.
THIS WAY, MISS POSTE.
222
00:18:31,244 --> 00:18:34,681
I THINK, JUST FOR TONIGHT,
I'LL EAT IN MY ROOM
IF I MAY.
223
00:18:34,714 --> 00:18:38,785
IT'S COLD THERE.
I EXPECT A FIRE
WILL SOON WARM IT UP.
224
00:18:39,852 --> 00:18:42,189
OH, MY SONS'LL BE SORRY.
225
00:18:43,356 --> 00:18:45,525
THEY WANTED TO SEE
THEIR LITTLE COUSIN.
226
00:18:45,558 --> 00:18:48,928
YOUR SONS?
SETH AND REUBEN.
227
00:18:48,961 --> 00:18:51,264
SETH AND REUBEN.
REALLY?
228
00:18:51,298 --> 00:18:54,234
WELL, I'LL SEE THEM
TOMORROW, I'M SURE.
229
00:19:01,608 --> 00:19:05,778
SOMEONE HAS
A HEARTY APPETITE.
FOLLOW ME, MISS POSTE.
230
00:19:10,950 --> 00:19:14,454
NOBODY SHALL SAY
WE DIDN'T DO RIGHT
BY ROBERT POSTE'S CHILD.
231
00:19:14,487 --> 00:19:16,523
NO. QUITE.
232
00:19:17,924 --> 00:19:20,159
THANK YOU.
233
00:19:30,337 --> 00:19:32,439
[ Springs Squeaking ]
234
00:19:41,714 --> 00:19:44,817
[ Rustling ]
235
00:19:58,431 --> 00:20:00,433
HEY, ELFINE.
236
00:20:02,802 --> 00:20:07,907
MY LITTLE WATER VOLE.
MY LITTLE WATER VOLE.
237
00:20:28,995 --> 00:20:31,631
[ Rooster Crowing ]
238
00:20:31,664 --> 00:20:34,467
MMM.
[ Chickens Clucking ]
239
00:20:36,403 --> 00:20:38,438
OHH.
240
00:20:40,440 --> 00:20:43,376
[ Adam ]
YOU'D NEVER SELL FECKLESS!
[ Man ] I DO WHAT I LIKE!
241
00:20:43,410 --> 00:20:46,779
[ Adam ]
WHO COULD'VE TENDED THE POOR,
DUMB BEASTY BETTER NOR I?
242
00:20:46,813 --> 00:20:51,984
I KNOWS WHAT'S IN HER HEART
BETTER THAN I KNOWS WHAT'S
IN THE HEARTS OF SOME HUMANS.
243
00:20:52,018 --> 00:20:54,854
[ Man ] LOOK AT HER! BE HARD
TO FIND A KNACKER'S MAN
WHO'D TAKE HER.
244
00:20:54,887 --> 00:20:57,624
AND ANOTHER THING!
I DON'T PAY YE WAGES
TO COLLECT...
245
00:20:57,657 --> 00:21:00,827
CHICKEN FEATHERS AND
SELL 'EM DOWN BEERSHORN
FOR GOOD MONEY!
246
00:21:00,860 --> 00:21:05,298
THAT WEREN'T I!
MAY I NEVER SET HAND
ON PLOW AGAIN IF IT WERE!
247
00:21:05,332 --> 00:21:07,867
THAT WERE URK!
I SAY.
248
00:21:07,900 --> 00:21:11,671
DO YOU THINK YOU
WOULD MIND NOT TALKING
QUITE SO LOUDLY, PLEASE?
249
00:21:11,704 --> 00:21:14,307
SOME OF US ARE
TRYING TO SLEEP.
250
00:21:14,341 --> 00:21:16,443
OH.
OHH.
251
00:22:02,855 --> 00:22:05,958
WIFE, WHERE'S ELFINE?
252
00:22:05,992 --> 00:22:08,695
NOT UP YET,
I EXPECT, AMOS.
253
00:22:08,728 --> 00:22:11,864
GODLESS HABIT, LYIN' ABED
OF A WORKIN' DAY.
254
00:22:11,898 --> 00:22:16,002
THE REEKIN' FIRES LIE WAITING
FOR THEM AS DO.
255
00:22:16,035 --> 00:22:20,507
WHAT A FAMILY
I'M CURSED WITH.
256
00:22:20,540 --> 00:22:24,043
YOU'LL FRITTER AND FRY
IN HELL, THE LOT OF YOU!
257
00:22:24,076 --> 00:22:26,479
MERIAM PASSED OUT
THIS MORNING.
258
00:22:26,513 --> 00:22:28,481
OH, BLESS HER.
259
00:22:28,515 --> 00:22:32,485
AH. RECKON HER TIME'S
COME, EH, SETH?
260
00:22:35,988 --> 00:22:38,090
ROBERT POSTE'S
CHILD HERE, INNIT SHE?
261
00:22:39,025 --> 00:22:41,461
AFTER YOUR 'HERITANCE,
EH, REUBEN?
262
00:22:49,536 --> 00:22:51,604
ROBERT POSTE'S CHILD.
263
00:22:57,143 --> 00:23:00,413
WELL, SOME OF US
HAS FARMIN' TO DO.
264
00:23:00,447 --> 00:23:04,817
URK, TIME THE BARREN FIELD
WERE GONE OVER
WITH A PRUNIN' SNOOT.
265
00:23:04,851 --> 00:23:08,988
REUBEN, GET PLOWIN'
DOWN NETTLE FLITCH. SETH,
266
00:23:09,021 --> 00:23:10,990
YOU DRAIN THE WELL.
267
00:23:11,023 --> 00:23:13,092
THERE'S A NEIGHBOR MISSIN'.
268
00:23:26,906 --> 00:23:29,075
SO YOU'RE
THE LITTLE LADY
FROM LONDON...
269
00:23:29,108 --> 00:23:31,177
WITH YOUR
SMART WAYS, EH?
270
00:23:33,480 --> 00:23:35,715
I KNOW YOUR SORT.
271
00:23:35,748 --> 00:23:38,217
DRAIN AWAY A MAN'S BLOOD
SOON AS LOOK AT HIM.
272
00:23:38,250 --> 00:23:40,853
SETH, AFTER YOU'VE
DONE THE WELL,
273
00:23:40,887 --> 00:23:43,856
YOU GET SCRATTLIN'
UP AT TICKLEPENNY CORNER.
274
00:23:47,627 --> 00:23:51,030
COME ON, MISS POSTE.
ADAM WILL GET YOU BREAKFAST.
275
00:24:02,809 --> 00:24:04,811
IS THERE ANY
BREAD AND BUTTER
AND SOME TEA, ADAM?
276
00:24:04,844 --> 00:24:06,779
I DON'T MUCH CARE
FOR PORRIDGE.
277
00:24:06,813 --> 00:24:09,582
BREAD AND BUTTER
IN THE CROCKET.
TEA IN THE POT.
278
00:24:09,616 --> 00:24:14,220
NOW LEAVE ME IN PEACE.
I MUN CLETTER THE DISHES,
ROBERT POSTE'S CHILD.
279
00:24:17,156 --> 00:24:21,127
THAT'S A TWIG.
WHAT YOU WANT IS A NICE
LITTLE MOP WITH A HANDLE.
280
00:24:21,160 --> 00:24:23,796
IT WOULD GET THE DISHES
CLEANER AND BE SO MUCH
QUICKER TOO.
281
00:24:23,830 --> 00:24:26,232
DON'T WANT NO MOP
WITH A HANDLE.
I'VE CLETTERED DISHES...
282
00:24:26,265 --> 00:24:28,801
WITH AN OLD THORN TWIG
NIGH ON 50 YEAR.
283
00:24:28,835 --> 00:24:31,070
AND WHAT WAS GOOD ENOUGH
THEN IS GOOD ENOUGH NOW,
IS IT?
284
00:24:31,103 --> 00:24:33,139
AYE.
285
00:24:33,172 --> 00:24:36,275
ADAM, I'VE BEEN THINKING
ABOUT THE STARKADDERS'S DOOM.
286
00:24:36,308 --> 00:24:40,279
WHY DOESN'T COUSIN AMOS JUST
SELL THIS AND BUY A FARM THAT
DOESN'T HAVE A CURSE ON IT?
287
00:24:40,312 --> 00:24:43,683
IN BERKSHIRE
OR DEVON, PERHAPS.
NAY.
288
00:24:43,716 --> 00:24:46,853
THERE'S ALWAYS
BEEN STARKADDERS
AT COLD COMFORT FARM.
289
00:24:46,886 --> 00:24:49,889
'TIS IMPOSSIBLE
FOR ANY OF US TO
DREAM OF LEAVIN'.
290
00:24:49,922 --> 00:24:55,662
MRS. STARKADDER'S SET ON US
STAYIN'. 'TIS HER LIFE--
THE VERY LIFE IN HER VEINS.
291
00:24:55,695 --> 00:24:58,565
COUSIN JUDITH,
YOU MEAN? SHE DOESN'T
SEEM VERY HAPPY HERE.
292
00:24:58,598 --> 00:25:02,769
NO, I MEAN THE OLD LADY,
OLD MRS. STARKADDER.
293
00:25:02,802 --> 00:25:05,171
IS SHE DEAD?
NO.
294
00:25:05,204 --> 00:25:07,707
[ Laughing ]
295
00:25:07,740 --> 00:25:10,643
NO, MISS, SHE'S
ALIVE RIGHT ENOUGH.
296
00:25:10,677 --> 00:25:13,012
HER HAND LIES ON US
LIKE IRON,
297
00:25:13,045 --> 00:25:15,715
BUT SHE NEVER
LEAVES HER ROOM,
298
00:25:15,748 --> 00:25:17,917
NEVER SEES NO ONE
BUT MISS JUDITH.
299
00:25:17,950 --> 00:25:21,854
AIN'T LEFT THE FARM THESE
20 YEAR. THAT BE HER TRAY--
[ Chickens Squawking ]
300
00:25:21,888 --> 00:25:24,924
OH, THERE SHE IS,
MY LITTLE WENNIT.
301
00:25:28,260 --> 00:25:32,732
- GRACIOUS. WHO'S THAT?
- THAT'S MY COWDLIN'.
302
00:25:32,765 --> 00:25:35,267
THAT'S ELFINE STARKADDER.
303
00:25:35,301 --> 00:25:38,237
DOES SHE ALWAYS
CHARGE ABOUT
LIKE THAT?
304
00:25:38,270 --> 00:25:42,108
SHE'S AS WILD AND SHY
AS A PHARISEE OF THE WOODS.
305
00:25:42,141 --> 00:25:44,677
DAYS, SHE'S GONE
WANDERING THE DOWNS...
306
00:25:44,711 --> 00:25:49,181
WITH ONLY
THE SPYIN' MAGPIES AND
LITTLE RABBITS FOR COMPANY.
307
00:25:49,215 --> 00:25:53,052
NO THOUGHT FOR THEM AS
LOVED HER AND COWDLED HER
IN THEIR BOSOM...
308
00:25:53,085 --> 00:25:55,021
WHEN SHE WERE A MOMMET.
309
00:25:55,054 --> 00:25:56,956
- [ Bell Ringing ]
- HOW TRYING. I'LL
TAKE THE TRAY, ADAM.
310
00:25:56,989 --> 00:26:00,292
OH, NO, MISS!
I DOUBT SHE EVEN
KNOW YOU'RE HERE.
311
00:26:00,326 --> 00:26:02,929
I UNDERSTAND WHAT TO DO.
JUST LEAVE IT OUTSIDE
HER DOOR.
312
00:26:02,962 --> 00:26:07,667
NO, M--
[ Bell Ringing ]
313
00:26:28,187 --> 00:26:30,690
[ Door Creaking ]
314
00:26:38,665 --> 00:26:41,734
ELFINE.
WHAT DO YOU WANT?
315
00:26:41,768 --> 00:26:45,004
COUSIN JUDITH'S ROOM.
BE A LAMB AND SHOW ME
THE WAY.
316
00:26:45,037 --> 00:26:47,073
IT'S THAT WAY.
317
00:26:49,408 --> 00:26:53,713
DO FORGIVE ME SAYING SO, BUT
I'D LOVE TO SEE YOU IN BLUE.
318
00:26:53,746 --> 00:26:56,282
SOME SHADES OF GREEN
ARE GOOD, OF COURSE, BUT...
319
00:26:56,315 --> 00:26:59,051
DULL GREENS ARE VERY TRYING,
I ALWAYS THINK.
320
00:26:59,085 --> 00:27:02,054
DEFINITELY BLUE.
YOU TRY IT AND SEE.
321
00:27:05,057 --> 00:27:07,026
OH!
WHO'S THAT?
322
00:27:07,059 --> 00:27:10,296
IT'S URK.
HE'S HORRIBLE!
323
00:27:10,329 --> 00:27:13,165
HE'S AFTER ME AGAIN.
GO AWAY!
324
00:27:13,199 --> 00:27:16,235
[ Cackling ]
325
00:27:20,372 --> 00:27:22,408
[ Knocking ]
WHO'S THERE?
326
00:27:22,441 --> 00:27:28,014
GOOD MORNING. I'M SO SORRY
TO INTERRUPT YOU WHILE
YOU'RE BUSY WRITING LETTERS.
327
00:27:28,047 --> 00:27:33,285
BUSY? OH!
BUSY WEAVIN' ME OWN
SHROUD, BE LIKE.
328
00:27:33,319 --> 00:27:37,023
YOU CAN DO WHAT YOU PLEASE
ROUND THE FARM,
ROBERT POSTE'S CHILD,
329
00:27:37,056 --> 00:27:39,859
IF YOU DON'T BREAK IN
ON ME LONELINESS.
330
00:27:39,892 --> 00:27:45,031
GIVE ME TIME AND I'LL ATONE
FOR THE WRONG MY MAN
DID YOUR FATHER.
331
00:27:45,064 --> 00:27:49,802
GIVE US ALL TIME
AND WE'LL ATONE.
332
00:27:49,836 --> 00:27:53,305
I DON'T SUPPOSE
YOU'D CARE TO TELL ME
WHAT THE WRONG WAS.
333
00:27:53,339 --> 00:27:55,808
MY LIPS ARE SEALED,
MISS POSTE.
334
00:27:55,842 --> 00:27:57,777
JUST AS YOU LIKE,
COUSIN JUDITH.
335
00:27:57,810 --> 00:28:01,047
NOW, CAN WE DISCUSS
MY KEEP? I HAVE
A HUNDRED A YEAR.
336
00:28:01,080 --> 00:28:05,317
I WOULDN'T TOUCH
A SINGLE PENNY OF
ROBERT POSTE'S MONEY.
337
00:28:05,351 --> 00:28:09,321
WHILE YOU'RE HERE,
YOU'RE A GUEST
OF COLD COMFORT.
338
00:28:09,355 --> 00:28:13,292
EVERY MIDDOCK WILL BE
PAID FOR BY OUR SWEAT.
339
00:28:13,325 --> 00:28:15,361
[ Woman Moaning ]
340
00:28:15,394 --> 00:28:17,930
WHILE I'M HERE, MIGHT I
MAKE A FEW CHANGES?
341
00:28:17,964 --> 00:28:21,300
I ADORE MY BEDROOM, BUT
DO YOU THINK I COULD HAVE
MY CURTAINS WASHED?
342
00:28:21,333 --> 00:28:24,737
I BELIEVE THEY'RE
RED, BUT I SHOULD
LIKE TO MAKE SURE.
343
00:28:24,771 --> 00:28:28,775
CHILD, CHILD, IT'S YEARS
SINCE SUCH TRIFLES...
344
00:28:28,808 --> 00:28:32,144
BROKE ACROSS THE WEB
OF MY SOLITUDE.
345
00:28:32,178 --> 00:28:35,181
PERHAPS MERIAM
COULD WASH THEM.
[ Shrieking ]
346
00:28:35,214 --> 00:28:39,752
- OH, NOT NOW.
HER TIME HAS COME.
- SHE'S IN LABOR? WHERE?
347
00:28:42,121 --> 00:28:45,457
- IS THE DOCTOR THERE?
- YOU LEAVE HER BE.
348
00:28:45,491 --> 00:28:49,295
EVERY YEAR
WHEN THE SUKEBIND FLOWERS,
IT'S THE SAME THING.
349
00:28:49,328 --> 00:28:52,498
'TIS THE HAND OF NATURE.
WE WOMEN CAN'T ESCAPE IT.
350
00:28:52,531 --> 00:28:55,835
OF COURSE WE CAN!
WHO'S RESPONSIBLE?
351
00:28:55,868 --> 00:28:58,404
OH, CURSED BE THE DAY
I BROUGHT HIM FORTH...
352
00:28:58,437 --> 00:29:01,473
AND THE NOURISHMENT
HE DREW FROM MY BOSOM.
353
00:29:01,507 --> 00:29:04,844
CURSED BE THE WOOING TONGUE
GOD GAVE HIM...
354
00:29:04,877 --> 00:29:08,314
TO BRING DISGRACE
UPON WEAK FEMALES.
355
00:29:08,347 --> 00:29:11,884
RIGHT. WELL,
IF YOU'LL EXCUSE ME,
COUSIN JUDITH,
356
00:29:11,918 --> 00:29:14,086
I HAVE A FEW THINGS
TO ATTEND TO.
357
00:30:01,000 --> 00:30:03,202
[ Groaning ]
358
00:30:03,235 --> 00:30:05,537
WHO'S THERE?
ARE YOU ALL RIGHT?
359
00:30:05,571 --> 00:30:09,275
IT'S MISS POSTE,
FROM THE FARM.
WHAT DO YOU WANT?
360
00:30:09,308 --> 00:30:12,178
MAY I COME IN?
361
00:30:13,645 --> 00:30:15,882
COME TO MOCK ME
IN MY SHAME, MUM?
362
00:30:15,915 --> 00:30:19,118
I THOUGHT
YOU WERE IN LABOR.
I HEARD YOU CRY OUT.
363
00:30:19,151 --> 00:30:24,090
HAD IT LAST NIGHT.
I WAS JUST MOANING A BIT.
364
00:30:24,123 --> 00:30:28,627
IT'S NOT SO BAD IF YOU
KEEP YOUR SPIRITS UP
AND EAT HEARTY AFOREHAND.
365
00:30:28,660 --> 00:30:32,164
IS IT YOUR FIRST?
'TIS MY FOURTH.
366
00:30:32,198 --> 00:30:35,634
AND WHO KNOWS WHAT'LL HAPPEN
AGAIN WHEN THE SUKEBIND'S
OUT IN THE HEDGES.
367
00:30:35,667 --> 00:30:39,638
NOW LOOK, MERIAM, NOTHING
NEED HAPPEN SO LONG AS YOU
USE YOUR INTELLIGENCE...
368
00:30:39,671 --> 00:30:42,008
AND SEE IT DOESN'T.
369
00:30:42,041 --> 00:30:44,643
HAVEN'T YOU HEARD
OF FAMILY PLANNING?
NO, MUM.
370
00:30:44,676 --> 00:30:48,647
YOU CAN PREVENT IT. ALL YOU
NEED'S A LITTLE RUBBER BOWLER
HAT TO STOP IT HAPPENING AGAIN.
371
00:30:48,680 --> 00:30:54,053
- THE DOCTOR CAN SHOW YOU.
- WHAT WOULD I LOOK LIKE
IN A RUBBER BOWLER HAT?
372
00:30:54,086 --> 00:30:59,358
- YOU WEAR IT INSIDE, MERIAM.
- OH, NO, MUM. 'TIS FLYIN'
AGAINST NATURE, THAT IS.
373
00:30:59,391 --> 00:31:01,928
NONSENSE. NATURE'S
ALL VERY WELL IN HER PLACE,
374
00:31:01,961 --> 00:31:04,430
BUT SHE MUSTN'T BE ALLOWED
TO MAKE THINGS UNTIDY.
375
00:31:04,463 --> 00:31:08,067
NOW REMEMBER, MERIAM,
NO MORE SUKEBIND
AND SUMMER EVENINGS...
376
00:31:08,100 --> 00:31:10,069
WITHOUT A FEW
PREPARATIONS
BEFOREHAND.
377
00:31:10,102 --> 00:31:12,604
IF YOU'LL WASH
MY BEDROOM CURTAINS
FOR ME, I'LL PAY YOU.
378
00:31:12,638 --> 00:31:16,943
THAT CAN GO TOWARDS
BUYING WHATEVER IT IS
YOUR CHILDREN HAVE TO EAT.
379
00:31:16,976 --> 00:31:19,245
MORNIN', MISS.
380
00:31:19,278 --> 00:31:23,950
HELLO, MOTHER.
SHE WANTS ME TO WASH
HER BEDROOM CURTAINS.
381
00:31:23,983 --> 00:31:28,087
WHO'S "SHE"? THE CAT'S
MOTHER? YOU SPEAK PROPER
TO THE YOUNG LADY.
382
00:31:28,120 --> 00:31:31,958
NEVER THOUGHT I'D HEAR ANYONE
WANTING WASHING DONE
AT COLD COMFORT.
383
00:31:31,991 --> 00:31:36,428
SHE'LL WASH 'EM
FOR YOU, MISS.
OH, HOW IS HE?
384
00:31:37,396 --> 00:31:39,999
DOIN' FINE.
THEY ALWAYS DOES.
385
00:31:40,032 --> 00:31:42,134
WELL, YOU NEEDN'T SOUND
AS IF YOU WISH
THEY WOULDN'T.
386
00:31:42,168 --> 00:31:46,605
LORD KNOWS, NONE OF 'EM
WAS VERY WELCOME,
POOR LITTLE INNOCENTS.
387
00:31:46,638 --> 00:31:51,477
STILL, NOW THEY'RE HERE,
WE MIGHT AS WELL LOOK
AFTER 'EM RIGHT.
388
00:31:51,510 --> 00:31:55,281
COME ANOTHER FOUR YEARS,
I'LL START MAKIN' USE OF 'EM.
389
00:31:55,314 --> 00:31:57,216
HOW?
390
00:31:57,249 --> 00:31:59,651
TRAIN THE FOUR OF 'EM UP
FOR ONE OF THEM JAZZ BANDS.
391
00:31:59,685 --> 00:32:04,356
THEY GET SIX POUND A NIGHT
PLAYIN' UP WEST
IN THE NIGHTCLUBS.
392
00:32:04,390 --> 00:32:08,194
THAT'S WHY WE GOT TO
LOOK AFTER 'EM RIGHT.
YEAH.
393
00:32:08,227 --> 00:32:12,098
HE'S GONNA BE
A TROMBONE PLAYER.
LOOK AT HIS MOUTH.
394
00:32:14,400 --> 00:32:16,635
A TELEGRAM, MADAM.
395
00:32:16,668 --> 00:32:19,605
OOH, IT MUST BE
FROM FLORA.
396
00:32:19,638 --> 00:32:21,707
OH, DO READ IT,
SNELLER.
397
00:32:24,110 --> 00:32:29,081
"WORST FEARS REALIZED.
SETH AND REUBEN TOO.
398
00:32:29,115 --> 00:32:33,252
EVERYTHING NEEDS CHANGING.
SEND MAGAZINES."
399
00:32:53,705 --> 00:32:55,641
MORNING.
MORNING.
400
00:32:55,674 --> 00:32:57,976
NOT SO BAD NOW, EH?
NO.
401
00:33:04,383 --> 00:33:07,786
LUNCHES, DEAR?
WE DO, BUT ONLY IN AUGUST.
402
00:33:07,819 --> 00:33:11,157
NOT ALWAYS THEN.
YOU CAN HAVE WHAT
WE'RE HAVIN'.
403
00:33:11,190 --> 00:33:13,592
GOT TO COOK
MY GENTLEMAN'S DINNER.
OH!
404
00:33:13,625 --> 00:33:17,029
OH, NO, MY DEAR.
THAT'S MR. HAWK-MONITOR
FROM UP THE HALL.
405
00:33:17,063 --> 00:33:19,398
HE'S A REAL GENTLEMAN.
HE DON'T EAT HERE.
406
00:33:19,431 --> 00:33:23,569
MY GENTLEMAN'S
A MR. MYBUG FROM LONDON.
HE'S A BOOK WRITER.
407
00:33:23,602 --> 00:33:26,438
OH, NOT ANOTHER.
THERE HE IS NOW.
408
00:33:26,472 --> 00:33:30,676
WALKS THE HIGH WEALD
ALL HOURS, HE DOES.
THEN COMES IN COVERED IN MUD.
409
00:33:30,709 --> 00:33:33,379
* [ Humming ]
410
00:33:36,148 --> 00:33:40,152
GOOD DAY, ALL.
NICE WALK,
MR. MYBUG?
411
00:33:40,186 --> 00:33:44,090
I HAVE FREELY WANDERED
THE AMPLE SUCKLING BREASTS
OF THE WELCOMING HILLS.
412
00:33:44,123 --> 00:33:46,458
A PINT OF CIDER,
IF YOU WOULD,
MRS. MURTHER.
413
00:33:46,492 --> 00:33:48,660
A YOUNG LADY
ASKIN' AFTER YOU.
414
00:33:50,429 --> 00:33:52,631
HA! FLORA POSTE,
ISN'T IT?
415
00:33:52,664 --> 00:33:55,501
MAY I SIT DOWN?
WE MET AT THE POLSWETTS
IN OCTOBER.
416
00:33:55,534 --> 00:33:58,237
DID WE, MR. MYBUG?
MEYERBURG.
DON'T YOU REMEMBER?
417
00:33:58,270 --> 00:34:02,374
HARRIET BELMONT SAT NAKED
ON THE GRASS AND PLAYED
TO US ON HER FLUTE.
418
00:34:02,408 --> 00:34:06,412
ACTUALLY, THE POLSWETTS SAID
YOU WERE DOWN HERE. I RATHER
HOPED I WOULD RUN INTO YOU.
419
00:34:06,445 --> 00:34:09,281
BETTER GO UP AND DRY OFF,
HADN'T YOU, MR. MYBUG?
420
00:34:09,315 --> 00:34:13,152
YES, YES. DEAR ME,
I DO SEEM SOMEWHAT SOAKED
IN NATURE'S FECUND BLESSING.
421
00:34:13,185 --> 00:34:16,255
I SHALL SEE YOU
IN A VERY FEW MOMENTS,
MY DEAR MISS POSTE.
422
00:34:16,288 --> 00:34:19,391
BUT LET ME WARN YOU.
I'M A QUEER, MOODY BRUTE,
423
00:34:19,425 --> 00:34:23,061
BUT THERE'S RICH SOIL
IN HERE IF YOU CARE
TO DIG FOR IT.
424
00:34:26,398 --> 00:34:30,236
* [ Singing ]
425
00:34:30,269 --> 00:34:34,306
MRS. MURTHER, I THINK I'LL DO
WITHOUT LUNCH TODAY AFTER ALL.
ALL RIGHT, DEAR.
426
00:34:35,541 --> 00:34:37,576
GOOD-BYE.
427
00:34:48,287 --> 00:34:50,789
HELLO.
428
00:34:50,822 --> 00:34:53,892
I THOUGHT I'D INTRODUCE
THE CUSTOM OF AFTERNOON TEA.
429
00:34:53,925 --> 00:34:56,162
DO YOU TAKE MILK?
430
00:35:16,682 --> 00:35:20,652
I SCRANLETTED 200 FURROW
COME 3:00 DOWN IN THE BUTE.
431
00:35:22,254 --> 00:35:25,191
DID YOU?
AYE.
432
00:35:25,224 --> 00:35:26,925
DID TOO.
433
00:35:26,958 --> 00:35:31,463
ALL THE WAY FROM
TICKLEPENNY CORNER
TO NETTLE FLITCH.
434
00:35:35,434 --> 00:35:37,269
COULD YOU 'A' DONE THAT?
435
00:35:37,303 --> 00:35:39,938
NO, INDEED.
I CERTAINLY
COULDN'T, REUBEN.
436
00:35:39,971 --> 00:35:42,708
BUT THEN, YOU SEE,
I SHOULDN'T WANT TO.
437
00:35:43,975 --> 00:35:48,514
TAKE THE FARM,
PAY HIRED MEN, I'D WAGER.
438
00:35:48,547 --> 00:35:51,517
WASTE ALL
THE TAKINGS.
NO, I WOULDN'T.
439
00:35:51,550 --> 00:35:54,786
I WOULDN'T CARE IF
TICKLEPENNY CORNER WASN'T
SCRANLETTED AT ALL.
440
00:35:54,820 --> 00:35:58,724
I'D LET YOU
DO IT INSTEAD.
LET? LET!
441
00:36:00,226 --> 00:36:02,194
THAT'S A FINE WORD
TO USE TO A MAN...
442
00:36:02,228 --> 00:36:04,863
THAT'S NURSED THIS FARM
LIKE A SICK MOMMET,
443
00:36:04,896 --> 00:36:07,766
KNOWS EVERY INCH OF SOIL
AND PATCH OF SUKEBIND
IN THE PLACE.
444
00:36:07,799 --> 00:36:10,969
LET'S GET IT STRAIGHT, REUBEN.
I DON'T WANT THE FARM.
445
00:36:11,002 --> 00:36:15,874
I'M THE LAST PERSON IN THE WORLD
TO BE ANY GOOD AT SCRANLETTING.
REALLY.
446
00:36:15,907 --> 00:36:19,878
I PREFER TO LEAVE IT
TO PEOPLE WHO KNOW
ALL ABOUT IT. LIKE YOU.
447
00:36:26,552 --> 00:36:28,687
[ Door Opening ]
448
00:36:46,738 --> 00:36:50,909
WHAT'S THAT
YOU'RE MAKIN'?
A BATH TOWEL, SETH.
449
00:36:50,942 --> 00:36:53,312
WOULD YOU LIKE
SOME TEA?
450
00:36:54,713 --> 00:36:56,715
YOU WOMEN ARE ALL ALIKE.
451
00:36:59,718 --> 00:37:04,823
FUSSIN' OVER
YOUR FAL-DE-LALS
TO BEDAZE A MAN'S EYES, EH?
452
00:37:04,856 --> 00:37:07,259
AND WHAT YOU REALLY WANT
IS HIS BLOOD,
453
00:37:07,293 --> 00:37:11,797
HIS PRIDE,
AND THE HEART
OUT OF HIS BODY.
454
00:37:11,830 --> 00:37:14,366
- REALLY?
- AYE.
455
00:37:14,400 --> 00:37:19,371
AND THEN WHEN YOU GOT HIM,
BOUND UP IN YOUR FAL-DE-LALS
AND YOUR SOFTNESS...
456
00:37:19,405 --> 00:37:22,941
AND HE CAN'T MOVE 'CAUSE OF THE
LONGIN' THAT CRIES IN HIS BLOOD,
WHAT DO YOU DO THEN, EH?
457
00:37:22,974 --> 00:37:25,511
I'M AFRAID
I DON'T KNOW, SETH.
458
00:37:25,544 --> 00:37:28,714
WOULD YOU MIND PASSING ME
THAT REEL OF COTTON
ON THE DRESSER?
459
00:37:40,759 --> 00:37:42,861
THIS WHAT YOU'RE AFTER?
460
00:37:46,031 --> 00:37:48,567
THANK YOU.
461
00:37:48,600 --> 00:37:51,703
YOU EATS HIM.
462
00:37:51,737 --> 00:37:54,973
SAME AS A HEN SPIDER
EATS A COCK SPIDER.
463
00:37:56,675 --> 00:37:59,945
BUT I DON'T LET
NO WOMEN EAT ME.
464
00:37:59,978 --> 00:38:02,914
I EATS THEM INSTEAD.
465
00:38:02,948 --> 00:38:07,353
YOU DON'T UNDERSTAND
WHAT I'M SAYIN', DO YOU,
LITTLE INNOCENT?
466
00:38:07,386 --> 00:38:09,621
YES, AND I THINK
IT'S DREADFUL.
467
00:38:09,655 --> 00:38:13,892
WHAT DO YOU DO IN
THE EVENINGS, SETH? WHEN
YOU'RE NOT EATING PEOPLE.
468
00:38:16,995 --> 00:38:20,566
- GO OVER BEERSHORN
TO THE TALKIES.
- OH, YOU LIKE THE TALKIES?
469
00:38:20,599 --> 00:38:23,001
BETTER THAN ANYTHING
IN THE WHOLE WORLD.
470
00:38:30,976 --> 00:38:33,512
SEVENTY-FOUR PHOTOS
OF LOTTIE FUNCHAL.
471
00:38:37,148 --> 00:38:39,885
FORTY OF JENNIE CARROLL.
472
00:38:39,918 --> 00:38:43,355
FIFTY-FIVE, LAURA VALLEY.
473
00:38:44,990 --> 00:38:49,795
ALL SIGNED ONES.
THAT'S WHERE I'M GOIN' NOW.
474
00:38:49,828 --> 00:38:53,098
D'YOU WANT TO COME?
THEY'RE SHOWIN'
STREET SINNERS.
475
00:38:53,131 --> 00:38:58,069
I SAW IT LONDON, ACTUALLY.
THANK YOU, SETH.
YOU'LL ENJOY IT.
476
00:39:09,815 --> 00:39:11,850
WOMEN.
477
00:39:20,626 --> 00:39:24,596
YOU'LL BE GLAD TO KNOW
MY CAMPAIGN FOR TIDYING UP
COLD COMFORT FARM...
478
00:39:24,630 --> 00:39:26,565
IS GOING RATHER WELL.
479
00:39:26,598 --> 00:39:30,402
"I'VE ALREADY BEGUN
TO SOFTEN THE DOUR REUBEN,
480
00:39:30,436 --> 00:39:34,606
AND I THINK I'VE DISCOVERED
THE REAL NATURE OF SETH'S
GRAND PASSION."
481
00:39:34,640 --> 00:39:39,110
AHEM. "I'VE STARTED
TEACHING THE HIRED GIRL
THE PRECAUTIONARY ARTS--"
482
00:39:39,144 --> 00:39:41,480
VERY GOOD.
"ALL PART OF
MY MISSION...
483
00:39:41,513 --> 00:39:43,915
"TO DRAG THEM
INTO THE MODERN WORLD,
484
00:39:43,949 --> 00:39:46,418
"AND I'M ALSO GETTING
MY BEDROOM CURTAINS WASHED,
485
00:39:46,452 --> 00:39:49,455
"BUT I STILL HAVE TO MEET
AUNT ADA DOOM,
486
00:39:49,488 --> 00:39:53,058
"AND I HAVE NO IDEA WHAT
WRONG WAS DONE TO PAPA.
487
00:39:53,091 --> 00:39:55,894
PLEASE SEND
THIS MONTH'S VOGUE."
488
00:39:57,863 --> 00:40:02,133
[ Thinking ]
FROM THE STUBBORN INTERWOVEN
STRATA OF HIS UNCONSCIOUS,
489
00:40:03,068 --> 00:40:07,105
THOUGHT SEEPED UP
INTO HIS DIM...
490
00:40:07,138 --> 00:40:09,040
CONSCIOUS,
491
00:40:09,074 --> 00:40:12,010
NOT AS AN INTEGRAL PART
OF THAT CONSCIOUSNESS,
492
00:40:12,043 --> 00:40:16,682
RATHER AS
AN IMPALPABLE EMANATION...
493
00:40:16,715 --> 00:40:20,519
FROM THE UNSLEEPING LIFE
OF THE NATURE THAT
SURROUNDED HIM.
494
00:40:21,953 --> 00:40:24,690
THE GOLDEN ORB--
495
00:40:24,723 --> 00:40:26,758
THE GOLDEN ORB--
496
00:40:28,927 --> 00:40:30,996
OH, DEAR.
497
00:40:54,185 --> 00:40:56,955
[ Chickens
Clucking ]
AMOS!
498
00:40:59,558 --> 00:41:03,128
WHERE YOU GOING?
PREACHIN'.
AT BEERSHORN.
499
00:41:03,161 --> 00:41:05,831
AT THE CHURCH
OF THE QUIVERIN' BRETHREN.
500
00:41:05,864 --> 00:41:10,869
THEY'LL ALL BURN IN HELL,
AND SOMEONE'S GOTTA
TELL THEM SO.
501
00:41:10,902 --> 00:41:14,840
MAY I COME WITH YOU?
THINK YOU'LL ESCAPE FROM
THE FIRES OF HELL...
502
00:41:14,873 --> 00:41:17,743
IF YOU COME ALONG WITH ME
AND BOW DOWN AND QUIVER?
503
00:41:17,776 --> 00:41:21,680
'TIS TOO LATE, YOUNG LADY.
YOU'LL BURN WITH THE REST.
504
00:41:21,713 --> 00:41:24,115
WELL, I SHOULD LIKE
TO SEE IT, EVEN SO.
505
00:41:24,149 --> 00:41:26,718
WHY ARE THEY CALLED
"QUIVERING BRETHREN"?
506
00:41:26,752 --> 00:41:30,622
WHY? BECAUSE
THEY QUIVER WHEN THEY
PREPARE FOR TORMENT.
507
00:41:30,656 --> 00:41:32,724
[ Cow Bellowing ]
508
00:41:32,758 --> 00:41:36,895
DO YOU PREPARE
YOUR SERMONS BEFOREHAND
OR DOES IT JUST COME?
509
00:41:36,928 --> 00:41:42,167
WORD IS NEVER PREPARED.
IT FALLS ON ME MIND
LIKE MANNA FROM HEAVEN.
510
00:41:43,101 --> 00:41:46,538
REALLY?
HOW INTERESTING.
511
00:41:46,572 --> 00:41:49,174
THEN YOU HAVE NO IDEA WHAT
YOU'RE GOING TO SAY BEFORE
YOU GET THERE?
512
00:41:49,207 --> 00:41:52,143
AYE. I ALWAYS KNOW
IT'LL BE SUMMAT
ABOUT BURNIN'.
513
00:41:52,177 --> 00:41:54,312
AND DOES ANYONE ELSE PREACH,
OR ARE YOU THE ONLY ONE?
514
00:41:54,345 --> 00:41:55,947
ONLY ME.
[ Bell Ringing ]
515
00:41:55,981 --> 00:42:01,720
DEBORAH CHECKBOTTOM,
SHE TRIED ONCEWAYS TO GET UP
AND PREACH, BUT SHE COULDN'T.
516
00:42:01,753 --> 00:42:04,289
THE LORD WEREN'T IN HER.
517
00:42:04,322 --> 00:42:09,094
[ Congregation ]
* WHATEVER SHALL WE DO
O LORD *
518
00:42:09,127 --> 00:42:14,265
* WHEN GABRIEL BLOWS
O'ER SEA AND RIVER *
519
00:42:14,299 --> 00:42:18,637
* FEN AND DESERT
MOUNT AND FORD *
520
00:42:18,670 --> 00:42:25,110
* THE EARTH WILL BURN
BUT WE WILL QUIVER *
521
00:42:26,111 --> 00:42:30,949
* WHATEVER SHALL WE DO
O LORD *
522
00:42:30,982 --> 00:42:36,054
* WHEN CROPS DO FAIL
AND BLOSSOMS WITHER *
523
00:42:36,087 --> 00:42:40,325
* GOD'S GREAT WRATH
BE NOT IGNORED *
524
00:42:40,358 --> 00:42:48,667
* THE EARTH MAY FAIL
BUT WE WILL QUIVER *
525
00:42:48,700 --> 00:42:55,273
* AMEN
526
00:43:04,916 --> 00:43:10,321
YE MISERABLE,
CRAWLIN' WORMS.
527
00:43:10,355 --> 00:43:14,092
ARE YE HERE AGAIN THEN?
[ Congregation ]
AYE.
528
00:43:14,125 --> 00:43:18,163
HAVE YE COME LIKE NIMSHI,
SON OF REHOBOAM,
529
00:43:18,196 --> 00:43:20,632
SECRETLY OUT OF
YOUR DOOMED HOUSES...
530
00:43:20,666 --> 00:43:23,234
TO HEAR WHAT'S
COMIN' TO YE?
531
00:43:23,268 --> 00:43:26,938
[ All ]
AYE.
HAVE YE COME, OLD AND YOUNG,
532
00:43:26,972 --> 00:43:31,409
SICK AND WELL,
MATRONS AND VIRGINS--
533
00:43:31,442 --> 00:43:34,713
IF THERE BE ANY VIRGINS
AMONGST YOU, WHICH
IS NOT LIKELY,
534
00:43:34,746 --> 00:43:37,382
THE WORLD BEING
IN THE WICKED STATE
THAT IT IS.
535
00:43:37,415 --> 00:43:40,886
AYE.
HAVE YE COME TO
HEAR ME TELL YE...
536
00:43:40,919 --> 00:43:46,725
OF THE GREAT CRIMSON,
LICKING FLAMES
OF HELL FIRE?
537
00:43:46,758 --> 00:43:49,194
[ All ]
AYE!
AYE!
538
00:43:49,227 --> 00:43:52,931
YOU'VE COME,
DOZENS OF YE,
539
00:43:52,964 --> 00:43:58,269
LIKE RATS TO THE GRANARY,
LIKE FIELD MICE WHEN
THERE'S HARVEST HOME.
540
00:43:58,303 --> 00:44:01,439
AND WHAT GOOD
WILL IT DO YE?
541
00:44:01,472 --> 00:44:03,909
YOU'RE ALL DAMNED!
542
00:44:03,942 --> 00:44:06,878
- [ Congregation Shuddering ]
- [ Amos ] DAMNED!
543
00:44:06,912 --> 00:44:10,816
DO YOU EVER STOP
TO THINK WHAT
THAT WORD MEANS?
544
00:44:10,849 --> 00:44:14,319
[ Congregation ] NO-O-O-O.
NO, YOU DON'T.
IT MEANS...
545
00:44:14,352 --> 00:44:17,388
ENDLESS, HORRIFYING TORMENT.
546
00:44:17,422 --> 00:44:22,060
IT MEANS YOUR POOR, SINFUL
BODIES STRETCHED OUT
ON RED-HOT GRIDIRONS...
547
00:44:22,093 --> 00:44:24,362
IN THE NETHERMOST
FIERY PIT OF HELL...
548
00:44:24,395 --> 00:44:29,701
AND THOSE DEMONS
MOCKING YE WHILE THEY
WAVES COOLING JELLIES...
549
00:44:29,735 --> 00:44:31,803
IN FRONT OF YE.
550
00:44:35,741 --> 00:44:39,477
YOU KNOW WHAT IT'S LIKE
WHEN YOU BURN YOUR HAND...
551
00:44:39,510 --> 00:44:42,047
TAKIN' A CAKE
OUT OF THE OVEN...
552
00:44:42,080 --> 00:44:44,916
OR LIGHTING ONE OF THEM
GODLESS CIGARETTES?
553
00:44:44,950 --> 00:44:49,020
AND IT STINGS WITH
A FEARFUL PAIN. AYE?
554
00:44:49,054 --> 00:44:54,192
AND YOU RUN TO CLAP
A BIT OF BUTTER ON IT
TO TAKE THE PAIN AWAY, AYE?
555
00:44:54,225 --> 00:44:56,361
AYE.
WELL, I'LL TELL YE.
556
00:44:56,394 --> 00:45:01,900
- THERE'LL BE NO
BUTTER IN HELL!
- NO!
557
00:45:01,933 --> 00:45:04,736
AND YOUR BODY WILL BE
BURNIN' AND STINGIN'
WITH THAT TERRIBLE PAIN!
558
00:45:04,770 --> 00:45:07,906
AND YOUR BLACKENED TONGUE
WILL BE STICKIN' OUT OF
YOUR MOUTH,
559
00:45:07,939 --> 00:45:12,010
AND YOUR PARCHED LIPS
WILL BE CRYIN' OUT FOR--
560
00:45:12,043 --> 00:45:14,946
[ Sermon Continues,
Indistinct ]
561
00:45:20,852 --> 00:45:24,089
CAKES AND AN ORANGE
WITH SUGAR ON IT.
THANK YOU.
562
00:45:33,799 --> 00:45:36,768
AH, MISS POSTE!
MAY I JOIN YOU?
563
00:45:36,802 --> 00:45:39,905
MR. MYBUG.
I SUPPOSE SO.
MEYERBURG.
564
00:45:39,938 --> 00:45:43,008
I'LL HAVE WHAT
SHE'S HAVING, PLEASE.
VERY WELL, SIR.
565
00:45:43,041 --> 00:45:46,477
I DO LOVE EATING
WITH A SPOON, DON'T YOU?
566
00:45:46,511 --> 00:45:50,181
NOW, MISS POSTE, PERHAPS
YOU CAN HELP ME ON A MATTER
THAT'S BEEN TROUBLING ME.
567
00:45:50,215 --> 00:45:53,351
DO YOU BELIEVE
THAT WOMEN HAVE SOULS?
568
00:45:53,384 --> 00:45:55,921
I'M AFRAID I'M NOT
VERY INTERESTED.
QUITE.
569
00:45:55,954 --> 00:46:00,291
I DO SO AGREE.
BODIES MATTER SO MUCH MORE
THAN SOULS, DON'T YOU THINK?
570
00:46:00,325 --> 00:46:04,896
OR ARE YOU, ALAS, LIKE SO MANY
YOUNG ENGLISHWOMEN, A PRISONER
OF OUTDATED INHIBITIONS?
571
00:46:04,930 --> 00:46:09,267
DO YOU KNOW WHAT
D.H. LAWRENCE SAID?
I DO, ACTUALLY, YES.
572
00:46:09,300 --> 00:46:14,505
HE SAID THERE MUST ALWAYS BE
A DARK, DUMB, BITTER
BELLY TENSION...
573
00:46:14,539 --> 00:46:16,474
BETWEEN THE LIVING MAN
AND THE LIVING WOMAN.
574
00:46:16,507 --> 00:46:19,911
MR. MYBUG, DO TELL ME ABOUT
THE BOOK YOU'RE WRITING.
AH.
575
00:46:19,945 --> 00:46:21,947
EXCUSE ME, SIR.
WELL--
THANK YOU.
576
00:46:21,980 --> 00:46:24,182
THANK YOU, SIR.
I INTEND TO PROVE...
577
00:46:24,215 --> 00:46:27,585
THAT BRANWELL BRONTE5
WROTE WUTHERING HEIGHTS...
578
00:46:27,618 --> 00:46:32,323
AND JANE EYRE AND
THE TENANT OF WILDFELL HALL.
579
00:46:32,357 --> 00:46:34,960
A WORK OF FICTION,
IS IT?
580
00:46:34,993 --> 00:46:38,596
YES, WELL, THAT'S ENOUGH
ABOUT ME. TELL ME, MISS POSTE,
DO YOU CARE ABOUT WALKING?
581
00:46:38,629 --> 00:46:41,566
WHAT ABOUT IT?
I THOUGHT WE MIGHT TAKE
SOME NATURE WALKS TOGETHER,
582
00:46:41,599 --> 00:46:44,836
GO ON DISCUSSING
ART AND LITERATURE LIKE THIS.
583
00:46:44,870 --> 00:46:47,005
BUT I'D BETTER WARN YOU.
I'M PRETTY SUSCEPTIBLE.
584
00:46:47,038 --> 00:46:50,341
WELL, THEN, PERHAPS WE
SHOULD POSTPONE THE WALKS
UNTIL THE WEATHER'S FINER.
585
00:46:50,375 --> 00:46:53,511
IT WOULD BE TOO BAD
IF YOUR BOOK WAS HELD UP
BECAUSE YOU'D CAUGHT A COLD.
586
00:46:53,544 --> 00:46:57,983
I'M TALKING ABOUT SEX,
MISS POSTE! YES. YOU SEE,
I BELIEVE IN UTTER FRANKNESS...
587
00:46:58,016 --> 00:47:00,018
ABOUT SEXUAL THINGS.
588
00:47:00,051 --> 00:47:03,188
AYE, YE FORNICATORS.
FORNICATORS!
589
00:47:03,221 --> 00:47:08,559
[ Stammering ]
NO, I ASSURE YOU. MISS POSTE
AND I ARE JUST OLD FRIENDS.
590
00:47:08,593 --> 00:47:11,863
- WE MET IN LONDON.
- OH, AYE, THE DEVIL'S CITY.
591
00:47:11,897 --> 00:47:15,466
THE STINKIN' PIT OF WHOREDOM.
COME ON, YOUNG LADY.
592
00:47:15,500 --> 00:47:17,936
IT'S BACK TO COLD COMFORT
FOR YOU!
593
00:47:26,344 --> 00:47:31,216
YE'LL FRITTER AND FRY.
YE DIDN'T EVEN STAY
TO HEAR THE LORD'S WORD.
594
00:47:31,249 --> 00:47:35,086
I WAS OVERWHELMED, COUSIN.
YOU'RE SUCH A POWERFUL PREACHER.
595
00:47:35,120 --> 00:47:38,423
AYE, THE WORD
BURNS IN ME MOUTH,
596
00:47:38,456 --> 00:47:41,626
AND I MUST BLOW IT
ON THE WHOLE WORLD
LIKE FLAMES.
597
00:47:41,659 --> 00:47:47,265
YOU OUGHT TO DO IT
MORE WIDELY, COUSIN AMOS.
WHAT DO YE MEAN?
598
00:47:47,298 --> 00:47:50,668
YOU SHOULDN'T WASTE IT
ON A FEW MISERABLE SINNERS
IN BEERSHORN.
599
00:47:50,701 --> 00:47:54,605
YOU COULD GO ROUND THE COUNTRY
IN A FORD VAN, PREACHING
ON MARKET DAYS.
600
00:47:54,639 --> 00:47:57,442
'TWOULD BE EXALTING MESELF
AND PUFFIN' MESELF UP...
601
00:47:57,475 --> 00:48:00,211
IF I WENT AROUND
IN ONE OF THEY VANS.
602
00:48:00,245 --> 00:48:03,481
THINKIN' OF MY GLORY
'STEAD OF THE LORD'S.
603
00:48:03,514 --> 00:48:07,953
YOU COULD SAVE
THOUSANDS OF SOULS.
THAT'S HOW I'D LOOK AT IT...
604
00:48:07,986 --> 00:48:10,989
IF I WERE GOING
ROUND THE COUNTRY
IN A FORD VAN.
605
00:48:13,992 --> 00:48:16,327
WHAT KIND OF FORD VAN?
606
00:48:35,280 --> 00:48:39,684
HAS SHE BEEN ASKIN' ABOUT
ME, ROBERT POSTE'S CHILD?
WHAT DOES SHE WANT?
607
00:48:39,717 --> 00:48:43,321
SHE'S BEEN HERE MORE THAN
A WEEK. SHE KEEPS ASKIN'
TO SEE YOU, MOTHER.
608
00:48:43,354 --> 00:48:44,990
COULDN'T YOU COME DOWN
JUST ONCE AND TALK TO HER?
609
00:48:45,023 --> 00:48:50,628
YOU KNOW I NEVER COME DOWN
EXCEPT FOR THE COUNTIN',
NOT AFTER WHAT HAPPENED TO ME.
610
00:48:50,661 --> 00:48:53,965
SHE'S ROBERT POSTE'S CHILD.
SHE HAS HER RIGHTS.
611
00:48:53,999 --> 00:48:57,135
SAW SOMETHING NASTY
IN THE WOODSHED.
612
00:48:57,168 --> 00:48:59,504
I NEVER SPOKE OF IT,
NOT EVEN TO MAMA.
613
00:48:59,537 --> 00:49:04,742
BUT I'VE ALWAYS REMEMBERED IT
EVERY DAY OF MY LIFE.
IT'S MADE ME THE WAY I AM.
614
00:49:04,775 --> 00:49:08,546
YES, MOTHER.
IT'S THE FARM
SHE WANTS, ISN'T IT?
615
00:49:08,579 --> 00:49:12,017
SHE'S YOUR SISTER'S
GRANDCHILD. SHE'S OWED--
SHE'S OWED NOTHIN'.
616
00:49:12,050 --> 00:49:16,287
SHE SHOULD NEVER HAVE COME HERE.
SHE'S PLAYIN' HER WILES
ON ALL OF YOU.
617
00:49:16,321 --> 00:49:20,158
I'VE WATCHED HER.
REUBEN, SETH, NOW AMOS.
618
00:49:20,191 --> 00:49:23,561
I'M NOT HAVIN' IT, GIRL.
THERE'VE ALWAYS BEEN
STARKADDERS...
619
00:49:23,594 --> 00:49:27,065
AT COLD COMFORT FARM.
AT COLD COMFORT FARM. YES,
MOTHER, DON'T UPSET YOURSELF.
620
00:49:27,098 --> 00:49:30,535
STARKADDERS!
ALWAYS WERE,
ALWAYS WILL BE.
621
00:49:30,568 --> 00:49:35,406
TELL HER, GIRL. TELL HER!
HEAR WHAT I SAID?
STARKADDERS!
622
00:51:02,560 --> 00:51:06,764
ADAM, YOU'RE NOT USING THAT
NICE DISH MOP I BOUGHT YOU
FOR THE CLETTERING.
623
00:51:06,797 --> 00:51:12,603
NAY. I'D NEVER PUT THAT
PRETTY IN GURT-GREASY
WASHING-UP WATER.
624
00:51:12,637 --> 00:51:16,741
I MUN DO THAT
WITH THORN TWIGS.
THEY'LL SERVE.
625
00:51:19,144 --> 00:51:22,280
'TIS PRETTIER
THAN APPLE BLOOM,
MY LITTLE MOP.
626
00:51:25,150 --> 00:51:28,119
IS SOMETHING WRONG, ADAM?
627
00:51:28,153 --> 00:51:31,289
'TIS MY LITTLE WENNIT.
WHAT'S THE MATTER
WITH HER?
628
00:51:31,322 --> 00:51:34,359
SHE'S ALWAYS PEERIN' THROUGH
THE WINDOWS UP HOWCHIKER HALL...
629
00:51:34,392 --> 00:51:37,495
TO GET A SIGHT OF THAT YOUNG
CHUCK-STUBBARD MASTER RICHARD.
630
00:51:37,528 --> 00:51:40,798
DICK HAWK-MONITOR?
ARR!
BLAST HIM...
631
00:51:40,831 --> 00:51:43,801
FOR A SETUP YEARLIN'
OF A WOMANIZER.
632
00:51:43,834 --> 00:51:46,171
OH, I HEAR
HE'S NICE ENOUGH.
633
00:51:46,204 --> 00:51:48,906
YOU KNOWS THE WAYS
OF GENTRY.
634
00:51:48,939 --> 00:51:54,145
HIM THE YOUNG SQUIRE
AND HER JUST A LITTLE
WENNIT OUT OF NATURE.
635
00:51:54,179 --> 00:51:57,282
INDEED I DO KNOW
THE WAYS OF GENTRY.
636
00:51:57,315 --> 00:51:59,584
I'M SURE HE MEANS NO HARM.
637
00:51:59,617 --> 00:52:03,188
THE PROBLEM IS, ELFINE'S
NOT QUITE THE SORT GENTRY MARRY.
638
00:52:03,221 --> 00:52:07,325
'TIS WHAT I MEAN.
LEAVE IT TO ME, ADAM.
I'LL TALK TO HER.
639
00:52:09,427 --> 00:52:11,829
POOR LITTLE WENNIT.
640
00:52:13,331 --> 00:52:17,268
SISTER SUN
AND BROTHER WIND,
641
00:52:17,302 --> 00:52:20,671
DANCIN' THROUGH
THE WOODLAND TREES,
642
00:52:20,705 --> 00:52:23,574
THIS LITTLE ODE
TO YOU I SING...
643
00:52:23,608 --> 00:52:25,943
AND WHISPER IT
UPON THE BREEZE.
644
00:52:25,976 --> 00:52:29,414
REALLY, ELFINE, DON'T YOU
THINK YOU SOMETIMES
OVERDO IT A BIT?
645
00:52:29,447 --> 00:52:32,217
OVERDO WHAT?
THIS WILL-OF-THE-WISP THING.
646
00:52:32,250 --> 00:52:33,951
WHO ENCOURAGED YOU
TO BE LIKE THAT?
647
00:52:33,984 --> 00:52:36,554
MISS ASHFORD FROM
THE ARTS AND CRAFTS SHOP
IN BEERSHORN.
648
00:52:36,587 --> 00:52:39,857
SHE WAS SO KIND TO ME.
SHE TAUGHT ME SUCH A LOT:
649
00:52:39,890 --> 00:52:43,594
HOW TO DRESS,
HOW TO SPEAK BEAUTIFULLY.
650
00:52:43,628 --> 00:52:46,231
AND SHE HAD
SUCH LOVELY THINGS.
651
00:52:46,264 --> 00:52:48,199
AND SHE MADE YOU
READ POETRY.
MMM.
652
00:52:48,233 --> 00:52:51,569
WRITE IT, TOO, PROBABLY.
YES. I'M GOING TO PUBLISH
A VOLUME WHEN I'M 50.
653
00:52:51,602 --> 00:52:54,639
OH. AND THAT'S WHY
YOU HAVE TO BE ALONE ON
THE HILLSIDES, IS IT?
654
00:52:54,672 --> 00:52:58,709
YES. SO I CAN BE
WITH MY POETRY AND MY DREAMS.
655
00:53:00,445 --> 00:53:04,449
ANYWAY, I CAN'T STAND
THE FARM ANOTHER MINUTE.
WHY NOT?
656
00:53:04,482 --> 00:53:07,552
URK, OF COURSE.
HE'S HORRIBLE.
657
00:53:07,585 --> 00:53:10,988
HE'S ALWAYS IN THE TREE
OUTSIDE MY WINDOW,
SPYING ON ME.
658
00:53:11,021 --> 00:53:15,426
MMM.
GRANDMA DOOM SAYS I'M PROMISED
TO MARRY HIM WHEN I'M 18.
659
00:53:15,460 --> 00:53:18,429
OH, NO! WHY?
BECAUSE HE'S
A STARKADDER.
660
00:53:18,463 --> 00:53:22,533
AND THERE HAVE ALWAYS
BEEN STARKADDERS AT
COLD COMFORT FARM.
661
00:53:22,567 --> 00:53:25,270
BUT THERE'S SOMEONE ELSE,
ISN'T THERE?
662
00:53:25,303 --> 00:53:28,573
HOW DID YOU KNOW?
THERE ALWAYS IS.
663
00:53:28,606 --> 00:53:32,243
DICK HAWK-MONITOR
AT THE HALL? YES?
664
00:53:32,277 --> 00:53:36,414
ARE YOU ENGAGED
TO HIM?
ENGAGED? NO.
665
00:53:36,447 --> 00:53:38,883
NO, IT'S--
IT'S TOO BINDING.
666
00:53:38,916 --> 00:53:42,420
MMM.
DON'T YOU THINK IT'S HORRIBLE
TO BIND SOMEONE DOWN?
667
00:53:42,453 --> 00:53:48,259
I SEE. SO HE DOESN'T
WANT TO MARRY YOU.
668
00:53:48,293 --> 00:53:51,296
OH, I THINK HE DOES
SOMETIMES,
669
00:53:51,329 --> 00:53:53,063
BUT HE'S GOT THIS LONDON
COUSIN CALLED PAMELA.
670
00:53:53,097 --> 00:53:56,934
IT'S HIS 21st BIRTHDAY
PARTY NEXT MONTH. THEY'RE
BOUND TO GET ENGAGED THEN.
671
00:53:56,967 --> 00:54:00,271
NEXT MONTH?
WELL, THEN,
IT'S QUITE SIMPLE.
672
00:54:00,305 --> 00:54:02,807
YOU MUST GO TO THIS PARTY
AND WIN HIM OVER.
673
00:54:02,840 --> 00:54:06,844
I CAN'T GO TO THE PARTY.
GRANDMA DOOM DOESN'T LET US
ACCEPT INVITATIONS.
674
00:54:06,877 --> 00:54:09,714
ONLY TO FUNERALS AND
THE CHURCHIN' OF WOMEN.
675
00:54:09,747 --> 00:54:14,285
LOOK! THERE HE IS!
ISN'T HE FINE?
676
00:54:14,319 --> 00:54:17,522
[ Flora ]
YES. HE SHOULD
SUIT YOU VERY NICELY.
677
00:54:17,555 --> 00:54:19,990
WOULD YOU LIKE ME
TO HELP YOU?
678
00:54:41,779 --> 00:54:44,749
REUBEN.
MISS POSTE.
679
00:54:46,351 --> 00:54:48,786
GOIN' TO CHURCH AGAIN
WITH THE OLD DEVIL?
NO.
680
00:54:48,819 --> 00:54:53,658
I WAS ADVISING COUSIN AMOS
TO ADDRESS HIS SERMONS
TO A WIDER AUDIENCE.
681
00:54:53,691 --> 00:54:56,427
WANTS TO FRIGHTEN THE BIRDS
OFF THE TREES, DOES HE?
682
00:54:56,461 --> 00:54:59,664
THINK ABOUT IT, REUBEN.
IF HE WERE AWAY PREACHING,
683
00:54:59,697 --> 00:55:01,999
SOMEONE ELSE WOULD NEED
TO TAKE CHARGE OF THE FARM.
684
00:55:02,032 --> 00:55:05,102
AND SO I'LL HAVE TO ONE DAY,
WHEN THE OLD DEVIL DIES.
685
00:55:05,135 --> 00:55:07,472
BUT HE TALKS OF
LEAVING IT TO ADAM.
686
00:55:07,505 --> 00:55:10,775
WOULDN'T IT BE BETTER IF
WHOEVER TOOK CHARGE GOT
A REAL GRIP ON THINGS...
687
00:55:10,808 --> 00:55:15,480
SO WHEN COUSIN AMOS CAME
BACK, HE COULD SEE IT OUGHT
TO BE LEFT TO THAT PERSON?
688
00:55:15,513 --> 00:55:18,082
OH, I GET IT.
MEANING YOU.
689
00:55:18,115 --> 00:55:23,721
NO, REUBEN, I'VE TOLD YOU
BEFORE, I DON'T WANT THE FARM.
MEANIN' WHO, THEN?
690
00:55:23,754 --> 00:55:26,524
MEANING YOU, REUBEN.
691
00:55:26,557 --> 00:55:29,427
WHO, ME?
AYE, THEE.
692
00:55:30,895 --> 00:55:32,830
AH, 'TIS IMPOSSIBLE.
693
00:55:32,863 --> 00:55:35,566
AUNT ADA'LL
NEVER LET HIM GO.
694
00:55:37,402 --> 00:55:41,572
IF ANYONE TALKS O' LEAVIN',
SHE HAS AN ATTACK.
695
00:55:41,606 --> 00:55:44,575
SHE'S ILL.
HOW DOES IT SHOW?
696
00:55:44,609 --> 00:55:46,811
OH, HAS TO KNOW
EVERYTHIN' AS GOES ON.
697
00:55:46,844 --> 00:55:50,080
HAS TO SEE THE MILK BOOK,
CHICKEN BOOK, COW BOOK.
698
00:55:50,114 --> 00:55:52,483
WE KEEPS BACK THE BOOKS,
SHE HAS AN ATTACK.
699
00:55:52,517 --> 00:55:55,453
WE ASK FOR POCKET MONEY,
SHE HAS AN ATTACK.
700
00:55:55,486 --> 00:55:57,855
ANYONE WANTS TO WED,
SHE HAS AN ATTACK.
701
00:55:57,888 --> 00:56:00,491
ANYONE WANT TO LEAVE
COLD COMFORT--
702
00:56:10,000 --> 00:56:13,438
SHE AIN'T LIKE
OTHER PEOPLE'S GRANDMOTHERS.
703
00:56:13,471 --> 00:56:15,706
SHE'S MAD, AND THAT'S ALL.
704
00:56:15,740 --> 00:56:21,111
I SEE. WELL, JUST BECAUSE
AUNT ADA IS MAD,
705
00:56:21,145 --> 00:56:25,149
THAT'S NO REASON WHY YOU
SHOULDN'T PERSUADE AMOS
TO GO ON HIS PREACHING TOUR.
706
00:56:30,788 --> 00:56:32,890
DANG ME IF IT DON'T.
707
00:56:48,005 --> 00:56:50,741
AUNT ADA, ISN'T IT
TIME WE TALKED?
708
00:56:50,775 --> 00:56:54,044
I SAW SOMETHING NASTY.
SAW SOMETHING NASTY!
709
00:56:54,078 --> 00:56:57,882
AUNT ADA!
SOMETHING NASTY
IN THE WOODSHED.
710
00:56:57,915 --> 00:57:00,718
GO AWAY, GIRL!
[ Sighs ]
711
00:57:00,751 --> 00:57:03,053
HOW LONG HAVE YOU BEEN
IN THERE, AUNT ADA?
712
00:57:05,623 --> 00:57:08,659
EVER SINCE MY JUDITH
MARRIED AMOS.
713
00:57:08,693 --> 00:57:11,095
ISN'T IT LONELY?
LONELY?
714
00:57:11,128 --> 00:57:15,833
I SAW SOMETHING NASTY
IN THE WOODSHED.
DID YOU? WHAT?
715
00:57:15,866 --> 00:57:19,436
I DON'T REMEMBER ANYMORE.
I WAS LITTLE.
716
00:57:20,505 --> 00:57:22,773
SOMETHING TERRIBLE!
717
00:57:22,807 --> 00:57:25,976
AND IT WAS IN THE WOODSHED?
ARE YOU SURE?
718
00:57:26,010 --> 00:57:28,078
COURSE I'M SURE.
719
00:57:31,248 --> 00:57:35,620
OR MAYBE THE POTTING SHED.
OR THE BICYCLE SHED.
720
00:57:35,653 --> 00:57:37,722
OR THE TOOLSHED.
721
00:57:37,755 --> 00:57:41,191
ALL THESE YEARS,
GETTING FIVE GOOD MEALS A DAY,
722
00:57:41,225 --> 00:57:44,128
RUNNING THE FARM,
RULING THE ROOST,
EVERYONE DOING...
723
00:57:44,161 --> 00:57:47,898
EXACTLY AS YOU SAY
AND SACRIFICING THEIR LIVES
TO YOURS?
724
00:57:47,932 --> 00:57:52,770
THAT'S NOT BAD, IS IT,
JUST FOR SEEING SOMETHING NASTY
IN THE WOODSHED?
725
00:57:52,803 --> 00:57:55,906
EVERYTHING DEPENDS ON ME.
726
00:57:57,241 --> 00:57:59,476
DOES IT?
727
00:58:10,087 --> 00:58:12,156
[ Geese Honking ]
728
00:58:21,131 --> 00:58:24,134
THE BULL'S OUT.
729
00:58:24,168 --> 00:58:26,170
BIG BUSINESS?
[ Flora ]
IS THAT BAD?
730
00:58:26,203 --> 00:58:28,939
THAT'S TERRIBLE.
SOMEONE'LL GET HURT.
URK, GET THE BULL FORK.
731
00:58:28,973 --> 00:58:30,975
ADAM, COME ON!
BULL'S OUT!
WHERE'S SETH?
732
00:58:31,008 --> 00:58:33,043
DANG SETH!
COME ON!
ALL RIGHT!
733
00:58:33,077 --> 00:58:35,212
SOMETHIN' TO DO
WITH YOU, ISN'T IT?
WHY ME, URK?
734
00:58:35,245 --> 00:58:38,248
I KNOW YOU'RE TRYIN'
TO TAKE ELFINE AWAY FROM ME.
SHE'S MINE.
735
00:58:38,282 --> 00:58:41,819
SHE WERE PROMISED ME
THE DAY SHE WAS BORN.
YOU HEED WHAT I SAY.
736
00:58:41,852 --> 00:58:44,755
[ Amos ] URK!
WHEN THE WATER VOLES
MATE THIS SUMMER, SHE BE MINE.
737
00:58:44,789 --> 00:58:47,191
BETTER HURRY, URK.
THE BULL'S OUT.
738
00:58:47,224 --> 00:58:51,696
[ Indistinct Shout ]
COME ON!
739
00:58:51,729 --> 00:58:53,764
[ Clucking ]
740
00:58:54,632 --> 00:58:56,601
NO, BOY!
COME ON, BOY!
741
00:58:56,634 --> 00:58:58,769
[ Bull Bellowing ]
[ Yelling ]
742
00:59:10,981 --> 00:59:13,050
[ Whispering ]
ELFINE!
743
00:59:35,640 --> 00:59:37,875
[ Softly ]
GO, VIPER.
744
00:59:54,258 --> 00:59:58,195
VOILA.
NO, NO. LOW HERE?
745
00:59:58,228 --> 01:00:01,165
[ Murmuring ]
[ Murmuring In French ]
746
01:00:01,198 --> 01:00:04,802
[ Mary ]
OH, THAT'S LOVELY.
YES, THAT'S IT.
747
01:00:04,835 --> 01:00:07,137
YOU HAPPY, DARLING?
YES, I THINK THAT'S SWEET.
748
01:00:07,171 --> 01:00:09,807
RIGHT HERE.
[ Murmuring ]
749
01:00:12,677 --> 01:00:15,079
ROUND NECK,
I THINK.
750
01:00:15,112 --> 01:00:18,949
[ Mary ]
YES, I THINK A SMALL TRAIN.
AND THEN SOMEWHERE HERE,
751
01:00:18,983 --> 01:00:23,053
WE'RE NEEDING A BIT
OF UPLIFT, I THINK.
752
01:00:23,087 --> 01:00:28,993
HERE WE HAVE A PRIME EXAMPLE
OF E!COLE DE PARIS PAINTING.
HE'S ALSO VERY KEEN...
753
01:00:29,026 --> 01:00:33,230
ON THE WHOLE CALLIGRAPHIC
EFFECT OF HIS PAINTING,
THE VERY LINEAR QUALITY OF IT.
754
01:00:33,263 --> 01:00:35,332
ALWAYS WITH HIS WORK,
YOU FIND--
755
01:00:40,070 --> 01:00:43,173
FLORA, WHAT
DO YOU THINK?
NO, PLEASE, LOOK AT THIS.
756
01:00:43,207 --> 01:00:46,176
HIGHER COMMON SENSE.
VERY GOOD. VERY CLEVER.
757
01:00:46,210 --> 01:00:49,379
ESPECIALLY
THE INTRODUCTION.
[ Cork Popping ]
758
01:00:54,218 --> 01:00:57,855
THAT'S FOR YOU.
OH, THANK YOU.
759
01:00:59,256 --> 01:01:03,093
I THINK SHE'S CHARMING.
WAIT 'TIL
WE'VE FINISHED.
760
01:01:03,127 --> 01:01:05,462
DO YOU LIKE
YOUR NEW DRESS, ELFINE?
OH, IT'S HEAVENLY.
761
01:01:05,495 --> 01:01:09,033
IT'S WHITE SATIN,
STRAIGHT LINES.
BETTER THAN POETRY?
762
01:01:09,066 --> 01:01:11,736
DO EXPLAIN TO HER
ABOUT POETRY, MARY.
763
01:01:11,769 --> 01:01:15,172
DO I GATHER THAT YOU
LOVE POETRY AND THINK
THAT IF YOU TALK ABOUT IT...
764
01:01:15,205 --> 01:01:17,875
TO A YOUNG MAN LIKE
DICK HAWK-MONITOR,
HE'LL BE PLEASED?
765
01:01:17,908 --> 01:01:21,846
- EVERYBODY LOVES POETRY.
- [ Mary ] MOST DECENT YOUNG
MEN ARE TOTALLY ALARMED...
766
01:01:21,879 --> 01:01:25,282
WHEN THEY HEAR THAT
A GIRL READS IT,
LET ALONE WRITES IT.
767
01:01:25,315 --> 01:01:28,719
TELL HER, CHARLES.
DICK HAWK-MONITOR'S
A PERFECTLY NICE CHAP.
768
01:01:28,753 --> 01:01:32,156
- YOU KNOW HIM?
- OF COURSE. AND HIS MOTHER.
RATHER WELL, ACTUALLY.
769
01:01:32,189 --> 01:01:34,124
BUT POETRY AND DICK--
770
01:01:34,158 --> 01:01:37,895
NO, QUITE FRANKLY.
IN FACT, WHEN
POETRY'S COMBINED...
771
01:01:37,928 --> 01:01:41,498
WITH ILL-GROOMED HAIR
AND ECCENTRIC DRESS,
IT'S GENERALLY FATAL.
772
01:01:41,531 --> 01:01:44,935
YOU'RE VERY LUCKY, ELFINE.
HE MUST HAVE SEEN
YOUR FINER POINTS.
773
01:01:44,969 --> 01:01:48,372
I SHALL WRITE IT
SECRETLY THEN.
QUITE RIGHT.
774
01:01:48,405 --> 01:01:51,041
IT'S BAD TO BE DEWY-EYED
AMONG SMART PEOPLE,
775
01:01:51,075 --> 01:01:53,778
BUT YOU CAN ALWAYS
SECRETLY DESPISE THEM.
776
01:01:53,811 --> 01:01:55,913
YOU SEE, ELFINE,
WE TELL YOU THESE THIN S
777
01:01:55,946 --> 01:01:58,148
SO YOU'LL HAVE SOME STANDARDS
INSIDE YOURSELF,
778
01:01:58,182 --> 01:02:01,986
NOW YOU'RE GOING TO MEET
A NEW KIND OF LIFE.
779
01:02:05,022 --> 01:02:08,158
[ Flora ]
EVERYTHING ARRANGED, CHARLES?
ABSOLUTELY.
780
01:02:08,192 --> 01:02:11,195
WHAT'S ARRANGED?
[ Flora ]
NEVER MIND.
781
01:02:11,228 --> 01:02:13,831
CHARLES IS GOING TO HELP.
I SAID I MIGHT.
782
01:02:13,864 --> 01:02:16,300
WHO'S THIS MAN MYBUG?
783
01:02:16,333 --> 01:02:19,303
OH, JUST A STRANGE
LAWRENTIAN PERSON WHO
SAYS HE'S IN LOVE WITH ME.
784
01:02:19,336 --> 01:02:22,773
[ Mary ]
JEALOUS, CHARLES?
785
01:02:22,807 --> 01:02:26,210
GOOD.
ENJOYING YOURSELF,
ELFINE?
786
01:02:26,243 --> 01:02:29,914
OH, IT'S GOING TO BE
SUCH FUN.
NO, IT'S GOING TO BE...
787
01:02:29,947 --> 01:02:34,118
"AMUSING" OR "DIVERTING,"
NOT "SUCH FUN," DARLING.
788
01:02:43,928 --> 01:02:45,796
HI THERE, FLORA POSTE.
789
01:02:45,830 --> 01:02:49,099
MR. NECK! HELLO!
BACK ON ONE OF YOUR
LONDON TRIPS?
790
01:02:49,133 --> 01:02:51,468
YEAH, I FLEW
INTO THE SAVOY
THIS MORNING.
791
01:02:51,501 --> 01:02:56,073
THIS IS EARL P. NECK,
THE HOLLYWOOD MOVIE CZAR.
WE MET AT THE PARIS FILM CLUB.
792
01:02:56,106 --> 01:02:58,042
MY FRIEND
MARY SMILING.
793
01:02:58,075 --> 01:03:01,111
MARY!
[ Flora ]
ELFINE.
794
01:03:01,145 --> 01:03:03,113
ELFINE!
795
01:03:03,147 --> 01:03:05,015
CHARLES.
CHARLES.
796
01:03:05,049 --> 01:03:08,185
[ Mary ]
WON'T YOU JOIN US?
THANK YOU, THANK YOU.
797
01:03:08,218 --> 01:03:10,587
TELL ME, MR. NECK,
798
01:03:10,620 --> 01:03:13,190
WHAT EXACTLY
DOES A CZAR DO?
799
01:03:13,223 --> 01:03:15,425
[ Laughing ]
WHAT DO I DO?
800
01:03:15,459 --> 01:03:19,063
IMAGINE THE NIGHT SKY.
WHAT DO YOU SEE?
801
01:03:20,630 --> 01:03:23,133
- CLOUDS?
- YOU SEE STARS.
802
01:03:23,167 --> 01:03:25,936
AND WHAT YOU SEE UP THERE,
I SPOT DOWN HERE.
803
01:03:25,970 --> 01:03:29,539
I TAKE ORDINARY PEOPLE,
AND I TURN 'EM INTO ASTEROIDS.
804
01:03:29,573 --> 01:03:32,276
[ Mary ]
FLORA DOES THE SAME.
THIS IS HER LATEST.
805
01:03:32,309 --> 01:03:38,015
OH, SHE'S WONDERFUL!
AND SO ARE YOU, MISS POSTE.
YOU CARE TO RUMBA?
806
01:04:02,506 --> 01:04:05,342
SMYTHE-FORSYTHES.
UH-HUH.
807
01:04:05,375 --> 01:04:08,612
SMITH-JONES,
CLYDE-FORRESTERS.
808
01:04:08,645 --> 01:04:12,482
MISS GERTRUDE FORSTER.
OH, THOSE UNFORTUNATE
FIELD-MORRISONS.
809
01:04:12,516 --> 01:04:16,053
OH. OH!
OH, AND I'VE INVITED
PAMELA'S PARENTS.
810
01:04:16,086 --> 01:04:20,257
JUST IN CASE THERE'S
A DOUBLE CELEBRATION.
MOTHER!
811
01:04:39,576 --> 01:04:44,248
OH, FLORA, I FEEL SICK.
YOU CAN'T FEEL SICK.
EVERYTHING'S ARRANGED.
812
01:04:45,649 --> 01:04:47,884
[ Bell Ringing ]
813
01:04:50,054 --> 01:04:52,622
IS URK OUT THE WAY?
SAW HIM DOWN
TICKLEPENNY CORNER,
814
01:04:52,656 --> 01:04:54,925
TALKIN' TO
THE WATER VOLES.
815
01:05:07,237 --> 01:05:09,206
[ Cow Bellowing ]
816
01:05:09,239 --> 01:05:12,109
I SAY, THIS IS ALL
AWFULLY GOTHIC, ISN'T IT?
817
01:05:12,142 --> 01:05:15,612
YOU DO LOOK EXTREMELY NICE,
FLORA. THE DRESS IS CHARMING.
818
01:05:15,645 --> 01:05:18,482
AND AS FOR YOUR PROTE!GE!,
SHE'S QUITE BEAUTIFUL.
DON'T CHATTER, CHARLES.
819
01:05:18,515 --> 01:05:20,584
JUST DRIVE QUIETLY OFF.
820
01:05:20,617 --> 01:05:23,420
OH. OH, I SAY.
821
01:05:36,133 --> 01:05:39,369
* [ Waltz ]
[ Mrs. Hawk-Monitor ]
ROGER! HOW LOVELY TO SEE YOU.
822
01:05:39,403 --> 01:05:43,073
OH, MY DEAR,
WHAT A BEAUTIFUL DRESS!
HAVE A LOVELY TIME.
823
01:05:43,107 --> 01:05:48,245
JAMES!
HOW LOVELY TO SEE YOU.
HELLO, JANE. HOW ARE YOU?
824
01:05:48,278 --> 01:05:52,382
HAVE FUN. CHARLES!
ALL THE WAY FROM LONDON.
825
01:05:52,416 --> 01:05:56,086
YOU DIDN'T TRAVEL UP WITH
PAMELA, BY ANY CHANCE.
AFRAID NOT, MRS. HAWK-MONITOR.
826
01:05:56,120 --> 01:05:59,456
MAY I INTRODUCE
FLORA POSTE? SHE'S
STAYING LOCALLY, ACTUALLY.
827
01:05:59,489 --> 01:06:03,193
OH, WHAT A SHAME, MISS POSTE.
WE HAVEN'T SEEN ANYTHING OF YOU.
WHERE ARE YOU STAYING?
828
01:06:03,227 --> 01:06:06,997
I'M JUST STAYING A FEW MILES
UP THE ROAD WITH RELATIVES.
IT'S MY FIRST EVENING OUT.
829
01:06:07,031 --> 01:06:08,999
OH. WELL, HAVE
A LOVELY EVENING.
THANKS VERY MUCH.
830
01:06:09,033 --> 01:06:12,136
ALL RIGHT, THANK YOU.
GOOD EVENING.
WHO'S THAT?
831
01:06:34,191 --> 01:06:37,161
ELFINE.
YOU LOOK INCREDIBLE.
832
01:06:51,841 --> 01:06:55,679
IS IT WORKING?
I SHOULD SAY SO.
833
01:07:18,202 --> 01:07:21,371
I MUST GO DOWNSTAIRS.
OH, MOTHER.
834
01:07:21,405 --> 01:07:26,243
YOU'RE MISTAKEN.
'TIS NOT THE FIRST OF MAY
NOR THE SEVENTEENTH OF OCTOBER.
835
01:07:26,276 --> 01:07:29,213
YOU BIDE HERE.
I TELL YOU
I MUST GO DOWNSTAIRS.
836
01:07:29,246 --> 01:07:33,283
I MUST HAVE YOU ALL ROUND ME.
I MUST HAVE ALL THE STARKADDERS
ROUND ME.
837
01:07:33,317 --> 01:07:36,353
TO SEE IF ANYONE'S MISSING.
NOBODY'S MISSING,
MOTHER.
838
01:07:36,386 --> 01:07:42,859
GET ME MY LIBERTY BODICE, GIRL.
AND THE ELASTIC-SIDED BOOTS.
839
01:07:42,892 --> 01:07:46,230
* [ Foxtrot ]
840
01:08:00,144 --> 01:08:04,214
I HOPE YOU'RE NOT FEELING
NEGLECTED, SETH.
NO, I AREN'T.
841
01:08:04,248 --> 01:08:09,186
LONDON GIRLS.
THEM TOLD ME I WAS
ABSOLUTELY BODY-THRILLIN'.
842
01:08:09,219 --> 01:08:13,190
SO YOU ARE, SETH.
THEY'RE ALL THE SAME.
843
01:08:13,223 --> 01:08:16,260
ONLY WANT YOUR BLOOD,
YOUR BREATH, THE VERY
HEART OF YOUR THOUGHTS.
844
01:08:16,293 --> 01:08:19,863
I AIN'T GOT NO TIME FOR THAT.
WHAT HAVE YOU GOT
TIME FOR, SETH?
845
01:08:19,896 --> 01:08:24,634
MOVIES. THERE WAS
A DANCE JUST LIKE THIS
IN CRIMINAL LUSTS.
846
01:08:25,935 --> 01:08:28,172
SHALL WE
TRY IT THEN?
847
01:08:53,297 --> 01:08:56,666
MISS POSTE.
MISS POSTE!
848
01:08:56,700 --> 01:08:59,769
I LOVE YOU!
MISS POSTE!
849
01:09:06,376 --> 01:09:08,378
YOU DO ENJOY YOURSELF,
DON'T YOU?
850
01:09:08,412 --> 01:09:10,747
I TRY TO BRING PEOPLE ROUND
TO THE HIGHER COMMON SENSE.
851
01:09:10,780 --> 01:09:14,251
OH, I SHOULDN'T LET YOU
DO THAT TO ME.
THINK OF ALL THE GOOD I DO.
852
01:09:14,284 --> 01:09:17,854
ELFINE'S THE BELLE
OF THE BALL. DICK HAS
THE GIRL HE WANTS.
853
01:09:17,887 --> 01:09:20,890
SETH'S ENJOYING HIMSELF,
TEASING ALL THE LONDON
DEBUTANTES.
854
01:09:20,924 --> 01:09:22,926
AND YOU'RE HAVING
A LOVELY TIME WITH ME.
855
01:09:22,959 --> 01:09:25,529
TAKE YOUR DISGUSTING
BOURGEOIS HANDS OFF ME!
856
01:09:25,562 --> 01:09:28,598
MISS POSTE! MISS POSTE!
TELL THEM WHO I AM!
857
01:09:28,632 --> 01:09:31,435
- HE'S MR. MYBUG,
A FAMOUS WRITER.
- I'M SORRY, MISS.
858
01:09:31,468 --> 01:09:34,471
THIS IS A PRIVATE PARTY.
COME ON, SIR.
MISS POSTE! MISS POSTE!
859
01:09:34,504 --> 01:09:36,840
I'M ENGORGINGLY
IN LOVE WITH YOU!
860
01:09:38,875 --> 01:09:41,945
I CAN'T HELP FEELING
A BIT SORRY FOR HIM.
861
01:09:41,978 --> 01:09:44,981
NEVER MIND. WE'RE ALL
PURIFIED BY SUFFERING.
862
01:09:45,014 --> 01:09:49,953
HE'S SO OBNOXIOUS. I HAVEN'T
THE HEART TO TELL HIM THAT'S
WHY I WON'T LET HIM KISS ME.
863
01:09:49,986 --> 01:09:55,259
HE THINKS I'M INHIBITED.
I'M NOT, OF COURSE.
I'M NOT OBNOXIOUS.
864
01:09:55,292 --> 01:09:59,396
NO, CHARLES.
EXACTLY.
SPEECH! SPEECH!
865
01:09:59,429 --> 01:10:01,531
SPEECH!
866
01:10:02,566 --> 01:10:05,835
LADIES AND GENTLEMEN,
FRIENDS,
867
01:10:05,869 --> 01:10:08,505
LORD LIEUTENANT,
868
01:10:08,538 --> 01:10:10,907
I'M REALLY GLAD YOU
COULD ALL COME TO MY 21st.
869
01:10:10,940 --> 01:10:12,509
[ Guests Murmuring ]
870
01:10:12,542 --> 01:10:16,846
MAMA HASN'T THROWN A BASH
FOR ME LIKE THIS SINCE I WAS
WEARING A CHRISTENING DRESS.
871
01:10:16,880 --> 01:10:21,017
[ Laughter ]
872
01:10:21,050 --> 01:10:26,656
- ANYWAY, THIS HAS BEEN
A PARTICULARLY FINE EVENING.
- [ Guests ] HEAR! HEAR!
873
01:10:26,690 --> 01:10:28,658
NO, I MEAN FOR ME.
874
01:10:28,692 --> 01:10:32,362
BECAUSE, WELL, I'VE
SOMETHING TO TELL YOU ALL.
875
01:10:33,997 --> 01:10:37,934
MISS ELFINE STARKADDER AND I
HAVE JUST BECOME ENGAGED.
876
01:10:37,967 --> 01:10:40,870
- ELFINE?
- [ Guests Gasping,
Murmuring ]
877
01:10:40,904 --> 01:10:43,740
[ Applause ]
878
01:10:43,773 --> 01:10:46,776
* [ Drum Roll, Glissando ]
879
01:10:47,844 --> 01:10:51,047
* FOR THEY ARE
JOLLY GOOD FELLOWS *
880
01:10:51,080 --> 01:10:53,783
* FOR THEY ARE
JOLLY GOOD FELLOWS *
881
01:10:53,817 --> 01:10:57,621
* FOR THEY ARE
JOLLY GOOD FELLOWS *
882
01:10:57,654 --> 01:11:00,457
* AND SO SAY ALL OF US
883
01:11:00,490 --> 01:11:04,861
* AND SO SAY ALL OF US
AND SO SAY ALL OF US *
884
01:11:04,894 --> 01:11:08,031
* FOR THEY ARE
JOLLY GOOD FELLOWS *
885
01:11:08,064 --> 01:11:10,734
* FOR THEY ARE
JOLLY GOOD FELLOWS *
886
01:11:10,767 --> 01:11:14,971
* FOR THEY ARE
JOLLY GOOD FELLOWS *
887
01:11:15,004 --> 01:11:17,741
* AND SO SAY ALL OF US
888
01:11:17,774 --> 01:11:20,977
[ Laughter,
Applause ]
889
01:11:24,781 --> 01:11:28,552
IT WAS WONDERFUL,
FLORA! THE HAPPIEST
NIGHT OF MY LIFE!
890
01:11:28,585 --> 01:11:32,389
YES, A BRILLIANT EVENING, FLORA.
CONGRATULATIONS, ELFINE.
891
01:11:32,422 --> 01:11:35,425
JUST BETTER HOPE
GRANDMA DON'T
STOP IT NOW, EH?
892
01:11:45,535 --> 01:11:48,438
[ Charles ]
I THOUGHT YOU TOLD ME
THEY'D ALL BE IN BED.
893
01:11:48,472 --> 01:11:50,440
IT'S GRANDMA.
SHE'S COME DOWNSTAIRS.
894
01:11:50,474 --> 01:11:53,510
I RECKON SHE'S
HOLDING A COUNTIN'.
WHAT COUNTING?
895
01:11:55,011 --> 01:11:59,115
WE A RUM LOT, US STARKADDERS.
SOME OF US GOES BARMY.
896
01:11:59,148 --> 01:12:03,553
SOME OF US DIES IN CHILDHOOD.
SOME OF US PUSHES OTHERS
DOWN WELLS.
897
01:12:03,587 --> 01:12:08,592
SO ONCE A YEAR, GRANDMA
HOLDS A LITTLE GATHERIN'...
CALLED THE COUNTIN'.
898
01:12:08,625 --> 01:12:11,928
SHE MUST BE DOIN' IT
EARLY FOR SOME REASON.
899
01:12:14,864 --> 01:12:17,601
CHARLES, THANK YOU.
900
01:12:19,135 --> 01:12:22,105
COME BACK
TO LONDON WITH ME.
NO, CHARLES.
901
01:12:22,138 --> 01:12:24,374
IT'S NOT FINISHED YET.
902
01:12:25,742 --> 01:12:27,844
I SAY, FLORA.
903
01:12:27,877 --> 01:12:30,780
WHEN AM I GOING
TO GET A LOOK IN?
904
01:12:45,128 --> 01:12:50,033
'TWAS A BURNIN' NOONDAY
69 YEAR AGO,
905
01:12:50,066 --> 01:12:52,669
AND ME NO BIGGER
THAN A TITTY WREN.
906
01:12:53,703 --> 01:12:55,805
AND I SAW SOMETHING NASTY...
907
01:12:55,839 --> 01:12:57,841
IN THE WOODSHED.
IN THE WOODSHED.
908
01:12:57,874 --> 01:13:02,912
YOU'RE ALL WICKED
AND CRUEL. I KNOW
YOU ALL WANT TO GO AWAY...
909
01:13:02,946 --> 01:13:04,881
AND LEAVE ME
WITH WHAT I SAW.
910
01:13:04,914 --> 01:13:06,916
BUT THERE'VE ALWAYS
BEEN STARKADDERS...
911
01:13:06,950 --> 01:13:09,453
AT COLD COMFORT FARM.
AT COLD COMFORT FARM.
912
01:13:09,486 --> 01:13:12,556
AND YOU'LL NEVER GO,
NONE OF YOU.
913
01:13:12,589 --> 01:13:14,624
[ Door Opening ]
914
01:13:22,131 --> 01:13:25,835
[ Flora ]
WELL, WELL, THE GANG'S
ALL HERE, ISN'T IT?
915
01:13:26,903 --> 01:13:28,905
I DON'T SUPPOSE
THERE ARE ANY SANDWICHES.
916
01:13:28,938 --> 01:13:32,709
WHO'S THAT THERE THEN?
IT'S ROBERT
POSTE'S CHILD.
917
01:13:32,742 --> 01:13:35,879
COME AND MEET
YOUR AUNT ADA DOOM.
918
01:13:38,948 --> 01:13:41,685
HOW DO YOU DO,
AUNT ADA?
919
01:13:41,718 --> 01:13:45,989
LOOK WHO'S COME
TO SEE YOU, MOTHER.
IT'S FLORA POSTE.
920
01:13:46,022 --> 01:13:50,059
I SAW SOMETHING NASTY
IN THE WOODSHED.
921
01:13:50,093 --> 01:13:54,564
THERE'VE ALWAYS BEEN STARKADDERS
AT COLD COMFORT FARM.
AT COLD COMFORT FARM.
922
01:13:55,732 --> 01:13:57,734
YOU'LL STAY HERE,
ALL OF YOU.
923
01:13:57,767 --> 01:14:02,138
AMOS AND JUDITH,
SETH AND REUBEN,
URK AND ELFINE.
924
01:14:02,171 --> 01:14:05,709
- AND RENNET.
- WHO'S RENNET?
925
01:14:05,742 --> 01:14:09,713
THE ONE WHO LOOKS AS IF SHE JUST
JUMPED IN THE WELL. SHE'S A KIND
OF THIRD COUSIN, WE THINK.
926
01:14:09,746 --> 01:14:12,482
[ Tapping ]
927
01:14:13,883 --> 01:14:16,553
IT'S TIME TO HOLD
THE COUNTIN'.
928
01:14:30,199 --> 01:14:32,135
WHERE'S MY SETH?
929
01:14:32,168 --> 01:14:34,237
HERE I BE.
AH.
930
01:14:35,805 --> 01:14:40,209
- I'LL NEVER LEAVE YOU, GRANDMA.
- AYE, YOU'RE MY MOMMET,
MY PIPPET.
931
01:14:40,243 --> 01:14:42,879
THE LORD SEES
YOUR LASCIVIOUS GLANCES.
932
01:14:42,912 --> 01:14:46,683
BUT HOW GRAND HE IS
TONIGHT. AND ELFINE.
933
01:14:46,716 --> 01:14:49,719
DRESSED UP LIKE
A PROPER LITTLE LADY.
934
01:14:49,753 --> 01:14:54,658
WHAT'S ALL THIS?
WHAT YOU BEEN DOIN', BOY?
TELL YOUR GRANNY.
935
01:14:56,893 --> 01:15:00,930
HE'S BEEN TO A DANCE
AT THE HAWK-MONITORS.
SO HAVE I.
936
01:15:00,964 --> 01:15:04,100
SO HAS ELFINE.
AND WHAT'S MORE, AUNT ADA,
937
01:15:04,133 --> 01:15:07,203
ELFINE AND RICHARD HAWK-MONITOR
ARE ENGAGED TO BE MARRIED
A MONTH FROM NOW.
938
01:15:07,236 --> 01:15:11,274
- NO! MY LITTLE WATER VOLE!
MY LITTLE WATER VOLE!
- HEY! HEY! HEY!
939
01:15:11,307 --> 01:15:15,211
SHE B'AIN'T WORTH IT.
SHE B'AIN'T WORTH NOTHIN'.
I'LL GO MAD!
940
01:15:15,244 --> 01:15:18,081
ELFINE WAS PROMISED TO URK
WHEN SHE WAS BORN.
941
01:15:18,114 --> 01:15:22,218
AMOS, YOU'RE THE MAN
HERE. TELL THEM
WHAT THEIR DUTY IS.
942
01:15:22,251 --> 01:15:25,689
I'VE GOT SOMETHIN'
TO SAY, MOTHER.
943
01:15:25,722 --> 01:15:29,993
I BEEN WRESTLIN'
AND PRAYIN' AND
BROODIN' OVER IT,
944
01:15:30,026 --> 01:15:34,297
AND I KNOW THE LORD'S
TRUTH AT LAST.
945
01:15:34,330 --> 01:15:38,635
I MUN GO ABROAD
IN ONE OF THEY FORD VANS,
946
01:15:38,668 --> 01:15:41,237
PREACHIN' ALL OVER
THE COUNTRYSIDE.
947
01:15:41,270 --> 01:15:44,908
AYE, LIKE
THE APOSTLES OF OLD.
948
01:15:44,941 --> 01:15:48,612
I'VE HEARD MY CALL,
AND I MUN FOLLOW IT.
949
01:15:48,645 --> 01:15:53,116
NO, YOU DON'T!
NO ONE CAN LEAVE ME!
950
01:15:53,149 --> 01:15:58,287
I SHALL GO MAD AND DIE ALONE
IN THE WOODSHED WITH NASTY
THINGS PRESSIN' ON ME!
951
01:15:58,321 --> 01:16:00,790
SHE'LL GO MAD!
YOU STRIKE AND TORMENT ME
ALL YOU WANT.
952
01:16:00,824 --> 01:16:04,894
I HEAR THE GLAD VOICES
OF THE ANGELS CALLIN' ME...
953
01:16:04,928 --> 01:16:07,330
OVER THE PLOWED FIELDS,
954
01:16:07,363 --> 01:16:10,734
AND THE LITTLE SEEDLINGS
IS CLAPPING THEIR HANDS
IN PRAYER.
955
01:16:10,767 --> 01:16:12,736
'TIS GOOD-BYE TO YE ALL.
956
01:16:12,769 --> 01:16:15,238
I'VE BROKEN YOUR CHAINS
AT LAST, MOTHER,
957
01:16:15,271 --> 01:16:19,142
WITH THE HELP OF THE ANGELS
AND THE LORD'S WORD.
958
01:16:19,175 --> 01:16:21,645
[ Sighs ]
WHERE'S ME HAT?
959
01:16:21,678 --> 01:16:24,914
NO, AMOS!
WHAT SHALL BECOME OF US?
960
01:16:24,948 --> 01:16:27,851
THE LORD WILL PROVIDE.
961
01:16:27,884 --> 01:16:30,253
OR NOT, ACCORDING
TO HIS WHIM.
962
01:16:30,286 --> 01:16:33,022
I'LL SEND YOU A CARD
FROM WHERE I'M GOING.
963
01:16:33,056 --> 01:16:35,859
I SHALL GO MAD, AMOS.
I PROMISE YOU.
964
01:16:35,892 --> 01:16:38,928
I'M SORRY, MOTHER.
THE LORD'S WILL.
965
01:16:40,864 --> 01:16:42,766
[ Wailing ]
966
01:16:42,799 --> 01:16:45,669
WE'RE DOOMED!
[ Door Slamming ]
967
01:16:45,702 --> 01:16:49,906
URK, ELFINE'S YOURS.
PROMISED THE DAY
SHE WAS BORN.
968
01:16:49,939 --> 01:16:52,208
YOU TAKE HER
BACK, BOY.
969
01:16:52,241 --> 01:16:56,012
URK, SHE JUST
B'AIN'T WORTH IT.
NO, SHE B'AIN'T.
970
01:16:56,045 --> 01:16:59,849
'AVE ME INSTEAD.
DON'T YOU HAVE HIM, DUCKY,
'LESS YOU FEELS LIKE IT.
971
01:16:59,883 --> 01:17:04,220
I CAN ALWAYS
MAKE HIM WASH A BIT,
IF I FEELS LIKE IT.
972
01:17:06,189 --> 01:17:09,793
URK!
COME ON,
ME BEAUTY.
973
01:17:09,826 --> 01:17:13,162
- DIRT AS YE ARE, WE'LL SINK
INTO THE MIRE TOGETHER.
- URK, WAIT. DON'T YOU GO TOO.
974
01:17:13,196 --> 01:17:17,033
- I SHALL GO MAD, I TELL YOU.
- [ Meriam Laughing, Squealing ]
975
01:17:17,066 --> 01:17:20,303
'SPECT THERE'LL BE ANOTHER
LITTLE BEETLE SOON, NOW
THE SUKEBIND'S FLOWERIN'.
976
01:17:20,336 --> 01:17:24,340
[ Door Slamming ]
AMOS GONE,
URK GONE.
977
01:17:25,742 --> 01:17:29,378
I'M ALL ALONE.
ALL ALONE IN THE WOODSHED.
978
01:17:31,447 --> 01:17:34,150
AND WHO TOOK THEM AWAY?
979
01:17:35,852 --> 01:17:38,922
IT WAS YOU,
WASN'T IT?
980
01:17:38,955 --> 01:17:42,425
YOU CHIT!
YOU SCHEMING BRAT!
981
01:17:42,458 --> 01:17:45,829
IT WAS YOU,
ROBERT POSTE'S CHILD!
982
01:17:45,862 --> 01:17:49,398
YOU POURED POISON
INTO THEIR EARS!
983
01:17:49,432 --> 01:17:52,001
COME ON.
SIT DOWN.
COME ON.
984
01:18:01,510 --> 01:18:04,180
THEY'RE ALL GONE,
985
01:18:04,213 --> 01:18:08,785
AND I SAW SOMETHING NASTY
IN THE WOODSHED.
986
01:18:08,818 --> 01:18:10,920
DON'T WORRY, GRANDMA.
I'M STILL HERE.
987
01:18:10,954 --> 01:18:15,024
YOU'LL BREAK OUR HEARTS,
TOO, YOU LIBERTINE.
I KNOW IT.
988
01:18:15,058 --> 01:18:19,128
COME ALONG, MISS POSTE.
'TIS TIME YOU WERE IN BED.
989
01:18:22,065 --> 01:18:25,068
THANK YOU, REUBEN.
YOU'RE AN UTTER LAMB.
990
01:18:25,101 --> 01:18:28,037
AH, YOU GOT THE OLD DEVIL
OUT O' THE WAY.
991
01:18:28,071 --> 01:18:31,040
FARM'LL BE MINE NOW,
WON'T IT?
992
01:18:31,074 --> 01:18:35,211
I DON'T FORGET,
MISS POSTE.
YES, OF COURSE, REUBEN.
993
01:18:35,244 --> 01:18:37,313
GOOD NIGHT.
994
01:19:16,352 --> 01:19:19,388
[ Cow Moos ]
995
01:19:31,367 --> 01:19:34,971
MR. NECK!
MR. NECK!
996
01:19:35,004 --> 01:19:38,241
MR. NECK!
997
01:19:38,274 --> 01:19:42,178
IS THE, UH,
HOUSE OF USHER OPEN?
MAY I COME IN?
998
01:19:42,211 --> 01:19:46,549
MR. NECK,
HOW WONDERFUL TO SEE YOU.
I'LL COME DOWN.
999
01:19:49,853 --> 01:19:52,388
[ Flora ]
WELL, MR. NECK, MARY SAID
IN HER LAST LETTER...
1000
01:19:52,421 --> 01:19:54,958
THAT YOU WERE STILL LOOKING
FOR ENGLISH FILM STARS.
1001
01:19:54,991 --> 01:19:59,295
SURE AM, BUT I DON'T WANT
SISSIES. SISSIES GIVE ME
A PAIN IN THE NECK.
1002
01:19:59,328 --> 01:20:03,432
THEY'RE STARTING TO GIVE
THE GODDAMN AMERICAN PUBLIC
A PAIN IN THE NECK TOO.
1003
01:20:03,466 --> 01:20:06,402
BELIEVE ME, IT'S
RED MEAT TIME IN MOVIES.
1004
01:20:06,435 --> 01:20:09,372
WELL, THERE'S PLENTY OF RED MEAT
AT COLD COMFORT FARM.
1005
01:20:09,405 --> 01:20:13,176
YOU MEAN SOMEONE
LIKE TEX JONES?
YEAH. TEX'S A GOOD KID.
1006
01:20:13,209 --> 01:20:16,345
HE CAN RIDE ALL RIGHT,
BUT HE'S GOT NO BODY URGE.
1007
01:20:16,379 --> 01:20:19,048
I WANT A MAN
TO FETCH THE WOMEN.
1008
01:20:19,082 --> 01:20:22,318
SOME BIG, HUSKY GUY THAT
SMELLS OF THE GREAT OUTDOORS.
1009
01:20:22,351 --> 01:20:25,989
A GUY WHO CAN LIVE AND LOVE
AND STILL HANDLE A PLOW.
1010
01:20:26,022 --> 01:20:28,224
YOU MEAN
LIKE SLAKE FOUNTAIN?
1011
01:20:28,257 --> 01:20:32,561
SURE, BUT IT TAKES 20 GUYS
TO PULL A BOTTLE OFF HIM
BEFORE HE GETS ON SET.
1012
01:20:32,595 --> 01:20:35,498
[ Sniffing ]
1013
01:20:37,500 --> 01:20:41,905
THAT'S IT!
HOLD IT THERE.
WHO ARE YOU, SON?
1014
01:20:41,938 --> 01:20:46,075
OH, SETH, THERE YOU ARE.
THIS IS MY COUSIN
SETH STARKADDER.
1015
01:20:46,109 --> 01:20:50,346
HE'S VERY INTERESTED
IN THE TALKIES.
MR. NECK IS A FILM PRODUCER.
1016
01:20:50,379 --> 01:20:54,951
SETH... STARKADDER!
HIT 'EM RIGHT
WITH IT, EH?
1017
01:20:54,984 --> 01:20:58,955
[ Chuckling ]
SO YOU'RE A FAN,
SWEETHEART?
1018
01:20:58,988 --> 01:21:01,925
YOU AND ME SHOULD
GET ACQUAINTED, HUH?
1019
01:21:01,958 --> 01:21:06,963
MAYBE YOU'VE THOUGHT OF
BEING IN THE MOVIES YOURSELF.
WHAT IF I HAD?
1020
01:21:06,996 --> 01:21:09,632
[ Cow Bellows ]
1021
01:21:09,665 --> 01:21:12,902
HE'S GOT THE FLESH.
HE'S GOT THE BURR
IN HIS VOICE.
1022
01:21:12,936 --> 01:21:14,670
AND HE CAN PLOW
AND MOLLOCK.
1023
01:21:14,703 --> 01:21:17,606
I GOT THE WHAT?
YOU JUST GOT
THE BIG OFFER, SON.
1024
01:21:17,640 --> 01:21:21,644
HOW WOULD YOU LIKE
TO BE IN THE MOVIES,
SETH STARKADDER?
1025
01:21:21,677 --> 01:21:24,080
I'D LIKE IT MORE THAN
ANYTHING ELSE IN THE WORLD.
1026
01:21:24,113 --> 01:21:28,484
AIN'T THAT DANDY!
HE WANTS TO BE A MOVIE STAR,
AND I WANNA MAKE HIM ONE!
1027
01:21:28,517 --> 01:21:31,620
SETH, NO!
YOU CAN'T LEAVE YOUR MOTHER!
1028
01:21:31,654 --> 01:21:34,423
YOU MUSTN'T GO!
OH, I KNEW IT!
1029
01:21:34,457 --> 01:21:38,227
I KNEW IT WOULD COME TO THIS!
[ Sobbing ]
GOT TO GO, MOTHER.
1030
01:21:38,261 --> 01:21:40,596
IT'S WHAT I WERE
ALWAYS MADE FOR.
1031
01:21:40,629 --> 01:21:43,299
GOD, HE'S TERRIFIC!
1032
01:21:43,332 --> 01:21:47,203
GEE, MA'AM, I KNOW IT'S RAW.
I KNOW IT'S TOUGH,
BUT THAT'S LIFE, SWEETHEART.
1033
01:21:47,236 --> 01:21:50,039
GO ON, GET YOUR COAT, BOY.
TIME TO BE OFF!
1034
01:21:50,073 --> 01:21:52,341
WE TAKE THE TRANSATLANTIC
CLIPPER IN THE MORNING.
1035
01:21:52,375 --> 01:21:54,978
YOU CAN'T DO THIS TO ME.
YOU CAN'T LEAVE YOUR MOTHER.
1036
01:21:55,011 --> 01:21:57,180
THERE'S A SPRING
ONION HARVEST!
1037
01:21:57,213 --> 01:22:01,217
'TIS MAN'S WORK!
OH, SETH, NO!
1038
01:22:01,250 --> 01:22:03,953
I'M A DEAD WOMAN!
1039
01:22:03,987 --> 01:22:06,522
I'D TAKE HER TOO,
BUT SHE'S GLOOMY.
1040
01:22:06,555 --> 01:22:11,160
LOOK, MAMA, HE'LL BE FINE.
I GOT THE PERFECT PART.
1041
01:22:11,194 --> 01:22:13,696
SETH STARKADDER
IN SMALL TOWN COWBOY.
1042
01:22:13,729 --> 01:22:17,466
HE'LL SEND YOU FIVE GRAND
FROM THE MOVIE, AND YOU'LL
BE MAMA TO A STAR.
1043
01:22:17,500 --> 01:22:20,503
[ Wailing ]
1044
01:22:20,536 --> 01:22:24,040
[ Chickens Clucking,
Squawking ]
1045
01:22:26,375 --> 01:22:30,379
GOOD-BYE, MR. NECK. I'M SURE
WE'LL MEET AGAIN IN LONDON.
I LOOK FORWARD TO IT.
1046
01:22:30,413 --> 01:22:34,117
AND THANKS FOR THE BOY.
HE'S QUITE A FIND.
1047
01:22:34,150 --> 01:22:36,519
[ Judith ]
MOTHER! MOTHER!
COME ON DOWN!
1048
01:22:36,552 --> 01:22:39,122
MOTHER, HE'S
TAKING MY SETH!
1049
01:22:39,155 --> 01:22:40,623
NO!
OH, SETH!
1050
01:22:40,656 --> 01:22:43,559
OH, MERCY!
IT'S GREAT-AUNT ADA.
1051
01:22:43,592 --> 01:22:45,761
SETH!
YOU'D BETTER HURRY UP AND GO.
1052
01:22:45,794 --> 01:22:49,232
DON'T LEAVE ME!
NO! I FORBID IT!
1053
01:22:49,265 --> 01:22:52,535
I SAW SOMETHING NASTY
IN THE WOODSHED.
1054
01:22:52,568 --> 01:22:56,772
- SURE, YOU DID,
BUT DID IT SEE YOU, BABY?
- [ Cow Moos ]
1055
01:22:56,805 --> 01:23:00,009
COME ON, SETH!
HOLLYWOOD'S WAITING.
1056
01:23:00,043 --> 01:23:07,350
* [ "Tara's Theme" from
Gone With The Wind ]
1057
01:23:07,383 --> 01:23:10,286
OH, SETH.
1058
01:23:10,319 --> 01:23:12,488
* [ Continues ]
1059
01:23:14,557 --> 01:23:17,260
[ Inhales Loudly ]
1060
01:23:20,796 --> 01:23:24,100
- [ Ignition Starts ]
- SETH, YOU CAN'T LEAVE US!
1061
01:23:24,133 --> 01:23:26,669
YOU MUSTN'T GO!
[ Seth ]
GOOD-BYE, MOTHER.
1062
01:23:26,702 --> 01:23:28,571
OH, SETH!
1063
01:23:28,604 --> 01:23:30,573
SETH!
1064
01:23:30,606 --> 01:23:33,242
SETH! SETH!
1065
01:23:35,411 --> 01:23:38,381
[ Sobbing ]
I'M A DEAD WOMAN.
1066
01:23:38,414 --> 01:23:41,016
[ Geese Honking ]
1067
01:24:21,690 --> 01:24:23,659
[ Spits ]
1068
01:24:23,692 --> 01:24:25,728
[ Grunts ]
[ Piglets Squealing ]
1069
01:24:25,761 --> 01:24:28,264
* DRIVE A PLOW
1070
01:24:28,297 --> 01:24:31,167
* OR MILK A COW
1071
01:24:31,200 --> 01:24:33,669
* OH, I CAN REAP AND MOW
1072
01:24:34,670 --> 01:24:38,107
* I'M AS FRESH AS A DAISY
1073
01:24:38,141 --> 01:24:41,177
* THAT GROWS IN THE FIELD
[ Lowing ]
1074
01:24:41,210 --> 01:24:43,612
[ Bell Jangles ]
* AND THEY CALLS I
1075
01:24:43,646 --> 01:24:45,748
* BUTTERCUP JOE
1076
01:25:01,197 --> 01:25:04,800
[ Pigs Squealing ]
1077
01:25:04,833 --> 01:25:07,436
[ Chuckles ]
YEAH, WELL.
1078
01:25:07,470 --> 01:25:09,905
PLACE LOOK A LOT BETTER,
EH, MISS POSTE?
1079
01:25:09,938 --> 01:25:13,576
MUCH BETTER, REUBEN.
I KNEW YOU WERE THE ONE
TO TAKE CHARGE.
1080
01:25:13,609 --> 01:25:16,812
YEAH. SHOULD PLEASE
THE OLD DEVIL WHEN HE
COMES BACK, EH?
1081
01:25:16,845 --> 01:25:20,749
I DON'T THINK
HE IS COMING BACK.
I HAD A CARD TODAY.
1082
01:25:23,319 --> 01:25:27,556
"PRAISE THE LORD.
I GO TO SPREAD THE WORD
AMONG THE HEATHEN AMERICANS...
1083
01:25:27,590 --> 01:25:31,460
"WITH THE REVEREND
ELDERBERRY SHIFTGLASS
OF CHICAGO.
1084
01:25:31,494 --> 01:25:36,165
TELL REUBEN HE
CAN HAVE THE OLD PLACE.
AMOS STARKADDER."
1085
01:25:40,603 --> 01:25:43,806
HAVE THE PLACE?
WHAT, IT'S MINE?
1086
01:25:43,839 --> 01:25:47,543
ONE DAY.
WHEN THE OLD LADY--
1087
01:25:47,576 --> 01:25:52,681
OH, COUSIN FLORA, 'TWERE
A GOOD DAY WHEN YE CAME
TO COLD COMFORT.
1088
01:25:55,218 --> 01:25:57,420
HERE,
1089
01:25:57,453 --> 01:26:00,656
I DON'T SUPPOSE
YOU'D MARRY ME?
1090
01:26:00,689 --> 01:26:04,627
OH, REUBEN,
THAT IS NICE OF YOU.
1091
01:26:04,660 --> 01:26:07,463
OH, I MEAN IT, MISS POSTE.
I LIKE YOUR PRETTY WAYS.
1092
01:26:07,496 --> 01:26:11,434
I LIKE YOURS TOO,
BUT I'M AFRAID IT
WOULD NEVER DO.
1093
01:26:11,467 --> 01:26:14,703
I'M NOT AT ALL
THE SORT OF PERSON TO MAKE
A GOOD FARMER'S WIFE.
1094
01:26:14,737 --> 01:26:18,274
AND THERE'S ENOUGH MARRIAGE
JUST NOW WITH ELFINE'S
WEDDING COMING UP.
1095
01:26:18,307 --> 01:26:22,611
SHE ALL RIGHT UP AT THE HALL?
SHE LOVES IT,
AND THEY LOVE HER.
1096
01:26:22,645 --> 01:26:25,548
THEY OUGHT TO HAVE
THE WEDDING FEAST
HERE AT COLD COMFORT,
1097
01:26:25,581 --> 01:26:27,816
NOW YOU'VE MADE IT
SO NICE.
1098
01:26:27,850 --> 01:26:30,653
YOU'LL HAVE TO ASK
AUNT ADA.
1099
01:26:30,686 --> 01:26:34,390
YES, I SUPPOSE I WILL.
BUT YOU WOULDN'T MIND?
1100
01:26:34,423 --> 01:26:37,360
OH, NO, NOT AT ALL. NO.
1101
01:26:37,393 --> 01:26:39,928
THAT WERE A NO,
BY THE WAY, WERE IT?
1102
01:26:39,962 --> 01:26:43,966
YES, IT WERE NO.
YOU'LL FIND SOMEONE.
1103
01:26:43,999 --> 01:26:46,535
WHAT ABOUT RENNET?
OH!
1104
01:26:46,569 --> 01:26:50,606
[ Chuckling ]
NO ONE IN THEIR RIGHT MIND
WOULD MARRY RENNET.
1105
01:26:50,639 --> 01:26:54,209
[ Chuckling ]
BUT I'LL FIND SOMEONE.
1106
01:27:05,854 --> 01:27:08,924
AUNT ADA?
I'VE BROUGHT YOUR LUNCH.
MAY I COME IN?
1107
01:27:08,957 --> 01:27:12,695
WHO'S THERE?
IT'S FLORA,
ROBERT POSTE'S CHILD.
1108
01:27:23,939 --> 01:27:27,810
[ Laughing,
Chattering ]
1109
01:27:28,844 --> 01:27:31,614
[ Muffled Chatter ]
1110
01:27:31,647 --> 01:27:35,784
I DON'T KNOW IF THERE'S
ENOUGH MONEY FOR--
[ Laughing ] YEAH!
1111
01:27:35,818 --> 01:27:38,654
OH, DANG ME!
1112
01:27:56,339 --> 01:27:58,574
WHAT'S GOING ON?
NO SUPPER?
1113
01:27:58,607 --> 01:28:00,876
I DIDN'T LIKE TO MAKE
SUPPER, MASTER REUBEN.
1114
01:28:00,909 --> 01:28:05,514
MISS POSTE WENT UP TO SEE
THE OLD LADY AT NOON
AND HASN'T COME BACK DOWN AGAIN.
1115
01:28:05,548 --> 01:28:08,517
THEY BEEN TALKIN'
ALL DAY.
1116
01:28:08,551 --> 01:28:12,421
MAYBE I OUGHT TO TAKE UP
SOME SANDWICHES AND COCOA.
NO, NO, MRS. BEETLE.
1117
01:28:12,455 --> 01:28:15,558
BETTER LET 'EM BE.
MISS POSTE KNOWS
WHAT SHE'S DOIN'.
1118
01:28:15,591 --> 01:28:18,293
SOMETHING TERRIBLE'LL
COME OF IT.
1119
01:28:19,928 --> 01:28:22,798
WHAT'S HAPPENED?
IS SHE ALL RIGHT,
THE OLD LADY?
1120
01:28:22,831 --> 01:28:25,368
SHE'S ABSOLUTELY FINE.
I'VE JUST PUT HER TO BED.
1121
01:28:25,401 --> 01:28:28,637
[ Shouts ]
WHAT?
1122
01:28:37,680 --> 01:28:40,483
[ Birds Chirping ]
1123
01:28:47,089 --> 01:28:50,859
HOW'S THAT, MISS POSTE?
PRETTY, INNIT?
LOVELY, URK.
1124
01:28:50,893 --> 01:28:54,096
COULD YOU FETCH THE MEN?
I WANT TO SET UP THE TABLES
FOR THE FEAST--
1125
01:28:54,129 --> 01:28:57,099
ONE FOR THE FARMERS,
ONE FOR THE COUNTY.
1126
01:28:57,132 --> 01:28:59,568
[ Chattering
In Distance ]
1127
01:28:59,602 --> 01:29:03,105
[ Mrs. Beetle ]
OH! GIVE US
YOUR TOES.
1128
01:29:03,138 --> 01:29:06,008
THAT'S IT. WHEW!
1129
01:29:07,610 --> 01:29:10,379
AH!
1130
01:29:10,413 --> 01:29:13,482
[ Rapid Whisking ]
1131
01:29:17,886 --> 01:29:20,823
[ Whisking Continues ]
1132
01:29:29,732 --> 01:29:32,067
COME ON, RENNET.
STIR THAT DOUGH!
1133
01:29:32,100 --> 01:29:35,070
DON'T WANT 'EM EATING
THEIR WEDDING BREAKFAST A WEEK
AFTER THE NUPTIALS, DO WE?
1134
01:29:35,103 --> 01:29:38,707
WHO WOULD'VE THOUGHT IT?
MY LITTLE WENNIT.
[ Rapid Stirring ]
1135
01:29:38,741 --> 01:29:44,112
THE SEED TO THE FLOWER,
THE FLOWER TO THE FRUIT,
THE FRUIT TO THE BELLY.
1136
01:29:44,146 --> 01:29:48,083
URK, GRANDMA DOOM'S CHAIR,
COULD YOU FIND IT AND PUT IT
OUT FOR ME?
1137
01:29:48,116 --> 01:29:51,754
SHE ONLY USE THAT
FOR THE COUNTIN'.
JUST FIND IT, PLEASE.
1138
01:29:52,955 --> 01:29:57,493
RENNET, HERE'S A HAT
FOR YOU TO WEAR TO THE CHURCH.
1139
01:29:58,694 --> 01:30:01,029
OH, COUSIN FLORA,
DO YOU MIND?
1140
01:30:01,063 --> 01:30:03,966
I AIN'T USED TO
THEM COLLARS.
NO, OF COURSE, REUBEN.
1141
01:30:03,999 --> 01:30:06,635
SIT DOWN.
1142
01:30:23,619 --> 01:30:25,588
[ Guests Chattering ]
HELLO!
1143
01:30:25,621 --> 01:30:28,557
REST IN PEACE,
HUSBAND MINE.
[ Church Bells Chiming ]
1144
01:30:28,591 --> 01:30:31,994
YOUR LOVING WIFE
WON'T BE FAR BEHIND.
1145
01:30:32,027 --> 01:30:35,063
[ Bells Continue ]
1146
01:30:37,500 --> 01:30:40,736
HERE LIES
MY DARLING GEORGE.
1147
01:30:40,769 --> 01:30:44,707
WHATEVER SHALL I DO
WITHOUT YOU
COME THE HARVEST?
1148
01:30:46,274 --> 01:30:49,745
COUSIN JUDITH, I'D LIKE YOU
TO MEET DR. ADOLF MU$DEL
FROM VIENNA.
1149
01:30:49,778 --> 01:30:52,147
LEAVE ME TO ME FATE,
ROBERT POSTE'S CHILD.
1150
01:30:52,180 --> 01:30:55,117
IT'S A VERY GREAT
PLEASURE TO MEET YOU,
MRS. STARKADDER.
1151
01:30:55,150 --> 01:30:58,186
I HAVE HEARD
SOMETHING OF YOU
FROM FRAULEIN POSTE.
1152
01:30:58,220 --> 01:31:01,757
YOU MUST LEAVE ME BE.
I'M A DEAD WOMAN.
1153
01:31:01,790 --> 01:31:05,628
NOW SHE'S SAFELY
GATHERED IN, DELIVERED
FROM THIS LIFE OF SIN.
1154
01:31:05,661 --> 01:31:08,130
YES. WELL,
NEVER MIND THAT NOW.
1155
01:31:08,163 --> 01:31:11,800
POURING WITH RAIN WHEN
YOUR FATHER AND I GOT MARRIED.
I MUST GO IN.
1156
01:31:11,834 --> 01:31:14,269
YES.
GOOD LUCK.
1157
01:31:14,302 --> 01:31:16,171
[ Woman Laughing ]
HELLO.
1158
01:31:16,204 --> 01:31:19,608
FREDDIE, I WANTED
TO SPEAK TO YOU ABOUT
THOSE CATHEDRAL--
1159
01:31:19,642 --> 01:31:21,910
IT IS.
THANK GOODNESS.
[ Chuckling ]
1160
01:31:21,944 --> 01:31:23,912
YESTERDAY--
WHY...
1161
01:31:23,946 --> 01:31:26,615
MISS POSTE!
1162
01:31:26,649 --> 01:31:28,951
WHAT A MARVELOUS DAY
FOR A WEDDING!
1163
01:31:28,984 --> 01:31:32,054
DR. MU$DEL,
THIS IS MR. MYBUG.
UH, MEYERBURG.
1164
01:31:32,087 --> 01:31:35,023
DR. MU$DEL, YES.
I KNOW YOU BY REPUTATION,
OF COURSE.
1165
01:31:35,057 --> 01:31:38,527
WE'VE NEVER ACTUALLY MET.
I DID ATTEND ONE OF
YOUR LECTURES ONCE.
1166
01:31:38,561 --> 01:31:41,797
UM, "THE MIND
AT WAR WITH ITSELF."
AH, SO.
1167
01:31:41,830 --> 01:31:45,067
WEREN'T YOU THERE TOO,
MISS POSTE?
YES, INDEED, MR. MYBUG.
1168
01:31:45,100 --> 01:31:48,904
DR. MU$DEL, COULD I ASK YOU
TO ACCOMPANY COUSIN JUDITH
INTO THE CHURCH?
1169
01:31:48,937 --> 01:31:51,607
IT WILL BE MY PLEASURE.
1170
01:31:53,609 --> 01:31:57,145
TELL ME, DO YOU LIKE
OLD CHURCHES?
1171
01:31:57,179 --> 01:32:00,015
AH!
MR. MYBUG, WOULD
YOU EXCUSE ME?
1172
01:32:00,048 --> 01:32:03,018
I'VE SPOTTED SOMEONE
I SIMPLY MUST TALK TO.
1173
01:32:03,051 --> 01:32:05,087
[ Bird Cawing ]
1174
01:32:05,120 --> 01:32:08,724
* [ Organ ]
[ Chattering ]
1175
01:32:14,029 --> 01:32:15,998
FLOWERS!
1176
01:32:16,031 --> 01:32:19,101
* [ Continues ]
1177
01:32:19,134 --> 01:32:22,938
* [ Organ Continues ]
[ Guests Chattering,
Child Crying ]
1178
01:32:24,707 --> 01:32:27,810
[ Chattering Continues
Noisily ]
[ Woman Laughing ]
1179
01:32:27,843 --> 01:32:31,980
STOP IT!
1180
01:32:32,014 --> 01:32:35,050
[ Noisy Chattering,
Laughing Continue ]
1181
01:32:47,696 --> 01:32:50,799
* [ Organ Continues ]
1182
01:33:03,078 --> 01:33:05,347
REUBEN!
DO HURRY UP, ELFINE.
1183
01:33:05,380 --> 01:33:08,316
THEY'RE ALL WAITING.
OH, YOU LOOK GORGEOUS.
1184
01:33:08,350 --> 01:33:11,253
[ Organ Stops ]
[ Elfine ]
FLORA, DO I LOOK NICE?
1185
01:33:11,286 --> 01:33:14,356
DON'T BE NERVOUS.
* [ Organ: "Wedding March" ]
1186
01:33:14,389 --> 01:33:16,859
REUBEN, MIND ME DRESS.
1187
01:33:16,892 --> 01:33:22,898
*
1188
01:33:26,168 --> 01:33:29,638
- * [ Organ Slows ]
- MY LITTLE WENNET.
1189
01:33:29,672 --> 01:33:32,675
* [ Organ Dies ]
ADAM!
1190
01:33:32,708 --> 01:33:35,744
OH!
1191
01:33:35,778 --> 01:33:39,047
* [ Resumes ]
1192
01:34:09,144 --> 01:34:12,014
* [ Polka ]
[ Man Muttering ]
1193
01:34:13,081 --> 01:34:16,084
[ Chomping Loudly ]
1194
01:34:16,118 --> 01:34:19,221
[ Guests Chattering,
Laughing, Hooting ]
1195
01:34:40,342 --> 01:34:43,378
[ Guests Hooting,
Laughing ]
1196
01:34:44,747 --> 01:34:48,350
* [ Continues ]
1197
01:34:55,758 --> 01:34:58,761
OH, ABSOLUTELY
FASCINATING.
1198
01:34:58,794 --> 01:35:01,263
[ Bellows ]
1199
01:35:05,200 --> 01:35:07,435
HOW KIND.
I DON'T USUALLY.
1200
01:35:07,469 --> 01:35:10,773
I MUST SAY YOU'RE
LOOKING SPLENDID,
MRS. BEETLE.
1201
01:35:10,806 --> 01:35:13,308
OH, VICAR, THANK YOU!
1202
01:35:13,341 --> 01:35:16,144
- [ Hooting Continues ]
- TELL ME, MY DEAR,
1203
01:35:16,178 --> 01:35:19,181
YOU CAN SETTLE A QUESTION
THAT'S BEEN PUZZLING ME.
1204
01:35:19,214 --> 01:35:21,784
DO YOU BELIEVE
THAT WOMEN HAVE SOULS?
1205
01:35:26,554 --> 01:35:29,391
A WEDDING PRESENT
FOR YE, MAIDY.
1206
01:35:29,424 --> 01:35:32,895
A GIFT FOR MY OWN
WILD MARSH TIGGET.
1207
01:35:32,928 --> 01:35:35,197
OH, ADAM,
HOW SWEET OF YOU.
1208
01:35:35,230 --> 01:35:37,499
OH. OH.
1209
01:35:37,532 --> 01:35:41,937
PUT IT IN THY BOSOM.
IT'LL MAKE YE BEAR
FOUR CHILDREN.
1210
01:35:41,970 --> 01:35:45,107
THAT IT WILL.
YOU'LL SEE.
1211
01:35:52,214 --> 01:35:54,516
I MUST THANK YOU,
MISS POSTE.
1212
01:35:54,549 --> 01:35:58,453
DR. MU$DEL HAS ASKED ME
TO STAY WITH HIM AT
HIS NURSING HOME IN LONDON.
1213
01:35:58,486 --> 01:36:03,058
HE SAYS I CAN STAY WITH HIM
FOR SIX MONTHS AND TALK TO HIM,
PLAY SOME CHESS IF I LIKE.
1214
01:36:03,091 --> 01:36:06,194
IT'S MY ENERGY, YOU SEE.
IT TURNS IN INSTEAD OF OUT.
1215
01:36:06,228 --> 01:36:09,331
HE'S GOING TO
TURN IT OUT FOR ME.
1216
01:36:14,502 --> 01:36:17,105
* [ Drumroll Continues ]
1217
01:36:17,139 --> 01:36:20,275
* [ Band:
"Wedding Processional" ]
1218
01:36:24,212 --> 01:36:26,982
GRANDMAMA?
1219
01:36:27,015 --> 01:36:30,185
[ Urk ] AYE, 'TIS HER!
[ Meriam ]
ALL DRESSED UP TO GO OUT.
1220
01:36:30,218 --> 01:36:32,154
'TIS FLYING AGAINST NATURE.
1221
01:36:32,187 --> 01:36:36,458
- LOOK AT HER!
- [ Reuben ]
WELL, I NEVER. GRANNY!
1222
01:36:36,491 --> 01:36:40,095
SHE MUST'VE SEEN
SOME'AT NASTY
IN THE WOODSHED.
1223
01:36:40,128 --> 01:36:44,032
[ Applause ]
1224
01:36:49,271 --> 01:36:53,175
WELCOME TO
COLD COMFORT FARM.
1225
01:36:53,208 --> 01:36:58,480
-THERE'S ALWAYS BEEN STARKADDERS
AT COLD COMFORT FARM.
-[ Starkadders ] AYE!
1226
01:36:58,513 --> 01:37:01,850
BUT IT'S BEEN
SOME TIME SINCE WE'VE
HAD A WEDDING HERE.
1227
01:37:01,884 --> 01:37:07,122
I MUST ADMIT THAT ELFINE'S
WEDDING HAS NOT TURNED OUT
QUITE AS I'D PLANNED,
1228
01:37:07,155 --> 01:37:11,326
BUT I'VE NEVER SEEN HER
LOOKING LOVELIER
OR MORE RADIANT.
1229
01:37:11,359 --> 01:37:13,929
[ Applause ]
SO--
1230
01:37:13,962 --> 01:37:16,464
SO I GIVE IT MY BLESSING.
1231
01:37:16,498 --> 01:37:22,504
MY GREAT-NIECE FLORA
HAS TOLD ME SOMETHING VERY WISE.
1232
01:37:22,537 --> 01:37:25,607
WHAT A PLEASANT LIFE--
1233
01:37:25,640 --> 01:37:28,010
HOW'D YOU PUT IT, DEAR?
1234
01:37:28,043 --> 01:37:30,412
WHAT A PLEASANT LIFE
MIGHT BE HAD IN THIS WORLD...
1235
01:37:30,445 --> 01:37:33,648
BY A HANDSOME, SENSIBLE
OLD LADY OF GOOD FORTUNE,
1236
01:37:33,681 --> 01:37:36,618
BLESSED WITH A SOUND
CONSTITUTION AND A FIRM WILL.
1237
01:37:36,651 --> 01:37:39,087
JANE AUSTEN. JANE AUSTEN.
[ Guests ]
AYE!
1238
01:37:39,121 --> 01:37:41,289
SO I'M TAKING HER ADVICE...
1239
01:37:41,323 --> 01:37:44,092
AND LEAVING FOR PARIS
IN A FEW MOMENTS.
1240
01:37:44,126 --> 01:37:46,962
- PARIS?
- [ Car Horn Honking ]
1241
01:37:49,364 --> 01:37:51,599
[ Ada ]
OH, GOOD-BYE, DEAR.
1242
01:37:51,633 --> 01:37:54,636
GOD BLESS YOU, MUM.
[ Ada ]
THANK YOU VERY MUCH. THANK YOU.
1243
01:37:54,669 --> 01:37:58,340
NOW, REMEMBER,
WHEN YOU GET TO NICE,
ASK FOR THE HOTEL MIRAMAR.
1244
01:37:58,373 --> 01:38:02,477
I WILL, MY DEAR.
I SHALL DO EXACTLY
AS YOU ADVISED.
1245
01:38:02,510 --> 01:38:07,415
YOU WON'T FIND ME
PLUCKING MY EYEBROWS,
NOR DIETING.
1246
01:38:07,449 --> 01:38:12,087
NOR DOTING ON
A BOY OF 25.
1247
01:38:12,120 --> 01:38:14,990
THERE IS JUST ONE THING,
AUNT ADA, BEFORE YOU GO.
1248
01:38:15,023 --> 01:38:19,494
WHAT WAS THE WRONG
AMOS DID MY FATHER?
AND WHAT ARE MY RIGHTS?
1249
01:38:19,527 --> 01:38:21,997
WELL--
YES, MY DEAR?
AUNT ADA.
1250
01:38:22,030 --> 01:38:25,167
ADAM WANTS TO COME TO
HAUTECOUTURE HALL WITH US
AND LOOK AFTER OUR COWS.
1251
01:38:25,200 --> 01:38:27,069
DO YOU MIND?
1252
01:38:27,102 --> 01:38:30,538
WHO WILL CARE FOR
FECKLESS, AIMLESS,
GRACELESS AND POINTLESS?
1253
01:38:30,572 --> 01:38:33,041
ADAM, YOU WOULDN'T
DESERT THEM?
1254
01:38:33,075 --> 01:38:35,577
NEVER, MA'AM.
TAKE 'EM WITH ME.
1255
01:38:35,610 --> 01:38:38,346
THERE'S ROOM FOR ALL
AT HOWCHIKER HALL.
1256
01:38:38,380 --> 01:38:43,085
[ Chuckling ]
WELL, YOU MAY TAKE 'EM
IF YOU WANT TO, ADAM.
1257
01:38:43,118 --> 01:38:46,554
BLESS YE, MISS STARKADDER.
YOU'ME A GOOD 'UN AFTER ALL.
1258
01:38:46,588 --> 01:38:49,357
AND BLESS YE,
ROBERT POSTE'S CHILD.
1259
01:38:49,391 --> 01:38:52,727
YOU'ME LIFTED THE DOOM
FROM COLD COMFORT.
1260
01:38:52,760 --> 01:38:56,231
- THREE CHEERS FOR AUNT ADA!
HIP-HIP!
- [ All ] HOORAY!
1261
01:38:56,264 --> 01:38:58,366
HIP-HIP!
[ All ]
HOORAY!
1262
01:38:58,400 --> 01:39:00,735
HIP-HIP!
HOORAY!
1263
01:39:00,768 --> 01:39:05,107
[ All Cheering,
Chattering ]
1264
01:39:12,547 --> 01:39:18,053
[ Thinking ]
IT WAS THE LOVELIEST TIME OF
THE LOVELIEST DAY OF THE YEAR.
1265
01:39:18,086 --> 01:39:21,356
THE ERMINE FLOWERS
AND SILKY LEAVES...
1266
01:39:22,657 --> 01:39:25,727
AND... SATIN LEAVES--
1267
01:39:25,760 --> 01:39:28,496
[ Thinking ]
DAZZLED AGAINST AN AZURE SKY.
1268
01:39:28,530 --> 01:39:32,234
THE GAUZE-LIKE SHADOWS
CREPT IN...
1269
01:39:32,267 --> 01:39:34,336
STEALTHILY.
1270
01:39:34,369 --> 01:39:37,739
[ Thinking ]
THE DREAMING BIRDS
BEGAN THEIR SLEEP SONG.
1271
01:39:37,772 --> 01:39:40,275
[ Rattling, Clanking ]
OH.
1272
01:39:40,308 --> 01:39:43,445
[ Cowbells Clanking ]
1273
01:39:45,647 --> 01:39:48,083
[ Thinking ]
GOLDEN ORB.
1274
01:39:48,116 --> 01:39:51,319
THE GOLDEN ORB--
1275
01:39:51,353 --> 01:39:54,656
THE GOLDEN ORB--
[ Plane Engine Humming ]
1276
01:39:54,689 --> 01:39:57,125
[ Sighs ]
1277
01:40:43,305 --> 01:40:47,075
OH, CHARLES, YOU DO HAVE
HEAVENLY TEETH.
1278
01:40:47,109 --> 01:40:49,411
COME ON!
1279
01:40:54,116 --> 01:40:56,751
HERE, CLAP THAT.
1280
01:41:00,455 --> 01:41:04,459
THIS IS FOREVER,
ISN'T IT?
OH, YES, FOREVER.
1281
01:41:04,492 --> 01:41:07,595
NOW, IS IT ALL OVER,
MY DARLING?
YES, CHARLES.
1282
01:41:07,629 --> 01:41:11,533
I DID IT ALL.
VERY CLEVER.
WHAT ABOUT THE NOVEL?
1283
01:41:11,566 --> 01:41:13,668
TO BE PERFECTLY HONEST,
1284
01:41:13,701 --> 01:41:16,471
I DON'T REALLY THINK
I'M CUT OUT
TO BE A NOVELIST.
1285
01:41:16,504 --> 01:41:19,707
YOU KNOW, I NEVER DID
APPROVE OF YOU INTERFERING
IN OTHER PEOPLE'S LIVES.
1286
01:41:19,741 --> 01:41:22,710
SO I SHAN'T BE ALLOWED
TO INTERFERE IN YOURS?
NO!
1287
01:41:22,744 --> 01:41:26,648
OF COURSE, YOU CAN SHARE IT,
FLORA. IN FACT,
I VERY MUCH HOPE YOU WILL.
1288
01:41:26,681 --> 01:41:29,284
[ Engine Starts ]
1289
01:41:29,317 --> 01:41:31,886
CHARLES, I LOVE YOU!
WHAT?
1290
01:41:31,919 --> 01:41:34,722
I LOVE YOU!
1291
01:42:05,220 --> 01:42:08,790
[ Guests Shouting ]
1292
01:42:08,823 --> 01:42:11,926
GOOD-BYE!
1293
01:42:11,959 --> 01:42:14,329
FLORA!
[ Sobbing ]
102309
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