All language subtitles for Newhart S04E21

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,068 --> 00:00:04,102 ( theme music playing ) 2 00:00:46,079 --> 00:00:49,080 ( music playing ) 3 00:00:56,256 --> 00:00:58,222 - HOLA, MUCHACHOS. 4 00:00:58,258 --> 00:01:00,391 DONDE ESTA MY MAIN SQUEEZE? 5 00:01:02,629 --> 00:01:05,997 - STEPHANIE, YOUR BLITHERING IDIOT IS HERE. 6 00:01:06,032 --> 00:01:07,665 - THANKS, DICK. 7 00:01:07,668 --> 00:01:10,335 STEPH AND I HAVE SOME MAJOR CELEBRATING TO DO. 8 00:01:10,370 --> 00:01:12,303 - DARN, IT'S NOT A MISTAKE. 9 00:01:12,339 --> 00:01:13,304 - WHAT'S THE MATTER? 10 00:01:13,306 --> 00:01:15,973 - THEY'VE REPLACED MY FAVORITE PROGRAM. 11 00:01:16,009 --> 00:01:19,444 JUST WHEN YOU FIND A SHOW THAT'S INTELLIGENT, STIMULATING 12 00:01:19,479 --> 00:01:21,979 AND DOESN'T TALK DOWN TO YOU, THEY YANK IT. 13 00:01:22,015 --> 00:01:24,482 - WHAT SHOW, GEORGE? - "BARNABY JONES." 14 00:01:25,652 --> 00:01:27,652 - WHOA, COINCIDENCE-ARAMA. 15 00:01:27,688 --> 00:01:29,787 THIS TIES DIRECTLY INTO MY CELEBRATION. 16 00:01:29,823 --> 00:01:31,589 - YOU'RE CELEBRATING THE CANCELLATION 17 00:01:31,625 --> 00:01:32,990 OF "BARNABY JONES"? 18 00:01:33,026 --> 00:01:35,326 - IN A WAY, YES. 19 00:01:35,362 --> 00:01:36,794 YOU SEE, THE STATION'S DECIDED 20 00:01:36,830 --> 00:01:38,463 TO LET ME TRY MY HAND AT PROGRAMMING. 21 00:01:38,498 --> 00:01:41,832 AND TODAY MARKS THE DEBUT OF THE NEW MICHAEL HARRIS SCHEDULE 22 00:01:41,868 --> 00:01:44,001 OR, AS I LIKE TO CALL IT, MTV. 23 00:01:44,037 --> 00:01:45,036 ( giggling ) 24 00:01:46,106 --> 00:01:50,141 - WELL, ANY SCHEDULE WITHOUT BUDDY EBSEN SUCKS EGGS. 25 00:01:50,177 --> 00:01:51,376 - GEORGE, DON'T DESPAIR. 26 00:01:51,411 --> 00:01:55,446 I PURCHASED A REPLACEMENT SHOW OF EQUAL QUALITY AND VALUE. 27 00:01:55,481 --> 00:01:58,916 - "LIFESTYLES OF THE SOLID PLATINUM DANCERS"? 28 00:01:59,853 --> 00:02:01,419 - IT'S A PIECE OF FLUFF. 29 00:02:01,454 --> 00:02:03,188 THEY DON'T SOLVE CRIMES 30 00:02:03,223 --> 00:02:06,291 OR HAVE A CUTE SECRETARY OR ANYTHING. 31 00:02:06,326 --> 00:02:07,925 - GEORGE, EACH EPISODE OF "BARNABY" 32 00:02:07,960 --> 00:02:09,594 HAS AIRED OVER 10 TIMES. 33 00:02:09,629 --> 00:02:11,596 - BUT NO MATTER HOW OFTEN I WATCH, 34 00:02:11,632 --> 00:02:13,765 I ALWAYS FIND NEW THINGS. 35 00:02:13,800 --> 00:02:16,034 BUDDY CAN DO MORE WITH HIS EYEBROWS 36 00:02:16,069 --> 00:02:17,869 THAN ANY ACTOR I KNOW. 37 00:02:18,872 --> 00:02:20,137 - MICHAEL, I'M READY. 38 00:02:20,173 --> 00:02:22,106 - GEORGE, I'D LOVE TO KEEP UP THIS POINTLESS DEBATE 39 00:02:22,141 --> 00:02:25,543 BUT WE HAVE SOME SERIOUS BRUNCHING TO DO. 40 00:02:25,579 --> 00:02:28,245 STEPH, SAY IT FOR ME, JUST ONCE. 41 00:02:28,281 --> 00:02:30,915 - ( sighing ) I WANT MY MTV. 42 00:02:30,950 --> 00:02:31,949 ( giggling ) 43 00:02:37,256 --> 00:02:39,590 - WELL, I REFUSE TO TAKE THIS LYING DOWN. 44 00:02:39,626 --> 00:02:42,693 I'M GONNA GET "BARNABY JONES" BACK ON THE AIR. 45 00:02:42,729 --> 00:02:44,629 OR AS BUDDY WOULD SAY... 46 00:02:50,136 --> 00:02:51,202 - GOOD MORNING. 47 00:02:51,237 --> 00:02:52,203 - GOOD MORNING, MISS NEWMAN. 48 00:02:52,238 --> 00:02:54,005 DID YOU SLEEP WELL? - OH, YES. 49 00:02:54,041 --> 00:02:55,240 I JUST LOVE YOUR INN. 50 00:02:55,275 --> 00:02:57,041 GREAT PILLOWS. 51 00:02:58,111 --> 00:03:00,845 HAVE YOU SEEN MY FIANC� EDWARD? 52 00:03:00,881 --> 00:03:02,847 - NO, BUT HERE'S A NOTE FOR YOU. 53 00:03:02,882 --> 00:03:07,151 - OH, HE'S ALWAYS WRITING ME REALLY EMBARRASSING GUSHY NOTES. 54 00:03:07,186 --> 00:03:08,152 - OH, HO, HO. 55 00:03:11,557 --> 00:03:13,791 - ( gasping ) 56 00:03:13,826 --> 00:03:15,694 HE RAN OUT ON ME. 57 00:03:15,729 --> 00:03:17,696 WE'RE SUPPOSED TO GET MARRIED THIS AFTERNOON 58 00:03:17,731 --> 00:03:20,865 BUT HE SAYS HE'S NOT SURE OF HIS FEELINGS. 59 00:03:20,901 --> 00:03:24,869 - I'M SURE HE'LL SEE THE LIGHT BEFORE HE GETS TOO FAR. 60 00:03:24,905 --> 00:03:27,405 - SAYS HE'S HOPPING THE FIRST BUS FOR CANADA. 61 00:03:28,408 --> 00:03:31,142 - MAYBE HE'LL SEE THE NORTHERN LIGHTS FIRST. 62 00:03:33,346 --> 00:03:36,013 - THIS IS AWFUL. 63 00:03:36,048 --> 00:03:37,949 I CAN'T EVEN AFFORD TO GET HOME. 64 00:03:37,984 --> 00:03:40,284 - OH, DON'T WORRY, IF YOU WANT, 65 00:03:40,319 --> 00:03:42,053 WE'LL LEND YOU THE MONEY TO GET HOME. 66 00:03:42,088 --> 00:03:43,821 - OH, YOU'RE VERY KIND 67 00:03:43,857 --> 00:03:47,025 BUT I BELIEVE IN PAYING MY OWN WAY. 68 00:03:47,060 --> 00:03:48,059 - GOOD FOR YOU. 69 00:03:49,061 --> 00:03:51,662 - I KNOW, MAYBE I COULD GET A JOB IN THIS TOWN. 70 00:03:51,697 --> 00:03:54,265 I USED TO BE A WAITRESS BACK IN ARIZONA. 71 00:03:54,300 --> 00:03:57,636 IN FACT, I SAW A CUTE CAF� RIGHT NEXT DOOR, 72 00:03:57,671 --> 00:03:58,637 THE "MINUTEMAN." 73 00:03:58,672 --> 00:04:04,742 - I--I HAPPEN TO KNOW THEY'RE NOT HIRING. 74 00:04:04,777 --> 00:04:06,911 - OKAY. 75 00:04:06,946 --> 00:04:10,447 WELL, I'LL BET YOU I HAVE A JOB BY THE END OF THE DAY. 76 00:04:10,483 --> 00:04:12,550 I MEAN, THE SECRET TO GETTING HIRED 77 00:04:12,585 --> 00:04:17,655 IS TO PROJECT A STRONG, POSITIVE ATTITUDE. 78 00:04:17,690 --> 00:04:20,925 ( music playing ) 79 00:04:31,004 --> 00:04:33,438 ( inhales ) 80 00:04:33,507 --> 00:04:37,775 ( sneezes twice ) 81 00:04:38,845 --> 00:04:41,145 ( inhales ) 82 00:04:41,181 --> 00:04:44,782 ( sneezes ) 83 00:04:44,817 --> 00:04:46,250 ( sneezes twice more ) 84 00:04:50,257 --> 00:04:51,789 - WELL, I THINK WE HAVE A-- 85 00:04:55,829 --> 00:04:57,996 YOU TWO HAVING SNEEZING CONTESTS AGAIN? 86 00:04:59,065 --> 00:05:00,364 I CAN'T LEAVE THE ROOM FOR A MINUTE 87 00:05:00,400 --> 00:05:02,400 WITHOUT YOU ABUSING A CONDIMENT. 88 00:05:05,371 --> 00:05:06,337 - HELLO. 89 00:05:06,373 --> 00:05:08,372 - HI. I'M LARRY. 90 00:05:08,407 --> 00:05:09,506 THIS IS MY BROTHER DARRYL, 91 00:05:09,542 --> 00:05:11,642 AND THIS IS MY OTHER BROTHER, DARRYL. 92 00:05:11,677 --> 00:05:14,645 PLEASE, GRAB A RUMPFUL OF VINYL. 93 00:05:14,681 --> 00:05:17,815 - OH, THANK YOU, BUT I'M NOT HERE AS A CUSTOMER. 94 00:05:17,850 --> 00:05:19,817 I'M LOOKING FOR A JOB AS A WAITRESS. 95 00:05:19,852 --> 00:05:22,887 - I'M SORRY, BUT DARRYL AND I DO FINE BY OURSELVES. 96 00:05:22,923 --> 00:05:25,590 WE'RE KINDA LIKE A VERY OILY MACHINE. 97 00:05:26,760 --> 00:05:28,693 - PLEASE, I'VE BEEN ALL OVER TOWN. 98 00:05:28,729 --> 00:05:30,061 YOU'RE MY LAST HOPE. 99 00:05:30,097 --> 00:05:32,062 - I'D LIKE TO HELP. 100 00:05:32,098 --> 00:05:33,398 YOU'LL HAVE TO EXCUSE ME. 101 00:05:33,433 --> 00:05:35,232 THE LUNCH RUSH IS ABOUT TO START. 102 00:05:35,268 --> 00:05:36,967 DARRYL, STATIONS, PLEASE. 103 00:05:38,905 --> 00:05:41,405 - HEY, BOYS. 104 00:05:41,440 --> 00:05:44,676 MA'AM. 105 00:05:44,778 --> 00:05:45,910 - CAN I TAKE YOUR ORDER? 106 00:05:45,945 --> 00:05:47,211 - JUST THE USUAL. 107 00:05:47,246 --> 00:05:48,445 - I'M SORRY. 108 00:05:48,481 --> 00:05:51,716 IT'S HARD TO REMEMBER EACH REGULAR'S CULINARY PREFERENCES. 109 00:05:51,751 --> 00:05:52,751 - CUP OF COFFEE. 110 00:05:52,786 --> 00:05:56,120 - OH, YEAH. CUP O' JOE! 111 00:05:56,155 --> 00:05:58,589 CAN I INTEREST YOU IN A GENEROUS HUNK OF PIE? 112 00:05:58,624 --> 00:05:59,591 - NO THANKS. 113 00:05:59,626 --> 00:06:01,259 I DON'T WANT TO BE ANY BIGGER TARGET OUT THERE 114 00:06:01,294 --> 00:06:02,293 THAN I HAVE TO. 115 00:06:04,364 --> 00:06:06,965 - WELL, AS YOU CAN SEE, THE THREE OF US 116 00:06:07,000 --> 00:06:09,167 CAN HANDLE THINGS EVEN WHEN IT GETS BUSY. 117 00:06:10,937 --> 00:06:13,170 - WELL, THE CHEERY SMILE OF A GOOD WAITRESS 118 00:06:13,206 --> 00:06:15,306 CAN DO A LOT TO STIMULATE BUSINESS. 119 00:06:15,341 --> 00:06:16,841 - 'FRAID WE GOT THAT ONE COVERED. 120 00:06:19,980 --> 00:06:21,279 - I'LL BET I COULD HAVE GOTTEN HIM 121 00:06:21,314 --> 00:06:22,680 TO TAKE THAT PIECE OF PIE. 122 00:06:22,715 --> 00:06:23,614 - GO ON. 123 00:06:23,650 --> 00:06:25,649 WE OFFER HIM SOME EVERY TIME HE COMES HERE. 124 00:06:25,685 --> 00:06:26,650 - JUST WATCH. 125 00:06:29,322 --> 00:06:31,088 - OFFICER. 126 00:06:31,123 --> 00:06:35,093 ARE YOU SURE YOU WON'T CHANGE YOUR MIND ABOUT THIS PIE? 127 00:06:35,128 --> 00:06:37,228 - I'D LOVE TO, BUT IN MY LINE OF WORK, 128 00:06:37,264 --> 00:06:38,663 FITNESS EQUALS SURVIVAL. 129 00:06:38,698 --> 00:06:40,965 - C'MON, SURELY ONE PIECE OF PIE 130 00:06:41,001 --> 00:06:43,767 ISN'T GONNA HURT A STOMACH AS FLAT AS THAT. 131 00:06:45,038 --> 00:06:47,538 - IT IS OFTEN MISTAKEN FOR A WASHBOARD. 132 00:06:48,708 --> 00:06:50,641 WHAT THE HELL, 133 00:06:50,677 --> 00:06:52,109 PIE ME. 134 00:06:53,647 --> 00:06:57,982 - WELL, LITTLE LADY, YOU GOT A W-4 FORM TO FILL OUT. 135 00:06:58,017 --> 00:06:59,050 - OH, REALLY? 136 00:06:59,085 --> 00:07:00,150 - YOU'RE AMAZING. 137 00:07:00,186 --> 00:07:02,086 WE THOUGHT WE'D BEEN SAVING THAT PIE IN VAIN 138 00:07:02,122 --> 00:07:03,655 FOR THE LAST SIX MONTHS. 139 00:07:08,594 --> 00:07:11,562 ( music playing ) 140 00:07:16,636 --> 00:07:18,203 - SHOULDN'T KATHY BE BACK BY NOW? 141 00:07:18,238 --> 00:07:20,238 SHE SAID SHE'D BE HOME AFTER THE BREAKFAST SHIFT. 142 00:07:20,273 --> 00:07:21,739 - HONEY, WILL YOU STOP WORRYING ABOUT HER? 143 00:07:21,774 --> 00:07:23,107 SHE WAS FINE YESTERDAY. 144 00:07:23,142 --> 00:07:25,809 - I KNOW, BUT HOW MUCH LONGER CAN HER LUCK HOLD OUT? 145 00:07:27,813 --> 00:07:30,181 - HI. BOY, WHAT A MORNING. 146 00:07:30,216 --> 00:07:31,449 - WHAT HAPPENED? 147 00:07:31,551 --> 00:07:33,617 - OH, I HELPED THEM CLEAN THE GRIDDLE. 148 00:07:33,653 --> 00:07:35,954 - OKAY. THAT'S IT. YOU'VE GOT TO GO HOME. 149 00:07:35,989 --> 00:07:36,987 WE'LL LEND YOU THE MONEY. 150 00:07:37,023 --> 00:07:38,422 - OH, THANKS, 151 00:07:38,458 --> 00:07:41,259 BUT I'M NOT THAT ANXIOUS TO GET HOME ANYMORE. 152 00:07:43,463 --> 00:07:46,197 - YOU LIKE WORKING WITH LARRY AND THE DARRYLS? 153 00:07:46,233 --> 00:07:49,266 - THEY'RE THE SWEETEST MEN I'VE EVER MET. 154 00:07:49,302 --> 00:07:51,269 NOT AT ALL LIKE EDWARD. 155 00:07:51,304 --> 00:07:52,236 - REALLY? 156 00:07:53,472 --> 00:07:57,008 - WELL, I HAVE TO FRESHEN UP AND GET BACK THERE. 157 00:08:02,081 --> 00:08:03,313 - HOLA, LOUDONS. 158 00:08:03,349 --> 00:08:04,481 DICK, GREAT NEWS. 159 00:08:04,517 --> 00:08:06,284 I THINK I CAN GET THE SOLID PLATINUM DANCERS 160 00:08:06,319 --> 00:08:07,885 TO GUEST ON YOUR SHOW. 161 00:08:07,920 --> 00:08:09,587 - I DON'T DO GLITZ. 162 00:08:09,622 --> 00:08:11,121 - EXACTLY MY POINT. 163 00:08:11,157 --> 00:08:12,590 YOU'RE THE ONLY ONE WHO CAN BREAK THROUGH 164 00:08:12,626 --> 00:08:14,692 ALL THAT PHONY GLAMOUR AND CHEESECAKE 165 00:08:14,728 --> 00:08:16,927 AND GRILL THE TRUE MEASUREMENTS OUT OF THOSE GIRLS. 166 00:08:18,497 --> 00:08:19,530 - LOOK, MICHAEL. 167 00:08:19,565 --> 00:08:22,099 I GOT EVERY BEAVER IN TOWN TO SIGN THIS PETITION 168 00:08:22,135 --> 00:08:24,535 TO PUT "BARNABY JONES" BACK ON THE AIR. 169 00:08:24,570 --> 00:08:26,770 - WELL, I'M SORRY, GEORGE, BUT THE BEAVERS DON'T REPRESENT 170 00:08:26,806 --> 00:08:29,506 THE YOUNGER AUDIENCE WPIV IS AFTER. 171 00:08:29,542 --> 00:08:31,976 BUT THIS NEW SHOW IS FILLED WITH EXCITING THINGS 172 00:08:32,011 --> 00:08:33,811 TODAY'S HIP VIEWERS WANT TO SEE. 173 00:08:33,847 --> 00:08:36,346 THE DRAMA OF THE DANCERS' LIVES, THEIR VICTORIES, 174 00:08:36,382 --> 00:08:37,782 THEIR DEFEATS, THEIR THIGHS. 175 00:08:39,085 --> 00:08:43,287 - THE ONLY THIGHS I WANT TO SEE BELONG TO BUDDY EBSEN. 176 00:08:46,092 --> 00:08:48,692 - GEORGE, MAYBE THIS WILL MAKE YOU FEEL BETTER. 177 00:08:48,728 --> 00:08:49,760 IF YOU WERE UNDER 30, 178 00:08:49,796 --> 00:08:52,029 WHAT YOU'RE SAYING WOULD MATTER DEEPLY TO ME. 179 00:08:53,399 --> 00:08:54,966 - WELL, MAYBE YOU DON'T CARE WHAT I WANT 180 00:08:55,001 --> 00:08:56,633 BUT THE PEOPLE IN THIS TOWN DO. 181 00:08:56,669 --> 00:08:59,403 AND I CAN GET THEM ALL BEHIND ME. 182 00:08:59,438 --> 00:09:01,138 BRING BACK BUDDY! 183 00:09:01,174 --> 00:09:03,640 BRING BACK BUDDY! 184 00:09:03,676 --> 00:09:05,643 - SO WHERE'S MY SENSUAL SENORITA? 185 00:09:06,646 --> 00:09:08,746 - SHE'S UPSTAIRS GIVING HERSELF A FACIAL. 186 00:09:08,782 --> 00:09:10,414 - OH BOY, IF I HURRY, I CAN PEEL. 187 00:09:21,194 --> 00:09:23,761 - THOSE WOULDN'T BE FOR ME, WOULD THEY? 188 00:09:26,499 --> 00:09:28,765 - THEY'RE FOR KATHY, RIGHT? 189 00:09:29,969 --> 00:09:32,002 - SHE'S FRESHENING UP RIGHT NOW. 190 00:09:38,177 --> 00:09:39,910 - YOU'RE GOING TO WAIT, AREN'T YOU? 191 00:09:43,582 --> 00:09:46,717 - IT'S A SHAME ABOUT THIS BARNABY THING, ISN'T IT? 192 00:09:48,454 --> 00:09:50,521 - WHY DON'T WE PUT THOSE IN SOME WATER? 193 00:10:01,501 --> 00:10:03,434 - FOR KATHY, RIGHT? 194 00:10:05,437 --> 00:10:06,503 - GREAT. 195 00:10:09,675 --> 00:10:13,277 - UNDERSTAND YOU GUYS ARE BROKEN UP ABOUT BARNABY. 196 00:10:26,926 --> 00:10:28,025 - FELLAS. 197 00:10:38,471 --> 00:10:40,838 - I'LL JUST HOLD ON TO THIS. 198 00:10:44,844 --> 00:10:48,578 - FELLAS, I'M SURE THERE'S A WAY TO WORK THIS OUT. 199 00:10:51,817 --> 00:10:53,951 - ON THE OTHER HAND, MAYBE NOT. 200 00:10:53,986 --> 00:10:57,154 ( music playing ) 201 00:11:02,228 --> 00:11:04,261 - DARRYL, THERE YOU ARE. 202 00:11:06,532 --> 00:11:08,699 WHAT'S GOING ON HERE? 203 00:11:08,735 --> 00:11:10,868 ARE YOU RESPONSIBLE FOR THIS? 204 00:11:11,870 --> 00:11:14,204 - THEY WERE BOTH BRINGING FLOWERS FOR KATHY. 205 00:11:14,240 --> 00:11:15,406 - I SEE. 206 00:11:17,110 --> 00:11:19,377 DARRYL, GET BACK TO THE CAF� AND WAIT FOR ME. 207 00:11:23,382 --> 00:11:24,982 I'M SORRY YOU WERE SUBJECTED 208 00:11:25,018 --> 00:11:27,752 TO SUCH HORMONALLY MOTIVATED BEHAVIOR. 209 00:11:28,788 --> 00:11:30,221 I GUESS THE ONLY THING TO DO 210 00:11:30,256 --> 00:11:32,323 IS FIND OUT WHICH DARRYL SHE PREFERS 211 00:11:32,358 --> 00:11:34,659 AND LOCK THE HAPPY COUPLE IN A BARN FOR A WHILE. 212 00:11:36,562 --> 00:11:39,730 - LARRY, I THINK I KNOW KATHY WELL ENOUGH 213 00:11:39,765 --> 00:11:45,669 TO SAY THAT THE DARRYL OF HER CHOICE IS NEITHER. 214 00:11:45,704 --> 00:11:48,372 - GOSH, I THOUGHT BETWEEN THE TWO OF THEM 215 00:11:48,407 --> 00:11:50,641 THEY WOULD HAVE COVERED ALL RANGES OF TASTE. 216 00:11:52,211 --> 00:11:54,078 - GO FIGURE. 217 00:11:54,113 --> 00:11:56,414 - WELL, I'LL UPDATE DARRYL. 218 00:11:56,449 --> 00:12:00,017 MEANTIME, COULD YOU EXPLAIN THE SITUATION TO MISS KATHY? 219 00:12:00,052 --> 00:12:01,185 - WHY ME? 220 00:12:01,220 --> 00:12:04,221 - YOU HAVE THE ABILITY TO TALK ABOUT AFFAIRS OF THE HEART 221 00:12:04,256 --> 00:12:08,425 WITHOUT USING GRAPHIC SEXUAL TERMINOLOGY. 222 00:12:09,628 --> 00:12:11,796 - IT'S A GIFT. 223 00:12:17,203 --> 00:12:19,603 - WELL, SEE YOU LATER. 224 00:12:19,639 --> 00:12:23,173 - KATHY, IT SEEMS YOUR PRESENCE AT THE CAF� 225 00:12:23,209 --> 00:12:27,345 HAS STIRRED UP SOME ROMANTIC FEELINGS OVER THERE. 226 00:12:27,380 --> 00:12:28,278 - YOU'RE KIDDING? 227 00:12:28,314 --> 00:12:30,481 - THERE'S NO REASON TO BE FRIGHTENED. 228 00:12:30,516 --> 00:12:31,648 - OH, I'M NOT FRIGHTENED. 229 00:12:31,684 --> 00:12:33,183 I THINK IT'S WONDERFUL. 230 00:12:35,388 --> 00:12:36,353 - YOU DO? 231 00:12:36,389 --> 00:12:38,689 - I WAS HAVING SOME FEELINGS TOO. 232 00:12:38,725 --> 00:12:39,657 - YOU WERE? 233 00:12:40,660 --> 00:12:42,693 - WHICH DARRYL DO YOU LIKE? 234 00:12:42,728 --> 00:12:45,329 - DARRYL? OH, I THINK THEY'RE SWEET BUT, 235 00:12:45,364 --> 00:12:47,798 I LIKE LARRY. 236 00:12:49,902 --> 00:12:51,001 - LARRY? 237 00:12:51,037 --> 00:12:54,238 - HE'S MASCULINE, HE'S DEPENDABLE, HE'S SENSITIVE. 238 00:12:54,274 --> 00:12:55,472 HE SPEAKS. 239 00:12:57,544 --> 00:13:00,578 - HE DOES HAVE IT ALL. 240 00:13:00,613 --> 00:13:03,214 - KATHY, THIS IS GETTING PRETTY COMPLICATED. 241 00:13:03,249 --> 00:13:05,449 IT'S THE DARRYLS WHO LIKE YOU. 242 00:13:05,484 --> 00:13:08,152 THEY JUST GOT INTO A BIG FIGHT BECAUSE OF IT. 243 00:13:08,187 --> 00:13:10,587 - OH, GOSH. 244 00:13:10,623 --> 00:13:13,524 WELL, I GUESS THE ONLY WAY TO PUT AN END TO THIS 245 00:13:13,559 --> 00:13:14,958 IS TO GO OVER THERE AND TELL THEM 246 00:13:14,994 --> 00:13:16,627 IT'S LARRY I'M INTERESTED IN. 247 00:13:16,663 --> 00:13:20,397 - KATHY, I DON'T THINK THAT'S A GOOD IDEA. 248 00:13:20,432 --> 00:13:21,732 - I HAVE TO, MR. LOUDON. 249 00:13:21,767 --> 00:13:24,001 I'VE CAUSED ENOUGH TROUBLE ALREADY. 250 00:13:24,971 --> 00:13:27,871 OH, DEAR, I KNOW DARRYL CAN TAKE THIS 251 00:13:27,907 --> 00:13:30,407 BUT THIS'LL BREAK POOR DARRYL'S HEART. 252 00:13:32,578 --> 00:13:35,646 ( music playing ) 253 00:13:37,283 --> 00:13:39,616 - WELL, I NEVER THOUGHT I'D SEE THE DAY 254 00:13:39,652 --> 00:13:42,286 WHEN A PRETTY FACE COULD TURN BROTHER AGAINST BROTHER. 255 00:13:42,321 --> 00:13:43,654 IS IT REALLY WORTH IT? 256 00:13:47,327 --> 00:13:49,626 - WELL, I HAVE IT ON GOOD AUTHORITY 257 00:13:49,662 --> 00:13:53,831 THAT KATHY AIN'T A SMIDGEON INTERESTED IN YOU OR YOU. 258 00:13:55,267 --> 00:13:58,903 FROM HEREON, YOU TWO LEAVE MISS KATHY BE. 259 00:13:58,938 --> 00:14:00,838 NOW LET'S SEE SOME FORGIVING AND FORGETTING. 260 00:14:07,113 --> 00:14:08,379 - HI, GUYS. 261 00:14:08,414 --> 00:14:10,047 - MISS KATHY. 262 00:14:10,082 --> 00:14:13,417 - LISTEN, I HATE TO BE THE CAUSE OF ANY FRICTION BETWEEN YOU 263 00:14:13,452 --> 00:14:17,087 SO I THINK IT'S REALLY IMPORTANT THAT YOU KNOW MY FEELINGS. 264 00:14:17,123 --> 00:14:18,823 WHAT I'M TRYING TO SAY IS, 265 00:14:18,858 --> 00:14:22,426 UH, WELL, THIS IS HARD FOR ME SO... 266 00:14:29,936 --> 00:14:31,902 - THAT WAS THE ONLY WAY I KNEW HOW TO SHOW YOU. 267 00:14:31,938 --> 00:14:33,403 HOPE YOU FEEL THE SAME. 268 00:14:33,439 --> 00:14:36,641 - WELL, SO FAR SO GOOD. 269 00:14:36,676 --> 00:14:38,442 - OH, LARRY. 270 00:14:39,512 --> 00:14:41,845 - EXCUSE ME, WE'RE READY TO ORDER NOW. 271 00:14:41,881 --> 00:14:43,080 - OH, COMING. 272 00:14:45,918 --> 00:14:50,453 - LISTEN, WE'LL ALL TALK LATER. 273 00:14:51,757 --> 00:14:54,058 - OH, HI, GUYS. 274 00:14:54,093 --> 00:14:57,561 NOW DARRYL, I KNOW HOW THIS LOOKS 275 00:14:57,563 --> 00:15:00,530 BUT I HAD NO IDEA SHE HAD EYES FOR YOURS TRULY. 276 00:15:02,501 --> 00:15:05,669 I REALIZE THIS IS HARD TO BELIEVE, 277 00:15:05,704 --> 00:15:06,904 COMING AS IT DOES 278 00:15:06,939 --> 00:15:09,439 FROM LIPS THAT JUST SMUSHED UP AGAINST PARADISE. 279 00:15:11,210 --> 00:15:13,344 LOOK, THE FLEA HAS PICKED OUT HER DOG. 280 00:15:14,447 --> 00:15:15,946 NOW, GET TO YOUR STATIONS. 281 00:15:22,021 --> 00:15:23,821 - IS EVERYTHING OKAY? 282 00:15:23,856 --> 00:15:24,755 - DON'T WORRY. 283 00:15:24,790 --> 00:15:27,490 THEY'RE JUST A LITTLE SLOW TO ABSORB THINGS. 284 00:15:27,526 --> 00:15:31,595 NOT UNLIKE THEM PLAIN WRAPPED PAPER TOWELS. 285 00:15:31,630 --> 00:15:33,998 - HERE'S THE ORDER ON TABLE 5. 286 00:15:35,868 --> 00:15:38,269 - DARRYL, TWO FRUIT SALADS PRONTO. 287 00:15:42,475 --> 00:15:44,341 - GOOD THING WE DIDN'T ORDER HOT SOUP. 288 00:15:44,377 --> 00:15:47,010 - PLEASE, PLEASE REMAIN SEATED. 289 00:15:47,045 --> 00:15:49,480 I WILL SOON HAVE THE SITUATION UNDER CONTROL. 290 00:15:51,350 --> 00:15:53,083 - STOP IT! STOP IT! 291 00:15:54,119 --> 00:15:57,488 THIS IS ALL MY FAULT THAT YOU'RE ACTING LIKE THIS. 292 00:15:57,523 --> 00:15:59,590 I CAN'T WORK HERE ANYMORE. 293 00:15:59,625 --> 00:16:00,591 BEFORE I CAME, 294 00:16:00,626 --> 00:16:03,727 YOU THREE WERE SUCH AN OILY MACHINE. 295 00:16:03,763 --> 00:16:04,895 ( sobbing ) 296 00:16:04,931 --> 00:16:05,896 - WAIT, MISS KATHY. 297 00:16:05,932 --> 00:16:07,264 I FELT TOWARD THE END, DARRYL AND I 298 00:16:07,300 --> 00:16:08,765 WERE STARTING TO WORK THINGS OUT. 299 00:16:13,139 --> 00:16:14,104 ( music playing ) 300 00:16:15,140 --> 00:16:16,874 - MICHAEL, IT'S GOING TO BE ALL RIGHT. 301 00:16:16,909 --> 00:16:19,342 - BUT STEPH, I'M ALL WET. 302 00:16:21,814 --> 00:16:25,582 GEORGE, THIS BARNABY STUFF HAS GONE TOO FAR. 303 00:16:25,617 --> 00:16:27,584 - SOMETHING WRONG, MICHAEL? 304 00:16:27,620 --> 00:16:29,753 - YOU'VE GOT THIS WHOLE TOWN OF HOOLIGANS OUT TO GET ME. 305 00:16:29,788 --> 00:16:31,588 PHONE OPERATORS BREAK INTO MY PHONE CALLS 306 00:16:31,623 --> 00:16:34,925 AND GO "BUDDY, BUDDY." 307 00:16:34,961 --> 00:16:37,428 BANK TELLERS DEMAND 10 PIECES OF ID. 308 00:16:37,463 --> 00:16:39,396 AND FINALLY, I WAS THE VICTIM 309 00:16:39,432 --> 00:16:41,899 OF THE MOST HIDEOUS OF ALL AUTOMOBILE CRIMES, 310 00:16:41,934 --> 00:16:43,166 THE SPLASH AND RUN. 311 00:16:44,804 --> 00:16:45,936 - THIS IS A NIGHTMARE. 312 00:16:45,972 --> 00:16:47,738 - DARN RIGHT. I COULD CATCH PNEUMONIA. 313 00:16:47,773 --> 00:16:49,273 - NOT YOU. ME. 314 00:16:49,308 --> 00:16:52,042 LOOK, A SPOT OF MUD. 315 00:16:54,847 --> 00:16:56,547 - OH MY GOD. 316 00:17:00,052 --> 00:17:01,018 THAT'S IT, GEORGE. 317 00:17:01,053 --> 00:17:02,520 BETWEEN MEN IS ONE THING 318 00:17:02,555 --> 00:17:05,289 BUT WHEN INNOCENT CUPCAKES TAKE SHRAPNEL. 319 00:17:06,658 --> 00:17:07,624 - SORRY, MICHAEL, 320 00:17:07,660 --> 00:17:10,727 BUT PEOPLE IN THIS TOWN TAKE CARE OF EACH OTHER. 321 00:17:10,763 --> 00:17:12,963 - TELEVISION IS A MASS MEDIUM. 322 00:17:12,998 --> 00:17:14,998 IT'LL BE A COLD DAY IN HADES TOWN 323 00:17:15,034 --> 00:17:17,601 WHEN I BOW TO THE WHIM OF ONE PERSON. 324 00:17:17,636 --> 00:17:21,671 - MICHAEL, I CAN'T DATE YOU UNTIL MY CLOTHING IS SAFE. 325 00:17:24,677 --> 00:17:26,343 - BARNABY WILL BE BACK ON TOMORROW, GEORGE. 326 00:17:27,413 --> 00:17:28,379 - THANK YOU, MICHAEL. 327 00:17:28,414 --> 00:17:30,280 - GEORGE, SUPPOSE I PUT 328 00:17:30,315 --> 00:17:31,949 "LIFESTYLES OF THE SOLID PLATINUM DANCERS" 329 00:17:31,984 --> 00:17:34,384 ON IN PLACE OF "EIGHT IS ENOUGH"? 330 00:17:35,721 --> 00:17:37,655 - LIFE WITHOUT DICK VAN PATTEN? 331 00:17:39,025 --> 00:17:40,590 I'LL HAVE TO GET BACK TO YOU. 332 00:17:43,062 --> 00:17:45,396 - YOU KNOW YOU'RE WELCOME TO STAY LONGER IF YOU WANT. 333 00:17:45,431 --> 00:17:48,899 - OH, THANKS, BUT I DON'T THINK THIS TOWN'S TOO GOOD FOR ME. 334 00:17:48,934 --> 00:17:50,968 I'VE LOST TWO MEN IN THREE DAYS. 335 00:17:53,739 --> 00:17:54,871 - HI. 336 00:17:54,907 --> 00:17:56,873 I'M LARRY, FLYING SOLO. 337 00:17:56,909 --> 00:17:58,642 - LARRY, WHAT ARE YOU DOING HERE? 338 00:17:58,677 --> 00:18:01,211 - WELL, I FIGURED YOU'D BE HEADING OUT OF TOWN. 339 00:18:01,247 --> 00:18:04,848 I WONDERED IF YOU'D MIND MY TAGGING ALONG. 340 00:18:04,883 --> 00:18:06,984 - WELL, WHAT ABOUT YOUR BROTHERS? 341 00:18:07,019 --> 00:18:08,985 - WELL, WE DISCUSSED IT AND DISCUSSED IT 342 00:18:09,020 --> 00:18:11,321 UNTIL WE RAN OUT OF BASIC FOOD GROUPS. 343 00:18:12,291 --> 00:18:13,924 I TOLD THEM THEY COULD HAVE THE CAF�. 344 00:18:13,959 --> 00:18:16,559 - LARRY, ARE YOU SURE THIS IS WHAT YOU WANT TO DO? 345 00:18:16,595 --> 00:18:19,630 - WELL, MISS KATHY'S KISS MOVED ME 346 00:18:19,665 --> 00:18:21,898 MORE THAN I'VE EVER BEEN MOVED BEFORE. 347 00:18:21,933 --> 00:18:24,234 'COURSE, NOTHING FEMININE'S TOUCHED THESE LIPS 348 00:18:24,270 --> 00:18:26,770 SINCE THAT FAT LADY STOOD UP ON THE BUS. 349 00:18:29,408 --> 00:18:32,076 SO, IS IT TWO FOR THE ROAD? 350 00:18:33,179 --> 00:18:37,281 - OH, LARRY, I JUST KNOW WE'RE GONNA BE WONDERFUL TOGETHER. 351 00:18:39,385 --> 00:18:41,485 - OOH, I HAVE TO TELL YOU, 352 00:18:41,520 --> 00:18:44,088 THAT FAT LADY IS A DISTANT SECOND. 353 00:18:49,328 --> 00:18:50,927 - KATHY. - EDWARD. 354 00:18:52,798 --> 00:18:54,130 WHAT ARE YOU DOING HERE? 355 00:18:54,166 --> 00:18:56,433 - KATHY, I WANT TO TALK TO YOU. 356 00:18:56,468 --> 00:18:58,668 - WHY DON'T YOU JUST WRITE ME ANOTHER NOTE? 357 00:18:58,704 --> 00:19:00,904 - KATHY, I KNOW I DID A TERRIBLE THING 358 00:19:00,939 --> 00:19:02,573 BUT I WAS SCARED. 359 00:19:02,608 --> 00:19:06,076 I MEAN, MARRIAGE IS FOR LIFE. 360 00:19:06,112 --> 00:19:09,580 AFTER I LEFT HERE, I REALIZED THAT 361 00:19:09,615 --> 00:19:12,849 I'D HAVE NO LIFE WITHOUT YOU. 362 00:19:12,885 --> 00:19:15,252 - I'M SORRY, EDWARD. 363 00:19:15,288 --> 00:19:16,253 WHILE YOU WERE GONE, 364 00:19:16,289 --> 00:19:21,157 I MET A VERY SWEET, GENTLE, KIND MAN. 365 00:19:21,193 --> 00:19:23,460 HE'S COMING BACK TO ARIZONA WITH ME. 366 00:19:24,697 --> 00:19:27,364 - I THOUGHT HE WAS MARRIED TO HER. 367 00:19:27,399 --> 00:19:29,466 - NOT ME. 368 00:19:29,502 --> 00:19:31,135 HIM. 369 00:19:31,170 --> 00:19:32,636 LARRY. 370 00:19:35,107 --> 00:19:37,174 - WOW. I REALLY HURT YOU, DIDN'T I? 371 00:19:38,444 --> 00:19:40,244 - WE HAVE NOTHING MORE TO SAY TO EACH OTHER, EDWARD. 372 00:19:40,279 --> 00:19:42,279 - KATHY, PLEASE. - I'M SORRY. 373 00:19:47,286 --> 00:19:48,352 - SO AM I. 374 00:19:54,794 --> 00:19:57,994 - WELL, WE HAVE A BUS TO CATCH. 375 00:19:59,932 --> 00:20:02,232 - I DON'T THINK SO, MISS KATHY. 376 00:20:02,268 --> 00:20:03,333 - WHAT'S WRONG? 377 00:20:03,368 --> 00:20:04,902 - I KNOW THIS MAY SOUND CRAZY, 378 00:20:04,937 --> 00:20:07,670 YOU BEING SUCH A TASTY BAG OF GROCERIES AN' ALL, 379 00:20:08,673 --> 00:20:10,840 BUT I JUST DON'T THINK IT'D BE RIGHT. 380 00:20:13,145 --> 00:20:15,245 - LARRY, DON'T WORRY ABOUT EDWARD. 381 00:20:15,280 --> 00:20:17,748 YOU HEARD ME TELL HIM THAT WE'RE THROUGH. 382 00:20:17,783 --> 00:20:19,249 - I HEARD WHAT YOU TOLD HIM. 383 00:20:19,285 --> 00:20:22,485 BUT YOUR MOUTH WAS HAVING A MAJOR ARGUMENT WITH YOUR EYES. 384 00:20:24,456 --> 00:20:27,257 THERE'S A BIRD IN THESE WOODS CALLED THE SAPSUCKER. 385 00:20:27,292 --> 00:20:29,393 WHEN IT MATES, IT MATES FOR LIFE. 386 00:20:29,428 --> 00:20:31,561 THE BOY SAPSUCKER AND THE GIRL SAPSUCKER 387 00:20:31,597 --> 00:20:34,564 JUST HAVE SOMETHING IN THEIR EYES THAT SAYS, 388 00:20:34,600 --> 00:20:38,501 "I'M FOR YOU AND YOU'RE FOR ME, FOREVER." 389 00:20:38,537 --> 00:20:40,937 I SAW THAT SOMETHING IN YOUR EYE FOR EDWARD. 390 00:20:40,973 --> 00:20:42,739 AND IN HIS FOR YOU. 391 00:20:42,774 --> 00:20:44,974 - LARRY, PEOPLE ARE NOT SAPSUCKERS. 392 00:20:45,010 --> 00:20:47,544 - I DON'T KNOW. 393 00:20:47,580 --> 00:20:51,881 COVER 'EM WITH FEATHERS, JAM A BIG SNOUT ON THEIR FACE, 394 00:20:51,917 --> 00:20:55,051 SLICE OFF SOME TOES, LOP OFF THEIR ARMS, 395 00:20:56,055 --> 00:20:58,688 GRAFT WINGS ON THEIR SPINAL COLUMN, 396 00:20:58,724 --> 00:21:00,590 I'D BE HARD PRESSED TO TELL THE DIFFERENCE. 397 00:21:01,927 --> 00:21:04,361 - WOW, WE'RE JUST A HAIR'S BREADTH AWAY 398 00:21:04,396 --> 00:21:05,595 FROM BEING BIRDS. 399 00:21:08,333 --> 00:21:10,534 - WELL, WHAT ABOUT THE WAY HE RAN OUT ON ME? 400 00:21:10,569 --> 00:21:13,203 - WHAT ABOUT THE WAY HE CAME BACK TO YOU? 401 00:21:13,239 --> 00:21:15,272 IF YOU HURRY, YOU CAN CATCH UP WITH HIM. 402 00:21:17,209 --> 00:21:19,643 - OH, LARRY, YOU'RE SO WISE. 403 00:21:22,347 --> 00:21:24,047 I'M NEVER GONNA FORGET YOU. 404 00:21:28,687 --> 00:21:31,321 - LARRY, WHAT YOU JUST DID WAS WONDERFUL. 405 00:21:31,357 --> 00:21:33,323 - THEN WHY DO MY INSIDES FEEL LIKE 406 00:21:33,358 --> 00:21:36,593 THEY'VE JUST BEEN WORKED OVER BY A BENIHANA CHEF? 407 00:21:38,897 --> 00:21:40,397 I HAVE NO GIRL, 408 00:21:40,432 --> 00:21:43,834 I HAVE NO BROTHERS AND I HAVE NO HOME. 409 00:21:43,869 --> 00:21:44,801 ( door opening ) 410 00:21:46,371 --> 00:21:48,839 - STAND BACK, DARRYL, I GOT A POP TART IN MY POCKET. 411 00:21:48,874 --> 00:21:49,973 I'M NOT AFRAID TO USE IT. 412 00:21:53,379 --> 00:21:54,478 - WHAT'S THAT? 413 00:21:56,515 --> 00:21:59,482 - OH, MY, A LOVELY CHAFING DISH. 414 00:22:06,825 --> 00:22:08,858 - "TO LARRY AND KATHY, 415 00:22:08,893 --> 00:22:12,462 GOOD LUCK WHEREVER YOU MAY ROAM." 416 00:22:12,497 --> 00:22:13,963 - OHH. 417 00:22:13,999 --> 00:22:17,034 THEY'VE ACCEPTED LARRY'S RELATIONSHIP. 418 00:22:17,069 --> 00:22:19,602 - I GUESS I'M THE ONLY ONE WHO HASN'T. 419 00:22:20,705 --> 00:22:24,241 - DARRYL, THIS IS BEAUTIFUL, ASIDE FROM THE SPELLING. 420 00:22:24,276 --> 00:22:28,145 BUT MISS KATHY JUST LEFT TOWN WITH HER PREVIOUS FIANC�. 421 00:22:29,214 --> 00:22:31,248 I REALIZE YOU'LL PROBABLY TAUNT ME 422 00:22:31,283 --> 00:22:32,449 FOR THE REST OF MY DAYS 423 00:22:32,484 --> 00:22:35,352 BUT GO AHEAD, DO YOUR WORST. 424 00:22:41,994 --> 00:22:46,129 AHH, YOU'RE THE BEST BROTHERS. 425 00:22:46,164 --> 00:22:49,533 SOMETIMES THINGS JUST GO SO RIGHT WITH THAT DNA. 426 00:22:51,737 --> 00:22:54,804 ( music playing ) 427 00:22:56,475 --> 00:22:59,409 ( theme music playing ) 428 00:23:26,237 --> 00:23:27,371 - MEOW! 30822

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.