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1
00:00:01,360 --> 00:00:02,380
Woman: SOMEBODY HELP!
2
00:00:03,880 --> 00:00:05,280
YOU’RE SAYING I KILLED HER?
3
00:00:05,310 --> 00:00:08,080
YOU DON’T GO AROUND ACCUSING
MICHAEL VARNE OF MURDER.
4
00:00:08,110 --> 00:00:09,980
YOU’RE GOING TO PAY A
HELL OF A PRICE FOR IT.
5
00:00:10,010 --> 00:00:12,340
SO, WHAT DO YOU THINK IS THE
WORST THAT COULD HAPPEN TO US?
6
00:00:14,110 --> 00:00:17,780
WHY ARE YOU RUNNING AROUND
TOWN LIKE A RAMPAGING BABOON,
7
00:00:17,810 --> 00:00:19,980
ACCUSING ME OF MURDERING HER?
8
00:00:20,010 --> 00:00:22,180
SO IF HE DIDN’T DO IT, AND
THE BURGLARY WAS A FAKE,
9
00:00:22,210 --> 00:00:23,180
THEN WHO KILLED HER?
10
00:00:23,210 --> 00:00:25,410
THERE’S THE MAN WHO DID THIS.
11
00:00:25,440 --> 00:00:28,940
SERGEANT HUNTER, THE D.A.
HAS ORDERED ME TO ARREST YOU
12
00:00:28,980 --> 00:00:31,340
AND BOOK YOU ON A CHARGE
OF FELONIOUS ASSAULT.
13
00:01:26,480 --> 00:01:27,480
IT WORKS FOR ME.
14
00:02:18,210 --> 00:02:20,170
I CAN STAY.
15
00:02:20,690 --> 00:02:21,690
NO.
16
00:02:22,300 --> 00:02:24,200
NIKKI, WHAT IS WITH THIS PLACE?
17
00:02:24,230 --> 00:02:27,100
THIS IS YOUR HOME.
THIS IS WHERE YOU LIVE.
18
00:02:27,130 --> 00:02:29,500
WHAT ARE YOU SO
DAMNED AFRAID OF?
19
00:02:31,700 --> 00:02:34,930
LISTEN, JUST GIVE ME
A LITTLE BIT MORE TIME.
20
00:03:06,130 --> 00:03:08,600
NIKKI, COME WITH ME!
21
00:03:08,630 --> 00:03:09,930
I LOVE YOU!
22
00:04:25,960 --> 00:04:28,130
WELL, WILLEM SUNDERSON.
23
00:04:28,160 --> 00:04:29,300
WANT SOME GOODIES?
24
00:04:29,330 --> 00:04:30,730
WHAT DO YOU WANT?
25
00:04:30,760 --> 00:04:32,900
THE MAN ISN’T HAPPY
YOU’RE BREAKING YOUR WORD,
26
00:04:32,930 --> 00:04:34,600
GETTING INDEPENDENT.
27
00:04:34,630 --> 00:04:37,800
NEXT THING, YOU’LL BE TALKING
ABOUT HIM ON JOHNNY CARSON.
28
00:04:37,830 --> 00:04:41,760
YEAH? WELL, YOU TELL
THE MAN TO TURN OFF HIS TV.
29
00:04:41,800 --> 00:04:44,930
YOU KNOW, NIKKI,
YOU’RE THE EXCEPTION
30
00:04:44,960 --> 00:04:47,100
TO ONE OF THE BASIC
RULES OF HIS LIFE.
31
00:04:47,130 --> 00:04:48,500
THAT’S WHY YOU’RE ALIVE.
32
00:04:48,530 --> 00:04:50,160
BUT WHAT YOU’RE DOING NOW...
33
00:04:50,200 --> 00:04:53,430
TALKING ABOUT GETTING SERIOUS
WITH THAT GUY IN THE CAR...
34
00:04:53,460 --> 00:04:55,330
THAT’S OUT.
35
00:04:55,360 --> 00:04:58,060
YOU TELL HIM TO
TAKE A FLYING LEAP.
36
00:04:58,100 --> 00:04:59,960
BUT I ALREADY HAVE.
37
00:05:00,000 --> 00:05:03,060
I TOLD HIM THAT’S EXACTLY
WHAT YOU WOULD SAY,
38
00:05:03,100 --> 00:05:05,430
AND YOU KNOW WHAT HE TOLD ME?
39
00:05:05,460 --> 00:05:08,600
IF SHE DOES, OFF HER.
40
00:06:03,830 --> 00:06:05,030
Man: HEY, HUNTER.
41
00:06:05,060 --> 00:06:06,476
Hunter: HOW YOU DOING,
BUDDY? WHAT HAVE YOU GOT?
42
00:06:06,500 --> 00:06:08,200
WELL, LOOKS LIKE A YOUNG LADY
43
00:06:08,230 --> 00:06:09,700
WITH A BULLET HOLE IN HER HEAD.
44
00:06:09,730 --> 00:06:10,900
LOOKS LIKE SHE CAME HOME,
45
00:06:10,930 --> 00:06:13,430
SURPRISED A BURGLAR, SAYONARA.
46
00:06:13,460 --> 00:06:16,260
HOUSEKEEPER FOUND THE BODY.
47
00:06:16,300 --> 00:06:17,900
YEAH, I KNOW.
48
00:06:17,930 --> 00:06:20,300
HER ROOM’S ON THE
OCEAN SIDE OF THE HOUSE.
49
00:06:20,330 --> 00:06:21,730
I DOUBT SHE HEARD ANYTHING.
50
00:06:21,760 --> 00:06:22,800
DID YOU KNOW HER?
51
00:06:22,830 --> 00:06:24,730
YEAH, I QUESTIONED
HER A COUPLE YEARS AGO.
52
00:06:24,760 --> 00:06:25,730
WAS SHE RAPED?
53
00:06:25,760 --> 00:06:27,900
NO, AT LEAST SHE
WAS SPARED THAT.
54
00:06:29,800 --> 00:06:32,330
.22 WITH A SILENCER.
55
00:06:32,360 --> 00:06:34,200
YEAH, WELL, IT WASN’T
A BURGLAR, EITHER.
56
00:06:34,230 --> 00:06:35,400
THAT WAS FAKED.
57
00:06:41,330 --> 00:06:42,630
MISS MONTGOMERY?
58
00:06:42,660 --> 00:06:44,630
SERGEANT McCALL
AND SERGEANT HUNTER.
59
00:06:44,660 --> 00:06:47,130
DO YOU MIND IF WE
STEP OUTSIDE HERE
60
00:06:47,160 --> 00:06:49,500
AND HAVE A TALK?
61
00:06:49,530 --> 00:06:51,160
YOU KNOW, YOU MAY OR
MAY NOT REMEMBER ME.
62
00:06:51,200 --> 00:06:53,300
I CAME BY A COUPLE OF
YEARS AGO TO TALK TO NIKKI
63
00:06:53,330 --> 00:06:55,130
ABOUT THE DEATH OF NAT CLAYPO.
64
00:06:55,160 --> 00:06:57,930
YES, YOU DO LOOK FAMILIAR.
65
00:06:57,960 --> 00:06:59,560
WHO PAID FOR NIKKI’S BILLS?
66
00:06:59,600 --> 00:07:01,100
DID SHE HAVE A BOYFRIEND?
67
00:07:01,130 --> 00:07:03,100
YOU MEAN WAS
SOMEBODY KEEPING HER?
68
00:07:03,130 --> 00:07:05,000
SHE WAS NOT THAT KIND OF GIRL!
69
00:07:05,030 --> 00:07:07,330
NO, MA’AM, I THINK
WHAT SERGEANT HUNTER
70
00:07:07,360 --> 00:07:09,100
IS TRYING TO DETERMINE
IS WHETHER OR NOT
71
00:07:09,130 --> 00:07:10,660
IT WAS SOMEBODY
OTHER THAN A BURGLAR.
72
00:07:10,700 --> 00:07:13,600
ONCE OR TWICE A WEEK, A
CAR WOULD PULL UP OUTSIDE,
73
00:07:13,630 --> 00:07:15,030
AND NIKKI WOULD BE WAITING.
74
00:07:15,060 --> 00:07:17,200
ALWAYS BROUGHT
HER HOME AT NIGHT.
75
00:07:17,230 --> 00:07:19,930
WELL, DID YOU ASK HER WHO
IT WAS, WHERE SHE WENT?
76
00:07:19,960 --> 00:07:21,760
I THINK THIS WILL HELP YOU.
77
00:07:21,800 --> 00:07:23,000
WHAT’S THAT?
78
00:07:23,030 --> 00:07:26,160
THE LICENSE NUMBER.
I COPIED IT DOWN.
79
00:07:39,360 --> 00:07:41,760
Woman: NO, NO, STOP IT! NO, NO.
80
00:07:41,800 --> 00:07:45,660
I’M SERIOUS. COME ON.
81
00:07:45,700 --> 00:07:49,600
IT’S MY TURN. LET ME
TAKE YOUR PICTURE.
82
00:07:51,260 --> 00:07:54,000
WELL? SAY SOMETHING.
83
00:07:54,030 --> 00:07:55,060
THAT’S NIKKI’S VOICE.
84
00:07:55,100 --> 00:07:56,800
WHAT DO YOU WANT ME TO DO?
85
00:07:56,830 --> 00:08:00,930
I JUST CAN’T BE NATURAL.
86
00:08:00,960 --> 00:08:03,930
YOU HAVE TO TELL ME
WHAT I’M SUPPOSED TO DO.
87
00:08:03,960 --> 00:08:08,130
OK. NO, STOP THAT!
88
00:08:09,630 --> 00:08:10,860
Hunter: GREG AVADON?
89
00:08:10,900 --> 00:08:12,476
Nikki: WHAT’S SO FUNNY?
ARE YOU LAUGHING AT ME?
90
00:08:12,500 --> 00:08:14,300
METRO P.D. HOMICIDE.
91
00:08:14,330 --> 00:08:15,860
ANSWER ME, GREG.
92
00:08:15,900 --> 00:08:20,060
GREG, YOU’RE MAKING
ME FEEL SELF-CONSCIOUS!
93
00:08:20,100 --> 00:08:22,260
Avadon: SHE’S DEAD.
94
00:08:23,630 --> 00:08:25,260
WELL, HOW DO YOU KNOW THAT?
95
00:08:25,300 --> 00:08:28,230
I CALLED THIS MORNING
ON HER PRIVATE LINE.
96
00:08:30,260 --> 00:08:32,560
THE HOUSEKEEPER ANSWERED.
97
00:08:32,600 --> 00:08:33,700
SHE TOLD ME.
98
00:08:33,730 --> 00:08:34,906
YOU SURE YOU
DIDN’T KNOW ABOUT IT
99
00:08:34,930 --> 00:08:36,300
MAYBE A LITTLE SOONER THAN THAT?
100
00:08:38,160 --> 00:08:41,300
JUST WHAT DO YOU MEAN BY THAT?
101
00:08:41,330 --> 00:08:43,200
YOU’RE SAYING THAT I KILLED HER?
102
00:08:43,230 --> 00:08:44,576
WELL, WAS THERE
ANYBODY ELSE INVOLVED
103
00:08:44,600 --> 00:08:45,830
IN HER LIFE OTHER THAN YOU?
104
00:08:45,860 --> 00:08:47,160
THERE WASN’T ANOTHER MAN,
105
00:08:47,200 --> 00:08:48,530
IF THAT’S WHAT YOU’RE SAYING.
106
00:08:48,560 --> 00:08:50,330
THEN YOU WERE THE
ONE WHO PAID HER BILLS.
107
00:08:50,360 --> 00:08:52,260
NO.
108
00:08:52,300 --> 00:08:54,860
WELL, SHE DIDN’T WORK.
HOW’D SHE GET HER MONEY?
109
00:08:54,900 --> 00:08:56,760
I DON’T KNOW.
110
00:08:56,800 --> 00:08:59,230
I’M BEGINNING TO WONDER IF
YOU REALLY KNEW HER AT ALL.
111
00:08:59,260 --> 00:09:01,500
SURE YOU DIDN’T HAVE A LITTLE
WIFE TUCKED AWAY SOMEWHERE?
112
00:09:01,530 --> 00:09:04,430
HEY, GET OFF MY CASE, WILL YOU?
113
00:09:04,460 --> 00:09:06,730
WELL, LOOK AT IT. YOU PICKED
HER UP, YOU DROPPED HER OFF.
114
00:09:06,760 --> 00:09:08,300
YOU NEVER EVEN SET
FOOT IN HER HOUSE.
115
00:09:08,330 --> 00:09:09,376
WHAT WERE YOU SO AFRAID OF?
116
00:09:09,400 --> 00:09:10,536
WHAT WERE YOU
TRYING TO HIDE FROM?
117
00:09:10,560 --> 00:09:13,930
IT WAS NIKKI WHO WAS
HIDING. SHE WAS SCARED!
118
00:09:13,960 --> 00:09:14,930
OF WHAT?
119
00:09:14,960 --> 00:09:18,030
I DON’T KNOW. I’D ASK HER...
120
00:09:21,660 --> 00:09:24,760
BUT THAT LOOK WOULD
COME OVER HER FACE, AND...
121
00:09:25,900 --> 00:09:28,260
THAT WOULD BE IT.
SHE WOULDN’T SAY...
122
00:09:28,300 --> 00:09:32,160
SHE NEVER DID...
WHO SHE WAS OR...
123
00:09:32,200 --> 00:09:34,160
WHERE SHE CAME FROM.
124
00:09:34,200 --> 00:09:37,330
WHEN WE WENT OUT, WE
WENT TO SANTA BARBARA.
125
00:09:39,600 --> 00:09:41,900
HEY, I’M TELLING YOU THE TRUTH!
126
00:09:41,930 --> 00:09:44,930
AT FIRST I THOUGHT, YEAH,
THERE’S GOT TO BE ANOTHER GUY.
127
00:09:47,860 --> 00:09:50,000
AND THEN I REALIZED
IT WASN’T THAT SIMPLE.
128
00:09:50,030 --> 00:09:51,760
BY THEN, I DIDN’T CARE.
129
00:09:51,800 --> 00:09:55,930
I ASKED HER TO MARRY
ME, AND SHE SAID YES.
130
00:09:57,200 --> 00:09:58,930
YOU WERE GOING TO BE MARRIED?
131
00:09:58,960 --> 00:10:02,100
"WHERE ARE WE
GOING TO LIVE," I SAID,
132
00:10:02,130 --> 00:10:03,630
"A DESERT ISLAND?"
133
00:10:03,660 --> 00:10:05,930
THEN SHE SAID,
134
00:10:05,960 --> 00:10:10,430
"THE DAY THAT I
BECOME YOUR WIFE..."
135
00:10:12,100 --> 00:10:14,430
"IS THE DAY I STOP HIDING."
136
00:10:14,460 --> 00:10:17,100
WE’LL SHOW OURSELVES OUT.
137
00:10:17,130 --> 00:10:20,230
DO YOURSELF A FAVOR, GREG.
138
00:10:20,260 --> 00:10:22,100
PUT THE TAPES AWAY, HUH?
139
00:10:36,460 --> 00:10:39,660
McCall: I DON’T THINK HE DID IT.
140
00:10:39,700 --> 00:10:42,700
WELL, I HAPPEN TO
AGREE WITH YOU.
141
00:10:42,730 --> 00:10:44,130
SO IF HE DIDN’T DO IT,
142
00:10:44,160 --> 00:10:45,430
AND THE BURGLARY WAS A FAKE,
143
00:10:45,460 --> 00:10:46,760
THEN WHO KILLED HER?
144
00:10:48,560 --> 00:10:50,260
YOU KNOW, I’M VERY, VERY GLAD
145
00:10:50,300 --> 00:10:51,600
YOU ASKED ME THAT QUESTION.
146
00:10:51,630 --> 00:10:52,600
Hunter: RECOGNIZE HIM?
147
00:10:52,630 --> 00:10:53,600
McCall: MICHAEL VARNE.
148
00:10:53,630 --> 00:10:55,460
YEP. NIKKI RICHMAN
WAS HIS MISTRESS
149
00:10:55,500 --> 00:10:58,200
WHEN NAT CLAYPO
WASHED UP ON A BEACH.
150
00:10:58,230 --> 00:11:00,930
THEY NEVER SOLVED
THAT CASE, DID THEY?
151
00:11:00,960 --> 00:11:03,030
NO, I NEVER DID.
152
00:11:52,560 --> 00:11:54,300
COME ON, GUYS, YOU
DON’T GO AROUND
153
00:11:54,330 --> 00:11:55,830
ACCUSING MICHAEL VARNE OF MURDER
154
00:11:55,860 --> 00:11:58,130
BECAUSE SOMEBODY’S
BURGLARY WENT SOUR.
155
00:11:58,160 --> 00:11:59,800
THAT’S LIKE ACCUSING
HOWARD HUGHES
156
00:11:59,830 --> 00:12:01,360
OF RIGGING A VOLLEYBALL GAME.
157
00:12:01,400 --> 00:12:04,360
LOOK, LIEUTENANT, REMEMBER
THE NAT CLAYPO MURDER CASE?
158
00:12:04,400 --> 00:12:06,560
YEAH. I HAVEN’T
BEEN LIVING IN A CAVE.
159
00:12:06,600 --> 00:12:09,760
NAT CLAYPO AND MICHAEL VARNE
WERE BUSINESS ASSOCIATES.
160
00:12:09,800 --> 00:12:11,760
DOPE SMUGGLING FROM COLOMBIA.
161
00:12:11,800 --> 00:12:13,030
BOTH BECOME EXTREMELY WEALTHY.
162
00:12:13,060 --> 00:12:16,460
WELL, ONE DAY, CLAYPO
WINDS UP ON THE BEACH, DEAD.
163
00:12:16,500 --> 00:12:18,660
NOW, IT WAS MY FEELING
THEN, AS IT IS NOW,
164
00:12:18,700 --> 00:12:19,760
THAT VARNE HAD HIM KILLED.
165
00:12:19,800 --> 00:12:21,160
WAIT A MINUTE, WAIT A MINUTE.
166
00:12:21,200 --> 00:12:23,160
ARE WE TALKING ABOUT
THE SAME MICHAEL VARNE?
167
00:12:23,200 --> 00:12:24,960
THE INTERNATIONAL FINANCIER,
168
00:12:25,000 --> 00:12:26,760
BUYS HIMSELF SMALL
PLANETS, THAT GUY?
169
00:12:26,800 --> 00:12:27,900
YES.
170
00:12:27,930 --> 00:12:30,660
AND YOU WERE GOING
AROUND SHOWING HIS PICTURE
171
00:12:30,700 --> 00:12:31,830
TO TRY TO FLUSH HIM OUT?
172
00:12:31,860 --> 00:12:33,606
WE TRIED TO FIND HIM
AT HIS HOUSE IN BEL AIR,
173
00:12:33,630 --> 00:12:35,006
AT HIS YACHT, HIS
PLACE IN THE SPRINGS.
174
00:12:35,030 --> 00:12:36,536
IT WAS LIKE TRYING
TO FIND THE PRESIDENT.
175
00:12:36,560 --> 00:12:38,960
I DON’T BELIEVE YOU GUYS.
ROOTING HIM OUT THIS WAY,
176
00:12:39,000 --> 00:12:39,960
THAT’S NEVER GOING TO WORK.
177
00:12:40,000 --> 00:12:41,400
HUNTER? THERE’S A GUY OUT FRONT.
178
00:12:41,430 --> 00:12:43,700
SOMETHING ABOUT MICHAEL
VARNE WANTING TO SEE YOU.
179
00:12:46,360 --> 00:12:47,560
HANG THAT UP FOR ME, WILL YOU?
180
00:12:52,360 --> 00:12:53,530
Chauffeur: SERGEANT HUNTER?
181
00:12:53,560 --> 00:12:54,600
YEP.
182
00:12:54,630 --> 00:12:58,560
MR. VARNE IS READY
TO SEE YOU NOW.
183
00:12:58,600 --> 00:12:59,660
IS HE IN THERE?
184
00:12:59,700 --> 00:13:01,960
NO. A PLACE OF HIS CHOOSING.
185
00:13:02,000 --> 00:13:04,700
A SECRET PLACE THAT HE
WISHES TO REMAIN SECRET.
186
00:13:04,730 --> 00:13:06,106
YOU’RE GOING TO
TAKE US TO HIM, RIGHT?
187
00:13:06,130 --> 00:13:07,760
IF YOU AGREE TO THE RULES.
188
00:13:07,800 --> 00:13:09,700
FIRST, YOU WILL NOT
KNOW WHERE WE’RE GOING,
189
00:13:09,730 --> 00:13:10,876
AND THE DOORS WILL BE LOCKED,
190
00:13:10,900 --> 00:13:13,200
AND YOU WILL AGREE
TO HAND YOUR WEAPONS
191
00:13:13,230 --> 00:13:14,930
OVER TO ME UNTIL WE RETURN.
192
00:13:14,960 --> 00:13:18,160
SORRY. METRO P.D. POLICY
IS NOT TO GIVE UP OUR GUNS.
193
00:13:18,200 --> 00:13:20,530
IF YOU WANT TO SEE
MR. VARNE, YOU WILL.
194
00:13:20,560 --> 00:13:21,806
HOW LONG ARE WE
GOING TO BE GONE?
195
00:13:21,830 --> 00:13:24,760
THAT DEPENDS UPON THE
LENGTH OF YOUR DISCUSSIONS.
196
00:13:24,800 --> 00:13:26,930
A MINIMUM OF TWO
AND A HALF HOURS.
197
00:13:26,960 --> 00:13:30,230
JOHNNY, TAKE THE
VEHICLE I.D. NUMBER DOWN
198
00:13:30,260 --> 00:13:31,330
ON THIS LIMO, WILL YOU?
199
00:13:31,360 --> 00:13:32,900
WE’RE GOING TO GO
SEE MICHAEL VARNE.
200
00:13:32,930 --> 00:13:35,860
IF WE’RE NOT BACK IN ABOUT 3
HOURS, PUT OUT AN A.P.B. FOR US.
201
00:13:35,900 --> 00:13:36,900
YOU GOT IT, HUNTER.
202
00:13:48,200 --> 00:13:50,600
SO, WHAT DO YOU THINK IS THE
WORST THAT COULD HAPPEN TO US?
203
00:13:50,630 --> 00:13:51,600
THE WORST THAT COULD HAPPEN
204
00:13:51,630 --> 00:13:53,660
IS VARNE TURNING
US OVER TO WYLER
205
00:13:53,700 --> 00:13:54,960
FOR GIVING UP OUR GUNS, RIGHT?
206
00:13:55,000 --> 00:13:58,100
YEAH, AND THE SECOND
WORST IS HE COULD KILL US.
207
00:14:54,930 --> 00:14:58,430
YOU’LL FIND MR. VARNE
THROUGH THAT DOOR.
208
00:15:36,030 --> 00:15:37,160
Sunderson: IN HERE.
209
00:15:50,300 --> 00:15:51,860
UP AGAINST THE
WALL, BOTH OF YOU.
210
00:15:51,900 --> 00:15:53,300
THEY TOOK OUR
GUNS. YOU KNOW THAT.
211
00:15:53,330 --> 00:15:54,300
I DON’T CARE!
212
00:15:54,330 --> 00:15:55,330
HEY!
213
00:15:58,000 --> 00:15:59,460
Varne: GENTLEMEN!
214
00:16:04,630 --> 00:16:09,430
YOU KNOW, THAT’S
WHAT I LIKE ABOUT L.A.
215
00:16:09,460 --> 00:16:11,800
ONE NIGHT A MAN WALKS ON FIRE,
216
00:16:11,830 --> 00:16:16,360
THE NEXT DAY HIS
RENT CHECK BOUNCES.
217
00:16:16,400 --> 00:16:21,460
YOU KNOW, I SPEND A LOT OF MONEY
218
00:16:21,500 --> 00:16:23,460
JUST TO AVOID PUBLICITY,
219
00:16:23,500 --> 00:16:26,960
JUST TO KEEP MY NAME
OFF OF PEOPLE’S TONGUES.
220
00:16:28,760 --> 00:16:30,300
AND THEN YOU COME ALONG.
221
00:16:30,330 --> 00:16:31,660
WELL, YOU SEE, WE’RE THE POLICE,
222
00:16:31,700 --> 00:16:33,376
AND WE’RE INVESTIGATING
THE MURDER OF NIKKI RICHMAN.
223
00:16:33,400 --> 00:16:36,130
YES, I KNOW THAT,
224
00:16:36,160 --> 00:16:37,860
BUT I NEVER MET HER.
225
00:16:37,900 --> 00:16:41,760
WHY ARE YOU RUNNING AROUND
TOWN LIKE A RAMPAGING BABOON
226
00:16:41,800 --> 00:16:43,900
ACCUSING ME OF MURDERING HER?
227
00:16:43,930 --> 00:16:45,330
OH, YOU MET HER, ALL RIGHT.
228
00:16:49,200 --> 00:16:52,460
PEOPLE LIKE YOU ARE
DANGEROUS, YOU KNOW THAT?
229
00:16:52,500 --> 00:16:55,960
PEOPLE LIKE YOU
OUGHT TO BE STOPPED.
230
00:16:56,000 --> 00:16:57,700
JUST LIKE YOU
STOPPED NIKKI RICHMAN?
231
00:16:57,730 --> 00:17:00,130
YOU DON’T KNOW WHAT
YOU’RE FREAKIN’ TALKING ABOUT.
232
00:17:00,160 --> 00:17:01,400
NIKKI WAS YOUR MISTRESS
233
00:17:01,430 --> 00:17:03,036
WHEN YOU LIVED DOWN
IN THE CAYMAN ISLANDS.
234
00:17:03,060 --> 00:17:04,960
I NEVER MET HER.
235
00:17:05,000 --> 00:17:07,400
YEAH, AND I QUESTIONED
HER ABOUT 3 YEARS AGO,
236
00:17:07,430 --> 00:17:09,460
WHEN NAT CLAYPO’S BODY
WASHED UP ON THE BEACH.
237
00:17:09,500 --> 00:17:12,560
YOU WERE KEEPING HER THEN,
AND YOU PROBABLY STILL WERE,
238
00:17:12,600 --> 00:17:14,460
UP UNTIL ABOUT,
OH, TWO DAYS AGO.
239
00:17:14,500 --> 00:17:16,660
WHAT A WORK OF FICTION.
240
00:17:16,700 --> 00:17:19,930
UNFORTUNATELY FOR NIKKI, SHE
SAW YOU MURDER NAT CLAYPO.
241
00:17:19,960 --> 00:17:20,960
ISN’T THAT RIGHT?
242
00:17:21,000 --> 00:17:23,530
IF YOU DON’T STOP
EMBARRASSING ME
243
00:17:23,560 --> 00:17:26,000
WITH THESE RABID ACCUSATIONS,
244
00:17:26,030 --> 00:17:28,460
YOU’RE GOING TO PAY A
HELL OF A PRICE FOR IT.
245
00:17:28,500 --> 00:17:31,030
IS THAT ALL?
246
00:17:31,060 --> 00:17:32,930
IT WILL BE.
247
00:17:45,400 --> 00:17:46,730
McCall: DEAD END, HUH?
248
00:17:46,760 --> 00:17:48,536
Hunter: WELL, I WOULDN’T
SAY IT WAS A DEAD END.
249
00:17:48,560 --> 00:17:50,000
I THINK WE MADE THE GUY NERVOUS,
250
00:17:50,030 --> 00:17:51,300
AND WHEN VARNE GETS NERVOUS,
251
00:17:51,330 --> 00:17:52,600
HE USUALLY DOES SOMETHING.
252
00:17:52,630 --> 00:17:55,130
I WISH YOU HADN’T SAID THAT.
253
00:18:26,730 --> 00:18:28,160
IF HE KEEPS DOING THAT,
254
00:18:28,200 --> 00:18:30,960
I’M GOING TO HAVE
TO GIVE HIM A TICKET.
255
00:18:31,000 --> 00:18:33,030
I’M GOING TO STICK MY
HEAD IN THE COMPUTER ROOM.
256
00:18:33,060 --> 00:18:34,100
WANT TO COME ALONG?
257
00:18:34,130 --> 00:18:35,860
OH, THAT SOUNDS
LIKE A GREAT EVENING,
258
00:18:35,900 --> 00:18:39,500
BUT AFTER SUCH AN
EVENTFUL DAY, I AM EXHAUSTED.
259
00:18:39,530 --> 00:18:40,900
MY FEET ARE KILLING ME.
260
00:18:40,930 --> 00:18:42,036
I’M GOING TO GO
HOME AND GO TO BED.
261
00:18:42,060 --> 00:18:43,160
I DON’T BLAME YOU.
262
00:18:43,200 --> 00:18:44,160
IF YOU FIND OUT ANYTHING,
GIVE ME A CALL, OK?
263
00:18:44,200 --> 00:18:45,560
YEAH.
264
00:18:45,600 --> 00:18:48,600
OH, AND BY THE WAY, YOU’D
BETTER LAY OFF THE DOUGHNUTS.
265
00:18:48,630 --> 00:18:50,800
YOU’RE STARTING
TO GET A LITTLE, UH...
266
00:19:02,330 --> 00:19:04,660
OH! HEY, HUNTER. HEY, I
WAS JUST LOOKING FOR YOU.
267
00:19:04,700 --> 00:19:05,900
YEAH, I CAN SEE THAT.
268
00:19:05,930 --> 00:19:08,060
I HAVE SOME INFORMATION
FOR YOU ON NIKKI RICHMAN.
269
00:19:08,100 --> 00:19:09,260
YEAH, WHAT ABOUT HER?
270
00:19:09,300 --> 00:19:10,760
PLACE WHERE SHE WORKED.
271
00:19:10,800 --> 00:19:12,630
WAIT A MINUTE, BUZZ,
SHE DIDN’T WORK.
272
00:19:12,660 --> 00:19:14,300
NO, SHE DIDN’T
WORK, TECHNICALLY,
273
00:19:14,330 --> 00:19:16,300
BUT SHE WAS ON THE PAYROLL.
274
00:19:16,330 --> 00:19:18,630
MAKING A PRETTY
NICE SALARY, TOO.
275
00:19:18,660 --> 00:19:20,160
WAIT A MINUTE, WHAT PAYROLL?
276
00:19:20,200 --> 00:19:21,560
METRO COMPUTER ROOM.
277
00:19:21,600 --> 00:19:23,400
IT’S AN OVERSEAS
HOLDING COMPANY.
278
00:19:23,430 --> 00:19:25,400
IT’S MULTINATIONAL
GENERAL CORPORATION.
279
00:19:25,430 --> 00:19:26,630
YEAH?
280
00:19:26,660 --> 00:19:28,500
Man on phone: I’M LOOKING
FOR SERGEANT HUNTER.
281
00:19:28,530 --> 00:19:31,530
IT’S FOR YOU.
282
00:19:31,560 --> 00:19:33,000
YEAH, HUNTER.
283
00:19:33,030 --> 00:19:34,176
HEY, MAN, YOU
KNOW HOW HARD IT IS
284
00:19:34,200 --> 00:19:35,560
TO GET A HOLD OF YOU?
285
00:19:35,600 --> 00:19:38,160
LISTEN, I HEARD YOU WERE
ASKING ABOUT A GUY NAMED VARNE.
286
00:19:38,200 --> 00:19:40,430
YEAH, WELL, I GOT
SOMETHING FOR YOU, OK?
287
00:19:40,460 --> 00:19:44,300
SOMETHING REAL JUICY.
288
00:19:44,330 --> 00:19:46,236
YEAH, BUT IT’S GOING TO COST
YOU A COUPLE OF BIG FAVORS,
289
00:19:46,260 --> 00:19:47,230
YOU KNOW WHAT I MEAN?
290
00:19:47,260 --> 00:19:48,460
WHAT DO YOU GOT, ROCKET?
291
00:19:48,500 --> 00:19:49,730
WHAT ARE YOU, KIDDING?
292
00:19:49,760 --> 00:19:52,300
YOU THINK I’M GOING TO
TELL YOU OVER THE PHONE?
293
00:19:52,330 --> 00:19:54,960
LISTEN, I’M STAYING AT
THIS FLEABAG DOWNTOWN,
294
00:19:55,000 --> 00:19:55,960
BUT I DON’T WANT TO BE SEEN
295
00:19:56,000 --> 00:19:57,660
TALKING TO ANY COPS, ALL RIGHT?
296
00:19:57,700 --> 00:19:59,800
MAKE UP YOUR MIND. WHAT
DO YOU WANT TO DO HERE?
297
00:19:59,830 --> 00:20:01,136
ALL RIGHT, ALL RIGHT,
JUST HOLD ON, ALL RIGHT?
298
00:20:01,160 --> 00:20:02,630
LET ME THINK A MINUTE.
299
00:20:04,360 --> 00:20:05,730
ALL RIGHT, LISTEN.
300
00:20:05,760 --> 00:20:08,560
THERE’S THIS ALLEY
BEHIND THE HOTEL.
301
00:20:08,600 --> 00:20:09,630
WHAT HOTEL?
302
00:20:09,660 --> 00:20:12,630
THE EDISON. 20th AND VERMONT.
303
00:20:12,660 --> 00:20:15,930
OH, AND HUNTER, IF I
WERE YOU, I’D BE CAREFUL,
304
00:20:15,960 --> 00:20:18,430
BECAUSE IT’S KIND OF A
ROUGH NEIGHBORHOOD, OK?
305
00:20:18,460 --> 00:20:21,460
KEEP YOUR DOORS
LOCKED UNTIL I GET THERE.
306
00:21:01,000 --> 00:21:04,400
Woman: HELP! SOMEBODY HELP!
307
00:21:04,430 --> 00:21:08,200
HELP! SOMEBODY HELP!
308
00:21:08,230 --> 00:21:10,200
MA’AM, I’M THE POLICE.
WHAT’S HAPPENED?
309
00:21:10,230 --> 00:21:12,660
HE... SOMEBODY BEAT HIM.
310
00:21:12,700 --> 00:21:14,860
YOU CAN’T BELIEVE
WHAT THEY DID TO HIM!
311
00:21:14,900 --> 00:21:15,960
WHERE IS HE?
312
00:21:16,000 --> 00:21:18,460
ROOM... ROOM 207. PLEASE HELP!
313
00:21:18,500 --> 00:21:20,830
ALL RIGHT. STAY RIGHT HERE.
314
00:21:46,900 --> 00:21:48,300
FREEZE!
315
00:22:01,260 --> 00:22:03,360
CAN YOU TALK?
316
00:22:03,400 --> 00:22:05,800
WHO DID THIS TO YOU?
317
00:22:12,830 --> 00:22:14,630
HEY, YOU GOT A TELEPHONE?
318
00:22:14,660 --> 00:22:16,800
MY WIFE ALREADY CALLED THE COPS!
319
00:22:26,430 --> 00:22:29,100
IS HE GOING TO BE ALL RIGHT?
320
00:22:29,130 --> 00:22:30,760
LOOKS LIKE IT.
321
00:22:30,800 --> 00:22:31,760
AND MOST OF THE INJURIES,
322
00:22:31,800 --> 00:22:33,730
BAD AS THEY LOOK,
ARE SUPERFICIAL.
323
00:22:33,760 --> 00:22:35,600
Man: WHAT’D YOU
SAY HIS NAME WAS?
324
00:22:35,630 --> 00:22:36,860
EUGENE RAYMARK.
325
00:22:36,900 --> 00:22:38,730
HE’S THE PRESIDENT OF
THE BEVERLY HILLS BANK.
326
00:22:40,060 --> 00:22:41,630
THAT’S WHAT IT
SAID IN HIS WALLET.
327
00:22:41,660 --> 00:22:44,930
OK, DOC, IF I ASK HIM
A FEW QUESTIONS?
328
00:22:46,700 --> 00:22:48,830
KEEP IT SHORT.
329
00:22:51,600 --> 00:22:54,630
MR. RAYMARK, CAN YOU HEAR ME?
330
00:22:56,630 --> 00:22:59,130
I’M SERGEANT CALIFAGNO.
331
00:22:59,160 --> 00:23:01,200
MR. RAYMARK, DO
YOU HAVE ANY IDEA
332
00:23:01,230 --> 00:23:04,060
WHO COULD HAVE DONE THIS TO YOU?
333
00:23:13,630 --> 00:23:15,360
THERE.
334
00:23:16,830 --> 00:23:19,460
THERE’S THE MAN WHO DID THIS.
335
00:23:22,500 --> 00:23:24,860
MR. RAYMARK, I DON’T
THINK YOU UNDERSTAND.
336
00:23:24,900 --> 00:23:26,260
THIS IS SERGEANT HUNTER.
337
00:23:26,300 --> 00:23:27,300
NO!
338
00:23:27,330 --> 00:23:28,430
HE’S A POLICE OFFICER.
339
00:23:28,460 --> 00:23:29,506
HE’S THE ONE WHO
FOUND YOU, MR. RAYMARK.
340
00:23:29,530 --> 00:23:33,260
HE’S THE MAN WHO
LURED ME TO THAT ROOM.
341
00:23:33,300 --> 00:23:35,030
HE DID THIS!
342
00:23:35,060 --> 00:23:38,100
MR. RAYMARK, WHY ON EARTH
343
00:23:38,130 --> 00:23:40,000
WOULD SERGEANT HUNTER
DO A THING LIKE THAT?
344
00:23:40,030 --> 00:23:42,700
I DON’T KNOW.
345
00:23:45,260 --> 00:23:47,900
WHY DON’T YOU ASK
SERGEANT HUNTER?
346
00:23:53,900 --> 00:23:56,200
Captain Wyler: SERGEANT, IT
IS MY DUTY TO INFORM YOU
347
00:23:56,230 --> 00:23:58,730
THAT YOU ARE IMMEDIATELY
SUSPENDED FROM ALL DUTIES.
348
00:23:58,760 --> 00:24:01,700
YOU WILL BE STRIPPED
OF BADGE AND GUN
349
00:24:01,730 --> 00:24:03,560
UNTIL AN INVESTIGATION
OF FELONY CHARGES
350
00:24:03,600 --> 00:24:07,200
AGAINST YOU IS COMPLETED,
AND IF SAID CHARGES
351
00:24:07,230 --> 00:24:08,906
PROVE TO BE CORRECT,
THAT YOU BE DISCHARGED
352
00:24:08,930 --> 00:24:10,700
SUMMARILY FROM THIS
DEPARTMENT TO ANSWER
353
00:24:10,730 --> 00:24:12,700
ALL CIVIL AND CRIMINAL
CHARGES AGAINST YOU.
354
00:24:12,730 --> 00:24:13,906
DO YOU UNDERSTAND
THESE INSTRUCTIONS?
355
00:24:13,930 --> 00:24:15,960
YES, I DO.
356
00:24:17,300 --> 00:24:20,130
SO, NOW IT’S IN THE HANDS
OF INTERNAL AFFAIRS.
357
00:24:20,160 --> 00:24:22,200
THERE’S NOTHING MORE WE CAN DO,
358
00:24:22,230 --> 00:24:24,100
UNLESS ANYONE HAS
ANY SUGGESTIONS.
359
00:24:24,130 --> 00:24:25,330
I’VE GOT ONE.
360
00:24:25,360 --> 00:24:26,476
WHEN ARE YOU GUYS GOING TO START
361
00:24:26,500 --> 00:24:27,700
USING YOUR HEADS ON THIS DEAL?
362
00:24:27,730 --> 00:24:28,776
HUNTER, WE CHECKED
OUT THIS GUY RAYMARK
363
00:24:28,800 --> 00:24:30,230
PRETTY THOROUGHLY.
364
00:24:30,260 --> 00:24:31,976
HE’S A HIGHLY RESPECTED
BEVERLY HILLS BANKER.
365
00:24:32,000 --> 00:24:33,136
IT’S KIND OF HARD
TO BELIEVE THAT...
366
00:24:33,160 --> 00:24:36,060
BERNIE, WHAT WAS THAT
HIGHLY RESPECTED BANKER
367
00:24:36,100 --> 00:24:37,930
DOING IN THAT SLUM
HOTEL TO BEGIN WITH?
368
00:24:37,960 --> 00:24:39,776
AND HOW ABOUT ROCKET, MY
SNITCH? WHAT HAPPENED TO HIM?
369
00:24:39,800 --> 00:24:41,076
AND THE SCREAMING
WOMAN THAT CAME OUT
370
00:24:41,100 --> 00:24:42,060
OF THE HOTEL IN THE RAIN?
371
00:24:42,100 --> 00:24:43,430
WHAT HAPPENED TO HER?
372
00:24:43,460 --> 00:24:44,430
VARNE.
373
00:24:44,460 --> 00:24:45,830
RAYMARK TOOK
THAT KIND OF BEATING
374
00:24:45,860 --> 00:24:47,960
AS SOME KIND OF FAVOR?
375
00:24:48,000 --> 00:24:49,560
I FIND THAT HARD TO BELIEVE.
376
00:24:49,600 --> 00:24:50,560
CAPTAIN, THE DOCTOR SAID
377
00:24:50,600 --> 00:24:52,060
HE WASN’T THAT BADLY BEATEN UP.
378
00:24:52,100 --> 00:24:54,830
COME ON, IT WAS A COSMETIC
BEATING, FOR CRYING OUT LOUD.
379
00:24:57,800 --> 00:25:00,760
COME ON, GET WITH THE
PROGRAM, YOU GUYS! WAKE UP!
380
00:25:00,800 --> 00:25:04,400
AN HOUR AGO, A BLOOD
CLOT CAUSED BY THE BEATING
381
00:25:04,430 --> 00:25:06,300
LODGED IN RAYMARK’S BRAIN.
382
00:25:06,330 --> 00:25:09,630
HE’S IN SURGERY RIGHT
NOW. CRITICAL CONDITION.
383
00:25:09,660 --> 00:25:11,500
BARNEY, THE BLOOD
CLOT WAS AN ACCIDENT.
384
00:25:11,530 --> 00:25:14,500
GIVING SOMEBODY A FAKE
BEATING IS NOT AN EXACT SCIENCE.
385
00:25:14,530 --> 00:25:17,630
SERGEANT HUNTER,
THE D.A. HAS ORDERED ME
386
00:25:17,660 --> 00:25:19,400
TO ARREST YOU AND BOOK YOU
387
00:25:19,430 --> 00:25:21,230
ON A CHARGE OF
FELONIOUS ASSAULT.
388
00:25:21,260 --> 00:25:22,460
THAT’S GREAT. LET’S GET
389
00:25:22,500 --> 00:25:23,536
THE PRELIMINARY
HEARING OUT OF THE WAY
390
00:25:23,560 --> 00:25:24,676
AND GET THIS THING
OVER WITH, HUH?
391
00:25:24,700 --> 00:25:26,330
NO PRELIM. NOT YET.
392
00:25:26,360 --> 00:25:27,330
D.A. WANTS TO WAIT TO SEE
393
00:25:27,360 --> 00:25:29,060
WHETHER RAYMARK LIVES OR DIES.
394
00:26:10,160 --> 00:26:11,800
YOU KNOW GINGER?
395
00:26:11,830 --> 00:26:14,100
SHE’S ONE OF GYPSY’S GIRLS?
396
00:26:14,130 --> 00:26:16,800
SHE’S LOOKING FOR
ROCKET. YOU SEEN HIM?
397
00:26:20,960 --> 00:26:23,160
ALL RIGHT, WELL, LISTEN.
IF YOU HEAR ANYTHING,
398
00:26:23,200 --> 00:26:24,700
GET IN TOUCH WITH BOOZIE
399
00:26:24,730 --> 00:26:27,000
OVER AT REGGIE’S BAR, WILL YOU?
400
00:27:13,860 --> 00:27:16,260
ALL RIGHT, YOU LIE TO ME, I’M
GOING TO BREAK YOUR NECK.
401
00:27:16,300 --> 00:27:18,930
WHERE’S THE ROCKET HIDING?
402
00:27:18,960 --> 00:27:20,130
COME ON...
403
00:27:31,900 --> 00:27:34,230
YOU’RE BUSTED. GET IN.
404
00:27:39,760 --> 00:27:42,600
THEY JUST FOUND
HUNTER’S MISSING SNITCH.
405
00:27:42,630 --> 00:27:45,200
WELL, THANK GOD.
LET’S GO TELL HIM.
406
00:27:45,230 --> 00:27:48,560
I THINK HE ALREADY KNOWS.
407
00:28:20,900 --> 00:28:22,760
SOMEBODY FOUND HIM JUST IN TIME.
408
00:28:22,800 --> 00:28:24,430
ANOTHER 20 SECONDS,
HE’D HAVE BEEN BURIED
409
00:28:24,460 --> 00:28:27,130
UNDER 300 TONS OF CONCRETE.
410
00:28:28,730 --> 00:28:30,160
SORRY, HUNTER.
411
00:28:30,200 --> 00:28:32,060
YOU KNOW, I THINK VARNE
OUTSMARTED HIMSELF
412
00:28:32,100 --> 00:28:33,800
WITH THAT RAYMARK DEAL.
413
00:28:33,830 --> 00:28:36,830
RAYMARK’S IN PRETTY BAD
SHAPE, EVEN IF HE WOULD TALK.
414
00:28:36,860 --> 00:28:38,000
YOU’D BETTER GET A GUARD
415
00:28:38,030 --> 00:28:39,430
OVER TO THE HOSPITAL REAL QUICK.
416
00:28:39,460 --> 00:28:41,700
I WILL IF YOU THINK
IT’LL DO ANY GOOD.
417
00:28:41,730 --> 00:28:44,200
RAYMARK’S HOLDING
ON BY A THREAD AS IT IS.
418
00:28:44,230 --> 00:28:46,730
LOOK, HUNTER, DON’T LET THIS
419
00:28:46,760 --> 00:28:48,660
MAKE YOU DO ANYTHING STUPID.
420
00:28:48,700 --> 00:28:50,400
WHAT, LIKE LOSE MY BADGE?
421
00:28:53,400 --> 00:28:57,560
HUNTER, YOU OK? YOU ALL RIGHT?
422
00:28:57,600 --> 00:28:59,060
NO.
423
00:28:59,100 --> 00:29:00,430
WHERE YOU GOING?
424
00:29:00,460 --> 00:29:02,130
TO MY BED.
425
00:29:29,760 --> 00:29:32,460
MR. HUNTER, ARE YOU ALL RIGHT?
426
00:29:35,760 --> 00:29:38,200
DROP IT, OR I’LL BLOW
YOUR BRAINS OUT.
427
00:29:38,230 --> 00:29:39,560
MR. HUNTER?
428
00:29:39,600 --> 00:29:41,400
IT’S ALL RIGHT, MRS.
RODNEY. GO BACK TO BED.
429
00:29:41,430 --> 00:29:42,430
COME ON.
430
00:29:48,800 --> 00:29:50,830
WHAT YOU GOT HERE?
431
00:29:54,630 --> 00:29:56,136
WHAT THE HELL DO YOU
THINK YOU’RE DOING?
432
00:29:56,160 --> 00:29:57,160
TRYING TO KILL YOU!
433
00:29:57,200 --> 00:29:58,360
WHO ARE YOU?
434
00:29:58,400 --> 00:30:00,060
GLORIA RAYMARK!
435
00:30:00,100 --> 00:30:01,800
GLORIA RAYMARK?
436
00:30:02,930 --> 00:30:04,460
COME HERE!
437
00:30:04,500 --> 00:30:06,030
NOW LISTEN!
438
00:30:06,060 --> 00:30:08,100
SETTLE DOWN, OR I’M GOING
TO TAKE YOU DOWNTOWN
439
00:30:08,130 --> 00:30:09,100
AND BOOK YOU ON
ATTEMPTED MURDER.
440
00:30:09,130 --> 00:30:10,100
WHAT ARE YOU
GOING TO TRY AND DO,
441
00:30:10,130 --> 00:30:11,176
BEAT ME UP LIKE
YOU DID MY FATHER?
442
00:30:11,200 --> 00:30:12,276
I DON’T EVEN KNOW YOUR OLD MAN.
443
00:30:12,300 --> 00:30:13,760
NEVER LAID A HAND ON HIM.
444
00:30:13,800 --> 00:30:15,260
THERE’S NO MISTAKE!
445
00:30:15,300 --> 00:30:17,360
HE... HE WAS POSITIVE
WHEN HE POINTED YOU OUT!
446
00:30:17,400 --> 00:30:18,836
OH, HE WAS POSITIVE,
ALL RIGHT. THAT’S BECAUSE
447
00:30:18,860 --> 00:30:19,876
HE’S TAKING INSTRUCTIONS
FROM MICHAEL VARNE.
448
00:30:19,900 --> 00:30:21,060
YOU’RE CRAZY!
449
00:30:21,100 --> 00:30:23,260
I DON’T EVEN THINK MY
FATHER KNOWS MICHAEL VARNE!
450
00:30:23,300 --> 00:30:25,930
OH, HE KNOWS HIM, ALL RIGHT.
HE TOOK A BEATING FOR HIM.
451
00:30:25,960 --> 00:30:27,000
LET ME GO.
452
00:30:27,030 --> 00:30:28,130
LOOKIT.
453
00:30:28,160 --> 00:30:30,860
SIT DOWN NOW. GET THIS
THROUGH YOUR HEAD.
454
00:30:30,900 --> 00:30:32,230
VARNE’S TRYING TO GET AT ME,
455
00:30:32,260 --> 00:30:34,006
WHICH MEANS HE’S GOT
SOMETHING ON YOUR OLD MAN.
456
00:30:34,030 --> 00:30:35,500
YOU’RE LYING.
457
00:30:35,530 --> 00:30:37,430
REALLY?
458
00:30:37,460 --> 00:30:38,630
STAY RIGHT THERE.
459
00:30:45,930 --> 00:30:48,030
COME ON. McCALL?
460
00:30:48,060 --> 00:30:51,760
MEET ME AT MY
HOUSE. MAKE IT QUICK.
461
00:30:51,800 --> 00:30:54,160
MEET GLORIA RAYMARK.
462
00:30:54,200 --> 00:30:55,400
SHE’S 19.
463
00:30:55,430 --> 00:30:57,400
SHE JUST TRIED TO
KILL ME, DIDN’T YOU?
464
00:30:57,430 --> 00:31:00,860
NOW, WHAT I WANT YOU TO
DO, I WANT YOU TO TALK TO HER.
465
00:31:00,900 --> 00:31:02,100
TRY AND WAKE HER UP.
466
00:31:02,130 --> 00:31:05,160
AND WHEN YOU DO,
COME WAKE ME UP,
467
00:31:05,200 --> 00:31:08,630
’CAUSE I’M GOING
TO BED. GOOD NIGHT.
468
00:31:16,700 --> 00:31:18,500
SO, YOU DO THIS
SORT OF THING OFTEN?
469
00:31:18,530 --> 00:31:21,630
DON’T PATRONIZE ME.
470
00:31:21,660 --> 00:31:23,500
HUNTER’S ADDRESS ISN’T LISTED.
471
00:31:23,530 --> 00:31:24,776
HOW DID YOU FIND
OUT WHERE HE LIVES?
472
00:31:24,800 --> 00:31:26,800
I NEVER TAKE NO FOR AN ANSWER.
473
00:31:26,830 --> 00:31:28,500
MAYBE THAT’S YOUR PROBLEM.
474
00:31:30,360 --> 00:31:33,130
WHY DON’T WE GO HAVE
SOME COFFEE AND TALK?
475
00:31:34,760 --> 00:31:35,960
COME ON.
476
00:31:46,460 --> 00:31:49,430
YOU KNOW, WHAT
YOU DID HERE TONIGHT,
477
00:31:49,460 --> 00:31:52,100
IT’S CALLED ATTEMPTED HOMICIDE.
478
00:31:52,130 --> 00:31:54,560
COULD GET YOU 10 TO 20
YEARS IN THE STATE PEN,
479
00:31:54,600 --> 00:31:56,100
REGARDLESS OF THE REASONS.
480
00:31:56,130 --> 00:31:58,130
IF IT WAS YOUR FATHER,
HOW WOULD YOU FEEL?
481
00:31:58,160 --> 00:31:59,360
WHAT DO YOU THINK YOU’D DO?
482
00:31:59,400 --> 00:32:02,360
I THINK I WOULD TRY
TO GET ALL THE FACTS
483
00:32:02,400 --> 00:32:04,160
BEFORE I TOOK A
SHOT AT SOMEBODY.
484
00:32:04,200 --> 00:32:06,660
LOOK, AFTER MY MOM DIED,
485
00:32:06,700 --> 00:32:08,860
THERE WASN’T ANYBODY
BUT DAD AND ME.
486
00:32:08,900 --> 00:32:10,400
WE LOOK OUT FOR EACH OTHER.
487
00:32:10,430 --> 00:32:12,300
I DON’T THINK YOU’RE HEARING ME.
488
00:32:12,330 --> 00:32:13,800
YOU WANT FACTS?
489
00:32:13,830 --> 00:32:15,760
I TALKED TO THE
DOCTORS PERSONALLY.
490
00:32:15,800 --> 00:32:17,530
MY FATHER WASN’T CONFUSED.
491
00:32:17,560 --> 00:32:19,260
HE WASN’T DAMAGED... NOT YET.
492
00:32:19,300 --> 00:32:21,560
HE KNEW EXACTLY
WHO HE WAS ACCUSING.
493
00:32:21,600 --> 00:32:24,130
YEAH, HE DID.
494
00:32:24,160 --> 00:32:25,830
THAT’S BECAUSE
HE WAS ORDERED TO.
495
00:32:27,760 --> 00:32:30,230
GLORIA, HOW WELL DO
YOU KNOW YOUR FATHER?
496
00:32:30,260 --> 00:32:31,500
WELL.
497
00:32:31,530 --> 00:32:33,306
I MEAN, HOW WELL DO YOU
KNOW HIM AS A BUSINESSMAN,
498
00:32:33,330 --> 00:32:35,630
AS A BANKER WHO DEALS IN
MILLIONS OF DOLLARS EVERY DAY,
499
00:32:35,660 --> 00:32:37,700
MOSTLY IN OVERSEAS TRANSACTIONS?
500
00:32:37,730 --> 00:32:40,900
MY FATHER IS AN HONEST MAN,
501
00:32:40,930 --> 00:32:42,630
A WONDERFUL MAN.
502
00:32:42,660 --> 00:32:45,430
LET ME ASK YOU AGAIN.
503
00:32:46,760 --> 00:32:48,530
HOW WELL DO YOU
KNOW YOUR FATHER?
504
00:32:55,900 --> 00:32:57,300
HUNTER?
505
00:32:58,930 --> 00:33:01,100
YEAH?
506
00:33:01,130 --> 00:33:03,830
GLORIA HAS SOMETHING
SHE WANTS TO SAY TO YOU.
507
00:33:03,860 --> 00:33:06,760
SERGEANT HUNTER, I WAS
LISTENING TO MISS McCALL
508
00:33:06,800 --> 00:33:09,530
TELL THE STORY ABOUT, YOU KNOW,
509
00:33:09,560 --> 00:33:11,860
YOU AND THE MURDER
OF NIKKI RICHMAN
510
00:33:11,900 --> 00:33:13,700
AND MR. VARNE, AND...
511
00:33:13,730 --> 00:33:16,130
I WAS JUST WONDERING...
512
00:33:17,700 --> 00:33:19,630
KEYS TO HER DAD’S HOUSE.
513
00:33:22,760 --> 00:33:24,630
HELLO?
514
00:33:24,660 --> 00:33:27,630
YES, THIS IS GLORIA RAYMARK.
515
00:33:29,000 --> 00:33:30,560
OH, THAT’S WONDERFUL.
516
00:33:30,600 --> 00:33:33,130
YES, THANK YOU FOR CALLING.
517
00:33:33,160 --> 00:33:34,760
THEY REMOVED THE BLOOD CLOT,
518
00:33:34,800 --> 00:33:36,360
AND THEY SAY HE
MAY BE ALL RIGHT.
519
00:33:36,400 --> 00:33:37,360
THAT’S GREAT NEWS, GLORIA.
520
00:33:37,400 --> 00:33:38,600
GREAT.
521
00:33:38,630 --> 00:33:41,230
LET’S GET BUSY.
522
00:34:11,930 --> 00:34:13,006
WHAT HAVE YOU GOT OVER THERE?
523
00:34:13,030 --> 00:34:14,160
NOTHING. HOW ABOUT YOU?
524
00:34:14,200 --> 00:34:16,730
WELL, I MIGHT HAVE
SOMETHING HERE.
525
00:34:21,500 --> 00:34:23,500
WHEN I TELL YOU TO,
PICK UP THAT PHONE.
526
00:34:23,530 --> 00:34:24,930
WHY? WHAT HAVE YOU GOT?
527
00:34:24,960 --> 00:34:30,230
WELL, WHEN I PRESS THIS REDIAL
BUTTON HERE ON THE TELEPHONE,
528
00:34:30,260 --> 00:34:31,500
IT MAY GIVE US THE PHONE NUMBER
529
00:34:31,530 --> 00:34:33,030
OF WHO GLORIA’S
FATHER TALKED TO LAST.
530
00:34:33,060 --> 00:34:35,000
AH, MODERN TECHNOLOGY.
531
00:34:35,030 --> 00:34:37,200
NOW, IF SOMEONE ANSWERS, AD LIB.
532
00:34:37,230 --> 00:34:39,230
WAIT A MINUTE, I DON’T
WANT TO AD LIB. YOU AD LIB.
533
00:34:48,560 --> 00:34:49,830
I SAID AD LIB.
534
00:34:49,860 --> 00:34:51,306
I DON’T WANT TO. I
ALWAYS HAVE TO. YOU DO IT!
535
00:34:51,330 --> 00:34:53,300
THAT’S RIGHT. AD LIB.
536
00:34:53,330 --> 00:34:55,330
Man on phone: HELLO?
537
00:34:55,360 --> 00:34:57,400
HI, IS JIMMY THERE?
538
00:34:57,430 --> 00:34:58,900
I’M SORRY, YOU HAVE
THE WRONG NUMBER.
539
00:34:59,930 --> 00:35:01,660
THAT WAS VARNE’S CHAUFFEUR.
540
00:35:01,700 --> 00:35:02,700
I RECOGNIZE THE VOICE.
541
00:35:16,000 --> 00:35:17,600
1...
542
00:35:19,130 --> 00:35:21,330
7, 1...
543
00:35:23,230 --> 00:35:24,460
4...
544
00:35:25,900 --> 00:35:26,960
5...
545
00:35:28,400 --> 00:35:30,260
5...
546
00:35:30,300 --> 00:35:32,160
5...
547
00:35:34,260 --> 00:35:35,960
1, 1...
548
00:35:37,760 --> 00:35:39,030
5...
549
00:35:40,300 --> 00:35:41,530
2.
550
00:35:42,800 --> 00:35:44,900
714... THAT’S GOT TO
BE VARNE’S HIDEAWAY.
551
00:35:44,930 --> 00:35:46,406
THAT HAS TO BE WHERE
THE CHAUFFEUR TOOK US.
552
00:35:46,430 --> 00:35:47,730
YEP, SURE DOES.
553
00:35:47,760 --> 00:35:49,030
HERE, GLORIA.
554
00:35:49,060 --> 00:35:51,960
MAKE SURE EVERYTHING IS
WRAPPED UP TIGHT HERE, HUH?
555
00:36:13,330 --> 00:36:15,600
McCall: LOOK, THIS
IS URGENT. I CA...
556
00:36:15,630 --> 00:36:17,700
NO, I’M NOT GOING TO
SPELL IT OUT FOR YOU!
557
00:36:17,730 --> 00:36:19,800
YOU’VE BEEN STALLING
ME FOR 4 HOURS ALREADY.
558
00:36:19,830 --> 00:36:21,936
NOW WHAT THE HELL DO I HAVE
TO DO, GO TO CAPTAIN WYLER?
559
00:36:21,960 --> 00:36:24,000
GO TO THE CHAIRMAN OF THE
POLICE COMMISSION, WHAT?
560
00:36:29,730 --> 00:36:31,700
GOT IT.
561
00:36:31,730 --> 00:36:33,030
LET’S GO.
562
00:36:33,060 --> 00:36:34,900
Avadon: EXCUSE ME.
563
00:36:36,860 --> 00:36:38,700
I WAS JUST WONDERING
IF I’M STILL A SUSPECT,
564
00:36:38,730 --> 00:36:41,430
OR IF I’M FREE TO LEAVE TOWN.
565
00:36:41,460 --> 00:36:42,560
WELL, I REALLY DON’T THINK
566
00:36:42,600 --> 00:36:44,230
IT’S A VERY GOOD IDEA
TO LEAVE RIGHT NOW.
567
00:36:44,260 --> 00:36:45,860
WHY, WHERE DID YOU WANT TO GO?
568
00:36:45,900 --> 00:36:47,830
THE CARIBBEAN.
569
00:36:47,860 --> 00:36:49,276
I’VE GOT TO FIND OUT
WHO THE HELL SHE WAS.
570
00:36:49,300 --> 00:36:50,600
I WOULDN’T DO THAT.
571
00:36:53,330 --> 00:36:55,100
DO YOU ALREADY KNOW?
572
00:36:55,130 --> 00:36:56,800
IF YOU DO, TELL
ME, ’CAUSE I’M GOING
573
00:36:56,830 --> 00:36:57,906
TO FIND OUT ONE
WAY OR THE OTHER.
574
00:36:57,930 --> 00:37:00,160
LOOK, GREG, A
COUPLE OF YEARS AGO,
575
00:37:00,200 --> 00:37:02,206
NIKKI WAS SLEEPING WITH A MAN
BY THE NAME OF MICHAEL VARNE.
576
00:37:02,230 --> 00:37:04,700
YOU KNOW WHO HE IS?
577
00:37:04,730 --> 00:37:08,530
WELL, WE THINK SHE SAW HIM
KILL HIS BUSINESS PARTNER,
578
00:37:08,560 --> 00:37:10,830
A GUY BY THE NAME OF NAT
CLAYPO, A COUPLE YEARS AGO.
579
00:37:10,860 --> 00:37:13,560
NOW, THAT WAS OK WITH
VARNE UNTIL YOU CAME ALONG
580
00:37:13,600 --> 00:37:15,036
AND THREATENED TO
MAKE HER INDEPENDENT.
581
00:37:15,060 --> 00:37:17,330
YOU MEAN SHE DIED BECAUSE OF ME?
582
00:37:17,360 --> 00:37:19,300
NO, SHE DIED BECAUSE
OF MICHAEL VARNE.
583
00:37:19,330 --> 00:37:23,960
NOW, WE MAY NEED YOU,
SO DON’T LEAVE TOWN, OK?
584
00:37:24,000 --> 00:37:25,460
LET’S GO.
585
00:37:53,300 --> 00:37:55,900
ALL RIGHT, WE’RE GOING TO
STICK TO THE PLAN, RIGHT?
586
00:37:55,930 --> 00:37:57,030
RIGHT.
587
00:37:57,060 --> 00:37:59,730
ALL WE’RE GOING TO
DO IS RECONNOITER.
588
00:37:59,760 --> 00:38:01,876
WE’RE GOING TO COME BACK
WITH A SEARCH WARRANT, RIGHT?
589
00:38:01,900 --> 00:38:03,130
RIGHT.
590
00:38:54,630 --> 00:38:55,960
Hunter: THAT’S IT.
591
00:39:04,900 --> 00:39:06,160
IT’S GLORIA!
592
00:39:11,030 --> 00:39:13,960
GLORIA! COME ON, IT’S US!
593
00:39:14,000 --> 00:39:16,360
KEEP RUNNING! KEEP RUNNING!
594
00:40:01,200 --> 00:40:02,860
UGH!
595
00:40:16,500 --> 00:40:17,700
Hunter: COME ON!
596
00:40:45,160 --> 00:40:48,430
HEY, GIVE ME A HAND HERE.
WILLY’S HURT REAL BAD.
597
00:40:56,900 --> 00:40:58,460
WHAT DO YOU WANT?
598
00:40:58,500 --> 00:41:00,200
HOW DID YOU GET IN HERE?
599
00:41:00,230 --> 00:41:02,900
MR. RAYMARK, I WANT
YOU TO STOP THE LIES.
600
00:41:02,930 --> 00:41:05,060
I WANT YOU TO TELL ME WHO
YOU TOOK THIS BEATING FOR.
601
00:41:05,100 --> 00:41:06,660
GET OUT OF HERE.
602
00:41:06,700 --> 00:41:09,160
GIVE ME THAT.
603
00:41:09,200 --> 00:41:10,436
YOU KNOW, YOUR DAUGHTER
WAS ALMOST KILLED
604
00:41:10,460 --> 00:41:11,506
BY VARNE’S MEN THIS AFTERNOON.
605
00:41:11,530 --> 00:41:12,570
SHE WOULD HAVE BEEN KILLED
606
00:41:12,600 --> 00:41:14,076
IF IT HADN’T BEEN FOR
ME AND MY PARTNER.
607
00:41:14,100 --> 00:41:16,430
I DON’T BELIEVE A
WORD YOU’RE SAYING.
608
00:41:16,460 --> 00:41:17,760
REALLY?
609
00:41:22,860 --> 00:41:24,530
GIVE ME THE ADMITTING DESK.
610
00:41:26,230 --> 00:41:27,830
HEY, YOU CAN’T DO THAT!
611
00:41:27,860 --> 00:41:30,460
Gloria: I ASKED THEM TO.
612
00:41:45,630 --> 00:41:47,230
MY GOD!
613
00:41:47,260 --> 00:41:49,930
IT WAS VARNE’S MEN
WHO SHOT ME, FATHER.
614
00:41:49,960 --> 00:41:51,930
BABY, I’M SORRY...
615
00:41:51,960 --> 00:41:54,200
SO SORRY.
616
00:41:54,230 --> 00:41:57,800
I NEVER DREAMED YOU’D
BECOME INVOLVED IN THIS.
617
00:41:57,830 --> 00:41:59,760
ARE YOU OUT OF YOUR MINDS?
618
00:41:59,800 --> 00:42:01,460
THIS PATIENT JUST
CAME OUT OF SURGERY.
619
00:42:01,500 --> 00:42:03,430
NURSE, GET THE PATIENT
BACK TO HER ROOM.
620
00:42:03,460 --> 00:42:04,500
AND AS FOR YOU TWO...
621
00:42:04,530 --> 00:42:06,760
DR. JARVIS, GIVE ME A
FEW MINUTES, PLEASE.
622
00:42:11,600 --> 00:42:15,560
I DON’T HAVE TO EXPLAIN, DO I?
623
00:42:15,600 --> 00:42:17,060
YOU PROBABLY KNOW THE ANSWERS.
624
00:42:17,100 --> 00:42:19,500
WELL, JUST THAT YOU
COULDN’T SAY NO TO VARNE.
625
00:42:19,530 --> 00:42:21,030
I COULD’VE.
626
00:42:22,960 --> 00:42:24,300
I SHOULD’VE.
627
00:42:24,330 --> 00:42:26,130
WELL, WHY DIDN’T YOU?
628
00:42:28,330 --> 00:42:31,630
12 YEARS AGO, I WAS BANKRUPT.
629
00:42:31,660 --> 00:42:33,730
VARNE OFFERED ME A WAY OUT...
630
00:42:35,360 --> 00:42:37,430
FOR 80% OF THE PROFITS.
631
00:42:37,460 --> 00:42:41,000
LATER, I STARTED
SKIMMING A BIT FOR MYSELF,
632
00:42:41,030 --> 00:42:44,500
AND HE DISCOVERED
IT, BUT DID NOTHING,
633
00:42:44,530 --> 00:42:47,560
AND HE DIDN’T CALL IN MY
I.O.U. UNTIL A WEEK AGO.
634
00:42:49,500 --> 00:42:51,630
CAN YOU FORGIVE ME?
635
00:42:51,660 --> 00:42:53,900
EVEN IF WE DON’T GET
VARNE FOR MURDER,
636
00:42:53,930 --> 00:42:56,360
YOUR TESTIMONY’S GOING TO
PUT HIM AWAY FOR A LONG TIME.
637
00:42:56,400 --> 00:42:58,900
WE’RE GOING TO
GET HIM FOR MURDER.
638
00:43:03,100 --> 00:43:05,130
Lieutenant: LOOKS AWFULLY QUIET.
639
00:43:05,160 --> 00:43:07,130
YOU SUPPOSE THEY GOT THE WORD?
640
00:43:07,160 --> 00:43:09,500
WELL, IF HE DID, HE’D
BE LONG GONE BY NOW.
641
00:43:09,530 --> 00:43:11,460
AND IF HE DIDN’T?
642
00:43:11,500 --> 00:43:14,060
WELL, IF HE DIDN’T,
THEN IT’LL STOP
643
00:43:14,100 --> 00:43:15,660
BEING QUIET REAL
FAST, NOW, WON’T IT?
644
00:43:17,700 --> 00:43:19,160
MR. VARNE!
645
00:43:19,200 --> 00:43:22,930
SHERIFFS’ CARS
OUTSIDE, 3 OF THEM!
646
00:43:27,830 --> 00:43:29,360
ALL RIGHT, HOLD THEM OFF.
647
00:43:29,400 --> 00:43:31,130
I NEED 10 MINUTES.
648
00:43:40,330 --> 00:43:43,660
STAY IN YOUR CARS,
BOYS, BUT COVER ME GOOD.
649
00:43:43,700 --> 00:43:46,130
I WANT TO TRY AND SERVE THIS
WARRANT WITHOUT ANY FIREWORKS.
650
00:45:32,530 --> 00:45:33,530
AHH!
651
00:45:38,430 --> 00:45:41,230
LOOK, HUNTER, YOU DID
WHAT NOBODY ELSE COULD DO...
652
00:45:41,260 --> 00:45:43,360
YOU LOCKED HIM UP,
AND YOU PUT HIM AWAY.
653
00:45:43,400 --> 00:45:44,730
YEAH, ON SUCH CHARGES
654
00:45:44,760 --> 00:45:47,260
AS CONSPIRACY TO COMMIT PERJURY,
655
00:45:47,300 --> 00:45:49,860
ASSAULT WITH A DEADLY
WEAPON, RESISTING ARREST,
656
00:45:49,900 --> 00:45:52,130
POSSESSION OF
AUTOMATIC WEAPONS...
657
00:45:52,160 --> 00:45:54,060
WHAT DID YOU WANT
TO DO, WATCH HIM WALK?
658
00:45:54,100 --> 00:45:55,776
LET ME TELL YOU SOMETHING...
FOR A GUY WHO’S TRASHED
659
00:45:55,800 --> 00:45:57,300
AS MANY LIVES AS HE’S TRASHED,
660
00:45:57,330 --> 00:45:58,576
KILLED AS MANY
PEOPLE AS HE’S KILLED,
661
00:45:58,600 --> 00:46:00,006
I WOULD LIKE TO SEE
SOMETHING A LITTLE MORE HARSH
662
00:46:00,030 --> 00:46:02,160
COME DOWN ON HIM,
SOMETHING LIKE, UH, DEATH ROW.
663
00:46:02,200 --> 00:46:03,760
I KNOW THAT, BUT THERE’S REALLY
664
00:46:03,800 --> 00:46:05,430
NOT TOO MUCH MORE
WE CAN DO ABOUT IT NOW.
665
00:46:05,460 --> 00:46:06,500
SERGEANT HUNTER?
666
00:46:06,530 --> 00:46:09,200
WELL, IF IT ISN’T
667
00:46:09,230 --> 00:46:10,800
OUR FAVORITE CHAUFFEUR.
668
00:46:10,830 --> 00:46:12,100
WHAT DO YOU WANT?
669
00:46:12,130 --> 00:46:13,760
WE HAVE A MUTUAL
FRIEND IN THE HOSPITAL
670
00:46:13,800 --> 00:46:15,130
THAT WANTS TO TALK TO YOU.
671
00:46:15,160 --> 00:46:16,630
WHO’S THAT?
672
00:46:16,660 --> 00:46:18,300
WILLEM SUNDERSON.
673
00:46:18,330 --> 00:46:21,500
NOW, WHY WOULD I WANT TO
TALK TO WILLEM SUNDERSON?
674
00:46:21,530 --> 00:46:23,400
BECAUSE MR. VARNE
LEFT HIM FOR DEAD
675
00:46:23,430 --> 00:46:24,760
BY THE SIDE OF THE ROAD.
676
00:46:24,800 --> 00:46:28,000
WHY WOULD I WANT TO TALK TO
WILLEM SUNDERSON ABOUT THAT?
677
00:46:28,030 --> 00:46:31,260
BECAUSE HE’S WILLING TO
TELL YOU ALL ABOUT MR. VARNE.
678
00:46:31,300 --> 00:46:33,100
HE’S WILLING TO MAKE A DEAL.
679
00:46:34,500 --> 00:46:35,600
YEAH? WHAT KIND OF DEAL?
680
00:46:35,630 --> 00:46:37,760
HIS LIFE FOR VARNE.
681
00:46:37,800 --> 00:46:40,460
HE’LL TELL YOU HOW
MR. VARNE PERSONALLY ORDERED
682
00:46:40,500 --> 00:46:43,030
THE MURDER OF NAT
CLAYPO AND NIKKI RICHMAN.
683
00:46:44,660 --> 00:46:46,776
I BELIEVE I’D LIKE TO TALK TO
HIM ABOUT THAT, WOULDN’T YOU?
684
00:46:46,800 --> 00:46:48,630
YES.
685
00:46:48,660 --> 00:46:50,200
SHALL WE?
46004
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