All language subtitles for Land Girls S02E02 Displaced Loyalties 480p Netflix WEB-DL DD+ 2.0 x264-TrollSD_eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,360 --> 00:00:03,280 [BIRDS CHIRPING] 2 00:00:12,280 --> 00:00:19,360 >> HEY! 3 00:00:19,360 --> 00:00:21,840 >> HEY! 4 00:00:19,360 --> 00:00:21,840 >> HEY! HEY! 5 00:00:21,840 --> 00:00:23,320 >> HEY! 6 00:00:21,840 --> 00:00:23,320 >> HEY! HEY! 7 00:00:21,840 --> 00:00:23,320 [WOLF WHISTLE] 8 00:00:23,320 --> 00:00:26,200 >> HEY! HEY! 9 00:00:23,320 --> 00:00:26,200 [WOLF WHISTLE] 10 00:00:23,320 --> 00:00:26,200 >> CIAO! 11 00:00:26,200 --> 00:00:27,400 [WOLF WHISTLE] 12 00:00:26,200 --> 00:00:27,400 >> CIAO! 13 00:00:26,200 --> 00:00:27,400 [WOLF WHISTLE] 14 00:00:27,400 --> 00:00:29,320 >> CIAO! 15 00:00:27,400 --> 00:00:29,320 [WOLF WHISTLE] 16 00:00:27,400 --> 00:00:29,320 >> HEY! HA HA HA! 17 00:00:29,320 --> 00:00:30,960 >> HEY! HA HA! 18 00:00:30,960 --> 00:00:36,480 >> HEY! HA HA! 19 00:00:30,960 --> 00:00:36,480 [ALL TALKING AT ONCE] 20 00:00:36,480 --> 00:00:38,320 >> HEY! HA HA! 21 00:00:36,480 --> 00:00:38,320 [ALL TALKING AT ONCE] 22 00:00:36,480 --> 00:00:38,320 >> HI THERE. 23 00:00:38,320 --> 00:00:39,360 [ALL TALKING AT ONCE] 24 00:00:38,320 --> 00:00:39,360 >> HI THERE. 25 00:00:38,320 --> 00:00:39,360 >> HEY. 26 00:00:39,360 --> 00:00:40,320 >> HI THERE. 27 00:00:39,360 --> 00:00:40,320 >> HEY. 28 00:00:39,360 --> 00:00:40,320 >> HEY. 29 00:00:40,320 --> 00:00:42,880 >> HEY. 30 00:00:40,320 --> 00:00:42,880 >> HEY. 31 00:00:40,320 --> 00:00:42,880 >> BAMBINO. 32 00:00:42,880 --> 00:00:44,480 >> HEY. 33 00:00:42,880 --> 00:00:44,480 >> BAMBINO. 34 00:00:42,880 --> 00:00:44,480 >> CIAO. 35 00:00:44,480 --> 00:00:50,000 >> BAMBINO. 36 00:00:44,480 --> 00:00:50,000 >> CIAO. 37 00:00:44,480 --> 00:00:50,000 >> HA HA! HA HA HA! 38 00:00:50,000 --> 00:00:53,840 >> CIAO. 39 00:00:50,000 --> 00:00:53,840 >> HA HA! HA HA HA! 40 00:00:50,000 --> 00:00:53,840 >> [SPEAKS ITALIAN] 41 00:00:53,840 --> 00:00:55,200 >> HA HA! HA HA HA! 42 00:00:53,840 --> 00:00:55,200 >> [SPEAKS ITALIAN] 43 00:00:53,840 --> 00:00:55,200 >> AW, ME HEART IS TAKEN, 44 00:00:55,200 --> 00:00:56,360 >> [SPEAKS ITALIAN] 45 00:00:55,200 --> 00:00:56,360 >> AW, ME HEART IS TAKEN, 46 00:00:55,200 --> 00:00:56,360 DARLING. I CAN OFFER YOU 47 00:00:56,360 --> 00:00:58,400 >> AW, ME HEART IS TAKEN, 48 00:00:56,360 --> 00:00:58,400 DARLING. I CAN OFFER YOU 49 00:00:56,360 --> 00:00:58,400 SOMETHING ELSE, THOUGH. 50 00:00:58,400 --> 00:01:02,400 DARLING. I CAN OFFER YOU 51 00:00:58,400 --> 00:01:02,400 SOMETHING ELSE, THOUGH. 52 00:00:58,400 --> 00:01:02,400 >> [CHEERING AND WHISTLING] 53 00:01:02,400 --> 00:01:05,040 SOMETHING ELSE, THOUGH. 54 00:01:02,400 --> 00:01:05,040 >> [CHEERING AND WHISTLING] 55 00:01:02,400 --> 00:01:05,040 >> CHEEKY SO AND SO. 56 00:01:05,040 --> 00:01:11,080 >> [CHEERING AND WHISTLING] 57 00:01:05,040 --> 00:01:11,080 >> CHEEKY SO AND SO. 58 00:01:05,040 --> 00:01:11,080 >> BYE. BYE. 59 00:01:11,080 --> 00:01:13,200 >> CHEEKY SO AND SO. 60 00:01:11,080 --> 00:01:13,200 >> BYE. BYE. 61 00:01:11,080 --> 00:01:13,200 >> CIAO. 62 00:01:49,800 --> 00:01:51,360 >> NICE GAME, BUT I... 63 00:01:51,360 --> 00:01:52,960 >> NICE GAME, BUT I... 64 00:01:51,360 --> 00:01:52,960 >> YOU CATCH THE GAME? 65 00:01:52,960 --> 00:01:54,440 >> NICE GAME, BUT I... 66 00:01:52,960 --> 00:01:54,440 >> YOU CATCH THE GAME? 67 00:01:52,960 --> 00:01:54,440 >> YEAH. GOOD GAME. 68 00:01:54,440 --> 00:01:59,840 >> YOU CATCH THE GAME? 69 00:01:54,440 --> 00:01:59,840 >> YEAH. GOOD GAME. 70 00:01:54,440 --> 00:01:59,840 [DISTANT BUGLE PLAYING] 71 00:01:59,840 --> 00:02:00,600 >> YEAH. GOOD GAME. 72 00:01:59,840 --> 00:02:00,600 [DISTANT BUGLE PLAYING] 73 00:01:59,840 --> 00:02:00,600 >> I GOT A WAREHOUSE FULL OF 74 00:02:00,600 --> 00:02:02,000 [DISTANT BUGLE PLAYING] 75 00:02:00,600 --> 00:02:02,000 >> I GOT A WAREHOUSE FULL OF 76 00:02:00,600 --> 00:02:02,000 FUSES READY TO SHIP, 77 00:02:02,000 --> 00:02:05,160 >> I GOT A WAREHOUSE FULL OF 78 00:02:02,000 --> 00:02:05,160 FUSES READY TO SHIP, 79 00:02:02,000 --> 00:02:05,160 OSRD-APPROVED. I DON'T CARE WHAT 80 00:02:05,160 --> 00:02:06,480 FUSES READY TO SHIP, 81 00:02:05,160 --> 00:02:06,480 OSRD-APPROVED. I DON'T CARE WHAT 82 00:02:05,160 --> 00:02:06,480 IT COSTS. GET OFF YOUR TIGHT, 83 00:02:06,480 --> 00:02:08,360 OSRD-APPROVED. I DON'T CARE WHAT 84 00:02:06,480 --> 00:02:08,360 IT COSTS. GET OFF YOUR TIGHT, 85 00:02:06,480 --> 00:02:08,360 SECTION "T" NAVY ASSES AND GET 86 00:02:08,360 --> 00:02:11,080 IT COSTS. GET OFF YOUR TIGHT, 87 00:02:08,360 --> 00:02:11,080 SECTION "T" NAVY ASSES AND GET 88 00:02:08,360 --> 00:02:11,080 ME MY SHELLS, OR YOUR WAR IS AS 89 00:02:11,080 --> 00:02:15,440 SECTION "T" NAVY ASSES AND GET 90 00:02:11,080 --> 00:02:15,440 ME MY SHELLS, OR YOUR WAR IS AS 91 00:02:11,080 --> 00:02:15,440 GOOD AS OVER, BUDDY. DELEGATE, 92 00:02:15,440 --> 00:02:17,240 ME MY SHELLS, OR YOUR WAR IS AS 93 00:02:15,440 --> 00:02:17,240 GOOD AS OVER, BUDDY. DELEGATE, 94 00:02:15,440 --> 00:02:17,240 NOTHING GETS DONE. 95 00:02:17,240 --> 00:02:18,440 GOOD AS OVER, BUDDY. DELEGATE, 96 00:02:17,240 --> 00:02:18,440 NOTHING GETS DONE. 97 00:02:17,240 --> 00:02:18,440 >> WE TEND TO EAT BREAKFAST IN 98 00:02:18,440 --> 00:02:20,680 NOTHING GETS DONE. 99 00:02:18,440 --> 00:02:20,680 >> WE TEND TO EAT BREAKFAST IN 100 00:02:18,440 --> 00:02:20,680 THE MORNING ROOM, AND I WOULD 101 00:02:20,680 --> 00:02:21,600 >> WE TEND TO EAT BREAKFAST IN 102 00:02:20,680 --> 00:02:21,600 THE MORNING ROOM, AND I WOULD 103 00:02:20,680 --> 00:02:21,600 PREFER IT IF YOU ASKED 104 00:02:21,600 --> 00:02:22,640 THE MORNING ROOM, AND I WOULD 105 00:02:21,600 --> 00:02:22,640 PREFER IT IF YOU ASKED 106 00:02:21,600 --> 00:02:22,640 PERMISSION BEFORE USING THE 107 00:02:22,640 --> 00:02:24,440 PREFER IT IF YOU ASKED 108 00:02:22,640 --> 00:02:24,440 PERMISSION BEFORE USING THE 109 00:02:22,640 --> 00:02:24,440 TELEPHONE. 110 00:02:24,440 --> 00:02:26,800 PERMISSION BEFORE USING THE 111 00:02:24,440 --> 00:02:26,800 TELEPHONE. 112 00:02:24,440 --> 00:02:26,800 >> SURE. WHERE ARE MY MANNERS? 113 00:02:26,800 --> 00:02:31,400 TELEPHONE. 114 00:02:26,800 --> 00:02:31,400 >> SURE. WHERE ARE MY MANNERS? 115 00:02:26,800 --> 00:02:31,400 HEH. IT IS KIND OF STUFFY IN 116 00:02:31,400 --> 00:02:33,360 >> SURE. WHERE ARE MY MANNERS? 117 00:02:31,400 --> 00:02:33,360 HEH. IT IS KIND OF STUFFY IN 118 00:02:31,400 --> 00:02:33,360 HERE. HEH. 119 00:02:33,360 --> 00:02:35,440 HEH. IT IS KIND OF STUFFY IN 120 00:02:33,360 --> 00:02:35,440 HERE. HEH. 121 00:02:33,360 --> 00:02:35,440 >> I COULDN'T AGREE MORE. ARE 122 00:02:35,440 --> 00:02:36,640 HERE. HEH. 123 00:02:35,440 --> 00:02:36,640 >> I COULDN'T AGREE MORE. ARE 124 00:02:35,440 --> 00:02:36,640 YOU SURE I CAN'T TEMPT YOU WITH 125 00:02:36,640 --> 00:02:38,520 >> I COULDN'T AGREE MORE. ARE 126 00:02:36,640 --> 00:02:38,520 YOU SURE I CAN'T TEMPT YOU WITH 127 00:02:36,640 --> 00:02:38,520 AN EARLY-MORNING HACK? 128 00:02:38,520 --> 00:02:41,080 YOU SURE I CAN'T TEMPT YOU WITH 129 00:02:38,520 --> 00:02:41,080 AN EARLY-MORNING HACK? 130 00:02:38,520 --> 00:02:41,080 >> I HAVE BUSINESS TO ATTEND TO. 131 00:02:41,080 --> 00:02:42,160 AN EARLY-MORNING HACK? 132 00:02:41,080 --> 00:02:42,160 >> I HAVE BUSINESS TO ATTEND TO. 133 00:02:41,080 --> 00:02:42,160 I SHOULD GET DRESSED. 134 00:02:42,160 --> 00:02:45,040 >> I HAVE BUSINESS TO ATTEND TO. 135 00:02:42,160 --> 00:02:45,040 I SHOULD GET DRESSED. 136 00:02:42,160 --> 00:02:45,040 >> WHAT A GOOD IDEA. 137 00:02:45,040 --> 00:02:46,480 I SHOULD GET DRESSED. 138 00:02:45,040 --> 00:02:46,480 >> WHAT A GOOD IDEA. 139 00:02:45,040 --> 00:02:46,480 >> STILL ON FOR CROQUET? 140 00:02:46,480 --> 00:02:53,240 >> WHAT A GOOD IDEA. 141 00:02:46,480 --> 00:02:53,240 >> STILL ON FOR CROQUET? 142 00:02:46,480 --> 00:02:53,240 >> ABSOLUTELY. 143 00:02:53,240 --> 00:02:57,120 >> STILL ON FOR CROQUET? 144 00:02:53,240 --> 00:02:57,120 >> ABSOLUTELY. 145 00:02:53,240 --> 00:02:57,120 RICH, HANDSOME, MYSTERIOUS, 146 00:02:57,120 --> 00:02:58,400 >> ABSOLUTELY. 147 00:02:57,120 --> 00:02:58,400 RICH, HANDSOME, MYSTERIOUS, 148 00:02:57,120 --> 00:02:58,400 MUCH MORE OF A MAN THAN 149 00:02:58,400 --> 00:03:00,480 RICH, HANDSOME, MYSTERIOUS, 150 00:02:58,400 --> 00:03:00,480 MUCH MORE OF A MAN THAN 151 00:02:58,400 --> 00:03:00,480 LAWRENCE. 152 00:03:00,480 --> 00:03:01,960 MUCH MORE OF A MAN THAN 153 00:03:00,480 --> 00:03:01,960 LAWRENCE. 154 00:03:00,480 --> 00:03:01,960 >> JACK GILLESPIE IS A CRUDE 155 00:03:01,960 --> 00:03:04,360 LAWRENCE. 156 00:03:01,960 --> 00:03:04,360 >> JACK GILLESPIE IS A CRUDE 157 00:03:01,960 --> 00:03:04,360 OPPORTUNIST, AND, THANKS TO YOU, 158 00:03:04,360 --> 00:03:06,360 >> JACK GILLESPIE IS A CRUDE 159 00:03:04,360 --> 00:03:06,360 OPPORTUNIST, AND, THANKS TO YOU, 160 00:03:04,360 --> 00:03:06,360 HE'S TAKING UP A GUEST ROOM. 161 00:03:06,360 --> 00:03:07,760 OPPORTUNIST, AND, THANKS TO YOU, 162 00:03:06,360 --> 00:03:07,760 HE'S TAKING UP A GUEST ROOM. 163 00:03:06,360 --> 00:03:07,760 >> WELL, I DON'T THINK IT'S TOO 164 00:03:07,760 --> 00:03:09,760 HE'S TAKING UP A GUEST ROOM. 165 00:03:07,760 --> 00:03:09,760 >> WELL, I DON'T THINK IT'S TOO 166 00:03:07,760 --> 00:03:09,760 MUCH OF AN INTRUSION. WONDER 167 00:03:09,760 --> 00:03:10,960 >> WELL, I DON'T THINK IT'S TOO 168 00:03:09,760 --> 00:03:10,960 MUCH OF AN INTRUSION. WONDER 169 00:03:09,760 --> 00:03:10,960 WHAT HE'S REALLY DOING IN 170 00:03:10,960 --> 00:03:14,240 MUCH OF AN INTRUSION. WONDER 171 00:03:10,960 --> 00:03:14,240 WHAT HE'S REALLY DOING IN 172 00:03:10,960 --> 00:03:14,240 HELMSTEAD. SPECIAL OPS, TOP, TOP 173 00:03:14,240 --> 00:03:15,520 WHAT HE'S REALLY DOING IN 174 00:03:14,240 --> 00:03:15,520 HELMSTEAD. SPECIAL OPS, TOP, TOP 175 00:03:14,240 --> 00:03:15,520 SECRET. 176 00:03:15,520 --> 00:03:16,640 HELMSTEAD. SPECIAL OPS, TOP, TOP 177 00:03:15,520 --> 00:03:16,640 SECRET. 178 00:03:15,520 --> 00:03:16,640 >> HIS SON WAS STATIONED AT THE 179 00:03:16,640 --> 00:03:20,760 SECRET. 180 00:03:16,640 --> 00:03:20,760 >> HIS SON WAS STATIONED AT THE 181 00:03:16,640 --> 00:03:20,760 BARRACKS HERE, KILLED IN ACTION. 182 00:03:20,760 --> 00:03:22,160 >> HIS SON WAS STATIONED AT THE 183 00:03:20,760 --> 00:03:22,160 BARRACKS HERE, KILLED IN ACTION. 184 00:03:20,760 --> 00:03:22,160 >> IF THAT MAN IS GRIEVING, HE 185 00:03:22,160 --> 00:03:24,480 BARRACKS HERE, KILLED IN ACTION. 186 00:03:22,160 --> 00:03:24,480 >> IF THAT MAN IS GRIEVING, HE 187 00:03:22,160 --> 00:03:24,480 CERTAINLY HIDES IT WELL. MORE IN 188 00:03:24,480 --> 00:03:26,360 >> IF THAT MAN IS GRIEVING, HE 189 00:03:24,480 --> 00:03:26,360 CERTAINLY HIDES IT WELL. MORE IN 190 00:03:24,480 --> 00:03:26,360 COMMON THAN YOU THOUGHT. 191 00:03:26,360 --> 00:03:29,000 CERTAINLY HIDES IT WELL. MORE IN 192 00:03:26,360 --> 00:03:29,000 COMMON THAN YOU THOUGHT. 193 00:03:26,360 --> 00:03:29,000 >> HE ISN'T HERE TO GRIEVE. HE'S 194 00:03:29,000 --> 00:03:33,680 COMMON THAN YOU THOUGHT. 195 00:03:29,000 --> 00:03:33,680 >> HE ISN'T HERE TO GRIEVE. HE'S 196 00:03:29,000 --> 00:03:33,680 LOOKING FOR HIS GRANDCHILD. 197 00:03:33,680 --> 00:03:36,440 >> HE ISN'T HERE TO GRIEVE. HE'S 198 00:03:33,680 --> 00:03:36,440 LOOKING FOR HIS GRANDCHILD. 199 00:03:33,680 --> 00:03:36,440 [BELL RINGS] 200 00:03:36,440 --> 00:03:37,920 LOOKING FOR HIS GRANDCHILD. 201 00:03:36,440 --> 00:03:37,920 [BELL RINGS] 202 00:03:36,440 --> 00:03:37,920 OH, I KNEW THOSE LAND GIRLS 203 00:03:37,920 --> 00:03:43,400 [BELL RINGS] 204 00:03:37,920 --> 00:03:43,400 OH, I KNEW THOSE LAND GIRLS 205 00:03:37,920 --> 00:03:43,400 WOULD BE TROUBLE. 206 00:03:43,400 --> 00:03:48,760 OH, I KNEW THOSE LAND GIRLS 207 00:03:43,400 --> 00:03:48,760 WOULD BE TROUBLE. 208 00:03:43,400 --> 00:03:48,760 >> WE'LL BE LATE. MARTIN! 209 00:03:48,760 --> 00:03:53,320 WOULD BE TROUBLE. 210 00:03:48,760 --> 00:03:53,320 >> WE'LL BE LATE. MARTIN! 211 00:03:48,760 --> 00:03:53,320 >> COMING. 212 00:03:53,320 --> 00:03:54,640 >> WE'LL BE LATE. MARTIN! 213 00:03:53,320 --> 00:03:54,640 >> COMING. 214 00:03:53,320 --> 00:03:54,640 >> SURE IT'S WISE, DRAGGING HIM 215 00:03:54,640 --> 00:03:55,960 >> COMING. 216 00:03:54,640 --> 00:03:55,960 >> SURE IT'S WISE, DRAGGING HIM 217 00:03:54,640 --> 00:03:55,960 TO HELMSTEAD? 218 00:03:55,960 --> 00:03:57,720 >> SURE IT'S WISE, DRAGGING HIM 219 00:03:55,960 --> 00:03:57,720 TO HELMSTEAD? 220 00:03:55,960 --> 00:03:57,720 >> HE'S STILL GETTING HEADACHES. 221 00:03:57,720 --> 00:03:58,960 TO HELMSTEAD? 222 00:03:57,720 --> 00:03:58,960 >> HE'S STILL GETTING HEADACHES. 223 00:03:57,720 --> 00:03:58,960 >> THE DOC RECOMMENDED BED REST, 224 00:03:58,960 --> 00:03:59,840 >> HE'S STILL GETTING HEADACHES. 225 00:03:58,960 --> 00:03:59,840 >> THE DOC RECOMMENDED BED REST, 226 00:03:58,960 --> 00:03:59,840 DIDN'T HE? 227 00:03:59,840 --> 00:04:01,000 >> THE DOC RECOMMENDED BED REST, 228 00:03:59,840 --> 00:04:01,000 DIDN'T HE? 229 00:03:59,840 --> 00:04:01,000 >> DR. MORGAN IS A FECKLESS 230 00:04:01,000 --> 00:04:04,800 DIDN'T HE? 231 00:04:01,000 --> 00:04:04,800 >> DR. MORGAN IS A FECKLESS 232 00:04:01,000 --> 00:04:04,800 DRUNK. 233 00:04:04,800 --> 00:04:08,000 >> DR. MORGAN IS A FECKLESS 234 00:04:04,800 --> 00:04:08,000 DRUNK. 235 00:04:04,800 --> 00:04:08,000 NO HARM IN A SECOND OPINION, EH? 236 00:04:08,000 --> 00:04:09,640 DRUNK. 237 00:04:08,000 --> 00:04:09,640 NO HARM IN A SECOND OPINION, EH? 238 00:04:08,000 --> 00:04:09,640 YOU ALL RIGHT? 239 00:04:09,640 --> 00:04:10,800 NO HARM IN A SECOND OPINION, EH? 240 00:04:09,640 --> 00:04:10,800 YOU ALL RIGHT? 241 00:04:09,640 --> 00:04:10,800 >> COME ON. I'LL DRIVE YOU. 242 00:04:10,800 --> 00:04:12,680 YOU ALL RIGHT? 243 00:04:10,800 --> 00:04:12,680 >> COME ON. I'LL DRIVE YOU. 244 00:04:10,800 --> 00:04:12,680 >> NO. NO. THERE'S NO NEED. 245 00:04:12,680 --> 00:04:14,600 >> COME ON. I'LL DRIVE YOU. 246 00:04:12,680 --> 00:04:14,600 >> NO. NO. THERE'S NO NEED. 247 00:04:12,680 --> 00:04:14,600 WELL, THE FRESH AIR WILL DO US 248 00:04:14,600 --> 00:04:18,440 >> NO. NO. THERE'S NO NEED. 249 00:04:14,600 --> 00:04:18,440 WELL, THE FRESH AIR WILL DO US 250 00:04:14,600 --> 00:04:18,440 GOOD. COME ON. 251 00:04:18,440 --> 00:04:21,720 WELL, THE FRESH AIR WILL DO US 252 00:04:18,440 --> 00:04:21,720 GOOD. COME ON. 253 00:04:18,440 --> 00:04:21,720 [COW MOOS] 254 00:04:21,720 --> 00:04:25,560 GOOD. COME ON. 255 00:04:21,720 --> 00:04:25,560 [COW MOOS] 256 00:04:21,720 --> 00:04:25,560 [AIRPLANE FLIES OVERHEAD] 257 00:04:25,560 --> 00:04:26,680 [COW MOOS] 258 00:04:25,560 --> 00:04:26,680 [AIRPLANE FLIES OVERHEAD] 259 00:04:25,560 --> 00:04:26,680 >> NOW, I KNOW WE'RE DIGGING FOR 260 00:04:26,680 --> 00:04:27,760 [AIRPLANE FLIES OVERHEAD] 261 00:04:26,680 --> 00:04:27,760 >> NOW, I KNOW WE'RE DIGGING FOR 262 00:04:26,680 --> 00:04:27,760 VICTORY. THIS IS BLINKING 263 00:04:27,760 --> 00:04:29,720 >> NOW, I KNOW WE'RE DIGGING FOR 264 00:04:27,760 --> 00:04:29,720 VICTORY. THIS IS BLINKING 265 00:04:27,760 --> 00:04:29,720 RIDICULOUS. "ESCAPE TO THE 266 00:04:29,720 --> 00:04:31,240 VICTORY. THIS IS BLINKING 267 00:04:29,720 --> 00:04:31,240 RIDICULOUS. "ESCAPE TO THE 268 00:04:29,720 --> 00:04:31,240 COUNTRY, CONNIE. CAN'T BE WORSE 269 00:04:31,240 --> 00:04:33,520 RIDICULOUS. "ESCAPE TO THE 270 00:04:31,240 --> 00:04:33,520 COUNTRY, CONNIE. CAN'T BE WORSE 271 00:04:31,240 --> 00:04:33,520 THAN MUNITIONS. FRESH AIR, SUN 272 00:04:33,520 --> 00:04:35,720 COUNTRY, CONNIE. CAN'T BE WORSE 273 00:04:33,520 --> 00:04:35,720 THAN MUNITIONS. FRESH AIR, SUN 274 00:04:33,520 --> 00:04:35,720 IN YOUR FACE." BLISTERS, 275 00:04:35,720 --> 00:04:37,200 THAN MUNITIONS. FRESH AIR, SUN 276 00:04:35,720 --> 00:04:37,200 IN YOUR FACE." BLISTERS, 277 00:04:35,720 --> 00:04:37,200 BACKACHE. 278 00:04:37,200 --> 00:04:38,080 IN YOUR FACE." BLISTERS, 279 00:04:37,200 --> 00:04:38,080 BACKACHE. 280 00:04:37,200 --> 00:04:38,080 >> YEAH. WELL, YOU'LL GET USED 281 00:04:38,080 --> 00:04:38,880 BACKACHE. 282 00:04:38,080 --> 00:04:38,880 >> YEAH. WELL, YOU'LL GET USED 283 00:04:38,080 --> 00:04:38,880 TO IT. 284 00:04:38,880 --> 00:04:39,520 >> YEAH. WELL, YOU'LL GET USED 285 00:04:38,880 --> 00:04:39,520 TO IT. 286 00:04:38,880 --> 00:04:39,520 >> BE THANKFUL YOU'RE NOT 287 00:04:39,520 --> 00:04:41,480 TO IT. 288 00:04:39,520 --> 00:04:41,480 >> BE THANKFUL YOU'RE NOT 289 00:04:39,520 --> 00:04:41,480 THRESHING. 290 00:04:41,480 --> 00:04:42,840 >> BE THANKFUL YOU'RE NOT 291 00:04:41,480 --> 00:04:42,840 THRESHING. 292 00:04:41,480 --> 00:04:42,840 >> [SPEAKING ITALIAN] 293 00:04:42,840 --> 00:04:44,360 THRESHING. 294 00:04:42,840 --> 00:04:44,360 >> [SPEAKING ITALIAN] 295 00:04:42,840 --> 00:04:44,360 >> TYPICAL ITIES. WE'RE DIGGING 296 00:04:44,360 --> 00:04:45,320 >> [SPEAKING ITALIAN] 297 00:04:44,360 --> 00:04:45,320 >> TYPICAL ITIES. WE'RE DIGGING 298 00:04:44,360 --> 00:04:45,320 HOLES, AND THEY'RE CHASING 299 00:04:45,320 --> 00:04:49,400 >> TYPICAL ITIES. WE'RE DIGGING 300 00:04:45,320 --> 00:04:49,400 HOLES, AND THEY'RE CHASING 301 00:04:45,320 --> 00:04:49,400 SKIRT. 302 00:04:49,400 --> 00:04:56,080 HOLES, AND THEY'RE CHASING 303 00:04:49,400 --> 00:04:56,080 SKIRT. 304 00:04:49,400 --> 00:04:56,080 >> SURRENDER TO ME. 305 00:04:56,080 --> 00:04:58,360 SKIRT. 306 00:04:56,080 --> 00:04:58,360 >> SURRENDER TO ME. 307 00:04:56,080 --> 00:04:58,360 I WRITE THE 308 00:04:58,360 --> 00:05:02,920 >> SURRENDER TO ME. 309 00:04:58,360 --> 00:05:02,920 I WRITE THE 310 00:04:58,360 --> 00:05:02,920 MEN, THEY NO SPEAK GOOD ENGLISH. 311 00:05:02,920 --> 00:05:05,080 I WRITE THE 312 00:05:02,920 --> 00:05:05,080 MEN, THEY NO SPEAK GOOD ENGLISH. 313 00:05:02,920 --> 00:05:05,080 LAND WORK IS BAD FOR WOMEN, 314 00:05:05,080 --> 00:05:06,320 MEN, THEY NO SPEAK GOOD ENGLISH. 315 00:05:05,080 --> 00:05:06,320 LAND WORK IS BAD FOR WOMEN, 316 00:05:05,080 --> 00:05:06,320 MAKES THEM GROW MUSCLES, RUINS 317 00:05:06,320 --> 00:05:08,480 LAND WORK IS BAD FOR WOMEN, 318 00:05:06,320 --> 00:05:08,480 MAKES THEM GROW MUSCLES, RUINS 319 00:05:06,320 --> 00:05:08,480 THEIR HANDS. 320 00:05:08,480 --> 00:05:09,440 MAKES THEM GROW MUSCLES, RUINS 321 00:05:08,480 --> 00:05:09,440 THEIR HANDS. 322 00:05:08,480 --> 00:05:09,440 >> WELL, SOMEONE HAS GOT TO 323 00:05:09,440 --> 00:05:11,080 THEIR HANDS. 324 00:05:09,440 --> 00:05:11,080 >> WELL, SOMEONE HAS GOT TO 325 00:05:09,440 --> 00:05:11,080 DO IT. 326 00:05:11,080 --> 00:05:12,960 >> WELL, SOMEONE HAS GOT TO 327 00:05:11,080 --> 00:05:12,960 DO IT. 328 00:05:11,080 --> 00:05:12,960 >> DON'T BE SAD. 329 00:05:12,960 --> 00:05:14,880 DO IT. 330 00:05:12,960 --> 00:05:14,880 >> DON'T BE SAD. 331 00:05:12,960 --> 00:05:14,880 >> I'M NOT. 332 00:05:14,880 --> 00:05:19,560 >> DON'T BE SAD. 333 00:05:14,880 --> 00:05:19,560 >> I'M NOT. 334 00:05:14,880 --> 00:05:19,560 >> SALVATORE. 335 00:05:19,560 --> 00:05:22,440 >> I'M NOT. 336 00:05:19,560 --> 00:05:22,440 >> SALVATORE. 337 00:05:19,560 --> 00:05:22,440 >> SALVATORE... 338 00:05:22,440 --> 00:05:24,320 >> SALVATORE. 339 00:05:22,440 --> 00:05:24,320 >> SALVATORE... 340 00:05:22,440 --> 00:05:24,320 WHAT'S IT MEAN? 341 00:05:24,320 --> 00:05:29,480 >> SALVATORE... 342 00:05:24,320 --> 00:05:29,480 WHAT'S IT MEAN? 343 00:05:24,320 --> 00:05:29,480 >> SAVIOR. I'M SAVIOR. 344 00:05:29,480 --> 00:05:31,920 WHAT'S IT MEAN? 345 00:05:29,480 --> 00:05:31,920 >> SAVIOR. I'M SAVIOR. 346 00:05:29,480 --> 00:05:31,920 [BABY CRYING] 347 00:05:37,640 --> 00:05:40,200 >> SHOULDN'T YOU BE ON PATROL? 348 00:05:40,200 --> 00:05:41,080 >> SHOULDN'T YOU BE ON PATROL? 349 00:05:40,200 --> 00:05:41,080 >> WANTED TO CHECK ON THE 350 00:05:41,080 --> 00:05:44,480 >> SHOULDN'T YOU BE ON PATROL? 351 00:05:41,080 --> 00:05:44,480 >> WANTED TO CHECK ON THE 352 00:05:41,080 --> 00:05:44,480 NIPPER. 353 00:05:44,480 --> 00:05:46,440 >> WANTED TO CHECK ON THE 354 00:05:44,480 --> 00:05:46,440 NIPPER. 355 00:05:44,480 --> 00:05:46,440 >> HE'S TEETHING. 356 00:05:46,440 --> 00:05:50,600 NIPPER. 357 00:05:46,440 --> 00:05:50,600 >> HE'S TEETHING. 358 00:05:46,440 --> 00:05:50,600 >> YOU WERE UP HALF THE NIGHT. 359 00:05:50,600 --> 00:05:53,160 >> HE'S TEETHING. 360 00:05:50,600 --> 00:05:53,160 >> YOU WERE UP HALF THE NIGHT. 361 00:05:50,600 --> 00:05:53,160 JUST GO HOME. 362 00:05:53,160 --> 00:05:54,640 >> YOU WERE UP HALF THE NIGHT. 363 00:05:53,160 --> 00:05:54,640 JUST GO HOME. 364 00:05:53,160 --> 00:05:54,640 >> I DON'T WANT TO GO HOME. 365 00:05:54,640 --> 00:05:55,480 JUST GO HOME. 366 00:05:54,640 --> 00:05:55,480 >> I DON'T WANT TO GO HOME. 367 00:05:54,640 --> 00:05:55,480 >> THERE'S WORK TO BE DONE AT 368 00:05:55,480 --> 00:05:57,640 >> I DON'T WANT TO GO HOME. 369 00:05:55,480 --> 00:05:57,640 >> THERE'S WORK TO BE DONE AT 370 00:05:55,480 --> 00:05:57,640 THE FARM. 371 00:05:57,640 --> 00:05:59,400 >> THERE'S WORK TO BE DONE AT 372 00:05:57,640 --> 00:05:59,400 THE FARM. 373 00:05:57,640 --> 00:05:59,400 >> YOU TAKE HIM. 374 00:05:59,400 --> 00:06:00,320 THE FARM. 375 00:05:59,400 --> 00:06:00,320 >> YOU TAKE HIM. 376 00:05:59,400 --> 00:06:00,320 >> I'M ON DUTY, BEA--GERRY 377 00:06:00,320 --> 00:06:02,000 >> YOU TAKE HIM. 378 00:06:00,320 --> 00:06:02,000 >> I'M ON DUTY, BEA--GERRY 379 00:06:00,320 --> 00:06:02,000 PLANE. THEY'VE EXTENDED THE 380 00:06:02,000 --> 00:06:03,160 >> I'M ON DUTY, BEA--GERRY 381 00:06:02,000 --> 00:06:03,160 PLANE. THEY'VE EXTENDED THE 382 00:06:02,000 --> 00:06:03,160 SEARCH AREA. 383 00:06:03,160 --> 00:06:04,040 PLANE. THEY'VE EXTENDED THE 384 00:06:03,160 --> 00:06:04,040 SEARCH AREA. 385 00:06:03,160 --> 00:06:04,040 >> YEAH? WELL, IF I SEE ANY 386 00:06:04,040 --> 00:06:05,720 SEARCH AREA. 387 00:06:04,040 --> 00:06:05,720 >> YEAH? WELL, IF I SEE ANY 388 00:06:04,040 --> 00:06:05,720 GERMANS, I'LL LET YOU KNOW. 389 00:06:05,720 --> 00:06:08,440 >> YEAH? WELL, IF I SEE ANY 390 00:06:05,720 --> 00:06:08,440 GERMANS, I'LL LET YOU KNOW. 391 00:06:05,720 --> 00:06:08,440 [BABY CRYING] 392 00:06:13,840 --> 00:06:19,680 >> EH? HA HA HA! 393 00:06:19,680 --> 00:06:21,120 >> EH? HA HA HA! 394 00:06:19,680 --> 00:06:21,120 WHAT KIND OF A MAN DO YOU THINK 395 00:06:21,120 --> 00:06:22,880 >> EH? HA HA HA! 396 00:06:21,120 --> 00:06:22,880 WHAT KIND OF A MAN DO YOU THINK 397 00:06:21,120 --> 00:06:22,880 I AM? GO ON. OFF WITH YOU. 398 00:06:22,880 --> 00:06:26,560 WHAT KIND OF A MAN DO YOU THINK 399 00:06:22,880 --> 00:06:26,560 I AM? GO ON. OFF WITH YOU. 400 00:06:22,880 --> 00:06:26,560 GO ON. HUH. YANKS, EH? NO 401 00:06:26,560 --> 00:06:28,360 I AM? GO ON. OFF WITH YOU. 402 00:06:26,560 --> 00:06:28,360 GO ON. HUH. YANKS, EH? NO 403 00:06:26,560 --> 00:06:28,360 MORALS. NO. ANYTHING FOR A FAST 404 00:06:28,360 --> 00:06:29,560 GO ON. HUH. YANKS, EH? NO 405 00:06:28,360 --> 00:06:29,560 MORALS. NO. ANYTHING FOR A FAST 406 00:06:28,360 --> 00:06:29,560 BUCK. 407 00:06:29,560 --> 00:06:31,280 MORALS. NO. ANYTHING FOR A FAST 408 00:06:29,560 --> 00:06:31,280 BUCK. 409 00:06:29,560 --> 00:06:31,280 >> I'M WATCHING YOU, FREDERICK 410 00:06:31,280 --> 00:06:33,600 BUCK. 411 00:06:31,280 --> 00:06:33,600 >> I'M WATCHING YOU, FREDERICK 412 00:06:31,280 --> 00:06:33,600 FINCH. 413 00:06:33,600 --> 00:06:38,200 >> I'M WATCHING YOU, FREDERICK 414 00:06:33,600 --> 00:06:38,200 FINCH. 415 00:06:33,600 --> 00:06:38,200 >> ESTHER, RADIANT AS ALWAYS, 416 00:06:38,200 --> 00:06:40,640 FINCH. 417 00:06:38,200 --> 00:06:40,640 >> ESTHER, RADIANT AS ALWAYS, 418 00:06:38,200 --> 00:06:40,640 AND HOW'S YOUNG MARTIN, EH? 419 00:06:40,640 --> 00:06:43,800 >> ESTHER, RADIANT AS ALWAYS, 420 00:06:40,640 --> 00:06:43,800 AND HOW'S YOUNG MARTIN, EH? 421 00:06:40,640 --> 00:06:43,800 >> WE'RE FINE, THANK YOU. 422 00:06:43,800 --> 00:06:46,360 AND HOW'S YOUNG MARTIN, EH? 423 00:06:43,800 --> 00:06:46,360 >> WE'RE FINE, THANK YOU. 424 00:06:43,800 --> 00:06:46,360 >> VERNON STOREY, YOU LOWDOWN, 425 00:06:46,360 --> 00:06:48,960 >> WE'RE FINE, THANK YOU. 426 00:06:46,360 --> 00:06:48,960 >> VERNON STOREY, YOU LOWDOWN, 427 00:06:46,360 --> 00:06:48,960 CHEATING SNAKE. THAT TRACTOR YOU 428 00:06:48,960 --> 00:06:50,440 >> VERNON STOREY, YOU LOWDOWN, 429 00:06:48,960 --> 00:06:50,440 CHEATING SNAKE. THAT TRACTOR YOU 430 00:06:48,960 --> 00:06:50,440 SOLD ME IS A PILE OF SCRAP. 431 00:06:50,440 --> 00:06:51,520 CHEATING SNAKE. THAT TRACTOR YOU 432 00:06:50,440 --> 00:06:51,520 SOLD ME IS A PILE OF SCRAP. 433 00:06:50,440 --> 00:06:51,520 >> YOU'D HAVE THOUGHT? 434 00:06:51,520 --> 00:06:52,600 SOLD ME IS A PILE OF SCRAP. 435 00:06:51,520 --> 00:06:52,600 >> YOU'D HAVE THOUGHT? 436 00:06:51,520 --> 00:06:52,600 >> I WANT A REFUND. 437 00:06:52,600 --> 00:06:54,360 >> YOU'D HAVE THOUGHT? 438 00:06:52,600 --> 00:06:54,360 >> I WANT A REFUND. 439 00:06:52,600 --> 00:06:54,360 >> HA HA HA! SORRY. NO CAN DO. 440 00:06:54,360 --> 00:06:56,040 >> I WANT A REFUND. 441 00:06:54,360 --> 00:06:56,040 >> HA HA HA! SORRY. NO CAN DO. 442 00:06:54,360 --> 00:06:56,040 BUYER BEWARE AND ALL THAT. 443 00:06:56,040 --> 00:06:59,520 >> HA HA HA! SORRY. NO CAN DO. 444 00:06:56,040 --> 00:06:59,520 BUYER BEWARE AND ALL THAT. 445 00:06:56,040 --> 00:06:59,520 >> RIGHT. LET'S GO HOME. 446 00:06:59,520 --> 00:07:00,560 BUYER BEWARE AND ALL THAT. 447 00:06:59,520 --> 00:07:00,560 >> RIGHT. LET'S GO HOME. 448 00:06:59,520 --> 00:07:00,560 >> I'LL HAVE YOU, STOREY. 449 00:07:00,560 --> 00:07:01,520 >> RIGHT. LET'S GO HOME. 450 00:07:00,560 --> 00:07:01,520 >> I'LL HAVE YOU, STOREY. 451 00:07:00,560 --> 00:07:01,520 >> YOU'RE THE ONE WHO'S BEEN 452 00:07:01,520 --> 00:07:03,440 >> I'LL HAVE YOU, STOREY. 453 00:07:01,520 --> 00:07:03,440 >> YOU'RE THE ONE WHO'S BEEN 454 00:07:01,520 --> 00:07:03,440 HAD, FINCH. YOU'RE LOSING YOUR 455 00:07:03,440 --> 00:07:06,120 >> YOU'RE THE ONE WHO'S BEEN 456 00:07:03,440 --> 00:07:06,120 HAD, FINCH. YOU'RE LOSING YOUR 457 00:07:03,440 --> 00:07:06,120 TOUCH. 458 00:07:06,120 --> 00:07:10,960 HAD, FINCH. YOU'RE LOSING YOUR 459 00:07:06,120 --> 00:07:10,960 TOUCH. 460 00:07:06,120 --> 00:07:10,960 >> ESTHER... 461 00:07:10,960 --> 00:07:12,560 TOUCH. 462 00:07:10,960 --> 00:07:12,560 >> ESTHER... 463 00:07:10,960 --> 00:07:12,560 WHAT DID HE SAY, THEN? 464 00:07:12,560 --> 00:07:13,880 >> ESTHER... 465 00:07:12,560 --> 00:07:13,880 WHAT DID HE SAY, THEN? 466 00:07:12,560 --> 00:07:13,880 >> WERE YOU WAITING FOR ME? 467 00:07:13,880 --> 00:07:15,280 WHAT DID HE SAY, THEN? 468 00:07:13,880 --> 00:07:15,280 >> WERE YOU WAITING FOR ME? 469 00:07:13,880 --> 00:07:15,280 >> NO. 470 00:07:15,280 --> 00:07:16,120 >> WERE YOU WAITING FOR ME? 471 00:07:15,280 --> 00:07:16,120 >> NO. 472 00:07:15,280 --> 00:07:16,120 >> LOOK. THIS ISN'T YOUR 473 00:07:16,120 --> 00:07:17,440 >> NO. 474 00:07:16,120 --> 00:07:17,440 >> LOOK. THIS ISN'T YOUR 475 00:07:16,120 --> 00:07:17,440 PROBLEM, FRED. 476 00:07:17,440 --> 00:07:19,360 >> LOOK. THIS ISN'T YOUR 477 00:07:17,440 --> 00:07:19,360 PROBLEM, FRED. 478 00:07:17,440 --> 00:07:19,360 >> IT'S SERGEANT TUCKER. 479 00:07:19,360 --> 00:07:22,000 PROBLEM, FRED. 480 00:07:19,360 --> 00:07:22,000 >> IT'S SERGEANT TUCKER. 481 00:07:19,360 --> 00:07:22,000 >> RIGHT. YOU LEAVE HIM BE. 482 00:07:22,000 --> 00:07:24,720 >> IT'S SERGEANT TUCKER. 483 00:07:22,000 --> 00:07:24,720 >> RIGHT. YOU LEAVE HIM BE. 484 00:07:22,000 --> 00:07:24,720 COME ON. OUT THE ROAD. 485 00:07:24,720 --> 00:07:26,280 >> RIGHT. YOU LEAVE HIM BE. 486 00:07:24,720 --> 00:07:26,280 COME ON. OUT THE ROAD. 487 00:07:24,720 --> 00:07:26,280 >> THOUGHT YOU WERE LOCKED UP. 488 00:07:26,280 --> 00:07:27,320 COME ON. OUT THE ROAD. 489 00:07:26,280 --> 00:07:27,320 >> THOUGHT YOU WERE LOCKED UP. 490 00:07:26,280 --> 00:07:27,320 >> DROPPED THE CHARGES, LACK OF 491 00:07:27,320 --> 00:07:29,000 >> THOUGHT YOU WERE LOCKED UP. 492 00:07:27,320 --> 00:07:29,000 >> DROPPED THE CHARGES, LACK OF 493 00:07:27,320 --> 00:07:29,000 EVIDENCE. 494 00:07:29,000 --> 00:07:31,240 >> DROPPED THE CHARGES, LACK OF 495 00:07:29,000 --> 00:07:31,240 EVIDENCE. 496 00:07:29,000 --> 00:07:31,240 >> RIGHT. HOME. COME ON. 497 00:07:31,240 --> 00:07:33,320 EVIDENCE. 498 00:07:31,240 --> 00:07:33,320 >> RIGHT. HOME. COME ON. 499 00:07:31,240 --> 00:07:33,320 >> FREE MAN. 500 00:07:33,320 --> 00:07:35,160 >> RIGHT. HOME. COME ON. 501 00:07:33,320 --> 00:07:35,160 >> FREE MAN. 502 00:07:33,320 --> 00:07:35,160 >> NOT IN THIS VILLAGE. 503 00:07:55,160 --> 00:07:56,840 >> WHO COULD BE IN ON A DAY LIKE 504 00:07:56,840 --> 00:08:00,080 >> WHO COULD BE IN ON A DAY LIKE 505 00:07:56,840 --> 00:08:00,080 THIS? I'M DIANA, LADY HOXLEY'S 506 00:08:00,080 --> 00:08:01,920 >> WHO COULD BE IN ON A DAY LIKE 507 00:08:00,080 --> 00:08:01,920 THIS? I'M DIANA, LADY HOXLEY'S 508 00:08:00,080 --> 00:08:01,920 SISTER. 509 00:08:01,920 --> 00:08:03,680 THIS? I'M DIANA, LADY HOXLEY'S 510 00:08:01,920 --> 00:08:03,680 SISTER. 511 00:08:01,920 --> 00:08:03,680 >> I DIDN'T KNOW SHE HAD ONE. 512 00:08:03,680 --> 00:08:05,760 SISTER. 513 00:08:03,680 --> 00:08:05,760 >> I DIDN'T KNOW SHE HAD ONE. 514 00:08:03,680 --> 00:08:05,760 >> ELLEN LIKES TO KEEP ME QUIET. 515 00:08:05,760 --> 00:08:07,360 >> I DIDN'T KNOW SHE HAD ONE. 516 00:08:05,760 --> 00:08:07,360 >> ELLEN LIKES TO KEEP ME QUIET. 517 00:08:05,760 --> 00:08:07,360 I DROP IN UNANNOUNCED AND CAUSE 518 00:08:07,360 --> 00:08:10,600 >> ELLEN LIKES TO KEEP ME QUIET. 519 00:08:07,360 --> 00:08:10,600 I DROP IN UNANNOUNCED AND CAUSE 520 00:08:07,360 --> 00:08:10,600 HAVOC. SHAN'T STAY LONG. 521 00:08:10,600 --> 00:08:13,600 I DROP IN UNANNOUNCED AND CAUSE 522 00:08:10,600 --> 00:08:13,600 HAVOC. SHAN'T STAY LONG. 523 00:08:10,600 --> 00:08:13,600 HELMSTEAD SENDS ME STIR CRAZY. 524 00:08:13,600 --> 00:08:16,280 HAVOC. SHAN'T STAY LONG. 525 00:08:13,600 --> 00:08:16,280 HELMSTEAD SENDS ME STIR CRAZY. 526 00:08:13,600 --> 00:08:16,280 >> IT ALMOST SEEMS ENDLESS, 527 00:08:16,280 --> 00:08:18,480 HELMSTEAD SENDS ME STIR CRAZY. 528 00:08:16,280 --> 00:08:18,480 >> IT ALMOST SEEMS ENDLESS, 529 00:08:16,280 --> 00:08:18,480 WAITING FOR THIS WAR TO END. 530 00:08:18,480 --> 00:08:19,680 >> IT ALMOST SEEMS ENDLESS, 531 00:08:18,480 --> 00:08:19,680 WAITING FOR THIS WAR TO END. 532 00:08:18,480 --> 00:08:19,680 >> I'M SURE YOU LAND GIRLS HAVE 533 00:08:19,680 --> 00:08:21,120 WAITING FOR THIS WAR TO END. 534 00:08:19,680 --> 00:08:21,120 >> I'M SURE YOU LAND GIRLS HAVE 535 00:08:19,680 --> 00:08:21,120 PLENTY TO GET UP TO. 536 00:08:21,120 --> 00:08:22,760 >> I'M SURE YOU LAND GIRLS HAVE 537 00:08:21,120 --> 00:08:22,760 PLENTY TO GET UP TO. 538 00:08:21,120 --> 00:08:22,760 >> I'M A HOUSEWIFE NOW, HAD A 539 00:08:22,760 --> 00:08:25,000 PLENTY TO GET UP TO. 540 00:08:22,760 --> 00:08:25,000 >> I'M A HOUSEWIFE NOW, HAD A 541 00:08:22,760 --> 00:08:25,000 BABY AND GOT MARRIED. 542 00:08:25,000 --> 00:08:28,160 >> I'M A HOUSEWIFE NOW, HAD A 543 00:08:25,000 --> 00:08:28,160 BABY AND GOT MARRIED. 544 00:08:25,000 --> 00:08:28,160 >> YOU DIDN'T TELL ME YOUR NAME. 545 00:08:28,160 --> 00:08:30,640 BABY AND GOT MARRIED. 546 00:08:28,160 --> 00:08:30,640 >> YOU DIDN'T TELL ME YOUR NAME. 547 00:08:28,160 --> 00:08:30,640 >> I'M BEA. 548 00:08:30,640 --> 00:08:32,400 >> YOU DIDN'T TELL ME YOUR NAME. 549 00:08:30,640 --> 00:08:32,400 >> I'M BEA. 550 00:08:30,640 --> 00:08:32,400 >> SAW YOU IN THE FIELDS ARGUING 551 00:08:32,400 --> 00:08:34,960 >> I'M BEA. 552 00:08:32,400 --> 00:08:34,960 >> SAW YOU IN THE FIELDS ARGUING 553 00:08:32,400 --> 00:08:34,960 WITH BILLY FINCH, QUITE THE 554 00:08:34,960 --> 00:08:36,920 >> SAW YOU IN THE FIELDS ARGUING 555 00:08:34,960 --> 00:08:36,920 WITH BILLY FINCH, QUITE THE 556 00:08:34,960 --> 00:08:36,920 RELUCTANT FATHER. 557 00:08:36,920 --> 00:08:38,080 WITH BILLY FINCH, QUITE THE 558 00:08:36,920 --> 00:08:38,080 RELUCTANT FATHER. 559 00:08:36,920 --> 00:08:38,080 >> WELL, BILLY IS THAT BABY'S 560 00:08:38,080 --> 00:08:40,600 RELUCTANT FATHER. 561 00:08:38,080 --> 00:08:40,600 >> WELL, BILLY IS THAT BABY'S 562 00:08:38,080 --> 00:08:40,600 DAD, NO MATTER WHAT LADY HOXLEY 563 00:08:40,600 --> 00:08:45,640 >> WELL, BILLY IS THAT BABY'S 564 00:08:40,600 --> 00:08:45,640 DAD, NO MATTER WHAT LADY HOXLEY 565 00:08:40,600 --> 00:08:45,640 MIGHT HAVE TOLD YOU. 566 00:08:45,640 --> 00:08:48,160 DAD, NO MATTER WHAT LADY HOXLEY 567 00:08:45,640 --> 00:08:48,160 MIGHT HAVE TOLD YOU. 568 00:08:45,640 --> 00:08:48,160 ANYWAY, I SHOULD GET BACK. 569 00:08:48,160 --> 00:08:49,600 MIGHT HAVE TOLD YOU. 570 00:08:48,160 --> 00:08:49,600 ANYWAY, I SHOULD GET BACK. 571 00:08:48,160 --> 00:08:49,600 WILLIAM NEEDS HIS FEED. 572 00:08:49,600 --> 00:08:51,400 ANYWAY, I SHOULD GET BACK. 573 00:08:49,600 --> 00:08:51,400 WILLIAM NEEDS HIS FEED. 574 00:08:49,600 --> 00:08:51,400 >> IT WAS NICE TO MEET YOU, BEA. 575 00:08:51,400 --> 00:08:52,440 WILLIAM NEEDS HIS FEED. 576 00:08:51,400 --> 00:08:52,440 >> IT WAS NICE TO MEET YOU, BEA. 577 00:08:51,400 --> 00:08:52,440 SURE WE SHALL SEE EACH OTHER 578 00:08:52,440 --> 00:08:54,040 >> IT WAS NICE TO MEET YOU, BEA. 579 00:08:52,440 --> 00:08:54,040 SURE WE SHALL SEE EACH OTHER 580 00:08:52,440 --> 00:08:54,040 AGAIN. 581 00:08:54,040 --> 00:08:55,960 SURE WE SHALL SEE EACH OTHER 582 00:08:54,040 --> 00:08:55,960 AGAIN. 583 00:08:54,040 --> 00:08:55,960 [CLICKS TONGUE] 584 00:09:03,080 --> 00:09:04,320 >> SO WHAT WAS IT LIKE, THEN, 585 00:09:04,320 --> 00:09:05,480 >> SO WHAT WAS IT LIKE, THEN, 586 00:09:04,320 --> 00:09:05,480 MUNITIONS FACTORY? 587 00:09:05,480 --> 00:09:07,400 >> SO WHAT WAS IT LIKE, THEN, 588 00:09:05,480 --> 00:09:07,400 MUNITIONS FACTORY? 589 00:09:05,480 --> 00:09:07,400 >> NIGHTS WAS THE WORST--LISTEN 590 00:09:07,400 --> 00:09:09,360 MUNITIONS FACTORY? 591 00:09:07,400 --> 00:09:09,360 >> NIGHTS WAS THE WORST--LISTEN 592 00:09:07,400 --> 00:09:09,360 OUT FOR THE AIR RAID SIREN, UP 593 00:09:09,360 --> 00:09:11,440 >> NIGHTS WAS THE WORST--LISTEN 594 00:09:09,360 --> 00:09:11,440 OUT FOR THE AIR RAID SIREN, UP 595 00:09:09,360 --> 00:09:11,440 TO YOUR EYES IN CORDITE. 596 00:09:11,440 --> 00:09:12,760 OUT FOR THE AIR RAID SIREN, UP 597 00:09:11,440 --> 00:09:12,760 TO YOUR EYES IN CORDITE. 598 00:09:11,440 --> 00:09:12,760 >> SHOULD FEEL QUIET HERE AFTER 599 00:09:12,760 --> 00:09:14,320 TO YOUR EYES IN CORDITE. 600 00:09:12,760 --> 00:09:14,320 >> SHOULD FEEL QUIET HERE AFTER 601 00:09:12,760 --> 00:09:14,320 THE BLITZ. 602 00:09:14,320 --> 00:09:16,160 >> SHOULD FEEL QUIET HERE AFTER 603 00:09:14,320 --> 00:09:16,160 THE BLITZ. 604 00:09:14,320 --> 00:09:16,160 >> BETWEEN YOU AND ME, I'M LYING 605 00:09:16,160 --> 00:09:18,880 THE BLITZ. 606 00:09:16,160 --> 00:09:18,880 >> BETWEEN YOU AND ME, I'M LYING 607 00:09:16,160 --> 00:09:18,880 LOW. ME FELLA'S WIFE FOUND OUT. 608 00:09:18,880 --> 00:09:19,880 >> BETWEEN YOU AND ME, I'M LYING 609 00:09:18,880 --> 00:09:19,880 LOW. ME FELLA'S WIFE FOUND OUT. 610 00:09:18,880 --> 00:09:19,880 PACKED UP IN THE MIDDLE OF THE 611 00:09:19,880 --> 00:09:21,080 LOW. ME FELLA'S WIFE FOUND OUT. 612 00:09:19,880 --> 00:09:21,080 PACKED UP IN THE MIDDLE OF THE 613 00:09:19,880 --> 00:09:21,080 NIGHT, I WAS. 614 00:09:21,080 --> 00:09:22,160 PACKED UP IN THE MIDDLE OF THE 615 00:09:21,080 --> 00:09:22,160 NIGHT, I WAS. 616 00:09:21,080 --> 00:09:22,160 >> WHAT, A MOONLIGHT FLIT? 617 00:09:22,160 --> 00:09:23,040 NIGHT, I WAS. 618 00:09:22,160 --> 00:09:23,040 >> WHAT, A MOONLIGHT FLIT? 619 00:09:22,160 --> 00:09:23,040 >> HARDLY HAD TIME TO PUT ME 620 00:09:23,040 --> 00:09:25,440 >> WHAT, A MOONLIGHT FLIT? 621 00:09:23,040 --> 00:09:25,440 >> HARDLY HAD TIME TO PUT ME 622 00:09:23,040 --> 00:09:25,440 DRAWERS ON, HEAD DOWN HERE TILL 623 00:09:25,440 --> 00:09:26,600 >> HARDLY HAD TIME TO PUT ME 624 00:09:25,440 --> 00:09:26,600 DRAWERS ON, HEAD DOWN HERE TILL 625 00:09:25,440 --> 00:09:26,600 IT ALL BLOWS OVER. 626 00:09:26,600 --> 00:09:28,480 DRAWERS ON, HEAD DOWN HERE TILL 627 00:09:26,600 --> 00:09:28,480 IT ALL BLOWS OVER. 628 00:09:26,600 --> 00:09:28,480 >> WHAT, AND THEN YOU GO BACK? 629 00:09:28,480 --> 00:09:31,520 IT ALL BLOWS OVER. 630 00:09:28,480 --> 00:09:31,520 >> WHAT, AND THEN YOU GO BACK? 631 00:09:28,480 --> 00:09:31,520 >> OH, WE'LL SEE. 632 00:09:31,520 --> 00:09:34,280 >> WHAT, AND THEN YOU GO BACK? 633 00:09:31,520 --> 00:09:34,280 >> OH, WE'LL SEE. 634 00:09:31,520 --> 00:09:34,280 >> [SINGING IN ITALIAN] 635 00:09:39,560 --> 00:09:42,080 >> HA HA HA! 636 00:09:54,680 --> 00:09:58,800 HA HA HA! 637 00:09:58,800 --> 00:10:00,760 HA HA HA! 638 00:09:58,800 --> 00:10:00,760 OH, WE CAN DO BETTER THAN THAT. 639 00:10:00,760 --> 00:10:02,240 HA HA HA! 640 00:10:00,760 --> 00:10:02,240 OH, WE CAN DO BETTER THAN THAT. 641 00:10:00,760 --> 00:10:02,240 ♪ IF YOU WANT TO GO TO HEAVEN 642 00:10:02,240 --> 00:10:03,480 OH, WE CAN DO BETTER THAN THAT. 643 00:10:02,240 --> 00:10:03,480 ♪ IF YOU WANT TO GO TO HEAVEN 644 00:10:02,240 --> 00:10:03,480 WHEN YOU DIE 645 00:10:03,480 --> 00:10:05,160 ♪ IF YOU WANT TO GO TO HEAVEN 646 00:10:03,480 --> 00:10:05,160 WHEN YOU DIE 647 00:10:03,480 --> 00:10:05,160 YOU MUST WEAR A GREEN PULLOVER 648 00:10:05,160 --> 00:10:06,360 WHEN YOU DIE 649 00:10:05,160 --> 00:10:06,360 YOU MUST WEAR A GREEN PULLOVER 650 00:10:05,160 --> 00:10:06,360 AND A TIE 651 00:10:06,360 --> 00:10:08,080 YOU MUST WEAR A GREEN PULLOVER 652 00:10:06,360 --> 00:10:08,080 AND A TIE 653 00:10:06,360 --> 00:10:08,080 YOU MUST WEAR A KHAKI BONNET 654 00:10:08,080 --> 00:10:09,840 AND A TIE 655 00:10:08,080 --> 00:10:09,840 YOU MUST WEAR A KHAKI BONNET 656 00:10:08,080 --> 00:10:09,840 WITH WLA ON IT 657 00:10:09,840 --> 00:10:11,000 YOU MUST WEAR A KHAKI BONNET 658 00:10:09,840 --> 00:10:11,000 WITH WLA ON IT 659 00:10:09,840 --> 00:10:11,000 IF YOU WANT TO GO TO HEAVEN 660 00:10:11,000 --> 00:10:12,440 WITH WLA ON IT 661 00:10:11,000 --> 00:10:12,440 IF YOU WANT TO GO TO HEAVEN 662 00:10:11,000 --> 00:10:12,440 WHEN YOU DIE 663 00:10:12,440 --> 00:10:13,680 IF YOU WANT TO GO TO HEAVEN 664 00:10:12,440 --> 00:10:13,680 WHEN YOU DIE 665 00:10:12,440 --> 00:10:13,680 SINGING, "AY YI 666 00:10:13,680 --> 00:10:14,920 WHEN YOU DIE 667 00:10:13,680 --> 00:10:14,920 SINGING, "AY YI 668 00:10:13,680 --> 00:10:14,920 YIPPIE YIPPIE AY" ♪ 669 00:10:14,920 --> 00:10:16,080 SINGING, "AY YI 670 00:10:14,920 --> 00:10:16,080 YIPPIE YIPPIE AY" ♪ 671 00:10:14,920 --> 00:10:16,080 COME ON, GIRLS. 672 00:10:16,080 --> 00:10:18,840 YIPPIE YIPPIE AY" ♪ 673 00:10:16,080 --> 00:10:18,840 COME ON, GIRLS. 674 00:10:16,080 --> 00:10:18,840 >> ♪ "AY YI YIPPIE YIPPIE AY" 675 00:10:18,840 --> 00:10:20,360 COME ON, GIRLS. 676 00:10:18,840 --> 00:10:20,360 >> ♪ "AY YI YIPPIE YIPPIE AY" 677 00:10:18,840 --> 00:10:20,360 YOU MUST WEAR A KHAKI BONNET 678 00:10:20,360 --> 00:10:22,360 >> ♪ "AY YI YIPPIE YIPPIE AY" 679 00:10:20,360 --> 00:10:22,360 YOU MUST WEAR A KHAKI BONNET 680 00:10:20,360 --> 00:10:22,360 WITH WLA ON IT 681 00:10:22,360 --> 00:10:23,480 YOU MUST WEAR A KHAKI BONNET 682 00:10:22,360 --> 00:10:23,480 WITH WLA ON IT 683 00:10:22,360 --> 00:10:23,480 IF YOU WANT TO GO TO HEAVEN 684 00:10:23,480 --> 00:10:25,000 WITH WLA ON IT 685 00:10:23,480 --> 00:10:25,000 IF YOU WANT TO GO TO HEAVEN 686 00:10:23,480 --> 00:10:25,000 WHEN YOU DIE 687 00:10:25,000 --> 00:10:26,360 IF YOU WANT TO GO TO HEAVEN 688 00:10:25,000 --> 00:10:26,360 WHEN YOU DIE 689 00:10:25,000 --> 00:10:26,360 SINGING, "AY YI 690 00:10:26,360 --> 00:10:28,400 WHEN YOU DIE 691 00:10:26,360 --> 00:10:28,400 SINGING, "AY YI 692 00:10:26,360 --> 00:10:28,400 YIPPIE YIPPIE AY" 693 00:10:28,400 --> 00:10:29,520 SINGING, "AY YI 694 00:10:28,400 --> 00:10:29,520 YIPPIE YIPPIE AY" 695 00:10:28,400 --> 00:10:29,520 SINGING, "AY YI 696 00:10:29,520 --> 00:10:31,320 YIPPIE YIPPIE AY" 697 00:10:29,520 --> 00:10:31,320 SINGING, "AY YI 698 00:10:29,520 --> 00:10:31,320 YIPPIE YIPPIE AY" 699 00:10:31,320 --> 00:10:34,280 SINGING, "AY YI 700 00:10:31,320 --> 00:10:34,280 YIPPIE YIPPIE AY" 701 00:10:31,320 --> 00:10:34,280 YOU MUST WEAR A KHAKI BONNET-- ♪ 702 00:10:51,600 --> 00:10:54,040 [ROOSTER CROWS] 703 00:10:59,200 --> 00:11:02,000 >> [SIGHS] 704 00:11:02,000 --> 00:11:05,400 >> [SIGHS] 705 00:11:02,000 --> 00:11:05,400 IT'S JUST... 706 00:11:05,400 --> 00:11:08,040 >> [SIGHS] 707 00:11:05,400 --> 00:11:08,040 IT'S JUST... 708 00:11:05,400 --> 00:11:08,040 I'M FOND OF THE LAD. 709 00:11:08,040 --> 00:11:10,440 IT'S JUST... 710 00:11:08,040 --> 00:11:10,440 I'M FOND OF THE LAD. 711 00:11:08,040 --> 00:11:10,440 I'M FOND OF BOTH OF YOU. YOU'RE 712 00:11:10,440 --> 00:11:16,400 I'M FOND OF THE LAD. 713 00:11:10,440 --> 00:11:16,400 I'M FOND OF BOTH OF YOU. YOU'RE 714 00:11:10,440 --> 00:11:16,400 UNDER MY ROOF. WE PULL TOGETHER. 715 00:11:16,400 --> 00:11:17,480 I'M FOND OF BOTH OF YOU. YOU'RE 716 00:11:16,400 --> 00:11:17,480 UNDER MY ROOF. WE PULL TOGETHER. 717 00:11:16,400 --> 00:11:17,480 >> I PROMISED MY SON THAT WE'D 718 00:11:17,480 --> 00:11:19,920 UNDER MY ROOF. WE PULL TOGETHER. 719 00:11:17,480 --> 00:11:19,920 >> I PROMISED MY SON THAT WE'D 720 00:11:17,480 --> 00:11:19,920 GET THROUGH THIS WAR, THAT WE'D 721 00:11:19,920 --> 00:11:21,840 >> I PROMISED MY SON THAT WE'D 722 00:11:19,920 --> 00:11:21,840 GET THROUGH THIS WAR, THAT WE'D 723 00:11:19,920 --> 00:11:21,840 SURVIVE, THAT I'D LOOK AFTER 724 00:11:21,840 --> 00:11:24,320 GET THROUGH THIS WAR, THAT WE'D 725 00:11:21,840 --> 00:11:24,320 SURVIVE, THAT I'D LOOK AFTER 726 00:11:21,840 --> 00:11:24,320 HIM. 727 00:11:24,320 --> 00:11:25,200 SURVIVE, THAT I'D LOOK AFTER 728 00:11:24,320 --> 00:11:25,200 HIM. 729 00:11:24,320 --> 00:11:25,200 >> WELL, WHAT DID THE DOCTOR 730 00:11:25,200 --> 00:11:29,360 HIM. 731 00:11:25,200 --> 00:11:29,360 >> WELL, WHAT DID THE DOCTOR 732 00:11:25,200 --> 00:11:29,360 SAY? 733 00:11:29,360 --> 00:11:31,400 >> WELL, WHAT DID THE DOCTOR 734 00:11:29,360 --> 00:11:31,400 SAY? 735 00:11:29,360 --> 00:11:31,400 >> DETACHED RETINAS WHEN HE 736 00:11:31,400 --> 00:11:35,440 SAY? 737 00:11:31,400 --> 00:11:35,440 >> DETACHED RETINAS WHEN HE 738 00:11:31,400 --> 00:11:35,440 BANGED HIS HEAD. MARTIN COULD GO 739 00:11:35,440 --> 00:11:42,400 >> DETACHED RETINAS WHEN HE 740 00:11:35,440 --> 00:11:42,400 BANGED HIS HEAD. MARTIN COULD GO 741 00:11:35,440 --> 00:11:42,400 BLIND. HE NEEDS AN OPERATION, 742 00:11:42,400 --> 00:11:43,480 BANGED HIS HEAD. MARTIN COULD GO 743 00:11:42,400 --> 00:11:43,480 BLIND. HE NEEDS AN OPERATION, 744 00:11:42,400 --> 00:11:43,480 AND I CAN'T AFFORD TO PAY 745 00:11:43,480 --> 00:11:47,720 BLIND. HE NEEDS AN OPERATION, 746 00:11:43,480 --> 00:11:47,720 AND I CAN'T AFFORD TO PAY 747 00:11:43,480 --> 00:11:47,720 FOR IT. 748 00:11:47,720 --> 00:11:49,920 AND I CAN'T AFFORD TO PAY 749 00:11:47,720 --> 00:11:49,920 FOR IT. 750 00:11:47,720 --> 00:11:49,920 [THUNDER] 751 00:12:07,400 --> 00:12:10,280 >> MMPH! MM! MM! 752 00:12:10,280 --> 00:12:14,000 >> MMPH! MM! MM! 753 00:12:10,280 --> 00:12:14,000 >> YOU CAME ALONE? 754 00:12:14,000 --> 00:12:17,240 >> MMPH! MM! MM! 755 00:12:14,000 --> 00:12:17,240 >> YOU CAME ALONE? 756 00:12:14,000 --> 00:12:17,240 ALL RIGHT. WE NEED TO BE 757 00:12:17,240 --> 00:12:19,720 >> YOU CAME ALONE? 758 00:12:17,240 --> 00:12:19,720 ALL RIGHT. WE NEED TO BE 759 00:12:17,240 --> 00:12:19,720 CAREFUL. YOU TOLD NO ONE? 760 00:12:19,720 --> 00:12:21,400 ALL RIGHT. WE NEED TO BE 761 00:12:19,720 --> 00:12:21,400 CAREFUL. YOU TOLD NO ONE? 762 00:12:19,720 --> 00:12:21,400 >> I PROMISED. 763 00:12:21,400 --> 00:12:23,360 CAREFUL. YOU TOLD NO ONE? 764 00:12:21,400 --> 00:12:23,360 >> I PROMISED. 765 00:12:21,400 --> 00:12:23,360 >> GOOD BOY. 766 00:12:31,440 --> 00:12:33,280 >> WHO'S AFTER YOU? 767 00:12:33,280 --> 00:12:34,080 >> WHO'S AFTER YOU? 768 00:12:33,280 --> 00:12:34,080 >> WHAT MAKES YOU THINK THERE'S 769 00:12:34,080 --> 00:12:35,080 >> WHO'S AFTER YOU? 770 00:12:34,080 --> 00:12:35,080 >> WHAT MAKES YOU THINK THERE'S 771 00:12:34,080 --> 00:12:35,080 SOMEONE AFTER ME? 772 00:12:35,080 --> 00:12:37,840 >> WHAT MAKES YOU THINK THERE'S 773 00:12:35,080 --> 00:12:37,840 SOMEONE AFTER ME? 774 00:12:35,080 --> 00:12:37,840 >> YOU WOULDN'T BE HIDING. 775 00:12:37,840 --> 00:12:39,680 SOMEONE AFTER ME? 776 00:12:37,840 --> 00:12:39,680 >> YOU WOULDN'T BE HIDING. 777 00:12:37,840 --> 00:12:39,680 >> I AM WHAT THEY CALL A 778 00:12:39,680 --> 00:12:42,400 >> YOU WOULDN'T BE HIDING. 779 00:12:39,680 --> 00:12:42,400 >> I AM WHAT THEY CALL A 780 00:12:39,680 --> 00:12:42,400 CONSCIENTIOUS OBJECTOR. DO YOU 781 00:12:42,400 --> 00:12:43,840 >> I AM WHAT THEY CALL A 782 00:12:42,400 --> 00:12:43,840 CONSCIENTIOUS OBJECTOR. DO YOU 783 00:12:42,400 --> 00:12:43,840 KNOW WHAT THAT MEANS? 784 00:12:43,840 --> 00:12:45,400 CONSCIENTIOUS OBJECTOR. DO YOU 785 00:12:43,840 --> 00:12:45,400 KNOW WHAT THAT MEANS? 786 00:12:43,840 --> 00:12:45,400 >> A COWARD. 787 00:12:45,400 --> 00:12:54,680 KNOW WHAT THAT MEANS? 788 00:12:45,400 --> 00:12:54,680 >> A COWARD. 789 00:12:45,400 --> 00:12:54,680 >> YES. A COWARD. HELP ME. 790 00:12:54,680 --> 00:12:58,320 >> A COWARD. 791 00:12:54,680 --> 00:12:58,320 >> YES. A COWARD. HELP ME. 792 00:12:54,680 --> 00:12:58,320 >> I KNOW A DOCTOR. HE CAN HELP. 793 00:12:58,320 --> 00:12:59,760 >> YES. A COWARD. HELP ME. 794 00:12:58,320 --> 00:12:59,760 >> I KNOW A DOCTOR. HE CAN HELP. 795 00:12:58,320 --> 00:12:59,760 I CAN BRING HIM. 796 00:12:59,760 --> 00:13:01,440 >> I KNOW A DOCTOR. HE CAN HELP. 797 00:12:59,760 --> 00:13:01,440 I CAN BRING HIM. 798 00:12:59,760 --> 00:13:01,440 >> IF THEY FIND ME, THEY'LL HANG 799 00:13:01,440 --> 00:13:05,640 I CAN BRING HIM. 800 00:13:01,440 --> 00:13:05,640 >> IF THEY FIND ME, THEY'LL HANG 801 00:13:01,440 --> 00:13:05,640 ME. DO YOU WANT THAT TO HAPPEN? 802 00:13:05,640 --> 00:13:09,200 >> IF THEY FIND ME, THEY'LL HANG 803 00:13:05,640 --> 00:13:09,200 ME. DO YOU WANT THAT TO HAPPEN? 804 00:13:05,640 --> 00:13:09,200 NO. RUN ALONG NOW, AND AGAIN, 805 00:13:09,200 --> 00:13:12,560 ME. DO YOU WANT THAT TO HAPPEN? 806 00:13:09,200 --> 00:13:12,560 NO. RUN ALONG NOW, AND AGAIN, 807 00:13:09,200 --> 00:13:12,560 TOMORROW CAN YOU GET WHISKEY? 808 00:13:12,560 --> 00:13:13,840 NO. RUN ALONG NOW, AND AGAIN, 809 00:13:12,560 --> 00:13:13,840 TOMORROW CAN YOU GET WHISKEY? 810 00:13:12,560 --> 00:13:13,840 >> I'LL TRY. 811 00:13:13,840 --> 00:13:21,040 TOMORROW CAN YOU GET WHISKEY? 812 00:13:13,840 --> 00:13:21,040 >> I'LL TRY. 813 00:13:13,840 --> 00:13:21,040 >> OUR SECRET. 814 00:13:21,040 --> 00:13:27,560 >> I'LL TRY. 815 00:13:21,040 --> 00:13:27,560 >> OUR SECRET. 816 00:13:21,040 --> 00:13:27,560 [COW MOOS] 817 00:13:27,560 --> 00:13:29,120 >> OUR SECRET. 818 00:13:27,560 --> 00:13:29,120 [COW MOOS] 819 00:13:27,560 --> 00:13:29,120 >> THE BIG BOSS SAID TO MEND 820 00:13:29,120 --> 00:13:32,480 [COW MOOS] 821 00:13:29,120 --> 00:13:32,480 >> THE BIG BOSS SAID TO MEND 822 00:13:29,120 --> 00:13:32,480 THIS TRACTOR. OLTRE LA 823 00:13:32,480 --> 00:13:36,560 >> THE BIG BOSS SAID TO MEND 824 00:13:32,480 --> 00:13:36,560 THIS TRACTOR. OLTRE LA 825 00:13:32,480 --> 00:13:36,560 RIPARAZIONE. BEYOND REPAIR. 826 00:13:36,560 --> 00:13:37,760 THIS TRACTOR. OLTRE LA 827 00:13:36,560 --> 00:13:37,760 RIPARAZIONE. BEYOND REPAIR. 828 00:13:36,560 --> 00:13:37,760 >> ALL ON YOUR OWN? 829 00:13:37,760 --> 00:13:40,440 RIPARAZIONE. BEYOND REPAIR. 830 00:13:37,760 --> 00:13:40,440 >> ALL ON YOUR OWN? 831 00:13:37,760 --> 00:13:40,440 >> I'M NO TROUBLE. THE FASCISTS 832 00:13:40,440 --> 00:13:41,640 >> ALL ON YOUR OWN? 833 00:13:40,440 --> 00:13:41,640 >> I'M NO TROUBLE. THE FASCISTS 834 00:13:40,440 --> 00:13:41,640 IN THE CAMP, THEY CALL ME 835 00:13:41,640 --> 00:13:42,960 >> I'M NO TROUBLE. THE FASCISTS 836 00:13:41,640 --> 00:13:42,960 IN THE CAMP, THEY CALL ME 837 00:13:41,640 --> 00:13:42,960 COLLABORATOR. 838 00:13:42,960 --> 00:13:43,880 IN THE CAMP, THEY CALL ME 839 00:13:42,960 --> 00:13:43,880 COLLABORATOR. 840 00:13:42,960 --> 00:13:43,880 >> I THOUGHT ALL ITALIANS WERE 841 00:13:43,880 --> 00:13:44,800 COLLABORATOR. 842 00:13:43,880 --> 00:13:44,800 >> I THOUGHT ALL ITALIANS WERE 843 00:13:43,880 --> 00:13:44,800 FASCISTS. 844 00:13:44,800 --> 00:13:47,800 >> I THOUGHT ALL ITALIANS WERE 845 00:13:44,800 --> 00:13:47,800 FASCISTS. 846 00:13:44,800 --> 00:13:47,800 >> HEH HEH. YOU KNOW NOTHING. 847 00:13:47,800 --> 00:13:50,160 FASCISTS. 848 00:13:47,800 --> 00:13:50,160 >> HEH HEH. YOU KNOW NOTHING. 849 00:13:47,800 --> 00:13:50,160 I'M A COMMUNIST. 850 00:13:50,160 --> 00:13:52,960 >> HEH HEH. YOU KNOW NOTHING. 851 00:13:50,160 --> 00:13:52,960 I'M A COMMUNIST. 852 00:13:50,160 --> 00:13:52,960 >> HA! WELL, PEOPLE OF HELMSTEAD 853 00:13:52,960 --> 00:13:54,480 I'M A COMMUNIST. 854 00:13:52,960 --> 00:13:54,480 >> HA! WELL, PEOPLE OF HELMSTEAD 855 00:13:52,960 --> 00:13:54,480 WOULD BE OUTRAGED. 856 00:13:54,480 --> 00:13:55,400 >> HA! WELL, PEOPLE OF HELMSTEAD 857 00:13:54,480 --> 00:13:55,400 WOULD BE OUTRAGED. 858 00:13:54,480 --> 00:13:55,400 >> I THINK PEOPLE ARE TIRED OF 859 00:13:55,400 --> 00:13:57,120 WOULD BE OUTRAGED. 860 00:13:55,400 --> 00:13:57,120 >> I THINK PEOPLE ARE TIRED OF 861 00:13:55,400 --> 00:13:57,120 THIS WAR, TIRED OF BEING TOLD 862 00:13:57,120 --> 00:13:58,840 >> I THINK PEOPLE ARE TIRED OF 863 00:13:57,120 --> 00:13:58,840 THIS WAR, TIRED OF BEING TOLD 864 00:13:57,120 --> 00:13:58,840 WHAT TO DO. 865 00:13:58,840 --> 00:14:00,720 THIS WAR, TIRED OF BEING TOLD 866 00:13:58,840 --> 00:14:00,720 WHAT TO DO. 867 00:13:58,840 --> 00:14:00,720 >> WE DIDN'T START IT. 868 00:14:00,720 --> 00:14:02,000 WHAT TO DO. 869 00:14:00,720 --> 00:14:02,000 >> WE DIDN'T START IT. 870 00:14:00,720 --> 00:14:02,000 >> IF EVERY SOLDIER DROPPED HIS 871 00:14:02,000 --> 00:14:07,360 >> WE DIDN'T START IT. 872 00:14:02,000 --> 00:14:07,360 >> IF EVERY SOLDIER DROPPED HIS 873 00:14:02,000 --> 00:14:07,360 GUN, REFUSED TO FIGHT, 874 00:14:07,360 --> 00:14:09,760 >> IF EVERY SOLDIER DROPPED HIS 875 00:14:07,360 --> 00:14:09,760 GUN, REFUSED TO FIGHT, 876 00:14:07,360 --> 00:14:09,760 THE WAR WOULD BE OVER TOMORROW. 877 00:14:09,760 --> 00:14:12,000 GUN, REFUSED TO FIGHT, 878 00:14:09,760 --> 00:14:12,000 THE WAR WOULD BE OVER TOMORROW. 879 00:14:09,760 --> 00:14:12,000 >> YOU'RE A DREAMER. 880 00:14:12,000 --> 00:14:14,240 THE WAR WOULD BE OVER TOMORROW. 881 00:14:12,000 --> 00:14:14,240 >> YOU'RE A DREAMER. 882 00:14:12,000 --> 00:14:14,240 >> MAYBE. 883 00:14:20,160 --> 00:14:22,320 TRY. 884 00:14:26,920 --> 00:14:28,840 [ENGINE STARTS] 885 00:14:28,840 --> 00:14:33,160 [ENGINE STARTS] 886 00:14:28,840 --> 00:14:33,160 >> HA! 887 00:14:33,160 --> 00:14:35,360 [ENGINE STARTS] 888 00:14:33,160 --> 00:14:35,360 >> HA! 889 00:14:33,160 --> 00:14:35,360 >> GEE, I WAS BAD ENOUGH. DON'T 890 00:14:35,360 --> 00:14:41,480 >> HA! 891 00:14:35,360 --> 00:14:41,480 >> GEE, I WAS BAD ENOUGH. DON'T 892 00:14:35,360 --> 00:14:41,480 YOU EVER LEARN? 893 00:14:41,480 --> 00:14:42,360 >> GEE, I WAS BAD ENOUGH. DON'T 894 00:14:41,480 --> 00:14:42,360 YOU EVER LEARN? 895 00:14:41,480 --> 00:14:42,360 >> WHO THE HELL DO YOU THINK 896 00:14:42,360 --> 00:14:43,240 YOU EVER LEARN? 897 00:14:42,360 --> 00:14:43,240 >> WHO THE HELL DO YOU THINK 898 00:14:42,360 --> 00:14:43,240 YOU ARE? 899 00:14:43,240 --> 00:14:44,600 >> WHO THE HELL DO YOU THINK 900 00:14:43,240 --> 00:14:44,600 YOU ARE? 901 00:14:43,240 --> 00:14:44,600 >> THEY ARE THE ENEMY. THEY ARE 902 00:14:44,600 --> 00:14:46,240 YOU ARE? 903 00:14:44,600 --> 00:14:46,240 >> THEY ARE THE ENEMY. THEY ARE 904 00:14:44,600 --> 00:14:46,240 KILLING OUR MEN. 905 00:14:46,240 --> 00:14:47,360 >> THEY ARE THE ENEMY. THEY ARE 906 00:14:46,240 --> 00:14:47,360 KILLING OUR MEN. 907 00:14:46,240 --> 00:14:47,360 >> HE'S A PRISONER. 908 00:14:47,360 --> 00:14:48,320 KILLING OUR MEN. 909 00:14:47,360 --> 00:14:48,320 >> HE'S A PRISONER. 910 00:14:47,360 --> 00:14:48,320 >> OH, THAT PRISONER WHO HAS RUN 911 00:14:48,320 --> 00:14:50,200 >> HE'S A PRISONER. 912 00:14:48,320 --> 00:14:50,200 >> OH, THAT PRISONER WHO HAS RUN 913 00:14:48,320 --> 00:14:50,200 OF THE FARM GETS BETTER RATIONS 914 00:14:50,200 --> 00:14:51,920 >> OH, THAT PRISONER WHO HAS RUN 915 00:14:50,200 --> 00:14:51,920 OF THE FARM GETS BETTER RATIONS 916 00:14:50,200 --> 00:14:51,920 THAN WE DO. 917 00:14:51,920 --> 00:14:53,400 OF THE FARM GETS BETTER RATIONS 918 00:14:51,920 --> 00:14:53,400 THAN WE DO. 919 00:14:51,920 --> 00:14:53,400 >> YOU'RE JUST IGNORANT. 920 00:14:53,400 --> 00:14:55,520 THAN WE DO. 921 00:14:53,400 --> 00:14:55,520 >> YOU'RE JUST IGNORANT. 922 00:14:53,400 --> 00:14:55,520 >> AND YOU'RE MARRIED. 923 00:14:55,520 --> 00:14:56,800 >> YOU'RE JUST IGNORANT. 924 00:14:55,520 --> 00:14:56,800 >> AND YOU'RE MARRIED. 925 00:14:55,520 --> 00:14:56,800 >> WHEN THIS WAR ENDS, YOU CAN 926 00:14:56,800 --> 00:14:59,440 >> AND YOU'RE MARRIED. 927 00:14:56,800 --> 00:14:59,440 >> WHEN THIS WAR ENDS, YOU CAN 928 00:14:56,800 --> 00:14:59,440 JUST WALK AWAY. I'LL BE STUCK 929 00:14:59,440 --> 00:15:01,640 >> WHEN THIS WAR ENDS, YOU CAN 930 00:14:59,440 --> 00:15:01,640 JUST WALK AWAY. I'LL BE STUCK 931 00:14:59,440 --> 00:15:01,640 HERE FOR THE REST OF MY LIFE 932 00:15:01,640 --> 00:15:03,400 JUST WALK AWAY. I'LL BE STUCK 933 00:15:01,640 --> 00:15:03,400 HERE FOR THE REST OF MY LIFE 934 00:15:01,640 --> 00:15:03,400 JUST BECAUSE OF ONE MISTAKE. 935 00:15:03,400 --> 00:15:05,640 HERE FOR THE REST OF MY LIFE 936 00:15:03,400 --> 00:15:05,640 JUST BECAUSE OF ONE MISTAKE. 937 00:15:03,400 --> 00:15:05,640 >> MY JOHN IS MISSING, SHOT DOWN 938 00:15:05,640 --> 00:15:08,440 JUST BECAUSE OF ONE MISTAKE. 939 00:15:05,640 --> 00:15:08,440 >> MY JOHN IS MISSING, SHOT DOWN 940 00:15:05,640 --> 00:15:08,440 IN ACTION. YOU SHOULD COUNT YOUR 941 00:15:08,440 --> 00:15:10,240 >> MY JOHN IS MISSING, SHOT DOWN 942 00:15:08,440 --> 00:15:10,240 IN ACTION. YOU SHOULD COUNT YOUR 943 00:15:08,440 --> 00:15:10,240 BLESSINGS. 944 00:15:17,520 --> 00:15:20,120 >> ELLEN, HOLD UP. 945 00:15:29,880 --> 00:15:32,200 I, UH-- 946 00:15:32,200 --> 00:15:33,320 I, UH-- 947 00:15:32,200 --> 00:15:33,320 I TOLD THE BOYS TO WIPE THEIR 948 00:15:33,320 --> 00:15:36,000 I, UH-- 949 00:15:33,320 --> 00:15:36,000 I TOLD THE BOYS TO WIPE THEIR 950 00:15:33,320 --> 00:15:36,000 FEET. HEH. YANKS IN THE WEST 951 00:15:36,000 --> 00:15:37,960 I TOLD THE BOYS TO WIPE THEIR 952 00:15:36,000 --> 00:15:37,960 FEET. HEH. YANKS IN THE WEST 953 00:15:36,000 --> 00:15:37,960 WING, HOME FROM HOME. 954 00:15:37,960 --> 00:15:38,840 FEET. HEH. YANKS IN THE WEST 955 00:15:37,960 --> 00:15:38,840 WING, HOME FROM HOME. 956 00:15:37,960 --> 00:15:38,840 >> THE REQUISITION IS A 957 00:15:38,840 --> 00:15:41,080 WING, HOME FROM HOME. 958 00:15:38,840 --> 00:15:41,080 >> THE REQUISITION IS A 959 00:15:38,840 --> 00:15:41,080 TEMPORARY ARRANGEMENT. THINGS 960 00:15:41,080 --> 00:15:43,560 >> THE REQUISITION IS A 961 00:15:41,080 --> 00:15:43,560 TEMPORARY ARRANGEMENT. THINGS 962 00:15:41,080 --> 00:15:43,560 WILL SOON BE BACK TO NORMAL. 963 00:15:43,560 --> 00:15:46,440 TEMPORARY ARRANGEMENT. THINGS 964 00:15:43,560 --> 00:15:46,440 WILL SOON BE BACK TO NORMAL. 965 00:15:43,560 --> 00:15:46,440 >> THIS WAR MIGHT END ONE DAY, 966 00:15:46,440 --> 00:15:47,600 WILL SOON BE BACK TO NORMAL. 967 00:15:46,440 --> 00:15:47,600 >> THIS WAR MIGHT END ONE DAY, 968 00:15:46,440 --> 00:15:47,600 BUT THINGS WILL NEVER BE THE WAY 969 00:15:47,600 --> 00:15:53,600 >> THIS WAR MIGHT END ONE DAY, 970 00:15:47,600 --> 00:15:53,600 BUT THINGS WILL NEVER BE THE WAY 971 00:15:47,600 --> 00:15:53,600 THEY WERE. HOW CAN THEY BE? HEH. 972 00:15:53,600 --> 00:15:55,200 BUT THINGS WILL NEVER BE THE WAY 973 00:15:53,600 --> 00:15:55,200 THEY WERE. HOW CAN THEY BE? HEH. 974 00:15:53,600 --> 00:15:55,200 HARD TO MAINTAIN A BIG, OLD PILE 975 00:15:55,200 --> 00:15:58,320 THEY WERE. HOW CAN THEY BE? HEH. 976 00:15:55,200 --> 00:15:58,320 HARD TO MAINTAIN A BIG, OLD PILE 977 00:15:55,200 --> 00:15:58,320 LIKE THIS. THOSE VASES OF 978 00:15:58,320 --> 00:16:01,480 HARD TO MAINTAIN A BIG, OLD PILE 979 00:15:58,320 --> 00:16:01,480 LIKE THIS. THOSE VASES OF 980 00:15:58,320 --> 00:16:01,480 FLOWERS CAN'T HIDE THE CRACKS. 981 00:16:01,480 --> 00:16:02,640 LIKE THIS. THOSE VASES OF 982 00:16:01,480 --> 00:16:02,640 FLOWERS CAN'T HIDE THE CRACKS. 983 00:16:01,480 --> 00:16:02,640 DRAINPIPE IS LOOSE. ROOF NEEDS 984 00:16:02,640 --> 00:16:06,000 FLOWERS CAN'T HIDE THE CRACKS. 985 00:16:02,640 --> 00:16:06,000 DRAINPIPE IS LOOSE. ROOF NEEDS 986 00:16:02,640 --> 00:16:06,000 REPLACING. YOU NEED A MAN AROUND 987 00:16:06,000 --> 00:16:07,360 DRAINPIPE IS LOOSE. ROOF NEEDS 988 00:16:06,000 --> 00:16:07,360 REPLACING. YOU NEED A MAN AROUND 989 00:16:06,000 --> 00:16:07,360 THE HOUSE. 990 00:16:07,360 --> 00:16:08,440 REPLACING. YOU NEED A MAN AROUND 991 00:16:07,360 --> 00:16:08,440 THE HOUSE. 992 00:16:07,360 --> 00:16:08,440 >> WAS THERE SOMETHING YOU 993 00:16:08,440 --> 00:16:11,320 THE HOUSE. 994 00:16:08,440 --> 00:16:11,320 >> WAS THERE SOMETHING YOU 995 00:16:08,440 --> 00:16:11,320 WANTED, MR. GILLESPIE? 996 00:16:11,320 --> 00:16:14,200 >> WAS THERE SOMETHING YOU 997 00:16:11,320 --> 00:16:14,200 WANTED, MR. GILLESPIE? 998 00:16:11,320 --> 00:16:14,200 >> I WANT FOR YOU TO CALL ME 999 00:16:14,200 --> 00:16:19,240 WANTED, MR. GILLESPIE? 1000 00:16:14,200 --> 00:16:19,240 >> I WANT FOR YOU TO CALL ME 1001 00:16:14,200 --> 00:16:19,240 JACK. 1002 00:16:19,240 --> 00:16:21,480 >> I WANT FOR YOU TO CALL ME 1003 00:16:19,240 --> 00:16:21,480 JACK. 1004 00:16:19,240 --> 00:16:21,480 THOUGHT WE COULD GO FOR A WALK, 1005 00:16:21,480 --> 00:16:22,400 JACK. 1006 00:16:21,480 --> 00:16:22,400 THOUGHT WE COULD GO FOR A WALK, 1007 00:16:21,480 --> 00:16:22,400 INTRODUCE ME TO SOME OF YOUR 1008 00:16:22,400 --> 00:16:23,840 THOUGHT WE COULD GO FOR A WALK, 1009 00:16:22,400 --> 00:16:23,840 INTRODUCE ME TO SOME OF YOUR 1010 00:16:22,400 --> 00:16:23,840 TENANTS. 1011 00:16:23,840 --> 00:16:25,560 INTRODUCE ME TO SOME OF YOUR 1012 00:16:23,840 --> 00:16:25,560 TENANTS. 1013 00:16:23,840 --> 00:16:25,560 >> I'M NOT A FOOL. I DON'T LIKE 1014 00:16:25,560 --> 00:16:27,360 TENANTS. 1015 00:16:25,560 --> 00:16:27,360 >> I'M NOT A FOOL. I DON'T LIKE 1016 00:16:25,560 --> 00:16:27,360 BEING PLAYED FOR ONE. 1017 00:16:27,360 --> 00:16:28,600 >> I'M NOT A FOOL. I DON'T LIKE 1018 00:16:27,360 --> 00:16:28,600 BEING PLAYED FOR ONE. 1019 00:16:27,360 --> 00:16:28,600 >> IF YOU KNOW SOMETHING THAT-- 1020 00:16:28,600 --> 00:16:31,200 BEING PLAYED FOR ONE. 1021 00:16:28,600 --> 00:16:31,200 >> IF YOU KNOW SOMETHING THAT-- 1022 00:16:28,600 --> 00:16:31,200 >> WE'RE FIGHTING A WAR. PEOPLE 1023 00:16:31,200 --> 00:16:34,080 >> IF YOU KNOW SOMETHING THAT-- 1024 00:16:31,200 --> 00:16:34,080 >> WE'RE FIGHTING A WAR. PEOPLE 1025 00:16:31,200 --> 00:16:34,080 COME AND GO. 1026 00:16:34,080 --> 00:16:37,400 >> WE'RE FIGHTING A WAR. PEOPLE 1027 00:16:34,080 --> 00:16:37,400 COME AND GO. 1028 00:16:34,080 --> 00:16:37,400 >> I WANT TO SEE MY GRANDCHILD. 1029 00:16:37,400 --> 00:16:39,240 COME AND GO. 1030 00:16:37,400 --> 00:16:39,240 >> I WANT TO SEE MY GRANDCHILD. 1031 00:16:37,400 --> 00:16:39,240 JACK GILLESPIE ALWAYS GETS WHAT 1032 00:16:39,240 --> 00:16:41,080 >> I WANT TO SEE MY GRANDCHILD. 1033 00:16:39,240 --> 00:16:41,080 JACK GILLESPIE ALWAYS GETS WHAT 1034 00:16:39,240 --> 00:16:41,080 HE WANTS. 1035 00:16:45,480 --> 00:16:47,160 >> POOR, OLD, JOYCE. OFFERED TO 1036 00:16:47,160 --> 00:16:48,120 >> POOR, OLD, JOYCE. OFFERED TO 1037 00:16:47,160 --> 00:16:48,120 WALK HER HOME. 1038 00:16:48,120 --> 00:16:49,120 >> POOR, OLD, JOYCE. OFFERED TO 1039 00:16:48,120 --> 00:16:49,120 WALK HER HOME. 1040 00:16:48,120 --> 00:16:49,120 SHE WOULDN'T HAVE IT. 1041 00:16:49,120 --> 00:16:50,040 WALK HER HOME. 1042 00:16:49,120 --> 00:16:50,040 SHE WOULDN'T HAVE IT. 1043 00:16:49,120 --> 00:16:50,040 >> PREFER TO SEE PLATES ON THE 1044 00:16:50,040 --> 00:16:51,120 SHE WOULDN'T HAVE IT. 1045 00:16:50,040 --> 00:16:51,120 >> PREFER TO SEE PLATES ON THE 1046 00:16:50,040 --> 00:16:51,120 TABLE. 1047 00:16:51,120 --> 00:16:52,360 >> PREFER TO SEE PLATES ON THE 1048 00:16:51,120 --> 00:16:52,360 TABLE. 1049 00:16:51,120 --> 00:16:52,360 >> HEY, WHO'S ALREADY GONE 1050 00:16:52,360 --> 00:16:54,080 TABLE. 1051 00:16:52,360 --> 00:16:54,080 >> HEY, WHO'S ALREADY GONE 1052 00:16:52,360 --> 00:16:54,080 AND FIXED THAT TRACTOR? 1053 00:16:54,080 --> 00:16:55,760 >> HEY, WHO'S ALREADY GONE 1054 00:16:54,080 --> 00:16:55,760 AND FIXED THAT TRACTOR? 1055 00:16:54,080 --> 00:16:55,760 >> BEA'S ITALIAN. SPEAKS BETTER 1056 00:16:55,760 --> 00:16:56,920 AND FIXED THAT TRACTOR? 1057 00:16:55,760 --> 00:16:56,920 >> BEA'S ITALIAN. SPEAKS BETTER 1058 00:16:55,760 --> 00:16:56,920 ENGLISH THAN I DO. 1059 00:16:56,920 --> 00:16:57,880 >> BEA'S ITALIAN. SPEAKS BETTER 1060 00:16:56,920 --> 00:16:57,880 ENGLISH THAN I DO. 1061 00:16:56,920 --> 00:16:57,880 >> YEAH? WELL, THE PRISONER IS A 1062 00:16:57,880 --> 00:16:58,640 ENGLISH THAN I DO. 1063 00:16:57,880 --> 00:16:58,640 >> YEAH? WELL, THE PRISONER IS A 1064 00:16:57,880 --> 00:16:58,640 HANDY MECHANIC. 1065 00:16:58,640 --> 00:17:00,080 >> YEAH? WELL, THE PRISONER IS A 1066 00:16:58,640 --> 00:17:00,080 HANDY MECHANIC. 1067 00:16:58,640 --> 00:17:00,080 >> VERY HANDY FROM WHAT I'VE 1068 00:17:00,080 --> 00:17:01,280 HANDY MECHANIC. 1069 00:17:00,080 --> 00:17:01,280 >> VERY HANDY FROM WHAT I'VE 1070 00:17:00,080 --> 00:17:01,280 HEARD. 1071 00:17:01,280 --> 00:17:02,080 >> VERY HANDY FROM WHAT I'VE 1072 00:17:01,280 --> 00:17:02,080 HEARD. 1073 00:17:01,280 --> 00:17:02,080 >> HAVEN'T YOU CAUSED ENOUGH 1074 00:17:02,080 --> 00:17:02,760 HEARD. 1075 00:17:02,080 --> 00:17:02,760 >> HAVEN'T YOU CAUSED ENOUGH 1076 00:17:02,080 --> 00:17:02,760 TROUBLE? 1077 00:17:02,760 --> 00:17:03,720 >> HAVEN'T YOU CAUSED ENOUGH 1078 00:17:02,760 --> 00:17:03,720 TROUBLE? 1079 00:17:02,760 --> 00:17:03,720 >> WHAT HAVE I DONE NOW? 1080 00:17:03,720 --> 00:17:04,400 TROUBLE? 1081 00:17:03,720 --> 00:17:04,400 >> WHAT HAVE I DONE NOW? 1082 00:17:03,720 --> 00:17:04,400 >> WELL, YOU JUST CAN'T HELP 1083 00:17:04,400 --> 00:17:05,480 >> WHAT HAVE I DONE NOW? 1084 00:17:04,400 --> 00:17:05,480 >> WELL, YOU JUST CAN'T HELP 1085 00:17:04,400 --> 00:17:05,480 YOURSELF, CAN YOU? 1086 00:17:05,480 --> 00:17:06,080 >> WELL, YOU JUST CAN'T HELP 1087 00:17:05,480 --> 00:17:06,080 YOURSELF, CAN YOU? 1088 00:17:05,480 --> 00:17:06,080 >> ALL RIGHT. 1089 00:17:06,080 --> 00:17:07,600 YOURSELF, CAN YOU? 1090 00:17:06,080 --> 00:17:07,600 >> ALL RIGHT. 1091 00:17:06,080 --> 00:17:07,600 >> I SPEAK AS I FIND. 1092 00:17:07,600 --> 00:17:08,840 >> ALL RIGHT. 1093 00:17:07,600 --> 00:17:08,840 >> I SPEAK AS I FIND. 1094 00:17:07,600 --> 00:17:08,840 >> WELL, MAYBE YOU SHOULD LEARN 1095 00:17:08,840 --> 00:17:10,840 >> I SPEAK AS I FIND. 1096 00:17:08,840 --> 00:17:10,840 >> WELL, MAYBE YOU SHOULD LEARN 1097 00:17:08,840 --> 00:17:10,840 TO KEEP YOUR MOUTH SHUT. 1098 00:17:10,840 --> 00:17:12,040 >> WELL, MAYBE YOU SHOULD LEARN 1099 00:17:10,840 --> 00:17:12,040 TO KEEP YOUR MOUTH SHUT. 1100 00:17:10,840 --> 00:17:12,040 GO GET JOYCE. TELL HER IT'S TIME 1101 00:17:12,040 --> 00:17:14,080 TO KEEP YOUR MOUTH SHUT. 1102 00:17:12,040 --> 00:17:14,080 GO GET JOYCE. TELL HER IT'S TIME 1103 00:17:12,040 --> 00:17:14,080 FOR DINNER. 1104 00:17:14,080 --> 00:17:15,440 GO GET JOYCE. TELL HER IT'S TIME 1105 00:17:14,080 --> 00:17:15,440 FOR DINNER. 1106 00:17:14,080 --> 00:17:15,440 >> I'LL GO. 1107 00:17:15,440 --> 00:17:22,400 FOR DINNER. 1108 00:17:15,440 --> 00:17:22,400 >> I'LL GO. 1109 00:17:15,440 --> 00:17:22,400 >> I'M NOT HUNGRY. 1110 00:17:22,400 --> 00:17:24,040 >> I'LL GO. 1111 00:17:22,400 --> 00:17:24,040 >> I'M NOT HUNGRY. 1112 00:17:22,400 --> 00:17:24,040 >> WHERE HAVE YOU BEEN? 1113 00:17:24,040 --> 00:17:24,840 >> I'M NOT HUNGRY. 1114 00:17:24,040 --> 00:17:24,840 >> WHERE HAVE YOU BEEN? 1115 00:17:24,040 --> 00:17:24,840 >> NOWHERE. 1116 00:17:24,840 --> 00:17:25,840 >> WHERE HAVE YOU BEEN? 1117 00:17:24,840 --> 00:17:25,840 >> NOWHERE. 1118 00:17:24,840 --> 00:17:25,840 >> I TOLD YOU NOT TO KEEP 1119 00:17:25,840 --> 00:17:27,720 >> NOWHERE. 1120 00:17:25,840 --> 00:17:27,720 >> I TOLD YOU NOT TO KEEP 1121 00:17:25,840 --> 00:17:27,720 WANDERING OFF. AND LOOK AT YOUR 1122 00:17:27,720 --> 00:17:28,760 >> I TOLD YOU NOT TO KEEP 1123 00:17:27,720 --> 00:17:28,760 WANDERING OFF. AND LOOK AT YOUR 1124 00:17:27,720 --> 00:17:28,760 HANDS. THEY'RE FILTHY. GET THEM 1125 00:17:28,760 --> 00:17:29,560 WANDERING OFF. AND LOOK AT YOUR 1126 00:17:28,760 --> 00:17:29,560 HANDS. THEY'RE FILTHY. GET THEM 1127 00:17:28,760 --> 00:17:29,560 WASHED. 1128 00:17:29,560 --> 00:17:30,880 HANDS. THEY'RE FILTHY. GET THEM 1129 00:17:29,560 --> 00:17:30,880 WASHED. 1130 00:17:29,560 --> 00:17:30,880 >> STOP FUSSING. YOU'RE ALWAYS 1131 00:17:30,880 --> 00:17:31,600 WASHED. 1132 00:17:30,880 --> 00:17:31,600 >> STOP FUSSING. YOU'RE ALWAYS 1133 00:17:30,880 --> 00:17:31,600 FUSSING. 1134 00:17:31,600 --> 00:17:32,520 >> STOP FUSSING. YOU'RE ALWAYS 1135 00:17:31,600 --> 00:17:32,520 FUSSING. 1136 00:17:31,600 --> 00:17:32,520 >> HEY, THAT'S ENOUGH FROM YOU, 1137 00:17:32,520 --> 00:17:33,360 FUSSING. 1138 00:17:32,520 --> 00:17:33,360 >> HEY, THAT'S ENOUGH FROM YOU, 1139 00:17:32,520 --> 00:17:33,360 YOUNG MAN. 1140 00:17:33,360 --> 00:17:36,360 >> HEY, THAT'S ENOUGH FROM YOU, 1141 00:17:33,360 --> 00:17:36,360 YOUNG MAN. 1142 00:17:33,360 --> 00:17:36,360 >> YOU'RE NOT ME DAD. 1143 00:17:36,360 --> 00:17:37,760 YOUNG MAN. 1144 00:17:36,360 --> 00:17:37,760 >> YOU'RE NOT ME DAD. 1145 00:17:36,360 --> 00:17:37,760 >> MARTIN-- 1146 00:17:37,760 --> 00:17:40,120 >> YOU'RE NOT ME DAD. 1147 00:17:37,760 --> 00:17:40,120 >> MARTIN-- 1148 00:17:37,760 --> 00:17:40,120 MARTIN, COME BACK HERE NOW. 1149 00:17:40,120 --> 00:17:41,080 >> MARTIN-- 1150 00:17:40,120 --> 00:17:41,080 MARTIN, COME BACK HERE NOW. 1151 00:17:40,120 --> 00:17:41,080 [DOOR CLOSES] 1152 00:17:41,080 --> 00:17:43,240 MARTIN, COME BACK HERE NOW. 1153 00:17:41,080 --> 00:17:43,240 [DOOR CLOSES] 1154 00:17:41,080 --> 00:17:43,240 >> RURAL BLISS, EH? 1155 00:17:55,680 --> 00:17:57,040 >> YOU'LL STRAIN YOUR EYES IN 1156 00:17:57,040 --> 00:17:58,760 >> YOU'LL STRAIN YOUR EYES IN 1157 00:17:57,040 --> 00:17:58,760 THIS LIGHT. 1158 00:18:06,680 --> 00:18:08,800 IF-- 1159 00:18:08,800 --> 00:18:12,400 IF-- 1160 00:18:08,800 --> 00:18:12,400 IF IT WERE MY BILLY, I'D BE MAD 1161 00:18:12,400 --> 00:18:13,320 IF-- 1162 00:18:12,400 --> 00:18:13,320 IF IT WERE MY BILLY, I'D BE MAD 1163 00:18:12,400 --> 00:18:13,320 WITH WORRY. 1164 00:18:13,320 --> 00:18:14,120 IF IT WERE MY BILLY, I'D BE MAD 1165 00:18:13,320 --> 00:18:14,120 WITH WORRY. 1166 00:18:13,320 --> 00:18:14,120 >> IF YOU GOT ANYTHING NEEDS 1167 00:18:14,120 --> 00:18:16,160 WITH WORRY. 1168 00:18:14,120 --> 00:18:16,160 >> IF YOU GOT ANYTHING NEEDS 1169 00:18:14,120 --> 00:18:16,160 MENDING-- 1170 00:18:16,160 --> 00:18:17,080 >> IF YOU GOT ANYTHING NEEDS 1171 00:18:16,160 --> 00:18:17,080 MENDING-- 1172 00:18:16,160 --> 00:18:17,080 THERE'S MORE HOLES THAN WOOL IN 1173 00:18:17,080 --> 00:18:18,760 MENDING-- 1174 00:18:17,080 --> 00:18:18,760 THERE'S MORE HOLES THAN WOOL IN 1175 00:18:17,080 --> 00:18:18,760 THIS PULLOVER. 1176 00:18:24,440 --> 00:18:25,760 >> COULD STILL BE ALIVE, JOYCE. 1177 00:18:25,760 --> 00:18:28,320 >> COULD STILL BE ALIVE, JOYCE. 1178 00:18:25,760 --> 00:18:28,320 >> OF COURSE HE'S ALIVE. EXPECT 1179 00:18:28,320 --> 00:18:32,520 >> COULD STILL BE ALIVE, JOYCE. 1180 00:18:28,320 --> 00:18:32,520 >> OF COURSE HE'S ALIVE. EXPECT 1181 00:18:28,320 --> 00:18:32,520 THERE'S SOME WORD TOMORROW. 1182 00:18:32,520 --> 00:18:37,000 >> OF COURSE HE'S ALIVE. EXPECT 1183 00:18:32,520 --> 00:18:37,000 THERE'S SOME WORD TOMORROW. 1184 00:18:32,520 --> 00:18:37,000 HE CAN'T-- 1185 00:18:37,000 --> 00:18:39,320 THERE'S SOME WORD TOMORROW. 1186 00:18:37,000 --> 00:18:39,320 HE CAN'T-- 1187 00:18:37,000 --> 00:18:39,320 HE'S ALL I HAVE LEFT. 1188 00:18:43,320 --> 00:18:46,560 >> I'M SCARED, DAD. 1189 00:18:58,440 --> 00:18:59,400 >> IT'S FEAR THAT MAKES US 1190 00:18:59,400 --> 00:19:02,360 >> IT'S FEAR THAT MAKES US 1191 00:18:59,400 --> 00:19:02,360 BRAVE, SON. YOU'LL FIGHT FOR 1192 00:19:02,360 --> 00:19:05,080 >> IT'S FEAR THAT MAKES US 1193 00:19:02,360 --> 00:19:05,080 BRAVE, SON. YOU'LL FIGHT FOR 1194 00:19:02,360 --> 00:19:05,080 THIS COUNTRY, AND YOU'LL COME 1195 00:19:05,080 --> 00:19:06,800 BRAVE, SON. YOU'LL FIGHT FOR 1196 00:19:05,080 --> 00:19:06,800 THIS COUNTRY, AND YOU'LL COME 1197 00:19:05,080 --> 00:19:06,800 BACK, AND YOU'LL TELL US SOME 1198 00:19:06,800 --> 00:19:12,600 THIS COUNTRY, AND YOU'LL COME 1199 00:19:06,800 --> 00:19:12,600 BACK, AND YOU'LL TELL US SOME 1200 00:19:06,800 --> 00:19:12,600 TALES. 1201 00:19:12,600 --> 00:19:17,600 BACK, AND YOU'LL TELL US SOME 1202 00:19:12,600 --> 00:19:17,600 TALES. 1203 00:19:12,600 --> 00:19:17,600 SHE NEEDS TO KNOW, SON. 1204 00:19:17,600 --> 00:19:22,400 TALES. 1205 00:19:17,600 --> 00:19:22,400 SHE NEEDS TO KNOW, SON. 1206 00:19:17,600 --> 00:19:22,400 >> BAD AT TALKING. 1207 00:19:22,400 --> 00:19:26,080 SHE NEEDS TO KNOW, SON. 1208 00:19:22,400 --> 00:19:26,080 >> BAD AT TALKING. 1209 00:19:22,400 --> 00:19:26,080 JOHN COULD BE DEAD. 1210 00:19:26,080 --> 00:19:28,360 >> BAD AT TALKING. 1211 00:19:26,080 --> 00:19:28,360 JOHN COULD BE DEAD. 1212 00:19:26,080 --> 00:19:28,360 >> YOU'VE ONLY-- 1213 00:19:28,360 --> 00:19:31,440 JOHN COULD BE DEAD. 1214 00:19:28,360 --> 00:19:31,440 >> YOU'VE ONLY-- 1215 00:19:28,360 --> 00:19:31,440 YOU'VE ONLY GOT A FEW WEEKS. 1216 00:19:31,440 --> 00:19:32,320 >> YOU'VE ONLY-- 1217 00:19:31,440 --> 00:19:32,320 YOU'VE ONLY GOT A FEW WEEKS. 1218 00:19:31,440 --> 00:19:32,320 IT IS PRECIOUS TIME. 1219 00:19:32,320 --> 00:19:37,560 YOU'VE ONLY GOT A FEW WEEKS. 1220 00:19:32,320 --> 00:19:37,560 IT IS PRECIOUS TIME. 1221 00:19:32,320 --> 00:19:37,560 >> I KNOW. I'LL TELL HER. 1222 00:19:37,560 --> 00:19:43,960 IT IS PRECIOUS TIME. 1223 00:19:37,560 --> 00:19:43,960 >> I KNOW. I'LL TELL HER. 1224 00:19:37,560 --> 00:19:43,960 I'LL TELL HER WHEN I'M READY. 1225 00:19:43,960 --> 00:19:46,600 >> I KNOW. I'LL TELL HER. 1226 00:19:43,960 --> 00:19:46,600 I'LL TELL HER WHEN I'M READY. 1227 00:19:43,960 --> 00:19:46,600 >> TELL ME, JACK, HOW DID YOU 1228 00:19:46,600 --> 00:19:49,240 I'LL TELL HER WHEN I'M READY. 1229 00:19:46,600 --> 00:19:49,240 >> TELL ME, JACK, HOW DID YOU 1230 00:19:46,600 --> 00:19:49,240 MANAGE TO DIVORCE YOUR WIFE AND 1231 00:19:49,240 --> 00:19:51,280 >> TELL ME, JACK, HOW DID YOU 1232 00:19:49,240 --> 00:19:51,280 MANAGE TO DIVORCE YOUR WIFE AND 1233 00:19:49,240 --> 00:19:51,280 KEEP YOUR FORTUNE? 1234 00:19:51,280 --> 00:19:52,240 MANAGE TO DIVORCE YOUR WIFE AND 1235 00:19:51,280 --> 00:19:52,240 KEEP YOUR FORTUNE? 1236 00:19:51,280 --> 00:19:52,240 >> GOT MYSELF A DAMN GOOD 1237 00:19:52,240 --> 00:19:55,600 KEEP YOUR FORTUNE? 1238 00:19:52,240 --> 00:19:55,600 >> GOT MYSELF A DAMN GOOD 1239 00:19:52,240 --> 00:19:55,600 LAWYER. NEVER DISCUSS MONEY, 1240 00:19:55,600 --> 00:19:58,760 >> GOT MYSELF A DAMN GOOD 1241 00:19:55,600 --> 00:19:58,760 LAWYER. NEVER DISCUSS MONEY, 1242 00:19:55,600 --> 00:19:58,760 RIGHT? VULGAR. HEH. I TALK ABOUT 1243 00:19:58,760 --> 00:20:00,320 LAWYER. NEVER DISCUSS MONEY, 1244 00:19:58,760 --> 00:20:00,320 RIGHT? VULGAR. HEH. I TALK ABOUT 1245 00:19:58,760 --> 00:20:00,320 MONEY ALL THE TIME. THAT'S WHY 1246 00:20:00,320 --> 00:20:01,320 RIGHT? VULGAR. HEH. I TALK ABOUT 1247 00:20:00,320 --> 00:20:01,320 MONEY ALL THE TIME. THAT'S WHY 1248 00:20:00,320 --> 00:20:01,320 I'M RICH. 1249 00:20:01,320 --> 00:20:02,440 MONEY ALL THE TIME. THAT'S WHY 1250 00:20:01,320 --> 00:20:02,440 I'M RICH. 1251 00:20:01,320 --> 00:20:02,440 >> HMM. 1252 00:20:02,440 --> 00:20:03,440 I'M RICH. 1253 00:20:02,440 --> 00:20:03,440 >> HMM. 1254 00:20:02,440 --> 00:20:03,440 >> THIS WAR HAS MADE YOU EVEN 1255 00:20:03,440 --> 00:20:05,280 >> HMM. 1256 00:20:03,440 --> 00:20:05,280 >> THIS WAR HAS MADE YOU EVEN 1257 00:20:03,440 --> 00:20:05,280 RICHER. 1258 00:20:05,280 --> 00:20:06,680 >> THIS WAR HAS MADE YOU EVEN 1259 00:20:05,280 --> 00:20:06,680 RICHER. 1260 00:20:05,280 --> 00:20:06,680 >> MEN NEED WEAPONS. 1261 00:20:06,680 --> 00:20:07,520 RICHER. 1262 00:20:06,680 --> 00:20:07,520 >> MEN NEED WEAPONS. 1263 00:20:06,680 --> 00:20:07,520 >> AND YOU SUPPLY THEM FOR A 1264 00:20:07,520 --> 00:20:08,680 >> MEN NEED WEAPONS. 1265 00:20:07,520 --> 00:20:08,680 >> AND YOU SUPPLY THEM FOR A 1266 00:20:07,520 --> 00:20:08,680 PROFIT. 1267 00:20:08,680 --> 00:20:11,400 >> AND YOU SUPPLY THEM FOR A 1268 00:20:08,680 --> 00:20:11,400 PROFIT. 1269 00:20:08,680 --> 00:20:11,400 >> DO LIGHTEN UP, ELLEN. 1270 00:20:11,400 --> 00:20:13,520 PROFIT. 1271 00:20:11,400 --> 00:20:13,520 >> DO LIGHTEN UP, ELLEN. 1272 00:20:11,400 --> 00:20:13,520 >> RATHER IRONIC AFTER WHAT 1273 00:20:13,520 --> 00:20:18,480 >> DO LIGHTEN UP, ELLEN. 1274 00:20:13,520 --> 00:20:18,480 >> RATHER IRONIC AFTER WHAT 1275 00:20:13,520 --> 00:20:18,480 HAPPENED TO YOUR SON. 1276 00:20:18,480 --> 00:20:21,360 >> RATHER IRONIC AFTER WHAT 1277 00:20:18,480 --> 00:20:21,360 HAPPENED TO YOUR SON. 1278 00:20:18,480 --> 00:20:21,360 I'M GOING TO CHECK ON DINNER. 1279 00:20:31,840 --> 00:20:36,200 >> ELLEN TOLD ME... 1280 00:20:36,200 --> 00:20:39,320 >> ELLEN TOLD ME... 1281 00:20:36,200 --> 00:20:39,320 ABOUT THE BABY. 1282 00:20:39,320 --> 00:20:42,960 >> ELLEN TOLD ME... 1283 00:20:39,320 --> 00:20:42,960 ABOUT THE BABY. 1284 00:20:39,320 --> 00:20:42,960 >> ELLEN HAS A WAY WITH WORDS. 1285 00:20:42,960 --> 00:20:47,960 ABOUT THE BABY. 1286 00:20:42,960 --> 00:20:47,960 >> ELLEN HAS A WAY WITH WORDS. 1287 00:20:42,960 --> 00:20:47,960 >> WHAT IF I TOLD YOU IT WAS A 1288 00:20:47,960 --> 00:20:50,840 >> ELLEN HAS A WAY WITH WORDS. 1289 00:20:47,960 --> 00:20:50,840 >> WHAT IF I TOLD YOU IT WAS A 1290 00:20:47,960 --> 00:20:50,840 BOY? 1291 00:20:54,400 --> 00:20:57,440 [MAN SPEAKING ON RADIO] 1292 00:20:57,440 --> 00:21:02,360 [MAN SPEAKING ON RADIO] 1293 00:20:57,440 --> 00:21:02,360 >> I'M TAKING HIM UP. 1294 00:21:02,360 --> 00:21:04,720 [MAN SPEAKING ON RADIO] 1295 00:21:02,360 --> 00:21:04,720 >> I'M TAKING HIM UP. 1296 00:21:02,360 --> 00:21:04,720 NIGHT-NIGHT, DADDY. 1297 00:21:25,440 --> 00:21:27,120 [SWITCHES RADIO OFF] 1298 00:21:27,120 --> 00:21:28,800 [SWITCHES RADIO OFF] 1299 00:21:27,120 --> 00:21:28,800 >> BEA... 1300 00:21:32,600 --> 00:21:34,800 STAY AWAY FROM THE PRISONERS. 1301 00:21:34,800 --> 00:21:40,360 STAY AWAY FROM THE PRISONERS. 1302 00:21:34,800 --> 00:21:40,360 THEY'RE BAD NEWS. 1303 00:21:40,360 --> 00:21:42,600 STAY AWAY FROM THE PRISONERS. 1304 00:21:40,360 --> 00:21:42,600 THEY'RE BAD NEWS. 1305 00:21:40,360 --> 00:21:42,600 [COW MOOS] 1306 00:21:42,600 --> 00:21:44,440 THEY'RE BAD NEWS. 1307 00:21:42,600 --> 00:21:44,440 [COW MOOS] 1308 00:21:42,600 --> 00:21:44,440 [CHICKEN CLUCKS] 1309 00:21:44,440 --> 00:21:45,400 [COW MOOS] 1310 00:21:44,440 --> 00:21:45,400 [CHICKEN CLUCKS] 1311 00:21:44,440 --> 00:21:45,400 >> HEH. SOMEONE BORROWED A 1312 00:21:45,400 --> 00:21:46,440 [CHICKEN CLUCKS] 1313 00:21:45,400 --> 00:21:46,440 >> HEH. SOMEONE BORROWED A 1314 00:21:45,400 --> 00:21:46,440 BLANKET. IT'S HARDLY A WAR 1315 00:21:46,440 --> 00:21:47,320 >> HEH. SOMEONE BORROWED A 1316 00:21:46,440 --> 00:21:47,320 BLANKET. IT'S HARDLY A WAR 1317 00:21:46,440 --> 00:21:47,320 CRIME. 1318 00:21:47,320 --> 00:21:48,760 BLANKET. IT'S HARDLY A WAR 1319 00:21:47,320 --> 00:21:48,760 CRIME. 1320 00:21:47,320 --> 00:21:48,760 >> THIS FARM IS HARBORING A 1321 00:21:48,760 --> 00:21:49,960 CRIME. 1322 00:21:48,760 --> 00:21:49,960 >> THIS FARM IS HARBORING A 1323 00:21:48,760 --> 00:21:49,960 THIEF. 1324 00:21:49,960 --> 00:21:50,760 >> THIS FARM IS HARBORING A 1325 00:21:49,960 --> 00:21:50,760 THIEF. 1326 00:21:49,960 --> 00:21:50,760 >> WELL, SHE'S BEEN TRYING TO 1327 00:21:50,760 --> 00:21:51,640 THIEF. 1328 00:21:50,760 --> 00:21:51,640 >> WELL, SHE'S BEEN TRYING TO 1329 00:21:50,760 --> 00:21:51,640 STEAL MY HUSBAND EVER SINCE SHE 1330 00:21:51,640 --> 00:21:53,800 >> WELL, SHE'S BEEN TRYING TO 1331 00:21:51,640 --> 00:21:53,800 STEAL MY HUSBAND EVER SINCE SHE 1332 00:21:51,640 --> 00:21:53,800 GOT BACK. 1333 00:21:53,800 --> 00:21:55,560 STEAL MY HUSBAND EVER SINCE SHE 1334 00:21:53,800 --> 00:21:55,560 GOT BACK. 1335 00:21:53,800 --> 00:21:55,560 >> IT'S JUST CONNIE FOR YOU. 1336 00:21:55,560 --> 00:21:56,360 GOT BACK. 1337 00:21:55,560 --> 00:21:56,360 >> IT'S JUST CONNIE FOR YOU. 1338 00:21:55,560 --> 00:21:56,360 GIVE IT A CHANCE. SHE'S ONLY 1339 00:21:56,360 --> 00:21:57,520 >> IT'S JUST CONNIE FOR YOU. 1340 00:21:56,360 --> 00:21:57,520 GIVE IT A CHANCE. SHE'S ONLY 1341 00:21:56,360 --> 00:21:57,520 BEEN HERE A WEEK. 1342 00:21:57,520 --> 00:21:58,440 GIVE IT A CHANCE. SHE'S ONLY 1343 00:21:57,520 --> 00:21:58,440 BEEN HERE A WEEK. 1344 00:21:57,520 --> 00:21:58,440 >> I KNOW, AND SHE'S SWANNING 1345 00:21:58,440 --> 00:21:59,360 BEEN HERE A WEEK. 1346 00:21:58,440 --> 00:21:59,360 >> I KNOW, AND SHE'S SWANNING 1347 00:21:58,440 --> 00:21:59,360 AROUND THE PLACE LIKE SHE OWNS 1348 00:21:59,360 --> 00:22:01,880 >> I KNOW, AND SHE'S SWANNING 1349 00:21:59,360 --> 00:22:01,880 AROUND THE PLACE LIKE SHE OWNS 1350 00:21:59,360 --> 00:22:01,880 IT. JAR OF JAM THIS MORNING, A 1351 00:22:01,880 --> 00:22:04,440 AROUND THE PLACE LIKE SHE OWNS 1352 00:22:01,880 --> 00:22:04,440 IT. JAR OF JAM THIS MORNING, A 1353 00:22:01,880 --> 00:22:04,440 WHOLE JAR OF JAM. JUST LET ME 1354 00:22:04,440 --> 00:22:06,240 IT. JAR OF JAM THIS MORNING, A 1355 00:22:04,440 --> 00:22:06,240 WHOLE JAR OF JAM. JUST LET ME 1356 00:22:04,440 --> 00:22:06,240 CATCH HER AT IT. 1357 00:22:15,240 --> 00:22:17,640 >> SO THIS OPERATION, HOW MUCH 1358 00:22:17,640 --> 00:22:19,320 >> SO THIS OPERATION, HOW MUCH 1359 00:22:17,640 --> 00:22:19,320 DOES IT COST? 1360 00:22:19,320 --> 00:22:20,600 >> SO THIS OPERATION, HOW MUCH 1361 00:22:19,320 --> 00:22:20,600 DOES IT COST? 1362 00:22:19,320 --> 00:22:20,600 >> I'M NOT GETTING INVOLVED IN 1363 00:22:20,600 --> 00:22:21,560 DOES IT COST? 1364 00:22:20,600 --> 00:22:21,560 >> I'M NOT GETTING INVOLVED IN 1365 00:22:20,600 --> 00:22:21,560 ANY MORE OF YOUR COCKEYED 1366 00:22:21,560 --> 00:22:24,280 >> I'M NOT GETTING INVOLVED IN 1367 00:22:21,560 --> 00:22:24,280 ANY MORE OF YOUR COCKEYED 1368 00:22:21,560 --> 00:22:24,280 MONEY-MAKING SCHEMES. THEY 1369 00:22:24,280 --> 00:22:26,880 ANY MORE OF YOUR COCKEYED 1370 00:22:24,280 --> 00:22:26,880 MONEY-MAKING SCHEMES. THEY 1371 00:22:24,280 --> 00:22:26,880 ALWAYS END IN DISASTER. 1372 00:22:26,880 --> 00:22:29,600 MONEY-MAKING SCHEMES. THEY 1373 00:22:26,880 --> 00:22:29,600 ALWAYS END IN DISASTER. 1374 00:22:26,880 --> 00:22:29,600 >> OHH... 1375 00:22:29,600 --> 00:22:30,480 ALWAYS END IN DISASTER. 1376 00:22:29,600 --> 00:22:30,480 >> OHH... 1377 00:22:29,600 --> 00:22:30,480 WISH I'D NEVER BOUGHT THAT 1378 00:22:30,480 --> 00:22:35,240 >> OHH... 1379 00:22:30,480 --> 00:22:35,240 WISH I'D NEVER BOUGHT THAT 1380 00:22:30,480 --> 00:22:35,240 BLESSED TRACTOR. 1381 00:22:35,240 --> 00:22:36,800 WISH I'D NEVER BOUGHT THAT 1382 00:22:35,240 --> 00:22:36,800 BLESSED TRACTOR. 1383 00:22:35,240 --> 00:22:36,800 >> JOYCE, YOU DON'T HAVE TO 1384 00:22:36,800 --> 00:22:38,160 BLESSED TRACTOR. 1385 00:22:36,800 --> 00:22:38,160 >> JOYCE, YOU DON'T HAVE TO 1386 00:22:36,800 --> 00:22:38,160 WORK, NOT TODAY. 1387 00:22:38,160 --> 00:22:39,200 >> JOYCE, YOU DON'T HAVE TO 1388 00:22:38,160 --> 00:22:39,200 WORK, NOT TODAY. 1389 00:22:38,160 --> 00:22:39,200 >> NOT ABOUT TO SIT HERE 1390 00:22:39,200 --> 00:22:42,840 WORK, NOT TODAY. 1391 00:22:39,200 --> 00:22:42,840 >> NOT ABOUT TO SIT HERE 1392 00:22:39,200 --> 00:22:42,840 WAITING. WE KEEP BUSY. 1393 00:22:42,840 --> 00:22:45,560 >> NOT ABOUT TO SIT HERE 1394 00:22:42,840 --> 00:22:45,560 WAITING. WE KEEP BUSY. 1395 00:22:42,840 --> 00:22:45,560 WE CARRY ON. 1396 00:22:51,840 --> 00:22:54,360 >> HA HA HA! OH, HE'S PAMPERED, 1397 00:22:54,360 --> 00:22:57,280 >> HA HA HA! OH, HE'S PAMPERED, 1398 00:22:54,360 --> 00:22:57,280 THAT PIG. LIFE OF RILEY. 1399 00:22:57,280 --> 00:22:58,360 >> HA HA HA! OH, HE'S PAMPERED, 1400 00:22:57,280 --> 00:22:58,360 THAT PIG. LIFE OF RILEY. 1401 00:22:57,280 --> 00:22:58,360 >> DAD'S PRIDE AND JOY. 1402 00:22:58,360 --> 00:22:59,320 THAT PIG. LIFE OF RILEY. 1403 00:22:58,360 --> 00:22:59,320 >> DAD'S PRIDE AND JOY. 1404 00:22:58,360 --> 00:22:59,320 >> YEAH. HE'S ALWAYS FIRST IN 1405 00:22:59,320 --> 00:23:00,720 >> DAD'S PRIDE AND JOY. 1406 00:22:59,320 --> 00:23:00,720 >> YEAH. HE'S ALWAYS FIRST IN 1407 00:22:59,320 --> 00:23:00,720 LINE FOR THE SOAP. 1408 00:23:00,720 --> 00:23:01,640 >> YEAH. HE'S ALWAYS FIRST IN 1409 00:23:00,720 --> 00:23:01,640 LINE FOR THE SOAP. 1410 00:23:00,720 --> 00:23:01,640 >> HEY, HE'S FUNNY WITH 1411 00:23:01,640 --> 00:23:02,360 LINE FOR THE SOAP. 1412 00:23:01,640 --> 00:23:02,360 >> HEY, HE'S FUNNY WITH 1413 00:23:01,640 --> 00:23:02,360 STRANGERS. 1414 00:23:02,360 --> 00:23:03,400 >> HEY, HE'S FUNNY WITH 1415 00:23:02,360 --> 00:23:03,400 STRANGERS. 1416 00:23:02,360 --> 00:23:03,400 >> HE WON'T MIND. WE'RE 1417 00:23:03,400 --> 00:23:04,920 STRANGERS. 1418 00:23:03,400 --> 00:23:04,920 >> HE WON'T MIND. WE'RE 1419 00:23:03,400 --> 00:23:04,920 PRACTICALLY FAMILY. 1420 00:23:04,920 --> 00:23:06,840 >> HE WON'T MIND. WE'RE 1421 00:23:04,920 --> 00:23:06,840 PRACTICALLY FAMILY. 1422 00:23:04,920 --> 00:23:06,840 >> DON'T GET WATER IN HIS EARS. 1423 00:23:06,840 --> 00:23:07,800 PRACTICALLY FAMILY. 1424 00:23:06,840 --> 00:23:07,800 >> DON'T GET WATER IN HIS EARS. 1425 00:23:06,840 --> 00:23:07,800 HE HATES WATER IN HIS EARS. 1426 00:23:07,800 --> 00:23:11,480 >> DON'T GET WATER IN HIS EARS. 1427 00:23:07,800 --> 00:23:11,480 HE HATES WATER IN HIS EARS. 1428 00:23:07,800 --> 00:23:11,480 >> AWW, HA HA! HA HA HA! 1429 00:23:11,480 --> 00:23:13,160 HE HATES WATER IN HIS EARS. 1430 00:23:11,480 --> 00:23:13,160 >> AWW, HA HA! HA HA HA! 1431 00:23:11,480 --> 00:23:13,160 >> THING IS, IT'S NOT FUNNY. 1432 00:23:13,160 --> 00:23:17,360 >> AWW, HA HA! HA HA HA! 1433 00:23:13,160 --> 00:23:17,360 >> THING IS, IT'S NOT FUNNY. 1434 00:23:13,160 --> 00:23:17,360 >> HA! HA HA HA! HA HA HA! 1435 00:23:17,360 --> 00:23:19,440 >> THING IS, IT'S NOT FUNNY. 1436 00:23:17,360 --> 00:23:19,440 >> HA! HA HA HA! HA HA HA! 1437 00:23:17,360 --> 00:23:19,440 OH... 1438 00:23:19,440 --> 00:23:24,320 >> HA! HA HA HA! HA HA HA! 1439 00:23:19,440 --> 00:23:24,320 OH... 1440 00:23:19,440 --> 00:23:24,320 >> BROUGHT YOUR LUNCH. 1441 00:23:24,320 --> 00:23:26,360 OH... 1442 00:23:24,320 --> 00:23:26,360 >> BROUGHT YOUR LUNCH. 1443 00:23:24,320 --> 00:23:26,360 >> PHHT. BEA... 1444 00:23:26,360 --> 00:23:27,640 >> BROUGHT YOUR LUNCH. 1445 00:23:26,360 --> 00:23:27,640 >> PHHT. BEA... 1446 00:23:26,360 --> 00:23:27,640 >> OH, LEAVE HER. SHE WALKS ALL 1447 00:23:27,640 --> 00:23:29,480 >> PHHT. BEA... 1448 00:23:27,640 --> 00:23:29,480 >> OH, LEAVE HER. SHE WALKS ALL 1449 00:23:27,640 --> 00:23:29,480 OVER YOU. 1450 00:23:29,480 --> 00:23:31,400 >> OH, LEAVE HER. SHE WALKS ALL 1451 00:23:29,480 --> 00:23:31,400 OVER YOU. 1452 00:23:29,480 --> 00:23:31,400 >> YOU ALWAYS STIR THINGS UP, 1453 00:23:31,400 --> 00:23:33,040 OVER YOU. 1454 00:23:31,400 --> 00:23:33,040 >> YOU ALWAYS STIR THINGS UP, 1455 00:23:31,400 --> 00:23:33,040 EVER SINCE YOU GOT HERE. 1456 00:23:33,040 --> 00:23:34,440 >> YOU ALWAYS STIR THINGS UP, 1457 00:23:33,040 --> 00:23:34,440 EVER SINCE YOU GOT HERE. 1458 00:23:33,040 --> 00:23:34,440 >> OH, WHAT, YOU TWO--STUCK IN 1459 00:23:34,440 --> 00:23:35,480 EVER SINCE YOU GOT HERE. 1460 00:23:34,440 --> 00:23:35,480 >> OH, WHAT, YOU TWO--STUCK IN 1461 00:23:34,440 --> 00:23:35,480 THAT HOUSE, RESENTING EACH 1462 00:23:35,480 --> 00:23:36,720 >> OH, WHAT, YOU TWO--STUCK IN 1463 00:23:35,480 --> 00:23:36,720 THAT HOUSE, RESENTING EACH 1464 00:23:35,480 --> 00:23:36,720 OTHER, BEGRUDGING YOUR BABY? 1465 00:23:36,720 --> 00:23:38,840 THAT HOUSE, RESENTING EACH 1466 00:23:36,720 --> 00:23:38,840 OTHER, BEGRUDGING YOUR BABY? 1467 00:23:36,720 --> 00:23:38,840 >> HEY, I LOVE THAT BOY AS IF HE 1468 00:23:38,840 --> 00:23:40,920 OTHER, BEGRUDGING YOUR BABY? 1469 00:23:38,840 --> 00:23:40,920 >> HEY, I LOVE THAT BOY AS IF HE 1470 00:23:38,840 --> 00:23:40,920 WERE MINE. 1471 00:23:40,920 --> 00:23:43,160 >> HEY, I LOVE THAT BOY AS IF HE 1472 00:23:40,920 --> 00:23:43,160 WERE MINE. 1473 00:23:40,920 --> 00:23:43,160 >> OH, HE AIN'T YOURS? OH, 1474 00:23:43,160 --> 00:23:44,840 WERE MINE. 1475 00:23:43,160 --> 00:23:44,840 >> OH, HE AIN'T YOURS? OH, 1476 00:23:43,160 --> 00:23:44,840 LITTLE MISS PERFECT GETS HERSELF 1477 00:23:44,840 --> 00:23:46,320 >> OH, HE AIN'T YOURS? OH, 1478 00:23:44,840 --> 00:23:46,320 LITTLE MISS PERFECT GETS HERSELF 1479 00:23:44,840 --> 00:23:46,320 KNOCKED UP, LOOKING DOWN ON ME? 1480 00:23:46,320 --> 00:23:47,440 LITTLE MISS PERFECT GETS HERSELF 1481 00:23:46,320 --> 00:23:47,440 KNOCKED UP, LOOKING DOWN ON ME? 1482 00:23:46,320 --> 00:23:47,440 >> THAT'S MY WIFE. 1483 00:23:47,440 --> 00:23:49,680 KNOCKED UP, LOOKING DOWN ON ME? 1484 00:23:47,440 --> 00:23:49,680 >> THAT'S MY WIFE. 1485 00:23:47,440 --> 00:23:49,680 >> OH, WHAT, TROUBLE AND STRIFE? 1486 00:23:49,680 --> 00:23:51,280 >> THAT'S MY WIFE. 1487 00:23:49,680 --> 00:23:51,280 >> OH, WHAT, TROUBLE AND STRIFE? 1488 00:23:49,680 --> 00:23:51,280 >> SHE'S WORTH 10 OF YOU. 1489 00:23:51,280 --> 00:23:52,880 >> OH, WHAT, TROUBLE AND STRIFE? 1490 00:23:51,280 --> 00:23:52,880 >> SHE'S WORTH 10 OF YOU. 1491 00:23:51,280 --> 00:23:52,880 >> OPEN YOUR EYES, BILLY. 1492 00:23:52,880 --> 00:23:55,200 >> SHE'S WORTH 10 OF YOU. 1493 00:23:52,880 --> 00:23:55,200 >> OPEN YOUR EYES, BILLY. 1494 00:23:52,880 --> 00:23:55,200 WHO'S SHE GONE RUNNING TO NOW? 1495 00:24:00,760 --> 00:24:03,480 >> FOUND HIM YET? 1496 00:24:03,480 --> 00:24:05,400 >> FOUND HIM YET? 1497 00:24:03,480 --> 00:24:05,400 >> SOON AS I CLOSE THIS DEAL. 1498 00:24:05,400 --> 00:24:06,560 >> FOUND HIM YET? 1499 00:24:05,400 --> 00:24:06,560 >> SOON AS I CLOSE THIS DEAL. 1500 00:24:05,400 --> 00:24:06,560 >> YOU BOWL ON IN THERE WITH 1501 00:24:06,560 --> 00:24:07,960 >> SOON AS I CLOSE THIS DEAL. 1502 00:24:06,560 --> 00:24:07,960 >> YOU BOWL ON IN THERE WITH 1503 00:24:06,560 --> 00:24:07,960 THAT BRUSQUE AMERICAN CHARM, YOU 1504 00:24:07,960 --> 00:24:09,640 >> YOU BOWL ON IN THERE WITH 1505 00:24:07,960 --> 00:24:09,640 THAT BRUSQUE AMERICAN CHARM, YOU 1506 00:24:07,960 --> 00:24:09,640 WON'T GET PAST THE FRONT GATE. 1507 00:24:09,640 --> 00:24:11,120 THAT BRUSQUE AMERICAN CHARM, YOU 1508 00:24:09,640 --> 00:24:11,120 WON'T GET PAST THE FRONT GATE. 1509 00:24:09,640 --> 00:24:11,120 >> I CAN BE PERSUASIVE. 1510 00:24:11,120 --> 00:24:13,440 WON'T GET PAST THE FRONT GATE. 1511 00:24:11,120 --> 00:24:13,440 >> I CAN BE PERSUASIVE. 1512 00:24:11,120 --> 00:24:13,440 >> I GREW UP ON THIS ESTATE. 1513 00:24:13,440 --> 00:24:17,720 >> I CAN BE PERSUASIVE. 1514 00:24:13,440 --> 00:24:17,720 >> I GREW UP ON THIS ESTATE. 1515 00:24:13,440 --> 00:24:17,720 I KNOW THE PEOPLE WHO LIVE HERE. 1516 00:24:17,720 --> 00:24:23,760 >> I GREW UP ON THIS ESTATE. 1517 00:24:17,720 --> 00:24:23,760 I KNOW THE PEOPLE WHO LIVE HERE. 1518 00:24:17,720 --> 00:24:23,760 YOU NEED ME. 1519 00:24:23,760 --> 00:24:25,320 I KNOW THE PEOPLE WHO LIVE HERE. 1520 00:24:23,760 --> 00:24:25,320 YOU NEED ME. 1521 00:24:23,760 --> 00:24:25,320 >> YOU ALWAYS WERE A BAD JUDGE 1522 00:24:25,320 --> 00:24:26,840 YOU NEED ME. 1523 00:24:25,320 --> 00:24:26,840 >> YOU ALWAYS WERE A BAD JUDGE 1524 00:24:25,320 --> 00:24:26,840 OF MEN. 1525 00:24:26,840 --> 00:24:28,120 >> YOU ALWAYS WERE A BAD JUDGE 1526 00:24:26,840 --> 00:24:28,120 OF MEN. 1527 00:24:26,840 --> 00:24:28,120 >> AND YOU ALWAYS VIEW THE WORST 1528 00:24:28,120 --> 00:24:30,320 OF MEN. 1529 00:24:28,120 --> 00:24:30,320 >> AND YOU ALWAYS VIEW THE WORST 1530 00:24:28,120 --> 00:24:30,320 IN PEOPLE. 1531 00:24:30,320 --> 00:24:31,360 >> AND YOU ALWAYS VIEW THE WORST 1532 00:24:30,320 --> 00:24:31,360 IN PEOPLE. 1533 00:24:30,320 --> 00:24:31,360 >> HE'S USING YOU. 1534 00:24:31,360 --> 00:24:33,560 IN PEOPLE. 1535 00:24:31,360 --> 00:24:33,560 >> HE'S USING YOU. 1536 00:24:31,360 --> 00:24:33,560 >> HERE TO HELP. ISN'T THAT WHAT 1537 00:24:33,560 --> 00:24:38,440 >> HE'S USING YOU. 1538 00:24:33,560 --> 00:24:38,440 >> HERE TO HELP. ISN'T THAT WHAT 1539 00:24:33,560 --> 00:24:38,440 YOU WANTED? 1540 00:24:38,440 --> 00:24:41,760 >> HERE TO HELP. ISN'T THAT WHAT 1541 00:24:38,440 --> 00:24:41,760 YOU WANTED? 1542 00:24:38,440 --> 00:24:41,760 >> [SPEAKING ITALIAN] 1543 00:24:41,760 --> 00:24:42,720 YOU WANTED? 1544 00:24:41,760 --> 00:24:42,720 >> [SPEAKING ITALIAN] 1545 00:24:41,760 --> 00:24:42,720 >> YEAH. WELL, HE MIGHT BE A 1546 00:24:42,720 --> 00:24:44,200 >> [SPEAKING ITALIAN] 1547 00:24:42,720 --> 00:24:44,200 >> YEAH. WELL, HE MIGHT BE A 1548 00:24:42,720 --> 00:24:44,200 STEPNEY SPIV, BUT HE TREATS ME 1549 00:24:44,200 --> 00:24:46,720 >> YEAH. WELL, HE MIGHT BE A 1550 00:24:44,200 --> 00:24:46,720 STEPNEY SPIV, BUT HE TREATS ME 1551 00:24:44,200 --> 00:24:46,720 LIKE A PROPER LADY--NYLONS, 1552 00:24:46,720 --> 00:24:48,000 STEPNEY SPIV, BUT HE TREATS ME 1553 00:24:46,720 --> 00:24:48,000 LIKE A PROPER LADY--NYLONS, 1554 00:24:46,720 --> 00:24:48,000 FANCY DINNERS. 1555 00:24:48,000 --> 00:24:48,880 LIKE A PROPER LADY--NYLONS, 1556 00:24:48,000 --> 00:24:48,880 FANCY DINNERS. 1557 00:24:48,000 --> 00:24:48,880 >> YEAH. WELL, YOU'RE HIS BIT ON 1558 00:24:48,880 --> 00:24:49,800 FANCY DINNERS. 1559 00:24:48,880 --> 00:24:49,800 >> YEAH. WELL, YOU'RE HIS BIT ON 1560 00:24:48,880 --> 00:24:49,800 THE SIDE. 1561 00:24:49,800 --> 00:24:50,720 >> YEAH. WELL, YOU'RE HIS BIT ON 1562 00:24:49,800 --> 00:24:50,720 THE SIDE. 1563 00:24:49,800 --> 00:24:50,720 >> OH, BETTER THAN BEING HIS 1564 00:24:50,720 --> 00:24:52,160 THE SIDE. 1565 00:24:50,720 --> 00:24:52,160 >> OH, BETTER THAN BEING HIS 1566 00:24:50,720 --> 00:24:52,160 MISSUS. WHO WANTS TO SETTLE 1567 00:24:52,160 --> 00:24:53,600 >> OH, BETTER THAN BEING HIS 1568 00:24:52,160 --> 00:24:53,600 MISSUS. WHO WANTS TO SETTLE 1569 00:24:52,160 --> 00:24:53,600 DOWN, EH? 1570 00:24:53,600 --> 00:24:56,200 MISSUS. WHO WANTS TO SETTLE 1571 00:24:53,600 --> 00:24:56,200 DOWN, EH? 1572 00:24:53,600 --> 00:24:56,200 >> THE PIANO IS TUNED. PIANIST 1573 00:24:56,200 --> 00:24:57,120 DOWN, EH? 1574 00:24:56,200 --> 00:24:57,120 >> THE PIANO IS TUNED. PIANIST 1575 00:24:56,200 --> 00:24:57,120 IS SORTED. 1576 00:24:57,120 --> 00:24:58,400 >> THE PIANO IS TUNED. PIANIST 1577 00:24:57,120 --> 00:24:58,400 IS SORTED. 1578 00:24:57,120 --> 00:24:58,400 >> WELL, YOU'RE A FAST MOVER. 1579 00:24:58,400 --> 00:24:59,440 IS SORTED. 1580 00:24:58,400 --> 00:24:59,440 >> WELL, YOU'RE A FAST MOVER. 1581 00:24:58,400 --> 00:24:59,440 >> WHAT'S THIS? 1582 00:24:59,440 --> 00:25:00,800 >> WELL, YOU'RE A FAST MOVER. 1583 00:24:59,440 --> 00:25:00,800 >> WHAT'S THIS? 1584 00:24:59,440 --> 00:25:00,800 >> KNEES-UP IN THE VILLAGE HALL. 1585 00:25:00,800 --> 00:25:01,640 >> WHAT'S THIS? 1586 00:25:00,800 --> 00:25:01,640 >> KNEES-UP IN THE VILLAGE HALL. 1587 00:25:00,800 --> 00:25:01,640 COUPLE OF NUMBERS TO BOOST 1588 00:25:01,640 --> 00:25:02,600 >> KNEES-UP IN THE VILLAGE HALL. 1589 00:25:01,640 --> 00:25:02,600 COUPLE OF NUMBERS TO BOOST 1590 00:25:01,640 --> 00:25:02,600 MORALE. 1591 00:25:02,600 --> 00:25:04,640 COUPLE OF NUMBERS TO BOOST 1592 00:25:02,600 --> 00:25:04,640 MORALE. 1593 00:25:02,600 --> 00:25:04,640 >> HENRY IS QUITE PREPARED TO 1594 00:25:04,640 --> 00:25:05,680 MORALE. 1595 00:25:04,640 --> 00:25:05,680 >> HENRY IS QUITE PREPARED TO 1596 00:25:04,640 --> 00:25:05,680 TICKLE THE IVORIES. 1597 00:25:05,680 --> 00:25:06,520 >> HENRY IS QUITE PREPARED TO 1598 00:25:05,680 --> 00:25:06,520 TICKLE THE IVORIES. 1599 00:25:05,680 --> 00:25:06,520 >> OH, WE COULD ALL DO WITH A 1600 00:25:06,520 --> 00:25:07,840 TICKLE THE IVORIES. 1601 00:25:06,520 --> 00:25:07,840 >> OH, WE COULD ALL DO WITH A 1602 00:25:06,520 --> 00:25:07,840 GOOD NIGHT OUT. OH, ABOUT 1603 00:25:07,840 --> 00:25:09,720 >> OH, WE COULD ALL DO WITH A 1604 00:25:07,840 --> 00:25:09,720 GOOD NIGHT OUT. OH, ABOUT 1605 00:25:07,840 --> 00:25:09,720 FLAMING TIME. I'M STARVING. 1606 00:25:09,720 --> 00:25:11,040 GOOD NIGHT OUT. OH, ABOUT 1607 00:25:09,720 --> 00:25:11,040 FLAMING TIME. I'M STARVING. 1608 00:25:09,720 --> 00:25:11,040 >> YOU HEARD ANYTHING? 1609 00:25:11,040 --> 00:25:13,360 FLAMING TIME. I'M STARVING. 1610 00:25:11,040 --> 00:25:13,360 >> YOU HEARD ANYTHING? 1611 00:25:11,040 --> 00:25:13,360 >> I WOULD'VE TOLD YOU, JOYCE. 1612 00:25:13,360 --> 00:25:14,200 >> YOU HEARD ANYTHING? 1613 00:25:13,360 --> 00:25:14,200 >> I WOULD'VE TOLD YOU, JOYCE. 1614 00:25:13,360 --> 00:25:14,200 >> HERE, WE'LL HAVE A WHIP-ROUND 1615 00:25:14,200 --> 00:25:15,240 >> I WOULD'VE TOLD YOU, JOYCE. 1616 00:25:14,200 --> 00:25:15,240 >> HERE, WE'LL HAVE A WHIP-ROUND 1617 00:25:14,200 --> 00:25:15,240 TONIGHT FOR YOU AND MARTIN. 1618 00:25:15,240 --> 00:25:16,160 >> HERE, WE'LL HAVE A WHIP-ROUND 1619 00:25:15,240 --> 00:25:16,160 TONIGHT FOR YOU AND MARTIN. 1620 00:25:15,240 --> 00:25:16,160 >> NO. WE DON'T NEED CHARITY, 1621 00:25:16,160 --> 00:25:17,160 TONIGHT FOR YOU AND MARTIN. 1622 00:25:16,160 --> 00:25:17,160 >> NO. WE DON'T NEED CHARITY, 1623 00:25:16,160 --> 00:25:17,160 THANK YOU. 1624 00:25:17,160 --> 00:25:19,040 >> NO. WE DON'T NEED CHARITY, 1625 00:25:17,160 --> 00:25:19,040 THANK YOU. 1626 00:25:17,160 --> 00:25:19,040 >> OH, SUIT YOURSELF. 1627 00:25:19,040 --> 00:25:20,320 THANK YOU. 1628 00:25:19,040 --> 00:25:20,320 >> OH, SUIT YOURSELF. 1629 00:25:19,040 --> 00:25:20,320 >> WELL, IT WAS NICE OF YOU TO 1630 00:25:20,320 --> 00:25:22,400 >> OH, SUIT YOURSELF. 1631 00:25:20,320 --> 00:25:22,400 >> WELL, IT WAS NICE OF YOU TO 1632 00:25:20,320 --> 00:25:22,400 MAKE THE OFFER. 1633 00:25:22,400 --> 00:25:23,320 >> WELL, IT WAS NICE OF YOU TO 1634 00:25:22,400 --> 00:25:23,320 MAKE THE OFFER. 1635 00:25:22,400 --> 00:25:23,320 [ENGINE STARTS] 1636 00:25:23,320 --> 00:25:26,200 MAKE THE OFFER. 1637 00:25:23,320 --> 00:25:26,200 [ENGINE STARTS] 1638 00:25:23,320 --> 00:25:26,200 >> [CHEERING] 1639 00:25:26,200 --> 00:25:27,520 [ENGINE STARTS] 1640 00:25:26,200 --> 00:25:27,520 >> [CHEERING] 1641 00:25:26,200 --> 00:25:27,520 >> HEY, LISTEN. THE HUM OF A 1642 00:25:27,520 --> 00:25:31,560 >> [CHEERING] 1643 00:25:27,520 --> 00:25:31,560 >> HEY, LISTEN. THE HUM OF A 1644 00:25:27,520 --> 00:25:31,560 HEALTHY ENGINE. OH, HO HO! 1645 00:25:31,560 --> 00:25:32,960 >> HEY, LISTEN. THE HUM OF A 1646 00:25:31,560 --> 00:25:32,960 HEALTHY ENGINE. OH, HO HO! 1647 00:25:31,560 --> 00:25:32,960 >> THERE SHE GOES. SET YOUR 1648 00:25:32,960 --> 00:25:34,840 HEALTHY ENGINE. OH, HO HO! 1649 00:25:32,960 --> 00:25:34,840 >> THERE SHE GOES. SET YOUR 1650 00:25:32,960 --> 00:25:34,840 CLOCK BY HER. 1651 00:25:40,880 --> 00:25:42,320 [ENGINE STALLS] 1652 00:25:42,320 --> 00:25:44,920 [ENGINE STALLS] 1653 00:25:42,320 --> 00:25:44,920 >> [SHOUTING IN ITALIAN] 1654 00:25:44,920 --> 00:25:46,360 [ENGINE STALLS] 1655 00:25:44,920 --> 00:25:46,360 >> [SHOUTING IN ITALIAN] 1656 00:25:44,920 --> 00:25:46,360 >> JUST LIKE A WAR. TOO MANY 1657 00:25:46,360 --> 00:25:50,160 >> [SHOUTING IN ITALIAN] 1658 00:25:46,360 --> 00:25:50,160 >> JUST LIKE A WAR. TOO MANY 1659 00:25:46,360 --> 00:25:50,160 PEOPLE GIVING ORDERS. HMM. 1660 00:25:50,160 --> 00:25:51,880 >> JUST LIKE A WAR. TOO MANY 1661 00:25:50,160 --> 00:25:51,880 PEOPLE GIVING ORDERS. HMM. 1662 00:25:50,160 --> 00:25:51,880 >> WHAT DO YOU MISS MOST WHEN 1663 00:25:51,880 --> 00:25:54,120 PEOPLE GIVING ORDERS. HMM. 1664 00:25:51,880 --> 00:25:54,120 >> WHAT DO YOU MISS MOST WHEN 1665 00:25:51,880 --> 00:25:54,120 YOU THINK OF HOME? 1666 00:25:54,120 --> 00:25:58,680 >> WHAT DO YOU MISS MOST WHEN 1667 00:25:54,120 --> 00:25:58,680 YOU THINK OF HOME? 1668 00:25:54,120 --> 00:25:58,680 >> THE SEA, PIZZA, ICE CREAM. 1669 00:25:58,680 --> 00:26:03,360 YOU THINK OF HOME? 1670 00:25:58,680 --> 00:26:03,360 >> THE SEA, PIZZA, ICE CREAM. 1671 00:25:58,680 --> 00:26:03,360 HEH. 1672 00:26:03,360 --> 00:26:07,480 >> THE SEA, PIZZA, ICE CREAM. 1673 00:26:03,360 --> 00:26:07,480 HEH. 1674 00:26:03,360 --> 00:26:07,480 VEDI NAPOLI E POI MORI. 1675 00:26:07,480 --> 00:26:09,240 HEH. 1676 00:26:07,480 --> 00:26:09,240 VEDI NAPOLI E POI MORI. 1677 00:26:07,480 --> 00:26:09,240 >> VEDI NAPOLI... 1678 00:26:09,240 --> 00:26:11,520 VEDI NAPOLI E POI MORI. 1679 00:26:09,240 --> 00:26:11,520 >> VEDI NAPOLI... 1680 00:26:09,240 --> 00:26:11,520 >> E POI MORI. 1681 00:26:11,520 --> 00:26:15,240 >> VEDI NAPOLI... 1682 00:26:11,520 --> 00:26:15,240 >> E POI MORI. 1683 00:26:11,520 --> 00:26:15,240 >> E POI MORI. 1684 00:26:15,240 --> 00:26:18,240 >> E POI MORI. 1685 00:26:15,240 --> 00:26:18,240 >> E POI MORI. 1686 00:26:15,240 --> 00:26:18,240 >> SEE NAPLES AND DIE. 1687 00:26:18,240 --> 00:26:22,480 >> E POI MORI. 1688 00:26:18,240 --> 00:26:22,480 >> SEE NAPLES AND DIE. 1689 00:26:18,240 --> 00:26:22,480 >> GO ON. TAKE ME TO NAPLES. 1690 00:26:22,480 --> 00:26:26,200 >> SEE NAPLES AND DIE. 1691 00:26:22,480 --> 00:26:26,200 >> GO ON. TAKE ME TO NAPLES. 1692 00:26:22,480 --> 00:26:26,200 TELL ME WHAT IT SMELLS LIKE. 1693 00:26:26,200 --> 00:26:31,000 >> GO ON. TAKE ME TO NAPLES. 1694 00:26:26,200 --> 00:26:31,000 TELL ME WHAT IT SMELLS LIKE. 1695 00:26:26,200 --> 00:26:31,000 >> A CITY THAT SMELLS OF LIFE. 1696 00:26:38,680 --> 00:26:40,000 YOU SHOULD STAY AWAY. 1697 00:26:40,000 --> 00:26:42,680 YOU SHOULD STAY AWAY. 1698 00:26:40,000 --> 00:26:42,680 PEOPLE TALK. 1699 00:26:42,680 --> 00:26:44,040 YOU SHOULD STAY AWAY. 1700 00:26:42,680 --> 00:26:44,040 PEOPLE TALK. 1701 00:26:42,680 --> 00:26:44,040 >> LET THEM. WE'VE DONE NOTHING 1702 00:26:44,040 --> 00:26:50,120 PEOPLE TALK. 1703 00:26:44,040 --> 00:26:50,120 >> LET THEM. WE'VE DONE NOTHING 1704 00:26:44,040 --> 00:26:50,120 WRONG. 1705 00:26:50,120 --> 00:26:56,920 >> LET THEM. WE'VE DONE NOTHING 1706 00:26:50,120 --> 00:26:56,920 WRONG. 1707 00:26:50,120 --> 00:26:56,920 >> PER IL BAMBINO. HEH. 1708 00:26:56,920 --> 00:27:00,640 WRONG. 1709 00:26:56,920 --> 00:27:00,640 >> PER IL BAMBINO. HEH. 1710 00:26:56,920 --> 00:27:00,640 YOU WILL SEE NAPLES, AND I WILL 1711 00:27:00,640 --> 00:27:03,240 >> PER IL BAMBINO. HEH. 1712 00:27:00,640 --> 00:27:03,240 YOU WILL SEE NAPLES, AND I WILL 1713 00:27:00,640 --> 00:27:03,240 GO HOME. HOPE IS A THING THAT 1714 00:27:03,240 --> 00:27:05,800 YOU WILL SEE NAPLES, AND I WILL 1715 00:27:03,240 --> 00:27:05,800 GO HOME. HOPE IS A THING THAT 1716 00:27:03,240 --> 00:27:05,800 KEEPS US ALIVE. 1717 00:27:12,160 --> 00:27:13,560 >> BILLY-- 1718 00:27:13,560 --> 00:27:17,400 >> BILLY-- 1719 00:27:13,560 --> 00:27:17,400 STOP IT. STOP IT, BOTH OF YOU. 1720 00:27:17,400 --> 00:27:18,320 >> BILLY-- 1721 00:27:17,400 --> 00:27:18,320 STOP IT. STOP IT, BOTH OF YOU. 1722 00:27:17,400 --> 00:27:18,320 >> COME ON. DON'T JUST STAND 1723 00:27:18,320 --> 00:27:21,360 STOP IT. STOP IT, BOTH OF YOU. 1724 00:27:18,320 --> 00:27:21,360 >> COME ON. DON'T JUST STAND 1725 00:27:18,320 --> 00:27:21,360 THERE. 1726 00:27:21,360 --> 00:27:27,200 >> COME ON. DON'T JUST STAND 1727 00:27:21,360 --> 00:27:27,200 THERE. 1728 00:27:21,360 --> 00:27:27,200 >> HEY. COME ON. 1729 00:27:27,200 --> 00:27:30,680 THERE. 1730 00:27:27,200 --> 00:27:30,680 >> HEY. COME ON. 1731 00:27:27,200 --> 00:27:30,680 LISTEN. NO, NO, NO. NO, NO. 1732 00:27:30,680 --> 00:27:31,600 >> HEY. COME ON. 1733 00:27:30,680 --> 00:27:31,600 LISTEN. NO, NO, NO. NO, NO. 1734 00:27:30,680 --> 00:27:31,600 >> RIGHT. COME ON, ALL OF YOU. 1735 00:27:31,600 --> 00:27:36,960 LISTEN. NO, NO, NO. NO, NO. 1736 00:27:31,600 --> 00:27:36,960 >> RIGHT. COME ON, ALL OF YOU. 1737 00:27:31,600 --> 00:27:36,960 BACK TO WORK. COME ON. 1738 00:27:36,960 --> 00:27:38,760 >> RIGHT. COME ON, ALL OF YOU. 1739 00:27:36,960 --> 00:27:38,760 BACK TO WORK. COME ON. 1740 00:27:36,960 --> 00:27:38,760 >> I'M YOUR HUSBAND. YOU SHOULD 1741 00:27:38,760 --> 00:27:42,400 BACK TO WORK. COME ON. 1742 00:27:38,760 --> 00:27:42,400 >> I'M YOUR HUSBAND. YOU SHOULD 1743 00:27:38,760 --> 00:27:42,400 GIVE ME SOME RESPECT! 1744 00:27:42,400 --> 00:27:44,040 >> I'M YOUR HUSBAND. YOU SHOULD 1745 00:27:42,400 --> 00:27:44,040 GIVE ME SOME RESPECT! 1746 00:27:42,400 --> 00:27:44,040 >> WHO, YOU, THE BOY FROM THE 1747 00:27:44,040 --> 00:27:46,320 GIVE ME SOME RESPECT! 1748 00:27:44,040 --> 00:27:46,320 >> WHO, YOU, THE BOY FROM THE 1749 00:27:44,040 --> 00:27:46,320 BROOMSTICK ARMY? 1750 00:27:50,600 --> 00:27:53,720 >> ♪ UNDER STARS 1751 00:27:53,720 --> 00:27:57,480 >> ♪ UNDER STARS 1752 00:27:53,720 --> 00:27:57,480 CHILLED BY THE WINTER 1753 00:27:57,480 --> 00:28:00,600 >> ♪ UNDER STARS 1754 00:27:57,480 --> 00:28:00,600 CHILLED BY THE WINTER 1755 00:27:57,480 --> 00:28:00,600 UNDER AN AUGUST MOON 1756 00:28:00,600 --> 00:28:04,360 CHILLED BY THE WINTER 1757 00:28:00,600 --> 00:28:04,360 UNDER AN AUGUST MOON 1758 00:28:00,600 --> 00:28:04,360 BURNING ABOVE 1759 00:28:04,360 --> 00:28:08,360 UNDER AN AUGUST MOON 1760 00:28:04,360 --> 00:28:08,360 BURNING ABOVE 1761 00:28:04,360 --> 00:28:08,360 YOU'D BE SO NICE 1762 00:28:08,360 --> 00:28:11,280 BURNING ABOVE 1763 00:28:08,360 --> 00:28:11,280 YOU'D BE SO NICE 1764 00:28:08,360 --> 00:28:11,280 YOU'D BE PARADISE 1765 00:28:11,280 --> 00:28:14,360 YOU'D BE SO NICE 1766 00:28:11,280 --> 00:28:14,360 YOU'D BE PARADISE 1767 00:28:11,280 --> 00:28:14,360 TO COME HOME TO 1768 00:28:14,360 --> 00:28:18,440 YOU'D BE PARADISE 1769 00:28:14,360 --> 00:28:18,440 TO COME HOME TO 1770 00:28:14,360 --> 00:28:18,440 AND LOVE ♪ 1771 00:28:18,440 --> 00:28:21,440 TO COME HOME TO 1772 00:28:18,440 --> 00:28:21,440 AND LOVE ♪ 1773 00:28:18,440 --> 00:28:21,440 [APPLAUSE] 1774 00:28:21,440 --> 00:28:23,120 AND LOVE ♪ 1775 00:28:21,440 --> 00:28:23,120 [APPLAUSE] 1776 00:28:21,440 --> 00:28:23,120 WELL, YOU REALLY JAZZ THINGS UP. 1777 00:28:23,120 --> 00:28:25,120 [APPLAUSE] 1778 00:28:23,120 --> 00:28:25,120 WELL, YOU REALLY JAZZ THINGS UP. 1779 00:28:23,120 --> 00:28:25,120 [PLAYS GLISSANDO] 1780 00:28:25,120 --> 00:28:26,400 WELL, YOU REALLY JAZZ THINGS UP. 1781 00:28:25,120 --> 00:28:26,400 [PLAYS GLISSANDO] 1782 00:28:25,120 --> 00:28:26,400 >> YOU'RE JUST A PRETTY FACE. 1783 00:28:26,400 --> 00:28:27,400 [PLAYS GLISSANDO] 1784 00:28:26,400 --> 00:28:27,400 >> YOU'RE JUST A PRETTY FACE. 1785 00:28:26,400 --> 00:28:27,400 >> HA! I SHOULD KEEP MY EYE ON A 1786 00:28:27,400 --> 00:28:29,920 >> YOU'RE JUST A PRETTY FACE. 1787 00:28:27,400 --> 00:28:29,920 >> HA! I SHOULD KEEP MY EYE ON A 1788 00:28:27,400 --> 00:28:29,920 TALENT LIKE YOU. WET ME WHISTLE. 1789 00:28:29,920 --> 00:28:33,400 >> HA! I SHOULD KEEP MY EYE ON A 1790 00:28:29,920 --> 00:28:33,400 TALENT LIKE YOU. WET ME WHISTLE. 1791 00:28:29,920 --> 00:28:33,400 [APPLAUSE CONTINUES] 1792 00:28:33,400 --> 00:28:34,400 TALENT LIKE YOU. WET ME WHISTLE. 1793 00:28:33,400 --> 00:28:34,400 [APPLAUSE CONTINUES] 1794 00:28:33,400 --> 00:28:34,400 STICK A GIN IN THERE, 1795 00:28:34,400 --> 00:28:35,240 [APPLAUSE CONTINUES] 1796 00:28:34,400 --> 00:28:35,240 STICK A GIN IN THERE, 1797 00:28:34,400 --> 00:28:35,240 SWEETHEART. 1798 00:28:35,240 --> 00:28:36,280 STICK A GIN IN THERE, 1799 00:28:35,240 --> 00:28:36,280 SWEETHEART. 1800 00:28:35,240 --> 00:28:36,280 >> HAVE THIS ONE ON THE HOUSE. 1801 00:28:36,280 --> 00:28:37,080 SWEETHEART. 1802 00:28:36,280 --> 00:28:37,080 >> HAVE THIS ONE ON THE HOUSE. 1803 00:28:36,280 --> 00:28:37,080 >> OH, IN THAT CASE, I'LL HAVE A 1804 00:28:37,080 --> 00:28:37,840 >> HAVE THIS ONE ON THE HOUSE. 1805 00:28:37,080 --> 00:28:37,840 >> OH, IN THAT CASE, I'LL HAVE A 1806 00:28:37,080 --> 00:28:37,840 DOUBLE. 1807 00:28:37,840 --> 00:28:39,360 >> OH, IN THAT CASE, I'LL HAVE A 1808 00:28:37,840 --> 00:28:39,360 DOUBLE. 1809 00:28:37,840 --> 00:28:39,360 >> HEY, HELMSTEAD'S ANSWER TO 1810 00:28:39,360 --> 00:28:40,520 DOUBLE. 1811 00:28:39,360 --> 00:28:40,520 >> HEY, HELMSTEAD'S ANSWER TO 1812 00:28:39,360 --> 00:28:40,520 DINAH SHORE. 1813 00:28:40,520 --> 00:28:41,320 >> HEY, HELMSTEAD'S ANSWER TO 1814 00:28:40,520 --> 00:28:41,320 DINAH SHORE. 1815 00:28:40,520 --> 00:28:41,320 >> FLATTERED. 1816 00:28:41,320 --> 00:28:43,760 DINAH SHORE. 1817 00:28:41,320 --> 00:28:43,760 >> FLATTERED. 1818 00:28:41,320 --> 00:28:43,760 >> ER, THAT'S ON THE HOUSE, SON, 1819 00:28:43,760 --> 00:28:45,040 >> FLATTERED. 1820 00:28:43,760 --> 00:28:45,040 >> ER, THAT'S ON THE HOUSE, SON, 1821 00:28:43,760 --> 00:28:45,040 AS MANAGER. 1822 00:28:45,040 --> 00:28:46,320 >> ER, THAT'S ON THE HOUSE, SON, 1823 00:28:45,040 --> 00:28:46,320 AS MANAGER. 1824 00:28:45,040 --> 00:28:46,320 >> YOU WHAT? 1825 00:28:46,320 --> 00:28:47,960 AS MANAGER. 1826 00:28:46,320 --> 00:28:47,960 >> YOU WHAT? 1827 00:28:46,320 --> 00:28:47,960 >> 20%. I'LL GET YOU A RETURN IN 1828 00:28:47,960 --> 00:28:49,080 >> YOU WHAT? 1829 00:28:47,960 --> 00:28:49,080 >> 20%. I'LL GET YOU A RETURN IN 1830 00:28:47,960 --> 00:28:49,080 CONDOVER. 1831 00:28:49,080 --> 00:28:50,600 >> 20%. I'LL GET YOU A RETURN IN 1832 00:28:49,080 --> 00:28:50,600 CONDOVER. 1833 00:28:49,080 --> 00:28:50,600 >> 15. YOU ALSO GET TO DRIVE ME 1834 00:28:50,600 --> 00:28:51,400 CONDOVER. 1835 00:28:50,600 --> 00:28:51,400 >> 15. YOU ALSO GET TO DRIVE ME 1836 00:28:50,600 --> 00:28:51,400 HOME. 1837 00:28:51,400 --> 00:28:53,320 >> 15. YOU ALSO GET TO DRIVE ME 1838 00:28:51,400 --> 00:28:53,320 HOME. 1839 00:28:51,400 --> 00:28:53,320 >> OH, YOU DRIVE A HARD BARGAIN. 1840 00:28:53,320 --> 00:28:55,160 HOME. 1841 00:28:53,320 --> 00:28:55,160 >> OH, YOU DRIVE A HARD BARGAIN. 1842 00:28:53,320 --> 00:28:55,160 >> I'VE HAD AN HARD LIFE. 1843 00:28:55,160 --> 00:28:56,800 >> OH, YOU DRIVE A HARD BARGAIN. 1844 00:28:55,160 --> 00:28:56,800 >> I'VE HAD AN HARD LIFE. 1845 00:28:55,160 --> 00:28:56,800 >> HIDDEN TALENTS. 1846 00:28:56,800 --> 00:28:59,520 >> I'VE HAD AN HARD LIFE. 1847 00:28:56,800 --> 00:28:59,520 >> HIDDEN TALENTS. 1848 00:28:56,800 --> 00:28:59,520 >> YOU SHOULD SEE MY ENCORE. 1849 00:28:59,520 --> 00:29:01,280 >> HIDDEN TALENTS. 1850 00:28:59,520 --> 00:29:01,280 >> YOU SHOULD SEE MY ENCORE. 1851 00:28:59,520 --> 00:29:01,280 >> A RARE PLEASURE. 1852 00:29:01,280 --> 00:29:02,520 >> YOU SHOULD SEE MY ENCORE. 1853 00:29:01,280 --> 00:29:02,520 >> A RARE PLEASURE. 1854 00:29:01,280 --> 00:29:02,520 >> WARDEN DUTY. SHAN'T STAY 1855 00:29:02,520 --> 00:29:04,440 >> A RARE PLEASURE. 1856 00:29:02,520 --> 00:29:04,440 >> WARDEN DUTY. SHAN'T STAY 1857 00:29:02,520 --> 00:29:04,440 LONG. SOME IN THIS VILLAGE STILL 1858 00:29:04,440 --> 00:29:06,360 >> WARDEN DUTY. SHAN'T STAY 1859 00:29:04,440 --> 00:29:06,360 LONG. SOME IN THIS VILLAGE STILL 1860 00:29:04,440 --> 00:29:06,360 OBSERVE CURFEW. 1861 00:29:06,360 --> 00:29:07,360 LONG. SOME IN THIS VILLAGE STILL 1862 00:29:06,360 --> 00:29:07,360 OBSERVE CURFEW. 1863 00:29:06,360 --> 00:29:07,360 >> I WOULDN'T BOTHER. FACE LIKE 1864 00:29:07,360 --> 00:29:09,120 OBSERVE CURFEW. 1865 00:29:07,360 --> 00:29:09,120 >> I WOULDN'T BOTHER. FACE LIKE 1866 00:29:07,360 --> 00:29:09,120 YOURS IS MADE FOR THE BLACKOUT. 1867 00:29:09,120 --> 00:29:10,960 >> I WOULDN'T BOTHER. FACE LIKE 1868 00:29:09,120 --> 00:29:10,960 YOURS IS MADE FOR THE BLACKOUT. 1869 00:29:09,120 --> 00:29:10,960 >> DRINK, MRS. G.? 1870 00:29:10,960 --> 00:29:11,920 YOURS IS MADE FOR THE BLACKOUT. 1871 00:29:10,960 --> 00:29:11,920 >> DRINK, MRS. G.? 1872 00:29:10,960 --> 00:29:11,920 >> AS YOU'RE ASKING, HALF A 1873 00:29:11,920 --> 00:29:13,400 >> DRINK, MRS. G.? 1874 00:29:11,920 --> 00:29:13,400 >> AS YOU'RE ASKING, HALF A 1875 00:29:11,920 --> 00:29:13,400 STOUT. MAKE SURE THE GLASS IS 1876 00:29:13,400 --> 00:29:16,800 >> AS YOU'RE ASKING, HALF A 1877 00:29:13,400 --> 00:29:16,800 STOUT. MAKE SURE THE GLASS IS 1878 00:29:13,400 --> 00:29:16,800 CLEANED. 1879 00:29:16,800 --> 00:29:19,440 STOUT. MAKE SURE THE GLASS IS 1880 00:29:16,800 --> 00:29:19,440 CLEANED. 1881 00:29:16,800 --> 00:29:19,440 REVEREND PUGH WOULD TURN IN HIS 1882 00:29:19,440 --> 00:29:21,600 CLEANED. 1883 00:29:19,440 --> 00:29:21,600 REVEREND PUGH WOULD TURN IN HIS 1884 00:29:19,440 --> 00:29:21,600 GRAVE. 1885 00:29:21,600 --> 00:29:27,800 REVEREND PUGH WOULD TURN IN HIS 1886 00:29:21,600 --> 00:29:27,800 GRAVE. 1887 00:29:21,600 --> 00:29:27,800 [PLAYING SOFT MUSIC] 1888 00:29:27,800 --> 00:29:30,000 GRAVE. 1889 00:29:27,800 --> 00:29:30,000 [PLAYING SOFT MUSIC] 1890 00:29:27,800 --> 00:29:30,000 >> WHO'S MINDING WILLIAM? 1891 00:29:30,000 --> 00:29:32,080 [PLAYING SOFT MUSIC] 1892 00:29:30,000 --> 00:29:32,080 >> WHO'S MINDING WILLIAM? 1893 00:29:30,000 --> 00:29:32,080 >> LEFT HIM WITH JOYCE. 1894 00:29:32,080 --> 00:29:33,480 >> WHO'S MINDING WILLIAM? 1895 00:29:32,080 --> 00:29:33,480 >> LEFT HIM WITH JOYCE. 1896 00:29:32,080 --> 00:29:33,480 >> SHE'S IN NO STATE. 1897 00:29:33,480 --> 00:29:37,240 >> LEFT HIM WITH JOYCE. 1898 00:29:33,480 --> 00:29:37,240 >> SHE'S IN NO STATE. 1899 00:29:33,480 --> 00:29:37,240 >> GO HOME, THEN. 1900 00:29:37,240 --> 00:29:40,640 >> SHE'S IN NO STATE. 1901 00:29:37,240 --> 00:29:40,640 >> GO HOME, THEN. 1902 00:29:37,240 --> 00:29:40,640 >> HE KISSED YOU. I SAW. 1903 00:29:40,640 --> 00:29:43,360 >> GO HOME, THEN. 1904 00:29:40,640 --> 00:29:43,360 >> HE KISSED YOU. I SAW. 1905 00:29:40,640 --> 00:29:43,360 >> NOTHING HAPPENED, JUST LIKE 1906 00:29:43,360 --> 00:29:46,720 >> HE KISSED YOU. I SAW. 1907 00:29:43,360 --> 00:29:46,720 >> NOTHING HAPPENED, JUST LIKE 1908 00:29:43,360 --> 00:29:46,720 WITH YOU AND CONNIE. 1909 00:29:46,720 --> 00:29:48,200 >> NOTHING HAPPENED, JUST LIKE 1910 00:29:46,720 --> 00:29:48,200 WITH YOU AND CONNIE. 1911 00:29:46,720 --> 00:29:48,200 >> SO YOU WERE GETTING EVEN. 1912 00:29:48,200 --> 00:29:50,520 WITH YOU AND CONNIE. 1913 00:29:48,200 --> 00:29:50,520 >> SO YOU WERE GETTING EVEN. 1914 00:29:48,200 --> 00:29:50,520 >> I WOULD NEVER HURT YOU. IT'S 1915 00:29:50,520 --> 00:29:52,120 >> SO YOU WERE GETTING EVEN. 1916 00:29:50,520 --> 00:29:52,120 >> I WOULD NEVER HURT YOU. IT'S 1917 00:29:50,520 --> 00:29:52,120 LIKE YOU DON'T TRUST ME. 1918 00:29:52,120 --> 00:29:53,680 >> I WOULD NEVER HURT YOU. IT'S 1919 00:29:52,120 --> 00:29:53,680 LIKE YOU DON'T TRUST ME. 1920 00:29:52,120 --> 00:29:53,680 >> IT'S THEM I DON'T TRUST, BEA, 1921 00:29:53,680 --> 00:29:56,080 LIKE YOU DON'T TRUST ME. 1922 00:29:53,680 --> 00:29:56,080 >> IT'S THEM I DON'T TRUST, BEA, 1923 00:29:53,680 --> 00:29:56,080 THE PRISONERS. 1924 00:29:56,080 --> 00:29:57,560 >> IT'S THEM I DON'T TRUST, BEA, 1925 00:29:56,080 --> 00:29:57,560 THE PRISONERS. 1926 00:29:56,080 --> 00:29:57,560 >> YOU STARTED THE FIGHT. SAL 1927 00:29:57,560 --> 00:29:58,800 THE PRISONERS. 1928 00:29:57,560 --> 00:29:58,800 >> YOU STARTED THE FIGHT. SAL 1929 00:29:57,560 --> 00:29:58,800 DIDN'T FIGHT THE CAMP. 1930 00:29:58,800 --> 00:29:59,600 >> YOU STARTED THE FIGHT. SAL 1931 00:29:58,800 --> 00:29:59,600 DIDN'T FIGHT THE CAMP. 1932 00:29:58,800 --> 00:29:59,600 >> OH, YOU'RE THINKING ABOUT HIM 1933 00:29:59,600 --> 00:30:00,840 DIDN'T FIGHT THE CAMP. 1934 00:29:59,600 --> 00:30:00,840 >> OH, YOU'RE THINKING ABOUT HIM 1935 00:29:59,600 --> 00:30:00,840 EVEN NOW. 1936 00:30:00,840 --> 00:30:02,800 >> OH, YOU'RE THINKING ABOUT HIM 1937 00:30:00,840 --> 00:30:02,800 EVEN NOW. 1938 00:30:00,840 --> 00:30:02,800 >> SO WHAT DO YOU THINK OF OUR 1939 00:30:02,800 --> 00:30:04,560 EVEN NOW. 1940 00:30:02,800 --> 00:30:04,560 >> SO WHAT DO YOU THINK OF OUR 1941 00:30:02,800 --> 00:30:04,560 HENRY, THEN? 1942 00:30:04,560 --> 00:30:06,160 >> SO WHAT DO YOU THINK OF OUR 1943 00:30:04,560 --> 00:30:06,160 HENRY, THEN? 1944 00:30:04,560 --> 00:30:06,160 >> HE CAN CERTAINLY PLAY, WET 1945 00:30:06,160 --> 00:30:07,200 HENRY, THEN? 1946 00:30:06,160 --> 00:30:07,200 >> HE CAN CERTAINLY PLAY, WET 1947 00:30:06,160 --> 00:30:07,200 BEHIND THE EARS, THOUGH. 1948 00:30:07,200 --> 00:30:09,280 >> HE CAN CERTAINLY PLAY, WET 1949 00:30:07,200 --> 00:30:09,280 BEHIND THE EARS, THOUGH. 1950 00:30:07,200 --> 00:30:09,280 >> OH, HO HO! DON'T BE FOOLED. 1951 00:30:09,280 --> 00:30:11,320 BEHIND THE EARS, THOUGH. 1952 00:30:09,280 --> 00:30:11,320 >> OH, HO HO! DON'T BE FOOLED. 1953 00:30:09,280 --> 00:30:11,320 HE IS A PROPER LADIES MAN. 1954 00:30:11,320 --> 00:30:12,760 >> OH, HO HO! DON'T BE FOOLED. 1955 00:30:11,320 --> 00:30:12,760 HE IS A PROPER LADIES MAN. 1956 00:30:11,320 --> 00:30:12,760 >> DO ME A FAVOR. 1957 00:30:12,760 --> 00:30:14,400 HE IS A PROPER LADIES MAN. 1958 00:30:12,760 --> 00:30:14,400 >> DO ME A FAVOR. 1959 00:30:12,760 --> 00:30:14,400 >> OH, A FEW DRINKS, HE'LL BE 1960 00:30:14,400 --> 00:30:17,360 >> DO ME A FAVOR. 1961 00:30:14,400 --> 00:30:17,360 >> OH, A FEW DRINKS, HE'LL BE 1962 00:30:14,400 --> 00:30:17,360 PLAYING A DIFFERENT TUNE. 1963 00:30:26,160 --> 00:30:27,360 HO HO HO! 1964 00:30:27,360 --> 00:30:30,720 HO HO HO! 1965 00:30:27,360 --> 00:30:30,720 >> SO SEE ANYTHING YOU FANCY? 1966 00:30:30,720 --> 00:30:33,320 HO HO HO! 1967 00:30:30,720 --> 00:30:33,320 >> SO SEE ANYTHING YOU FANCY? 1968 00:30:30,720 --> 00:30:33,320 >> UH, I BEG YOUR PARDON? 1969 00:30:33,320 --> 00:30:34,560 >> SO SEE ANYTHING YOU FANCY? 1970 00:30:33,320 --> 00:30:34,560 >> UH, I BEG YOUR PARDON? 1971 00:30:33,320 --> 00:30:34,560 >> SONG, HENRY. THINK THEY 1972 00:30:34,560 --> 00:30:36,600 >> UH, I BEG YOUR PARDON? 1973 00:30:34,560 --> 00:30:36,600 >> SONG, HENRY. THINK THEY 1974 00:30:34,560 --> 00:30:36,600 DESERVE ANOTHER ONE? 1975 00:30:36,600 --> 00:30:38,680 >> SONG, HENRY. THINK THEY 1976 00:30:36,600 --> 00:30:38,680 DESERVE ANOTHER ONE? 1977 00:30:36,600 --> 00:30:38,680 >> AH. 1978 00:30:38,680 --> 00:30:40,200 DESERVE ANOTHER ONE? 1979 00:30:38,680 --> 00:30:40,200 >> AH. 1980 00:30:38,680 --> 00:30:40,200 [PLAYING "GLORY OF LOVE"] 1981 00:30:40,200 --> 00:30:44,360 >> AH. 1982 00:30:40,200 --> 00:30:44,360 [PLAYING "GLORY OF LOVE"] 1983 00:30:40,200 --> 00:30:44,360 [APPLAUSE] 1984 00:30:44,360 --> 00:30:46,440 [PLAYING "GLORY OF LOVE"] 1985 00:30:44,360 --> 00:30:46,440 [APPLAUSE] 1986 00:30:44,360 --> 00:30:46,440 >> ♪ YOU'VE GOT TO GIVE A LITTLE 1987 00:30:46,440 --> 00:30:48,360 [APPLAUSE] 1988 00:30:46,440 --> 00:30:48,360 >> ♪ YOU'VE GOT TO GIVE A LITTLE 1989 00:30:46,440 --> 00:30:48,360 TAKE A LITTLE 1990 00:30:48,360 --> 00:30:49,880 >> ♪ YOU'VE GOT TO GIVE A LITTLE 1991 00:30:48,360 --> 00:30:49,880 TAKE A LITTLE 1992 00:30:48,360 --> 00:30:49,880 LET YOUR POOR HEART 1993 00:30:49,880 --> 00:30:51,800 TAKE A LITTLE 1994 00:30:49,880 --> 00:30:51,800 LET YOUR POOR HEART 1995 00:30:49,880 --> 00:30:51,800 BREAK A LITTLE 1996 00:30:51,800 --> 00:30:53,440 LET YOUR POOR HEART 1997 00:30:51,800 --> 00:30:53,440 BREAK A LITTLE 1998 00:30:51,800 --> 00:30:53,440 THAT'S THE STORY OF 1999 00:30:53,440 --> 00:30:57,320 BREAK A LITTLE 2000 00:30:53,440 --> 00:30:57,320 THAT'S THE STORY OF 2001 00:30:53,440 --> 00:30:57,320 THAT'S THE GLORY OF LOVE... ♪ 2002 00:30:57,320 --> 00:30:59,400 THAT'S THE STORY OF 2003 00:30:57,320 --> 00:30:59,400 THAT'S THE GLORY OF LOVE... ♪ 2004 00:30:57,320 --> 00:30:59,400 >> DONE UP LIKE A DOG'S DINNER 2005 00:30:59,400 --> 00:31:01,960 THAT'S THE GLORY OF LOVE... ♪ 2006 00:30:59,400 --> 00:31:01,960 >> DONE UP LIKE A DOG'S DINNER 2007 00:30:59,400 --> 00:31:01,960 AND WITH A WAR ON, IT'S 2008 00:31:01,960 --> 00:31:04,920 >> DONE UP LIKE A DOG'S DINNER 2009 00:31:01,960 --> 00:31:04,920 AND WITH A WAR ON, IT'S 2010 00:31:01,960 --> 00:31:04,920 UNPATRIOTIC. 2011 00:31:04,920 --> 00:31:06,520 AND WITH A WAR ON, IT'S 2012 00:31:04,920 --> 00:31:06,520 UNPATRIOTIC. 2013 00:31:04,920 --> 00:31:06,520 >> ♪ THAT'S THE STORY OF 2014 00:31:06,520 --> 00:31:10,920 UNPATRIOTIC. 2015 00:31:06,520 --> 00:31:10,920 >> ♪ THAT'S THE STORY OF 2016 00:31:06,520 --> 00:31:10,920 THAT'S THE GLORY OF LOVE 2017 00:31:10,920 --> 00:31:14,360 >> ♪ THAT'S THE STORY OF 2018 00:31:10,920 --> 00:31:14,360 THAT'S THE GLORY OF LOVE 2019 00:31:10,920 --> 00:31:14,360 AS LONG AS THERE'S THE TWO OF US 2020 00:31:14,360 --> 00:31:15,920 THAT'S THE GLORY OF LOVE 2021 00:31:14,360 --> 00:31:15,920 AS LONG AS THERE'S THE TWO OF US 2022 00:31:14,360 --> 00:31:15,920 WE'VE GOT THE WORLD 2023 00:31:15,920 --> 00:31:17,760 AS LONG AS THERE'S THE TWO OF US 2024 00:31:15,920 --> 00:31:17,760 WE'VE GOT THE WORLD 2025 00:31:15,920 --> 00:31:17,760 AND ALL IT'S CHARMS 2026 00:31:17,760 --> 00:31:19,440 WE'VE GOT THE WORLD 2027 00:31:17,760 --> 00:31:19,440 AND ALL IT'S CHARMS 2028 00:31:17,760 --> 00:31:19,440 AND WHEN THE WORLD 2029 00:31:19,440 --> 00:31:21,520 AND ALL IT'S CHARMS 2030 00:31:19,440 --> 00:31:21,520 AND WHEN THE WORLD 2031 00:31:19,440 --> 00:31:21,520 IS THROUGH WITH US 2032 00:31:21,520 --> 00:31:24,280 AND WHEN THE WORLD 2033 00:31:21,520 --> 00:31:24,280 IS THROUGH WITH US 2034 00:31:21,520 --> 00:31:24,280 WE'VE GOT EACH OTHER'S ARMS 2035 00:31:24,280 --> 00:31:26,360 IS THROUGH WITH US 2036 00:31:24,280 --> 00:31:26,360 WE'VE GOT EACH OTHER'S ARMS 2037 00:31:24,280 --> 00:31:26,360 YOU GOT TO WIN A LITTLE 2038 00:31:26,360 --> 00:31:28,280 WE'VE GOT EACH OTHER'S ARMS 2039 00:31:26,360 --> 00:31:28,280 YOU GOT TO WIN A LITTLE 2040 00:31:26,360 --> 00:31:28,280 LOSE A LITTLE 2041 00:31:28,280 --> 00:31:29,480 YOU GOT TO WIN A LITTLE 2042 00:31:28,280 --> 00:31:29,480 LOSE A LITTLE 2043 00:31:28,280 --> 00:31:29,480 AND ALWAYS HAVE 2044 00:31:29,480 --> 00:31:31,600 LOSE A LITTLE 2045 00:31:29,480 --> 00:31:31,600 AND ALWAYS HAVE 2046 00:31:29,480 --> 00:31:31,600 THE BLUES A LITTLE 2047 00:31:31,600 --> 00:31:33,400 AND ALWAYS HAVE 2048 00:31:31,600 --> 00:31:33,400 THE BLUES A LITTLE 2049 00:31:31,600 --> 00:31:33,400 THAT'S THE STORY OF 2050 00:31:33,400 --> 00:31:36,160 THE BLUES A LITTLE 2051 00:31:33,400 --> 00:31:36,160 THAT'S THE STORY OF 2052 00:31:33,400 --> 00:31:36,160 THAT'S THE GLORY OF-- ♪ 2053 00:31:48,440 --> 00:31:49,520 >> HAVE A DRINK WITH ME, MR. 2054 00:31:49,520 --> 00:31:51,800 >> HAVE A DRINK WITH ME, MR. 2055 00:31:49,520 --> 00:31:51,800 FINCH? 2056 00:32:25,440 --> 00:32:27,480 I USED TO BE A SERGEANT, 2057 00:32:27,480 --> 00:32:30,600 I USED TO BE A SERGEANT, 2058 00:32:27,480 --> 00:32:30,600 DEMANDED RESPECT. NOW PEOPLE 2059 00:32:30,600 --> 00:32:32,120 I USED TO BE A SERGEANT, 2060 00:32:30,600 --> 00:32:32,120 DEMANDED RESPECT. NOW PEOPLE 2061 00:32:30,600 --> 00:32:32,120 CROSS OVER THE STREET TO AVOID 2062 00:32:32,120 --> 00:32:34,040 DEMANDED RESPECT. NOW PEOPLE 2063 00:32:32,120 --> 00:32:34,040 CROSS OVER THE STREET TO AVOID 2064 00:32:32,120 --> 00:32:34,040 ME. 2065 00:32:34,040 --> 00:32:35,080 CROSS OVER THE STREET TO AVOID 2066 00:32:34,040 --> 00:32:35,080 ME. 2067 00:32:34,040 --> 00:32:35,080 >> PEOPLE WHO THINK YOU SHOULD 2068 00:32:35,080 --> 00:32:36,600 ME. 2069 00:32:35,080 --> 00:32:36,600 >> PEOPLE WHO THINK YOU SHOULD 2070 00:32:35,080 --> 00:32:36,600 STILL BE LOCKED UP. 2071 00:32:36,600 --> 00:32:39,080 >> PEOPLE WHO THINK YOU SHOULD 2072 00:32:36,600 --> 00:32:39,080 STILL BE LOCKED UP. 2073 00:32:36,600 --> 00:32:39,080 >> FRUSTRATED GOSSIPS, TOO MUCH 2074 00:32:39,080 --> 00:32:41,960 STILL BE LOCKED UP. 2075 00:32:39,080 --> 00:32:41,960 >> FRUSTRATED GOSSIPS, TOO MUCH 2076 00:32:39,080 --> 00:32:41,960 TIME ON THEIR HANDS. 2077 00:32:41,960 --> 00:32:44,280 >> FRUSTRATED GOSSIPS, TOO MUCH 2078 00:32:41,960 --> 00:32:44,280 TIME ON THEIR HANDS. 2079 00:32:41,960 --> 00:32:44,280 >> LORD HUXLEY WAS A FINE, 2080 00:32:44,280 --> 00:32:47,320 TIME ON THEIR HANDS. 2081 00:32:44,280 --> 00:32:47,320 >> LORD HUXLEY WAS A FINE, 2082 00:32:44,280 --> 00:32:47,320 UPSTANDING MAN, A HERO. 2083 00:32:47,320 --> 00:32:48,360 >> LORD HUXLEY WAS A FINE, 2084 00:32:47,320 --> 00:32:48,360 UPSTANDING MAN, A HERO. 2085 00:32:47,320 --> 00:32:48,360 >> YEAH. ALL RIGHT. THERE'S NO 2086 00:32:48,360 --> 00:32:49,400 UPSTANDING MAN, A HERO. 2087 00:32:48,360 --> 00:32:49,400 >> YEAH. ALL RIGHT. THERE'S NO 2088 00:32:48,360 --> 00:32:49,400 NEED TO REMIND US. 2089 00:32:49,400 --> 00:32:50,840 >> YEAH. ALL RIGHT. THERE'S NO 2090 00:32:49,400 --> 00:32:50,840 NEED TO REMIND US. 2091 00:32:49,400 --> 00:32:50,840 >> THERE'S EVERY NEED. THE MAN 2092 00:32:50,840 --> 00:32:52,080 NEED TO REMIND US. 2093 00:32:50,840 --> 00:32:52,080 >> THERE'S EVERY NEED. THE MAN 2094 00:32:50,840 --> 00:32:52,080 WHO MURDERED HIM IS FREE TO COME 2095 00:32:52,080 --> 00:32:53,360 >> THERE'S EVERY NEED. THE MAN 2096 00:32:52,080 --> 00:32:53,360 WHO MURDERED HIM IS FREE TO COME 2097 00:32:52,080 --> 00:32:53,360 AND GO AS HE PLEASES. 2098 00:32:53,360 --> 00:32:54,440 WHO MURDERED HIM IS FREE TO COME 2099 00:32:53,360 --> 00:32:54,440 AND GO AS HE PLEASES. 2100 00:32:53,360 --> 00:32:54,440 >> THEY THREW THE CASE OUT. 2101 00:32:54,440 --> 00:32:55,440 AND GO AS HE PLEASES. 2102 00:32:54,440 --> 00:32:55,440 >> THEY THREW THE CASE OUT. 2103 00:32:54,440 --> 00:32:55,440 >> YAH. 2104 00:32:55,440 --> 00:32:56,360 >> THEY THREW THE CASE OUT. 2105 00:32:55,440 --> 00:32:56,360 >> YAH. 2106 00:32:55,440 --> 00:32:56,360 >> HIS WIFE WAS CONVINCED OF MY 2107 00:32:56,360 --> 00:32:58,120 >> YAH. 2108 00:32:56,360 --> 00:32:58,120 >> HIS WIFE WAS CONVINCED OF MY 2109 00:32:56,360 --> 00:32:58,120 INNOCENCE. SHAME OTHERS SEE FIT 2110 00:32:58,120 --> 00:33:04,680 >> HIS WIFE WAS CONVINCED OF MY 2111 00:32:58,120 --> 00:33:04,680 INNOCENCE. SHAME OTHERS SEE FIT 2112 00:32:58,120 --> 00:33:04,680 TO JUDGE. 2113 00:33:04,680 --> 00:33:08,120 INNOCENCE. SHAME OTHERS SEE FIT 2114 00:33:04,680 --> 00:33:08,120 TO JUDGE. 2115 00:33:04,680 --> 00:33:08,120 ANOTHER ONE? 2116 00:33:08,120 --> 00:33:11,520 TO JUDGE. 2117 00:33:08,120 --> 00:33:11,520 ANOTHER ONE? 2118 00:33:08,120 --> 00:33:11,520 >> ♪ YOU ALWAYS HURT 2119 00:33:11,520 --> 00:33:14,640 ANOTHER ONE? 2120 00:33:11,520 --> 00:33:14,640 >> ♪ YOU ALWAYS HURT 2121 00:33:11,520 --> 00:33:14,640 THE ONE YOU LOVE 2122 00:33:14,640 --> 00:33:17,760 >> ♪ YOU ALWAYS HURT 2123 00:33:14,640 --> 00:33:17,760 THE ONE YOU LOVE 2124 00:33:14,640 --> 00:33:17,760 THE ONE YOU SHOULDN'T HURT 2125 00:33:17,760 --> 00:33:21,120 THE ONE YOU LOVE 2126 00:33:17,760 --> 00:33:21,120 THE ONE YOU SHOULDN'T HURT 2127 00:33:17,760 --> 00:33:21,120 AT ALL 2128 00:33:21,120 --> 00:33:24,400 THE ONE YOU SHOULDN'T HURT 2129 00:33:21,120 --> 00:33:24,400 AT ALL 2130 00:33:21,120 --> 00:33:24,400 YOU ALWAYS TAKE 2131 00:33:24,400 --> 00:33:27,480 AT ALL 2132 00:33:24,400 --> 00:33:27,480 YOU ALWAYS TAKE 2133 00:33:24,400 --> 00:33:27,480 THE SWEETEST ROSE 2134 00:33:27,480 --> 00:33:29,320 YOU ALWAYS TAKE 2135 00:33:27,480 --> 00:33:29,320 THE SWEETEST ROSE 2136 00:33:27,480 --> 00:33:29,320 AND CRUSH IT 2137 00:33:29,320 --> 00:33:33,640 THE SWEETEST ROSE 2138 00:33:29,320 --> 00:33:33,640 AND CRUSH IT 2139 00:33:29,320 --> 00:33:33,640 TILL THE PETALS FALL 2140 00:33:33,640 --> 00:33:36,720 AND CRUSH IT 2141 00:33:33,640 --> 00:33:36,720 TILL THE PETALS FALL 2142 00:33:33,640 --> 00:33:36,720 YOU ALWAYS BREAK 2143 00:33:36,720 --> 00:33:39,520 TILL THE PETALS FALL 2144 00:33:36,720 --> 00:33:39,520 YOU ALWAYS BREAK 2145 00:33:36,720 --> 00:33:39,520 THE KINDEST HEART 2146 00:33:39,520 --> 00:33:41,600 YOU ALWAYS BREAK 2147 00:33:39,520 --> 00:33:41,600 THE KINDEST HEART 2148 00:33:39,520 --> 00:33:41,600 WITH A HASTY WORD 2149 00:33:41,600 --> 00:33:45,400 THE KINDEST HEART 2150 00:33:41,600 --> 00:33:45,400 WITH A HASTY WORD 2151 00:33:41,600 --> 00:33:45,400 YOU CAN'T RECALL 2152 00:33:45,400 --> 00:33:48,880 WITH A HASTY WORD 2153 00:33:45,400 --> 00:33:48,880 YOU CAN'T RECALL 2154 00:33:45,400 --> 00:33:48,880 SO IF I BROKE 2155 00:33:48,880 --> 00:33:52,520 YOU CAN'T RECALL 2156 00:33:48,880 --> 00:33:52,520 SO IF I BROKE 2157 00:33:48,880 --> 00:33:52,520 YOUR HEART LAST NIGHT 2158 00:33:52,520 --> 00:33:55,240 SO IF I BROKE 2159 00:33:52,520 --> 00:33:55,240 YOUR HEART LAST NIGHT 2160 00:33:52,520 --> 00:33:55,240 IT'S BECAUSE I LOVE YOU 2161 00:33:55,240 --> 00:34:00,440 YOUR HEART LAST NIGHT 2162 00:33:55,240 --> 00:34:00,440 IT'S BECAUSE I LOVE YOU 2163 00:33:55,240 --> 00:34:00,440 MOST OF ALL ♪ 2164 00:34:00,440 --> 00:34:02,880 IT'S BECAUSE I LOVE YOU 2165 00:34:00,440 --> 00:34:02,880 MOST OF ALL ♪ 2166 00:34:00,440 --> 00:34:02,880 >> IT'S HARD NOW, BUT WHEN THIS 2167 00:34:02,880 --> 00:34:05,400 MOST OF ALL ♪ 2168 00:34:02,880 --> 00:34:05,400 >> IT'S HARD NOW, BUT WHEN THIS 2169 00:34:02,880 --> 00:34:05,400 WAR IS OVER, WE WILL GET OUR OWN 2170 00:34:05,400 --> 00:34:07,520 >> IT'S HARD NOW, BUT WHEN THIS 2171 00:34:05,400 --> 00:34:07,520 WAR IS OVER, WE WILL GET OUR OWN 2172 00:34:05,400 --> 00:34:07,520 PLACE, A PROPER FAMILY. 2173 00:34:07,520 --> 00:34:13,960 WAR IS OVER, WE WILL GET OUR OWN 2174 00:34:07,520 --> 00:34:13,960 PLACE, A PROPER FAMILY. 2175 00:34:07,520 --> 00:34:13,960 >> SON OF YOUR OWN. 2176 00:34:13,960 --> 00:34:16,000 PLACE, A PROPER FAMILY. 2177 00:34:13,960 --> 00:34:16,000 >> SON OF YOUR OWN. 2178 00:34:13,960 --> 00:34:16,000 >> I'M TRYING TO MAKE THE BEST 2179 00:34:16,000 --> 00:34:19,680 >> SON OF YOUR OWN. 2180 00:34:16,000 --> 00:34:19,680 >> I'M TRYING TO MAKE THE BEST 2181 00:34:16,000 --> 00:34:19,680 OF THINGS. WE ALL ARE. WHY 2182 00:34:19,680 --> 00:34:26,320 >> I'M TRYING TO MAKE THE BEST 2183 00:34:19,680 --> 00:34:26,320 OF THINGS. WE ALL ARE. WHY 2184 00:34:19,680 --> 00:34:26,320 SHOULD YOU BE SO DIFFERENT, HMM? 2185 00:34:26,320 --> 00:34:35,280 OF THINGS. WE ALL ARE. WHY 2186 00:34:26,320 --> 00:34:35,280 SHOULD YOU BE SO DIFFERENT, HMM? 2187 00:34:26,320 --> 00:34:35,280 >> VEDI NAPOLI E POI MORI. 2188 00:34:35,280 --> 00:34:39,920 SHOULD YOU BE SO DIFFERENT, HMM? 2189 00:34:35,280 --> 00:34:39,920 >> VEDI NAPOLI E POI MORI. 2190 00:34:35,280 --> 00:34:39,920 [KNOCKS ON DOOR] 2191 00:34:39,920 --> 00:34:42,600 >> VEDI NAPOLI E POI MORI. 2192 00:34:39,920 --> 00:34:42,600 [KNOCKS ON DOOR] 2193 00:34:39,920 --> 00:34:42,600 >> IT'S ALL RIGHT, SARAH. 2194 00:34:42,600 --> 00:34:44,680 [KNOCKS ON DOOR] 2195 00:34:42,600 --> 00:34:44,680 >> IT'S ALL RIGHT, SARAH. 2196 00:34:42,600 --> 00:34:44,680 >> LADYSHIP, APOLOGIES FOR THE 2197 00:34:44,680 --> 00:34:46,760 >> IT'S ALL RIGHT, SARAH. 2198 00:34:44,680 --> 00:34:46,760 >> LADYSHIP, APOLOGIES FOR THE 2199 00:34:44,680 --> 00:34:46,760 LATE HOUR. 2200 00:34:46,760 --> 00:34:48,080 >> LADYSHIP, APOLOGIES FOR THE 2201 00:34:46,760 --> 00:34:48,080 LATE HOUR. 2202 00:34:46,760 --> 00:34:48,080 >> HOW CAN I HELP YOU, SERGEANT 2203 00:34:48,080 --> 00:34:49,360 LATE HOUR. 2204 00:34:48,080 --> 00:34:49,360 >> HOW CAN I HELP YOU, SERGEANT 2205 00:34:48,080 --> 00:34:49,360 TUCKER? 2206 00:34:49,360 --> 00:34:53,120 >> HOW CAN I HELP YOU, SERGEANT 2207 00:34:49,360 --> 00:34:53,120 TUCKER? 2208 00:34:49,360 --> 00:34:53,120 >> MR. TUCKER NOW, MILADY. I'VE 2209 00:34:53,120 --> 00:34:54,640 TUCKER? 2210 00:34:53,120 --> 00:34:54,640 >> MR. TUCKER NOW, MILADY. I'VE 2211 00:34:53,120 --> 00:34:54,640 COME TO INQUIRE ABOUT MY OLD 2212 00:34:54,640 --> 00:34:56,480 >> MR. TUCKER NOW, MILADY. I'VE 2213 00:34:54,640 --> 00:34:56,480 COME TO INQUIRE ABOUT MY OLD 2214 00:34:54,640 --> 00:34:56,480 JOB. YOU KNOW I'VE ALWAYS BEEN A 2215 00:34:56,480 --> 00:34:59,120 COME TO INQUIRE ABOUT MY OLD 2216 00:34:56,480 --> 00:34:59,120 JOB. YOU KNOW I'VE ALWAYS BEEN A 2217 00:34:56,480 --> 00:34:59,120 CAPABLE GAMEKEEPER. 2218 00:34:59,120 --> 00:35:00,160 JOB. YOU KNOW I'VE ALWAYS BEEN A 2219 00:34:59,120 --> 00:35:00,160 CAPABLE GAMEKEEPER. 2220 00:34:59,120 --> 00:35:00,160 >> REGRETFULLY, I CAN'T BE OF 2221 00:35:00,160 --> 00:35:02,040 CAPABLE GAMEKEEPER. 2222 00:35:00,160 --> 00:35:02,040 >> REGRETFULLY, I CAN'T BE OF 2223 00:35:00,160 --> 00:35:02,040 ASSISTANCE. 2224 00:35:02,040 --> 00:35:05,680 >> REGRETFULLY, I CAN'T BE OF 2225 00:35:02,040 --> 00:35:05,680 ASSISTANCE. 2226 00:35:02,040 --> 00:35:05,680 >> I SEE. PERHAPS ANOTHER 2227 00:35:05,680 --> 00:35:07,000 ASSISTANCE. 2228 00:35:05,680 --> 00:35:07,000 >> I SEE. PERHAPS ANOTHER 2229 00:35:05,680 --> 00:35:07,000 POSITION? 2230 00:35:07,000 --> 00:35:09,120 >> I SEE. PERHAPS ANOTHER 2231 00:35:07,000 --> 00:35:09,120 POSITION? 2232 00:35:07,000 --> 00:35:09,120 >> WOULDN'T BE APPROPRIATE UNDER 2233 00:35:09,120 --> 00:35:10,680 POSITION? 2234 00:35:09,120 --> 00:35:10,680 >> WOULDN'T BE APPROPRIATE UNDER 2235 00:35:09,120 --> 00:35:10,680 THE CIRCUMSTANCES. 2236 00:35:10,680 --> 00:35:11,760 >> WOULDN'T BE APPROPRIATE UNDER 2237 00:35:10,680 --> 00:35:11,760 THE CIRCUMSTANCES. 2238 00:35:10,680 --> 00:35:11,760 >> OH. I'M A VICTIM OF 2239 00:35:11,760 --> 00:35:13,040 THE CIRCUMSTANCES. 2240 00:35:11,760 --> 00:35:13,040 >> OH. I'M A VICTIM OF 2241 00:35:11,760 --> 00:35:13,040 CIRCUMSTANCES. 2242 00:35:13,040 --> 00:35:14,080 >> OH. I'M A VICTIM OF 2243 00:35:13,040 --> 00:35:14,080 CIRCUMSTANCES. 2244 00:35:13,040 --> 00:35:14,080 >> ALL THE POSITIONS HAVE BEEN 2245 00:35:14,080 --> 00:35:16,160 CIRCUMSTANCES. 2246 00:35:14,080 --> 00:35:16,160 >> ALL THE POSITIONS HAVE BEEN 2247 00:35:14,080 --> 00:35:16,160 FILLED. OF COURSE, YOU MUST 2248 00:35:16,160 --> 00:35:17,320 >> ALL THE POSITIONS HAVE BEEN 2249 00:35:16,160 --> 00:35:17,320 FILLED. OF COURSE, YOU MUST 2250 00:35:16,160 --> 00:35:17,320 COLLECT YOUR BELONGINGS, MR. 2251 00:35:17,320 --> 00:35:19,320 FILLED. OF COURSE, YOU MUST 2252 00:35:17,320 --> 00:35:19,320 COLLECT YOUR BELONGINGS, MR. 2253 00:35:17,320 --> 00:35:19,320 TUCKER, WHENEVER IT IS 2254 00:35:19,320 --> 00:35:20,120 COLLECT YOUR BELONGINGS, MR. 2255 00:35:19,320 --> 00:35:20,120 TUCKER, WHENEVER IT IS 2256 00:35:19,320 --> 00:35:20,120 CONVENIENT. 2257 00:35:20,120 --> 00:35:21,800 TUCKER, WHENEVER IT IS 2258 00:35:20,120 --> 00:35:21,800 CONVENIENT. 2259 00:35:20,120 --> 00:35:21,800 >> THE COTTAGE IS MY HOME. 2260 00:35:21,800 --> 00:35:24,200 CONVENIENT. 2261 00:35:21,800 --> 00:35:24,200 >> THE COTTAGE IS MY HOME. 2262 00:35:21,800 --> 00:35:24,200 >> EVERYTHING OK HERE? 2263 00:35:24,200 --> 00:35:27,800 >> THE COTTAGE IS MY HOME. 2264 00:35:24,200 --> 00:35:27,800 >> EVERYTHING OK HERE? 2265 00:35:24,200 --> 00:35:27,800 >> MR. TUCKER WAS JUST LEAVING. 2266 00:35:27,800 --> 00:35:32,600 >> EVERYTHING OK HERE? 2267 00:35:27,800 --> 00:35:32,600 >> MR. TUCKER WAS JUST LEAVING. 2268 00:35:27,800 --> 00:35:32,600 >> YOU HEARD THE LADY. 2269 00:35:32,600 --> 00:35:36,520 >> MR. TUCKER WAS JUST LEAVING. 2270 00:35:32,600 --> 00:35:36,520 >> YOU HEARD THE LADY. 2271 00:35:32,600 --> 00:35:36,520 >> SORRY TO HAVE TROUBLED YOU. 2272 00:35:36,520 --> 00:35:39,040 >> YOU HEARD THE LADY. 2273 00:35:36,520 --> 00:35:39,040 >> SORRY TO HAVE TROUBLED YOU. 2274 00:35:36,520 --> 00:35:39,040 I CAN SEE YOU'RE BUSY. 2275 00:35:51,000 --> 00:35:52,960 >> BERNARD. 2276 00:35:52,960 --> 00:36:01,040 >> BERNARD. 2277 00:35:52,960 --> 00:36:01,040 >> UH, COME IN. 2278 00:36:01,040 --> 00:36:01,960 >> BERNARD. 2279 00:36:01,040 --> 00:36:01,960 >> UH, COME IN. 2280 00:36:01,040 --> 00:36:01,960 >> THE SITUATION WAS UNDER 2281 00:36:01,960 --> 00:36:03,600 >> UH, COME IN. 2282 00:36:01,960 --> 00:36:03,600 >> THE SITUATION WAS UNDER 2283 00:36:01,960 --> 00:36:03,600 CONTROL. 2284 00:36:03,600 --> 00:36:04,360 >> THE SITUATION WAS UNDER 2285 00:36:03,600 --> 00:36:04,360 CONTROL. 2286 00:36:03,600 --> 00:36:04,360 >> WHAT GIVES YOU THE RIGHT TO 2287 00:36:04,360 --> 00:36:06,920 CONTROL. 2288 00:36:04,360 --> 00:36:06,920 >> WHAT GIVES YOU THE RIGHT TO 2289 00:36:04,360 --> 00:36:06,920 BE SO DAMN SUPERIOR? 2290 00:36:06,920 --> 00:36:10,560 >> WHAT GIVES YOU THE RIGHT TO 2291 00:36:06,920 --> 00:36:10,560 BE SO DAMN SUPERIOR? 2292 00:36:06,920 --> 00:36:10,560 >> RICH FOR AN AMERICAN. 2293 00:36:10,560 --> 00:36:13,680 BE SO DAMN SUPERIOR? 2294 00:36:10,560 --> 00:36:13,680 >> RICH FOR AN AMERICAN. 2295 00:36:10,560 --> 00:36:13,680 >> BEA FINCH. YOU KNEW WHERE THE 2296 00:36:13,680 --> 00:36:16,240 >> RICH FOR AN AMERICAN. 2297 00:36:13,680 --> 00:36:16,240 >> BEA FINCH. YOU KNEW WHERE THE 2298 00:36:13,680 --> 00:36:16,240 CHILD WAS. 2299 00:36:16,240 --> 00:36:17,080 >> BEA FINCH. YOU KNEW WHERE THE 2300 00:36:16,240 --> 00:36:17,080 CHILD WAS. 2301 00:36:16,240 --> 00:36:17,080 >> YOU DIDN'T NEED MY HELP TO 2302 00:36:17,080 --> 00:36:18,760 CHILD WAS. 2303 00:36:17,080 --> 00:36:18,760 >> YOU DIDN'T NEED MY HELP TO 2304 00:36:17,080 --> 00:36:18,760 FIND HIM. 2305 00:36:18,760 --> 00:36:20,280 >> YOU DIDN'T NEED MY HELP TO 2306 00:36:18,760 --> 00:36:20,280 FIND HIM. 2307 00:36:18,760 --> 00:36:20,280 >> I JUST WANT TO SEE MY 2308 00:36:20,280 --> 00:36:21,640 FIND HIM. 2309 00:36:20,280 --> 00:36:21,640 >> I JUST WANT TO SEE MY 2310 00:36:20,280 --> 00:36:21,640 GRANDSON. 2311 00:36:21,640 --> 00:36:24,440 >> I JUST WANT TO SEE MY 2312 00:36:21,640 --> 00:36:24,440 GRANDSON. 2313 00:36:21,640 --> 00:36:24,440 >> AND THEN WHAT? WE'VE ALL LOST 2314 00:36:24,440 --> 00:36:27,200 GRANDSON. 2315 00:36:24,440 --> 00:36:27,200 >> AND THEN WHAT? WE'VE ALL LOST 2316 00:36:24,440 --> 00:36:27,200 SOMEONE WE LOVE. IT'S WHAT MAKES 2317 00:36:27,200 --> 00:36:30,160 >> AND THEN WHAT? WE'VE ALL LOST 2318 00:36:27,200 --> 00:36:30,160 SOMEONE WE LOVE. IT'S WHAT MAKES 2319 00:36:27,200 --> 00:36:30,160 US WHO WE ARE. 2320 00:36:30,160 --> 00:36:31,120 SOMEONE WE LOVE. IT'S WHAT MAKES 2321 00:36:30,160 --> 00:36:31,120 US WHO WE ARE. 2322 00:36:30,160 --> 00:36:31,120 >> THE THINGS YOU SAID 2323 00:36:31,120 --> 00:36:34,640 US WHO WE ARE. 2324 00:36:31,120 --> 00:36:34,640 >> THE THINGS YOU SAID 2325 00:36:31,120 --> 00:36:34,640 YESTERDAY--ME BEING RESPONSIBLE 2326 00:36:34,640 --> 00:36:37,320 >> THE THINGS YOU SAID 2327 00:36:34,640 --> 00:36:37,320 YESTERDAY--ME BEING RESPONSIBLE 2328 00:36:34,640 --> 00:36:37,320 FOR CAL'S DEATH-- 2329 00:36:37,320 --> 00:36:38,560 YESTERDAY--ME BEING RESPONSIBLE 2330 00:36:37,320 --> 00:36:38,560 FOR CAL'S DEATH-- 2331 00:36:37,320 --> 00:36:38,560 >> IT WAS UNFORGIVABLE. 2332 00:36:38,560 --> 00:36:41,840 FOR CAL'S DEATH-- 2333 00:36:38,560 --> 00:36:41,840 >> IT WAS UNFORGIVABLE. 2334 00:36:38,560 --> 00:36:41,840 >> NO ONE EVER DARED BEFORE. 2335 00:36:41,840 --> 00:36:47,960 >> IT WAS UNFORGIVABLE. 2336 00:36:41,840 --> 00:36:47,960 >> NO ONE EVER DARED BEFORE. 2337 00:36:41,840 --> 00:36:47,960 SURE I FEEL GUILTY. GUILT SUCKS 2338 00:36:47,960 --> 00:36:50,040 >> NO ONE EVER DARED BEFORE. 2339 00:36:47,960 --> 00:36:50,040 SURE I FEEL GUILTY. GUILT SUCKS 2340 00:36:47,960 --> 00:36:50,040 THE LIFE OUT OF ME. 2341 00:36:50,040 --> 00:36:51,240 SURE I FEEL GUILTY. GUILT SUCKS 2342 00:36:50,040 --> 00:36:51,240 THE LIFE OUT OF ME. 2343 00:36:50,040 --> 00:36:51,240 >> AND THIS CHILD WILL MAKE 2344 00:36:51,240 --> 00:36:52,680 THE LIFE OUT OF ME. 2345 00:36:51,240 --> 00:36:52,680 >> AND THIS CHILD WILL MAKE 2346 00:36:51,240 --> 00:36:52,680 EVERYTHING ALL RIGHT? 2347 00:36:52,680 --> 00:36:58,880 >> AND THIS CHILD WILL MAKE 2348 00:36:52,680 --> 00:36:58,880 EVERYTHING ALL RIGHT? 2349 00:36:52,680 --> 00:36:58,880 >> THIS CHILD KEEPS CAL ALIVE. 2350 00:36:58,880 --> 00:37:03,080 EVERYTHING ALL RIGHT? 2351 00:36:58,880 --> 00:37:03,080 >> THIS CHILD KEEPS CAL ALIVE. 2352 00:36:58,880 --> 00:37:03,080 >> AM I INTERRUPTING? 2353 00:37:03,080 --> 00:37:05,440 >> THIS CHILD KEEPS CAL ALIVE. 2354 00:37:03,080 --> 00:37:05,440 >> AM I INTERRUPTING? 2355 00:37:03,080 --> 00:37:05,440 >> CONVERSATION IS OVER. 2356 00:37:10,000 --> 00:37:11,440 >> YOU CONSTANTLY CHOOSE TO 2357 00:37:11,440 --> 00:37:12,720 >> YOU CONSTANTLY CHOOSE TO 2358 00:37:11,440 --> 00:37:12,720 DISAPPOINT ME. 2359 00:37:12,720 --> 00:37:14,120 >> YOU CONSTANTLY CHOOSE TO 2360 00:37:12,720 --> 00:37:14,120 DISAPPOINT ME. 2361 00:37:12,720 --> 00:37:14,120 >> JACK HAS A RIGHT TO FIND HIS 2362 00:37:14,120 --> 00:37:15,240 DISAPPOINT ME. 2363 00:37:14,120 --> 00:37:15,240 >> JACK HAS A RIGHT TO FIND HIS 2364 00:37:14,120 --> 00:37:15,240 GRANDSON. 2365 00:37:15,240 --> 00:37:16,760 >> JACK HAS A RIGHT TO FIND HIS 2366 00:37:15,240 --> 00:37:16,760 GRANDSON. 2367 00:37:15,240 --> 00:37:16,760 >> THIS ISN'T ABOUT JACK. 2368 00:37:16,760 --> 00:37:18,400 GRANDSON. 2369 00:37:16,760 --> 00:37:18,400 >> THIS ISN'T ABOUT JACK. 2370 00:37:16,760 --> 00:37:18,400 >> OH, ELLEN, YOUR 2371 00:37:18,400 --> 00:37:20,400 >> THIS ISN'T ABOUT JACK. 2372 00:37:18,400 --> 00:37:20,400 >> OH, ELLEN, YOUR 2373 00:37:18,400 --> 00:37:20,400 SELF-IMPORTANCE ASTOUNDS ME 2374 00:37:20,400 --> 00:37:21,400 >> OH, ELLEN, YOUR 2375 00:37:20,400 --> 00:37:21,400 SELF-IMPORTANCE ASTOUNDS ME 2376 00:37:20,400 --> 00:37:21,400 SOMETIMES. 2377 00:37:21,400 --> 00:37:23,160 SELF-IMPORTANCE ASTOUNDS ME 2378 00:37:21,400 --> 00:37:23,160 SOMETIMES. 2379 00:37:21,400 --> 00:37:23,160 >> OUR FAMILY HAS A STANDING 2380 00:37:23,160 --> 00:37:24,560 SOMETIMES. 2381 00:37:23,160 --> 00:37:24,560 >> OUR FAMILY HAS A STANDING 2382 00:37:23,160 --> 00:37:24,560 WHICH YOU SEEM DETERMINED TO 2383 00:37:24,560 --> 00:37:25,880 >> OUR FAMILY HAS A STANDING 2384 00:37:24,560 --> 00:37:25,880 WHICH YOU SEEM DETERMINED TO 2385 00:37:24,560 --> 00:37:25,880 UNDERMINE. 2386 00:37:25,880 --> 00:37:27,840 WHICH YOU SEEM DETERMINED TO 2387 00:37:25,880 --> 00:37:27,840 UNDERMINE. 2388 00:37:25,880 --> 00:37:27,840 >> I JUST WANT TO HAVE SOME FUN. 2389 00:37:27,840 --> 00:37:29,080 UNDERMINE. 2390 00:37:27,840 --> 00:37:29,080 >> I JUST WANT TO HAVE SOME FUN. 2391 00:37:27,840 --> 00:37:29,080 >> AND WHERE HAS THAT EVER GOT 2392 00:37:29,080 --> 00:37:30,440 >> I JUST WANT TO HAVE SOME FUN. 2393 00:37:29,080 --> 00:37:30,440 >> AND WHERE HAS THAT EVER GOT 2394 00:37:29,080 --> 00:37:30,440 YOU? 2395 00:37:30,440 --> 00:37:31,920 >> AND WHERE HAS THAT EVER GOT 2396 00:37:30,440 --> 00:37:31,920 YOU? 2397 00:37:30,440 --> 00:37:31,920 >> I WONDERED WHEN LAWRENCE 2398 00:37:31,920 --> 00:37:34,880 YOU? 2399 00:37:31,920 --> 00:37:34,880 >> I WONDERED WHEN LAWRENCE 2400 00:37:31,920 --> 00:37:34,880 WOULD BE DRAGGED INTO THIS. 2401 00:37:34,880 --> 00:37:36,080 >> I WONDERED WHEN LAWRENCE 2402 00:37:34,880 --> 00:37:36,080 WOULD BE DRAGGED INTO THIS. 2403 00:37:34,880 --> 00:37:36,080 >> WHENEVER YOU COME HOME, YOU 2404 00:37:36,080 --> 00:37:37,320 WOULD BE DRAGGED INTO THIS. 2405 00:37:36,080 --> 00:37:37,320 >> WHENEVER YOU COME HOME, YOU 2406 00:37:36,080 --> 00:37:37,320 BRING CHAOS. 2407 00:37:37,320 --> 00:37:39,280 >> WHENEVER YOU COME HOME, YOU 2408 00:37:37,320 --> 00:37:39,280 BRING CHAOS. 2409 00:37:37,320 --> 00:37:39,280 >> I GREW UP IN THIS HOUSE. 2410 00:37:39,280 --> 00:37:40,520 BRING CHAOS. 2411 00:37:39,280 --> 00:37:40,520 >> I GREW UP IN THIS HOUSE. 2412 00:37:39,280 --> 00:37:40,520 I COME HOME, AND I'M LITTLE MORE 2413 00:37:40,520 --> 00:37:41,960 >> I GREW UP IN THIS HOUSE. 2414 00:37:40,520 --> 00:37:41,960 I COME HOME, AND I'M LITTLE MORE 2415 00:37:40,520 --> 00:37:41,960 THAN AN IMPOSITION. 2416 00:37:41,960 --> 00:37:44,040 I COME HOME, AND I'M LITTLE MORE 2417 00:37:41,960 --> 00:37:44,040 THAN AN IMPOSITION. 2418 00:37:41,960 --> 00:37:44,040 >> IF THAT'S THE WAY YOU FEEL, 2419 00:37:44,040 --> 00:37:45,320 THAN AN IMPOSITION. 2420 00:37:44,040 --> 00:37:45,320 >> IF THAT'S THE WAY YOU FEEL, 2421 00:37:44,040 --> 00:37:45,320 WHY DON'T YOU GO BACK TO YOUR 2422 00:37:45,320 --> 00:37:47,240 >> IF THAT'S THE WAY YOU FEEL, 2423 00:37:45,320 --> 00:37:47,240 WHY DON'T YOU GO BACK TO YOUR 2424 00:37:45,320 --> 00:37:47,240 HUSBAND? 2425 00:37:53,320 --> 00:37:55,480 >> GOOD NIGHT. GOOD NIGHT, 2426 00:37:55,480 --> 00:37:57,560 >> GOOD NIGHT. GOOD NIGHT, 2427 00:37:55,480 --> 00:37:57,560 GENTLEMEN. 2428 00:37:57,560 --> 00:38:00,080 >> GOOD NIGHT. GOOD NIGHT, 2429 00:37:57,560 --> 00:38:00,080 GENTLEMEN. 2430 00:37:57,560 --> 00:38:00,080 >> ONE FOR THE ROAD? 2431 00:38:00,080 --> 00:38:02,120 GENTLEMEN. 2432 00:38:00,080 --> 00:38:02,120 >> ONE FOR THE ROAD? 2433 00:38:00,080 --> 00:38:02,120 >> OHH... 2434 00:38:02,120 --> 00:38:05,120 >> ONE FOR THE ROAD? 2435 00:38:02,120 --> 00:38:05,120 >> OHH... 2436 00:38:02,120 --> 00:38:05,120 [SIGHS] 2437 00:38:05,120 --> 00:38:06,480 >> OHH... 2438 00:38:05,120 --> 00:38:06,480 [SIGHS] 2439 00:38:05,120 --> 00:38:06,480 WE REALLY ROCKED THE JOINT, EH? 2440 00:38:06,480 --> 00:38:08,800 [SIGHS] 2441 00:38:06,480 --> 00:38:08,800 WE REALLY ROCKED THE JOINT, EH? 2442 00:38:06,480 --> 00:38:08,800 >> DIDN'T WE JUST? SEE, THAT'S 2443 00:38:08,800 --> 00:38:10,560 WE REALLY ROCKED THE JOINT, EH? 2444 00:38:08,800 --> 00:38:10,560 >> DIDN'T WE JUST? SEE, THAT'S 2445 00:38:08,800 --> 00:38:10,560 THE THING ABOUT WAR, HENRY. IT 2446 00:38:10,560 --> 00:38:14,320 >> DIDN'T WE JUST? SEE, THAT'S 2447 00:38:10,560 --> 00:38:14,320 THE THING ABOUT WAR, HENRY. IT 2448 00:38:10,560 --> 00:38:14,320 RELEASES THE DEVIL IN ALL OF US. 2449 00:38:14,320 --> 00:38:19,000 THE THING ABOUT WAR, HENRY. IT 2450 00:38:14,320 --> 00:38:19,000 RELEASES THE DEVIL IN ALL OF US. 2451 00:38:14,320 --> 00:38:19,000 AW, AND YOU GOT LOVELY HANDS, 2452 00:38:19,000 --> 00:38:23,960 RELEASES THE DEVIL IN ALL OF US. 2453 00:38:19,000 --> 00:38:23,960 AW, AND YOU GOT LOVELY HANDS, 2454 00:38:19,000 --> 00:38:23,960 SOFT. 2455 00:38:23,960 --> 00:38:26,320 AW, AND YOU GOT LOVELY HANDS, 2456 00:38:23,960 --> 00:38:26,320 SOFT. 2457 00:38:23,960 --> 00:38:26,320 >> MISS CARTER, ARE YOU TRYING 2458 00:38:26,320 --> 00:38:28,440 SOFT. 2459 00:38:26,320 --> 00:38:28,440 >> MISS CARTER, ARE YOU TRYING 2460 00:38:26,320 --> 00:38:28,440 TO SEDUCE ME? 2461 00:38:28,440 --> 00:38:29,360 >> MISS CARTER, ARE YOU TRYING 2462 00:38:28,440 --> 00:38:29,360 TO SEDUCE ME? 2463 00:38:28,440 --> 00:38:29,360 >> WHAT KIND OF A GIRL DO YOU 2464 00:38:29,360 --> 00:38:30,960 TO SEDUCE ME? 2465 00:38:29,360 --> 00:38:30,960 >> WHAT KIND OF A GIRL DO YOU 2466 00:38:29,360 --> 00:38:30,960 THINK I AM? 2467 00:38:30,960 --> 00:38:33,320 >> WHAT KIND OF A GIRL DO YOU 2468 00:38:30,960 --> 00:38:33,320 THINK I AM? 2469 00:38:30,960 --> 00:38:33,320 >> A GIRL WITH A HEAVENLY VOICE. 2470 00:38:33,320 --> 00:38:34,320 THINK I AM? 2471 00:38:33,320 --> 00:38:34,320 >> A GIRL WITH A HEAVENLY VOICE. 2472 00:38:33,320 --> 00:38:34,320 >> I'M ONLY REALLY HAPPY WHEN 2473 00:38:34,320 --> 00:38:36,280 >> A GIRL WITH A HEAVENLY VOICE. 2474 00:38:34,320 --> 00:38:36,280 >> I'M ONLY REALLY HAPPY WHEN 2475 00:38:34,320 --> 00:38:36,280 I SING. 2476 00:38:40,720 --> 00:38:41,880 UH... 2477 00:38:41,880 --> 00:38:43,120 UH... 2478 00:38:41,880 --> 00:38:43,120 >> GOODNESS. 2479 00:38:43,120 --> 00:38:44,360 UH... 2480 00:38:43,120 --> 00:38:44,360 >> GOODNESS. 2481 00:38:43,120 --> 00:38:44,360 >> THAT'S ONE WAY OF PUTTING IT. 2482 00:38:44,360 --> 00:38:45,640 >> GOODNESS. 2483 00:38:44,360 --> 00:38:45,640 >> THAT'S ONE WAY OF PUTTING IT. 2484 00:38:44,360 --> 00:38:45,640 >> I DO APOLOGIZE. 2485 00:38:45,640 --> 00:38:46,360 >> THAT'S ONE WAY OF PUTTING IT. 2486 00:38:45,640 --> 00:38:46,360 >> I DO APOLOGIZE. 2487 00:38:45,640 --> 00:38:46,360 >> OH, DON'T BOTHER ON MY 2488 00:38:46,360 --> 00:38:48,200 >> I DO APOLOGIZE. 2489 00:38:46,360 --> 00:38:48,200 >> OH, DON'T BOTHER ON MY 2490 00:38:46,360 --> 00:38:48,200 ACCOUNT. 2491 00:38:58,280 --> 00:39:00,640 >> GOOD NIGHT. 2492 00:39:07,320 --> 00:39:08,360 >> YOU HAVEN'T TOUCHED YOUR 2493 00:39:08,360 --> 00:39:10,600 >> YOU HAVEN'T TOUCHED YOUR 2494 00:39:08,360 --> 00:39:10,600 DRINK. 2495 00:39:17,520 --> 00:39:20,480 >> THE TRACTOR. 2496 00:39:20,480 --> 00:39:22,720 >> THE TRACTOR. 2497 00:39:20,480 --> 00:39:22,720 I NEED YOU TO GIVE FRED HIS 2498 00:39:22,720 --> 00:39:24,640 >> THE TRACTOR. 2499 00:39:22,720 --> 00:39:24,640 I NEED YOU TO GIVE FRED HIS 2500 00:39:22,720 --> 00:39:24,640 MONEY BACK. 2501 00:39:24,640 --> 00:39:25,960 I NEED YOU TO GIVE FRED HIS 2502 00:39:24,640 --> 00:39:25,960 MONEY BACK. 2503 00:39:24,640 --> 00:39:25,960 >> TO PAY FOR MARTIN'S 2504 00:39:25,960 --> 00:39:27,960 MONEY BACK. 2505 00:39:25,960 --> 00:39:27,960 >> TO PAY FOR MARTIN'S 2506 00:39:25,960 --> 00:39:27,960 OPERATION. 2507 00:39:27,960 --> 00:39:29,360 >> TO PAY FOR MARTIN'S 2508 00:39:27,960 --> 00:39:29,360 OPERATION. 2509 00:39:27,960 --> 00:39:29,360 >> HE COULD LOSE HIS SIGHT. 2510 00:39:29,360 --> 00:39:30,480 OPERATION. 2511 00:39:29,360 --> 00:39:30,480 >> HE COULD LOSE HIS SIGHT. 2512 00:39:29,360 --> 00:39:30,480 >> AND I COULD LOSE FACE 2513 00:39:30,480 --> 00:39:36,080 >> HE COULD LOSE HIS SIGHT. 2514 00:39:30,480 --> 00:39:36,080 >> AND I COULD LOSE FACE 2515 00:39:30,480 --> 00:39:36,080 WITH FINCH. 2516 00:39:36,080 --> 00:39:38,120 >> AND I COULD LOSE FACE 2517 00:39:36,080 --> 00:39:38,120 WITH FINCH. 2518 00:39:36,080 --> 00:39:38,120 >> YOU COULD LEND ME THE MONEY. 2519 00:39:38,120 --> 00:39:44,160 WITH FINCH. 2520 00:39:38,120 --> 00:39:44,160 >> YOU COULD LEND ME THE MONEY. 2521 00:39:38,120 --> 00:39:44,160 NOBODY NEEDS TO KNOW. 2522 00:39:44,160 --> 00:39:46,080 >> YOU COULD LEND ME THE MONEY. 2523 00:39:44,160 --> 00:39:46,080 NOBODY NEEDS TO KNOW. 2524 00:39:44,160 --> 00:39:46,080 >> I WOULD NEED TO SEE A RETURN, 2525 00:39:46,080 --> 00:39:49,640 NOBODY NEEDS TO KNOW. 2526 00:39:46,080 --> 00:39:49,640 >> I WOULD NEED TO SEE A RETURN, 2527 00:39:46,080 --> 00:39:49,640 THOUGH, ON ME INVESTMENT. 2528 00:39:49,640 --> 00:39:52,520 >> I WOULD NEED TO SEE A RETURN, 2529 00:39:49,640 --> 00:39:52,520 THOUGH, ON ME INVESTMENT. 2530 00:39:49,640 --> 00:39:52,520 HOW COULD YOU EVER REPAY ME? 2531 00:40:04,320 --> 00:40:07,960 THERE IS A WAY AROUND THIS. 2532 00:40:13,840 --> 00:40:17,480 YOU'RE A WOMAN IN YOUR PRIME, 2533 00:40:17,480 --> 00:40:21,920 YOU'RE A WOMAN IN YOUR PRIME, 2534 00:40:17,480 --> 00:40:21,920 HUSBAND AWAY. 2535 00:40:21,920 --> 00:40:26,360 YOU'RE A WOMAN IN YOUR PRIME, 2536 00:40:21,920 --> 00:40:26,360 HUSBAND AWAY. 2537 00:40:21,920 --> 00:40:26,360 MUST GET LONELY. 2538 00:40:26,360 --> 00:40:28,800 HUSBAND AWAY. 2539 00:40:26,360 --> 00:40:28,800 MUST GET LONELY. 2540 00:40:26,360 --> 00:40:28,800 >> HE'LL BE HOME SOON. 2541 00:40:28,800 --> 00:40:33,640 MUST GET LONELY. 2542 00:40:28,800 --> 00:40:33,640 >> HE'LL BE HOME SOON. 2543 00:40:28,800 --> 00:40:33,640 >> MAYBE NOT SOON ENOUGH. YOUR 2544 00:40:33,640 --> 00:40:37,160 >> HE'LL BE HOME SOON. 2545 00:40:33,640 --> 00:40:37,160 >> MAYBE NOT SOON ENOUGH. YOUR 2546 00:40:33,640 --> 00:40:37,160 MARTIN MAY NEVER SEE HIS 2547 00:40:37,160 --> 00:40:41,160 >> MAYBE NOT SOON ENOUGH. YOUR 2548 00:40:37,160 --> 00:40:41,160 MARTIN MAY NEVER SEE HIS 2549 00:40:37,160 --> 00:40:41,160 FATHER'S FACE. 2550 00:40:41,160 --> 00:40:42,760 MARTIN MAY NEVER SEE HIS 2551 00:40:41,160 --> 00:40:42,760 FATHER'S FACE. 2552 00:40:41,160 --> 00:40:42,760 >> WHAT DO YOU THINK I AM? 2553 00:40:42,760 --> 00:40:44,120 FATHER'S FACE. 2554 00:40:42,760 --> 00:40:44,120 >> WHAT DO YOU THINK I AM? 2555 00:40:42,760 --> 00:40:44,120 >> I THINK YOU'RE DESPERATE, AND 2556 00:40:44,120 --> 00:40:45,280 >> WHAT DO YOU THINK I AM? 2557 00:40:44,120 --> 00:40:45,280 >> I THINK YOU'RE DESPERATE, AND 2558 00:40:44,120 --> 00:40:45,280 I THINK THAT'S WHY YOU COME 2559 00:40:45,280 --> 00:40:50,280 >> I THINK YOU'RE DESPERATE, AND 2560 00:40:45,280 --> 00:40:50,280 I THINK THAT'S WHY YOU COME 2561 00:40:45,280 --> 00:40:50,280 KNOCKING ON ME DOOR. 2562 00:40:50,280 --> 00:40:56,640 I THINK THAT'S WHY YOU COME 2563 00:40:50,280 --> 00:40:56,640 KNOCKING ON ME DOOR. 2564 00:40:50,280 --> 00:40:56,640 >> I'LL NEVER BE THAT DESPERATE. 2565 00:40:56,640 --> 00:40:57,800 KNOCKING ON ME DOOR. 2566 00:40:56,640 --> 00:40:57,800 >> I'LL NEVER BE THAT DESPERATE. 2567 00:40:56,640 --> 00:40:57,800 >> IT'S ALWAYS A PLEASURE, 2568 00:40:57,800 --> 00:40:59,520 >> I'LL NEVER BE THAT DESPERATE. 2569 00:40:57,800 --> 00:40:59,520 >> IT'S ALWAYS A PLEASURE, 2570 00:40:57,800 --> 00:40:59,520 ESTHER. 2571 00:41:06,440 --> 00:41:09,080 IT'S ALWAYS A PLEASURE. 2572 00:41:50,560 --> 00:41:54,400 >> WHISKEY? 2573 00:41:54,400 --> 00:41:56,680 >> WHISKEY? 2574 00:41:54,400 --> 00:41:56,680 >> IT'S ALL I COULD GET. 2575 00:42:01,440 --> 00:42:06,360 I FOUND BANDAGES... 2576 00:42:06,360 --> 00:42:12,920 I FOUND BANDAGES... 2577 00:42:06,360 --> 00:42:12,920 MORE FOOD. 2578 00:42:12,920 --> 00:42:15,440 I FOUND BANDAGES... 2579 00:42:12,920 --> 00:42:15,440 MORE FOOD. 2580 00:42:12,920 --> 00:42:15,440 >> IT MIGHT BE INFECTED. 2581 00:42:15,440 --> 00:42:18,040 MORE FOOD. 2582 00:42:15,440 --> 00:42:18,040 >> IT MIGHT BE INFECTED. 2583 00:42:15,440 --> 00:42:18,040 >> YOU NEED TO KEEP WARM. 2584 00:42:18,040 --> 00:42:20,840 >> IT MIGHT BE INFECTED. 2585 00:42:18,040 --> 00:42:20,840 >> YOU NEED TO KEEP WARM. 2586 00:42:18,040 --> 00:42:20,840 >> NO! 2587 00:42:20,840 --> 00:42:22,240 >> YOU NEED TO KEEP WARM. 2588 00:42:20,840 --> 00:42:22,240 >> NO! 2589 00:42:20,840 --> 00:42:22,240 STOP. 2590 00:42:22,240 --> 00:42:24,840 >> NO! 2591 00:42:22,240 --> 00:42:24,840 STOP. 2592 00:42:22,240 --> 00:42:24,840 [PISTOL COCKS] 2593 00:42:24,840 --> 00:42:30,040 STOP. 2594 00:42:24,840 --> 00:42:30,040 [PISTOL COCKS] 2595 00:42:24,840 --> 00:42:30,040 CLOSER. CLOSER. 2596 00:42:30,040 --> 00:42:31,280 [PISTOL COCKS] 2597 00:42:30,040 --> 00:42:31,280 CLOSER. CLOSER. 2598 00:42:30,040 --> 00:42:31,280 IT WAS KIND OF YOU TO HELP ME, 2599 00:42:31,280 --> 00:42:32,320 CLOSER. CLOSER. 2600 00:42:31,280 --> 00:42:32,320 IT WAS KIND OF YOU TO HELP ME, 2601 00:42:31,280 --> 00:42:32,320 MARTIN. 2602 00:42:32,320 --> 00:42:34,200 IT WAS KIND OF YOU TO HELP ME, 2603 00:42:32,320 --> 00:42:34,200 MARTIN. 2604 00:42:32,320 --> 00:42:34,200 >> I WOULDN'T HAVE IF I'D KNOWN. 2605 00:42:34,200 --> 00:42:35,640 MARTIN. 2606 00:42:34,200 --> 00:42:35,640 >> I WOULDN'T HAVE IF I'D KNOWN. 2607 00:42:34,200 --> 00:42:35,640 >> IT'S TOO LATE NOW. 2608 00:42:35,640 --> 00:42:36,840 >> I WOULDN'T HAVE IF I'D KNOWN. 2609 00:42:35,640 --> 00:42:36,840 >> IT'S TOO LATE NOW. 2610 00:42:35,640 --> 00:42:36,840 WE'RE FRIENDS. 2611 00:42:36,840 --> 00:42:37,920 >> IT'S TOO LATE NOW. 2612 00:42:36,840 --> 00:42:37,920 WE'RE FRIENDS. 2613 00:42:36,840 --> 00:42:37,920 >> BUT YOU'RE A GERMAN. 2614 00:42:37,920 --> 00:42:40,560 WE'RE FRIENDS. 2615 00:42:37,920 --> 00:42:40,560 >> BUT YOU'RE A GERMAN. 2616 00:42:37,920 --> 00:42:40,560 >> AND YOU'RE A COLLABORATOR, 2617 00:42:40,560 --> 00:42:41,440 >> BUT YOU'RE A GERMAN. 2618 00:42:40,560 --> 00:42:41,440 >> AND YOU'RE A COLLABORATOR, 2619 00:42:40,560 --> 00:42:41,440 AND WE KNOW WHAT HAPPENS TO 2620 00:42:41,440 --> 00:42:44,520 >> AND YOU'RE A COLLABORATOR, 2621 00:42:41,440 --> 00:42:44,520 AND WE KNOW WHAT HAPPENS TO 2622 00:42:41,440 --> 00:42:44,520 THEM. 2623 00:42:44,520 --> 00:42:47,960 AND WE KNOW WHAT HAPPENS TO 2624 00:42:44,520 --> 00:42:47,960 THEM. 2625 00:42:44,520 --> 00:42:47,960 POOM! 2626 00:42:47,960 --> 00:42:49,320 THEM. 2627 00:42:47,960 --> 00:42:49,320 POOM! 2628 00:42:47,960 --> 00:42:49,320 YOU BETTER PROMISE NOT TO BETRAY 2629 00:42:49,320 --> 00:42:51,480 POOM! 2630 00:42:49,320 --> 00:42:51,480 YOU BETTER PROMISE NOT TO BETRAY 2631 00:42:49,320 --> 00:42:51,480 ME, MARTIN. 2632 00:42:58,920 --> 00:43:03,960 >> ♪ WHILE WE'RE AWAY, WE DREAM 2633 00:43:03,960 --> 00:43:08,720 >> ♪ WHILE WE'RE AWAY, WE DREAM 2634 00:43:03,960 --> 00:43:08,720 THE WAY ALL SOLDIERS DO 2635 00:43:08,720 --> 00:43:13,440 >> ♪ WHILE WE'RE AWAY, WE DREAM 2636 00:43:08,720 --> 00:43:13,440 THE WAY ALL SOLDIERS DO 2637 00:43:08,720 --> 00:43:13,440 WE DREAM OF LOVING YOU 2638 00:43:13,440 --> 00:43:18,440 THE WAY ALL SOLDIERS DO 2639 00:43:13,440 --> 00:43:18,440 WE DREAM OF LOVING YOU 2640 00:43:13,440 --> 00:43:18,440 WHILE WE'RE AWAY 2641 00:43:18,440 --> 00:43:22,000 WE DREAM OF LOVING YOU 2642 00:43:18,440 --> 00:43:22,000 WHILE WE'RE AWAY 2643 00:43:18,440 --> 00:43:22,000 WE DREAM OF LOVING YOU 2644 00:43:22,000 --> 00:43:32,280 WHILE WE'RE AWAY 2645 00:43:22,000 --> 00:43:32,280 WE DREAM OF LOVING YOU 2646 00:43:22,000 --> 00:43:32,280 WHILE WE'RE AWAY ♪ 172887

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