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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.BZ 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.BZ 3 00:00:22,334 --> 00:00:24,667 YOU'RE -- YOU'RE 4 00:00:24,667 --> 00:00:29,000 SECOND-GENERATION. 5 00:00:29,000 --> 00:00:32,209 "JOSHUA TREE" GENERATION. 6 00:00:32,209 --> 00:00:36,167 [ CHUCKLES ] 7 00:00:36,167 --> 00:00:38,167 NOTHING WRONG WITH THAT. 8 00:01:00,250 --> 00:01:02,250 HOW DO I LOOK? 9 00:01:15,375 --> 00:01:17,375 [ LITTLE DRAGON'S "SCRIBBLED 10 00:01:17,375 --> 00:01:19,375 PAPER" PLAYS ] 11 00:01:34,959 --> 00:01:37,918 ♪ 'CAUSE I WENT LOOKING FOR A 12 00:01:37,918 --> 00:01:41,167 TRACE OF SOMETHING THAT YOU 13 00:01:41,167 --> 00:01:43,542 LEFT ♪ 14 00:01:45,542 --> 00:01:48,626 ♪ AND WHEN I SAW DRIED PAINT 15 00:01:48,626 --> 00:01:56,083 AND YOUR SCRIBBLED INITIALS ♪ 16 00:01:56,083 --> 00:01:59,876 ♪ I ACTED LIKE I COULD CARE LESS 17 00:01:59,876 --> 00:02:02,626 WHILE MY THUMB PRESS TO THE 18 00:02:02,626 --> 00:02:06,918 PAPER ♪ 19 00:02:06,918 --> 00:02:09,250 ♪ I WANTED TO FIND 20 00:02:09,250 --> 00:02:11,542 YOUR PORTRAIT ♪ 21 00:02:11,542 --> 00:02:14,542 ♪ WANTED TO HAVE IT ♪ 22 00:02:19,042 --> 00:02:22,042 [ INSTRUMENTAL SOLO ] 23 00:02:38,834 --> 00:02:42,584 ♪ RECALLING A PIERCING VOICE 24 00:02:42,584 --> 00:02:49,334 IN OLD DREAMS ♪ 25 00:02:49,334 --> 00:02:54,459 ♪ AND GHOSTLY IMAGES OF 26 00:02:54,459 --> 00:02:58,542 BLACK TRAINS ♪ 27 00:02:58,542 --> 00:03:00,334 [ KNOCK ON DOOR ] 28 00:03:00,334 --> 00:03:04,584 ♪ NOW SEEING EVERY PAGE IS 29 00:03:04,584 --> 00:03:10,000 TURNED AWAY ♪ 30 00:03:10,000 --> 00:03:13,000 TODAY IS THE DAY. 31 00:03:13,000 --> 00:03:14,167 OH, YOU KNOW IT'S TOO EARLY 32 00:03:14,167 --> 00:03:14,792 FOR ALL THAT. 33 00:03:14,792 --> 00:03:15,459 [ CHUCKLES ] 34 00:03:15,459 --> 00:03:16,334 YOU'RE ALWAYS GRUMPY. 35 00:03:16,334 --> 00:03:21,083 OKAY. ALL RIGHT. 36 00:03:21,083 --> 00:03:23,626 WE GOT A LOT DONE. 37 00:03:23,626 --> 00:03:27,209 YEP, ALMOST OUT OF HERE. 38 00:03:27,209 --> 00:03:28,918 I LOVE THIS PLACE ON THE 39 00:03:28,918 --> 00:03:29,542 CORNER. 40 00:03:29,542 --> 00:03:31,250 AIN'T NOBODY EVER THERE. 41 00:03:31,250 --> 00:03:31,959 EVER! 42 00:03:31,959 --> 00:03:35,042 STARBUCKS KILLED THAT PLACE. 43 00:03:35,042 --> 00:03:36,542 COFFEE'S ALWAYS FRESH THERE 44 00:03:36,542 --> 00:03:37,959 'CAUSE THEY AIN'T NEVER GOT A 45 00:03:37,959 --> 00:03:38,626 POT READY. 46 00:03:38,626 --> 00:03:39,167 YEAH. 47 00:03:39,167 --> 00:03:41,709 OH! AND THE WIFE? 48 00:03:41,709 --> 00:03:42,876 LOOKING LIKE THE GHOST OF 49 00:03:42,876 --> 00:03:43,918 MRS. MUIR OVER THERE. 50 00:03:43,918 --> 00:03:49,209 DUMB. 51 00:03:49,209 --> 00:03:53,751 SO...YOU READY? 52 00:03:53,751 --> 00:03:54,918 YOU KNOW, THE MOVERS WILL 53 00:03:54,918 --> 00:03:56,209 LOAD EVERYTHING, AND I STILL GOT 54 00:03:56,209 --> 00:03:59,417 SOME...PICK-UPS. 55 00:03:59,417 --> 00:04:00,834 SO, UM, YOU KNOW, IF EVERYTHING 56 00:04:00,834 --> 00:04:02,250 GOES AS PLANNED, I'LL BE OUT OF 57 00:04:02,250 --> 00:04:04,250 HERE BY TOMORROW NIGHT. 58 00:04:13,918 --> 00:04:17,834 [ SIGHS ] 59 00:04:17,834 --> 00:04:20,918 [ LAUGHS ] 60 00:04:20,918 --> 00:04:21,709 [ Laughing ] DID YOU DO 61 00:04:21,709 --> 00:04:24,584 ANYTHING? 62 00:04:24,584 --> 00:04:26,459 OKAY, ALMOST DONE IN HERE. 63 00:04:26,459 --> 00:04:28,417 IF I CAN GET THE OFFICE AND THE 64 00:04:28,417 --> 00:04:30,334 DINING ROOM DONE BY 1:00 P.M., 65 00:04:30,334 --> 00:04:31,542 I'M ON TRACK. 66 00:04:31,542 --> 00:04:34,250 I CAN DO THIS. 67 00:04:34,250 --> 00:04:36,626 IS THAT EVAN WHO KEEPS 68 00:04:36,626 --> 00:04:37,626 CALLING? 69 00:04:37,626 --> 00:04:38,918 YEAH. 70 00:04:38,918 --> 00:04:40,709 YOU KNOW, I JUST CAN'T HAVE HIM 71 00:04:40,709 --> 00:04:41,751 IN MY EAR TODAY. 72 00:04:41,751 --> 00:04:43,459 THE DAILY CHECK-IN IS GETTING 73 00:04:43,459 --> 00:04:44,667 WEAK AT THIS POINT. 74 00:04:44,667 --> 00:04:46,375 HMM. YEAH. WELL, YOU'LL BE 75 00:04:46,375 --> 00:04:48,417 THERE IN A FEW DAYS, DOING THE 76 00:04:48,417 --> 00:04:49,792 BEST CARRIE AND BIG 77 00:04:49,792 --> 00:04:51,250 IMPERSONATION AGAIN. 78 00:04:51,250 --> 00:04:53,959 AND HE'S NO WORSE FOR WEAR. 79 00:04:53,959 --> 00:04:55,459 YOU'RE RIGHT. 80 00:04:55,459 --> 00:04:56,709 HE'S WEAK. 81 00:04:56,709 --> 00:04:58,167 [ SIGHS ] 82 00:04:58,167 --> 00:05:01,209 YEAH, HE'S WEAK, BUT HE'S NOT A 83 00:05:01,209 --> 00:05:02,292 BASTARD. 84 00:05:02,292 --> 00:05:05,709 YEAH, BUT HE AIN'T A PRINCE. 85 00:05:05,709 --> 00:05:06,542 [ SCOFFS ] 86 00:05:06,542 --> 00:05:08,125 LOOK, I'M -- I'M NOT DEFENDING 87 00:05:08,125 --> 00:05:08,542 HIM. 88 00:05:08,542 --> 00:05:09,834 TRUST ME -- I'M PISSED. 89 00:05:09,834 --> 00:05:10,542 HMM? 90 00:05:10,542 --> 00:05:12,584 I JUST -- I CAN'T DEAL WITH 91 00:05:12,584 --> 00:05:14,167 HIM RIGHT NOW, AND, YOU KNOW, 92 00:05:14,167 --> 00:05:15,542 I'LL DEAL WITH IT LATER. 93 00:05:15,542 --> 00:05:17,082 I JUST HAVE TO GET HOME, GET 94 00:05:17,082 --> 00:05:18,709 BACK TO MY LIFE, AND DEAL WITH 95 00:05:18,709 --> 00:05:23,709 IT THEN. 96 00:05:23,709 --> 00:05:24,459 [ SIGHS ] 97 00:05:24,459 --> 00:05:25,542 [ CAR DOOR CLOSES ] 98 00:05:25,542 --> 00:05:27,584 [ CHILD SPEAKING INDISTINCTLY ] 99 00:05:27,584 --> 00:05:28,584 [ CHUCKLES ] BYE. 100 00:05:28,584 --> 00:05:29,709 NO, NO, NO, NO, NO. 101 00:05:29,709 --> 00:05:30,250 COME ON. 102 00:05:30,250 --> 00:05:31,626 STAY A LITTLE LONGER, PLEASE. 103 00:05:31,626 --> 00:05:32,959 I HAVE GOT TO GO TO WORK. 104 00:05:32,959 --> 00:05:34,417 YOU DON'T HAVE TO BE AT WORK 105 00:05:34,417 --> 00:05:35,082 TILL 11:00. 106 00:05:35,082 --> 00:05:36,125 IT'S 10:15. 107 00:05:36,125 --> 00:05:38,334 LOOK, MAMA, I LOVE YOU, BUT 108 00:05:38,334 --> 00:05:40,709 YOU AND GOOD OLD COUSIN FRAN AND 109 00:05:40,709 --> 00:05:42,876 THEM KIDDIES -- Y'ALL REALLY, 110 00:05:42,876 --> 00:05:44,918 REALLY HAVE A NICE MORNING. 111 00:05:44,918 --> 00:05:46,125 I'M OUT. 112 00:05:46,125 --> 00:05:47,542 I HATE WHEN YOU DO THAT. 113 00:05:47,542 --> 00:05:48,042 OUT! 114 00:05:48,042 --> 00:05:49,500 PLEASE DON'T LEAVE ME HERE 115 00:05:49,500 --> 00:05:50,375 WITH HER ALONE. 116 00:05:50,375 --> 00:05:51,959 JUST IGNORE HER LIKE I DO. 117 00:05:51,959 --> 00:05:53,500 H-HOW AM I SUPPOSED TO DO 118 00:05:53,500 --> 00:05:53,959 THAT? 119 00:05:53,959 --> 00:05:55,959 WATCH AND LEARN, OKAY? 120 00:05:59,292 --> 00:06:01,125 HI, RAVEN. 121 00:06:01,125 --> 00:06:02,959 HEY, MAYE. 122 00:06:02,959 --> 00:06:04,209 WHERE'S THE HANDBALL? 123 00:06:04,209 --> 00:06:05,125 I DON'T KNOW. 124 00:06:05,125 --> 00:06:05,959 YEAH, UM... 125 00:06:05,959 --> 00:06:09,417 OKAY, WHERE IS YOUR MOTHER? 126 00:06:09,417 --> 00:06:11,250 I AM GOING TO CALL YOU LATER, 127 00:06:11,250 --> 00:06:13,083 AND THEN I WILL SEE YOU IN A FEW 128 00:06:13,083 --> 00:06:13,626 WEEKS. 129 00:06:13,626 --> 00:06:15,292 YOU'RE SUCH A GOOD FRIEND. 130 00:06:15,292 --> 00:06:16,042 THANK YOU. 131 00:06:16,042 --> 00:06:18,042 OKAY, LOVE YOU. 132 00:06:25,876 --> 00:06:28,167 MOM, THERE'S NO HANDBALL. 133 00:06:28,167 --> 00:06:29,375 [ SIGHS ] 134 00:06:29,375 --> 00:06:32,292 WE'RE GONNA NEED THAT, OKAY? 135 00:06:32,292 --> 00:06:35,417 COME ON, BOO-BOO. 136 00:06:35,417 --> 00:06:36,459 AAAH! 137 00:06:36,459 --> 00:06:37,417 AAH! 138 00:06:37,417 --> 00:06:38,876 SO, I WANT THE BACK ROOMS 139 00:06:38,876 --> 00:06:40,334 DONE BY 1:00 P.M. OR SO, AND 140 00:06:40,334 --> 00:06:41,709 THEN, YOU KNOW, WE'LL MOVE 141 00:06:41,709 --> 00:06:42,709 TOWARDS THE FRONT. 142 00:06:42,709 --> 00:06:43,417 OH, GREAT. 143 00:06:43,417 --> 00:06:44,959 THAT'S HEAVIER THAN IT LOOKS. 144 00:06:44,959 --> 00:06:46,167 THANK YOU. 145 00:06:46,250 --> 00:06:47,375 [ SIGHS ] 146 00:06:47,375 --> 00:06:49,792 WHEN YOU GUYS MOVED HERE, I LOST 147 00:06:49,792 --> 00:06:51,834 TRACK OF ALL OF HER STUFF. 148 00:06:51,834 --> 00:06:54,542 LET'S SEE. 149 00:06:54,542 --> 00:06:56,000 ARE YOU LOOKING FOR SOMETHING 150 00:06:56,000 --> 00:06:56,751 IN PARTICULAR? 151 00:06:56,751 --> 00:06:58,250 NO, JUST EVERYTHING IN 152 00:06:58,250 --> 00:07:00,209 GENERAL. 153 00:07:00,209 --> 00:07:01,584 DID YOU KEEP ALL THE SYMPATHY 154 00:07:01,584 --> 00:07:02,000 CARDS? 155 00:07:02,000 --> 00:07:03,292 I ASKED YOU TO KEEP ALL THE 156 00:07:03,292 --> 00:07:04,083 SYMPATHY CARDS. 157 00:07:04,083 --> 00:07:05,459 YES, THEY'RE IN THE DINING 158 00:07:05,459 --> 00:07:09,042 ROOM ON THE BUFFET. 159 00:07:09,042 --> 00:07:11,167 HER ROOM NEEDS SOME ATTENTION, 160 00:07:11,167 --> 00:07:13,250 SO YOU COULD GET STARTED THERE 161 00:07:13,250 --> 00:07:15,250 IF YOU WANTED TO. 162 00:07:33,542 --> 00:07:38,417 I WAITED FOR YOU. 163 00:07:38,417 --> 00:07:39,709 [ SCOFFS ] 164 00:07:39,709 --> 00:07:41,959 WELL, YOU CAN WAIT A LITTLE 165 00:07:41,959 --> 00:07:43,959 WHILE LONGER. 166 00:07:53,626 --> 00:08:03,125 [ CHUCKLING ] 167 00:08:03,125 --> 00:08:06,459 WHEW! 168 00:08:06,459 --> 00:08:07,459 [ SIGHS ] 169 00:08:34,459 --> 00:08:36,375 You sound mad. 170 00:08:36,375 --> 00:08:37,834 I HAVEN'T SAID ANYTHING. 171 00:08:37,834 --> 00:08:38,918 HOW DO I SOUND MAD? 172 00:08:38,918 --> 00:08:40,584 Yeah, that's -- that's what I 173 00:08:40,584 --> 00:08:41,000 mean. 174 00:08:41,000 --> 00:08:42,667 SO, I'M SUPPOSED TO PACK UP A 175 00:08:42,667 --> 00:08:43,709 WHOLE LIFE, TRAVEL 176 00:08:43,709 --> 00:08:45,334 CROSS-COUNTRY, MOURN, AND CARRY 177 00:08:45,334 --> 00:08:46,834 THE WHOLE CONVERSATION, TOO. 178 00:08:46,834 --> 00:08:48,918 [ Scoffs ] 179 00:08:48,918 --> 00:08:52,459 Hey, let me hit you back. 180 00:08:52,459 --> 00:08:53,667 YEAH. 181 00:08:53,667 --> 00:08:57,292 [ TELEPHONE BEEPS ] 182 00:08:57,292 --> 00:08:58,500 UM, EXCUSE ME. 183 00:08:58,500 --> 00:08:59,626 CAN YOU JOIN IN? 184 00:08:59,626 --> 00:09:01,542 I DON'T WANT TO BE OUT HERE IN 185 00:09:01,542 --> 00:09:05,292 THE BOONIES ALL DAY, OKAY? 186 00:09:05,292 --> 00:09:07,250 MAYE HAS TO BE OUT OF HERE FIRST 187 00:09:07,250 --> 00:09:10,250 THING, SO EVERY MINUTE COUNTS. 188 00:09:17,709 --> 00:09:19,709 HEY, MOM. 189 00:09:28,417 --> 00:09:30,209 MY LATE AUNT GAVE IT TO ME. 190 00:09:30,209 --> 00:09:32,083 IT WAS VERY, VERY SPECIAL TO ME, 191 00:09:32,083 --> 00:09:33,626 AND NOW IT'S GONE BECAUSE 192 00:09:33,626 --> 00:09:35,459 MR. HOT SHOT WANTED TO SHOW OFF 193 00:09:35,459 --> 00:09:39,959 AND DO IT ON HIS OWN. 194 00:09:39,959 --> 00:09:40,918 THE -- THE ITEM. 195 00:09:40,918 --> 00:09:42,918 THE ITEM WAS NEAR PRICELESS TO 196 00:09:42,918 --> 00:09:44,500 SOME COST IS NOT GONNA RECTIFY 197 00:09:44,500 --> 00:09:45,000 THIS. 198 00:09:45,000 --> 00:09:46,500 I MEAN, HOW MUCH ARE WE EVEN 199 00:09:46,500 --> 00:09:49,792 TALKING HERE? 200 00:09:49,792 --> 00:09:51,334 SO, YOU'RE SAYING THAT IF THE 201 00:09:51,334 --> 00:09:52,792 DESK IS 50 POUNDS, I MAY GET 202 00:09:52,792 --> 00:09:53,417 $50? 203 00:09:53,417 --> 00:09:55,000 WHAT KIND OF HELL COMPANY IS 204 00:09:55,000 --> 00:09:58,083 THIS? 205 00:09:58,083 --> 00:10:00,959 DO YOU WANT TO BE SUED, SIR? 206 00:10:00,959 --> 00:10:02,292 OH, NO, I'M NOT GONNA SUE TO 207 00:10:02,292 --> 00:10:02,626 WIN. 208 00:10:02,626 --> 00:10:04,042 I'M GONNA SUE TO BLEED YOU DRY 209 00:10:04,042 --> 00:10:06,042 WHILE FIGHTING ME. 210 00:10:10,667 --> 00:10:13,250 OKAY. 211 00:10:13,250 --> 00:10:15,083 OKAY. 212 00:10:15,083 --> 00:10:16,083 [ TELEPHONE BEEPS ] 213 00:10:16,083 --> 00:10:17,709 SO, WHAT DID HE SAY? 214 00:10:17,709 --> 00:10:19,500 I'M TO LEAVE YOU WITH A CLAIM 215 00:10:19,500 --> 00:10:21,334 FORM AND, UH, LEAVE YOU WITH THE 216 00:10:21,334 --> 00:10:23,125 KEYS FOR THE TRUCK AND COME BACK 217 00:10:23,125 --> 00:10:24,167 INTO THE OFFICE. 218 00:10:24,167 --> 00:10:25,918 UH, YOU'RE NOT GONNA BE CHARGED 219 00:10:25,918 --> 00:10:29,626 FOR THE TIME THAT WE WERE HERE. 220 00:10:29,626 --> 00:10:31,000 WAIT, YOU'RE LEAVING? 221 00:10:31,000 --> 00:10:32,584 SO, YOU GUYS SCREW UP AND NOW 222 00:10:32,584 --> 00:10:34,292 YOU'RE GONNA LEAVE ME WITH THIS 223 00:10:34,292 --> 00:10:36,542 HALF-LOADED MESS? 224 00:10:36,542 --> 00:10:41,584 I'M SORRY. 225 00:10:41,584 --> 00:10:42,584 [ SIGHS ] 226 00:10:54,083 --> 00:10:56,959 YOU ALL RIGHT? 227 00:10:56,959 --> 00:10:58,375 YEAH, WE -- YOU KNOW, WE NEED 228 00:10:58,375 --> 00:10:59,334 TO GET HER ROOM DONE. 229 00:10:59,334 --> 00:11:00,667 WELL, I GOT TO GO GET THESE 230 00:11:00,667 --> 00:11:01,792 KIDS SOME HAPPY MEALS OR 231 00:11:01,792 --> 00:11:03,042 SOMETHING FIRST BECAUSE IT'S 232 00:11:03,042 --> 00:11:04,709 ABOUT THAT TIME. 233 00:11:04,709 --> 00:11:07,000 FRAN, WE NEED TO DO IT. 234 00:11:07,000 --> 00:11:09,334 ARE HER TAPES IN THERE? 235 00:11:09,334 --> 00:11:10,167 WHAT TAPES? 236 00:11:10,167 --> 00:11:11,542 ARE YOU TALKING ABOUT HER 237 00:11:11,542 --> 00:11:12,375 SESSION TAPES? 238 00:11:12,375 --> 00:11:12,959 UM... 239 00:11:12,959 --> 00:11:14,542 I TOLD YOU THAT SHE DONATED 240 00:11:14,542 --> 00:11:15,876 IT TO THE SEATTLE MUSEUM. 241 00:11:15,876 --> 00:11:17,500 WELL, SHE SHOULD HAVE DONATED 242 00:11:17,500 --> 00:11:18,083 IT TO THE 243 00:11:18,083 --> 00:11:19,375 AFRICAN-AMERICAN MUSEUM. 244 00:11:19,375 --> 00:11:21,417 ALWAYS FOLLOWING BEHIND SOME 245 00:11:21,417 --> 00:11:22,417 WHITE FOLK. 246 00:11:22,417 --> 00:11:24,334 [ CHUCKLES ] 247 00:11:24,334 --> 00:11:25,542 COME ON. 248 00:11:25,542 --> 00:11:28,959 YOU KNOW WHY SHE LOVES SEATTLE. 249 00:11:28,959 --> 00:11:30,500 IT'S THE ONE PLACE SHE GOT FLOWN 250 00:11:30,500 --> 00:11:33,000 TO PLAY, REMEMBER? 251 00:11:33,000 --> 00:11:33,667 [ LAUGHS ] 252 00:11:33,667 --> 00:11:35,334 DO YOU REMEMBER THE BARRY WHITE 253 00:11:35,334 --> 00:11:35,834 STORY? 254 00:11:35,834 --> 00:11:37,250 [ LAUGHS ] 255 00:11:44,042 --> 00:11:47,042 ANYWAY, THE MUSEUM SPECIALIZES 256 00:11:47,042 --> 00:11:48,250 IN MUSIC. 257 00:11:48,250 --> 00:11:50,209 WHATEVER AFRICAN-AMERICAN MUSEUM 258 00:11:50,209 --> 00:11:52,042 YOU'RE ADVOCATING FOR, THEY'RE 259 00:11:52,042 --> 00:11:53,918 NOT GONNA APPRECIATE THE TAPES. 260 00:11:53,918 --> 00:11:55,417 SHE WAS ON OVER 100 HIT 261 00:11:55,417 --> 00:11:56,083 RECORDS. 262 00:11:56,083 --> 00:11:57,792 IF SHE GAVE PEOPLE A CHANCE TO 263 00:11:57,792 --> 00:11:59,792 CARE, THEY'D CARE. 264 00:12:05,125 --> 00:12:07,334 SEATTLE'S WHERE THAT, UH, ONE 265 00:12:07,334 --> 00:12:09,459 ROCK GUY GAVE HER THAT MINK, 266 00:12:09,459 --> 00:12:10,167 RIGHT? 267 00:12:10,167 --> 00:12:11,459 [ CHUCKLES ] 268 00:12:11,459 --> 00:12:13,459 YEAH, THAT "ONE ROCK GUY." 269 00:12:13,459 --> 00:12:17,500 YOU KNOW WHO I MEAN. 270 00:12:17,500 --> 00:12:23,000 WHATEVER HAPPENED TO THAT MINK? 271 00:12:23,000 --> 00:12:28,375 IT'S, UH, IN MY CLOSET. 272 00:12:28,375 --> 00:12:29,959 [ SCOFFS ] 273 00:12:29,959 --> 00:12:30,959 GOOD. 274 00:12:35,626 --> 00:12:37,959 UH, ACTUALLY, THAT'S, UM, ONE 275 00:12:37,959 --> 00:12:39,834 OF THE ONLY THINGS THAT I 276 00:12:39,834 --> 00:12:40,584 WANTED. 277 00:12:40,584 --> 00:12:42,209 OH. WELL, IT'S ONE OF THE 278 00:12:42,209 --> 00:12:43,626 THINGS THAT I WANT, TOO. 279 00:12:43,626 --> 00:12:45,209 HELL, HE COULD HAVE BEEN MY 280 00:12:45,209 --> 00:12:45,751 DADDY. 281 00:12:45,751 --> 00:12:47,542 YOU NEVER KNOW. 282 00:12:47,542 --> 00:12:48,876 [ CHUCKLES ] 283 00:12:48,876 --> 00:12:53,334 HEY. 284 00:12:53,334 --> 00:12:54,209 [ SIGHS ] 285 00:12:54,209 --> 00:12:56,500 LISTEN, UM, NO MOVERS ARE GONNA 286 00:12:56,500 --> 00:12:58,792 COME OUT THE SAME DAY YOU CALL, 287 00:12:58,792 --> 00:13:00,959 SO IF YOU WANT, I CAN PICK UP 288 00:13:00,959 --> 00:13:03,334 SOME MEXICANS FROM HOME DEPOT ON 289 00:13:03,334 --> 00:13:05,834 MY WAY BACK. 290 00:13:05,834 --> 00:13:07,334 KIDDING. 291 00:13:07,334 --> 00:13:09,042 [ LAUGHS ] 292 00:13:09,042 --> 00:13:11,125 BUT YOU KNOW THEY KNOW HOW TO 293 00:13:11,125 --> 00:13:11,751 WORK. 294 00:13:11,751 --> 00:13:12,459 I'LL BE BACK. 295 00:13:12,459 --> 00:13:13,167 ALL RIGHT. 296 00:13:13,167 --> 00:13:14,250 DON'T BE ALL DAY, OKAY? 297 00:13:14,250 --> 00:13:15,250 OKAY. 298 00:13:27,918 --> 00:13:29,918 [ INHALES DEEPLY ] 299 00:13:38,334 --> 00:13:40,167 WHAT DO YOU KNOW ABOUT 300 00:13:40,167 --> 00:13:41,751 "UNFORGETTABLE FIRE"? 301 00:13:41,751 --> 00:13:43,626 A LITTLE "NEW YEAR'S DAY," 302 00:13:43,626 --> 00:13:47,125 "I WILL FOLLOW," "GLORIA"? 303 00:13:47,125 --> 00:13:48,876 YOU DON'T KNOW. 304 00:13:48,876 --> 00:13:50,000 WHAT? 305 00:13:50,000 --> 00:13:51,667 ALL RIGHT, UH, 306 00:13:51,667 --> 00:13:53,918 "SUNDAY BLOODY SUNDAY," "PRIDE." 307 00:13:53,918 --> 00:13:55,751 EVERYBODY KNOWS THOSE. 308 00:13:55,751 --> 00:13:56,959 [ CHUCKLES ] 309 00:13:56,959 --> 00:14:01,667 OKAY, UM, "BAD." 310 00:14:01,667 --> 00:14:06,250 "DROWNING MAN," "40." 311 00:14:06,250 --> 00:14:08,709 I'VE TAUGHT YOU WELL. 312 00:14:08,709 --> 00:14:12,459 NICE -- VERY NICE. 313 00:14:12,459 --> 00:14:14,209 THOSE BOYS HAVE BEEN AROUND SO 314 00:14:14,209 --> 00:14:15,876 LONG, THEY GOT GENERATIONS OF 315 00:14:15,876 --> 00:14:17,417 FANS. 316 00:14:17,417 --> 00:14:20,000 I'M FIRST-GENERATION. 317 00:14:20,000 --> 00:14:21,959 MM, CLEARLY. 318 00:14:21,959 --> 00:14:23,751 [ LAUGHS ] 319 00:14:23,751 --> 00:14:27,334 I'M WHAT WOULD BE TERMED AN OLD 320 00:14:27,334 --> 00:14:30,167 "G." 321 00:14:30,167 --> 00:14:31,834 IS THAT THE OLD "G" WALK? 322 00:14:31,834 --> 00:14:32,751 [ LAUGHS ] 323 00:14:32,751 --> 00:14:34,459 'CAUSE THAT'S RIDICULOUS. 324 00:14:34,459 --> 00:14:35,375 [ LAUGHS ] 325 00:14:35,375 --> 00:14:36,834 [ Laughing ] YOU LOOK 326 00:14:36,834 --> 00:14:39,375 RIDICULOUS. 327 00:14:39,375 --> 00:14:41,375 [ LAUGHTER ] 328 00:14:47,167 --> 00:14:48,375 [ SIGHS ] 329 00:15:00,292 --> 00:15:03,792 [ GASPS ] 330 00:15:03,792 --> 00:15:06,542 [ SIGHS ] 331 00:15:11,167 --> 00:15:13,542 HELLO! 332 00:15:13,542 --> 00:15:15,375 ARE YOU MOVING ON? 333 00:15:15,375 --> 00:15:16,042 UH, YEAH. 334 00:15:16,042 --> 00:15:17,292 I NEVER GOT A CHANCE TO 335 00:15:17,292 --> 00:15:18,542 WELCOME YOU, AND NOW YOU'RE 336 00:15:18,542 --> 00:15:21,334 LEAVING. 337 00:15:21,334 --> 00:15:21,876 OH. 338 00:15:21,876 --> 00:15:22,667 [ CHUCKLES ] 339 00:15:22,667 --> 00:15:24,167 WELL, IT WAS A SHORT STAY. 340 00:15:24,167 --> 00:15:25,876 I SHOULD HAVE COME OVER AND 341 00:15:25,876 --> 00:15:27,876 GIVEN YOU A PROPER "HELLO." 342 00:15:32,209 --> 00:15:34,667 THE AMBULANCE AND THE LIMOUSINES 343 00:15:34,667 --> 00:15:36,751 LATER -- I SHOULD HAVE COME 344 00:15:36,751 --> 00:15:37,417 OVER. 345 00:15:37,417 --> 00:15:38,542 OH, NO. COME ON. 346 00:15:38,542 --> 00:15:40,083 I-I SHOULD HAVE COME OVER AND 347 00:15:40,083 --> 00:15:41,751 INTRODUCED MYSELF WHEN WE FIRST 348 00:15:41,751 --> 00:15:42,417 GOT HERE. 349 00:15:42,417 --> 00:15:44,167 JUST KIND OF IN MY OWN WORLD. 350 00:15:44,167 --> 00:15:45,584 THAT'S HOW IT GOES. 351 00:15:45,584 --> 00:15:48,709 NOBODY KNOWS HOW IT IS. 352 00:15:48,709 --> 00:15:50,959 I-I'D SEE HER OUT HERE IN THE 353 00:15:50,959 --> 00:15:52,918 BACK A LOT AT ONE POINT. 354 00:15:52,918 --> 00:15:55,375 SHE WAS ALWAYS VERY NICE WHEN WE 355 00:15:55,375 --> 00:15:56,584 CHATTED. 356 00:15:56,584 --> 00:15:59,000 YOU -- YOU TALKED? 357 00:15:59,000 --> 00:16:00,709 WELL, SMALL TALK NOW AND 358 00:16:00,709 --> 00:16:01,250 THEN. 359 00:16:01,250 --> 00:16:03,167 SHE SAID SHE WAS A MUSICIAN AND 360 00:16:03,167 --> 00:16:05,125 SHE ALWAYS LIVED IN APARTMENTS 361 00:16:05,125 --> 00:16:07,042 BUT SHE LOVED THE TREES AND THE 362 00:16:07,042 --> 00:16:08,959 BIRDS AND ALWAYS WANTED TO LIVE 363 00:16:08,959 --> 00:16:09,834 IN TOPANGA. 364 00:16:09,834 --> 00:16:11,834 AND HERE SHE WAS. 365 00:16:11,834 --> 00:16:15,042 AND SHE SEEMED VERY MUCH HOME. 366 00:16:15,042 --> 00:16:17,042 SHE REMINDED ME, UH...OF MY 367 00:16:17,042 --> 00:16:20,125 WIFE -- YOU KNOW, NOT IN LOOKS 368 00:16:20,125 --> 00:16:23,292 BUT IN THAT WAY PEOPLE HAVE WHEN 369 00:16:23,292 --> 00:16:25,167 THEY'RE TAKING STOCK, GETTING 370 00:16:25,167 --> 00:16:27,083 READY TO MOVE INTO A DIFFERENT 371 00:16:27,083 --> 00:16:30,417 WAY -- A NEW WAY. 372 00:16:30,417 --> 00:16:32,918 MY WIFE -- SHE SAID THAT SHE 373 00:16:32,918 --> 00:16:35,459 WOULD RATHER HAVE THE TIME TO 374 00:16:35,459 --> 00:16:39,334 TAKE STOCK, SORT THINGS OUT. 375 00:16:39,334 --> 00:16:42,000 SHE'D RATHER BE ABLE TO -- TO 376 00:16:42,000 --> 00:16:44,500 THINK THINGS THROUGH AND SAY HER 377 00:16:44,500 --> 00:16:46,709 GOODBYES RATHER THAN HAVE IT 378 00:16:46,709 --> 00:16:49,709 REAL QUICK AND OVER IN A FLASH. 379 00:16:52,751 --> 00:16:56,500 WE NEVER TALKED ABOUT THAT. 380 00:16:56,500 --> 00:16:58,125 I WAS SO FOCUSED ON MAKING SURE 381 00:16:58,125 --> 00:16:59,751 THAT SHE HAD EVERYTHING THAT SHE 382 00:16:59,751 --> 00:17:01,000 NEEDED -- YOU KNOW, HER 383 00:17:01,000 --> 00:17:02,250 APPOINTMENTS, HER MEDS. 384 00:17:02,250 --> 00:17:06,541 I NEVER ASKED HER THAT, AND...I 385 00:17:06,541 --> 00:17:07,500 SHOULD HAVE HELPED HER WITH 386 00:17:07,500 --> 00:17:09,125 THAT. 387 00:17:09,125 --> 00:17:13,334 YOU DO WHAT YOU CAN DO. 388 00:17:13,334 --> 00:17:15,751 WHAT WAS HER NAME? 389 00:17:15,751 --> 00:17:19,334 AMANDA. 390 00:17:19,334 --> 00:17:21,375 A VERY GOOD WOMAN. 391 00:17:21,375 --> 00:17:23,041 OH, THE BEST. 392 00:17:23,041 --> 00:17:24,375 YOU COULD BE SITTING NEXT TO HER 393 00:17:24,375 --> 00:17:25,666 ON A BUS AND NOT KNOW THAT YOU 394 00:17:25,666 --> 00:17:26,626 WERE SITTING NEXT TO A 395 00:17:26,626 --> 00:17:27,209 SUPERHERO. 396 00:17:27,209 --> 00:17:27,917 [ LAUGHS ] 397 00:17:27,917 --> 00:17:29,000 SHE JUST LOOKED LIKE A 398 00:17:29,000 --> 00:17:31,000 REGULAR LADY. 399 00:17:51,000 --> 00:17:52,876 AND THIS IS PERFECT FOR 400 00:17:52,876 --> 00:17:54,292 GOODWILL, RIGHT? 401 00:17:54,292 --> 00:17:55,083 NAH. 402 00:17:55,083 --> 00:17:56,542 N-NO, THIS IS IN GOOD SHAPE. 403 00:17:56,542 --> 00:17:57,292 GOOD SHAPE? 404 00:17:57,292 --> 00:17:58,292 WH-WHAT DO YOU MEAN? 405 00:17:58,292 --> 00:17:59,709 LIKE MICHAEL PHELPS GOOD SHAPE 406 00:17:59,709 --> 00:18:01,000 OR -- OR, UH, MO'NIQUE GOOD 407 00:18:01,000 --> 00:18:01,459 SHAPE? 408 00:18:01,459 --> 00:18:02,918 BECAUSE AS SOON AS WE PULL THIS 409 00:18:02,918 --> 00:18:04,250 OFF THE WALL, IT'S GONNA FALL 410 00:18:04,250 --> 00:18:04,709 APART. 411 00:18:04,709 --> 00:18:07,042 NO, THIS IS GOOD WOOD. 412 00:18:07,042 --> 00:18:08,042 COME ON. 413 00:18:08,042 --> 00:18:09,959 YOU KNOW THIS IS PLYWOOD. 414 00:18:09,959 --> 00:18:11,042 [ GASPS ] 415 00:18:11,042 --> 00:18:12,834 IT'S GOING TO GOODWILL. 416 00:18:12,834 --> 00:18:14,000 RIGHT, GOODWILL, NOT 417 00:18:14,000 --> 00:18:14,751 HALF-ASS-WILL. 418 00:18:14,751 --> 00:18:16,000 YOU NEED TO TAKE IT TO 419 00:18:16,000 --> 00:18:16,667 GOOD-WON'T. 420 00:18:16,667 --> 00:18:18,250 LOOK, WHY'D YOU EVEN BUY 421 00:18:18,250 --> 00:18:18,751 THIS? 422 00:18:18,751 --> 00:18:19,792 WHY DON'T YOU JUST SIT IT OUT ON 423 00:18:19,792 --> 00:18:20,667 THE CURB, LET SOMEBODY COME 424 00:18:20,667 --> 00:18:21,334 THROUGH AND GET IT? 425 00:18:21,334 --> 00:18:22,209 LOOK, NO ONE IS DRIVING 426 00:18:22,209 --> 00:18:23,042 THROUGH THIS NEIGHBORHOOD 427 00:18:23,042 --> 00:18:24,918 LOOKING FOR WOOD. 428 00:18:24,918 --> 00:18:27,751 HAVE YOU TRIED GREG'S LIST? 429 00:18:27,751 --> 00:18:29,709 GREG MIGHT WANT IT. 430 00:18:29,709 --> 00:18:30,500 I'LL TELL YOU WHAT. 431 00:18:30,500 --> 00:18:31,250 I'LL TELL YOU WHAT. 432 00:18:31,250 --> 00:18:32,250 HOW ABOUT WE TAKE ALL THE 433 00:18:32,250 --> 00:18:33,417 LITTLE, BROKEN-UP PIECES, STACK 434 00:18:33,417 --> 00:18:34,500 THEM IN A NICE, LITTLE, NEAT 435 00:18:34,500 --> 00:18:35,584 PILE, AND LEAVE IT OUT AT THE 436 00:18:35,584 --> 00:18:36,584 CURB FOR YOU? 437 00:18:36,584 --> 00:18:38,542 IT'S NOT GOING TO BREAK UP. 438 00:18:38,542 --> 00:18:40,417 I WISH THE JONAS BROTHERS 439 00:18:40,417 --> 00:18:41,542 WOULD BREAK UP. 440 00:18:41,542 --> 00:18:42,459 OKAY. SO NOW I PLAY ONE 441 00:18:42,459 --> 00:18:43,500 JONAS BROTHERS SONG, AND NOW YOU 442 00:18:43,500 --> 00:18:44,584 GOT SOMETHING TO SAY ABOUT THAT? 443 00:18:44,584 --> 00:18:45,209 ONE TOO MANY. 444 00:18:45,209 --> 00:18:45,834 ONE TOO MANY? 445 00:18:45,834 --> 00:18:46,709 I FEEL HOW I FEEL, MAN. 446 00:18:46,709 --> 00:18:47,751 YOU CAN FEEL HOW YOU WANT TO 447 00:18:47,751 --> 00:18:48,626 FEEL, BUT YOU'RE GONNA BE 448 00:18:48,626 --> 00:18:49,584 LOOKING FOR A PLACE TO STAY. 449 00:18:49,584 --> 00:18:50,667 WHAT GROWN MAN LISTENS TO THE 450 00:18:50,667 --> 00:18:51,250 JONAS BROTHERS? 451 00:18:51,250 --> 00:18:52,209 THAT'S A LITTLE CREEPY, MAN. 452 00:18:52,209 --> 00:18:54,459 [ MOTOR WHIRRING ] 453 00:18:54,459 --> 00:18:55,959 NO, YOU DON'T EVEN KNOW. 454 00:18:55,959 --> 00:18:57,500 I -- THE MOVERS BAILED ON ME, 455 00:18:57,500 --> 00:18:59,000 AND I DIDN'T KNOW HOW I WAS 456 00:18:59,000 --> 00:19:04,209 GONNA GET THIS ON MY TRUCK. 457 00:19:04,209 --> 00:19:05,751 THANK YOU, GUYS, SO MUCH. 458 00:19:05,751 --> 00:19:06,834 NOT A PROBLEM. 459 00:19:06,834 --> 00:19:07,918 OUR PLEASURE. 460 00:19:07,918 --> 00:19:09,751 NO, IT REALLY HELPED ME OUT. 461 00:19:09,751 --> 00:19:11,459 ALL RIGHT, SO, YOU'VE GOT THE 462 00:19:11,459 --> 00:19:13,083 DRESSER, THE MICROWAVE, THE TWO 463 00:19:13,083 --> 00:19:14,500 IRONING BOARDS, AND THE CD 464 00:19:14,500 --> 00:19:15,000 CASES. 465 00:19:15,000 --> 00:19:16,250 JUST SIGN RIGHT THERE. 466 00:19:16,250 --> 00:19:17,959 OKAY. 467 00:19:17,959 --> 00:19:18,500 ALL RIGHT. 468 00:19:18,500 --> 00:19:18,959 YEP. 469 00:19:18,959 --> 00:19:19,792 ALL RIGHT, SIS. 470 00:19:19,792 --> 00:19:20,292 BE GOOD. 471 00:19:20,292 --> 00:19:20,959 ALL RIGHT. 472 00:19:20,959 --> 00:19:21,500 BYE, GUYS. 473 00:19:21,500 --> 00:19:23,042 ALL RIGHT. 474 00:19:23,042 --> 00:19:24,626 OH, IT'S THAT GAME! 475 00:19:24,626 --> 00:19:26,667 Y'ALL PULL THE BOARD FROM AND 476 00:19:26,667 --> 00:19:27,709 THE PEOPLE -- 477 00:19:27,709 --> 00:19:29,375 DON'T PULL THAT WAY. 478 00:19:29,375 --> 00:19:31,417 [ LAUGHS ] 479 00:19:34,083 --> 00:19:35,792 THANKS, GUYS! 480 00:19:35,792 --> 00:19:38,042 ♪ I DREAMED YOU WERE WALKING 481 00:19:38,042 --> 00:19:42,667 ON THE EDGE OF TOWN ♪ 482 00:19:42,667 --> 00:19:48,834 ♪ AND I'D BEEN LOOKING FOR YOU ♪ 483 00:19:48,834 --> 00:19:51,000 ♪ I WANTED TO TELL YOU 484 00:19:51,000 --> 00:19:55,125 WHAT I FINALLY FOUND ♪ 485 00:19:55,125 --> 00:19:58,000 ♪ BUT YOU WERE GONE WHEN I CAME 486 00:19:58,000 --> 00:20:00,125 TO ♪ 487 00:20:00,125 --> 00:20:01,459 ♪ NOT GONNA HIDE, 488 00:20:01,459 --> 00:20:03,042 I'M OPEN WIDE ♪ 489 00:20:03,042 --> 00:20:03,876 HEY. 490 00:20:03,876 --> 00:20:05,667 IT'S, UH, MAYE FISHER. 491 00:20:05,667 --> 00:20:06,834 [ CHUCKLES ] 492 00:20:06,834 --> 00:20:08,459 I HAVEN'T TALKED TO YOU IN A 493 00:20:08,459 --> 00:20:09,000 WHILE. 494 00:20:09,000 --> 00:20:10,375 HOPE EVERYTHING'S GOOD. 495 00:20:10,375 --> 00:20:12,834 I WAS, UM -- I DON'T -- KIND OF 496 00:20:12,834 --> 00:20:15,250 WONDERING IF YOU WERE GONNA BE 497 00:20:15,250 --> 00:20:16,876 IN THE AREA TODAY. 498 00:20:16,876 --> 00:20:17,751 I'M MOVING. 499 00:20:17,751 --> 00:20:19,626 I KNOW WE HAVEN'T TALKED IN A 500 00:20:19,626 --> 00:20:20,250 WHILE. 501 00:20:20,250 --> 00:20:23,375 I JUST...Y-- 502 00:20:23,375 --> 00:20:25,209 LOOK, I'M JUST -- I'M BY MYSELF, 503 00:20:25,209 --> 00:20:26,792 AND I -- THINGS JUST AREN'T 504 00:20:26,792 --> 00:20:28,542 GOING THE WAY THAT I'D PLANNED, 505 00:20:28,542 --> 00:20:30,375 AND I JUST THOUGHT THAT MAYBE IF 506 00:20:30,375 --> 00:20:33,626 YOU WERE IN THE AREA, UM... 507 00:20:33,626 --> 00:20:35,167 I'M SORRY. 508 00:20:35,167 --> 00:20:37,584 I -- OKAY, UH, TAKE CARE OF 509 00:20:37,584 --> 00:20:41,417 YOURSELF, AND, UH, BYE. 510 00:20:41,417 --> 00:20:42,083 [ CELLPHONE BEEPS ] 511 00:20:42,083 --> 00:20:45,250 OH, MY GOD. 512 00:20:45,250 --> 00:20:49,918 ♪ LIKE A GYPSY LOVER ♪ 513 00:20:49,918 --> 00:20:52,042 ♪ SEARCHING FOR A LITTLE 514 00:20:52,042 --> 00:20:56,375 PEACE OF MIND ♪ 515 00:20:56,375 --> 00:20:58,876 ♪ YEAH ♪ 516 00:20:58,876 --> 00:21:02,709 ♪ PEACE OF MIND ♪ 517 00:21:08,834 --> 00:21:10,834 SHE HAD A LOT OF HIGH HEELS. 518 00:21:19,667 --> 00:21:20,876 I DON'T EVEN REMEMBER HER 519 00:21:20,876 --> 00:21:21,834 WEARING HIGH HEELS. 520 00:21:21,834 --> 00:21:23,083 HOW ARE YOU STILL HERE? 521 00:21:23,083 --> 00:21:24,375 I THOUGHT YOU WENT WITH YOUR 522 00:21:24,375 --> 00:21:24,876 MOTHER. 523 00:21:24,876 --> 00:21:27,250 HUH? 524 00:21:27,250 --> 00:21:31,000 WHERE IS EVERYTHING? 525 00:21:31,000 --> 00:21:32,876 [ Sternly ] WHERE IS EVERYTHING? 526 00:21:32,876 --> 00:21:34,417 YOU DON'T EVEN KNOW WHERE 527 00:21:34,417 --> 00:21:35,417 ANYTHING GOES. 528 00:21:35,417 --> 00:21:37,292 I JUST PUT STUFF IN BOXES AND 529 00:21:37,292 --> 00:21:39,000 STUFF. 530 00:21:39,000 --> 00:21:41,500 FRAN. 531 00:21:41,500 --> 00:21:43,125 I TOLD HER NOT TO TAKE ANYTHING 532 00:21:43,125 --> 00:21:44,751 BEFORE WE COULD SIT DOWN AND GO 533 00:21:44,751 --> 00:21:45,876 THROUGH IT TOGETHER. 534 00:21:45,876 --> 00:21:47,250 I DIDN'T TAKE ANYTHING. 535 00:21:47,250 --> 00:21:49,250 IT'S ALL RIGHT HERE. 536 00:21:53,167 --> 00:21:56,959 [ SIGHS ] 537 00:21:56,959 --> 00:21:59,542 I DIDN'T DO ANYTHING. 538 00:21:59,542 --> 00:22:01,209 YEAH. 539 00:22:01,209 --> 00:22:04,542 I'M... 540 00:22:04,542 --> 00:22:05,959 I'M SORRY. 541 00:22:05,959 --> 00:22:08,918 I JUST... 542 00:22:08,918 --> 00:22:11,542 I WASN'T EXPECTING THIS. 543 00:22:26,500 --> 00:22:28,751 [ SIGHS ] 544 00:22:53,209 --> 00:22:54,834 SHE SAID THAT SHOES WERE THE ONE 545 00:22:54,834 --> 00:22:57,709 THING YOU COULD FIT INTO EVEN 546 00:22:57,709 --> 00:23:00,292 WHEN YOUR DIET WASN'T WORKING. 547 00:23:00,292 --> 00:23:01,334 [ CHUCKLES ] 548 00:23:01,334 --> 00:23:03,209 I PREFER PURSES FOR THAT. 549 00:23:03,209 --> 00:23:05,209 THEY ALWAYS FIT. 550 00:23:11,792 --> 00:23:15,417 SHE, UH... 551 00:23:15,417 --> 00:23:19,876 SHE REALLY PASS AWAY IN HERE? 552 00:23:19,876 --> 00:23:24,167 YEAH. 553 00:23:24,167 --> 00:23:26,584 [ EXHALES SHARPLY ] 554 00:23:26,584 --> 00:23:28,584 SHE WAS ALWAYS COOL TO ME. 555 00:23:33,292 --> 00:23:37,083 SHE REALLY PLAY ON "Y.M.C.A."? 556 00:23:37,083 --> 00:23:39,459 [ CHUCKLES ] YEAH. 557 00:23:39,459 --> 00:23:41,125 [ LAUGHS ] 558 00:23:41,125 --> 00:23:43,959 [ SIGHS ] 559 00:23:43,959 --> 00:23:45,375 YOU KNOW ALL THE SONGS SHE 560 00:23:45,375 --> 00:23:46,292 PLAYED ON, HUH? 561 00:23:46,292 --> 00:23:48,292 MM-HMM. 562 00:23:57,542 --> 00:23:59,083 YOU KNOW BARRY WHITE WAS HER, 563 00:23:59,083 --> 00:24:03,709 UH, FAVORITE TO PLAY WITH. 564 00:24:03,709 --> 00:24:05,125 BUT SHE PLAYED WITH 565 00:24:05,125 --> 00:24:07,083 DONNA SUMMER, VILLAGE PEOPLE, 566 00:24:07,083 --> 00:24:09,250 BEE GEES. 567 00:24:09,250 --> 00:24:11,709 ALL THOSE OLD DISCO SONGS HAD 568 00:24:11,709 --> 00:24:14,250 THE GREATEST MUSIC BEHIND THEM, 569 00:24:14,250 --> 00:24:16,709 AND IF YOU REALLY LISTEN, YOU 570 00:24:16,709 --> 00:24:19,709 CAN HEAR HER. 571 00:24:19,709 --> 00:24:20,876 I GOOGLED HER. 572 00:24:20,876 --> 00:24:21,959 NOTHING CAME UP. 573 00:24:21,959 --> 00:24:22,918 [ SCOFFS ] 574 00:24:22,918 --> 00:24:24,083 THAT'S BECAUSE SESSION 575 00:24:24,083 --> 00:24:25,542 MUSICIANS -- YOU KNOW, THEY'RE, 576 00:24:25,542 --> 00:24:26,876 LIKE, BASICALLY INVISIBLE. 577 00:24:26,876 --> 00:24:28,500 EVERYBODY KNOWS THEIR MUSIC, BUT 578 00:24:28,500 --> 00:24:31,375 NOBODY KNOWS THEIR NAME. 579 00:24:31,375 --> 00:24:39,792 SHE USED TO PLAY THIS... 580 00:24:39,792 --> 00:24:44,751 LITTLE PLACE... 581 00:24:44,751 --> 00:24:47,792 LET'S SEE. 582 00:24:47,792 --> 00:24:50,792 AH! HERE WE GO. 583 00:24:50,792 --> 00:24:53,042 ...CALLED SunRay STUDIOS. 584 00:24:53,042 --> 00:24:56,167 LOOK RIGHT THERE. 585 00:24:56,167 --> 00:24:57,417 HMM? 586 00:24:57,417 --> 00:24:58,751 "AMANDA FISHER." 587 00:24:58,751 --> 00:25:00,459 IF YOU RECORDED IN L.A. 588 00:25:00,459 --> 00:25:02,500 DURING THOSE YEARS, YOU KNEW HER 589 00:25:02,500 --> 00:25:05,417 NAME, AND YOU HOPED THAT WHEN 590 00:25:05,417 --> 00:25:08,584 YOU CALLED, SHE WAS AVAILABLE. 591 00:25:08,584 --> 00:25:10,792 SEE IT? 592 00:25:10,792 --> 00:25:12,334 IF SHE HADN'T BEEN BORN IN THE 593 00:25:12,334 --> 00:25:13,876 WRONG BODY, SHE WOULD HAVE BEEN 594 00:25:13,876 --> 00:25:15,375 IN A HEAVY-METAL BAND BECAUSE 595 00:25:15,375 --> 00:25:16,792 THEY HAD THE BEST SOLOS. 596 00:25:16,792 --> 00:25:18,000 [ LAUGHS ] 597 00:25:18,000 --> 00:25:20,667 SHE EVEN HAD THIS SPECIAL GOLD 598 00:25:20,667 --> 00:25:22,918 KIT THAT SHE USED FOR HER 599 00:25:22,918 --> 00:25:24,751 HARD-HITTING SOLOS. 600 00:25:24,751 --> 00:25:26,459 SHE WOULD PUT HER EARPHONES ON, 601 00:25:26,459 --> 00:25:27,834 AND SHE WOULD JUST START 602 00:25:27,834 --> 00:25:30,250 THRASHING AWAY. 603 00:25:30,250 --> 00:25:31,334 [ LAUGHS ] 604 00:25:31,334 --> 00:25:32,792 SHE LOVED BANDS. 605 00:25:32,792 --> 00:25:35,042 NEVER HAD A CHANCE TO BE IN ONE, 606 00:25:35,042 --> 00:25:36,375 THOUGH. 607 00:25:36,375 --> 00:25:40,375 WHY'D, UM, GRAN AND MA FIGHT 608 00:25:40,375 --> 00:25:42,792 SO MUCH? 609 00:25:42,792 --> 00:25:45,709 THEY WERE JUST DIFFERENT. 610 00:25:45,709 --> 00:25:47,375 AT LEAST THAT'S WHAT FRAN 611 00:25:47,375 --> 00:25:50,209 THOUGHT. 612 00:25:50,209 --> 00:25:51,500 SO, WHY'D YOU TWO GET ALONG 613 00:25:51,500 --> 00:25:54,167 SO GOOD? 614 00:25:54,167 --> 00:25:55,542 BECAUSE I WANTED TO BE JUST 615 00:25:55,542 --> 00:25:58,375 LIKE HER. 616 00:25:58,375 --> 00:26:00,626 SHE LIVED LIFE DOING WHAT SHE 617 00:26:00,626 --> 00:26:02,876 LOVED, SO I JUST DID WHAT SHE 618 00:26:02,876 --> 00:26:04,042 DID. 619 00:26:11,792 --> 00:26:14,959 [ CYMBAL CRASHES ] 620 00:26:14,959 --> 00:26:16,959 [ MID-TEMPO R&B MUSIC PLAYS ] 621 00:26:16,959 --> 00:26:19,167 ♪ HEY ♪ 622 00:26:19,167 --> 00:26:22,876 ♪ HEY, HEY, HEY, HEY ♪ 623 00:26:22,876 --> 00:26:24,876 ♪ OH-OH-OH-OH ♪ 624 00:26:31,751 --> 00:26:33,042 ♪ YOU SAID, "YOU BETTER ASK 625 00:26:33,042 --> 00:26:34,375 SOMEBODY" ♪ 626 00:26:34,375 --> 00:26:35,792 ♪ SO I DID, BUT NEITHER ONE OF 627 00:26:35,792 --> 00:26:38,167 US IS FAMILIAR ♪ 628 00:26:38,167 --> 00:26:42,083 ♪ WITH THIS BRAND OF PECULIAR ♪ 629 00:26:42,083 --> 00:26:43,709 ♪ SHE SAID, "YOU ALREADY KNOW 630 00:26:43,709 --> 00:26:44,584 WHAT IT IS" ♪ 631 00:26:44,584 --> 00:26:46,209 HEY, I'M HERE ABOUT THE AD. 632 00:26:46,209 --> 00:26:47,542 IS THERE ANYTHING LEFT? 633 00:26:47,542 --> 00:26:48,292 OH, YES! 634 00:26:48,292 --> 00:26:49,000 THANK YOU! 635 00:26:49,000 --> 00:26:50,250 OH, THANK YOU SO MUCH. 636 00:26:50,250 --> 00:26:53,292 UM, UH, ONE SECOND. 637 00:26:53,292 --> 00:26:54,626 ♪ LET'S GO SEE THE WORLD ♪ 638 00:26:54,626 --> 00:26:57,375 ♪ LET'S GO SHOW THE WORLD ♪ 639 00:26:57,375 --> 00:26:58,959 ♪ BABY, LET'S GO TAKE THE 640 00:26:58,959 --> 00:27:00,542 WORLD ♪ 641 00:27:00,542 --> 00:27:01,834 ♪ SHOW THE WORLD WHAT 642 00:27:01,834 --> 00:27:03,626 WE'RE MADE OF ♪ 643 00:27:03,626 --> 00:27:05,542 THANKS A LOT. 644 00:27:05,542 --> 00:27:06,918 ♪ LET'S GO SHOW THE WORLD ♪ 645 00:27:06,918 --> 00:27:08,042 ♪ GO AND SHOW THE WORLD ♪ 646 00:27:08,042 --> 00:27:09,500 ♪ BABY, LET'S GO TAKE THE 647 00:27:09,500 --> 00:27:11,083 WORLD ♪ 648 00:27:11,083 --> 00:27:12,042 ♪ SHOW THE WORLD 649 00:27:12,042 --> 00:27:16,083 WHAT WE'RE MADE OF ♪ 650 00:27:16,083 --> 00:27:18,167 ♪ A LITTLE MORE ♪ 651 00:27:18,167 --> 00:27:20,334 [ SINGING INDISTINCTLY ] 652 00:27:20,334 --> 00:27:22,500 [ INSTRUMENTAL SOLO ] 653 00:27:22,500 --> 00:27:26,292 ♪ OH-OH, OH-OH, OH-OH, OH-OH ♪ 654 00:27:33,417 --> 00:27:34,334 [ LAUGHS ] 655 00:27:34,334 --> 00:27:35,792 HEY, IT'S THE QUEEN! 656 00:27:35,792 --> 00:27:37,250 THE EYEBROW KING! OH! 657 00:27:37,250 --> 00:27:37,876 HEY. 658 00:27:37,876 --> 00:27:39,584 RAMON, DAMONE, THIS IS MY 659 00:27:39,584 --> 00:27:40,542 NEPHEW, RAVEN. 660 00:27:40,542 --> 00:27:42,375 IT'S A PLEASURE TO MEET YOU. 661 00:27:42,375 --> 00:27:43,751 THESE ARE MY BOYS. 662 00:27:43,751 --> 00:27:44,709 OH, COME HERE. 663 00:27:44,709 --> 00:27:45,626 SO FORMAL. 664 00:27:45,626 --> 00:27:46,500 I LOVE THAT. 665 00:27:46,500 --> 00:27:47,709 SO, COME ON IN. 666 00:27:47,709 --> 00:27:48,417 COME ON. 667 00:27:48,417 --> 00:27:49,375 ALL RIGHT. 668 00:27:49,375 --> 00:27:50,125 WHAT'S HAPPENING? 669 00:27:50,125 --> 00:27:51,000 WHERE ARE THE MOVERS? 670 00:27:51,000 --> 00:27:52,209 UM, YOU DON'T REALLY WANT TO 671 00:27:52,209 --> 00:27:53,959 ASK THAT QUESTION. 672 00:27:53,959 --> 00:27:55,125 [ LAUGHS ] 673 00:27:55,125 --> 00:27:57,584 I'M MANAGING OKAY WITHOUT THEM. 674 00:27:57,584 --> 00:27:58,792 NO MOVERS? 675 00:27:58,792 --> 00:28:00,167 YOU'RE SERIOUS? 676 00:28:00,167 --> 00:28:02,375 I'M MAKING PROGRESS ALONG 677 00:28:02,375 --> 00:28:04,751 WITH THE HELP OF MY NEPHEW AND 678 00:28:04,751 --> 00:28:06,250 OTHER OCCURRENCES. 679 00:28:06,250 --> 00:28:12,042 WE'RE ALMOST...FINISHED -- KIND 680 00:28:12,042 --> 00:28:16,083 ARE YOU SURE ABOUT THIS? 681 00:28:16,083 --> 00:28:18,667 YOU ALWAYS LOVED IT SO MUCH. 682 00:28:18,667 --> 00:28:21,250 IF IT, UH, BRINGS YOU THAT MUCH 683 00:28:21,250 --> 00:28:23,667 JOY, THEN YOU SHOULD HAVE IT. 684 00:28:23,667 --> 00:28:24,792 IT'S BEAUTIFUL. 685 00:28:24,792 --> 00:28:26,959 I REMEMBER WHEN YOU FIRST BOUGHT 686 00:28:26,959 --> 00:28:28,667 I THOUGHT TO MYSELF, "MY GIRL -- 687 00:28:28,667 --> 00:28:30,375 SHE'S DOING IT." 688 00:28:30,375 --> 00:28:32,042 IT'S BEAUTIFUL. 689 00:28:32,042 --> 00:28:34,083 I WAS. GLORY DAYS. 690 00:28:34,083 --> 00:28:35,542 THERE'S MORE GLORY DAYS 691 00:28:35,542 --> 00:28:36,042 AHEAD. 692 00:28:36,042 --> 00:28:37,584 YOU KNOW, YOU'RE THE BEST AT 693 00:28:37,584 --> 00:28:39,042 WHAT YOU DO, AND EVERYBODY 694 00:28:39,042 --> 00:28:41,375 UNDERSTANDS, SO DON'T FRET. 695 00:28:41,375 --> 00:28:42,876 CAN WE NOT TALK BUSINESS? 696 00:28:42,876 --> 00:28:44,542 I MEAN, EVERY MAKE-UP ARTIST 697 00:28:44,542 --> 00:28:46,000 IN THIS TOWN WANTS WHAT YOU 698 00:28:46,000 --> 00:28:46,459 HAVE. 699 00:28:46,459 --> 00:28:47,959 YOU CREATED SOMETHING PRETTY 700 00:28:47,959 --> 00:28:49,500 MAGICAL, BUT IT'S TIME TO GET 701 00:28:49,500 --> 00:28:50,417 BACK OUT THERE. 702 00:28:50,417 --> 00:28:51,584 I MEAN, YOU JUST UP AND 703 00:28:51,584 --> 00:28:52,292 DISAPPEARED. 704 00:28:52,292 --> 00:28:53,626 LOOK, I'M JUST TRYING TO 705 00:28:53,626 --> 00:28:54,417 CLEAR MY HEAD. 706 00:28:54,417 --> 00:28:55,626 I UNDERSTAND THAT, BUT 707 00:28:55,626 --> 00:28:57,125 FRIENDS DON'T LET FRIENDS THROW 708 00:28:57,125 --> 00:28:58,626 AWAY THEIR CAREERS WHEN THEY'RE 709 00:28:58,626 --> 00:29:02,918 AT THE TOP OF THEIR GAME. 710 00:29:02,918 --> 00:29:04,918 LOOK, YOU'RE TIRED. 711 00:29:04,918 --> 00:29:06,125 YOU'RE SAD. 712 00:29:06,125 --> 00:29:07,626 YOU'RE DRAINED. 713 00:29:07,626 --> 00:29:09,042 AND, TRUTH BE TOLD, YOU'VE BEEN 714 00:29:09,042 --> 00:29:10,083 DOING THIS FOR A YEAR. 715 00:29:10,083 --> 00:29:11,584 THAT'S WORK. 716 00:29:11,584 --> 00:29:14,334 SO, IT'S OKAY TO GO SLOW. 717 00:29:14,334 --> 00:29:16,042 RIGHT, DAMONE? 718 00:29:16,042 --> 00:29:16,709 YEAH. 719 00:29:16,709 --> 00:29:18,542 I'M JUST WORRIED FOR YOU, THAT'S 720 00:29:18,542 --> 00:29:18,959 ALL. 721 00:29:18,959 --> 00:29:20,167 DON'T LISTEN TO ME. 722 00:29:20,167 --> 00:29:22,000 I WON'T. 723 00:29:22,000 --> 00:29:23,375 YOU NEVER DO ANYWAY. 724 00:29:23,375 --> 00:29:24,375 [ CHUCKLES ] 725 00:29:24,375 --> 00:29:24,959 COME ON. 726 00:29:24,959 --> 00:29:26,459 COME OVER HERE AND STEAL MY 727 00:29:26,459 --> 00:29:27,083 PAINTING. 728 00:29:27,083 --> 00:29:27,918 ALL RIGHT. 729 00:29:27,918 --> 00:29:29,918 [ CHUCKLES ] 730 00:29:34,459 --> 00:29:35,751 Take my keys. 731 00:29:35,751 --> 00:29:38,209 [ WHISPERING INDISTINCTLY ] 732 00:29:41,167 --> 00:29:41,792 [ SIGHS ] 733 00:29:41,792 --> 00:29:43,125 GIRL, IF I DIDN'T HAVE TO GO TO 734 00:29:43,125 --> 00:29:44,459 THIS WEDDING, YOU KNOW I'D HAVE 735 00:29:44,459 --> 00:29:45,751 THIS HOUSE PACKED FOR YOU IN A 736 00:29:45,751 --> 00:29:46,209 MINUTE. 737 00:29:46,209 --> 00:29:49,250 I KNOW. 738 00:29:49,250 --> 00:29:50,626 I REALLY DON'T WANT TO GO TO 739 00:29:50,626 --> 00:29:51,250 THIS THING. 740 00:29:51,250 --> 00:29:52,542 YEAH, WELL, WHEN THE BRIDE 741 00:29:52,542 --> 00:29:53,876 OWNS A GLOBAL COSMETIC COMPANY 742 00:29:53,876 --> 00:29:55,083 AND THE GROOM IS THE HEAD OF A 743 00:29:55,083 --> 00:29:56,167 NETWORK, YOU GO. 744 00:29:56,167 --> 00:29:56,959 YOU SMILE. 745 00:29:56,959 --> 00:29:57,751 YOU LAUGH. 746 00:29:57,751 --> 00:29:58,542 YOU DANCE. 747 00:29:58,542 --> 00:29:59,834 YEAH, I GOT THAT. 748 00:29:59,834 --> 00:30:01,167 BUT WHAT YOU DON'T DO IS GIVE 749 00:30:01,167 --> 00:30:02,459 THEM YOUR BEST CHAMPAGNE, 'CAUSE 750 00:30:02,459 --> 00:30:03,500 YOU SAVE THAT FOR A REAL 751 00:30:03,500 --> 00:30:04,125 CELEBRATION. 752 00:30:04,125 --> 00:30:07,542 [ GASPS ] 753 00:30:07,542 --> 00:30:08,834 LET ME GET GLASSES. 754 00:30:08,834 --> 00:30:11,876 GET GLASSES. 755 00:30:11,876 --> 00:30:13,334 HERE YOU GO, SIR. 756 00:30:13,334 --> 00:30:17,000 [ CORK POPS ] 757 00:30:17,000 --> 00:30:18,250 [ CHUCKLES ] 758 00:30:18,250 --> 00:30:21,250 [ SPEAKS INDISTINCTLY ] 759 00:30:24,083 --> 00:30:27,042 LOVE THAT SOUND. 760 00:30:27,042 --> 00:30:27,792 IT'S OKAY, RIGHT? 761 00:30:27,792 --> 00:30:30,209 MMM. YOU -- WHAT? 762 00:30:30,209 --> 00:30:30,918 [ LAUGHTER ] 763 00:30:30,918 --> 00:30:31,500 STOP! 764 00:30:31,500 --> 00:30:32,459 OH, YEAH. 765 00:30:32,459 --> 00:30:35,292 JUST A LITTLE BIT. 766 00:30:35,292 --> 00:30:36,500 ALL RIGHT. 767 00:30:36,500 --> 00:30:37,667 ALL RIGHT. 768 00:30:37,667 --> 00:30:39,459 THANK YOU. 769 00:30:39,459 --> 00:30:42,000 TO MY DEAR FRIEND MAYE AND TO MY 770 00:30:42,000 --> 00:30:44,167 HUSBAND, TO THIS YOUNG MAN 771 00:30:44,167 --> 00:30:48,542 RAVEN, TO ME, TO THE LOVELY 772 00:30:48,542 --> 00:30:49,834 WOMAN WHO BROUGHT US TO THIS 773 00:30:49,834 --> 00:30:54,709 ROOM TOGETHER, DEAR AMANDA, TO 774 00:30:54,709 --> 00:30:57,918 TODAY, AND TO WHAT'S NEXT. 775 00:30:57,918 --> 00:30:59,918 MAY WE ALL BE WELL. 776 00:31:06,292 --> 00:31:10,834 DO -- DO, UH, "JOSHUA TREE." 777 00:31:10,834 --> 00:31:13,042 [ SIGHS ] 778 00:31:13,042 --> 00:31:14,709 YOU DON'T KNOW NOTHING ABOUT 779 00:31:14,709 --> 00:31:16,417 THEM, SO DON'T EVEN GO THERE. 780 00:31:16,417 --> 00:31:17,292 [ GASPS ] 781 00:31:17,292 --> 00:31:18,125 I LOVE BONO! 782 00:31:18,125 --> 00:31:19,042 [ LAUGHS ] 783 00:31:19,042 --> 00:31:20,667 THE EDGE -- WHAT ARE YOU 784 00:31:20,667 --> 00:31:21,626 TALKING ABOUT? 785 00:31:21,626 --> 00:31:22,834 THE FACT THAT YOU DIDN'T 786 00:31:22,834 --> 00:31:24,209 MENTION LARRY FIRST LETS ME KNOW 787 00:31:24,209 --> 00:31:25,000 WHERE YOU STAND. 788 00:31:25,000 --> 00:31:26,959 PLUS, I'M NOT TRYING TO HEAR THE 789 00:31:26,959 --> 00:31:28,000 iPod-COMMERCIAL, 790 00:31:28,000 --> 00:31:29,626 FRIEND-OF-BILL GATES BONO. 791 00:31:29,626 --> 00:31:31,459 I WANT THE THICK-IRISH-BROGUE, 792 00:31:31,459 --> 00:31:33,334 MULLET-WEARING BONO, 1985 BONO. 793 00:31:33,334 --> 00:31:34,751 AND YOU FORGOT ADAM. 794 00:31:34,751 --> 00:31:36,209 I KNOW THAT BONO. 795 00:31:36,209 --> 00:31:37,626 I KNOW ALL OF THEM. 796 00:31:37,626 --> 00:31:38,667 [ LAUGHS ] 797 00:31:38,667 --> 00:31:40,167 PLEASE! 798 00:31:40,167 --> 00:31:43,792 OKAY, WHAT YOU KNOW ABOUT "WAR"? 799 00:31:43,792 --> 00:31:46,125 WHAT YOU KNOW ABOUT 800 00:31:46,125 --> 00:31:48,626 "UNFORGETTABLE FIRE"? 801 00:31:48,626 --> 00:31:51,667 A LITTLE "NEW YEAR'S DAY"? 802 00:31:51,667 --> 00:31:53,709 "I WILL FOLLOW"? 803 00:31:53,709 --> 00:31:55,417 "GLORIA"? 804 00:31:55,417 --> 00:31:57,834 YOU DON'T KNOW. 805 00:31:57,834 --> 00:32:00,250 [ BOTH LAUGH ] 806 00:32:00,250 --> 00:32:03,459 [ GASPS ] 807 00:32:03,459 --> 00:32:05,417 [ SIGHS ] 808 00:32:29,209 --> 00:32:30,209 [ DOORBELL RINGS ] 809 00:32:30,209 --> 00:32:31,459 OH, HERE, BABE. 810 00:32:31,459 --> 00:32:32,584 NO, I GOT IT. 811 00:32:32,584 --> 00:32:33,417 [ GROANS ] 812 00:32:33,417 --> 00:32:34,042 [ CHUCKLES ] 813 00:32:34,042 --> 00:32:34,709 YOU GOT IT, HUH? 814 00:32:34,709 --> 00:32:36,709 I GOT IT. 815 00:32:44,292 --> 00:32:46,751 SO, WHAT YOU INTO? 816 00:32:46,751 --> 00:32:48,500 LIKE WHAT? 817 00:32:48,500 --> 00:32:51,626 YOU KNOW, LIKE, YOU KNOW, 818 00:32:51,626 --> 00:32:54,709 MUSIC, SPORTS, VIDEO GAMES? 819 00:32:54,709 --> 00:32:58,042 HMM. I'M A CLICHé, I GUESS. 820 00:32:58,042 --> 00:33:02,959 I LIKE BASKETBALL, RAP. 821 00:33:02,959 --> 00:33:06,125 LeBRON OR D. WADE? 822 00:33:06,125 --> 00:33:07,292 [ CHUCKLES ] 823 00:33:07,292 --> 00:33:08,417 LeBRON, GAMING. 824 00:33:08,417 --> 00:33:10,375 AND D. WADE -- IN REAL LIFE, HE 825 00:33:10,375 --> 00:33:12,459 SEEMS HECKA COOL, BUT LeBRON IS 826 00:33:12,459 --> 00:33:14,375 6'9" WITH THE BODY OF A POWER 827 00:33:14,375 --> 00:33:16,042 FORWARD WHO PLAYS GUARD. 828 00:33:16,042 --> 00:33:17,667 LeBRON GAMING, ALL DAY. 829 00:33:17,667 --> 00:33:19,542 [ CHUCKLES ] 830 00:33:19,542 --> 00:33:22,584 OKAY, BEST PUNCHLINE EMCEE -- 831 00:33:22,584 --> 00:33:25,334 WEEZY OR FABOLOUS? 832 00:33:25,334 --> 00:33:27,500 [ LAUGHS ] 833 00:33:27,500 --> 00:33:28,292 OH, MAN. 834 00:33:28,292 --> 00:33:29,709 [ INHALES SHARPLY ] 835 00:33:29,709 --> 00:33:30,292 UH... 836 00:33:30,292 --> 00:33:31,876 YOU GOT TO CHOOSE. 837 00:33:31,876 --> 00:33:32,959 [ GROANS ] 838 00:33:32,959 --> 00:33:33,542 OKAY. 839 00:33:33,542 --> 00:33:34,709 I SAY FABOLOUS. 840 00:33:34,709 --> 00:33:38,125 UH-HUH. OKAY. 841 00:33:38,125 --> 00:33:43,751 BEST...ALL-TIME N.Y. EMCEE 842 00:33:43,751 --> 00:33:46,751 POST-BIGGIE, POST-RAKIM -- NAS 843 00:33:46,751 --> 00:33:47,959 OR JAY-Z? 844 00:33:47,959 --> 00:33:49,000 NAS. 845 00:33:49,000 --> 00:33:50,209 SO, NO HESITATION, NO 846 00:33:50,209 --> 00:33:51,500 THOUGHT, JUST WRONG ANSWER, 847 00:33:51,500 --> 00:33:52,417 FRONT AND CENTER? 848 00:33:52,417 --> 00:33:53,751 JAY-Z's A LITTLE OVERRATED, 849 00:33:53,751 --> 00:33:54,542 DON'T YOU THINK? 850 00:33:54,542 --> 00:33:55,542 OH, YOU KNOW WHAT? 851 00:33:55,542 --> 00:33:56,500 YOU GONNA HAVE TO GO. 852 00:33:56,500 --> 00:33:57,167 [ LAUGHS ] 853 00:33:57,167 --> 00:33:57,709 COME ON. 854 00:33:57,709 --> 00:33:58,459 [ LAUGHS ] 855 00:33:58,459 --> 00:33:59,125 COME ON. 856 00:33:59,125 --> 00:34:00,417 NAS KILLED HIM ON "ETHER." 857 00:34:00,417 --> 00:34:01,542 YOU CAN'T DEBATE THAT. 858 00:34:01,542 --> 00:34:02,292 I-I CAN'T? 859 00:34:02,292 --> 00:34:03,751 ARE YOU SAYING "TAKEOVER," THE 860 00:34:03,751 --> 00:34:05,250 GREATEST DIS RECORD OF THE LAST 861 00:34:05,250 --> 00:34:06,709 20 YEARS, IS NOT DEBATABLE? 862 00:34:06,709 --> 00:34:08,208 ARE THOSE ACTUALLY THE WORDS 863 00:34:08,208 --> 00:34:09,583 COMING OUT OF YOUR MOUTH? 864 00:34:09,583 --> 00:34:10,667 NAS WENT HARDER. 865 00:34:10,667 --> 00:34:12,042 HE KILLED HIM ON THAT ONE 866 00:34:12,042 --> 00:34:13,208 LINE -- "I ROCK HOES. 867 00:34:13,208 --> 00:34:14,167 Y'ALL ROCK FELLAS." 868 00:34:14,167 --> 00:34:15,583 OH, SO YOU'RE LEANING ON THE 869 00:34:15,583 --> 00:34:16,583 HOMOPHOBIA ARGUMENT. 870 00:34:16,583 --> 00:34:18,000 NO, NO, I'M JUST SAYING THAT 871 00:34:18,000 --> 00:34:19,292 WAS A GREAT BURN. 872 00:34:19,292 --> 00:34:21,208 HE USED HIS OWN COMPANY NAME 873 00:34:21,208 --> 00:34:22,208 AGAINST HIM. 874 00:34:22,208 --> 00:34:23,583 HE MURDERED HIM THROUGH THAT 875 00:34:23,583 --> 00:34:24,250 WHOLE SONG. 876 00:34:24,250 --> 00:34:25,000 PRECISELY. 877 00:34:25,000 --> 00:34:26,458 NAS NEEDED A WHOLE SONG TO GET 878 00:34:26,458 --> 00:34:27,751 HIS LICKS IN -- JAY-Z, ONE 879 00:34:27,751 --> 00:34:28,208 VERSE. 880 00:34:28,208 --> 00:34:29,333 YEAH, YEAH, YEAH. 881 00:34:29,333 --> 00:34:30,876 ONE VERSE DIRECTED AT NAS 882 00:34:30,876 --> 00:34:32,458 THAT WAS SO SICK, WE ARE STILL 883 00:34:32,458 --> 00:34:33,792 DEBATING IT TO THIS DAY. 884 00:34:33,792 --> 00:34:35,375 ONE VERSE VERSUS ONE SONG, AND 885 00:34:35,375 --> 00:34:36,792 IT GOES DOWN AS ONE OF THE 886 00:34:36,792 --> 00:34:38,458 GREATEST HIP-HOP BATTLES OF ALL 887 00:34:38,458 --> 00:34:39,583 TIME. 888 00:34:39,583 --> 00:34:40,292 'NUFF SAID. 889 00:34:40,292 --> 00:34:41,751 BUT HE SOUNDED LIKE HE WAS 890 00:34:41,751 --> 00:34:43,208 RHYMING IN SOME CUSHY LEATHER 891 00:34:43,208 --> 00:34:44,751 CHAIR OR SOME PENTHOUSE OFFICE. 892 00:34:44,751 --> 00:34:46,250 NAS SOUNDED LIKE HE WAS GONNA 893 00:34:46,250 --> 00:34:47,167 MURDER SOMEBODY. 894 00:34:47,167 --> 00:34:47,876 UH, WHAT? 895 00:34:47,876 --> 00:34:48,751 W-W-WAIT, WAIT. 896 00:34:48,751 --> 00:34:50,333 THAT IS WHAT JAY WAS GOING FOR. 897 00:34:50,333 --> 00:34:51,292 THAT'S THE POINT. 898 00:34:51,292 --> 00:34:51,958 [ SCOFFS ] 899 00:34:51,958 --> 00:34:52,876 I CALL IT THE, UM, 900 00:34:52,876 --> 00:34:54,250 "EXECUTIVE" FLOW. 901 00:34:54,250 --> 00:34:55,375 [ LAUGHS ] 902 00:34:55,375 --> 00:34:56,500 [ LAUGHS ] 903 00:34:56,500 --> 00:34:57,834 RIGHT, I'VE NAMED IT. 904 00:34:57,834 --> 00:34:59,334 THE "EXECUTIVE" FLOW? 905 00:34:59,334 --> 00:35:00,334 [ BOTH LAUGH ] 906 00:35:00,334 --> 00:35:03,042 WOW. 907 00:35:03,042 --> 00:35:08,250 HELLO?! 908 00:35:08,250 --> 00:35:09,375 LONG LUNCH. 909 00:35:09,375 --> 00:35:11,459 WELL, YOU KNOW HOW KIDS ARE. 910 00:35:11,459 --> 00:35:15,083 UH, WELL, KIDS COME FIRST. 911 00:35:15,083 --> 00:35:16,792 UM, I DROPPED THEM OFF WITH RON, 912 00:35:16,792 --> 00:35:18,500 AND THEN I HAD A FEW ERRANDS TO 913 00:35:18,500 --> 00:35:21,834 RUN FOR MY FAMILY. 914 00:35:21,834 --> 00:35:23,834 WHOA! YOU TWO SURE GOT A LOT 915 00:35:23,834 --> 00:35:24,417 DONE. 916 00:35:24,417 --> 00:35:26,500 SEE, YOU HAD THE MUSCLE RIGHT 917 00:35:26,500 --> 00:35:27,083 HERE. 918 00:35:27,083 --> 00:35:29,292 HE WAS THE BEST PERSON TO DO IT 919 00:35:29,292 --> 00:35:30,000 ANYWAY. 920 00:35:30,000 --> 00:35:34,959 UM, SO...NOW I GUESS WE JUST 921 00:35:34,959 --> 00:35:37,000 HAVE TO DO...HER ROOM. 922 00:35:37,000 --> 00:35:39,042 UM... 923 00:35:39,042 --> 00:35:42,417 IT'S DONE, MOM. 924 00:35:42,417 --> 00:35:46,125 OH. W-WELL...GOOD. 925 00:35:46,125 --> 00:35:49,042 UM... 926 00:35:49,042 --> 00:35:51,584 [ SIGHS ] 927 00:35:51,584 --> 00:35:54,375 GOOD. 928 00:35:54,375 --> 00:35:56,417 I MEAN, BECAUSE MAYE HAS TO BE 929 00:35:56,417 --> 00:35:58,542 ROLLING OUT OF HERE FIRST THING, 930 00:35:58,542 --> 00:36:02,500 SO THIS IS GOOD. 931 00:36:11,792 --> 00:36:13,250 THIS IS PRIMO. 932 00:36:13,250 --> 00:36:14,584 WHO WAS HERE? 933 00:36:14,584 --> 00:36:16,500 DAMONE AND RAMON. 934 00:36:16,500 --> 00:36:17,876 ROBERTS? 935 00:36:17,876 --> 00:36:19,792 I LOVE THAT SHOW. 936 00:36:19,792 --> 00:36:21,292 [ CHUCKLES ] 937 00:36:21,292 --> 00:36:24,167 OH, I'M SORRY I MISSED THEM. 938 00:36:24,167 --> 00:36:27,542 UM, WOW. 939 00:36:27,542 --> 00:36:29,542 WAIT A MINUTE. 940 00:36:29,542 --> 00:36:32,459 YOU DRANK? 941 00:36:32,459 --> 00:36:33,709 YEAH, AS MUCH AS WE DRINK IN 942 00:36:33,709 --> 00:36:34,876 MASS. 943 00:36:42,876 --> 00:36:44,334 THAT IS FOR ME TO DECIDE, 944 00:36:44,334 --> 00:36:46,959 MAYE, NOT YOU. 945 00:36:46,959 --> 00:36:48,083 OH, YOU KNOW WHAT? 946 00:36:48,083 --> 00:36:50,083 YOU'RE -- YOU'RE RIGHT. 947 00:37:08,918 --> 00:37:09,918 HEY, I'M SORRY. 948 00:37:09,918 --> 00:37:11,209 I WASN'T TRYING TO -- 949 00:37:11,209 --> 00:37:13,042 IS THIS -- IS THIS ALL THAT'S 950 00:37:13,042 --> 00:37:13,542 LEFT? 951 00:37:13,542 --> 00:37:18,042 IS THIS...ALL I GET? 952 00:37:18,042 --> 00:37:20,083 WHAT ELSE DO YOU WANT? 953 00:37:20,083 --> 00:37:22,125 LISTEN, I-I APOLOGIZE. 954 00:37:22,125 --> 00:37:23,667 I TOOK LIBERTIES. 955 00:37:23,667 --> 00:37:25,083 HE'S NOT MY SON. 956 00:37:25,083 --> 00:37:27,500 I-I DON'T KNOW HOW BE WITH KIDS. 957 00:37:27,500 --> 00:37:28,334 I'M SORRY. 958 00:37:28,334 --> 00:37:30,292 TAKE -- TAKE WHATEVER YOU WANT. 959 00:37:30,292 --> 00:37:32,292 I'M SURE YOU ALREADY GOT ALL 960 00:37:32,292 --> 00:37:33,375 THE GOOD STUFF. 961 00:37:33,375 --> 00:37:34,334 [ SIGHS ] 962 00:37:34,334 --> 00:37:36,042 WHAT -- WHAT STUFF, FRAN? 963 00:37:36,042 --> 00:37:38,167 WHATEVER SHE HAD, WHATEVER IT 964 00:37:38,167 --> 00:37:40,209 WAS -- PAPERS, PICTURES, TAPES. 965 00:37:40,209 --> 00:37:42,042 IT'S MY LEGACY AND MY KIDS' 966 00:37:42,042 --> 00:37:43,334 LEGACY, NOT YOURS. 967 00:37:43,334 --> 00:37:44,584 I'M THE DAUGHTER. 968 00:37:44,584 --> 00:37:45,834 YOU'RE THE NIECE. 969 00:37:45,834 --> 00:37:46,709 REMEMBER THAT. 970 00:37:46,709 --> 00:37:48,375 I TOLD YOU THAT SHE GAVE ALL 971 00:37:48,375 --> 00:37:49,500 OF THAT STUFF AWAY. 972 00:37:49,500 --> 00:37:50,751 CALL THEM. IT'S THERE. 973 00:37:50,751 --> 00:37:52,125 WHY AM I DOING THIS? 974 00:37:52,125 --> 00:37:53,834 I SAID I WASN'T GONNA DO THIS 975 00:37:53,834 --> 00:37:54,500 WITH YOU. 976 00:37:54,500 --> 00:37:56,000 WHY? WHY AM I DOING THIS? 977 00:37:56,000 --> 00:37:57,209 WHATEVER YOU'RE PISSED OFF 978 00:37:57,209 --> 00:37:58,167 ABOUT, FRAN, I'M SORRY. 979 00:37:58,167 --> 00:37:59,417 YOU KNOW, YOU'RE ONLY SORRY 980 00:37:59,417 --> 00:38:00,584 BECAUSE YOU'RE SAD RIGHT NOW. 981 00:38:00,584 --> 00:38:01,751 ANY OTHER TIME, YOU WOULDN'T 982 00:38:01,751 --> 00:38:04,167 GIVE A DAMN HOW I FEEL. 983 00:38:09,584 --> 00:38:11,584 HOW COULD I LET THIS HAPPEN? 984 00:38:27,918 --> 00:38:31,500 IT WAS HER CHOICE, FRAN. 985 00:38:31,500 --> 00:38:34,542 IT WASYOURCHOICE. 986 00:38:34,542 --> 00:38:36,167 THAT'S NOT TRUE. 987 00:38:36,167 --> 00:38:38,459 NO, YOU PUSHED HER INTO A 988 00:38:38,459 --> 00:38:40,500 PLACE IN HER HEAD WHERE I 989 00:38:40,500 --> 00:38:42,209 COULDN'T GET TO HER. 990 00:38:42,209 --> 00:38:44,667 MAKING PEACE AND MEDITATION -- 991 00:38:44,667 --> 00:38:47,042 ALL THAT BULLSHIT OUT HERE IN 992 00:38:47,042 --> 00:38:48,918 THE MIDDLE OF NOWHERE. 993 00:38:48,918 --> 00:38:50,209 SHE SHOULD HAVE BEEN ON CHEMO 994 00:38:50,209 --> 00:38:51,042 THAT WHOLE TIME. 995 00:38:51,042 --> 00:38:52,250 YOU SHOULD HAVE TOLD HER TO 996 00:38:52,250 --> 00:38:56,459 FIGHT! 997 00:38:56,459 --> 00:38:58,000 [ Voice breaking ] I NEEDED 998 00:38:58,000 --> 00:39:00,918 TIME. 999 00:39:00,918 --> 00:39:04,584 INEEDED TIME WITH HER. 1000 00:39:04,584 --> 00:39:08,292 IT WAS ALWAYS YOU TWO. 1001 00:39:08,292 --> 00:39:10,125 AND ALL THIS NONSENSE ABOUT -- 1002 00:39:10,125 --> 00:39:11,959 ABOUT YOU WAITING FOR ME TO DO 1003 00:39:11,959 --> 00:39:12,709 THE ROOM. 1004 00:39:12,709 --> 00:39:14,500 YOU NEVER WAITED FOR ME EVER. 1005 00:39:14,500 --> 00:39:16,417 YOU JUST GOT INTO HER HEAD, AND 1006 00:39:16,417 --> 00:39:17,292 THAT WAS IT. 1007 00:39:17,292 --> 00:39:18,667 THE WAY YOU WERE WITH HER, 1008 00:39:18,667 --> 00:39:19,792 FRAN, WAS NOT MY FAULT. 1009 00:39:19,792 --> 00:39:21,292 OH, HOW I WAS WITH HER OR HOW 1010 00:39:21,292 --> 00:39:22,125 SHE WAS WITH ME? 1011 00:39:22,125 --> 00:39:23,209 I DON'T KNOW, FRAN. 1012 00:39:23,209 --> 00:39:24,709 YOU KNOW, ALL THE THINGS THAT 1013 00:39:24,709 --> 00:39:26,125 YOU ADMIRED ABOUT HER SO MUCH 1014 00:39:26,125 --> 00:39:27,500 ARE THE SAME THINGS THAT MADE 1015 00:39:27,500 --> 00:39:30,083 HER NOT THE GREATEST MOTHER. 1016 00:39:30,083 --> 00:39:32,918 DID YOU EVER THINK ABOUT THAT? 1017 00:39:32,918 --> 00:39:36,250 YOU GOT A DIFFERENT PERSON. 1018 00:39:41,417 --> 00:39:44,209 YOU THINK YOU ARE SO GREAT. 1019 00:39:44,209 --> 00:39:45,959 NO, I DON'T. 1020 00:39:45,959 --> 00:39:47,292 YOU DO. 1021 00:39:47,292 --> 00:39:50,000 REALLY, DEEP DOWN, YOU DO. 1022 00:39:50,000 --> 00:39:53,000 BUT I KNOW YOU, AND I KNOW THAT 1023 00:39:53,000 --> 00:39:55,959 YOU KNOW THAT YOU WERE WRONG TO 1024 00:39:55,959 --> 00:39:57,709 BRING HER HERE TO GET INTO HER 1025 00:39:57,709 --> 00:39:58,209 HEAD. 1026 00:39:58,209 --> 00:39:59,751 I DID NOT GET IN HER HEAD. 1027 00:39:59,751 --> 00:40:01,584 WELL, YOU DIDN'T STOP HER! 1028 00:40:01,584 --> 00:40:03,334 AND YOU WERE THE ONLY PERSON 1029 00:40:03,334 --> 00:40:04,459 THAT COULD HAVE! 1030 00:40:04,459 --> 00:40:06,125 AND WHY WAS THAT, FRAN? 1031 00:40:06,125 --> 00:40:07,209 WHERE WERE YOU? 1032 00:40:07,209 --> 00:40:10,000 WHERE WEREYOU? 1033 00:40:10,000 --> 00:40:12,751 I WASN'T HERE AS MUCH BECAUSE 1034 00:40:12,751 --> 00:40:15,500 SHE DIDN'T WANT ME HERE AS MUCH, 1035 00:40:15,500 --> 00:40:17,042 PERIOD. 1036 00:40:17,042 --> 00:40:18,709 I DIDN'T LIKE IT THAT WAY, I 1037 00:40:18,709 --> 00:40:20,375 DIDN'T WANT IT THAT WAY, BUT 1038 00:40:20,375 --> 00:40:22,083 THAT'S THE WAY IT ALWAYS WAS. 1039 00:40:22,083 --> 00:40:23,959 SHE ALWAYS WANTED YOU -- HER OWN 1040 00:40:23,959 --> 00:40:26,375 LITTLE PERSONAL GROUPIE. 1041 00:40:34,334 --> 00:40:38,125 YOU KNOW, SHE, UM... 1042 00:40:38,125 --> 00:40:39,959 SHE USED TO CRY YOUR NAME OUT AT 1043 00:40:39,959 --> 00:40:44,334 NIGHT. 1044 00:40:44,334 --> 00:40:47,083 I'D WAKE UP, AND... 1045 00:40:47,083 --> 00:40:49,292 ON THE BAD NIGHTS, I'D HEAR HER 1046 00:40:49,292 --> 00:40:53,167 CALLING YOUR NAME... 1047 00:40:53,167 --> 00:40:55,542 NOT MINE. 1048 00:40:58,417 --> 00:41:00,209 AND I'D SAY, "I'LL CALL HER, YOU 1049 00:41:00,209 --> 00:41:00,709 KNOW. 1050 00:41:00,709 --> 00:41:02,167 FRAN WILL BE RIGHT HERE." 1051 00:41:02,167 --> 00:41:03,876 AND SHE SAID, "NO, DON'T CALL. 1052 00:41:03,876 --> 00:41:05,876 DON'T CALL HER." 1053 00:41:10,417 --> 00:41:12,209 THAT'S 'CAUSE YOU MAKE THINGS 1054 00:41:12,209 --> 00:41:15,834 UGLY. 1055 00:41:15,834 --> 00:41:17,375 EVERYTHING IS NEGATIVE. 1056 00:41:17,375 --> 00:41:18,834 SHE DIDN'T WANT THAT. 1057 00:41:18,834 --> 00:41:20,667 SHE DIDN'T WANT CHEMO AGAIN! 1058 00:41:20,667 --> 00:41:23,000 YOU DIDN'T HAVE TO GO THROUGH 1059 00:41:23,000 --> 00:41:23,792 SHE DID. 1060 00:41:23,792 --> 00:41:25,751 SHE DIDN'T WANT JELL-O AND 1061 00:41:25,751 --> 00:41:26,667 HOSPITALS. 1062 00:41:26,667 --> 00:41:28,709 SHE WANTED -- SHE WANTED HER 1063 00:41:28,709 --> 00:41:32,792 MUSIC AND SHE WANTED FATBURGERS. 1064 00:41:32,792 --> 00:41:36,584 AND SHE WANTED TREES. 1065 00:41:36,584 --> 00:41:39,000 SHE DIDN'T WANT TO FIGHT. 1066 00:41:39,000 --> 00:41:41,834 SHE JUST WANTED SOME PEACE AND 1067 00:41:41,834 --> 00:41:42,709 QUIET. 1068 00:41:42,709 --> 00:41:44,167 SHE WANTED -- 1069 00:41:44,167 --> 00:41:46,626 I'LL BET YOU ON MY CHILDREN'S 1070 00:41:46,626 --> 00:41:50,375 LIVES THAT SHE WOULD HAVE RATHER 1071 00:41:50,375 --> 00:41:54,083 HAVE HAD DRAMA ABOVEGROUND THAN 1072 00:41:54,083 --> 00:41:56,417 PEACE UNDERGROUND. 1073 00:41:56,417 --> 00:42:00,500 I GUARANTEE YOU THAT. 1074 00:42:00,500 --> 00:42:01,459 SHE COULD HAVE HAD SIX MORE 1075 00:42:01,459 --> 00:42:03,709 MONTHS...A YEAR. 1076 00:42:03,709 --> 00:42:04,959 HELL, SHE COULD HAVE -- SHE 1077 00:42:04,959 --> 00:42:06,334 COULD HAVE GONE INTO REMISSION. 1078 00:42:06,334 --> 00:42:07,125 YOU DON'T KNOW. 1079 00:42:07,125 --> 00:42:09,292 SO, YOU CAN SPIN IT HOWEVER YOU 1080 00:42:09,292 --> 00:42:13,667 WANT, BUT YOU LET HER DO THIS. 1081 00:42:13,667 --> 00:42:14,792 YOU COULD HAVE TOLD HER TO KEEP 1082 00:42:14,792 --> 00:42:15,959 FIGHTING. 1083 00:42:15,959 --> 00:42:18,751 [ Voice breaking ] YOU COULD 1084 00:42:18,751 --> 00:42:23,167 HAVE TOLD HER TO TALK TO ME. 1085 00:42:23,167 --> 00:42:25,375 YOU COULD HAVE CALLED ME IN THE 1086 00:42:25,375 --> 00:42:27,417 MIDDLE OF THE NIGHT, BUT YOU 1087 00:42:27,417 --> 00:42:28,626 DIDN'T. 1088 00:42:28,626 --> 00:42:30,250 YOU DIDN'T. 1089 00:42:30,250 --> 00:42:33,751 IT IS THE MOST SELFISH THING I 1090 00:42:33,751 --> 00:42:41,209 HAVE EVER HEARD. 1091 00:42:41,209 --> 00:42:43,876 I WANT HER STUFF. 1092 00:42:43,876 --> 00:42:50,000 I WANT...MY...MOTHER'S...STUFF. 1093 00:42:53,626 --> 00:42:54,834 MOM, LOOK. 1094 00:42:54,834 --> 00:42:55,834 CAN YOU PUT THOSE THINGS IN 1095 00:42:55,834 --> 00:42:56,918 GRAN'S ROOM IN THE TRUCK FOR ME? 1096 00:42:56,918 --> 00:42:57,959 CAN YOU DO THAT FOR ME, PLEASE? 1097 00:42:57,959 --> 00:43:00,042 YEAH, BUT, MOM -- MOM, LOOK! 1098 00:43:12,167 --> 00:43:12,876 WHAT HAPPENED? 1099 00:43:12,876 --> 00:43:14,292 IT'S, UM -- IT'S JUST TIME TO 1100 00:43:14,292 --> 00:43:14,834 GO, HONEY. 1101 00:43:14,834 --> 00:43:16,083 HOW ARE YOU GONNA FINISH? 1102 00:43:16,083 --> 00:43:18,250 I'LL BE FINE. 1103 00:43:18,250 --> 00:43:19,918 I CAN, UM, ASK HER TO, UH, 1104 00:43:19,918 --> 00:43:21,542 COME GET ME LATER, OR YOU CAN 1105 00:43:21,542 --> 00:43:22,375 DROP ME OFF. 1106 00:43:22,375 --> 00:43:24,125 LISTEN, I'M -- I'LL PULL MY 1107 00:43:24,125 --> 00:43:24,876 WALLET OUT. 1108 00:43:24,876 --> 00:43:26,667 I'LL HAVE THIS TRUCK PACKED AND 1109 00:43:26,667 --> 00:43:28,500 LOADED. 1110 00:43:28,500 --> 00:43:31,334 SHE, UM -- SHE ASKED ME TO 1111 00:43:31,334 --> 00:43:32,959 GET THE DRUMS AND STUFF FROM THE 1112 00:43:32,959 --> 00:43:33,542 ROOM. 1113 00:43:33,542 --> 00:43:35,250 I KNOW. THAT'S FINE. 1114 00:43:35,250 --> 00:43:38,542 GO AHEAD. 1115 00:43:38,542 --> 00:43:40,542 [ SIGHS ] 1116 00:43:45,083 --> 00:43:47,375 I, UM -- I WANTED TO SHOW YOU 1117 00:43:47,375 --> 00:43:52,083 GUYS THIS. 1118 00:43:52,083 --> 00:43:57,042 I SEARCHED "SunRay"... 1119 00:43:57,042 --> 00:43:59,250 AND THERE SHE WAS. 1120 00:44:12,083 --> 00:44:15,334 [ BOTH LAUGHING AND CRYING ] 1121 00:44:25,209 --> 00:44:27,209 THANK YOU. 1122 00:44:59,334 --> 00:45:01,334 [ SIGHS ] 1123 00:45:19,167 --> 00:45:21,167 HOW DO I LOOK? 1124 00:45:33,459 --> 00:45:36,083 CAN I GO WITH YOU? 1125 00:45:36,083 --> 00:45:38,292 YOU KNOW, WHAT IF YOU NEED... 1126 00:45:38,292 --> 00:45:43,459 I'LL CALL YOU. 1127 00:45:43,459 --> 00:45:46,459 WHERE YOU GOING? 1128 00:45:46,459 --> 00:45:49,792 I FEEL GOOD TODAY, SWEETIE. 1129 00:45:49,792 --> 00:45:52,834 IT'S BEAUTIFUL OUT, AND I'M 1130 00:45:52,834 --> 00:45:53,834 GOING. 1131 00:46:04,292 --> 00:46:05,125 [ SIGHS ] 1132 00:46:05,125 --> 00:46:07,125 [ CLEARS THROAT ] 1133 00:46:19,834 --> 00:46:20,959 [ SIGHS ] 1134 00:46:20,959 --> 00:46:23,709 HOW DO I LOOK? 1135 00:46:23,709 --> 00:46:25,709 [ LAUGHS ] 1136 00:46:39,167 --> 00:46:42,751 [ LAUGHS ] 1137 00:46:42,751 --> 00:46:44,751 SEE YOU, KIDDO. 1138 00:47:47,000 --> 00:47:48,542 [ Telephone rings ] 1139 00:47:48,542 --> 00:47:50,918 [ SIGHS ] 1140 00:47:50,918 --> 00:47:52,375 HEY, YOU. 1141 00:47:52,375 --> 00:47:53,417 Hey. 1142 00:47:53,417 --> 00:47:56,250 WHAT'S GOING ON? 1143 00:47:56,250 --> 00:47:57,584 WHY DIDN'T YOU EVER COME 1144 00:47:57,584 --> 00:48:00,959 HERE? 1145 00:48:00,959 --> 00:48:02,500 OKAY, WE'VE TALKED ABOUT 1146 00:48:02,500 --> 00:48:02,959 THIS. 1147 00:48:02,959 --> 00:48:04,709 NO, I-I KNOW I'VE HEARD YOUR 1148 00:48:04,709 --> 00:48:05,334 EXCUSES. 1149 00:48:05,334 --> 00:48:08,876 I want to know the real reason. 1150 00:48:08,876 --> 00:48:09,709 [ SIGHS ] 1151 00:48:09,709 --> 00:48:10,876 I DON'T KNOW, MAYE. 1152 00:48:10,876 --> 00:48:12,459 IT WAS JUST NEVER THE RIGHT 1153 00:48:12,459 --> 00:48:12,959 TIME. 1154 00:48:12,959 --> 00:48:18,209 FOR A YEAR, EVAN? 1155 00:48:18,209 --> 00:48:19,500 WE DON'T HAVE TO DO THIS ON 1156 00:48:19,500 --> 00:48:20,042 THE PHONE. 1157 00:48:20,042 --> 00:48:21,334 WE DON'T HAVE TO GET INTO THIS 1158 00:48:21,334 --> 00:48:23,876 ON THE PHONE. 1159 00:48:23,876 --> 00:48:25,834 I want to know why you never 1160 00:48:25,834 --> 00:48:28,000 came. 1161 00:48:28,000 --> 00:48:29,375 I SUPPORTED YOU THE BEST WAY 1162 00:48:29,375 --> 00:48:30,083 I COULD, MAYE. 1163 00:48:30,083 --> 00:48:31,292 Yeah, half-hearted phone 1164 00:48:31,292 --> 00:48:34,334 calls? 1165 00:48:34,334 --> 00:48:35,667 YEAH, I GUESS SO. 1166 00:48:35,667 --> 00:48:37,542 YOU KNOW, EVERYBODY'S NOT YOU, 1167 00:48:37,542 --> 00:48:38,042 MAYE. 1168 00:48:38,042 --> 00:48:39,542 WHAT DOES THAT MEAN? 1169 00:48:39,542 --> 00:48:41,542 It means everybody's not you. 1170 00:48:41,542 --> 00:48:44,667 EVERYBODY DOESN'T... 1171 00:48:44,667 --> 00:48:45,959 EVERYBODY DOESN'T DEAL WITH 1172 00:48:45,959 --> 00:48:49,792 THINGS LIKE YOU. 1173 00:48:49,792 --> 00:48:50,459 WOW. 1174 00:48:50,459 --> 00:48:52,292 YOU KNOW, I GOT YOU SO WRONG. 1175 00:48:52,292 --> 00:48:54,125 THAT-- THAT'S WHAT REALLY STUNS 1176 00:48:54,125 --> 00:48:56,375 ME -- HOW WRONG I WAS ABOUT WHO 1177 00:48:56,375 --> 00:48:57,584 YOU ARE. 1178 00:49:01,459 --> 00:49:03,292 [ CHUCKLES ] 1179 00:49:03,292 --> 00:49:06,125 WELL, THAT GOES BOTH WAYS. 1180 00:49:06,125 --> 00:49:07,709 You're the one who left this 1181 00:49:07,709 --> 00:49:08,584 relationship. 1182 00:49:08,584 --> 00:49:09,834 YOU'RE THE ONE WHO LEFT OUR 1183 00:49:09,834 --> 00:49:12,918 HOME, OUR LIFE, WITHOUT ANY 1184 00:49:12,918 --> 00:49:13,709 DISCUSSION. 1185 00:49:13,709 --> 00:49:15,584 WHAT IS THERE TO DISCUSS WHEN 1186 00:49:15,584 --> 00:49:16,709 SOMEONE IS DYING? 1187 00:49:16,709 --> 00:49:19,584 THERE ARE THINGS TO DISCUSS! 1188 00:49:19,584 --> 00:49:22,375 [ Scoffs ] Okay. 1189 00:49:22,375 --> 00:49:24,292 YOU'RE MAD AT ME BECAUSE I 1190 00:49:24,292 --> 00:49:26,417 DIDN'T...JUST DROP MY JOB AND 1191 00:49:26,417 --> 00:49:28,500 ABANDON OUR PLACE AND PICK UP 1192 00:49:28,500 --> 00:49:30,542 AND FOLLOW YOU INTO AN AWFUL 1193 00:49:30,542 --> 00:49:31,584 SITUATION. 1194 00:49:31,584 --> 00:49:34,125 YOU EXPECTED ME TO JUST BE RIGHT 1195 00:49:34,125 --> 00:49:35,209 BEHIND YOU? 1196 00:49:35,209 --> 00:49:38,167 YOU DIDN'T FOR A SECOND STOP TO 1197 00:49:38,167 --> 00:49:40,667 THINK HOW IT AFFECTED ME. 1198 00:49:40,667 --> 00:49:42,292 I'M SELFISH, OKAY? 1199 00:49:42,292 --> 00:49:43,209 No, no. 1200 00:49:43,209 --> 00:49:51,292 YOU'RE NOT... 1201 00:49:51,292 --> 00:49:52,167 [ INHALES SHARPLY ] 1202 00:49:52,167 --> 00:49:53,334 LIKE I SAID, WE SHOULDN'T BE 1203 00:49:53,334 --> 00:49:56,626 DOING THIS ON THE PHONE. 1204 00:49:56,626 --> 00:49:57,417 YOU KNOW WHAT? 1205 00:49:57,417 --> 00:49:58,751 I DON'T THINK I WANT TO DO THIS 1206 00:49:58,751 --> 00:50:04,167 ANYMORE AT ALL, TO BE HONEST. 1207 00:50:04,167 --> 00:50:05,167 FINE. 1208 00:50:22,375 --> 00:50:23,375 [ SIGHS ] 1209 00:50:31,417 --> 00:50:33,834 [ KNOCK ON DOOR ] 1210 00:50:39,667 --> 00:50:40,375 OH, GOOD. 1211 00:50:40,375 --> 00:50:41,417 I'M SORRY I'M LATE. 1212 00:50:41,417 --> 00:50:43,083 UM, ARE YOU SURE YOU'RE IN 1213 00:50:43,083 --> 00:50:44,125 THE RIGHT PLACE? 1214 00:50:44,125 --> 00:50:44,792 YEAH. 1215 00:50:44,792 --> 00:50:46,250 UH, YOU'RE RECYCLING YOUR 1216 00:50:46,250 --> 00:50:47,000 SATELLITE? 1217 00:50:47,000 --> 00:50:48,083 OH, MY -- YES. 1218 00:50:48,083 --> 00:50:48,792 I FORGOT. 1219 00:50:48,792 --> 00:50:50,375 I WAS TRYING TO GET HERE 1220 00:50:50,375 --> 00:50:51,209 BEFORE DARK. 1221 00:50:51,209 --> 00:50:55,375 I HATE LEAVING A STRAGGLER. 1222 00:50:55,375 --> 00:50:57,167 UM...SO, WHAT DO YOU HAVE TO 1223 00:50:57,167 --> 00:50:59,250 DO -- JUST UNHOOK IT AND TAKE 1224 00:50:59,250 --> 00:51:01,000 YEAH, I'M JUST GONNA UNHOOK 1225 00:51:01,000 --> 00:51:02,667 THE BOX HERE BEFORE I GET ALL 1226 00:51:02,667 --> 00:51:03,626 THE EQUIPMENT. 1227 00:51:03,626 --> 00:51:05,167 I'M GONNA TAKE A LOOK REAL QUICK 1228 00:51:05,167 --> 00:51:06,083 BEFORE I GO UP. 1229 00:51:06,083 --> 00:51:07,626 IT SHOULD TAKE ABOUT 10 MINUTES. 1230 00:51:07,626 --> 00:51:09,792 ALL RIGHT. "UP"? 1231 00:51:09,792 --> 00:51:11,792 TO THE ROOF. 1232 00:51:11,792 --> 00:51:13,792 OH, ALL -- ALL RIGHT. 1233 00:51:24,792 --> 00:51:26,584 I'M GONNA LOSE THIS, HUH? 1234 00:51:26,584 --> 00:51:27,709 WHAT'S THAT? 1235 00:51:27,709 --> 00:51:29,834 WELL, I'M GONNA LOSE ALL THIS 1236 00:51:29,834 --> 00:51:30,459 STUFF. 1237 00:51:30,459 --> 00:51:32,876 YEAH, I-IT GOES WITH THE BOX. 1238 00:51:37,959 --> 00:51:39,959 [ CHEERS AND APPLAUSE ] 1239 00:51:47,125 --> 00:51:50,042 IF THERE IS ANYONE OUT THERE 1240 00:51:50,042 --> 00:51:52,792 WHO STILL DOUBTS THAT AMERICA 1241 00:51:52,792 --> 00:51:55,709 IS A PLACE WHERE ALL THINGS ARE 1242 00:51:55,709 --> 00:51:56,292 POSSIBLE... 1243 00:51:56,292 --> 00:51:57,667 I DIDN'T KNOW THAT SHE SAVED 1244 00:51:57,667 --> 00:51:58,542 THIS. 1245 00:51:58,542 --> 00:52:01,709 I DON'T REALLY WANT TO LOSE HER 1246 00:52:01,709 --> 00:52:02,667 SHOWS. 1247 00:52:02,667 --> 00:52:05,500 WHOSE? 1248 00:52:05,500 --> 00:52:06,500 MY AUNT. 1249 00:52:06,500 --> 00:52:08,626 SHE, UM -- SHE DIED, SO THAT'S 1250 00:52:08,626 --> 00:52:11,918 WHY I HAVE TO MOVE. 1251 00:52:11,918 --> 00:52:13,500 IT'S REAL NICE UP HERE. 1252 00:52:13,500 --> 00:52:15,167 HOW LONG DID SHE LIVE HERE? 1253 00:52:15,167 --> 00:52:16,500 A YEAR. 1254 00:52:16,500 --> 00:52:18,626 THIS WAS OUR PLACE. 1255 00:52:18,626 --> 00:52:20,876 BUT, UM, YOU KNOW, SHE'S GONE, 1256 00:52:20,876 --> 00:52:22,500 SO I GOT TO GO BACK. 1257 00:52:22,500 --> 00:52:23,375 UH-HUH. 1258 00:52:23,375 --> 00:52:25,250 ...IN NUMBERS THIS NATION HAS 1259 00:52:25,250 --> 00:52:26,918 NEVER SEEN, LIKE PEOPLE WHO 1260 00:52:26,918 --> 00:52:29,709 WAITED THREE HOURS, FOUR HOURS, 1261 00:52:29,709 --> 00:52:31,375 MANY FOR THE FIRST TIME IN 1262 00:52:31,375 --> 00:52:32,334 THEIR LIVES... 1263 00:52:32,334 --> 00:52:33,334 I SHOULD HAVE WATCHED MORE TV 1264 00:52:33,334 --> 00:52:35,250 WITH HER. 1265 00:52:35,250 --> 00:52:35,834 [ SIGHS ] 1266 00:52:35,834 --> 00:52:36,792 SHE'D BE IN HERE. 1267 00:52:36,792 --> 00:52:38,250 I'D BE IN MY OFFICE TRYING TO 1268 00:52:38,250 --> 00:52:41,834 KEEP EVERYTHING. 1269 00:52:41,834 --> 00:52:43,584 I SHOULD HAVE BEEN IN HERE. 1270 00:52:43,584 --> 00:52:44,709 ...MILLIONS OF OTHERS WHO 1271 00:52:44,709 --> 00:52:45,834 STOOD IN LINE TO MAKE THEIR 1272 00:52:45,834 --> 00:52:47,042 VOICE HEARD IN THIS ELECTION, 1273 00:52:47,042 --> 00:52:49,542 EXCEPT FOR ONE THING. 1274 00:52:51,125 --> 00:52:53,459 [ DRILL WHIRRING ] 1275 00:52:53,459 --> 00:52:55,500 HOW LONG YOU BEEN ON THE JOB? 1276 00:52:55,500 --> 00:52:56,959 UH, SINCE 9:00 A.M. 1277 00:52:56,959 --> 00:52:58,959 NO, I MEAN HOW LONG HAVE YOU 1278 00:52:58,959 --> 00:53:00,709 BEEN WORKING FOR THEM DOING 1279 00:53:00,709 --> 00:53:02,000 THIS? 1280 00:53:02,000 --> 00:53:05,417 OH, SINCE, UH, '03. 1281 00:53:05,417 --> 00:53:07,209 I USED TO BE A POSTAL CARRIER. 1282 00:53:07,209 --> 00:53:09,000 I LIKE BEING OUTSIDE, BUT THIS 1283 00:53:09,000 --> 00:53:10,918 PAYS BETTER. 1284 00:53:10,918 --> 00:53:13,292 PAYS BY THE HOUSE. 1285 00:53:13,292 --> 00:53:14,959 THAT'S WHY I MAKE SURE I ALWAYS 1286 00:53:14,959 --> 00:53:16,667 FINISH MY LIST, EVEN IF THE LAST 1287 00:53:16,667 --> 00:53:17,751 ONE'S BY MOONLIGHT. 1288 00:53:17,751 --> 00:53:18,626 [ CHUCKLES ] 1289 00:53:18,626 --> 00:53:20,209 WELL, YOU GOT TO DO WHAT YOU GOT 1290 00:53:20,209 --> 00:53:20,918 TO DO, GIRL. 1291 00:53:20,918 --> 00:53:23,834 [ CHUCKLES ] 1292 00:53:23,834 --> 00:53:25,250 WHAT? 1293 00:53:25,250 --> 00:53:26,500 IT'S A HELL OF A VIEW FROM UP 1294 00:53:26,500 --> 00:53:30,626 HERE. 1295 00:53:30,626 --> 00:53:32,626 [ DRILL WHIRRING ] 1296 00:53:43,459 --> 00:53:44,626 [ SIGHS ] 1297 00:53:51,918 --> 00:53:55,584 SO, HOW'D YOUR AUNT PASS? 1298 00:53:55,584 --> 00:53:58,792 BREAST CANCER. 1299 00:53:58,792 --> 00:54:01,250 [ CHUCKLES ] 1300 00:54:01,250 --> 00:54:03,250 9-YEAR SURVIVOR. 1301 00:54:09,626 --> 00:54:11,959 THE, UH -- THE HAIR. 1302 00:54:11,959 --> 00:54:15,334 YEAH, WELL... 1303 00:54:15,334 --> 00:54:19,167 IT FELL OUT, AND I DECIDED I 1304 00:54:19,167 --> 00:54:20,876 LIKED IT. 1305 00:54:20,876 --> 00:54:22,459 I DIDN'T HAVE TO CURL IT, DYE 1306 00:54:22,459 --> 00:54:24,209 IT, PERM IT, BLAH BLAH BLAH, ALL 1307 00:54:24,209 --> 00:54:24,959 THAT STUFF. 1308 00:54:24,959 --> 00:54:26,709 I WAS LIKE, "I GOT CANCER, OKAY? 1309 00:54:26,709 --> 00:54:28,375 I DON'T HAVE TIME TO BE DEALING 1310 00:54:28,375 --> 00:54:30,209 WITH ALL OF THIS." 1311 00:54:30,209 --> 00:54:33,209 HAVE YOU EVER, UH, TRIED WING 1312 00:54:33,209 --> 00:54:33,792 TIPS? 1313 00:54:33,792 --> 00:54:34,792 THE SHOES? 1314 00:54:34,792 --> 00:54:35,459 NO. 1315 00:54:35,459 --> 00:54:36,292 [ LAUGHS ] 1316 00:54:36,292 --> 00:54:38,250 NO, IT'S A -- IT'S AN EYELINER 1317 00:54:38,250 --> 00:54:38,876 TRICK. 1318 00:54:38,876 --> 00:54:40,334 YOU JUST, UM, TIP UP THE, UH, 1319 00:54:40,334 --> 00:54:41,959 EDGE OF THE OUTER CORNER OF YOUR 1320 00:54:41,959 --> 00:54:42,334 EYE. 1321 00:54:42,334 --> 00:54:43,876 YOU MAKE, LIKE, A SMALL WING -- 1322 00:54:43,876 --> 00:54:44,959 YOU KNOW, A CAT EYE. 1323 00:54:44,959 --> 00:54:46,209 YEAH, I'VE SEEN THAT. 1324 00:54:46,209 --> 00:54:47,209 YEAH. 1325 00:54:47,209 --> 00:54:48,876 NO, THAT WOULD REALLY LOOK GOOD 1326 00:54:48,876 --> 00:54:49,459 ON YOU. 1327 00:54:49,459 --> 00:54:50,709 IT LOOKS FABULOUS WITH 1328 00:54:50,709 --> 00:54:51,834 CLOSE-CROPPED HAIR. 1329 00:54:51,834 --> 00:54:52,667 YOU THINK? 1330 00:54:52,667 --> 00:54:53,500 OH, ABSOLUTELY. 1331 00:54:53,500 --> 00:54:54,083 [ CHUCKLES ] 1332 00:54:54,083 --> 00:54:55,334 I MEAN, YOUR FACE IS SO OPEN. 1333 00:54:55,334 --> 00:54:56,500 IT'S A PERFECT CANVAS TO TRY 1334 00:54:56,500 --> 00:54:58,667 GOOD THINGS ON. 1335 00:54:58,667 --> 00:55:00,000 MM-HMM, AND THE LIPSTICK -- 1336 00:55:00,000 --> 00:55:00,500 BANGING. 1337 00:55:00,500 --> 00:55:01,334 PERFECT CHOICE. 1338 00:55:01,334 --> 00:55:02,626 [ CHUCKLES ] THANK YOU. 1339 00:55:02,626 --> 00:55:03,959 NO, YOU JUST FINISH IT UP 1340 00:55:03,959 --> 00:55:05,459 WITH A PERFECTLY GROOMED EYE -- 1341 00:55:05,459 --> 00:55:06,751 YOU'RE READY. 1342 00:55:06,751 --> 00:55:07,542 [ CHUCKLES ] 1343 00:55:07,542 --> 00:55:09,000 OKAY, YOU NEED TO MAKE A YouTube 1344 00:55:09,000 --> 00:55:10,334 VIDEO OR SOMETHING, 'CAUSE YOU 1345 00:55:10,334 --> 00:55:11,542 MADE THAT SOUND REAL EASY. 1346 00:55:11,542 --> 00:55:12,125 I KNOW. 1347 00:55:12,125 --> 00:55:12,792 [ CHUCKLES ] 1348 00:55:12,792 --> 00:55:15,876 SORRY. 1349 00:55:15,876 --> 00:55:17,042 [ SIGHS ] 1350 00:55:21,375 --> 00:55:22,542 [ SIGHS ] 1351 00:55:31,250 --> 00:55:35,500 [ CELLPHONE RINGS ] 1352 00:55:35,500 --> 00:55:36,876 [ CELLPHONE BEEPS ] 1353 00:55:36,876 --> 00:55:39,125 HELLO? 1354 00:55:39,125 --> 00:55:42,417 Maye. 1355 00:55:42,417 --> 00:55:44,042 YEAH? 1356 00:55:44,042 --> 00:55:45,876 It's Troy. 1357 00:55:45,876 --> 00:55:46,542 HI. 1358 00:55:46,542 --> 00:55:48,459 Hey, sorry I'm just now 1359 00:55:48,459 --> 00:55:49,792 calling you back. 1360 00:55:49,792 --> 00:55:51,792 OH, NO, IT'S, UM -- THAT'S 1361 00:55:51,792 --> 00:55:52,375 FINE. 1362 00:55:52,375 --> 00:55:54,375 I-I SHOULDN'T HAVE CALLED YOU 1363 00:55:54,375 --> 00:55:56,000 ANYWAY. 1364 00:55:56,000 --> 00:55:57,167 No. Actually, I'm really glad 1365 00:55:57,167 --> 00:55:57,792 you called me. 1366 00:55:57,792 --> 00:56:02,125 So, you still need help? 1367 00:56:02,125 --> 00:56:05,334 UM...NO, I'M GOOD. 1368 00:56:05,334 --> 00:56:07,751 You sure? 1369 00:56:07,751 --> 00:56:12,918 NO, I'M -- I'M THROUGH. 1370 00:56:12,918 --> 00:56:13,959 [ Chuckles ] 1371 00:56:13,959 --> 00:56:14,876 Are you sure? 1372 00:56:14,876 --> 00:56:16,250 YEAH, NO, I'M DONE. 1373 00:56:16,250 --> 00:56:17,876 Well, uh, you want me to 1374 00:56:17,876 --> 00:56:19,334 close the truck door? 1375 00:56:19,334 --> 00:56:20,792 WHAT? 1376 00:56:20,792 --> 00:56:23,417 ♪ DO I MAKE YOU HAPPY? ♪ 1377 00:56:23,417 --> 00:56:25,751 ♪ DO YOU LOOK DOWN 1378 00:56:25,751 --> 00:56:27,667 AND SMILE ON ME? ♪ 1379 00:56:27,667 --> 00:56:29,459 TROY. 1380 00:56:33,792 --> 00:56:35,083 I GUESS WE SHOULD PROBABLY 1381 00:56:35,083 --> 00:56:37,584 HANG THE PHONE UP NOW. 1382 00:56:37,584 --> 00:56:41,000 ♪ AM I THE GIRL YOU HOPED I'D 1383 00:56:41,000 --> 00:56:43,125 BE? ♪ 1384 00:56:43,125 --> 00:56:45,584 ♪ AM I THE GIRL? ♪ 1385 00:56:45,584 --> 00:56:48,375 ♪ TELL ME, DO I, DO I ♪ 1386 00:56:48,375 --> 00:56:51,626 ♪ DO I MAKE YOU HAPPY? ♪ 1387 00:56:51,626 --> 00:56:53,417 ♪ DO YOU LOOK DOWN 1388 00:56:53,417 --> 00:56:55,667 AND SMILE ON ME? ♪ 1389 00:56:55,667 --> 00:56:57,500 SURE YOU'RE DONE WITH ALL OF 1390 00:56:57,500 --> 00:56:58,042 THIS? 1391 00:56:58,042 --> 00:57:00,667 HUH? 1392 00:57:00,667 --> 00:57:01,626 THE MOVING. 1393 00:57:01,626 --> 00:57:03,459 SURE YOU DON'T NEED...MORE HELP? 1394 00:57:03,459 --> 00:57:06,459 OH. 1395 00:57:06,459 --> 00:57:07,918 UH, I THINK I COULD USE SOME 1396 00:57:07,918 --> 00:57:10,417 MUSCLE. 1397 00:57:10,417 --> 00:57:13,292 I CAN HELP. 1398 00:57:13,292 --> 00:57:17,292 ♪ TELL ME, DO I, DO I, DO I ♪ 1399 00:57:17,292 --> 00:57:21,209 ♪ DO I MAKE YOU HAPPY? ♪ 1400 00:57:21,209 --> 00:57:22,876 ♪ DO YOU LOOK DOWN 1401 00:57:22,876 --> 00:57:25,918 AND SMILE ON ME? ♪ 1402 00:57:25,918 --> 00:57:27,918 IT'S NICE INSIDE. 1403 00:57:31,667 --> 00:57:33,042 ♪ TELL ME WHAT 1404 00:57:33,042 --> 00:57:35,125 YOU'RE THINKING ♪ 1405 00:57:35,125 --> 00:57:36,584 ♪ AM I THE GIRL... ♪ 1406 00:57:36,584 --> 00:57:37,959 YEAH, I THINK I CAN HANDLE 1407 00:57:37,959 --> 00:57:40,834 ALL OF THIS -- NO PROBLEM. 1408 00:57:40,834 --> 00:57:42,250 YOU'RE LIKE MY DARK KNIGHT IN 1409 00:57:42,250 --> 00:57:44,542 SHINING ARMOR. 1410 00:57:44,542 --> 00:57:47,125 YEAH, KIND OF...BATMAN MEETS 1411 00:57:47,125 --> 00:57:48,626 PRINCE CHARMING. 1412 00:57:48,626 --> 00:57:49,918 [ LAUGHS ] 1413 00:57:49,918 --> 00:57:52,792 YEAH. 1414 00:57:52,792 --> 00:57:58,709 I'M WITH THAT. 1415 00:57:58,709 --> 00:58:00,792 SO, HOW YOU BEEN DOING? 1416 00:58:00,792 --> 00:58:03,042 I BEEN GOOD, WORKING HARD, 1417 00:58:03,042 --> 00:58:04,000 YOU KNOW? 1418 00:58:04,000 --> 00:58:06,709 SO, WORK'S GOOD? 1419 00:58:06,709 --> 00:58:13,167 YEAH. I CAN'T COMPLAIN. 1420 00:58:13,167 --> 00:58:14,918 SO, HOW COME YOU NEVER TOLD ME 1421 00:58:14,918 --> 00:58:19,000 YOU WERE SUCH A...BIG DEAL? 1422 00:58:19,000 --> 00:58:20,959 YOU'RE, LIKE, A REALLY IMPORTANT 1423 00:58:20,959 --> 00:58:21,626 PERSON. 1424 00:58:21,626 --> 00:58:23,334 YOU -- YOU WEREN'T GONNA TELL ME 1425 00:58:23,334 --> 00:58:24,667 ANYTHING, WERE YOU? 1426 00:58:24,667 --> 00:58:25,709 [ SCOFFS ] 1427 00:58:25,709 --> 00:58:27,751 I WASN'T EVEN -- I WASN'T EVEN 1428 00:58:27,751 --> 00:58:30,667 THINKING ABOUT WORK. 1429 00:58:30,667 --> 00:58:31,792 YOU KNOW, SPENDING TIME WITH 1430 00:58:31,792 --> 00:58:35,667 YOU [SIGHS] WAS JUST LIKE A 1431 00:58:35,667 --> 00:58:39,000 TREAT DURING A DARK TIME. 1432 00:58:46,709 --> 00:58:48,083 WELL, I GUESS WE SHOULD GET 1433 00:58:48,083 --> 00:58:50,083 THIS PARTY STARTED. 1434 00:58:59,250 --> 00:59:05,000 [ GROANS ] 1435 00:59:05,000 --> 00:59:07,000 WOMAN, WHAT ARE YOU DOING? 1436 00:59:13,417 --> 00:59:14,250 VOILà. 1437 00:59:14,250 --> 00:59:15,584 [ LAUGHS ] 1438 00:59:15,584 --> 00:59:19,792 [ LAUGHS ] 1439 00:59:19,792 --> 00:59:22,626 WHAT'S UP WITH THE SWING SET? 1440 00:59:22,626 --> 00:59:23,125 WHY? 1441 00:59:23,125 --> 00:59:24,334 WHAT YOU MEAN, "WHY"? 1442 00:59:24,334 --> 00:59:25,459 DON'T GET ON THAT SWING SET. 1443 00:59:25,459 --> 00:59:26,834 I'M GETTING ON THAT SWING 1444 00:59:26,834 --> 00:59:28,500 SET. 1445 00:59:28,500 --> 00:59:31,918 [ SIGHS ] 1446 00:59:31,918 --> 00:59:33,209 THIS HOUSE IS INCREDIBLE, 1447 00:59:33,209 --> 00:59:34,334 MAN. 1448 00:59:34,334 --> 00:59:36,125 [ SIGHS ] 1449 00:59:36,125 --> 00:59:37,834 YOU'RE GONNA FALL OFF THAT 1450 00:59:37,834 --> 00:59:38,375 SWING. 1451 00:59:38,375 --> 00:59:40,459 PROBABLY SO -- IF YOU PUSH 1452 00:59:40,459 --> 00:59:42,292 [ Laughing ] YOU'RE SO CRAZY. 1453 00:59:42,292 --> 00:59:45,083 COME ON. 1454 00:59:45,083 --> 00:59:46,751 AM I DOING IT RIGHT? 1455 00:59:46,751 --> 00:59:48,000 OKAY, FINE. 1456 00:59:48,000 --> 00:59:48,834 PUSH! 1457 00:59:48,834 --> 00:59:49,667 WHOO! 1458 00:59:49,667 --> 00:59:51,751 YOU GOT SWINGS ON TREES, 1459 00:59:51,751 --> 00:59:52,918 AND... 1460 00:59:52,918 --> 00:59:54,792 [ LAUGHS ] 1461 00:59:54,792 --> 00:59:57,375 GROWN-ASS MAN ON A SWING SET. 1462 00:59:57,375 --> 00:59:59,209 YOU REMEMBER THIS. 1463 00:59:59,209 --> 01:00:00,209 COME ON. 1464 01:00:00,209 --> 01:00:01,959 OKAY. 1465 01:00:01,959 --> 01:00:03,417 YEAH, THERE WE GO. 1466 01:00:03,417 --> 01:00:04,584 [ LAUGHS ] 1467 01:00:09,042 --> 01:00:12,792 [ LAUGHS ] 1468 01:00:12,792 --> 01:00:14,292 YOU WANT ON? 1469 01:00:14,292 --> 01:00:15,375 YOU SURE? 1470 01:00:15,375 --> 01:00:17,500 I WANT ON. 1471 01:00:17,500 --> 01:00:20,042 [ LAUGHS ] 1472 01:00:20,042 --> 01:00:26,918 I'M GONNA HIT THE TREE! 1473 01:00:26,918 --> 01:00:30,959 [ LAUGHS ] 1474 01:00:30,959 --> 01:00:33,042 HOW ABOUT THAT? 1475 01:00:33,042 --> 01:00:35,125 ♪ ...THE EMPTINESS ♪ 1476 01:00:35,125 --> 01:00:38,626 ♪ I'M TRYING TO HOLD ON TILL YOU 1477 01:00:38,626 --> 01:00:41,459 RETURN ♪ 1478 01:00:41,459 --> 01:00:43,334 ♪ YEAH, YEAH, YEAH, YEAH ♪ 1479 01:00:43,334 --> 01:00:45,500 ♪ TILL YOU COME HOME ♪ 1480 01:00:45,500 --> 01:00:48,459 ♪ TILL YOU COME HOME ♪ 1481 01:00:48,459 --> 01:00:50,042 ♪ I'M JUST SAYIN' ♪ 1482 01:00:50,042 --> 01:00:52,459 ♪ OOH-OOH-HOO, OH, OH, OH, 1483 01:00:52,459 --> 01:00:53,959 OH, OH, OH ♪ 1484 01:00:53,959 --> 01:00:56,626 ♪ TILL YOU COME HOME ♪ 1485 01:00:56,626 --> 01:00:58,083 ♪ YEAH, YEAH ♪ 1486 01:00:58,083 --> 01:01:02,834 I AM SO TIRED. 1487 01:01:02,834 --> 01:01:04,042 WELL, YOU BEEN DOING THIS ALL 1488 01:01:04,042 --> 01:01:06,250 DAY. 1489 01:01:06,250 --> 01:01:07,751 NO, I'VE BEEN DOING THIS ALL 1490 01:01:07,751 --> 01:01:08,459 YEAR. 1491 01:01:08,459 --> 01:01:09,709 [ SIGHS ] 1492 01:01:09,709 --> 01:01:11,542 YEAH. 1493 01:01:11,542 --> 01:01:14,542 [ SIGHS ] 1494 01:01:14,542 --> 01:01:15,709 YOU KNOW, PART OF ME REALLY 1495 01:01:15,709 --> 01:01:18,918 WANTS TO GET OUT OF HERE. 1496 01:01:18,918 --> 01:01:20,209 AND PART OF ME DOESN'T WANT TO 1497 01:01:20,209 --> 01:01:21,375 GO. 1498 01:01:42,292 --> 01:01:44,292 WHAT YOU DOING? 1499 01:01:47,542 --> 01:01:48,709 OH. 1500 01:02:06,000 --> 01:02:08,000 WHY DON'T YOU STAY? 1501 01:02:22,542 --> 01:02:23,667 YOU DON'T KNOW HOW MANY 1502 01:02:23,667 --> 01:02:24,959 NIGHTS I PARKED OUT FRONT JUST 1503 01:02:24,959 --> 01:02:26,209 WAITING TO HEAR YOU SAY THOSE 1504 01:02:26,209 --> 01:02:31,334 WORDS. 1505 01:02:31,334 --> 01:02:32,959 ALL YOU HAD TO DO WAS INVITE A 1506 01:02:32,959 --> 01:02:34,751 BROTHER IN. 1507 01:02:34,751 --> 01:02:36,709 MY AUNT WAS HERE. 1508 01:02:36,709 --> 01:02:39,334 AND, YOU KNOW, I WOULD HAVE 1509 01:02:39,334 --> 01:02:43,209 LOVED TO MEET HER. 1510 01:02:43,209 --> 01:02:44,542 WHAT YOU WANT ME TO TELL YOU? 1511 01:02:44,542 --> 01:02:45,500 I TOLD YOU THINGS WERE 1512 01:02:45,500 --> 01:02:46,792 COMPLICATED. 1513 01:02:46,792 --> 01:02:49,250 I TOLD YOU THAT WHEN WE MET. 1514 01:02:49,250 --> 01:02:52,459 AND I HEARD YOU WHEN WE MET. 1515 01:02:52,459 --> 01:02:56,959 I WASN'T TRYING TO LOCK IT DOWN. 1516 01:02:56,959 --> 01:03:01,918 BUT, YOU KNOW... 1517 01:03:01,918 --> 01:03:05,334 YOU EVEN KNOW MY LAST NAME? 1518 01:03:05,334 --> 01:03:07,334 EDWARDS. 1519 01:03:12,834 --> 01:03:14,000 YEAH. 1520 01:03:22,334 --> 01:03:25,500 OKAY. 1521 01:03:25,500 --> 01:03:29,542 WHERE DO I STAY? 1522 01:03:29,542 --> 01:03:32,876 UM, INGLEWOOD SOMEWHERE? 1523 01:03:32,876 --> 01:03:34,709 AH, INGLEWOOD -- CLOSE. 1524 01:03:34,709 --> 01:03:35,751 [ LAUGHS ] 1525 01:03:35,751 --> 01:03:36,709 GARDENA. 1526 01:03:36,709 --> 01:03:37,334 OH. 1527 01:03:37,334 --> 01:03:38,751 WHERE AM I FROM? 1528 01:03:38,751 --> 01:03:42,375 WHERE DID I GROW UP? 1529 01:03:42,375 --> 01:03:43,542 GARDENA? 1530 01:03:43,542 --> 01:03:44,667 [ LAUGHS ] 1531 01:03:44,667 --> 01:03:46,000 NOT CLOSE. 1532 01:03:46,000 --> 01:03:47,167 MONTGOMERY. 1533 01:03:47,167 --> 01:03:48,250 HMM. 1534 01:03:48,250 --> 01:03:51,292 OKAY, WELL, I FLUNKED A QUIZ. 1535 01:03:51,292 --> 01:03:54,709 YEAH, YOU THINK? 1536 01:03:54,709 --> 01:03:57,626 BUT I LIKED YOU A LOT. 1537 01:03:57,626 --> 01:04:01,000 A LOT. 1538 01:04:01,000 --> 01:04:02,167 [ SIGHS ] 1539 01:04:09,792 --> 01:04:11,417 I JUST WANTED A REGULAR DATE, 1540 01:04:11,417 --> 01:04:12,584 MAYE. 1541 01:04:19,292 --> 01:04:22,667 WAY BEFORE THE MOTEL, I JUST 1542 01:04:22,667 --> 01:04:26,334 WANTED TO TAKE YOU TO DINNER, A 1543 01:04:26,334 --> 01:04:27,500 MOVIE. 1544 01:04:32,417 --> 01:04:34,417 BUT THAT WAS THEN, RIGHT? 1545 01:04:41,542 --> 01:04:42,375 [ LITTLE DRAGON'S "TWICE" 1546 01:04:42,375 --> 01:04:44,375 PLAYS ] 1547 01:04:55,125 --> 01:04:57,417 ♪ TWICE I TURN MY BACK 1548 01:04:57,417 --> 01:05:01,042 ON YOU ♪ 1549 01:05:01,042 --> 01:05:03,334 ♪ I FELL FLAT ON MY FACE 1550 01:05:03,334 --> 01:05:08,709 BUT DIDN'T LOSE ♪ 1551 01:05:08,709 --> 01:05:12,876 ♪ TELL ME WHERE WOULD I GO ♪ 1552 01:05:12,876 --> 01:05:16,959 SO, WHAT IF I CAME BACK? 1553 01:05:16,959 --> 01:05:18,209 YOU KNOW, WHAT IF I'M SUPPOSED 1554 01:05:18,209 --> 01:05:20,209 TO BE HERE? 1555 01:05:20,209 --> 01:05:23,500 I HAVE FRIENDS HERE. 1556 01:05:23,500 --> 01:05:24,459 I COULD WORK HERE. 1557 01:05:24,459 --> 01:05:25,876 I MEAN, THIS COULD BE MY BASE, 1558 01:05:25,876 --> 01:05:29,876 AND I COULD TRAVEL WHEN I NEEDED 1559 01:05:29,876 --> 01:05:32,209 WE COULD DATE, YOU KNOW? 1560 01:05:32,209 --> 01:05:33,667 NORMAL STUFF. 1561 01:05:33,667 --> 01:05:36,250 YOU COULD COME INSIDE -- NO 1562 01:05:36,250 --> 01:05:37,125 MOTEL. 1563 01:05:37,125 --> 01:05:39,083 I PROMISE. 1564 01:05:39,083 --> 01:05:42,209 ♪ SO FRIGHTENING ♪ 1565 01:05:42,209 --> 01:05:46,125 ♪ WAS IT TWO WILLS? ♪ 1566 01:05:46,125 --> 01:05:48,959 ♪ ONE MIRROR HOLDING US... ♪ 1567 01:05:48,959 --> 01:05:57,250 I'M WITH SOMEBODY...NOW. 1568 01:05:57,250 --> 01:06:01,459 I CAN'T STAY TONIGHT, MAYE. 1569 01:06:01,459 --> 01:06:03,083 CAN'T STAY TOMORROW NIGHT, CAN'T 1570 01:06:03,083 --> 01:06:05,834 STAY THE NIGHT AFTER. 1571 01:06:05,834 --> 01:06:07,209 I SHOULDN'T EVEN BE HERE RIGHT 1572 01:06:07,209 --> 01:06:08,584 NOW, BUT I HAD TO COME SEE YOU 1573 01:06:08,584 --> 01:06:11,417 BEFORE I LET IT ALL DIE, YOU 1574 01:06:11,417 --> 01:06:12,584 KNOW? 1575 01:06:17,000 --> 01:06:20,083 ♪ COLOSSAL SIGNS SO I GOT 1576 01:06:20,083 --> 01:06:24,584 LOST ♪ 1577 01:06:24,584 --> 01:06:26,626 ALL THOSE DUDES AT WORK JUST 1578 01:06:26,626 --> 01:06:31,292 WISHING THEY COULD...PULL UP ON 1579 01:06:31,292 --> 01:06:32,751 SOME BEAUTIFUL WOMAN WHO NEEDS 1580 01:06:32,751 --> 01:06:34,250 HELP WITH A FLAT TIRE ON THEIR 1581 01:06:34,250 --> 01:06:40,000 SHIFT. 1582 01:06:40,000 --> 01:06:43,584 I THOUGHT YOU WERE REGULAR -- 1583 01:06:43,584 --> 01:06:47,626 JUST A REGULAR GIRL. 1584 01:06:47,626 --> 01:06:51,250 I LIKED YOU BEFORE I KNEW WHAT 1585 01:06:51,250 --> 01:06:55,209 YOU DID OR WHO YOU KNEW. 1586 01:06:55,209 --> 01:06:57,209 I LIKED YOU THEN. 1587 01:07:18,584 --> 01:07:22,834 ALL RIGHT, YOU'RE ALL SET. 1588 01:07:22,834 --> 01:07:25,250 THANK YOU. 1589 01:07:25,250 --> 01:07:26,542 I COULDN'T HAVE DONE IT WITHOUT 1590 01:07:26,542 --> 01:07:28,209 YOU RESCUING ME. 1591 01:07:28,209 --> 01:07:30,209 ALL GOOD. 1592 01:07:46,626 --> 01:07:48,626 TAKE CARE OF MAYE. 1593 01:08:04,542 --> 01:08:08,292 ♪ WAS IT THE BLUE NIGHT 1594 01:08:08,292 --> 01:08:11,167 GONE FRAGILE? ♪ 1595 01:08:11,167 --> 01:08:14,083 ♪ WAS IT BOTH MEN ♪ 1596 01:08:14,083 --> 01:08:15,292 [ ENGINE TURNS OVER ] 1597 01:08:15,292 --> 01:08:18,250 ♪ IN WONDER STEADY GONE UNDER? ♪ 1598 01:08:18,250 --> 01:08:21,751 ♪ WAS IT THE LIGHT WAYS 1599 01:08:21,751 --> 01:08:25,000 SO FRIGHTENING? ♪ 1600 01:08:25,000 --> 01:08:28,667 ♪ WAS IT TWO WILLS? ♪ 1601 01:08:28,667 --> 01:08:31,876 ♪ ONE MIRROR HOLDING US DEARER 1602 01:08:31,876 --> 01:08:33,500 NOW? ♪ 1603 01:09:02,500 --> 01:09:14,751 [ CELLPHONE RINGING ] 1604 01:09:14,751 --> 01:09:17,209 [ TELEPHONE BEEPS ] 1605 01:09:17,209 --> 01:09:19,667 Hey. 1606 01:09:19,667 --> 01:09:22,459 YOU DONE? 1607 01:09:22,459 --> 01:09:25,667 YEAH, PRETTY MUCH. 1608 01:09:25,667 --> 01:09:27,792 Tired? 1609 01:09:27,792 --> 01:09:30,417 VERY. 1610 01:09:30,417 --> 01:09:33,876 I KNOW. 1611 01:09:33,876 --> 01:09:40,500 UH... 1612 01:09:40,500 --> 01:09:42,500 I SHOULD HAVE BEEN THERE. 1613 01:09:47,082 --> 01:09:48,626 I-I know -- I know that doesn't 1614 01:09:48,626 --> 01:09:49,834 mean much now, but... 1615 01:09:53,667 --> 01:09:55,667 ...I SHOULD HAVE BEEN THERE. 1616 01:10:02,083 --> 01:10:03,584 SO, WHAT YOU GONNA DO WHEN I 1617 01:10:03,584 --> 01:10:06,417 GET SICK, HUH? 1618 01:10:06,417 --> 01:10:09,125 MY HAIR FALLS OUT AND I'M 1619 01:10:09,125 --> 01:10:12,209 VOMITING AND I NEED TO BE FED 1620 01:10:12,209 --> 01:10:13,417 AND BATHED? 1621 01:10:13,417 --> 01:10:16,042 SOMEONE TO PICK ME UP OFF THE 1622 01:10:16,042 --> 01:10:19,918 BATHROOM FLOOR? 1623 01:10:19,918 --> 01:10:21,709 THAT'S NOT YOU. 1624 01:10:21,709 --> 01:10:24,417 COULD BE. YOU DON'T KNOW. 1625 01:10:24,417 --> 01:10:30,209 And you don't know, either. 1626 01:10:30,209 --> 01:10:35,167 I KNOW...THAT IF ANYTHING 1627 01:10:35,167 --> 01:10:36,751 EVER HAPPENED TO YOU -- AS MUCH 1628 01:10:36,751 --> 01:10:42,042 AS A SCRATCH OR A COUGH -- I 1629 01:10:42,042 --> 01:10:44,167 WOULD SHUT IT ALL DOWN AND BE 1630 01:10:44,167 --> 01:10:44,834 THERE. 1631 01:10:44,834 --> 01:10:47,083 I wouldn't dare let anybody even 1632 01:10:47,083 --> 01:10:48,918 think about touching you. 1633 01:10:48,918 --> 01:10:51,167 I WOULD TAKE CARE OF YOU BECAUSE 1634 01:10:51,167 --> 01:10:55,876 YOU'RE MINE. 1635 01:10:55,876 --> 01:11:00,042 WHO'S GONNA TAKE CARE OF ME? 1636 01:11:00,042 --> 01:11:01,626 I am. 1637 01:11:01,626 --> 01:11:07,959 I AM NOW. 1638 01:11:07,959 --> 01:11:09,959 I'LL BE THERE. 1639 01:11:13,500 --> 01:11:17,375 [ SIGHS ] 1640 01:11:17,375 --> 01:11:20,584 [ SNIFFLES ] 1641 01:11:20,584 --> 01:11:22,584 SHE'S GONE. 1642 01:11:27,792 --> 01:11:29,792 IT'S JUST ME HERE NOW. 1643 01:11:34,542 --> 01:11:36,042 AND THAT'S GONNA HAVE TO BE 1644 01:11:36,042 --> 01:11:37,209 OKAY. 1645 01:11:43,334 --> 01:11:46,834 Good night, honey. 1646 01:11:46,834 --> 01:11:48,834 GOOD NIGHT. 1647 01:12:03,292 --> 01:12:04,459 [ SIGHS ] 1648 01:12:32,918 --> 01:12:34,918 [ EXHALES DEEPLY ] 1649 01:12:48,542 --> 01:12:50,542 [ FOOTSTEPS APPROACH ] 1650 01:12:57,125 --> 01:12:58,500 MORNING. 1651 01:12:58,500 --> 01:12:59,417 HI. 1652 01:12:59,417 --> 01:13:00,375 HI. 1653 01:13:00,375 --> 01:13:03,626 I, UH, WAS ON MY WAY INTO WORK. 1654 01:13:03,626 --> 01:13:06,792 I SAW THE LIGHT ON, AND, UH, I 1655 01:13:06,792 --> 01:13:08,375 THOUGHT YOU MIGHT HAVE LEFT THE 1656 01:13:08,375 --> 01:13:12,500 DOLLY OUT THAT I LEFT YOU. 1657 01:13:12,500 --> 01:13:15,459 YOU LEFT IT ON PURPOSE? 1658 01:13:15,459 --> 01:13:17,292 WELL, IT'S THE LEAST I CAN 1659 01:13:17,292 --> 01:13:19,083 DO, LEAVING YOU HIGH AND DRY 1660 01:13:19,083 --> 01:13:19,918 LIKE THAT. 1661 01:13:19,918 --> 01:13:21,000 [ CHUCKLES ] 1662 01:13:21,000 --> 01:13:22,876 THANK YOU. 1663 01:13:22,876 --> 01:13:25,709 YOU'RE WELCOME. 1664 01:13:25,709 --> 01:13:27,167 WELL, IT LOOKS LIKE YOU GOT IT 1665 01:13:27,167 --> 01:13:27,959 ALL DONE, HUH? 1666 01:13:27,959 --> 01:13:28,709 [ CHUCKLES ] 1667 01:13:28,709 --> 01:13:30,250 HELPED BY SOME MIRACLES, IT'S 1668 01:13:30,250 --> 01:13:32,334 DONE. 1669 01:13:32,334 --> 01:13:33,709 I'M SORRY ABOUT THAT 1670 01:13:33,709 --> 01:13:34,417 YESTERDAY. 1671 01:13:34,417 --> 01:13:37,042 I, UH, JUST NEED TO KEEP THIS 1672 01:13:37,042 --> 01:13:38,500 JOB, YOU KNOW? 1673 01:13:38,500 --> 01:13:41,459 NO, IT WASN'T YOUR FAULT. 1674 01:13:41,459 --> 01:13:43,626 I-I WAS...CRAZY. 1675 01:13:43,626 --> 01:13:46,667 NO, NO. 1676 01:13:46,667 --> 01:13:48,500 CAN I HELP YOU WITH THIS? 1677 01:13:48,500 --> 01:13:49,709 THESE YOURS? 1678 01:13:49,709 --> 01:13:52,292 OH, THEY WERE, UH -- THEY'RE 1679 01:13:52,292 --> 01:13:54,250 MY AUNT'S. 1680 01:13:54,250 --> 01:13:56,375 YOU PLAY? 1681 01:13:56,375 --> 01:13:57,083 ONE SONG. 1682 01:13:57,083 --> 01:13:57,792 [ CHUCKLES ] 1683 01:13:57,792 --> 01:13:59,000 UH, A SILLY SONG CALLED 1684 01:13:59,000 --> 01:13:59,834 "ROCK LOBSTER." 1685 01:13:59,834 --> 01:14:01,334 DRUMS AREN'T HARD, BUT WHEN YOU 1686 01:14:01,334 --> 01:14:03,209 PLAY IT, EVERYONE'S IMPRESSED. 1687 01:14:03,209 --> 01:14:06,209 THAT'S A GOOD TRICK. 1688 01:14:06,209 --> 01:14:10,834 YOUR AUNT -- SHE TAUGHT YOU? 1689 01:14:10,834 --> 01:14:13,792 YEAH. 1690 01:14:13,792 --> 01:14:15,167 COULD I SEE THEM? 1691 01:14:15,167 --> 01:14:19,751 SEE WHAT I CAN DO, OKAY? 1692 01:14:19,751 --> 01:14:21,375 I'M GONNA TAKE IT EASY ON THESE, 1693 01:14:21,375 --> 01:14:21,918 THOUGH. 1694 01:14:21,918 --> 01:14:24,459 THESE ARE A NICE SET OF DRUMS. 1695 01:14:24,459 --> 01:14:26,292 THANK YOU. 1696 01:14:45,042 --> 01:14:46,209 [ HUMMING ] 1697 01:15:19,125 --> 01:15:21,292 I'M MAYE FISHER, MAKE-UP ARTIST 1698 01:15:21,292 --> 01:15:23,542 TO THE STARS, BUT TODAY I'M JUST 1699 01:15:23,542 --> 01:15:25,667 A CHICK WHO KNOWS A FEW TRICKS 1700 01:15:25,667 --> 01:15:26,751 ABOUT MAKEUP. 1701 01:15:26,751 --> 01:15:28,792 SOMETIMES YOU GOT TO BRING IT 1702 01:15:28,792 --> 01:15:30,792 BACK TO THE BASICS, SO AT THE 1703 01:15:30,792 --> 01:15:32,751 ENCOURAGEMENT OF A PAL, I AM 1704 01:15:32,751 --> 01:15:34,792 GOING TO SHOW YOU HOW TO DO A 1705 01:15:34,792 --> 01:15:36,209 WING TIP, OR CAT EYE. 1706 01:15:36,209 --> 01:15:38,083 IT'S CLASSIC, YET STILL EDGY. 1707 01:15:38,083 --> 01:15:39,584 ANGELINA ROCKS IT VERY 1708 01:15:39,584 --> 01:15:40,584 SUCCESSFULLY. 1709 01:15:40,584 --> 01:15:41,792 IT WORKS FOR HER. 1710 01:15:41,792 --> 01:15:43,834 NO REASON IT CAN'T WORK FOR YOU, 1711 01:15:43,834 --> 01:15:46,125 TOO. 1712 01:15:46,125 --> 01:15:47,292 OKAY, SO... 1713 01:15:47,292 --> 01:15:49,542 ♪ THERE'S A SONG... ♪ 1714 01:15:49,542 --> 01:15:51,542 MY AUNT AMANDA ACTUALLY GOT 1715 01:15:51,542 --> 01:15:53,584 ME HOOKED ON MAKEUP, ESPECIALLY 1716 01:15:53,584 --> 01:15:56,042 EYE MAKEUP... 1717 01:15:56,042 --> 01:16:02,167 LASHES, LINER... 1718 01:16:02,167 --> 01:16:05,417 MASCARA, THE WHOLE NINE. 1719 01:16:05,417 --> 01:16:08,542 SHE SAID THAT IF YOUR EYE MAKEUP 1720 01:16:08,542 --> 01:16:11,417 LOOKED GREAT, YOU'D ALWAYS BE 1721 01:16:11,417 --> 01:16:13,626 HAPPY 'CAUSE YOU'D NEVER WANT TO 1722 01:16:13,626 --> 01:16:15,626 CRY AND MESS UP ALL THAT HARD 1723 01:16:15,626 --> 01:16:17,250 WORK YOU DID. 1724 01:16:17,250 --> 01:16:18,959 GOOD ONE, HUH? 1725 01:16:18,959 --> 01:16:21,667 ♪ ...HUNGER ♪ 1726 01:16:21,667 --> 01:16:26,417 ♪ BENEATH, BENEATH ♪ 1727 01:16:26,417 --> 01:16:28,792 ♪ BENEATH ♪ 1728 01:16:28,792 --> 01:16:30,918 AND THERE YOU GO. 1729 01:16:30,918 --> 01:16:35,125 [ SINGING INDISTINCTLY ] 1730 01:16:35,125 --> 01:16:43,584 ♪ MEANS EVERYTHING, EVERYTHING ♪ 1731 01:16:43,584 --> 01:16:47,000 ♪ NEVER GO, WAITING ♪ 1732 01:16:47,000 --> 01:16:50,834 ♪ NEVER GO, WAITING ♪ 1733 01:16:50,834 --> 01:16:54,334 ♪ NEVER GO, WAITING ♪ 1734 01:16:54,334 --> 01:16:57,834 ♪ NEVER GO, NEVER GO ♪ 1735 01:16:57,834 --> 01:17:01,292 ♪ NEVER GO, WAITING ♪ 1736 01:17:01,292 --> 01:17:05,041 ♪ NEVER GO, WAITING ♪ 1737 01:17:05,041 --> 01:17:08,541 ♪ NEVER GO, WAITING ♪ 1738 01:17:08,541 --> 01:17:11,709 ♪ NEVER GO, NEVER ♪ 1739 01:17:11,709 --> 01:17:13,709 [ INSTRUMENTAL SOLO ] 1740 01:17:41,375 --> 01:17:45,791 ♪ THERE'S A WORD THAT SILENCE 1741 01:17:45,791 --> 01:17:51,166 BREATHES WHEN THE WHOLE WORLD ♪ 1742 01:17:51,166 --> 01:17:55,751 ♪ TURNS AWAY ♪ 1743 01:17:55,751 --> 01:18:01,041 ♪ THERE'S AN ANGEL KEEPING YOU 1744 01:18:01,041 --> 01:18:09,751 FROM EVERYTHING YOU NEED ♪ 1745 01:18:09,751 --> 01:18:15,541 ♪ THERE'S A LIE THAT DROWNS ♪ 1746 01:18:15,541 --> 01:18:19,709 ♪ BUT YOU'RE STILL HOLDING, 1747 01:18:19,709 --> 01:18:24,791 HOLDING, HOLDING, HOLDING ♪ 1748 01:18:24,791 --> 01:18:28,834 ♪ THERE'S AN END IF YOU PLEASE, 1749 01:18:28,834 --> 01:18:37,959 BUT DON'T CHOOSE IT ♪ 1750 01:18:37,959 --> 01:18:41,459 ♪ NEVER GO, WAITING ♪ 1751 01:18:41,459 --> 01:18:45,083 ♪ NEVER GO, WAITING ♪ 1752 01:18:45,083 --> 01:18:48,666 ♪ NEVER GO, WAITING ♪ 1753 01:18:48,666 --> 01:18:52,541 ♪ NEVER GO, NEVER GO ♪ 1754 01:18:52,541 --> 01:18:55,918 ♪ NEVER GO, WAITING ♪ 1755 01:18:55,918 --> 01:18:59,584 ♪ NEVER GO, WAITING ♪ 1756 01:18:59,584 --> 01:19:03,083 ♪ NEVER GO, WAITING ♪ 1757 01:19:03,083 --> 01:19:06,459 ♪ NEVER GO, NEVER GO ♪ 1758 01:19:06,459 --> 01:19:09,459 [ SONG ENDS ] 98762

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