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1
00:00:01,068 --> 00:00:04,102
( theme music playing )
2
00:00:46,079 --> 00:00:49,080
( music playing )
3
00:00:56,256 --> 00:00:58,222
- HOLA, MUCHACHOS.
4
00:00:58,258 --> 00:01:00,391
DONDE ESTA MY MAIN SQUEEZE?
5
00:01:02,629 --> 00:01:05,997
- STEPHANIE,
YOUR BLITHERING IDIOT IS HERE.
6
00:01:06,032 --> 00:01:07,665
- THANKS, DICK.
7
00:01:07,668 --> 00:01:10,335
STEPH AND I HAVE SOME
MAJOR CELEBRATING TO DO.
8
00:01:10,370 --> 00:01:12,303
- DARN, IT'S NOT A MISTAKE.
9
00:01:12,339 --> 00:01:13,304
- WHAT'S THE MATTER?
10
00:01:13,306 --> 00:01:15,973
- THEY'VE REPLACED
MY FAVORITE PROGRAM.
11
00:01:16,009 --> 00:01:19,444
JUST WHEN YOU FIND A SHOW
THAT'S INTELLIGENT, STIMULATING
12
00:01:19,479 --> 00:01:21,979
AND DOESN'T TALK DOWN TO YOU,
THEY YANK IT.
13
00:01:22,015 --> 00:01:24,482
- WHAT SHOW, GEORGE?
- "BARNABY JONES."
14
00:01:25,652 --> 00:01:27,652
- WHOA, COINCIDENCE-ARAMA.
15
00:01:27,688 --> 00:01:29,787
THIS TIES DIRECTLY
INTO MY CELEBRATION.
16
00:01:29,823 --> 00:01:31,589
- YOU'RE CELEBRATING
THE CANCELLATION
17
00:01:31,625 --> 00:01:32,990
OF "BARNABY JONES"?
18
00:01:33,026 --> 00:01:35,326
- IN A WAY, YES.
19
00:01:35,362 --> 00:01:36,794
YOU SEE,
THE STATION'S DECIDED
20
00:01:36,830 --> 00:01:38,463
TO LET ME TRY MY HAND
AT PROGRAMMING.
21
00:01:38,498 --> 00:01:41,832
AND TODAY MARKS THE DEBUT OF
THE NEW MICHAEL HARRIS SCHEDULE
22
00:01:41,868 --> 00:01:44,001
OR, AS I LIKE TO CALL IT,
MTV.
23
00:01:44,037 --> 00:01:45,036
( giggling )
24
00:01:46,106 --> 00:01:50,141
- WELL, ANY SCHEDULE WITHOUT
BUDDY EBSEN SUCKS EGGS.
25
00:01:50,177 --> 00:01:51,376
- GEORGE, DON'T DESPAIR.
26
00:01:51,411 --> 00:01:55,446
I PURCHASED A REPLACEMENT SHOW
OF EQUAL QUALITY AND VALUE.
27
00:01:55,481 --> 00:01:58,916
- "LIFESTYLES OF THE SOLID
PLATINUM DANCERS"?
28
00:01:59,853 --> 00:02:01,419
- IT'S A PIECE OF FLUFF.
29
00:02:01,454 --> 00:02:03,188
THEY DON'T SOLVE CRIMES
30
00:02:03,223 --> 00:02:06,291
OR HAVE A CUTE SECRETARY
OR ANYTHING.
31
00:02:06,326 --> 00:02:07,925
- GEORGE, EACH EPISODE
OF "BARNABY"
32
00:02:07,960 --> 00:02:09,594
HAS AIRED OVER 10 TIMES.
33
00:02:09,629 --> 00:02:11,596
- BUT NO MATTER
HOW OFTEN I WATCH,
34
00:02:11,632 --> 00:02:13,765
I ALWAYS FIND NEW THINGS.
35
00:02:13,800 --> 00:02:16,034
BUDDY CAN DO MORE
WITH HIS EYEBROWS
36
00:02:16,069 --> 00:02:17,869
THAN ANY ACTOR I KNOW.
37
00:02:18,872 --> 00:02:20,137
- MICHAEL, I'M READY.
38
00:02:20,173 --> 00:02:22,106
- GEORGE, I'D LOVE TO KEEP UP
THIS POINTLESS DEBATE
39
00:02:22,141 --> 00:02:25,543
BUT WE HAVE SOME SERIOUS
BRUNCHING TO DO.
40
00:02:25,579 --> 00:02:28,245
STEPH, SAY IT FOR ME,
JUST ONCE.
41
00:02:28,281 --> 00:02:30,915
- ( sighing )
I WANT MY MTV.
42
00:02:30,950 --> 00:02:31,949
( giggling )
43
00:02:37,256 --> 00:02:39,590
- WELL, I REFUSE TO TAKE THIS
LYING DOWN.
44
00:02:39,626 --> 00:02:42,693
I'M GONNA GET "BARNABY JONES"
BACK ON THE AIR.
45
00:02:42,729 --> 00:02:44,629
OR AS BUDDY WOULD SAY...
46
00:02:50,136 --> 00:02:51,202
- GOOD MORNING.
47
00:02:51,237 --> 00:02:52,203
- GOOD MORNING, MISS NEWMAN.
48
00:02:52,238 --> 00:02:54,005
DID YOU SLEEP WELL?
- OH, YES.
49
00:02:54,041 --> 00:02:55,240
I JUST LOVE YOUR INN.
50
00:02:55,275 --> 00:02:57,041
GREAT PILLOWS.
51
00:02:58,111 --> 00:03:00,845
HAVE YOU SEEN
MY FIANC� EDWARD?
52
00:03:00,881 --> 00:03:02,847
- NO, BUT HERE'S A NOTE FOR YOU.
53
00:03:02,882 --> 00:03:07,151
- OH, HE'S ALWAYS WRITING ME
REALLY EMBARRASSING GUSHY NOTES.
54
00:03:07,186 --> 00:03:08,152
- OH, HO, HO.
55
00:03:11,557 --> 00:03:13,791
- ( gasping )
56
00:03:13,826 --> 00:03:15,694
HE RAN OUT ON ME.
57
00:03:15,729 --> 00:03:17,696
WE'RE SUPPOSED TO GET MARRIED
THIS AFTERNOON
58
00:03:17,731 --> 00:03:20,865
BUT HE SAYS HE'S NOT SURE
OF HIS FEELINGS.
59
00:03:20,901 --> 00:03:24,869
- I'M SURE HE'LL SEE THE LIGHT
BEFORE HE GETS TOO FAR.
60
00:03:24,905 --> 00:03:27,405
- SAYS HE'S HOPPING
THE FIRST BUS FOR CANADA.
61
00:03:28,408 --> 00:03:31,142
- MAYBE HE'LL SEE
THE NORTHERN LIGHTS FIRST.
62
00:03:33,346 --> 00:03:36,013
- THIS IS AWFUL.
63
00:03:36,048 --> 00:03:37,949
I CAN'T EVEN AFFORD TO GET HOME.
64
00:03:37,984 --> 00:03:40,284
- OH, DON'T WORRY, IF YOU WANT,
65
00:03:40,319 --> 00:03:42,053
WE'LL LEND YOU THE MONEY
TO GET HOME.
66
00:03:42,088 --> 00:03:43,821
- OH, YOU'RE VERY KIND
67
00:03:43,857 --> 00:03:47,025
BUT I BELIEVE IN
PAYING MY OWN WAY.
68
00:03:47,060 --> 00:03:48,059
- GOOD FOR YOU.
69
00:03:49,061 --> 00:03:51,662
- I KNOW, MAYBE I COULD
GET A JOB IN THIS TOWN.
70
00:03:51,697 --> 00:03:54,265
I USED TO BE A WAITRESS
BACK IN ARIZONA.
71
00:03:54,300 --> 00:03:57,636
IN FACT, I SAW A CUTE CAF�
RIGHT NEXT DOOR,
72
00:03:57,671 --> 00:03:58,637
THE "MINUTEMAN."
73
00:03:58,672 --> 00:04:04,742
- I--I HAPPEN TO KNOW
THEY'RE NOT HIRING.
74
00:04:04,777 --> 00:04:06,911
- OKAY.
75
00:04:06,946 --> 00:04:10,447
WELL, I'LL BET YOU I HAVE A JOB
BY THE END OF THE DAY.
76
00:04:10,483 --> 00:04:12,550
I MEAN, THE SECRET
TO GETTING HIRED
77
00:04:12,585 --> 00:04:17,655
IS TO PROJECT A STRONG,
POSITIVE ATTITUDE.
78
00:04:17,690 --> 00:04:20,925
( music playing )
79
00:04:31,004 --> 00:04:33,438
( inhales )
80
00:04:33,507 --> 00:04:37,775
( sneezes twice )
81
00:04:38,845 --> 00:04:41,145
( inhales )
82
00:04:41,181 --> 00:04:44,782
( sneezes )
83
00:04:44,817 --> 00:04:46,250
( sneezes twice more )
84
00:04:50,257 --> 00:04:51,789
- WELL, I THINK WE HAVE A--
85
00:04:55,829 --> 00:04:57,996
YOU TWO HAVING
SNEEZING CONTESTS AGAIN?
86
00:04:59,065 --> 00:05:00,364
I CAN'T LEAVE THE ROOM
FOR A MINUTE
87
00:05:00,400 --> 00:05:02,400
WITHOUT YOU
ABUSING A CONDIMENT.
88
00:05:05,371 --> 00:05:06,337
- HELLO.
89
00:05:06,373 --> 00:05:08,372
- HI. I'M LARRY.
90
00:05:08,407 --> 00:05:09,506
THIS IS MY BROTHER DARRYL,
91
00:05:09,542 --> 00:05:11,642
AND THIS IS MY OTHER BROTHER,
DARRYL.
92
00:05:11,677 --> 00:05:14,645
PLEASE, GRAB
A RUMPFUL OF VINYL.
93
00:05:14,681 --> 00:05:17,815
- OH, THANK YOU,
BUT I'M NOT HERE AS A CUSTOMER.
94
00:05:17,850 --> 00:05:19,817
I'M LOOKING FOR A JOB
AS A WAITRESS.
95
00:05:19,852 --> 00:05:22,887
- I'M SORRY, BUT DARRYL AND I
DO FINE BY OURSELVES.
96
00:05:22,923 --> 00:05:25,590
WE'RE KINDA LIKE
A VERY OILY MACHINE.
97
00:05:26,760 --> 00:05:28,693
- PLEASE, I'VE BEEN
ALL OVER TOWN.
98
00:05:28,729 --> 00:05:30,061
YOU'RE MY LAST HOPE.
99
00:05:30,097 --> 00:05:32,062
- I'D LIKE TO HELP.
100
00:05:32,098 --> 00:05:33,398
YOU'LL HAVE TO EXCUSE ME.
101
00:05:33,433 --> 00:05:35,232
THE LUNCH RUSH
IS ABOUT TO START.
102
00:05:35,268 --> 00:05:36,967
DARRYL, STATIONS, PLEASE.
103
00:05:38,905 --> 00:05:41,405
- HEY, BOYS.
104
00:05:41,440 --> 00:05:44,676
MA'AM.
105
00:05:44,778 --> 00:05:45,910
- CAN I TAKE YOUR ORDER?
106
00:05:45,945 --> 00:05:47,211
- JUST THE USUAL.
107
00:05:47,246 --> 00:05:48,445
- I'M SORRY.
108
00:05:48,481 --> 00:05:51,716
IT'S HARD TO REMEMBER EACH
REGULAR'S CULINARY PREFERENCES.
109
00:05:51,751 --> 00:05:52,751
- CUP OF COFFEE.
110
00:05:52,786 --> 00:05:56,120
- OH, YEAH.
CUP O' JOE!
111
00:05:56,155 --> 00:05:58,589
CAN I INTEREST YOU IN
A GENEROUS HUNK OF PIE?
112
00:05:58,624 --> 00:05:59,591
- NO THANKS.
113
00:05:59,626 --> 00:06:01,259
I DON'T WANT TO BE
ANY BIGGER TARGET OUT THERE
114
00:06:01,294 --> 00:06:02,293
THAN I HAVE TO.
115
00:06:04,364 --> 00:06:06,965
- WELL, AS YOU CAN SEE,
THE THREE OF US
116
00:06:07,000 --> 00:06:09,167
CAN HANDLE THINGS
EVEN WHEN IT GETS BUSY.
117
00:06:10,937 --> 00:06:13,170
- WELL, THE CHEERY SMILE
OF A GOOD WAITRESS
118
00:06:13,206 --> 00:06:15,306
CAN DO A LOT
TO STIMULATE BUSINESS.
119
00:06:15,341 --> 00:06:16,841
- 'FRAID WE GOT THAT ONE
COVERED.
120
00:06:19,980 --> 00:06:21,279
- I'LL BET
I COULD HAVE GOTTEN HIM
121
00:06:21,314 --> 00:06:22,680
TO TAKE THAT PIECE OF PIE.
122
00:06:22,715 --> 00:06:23,614
- GO ON.
123
00:06:23,650 --> 00:06:25,649
WE OFFER HIM SOME
EVERY TIME HE COMES HERE.
124
00:06:25,685 --> 00:06:26,650
- JUST WATCH.
125
00:06:29,322 --> 00:06:31,088
- OFFICER.
126
00:06:31,123 --> 00:06:35,093
ARE YOU SURE YOU WON'T
CHANGE YOUR MIND ABOUT THIS PIE?
127
00:06:35,128 --> 00:06:37,228
- I'D LOVE TO,
BUT IN MY LINE OF WORK,
128
00:06:37,264 --> 00:06:38,663
FITNESS EQUALS SURVIVAL.
129
00:06:38,698 --> 00:06:40,965
- C'MON, SURELY
ONE PIECE OF PIE
130
00:06:41,001 --> 00:06:43,767
ISN'T GONNA HURT A STOMACH
AS FLAT AS THAT.
131
00:06:45,038 --> 00:06:47,538
- IT IS OFTEN MISTAKEN
FOR A WASHBOARD.
132
00:06:48,708 --> 00:06:50,641
WHAT THE HELL,
133
00:06:50,677 --> 00:06:52,109
PIE ME.
134
00:06:53,647 --> 00:06:57,982
- WELL, LITTLE LADY,
YOU GOT A W-4 FORM TO FILL OUT.
135
00:06:58,017 --> 00:06:59,050
- OH, REALLY?
136
00:06:59,085 --> 00:07:00,150
- YOU'RE AMAZING.
137
00:07:00,186 --> 00:07:02,086
WE THOUGHT WE'D BEEN
SAVING THAT PIE IN VAIN
138
00:07:02,122 --> 00:07:03,655
FOR THE LAST SIX MONTHS.
139
00:07:08,594 --> 00:07:11,562
( music playing )
140
00:07:16,636 --> 00:07:18,203
- SHOULDN'T KATHY
BE BACK BY NOW?
141
00:07:18,238 --> 00:07:20,238
SHE SAID SHE'D BE HOME
AFTER THE BREAKFAST SHIFT.
142
00:07:20,273 --> 00:07:21,739
- HONEY, WILL YOU STOP WORRYING
ABOUT HER?
143
00:07:21,774 --> 00:07:23,107
SHE WAS FINE YESTERDAY.
144
00:07:23,142 --> 00:07:25,809
- I KNOW, BUT HOW MUCH LONGER
CAN HER LUCK HOLD OUT?
145
00:07:27,813 --> 00:07:30,181
- HI.
BOY, WHAT A MORNING.
146
00:07:30,216 --> 00:07:31,449
- WHAT HAPPENED?
147
00:07:31,551 --> 00:07:33,617
- OH, I HELPED THEM
CLEAN THE GRIDDLE.
148
00:07:33,653 --> 00:07:35,954
- OKAY. THAT'S IT.
YOU'VE GOT TO GO HOME.
149
00:07:35,989 --> 00:07:36,987
WE'LL LEND YOU THE MONEY.
150
00:07:37,023 --> 00:07:38,422
- OH, THANKS,
151
00:07:38,458 --> 00:07:41,259
BUT I'M NOT THAT ANXIOUS
TO GET HOME ANYMORE.
152
00:07:43,463 --> 00:07:46,197
- YOU LIKE WORKING WITH
LARRY AND THE DARRYLS?
153
00:07:46,233 --> 00:07:49,266
- THEY'RE THE SWEETEST MEN
I'VE EVER MET.
154
00:07:49,302 --> 00:07:51,269
NOT AT ALL LIKE EDWARD.
155
00:07:51,304 --> 00:07:52,236
- REALLY?
156
00:07:53,472 --> 00:07:57,008
- WELL, I HAVE TO FRESHEN UP
AND GET BACK THERE.
157
00:08:02,081 --> 00:08:03,313
- HOLA, LOUDONS.
158
00:08:03,349 --> 00:08:04,481
DICK, GREAT NEWS.
159
00:08:04,517 --> 00:08:06,284
I THINK I CAN GET
THE SOLID PLATINUM DANCERS
160
00:08:06,319 --> 00:08:07,885
TO GUEST ON YOUR SHOW.
161
00:08:07,920 --> 00:08:09,587
- I DON'T DO GLITZ.
162
00:08:09,622 --> 00:08:11,121
- EXACTLY MY POINT.
163
00:08:11,157 --> 00:08:12,590
YOU'RE THE ONLY ONE
WHO CAN BREAK THROUGH
164
00:08:12,626 --> 00:08:14,692
ALL THAT PHONY
GLAMOUR AND CHEESECAKE
165
00:08:14,728 --> 00:08:16,927
AND GRILL THE TRUE MEASUREMENTS
OUT OF THOSE GIRLS.
166
00:08:18,497 --> 00:08:19,530
- LOOK, MICHAEL.
167
00:08:19,565 --> 00:08:22,099
I GOT EVERY BEAVER IN TOWN
TO SIGN THIS PETITION
168
00:08:22,135 --> 00:08:24,535
TO PUT "BARNABY JONES"
BACK ON THE AIR.
169
00:08:24,570 --> 00:08:26,770
- WELL, I'M SORRY, GEORGE,
BUT THE BEAVERS DON'T REPRESENT
170
00:08:26,806 --> 00:08:29,506
THE YOUNGER AUDIENCE
WPIV IS AFTER.
171
00:08:29,542 --> 00:08:31,976
BUT THIS NEW SHOW IS FILLED
WITH EXCITING THINGS
172
00:08:32,011 --> 00:08:33,811
TODAY'S HIP VIEWERS
WANT TO SEE.
173
00:08:33,847 --> 00:08:36,346
THE DRAMA OF THE DANCERS' LIVES,
THEIR VICTORIES,
174
00:08:36,382 --> 00:08:37,782
THEIR DEFEATS,
THEIR THIGHS.
175
00:08:39,085 --> 00:08:43,287
- THE ONLY THIGHS I WANT TO SEE
BELONG TO BUDDY EBSEN.
176
00:08:46,092 --> 00:08:48,692
- GEORGE, MAYBE THIS WILL
MAKE YOU FEEL BETTER.
177
00:08:48,728 --> 00:08:49,760
IF YOU WERE UNDER 30,
178
00:08:49,796 --> 00:08:52,029
WHAT YOU'RE SAYING
WOULD MATTER DEEPLY TO ME.
179
00:08:53,399 --> 00:08:54,966
- WELL, MAYBE YOU DON'T CARE
WHAT I WANT
180
00:08:55,001 --> 00:08:56,633
BUT THE PEOPLE
IN THIS TOWN DO.
181
00:08:56,669 --> 00:08:59,403
AND I CAN GET THEM
ALL BEHIND ME.
182
00:08:59,438 --> 00:09:01,138
BRING BACK BUDDY!
183
00:09:01,174 --> 00:09:03,640
BRING BACK BUDDY!
184
00:09:03,676 --> 00:09:05,643
- SO WHERE'S MY
SENSUAL SENORITA?
185
00:09:06,646 --> 00:09:08,746
- SHE'S UPSTAIRS
GIVING HERSELF A FACIAL.
186
00:09:08,782 --> 00:09:10,414
- OH BOY, IF I HURRY,
I CAN PEEL.
187
00:09:21,194 --> 00:09:23,761
- THOSE WOULDN'T BE FOR ME,
WOULD THEY?
188
00:09:26,499 --> 00:09:28,765
- THEY'RE FOR KATHY, RIGHT?
189
00:09:29,969 --> 00:09:32,002
- SHE'S FRESHENING UP
RIGHT NOW.
190
00:09:38,177 --> 00:09:39,910
- YOU'RE GOING TO WAIT,
AREN'T YOU?
191
00:09:43,582 --> 00:09:46,717
- IT'S A SHAME ABOUT THIS
BARNABY THING, ISN'T IT?
192
00:09:48,454 --> 00:09:50,521
- WHY DON'T WE PUT THOSE
IN SOME WATER?
193
00:10:01,501 --> 00:10:03,434
- FOR KATHY, RIGHT?
194
00:10:05,437 --> 00:10:06,503
- GREAT.
195
00:10:09,675 --> 00:10:13,277
- UNDERSTAND YOU GUYS
ARE BROKEN UP ABOUT BARNABY.
196
00:10:26,926 --> 00:10:28,025
- FELLAS.
197
00:10:38,471 --> 00:10:40,838
- I'LL JUST HOLD ON TO THIS.
198
00:10:44,844 --> 00:10:48,578
- FELLAS, I'M SURE
THERE'S A WAY TO WORK THIS OUT.
199
00:10:51,817 --> 00:10:53,951
- ON THE OTHER HAND,
MAYBE NOT.
200
00:10:53,986 --> 00:10:57,154
( music playing )
201
00:11:02,228 --> 00:11:04,261
- DARRYL, THERE YOU ARE.
202
00:11:06,532 --> 00:11:08,699
WHAT'S GOING ON HERE?
203
00:11:08,735 --> 00:11:10,868
ARE YOU RESPONSIBLE FOR THIS?
204
00:11:11,870 --> 00:11:14,204
- THEY WERE BOTH
BRINGING FLOWERS FOR KATHY.
205
00:11:14,240 --> 00:11:15,406
- I SEE.
206
00:11:17,110 --> 00:11:19,377
DARRYL, GET BACK TO THE CAF�
AND WAIT FOR ME.
207
00:11:23,382 --> 00:11:24,982
I'M SORRY YOU WERE SUBJECTED
208
00:11:25,018 --> 00:11:27,752
TO SUCH HORMONALLY MOTIVATED
BEHAVIOR.
209
00:11:28,788 --> 00:11:30,221
I GUESS THE ONLY THING TO DO
210
00:11:30,256 --> 00:11:32,323
IS FIND OUT
WHICH DARRYL SHE PREFERS
211
00:11:32,358 --> 00:11:34,659
AND LOCK THE HAPPY COUPLE
IN A BARN FOR A WHILE.
212
00:11:36,562 --> 00:11:39,730
- LARRY, I THINK
I KNOW KATHY WELL ENOUGH
213
00:11:39,765 --> 00:11:45,669
TO SAY THAT THE DARRYL
OF HER CHOICE IS NEITHER.
214
00:11:45,704 --> 00:11:48,372
- GOSH, I THOUGHT
BETWEEN THE TWO OF THEM
215
00:11:48,407 --> 00:11:50,641
THEY WOULD HAVE COVERED
ALL RANGES OF TASTE.
216
00:11:52,211 --> 00:11:54,078
- GO FIGURE.
217
00:11:54,113 --> 00:11:56,414
- WELL, I'LL UPDATE DARRYL.
218
00:11:56,449 --> 00:12:00,017
MEANTIME, COULD YOU EXPLAIN
THE SITUATION TO MISS KATHY?
219
00:12:00,052 --> 00:12:01,185
- WHY ME?
220
00:12:01,220 --> 00:12:04,221
- YOU HAVE THE ABILITY TO TALK
ABOUT AFFAIRS OF THE HEART
221
00:12:04,256 --> 00:12:08,425
WITHOUT USING GRAPHIC
SEXUAL TERMINOLOGY.
222
00:12:09,628 --> 00:12:11,796
- IT'S A GIFT.
223
00:12:17,203 --> 00:12:19,603
- WELL, SEE YOU LATER.
224
00:12:19,639 --> 00:12:23,173
- KATHY, IT SEEMS
YOUR PRESENCE AT THE CAF�
225
00:12:23,209 --> 00:12:27,345
HAS STIRRED UP SOME ROMANTIC
FEELINGS OVER THERE.
226
00:12:27,380 --> 00:12:28,278
- YOU'RE KIDDING?
227
00:12:28,314 --> 00:12:30,481
- THERE'S NO REASON
TO BE FRIGHTENED.
228
00:12:30,516 --> 00:12:31,648
- OH, I'M NOT FRIGHTENED.
229
00:12:31,684 --> 00:12:33,183
I THINK IT'S WONDERFUL.
230
00:12:35,388 --> 00:12:36,353
- YOU DO?
231
00:12:36,389 --> 00:12:38,689
- I WAS HAVING
SOME FEELINGS TOO.
232
00:12:38,725 --> 00:12:39,657
- YOU WERE?
233
00:12:40,660 --> 00:12:42,693
- WHICH DARRYL DO YOU LIKE?
234
00:12:42,728 --> 00:12:45,329
- DARRYL? OH, I THINK
THEY'RE SWEET BUT,
235
00:12:45,364 --> 00:12:47,798
I LIKE LARRY.
236
00:12:49,902 --> 00:12:51,001
- LARRY?
237
00:12:51,037 --> 00:12:54,238
- HE'S MASCULINE,
HE'S DEPENDABLE, HE'S SENSITIVE.
238
00:12:54,274 --> 00:12:55,472
HE SPEAKS.
239
00:12:57,544 --> 00:13:00,578
- HE DOES HAVE IT ALL.
240
00:13:00,613 --> 00:13:03,214
- KATHY, THIS IS GETTING
PRETTY COMPLICATED.
241
00:13:03,249 --> 00:13:05,449
IT'S THE DARRYLS
WHO LIKE YOU.
242
00:13:05,484 --> 00:13:08,152
THEY JUST GOT INTO A BIG FIGHT
BECAUSE OF IT.
243
00:13:08,187 --> 00:13:10,587
- OH, GOSH.
244
00:13:10,623 --> 00:13:13,524
WELL, I GUESS THE ONLY WAY
TO PUT AN END TO THIS
245
00:13:13,559 --> 00:13:14,958
IS TO GO OVER THERE
AND TELL THEM
246
00:13:14,994 --> 00:13:16,627
IT'S LARRY I'M INTERESTED IN.
247
00:13:16,663 --> 00:13:20,397
- KATHY, I DON'T THINK
THAT'S A GOOD IDEA.
248
00:13:20,432 --> 00:13:21,732
- I HAVE TO, MR. LOUDON.
249
00:13:21,767 --> 00:13:24,001
I'VE CAUSED
ENOUGH TROUBLE ALREADY.
250
00:13:24,971 --> 00:13:27,871
OH, DEAR,
I KNOW DARRYL CAN TAKE THIS
251
00:13:27,907 --> 00:13:30,407
BUT THIS'LL BREAK
POOR DARRYL'S HEART.
252
00:13:32,578 --> 00:13:35,646
( music playing )
253
00:13:37,283 --> 00:13:39,616
- WELL, I NEVER THOUGHT
I'D SEE THE DAY
254
00:13:39,652 --> 00:13:42,286
WHEN A PRETTY FACE COULD TURN
BROTHER AGAINST BROTHER.
255
00:13:42,321 --> 00:13:43,654
IS IT REALLY WORTH IT?
256
00:13:47,327 --> 00:13:49,626
- WELL, I HAVE IT
ON GOOD AUTHORITY
257
00:13:49,662 --> 00:13:53,831
THAT KATHY AIN'T A SMIDGEON
INTERESTED IN YOU OR YOU.
258
00:13:55,267 --> 00:13:58,903
FROM HEREON, YOU TWO
LEAVE MISS KATHY BE.
259
00:13:58,938 --> 00:14:00,838
NOW LET'S SEE SOME
FORGIVING AND FORGETTING.
260
00:14:07,113 --> 00:14:08,379
- HI, GUYS.
261
00:14:08,414 --> 00:14:10,047
- MISS KATHY.
262
00:14:10,082 --> 00:14:13,417
- LISTEN, I HATE TO BE THE CAUSE
OF ANY FRICTION BETWEEN YOU
263
00:14:13,452 --> 00:14:17,087
SO I THINK IT'S REALLY IMPORTANT
THAT YOU KNOW MY FEELINGS.
264
00:14:17,123 --> 00:14:18,823
WHAT I'M TRYING TO SAY IS,
265
00:14:18,858 --> 00:14:22,426
UH, WELL, THIS IS HARD
FOR ME SO...
266
00:14:29,936 --> 00:14:31,902
- THAT WAS THE ONLY WAY
I KNEW HOW TO SHOW YOU.
267
00:14:31,938 --> 00:14:33,403
HOPE YOU FEEL THE SAME.
268
00:14:33,439 --> 00:14:36,641
- WELL, SO FAR SO GOOD.
269
00:14:36,676 --> 00:14:38,442
- OH, LARRY.
270
00:14:39,512 --> 00:14:41,845
- EXCUSE ME,
WE'RE READY TO ORDER NOW.
271
00:14:41,881 --> 00:14:43,080
- OH, COMING.
272
00:14:45,918 --> 00:14:50,453
- LISTEN,
WE'LL ALL TALK LATER.
273
00:14:51,757 --> 00:14:54,058
- OH, HI, GUYS.
274
00:14:54,093 --> 00:14:57,561
NOW DARRYL,
I KNOW HOW THIS LOOKS
275
00:14:57,563 --> 00:15:00,530
BUT I HAD NO IDEA
SHE HAD EYES FOR YOURS TRULY.
276
00:15:02,501 --> 00:15:05,669
I REALIZE
THIS IS HARD TO BELIEVE,
277
00:15:05,704 --> 00:15:06,904
COMING AS IT DOES
278
00:15:06,939 --> 00:15:09,439
FROM LIPS THAT JUST
SMUSHED UP AGAINST PARADISE.
279
00:15:11,210 --> 00:15:13,344
LOOK, THE FLEA
HAS PICKED OUT HER DOG.
280
00:15:14,447 --> 00:15:15,946
NOW, GET TO YOUR STATIONS.
281
00:15:22,021 --> 00:15:23,821
- IS EVERYTHING OKAY?
282
00:15:23,856 --> 00:15:24,755
- DON'T WORRY.
283
00:15:24,790 --> 00:15:27,490
THEY'RE JUST A LITTLE SLOW
TO ABSORB THINGS.
284
00:15:27,526 --> 00:15:31,595
NOT UNLIKE THEM
PLAIN WRAPPED PAPER TOWELS.
285
00:15:31,630 --> 00:15:33,998
- HERE'S THE ORDER ON TABLE 5.
286
00:15:35,868 --> 00:15:38,269
- DARRYL,
TWO FRUIT SALADS PRONTO.
287
00:15:42,475 --> 00:15:44,341
- GOOD THING
WE DIDN'T ORDER HOT SOUP.
288
00:15:44,377 --> 00:15:47,010
- PLEASE,
PLEASE REMAIN SEATED.
289
00:15:47,045 --> 00:15:49,480
I WILL SOON HAVE THE SITUATION
UNDER CONTROL.
290
00:15:51,350 --> 00:15:53,083
- STOP IT! STOP IT!
291
00:15:54,119 --> 00:15:57,488
THIS IS ALL MY FAULT
THAT YOU'RE ACTING LIKE THIS.
292
00:15:57,523 --> 00:15:59,590
I CAN'T WORK HERE ANYMORE.
293
00:15:59,625 --> 00:16:00,591
BEFORE I CAME,
294
00:16:00,626 --> 00:16:03,727
YOU THREE WERE
SUCH AN OILY MACHINE.
295
00:16:03,763 --> 00:16:04,895
( sobbing )
296
00:16:04,931 --> 00:16:05,896
- WAIT, MISS KATHY.
297
00:16:05,932 --> 00:16:07,264
I FELT TOWARD THE END,
DARRYL AND I
298
00:16:07,300 --> 00:16:08,765
WERE STARTING
TO WORK THINGS OUT.
299
00:16:13,139 --> 00:16:14,104
( music playing )
300
00:16:15,140 --> 00:16:16,874
- MICHAEL, IT'S GOING TO BE
ALL RIGHT.
301
00:16:16,909 --> 00:16:19,342
- BUT STEPH, I'M ALL WET.
302
00:16:21,814 --> 00:16:25,582
GEORGE, THIS BARNABY STUFF
HAS GONE TOO FAR.
303
00:16:25,617 --> 00:16:27,584
- SOMETHING WRONG, MICHAEL?
304
00:16:27,620 --> 00:16:29,753
- YOU'VE GOT THIS WHOLE TOWN
OF HOOLIGANS OUT TO GET ME.
305
00:16:29,788 --> 00:16:31,588
PHONE OPERATORS
BREAK INTO MY PHONE CALLS
306
00:16:31,623 --> 00:16:34,925
AND GO "BUDDY, BUDDY."
307
00:16:34,961 --> 00:16:37,428
BANK TELLERS DEMAND
10 PIECES OF ID.
308
00:16:37,463 --> 00:16:39,396
AND FINALLY,
I WAS THE VICTIM
309
00:16:39,432 --> 00:16:41,899
OF THE MOST HIDEOUS
OF ALL AUTOMOBILE CRIMES,
310
00:16:41,934 --> 00:16:43,166
THE SPLASH AND RUN.
311
00:16:44,804 --> 00:16:45,936
- THIS IS A NIGHTMARE.
312
00:16:45,972 --> 00:16:47,738
- DARN RIGHT.
I COULD CATCH PNEUMONIA.
313
00:16:47,773 --> 00:16:49,273
- NOT YOU. ME.
314
00:16:49,308 --> 00:16:52,042
LOOK, A SPOT OF MUD.
315
00:16:54,847 --> 00:16:56,547
- OH MY GOD.
316
00:17:00,052 --> 00:17:01,018
THAT'S IT, GEORGE.
317
00:17:01,053 --> 00:17:02,520
BETWEEN MEN IS ONE THING
318
00:17:02,555 --> 00:17:05,289
BUT WHEN INNOCENT CUPCAKES
TAKE SHRAPNEL.
319
00:17:06,658 --> 00:17:07,624
- SORRY, MICHAEL,
320
00:17:07,660 --> 00:17:10,727
BUT PEOPLE IN THIS TOWN
TAKE CARE OF EACH OTHER.
321
00:17:10,763 --> 00:17:12,963
- TELEVISION IS A MASS MEDIUM.
322
00:17:12,998 --> 00:17:14,998
IT'LL BE A COLD DAY
IN HADES TOWN
323
00:17:15,034 --> 00:17:17,601
WHEN I BOW TO THE WHIM
OF ONE PERSON.
324
00:17:17,636 --> 00:17:21,671
- MICHAEL, I CAN'T DATE YOU
UNTIL MY CLOTHING IS SAFE.
325
00:17:24,677 --> 00:17:26,343
- BARNABY WILL BE BACK
ON TOMORROW, GEORGE.
326
00:17:27,413 --> 00:17:28,379
- THANK YOU, MICHAEL.
327
00:17:28,414 --> 00:17:30,280
- GEORGE, SUPPOSE I PUT
328
00:17:30,315 --> 00:17:31,949
"LIFESTYLES OF THE SOLID
PLATINUM DANCERS"
329
00:17:31,984 --> 00:17:34,384
ON IN PLACE OF
"EIGHT IS ENOUGH"?
330
00:17:35,721 --> 00:17:37,655
- LIFE WITHOUT DICK VAN PATTEN?
331
00:17:39,025 --> 00:17:40,590
I'LL HAVE TO GET BACK TO YOU.
332
00:17:43,062 --> 00:17:45,396
- YOU KNOW YOU'RE WELCOME
TO STAY LONGER IF YOU WANT.
333
00:17:45,431 --> 00:17:48,899
- OH, THANKS, BUT I DON'T THINK
THIS TOWN'S TOO GOOD FOR ME.
334
00:17:48,934 --> 00:17:50,968
I'VE LOST TWO MEN
IN THREE DAYS.
335
00:17:53,739 --> 00:17:54,871
- HI.
336
00:17:54,907 --> 00:17:56,873
I'M LARRY, FLYING SOLO.
337
00:17:56,909 --> 00:17:58,642
- LARRY,
WHAT ARE YOU DOING HERE?
338
00:17:58,677 --> 00:18:01,211
- WELL, I FIGURED
YOU'D BE HEADING OUT OF TOWN.
339
00:18:01,247 --> 00:18:04,848
I WONDERED IF YOU'D MIND
MY TAGGING ALONG.
340
00:18:04,883 --> 00:18:06,984
- WELL, WHAT ABOUT
YOUR BROTHERS?
341
00:18:07,019 --> 00:18:08,985
- WELL, WE DISCUSSED IT
AND DISCUSSED IT
342
00:18:09,020 --> 00:18:11,321
UNTIL WE RAN OUT OF
BASIC FOOD GROUPS.
343
00:18:12,291 --> 00:18:13,924
I TOLD THEM
THEY COULD HAVE THE CAF�.
344
00:18:13,959 --> 00:18:16,559
- LARRY, ARE YOU SURE
THIS IS WHAT YOU WANT TO DO?
345
00:18:16,595 --> 00:18:19,630
- WELL,
MISS KATHY'S KISS MOVED ME
346
00:18:19,665 --> 00:18:21,898
MORE THAN I'VE EVER
BEEN MOVED BEFORE.
347
00:18:21,933 --> 00:18:24,234
'COURSE, NOTHING FEMININE'S
TOUCHED THESE LIPS
348
00:18:24,270 --> 00:18:26,770
SINCE THAT FAT LADY
STOOD UP ON THE BUS.
349
00:18:29,408 --> 00:18:32,076
SO, IS IT TWO FOR THE ROAD?
350
00:18:33,179 --> 00:18:37,281
- OH, LARRY, I JUST KNOW WE'RE
GONNA BE WONDERFUL TOGETHER.
351
00:18:39,385 --> 00:18:41,485
- OOH, I HAVE TO TELL YOU,
352
00:18:41,520 --> 00:18:44,088
THAT FAT LADY
IS A DISTANT SECOND.
353
00:18:49,328 --> 00:18:50,927
- KATHY.
- EDWARD.
354
00:18:52,798 --> 00:18:54,130
WHAT ARE YOU DOING HERE?
355
00:18:54,166 --> 00:18:56,433
- KATHY,
I WANT TO TALK TO YOU.
356
00:18:56,468 --> 00:18:58,668
- WHY DON'T YOU JUST
WRITE ME ANOTHER NOTE?
357
00:18:58,704 --> 00:19:00,904
- KATHY, I KNOW
I DID A TERRIBLE THING
358
00:19:00,939 --> 00:19:02,573
BUT I WAS SCARED.
359
00:19:02,608 --> 00:19:06,076
I MEAN, MARRIAGE IS FOR LIFE.
360
00:19:06,112 --> 00:19:09,580
AFTER I LEFT HERE,
I REALIZED THAT
361
00:19:09,615 --> 00:19:12,849
I'D HAVE NO LIFE WITHOUT YOU.
362
00:19:12,885 --> 00:19:15,252
- I'M SORRY, EDWARD.
363
00:19:15,288 --> 00:19:16,253
WHILE YOU WERE GONE,
364
00:19:16,289 --> 00:19:21,157
I MET A VERY SWEET,
GENTLE, KIND MAN.
365
00:19:21,193 --> 00:19:23,460
HE'S COMING BACK
TO ARIZONA WITH ME.
366
00:19:24,697 --> 00:19:27,364
- I THOUGHT
HE WAS MARRIED TO HER.
367
00:19:27,399 --> 00:19:29,466
- NOT ME.
368
00:19:29,502 --> 00:19:31,135
HIM.
369
00:19:31,170 --> 00:19:32,636
LARRY.
370
00:19:35,107 --> 00:19:37,174
- WOW.
I REALLY HURT YOU, DIDN'T I?
371
00:19:38,444 --> 00:19:40,244
- WE HAVE NOTHING MORE TO SAY
TO EACH OTHER, EDWARD.
372
00:19:40,279 --> 00:19:42,279
- KATHY, PLEASE.
- I'M SORRY.
373
00:19:47,286 --> 00:19:48,352
- SO AM I.
374
00:19:54,794 --> 00:19:57,994
- WELL, WE HAVE A BUS TO CATCH.
375
00:19:59,932 --> 00:20:02,232
- I DON'T THINK SO,
MISS KATHY.
376
00:20:02,268 --> 00:20:03,333
- WHAT'S WRONG?
377
00:20:03,368 --> 00:20:04,902
- I KNOW THIS MAY SOUND CRAZY,
378
00:20:04,937 --> 00:20:07,670
YOU BEING SUCH A TASTY BAG
OF GROCERIES AN' ALL,
379
00:20:08,673 --> 00:20:10,840
BUT I JUST DON'T THINK
IT'D BE RIGHT.
380
00:20:13,145 --> 00:20:15,245
- LARRY, DON'T WORRY
ABOUT EDWARD.
381
00:20:15,280 --> 00:20:17,748
YOU HEARD ME TELL HIM
THAT WE'RE THROUGH.
382
00:20:17,783 --> 00:20:19,249
- I HEARD WHAT YOU TOLD HIM.
383
00:20:19,285 --> 00:20:22,485
BUT YOUR MOUTH WAS HAVING
A MAJOR ARGUMENT WITH YOUR EYES.
384
00:20:24,456 --> 00:20:27,257
THERE'S A BIRD IN THESE WOODS
CALLED THE SAPSUCKER.
385
00:20:27,292 --> 00:20:29,393
WHEN IT MATES,
IT MATES FOR LIFE.
386
00:20:29,428 --> 00:20:31,561
THE BOY SAPSUCKER
AND THE GIRL SAPSUCKER
387
00:20:31,597 --> 00:20:34,564
JUST HAVE SOMETHING
IN THEIR EYES THAT SAYS,
388
00:20:34,600 --> 00:20:38,501
"I'M FOR YOU
AND YOU'RE FOR ME, FOREVER."
389
00:20:38,537 --> 00:20:40,937
I SAW THAT SOMETHING
IN YOUR EYE FOR EDWARD.
390
00:20:40,973 --> 00:20:42,739
AND IN HIS FOR YOU.
391
00:20:42,774 --> 00:20:44,974
- LARRY,
PEOPLE ARE NOT SAPSUCKERS.
392
00:20:45,010 --> 00:20:47,544
- I DON'T KNOW.
393
00:20:47,580 --> 00:20:51,881
COVER 'EM WITH FEATHERS,
JAM A BIG SNOUT ON THEIR FACE,
394
00:20:51,917 --> 00:20:55,051
SLICE OFF SOME TOES,
LOP OFF THEIR ARMS,
395
00:20:56,055 --> 00:20:58,688
GRAFT WINGS
ON THEIR SPINAL COLUMN,
396
00:20:58,724 --> 00:21:00,590
I'D BE HARD PRESSED
TO TELL THE DIFFERENCE.
397
00:21:01,927 --> 00:21:04,361
- WOW, WE'RE JUST
A HAIR'S BREADTH AWAY
398
00:21:04,396 --> 00:21:05,595
FROM BEING BIRDS.
399
00:21:08,333 --> 00:21:10,534
- WELL, WHAT ABOUT THE WAY
HE RAN OUT ON ME?
400
00:21:10,569 --> 00:21:13,203
- WHAT ABOUT THE WAY
HE CAME BACK TO YOU?
401
00:21:13,239 --> 00:21:15,272
IF YOU HURRY,
YOU CAN CATCH UP WITH HIM.
402
00:21:17,209 --> 00:21:19,643
- OH, LARRY, YOU'RE SO WISE.
403
00:21:22,347 --> 00:21:24,047
I'M NEVER GONNA FORGET YOU.
404
00:21:28,687 --> 00:21:31,321
- LARRY, WHAT YOU JUST DID
WAS WONDERFUL.
405
00:21:31,357 --> 00:21:33,323
- THEN WHY DO MY INSIDES
FEEL LIKE
406
00:21:33,358 --> 00:21:36,593
THEY'VE JUST BEEN WORKED OVER
BY A BENIHANA CHEF?
407
00:21:38,897 --> 00:21:40,397
I HAVE NO GIRL,
408
00:21:40,432 --> 00:21:43,834
I HAVE NO BROTHERS
AND I HAVE NO HOME.
409
00:21:43,869 --> 00:21:44,801
( door opening )
410
00:21:46,371 --> 00:21:48,839
- STAND BACK, DARRYL,
I GOT A POP TART IN MY POCKET.
411
00:21:48,874 --> 00:21:49,973
I'M NOT AFRAID TO USE IT.
412
00:21:53,379 --> 00:21:54,478
- WHAT'S THAT?
413
00:21:56,515 --> 00:21:59,482
- OH, MY,
A LOVELY CHAFING DISH.
414
00:22:06,825 --> 00:22:08,858
- "TO LARRY AND KATHY,
415
00:22:08,893 --> 00:22:12,462
GOOD LUCK
WHEREVER YOU MAY ROAM."
416
00:22:12,497 --> 00:22:13,963
- OHH.
417
00:22:13,999 --> 00:22:17,034
THEY'VE ACCEPTED
LARRY'S RELATIONSHIP.
418
00:22:17,069 --> 00:22:19,602
- I GUESS I'M THE ONLY ONE
WHO HASN'T.
419
00:22:20,705 --> 00:22:24,241
- DARRYL, THIS IS BEAUTIFUL,
ASIDE FROM THE SPELLING.
420
00:22:24,276 --> 00:22:28,145
BUT MISS KATHY JUST LEFT TOWN
WITH HER PREVIOUS FIANC�.
421
00:22:29,214 --> 00:22:31,248
I REALIZE
YOU'LL PROBABLY TAUNT ME
422
00:22:31,283 --> 00:22:32,449
FOR THE REST OF MY DAYS
423
00:22:32,484 --> 00:22:35,352
BUT GO AHEAD,
DO YOUR WORST.
424
00:22:41,994 --> 00:22:46,129
AHH, YOU'RE
THE BEST BROTHERS.
425
00:22:46,164 --> 00:22:49,533
SOMETIMES THINGS JUST GO
SO RIGHT WITH THAT DNA.
426
00:22:51,737 --> 00:22:54,804
( music playing )
427
00:22:56,475 --> 00:22:59,409
( theme music playing )
428
00:23:26,237 --> 00:23:27,371
- MEOW!
30822
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