All language subtitles for Hunter S03E20 Hot Pursuit (1).WEBRip x264 [i_c].NonHI.en

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,310 --> 00:00:06,220 YOU MESS WITH ME, AND I'LL BLOW YOU AWAY. YOU GOT THAT?! 2 00:00:06,260 --> 00:00:08,390 TAKE YOUR BEST SHOT. YOU GOT ONE. 3 00:00:08,420 --> 00:00:09,600 I WAS JUST PASSING THROUGH. 4 00:00:09,640 --> 00:00:11,900 I'M HERE TO STAY. 5 00:00:12,640 --> 00:00:15,670 HE COULD END UP MAKING YOU LOOK LIKE A HOMICIDAL MANIAC. 6 00:00:15,710 --> 00:00:19,010 WHAT ARE YOU DOING, MAN? ARE YOU CRAZY?! 7 00:00:19,370 --> 00:00:20,870 DON'T EVEN THINK ABOUT IT! 8 00:00:20,910 --> 00:00:22,740 YOU HEARD HER! DROP THEM! 9 00:00:23,710 --> 00:00:25,286 SO IS IT GETTING SERIOUS BETWEEN YOU TWO? 10 00:00:25,310 --> 00:00:27,216 WHO KNOWS? MAYBE YOU'LL LIKE BEING A STREET COP'S WIFE. 11 00:00:27,240 --> 00:00:30,970 LET'S FIND OUT. WHAT DO YOU SAY? 12 00:01:59,910 --> 00:02:01,510 OK. SO COME ON. TAKE THIS TEST. 13 00:02:01,550 --> 00:02:03,590 YOUR PERSONAL LOVE POTENTIAL. COME ON. 14 00:02:03,620 --> 00:02:06,190 I'LL HAVE YOU KNOW MY PERSONAL LOVE POTENTIAL 15 00:02:06,220 --> 00:02:07,950 ROCKETS OFF THE SCALE. 16 00:02:07,990 --> 00:02:09,720 HA HA HA! 17 00:02:09,750 --> 00:02:13,550 SO TAKE IT. TAKE THE TEST. 18 00:02:13,590 --> 00:02:14,850 IF YOU FLUNK, NO ONE WILL KNOW. 19 00:02:14,890 --> 00:02:16,420 IT'LL JUST BE BETWEEN YOU AND ME 20 00:02:16,450 --> 00:02:19,550 AND YOUR ROCKETING LOVE POTENTIAL. 21 00:02:19,590 --> 00:02:20,350 HA HA HA! 22 00:02:20,390 --> 00:02:21,590 Radio: ATTENTION, ALL UNITS. 23 00:02:21,620 --> 00:02:24,490 211 SILENT IN PROGRESS AT JEWELRY STORE, 24 00:02:24,520 --> 00:02:26,620 4567 LAMBERT. 25 00:02:26,650 --> 00:02:27,820 LET'S TAKE THAT. 26 00:02:27,850 --> 00:02:32,650 L-56, WE'RE MOVING ON THE 211. 27 00:02:48,920 --> 00:02:50,950 THE STORE. 28 00:03:00,790 --> 00:03:03,390 STOP! POLICE! 29 00:03:07,990 --> 00:03:10,090 FREEZE! POLICE! 30 00:03:14,430 --> 00:03:16,630 AAAH! 31 00:03:24,330 --> 00:03:25,360 Woman: NO. I'M SORRY. 32 00:03:25,390 --> 00:03:28,830 THE MAN I SAW CAME RUNNING OUT OF THAT JEWELRY STORE 33 00:03:28,860 --> 00:03:30,930 AND ALMOST KNOCKED ME DOWN. 34 00:03:30,960 --> 00:03:33,890 I'D REMEMBER HIM REAL GOOD. 35 00:03:36,360 --> 00:03:37,360 OK. 36 00:03:37,390 --> 00:03:41,830 THANK YOU, MRS. PICKFORD. THANK YOU FOR YOUR TIME. 37 00:03:41,860 --> 00:03:43,990 WE'LL BE IN TOUCH. 38 00:03:53,330 --> 00:03:54,536 OLD MAN WAS BLUDGEONED HALF TO DEATH, 39 00:03:54,560 --> 00:03:58,060 AND THE LAB CAN'T FIND ONE SPECK OF BLOOD ON GRIMES' CLOTHES. 40 00:03:58,090 --> 00:04:01,660 THE D.A.'s GOING TO THROW THIS ONE RIGHT BACK IN OUR FACE. 41 00:04:01,690 --> 00:04:02,760 LISTEN TO THIS. 42 00:04:02,790 --> 00:04:04,746 "NO STOLEN PROPERTY OR WEAPON FOUND ON THE SUSPECT. 43 00:04:04,770 --> 00:04:08,500 NO FINGERPRINTS BELONGING TO GRIMES INSIDE THE STORE." 44 00:04:08,530 --> 00:04:10,400 THE JEWELRY STORE OWNER'S STILL IN A COMA, 45 00:04:10,430 --> 00:04:11,806 AND OUR ONLY WITNESS SAW SOMEBODY ELSE 46 00:04:11,830 --> 00:04:13,600 RUNNING FROM THE SCENE OF THE CRIME. 47 00:04:13,630 --> 00:04:16,800 I'LL DROP ROBBERY IN EXCHANGE FOR A PLEA OF GUILTY 48 00:04:16,830 --> 00:04:19,400 ON THE ASSAULT AND RESISTING ARREST CHARGES. 49 00:04:19,430 --> 00:04:22,470 NO, NO, NO. THAT'S NOT ACCEPTABLE. 50 00:04:22,500 --> 00:04:25,830 SERGEANT HUNTER USED EXCESSIVE FORCE IN ARRESTING MY CLIENT, 51 00:04:25,870 --> 00:04:26,970 AND UNDER THE LAW, 52 00:04:27,000 --> 00:04:30,700 MR. GRIMES HAD A PERFECT RIGHT TO DEFEND HIMSELF. 53 00:04:30,730 --> 00:04:34,570 IT'LL NEVER WASH WITH A JURY. 54 00:04:34,600 --> 00:04:35,630 NO? 55 00:04:35,670 --> 00:04:37,130 NO. 56 00:04:37,170 --> 00:04:38,270 TRY THIS. 57 00:04:38,300 --> 00:04:41,030 WALLY GRIMES IS WALKING DOWN AN ALLEY 58 00:04:41,070 --> 00:04:42,430 BEHIND A JEWELRY STORE. 59 00:04:42,470 --> 00:04:46,470 SUDDENLY, A MAN BURSTS OUT OF THE BUILDING, AND HE POINTS A GUN AT HIM. 60 00:04:46,500 --> 00:04:48,070 NATURALLY, HE BECOMES FRIGHTENED, 61 00:04:48,100 --> 00:04:50,000 AND HE RUNS OUT INTO THE STREET, 62 00:04:50,030 --> 00:04:53,100 WHERE HE SEES A SECOND MAN WITH A GUN 63 00:04:53,130 --> 00:04:54,400 COMING AFTER HIM. 64 00:04:54,430 --> 00:04:56,730 NATURALLY, HE DID WHAT ANY ONE OF US WOULD HAVE DONE. 65 00:04:56,770 --> 00:05:00,730 HE RAN BECAUSE HE THOUGHT HIS LIFE WAS IN DANGER. 66 00:05:00,770 --> 00:05:02,210 YOU SHOULD HAVE IDENTIFIED YOURSELF 67 00:05:02,240 --> 00:05:04,140 AS A POLICE OFFICER, SERGEANT. 68 00:05:04,170 --> 00:05:05,540 I DID THAT TWICE. 69 00:05:05,570 --> 00:05:08,710 ANY WITNESSES TO THAT? 70 00:05:09,040 --> 00:05:13,770 DID ANYONE SEE MR. GRIMES IN THE JEWELRY STORE? 71 00:05:13,810 --> 00:05:16,240 IS THERE ANY EVIDENCE 72 00:05:16,270 --> 00:05:20,170 TO SUBSTANTIATE HIS INVOLVEMENT IN THE ROBBERY? 73 00:05:20,210 --> 00:05:21,540 ANYTHING? 74 00:05:21,570 --> 00:05:23,940 LET'S GET OUT OF HERE. 75 00:05:24,810 --> 00:05:26,710 EXCUSE ME. 76 00:05:31,370 --> 00:05:35,040 THERE IS NO WAY WE CAN PROSECUTE GRIMES AND GET A GUILTY VERDICT. 77 00:05:35,070 --> 00:05:37,910 IT'D JUST BE A WASTE OF TIME FILING CHARGES. 78 00:05:37,940 --> 00:05:40,210 HUNTER, THIS JUST CAME IN FOR YOU. 79 00:05:40,240 --> 00:05:41,970 THANKS, RAY. 80 00:05:44,310 --> 00:05:45,240 WE DID IT. 81 00:05:45,270 --> 00:05:47,440 WELL, THE MAN AT THE JEWELRY STORE JUST DIED. 82 00:05:47,470 --> 00:05:50,510 IT'S NOW A MURDER CASE. 83 00:05:52,270 --> 00:05:54,610 JUST A SECOND. 84 00:05:58,640 --> 00:06:00,410 HEY, YOU. 85 00:06:00,440 --> 00:06:02,450 YOU SCREWED UP REAL GOOD, DIDN'T YOU, COP? 86 00:06:02,480 --> 00:06:05,510 HEY, YOU FREAKED OUT, MAN, AND I DON'T HAVE TO TAKE THIS CRAP. 87 00:06:05,550 --> 00:06:06,726 I'LL HAVE YOU UP ON HARASSMENT CHARGES! 88 00:06:06,750 --> 00:06:08,526 I'M NOT GOING TO HARASS YOU. I'M JUST GOING TO PUT YOU AWAY. 89 00:06:08,550 --> 00:06:11,910 YOU MESS WITH ME, AND I'LL BLOW YOU AWAY. YOU GOT THAT?! 90 00:06:11,950 --> 00:06:13,980 TAKE YOUR BEST SHOT. YOU GOT ONE. 91 00:06:14,010 --> 00:06:16,980 ONE IS ALL I'M GOING TO NEED. 92 00:06:17,010 --> 00:06:19,250 TAKE A HIKE. 93 00:07:32,620 --> 00:07:34,220 HI, RICK. 94 00:07:34,250 --> 00:07:35,550 I HOPE YOU'RE ALONE. 95 00:07:35,590 --> 00:07:38,920 UH, TERRY BARNES, HOW DID YOU GET IN HERE? 96 00:07:38,950 --> 00:07:40,990 WITH MY KEY. HOW ELSE? 97 00:07:41,020 --> 00:07:44,050 KEPT IT SAFE FOR ALL THESE YEARS. 98 00:07:44,090 --> 00:07:45,820 GLAD TO SEE ME? 99 00:07:46,720 --> 00:07:48,550 HMM. THAT GLAD, HUH? 100 00:07:48,590 --> 00:07:49,820 WHAT HAPPENED, TERRY? 101 00:07:49,850 --> 00:07:52,120 THE STATION MANAGER FIRED THE NEWS DIRECTOR, 102 00:07:52,150 --> 00:07:54,020 AND THE NEW BOSS FIRED ME. 103 00:07:54,050 --> 00:07:57,420 WELL, WHEN DID ALL THIS OCCUR, TERRY? 104 00:07:57,450 --> 00:07:58,990 ABOUT 3 WEEKS AGO. 105 00:07:59,020 --> 00:08:03,890 IT TOOK ME THAT LONG TO REALIZE THAT I SHOULD COME HOME. 106 00:08:03,930 --> 00:08:06,290 DON'T LOOK SO WORRIED. 107 00:08:06,330 --> 00:08:10,160 I CAN ALWAYS GET MY OLD JOB BACK AT CHANNEL 8. 108 00:08:10,190 --> 00:08:14,060 AND I DON'T HAVE ANY SILLY ASSUMPTIONS ABOUT US. 109 00:08:14,090 --> 00:08:19,590 COMING HERE STRAIGHT FROM THE AIRPORT WAS JUST AN IMPULSE. 110 00:08:19,630 --> 00:08:21,360 OH. WELL... 111 00:08:21,390 --> 00:08:23,460 OK. 112 00:08:23,490 --> 00:08:25,060 UH... 113 00:08:25,090 --> 00:08:28,590 LET'S GET SOMETHING TO EAT. 114 00:08:29,890 --> 00:08:34,590 I'M REALLY NOT TOO HUNGRY FOR FOOD RIGHT NOW. 115 00:08:34,630 --> 00:08:35,690 REALLY? 116 00:08:35,730 --> 00:08:37,160 MM-MM. 117 00:08:37,190 --> 00:08:39,990 WELL, ME EITHER, THEN. 118 00:08:45,730 --> 00:08:48,190 THEY GOT YOU GUYS PUNCHING A TIME CLOCK NOW? 119 00:08:48,230 --> 00:08:50,490 NO. MY PARTNER'S PICKING ME UP IN 10 MINUTES. 120 00:08:50,530 --> 00:08:53,260 OH. IS YOUR PARTNER STILL GARROMAN? 121 00:08:53,290 --> 00:08:57,560 NO. GARROMAN RETIRED. McCALL'S MY PARTNER NOW. 122 00:08:57,590 --> 00:08:58,690 CHEERS. 123 00:09:00,060 --> 00:09:01,530 ENTER McCALL. 124 00:09:01,560 --> 00:09:04,030 YEAH. COME ON IN. YOU'RE A LITTLE EARLY. 125 00:09:04,070 --> 00:09:07,230 IT IS SO WINDY OUTSIDE. I TELL YOU. 126 00:09:07,270 --> 00:09:10,200 I DON'T KNOW HOW YOU CAN LIVE DOWN HERE. 127 00:09:10,230 --> 00:09:12,400 GOOD MORNING. 128 00:09:12,430 --> 00:09:13,430 HELLO. 129 00:09:13,470 --> 00:09:14,200 HI. 130 00:09:14,230 --> 00:09:17,000 SERGEANT McCALL, MEET TERRY BARNES. 131 00:09:17,030 --> 00:09:17,930 HI. HI. 132 00:09:17,970 --> 00:09:20,330 LISTEN, I CAN COME BACK LATER IF YOU GUYS... 133 00:09:20,370 --> 00:09:22,630 Hunter: NO, NO, NO. THAT'S QUITE ALL RIGHT. 134 00:09:22,670 --> 00:09:23,530 WE'RE ON OUR WAY OUT. 135 00:09:23,570 --> 00:09:26,130 I ASSUME YOU'LL BE HERE WHEN I GET BACK. 136 00:09:26,170 --> 00:09:28,630 IF THAT'S AN INVITATION, I ACCEPT. 137 00:09:28,670 --> 00:09:29,770 IT IS. 138 00:09:29,800 --> 00:09:32,130 GOOD-BYE. BYE. 139 00:09:32,170 --> 00:09:32,970 COME ON. 140 00:09:33,000 --> 00:09:34,400 NICE TO MEET YOU. 141 00:09:34,430 --> 00:09:36,830 NICE TO MEET YOU. 142 00:09:39,870 --> 00:09:42,300 PRETTY FACE. NICE BOD. 143 00:09:42,330 --> 00:09:43,700 NICE COMBINATION, HUH? 144 00:09:43,730 --> 00:09:44,770 YEAH. I THINK SO. 145 00:09:44,800 --> 00:09:47,100 WHAT'D YOU DO, PROMISE HER A RIDE WITH THE SIREN ON? 146 00:09:47,130 --> 00:09:49,870 SHE WAS AN OLD FRIEND FOR THE LAST 4 YEARS, McCALL. 147 00:09:49,900 --> 00:09:53,230 OH, I SEE. THAT'S WHY YOU GAVE HER THE SHIRT OFF YOUR BACK. 148 00:09:53,270 --> 00:09:55,130 WHAT A GUY. 149 00:09:55,170 --> 00:09:57,100 YES, I AM. 150 00:09:57,130 --> 00:09:59,370 HA HA HA! 151 00:10:41,370 --> 00:10:42,310 WHAT DO YOU WANT? 152 00:10:42,340 --> 00:10:45,570 LET ME IN, TERRY, AND I'LL TELL YOU. 153 00:10:45,610 --> 00:10:49,340 TERRY, IF YOU DON'T LIKE WHAT I HAVE TO SAY, I'LL LEAVE. 154 00:10:49,370 --> 00:10:51,810 THAT'S A PROMISE. 155 00:11:03,880 --> 00:11:04,880 HOW'D YOU FIND ME? 156 00:11:04,910 --> 00:11:08,710 THE CHUBBY GUY, SAT NEXT TO YOU IN THE AIRPLANE. 157 00:11:08,750 --> 00:11:13,280 HE WORKS FOR MY COMPANY. IN SECURITY, NO LESS. 158 00:11:13,310 --> 00:11:14,910 GOD. 159 00:11:14,950 --> 00:11:19,410 WHY DID YOU RUN? WHAT HAPPENED? 160 00:11:22,110 --> 00:11:23,810 I LOST MY JOB, SO I CAME HOME. 161 00:11:23,850 --> 00:11:27,580 DON'T HAND ME THAT. YOU WERE IN MY APARTMENT NIGHT BEFORE LAST. 162 00:11:27,610 --> 00:11:30,680 I HEARD THE DOOR CLOSE WHEN YOU LEFT. 163 00:11:30,710 --> 00:11:32,450 SO DID BARUSO. 164 00:11:32,480 --> 00:11:33,826 HE WANTS TO KNOW HOW MUCH YOU HEARD, 165 00:11:33,850 --> 00:11:37,610 AND HE WANTS TO KNOW WHY YOU LEFT TOWN SO SUDDENLY. 166 00:11:37,650 --> 00:11:39,010 SO DO I. 167 00:11:39,050 --> 00:11:41,710 IT'S HARD TO BELIEVE, ISN'T IT? 168 00:11:41,750 --> 00:11:43,250 WHAT? 169 00:11:43,280 --> 00:11:45,880 YOU AND I WERE ONCE LOVERS AND FRIENDS. 170 00:11:45,910 --> 00:11:46,980 CUT THE CRAP, TERRY! 171 00:11:47,010 --> 00:11:50,350 YOU WERE IN THE APARTMENT WHEN JAKE AND I CAME IN. 172 00:11:50,380 --> 00:11:52,380 WE TALKED, AND YOU STAYED, 173 00:11:52,410 --> 00:11:56,110 QUIET AS A DAMN MOUSE, AND LISTENED. 174 00:11:56,150 --> 00:11:57,410 WHAT DID YOU HEAR? 175 00:11:57,450 --> 00:12:02,750 CARL, STOP TRYING TO ACT LIKE A TOUGH GUY. IT DOESN'T BECOME YOU. 176 00:12:02,790 --> 00:12:08,750 YOU WANT AN ANSWER? SIT DOWN. I'LL GIVE YOU ONE. 177 00:12:13,950 --> 00:12:17,790 YES, I WAS THERE. I WAS IN THE BATHROOM REPAIRING MY MAKEUP, 178 00:12:17,820 --> 00:12:20,590 AND THE TWO OF YOU WALKED IN. 179 00:12:20,620 --> 00:12:24,790 I DIDN'T WANT HIM TO KNOW I WAS THERE, SO I WAITED. 180 00:12:24,820 --> 00:12:25,990 AND LISTENED. 181 00:12:26,020 --> 00:12:30,090 LONG ENOUGH TO REALIZE THAT YOU'RE INVOLVED WITH THAT CREEP. 182 00:12:30,120 --> 00:12:32,120 I COULDN'T BELIEVE IT. 183 00:12:32,150 --> 00:12:33,390 SOMEONE LIKE YOU... 184 00:12:33,420 --> 00:12:37,090 RIGHT SCHOOL, RIGHT MONEY, OLD MONEY. 185 00:12:37,120 --> 00:12:39,550 JAKE BARUSO IS A POWERFUL MAN, 186 00:12:39,590 --> 00:12:43,950 A RICH AND A CULTURED MAN, AND I LIKE HIM. 187 00:12:43,990 --> 00:12:45,550 CULTURE? 188 00:12:45,590 --> 00:12:48,850 THE KIND YOU BUY AT AUCTIONS? 189 00:12:51,390 --> 00:12:53,750 HE'S A... KILLER. 190 00:12:53,790 --> 00:12:56,660 A DEALER. COKE, PROBABLY. 191 00:12:56,700 --> 00:12:59,930 WHERE IS HE FROM? COLOMBIA? 192 00:12:59,960 --> 00:13:01,230 HE'S AN AMERICAN CITIZEN. 193 00:13:01,260 --> 00:13:03,800 AND THE OLD MONEY WAS GETTING A LITTLE SHORT. 194 00:13:03,840 --> 00:13:06,000 I NEEDED SOME OF HIS NEW MONEY. 195 00:13:06,040 --> 00:13:08,270 DID YOU HEAR HIM MENTION COKE? 196 00:13:08,300 --> 00:13:09,600 CARL, RELAX, HUH? 197 00:13:09,640 --> 00:13:14,340 IF YOU'RE DOING BUSINESS WITH BARUSO, NO ONE COULD PROVE IT BY ME. 198 00:13:15,430 --> 00:13:20,210 AND IF YOU THINK I KNOW SOMETHING WHICH YOU'D RATHER I DIDN'T, 199 00:13:20,810 --> 00:13:22,650 WHICH I DON'T, 200 00:13:22,680 --> 00:13:25,080 I WOULDN'T TELL ANYBODY. 201 00:13:25,110 --> 00:13:28,410 I DON'T INTEND TO FORGET WHAT IT WAS LIKE BETWEEN US. 202 00:13:28,450 --> 00:13:31,210 THAT'S ALL I CARE TO REMEMBER. 203 00:13:32,550 --> 00:13:34,080 THAT'S WHY I'M HERE, TER, 204 00:13:34,110 --> 00:13:36,180 AND THAT'S WHY WHEN YOU JUST RAN LIKE THAT, 205 00:13:36,210 --> 00:13:40,080 I WAS WORRIED THAT YOU HAD MISUNDERSTOOD 206 00:13:40,110 --> 00:13:42,610 WHAT JAKE AND I WERE DISCUSSING. 207 00:13:43,110 --> 00:13:48,150 I'D BEEN PLANNING TO LEAVE SINCE THE DAY I LOST MY JOB. 208 00:13:50,450 --> 00:13:55,450 LET'S JUST SAY A... SWEET GOOD-BYE 209 00:13:55,480 --> 00:13:59,610 AND REMEMBER EACH OTHER AS FRIENDS. 210 00:13:59,650 --> 00:14:02,220 OK? 211 00:14:06,990 --> 00:14:12,750 YOU... SLEPT WITH HIM LAST NIGHT, DIDN'T YOU? 212 00:14:15,590 --> 00:14:18,720 OK. I'LL SEE YOU. 213 00:14:24,650 --> 00:14:26,650 Man: THERE I WAS, HOLDING MY FISHING POLE, 214 00:14:26,690 --> 00:14:30,290 WAITIN' FOR A BIG ONE TO COME ALONG, YOU KNOW WHAT I MEAN? 215 00:14:30,320 --> 00:14:33,190 THEN I FEEL SOMETHING TUGGING ON THE LINE. 216 00:14:33,220 --> 00:14:37,950 THEN I PULL BACK, SEE, AND THEN IT TUGS HARDER, HARDER, HARDER! 217 00:14:37,990 --> 00:14:42,290 AND THEN, BEFORE I KNEW IT, IT HAD YANKED ME CLEAN OFF THE PIER 218 00:14:42,320 --> 00:14:44,090 AND OUT INTO THE OCEAN. 219 00:14:44,120 --> 00:14:46,490 I HAD HOOKED UP WITH A HUMONGOUS WHALE. 220 00:14:46,520 --> 00:14:49,450 YEAH. LAST TIME, YOU SAID IT WAS A SHARK, UNCLE ARNOLD. 221 00:14:49,490 --> 00:14:54,890 WELL, SHARK, WHALE. YOU KNOW, I DIDN'T REALLY GET A GOOD LOOK, DEMILES. 222 00:14:57,520 --> 00:15:01,590 OH, UM... A COUPLE OF FRIENDS OF MINE I WANT TO SEE, OK? 223 00:15:01,620 --> 00:15:02,960 I'M GOING TO LEAVE YOU IN CHARGE. 224 00:15:02,990 --> 00:15:06,030 NOW, IF ANYTHING BITES, YOU GIVE ME A HOLLER. 225 00:15:06,060 --> 00:15:07,630 ALL RIGHT. 226 00:15:09,030 --> 00:15:10,590 THOSE ARE CUTE KIDS, SPORTY. 227 00:15:10,630 --> 00:15:13,090 ARE YOU KEEPING SOME SECRETS FROM US? 228 00:15:13,130 --> 00:15:15,230 THEY'RE MY NIECE AND NEPHEW, DEMILES AND DEMONIQUE. 229 00:15:15,260 --> 00:15:18,260 THEY'RE MY SISTER'S KIDS. SOMETIMES I WISH THEY WERE MINE, 230 00:15:18,290 --> 00:15:20,230 BUT THEN I REGAIN MY SANITY. 231 00:15:20,260 --> 00:15:23,060 HOW CAN I BE OF SERVICE TO YOU PUBLIC SERVANTS? 232 00:15:23,090 --> 00:15:25,690 A MAN ROBBED A JEWELRY STORE AND MURDERED THE OWNER. 233 00:15:25,730 --> 00:15:29,360 HIS NAME IS WALLY GRIMES. DO YOU KNOW HIM? 234 00:15:29,390 --> 00:15:30,630 YEAH. 235 00:15:30,660 --> 00:15:32,760 GOT A REP FOR SMALL-TIME JOBS. 236 00:15:32,790 --> 00:15:34,130 SMASH-AND-GRAB, MOSTLY. 237 00:15:34,160 --> 00:15:35,360 USUALLY WORKS WITH A PARTNER. 238 00:15:35,390 --> 00:15:37,206 THE PARTNER'S DOING TIME IN SAN QUENTIN RIGHT NOW, 239 00:15:37,230 --> 00:15:39,990 SO WE DON'T KNOW WHO HE'S WORKING WITH. THAT'S WHY WE CAME TO YOU. 240 00:15:40,030 --> 00:15:43,990 OK. I'LL OPEN UP A COUPLE OF BOXES AND SEE WHAT POPS OUT. 241 00:15:44,030 --> 00:15:45,930 NOW FOR THE QUID PRO QUO? 242 00:15:45,960 --> 00:15:49,860 A FEMALE ACQUAINTANCE OF MINE NAMED GEORGETTE WILLIS 243 00:15:49,890 --> 00:15:53,060 GOT HERSELF BUM-RAPPED ON A SHOPLIFTING CHARGE, 244 00:15:53,090 --> 00:15:57,660 AND SHE, YOU KNOW, NEEDS SOMEBODY TO JUST STRAIGHTEN THINGS OUT, YOU KNOW? 245 00:15:57,690 --> 00:15:58,890 WE'LL SEE WHAT WE CAN DO. 246 00:15:58,930 --> 00:16:01,460 Demonique: UNCLE ARNOLD, UNCLE ARNOLD! 247 00:16:01,490 --> 00:16:04,100 IT'S A WHALE, UNCLE ARNOLD! IT'S A WHALE. 248 00:16:04,130 --> 00:16:07,430 EXCUSE ME. I'VE GOT MOBY DICK ON THE LINE. 249 00:16:07,470 --> 00:16:10,200 GET IT! OH, MY GOSH. LOOK AT THAT! 250 00:16:10,230 --> 00:16:12,830 WHERE DO YOU THINK HE GOT THOSE PANTS, ANYWAY? 251 00:16:12,870 --> 00:16:15,670 CAUGHT 'EM OFFSHORE HERE. 252 00:16:15,700 --> 00:16:18,170 WHOA, THAT'S A BIG ONE! THAT'S A BIG ONE. PULL IT IN! 253 00:16:18,200 --> 00:16:22,630 BOY, YOU GOT TALENT. I'M SENDING YOU TO THE FISHING ACADEMY. 254 00:16:30,970 --> 00:16:31,900 YEAH? 255 00:16:31,930 --> 00:16:32,970 Man: CARL. 256 00:16:33,000 --> 00:16:34,030 JAKE? 257 00:16:34,070 --> 00:16:36,470 YEAH. I'M LEAVING THE AIRPORT NOW. WE GOT TO MEET. 258 00:16:36,500 --> 00:16:37,570 YOU'RE IN L.A.? 259 00:16:37,600 --> 00:16:40,630 OUR BUTTS ARE ON THE LINE, PAL. YOU BET I'M IN L.A. 260 00:16:40,670 --> 00:16:41,630 WHAT DID THE GIRL SAY? 261 00:16:41,670 --> 00:16:44,130 IT'S OK, JAKE. EVERYTHING'S COOL. 262 00:16:44,170 --> 00:16:45,830 OH, YEAH? YOU TELL ME DIRECT. 263 00:16:45,870 --> 00:16:48,000 YOU MEET ME AT THE WAREHOUSE NOW. 264 00:16:48,030 --> 00:16:50,700 SURE, BUT... AH! 265 00:17:39,070 --> 00:17:41,900 OK, JAKE. WE GOT TO GET ONE THING STRAIGHT BETWEEN US RIGHT NOW. 266 00:17:41,930 --> 00:17:44,830 YOU DON'T ORDER ME AROUND LIKE SOME ERRAND BOY. 267 00:17:44,870 --> 00:17:46,730 HEY, HEY. CHILL OUT, AMIGO. 268 00:17:46,770 --> 00:17:50,430 WE GOT PROBLEMS HERE, AND YOU DON'T SEEM TO WANT TO SEE THEM, 269 00:17:50,470 --> 00:17:52,370 AND THAT MAKES ME VERY NERVOUS. YOU UNDERSTAND? 270 00:17:52,400 --> 00:17:56,630 LIKE I TOLD YOU ON THE PHONE, THERE'S NO PROBLEM. THERE IS NO PROBLEM. 271 00:17:56,670 --> 00:17:57,800 YOU SURE OF THAT, HUH? 272 00:17:57,830 --> 00:17:58,770 YES. WHY? 273 00:17:58,800 --> 00:17:59,800 BECAUSE I KNOW THIS GIRL, 274 00:17:59,830 --> 00:18:01,476 AND I KNOW WHEN SHE'S BEING STRAIGHT WITH ME, 275 00:18:01,500 --> 00:18:02,740 AND I KNOW WHEN SHE ISN'T. 276 00:18:02,770 --> 00:18:04,340 YOU KNOW WHAT I HEAR YOU TELLING ME? 277 00:18:04,370 --> 00:18:08,840 I HEAR YOU TELLING ME THAT SHE WAS THERE, HUH? 278 00:18:08,870 --> 00:18:11,840 SHE DON'T DENY THAT, RIGHT? SHE WAS THERE. 279 00:18:11,870 --> 00:18:13,340 SHE ADMITS THAT SHE WAS THERE. 280 00:18:13,370 --> 00:18:16,370 SHE JUST DON'T HEAR NOTHING. 281 00:18:16,410 --> 00:18:18,970 WE WAS DISCUSSING OUR DEAL. 282 00:18:19,010 --> 00:18:22,110 WE DIDN'T SAY ANYTHING THAT SHE CAN PUT TOGETHER. 283 00:18:22,140 --> 00:18:23,070 YOU KNOW THAT? 284 00:18:23,110 --> 00:18:25,140 YOU KNOW THAT WE NEVER MENTIONED 285 00:18:25,170 --> 00:18:27,670 ME BUYING A PIECE OF YOUR COMPANY? 286 00:18:27,710 --> 00:18:30,470 I AM A DEALER. HUH? 287 00:18:30,510 --> 00:18:32,570 I BUY INTO A FINE OLD COMPANY 288 00:18:32,610 --> 00:18:35,240 THAT'S BEEN IMPORTING COFFEE FROM COLOMBIA 289 00:18:35,270 --> 00:18:37,810 FOR THE PAST 60 OR 70 YEARS. 290 00:18:37,840 --> 00:18:38,810 THAT LADY IS A REPORTER! 291 00:18:38,840 --> 00:18:40,146 YOU THINK SHE DON'T PUT THAT TOGETHER? 292 00:18:40,170 --> 00:18:43,840 LISTEN TO ME, JAKE. EVEN IF SHE HEARD SOMETHING ABOUT YOUR BUYING, 293 00:18:43,870 --> 00:18:46,940 SHE'S NOT GOING TO SAY A DAMN THING TO ANYBODY. 294 00:18:46,970 --> 00:18:48,770 OH? 295 00:18:54,810 --> 00:18:56,470 SHE TELL YOU THAT? 296 00:18:56,510 --> 00:18:58,210 YES, SHE DID. 297 00:18:58,240 --> 00:19:00,540 HA HA HA! 298 00:19:00,570 --> 00:19:02,070 WHAT? 299 00:19:02,110 --> 00:19:02,770 WHAT? 300 00:19:02,810 --> 00:19:04,180 SEE, THAT TELLS ME TWO THINGS. 301 00:19:04,210 --> 00:19:06,250 SHE DID HEAR TOO MUCH, 302 00:19:06,280 --> 00:19:10,110 BUT SHE PROBABLY DON'T TELL NOBODY YET. 303 00:19:10,150 --> 00:19:13,880 WHICH MEANS THAT WE HAVE PLENTY OF TIME TO THINK, 304 00:19:13,910 --> 00:19:15,480 TO FIGURE WHAT WE CAN DO. 305 00:19:15,510 --> 00:19:18,410 JAKE, WE DON'T HAVE TO DO ANYTHING. 306 00:19:18,450 --> 00:19:19,980 IT'S OK. 307 00:19:20,010 --> 00:19:22,610 MAYBE YOU'RE RIGHT, CARL. 308 00:19:22,650 --> 00:19:24,950 YOU ARE RIGHT. 309 00:19:24,980 --> 00:19:26,056 COME ON. LET'S GO HAVE SOME DINNER 310 00:19:26,080 --> 00:19:32,410 AND DISCUSS THE COFFEE IMPORTING BUSINESS, HUH? 311 00:21:11,260 --> 00:21:13,390 YOU AIN'T GOING TO HOLD ME FOR 5 SECONDS. 312 00:21:13,430 --> 00:21:15,990 YOU'VE BEEN FOLLOWING ME WITH NO PROBABLE CAUSE. 313 00:21:16,030 --> 00:21:18,660 THAT'S POLICE HARASSMENT! 314 00:21:34,990 --> 00:21:36,160 HI. 315 00:21:36,190 --> 00:21:38,790 WHOA. WHAT HAPPENED TO YOU? 316 00:21:38,830 --> 00:21:41,090 THAT'S A 148, AND THIS IS TERRIFIC. 317 00:21:41,130 --> 00:21:42,460 WHERE'D YOU GET THIS? 318 00:21:42,490 --> 00:21:45,430 OUT OF MY SUITCASE. 319 00:21:49,330 --> 00:21:50,730 I HOPE YOU HAVEN'T HAD DINNER YET. 320 00:21:50,760 --> 00:21:52,266 WELL, YEAH. WE'RE GOING TO GO OUT, RIGHT? 321 00:21:52,290 --> 00:21:54,960 NO. I HAVE SOMETHING ELSE PLANNED FOR US. 322 00:21:54,990 --> 00:21:55,930 YOU DO? 323 00:21:55,960 --> 00:21:57,390 FOLLOW ME. 324 00:21:57,430 --> 00:21:58,960 WE ARE NOT EATING OUT TONIGHT. 325 00:21:58,990 --> 00:22:02,090 THE SALAD'S ALL READY, WAITING FOR THE DRESSING. 326 00:22:02,130 --> 00:22:03,160 UH-HUH. 327 00:22:03,190 --> 00:22:05,630 AND I MADE HOLLANDAISE TO POUR OVER THESE ASPARAGUS, 328 00:22:05,670 --> 00:22:07,670 WHICH TAKE 4 OR 5 MINUTES TO STEAM. 329 00:22:07,700 --> 00:22:09,930 WATER... WAITING AND READY. 330 00:22:09,970 --> 00:22:13,900 AND... TA-DA! HA HA! 331 00:22:13,930 --> 00:22:16,630 TWO HEALTHY SALMON STEAKS. 332 00:22:16,670 --> 00:22:17,570 OH, BOY. 333 00:22:17,600 --> 00:22:19,330 5 MINUTES TO BROIL ON EACH SIDE, 334 00:22:19,370 --> 00:22:22,870 AND RICE PILAF. FOR YOU. 335 00:22:22,900 --> 00:22:27,330 SO WE DON'T HAVE TO GO OUT OF THE HOUSE FOR DINNER. 336 00:22:32,430 --> 00:22:36,530 LET'S NOT START SOMETHING WE CAN'T FINISH. 337 00:22:38,030 --> 00:22:39,630 I COULD FINISH IT. 338 00:22:39,670 --> 00:22:40,370 MMM. 339 00:22:40,400 --> 00:22:42,370 BUT I'LL TAKE A SHOWER INSTEAD. 340 00:22:42,400 --> 00:22:43,530 OK. 341 00:22:43,570 --> 00:22:44,800 I'LL BE RIGHT BACK. 342 00:22:44,830 --> 00:22:46,470 ALL RIGHT. 343 00:22:46,870 --> 00:22:48,770 WHAT'S A 148? 344 00:22:48,800 --> 00:22:51,070 RESISTING ARREST. 345 00:22:51,100 --> 00:22:52,670 OH. 346 00:22:53,500 --> 00:22:55,870 HIM, NOT ME. 347 00:22:55,900 --> 00:22:57,970 REALLY. 348 00:22:59,870 --> 00:23:02,470 YOU KNOW, WHEN YOU SHOWED UP IN MY BED LAST NIGHT, 349 00:23:02,510 --> 00:23:05,940 IT REALLY, UH... REALLY SURPRISED ME, 350 00:23:05,970 --> 00:23:07,470 REALLY THREW ME OFF. 351 00:23:07,510 --> 00:23:09,040 REALLY? 352 00:23:09,070 --> 00:23:12,410 YEAH. I DIDN'T REALLY EXPECT TO SEE YOU AGAIN. 353 00:23:12,440 --> 00:23:13,340 WHY? 354 00:23:13,370 --> 00:23:15,740 WELL, I MEAN, YOU'D TAKEN OFF FOR NEW YORK 355 00:23:15,770 --> 00:23:16,816 FOR YOUR JOB OPPORTUNITY AND ALL. 356 00:23:16,840 --> 00:23:21,040 I FIGURED SOME BIG EXECUTIVE WOULD SWEEP YOU AWAY. 357 00:23:21,070 --> 00:23:22,440 RICK... 358 00:23:22,470 --> 00:23:26,310 DIDN'T YOU EVER GUESS WHY I LEFT SO SUDDENLY? 359 00:23:26,340 --> 00:23:29,970 YEAH. LIKE I SAID, BIG JOB OPPORTUNITY IN NEW YORK CITY. 360 00:23:30,010 --> 00:23:33,610 I WAS DOING REAL FINE RIGHT HERE. 361 00:23:33,640 --> 00:23:36,770 I WANTED YOU TO TELL ME NOT TO LEAVE. 362 00:23:36,810 --> 00:23:38,110 OH, WHAT ARE YOU TALKING ABOUT? 363 00:23:38,140 --> 00:23:40,970 OF COURSE I DIDN'T WANT YOU TO LEAVE. 364 00:23:41,010 --> 00:23:44,140 THEN WHY DIDN'T YOU DO SOMETHING ABOUT IT? 365 00:23:44,170 --> 00:23:46,540 LOOK, TERRY, HAVEN'T WE GONE OVER THIS BEFORE? 366 00:23:46,570 --> 00:23:48,170 A MILLION TIMES BEFORE. 367 00:23:48,210 --> 00:23:50,910 I MEAN, A STREET COP'S LIFE 368 00:23:50,940 --> 00:23:53,710 IS NO TYPE OF LIFE TO SHARE WITH A WOMAN. 369 00:23:53,740 --> 00:23:56,740 NOW, COME ON. WE'VE TALKED ABOUT THAT. 370 00:23:56,770 --> 00:23:59,140 I KNOW. I FELT THAT TONIGHT 371 00:23:59,170 --> 00:24:03,050 WHEN IT GOT TO BE 8:00 AND I HADN'T HEARD FROM YOU YET. 372 00:24:03,080 --> 00:24:10,750 BUT I GAVE UP THE IDEA OF BEING YOUR WIFE A LONG TIME AGO. 373 00:24:12,280 --> 00:24:14,250 IN FACT, I FOUND AN APARTMENT TODAY. 374 00:24:14,280 --> 00:24:14,980 REALLY? 375 00:24:15,010 --> 00:24:15,980 IT'LL BE READY BY FRIDAY. 376 00:24:16,010 --> 00:24:19,150 WELL, GOOD. IN THE MEANTIME, YOU'LL STAY HERE. 377 00:24:20,850 --> 00:24:22,110 IF YOU WANT ME TO. 378 00:24:22,150 --> 00:24:23,980 I DO WANT YOU TO. 379 00:24:24,010 --> 00:24:25,280 I MEAN, WHEN FRIDAY COMES, 380 00:24:25,310 --> 00:24:29,310 WE'LL TALK ABOUT THE APARTMENT. 381 00:24:29,350 --> 00:24:31,180 MAYBE. 382 00:24:31,210 --> 00:24:33,610 OH. 383 00:24:54,550 --> 00:24:57,450 DON'T TELL ME... GRIMES MADE BAIL. 384 00:24:57,480 --> 00:25:01,080 IF YOU EVER NEED AN ATTORNEY, CALL MIKE SNOW. 385 00:25:03,190 --> 00:25:04,620 HUNTER, HOMICIDE. 386 00:25:04,650 --> 00:25:05,990 IS THIS THE SAME SERGEANT HUNTER 387 00:25:06,020 --> 00:25:08,420 WHO MADE GEORGETTE WILLIS A FREE WOMAN? 388 00:25:08,450 --> 00:25:10,220 MY SINCERE AND ETERNAL THANKS 389 00:25:10,250 --> 00:25:12,390 TO YOU AND SERGEANT McCALL, 390 00:25:12,420 --> 00:25:15,750 AND NOW I HAVE GOT SOMETHING FOR YOU. 391 00:25:15,790 --> 00:25:16,590 SHOOT, SPORTY. 392 00:25:16,620 --> 00:25:18,720 I GOT A LINE ON GRIMES' PARTNER... 393 00:25:18,750 --> 00:25:22,150 A KID BY THE NAME OF CONRAD BLEECKER. 394 00:25:22,190 --> 00:25:23,250 YEAH? 395 00:25:23,290 --> 00:25:26,390 CONRAD BLEECKER... 396 00:25:27,190 --> 00:25:29,650 NICKNAME CONNIE. 397 00:25:30,150 --> 00:25:31,520 YEAH, THIS IS McCALL, HOMICIDE. 398 00:25:31,550 --> 00:25:35,150 GIVE ME A LINE ON A CONRAD BLEECKER, NICKNAME CONNIE. 399 00:25:35,190 --> 00:25:36,850 ABOUT 20 YEARS OF AGE, NO CURRENT ADDRESS. 400 00:25:36,890 --> 00:25:40,620 HE'S APPROXIMATELY 20 YEARS OLD, NO CURRENT ADDRESS. 401 00:25:40,650 --> 00:25:42,220 I HEAR THAT GRIMES AND BLEECKER 402 00:25:42,250 --> 00:25:44,520 HANG OUT AT A PLACE CALLED EL ZARAPE... 403 00:25:44,550 --> 00:25:48,050 THAT MEANS "THE SHAWL"... OVER IN VENICE, RIGHT? 404 00:25:48,090 --> 00:25:49,720 NOW, THAT'S ALL SHE WROTE. 405 00:25:49,750 --> 00:25:51,550 OK, SPORTY. THANK YOU. 406 00:25:51,590 --> 00:25:55,020 YEAH. GOOD. ON THE DOUBLE. THANKS. 407 00:25:55,050 --> 00:25:58,790 Finn: HUNTER, CAPTAIN WANTS TO SEE YOU IN HIS OFFICE. 408 00:25:58,820 --> 00:26:00,890 WISH ME LUCK. 409 00:26:02,490 --> 00:26:03,530 WHAT THE HELL IS THIS? 410 00:26:03,560 --> 00:26:05,506 MIKE SNOW HAS FILED A COMPLAINT AGAINST YOU AND US 411 00:26:05,530 --> 00:26:08,390 CLAIMING THAT YOU VIOLATED WALLY GRIMES' CIVIL RIGHTS. 412 00:26:08,430 --> 00:26:09,690 NOW, WHAT THE HELL HAPPENED? 413 00:26:09,730 --> 00:26:10,590 I WAS TAILING HIM. 414 00:26:10,630 --> 00:26:13,560 GET TO THE PART WHERE THE PROBLEM STARTED. 415 00:26:16,190 --> 00:26:18,760 I'M FOLLOWING GRIMES IN DOWNTOWN LOS ANGELES. 416 00:26:18,790 --> 00:26:19,760 HE GOES INTO A FLEABAG HOTEL. 417 00:26:19,790 --> 00:26:21,890 I FOLLOW HIM INTO THE HOTEL. THE GUY JUMPS ME. 418 00:26:21,930 --> 00:26:26,490 NOW, CUFFING HIM DID REQUIRE SOME FORCE, BUT NOT EXCESSIVE FORCE. 419 00:26:26,530 --> 00:26:28,990 WHY THE HELL WOULD HE JUMP YOU? THAT MAKES NO SENSE, 420 00:26:29,030 --> 00:26:31,166 AND YOU KNOW MIKE SNOW IS GOING TO MAKE USE OF THAT FACT. 421 00:26:31,190 --> 00:26:32,966 YEAH, I KNOW THAT. BUT, YOU SEE, GRIMES IS CRAZY. 422 00:26:32,990 --> 00:26:35,860 HIS BEHAVIOR'S VERY BIZARRE, CHARLIE. WHAT AM I GOING TO DO? 423 00:26:35,890 --> 00:26:37,760 HUNTER, PLEASE... WATCH THIS GUY, HUH? 424 00:26:37,790 --> 00:26:41,490 HE COULD END UP MAKING YOU LOOK LIKE A HOMICIDAL MANIAC. 425 00:26:41,530 --> 00:26:43,960 THAT'S A VERY GOOD POINT. 426 00:26:43,990 --> 00:26:46,290 I'M GOING TO REMEMBER THAT. 427 00:26:46,330 --> 00:26:48,230 THANK YOU. 428 00:26:53,790 --> 00:26:55,260 GRIMES AGAIN? 429 00:26:55,290 --> 00:26:56,490 HA HA! YEAH. 430 00:26:56,530 --> 00:26:59,490 WELL, I HATE TO BE THE BEARER OF BAD NEWS, 431 00:26:59,530 --> 00:27:02,430 BUT CONRAD BLEECKER IS 20 YEARS OLD. 432 00:27:02,470 --> 00:27:05,500 HE'S GOT A CRIMINAL RECORD GOING BACK TO THE AGE OF 14. 433 00:27:05,530 --> 00:27:07,430 NO ARRESTS SINCE THE AGE OF 18, 434 00:27:07,470 --> 00:27:10,900 SO THERE'S NO CURRENT PICTURE IN THE FILE, 435 00:27:10,930 --> 00:27:13,700 AND THERE'S NO CURRENT ADDRESS. 436 00:27:15,000 --> 00:27:18,430 I KNOW SOMETHING THAT WILL MAKE YOU FEEL BETTER. 437 00:27:18,470 --> 00:27:19,500 WHAT? 438 00:27:19,530 --> 00:27:21,570 YOU COULD COME OVER TO MY HOUSE FOR DINNER TONIGHT. 439 00:27:21,600 --> 00:27:23,200 I'LL COOK. I MEAN, I'LL COOK. 440 00:27:23,230 --> 00:27:25,570 NOW, THAT'S A FEAT. WHAT DO YOU SAY? 441 00:27:25,600 --> 00:27:27,600 WELL, I APPRECIATE THAT, BUT I PROMISED TERRY 442 00:27:27,630 --> 00:27:29,830 I'D TAKE HER TO DINNER THIS EVENING. 443 00:27:29,870 --> 00:27:32,130 OH, THAT WILL BE NICE. YEAH. 444 00:27:32,170 --> 00:27:35,100 SO IS IT GETTING SERIOUS BETWEEN YOU TWO? 445 00:27:35,130 --> 00:27:36,900 WELL, I, UH... 446 00:27:36,930 --> 00:27:39,030 I DO LIKE HER... A LOT. 447 00:27:39,070 --> 00:27:42,200 PERHAPS IT WILL WORK OUT THIS TIME. 448 00:27:42,230 --> 00:27:44,430 WHO KNOWS? 449 00:27:44,930 --> 00:27:46,030 HAVE FUN. 450 00:27:46,070 --> 00:27:49,430 I KNOW THAT YOU WILL. 451 00:27:53,500 --> 00:27:54,470 BY THE WAY... 452 00:27:54,500 --> 00:27:58,930 WHAT ARE YOU DOING TOMORROW MORNING AROUND 8:30? 453 00:27:58,970 --> 00:28:00,000 WHAT DO YOU GOT IN MIND? 454 00:28:00,030 --> 00:28:03,740 I'D LIKE YOU TO LOOK AT MY NEW APARTMENT. 455 00:28:03,770 --> 00:28:04,610 NO. 456 00:28:04,640 --> 00:28:06,840 NO? HA HA! WHY NOT? 457 00:28:06,870 --> 00:28:09,340 BECAUSE I'M GOING TO TALK YOU OUT OF THAT APARTMENT. 458 00:28:09,370 --> 00:28:10,646 I WANT YOU TO STAY RIGHT WHERE YOU ARE. 459 00:28:10,670 --> 00:28:13,570 WHO KNOWS? MAYBE YOU'LL LIKE BEING A STREET COP'S WIFE. 460 00:28:13,610 --> 00:28:16,540 LET'S FIND OUT. WHAT DO YOU SAY? 461 00:28:19,410 --> 00:28:22,440 RICK, I'M WORRIED ABOUT ONE THING. 462 00:28:22,470 --> 00:28:23,340 WHAT? 463 00:28:23,370 --> 00:28:25,340 WELL, I JUST CAME BACK AND MOVED IN ON YOU, 464 00:28:25,370 --> 00:28:29,570 AND YOU DIDN'T HAVE A CHANCE TO SAY ANYTHING. 465 00:28:29,610 --> 00:28:32,170 TERRY BARNES, IF I DIDN'T LIKE WHAT YOU DID, 466 00:28:32,210 --> 00:28:33,010 I WOULD HAVE SAID SO. 467 00:28:33,040 --> 00:28:35,740 YOU KNOW ME BETTER THAN THAT. COME ON. 468 00:28:35,770 --> 00:28:37,270 WELL... 469 00:28:37,310 --> 00:28:38,470 WHY DON'T WE DO THIS? 470 00:28:38,510 --> 00:28:42,310 WHY DON'T I TAKE THE APARTMENT FOR A MONTH OR TWO? 471 00:28:42,340 --> 00:28:47,570 AND IF EVERYTHING IS STILL GOOD... 472 00:28:48,110 --> 00:28:50,710 THEN WE'LL TRY IT TOGETHER. 473 00:28:56,440 --> 00:28:58,070 YEAH. 474 00:29:20,380 --> 00:29:22,650 AAH! 475 00:29:27,250 --> 00:29:30,780 CALL AN AMBULANCE, FOR GOD'S SAKE! 476 00:29:55,750 --> 00:29:57,280 McCALL! 477 00:29:59,550 --> 00:30:00,450 WHERE'S HUNTER? 478 00:30:00,480 --> 00:30:02,220 HE BLEW OUT OF HERE A COUPLE OF MINUTES AGO 479 00:30:02,250 --> 00:30:03,450 LIKE A BAT OUT OF A BELFRY. 480 00:30:03,490 --> 00:30:06,720 DISPATCH SAID THAT THE VICTIM'S NAME WAS TERRY BARNES AND... 481 00:30:06,750 --> 00:30:09,350 THAT SHE WAS DEAD. IS THAT TRUE? 482 00:30:09,390 --> 00:30:11,126 YEAH, AND SHE MUST HAVE BEEN SOMEONE PRETTY SPECIAL, 483 00:30:11,150 --> 00:30:13,190 JUDGING FROM THE WAY HUNTER TOOK IT. 484 00:30:13,220 --> 00:30:16,650 SHE WAS. WHAT HAPPENED? 485 00:30:16,690 --> 00:30:19,350 A CAR DROVE BY, GUY TOOK A SHOT, 486 00:30:19,390 --> 00:30:20,250 AND IT HIT HER. 487 00:30:20,290 --> 00:30:22,420 NOBODY AROUND HERE SAW THE SHOOTER'S FACE, 488 00:30:22,450 --> 00:30:23,820 BUT HUNTER TOOK OFF OUT OF HERE 489 00:30:23,850 --> 00:30:25,150 SAYING HE KNEW WHO IT WAS. 490 00:30:25,190 --> 00:30:26,590 HUNTER WAS THE TARGET? 491 00:30:26,620 --> 00:30:27,966 WELL, THEY WERE STANDING ARM IN ARM. 492 00:30:27,990 --> 00:30:29,520 THE BULLET MISSED HIM BY THIS FAR. 493 00:30:29,550 --> 00:30:31,650 ODD THING, THOUGH... SHE WAS HIT RIGHT IN THE HEART. 494 00:30:31,690 --> 00:30:34,650 ARE YOU SAYING THAT THERE WAS ONLY ONE SHOT FIRED? 495 00:30:34,690 --> 00:30:37,650 YEAH. WELL, THAT DOESN'T MAKE ANY SENSE. 496 00:30:37,690 --> 00:30:39,020 IF THEY WERE TRYING TO GET HUNTER, 497 00:30:39,050 --> 00:30:40,950 THEY WOULD HAVE TAKEN ANOTHER SHOT, RIGHT? 498 00:30:40,990 --> 00:30:42,120 McCALL, IT WAS ONLY ONE GUY. 499 00:30:42,150 --> 00:30:44,750 HE WAS DRIVING FAST. HE TOOK HIS BEST SHOT, AND HE MISSED. 500 00:30:44,790 --> 00:30:47,590 COME ON. I WANT TO CHECK SOMETHING OUT. CHECK WHAT OUT? 501 00:30:47,620 --> 00:30:50,120 I'LL EXPLAIN IN THE CAR! 502 00:31:14,630 --> 00:31:16,860 GOT YOUR OWN KEY, HUH? 503 00:31:16,890 --> 00:31:17,790 WE'RE PARTNERS. 504 00:31:17,830 --> 00:31:20,090 WE WATCH OUT FOR EACH OTHER. YOU KNOW THAT. 505 00:31:20,130 --> 00:31:23,460 YEAH. OH, HOLD IT. 506 00:31:24,130 --> 00:31:27,560 GIVE ME 10 SECONDS TO GET AROUND THE BACK. 507 00:31:59,430 --> 00:32:01,130 FREEZE! POLICE! 508 00:32:05,570 --> 00:32:07,630 POLICE! HOLD IT! 509 00:32:09,900 --> 00:32:11,730 McCall: FREEZE! 510 00:32:11,770 --> 00:32:13,900 YOU HEARD HER! DROP THEM! 511 00:32:13,930 --> 00:32:17,330 HANDS BEHIND YOUR BACKS! 512 00:32:27,500 --> 00:32:31,530 NO WALLETS, NO I.D.s, NO NOTHING. 513 00:32:31,570 --> 00:32:32,870 AHA... 514 00:32:32,900 --> 00:32:34,570 WHAT HAVE WE HERE? 515 00:32:34,600 --> 00:32:37,200 WHAT DO YOU WANT TO BET 516 00:32:37,230 --> 00:32:39,470 THESE BELONG TO A G.M. CAR AND IT'S PARKED 517 00:32:39,500 --> 00:32:42,570 NO MORE THAN 2 OR 3 BLOCKS FROM HERE? 518 00:32:46,630 --> 00:32:48,500 THIS IS L-57. WHAT'S THE STATUS 519 00:32:48,530 --> 00:32:49,600 ON THAT A.P.B. ON HUNTER? 520 00:32:49,630 --> 00:32:52,700 Dispatcher: NOTHING YET, L-57. HE IS NOT RESPONDING. 521 00:32:52,730 --> 00:32:56,470 WELL, KEEP IT UP, WILL YOU? IF HE DOES RESPOND, 522 00:32:56,500 --> 00:33:00,230 TELL HIM TO GET IN TOUCH. L-57 OUT. 523 00:33:02,670 --> 00:33:03,740 HEY. 524 00:33:03,770 --> 00:33:05,470 HERE'S ONE. 525 00:33:24,640 --> 00:33:26,370 NEXT CASE. 526 00:33:38,240 --> 00:33:41,310 CONRAD BLEECKER, YOU'RE A FRIEND OF WALLY GRIMES. 527 00:33:41,340 --> 00:33:43,010 WHO WANTS TO KNOW? 528 00:33:43,040 --> 00:33:44,610 WHERE CAN I FIND HIM? 529 00:33:44,640 --> 00:33:47,310 I DON'T KNOW. YOU CHECK HIS ADDRESS IN SAN LUIS? 530 00:33:47,340 --> 00:33:50,510 YOU WANT TO TALK OUT IN THE ALLEY? 531 00:33:50,540 --> 00:33:52,370 BEAT IT! 532 00:33:54,910 --> 00:33:56,740 I'M... I'M... I'M NOT SURE WHERE HE IS, 533 00:33:56,770 --> 00:33:57,816 BUT HE SPENDS A LOT OF TIME 534 00:33:57,840 --> 00:34:00,410 WITH THIS... THIS HOOKER... COURTNEY McQUEEN. 535 00:34:00,440 --> 00:34:02,210 SHE DOES SPECIAL DUTY. 536 00:34:02,250 --> 00:34:04,210 WHERE CAN I FIND HER? 537 00:34:04,610 --> 00:34:07,210 I SAID WHERE CAN I FIND HER? 538 00:34:08,910 --> 00:34:13,650 WALLY WROTE IT DOWN IN CASE I NEEDED TO GET IN TOUCH WITH HIM. 539 00:34:17,950 --> 00:34:18,850 STAND UP. 540 00:34:18,880 --> 00:34:20,180 MAN, WHAT... STAND UP! 541 00:34:20,210 --> 00:34:21,950 I GAVE YOU EVERYTHING YOU WANTED. 542 00:34:21,980 --> 00:34:24,410 THE MAN IN THE JEWELRY STORE... 543 00:34:24,450 --> 00:34:25,910 HE DIED, CONNIE. 544 00:34:25,950 --> 00:34:27,950 YOU'RE WANTED FOR MURDER. 545 00:34:27,980 --> 00:34:30,550 HA HA! MAN, YOU GOT SOME BAD STUFF. 546 00:34:30,580 --> 00:34:32,980 I DON'T KNOW ABOUT ANY JEWELRY STORE. 547 00:34:33,010 --> 00:34:33,910 THEN YOU WON'T MIND STANDING 548 00:34:33,950 --> 00:34:35,810 IN FRONT OF A LINEUP, WILL YOU? COME ON. 549 00:34:35,850 --> 00:34:37,850 HEY, TAKE IT EASY! HEY, COME ON, MAN! CUT IT OUT! 550 00:34:37,880 --> 00:34:41,510 YOU GOT NO RIGHT TO DO THIS TO ME! I GOT A RIGHT TO A LAWYER! 551 00:34:41,550 --> 00:34:42,380 SHUT UP. 552 00:34:42,410 --> 00:34:45,650 YOU CAN'T DO THIS! OW! 553 00:34:47,910 --> 00:34:49,510 COME ON, MAN. 554 00:34:49,550 --> 00:34:51,850 SHUT UP. 555 00:34:53,580 --> 00:34:55,880 DON, IT'S HUNTER. WAKE UP. 556 00:34:55,910 --> 00:34:58,780 LISTEN, I JUST ARRESTED A MURDER-ONE SUSPECT. 557 00:34:58,820 --> 00:35:00,020 I WANT YOU TO DO ME A FAVOR. 558 00:35:00,050 --> 00:35:02,026 I WANT YOU TO COME DOWN TO WHERE I AM RIGHT NOW, PICK HIM UP, 559 00:35:02,050 --> 00:35:05,790 AND TAKE HIM DOWN TO THE STATION FOR ME. YOU GOT THAT? 560 00:35:05,820 --> 00:35:07,760 I'LL TELL YOU WHERE I AM, 561 00:35:07,790 --> 00:35:13,390 BUT YOU GOT TO DO ME A FAVOR. YOU CAN'T TELL ANYBODY ELSE WHERE I AM. 562 00:35:20,260 --> 00:35:24,060 BINGO. 2 X-RAY 7 NINER 2-3-6. 563 00:35:24,090 --> 00:35:27,820 AHEM. THIS IS L-57 REQUESTING D.M.V. CHECK 564 00:35:27,860 --> 00:35:31,590 ON 2 X-RAY 7-9-2-3-6. 565 00:35:37,590 --> 00:35:39,720 Dispatcher: L-57, COME IN, PLEASE. 566 00:35:39,760 --> 00:35:41,360 THIS IS L-57. GO AHEAD. 567 00:35:41,390 --> 00:35:47,120 L-57, 2 X-RAY 7-9-2-3-6, BLUE G.M.C. VAN, 568 00:35:47,160 --> 00:35:48,690 REGISTERED TO HUDSON IMPORTS, 569 00:35:48,720 --> 00:35:52,590 15 WATER STREET, SAN PEDRO. NO WANTS. 570 00:35:53,790 --> 00:35:55,120 ANYTHING ON HUNTER? 571 00:35:55,160 --> 00:35:58,190 NO REPORTS ON THE A.P.B. 572 00:35:59,520 --> 00:36:01,860 ALL RIGHT. PATCH ME THROUGH TO CAPTAIN DEVANE. 573 00:36:01,890 --> 00:36:03,190 WHOA, WHOA, WHOA, WHOA! WAIT. 574 00:36:03,220 --> 00:36:05,930 YOU GOING TO... YOU GOING TO DRAG THE CAPTAIN OUT OF BED AT 5 A.M.? 575 00:36:05,960 --> 00:36:09,460 YEAH, I AM WHEN HUNTER'S LIFE'S ON THE LINE. YEAH. 576 00:36:09,500 --> 00:36:12,400 STAND BY, L-57. 577 00:36:32,460 --> 00:36:34,100 CAPTAIN, THIS IS McCALL. 578 00:36:34,130 --> 00:36:35,560 LOOK, I'M SORRY TO WAKE YOU UP. 579 00:36:35,600 --> 00:36:38,230 OH, YOU DIDN'T. I'VE BEEN UP ALL NIGHT WITH HARRY. 580 00:36:38,260 --> 00:36:40,460 HAD A FURBALL. HE WASN'T FEELING SO HOT. 581 00:36:40,500 --> 00:36:42,100 BETTER NOW. WHAT'S UP? 582 00:36:42,130 --> 00:36:44,660 LOOK, I HAVE SOMETHING REAL IMPORTANT HERE, 583 00:36:44,700 --> 00:36:45,900 AND IT'S CONCERNING HUNTER. 584 00:36:45,930 --> 00:36:47,860 I'VE GOT TO TALK TO YOU IN PERSON, OK? 585 00:36:47,900 --> 00:36:50,830 I'LL MEET YOU AT DIVISION IN HALF AN HOUR. 586 00:36:50,860 --> 00:36:52,400 GREAT. THANKS. 587 00:36:52,430 --> 00:36:55,600 WHO THE HELL IS HARRY? 588 00:37:44,840 --> 00:37:46,470 THEY RIPPED TERRY BARNES' LUGGAGE APART 589 00:37:46,500 --> 00:37:48,570 LOOKING FOR SOMETHING. NOW, I AM POSITIVE 590 00:37:48,600 --> 00:37:49,616 THEY'RE TIED INTO HER MURDER 591 00:37:49,640 --> 00:37:51,570 AND THAT WALLY GRIMES HAD NOTHING TO DO WITH IT. 592 00:37:51,600 --> 00:37:53,940 NOW, CAPTAIN, WE HAVE TO LET HUNTER KNOW... 593 00:37:53,970 --> 00:37:56,170 McCALL, COME ON. YOU KNOW HIM AS WELL AS I DO. 594 00:37:56,200 --> 00:38:00,200 HUNTER'S NOT THE TYPE TO BLOW SOMEBODY AWAY... NOT EVEN WALLY GRIMES. 595 00:38:00,240 --> 00:38:02,000 IN ANY OTHER GIVEN SITUATION, 596 00:38:02,040 --> 00:38:03,340 I WOULD AGREE WITH YOU 100%, 597 00:38:03,380 --> 00:38:05,880 BUT HUNTER WANTED TO MARRY THIS GIRL. 598 00:38:05,910 --> 00:38:09,740 NOW, IF HE THINKS THAT GRIMES PULLED THE TRIGGER TONIGHT... 599 00:38:09,780 --> 00:38:11,180 WE'VE GOT AN A.P.B. OUT. 600 00:38:11,210 --> 00:38:13,510 WE'RE CALLING HIM ON EVERY DISPATCH CHANNEL. 601 00:38:13,540 --> 00:38:14,816 NOW, WHAT THE HELL ELSE CAN WE DO? 602 00:38:14,840 --> 00:38:17,640 WELL, WHAT ABOUT TAKING EVERY AVAILABLE METRO COP 603 00:38:17,680 --> 00:38:20,740 AND PUTTING THEM ON THE STREET TO LOOK FOR HIM? 604 00:38:20,780 --> 00:38:21,940 THAT SERIOUS? 605 00:38:21,980 --> 00:38:25,910 CAPTAIN, I DON'T WANT TO TAKE THE CHANCE WE'RE WRONG HERE. 606 00:38:25,940 --> 00:38:28,280 OK. 607 00:39:05,150 --> 00:39:07,150 AMBROSE, HUDSON IMPORTS 608 00:39:07,180 --> 00:39:10,080 IS AN OLD, ESTABLISHED COMPANY FOUNDED IN 1909, 609 00:39:10,120 --> 00:39:12,020 AND GUESS WHAT THEY IMPORT. 610 00:39:12,050 --> 00:39:13,420 I DON'T KNOW. WHAT? 611 00:39:13,450 --> 00:39:14,650 COFFEE... 612 00:39:14,680 --> 00:39:15,850 FROM COLOMBIA. 613 00:39:15,880 --> 00:39:19,150 THEY OWN REMICK'S COLOMBIAN CHOICE. 614 00:39:19,180 --> 00:39:20,720 OOH... 615 00:39:20,750 --> 00:39:22,050 COLOMBIAN. 616 00:39:22,080 --> 00:39:24,180 WELL, LET'S GO. 617 00:39:24,450 --> 00:39:28,450 WALLY, YOU... YOU GOT TO CALL MIKE SNOW FOR ME. 618 00:39:28,480 --> 00:39:30,980 I DON'T KNOW HOW TO GET AHOLD OF HIM. 619 00:39:31,020 --> 00:39:31,950 I GOT BUSTED. 620 00:39:31,980 --> 00:39:33,850 Grimes: OK, CONNIE. JUST KEEP YOUR MOUTH SHUT. 621 00:39:33,880 --> 00:39:35,150 I'LL CALL HIM RIGHT NOW. 622 00:39:35,180 --> 00:39:37,420 THIS... THIS GUY NAMED HUNTER ARRESTED ME. 623 00:39:37,450 --> 00:39:38,750 I... I TOLD HIM ABOUT COURTNEY. 624 00:39:38,780 --> 00:39:41,350 HE'S PROBABLY AT HER PLACE NOW WAITING FOR YOU. 625 00:39:41,380 --> 00:39:43,980 THANKS, CONNIE. YOU DONE THE RIGHT THING. 626 00:39:44,020 --> 00:39:45,580 DON'T TELL THEM SQUAT DOWN THERE. 627 00:39:45,620 --> 00:39:50,420 I'LL CALL SNOW. YOU GOT NOTHING TO SWEAT. 628 00:40:08,620 --> 00:40:10,890 L-57 REQUESTING D.M.V. AND WANTS 629 00:40:10,920 --> 00:40:15,590 ON ONE LINCOLN WILLIAM HENRY 5-4-5. 630 00:40:28,820 --> 00:40:31,790 Dispatcher: L-57, HERE'S THE INFORMATION YOU REQUESTED. 631 00:40:31,820 --> 00:40:33,760 ONE LINCOLN WILLIAM HENRY 5-4-5, 632 00:40:33,790 --> 00:40:37,660 MERCEDES 420, REGISTERED TO LUXURY RENTALS ON WILSHIRE. 633 00:40:37,690 --> 00:40:41,160 VEHICLE'S RENTED TO JAKE BARUSO. NO WANTS. 634 00:40:41,190 --> 00:40:43,090 ANY WORD ON HUNTER? 635 00:40:43,120 --> 00:40:44,790 NOTHING YET. 636 00:40:57,490 --> 00:40:58,490 STEVENS. 637 00:40:58,520 --> 00:40:59,896 McCall: MIKE, THIS IS SERGEANT McCALL, METRO P.D. 638 00:40:59,920 --> 00:41:02,830 I'M INVESTIGATING A MURDER, AND A GUY NAMED JAKE BARUSO 639 00:41:02,860 --> 00:41:04,606 JUST CAME INTO THE PICTURE. YOU EVER HEAR OF HIM? 640 00:41:04,630 --> 00:41:07,360 HELL, YES. HE'S A MOVER AND SHAKER IN THE COKE TRADE. 641 00:41:07,400 --> 00:41:08,760 HE WORKS OUT OF NEW YORK CITY. 642 00:41:08,800 --> 00:41:10,730 ANYTHING WE CAN BUST HIM ON? 643 00:41:10,760 --> 00:41:11,860 I WISH THERE WAS. 644 00:41:11,900 --> 00:41:14,700 BARUSO STAYS BEHIND THE SCENES, WAY BEHIND. 645 00:41:14,730 --> 00:41:17,930 WE'VE HAD A TAIL ON HIM FOR 3 YEARS. HAVEN'T EVEN COME CLOSE. 646 00:41:17,960 --> 00:41:21,060 WELL, LISTEN, I, UH, HAVE PROBABLE CAUSE 647 00:41:21,100 --> 00:41:23,560 TO HOLD BARUSO FOR QUESTIONING IN A HOMICIDE, 648 00:41:23,600 --> 00:41:27,600 SO HOW WOULD YOU LIKE TO MEET HIM FACE-TO-FACE? 649 00:41:27,630 --> 00:41:30,300 OH, I'D LIKE THAT. 650 00:41:43,630 --> 00:41:46,100 L-57, THIS IS D-84. OVER. 651 00:41:46,130 --> 00:41:48,800 I'M READING YOU, D-84. WHAT'S YOUR POSITION? 652 00:41:48,830 --> 00:41:52,730 I'M ABOUT 100 YARDS WEST OF HUDSON IMPORTS. 653 00:41:52,760 --> 00:41:55,860 WE GOT TWO BACKUP UNITS ROLLING IN WITH US. 654 00:41:55,900 --> 00:41:57,930 LET'S GO. 655 00:42:26,140 --> 00:42:28,100 FREEZE! 656 00:42:28,140 --> 00:42:30,200 RIGHT THERE! HOLD IT! 657 00:42:30,800 --> 00:42:32,240 HEY, YOU CAN'T COME IN. 658 00:42:32,270 --> 00:42:33,540 YOU CAN'T COME BUSTING IN HERE! 659 00:42:33,570 --> 00:42:37,670 WE'RE L.A. METRO POLICE INVESTIGATING THE MURDER OF TERRY BARNES. 660 00:42:37,700 --> 00:42:40,200 OH, NO, NO. YOU LOUSY... 661 00:42:40,240 --> 00:42:41,140 Finn: HOLD IT! 662 00:42:41,170 --> 00:42:43,070 YOU HAD TO DO IT! 663 00:43:29,480 --> 00:43:32,140 Dispatcher: L-57, COME IN, PLEASE. 664 00:43:32,180 --> 00:43:33,980 L-57, RESPOND. 665 00:43:34,010 --> 00:43:35,210 THIS IS L-57. GO AHEAD. 666 00:43:35,240 --> 00:43:40,240 SERGEANT McCALL, WE HAVE A REPORT OF GUNFIRE AT 9852 WEBSTER. 667 00:43:40,280 --> 00:43:41,356 THE PATROL UNIT'S ON THE SCENE. 668 00:43:41,380 --> 00:43:44,240 THEY FOUND HUNTER'S CAR... EMPTY. 669 00:43:44,280 --> 00:43:46,610 I'LL BE RIGHT THERE. 670 00:43:47,880 --> 00:43:49,180 HEY, McCALL. 671 00:43:49,210 --> 00:43:51,140 McCALL. WHAT... WHAT ARE YOU... 672 00:43:51,180 --> 00:43:54,180 WHOA! WHAT THE HELL ARE YOU DOING? 673 00:44:39,380 --> 00:44:43,350 HEY, YOU CAN'T KILL ME! 674 00:44:43,380 --> 00:44:45,450 YOU'RE A COP! 675 00:44:48,920 --> 00:44:53,050 YOUR BEST SHOT WASN'T GOOD ENOUGH, WAS IT, LOSER? 676 00:44:53,080 --> 00:44:54,950 WAS IT? 677 00:44:55,820 --> 00:44:59,320 WHAT ARE YOU DOING, MAN? THE GUN'S EMPTY! 678 00:44:59,350 --> 00:45:01,650 YOU KNOW THAT! 679 00:45:04,560 --> 00:45:06,320 NO. 680 00:45:09,060 --> 00:45:10,360 NO. 681 00:45:10,390 --> 00:45:12,720 NO! 682 00:45:12,760 --> 00:45:15,220 PLEASE? 683 00:45:16,060 --> 00:45:17,790 PLEASE? 684 00:45:17,820 --> 00:45:19,660 PLEASE? 685 00:45:19,690 --> 00:45:22,320 TURN AROUND. 686 00:45:27,320 --> 00:45:28,760 DON'T MOVE. 687 00:45:28,790 --> 00:45:31,020 DON'T MAKE A LITTLE ITTY-BITTY MOVE, 688 00:45:31,060 --> 00:45:32,620 OR I'LL BREAK YOUR NECK. 689 00:45:32,660 --> 00:45:34,720 ALL RIGHT. COME ON. 690 00:45:38,620 --> 00:45:40,620 I OWE YOU AN APOLOGY. 691 00:45:40,660 --> 00:45:42,820 FOR WHAT? 692 00:45:42,860 --> 00:45:45,960 I'LL TELL YOU WHEN WE'RE ALONE. 693 00:45:47,190 --> 00:45:49,020 MOVE IT. 694 00:46:17,000 --> 00:46:19,930 I'M SORRY ABOUT TERRY. 695 00:46:26,360 --> 00:46:28,860 I REALLY MISS HER. 696 00:46:33,000 --> 00:46:33,930 I DON'T KNOW. 697 00:46:33,960 --> 00:46:37,300 MAYBE I MISS WHAT I THOUGHT WE COULD HAVE HAD. 698 00:46:37,330 --> 00:46:39,760 I DON'T KNOW. 699 00:46:43,830 --> 00:46:45,330 I TALKED TO THE CAPTAIN. 700 00:46:45,360 --> 00:46:49,030 REMICK PLEA-BARGAINED AND GAVE US BARUSO, 701 00:46:49,060 --> 00:46:51,200 SO BOTH CASES ARE CLOSED, 702 00:46:51,230 --> 00:46:53,700 AND THE D.A. HAS THEM. 703 00:46:56,360 --> 00:46:58,400 NOW, YOU SAID SOMETHING TO ME 704 00:46:58,430 --> 00:47:01,430 ABOUT OWING ME AN APOLOGY. 705 00:47:04,870 --> 00:47:08,140 YEAH, BUT IT REALLY DOESN'T MATTER NOW. 706 00:47:10,600 --> 00:47:13,840 YEAH. I THINK I KNOW WHAT YOU MEANT. 707 00:47:15,270 --> 00:47:17,840 YOU WERE ALMOST RIGHT. 47521

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