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After six years, one of Australia's best
-loved dramas is taking a final bow.
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What a way we've come.
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00:00:14,460 --> 00:00:20,140
And in true Ash Park fashion, we
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00:00:20,140 --> 00:00:26,460
won't be going out without a fight, a
reunion,
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and the odd betrayal.
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I think we might not make it.
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Our upcoming season is the final ever of
the Logie and Actor Award winning A
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Place to Call Home.
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So we wanted to celebrate our epic
family saga with you,
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the cast and the crew and take a look at
the highly anticipated sixth and final
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00:00:55,180 --> 00:00:56,180
season.
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I'm Noni Hazlehurst and this is A Place
to Call Home.
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The final chapter.
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Action!
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A Place to Call Home was brought to life
in April 2013, and it's the creation of
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award -winning writer Bevan Lee.
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It sounds really weird, but Inverness is
as real to me as this reality talking
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to you.
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I wanted to go to a place that had
survived a cataclysm, and the Second
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War was, and then I wanted to have a
female character, a woman who'd survived
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horrors and monstrosities, was really
shut off, and then as a show went on, I
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came to be able to share those with the
world.
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I was in a German camp for two years.
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The web of story is so intricately
woven.
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You never know what's coming next.
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00:01:59,000 --> 00:02:01,260
Why do we watch series?
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We want to see each week the characters
reveal more of each other. And so the
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narrative will come out of that. They
carry the building blocks to make
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narratives that our audiences admire.
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Perhaps one day you may enlighten us
about your clearly colourful part.
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And action.
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You go into the show thinking you know
where it's going and things change, the
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plot twists in a way that you hadn't
imagined.
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00:02:31,860 --> 00:02:35,780
Sir Richard Bennett, we're arresting you
for the murder of Mrs Regina Bly.
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There are so many people that, you know,
work their butts off, excuse me, to
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make this show what it is and, you know,
the details in this show are
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00:02:45,000 --> 00:02:46,000
unbelievable.
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Costume department, hair and make -up,
set design.
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00:02:49,520 --> 00:02:53,840
So much that goes into this show, I have
the very easy job of stepping into all
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of this and just remembering a couple of
words.
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Daddy! Bevan's done a wonderful job,
because it's just rare in Australian
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television to be surrounded by such
quality, not only with our crew, but
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certainly with the actors that I work
with.
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Being an Australian, sometimes you can
feel like you are an island.
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on the edge of the world.
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And what Australian drama does is it
puts us into the centre of the world.
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And so our conversation and our voice
becomes as important as everybody
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00:03:29,860 --> 00:03:34,040
I think Foxtel's commitment to
Australian drama has had a significant
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will continue to have one in connecting
Australian audiences together.
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What really appeals to me about the work
that I do...
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is that it does have a chance to
communicate with people and it does have
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chance to make people feel connected to
each other as opposed to divided and
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separate and fearful.
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00:03:53,100 --> 00:03:55,940
Go get... Your name is on a list of
troublemakers.
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00:03:56,340 --> 00:04:01,360
As we become closer to each other
because it's easier to get to each
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00:04:01,360 --> 00:04:05,620
need to get ready to have those sorts of
conversations. So for me, that starts
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with drama and that's what Foxtel are
doing.
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They're having an international
conversation.
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This is 1953,
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Grandmother. Some standards are
timeless.
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Part of the appeal of A Place to Call
Home has been its faithful portrayal of
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bygone era.
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It's set in the often overlooked post
-war period of Australian history,
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specifically the years 1953 to 1959.
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We have been...
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as true as we can to those periods, not
only in the way we make everything look,
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but the way we make people behave.
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00:04:49,490 --> 00:04:52,690
I love this era. I was totally born in
the wrong era.
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00:04:54,290 --> 00:04:57,530
I love the style, the furniture, the
clothing, everything.
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00:04:58,070 --> 00:05:01,170
It's pretty special for a costume
designer, this show.
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We don't do dolls, sister.
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You have an amazing period to work in.
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The beautiful lines of the 50s and the
colours and the fabrics.
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My eyes don't deceive me, she's wearing
Dior. She is.
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Dior. I find that particularly the
women's magazine is just hilarious to
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how we were so calm.
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Let me see.
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How advertising started and how
primitive it was and what it promised,
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and we all fell for it in the 50s.
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I'll often look at the newspaper for the
day before I start just to get some
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inspiration or the Women's Weekly of
that period.
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You know, they're terrific resources.
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Yeah, we will the odd historical
character in.
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Thankfully, we found a guy who looks
like Robert Landy.
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History is the colour of the show.
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I think I was more interested in
projecting an emotional history,
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indicated what the landscape was back
then emotionally.
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Times are changing.
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Could be time you change too.
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That's part of the story of our show is
the changing world and how it affects
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the family and how it affects all the
characters in the family. And it's all
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about confronting that change. It's a
changing world, my darling.
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Let's see how many changes I can
accommodate.
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Regardless of the fact that we're
further back in time, it's a place where
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people can see themselves and their
grandparents and their children.
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In this day and age as we're
individualised and sort of torn apart
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little rooms by ourselves on tiny little
screens, swiping up or sideways,
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however you do it, it's a nice time to
take a breath and remember when we
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actually talked to each other, walked
somewhere to meet someone, and didn't
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that instant gratification.
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Forgive my presumption in saying this,
but sometimes when you've nowhere to go,
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Home's where you are.
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I think people appreciate the simplicity
and the slowness of seeing another
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time. I think they appreciate the
respect. I think they appreciate seeing
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people essentially are always the same.
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Our world of Inverness might be set 60
years ago, but its themes touch us all
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and are still relevant today.
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I felt it was very important, for
example, to go back there and be honest
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times. Even good people back then said
dreadful things about Indigenous people.
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I just saw an abo chap driving out of
here. Aboriginal prudent. Marvellous,
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isn't it?
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Postal homes had an opportunity to touch
on a lot of these things before.
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This is a great chance for them to touch
on Indigenous issues.
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Some may feel uncomfortable about it.
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No problem with the aboriginals.
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Until you don't.
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He's a great character, Frank. I like
him. He set a time in 1958.
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He's still not quite a human being in
Australian society.
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We're back to being classified as flora
and fauna.
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We don't need that.
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We just want to be treated as human
beings.
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Well, front page news, sunshine.
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Cops don't worry about blackfella.
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00:08:34,120 --> 00:08:37,799
It just shows us how far we've come in a
lot of ways. It's made for some good
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storylines and I really enjoyed it,
yeah.
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While some issues were front and centre
in the 1950s, others weren't even
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discussed.
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Back in the 50s, there was no such thing
as post -traumatic stress disorder.
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Men confronted horrors beyond
imagination.
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They came back and they were told to
just get on with it.
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Be a man!
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Now, that led to...
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a lot of male dysfunction in that
generation.
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00:09:05,680 --> 00:09:07,380
But I found it very, very interesting.
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In a way, the whole show is a six
-season journey to recovery from damage.
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You're a good man.
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Our job, or perhaps our burden, is
always to see things from two points of
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including... Homophobia.
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Homophobia.
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Come on, get up.
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Come on, you...
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Being homosexual in the 1950s wasn't
easy at all. Some families did used to
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their sons and stick them in asylums and
have the doctor stick knitting needles
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into their brain to lobotomise them
because that would stop them wanting
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men.
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Any phobia often comes from a distance,
like the Jewishness and the gayness and
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the Italians, you know, it comes from a
distance and not being able to
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empathise. Must the child be Jewish?
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It would affect him his whole life.
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Ostracised on so many levels.
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How can I not raise my son as Jewish?
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00:10:02,100 --> 00:10:05,040
The Blythe, the Church of England. The
Nordmans aren't. That's the beauty about
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a lot of the characters is that whilst
they're all set in the 1950s, all the
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issues they're dealing with are still
really relevant today.
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The proof that the themes of A Place to
Call Home have touched so many people is
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in our loyal fan base.
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who we've met at special screenings with
the cast.
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It's so fantastic and I'm amazed that
I'm even here.
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Or on trips to Ash Park.
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The fans have been so devoted and
supported us so wholeheartedly, which is
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beautiful.
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It's been extraordinary and I feel so
very blessed.
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We just love the show so much, mainly
because I can relate to the 50s. It
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me back to the era that I grew up in, in
the country.
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I love all the characters, the era, the
clothing, the cars.
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I love the country life. I love the
lifestyle of that particular period in
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You know, she's really loved.
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And I mean, everyone was stopping me
talking about the show, but talking
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Anna's journey and seeing how she's
developed. And I just was crying on the
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streets with strangers in London. I just
love that perhaps something that I do
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resonates with people and what they've
been through.
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I didn't know you couldn't conceive.
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Season five was so heartbreaking and
sad. And there were a lot of fans that
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not happy with Henry's behavior.
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And man, did I hear about it. We have
better uses for the best. He can sober
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outside. Going into a diabetic coma. And
you'd have seen it if you bothered to
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look. Which you might have if he were
white.
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Through when we got cancelled, just
supporting us and nurturing us and
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00:12:04,160 --> 00:12:07,300
feel wanted again when we got picked up
and excited.
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00:12:08,960 --> 00:12:12,960
You know, we now have thousands of fans
all over the world who are in contact
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with us.
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In Holland and Israel and all these wild
places, you know.
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It was just such a joy to see their joy
in a way because they love the show.
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They just love it.
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And action!
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And it's not just our wonderful fans
who've loved our story with all its
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and turns.
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We in the cast and crew and the creators
also have six years' worth of wonderful
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memories. There's absolute bonuses in
some of those big set -piece scenes
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all the players are in.
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This happy event, however, gives me
hope.
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Those are amazing days in that you all
get to hang out together.
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My favourite scene.
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Very special is when I get proposed to.
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Olivia Bly, will you marry me?
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I mean, I'm married, but I proposed to
my husband.
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00:13:23,330 --> 00:13:27,310
So I never got to do that thing where
you're standing there and he's asking
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00:13:27,310 --> 00:13:32,010
and you're all... Because I was the
asker. Yes, Matthew Goddard, I believe I
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00:13:32,010 --> 00:13:34,410
will. I was worried you'd say no.
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I have now been more certain of myself.
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00:13:38,320 --> 00:13:41,460
Maybe Regina's slapping me. Didn't she
slap me like four times?
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00:13:43,100 --> 00:13:44,860
Rude. I never got a slap back.
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00:13:45,240 --> 00:13:46,340
So yeah, that.
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Whipping her with the flowers.
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Good thing too. She needed a good
whipping.
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00:13:53,400 --> 00:13:54,820
You've no business here at all.
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00:13:55,080 --> 00:14:01,480
I pick up the baby that's playing
Sarah's baby and I'm kind of
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clutching it and sweating and screaming
obscenities and things like that.
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00:14:05,930 --> 00:14:07,390
But I think we kept falling asleep.
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00:14:08,770 --> 00:14:11,310
All of the things we shoot in Roy's
house.
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Oh, maybe when I tell him that James is
gay, that's hilarious.
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00:14:16,710 --> 00:14:17,730
Or the other one.
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00:14:18,970 --> 00:14:21,390
It's true. That was a beautiful scene to
play.
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00:14:21,990 --> 00:14:23,130
Thank you, it was very funny.
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00:14:23,610 --> 00:14:29,530
My favourite scene that we've shot so
far was the scene through some miracle.
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00:14:31,530 --> 00:14:34,570
Anna, we had that night together.
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00:14:35,420 --> 00:14:40,820
Very special night together in season
five, which was an absolute hoot to
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00:14:42,140 --> 00:14:44,440
We had a lot of fun filming that scene.
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00:14:45,000 --> 00:14:49,060
Are we doing what I think we are?
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She said that to Gino in series three.
Anna's got a line.
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00:14:53,320 --> 00:14:55,080
She's got a line in the bedroom.
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And it's, are we doing what I think we
are? Oh, my God.
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00:14:59,740 --> 00:15:04,260
I think the show is so surprising
narratively because I surprised myself.
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00:15:04,560 --> 00:15:08,900
Surprise! So whenever it gets to a point
where what would happen, I go, that
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00:15:08,900 --> 00:15:11,720
would happen, and then I step back and
go, okay, turn it on its head.
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00:15:12,040 --> 00:15:14,780
Especially the moment, for example, when
Regina shot Brian Taylor.
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00:15:15,520 --> 00:15:20,880
You do not want to go back to your
stupid, stupid life, do you?
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00:15:21,200 --> 00:15:24,680
I had no intention until I came to that
scene of her shooting him, and I just
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00:15:24,680 --> 00:15:27,400
got there and they're having a scene in
the car, and I thought, well, what if
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00:15:27,400 --> 00:15:28,440
she took a gun out and shot him?
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00:15:30,660 --> 00:15:32,940
And that turns everything on its head.
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You can't walk six years in the shoes of
a character.
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Ah, excuse me, ma 'am. You can't go in
there.
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Without learning a thing or two about
yourself.
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I was tasked with your education and I'm
the one that's learnt the lesson.
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I think Olivia taught me love saves the
day.
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You know, she just, she got a lot of
love, this girl, and I've really enjoyed
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living with that.
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Hello, stranger.
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She has taught me through the years.
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00:16:05,260 --> 00:16:11,140
She taught me not to doubt myself and to
embrace my instincts and my
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spontaneity.
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00:16:12,740 --> 00:16:16,480
I think an actor always learns something
from the roles they play and I've sort
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of learned a lot about my mum from doing
this because she was very secretive and
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00:16:19,960 --> 00:16:24,080
would never share anything about her
life. So many secrets.
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00:16:24,760 --> 00:16:29,420
It's made me doubly determined to not be
like that with my own children or with
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00:16:29,420 --> 00:16:30,419
anyone, really.
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00:16:30,420 --> 00:16:33,180
I spent most of my life trying to
control my children.
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00:16:33,800 --> 00:16:35,020
I didn't want them to grow up.
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00:16:35,420 --> 00:16:40,200
Whether it sticks or not, she's got a
hell of a lot more humility than I do.
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00:16:40,480 --> 00:16:42,420
Oh, Mrs Bly!
252
00:16:42,700 --> 00:16:48,500
Oh, struck dumb was the honour of being
invited in. I think that's been
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00:16:48,500 --> 00:16:51,220
something to learn, yes.
254
00:16:52,740 --> 00:16:56,100
Most importantly for me is not to take
things for granted.
255
00:16:56,600 --> 00:16:59,680
Henry is a guy who seems to have it all
together.
256
00:17:00,720 --> 00:17:03,320
and keeps kind of getting the rug pulled
out from under him.
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I thought I was going to lose
everything.
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00:17:05,640 --> 00:17:09,720
He always manages to, in some way,
collect himself again and find his feet.
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00:17:10,020 --> 00:17:13,260
If he's taught me anything, it's to kind
of face it head on, and there's always
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00:17:13,260 --> 00:17:16,740
a way forward, there's always a way
through it, around it, over it.
261
00:17:17,579 --> 00:17:22,300
Playing Sarah has taught me how to be a
little bit more considered.
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00:17:22,700 --> 00:17:25,380
I feel probably more gracious.
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00:17:25,980 --> 00:17:27,300
I try to be quieter.
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She's very...
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Very reserved and at peace with herself.
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Audiences don't watch to see you.
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They watch to see themselves.
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00:17:38,580 --> 00:17:43,220
And I think that the characters are all
so layered and so complex and there's no
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00:17:43,220 --> 00:17:46,100
archetype. It's not anyone's just the
one thing.
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We're all layered and we're all
complicated people.
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00:17:51,280 --> 00:17:53,380
Here's to our complicated lives.
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00:18:07,370 --> 00:18:13,910
While all good things must come to an
end, we still have one last momentous
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00:18:13,910 --> 00:18:14,849
season ahead.
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00:18:14,850 --> 00:18:17,230
Surprise! And a wonderful one, my
darling.
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00:18:17,430 --> 00:18:18,430
Welcome home.
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00:18:19,010 --> 00:18:23,550
This whole season, they're madly in love
with each other. Sarah takes over Ash
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00:18:23,550 --> 00:18:29,030
Park, and so you get the potential of
what she would have become as Mrs.
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00:18:29,310 --> 00:18:29,729
What do you think?
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00:18:29,730 --> 00:18:30,730
That's good.
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00:18:30,810 --> 00:18:32,070
Now we're a Jewish home.
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00:18:32,610 --> 00:18:34,010
Ash Park has a new mistress.
282
00:18:36,520 --> 00:18:39,340
I never guessed how hard it would be
until it was.
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00:18:39,580 --> 00:18:44,880
The time of going to rock bottom and
then kind of climbing from the ashes,
284
00:18:44,880 --> 00:18:48,400
think she certainly does, and Lizzie
starts creeping back in.
285
00:18:48,620 --> 00:18:53,420
If any of you hear me worrying about
George and Sarah, feel free to pull me
286
00:18:54,140 --> 00:18:57,260
They're forging a new life and they
don't need me in constant commentary.
287
00:18:58,180 --> 00:19:02,860
The James Bly that you see in episode
one, season one, is not the same
288
00:19:02,860 --> 00:19:07,720
character. the James Bligh in season
six. He's living his best life.
289
00:19:07,920 --> 00:19:10,620
He is enjoying himself. He's in love.
290
00:19:11,260 --> 00:19:12,640
James did the right thing for himself.
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00:19:13,060 --> 00:19:14,620
And he has to face up to that.
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00:19:14,880 --> 00:19:18,040
And part of that is facing the music
with Henry.
293
00:19:18,440 --> 00:19:21,560
You brought me here with the promise of
forever and then found your Riviera
294
00:19:21,560 --> 00:19:22,560
route.
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00:19:25,320 --> 00:19:26,320
Welcome home.
296
00:19:29,220 --> 00:19:30,220
Good evening.
297
00:19:33,130 --> 00:19:36,730
There were some storylines that were
still left wide open. One of them was
298
00:19:36,730 --> 00:19:40,470
definitely Jack and Caro. They're not in
a good place still. Season five was a
299
00:19:40,470 --> 00:19:45,830
bit of a rough one for Caro in terms of
not feeling like she had a place in the
300
00:19:45,830 --> 00:19:50,470
world. The journey that she's been on is
extraordinary from very different to
301
00:19:50,470 --> 00:19:52,770
season five where she goes in season
six.
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00:19:52,970 --> 00:19:58,310
An opportunity is gifted to her and the
little tiny pilot light that's been
303
00:19:58,310 --> 00:20:00,190
burning inside sort of gets a full
ignition.
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00:20:04,010 --> 00:20:08,710
It's a rough ride going into the last
block. For Jack, he's about to face some
305
00:20:08,710 --> 00:20:12,450
very big changes and he's probably in a
worse place than you will ever see him
306
00:20:12,450 --> 00:20:15,490
or have seen him in the past. It's very
powerful.
307
00:20:15,930 --> 00:20:20,970
At the very least, the very least, have
some respect for the family, to the
308
00:20:20,970 --> 00:20:21,970
world you are obliged.
309
00:20:22,650 --> 00:20:23,650
Act like one.
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00:20:25,170 --> 00:20:30,210
Anna's journey is quite extraordinary.
She has a really surprising event happen
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00:20:30,210 --> 00:20:35,290
and... It means that she has to take on
the world, and she does so, and she
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00:20:35,290 --> 00:20:38,250
boldly puts her foot down and says, this
is the way I'm going to do it, which
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00:20:38,250 --> 00:20:39,490
shocks everyone.
314
00:20:40,250 --> 00:20:42,250
You can't stay a secret forever.
315
00:20:43,330 --> 00:20:48,290
Olivia, she's got her beautiful man,
everything's rosy, but there are some
316
00:20:48,290 --> 00:20:52,250
things in her past that have to come
out.
317
00:20:52,850 --> 00:20:55,110
I won't be a victim again.
318
00:21:01,140 --> 00:21:07,060
Season six will bring new twists, new
threats and even more surprises.
319
00:21:07,520 --> 00:21:10,140
If he wasn't already injured, I'd knock
his bloody block off.
320
00:21:11,340 --> 00:21:16,260
I think this season is better than
anything that's come before. To me, it's
321
00:21:16,260 --> 00:21:20,300
pinnacle of the show. The flamboyance is
back, the joie de vivre is back.
322
00:21:20,580 --> 00:21:26,340
We have music and it's very bohemian,
really allowing the subculture of Sydney
323
00:21:26,340 --> 00:21:27,660
to come out and play.
324
00:21:28,270 --> 00:21:31,650
It will be a really satisfying emotional
experience, and hopefully everyone
325
00:21:31,650 --> 00:21:35,170
who's stuck with us from Series 1 all
the way to the end will come out of it
326
00:21:35,170 --> 00:21:36,810
with great joy and sadness.
327
00:21:37,670 --> 00:21:41,670
As we approach the finale, I am very
happy where we leave Anna.
328
00:21:41,930 --> 00:21:46,430
I'm really sad to say goodbye to her
because I feel like she is, at times,
329
00:21:46,430 --> 00:21:51,250
everything I could be. She's kind of the
best of me, and so I hope I can carry
330
00:21:51,250 --> 00:21:54,750
her for the rest of my life, but I'll be
so sad to put her to bed.
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00:21:55,010 --> 00:21:56,010
Very sad.
332
00:21:59,790 --> 00:22:04,070
A place to call home has always been an
emotional rollercoaster for the
333
00:22:04,070 --> 00:22:05,070
characters.
334
00:22:05,670 --> 00:22:10,910
But for the cast and crew filming the
last scenes ever, there really wasn't a
335
00:22:10,910 --> 00:22:12,010
dry eye in the house.
336
00:22:12,830 --> 00:22:17,110
It is sad. We had our last table read of
the final two scripts the other day,
337
00:22:17,190 --> 00:22:22,050
which was pretty emotional. I don't
think anyone was kind of expecting it to
338
00:22:22,050 --> 00:22:23,050
that emotional.
339
00:22:24,200 --> 00:22:25,200
Beautiful episodes.
340
00:22:25,220 --> 00:22:28,060
Bevan's finished things off so perfectly
for everyone.
341
00:22:28,320 --> 00:22:32,460
And that is the wrap shot for Dom, Tim,
Sus and Noni.
342
00:22:36,860 --> 00:22:43,320
This has been the most extraordinary
journey for all of us. I have so much
343
00:22:43,320 --> 00:22:46,600
respect for every single person in this
room who's worked on this show.
344
00:22:46,860 --> 00:22:48,940
You're all absolutely knackered.
345
00:22:52,140 --> 00:22:56,480
You guys never get a day off. We do. And
you've seen me at my best. You've seen
346
00:22:56,480 --> 00:22:57,480
me at my not -so -best.
347
00:22:57,740 --> 00:22:59,700
You've never seen me at my worst, but
you didn't have to.
348
00:23:00,180 --> 00:23:03,640
I've never felt so supported by any
group of people as I have in this show.
349
00:23:03,940 --> 00:23:06,360
And I feel like you're my family.
350
00:23:08,020 --> 00:23:09,560
In fact, I've come here for relief.
351
00:23:12,180 --> 00:23:15,020
No need for you to say it all, but I
just want to...
352
00:23:16,890 --> 00:23:22,610
I want to thank you all so much for
changing not only my craft, but my
353
00:23:22,610 --> 00:23:27,870
life, being so generous and supportive
and tireless in all your work. My beau,
354
00:23:28,130 --> 00:23:30,010
it's been amazing working with you.
355
00:23:30,470 --> 00:23:31,470
Thank you.
356
00:23:32,110 --> 00:23:32,710
The
357
00:23:32,710 --> 00:23:40,010
show
358
00:23:40,010 --> 00:23:45,710
will finish in a way explaining exactly
what the title means.
359
00:23:47,630 --> 00:23:52,370
My aunt gave me a welcome mat to put out
when I found a place to call home. A
360
00:23:52,370 --> 00:23:56,430
place to call home and finding home is
such a beautiful notion, and I think
361
00:23:56,430 --> 00:23:58,990
Bevan has done it masterfully.
362
00:23:59,270 --> 00:24:03,110
Something Bevan does in his writing, the
way that he plots, is that it never
363
00:24:03,110 --> 00:24:04,710
finishes how you imagine it will.
364
00:24:13,680 --> 00:24:17,040
And all the good from up there
365
00:24:17,040 --> 00:24:23,580
It all comes and goes
366
00:25:10,720 --> 00:25:12,000
decreasingly makes sense.
367
00:25:12,240 --> 00:25:15,280
I'm trying to find my way home.
368
00:25:16,920 --> 00:25:20,220
I hate him. You don't mean that.
369
00:25:20,720 --> 00:25:21,980
He killed her.
370
00:25:22,980 --> 00:25:28,040
She's right, you know. I got a long way
to go. He's gone.
371
00:25:28,280 --> 00:25:34,340
A Place to Call Home, the final season,
tomorrow 8 .30 on Showcase.
33531
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