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he's the king of rock and roll
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3
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welcome to watchmojo.com and today we're
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welcome to watchmojo.com and today we're
5
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welcome to watchmojo.com and today we're
counting down our picks for the top 10
6
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counting down our picks for the top 10
7
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counting down our picks for the top 10
Elvis Presley songs for this list we
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Elvis Presley songs for this list we
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Elvis Presley songs for this list we
chosen our entries based on a
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chosen our entries based on a
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chosen our entries based on a
combination of the artists fan favorites
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combination of the artists fan favorites
13
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combination of the artists fan favorites
and their most commercially successful
14
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and their most commercially successful
15
00:00:29,880 --> 00:00:41,869
and their most commercially successful
songs number 10 can't help falling in
16
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songs number 10 can't help falling in
17
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songs number 10 can't help falling in
love hearing on the blue Hawaii
18
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love hearing on the blue Hawaii
19
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love hearing on the blue Hawaii
soundtrack this poppin blue-eyed soul
20
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soundtrack this poppin blue-eyed soul
21
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soundtrack this poppin blue-eyed soul
hit was released as a single with
22
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hit was released as a single with
23
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hit was released as a single with
rock-a-hula baby
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rock-a-hula baby
25
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rock-a-hula baby
[Music]
26
00:00:56,180 --> 00:00:56,190
27
00:00:56,190 --> 00:01:04,829
take my unlike the b-side can't help
28
00:01:04,829 --> 00:01:04,839
take my unlike the b-side can't help
29
00:01:04,839 --> 00:01:06,899
take my unlike the b-side can't help
falling in love has endured as an Elvis
30
00:01:06,899 --> 00:01:06,909
falling in love has endured as an Elvis
31
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falling in love has endured as an Elvis
classic
32
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classic
33
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classic
[Music]
34
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[Music]
35
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[Music]
with a melody inspired by an 18th
36
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with a melody inspired by an 18th
37
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with a melody inspired by an 18th
century French ballad the 3-minute track
38
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century French ballad the 3-minute track
39
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century French ballad the 3-minute track
went to number 2 on the American pop
40
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went to number 2 on the American pop
41
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went to number 2 on the American pop
charts the king also often used it as
42
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charts the king also often used it as
43
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charts the king also often used it as
his closing number during his later jump
44
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his closing number during his later jump
45
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his closing number during his later jump
suited live performances
46
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suited live performances
47
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suited live performances
[Applause]
48
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[Applause]
49
00:01:31,350 --> 00:01:37,180
[Applause]
[Music]
50
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[Music]
51
00:01:37,190 --> 00:01:40,280
[Music]
number nine blue suede shoes well it's
52
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number nine blue suede shoes well it's
53
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number nine blue suede shoes well it's
the morning before the show borrowing a
54
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the morning before the show borrowing a
55
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the morning before the show borrowing a
signature tune from former Sun Records
56
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signature tune from former Sun Records
57
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signature tune from former Sun Records
label mate Carl Perkins where you can
58
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label mate Carl Perkins where you can
59
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label mate Carl Perkins where you can
knock me down
60
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knock me down
61
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knock me down
stiffen my face this rockabilly song was
62
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stiffen my face this rockabilly song was
63
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stiffen my face this rockabilly song was
one of the first Elvis recorded after
64
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one of the first Elvis recorded after
65
00:02:01,590 --> 00:02:06,130
one of the first Elvis recorded after
signing with RCA Records way issues
66
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signing with RCA Records way issues
67
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signing with RCA Records way issues
pressured to cover the track by studio
68
00:02:08,540 --> 00:02:08,550
pressured to cover the track by studio
69
00:02:08,550 --> 00:02:10,880
pressured to cover the track by studio
suits Presley requested that his version
70
00:02:10,880 --> 00:02:10,890
suits Presley requested that his version
71
00:02:10,890 --> 00:02:13,250
suits Presley requested that his version
not be released while the original was
72
00:02:13,250 --> 00:02:13,260
not be released while the original was
73
00:02:13,260 --> 00:02:19,330
not be released while the original was
still on the charts
74
00:02:19,330 --> 00:02:19,340
75
00:02:19,340 --> 00:02:21,730
although Perkins take outperformed his
76
00:02:21,730 --> 00:02:21,740
although Perkins take outperformed his
77
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although Perkins take outperformed his
cover the song and those blue suede
78
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cover the song and those blue suede
79
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cover the song and those blue suede
shoes have become synonymous with the
80
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shoes have become synonymous with the
81
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shoes have become synonymous with the
king nonetheless what you've been doing
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king nonetheless what you've been doing
83
00:02:30,050 --> 00:02:32,050
king nonetheless what you've been doing
today what they hold the love blue suede
84
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today what they hold the love blue suede
85
00:02:32,060 --> 00:02:33,890
today what they hold the love blue suede
shoes
86
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shoes
87
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shoes
number eight are you lonesome tonight
88
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number eight are you lonesome tonight
89
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number eight are you lonesome tonight
[Applause]
90
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[Applause]
91
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[Applause]
[Music]
92
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[Music]
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[Music]
written in 1926 and backed with the
94
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written in 1926 and backed with the
95
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written in 1926 and backed with the
fittingly titled I got a no are you
96
00:02:46,870 --> 00:02:46,880
fittingly titled I got a no are you
97
00:02:46,880 --> 00:02:49,000
fittingly titled I got a no are you
lonesome tonight proved Elvis didn't
98
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lonesome tonight proved Elvis didn't
99
00:02:49,010 --> 00:02:51,040
lonesome tonight proved Elvis didn't
have to sing for his voice to make the
100
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have to sing for his voice to make the
101
00:02:51,050 --> 00:03:02,110
have to sing for his voice to make the
masses swim with its spoken word
102
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masses swim with its spoken word
103
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masses swim with its spoken word
sections and Shakespeare quotations the
104
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sections and Shakespeare quotations the
105
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sections and Shakespeare quotations the
pop track allowed Presley to mix up or
106
00:03:06,880 --> 00:03:06,890
pop track allowed Presley to mix up or
107
00:03:06,890 --> 00:03:08,560
pop track allowed Presley to mix up or
modify some lyrics during live
108
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modify some lyrics during live
109
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modify some lyrics during live
performances and it topped the Billboard
110
00:03:11,080 --> 00:03:11,090
performances and it topped the Billboard
111
00:03:11,090 --> 00:03:19,300
performances and it topped the Billboard
Pop chart
112
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113
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[Music]
114
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[Music]
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[Music]
number seven suspicious minds
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number seven suspicious minds
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number seven suspicious minds
[Music]
118
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119
00:03:28,819 --> 00:03:31,979
I can't walk out
120
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I can't walk out
121
00:03:31,989 --> 00:03:36,660
I can't walk out
because I love you do
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123
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released following the boost that is 68
124
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released following the boost that is 68
125
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released following the boost that is 68
comeback specially given him this
126
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comeback specially given him this
127
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comeback specially given him this
soulful pop track breathed new life into
128
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soulful pop track breathed new life into
129
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soulful pop track breathed new life into
Elvis's career and became his 17th and
130
00:03:46,260 --> 00:03:46,270
Elvis's career and became his 17th and
131
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Elvis's career and became his 17th and
final American number one during his
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final American number one during his
133
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final American number one during his
lifetime
134
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135
00:03:55,040 --> 00:03:57,830
featuring both string and horn sections
136
00:03:57,830 --> 00:03:57,840
featuring both string and horn sections
137
00:03:57,840 --> 00:04:00,080
featuring both string and horn sections
suspicious minds is notable for its
138
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suspicious minds is notable for its
139
00:04:00,090 --> 00:04:02,450
suspicious minds is notable for its
shifting time signatures and multiple
140
00:04:02,450 --> 00:04:02,460
shifting time signatures and multiple
141
00:04:02,460 --> 00:04:03,940
shifting time signatures and multiple
subsequent cover versions
142
00:04:03,940 --> 00:04:03,950
subsequent cover versions
143
00:04:03,950 --> 00:04:12,860
subsequent cover versions
[Music]
144
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145
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[Music]
146
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[Music]
147
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[Music]
number six Love Me Tender adapted from
148
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number six Love Me Tender adapted from
149
00:04:24,900 --> 00:04:27,320
number six Love Me Tender adapted from
an old civil war song Presley's version
150
00:04:27,320 --> 00:04:27,330
an old civil war song Presley's version
151
00:04:27,330 --> 00:04:29,600
an old civil war song Presley's version
of this romantic ballad had its debut on
152
00:04:29,600 --> 00:04:29,610
of this romantic ballad had its debut on
153
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of this romantic ballad had its debut on
The Ed Sullivan Show
154
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155
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[Music]
156
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[Music]
157
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[Music]
this performance prompted a million
158
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this performance prompted a million
159
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this performance prompted a million
pre-orders of the single before its
160
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pre-orders of the single before its
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pre-orders of the single before its
actual release and it was later featured
162
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actual release and it was later featured
163
00:04:47,800 --> 00:04:55,770
actual release and it was later featured
in the movie of the same name though
164
00:04:55,770 --> 00:04:55,780
in the movie of the same name though
165
00:04:55,780 --> 00:04:58,050
in the movie of the same name though
Elvis eventually refrained from singing
166
00:04:58,050 --> 00:04:58,060
Elvis eventually refrained from singing
167
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Elvis eventually refrained from singing
Love Me Tender in its entirety during
168
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Love Me Tender in its entirety during
169
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Love Me Tender in its entirety during
later shows the country single gave him
170
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later shows the country single gave him
171
00:05:06,250 --> 00:05:13,589
later shows the country single gave him
another Billboard chart topper number
172
00:05:13,589 --> 00:05:13,599
another Billboard chart topper number
173
00:05:13,599 --> 00:05:20,309
another Billboard chart topper number
five don't be cruel
174
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175
00:05:20,319 --> 00:05:22,529
written by Otis Blackwell this two
176
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written by Otis Blackwell this two
177
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written by Otis Blackwell this two
minute track is one of the most rockin
178
00:05:24,299 --> 00:05:24,309
minute track is one of the most rockin
179
00:05:24,309 --> 00:05:32,260
minute track is one of the most rockin
numbers of Elvis's pre military career
180
00:05:32,260 --> 00:05:32,270
181
00:05:32,270 --> 00:05:34,280
featuring the king on rhythm guitar
182
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featuring the king on rhythm guitar
183
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featuring the king on rhythm guitar
scouting war on lead a solid bass hook
184
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scouting war on lead a solid bass hook
185
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scouting war on lead a solid bass hook
steady slamming drums & backing vocals
186
00:05:39,620 --> 00:05:39,630
steady slamming drums & backing vocals
187
00:05:39,630 --> 00:05:46,730
steady slamming drums & backing vocals
from the Jordanaires don't be cool top
188
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from the Jordanaires don't be cool top
189
00:05:46,740 --> 00:05:53,000
from the Jordanaires don't be cool top
the pop country and R&B charts this one
190
00:05:53,000 --> 00:05:53,010
the pop country and R&B charts this one
191
00:05:53,010 --> 00:05:54,590
the pop country and R&B charts this one
just oozes hair grease daddy-o
192
00:05:54,590 --> 00:05:54,600
just oozes hair grease daddy-o
193
00:05:54,600 --> 00:06:02,189
just oozes hair grease daddy-o
[Music]
194
00:06:02,189 --> 00:06:02,199
195
00:06:02,199 --> 00:06:07,260
number four all shook up
196
00:06:07,260 --> 00:06:07,270
197
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[Music]
198
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[Music]
199
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[Music]
another Otis Blackwell pin track this
200
00:06:12,200 --> 00:06:12,210
another Otis Blackwell pin track this
201
00:06:12,210 --> 00:06:14,210
another Otis Blackwell pin track this
two-minute number was first recorded and
202
00:06:14,210 --> 00:06:14,220
two-minute number was first recorded and
203
00:06:14,220 --> 00:06:22,330
two-minute number was first recorded and
released by David Hill
204
00:06:22,330 --> 00:06:22,340
205
00:06:22,340 --> 00:06:25,070
but it failed to make much of an impact
206
00:06:25,070 --> 00:06:25,080
but it failed to make much of an impact
207
00:06:25,080 --> 00:06:27,469
but it failed to make much of an impact
until the king strutted up to the mic to
208
00:06:27,469 --> 00:06:27,479
until the king strutted up to the mic to
209
00:06:27,479 --> 00:06:32,510
until the king strutted up to the mic to
belt it out the piano-driven rocker then
210
00:06:32,510 --> 00:06:32,520
belt it out the piano-driven rocker then
211
00:06:32,520 --> 00:06:34,429
belt it out the piano-driven rocker then
spent eight weeks on top of the pop
212
00:06:34,429 --> 00:06:34,439
spent eight weeks on top of the pop
213
00:06:34,439 --> 00:06:37,790
spent eight weeks on top of the pop
charts and four weeks on the R&B chart a
214
00:06:37,790 --> 00:06:37,800
charts and four weeks on the R&B chart a
215
00:06:37,800 --> 00:06:40,950
charts and four weeks on the R&B chart a
real crowd-pleaser for sure
216
00:06:40,950 --> 00:06:40,960
real crowd-pleaser for sure
217
00:06:40,960 --> 00:06:45,010
real crowd-pleaser for sure
[Music]
218
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[Music]
219
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[Music]
number three jailhouse rock released in
220
00:06:52,640 --> 00:06:52,650
number three jailhouse rock released in
221
00:06:52,650 --> 00:06:54,920
number three jailhouse rock released in
anticipation of Presley's musical drama
222
00:06:54,920 --> 00:06:54,930
anticipation of Presley's musical drama
223
00:06:54,930 --> 00:07:01,399
anticipation of Presley's musical drama
of the same name jailhouse rock tells of
224
00:07:01,399 --> 00:07:01,409
of the same name jailhouse rock tells of
225
00:07:01,409 --> 00:07:03,050
of the same name jailhouse rock tells of
a party in the country jail
226
00:07:03,050 --> 00:07:03,060
a party in the country jail
227
00:07:03,060 --> 00:07:10,519
a party in the country jail
featuring the prison band though it
228
00:07:10,519 --> 00:07:10,529
featuring the prison band though it
229
00:07:10,529 --> 00:07:12,439
featuring the prison band though it
makes references to real-life people and
230
00:07:12,439 --> 00:07:12,449
makes references to real-life people and
231
00:07:12,449 --> 00:07:15,170
makes references to real-life people and
features subtle homoerotic teams the
232
00:07:15,170 --> 00:07:15,180
features subtle homoerotic teams the
233
00:07:15,180 --> 00:07:17,809
features subtle homoerotic teams the
rock-and-roll tune topped the US and UK
234
00:07:17,809 --> 00:07:17,819
rock-and-roll tune topped the US and UK
235
00:07:17,819 --> 00:07:26,749
rock-and-roll tune topped the US and UK
charts it's also become iconic thanks to
236
00:07:26,749 --> 00:07:26,759
charts it's also become iconic thanks to
237
00:07:26,759 --> 00:07:28,339
charts it's also become iconic thanks to
the energetic and memorable dance
238
00:07:28,339 --> 00:07:28,349
the energetic and memorable dance
239
00:07:28,349 --> 00:07:30,290
the energetic and memorable dance
sequence that accompanies Elvis's
240
00:07:30,290 --> 00:07:30,300
sequence that accompanies Elvis's
241
00:07:30,300 --> 00:07:32,029
sequence that accompanies Elvis's
performance of the song in the richard
242
00:07:32,029 --> 00:07:32,039
performance of the song in the richard
243
00:07:32,039 --> 00:07:47,300
performance of the song in the richard
thorpe directed movie number 2
244
00:07:47,300 --> 00:07:47,310
thorpe directed movie number 2
245
00:07:47,310 --> 00:07:52,939
thorpe directed movie number 2
Heartbreak Hotel after he made the jump
246
00:07:52,939 --> 00:07:52,949
Heartbreak Hotel after he made the jump
247
00:07:52,949 --> 00:07:55,640
Heartbreak Hotel after he made the jump
to RCA this track became Elvis's first
248
00:07:55,640 --> 00:07:55,650
to RCA this track became Elvis's first
249
00:07:55,650 --> 00:07:59,290
to RCA this track became Elvis's first
single for the major label
250
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251
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[Music]
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[Music]
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[Music]
[Applause]
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[Applause]
255
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[Applause]
[Music]
256
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257
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although many execs found the song
258
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although many execs found the song
259
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although many execs found the song
depressing Heartbreak Hotel became his
260
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depressing Heartbreak Hotel became his
261
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depressing Heartbreak Hotel became his
first American number one and it hit
262
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first American number one and it hit
263
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first American number one and it hit
number 2 in the UK
264
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number 2 in the UK
265
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number 2 in the UK
[Music]
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[Music]
267
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[Music]
backed by the blue moon boys the king
268
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backed by the blue moon boys the king
269
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backed by the blue moon boys the king
also enlisted studio aces Chet Atkins
270
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also enlisted studio aces Chet Atkins
271
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also enlisted studio aces Chet Atkins
and Floyd Cramer to craft what would
272
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and Floyd Cramer to craft what would
273
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and Floyd Cramer to craft what would
soon become a live staple
274
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soon become a live staple
275
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soon become a live staple
[Music]
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277
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[Applause]
278
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279
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you be silly you could die before we
280
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you be silly you could die before we
281
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you be silly you could die before we
unveil our top pick here are a few
282
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unveil our top pick here are a few
283
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unveil our top pick here are a few
honorable mentions
284
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honorable mentions
285
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honorable mentions
[Music]
286
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287
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: gray Chicago morning a poor little
288
00:09:05,010 --> 00:09:05,020
: gray Chicago morning a poor little
289
00:09:05,020 --> 00:09:14,280
: gray Chicago morning a poor little
baby child is born in the ghetto
290
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291
00:09:14,290 --> 00:09:16,630
he's not
292
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he's not
293
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he's not
[Music]
294
00:09:18,720 --> 00:09:18,730
[Music]
295
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[Music]
Oh
296
00:09:18,850 --> 00:09:18,860
Oh
297
00:09:18,860 --> 00:09:28,340
Oh
[Music]
298
00:09:28,340 --> 00:09:28,350
[Music]
299
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[Music]
this conversation a little more action
300
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this conversation a little more action
301
00:09:30,999 --> 00:09:35,069
this conversation a little more action
please all this aggravation is that is
302
00:09:35,069 --> 00:09:35,079
please all this aggravation is that is
303
00:09:35,079 --> 00:09:42,059
please all this aggravation is that is
fashion in the media number one found
304
00:09:42,059 --> 00:09:42,069
fashion in the media number one found
305
00:09:42,069 --> 00:09:44,120
fashion in the media number one found
off
306
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off
307
00:09:44,130 --> 00:09:48,099
off
[Music]
308
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[Music]
309
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[Music]
even our number one spot is the gyrating
310
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even our number one spot is the gyrating
311
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even our number one spot is the gyrating
pelvis shaking ditty that started all
312
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pelvis shaking ditty that started all
313
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pelvis shaking ditty that started all
kinds of trouble debuting the song on
314
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kinds of trouble debuting the song on
315
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kinds of trouble debuting the song on
the Milton Berle show personally made
316
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the Milton Berle show personally made
317
00:10:04,350 --> 00:10:06,559
the Milton Berle show personally made
sure his performance announced to fans
318
00:10:06,559 --> 00:10:06,569
sure his performance announced to fans
319
00:10:06,569 --> 00:10:09,199
sure his performance announced to fans
rock and roll was here to stay and Elvis
320
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rock and roll was here to stay and Elvis
321
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rock and roll was here to stay and Elvis
was its king
322
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323
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[Music]
324
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[Music]
325
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[Music]
[Applause]
326
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[Applause]
327
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[Applause]
thanks to its raw and game-changing
328
00:10:17,910 --> 00:10:17,920
thanks to its raw and game-changing
329
00:10:17,920 --> 00:10:20,220
thanks to its raw and game-changing
energy it topped multiple American
330
00:10:20,220 --> 00:10:20,230
energy it topped multiple American
331
00:10:20,230 --> 00:10:24,100
energy it topped multiple American
charts and became his best-selling track
332
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charts and became his best-selling track
333
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charts and became his best-selling track
[Music]
334
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335
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do you agree with our list what's your
336
00:10:30,000 --> 00:10:30,010
do you agree with our list what's your
337
00:10:30,010 --> 00:10:35,300
do you agree with our list what's your
favorite Elvis Presley song
338
00:10:35,300 --> 00:10:35,310
339
00:10:35,310 --> 00:10:37,400
for a little less conversation and a lot
340
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for a little less conversation and a lot
341
00:10:37,410 --> 00:10:39,710
for a little less conversation and a lot
more top 10s published daily be sure to
342
00:10:39,710 --> 00:10:39,720
more top 10s published daily be sure to
343
00:10:39,720 --> 00:10:41,760
more top 10s published daily be sure to
subscribe to watchmojo.com
344
00:10:41,760 --> 00:10:41,770
subscribe to watchmojo.com
345
00:10:41,770 --> 00:10:56,969
subscribe to watchmojo.com
[Music]26833
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