subtitlecat.com

All language subtitles for The Interview - Octavia Red, Ophelia Fae - AllHerLuv

Afrikaans

Akan

Albanian

Amharic

Arabic

Armenian

Azerbaijani

Basque

Belarusian

Bemba

Bengali

Bihari

Bosnian

Breton

Bulgarian

Cambodian

Catalan

Cebuano

Cherokee

Chichewa

Chinese (Simplified)

Chinese (Traditional)

Corsican

Croatian

Czech

Danish

Dutch

English

Esperanto

Estonian

Ewe

Faroese

Filipino

Finnish

French

Frisian

Galician

Georgian

German

Greek

Guarani

Gujarati

Haitian Creole

Hausa

Hawaiian

Hebrew

Hindi

Hmong

Hungarian

Icelandic

Igbo

Indonesian

Interlingua

Irish

Italian

Japanese

Javanese

Kannada

Kazakh

Kinyarwanda

Kirundi

Kongo

Korean

Krio (Sierra Leone)

Kurdish

Kurdish (Soranî)

Kyrgyz

Laothian

Latin

Latvian

Lingala

Lithuanian

Lozi

Luganda

Luo

Luxembourgish

Macedonian

Malagasy

Malay

Malayalam

Maltese

Maori

Marathi

Mauritian Creole

Moldavian

Mongolian

Myanmar (Burmese)

Montenegrin

Nepali

Nigerian Pidgin

Northern Sotho

Norwegian

Norwegian (Nynorsk)

Occitan

Oriya

Oromo

Pashto

Persian

Polish

Portuguese (Brazil)

Portuguese (Portugal)

Punjabi

Quechua

Romanian

Romansh

Runyakitara

Russian

Samoan

Scots Gaelic

Serbian

Serbo-Croatian

Sesotho

Setswana

Seychellois Creole

Shona

Sindhi

Sinhalese

Slovak

Slovenian

Somali

Spanish

Spanish (Latin American)

Sundanese

Swahili

Swedish

Tajik

Tamil

Tatar

Telugu

Thai

Tigrinya

Tonga

Tshiluba

Tumbuka

Turkish

Turkmen

Twi

Uighur

Ukrainian

Urdu

Uzbek

Vietnamese

Welsh

Wolof

Xhosa

Yiddish

Yoruba

Zulu

Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:24,600 --> 00:00:25,880 Hello. Lydia, right? 2 00:00:26,100 --> 00:00:27,420 Yes. Come on in. 3 00:00:32,259 --> 00:00:34,220 Uh, shoes on or shoes off? 4 00:00:34,460 --> 00:00:37,580 Oh, this is a shoes on or shoes off kind of household. 5 00:00:37,800 --> 00:00:39,280 You can do whatever you like. 6 00:00:40,940 --> 00:00:42,260 Why don't you follow me this way? 7 00:00:52,370 --> 00:00:56,770 You'll have to bear with me. It's the first time I've done an interview in 8 00:00:56,770 --> 00:01:00,530 a while for one of my paintings. I'm a little restful. No worries at all. And 9 00:01:00,530 --> 00:01:01,730 the coffee's lovely, thank you. 10 00:01:03,350 --> 00:01:07,010 I have to say, I'm very grateful that you did take the time to interview with 11 00:01:07,010 --> 00:01:08,010 this afternoon. 12 00:01:08,170 --> 00:01:12,550 Well, of course. I was elated that someone was interested in one of my most 13 00:01:12,550 --> 00:01:13,570 cherished paintings. 14 00:01:13,990 --> 00:01:14,990 Really? 15 00:01:15,150 --> 00:01:21,050 Yeah, you'll find that oftentimes the artist's most favorite creations... 16 00:01:21,760 --> 00:01:22,760 Isn't the public. 17 00:01:23,580 --> 00:01:26,520 That must be very frustrating. Why do you think that is? 18 00:01:27,260 --> 00:01:34,260 Many factors can play into it. But in this case, I believe it's because the 19 00:01:34,260 --> 00:01:40,460 painting is about a tragic love story between two lesbian lovers, 20 00:01:40,940 --> 00:01:43,240 Anastasia and Harlow. 21 00:01:43,880 --> 00:01:46,440 A tragedy of what sort? 22 00:01:47,600 --> 00:01:50,900 A modern story as old as time. 23 00:01:51,690 --> 00:01:55,570 Anastasia gives up love for something less meaningful. 24 00:01:56,550 --> 00:01:59,230 What happened between these two lovers? 25 00:02:00,690 --> 00:02:07,230 Well, Anastasia met this hauntingly 26 00:02:07,230 --> 00:02:12,410 beautiful woman at a bar, and the chemistry between them was so 27 00:02:12,410 --> 00:02:18,770 thick and heavy that it changed the mood of the entire 28 00:02:18,770 --> 00:02:19,790 room. 29 00:02:20,620 --> 00:02:21,620 Wow. 30 00:02:23,360 --> 00:02:30,200 Wow is exactly what Anastasia thought, because in that moment, she 31 00:02:30,200 --> 00:02:32,420 truly felt like she was living. 32 00:02:32,740 --> 00:02:38,640 And all the days before that were just vacant. 33 00:02:39,680 --> 00:02:43,700 That must have been very intense for Anastasia. 34 00:02:43,980 --> 00:02:47,540 And for Harlow as well, I presume. 35 00:02:49,450 --> 00:02:55,070 But what was most intense for Anastasia was realizing that she was different. 36 00:02:56,770 --> 00:03:00,970 That for the very first time, she was fond of a woman. 37 00:03:01,590 --> 00:03:04,730 And she was in denial about it. 38 00:03:05,830 --> 00:03:08,790 But that wasn't the impression she gave. 39 00:03:09,330 --> 00:03:16,030 So Anastasia pretended to be an experienced lesbian, when in reality 40 00:03:16,030 --> 00:03:17,790 she was a clueless... 41 00:03:18,110 --> 00:03:22,770 kid who had recently been kicked out of the house for failing the semester. 42 00:03:23,370 --> 00:03:24,770 She was lost. 43 00:03:25,670 --> 00:03:31,790 And for the night, Harlow made her feel competent, 44 00:03:32,190 --> 00:03:38,990 loved, meaningful, and her skin 45 00:03:38,990 --> 00:03:42,910 was so soft, like touching. 46 00:03:48,910 --> 00:03:53,290 And Anastasia sounds very self -absorbed, does she not? 47 00:03:53,930 --> 00:03:58,870 Prioritizing only the pleasure of it all. Did she even ask for this person's 48 00:03:58,870 --> 00:04:05,430 name? No, she didn't. And that is the greatest downfall of it all. 49 00:04:05,690 --> 00:04:06,690 You think so? 50 00:04:07,430 --> 00:04:08,430 Yes. 51 00:04:09,430 --> 00:04:14,790 Later in that night, a very greedy man came flirting with both of the women. 52 00:04:15,920 --> 00:04:20,800 And though they complained about it privately, they still entertained him 53 00:04:20,800 --> 00:04:21,639 the fun of it. 54 00:04:21,640 --> 00:04:24,060 Or at least that's what Harlow thought. 55 00:04:24,520 --> 00:04:28,520 So Anastasia had genuine feelings for this man? 56 00:04:29,560 --> 00:04:30,560 No. 57 00:04:31,220 --> 00:04:37,700 But he was rich and charming and Anastasia was 58 00:04:37,700 --> 00:04:44,600 reckless and homeless and... Selfish. I don't think that's how I would sum her 59 00:04:44,600 --> 00:04:49,760 up. Was she not? She abandoned the girl that night. Did she not? She offered to 60 00:04:49,760 --> 00:04:53,080 take her home, but she refused. Because you were with a stranger. 61 00:04:53,380 --> 00:04:56,940 A man who she hadn't even met. 62 00:04:57,240 --> 00:04:59,800 Who is to say that he wasn't a murderer? 63 00:05:00,460 --> 00:05:02,660 Yes, she was reckless in doing so. 64 00:05:02,880 --> 00:05:05,320 And she didn't even return her favorite jacket after. 65 00:05:05,600 --> 00:05:07,380 That was not your favorite jacket. 66 00:05:07,600 --> 00:05:12,340 I specifically remember you telling me that your favorite jacket was colored 67 00:05:12,340 --> 00:05:14,300 olive. I shouldn't. 68 00:05:14,510 --> 00:05:15,510 Come here. 69 00:05:16,410 --> 00:05:18,150 Please. Excuse me. 70 00:05:26,450 --> 00:05:28,910 I would have done anything to feel you again. 71 00:05:29,210 --> 00:05:31,270 Lydia, I'm so sorry. I'm so sorry. 72 00:05:31,590 --> 00:05:33,030 I can't get you out of my head. 73 00:05:33,330 --> 00:05:34,770 I can't get you out of my knee, though. 74 00:05:37,250 --> 00:05:38,250 Enough of this. 75 00:05:39,310 --> 00:05:43,410 Please, just forgive me. I didn't come here for this. I came here for closure. 76 00:05:44,320 --> 00:05:48,840 To accept that you made this entire fantasy up in your head that you never 77 00:05:48,840 --> 00:05:49,840 actually cared. 78 00:05:50,040 --> 00:05:53,800 Oh, please stop this. I feel nothing for you anymore. 79 00:05:54,100 --> 00:05:59,660 Nothing? If you felt nothing for me, then you wouldn't be standing here in my 80 00:05:59,660 --> 00:06:00,660 living room. 81 00:06:05,700 --> 00:06:06,880 What's the use? 82 00:06:07,780 --> 00:06:08,780 Me! 83 00:06:09,320 --> 00:06:10,320 Me! 84 00:06:10,760 --> 00:06:14,670 You... me if that's all you can bear. Fuck me with hate. 85 00:06:15,170 --> 00:06:16,330 I don't care. 86 00:06:16,730 --> 00:06:18,570 And just leave me be. 87 00:06:19,670 --> 00:06:21,330 Maybe that is all I can bear. 88 00:06:21,550 --> 00:06:22,550 I don't care. 89 00:06:22,710 --> 00:06:25,650 I don't care if this is the way you'll have me, then I'll take it. 90 00:06:27,330 --> 00:06:31,270 I'm not gonna touch you until I know that you can accept me. 91 00:06:31,850 --> 00:06:32,910 Accept you? 92 00:06:33,390 --> 00:06:39,150 Lydia, I... You're ashamed of me. Of your love for me and your love for 93 00:06:40,320 --> 00:06:42,960 I am not. You are ashamed and afraid. 94 00:06:43,600 --> 00:06:45,040 No, Lydia. 95 00:06:45,420 --> 00:06:46,980 Watch yourself in this mirror. 96 00:06:47,440 --> 00:06:51,340 What? Watch yourself as I touch you. 97 00:06:55,120 --> 00:06:56,120 Watch. 98 00:06:59,100 --> 00:07:00,100 See? 99 00:07:02,080 --> 00:07:03,080 Fear. 100 00:07:04,340 --> 00:07:05,700 Keep watching. 101 00:07:17,840 --> 00:07:18,840 Breathe into it. 102 00:07:19,960 --> 00:07:20,960 Feel it. 103 00:08:04,940 --> 00:08:07,360 never be ashamed of our love again. 104 00:10:22,520 --> 00:10:24,500 You like that, don't you? 105 00:10:54,359 --> 00:10:56,240 Your chest looks so good down there. 106 00:11:20,940 --> 00:11:26,780 How dare you keep this body away from me? Oh, fuck. 107 00:11:27,560 --> 00:11:29,480 Oh, my God, yes. 108 00:11:57,360 --> 00:11:58,740 I'm not your fucking old bitch. 109 00:12:59,120 --> 00:13:00,240 that I've been missing. 110 00:13:45,070 --> 00:13:46,070 Awesome. 111 00:15:33,140 --> 00:15:35,600 Thank you. 112 00:16:46,890 --> 00:16:48,170 Oh, my God. 113 00:16:50,070 --> 00:16:51,730 Oh, fuck. 114 00:16:52,290 --> 00:16:53,290 Yes. 115 00:16:55,670 --> 00:16:59,390 Holy shit, yes. 116 00:17:00,150 --> 00:17:03,810 Oh, I love the way you're grabbing my tits when you suck on my pussy. 117 00:17:04,630 --> 00:17:06,369 Oh, my God, yes. 118 00:17:07,010 --> 00:17:08,010 Grab me. 119 00:17:08,630 --> 00:17:13,510 Oh, fuck. Oh, fuck. 120 00:17:27,100 --> 00:17:28,280 Fuck, yes. 121 00:17:28,820 --> 00:17:32,360 Yes, keep playing with your pussy. I love watching you pleasure yourself. 122 00:17:32,860 --> 00:17:34,560 It's so fucking hot. 123 00:18:03,950 --> 00:18:05,970 Keep playing with your pussy. Keep rubbing yourself. 124 00:18:07,010 --> 00:18:10,010 I love knowing that you're pleasing yourself with everything. 125 00:18:10,830 --> 00:18:14,370 I'm going to be so fucking close to coming on you. 126 00:18:15,090 --> 00:18:16,090 Fuck. 127 00:20:21,439 --> 00:20:23,420 Don't look at me like that. 128 00:21:41,459 --> 00:21:43,220 I like that. 129 00:23:15,050 --> 00:23:16,050 Bye. Bye. 130 00:24:43,340 --> 00:24:44,900 Do you want to go under me? 131 00:26:29,420 --> 00:26:30,420 I like you so fucking much. 132 00:27:57,800 --> 00:27:58,699 with those eyes. 133 00:27:58,700 --> 00:28:00,100 Oh, my God. 134 00:28:00,320 --> 00:28:02,140 Oh, yeah. 135 00:28:02,580 --> 00:28:04,940 Fuck. Oh, 136 00:28:08,580 --> 00:28:11,140 fuck. 137 00:28:11,880 --> 00:28:12,880 Oh, 138 00:28:14,040 --> 00:28:19,120 fuck. 139 00:28:30,320 --> 00:28:31,320 Oh. 140 00:29:35,149 --> 00:29:36,550 Oh. 141 00:29:38,030 --> 00:29:39,030 Oh. 142 00:33:37,810 --> 00:33:39,210 Yes. 143 00:34:37,870 --> 00:34:41,969 I love watching your hips grind while you eat me up. Yeah. Oh, fuck. 144 00:35:11,240 --> 00:35:13,960 oh oh 145 00:37:49,260 --> 00:37:50,260 Never leave me again. 9962