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1
00:00:35,703 --> 00:00:37,638
[WOMAN]
HEY POP.
2
00:00:39,873 --> 00:00:41,709
SO WHAT IS THE SET
W'RE WORKING ON NOW,
3
00:00:41,709 --> 00:00:42,976
THE RED SERIES?
4
00:00:42,976 --> 00:00:45,613
[MAN]
I'S A GOOD QUESTION.
5
00:00:45,613 --> 00:00:46,780
I DON'T KNOW.
6
00:00:51,185 --> 00:00:52,786
[WOMAN]
WHA'S INSPIRING THIS, POP?
7
00:00:52,786 --> 00:00:55,123
CAN YOU TALK ABOUT, LIKE,
WHAT YOUR INFLUENCES ARE--
8
00:00:55,123 --> 00:00:56,924
[MAN]
MY BANK ACCOUNT.
9
00:00:56,924 --> 00:00:58,259
[WOMAN]
CAN YOU PLEASE JUST--
10
00:00:58,259 --> 00:00:59,527
ARE YOU GONNA--
DO YOU THINK THIS'LL
11
00:00:59,527 --> 00:01:01,329
BE THE LAST ONE
IN THIS SERIES, DAD,
12
00:01:01,329 --> 00:01:02,830
OR DO YOU THINK YOU'RE
GOING TO DO A BUNCH MORE?
13
00:01:02,830 --> 00:01:05,233
SAM, STOP IT!
14
00:02:59,447 --> 00:03:00,948
[MAN]
YEAH, YEAH, YEAH.
JUST GOT THE JAMS.
15
00:03:00,948 --> 00:03:02,983
I JUST NEED AN HOUR
TO GRAB THE REST OF MY BOXES,
16
00:03:02,983 --> 00:03:05,653
AND THEN 'M GOING
TO SWING BY THIS ORGY.
17
00:03:05,653 --> 00:03:07,120
OH, SHIT.
18
00:03:07,120 --> 00:03:09,056
ARIEL. BABY.
19
00:03:09,056 --> 00:03:10,524
YOU'RE RIGHT.
20
00:03:10,524 --> 00:03:12,360
MOVERS, CAN YOU MEET 'EM?
PLEASE?
21
00:03:12,360 --> 00:03:13,994
PLEASE, PLEASE, PLEASE,
PLEASE, PLEASE?
22
00:03:13,994 --> 00:03:15,195
[MAN CHUCKLES]
23
00:03:15,195 --> 00:03:16,597
NAH, I GOT IT.
24
00:03:16,597 --> 00:03:18,966
NO, I'LL GET THERE
AS SOON AS I CAN.
25
00:03:18,966 --> 00:03:21,535
OKAY. OKAY.
26
00:03:21,535 --> 00:03:24,805
BYE.
27
00:03:24,805 --> 00:03:28,175
OH MY GOD, SAM.
28
00:03:28,175 --> 00:03:29,443
[SAM GIGGLING]
29
00:03:29,443 --> 00:03:32,012
WHEN DID YOU GET BACK?
30
00:03:32,012 --> 00:03:35,115
UH, LAST NIGHT.
31
00:03:35,115 --> 00:03:37,318
THE FRANK IS TONIGHT.
32
00:03:37,318 --> 00:03:38,919
RIGHT.
RIGHT, RIGHT, RIGHT, RIGHT.
33
00:03:38,919 --> 00:03:40,421
UM,
34
00:03:40,421 --> 00:03:41,622
PUT SOME PANTS ON.
35
00:03:41,622 --> 00:03:42,923
W'LL GO GET
A CUP OF COFFEE.
36
00:03:42,923 --> 00:03:45,726
WHY? I CAN DRINK COFFEE
PANTLESS HERE.
37
00:03:45,726 --> 00:03:49,229
UH, NO, YOU CAN'T.
I DON'T HAVE ANY...
38
00:03:49,229 --> 00:03:50,230
ANY MORE.
39
00:03:50,230 --> 00:03:51,231
OKAY.
40
00:03:51,231 --> 00:03:52,266
YEAH.
41
00:03:52,266 --> 00:03:53,467
YOU'RE BEING WEIRD.
42
00:03:53,467 --> 00:03:55,135
HAHA, YEAH. YOU--
43
00:03:55,135 --> 00:03:58,939
IT WAS WEIRD OF YOU TO DISAPPEAR
FOR FOUR MONTHS, BUT--
44
00:03:58,939 --> 00:04:01,509
MY ARIEL?
YOU'RE DATING MY ARIEL?
45
00:04:01,509 --> 00:04:02,843
WE HAD BEEN FRIENDS
FOR SO LONG
46
00:04:02,843 --> 00:04:05,245
IT JUST KINDA HAPPENED.
47
00:04:05,245 --> 00:04:08,181
YEAH, I'S JUST WEIRD.
48
00:04:08,181 --> 00:04:09,483
SHE'S A GREAT GIRL.
49
00:04:09,483 --> 00:04:12,152
I KNOW. I KNOW.
50
00:04:12,152 --> 00:04:14,688
WELL, GOOD FOR YOU,
I GUESS.
51
00:04:14,688 --> 00:04:15,823
I MEAN,
SHE'S A HUGE UPGRADE
52
00:04:15,823 --> 00:04:18,359
FROM THE GIRLS
YOU USUALLY DATE.
53
00:04:18,359 --> 00:04:20,160
HAHA, OKAY.
THANK YOU.
54
00:04:20,160 --> 00:04:22,930
HEH.
55
00:04:22,930 --> 00:04:25,065
WHY DID'T YOU TELL ME?
56
00:04:25,065 --> 00:04:26,600
HOW COULD I?
57
00:04:26,600 --> 00:04:27,935
I DID'T KNOW
WHERE YOU WERE.
58
00:04:27,935 --> 00:04:30,103
YOU WOULD'T
ANSWER YOUR PHONE.
59
00:04:30,103 --> 00:04:32,573
WHY WOULD YOU EVEN WANT
TO MOVE TO SILVER LAKE.
60
00:04:32,573 --> 00:04:34,675
'CAUSE I'S COOL THERE.
AND I GOT A GOOD DEAL.
61
00:04:34,675 --> 00:04:36,810
I'S A BUYER'S MARKET.
62
00:04:36,810 --> 00:04:39,380
I CAN'T JUST KEEP
RENTING FROM YOU FOREVER.
63
00:04:39,380 --> 00:04:41,214
WHY NOT.
64
00:04:41,214 --> 00:04:45,185
[MAN]
SO ARE YOU GONNA TELL ME
WHAT HAPPENED WITH YOU?
65
00:04:45,185 --> 00:04:46,854
NO I JUST HAD TO GO.
66
00:04:46,854 --> 00:04:48,489
YOU KNOW I HAD TO
DO SOME FAMILY STUFF.
67
00:04:48,489 --> 00:04:51,792
I WENT TO MY MO'S.
NOT MY BEST IDEA.
68
00:04:51,792 --> 00:04:53,394
WELL, YOU COULD HAVE CALLED,
69
00:04:53,394 --> 00:04:54,528
OR SEND A FUCKING POSTCARD.
70
00:04:54,528 --> 00:04:56,997
YOU DISAPPEARED FOR
FOUR MONTHS.
71
00:04:56,997 --> 00:04:58,098
I'M SORRY.
72
00:04:58,098 --> 00:04:59,166
I'M HOME NOW.
73
00:04:59,166 --> 00:05:01,635
[WOMAN]
SAM TRASSLER.
74
00:05:01,635 --> 00:05:03,537
OH MY GOD,
IT HAS LITERALLY BEEN YEARS
75
00:05:03,537 --> 00:05:04,838
SINCE I'VE SEEN YOU,
HOW ARE YOU?
76
00:05:04,838 --> 00:05:05,873
I'M OKAY.
77
00:05:05,873 --> 00:05:08,442
I WAS SO SORRY
TO HEAR ABOUT YOUR DAD.
78
00:05:08,442 --> 00:05:11,479
I FACEBOOKED YOU
WHEN I FOUND OUT.
79
00:05:11,479 --> 00:05:14,982
YEAH,
I'M TERRIBLE WITH THAT STUFF.
80
00:05:14,982 --> 00:05:16,917
[BOTH]
HI.
81
00:05:16,917 --> 00:05:18,318
OH, I'M SORRY.
THIS IS JOSH.
82
00:05:18,318 --> 00:05:19,820
JOSH, THIS IS ANGELA.
83
00:05:19,820 --> 00:05:21,822
ANGELA WAS IN THE FILM PROGRAM
WITH ME IN NEW YORK.
84
00:05:21,822 --> 00:05:23,357
JOSH WAS IN SCHOOL
WITH US, TOO.
85
00:05:23,357 --> 00:05:27,895
OH. NOT IN FILM.
I'D OF REMEMBERED YOU.
86
00:05:27,895 --> 00:05:31,198
I HAVE A NEW WEBSITE.
AWESOME.
87
00:05:31,198 --> 00:05:32,600
YOU GUYS SHOULD
CHECK IT OUT.
88
00:05:32,600 --> 00:05:34,101
SEE WHAT 'M DOING.
I'M PRODUCING.
89
00:05:34,101 --> 00:05:35,436
WHICH I REALLY LOVE.
90
00:05:35,436 --> 00:05:37,004
A COUPLE BIG THINGS
IN THE WORKS, YOU KNOW.
91
00:05:37,004 --> 00:05:38,939
BUT I'D LOVE TO SEE
WHAT YO'RE INTO THESE DAYS.
92
00:05:38,939 --> 00:05:40,240
[ANGELA]
YEAH.
93
00:05:40,240 --> 00:05:41,475
[JOSH]
OH. ME TOO. THANK YOU.
94
00:05:41,475 --> 00:05:43,811
[ANGELA]
AH, SHOOT. 'VE GOTTA GO.
95
00:05:43,811 --> 00:05:47,314
I HAVE A MEETING AT THE STUDIO.
CRAZY, RIGHT? HAHA.
96
00:05:47,314 --> 00:05:49,383
BUT LISTEN,
WE SHOULD DO LUNCH.
97
00:05:49,383 --> 00:05:50,451
OKAY, I'LL CALL YOU.
98
00:05:50,451 --> 00:05:53,220
YOU HAVE TO CALL ME.
PROMISE.
99
00:05:53,220 --> 00:05:54,154
CALL HER.
100
00:05:54,154 --> 00:05:55,288
I--I WILL.
101
00:05:55,288 --> 00:05:57,190
OKAY.
SO NICE TO MEET YOU.
102
00:05:57,190 --> 00:05:59,893
NICE TO MEET YOU.
I'LL BE SEEING YOU.
103
00:05:59,893 --> 00:06:01,662
BYE.
104
00:06:01,662 --> 00:06:03,296
WHAT?
I HATE YOU.
105
00:06:03,296 --> 00:06:05,065
[JOSH SCOFFING]
106
00:06:05,065 --> 00:06:07,000
ANYWAY, WHAT ARE YOU
DOING TONIGHT?
107
00:06:07,000 --> 00:06:08,902
'CAUSE
THE GALLERY THING IS TONIGHT.
108
00:06:08,902 --> 00:06:11,772
YOU KNOW,
"FRANK TRASSLER IN MEMORIAM."
109
00:06:11,772 --> 00:06:13,173
DO YOU WANT TO GO WITH ME?
110
00:06:13,173 --> 00:06:15,175
DO YOU REALLY THINK
YOU SHOULD GO TO THAT?
111
00:06:15,175 --> 00:06:17,578
YEAH, I HAVE TO GO.
MY MO'S ON THE BOOK TOUR.
112
00:06:17,578 --> 00:06:19,413
SOMEBODY HAS TO
REPRESENT THE FAMILY.
113
00:06:19,413 --> 00:06:20,714
BUT, YOU KNOW,
I ONLY HAVE TO GO
114
00:06:20,714 --> 00:06:23,183
FOR LIKE A MINUTE,
AND SAY HI.
115
00:06:23,183 --> 00:06:24,818
COULD BE FUN.
116
00:06:24,818 --> 00:06:27,054
I CAN'T.
117
00:06:27,054 --> 00:06:29,289
I'S ARIEL'S
NIGHT OFF TONIGHT.
118
00:06:29,289 --> 00:06:30,290
SHE'S WORKING NIGHTS AGAIN.
119
00:06:30,290 --> 00:06:32,760
OKAY. THA'S FINE.
120
00:06:32,760 --> 00:06:34,928
WELL MAYBE WE CAN ALL
GET DINNER SOMETHING THIS WEEK.
121
00:06:34,928 --> 00:06:37,064
OH, REALLY?'CAUSE I THOUGHT
YOU SAID SHE WORKED NIGHTS.
122
00:06:37,064 --> 00:06:38,298
OR LUNCH.
123
00:06:38,298 --> 00:06:39,600
OR COFFEE, COME ON.
124
00:06:39,600 --> 00:06:41,401
I SORTA SLIGHTLY
DISLIKE YOU RIGHT NOW.
125
00:06:41,401 --> 00:06:43,136
A LOT.
126
00:06:43,136 --> 00:06:45,706
[WOMAN]
NO, I'S JUST
I'S CUSTOME'S ONLY.
127
00:06:45,706 --> 00:06:48,676
I DID PUT UP A SIGN.
DID YOU SEE THE SIGN?
128
00:06:48,676 --> 00:06:50,277
[MAN]
LOOK, I DID'T SEE ANY SIGN.
COME ON, I JUST WANNA--
129
00:06:50,277 --> 00:06:52,112
[WOMAN]
PLEASE CALM DOWN SIR.
130
00:06:52,112 --> 00:06:53,714
[MAN] I JUST WANT
TO USE THE RESTROOM.
[SAM] BE RIGHT BACK.
131
00:06:53,714 --> 00:06:56,083
WHERE YOU GOING?
NO, DON'T GET INVOLVED IN THAT.
132
00:06:56,083 --> 00:06:59,853
[WOMAN] I'S CUSTOME'S ONLY.
[MAN] YOU KNOW WHAT? FUCK.
I'LL PEE RIGHT HERE.
133
00:06:59,853 --> 00:07:01,922
HEY, HEY, HEY.
NO, NO, NO.
134
00:07:01,922 --> 00:07:04,224
LET ME TELL YOU SOMETHING,
PLEASE. LET ME.
135
00:07:04,224 --> 00:07:06,894
ANYTHING HE WANTS.
136
00:07:06,894 --> 00:07:09,863
REALLY?
137
00:07:11,532 --> 00:07:12,933
OKAY.
138
00:07:12,933 --> 00:07:17,638
UH, I'LL HAVE
A HOT CHOCOLATE.
139
00:07:17,638 --> 00:07:23,611
UH, NOT TO HOT. OKAY?
140
00:07:23,611 --> 00:07:25,112
WITH EXTRA CHOCOLATE.
141
00:07:25,112 --> 00:07:28,248
AND EXTRA, EXT--
142
00:07:28,248 --> 00:07:29,483
EXTRA EXTRA WHIPPED CREAM.
143
00:07:29,483 --> 00:07:30,784
KAY?
144
00:07:30,784 --> 00:07:31,652
GOT IT?
145
00:07:31,652 --> 00:07:33,621
OH, I GOT IT.
146
00:07:37,157 --> 00:07:38,258
THANK YOU, I, UH--
147
00:07:38,258 --> 00:07:39,593
I'M SAM.
148
00:07:39,593 --> 00:07:42,530
UH, I'M...
149
00:07:42,530 --> 00:07:44,197
I'M P.K.
150
00:07:44,197 --> 00:07:46,767
THANK YOU, YO'RE A DOLL.
I DON'T KNOW WHAT TO SAY.
151
00:07:46,767 --> 00:07:50,170
I WILL GET OUT OF YOUR HAIR.
152
00:07:50,170 --> 00:07:55,676
THANK YOU.
153
00:07:55,676 --> 00:07:56,977
THAT WAS NICE OF YOU.
154
00:07:56,977 --> 00:07:58,912
KAY, I USED TO LET
THOSE KIDS IN HERE
155
00:07:58,912 --> 00:08:01,314
ALL THE TIME AND THEY WOULD
SPENT LIKE 20 MINUTES
156
00:08:01,314 --> 00:08:04,184
IN THE BATHROOM, AND THEY'D
LEAVE IT TOTALLY DISGUSTING,
157
00:08:04,184 --> 00:08:06,219
BLOOD, ALL OVER THE WALLS.
158
00:08:11,091 --> 00:08:12,225
KEEP THE CHANGE.
159
00:08:12,225 --> 00:08:16,196
THANKS.
160
00:08:16,196 --> 00:08:17,565
H'S HOMELESS.
161
00:08:17,565 --> 00:08:19,466
NO HE'S NOT.
162
00:08:19,466 --> 00:08:22,002
BLOOD ON A WALL.
163
00:08:22,002 --> 00:08:27,474
[SAM]
SO WHAT DO YOU THINK
YOUR MOST SIGNIFICANT WORK IS?
164
00:08:27,474 --> 00:08:29,176
NEXT QUESTION.
165
00:08:29,176 --> 00:08:31,979
[SAM]
HEY, POP, CAN YOU PLEASE
NOT HAVE THE GLASS IN THE SHOT?
166
00:08:31,979 --> 00:08:35,583
OH, LEAVE ME ALONE WITH THAT,
HONEY.
167
00:08:35,583 --> 00:08:37,084
LOOK, IT--
168
00:08:38,686 --> 00:08:40,821
SWEETIE, IT--
169
00:08:40,821 --> 00:08:44,758
IT DOES'T MATTER
WHETHER I PAINT SHIT OR NOT.
170
00:08:44,758 --> 00:08:46,126
IT--YOU KNOW, THE'LL--
171
00:08:46,126 --> 00:08:50,731
THE'LL ALL STILL
COME TO THE SHOW.
172
00:08:50,731 --> 00:08:52,600
EVERYONE WILL
173
00:08:52,600 --> 00:08:55,736
COME TO THE SHOW TO
174
00:08:55,736 --> 00:08:58,906
OWN A PIECE
OF MY EVENTUAL FAILURE.
175
00:09:01,008 --> 00:09:02,576
[SAM SNIFFLING]
176
00:10:36,436 --> 00:10:38,405
[FRANK]
WHEN YOU KNOW WHY
177
00:10:38,405 --> 00:10:40,941
YOU ARE DOING ALL OF THIS,
178
00:10:40,941 --> 00:10:43,576
WHY YOU FEEL IT--
179
00:10:43,576 --> 00:10:45,813
IT IN YOU
180
00:10:45,813 --> 00:10:48,048
OKAY, THEN YOU COME
AND TALK TO ME.
181
00:10:48,048 --> 00:10:53,386
OKAY, THEN WE'LL HAVE
A LOT TO TALK ABOUT.
182
00:11:30,758 --> 00:11:35,595
* THE ROOM IS SO PALE *
183
00:11:35,595 --> 00:11:39,266
* AND THE NIGHT IS SO STILL *
184
00:11:39,266 --> 00:11:40,834
* YOU CA'T BEGIN TO KNOW *
185
00:11:40,834 --> 00:11:45,172
* YOU CA'T BEGIN TO KNOW *
186
00:11:46,807 --> 00:11:50,010
* ALL THE THINGS THAT I FEEL *
187
00:11:51,979 --> 00:11:54,381
* WELCOME TO THE NEXT LEVEL *
188
00:12:09,429 --> 00:12:12,732
* LE'S MAKE SOME
MOTHERFUCKING REGGAE BREAKS *
189
00:12:39,793 --> 00:12:41,128
[MAN WHISTLES]
190
00:12:41,128 --> 00:12:44,697
HEY.
OKAY, WHAT THE FUCK?
191
00:12:44,697 --> 00:12:47,567
WHAT THE FUCK'RE YOU DOING?
UH, NOTHING. 'M A FILMMAKER.
192
00:12:47,567 --> 00:12:49,336
I'M SAM. IT'S COOL. I'S COOL.
OH, I'S COOL?
193
00:12:49,336 --> 00:12:50,537
YEAH, I'S COOL.
OH, I'S COOL?
194
00:12:50,537 --> 00:12:52,072
MM-HMM.
A'IGHT.
195
00:12:52,072 --> 00:12:53,606
WHAT THE FUCK ARE YOU DOING?
GET THE FUCK OUTTA HERE.
196
00:12:53,606 --> 00:12:55,876
WHOA, WHOA, WHOA. EDDIE, EDDIE,
EDDIE, EDDIE, EDDIE.
197
00:12:55,876 --> 00:12:59,980
COME ON, THAT'S
NOT HOW YOU TREAT A LADY.
198
00:12:59,980 --> 00:13:03,383
JUST HAVE SOME MANNERS, OKAY?
COME ON. COOL.
199
00:13:03,383 --> 00:13:05,452
[SAM] I'M SORRY.
[MAN] YEAH, SURE, OKAY.
[SAM] I'M SORRY.
200
00:13:05,452 --> 00:13:09,056
YEAH, YOU SHOULDN'T BE TAKING
PICTURES OF PEOPLE, THA'S IT.
201
00:13:11,124 --> 00:13:11,992
IT OKAY?
202
00:13:11,992 --> 00:13:17,097
YOU AND YOUR FUCKING CAMERA.
203
00:13:17,097 --> 00:13:18,832
SO I HAVE THIS IDEA.
204
00:13:20,267 --> 00:13:22,335
I BROUGHT YOU SOME
HOT CHOCOLATE AS A BRIBE.
205
00:13:22,335 --> 00:13:24,237
[P.K.]
DON'T DO BRIBES.
206
00:13:24,237 --> 00:13:27,774
WHAT ABOUT FAVORS.
DO YOU DO FAVORS?
207
00:13:27,774 --> 00:13:30,978
[P.K. EXHALING]
208
00:13:33,513 --> 00:13:36,083
[SAM]
SO, TELL ME
ABOUT YOUR FAMILY.
209
00:13:36,083 --> 00:13:38,085
[P.K.]
WELL, IT WAS JUST
ME AND MY DAD.
210
00:13:38,085 --> 00:13:40,487
AND I WAS TAKING CARE OF HIM
211
00:13:40,487 --> 00:13:43,123
BECAUSE, WELL, I MEAN,
FUCK, SOMEBODY HAD TO, RIGHT?
212
00:13:45,325 --> 00:13:47,327
WELL YOU ARE HELL-BENT
ON DESTROYING YOURSELF,
213
00:13:47,327 --> 00:13:49,429
THERE IS NOTHING
ANYONE CAN DO.
214
00:13:49,429 --> 00:13:52,732
SO WHEN HE DIED, I GOES
IN THE SYSTEM FOR A WHILE,
215
00:13:52,732 --> 00:13:55,468
STARTED HITCH HIKING.
216
00:13:55,468 --> 00:14:00,173
ENDED UP HERE.
217
00:14:00,173 --> 00:14:01,942
NO, I DON'T WANT THEM
TO FEEL SORRY FOR ME,
218
00:14:01,942 --> 00:14:04,277
I'M COOL.
219
00:14:04,277 --> 00:14:05,778
I'M COOLER THAN MOST
220
00:14:05,778 --> 00:14:08,781
OF THOSE ASSHOLES
OUT THERE, SO--
221
00:14:08,781 --> 00:14:11,684
[SAM]
OKAY, JUST KEEP DOING
WHAT YO'RE DOING.
222
00:14:11,684 --> 00:14:14,254
I'M GONNA GET SOME B-ROLE.
223
00:14:14,254 --> 00:14:15,755
THE WAY--THE WAY YOU SAY THAT
224
00:14:15,755 --> 00:14:17,925
I'S LIKE 'M MAKING--OKAY, NO.
225
00:14:17,925 --> 00:14:20,227
SORRY, WHAT? I CA'T HEAR YOU.
WHAT ARE YOU TALKING ABOUT?
226
00:14:20,227 --> 00:14:23,931
WHEN I WAS LITTLE,
I HAD THIS BABY DOLL.
227
00:14:23,931 --> 00:14:27,534
AND, WHEN SHE CRIED,
YOU WOULD FEED HER--
228
00:14:27,534 --> 00:14:29,636
--[MAN] I DON'T KNOW.
I DON'T NEVER GET JEALOUS
229
00:14:29,636 --> 00:14:31,571
--OF WHAT THE FUCKING HOUSIES
AND THEIR BMWS...
230
00:14:31,571 --> 00:14:33,907
[WOMAN]
--ROCK HER, OR CHANGE HER
TO GET HER TO STOP CRYING.
231
00:14:33,907 --> 00:14:36,643
[MAN]
I DON'T KNOW A THING ABOUT
REAL WORLD--YOU KNOW?
232
00:14:39,079 --> 00:14:42,916
THIS IS IT.
233
00:14:42,916 --> 00:14:43,984
YOU WANT US TO BE
IN YOUR MOVIE?
234
00:14:43,984 --> 00:14:45,652
[SAM]
ALL RIGHT, WELL,
235
00:14:45,652 --> 00:14:47,054
I'LL DEFINITELY BUY YOU GUYS
LUNCH, HOW ABOUT THAT?
236
00:14:47,054 --> 00:14:48,588
YEAH, YEAH, YEAH.
WE CAN DO THAT.
237
00:14:48,588 --> 00:14:49,689
[SAM]
ALL RIGHT. OKAY.
238
00:14:49,689 --> 00:14:51,391
SO, BEFORE WE START,
I'S REALLY EASY.
239
00:14:51,391 --> 00:14:52,993
I JUST WANT YOU GUYS
TO BE YOURSELVES.
240
00:14:52,993 --> 00:14:55,562
ALL RIGHT, 'M JUST GOING TO ASK
YOU A BUNCH OF QUESTIONS.
241
00:14:55,562 --> 00:14:57,730
YEP, GO WHEREVER IT'S GONNA GO.
[WOMEN] YEP. SURE.
242
00:14:57,730 --> 00:14:59,967
YEAH, OKAY. YEAH, YEAH, YEAH.
WE GOT IT.
243
00:14:59,967 --> 00:15:04,271
SO WHY DID YOU GUYS LEAVE HOME.
244
00:15:04,271 --> 00:15:07,740
[WOMAN]
MY MO'S A FUCKING WHORE.
AND A JUNKIE.
245
00:15:07,740 --> 00:15:09,742
SO, THE HOUSE GOT FORECLOSED.
246
00:15:09,742 --> 00:15:11,945
SO, YOU KNOW, I HAD TO LEAVE.
247
00:15:11,945 --> 00:15:15,748
AND THA'S WHEN I MET HER.
YEAH.
248
00:15:15,748 --> 00:15:17,784
WHAT WAS THAT LIKE?
249
00:15:17,784 --> 00:15:19,719
BAD.
250
00:15:19,719 --> 00:15:21,421
IT MADE ME FEEL BAD.
251
00:15:21,421 --> 00:15:25,525
IT MADE ME FEEL EXACTLY
HOW YOU'D THINK YOU WOULD FEEL.
252
00:15:31,264 --> 00:15:34,034
WELL, THANK YOU SO MUCH,
253
00:15:34,034 --> 00:15:36,236
FOR BEING HONEST.
254
00:15:36,236 --> 00:15:39,039
[WOMAN]
I FEEL LIKE YOU WOULD SIT IN
THIS AND IT WOULD RIP, THOUGH.
255
00:15:39,039 --> 00:15:41,141
IF I SAT IN IT...
[WOMAN GIGGLING]
256
00:15:41,141 --> 00:15:43,110
[SAM]
ARIEL, YOU HAVE
SO MANY THINGS AT HOME.
257
00:15:43,110 --> 00:15:44,744
I NEED TO FIND SOMETHING
REALLY GREAT BECAUSE--
258
00:15:44,744 --> 00:15:47,847
THIS IS THE FIRST TIME WE'RE
HOSTING SOMETHING TOGETHER,
259
00:15:47,847 --> 00:15:50,283
AND ALL OUR FRIENDS ARE GOING
TO BE THERE, AND I JUST--
260
00:15:50,283 --> 00:15:52,152
I WANT TO LOOK REALLY GOOD.
261
00:15:52,152 --> 00:15:53,686
WELL, YOU ALWAYS LOOK GREAT.
262
00:15:53,686 --> 00:15:55,455
UM, OKAY, YOU'RE GOING
TO HAVE TO TRY THIS ON ME,
263
00:15:55,455 --> 00:15:58,091
I'S NOT GOING TO FIT ME.
264
00:15:58,091 --> 00:16:01,194
I CAN'T WAIT FOR YOU TO SEE
JOS'S NEW HOUSE, IT'S SO COOL.
265
00:16:01,194 --> 00:16:02,829
AND HE DID THE SWEETEST THING.
266
00:16:02,829 --> 00:16:05,665
HE FRAMED ONE OF MY PAINTINGS
AND HUNG IT IN HIS BEDROOM.
267
00:16:05,665 --> 00:16:08,301
OKAY, WELL YOU HAVE TO ADMIT,
THAT DOES'T SOUND LIKE JOSH,
268
00:16:08,301 --> 00:16:10,237
THA'S REALLY ROMANTIC.
269
00:16:10,237 --> 00:16:12,039
NO, I KNOW.
I KNOW.
270
00:16:12,039 --> 00:16:14,507
I THOUGHT THE SAME THING,
BUT THEN WHEN WE STARTED DATING,
271
00:16:14,507 --> 00:16:17,044
HE STARTED DOING ALL THESE
REALLY ROMANTIC THINGS FOR ME,
272
00:16:17,044 --> 00:16:20,580
LIKE HE WOULD ALWAYS TAKE ME
TO ADORABLE LITTLE RESTAURANTS
273
00:16:20,580 --> 00:16:23,250
AROUND TOWN, AND HE WOULD
ALWAYS GET ME FLOWERS,
274
00:16:23,250 --> 00:16:24,751
TAKES ME TO THE GETTY VILLA,
275
00:16:24,751 --> 00:16:28,555
SO HOW ARE YOU BEING HOME,
ARE YOU OKAY?
276
00:16:28,555 --> 00:16:29,756
YEAH.
277
00:16:29,756 --> 00:16:31,858
UM, ACTUALLY THE DOC
THAT 'M WORKING ON
278
00:16:31,858 --> 00:16:33,293
IS GOING REALLY WELL.
279
00:16:33,293 --> 00:16:35,662
I DID'T EVEN KNOW THAT
YOU WERE WORKING.
280
00:16:35,662 --> 00:16:37,230
THA'S AWESOME. IS IT, ARE YOU,
LIKE, DOING FASHION STUFF?
281
00:16:37,230 --> 00:16:39,199
OR MORE BAND STUFF?
282
00:16:39,199 --> 00:16:42,469
NO, NO. I'M, 'M SURPRISED
JOSH DIDN'T TELL YOU ABOUT IT.
283
00:16:42,469 --> 00:16:44,003
UM, I'S ABOUT STREET KIDS.
284
00:16:44,003 --> 00:16:47,540
WE MET THIS GUY AT A COFFEE SHOP
A COUPLE OF WEEKS AGO.
285
00:16:47,540 --> 00:16:50,577
AND IT JUST SORT
OF GREW OUT FROM THERE.
286
00:16:50,577 --> 00:16:53,613
SO IS IT ABOUT
DRUG ADDICTS OR SOMETHING?
287
00:16:53,613 --> 00:16:54,914
NO, NOT NECESSARILY.
288
00:16:54,914 --> 00:16:58,351
I MEAN, YOU KNOW,
THEY HAVE ALL SORTS OF PROBLEMS,
289
00:16:58,351 --> 00:17:01,754
LIKE, YOU KNOW,
SHITTY PARENTS OR ABUSE,
290
00:17:01,754 --> 00:17:03,290
AND THERE ARE SOME DRUGS.
291
00:17:03,290 --> 00:17:06,826
BUT I'S A REALLY
FASCINATING SUBJECT.
292
00:17:06,826 --> 00:17:09,796
I'M, 'M ACTUALLY
TRYING TO HELP THEM.
293
00:17:09,796 --> 00:17:11,331
[SAM] HONESTLY, I'S NOT.
294
00:17:11,331 --> 00:17:13,566
[ARIEL] I HAVE NO PROBLEM
DRIVING HERE. I'S FINE.
295
00:17:13,566 --> 00:17:17,304
I'S NOT THAT
I WAS'T ABLE TO,
296
00:17:17,304 --> 00:17:20,673
[ARIEL] HOMELESS OR HIPSTER?
[SAM] THA'S MEAN.
297
00:17:20,673 --> 00:17:22,309
[ARIEL] THEY LOOK.
[SAM] THEY DO NOT. IT'S MEAN.
298
00:17:22,309 --> 00:17:25,312
I'S NOT MEAN. I'S TRUE.
299
00:17:25,312 --> 00:17:26,513
SO THIS IS EDDIE AND TRINA.
300
00:17:26,513 --> 00:17:28,115
[ARIEL] HI.
[TRINA] HI.
301
00:17:28,115 --> 00:17:32,018
HEY P.K., I WANT YOU
TO MEET MY FRIEND ARIEL.
302
00:17:32,018 --> 00:17:33,486
HI. HELLO.
[P.K.] HEY.
303
00:17:33,486 --> 00:17:35,222
[TRINA] ARE YOU NAMED AFTER
THE LITTLE MERMAID?
304
00:17:35,222 --> 00:17:39,992
[ARIEL] NO, I'M--'M--NO
I'S THIS SHAKESPEARE CHARACTER.
305
00:17:39,992 --> 00:17:41,661
THE TEMPEST FAIRY, RIGHT?
306
00:17:41,661 --> 00:17:43,496
YEAH, DID YOU READ THAT?
307
00:17:43,496 --> 00:17:48,034
YEAH, BUT, UH,
THAT FAIR'S A GUY.
308
00:17:48,034 --> 00:17:51,338
[EDDIE]
DO YOU, UH, HAVE TEN--
TEN DOLLARS I CAN BORROW?
309
00:17:54,174 --> 00:17:56,376
THANK YOU.
310
00:17:57,510 --> 00:17:59,312
[SAM]
SO, UH, WHERE'VE YOU BEEN?
311
00:17:59,312 --> 00:18:00,813
WE FOUND THIS INCREDIBLE
LITTLE WAREHOUSE
312
00:18:00,813 --> 00:18:02,282
OVER ON BAKER STREET.
313
00:18:02,282 --> 00:18:04,984
THE CITY LEFT IT UNFINISHED.
UNBELIEVABLE, RIGHT?
314
00:18:04,984 --> 00:18:07,987
YOU KNOW, I GO IN, CLEAN IT UP,
TAKE THE COPPER PIPING,
315
00:18:07,987 --> 00:18:09,922
MAKE A LITTLE EXTRA CASH,
316
00:18:09,922 --> 00:18:12,825
AND WE HAVE A PLACE TO SLEEP,
YOU KNOW?
317
00:18:15,195 --> 00:18:16,896
HAVE YOU BEEN THERE?
318
00:18:16,896 --> 00:18:18,565
NO, BUT I WOULD LOVE TO.
319
00:18:18,565 --> 00:18:20,099
YEAH?
320
00:18:20,099 --> 00:18:23,370
UM, YOU KNOW, I'VE GOTTA GO
TO CLASS. I MIGHT BE LATE.
321
00:18:23,370 --> 00:18:25,738
W'RE DOING THE LIVE
NUDE MODEL THING TODAY.
322
00:18:25,738 --> 00:18:27,340
SO THAT SHOULD BE COOL.
323
00:18:27,340 --> 00:18:29,342
UM, YOU'RE GOING TO COME LATER
TO JOSH'S HOUSEWARMING, RIGHT?
324
00:18:29,342 --> 00:18:31,678
MM-HMM.
OKAY.
325
00:18:34,981 --> 00:18:36,115
ANOTHER ARTIST?
326
00:18:36,115 --> 00:18:38,351
MM-HMM. YEAH.
SHE DRAWS.
327
00:18:38,351 --> 00:18:39,619
NUD'S, SUPPOSEDLY.
328
00:18:39,619 --> 00:18:42,389
HEY, YOU WANNA
GRAB A COFFEE WITH ME?
329
00:18:42,389 --> 00:18:44,457
[SAM] YEAH.
[P.K.] 'M BUYING, THOUGH, OKAY?
[SAM] SURE.
330
00:18:44,457 --> 00:18:46,793
I MADE 15 BUCKS THIS MORNING,
COME ON.
331
00:18:49,095 --> 00:18:50,930
WHA'S SHE DRAW?
332
00:18:50,930 --> 00:18:53,233
UM, WELL,
NAKED PEOPLE TODAY, APPARENTLY.
333
00:18:53,233 --> 00:18:54,467
[P.K.]
OH.
334
00:18:54,467 --> 00:18:57,404
WELL THAT'S GOTTA
BE COMFORTABLE.
335
00:19:05,612 --> 00:19:08,315
MM. HMM.
336
00:19:09,982 --> 00:19:13,553
SO, UM, DOES YOUR MOM KNOW
YOU'RE OUT HERE?
337
00:19:15,322 --> 00:19:17,690
AT THE FOOD TRUCK?
338
00:19:17,690 --> 00:19:19,426
NO.
339
00:19:21,027 --> 00:19:22,629
YOU DON'T LET UP, DO YOU.
340
00:19:22,629 --> 00:19:25,198
I'S KINDA WHAT I DO.
341
00:19:26,933 --> 00:19:29,035
WHAT ABOUT YOUR MOM?
342
00:19:29,035 --> 00:19:32,205
SHE'S A NOVELIST.
W'RE NOT THAT CLOSE.
343
00:19:32,205 --> 00:19:34,407
BUT WHAT ABOUT YOU?
344
00:19:37,977 --> 00:19:40,347
CAMER'S NOT EVEN ROLLING.
345
00:19:40,347 --> 00:19:43,350
I WANNA KNOW YOU.
I'M INTERESTED.
346
00:19:43,350 --> 00:19:45,885
AH, WELL,
MAYBE YOU SHOULDN'T BE.
347
00:19:51,224 --> 00:19:53,192
REALLY WANNA SEE
MY BUILDING?
348
00:19:53,192 --> 00:19:56,195
YEAH.
349
00:19:59,031 --> 00:20:00,166
OKAY, LET'S GO.
350
00:20:00,166 --> 00:20:01,601
C'MON.
351
00:20:01,601 --> 00:20:03,002
TELLING YA,
YOU'RE GONNA LOVE IT.
352
00:20:03,002 --> 00:20:07,440
NO, I CAN'T.
I--I HAVE THAT, UM, PARTY.
353
00:20:07,440 --> 00:20:09,409
THA'S RIGHT,
A HOUSEWARMING PARTY.
354
00:20:09,409 --> 00:20:11,844
IT MUST BE NICE.
355
00:20:14,881 --> 00:20:16,383
[JOSH]
THE'RE EATING THE FOOD.
356
00:20:16,383 --> 00:20:18,518
[ARIEL]
YEP. ALL OF IT.
357
00:20:35,702 --> 00:20:37,837
HEY.
[MAN] HEY.
[ARIEL] HEY.
358
00:20:37,837 --> 00:20:39,672
AH, THANK YOU.
359
00:20:39,672 --> 00:20:42,675
UH, ARIEL SAYS
YOU'RE A FILMMAKER.
360
00:20:42,675 --> 00:20:44,043
YEAH. YUP.
361
00:20:44,043 --> 00:20:46,913
I'D--'D LOVE TO SEE
WHAT YO'RE WORKING ON.
362
00:20:46,913 --> 00:20:49,148
UH, ARE YOU A PAINTER
LIKE ARIEL?
363
00:20:49,148 --> 00:20:53,052
YEAH. BUT, 'KNOW, OUR STYLES
ARE TOTALLY DIFFERENT.
364
00:20:53,052 --> 00:20:56,255
YOU KNOW, I'M MUCH MORE, LIKE,
ABSTRACT, YOU KNOW?
365
00:20:56,255 --> 00:21:00,226
UM, ACTUALLY,
I HAVE TO TELL YA,
366
00:21:00,226 --> 00:21:02,028
I'M A HUGE FAN
OF YOUR DAD.
367
00:21:02,028 --> 00:21:06,333
I MEAN, FRANK TRASSLER
WAS MY HERO GROWING UP,
368
00:21:06,333 --> 00:21:10,437
AND, UH, MY DEEPEST
CONDOLENCES.
369
00:21:10,437 --> 00:21:12,104
NO, THANKS.
370
00:21:12,104 --> 00:21:13,373
YEAH.
371
00:21:13,373 --> 00:21:15,942
BUT I MEAN,
WHAT WAS THAT LIKE?
372
00:21:15,942 --> 00:21:18,945
I MEAN, I READ THAT HE
WAS FUCKING NUTS SOMETIMES.
373
00:21:18,945 --> 00:21:20,713
YOU KNOW, I--YOU KNOW,
SOMETIMES.
374
00:21:20,713 --> 00:21:24,183
LIKE, BRILLIANT,
TOTALLY GENIUS,
375
00:21:24,183 --> 00:21:27,253
BUT, LIKE, WHAT WAS THAT LIKE
GROWING UP WITH HIM.
376
00:21:27,253 --> 00:21:29,822
UH, COULD YOU
EXCUSE ME FOR A SECOND?
377
00:21:29,822 --> 00:21:31,991
YEAH.
378
00:21:34,361 --> 00:21:36,596
[ARIEL GIGGLING]
379
00:21:37,797 --> 00:21:40,066
HUM, HUM, HA.
HEY, HEY, HEY, HEY.
380
00:21:40,066 --> 00:21:41,267
HEY.
THERE SHE IS.
381
00:21:41,267 --> 00:21:42,669
HERE I AM.
382
00:21:42,669 --> 00:21:44,937
LISTEN, I'M SORRY I INTERRUPTED.
I'M GOING TO GO.
383
00:21:44,937 --> 00:21:46,839
NO, NO, NO, NO. DON'T GO.
STAY.
384
00:21:46,839 --> 00:21:48,575
I FEEL LIKE I HAVEN'T
SEEN YOU ALL NIGHT.
385
00:21:48,575 --> 00:21:50,443
[ARIEL]
DO YOU LIKE RILEY?
386
00:21:50,443 --> 00:21:53,279
H'S REALLY TALENTED.
387
00:21:53,279 --> 00:21:55,081
I MEAN, I'S BETTER THAN
A GUY
388
00:21:55,081 --> 00:21:56,616
STEALING COPPER PIPES
FOR A LIVING.
389
00:21:56,616 --> 00:21:58,084
[JOSH]
WAIT, WHAT?
390
00:21:58,084 --> 00:21:58,985
NICE.
391
00:21:58,985 --> 00:22:00,286
[ARIEL]
I'M SOR-- I TOLD YOU.
392
00:22:00,286 --> 00:22:01,488
THE--THE HOMELESS GUY.
393
00:22:01,488 --> 00:22:02,522
P.K.
[JOSH] OH.
394
00:22:02,522 --> 00:22:04,457
YEAH.
YEAH, NO.
395
00:22:04,457 --> 00:22:05,792
UH-UH.
396
00:22:05,792 --> 00:22:07,293
I'M GONNA GET RILEY.
GET RILEY.
397
00:22:07,293 --> 00:22:10,997
HE--H'S GREAT. I PROMISE.
398
00:22:13,433 --> 00:22:14,834
YEAH, I THINK
I'M GONNA GO.
399
00:22:14,834 --> 00:22:16,002
WHAT? NO.
400
00:22:16,002 --> 00:22:17,404
THE NIGHT IS YOUNG.
401
00:22:17,404 --> 00:22:20,072
NOBOD'S BROKEN ANYTHING.
NOBOD'S GOT IN A FIGHT.
402
00:22:20,072 --> 00:22:22,809
OKAY, SO IF I BREAK SOMETHING,
CAN I LEAVE?
403
00:22:22,809 --> 00:22:23,810
[JOSH GRUNTING]
404
00:22:23,810 --> 00:22:25,778
YOU GOT SOME PLACE
COOLER TO BE.
405
00:22:25,778 --> 00:22:28,415
C'MON, DO A SHOT WITH ME,
OLD TIM'S SAKE.
406
00:22:28,415 --> 00:22:30,116
DO IT.
407
00:22:30,116 --> 00:22:31,250
ONE SHOT.
408
00:22:31,250 --> 00:22:33,085
FINE.
OKAY.
409
00:22:37,890 --> 00:22:39,826
GOOD STUFF.
410
00:22:42,995 --> 00:22:44,363
HEY.
411
00:22:44,363 --> 00:22:45,465
[SAM]
OH MY.
412
00:22:45,465 --> 00:22:47,199
YOU ARE TOTALLY
HIGH RIGHT NOW.
413
00:22:47,199 --> 00:22:48,200
LOOK AT YOUR EYES.
414
00:22:48,200 --> 00:22:50,437
I CAN'T SEE MY EYES.
415
00:22:56,576 --> 00:22:59,111
AH, THA'S GOOD.
416
00:22:59,111 --> 00:23:02,281
SO, YOU CAN TELL ME,
WHAT DO YOU THINK OF RILEY?
417
00:23:02,281 --> 00:23:05,184
OH, OH, OH HE'S PERFECT.
418
00:23:05,184 --> 00:23:06,819
W'RE ENGAGED, SO,
419
00:23:06,819 --> 00:23:09,121
THANK YOU FOR THAT,
VERY MUCH.
420
00:23:10,557 --> 00:23:11,458
LET'S GO AGAIN.
421
00:23:11,458 --> 00:23:12,925
CHEERS.
CHEERS.
422
00:23:15,428 --> 00:23:17,530
GOD, YOU LOOK
GREAT RIGHT NOW.
423
00:23:19,365 --> 00:23:23,369
MISSED YOU.
424
00:23:23,369 --> 00:23:25,472
WE SHOULD STOP.
I'M GETTING DRUNK.
425
00:23:25,472 --> 00:23:27,474
BUT I--I THINK THAT
YOU'RE CUTE WHEN YO'RE DRUNK.
426
00:23:27,474 --> 00:23:30,910
NO, I DO STUPID THINGS
WHEN 'M DRUNK.
427
00:23:37,784 --> 00:23:39,051
I GOTTA GO.
WHAT?
428
00:23:39,051 --> 00:23:40,920
HELP ME DOWN. I GOTTA GO.
HELP ME DOWN.
429
00:23:40,920 --> 00:23:43,422
[BOTH GRUNTING]
430
00:24:46,553 --> 00:24:48,788
[DISTANT THUDDING]
431
00:24:54,293 --> 00:24:55,728
P.K.?
432
00:25:14,847 --> 00:25:18,450
P.K., OH MY GOD, 'M SO SORRY.
433
00:25:18,450 --> 00:25:19,652
ARE YOU OKAY?
434
00:25:19,652 --> 00:25:20,953
EH, I JUST GOT SHOCKED.
435
00:25:20,953 --> 00:25:22,555
LET ME SEE YOUR HAND.
LET ME SEE.
436
00:25:22,555 --> 00:25:23,690
NAH, NO.
437
00:25:23,690 --> 00:25:24,824
YEAH, COME HERE.
LET ME SEE IT.
438
00:25:24,824 --> 00:25:26,893
I'S FINE.
439
00:25:26,893 --> 00:25:28,494
OKAY, WELL WE NEED
TO CLEAN IT UP.
440
00:25:28,494 --> 00:25:30,763
I LIVE CLOSE BY, JUST,
YOU CAN COME WITH ME. COME ON.
441
00:25:30,763 --> 00:25:33,666
THIS IS MY FAULT.
COME ON. COME WITH ME.
442
00:25:48,347 --> 00:25:50,617
WOW.
443
00:25:50,617 --> 00:25:52,351
THIS PLACE IS GREAT.
444
00:25:52,351 --> 00:25:54,053
THANKS.
445
00:25:54,053 --> 00:25:56,155
YEAH, I'D OFFER YOU A PLACE
TO PUT YOUR FEET UP, BUT, UH,
446
00:25:56,155 --> 00:25:59,025
JOSH TOOK THE COUCH
WHEN HE MOVED OUT.
447
00:25:59,025 --> 00:26:00,359
JOSH.
448
00:26:00,359 --> 00:26:01,560
EX-BOYFRIEND?
449
00:26:01,560 --> 00:26:03,029
[**]
450
00:26:03,029 --> 00:26:05,732
HA, NO.
H'S MY BEST FRIEND.
451
00:26:05,732 --> 00:26:10,770
UM, I THINK WE KEEP
THE FIRST AID KIT IN HERE.
452
00:26:14,306 --> 00:26:18,778
YOU KNOW WHAT WOULD BE
ABSOLUTELY AMAZING?
453
00:26:32,391 --> 00:26:35,261
[SAM]
THERE'S SOME CLEAN CLOTHES
OVER THERE, IF YOU WANT.
454
00:26:35,261 --> 00:26:40,232
OH, WOW.
THANK YOU.
455
00:26:40,232 --> 00:26:44,036
[P.K.]
MM, GREAT.
THAT WAS AMAZING.
456
00:26:45,537 --> 00:26:47,439
[SAM]
UM, SO COME HERE.
LET ME SEE YOUR HAND.
457
00:26:47,439 --> 00:26:49,642
[P.K.] JESUS.
[SAM] COME HERE, LET ME SEE YOUR
HAND.
458
00:26:49,642 --> 00:26:51,778
[P.K.]
NAH, IT'S FINE.
459
00:26:51,778 --> 00:26:54,046
LOOKS BETTER ALREADY.
460
00:26:54,046 --> 00:26:56,683
DOES.
461
00:26:56,683 --> 00:27:00,186
NAH, 'VE BEEN TESTED
FOR EVERYTHING, I'M CLEAN.
462
00:27:00,186 --> 00:27:02,088
WHAT?
463
00:27:02,088 --> 00:27:03,923
Y'KNOW, JUST IN CASE,
YOU KNOW,
464
00:27:03,923 --> 00:27:06,225
YOU'RE WORRIED ABOUT THE BLOOD
AND ALL THAT.
465
00:27:06,225 --> 00:27:09,128
Y'KNOW 'VE NEVER, UH--
I'VE NEVER USED NEEDLES.
466
00:27:09,128 --> 00:27:11,798
Y'KNOW, JUST SEEN
TOO MANY PEOPLE JUST
467
00:27:11,798 --> 00:27:13,866
FUCKING DESTROYED, YOU KNOW?
468
00:27:13,866 --> 00:27:17,937
JUST LOST, NEVER COME BACK.
469
00:27:17,937 --> 00:27:20,807
I'VE JUST NEVER TAKEN IT THAT--
JESUS.
470
00:27:20,807 --> 00:27:22,041
CAN I HAVE A DRINK?
471
00:27:22,041 --> 00:27:23,843
YEAH, THERE'S TEQUILA
OVER THERE.
472
00:27:31,150 --> 00:27:32,651
HA HA.
473
00:27:32,651 --> 00:27:35,321
VERY GOOD STUFF.
474
00:27:35,321 --> 00:27:36,889
WOW,
475
00:27:36,889 --> 00:27:38,925
YOU MUST BE
ONE HELL OF A HOST.
476
00:27:41,761 --> 00:27:44,931
WANT ONE?
YES.
477
00:27:44,931 --> 00:27:46,933
[BOTH]
CHEERS.
478
00:27:52,271 --> 00:27:54,974
YOU LIKE FRANK TRASSLER.
479
00:27:54,974 --> 00:27:58,677
UM, HE WAS MY DAD.
480
00:27:58,677 --> 00:28:00,780
YOU'RE A TRASSLER?
481
00:28:04,116 --> 00:28:06,786
AND NATASHA TRASSLE'S
YOUR MOM, DOES ALL THE BOOKS.
482
00:28:06,786 --> 00:28:08,687
OKAY, ALL RIGHT--
483
00:28:08,687 --> 00:28:11,123
SEE, NOW THIS EXPLAINS A LOT.
484
00:28:11,123 --> 00:28:13,092
NOW, HOW DO YOU KNOW
WHO THEY ARE?
485
00:28:13,092 --> 00:28:14,961
WHAT DO YOU MEAN.
THE'RE FUCKING FAMOUS.
486
00:28:14,961 --> 00:28:17,864
I MEAN, THE'RE NOT EXACTLY
HOUSEHOLD NAMES.
487
00:28:17,864 --> 00:28:22,368
I GUESS THAT DEPENDS
ON THE HOUSEHOLD.
488
00:28:22,368 --> 00:28:24,103
UH,
489
00:28:24,103 --> 00:28:26,438
I UH,
490
00:28:26,438 --> 00:28:29,641
I HAD THIS FOSTER HOME, UM
491
00:28:29,641 --> 00:28:34,380
WOMAN WAS AN ABUSIVE BITCH,
BUT, UH,
492
00:28:34,380 --> 00:28:37,917
SHE HAD GOOD BOOKS.
493
00:28:41,720 --> 00:28:44,757
HE DIED RECENTLY, RIGHT?
494
00:28:44,757 --> 00:28:46,425
YEAH, IN SEPTEMBER.
495
00:28:46,425 --> 00:28:49,829
WERE YOU CLOSE?
496
00:28:49,829 --> 00:28:50,897
NOT REALLY?
497
00:28:50,897 --> 00:28:53,232
LITTLE HOWARD HUGHS, RIGHT?
498
00:28:53,232 --> 00:28:54,767
MOVED OUT THE DESERT,
LIVED IN A TRAILER PARK,
499
00:28:54,767 --> 00:28:56,002
FILTH, THE WHOLE THING?
500
00:28:56,002 --> 00:28:59,171
YEAH, SOMETH--
SOMETHING LIKE THAT.
501
00:28:59,171 --> 00:29:01,974
HE WAS LIKE A BRILLIANT ARTIST,
HE WAS A GENIUS.
502
00:29:01,974 --> 00:29:05,377
Y'KNOW,
I WAS MAKING A FILM ABOUT IT.
503
00:29:05,377 --> 00:29:08,114
WHAT HAPPENED TO THAT?
504
00:29:08,114 --> 00:29:10,382
HE WENT A LITTLE CRAZY.
505
00:29:10,382 --> 00:29:13,652
YOU KNOW, HE WAS NEVER REALLY
A GOOD COLLABORATOR.
506
00:29:13,652 --> 00:29:16,488
UM, AT LEAST NOT WITH ME.
507
00:29:18,925 --> 00:29:22,929
WELL, I'LL BET HE LOVED
WORKING WITH YOU.
508
00:29:22,929 --> 00:29:27,566
NO. HE HAD, UM,
I DON'T THINK SO.
509
00:29:27,566 --> 00:29:30,002
HE WAS JUST DRINKING A LOT.
510
00:29:30,002 --> 00:29:35,574
AND UH, YOU KNOW.
511
00:29:35,574 --> 00:29:37,276
HE UH,
512
00:29:37,276 --> 00:29:40,913
HE WAS NOT--
HE JUST--
513
00:29:40,913 --> 00:29:42,481
YOU KNOW, HE JUST, UH--
514
00:29:42,481 --> 00:29:47,519
HE JUST DID'T REALLY
GIVE A SHIT ABOUT ME.
515
00:29:47,519 --> 00:29:49,455
HEY.
I'S OKAY.
516
00:31:06,865 --> 00:31:09,401
[DOOR SLAMMING]
517
00:31:09,401 --> 00:31:10,402
SAM.
518
00:31:12,771 --> 00:31:15,774
YOU HERE?
519
00:31:15,774 --> 00:31:18,244
RISE AND SHINE.
520
00:31:21,347 --> 00:31:22,348
WHOA.
521
00:31:22,348 --> 00:31:23,182
HUH.
522
00:31:23,182 --> 00:31:25,784
I THOUGHT YOU WAS SAM.
523
00:31:25,784 --> 00:31:27,253
IS SHE HERE, WHERE IS SHE?
524
00:31:27,253 --> 00:31:31,657
UH, SHE, UH-- ACTUALLY
SHE WENT TO GO GET COFFEE.
525
00:31:31,657 --> 00:31:33,859
UH, JOHN, RIGHT?
526
00:31:33,859 --> 00:31:35,461
JOSH.
527
00:31:35,461 --> 00:31:37,163
JOSH, AH.
528
00:31:37,163 --> 00:31:39,065
KNEW THAT.
UH, P.K.
529
00:31:39,065 --> 00:31:40,432
YEAH, I KNOW WHO YOU ARE.
530
00:31:42,601 --> 00:31:45,304
WELL, UH,
531
00:31:45,304 --> 00:31:47,073
WELL, SHE'LL BE BACK
IN A MINUTE,
532
00:31:47,073 --> 00:31:48,174
IF YOU WANNA WAIT.
533
00:31:48,174 --> 00:31:49,908
YEAH, I'LL WAIT.
534
00:31:51,410 --> 00:31:52,411
KAY.
535
00:31:52,411 --> 00:31:55,347
UM,
536
00:31:55,347 --> 00:31:58,117
WELL, I'M GONNA--
YEAH, DON'T LET ME STOP YA.
537
00:31:58,117 --> 00:32:00,652
ALL RIGHT, UH, GOOD SEEING.
538
00:32:08,794 --> 00:32:10,929
[JOSH]
SAM.
539
00:32:12,098 --> 00:32:14,666
WHA'RE YOU DOING
DOWN HERE?
540
00:32:14,666 --> 00:32:18,137
I FELT BAD ABOUT LAST NIGHT,
THOUGHT I'D DROP BY.
541
00:32:18,137 --> 00:32:20,672
UM, HOW DID YOU GET IN?
542
00:32:20,672 --> 00:32:21,840
STILL HAVE A KEY.
543
00:32:21,840 --> 00:32:24,476
OH, OF COURSE. UM.
544
00:32:24,476 --> 00:32:25,744
WHAT DID YOU END UP
DOING LAST NIGHT
545
00:32:25,744 --> 00:32:26,979
AFTER YOU LEFT THE PARTY?
546
00:32:26,979 --> 00:32:29,048
UH, UM.
547
00:32:29,048 --> 00:32:31,750
I WAS, I STARTED A PROJECT.
548
00:32:31,750 --> 00:32:34,320
I WAS FINISHING A PROJECT.
549
00:32:34,320 --> 00:32:37,656
BROUGHT YOU COFFEE,
BUT I SEE YOU ALREADY GOT SOME.
550
00:32:37,656 --> 00:32:38,690
ARE YOU EXPECTING SOMEONE?
551
00:32:38,690 --> 00:32:40,626
UH...
552
00:32:40,626 --> 00:32:41,760
[P.K.]
HEY.
553
00:32:41,760 --> 00:32:43,529
HI.
554
00:32:43,529 --> 00:32:47,233
W'LL CATCH UP LATER, YEAH?
555
00:32:47,233 --> 00:32:48,967
HEY,
IT WAS GREAT TO SEE YOU,
556
00:32:48,967 --> 00:32:50,136
JOHN--JOSH.
557
00:32:50,136 --> 00:32:52,271
GAH, JOSH.
HAD IT THE SECOND TIME.
558
00:32:52,271 --> 00:32:53,772
WAIT, TAKE YOUR HOT CHOCOLATE.
559
00:32:53,772 --> 00:32:56,242
OH.
560
00:32:56,242 --> 00:32:58,444
THANK YOU.
OKAY.
561
00:33:02,581 --> 00:33:03,982
YOU WANT A BAGEL?
562
00:33:05,917 --> 00:33:08,254
ARE YOU FUCKING HIM?
563
00:33:08,254 --> 00:33:09,755
H'S MORE THAN THAT.
564
00:33:09,755 --> 00:33:10,856
[DISGUSTED MOANING]
565
00:33:10,856 --> 00:33:13,059
UN-BELIEVABLE.
566
00:33:13,059 --> 00:33:15,027
UN-FUCKING-BELIEVABLE.
567
00:33:15,027 --> 00:33:16,428
I MEAN THAT--I MEAN THAT FUCK.
568
00:33:16,428 --> 00:33:18,064
OH, COME ON.
I'M AN ADULT.
569
00:33:18,064 --> 00:33:19,331
I CAN TAKE CARE
OF MYSELF.
570
00:33:19,331 --> 00:33:21,067
YOU'RE BEING
IRRATIONAL.
571
00:33:21,067 --> 00:33:23,202
I'M BEING IRRATIONAL?
YOU'RE FUCKING A HOMELESS GUY.
572
00:33:23,202 --> 00:33:24,136
OH, FUCK YOU.
573
00:33:24,136 --> 00:33:25,637
I MEAN, H'S DIRTY, SAM.
574
00:33:25,637 --> 00:33:27,806
HE--HE--H'S GOT--UGH.
H'S A JUNKIE.
575
00:33:27,806 --> 00:33:29,341
OKAY, YOU ARE THE ONE
576
00:33:29,341 --> 00:33:31,009
WHO WAS DRUNK AND STONED
LAST NIGHT.
577
00:33:31,009 --> 00:33:32,711
BESIDES, HE DOESN'T
USE NEEDLES.
578
00:33:32,711 --> 00:33:33,812
H'S CLEAN.
579
00:33:33,812 --> 00:33:35,714
HOW DO YOU KNOW THAT?
H'S FINE.
580
00:33:35,714 --> 00:33:37,849
YOU'VE BEEN LOOKING FOR
SOMETHING EVER SINCE
YOUR DAD DIED,
581
00:33:37,849 --> 00:33:40,652
YOU DON'T THINK THAT
YOU DESERVE TO, UH, ER,
LIVE A NORMAL, HAPPY LIFE
582
00:33:40,652 --> 00:33:42,988
BECAUSE HE DIDN'T LIVE
A NORMAL HAPPY LIFE, RIGHT?
583
00:33:42,988 --> 00:33:44,656
LISTEN, THIS IS NOT ABOUT FRANK,
OKAY?
584
00:33:44,656 --> 00:33:47,259
I'M HAPPY, AND 'M WORKING,
AND--
585
00:33:47,259 --> 00:33:48,694
WHY CAN'T YOU BE HAPPY FOR ME?
586
00:33:48,694 --> 00:33:50,729
YOU HAVE THAT GORGEOUS NEW PLACE
AND ARIEL.
587
00:33:50,729 --> 00:33:53,432
I'M OUT OF YOUR HAIR.
I'S PERFECT.
588
00:33:53,432 --> 00:33:55,134
YOU KNOW, I'M FINALLY
GETTING MY SHIT TOGETHER.
589
00:33:55,134 --> 00:33:58,337
THIS IS NOT YOU
HAVING YOUR SHIT TOGETHER.
590
00:33:58,337 --> 00:34:00,005
I DON'T KNOW WHAT THIS IS.
591
00:34:00,005 --> 00:34:01,873
CREAM CHEESE?
592
00:34:01,873 --> 00:34:04,243
LOOK AT ME.
593
00:34:04,243 --> 00:34:05,577
H'S CONNING YOU,
AND H'S GONNA HURT YOU,
594
00:34:05,577 --> 00:34:07,513
AND WHEN ALL THIS GOES TO SHIT,
WHICH IT WILL,
595
00:34:07,513 --> 00:34:08,947
I'M NOT GOING TO BE THERE
TO NURSE YOU BACK,
596
00:34:08,947 --> 00:34:09,881
LIKE I DID WHEN FRANK DIED.
597
00:34:09,881 --> 00:34:11,717
HEY, IT'S NOT LIKE THAT.
598
00:34:11,717 --> 00:34:13,585
I'M--'M SO MUCH BETTER NOW.
599
00:34:18,690 --> 00:34:21,260
YOU KEEP SEEING THIS GUY,
YOU'RE ON YOUR OWN.
600
00:34:26,565 --> 00:34:30,202
HEY, JOSH!
601
00:35:53,018 --> 00:35:56,154
[SAM]
SO, DO YOU FEEL JEALOUS?
602
00:35:56,154 --> 00:35:59,658
UM, DO I GET JEALOUS
OF WHAT?
603
00:36:02,528 --> 00:36:06,097
OF, LIKE, WHAT, OF
FUCKING--THE FUCKING HOUSIES
604
00:36:06,097 --> 00:36:08,934
AND THEIR BMWS, AND...
605
00:36:08,934 --> 00:36:11,937
NO, I DON'T GET FUCKING JEALOUS.
THA'S STUPID.
606
00:36:14,573 --> 00:36:18,644
NO, THEY DO'T KNOW
A THING ABOUT REAL WORLD.
607
00:36:18,644 --> 00:36:20,246
YOU KNOW?
608
00:36:20,246 --> 00:36:22,881
FUCK THAT. GIVE ME A DOLLAR,
BUT DON'T FEEL SORRY FOR ME.
609
00:36:29,555 --> 00:36:31,690
[** GUITAR ARPEGGIATING]
610
00:36:37,363 --> 00:36:39,531
[WOMAN]
I WON THIS GUITAR ON A BET.
611
00:36:39,531 --> 00:36:41,032
MY LAST ONE GOT STOLEN
BY SOME GUY
612
00:36:41,032 --> 00:36:44,636
I WAS HANGING OUT WITH, BUT...
613
00:36:44,636 --> 00:36:46,572
WE HAD A BUNCH
OF OUR INSTRUMENTS
614
00:36:46,572 --> 00:36:48,006
GET TAKEN BY CROOKED COPS
ONCE, TOO.
615
00:36:48,006 --> 00:36:50,442
[MAN]
THAT WAS SHADY.
616
00:36:50,442 --> 00:36:52,311
THEY SAID THE'RE
CONFISCATING THEM,
617
00:36:52,311 --> 00:36:58,049
BUT THEY TOTALLY SOLD
OUR INSTRUMENTS
TO THEIR FRIENDS.
618
00:36:58,049 --> 00:37:00,852
FUCKING COPS
ARE IN THE AREA.
619
00:37:00,852 --> 00:37:02,354
SO?
620
00:37:02,354 --> 00:37:08,026
"SO?" I'S NOT EXACTLY LIKE
WE HAVE A LEASE HERE, YOU KNOW?
621
00:37:08,026 --> 00:37:09,395
WE GOTTA MOVE,
WE CA'T STAY HERE.
622
00:37:09,395 --> 00:37:12,798
I'S NOT SAFE FOR THESE GUYS.
623
00:37:12,798 --> 00:37:15,267
ALL RIGHT, LE'S MOVE.
COME ON GUYS.
624
00:37:15,267 --> 00:37:17,436
LET'S MOVE,
COPS ARE COMING, OKAY?
625
00:37:17,436 --> 00:37:20,806
[SQUATTERS GROUSING]
626
00:37:24,410 --> 00:37:26,578
I KNOW SOMEWHERE
WHERE WE CAN GO.
627
00:37:32,384 --> 00:37:33,819
[WOMAN]
* YOU WALKED IN *
628
00:37:33,819 --> 00:37:35,321
* IT WAS A MATTER OF TIME *
629
00:37:35,321 --> 00:37:39,124
* NOT A MATTER OF CHOICE *
630
00:37:39,124 --> 00:37:41,293
* YOU HAD TO BE MINE *
631
00:37:41,293 --> 00:37:43,929
* THE ROOM WAS SPINNING *
632
00:37:43,929 --> 00:37:46,465
* BUT YOU WERE FLOWING *
633
00:37:46,465 --> 00:37:49,267
* AND NO ONE CAN EVER *
634
00:37:49,267 --> 00:37:54,473
* I NEVER EVER LET YOU GO *
635
00:37:54,473 --> 00:37:56,908
* [VOCALIZING] *
636
00:38:00,045 --> 00:38:02,348
* MY PULSE WAS RACING *
637
00:38:02,348 --> 00:38:04,616
* LIKE A GREAT BIG HORSE *
638
00:38:04,616 --> 00:38:07,152
* HE SAID COME WITH ME *
639
00:38:07,152 --> 00:38:10,055
* I SAID OF COURSE *
640
00:38:10,055 --> 00:38:12,123
* WELL I KNOW BETTER *
641
00:38:12,123 --> 00:38:14,693
* THAN TO WALK WITH STRANGERS *
642
00:38:14,693 --> 00:38:17,429
* BUT TO START FOREVER *
643
00:38:17,429 --> 00:38:19,531
* YOU GOTTA TAKE *
644
00:38:19,531 --> 00:38:22,300
* A LITTLE DANGER *
645
00:38:22,300 --> 00:38:26,772
* [VOCALIZING] *
646
00:38:32,544 --> 00:38:35,647
* [ARIA] *
647
00:38:39,084 --> 00:38:41,953
* [MUSIC FADING OUT] *
648
00:38:46,992 --> 00:38:49,695
[SAM]
WAIT, WHERE ARE YOU GOING?
649
00:38:53,231 --> 00:38:56,835
JESUS CHRIST.
650
00:38:56,835 --> 00:38:59,438
YOU COULD BE WITH
ANY OTHER GUY.
651
00:39:04,109 --> 00:39:06,678
GOOD GUYS.
652
00:39:06,678 --> 00:39:08,880
YOU'RE A GOOD GUY.
653
00:39:08,880 --> 00:39:11,082
AND I DON'T WANT TO BE
WITH ANYBODY ELSE.
654
00:39:19,157 --> 00:39:21,927
I'LL BE RIGHT BACK, OKAY?
655
00:39:21,927 --> 00:39:23,929
PROMISE.
656
00:39:38,376 --> 00:39:39,911
I KNOW.
I KNOW 'M CRAZY.
657
00:39:39,911 --> 00:39:41,112
I KNOW 'M A LITTLE
FUCKED UP IN THE HEAD.
658
00:39:41,112 --> 00:39:42,514
MY MOM WAS CRAZY.
659
00:39:42,514 --> 00:39:45,216
I'VE BEEN DIAGNOSED AND SHIT.
YEARS AGO.
660
00:39:45,216 --> 00:39:46,752
BUT, UH--
661
00:39:46,752 --> 00:39:49,888
HEY MAN, WE'RE TRYING TO DO
AN INTERVIEW OVER HERE.
662
00:39:49,888 --> 00:39:52,057
YOU KNOW, ALL THE--
ALL THE FUCKING DRUGS AND SHIT.
663
00:39:52,057 --> 00:39:54,926
ALL THE--ALL THE FUCKING MEDS,
AND SHIT. YOU KNOW--I--YOU KNOW.
664
00:39:54,926 --> 00:39:57,763
I--YOU KNOW--I DONE THAT SHIT.
I--I--I DONE ALL THAT SHIT.
665
00:39:57,763 --> 00:39:59,865
BUT, NO--NO MORE. NOPE.
666
00:39:59,865 --> 00:40:00,932
GOOD PERSON.
667
00:40:00,932 --> 00:40:03,735
I'M THE KING, MOTHERFUCKER.
668
00:40:05,070 --> 00:40:07,305
SO YOU KNOW,
THA'S HOW IT GOES.
669
00:40:07,305 --> 00:40:08,607
A LITTLE SOMETHING
LIKE THIS.
670
00:40:08,607 --> 00:40:16,214
YEAH, LIKE THAT.
671
00:40:16,214 --> 00:40:18,717
[**]
672
00:40:34,866 --> 00:40:38,637
HEY YOU GUYS,
CAN I TAKE SOME PICTURES OF YOU?
673
00:40:41,306 --> 00:40:43,642
UM, DO YOU GUYS
KNOW P. K.?
674
00:40:45,977 --> 00:40:49,481
NO? OKAY.
675
00:40:52,484 --> 00:40:54,620
ALL RIGHT.
WELL, THANKS YOU GUYS.
676
00:41:10,301 --> 00:41:17,342
UM, I JUST HAD
TO GET OUT OF OHIO, REALLY.
677
00:41:17,342 --> 00:41:21,547
I MEAN, I'S UM.
678
00:41:21,547 --> 00:41:23,414
A DEAD END.
679
00:41:23,414 --> 00:41:24,616
WHERE I WAS.
680
00:41:24,616 --> 00:41:27,452
SO UM,
I JUST PACKED UP MY STUFF,
681
00:41:27,452 --> 00:41:30,021
AND I JUST THOUGHT...
682
00:41:30,021 --> 00:41:31,222
I'M GOING TO COME TO L.A.
683
00:41:31,222 --> 00:41:33,024
I'M GONNA BE A STAR.
684
00:41:33,024 --> 00:41:34,560
HAHA.
685
00:41:39,264 --> 00:41:40,732
YEAH.
686
00:41:44,169 --> 00:41:47,573
[SAM]
DO YOU EVER WANT TO GO HOME?
687
00:41:54,012 --> 00:41:55,513
NOT REALLY.
688
00:42:12,130 --> 00:42:14,633
[POLICE SIRENS]
689
00:42:45,463 --> 00:42:47,833
[ALARM SOUNDING]
690
00:42:52,671 --> 00:42:54,139
[MAN]
SO, DURING THIS PERIOD OF TIME,
691
00:42:54,139 --> 00:42:56,274
W'VE BEEN REALLY TRYING
TO MAKE THE BEST OF IT.
692
00:42:56,274 --> 00:43:00,111
AND UH, ROLLING WITH THE
PUNCHES, GOING UP AND DOWN.
693
00:43:00,111 --> 00:43:02,413
I'S BEEN A ROLLER COASTER,
BUT...
694
00:43:02,413 --> 00:43:05,050
WELL, W'VE BEEN
HITCHHIKING ACROSS THE COUNTRY
695
00:43:05,050 --> 00:43:07,118
FOR ABOUT THE LAST TWO,
TWO-AND-A-HALF YEARS.
696
00:43:07,118 --> 00:43:09,287
I'S NOT REALLY SURE
WHAT TO EXPECT,
697
00:43:09,287 --> 00:43:12,691
BUT REACHING OUT FOR--FOR
THE GOODNESS IN--IN PEOPLE.
698
00:43:12,691 --> 00:43:16,027
REALLY COOL TO JUST LIKE
STEP OUT THERE, AND, UH,
699
00:43:16,027 --> 00:43:19,030
BE VULNERABLE TO WHAT THE WORLD
HAS TO OFFER.
700
00:43:19,030 --> 00:43:23,001
UM, W'RE ALL HUMAN BEINGS.
WE ALL WALK AROUND THIS EARTH.
701
00:43:23,001 --> 00:43:25,336
I THINK ONE THING I CAN SAY
ABOUT UH,
702
00:43:25,336 --> 00:43:27,706
ALL OF THIS
AND MY UNDERSTANDING OF LIFE
703
00:43:27,706 --> 00:43:29,607
AFTER HAVING ALL THESE--THESE
EXPERIENCES
704
00:43:29,607 --> 00:43:31,209
IS THAT LOVE IS NECESSARY.
705
00:43:31,209 --> 00:43:34,245
LOVE IS, UH, SOMETHING WE ALL
NEED IN ORDER TO SURVIVE,
706
00:43:34,245 --> 00:43:38,149
AND WITHOUT IT,
NONE OF US COULD.
707
00:43:38,149 --> 00:43:40,786
[MAN]
CAREFUL--
RIGHT THERE, RIGHT THERE.
708
00:43:43,755 --> 00:43:45,924
[GRUNTING]
709
00:43:46,858 --> 00:43:48,326
[SAM]
WHERE WERE YOU?
710
00:43:48,326 --> 00:43:50,696
VOILA.
711
00:43:50,696 --> 00:43:52,297
YOUR THRONE, 'LADY.
712
00:43:52,297 --> 00:43:53,231
NO WAY.
713
00:43:53,231 --> 00:43:54,532
AH? AH?
714
00:43:54,532 --> 00:44:00,571
[SAM]
WAIT, WAIT.
715
00:44:00,571 --> 00:44:02,107
WHAT DO YOU THINK, HUH?
716
00:44:02,107 --> 00:44:05,043
I LOVE IT.
717
00:44:06,945 --> 00:44:09,014
I'S PERFECT.
718
00:44:12,083 --> 00:44:14,019
WHOA.
719
00:44:25,931 --> 00:44:29,735
[P.K.]
YOU'RE MAD AT ME.
720
00:44:29,735 --> 00:44:31,803
[SAM]
NO, I'M JUST--
721
00:44:31,803 --> 00:44:34,039
[P.K.]
THAT WO'T HAPPEN AGAIN.
722
00:44:37,709 --> 00:44:38,877
[P.K.]
I'M HERE.
723
00:44:41,146 --> 00:44:43,815
[SAM]
ARE YOU HAPPY?
724
00:44:43,815 --> 00:44:47,085
[P.K.]
OF COURSE.
725
00:44:50,355 --> 00:44:53,124
[WOMAN]
THIS IS HOW I'S DONE, OKAY?
THIS IS HOW I'S DONE.
726
00:44:53,124 --> 00:44:54,993
YOU HAVE TO BREATHE
WHEN YO'RE DRIVING.
727
00:44:54,993 --> 00:44:56,627
YOU ALWAYS HAVE
TO REMEMBER TO BREATHE.
728
00:44:56,627 --> 00:45:02,700
LOOK IN YOUR MIRRORS. ALWAYS
CHECK YOUR MIRRORS FOR--OKAY.
729
00:45:02,700 --> 00:45:04,535
EASY. EASY.
OKAY.
730
00:45:04,535 --> 00:45:05,603
ALL RIGHT,
TURN THE WHEEL.
731
00:45:05,603 --> 00:45:07,338
[** DANCE MUSIC ]
732
00:45:07,338 --> 00:45:10,842
SLOW DOWN, SLOW DOWN.
733
00:45:38,069 --> 00:45:40,671
I HAVE SOME GOOD SHIT, THOUGH.
734
00:45:40,671 --> 00:45:42,808
YOU FOUND ANYTHING
GOOD TODAY?
735
00:45:42,808 --> 00:45:44,509
SHUT UP ABOUT
THAT SHIT, OKAY?
736
00:45:44,509 --> 00:45:47,178
MM. CALM DOWN.
737
00:45:47,178 --> 00:45:53,218
SO LIKE, ARE THEIR PARENTS
LIKE RICH OR WHAT?
738
00:45:54,552 --> 00:45:56,287
SHE'S OUTTA ICE.
739
00:45:56,287 --> 00:45:59,624
YOU SAID, YOU SAID,
"SAM, I WOULD'T OWN THIS
PLACE."
740
00:45:59,624 --> 00:46:01,459
[EDDIE]
YOU JUST FILL THE LITTLE TRAY
UP WITH WATER.
741
00:46:01,459 --> 00:46:03,995
FILL IT ALL THE WAY
UP TO THE TOP,
742
00:46:03,995 --> 00:46:05,530
NOW PLACE IT
CAREFULLY IN THE FREEZER.
743
00:46:05,530 --> 00:46:07,933
THEN AFTER A LITTLE WHILE--
DON'T ASK ME HOW--
744
00:46:07,933 --> 00:46:09,968
TURNS INTO ICE.
745
00:46:09,968 --> 00:46:13,872
I WOULD'T MIND SLEEPING
HERE EVERY NIGHT.
746
00:46:13,872 --> 00:46:15,406
[EDDIE WHISTLES]
747
00:46:15,406 --> 00:46:19,044
NAH, NAH, I MEAN IT.
YOU MUST BE ONE GOOD FUCK.
748
00:46:19,044 --> 00:46:20,946
I'M PROUD OF YOU, BUDDY.
749
00:46:20,946 --> 00:46:24,850
HEY, HO'D IT GO.
750
00:46:24,850 --> 00:46:26,985
GREAT.
HE WANTS TO SEE YOU FIRST.
751
00:46:26,985 --> 00:46:28,987
HE NEXT SHOW AT
THE SPENCER GALLERY.
752
00:46:28,987 --> 00:46:32,357
OH, YOU SEE?
TOLD YOU SO.
753
00:46:32,357 --> 00:46:34,559
YEAH, I THINK HE WANTS TO SAY
H'S EXHIBITING A TRASSLER,
754
00:46:34,559 --> 00:46:38,529
I DON'T THINK HE CARES
WHICH TRASSLER.
755
00:46:38,529 --> 00:46:40,899
YOUR STUFF IS BEAUTIFUL
AND YOU KNOW THAT.
756
00:46:40,899 --> 00:46:42,367
WHA'S THAT,
LIKE YOUR FILM STUFF?
757
00:46:42,367 --> 00:46:45,170
LIKE YOUR PHOTOS? LIKE PEOPLE
PAY YOU FOR THAT?
758
00:46:45,170 --> 00:46:48,206
YEAH, MAYBE. HEY, COULD YOU GUYS
LIKE NOT SMOKE IN HERE?
759
00:46:48,206 --> 00:46:51,910
OH. SHIT. WE WERE JUST RELAXING.
I'M SORRY.
760
00:46:53,611 --> 00:46:55,646
YOU'RE RIGHT.
761
00:46:55,646 --> 00:46:57,849
WHAT ARE YOU GUYS DOING HERE?
762
00:46:57,849 --> 00:47:00,618
JUST HANGING.
AND?
763
00:47:00,618 --> 00:47:03,188
[EDDIE]
TRI'S PROBABLY STEALING YOUR
FORKS, BY THE WAY.
764
00:47:03,188 --> 00:47:04,255
WHAT?
765
00:47:04,255 --> 00:47:05,456
[EDDIE]
YEAH, SHE'S STEALING YOUR FORK.
766
00:47:05,456 --> 00:47:06,357
HEY,
767
00:47:06,357 --> 00:47:07,893
PUT THE FUCKING
CIGARETTE OUT.
768
00:47:07,893 --> 00:47:12,864
DON'T MAKE ME
TELL YOU AGAIN.
769
00:47:12,864 --> 00:47:15,600
FUCK.
SORRY.
770
00:47:15,600 --> 00:47:17,869
JESUS CHRIST.
771
00:47:17,869 --> 00:47:19,470
PICK UP THE GOD DAMNED
CIGARETTE.
772
00:47:19,470 --> 00:47:22,140
BEFORE I KICK
YOUR FUCKING TEETH IN.
773
00:47:24,809 --> 00:47:26,244
ARE YOU A FUCKING ANIMAL?
774
00:47:26,244 --> 00:47:28,446
PICK UP THE GOD DAMNED
CIGARETTE.
775
00:47:32,850 --> 00:47:36,187
UGH, JESUS-FUCKING-CHRIST.
776
00:47:36,187 --> 00:47:38,924
HAVE SOME
FUCKING RESPECT.
777
00:47:41,626 --> 00:47:45,030
NOW, YOU FUCKING APOLOGIZE.
778
00:47:49,700 --> 00:47:52,170
APOLOGIZE NOW.
779
00:47:54,105 --> 00:47:56,474
FUCKING DO IT.
FUCKING APOLOGIZE, RIGHT NOW.
780
00:47:56,474 --> 00:47:58,243
HEY,
DON'T FUCKING DO THAT.
781
00:47:58,243 --> 00:48:01,479
SORRY. 'M FUCKING SORRY.
I'M FUCKING SORRY.
782
00:48:01,479 --> 00:48:05,283
I'M FUCKING SORRY.
I'M FUCKING SORRY.
783
00:48:05,283 --> 00:48:07,585
COME HERE.
DON'T FUCKING DO THAT.
784
00:48:16,427 --> 00:48:18,696
YOU DON'T HAVE TO DO THAT.
785
00:48:18,696 --> 00:48:19,764
DO WHAT?
786
00:48:19,764 --> 00:48:21,766
PROTECT ME OR WHATEVER.
787
00:48:21,766 --> 00:48:22,900
PLEASE.
788
00:48:22,900 --> 00:48:24,502
THEY WERE
DISRESPECTING YOU.
789
00:48:24,502 --> 00:48:27,172
THE'RE JUST KIDS. I DID A LOT
OF STUPID SHIT WHEN I WAS A KID.
790
00:48:27,172 --> 00:48:29,640
I STILL DO STUPID SHIT.
791
00:48:32,277 --> 00:48:34,445
YOU ARE NOTHING
LIKE THAT, NO.
792
00:48:34,445 --> 00:48:37,915
OKAY, NEITHER ARE YOU.
NEITHER ARE YOU.
793
00:48:37,915 --> 00:48:42,587
OKAY. LISTEN. HEY.
794
00:48:42,587 --> 00:48:44,255
JUST SIT DOWN.
795
00:48:44,255 --> 00:48:48,193
OKAY, LISTEN.
EDDIE WAS FUCKING
WITH YOU, OKAY?
796
00:48:48,193 --> 00:48:50,195
NO
HE DOES
797
00:48:50,195 --> 00:48:51,662
YOU DON'T FUCKING NO EDDIE.
798
00:48:51,662 --> 00:48:52,730
OKAY?
799
00:48:52,730 --> 00:48:54,132
YOU DON'T KNOW HIM.
800
00:48:54,132 --> 00:48:55,333
OKAY, WELL I KNOW THAT
HE LOOKS UP TO YOU,
801
00:48:55,333 --> 00:48:57,035
AND HER'S THE THING:
802
00:48:57,035 --> 00:48:59,570
I NEED THESE KIDS TO TRUST ME
BECAUSE I WANNA TELL THE TRUTH
803
00:48:59,570 --> 00:49:02,140
WITH THIS FILM. I WANNA FIND OUT
WHAT REALLY HAPPENED TO THEM.
804
00:49:02,140 --> 00:49:05,076
AND IF YO'RE SCREAMING AT HIM
IN MY HOUSE,
805
00:49:05,076 --> 00:49:09,514
THEN--THEN
THA'S NOT GONNA HAPPEN.
806
00:49:09,514 --> 00:49:10,748
FUCK.
807
00:49:10,748 --> 00:49:12,250
COME ON, LE'S JUST
GET OUT OF HERE, OKAY?
808
00:49:12,250 --> 00:49:13,784
LET'S FUCKING GO.
809
00:49:13,784 --> 00:49:16,221
THIS IS YOUR NIGHT.
LET'S GO CELEBRATE, OKAY?
810
00:49:16,221 --> 00:49:18,956
HAVE SOME FUN. JUST YOU AND ME.
811
00:49:20,891 --> 00:49:23,761
[EDDIE]
HEY. CAN I HAVE A PRETZEL?
812
00:49:23,761 --> 00:49:28,033
[SAM]
YEAH, THA'S COOL.
THA'S TOTALLY COOL.
813
00:49:28,033 --> 00:49:30,568
OKAY? OKAY.
814
00:49:43,748 --> 00:49:49,054
[SAM]
COME ON, EDDIE.
W'RE ALL GOING OUT.
815
00:49:49,054 --> 00:49:52,657
[** DANCE MUSIC]
816
00:50:35,233 --> 00:50:37,568
STOP. STOP.
817
00:50:38,836 --> 00:50:40,571
WHAT THE FUCK WERE YOU DOING?
818
00:50:40,571 --> 00:50:43,040
NOTHING. I WAS JUST
TRYING TO GET EDDIE.
819
00:50:43,040 --> 00:50:46,244
FUCK EDDIE, OKAY?
820
00:50:46,244 --> 00:50:48,113
JESUS CHRIST WHAT THE FUCK
IS YOUR OBSESSION
821
00:50:48,113 --> 00:50:49,814
WITH EDDIE ALL THE SUDDEN?
822
00:50:49,814 --> 00:50:54,585
NOTHING. YOU KNOW WHAT
I'M TRYING TO DO HERE.
823
00:50:54,585 --> 00:50:55,653
SHIT.
824
00:50:55,653 --> 00:50:59,657
I THOUGHT YOU WAS
A SMART GIRL.
825
00:50:59,657 --> 00:51:01,959
I THOUGHT YOU
COULD HANDLE THIS.
826
00:51:01,959 --> 00:51:03,261
WHAT ARE YOU TALKING ABOUT?
827
00:51:03,261 --> 00:51:06,464
I WAS THROWING MONEY
DOWN ON A FUCKING BAR.
828
00:51:06,464 --> 00:51:07,432
AND RUINING YOURSELF
IN THE CORNER
829
00:51:07,432 --> 00:51:09,667
WITH THAT LITTLE FUCKING
ASSHOLE.
830
00:51:09,667 --> 00:51:12,036
HELPING ME.
831
00:51:12,036 --> 00:51:13,404
I'M SORRY.
832
00:51:13,404 --> 00:51:14,839
OKAY, I SHOULD HAVE DONE THAT.
833
00:51:14,839 --> 00:51:16,441
I JUST DIDN'T THINK
YOU'D CARE SO MUCH
834
00:51:16,441 --> 00:51:20,010
CONSIDERING THAT YO'RE
FUCKED UP HALF THE TIME.
835
00:51:20,010 --> 00:51:22,180
WHAT ARE YOU TALKING ABOUT?
836
00:51:22,180 --> 00:51:24,649
YOU THINK YOU'RE HIDING IT,
BUT I'M NOT A FUCKING IDIOT.
837
00:51:24,649 --> 00:51:26,817
OKAY, I KNOW
WHAT YO'RE DOING.
838
00:51:26,817 --> 00:51:30,054
HEY LET'S STOP TALKING
ABOUT MY LIFE, OKAY.
839
00:51:30,054 --> 00:51:31,489
I'M FUCKING HANDLING.
840
00:51:31,489 --> 00:51:34,692
YEAH, YOU SAID
YOU WERE CLEAN.
841
00:51:34,692 --> 00:51:36,827
I AM.
842
00:51:36,827 --> 00:51:38,763
YOU KNOW, PRACTICALLY,
843
00:51:38,763 --> 00:51:41,366
I'VE BEEN A LOT FUCKING WORSE,
OKAY?
844
00:51:41,366 --> 00:51:43,368
I KNOW. I'S OKAY.
I GET IT.
845
00:51:43,368 --> 00:51:44,635
YOU GET WHAT?
MY DAD...
846
00:51:44,635 --> 00:51:48,273
YOU KNEW WHO I WAS
WHEN WE STARTED THIS.
847
00:51:48,273 --> 00:51:50,441
AND YOU SAID THAT YOU DID'T
WANT TO BE WITH ANYBODY ELSE.
848
00:51:50,441 --> 00:51:56,447
I DON'T, YOU ASSHOLE.
I LOVE YOU.
849
00:51:56,447 --> 00:52:00,985
I DID'T ASK YOU TO DO THAT.
850
00:52:00,985 --> 00:52:04,822
NO, YOU DID'T.
851
00:52:04,822 --> 00:52:07,024
OH MY GOD.
852
00:52:07,024 --> 00:52:09,093
SAM WAIT, WAIT.
LEAVE ME ALONE.
853
00:52:09,093 --> 00:52:10,395
FUCKING STOP.
STOP. STOP.
854
00:52:10,395 --> 00:52:12,830
GET AWAY FROM ME.
855
00:52:12,830 --> 00:52:14,332
JUST--JUST.
856
00:52:37,955 --> 00:52:42,293
I'LL DO BETTER, KAY?
857
00:52:42,293 --> 00:52:45,196
I LOVE YOU.
858
00:52:45,196 --> 00:52:46,931
YEAH?
859
00:52:46,931 --> 00:52:48,533
YEAH.
860
00:53:14,725 --> 00:53:17,094
ARE YOU LEAVING?
861
00:53:17,094 --> 00:53:19,697
YEAH. I GOT SOME STUFF TO...
862
00:53:24,669 --> 00:53:26,036
OKAY.
863
00:53:26,036 --> 00:53:28,306
I'S OKAY.
DON'T WORRY, IT'S ALL GOOD.
864
00:53:28,306 --> 00:53:30,074
WILL YOU BE BACK TONIGHT?
865
00:53:30,074 --> 00:53:31,909
UH, DO YOU WANT ME TO?
866
00:53:31,909 --> 00:53:33,411
OF COURSE I WANT YOU TO.
867
00:53:33,411 --> 00:53:36,847
ALL RIGHT. 'LL
DO WHATEVER YOU WANT, OKAY?
868
00:53:36,847 --> 00:53:39,717
COME BACK.
869
00:54:17,955 --> 00:54:19,557
EXCUSE ME,
870
00:54:19,557 --> 00:54:22,059
WOULD YOU PLEASE
PICK THAT UP, SIR.
871
00:54:22,059 --> 00:54:23,294
EXCUSE ME.
872
00:54:23,294 --> 00:54:24,795
SIR.
873
00:54:32,136 --> 00:54:34,305
EDDIE.
874
00:54:38,075 --> 00:54:40,478
POLICE, STOP FIGHTING!
875
00:54:40,478 --> 00:54:43,213
STOP FIGHTING.
STOP FIGHTING.
876
00:54:43,213 --> 00:54:44,815
STOP FIGHTING.
877
00:54:46,784 --> 00:54:48,353
HEY. HEY.
878
00:54:55,793 --> 00:54:57,428
HAHA, EH?
879
00:54:57,428 --> 00:54:59,530
[MOCKING POLICE TONE]
C'MON, LE'S GO.
880
00:55:51,982 --> 00:55:54,685
HEY POP,
DO YOU WANT TO GO TO BED?
881
00:55:54,685 --> 00:55:58,355
POP?
882
00:56:23,714 --> 00:56:24,782
[WOMAN]
NO SHE WASN'T.
883
00:56:24,782 --> 00:56:25,883
[MAN]
GET ME A BEER.
884
00:56:25,883 --> 00:56:29,587
[WOMAN]
I THINK WE DRANK IT ALL.
885
00:56:29,587 --> 00:56:31,956
[** RAP]
886
00:56:31,956 --> 00:56:37,327
[WOMAN]
NO, YOU ALWAYS DO THAT.
887
00:56:37,327 --> 00:56:39,029
[SAM]
OH MY GOD. OH MY GOD.
888
00:56:39,029 --> 00:56:40,598
ALL MY WORK IS GONE.
889
00:56:40,598 --> 00:56:42,500
MY FUCKING COMPUTER. HEY.
890
00:56:42,500 --> 00:56:44,502
HEY. SOMEBODY STOLE MY COMPUTER.
891
00:56:44,502 --> 00:56:47,404
HEY. HEY, I'M TALKING TO YOU.
892
00:56:47,404 --> 00:56:48,473
WHERE IS IT.
893
00:56:48,473 --> 00:56:49,640
WE DIDN'T TAKE IT.
894
00:56:49,640 --> 00:56:52,076
[MAN]
I THINK THAT KID DAISY TOOK IT.
895
00:56:52,076 --> 00:56:54,779
[WOMAN]
OH, YEAH, YEAH. DAISY TOOK IT.
896
00:56:54,779 --> 00:56:57,014
[MAN]
WHERE'S DAISY?
897
00:56:57,014 --> 00:56:59,950
[WOMAN]
IN FRESNO--IN BAKERSFIELD
898
00:56:59,950 --> 00:57:01,719
[SAM]
WHO THE FUCK IS DAISY?
899
00:57:01,719 --> 00:57:03,554
YOU JUST LET 'EM TAKE IT?
900
00:57:03,554 --> 00:57:04,922
PROBABLY NEEDED THE MONEY.
901
00:57:04,922 --> 00:57:06,591
YOU KNOW WHAT?
YOU NEED TO GET THE FUCK UP.
902
00:57:06,591 --> 00:57:08,493
YOU NEED TO GET UP.
YOU NEED TO GET OUT.
903
00:57:08,493 --> 00:57:09,494
YOU NEED TO--
904
00:57:09,494 --> 00:57:11,095
WHOA, WHOA, WHOA.
905
00:57:11,095 --> 00:57:12,329
STACY, YOU CAN GET OUT.
906
00:57:12,329 --> 00:57:14,999
GET THE FUCK UP NOW.
I'M SERIOUS. GET OUT.
907
00:57:17,167 --> 00:57:19,704
[** RAP]
908
00:57:22,507 --> 00:57:25,275
FUCK, FUCK, FUCK.
909
00:57:25,275 --> 00:57:27,377
OH MY GOD.
910
00:57:27,377 --> 00:57:32,182
[PHONE RINGING]
911
00:57:32,182 --> 00:57:35,185
HELLO?
912
00:57:39,223 --> 00:57:42,026
MM. THANK YOU.
913
00:57:47,932 --> 00:57:49,066
ARIEL.
914
00:57:49,066 --> 00:57:50,467
HEY.
915
00:57:50,467 --> 00:57:52,937
WHA'S GOING ON. YOU SOUNDED
SO UPSET ON THE PHONE.
916
00:57:52,937 --> 00:57:54,905
OH, NO. EVERYTHIN'S FINE.
917
00:57:54,905 --> 00:57:56,541
YOU'VE JUST BEEN SO M.I.A.
RECENTLY,
918
00:57:56,541 --> 00:57:59,209
I THOUGHT I'D SAVE YOU
AN INTERVENTION.
919
00:57:59,209 --> 00:58:00,745
AND I WAS JUST TALKING
TO THE BAR TENDER.
920
00:58:00,745 --> 00:58:02,547
AND HE WANTS TO HANG UP MY ART.
921
00:58:02,547 --> 00:58:04,314
AND HAVE AN ART SHOW.
922
00:58:04,314 --> 00:58:07,217
YOU KNOW.'CAUSE I CAN
SELL MY ART, TOO.
923
00:58:07,217 --> 00:58:09,453
OF COURSE YOU CAN.
WHAT IS GOING ON WITH YOU?
924
00:58:09,453 --> 00:58:10,988
OH, JOSH IS COMING.
925
00:58:10,988 --> 00:58:13,223
I WAS VERY DAMSEL-IN-DISTRESS
WITH HIM ON THE PHONE.
926
00:58:13,223 --> 00:58:15,092
OH, AND I SHOULD TELL YOU
THAT WE BROKE UP.
927
00:58:15,092 --> 00:58:16,661
MIGHT BE A LITTLE WEIRD.
928
00:58:16,661 --> 00:58:20,164
SHIT. I'M SORRY I DID'T KNOW.
I'M GONNA LET YOU GUYS--
929
00:58:20,164 --> 00:58:22,199
NO, DON'T GO.
930
00:58:22,199 --> 00:58:23,868
[ARIEL]
HEY.
931
00:58:23,868 --> 00:58:25,369
WHAT ARE YOU DOING HERE?
932
00:58:25,369 --> 00:58:26,904
SAM, SIT DOWN.
933
00:58:26,904 --> 00:58:28,072
WHA'S GOING ON? YOU OKAY?
934
00:58:28,072 --> 00:58:29,473
YEAH, I'M FINE.
SIT DOWN.
935
00:58:29,473 --> 00:58:31,308
SAM, IT'S FINE.
SIT DOWN.
936
00:58:31,308 --> 00:58:34,211
LISTEN, I'S FINE.
I JUST WANT TO TALK.
937
00:58:34,211 --> 00:58:36,547
OKAY, I'VE JUST BEEN
THINKING A LOT
938
00:58:36,547 --> 00:58:37,882
ABOUT THE LAST FEW MONTHS.
939
00:58:37,882 --> 00:58:40,517
AND, YOU KNOW, OUR RELATIONSHIP,
AND I JUST--
940
00:58:40,517 --> 00:58:42,252
I JUST HAVE A QUESTION.
941
00:58:46,190 --> 00:58:48,092
WHERE YOU FUCKING HER
THE WHOLE TIME WE WERE TOGETHER,
942
00:58:48,092 --> 00:58:49,860
OR--LIKE THAT.
943
00:58:49,860 --> 00:58:51,295
YOU KNOW, I'M DONE WITH--
944
00:58:51,295 --> 00:58:52,597
NO, YOU'RE NOT DONE,
945
00:58:52,597 --> 00:58:54,732
'CAUSE YOU'VE BEEN
HUMILIATING ME FOR MONTHS.
946
00:58:54,732 --> 00:58:56,133
OKAY, SO YOU CAN GIVE ME
FIVE FUCKING MINUTES.
947
00:58:56,133 --> 00:58:57,968
WHEN ARE YOU GOING
TO LET THIS GO?
948
00:58:57,968 --> 00:59:01,138
WERE YOU CHEATING ON ME
WITH HER JOSH.
949
00:59:01,138 --> 00:59:02,139
NO.
950
00:59:02,139 --> 00:59:04,074
I KNOW SOMETHING
WAS GOING ON.
951
00:59:04,074 --> 00:59:07,344
I SAW YOU AT THE PARTY,
FOR GOD'S SAKE.
952
00:59:07,344 --> 00:59:10,347
PLEASE JUST TELL ME THE TRUTH.
953
00:59:10,347 --> 00:59:12,116
WE HAD SEX ONCE,
954
00:59:12,116 --> 00:59:14,785
BUT IT WAS BEFORE YOU AND I
WERE TOGETHER.
955
00:59:16,787 --> 00:59:18,255
YOU'RE A FUCKING LIAR.
956
00:59:18,255 --> 00:59:20,490
YOU TOLD ME THERE WAS NOTHING
GOING ON
957
00:59:20,490 --> 00:59:21,491
THE ENTIRE TIME
WE WERE TOGETHER.
958
00:59:21,491 --> 00:59:22,927
THERE'S NOTHING BETWEEN US.
959
00:59:22,927 --> 00:59:24,561
IT WAS BEFORE
WE WERE TOGETHER.
960
00:59:24,561 --> 00:59:26,864
WHAT HAP--
961
00:59:26,864 --> 00:59:29,399
I DON'T KNOW WE WERE
AT THE APARTMENT,
962
00:59:29,399 --> 00:59:31,702
AND WE WERE HANGING OUT,
AND WE WERE DRINKING--
963
00:59:31,702 --> 00:59:34,739
I KISSED HIM
YOU KISS HIM.
YEAH.
964
00:59:34,739 --> 00:59:36,807
THEN WHAT HAPPENED?
965
00:59:36,807 --> 00:59:39,509
I DON'T KNOW, ARIEL,
IT JUST HAPPENED.
966
00:59:39,509 --> 00:59:42,479
YEAH.
YEAH, IT WAS A MISTAKE.
967
00:59:42,479 --> 00:59:44,715
[ARIEL]
UH-HUH.
968
00:59:44,715 --> 00:59:46,350
YOU BOTH LIED TO ME.
969
00:59:46,350 --> 00:59:49,253
I MEAN, ACTUALLY, YOU GUYS,
YOU DESERVE EACH OTHER.
970
00:59:49,253 --> 00:59:51,588
SO I HOPE THAT YOU HAVE AN
AWESOME TIME
971
00:59:51,588 --> 00:59:53,924
WITH WHATEVER FUCKED UP
THING THIS IS.
972
00:59:59,229 --> 01:00:01,331
JOSH.
973
01:00:11,608 --> 01:00:13,978
OH, FUCK.
974
01:01:13,003 --> 01:01:15,773
WHAT DO YOU MEAN WHEN YOU
SAID YOU WERE A MISTAKE?
975
01:01:15,773 --> 01:01:18,075
WHAT?
976
01:01:18,075 --> 01:01:19,409
AT THE BAR YOU SAID--
977
01:01:19,409 --> 01:01:22,980
I KNOW WHAT I SAID,
WHAT ARE YOU DOING HERE?
978
01:01:22,980 --> 01:01:24,849
I DON'T KNOW.
979
01:01:24,849 --> 01:01:26,183
I FEEL LIKE YOU HATE ME,
980
01:01:26,183 --> 01:01:30,454
AND I'M FUCKING EVERYTHING UP.
981
01:01:30,454 --> 01:01:34,124
I MISS YOU.
982
01:01:35,926 --> 01:01:39,296
I MISS YOU, TOO.
983
01:01:39,296 --> 01:01:41,899
YOU CAN'T JUST
DISAPPEAR ON ME LIKE THAT.
984
01:01:41,899 --> 01:01:44,869
OKAY? PLEASE,
I NEED YOU.
985
01:01:44,869 --> 01:01:46,436
YOU JUST CA'T DO THAT.
986
01:01:46,436 --> 01:01:48,172
ARE YOU FUCKING KIDDING ME?
987
01:01:48,172 --> 01:01:51,408
ALL YOU DO IS DISAPPEAR.
WHAT?
988
01:01:51,408 --> 01:01:54,511
EITHER IT'S A BOY,
OR SOME PROJECT
989
01:01:54,511 --> 01:01:55,679
THAT YOU GET
RIDICULOUSLY ATTACHED TO,
990
01:01:55,679 --> 01:01:57,581
OR YOU LITERALLY DISAPPEAR.
991
01:01:57,581 --> 01:01:58,916
OUR WHOLE RELATIONSHIP
HAS BEEN
992
01:01:58,916 --> 01:02:00,384
ONE DISAPPEARING
AND REAPPEARING ACT.
993
01:02:00,384 --> 01:02:02,152
THA'S WHY IT WAS
THE BIGGEST MISTAKE,
994
01:02:02,152 --> 01:02:03,353
FOR ME TO SLEEP WITH YOU,
995
01:02:03,353 --> 01:02:05,122
BECAUSE YOU JUST KEEP
FUCKING ME OVER,
996
01:02:05,122 --> 01:02:06,556
AND I JUST KEEP
PUTTING UP WITH IT.
997
01:02:06,556 --> 01:02:09,593
HEY, HO'S
YOUR HOMELESS BOYFRIEND? HMM?
998
01:02:09,593 --> 01:02:11,061
DID YOU FIX HIM?
999
01:02:11,061 --> 01:02:13,230
IS EVERYTHING GREAT?
OR IS A COMPLETE SHIT SHOW?
1000
01:02:13,230 --> 01:02:15,432
AND THA'S WHY
YOUR STANDING HERE.
1001
01:02:15,432 --> 01:02:17,001
I TOLD YOU,
1002
01:02:17,001 --> 01:02:21,939
YOU'RE ON YOUR OWN
WITH THIS ONE, DIDN'T I?
1003
01:02:21,939 --> 01:02:23,607
YOU GOTTA GET
YOUR SHIT TOGETHER, KIDDO,
1004
01:02:23,607 --> 01:02:28,378
YOU REALLY DO.
1005
01:02:28,378 --> 01:02:30,915
GOOD NIGHT.
1006
01:05:13,077 --> 01:05:14,979
FUCK ARE YOU DOING?
1007
01:05:14,979 --> 01:05:16,213
HEH, HEH.
1008
01:05:16,213 --> 01:05:18,148
HOW DID YOU GET IN HERE?
1009
01:05:18,148 --> 01:05:21,851
I--I USED--I USED YOUR KEY.
1010
01:05:21,851 --> 01:05:24,221
WHERE THE FUCK IS P.K.?
1011
01:05:24,221 --> 01:05:28,792
H'S UH,
HE DIDN'T CALL YOU?
1012
01:05:28,792 --> 01:05:30,260
GOT COPS?
COPS FOLLOWED YOU.
1013
01:05:30,260 --> 01:05:32,762
ARE YOU FUCKING WITH ME.
BIG MESS.
1014
01:05:32,762 --> 01:05:36,666
IS HE OKAY?
1015
01:05:36,666 --> 01:05:39,036
YEAH, I MEAN,
TOOK A FUCKING SWING AT ME.
1016
01:05:39,036 --> 01:05:41,005
IT WAS LIKE--
IT WAS JUST NO WARNING,
1017
01:05:41,005 --> 01:05:43,073
YOU KNOW, HE JUST CAME UP
OUT OF NOWHERE AND POPPED ME.
1018
01:05:43,073 --> 01:05:48,778
I'M NOT--'M NOT LIKE GONNA
PRESS CHARGES OR ANYTHING,
1019
01:05:48,778 --> 01:05:50,280
OKAY.
1020
01:05:50,280 --> 01:05:53,550
I MEAN, WELL,
WHERE IS HE, EDDIE?
1021
01:05:57,521 --> 01:05:59,656
EDDIE?
1022
01:06:02,226 --> 01:06:03,360
[EDDIE SCOFFING]
I TOLD YOU HE'S FINE.
1023
01:06:03,360 --> 01:06:06,896
H'S A FUCKING LIAR.
1024
01:06:06,896 --> 01:06:08,098
WHAT DO YOU MEAN?
1025
01:06:08,098 --> 01:06:10,300
HIS DAD CAME
AND PICKED HIM UP.
1026
01:06:10,300 --> 01:06:11,801
NO HE DID'T.
P.K. DOES'T HAVE A DAD.
1027
01:06:11,801 --> 01:06:13,237
[MUTTERS]
1028
01:06:13,237 --> 01:06:14,704
YEAH, HE DOES.
HIS DAD--
RICHARD KINKADE.
1029
01:06:14,704 --> 01:06:16,273
CAME AND PICKED HIM UP.
1030
01:06:16,273 --> 01:06:17,707
BUT HE DIDN'T.
I KNOW P.K.'S WHOLE STORY.
1031
01:06:17,707 --> 01:06:20,210
HIS DAD, HE'S SOME
BIG BEVERLY HILLS HOT SHOT.
1032
01:06:20,210 --> 01:06:21,645
WELL THEN THAT
WAS'T HIS DAD.
1033
01:06:21,645 --> 01:06:24,714
NO, SOME SHINY SHOES
FUCKING NIKES... TRUST ME.
1034
01:06:24,714 --> 01:06:26,916
HOW DO YOU KNOW?
THAT WAS NOT HIS DAD.
1035
01:06:26,916 --> 01:06:31,188
BECAUSE I SAW THEM.
SHUT UP. OKAY?
OKAY.
1036
01:06:31,188 --> 01:06:32,689
I SAW THEM TOGETHER.
1037
01:06:32,689 --> 01:06:40,497
UM, YOU KNOW WHAT, EDDIE?
UM, REALLY, YOU NEED TO GO.
1038
01:06:40,497 --> 01:06:43,200
KAY?
1039
01:06:43,200 --> 01:06:44,568
EDDIE, CAN YOU...
1040
01:06:44,568 --> 01:06:48,038
WHAT ARE YOU DOING?
WHA'S THE PROBLEM?
1041
01:06:48,038 --> 01:06:49,606
I HAVE STUFF TO TAKE CARE OF.
1042
01:06:49,606 --> 01:06:52,276
I HAVE THINGS THAT--EDDIE--
I JUST HAVE TO DO SOME STUFF.
1043
01:06:52,276 --> 01:06:54,378
HEY, WH'RE--WHA'RE--WHY ARE
YOU TREATING ME LIKE THIS?
1044
01:06:54,378 --> 01:06:55,712
WHY ARE YOU
TREATING ME LIKE THIS?
1045
01:06:55,712 --> 01:06:57,081
I'M NOT TREATING YOU
LIKE ANYTHING.
1046
01:06:57,081 --> 01:06:58,482
I'M NOT TREATING YOU
LIKE ANYTHING.
1047
01:06:58,482 --> 01:07:01,118
I--I...
1048
01:07:01,118 --> 01:07:03,053
JUST CALM DOWN, OKAY?\
JUST CALM DOWN.
1049
01:07:03,053 --> 01:07:05,622
I'M CALM, I'M CALM, I'M CALM.
WAIT, WHA'S GOING ON?
1050
01:07:05,622 --> 01:07:08,292
WHY ARE YOU--WHY ARE YOU BEING
SUCH A FUCKING BITCH TO ME?
1051
01:07:08,292 --> 01:07:10,760
ALRIGHT, EDDIE, I--I...
1052
01:07:10,760 --> 01:07:12,762
I'M NOT, 'M REALLY, I'M NOT
BEING A BITCH TO YOU AT ALL.
1053
01:07:12,762 --> 01:07:15,031
YOU KNOW WHAT? 'M GONNA GET--
I'M GONNA GET SOME WATER.
1054
01:07:15,031 --> 01:07:16,600
WHOA, WHOA, WHOA.
1055
01:07:16,600 --> 01:07:18,902
I THOUGHT, WHAT, YOU WAS--
EDDIE.
1056
01:07:18,902 --> 01:07:21,771
YOU LIKE FUCKING SLUMMING IT?
I THOUGHT YOU WANTED THE REAL
THING.
1057
01:07:21,771 --> 01:07:23,640
YOU JUST LIKE FUCKING,
YOU LIKE FUCKING HOMELESS GUYS?
1058
01:07:23,640 --> 01:07:25,175
DO YOU GET OFF ON
FUCKING HOMELESS GUYS?
1059
01:07:25,175 --> 01:07:26,576
EDDIE, STOP.
YOU'RE BEING REALLY--
1060
01:07:26,576 --> 01:07:28,812
I'M BEING WHAT?
I'M BEING REALLY RUDE?
1061
01:07:28,812 --> 01:07:31,047
YEAH, YOU'RE BEING REALLY RUDE.
AM I BEING REALLY RUDE?
1062
01:07:31,047 --> 01:07:32,849
YEAH, YOU ARE.
1063
01:07:32,849 --> 01:07:34,151
ALL RIGHT, EDDIE, JUST--
1064
01:07:34,151 --> 01:07:35,985
WHAT, JUST WHAT?
EDDIE?
1065
01:07:35,985 --> 01:07:37,087
JUST WHAT?
JUST LET ME OUT.
1066
01:07:37,087 --> 01:07:38,122
NO.
YES.
NO.
1067
01:07:38,122 --> 01:07:39,489
YES.
NO!
1068
01:07:39,489 --> 01:07:41,625
GET THE FUCK--NO!
WHA'S WRONG WITH YOU?
1069
01:07:41,625 --> 01:07:42,859
EDDIE, STOP.
1070
01:07:42,859 --> 01:07:43,860
LISTEN TO ME.
1071
01:07:43,860 --> 01:07:44,928
TAKE ME IN.
1072
01:07:44,928 --> 01:07:46,396
HEY, GET OFF OF ME.
1073
01:07:46,396 --> 01:07:49,333
EDDIE, PLEASE CALM DOWN.
1074
01:07:49,333 --> 01:07:50,600
PLEASE JUST CALM DOWN, EDDIE,
OKAY?
1075
01:07:50,600 --> 01:07:51,901
PLEASE JUST CALM DOWN, EDDIE.
1076
01:07:51,901 --> 01:07:53,270
JUST CALM DOWN.
1077
01:07:53,270 --> 01:07:54,271
I'M JUST, LET ME GO GET
SOME WATER, EDDIE,
1078
01:07:54,271 --> 01:07:55,672
YOU NEED SOME WATER.
1079
01:07:55,672 --> 01:07:57,641
YOU NEED SOME WATER,
I NEED SOME WATER, PLEASE--
1080
01:07:57,641 --> 01:07:59,909
YOU'RE SCARING ME.
CAN YOU JUST LET ME GO.
1081
01:07:59,909 --> 01:08:02,646
I'LL BE RIGHT BACK, AND
I'LL BRING YOU SOME WATER, OKAY?
1082
01:08:02,646 --> 01:08:03,947
STAY. STAY.
1083
01:08:03,947 --> 01:08:05,249
YOU STAY.
1084
01:08:05,249 --> 01:08:06,483
I DON'T WANT TO STAY, EDDIE.
1085
01:08:06,483 --> 01:08:09,353
STAY.
EDDIE, YO'RE HURTING ME.
1086
01:08:09,353 --> 01:08:10,454
EDDIE.
STAY.
1087
01:08:10,454 --> 01:08:11,855
EDDIE, LET GO OF ME.
STAY.
1088
01:08:11,855 --> 01:08:15,192
EDDIE, LET GO OF ME.
PLEASE EDDIE, LET GO OF ME.
1089
01:08:15,192 --> 01:08:17,427
STOP IT, EDDIE.
LET GO OF ME.
1090
01:08:17,427 --> 01:08:18,562
DANG IT.
1091
01:08:18,562 --> 01:08:20,697
GET OFF OF ME, EDDIE!
FUCKING STAY!
1092
01:08:20,697 --> 01:08:21,831
LISTEN TO ME!
1093
01:08:21,831 --> 01:08:22,899
FUCKING STAY!
1094
01:08:22,899 --> 01:08:24,100
FUCKING CUNT!
1095
01:08:25,869 --> 01:08:27,337
OKAY.
1096
01:08:27,337 --> 01:08:29,173
STOP IT, EDDIE.
1097
01:08:29,173 --> 01:08:30,240
C'MON.
1098
01:08:30,240 --> 01:08:32,776
[SAM SOBBING]
1099
01:08:32,776 --> 01:08:34,778
OW, FUCK.
1100
01:09:06,710 --> 01:09:07,677
FUCK.
1101
01:09:12,081 --> 01:09:13,650
FUCK.
1102
01:09:19,956 --> 01:09:22,259
OH, FUCK.
1103
01:09:23,793 --> 01:09:25,195
FUCK.
1104
01:09:33,403 --> 01:09:35,939
[DOORBELL CHIMING]
1105
01:09:38,842 --> 01:09:41,545
NO, IF YOU WANT TO TAKE HIM
YOURSELF, THA'S FINE.
1106
01:09:41,545 --> 01:09:44,047
I'LL JUST CANCEL THE CAR.
1107
01:09:44,047 --> 01:09:45,449
I DON'T CARE.
1108
01:09:45,449 --> 01:09:47,784
I--I, UM,
TOLD THEM I'S KILLING ME.
1109
01:09:47,784 --> 01:09:51,788
I KNOW, AND THA'S
WHAT 'M GONNA DO.
1110
01:09:58,395 --> 01:10:01,265
WELL I JUST THOUGHT
YOU SHOULD KNOW.
1111
01:10:01,265 --> 01:10:03,467
YEAH, I GOTTA PAY,
I GOTTA GO.
1112
01:10:03,467 --> 01:10:05,702
OKAY? OKAY. B--BYE.
1113
01:10:07,271 --> 01:10:08,838
YOU'RE FROM THE PHARMACY,
RIGHT?
1114
01:10:08,838 --> 01:10:11,575
NO, I'M SORRY.
IS THERE A P.K. HERE?
1115
01:10:11,575 --> 01:10:12,676
CLAUDIA, I SAID
I WOULD GET IT.
1116
01:10:12,676 --> 01:10:14,177
YOU GO UPSTAIRS
AND LAY DOWN.
1117
01:10:14,177 --> 01:10:18,315
I'M PERFECTLY CAPABLE
OF ANSWERING THE DOOR, JILLIAN.
1118
01:10:18,315 --> 01:10:19,416
[LEAF BLOWER REVVING]
1119
01:10:19,416 --> 01:10:21,685
IS THAT THE GARDENER? OKAY.
1120
01:10:21,685 --> 01:10:23,019
CAN YOU TELL HIM
TO WORK OUT FRONT?
1121
01:10:23,019 --> 01:10:24,554
I WANNA LIE DOWN.
1122
01:10:25,789 --> 01:10:28,958
ERNESO,
CAN YOU START OUT FRONT?
1123
01:10:28,958 --> 01:10:30,927
SEÑORA HAS A HEADACHE.
1124
01:10:30,927 --> 01:10:32,696
OH, GOOD,
THE POOL GU'S HERE.
1125
01:10:32,696 --> 01:10:36,466
PEOPLE ARE COMING OVER TOMORROW,
AND THE YARD IS A MESS.
1126
01:10:36,466 --> 01:10:38,034
WHO ARE YOU?
SAM.
1127
01:10:38,034 --> 01:10:39,202
SAMANTHA.
1128
01:10:39,202 --> 01:10:42,071
ARE YOU WITH
THE PHARMACY, OR NOT?
1129
01:10:42,071 --> 01:10:43,072
NO.
1130
01:10:43,072 --> 01:10:44,774
SHE'S HERE TO SEE PETER.
1131
01:10:44,774 --> 01:10:47,877
[ANGELA]
OH GOD, WILL YOU HANDLE IT,
JILLIAN? I CA'T.
1132
01:10:47,877 --> 01:10:50,980
LET ME KNOW WHEN
THE PHARMACY ASSISTANT
GETS HERE.
1133
01:10:50,980 --> 01:10:53,082
I DON'T THINK I SHOULD GO
TO THE AIRPORT WITH HIM,
1134
01:10:53,082 --> 01:10:55,285
YOUR DAD WILL WANT TO
TAKE HIM WHEN HE GETS HOME.
1135
01:10:55,285 --> 01:10:56,553
WHAT DO YOU WANT?
1136
01:10:56,553 --> 01:10:59,155
I JUST WANT TO TALK TO HIM.
1137
01:10:59,155 --> 01:11:00,857
WELL HE JUST GOT OUT OF JAIL,
1138
01:11:00,857 --> 01:11:02,692
SO HE DOESN'T HAVE
ANYTHING TO SELL YOU.
1139
01:11:02,692 --> 01:11:04,861
WELL, I'M NOT HERE
TO BUY DRUGS FROM HIM.
1140
01:11:07,196 --> 01:11:12,702
OH.
YOU'RE SAM.
1141
01:11:12,702 --> 01:11:15,672
WHEN HE FIRST MENTIONED SAM,
I PICTURED SOME OLD GUY,
1142
01:11:15,672 --> 01:11:17,173
THAT HE WAS SUCKING OFF
FOR CASH.
1143
01:11:17,173 --> 01:11:20,644
AND H'S DONE THAT. HE WOULD
DO ANYTHING TO GET HIGH.
1144
01:11:20,644 --> 01:11:25,882
AND LOOK AT YOU, NOT EXACTLY
HEROIN CHIC, ARE WE?
1145
01:11:25,882 --> 01:11:27,684
PETE DIDN'T CALL YOU,
DID HE?
1146
01:11:27,684 --> 01:11:28,585
NO.
1147
01:11:28,585 --> 01:11:29,753
THEN WHAT ARE
YOU DOING HERE?
1148
01:11:29,753 --> 01:11:31,721
I JUST WANT
TO TALK TO HIM.
1149
01:11:31,721 --> 01:11:33,357
OH WHAT, DID YOU NOT
GET ARRESTED TOO,
1150
01:11:33,357 --> 01:11:34,858
OR DID MY DAD BAIL YOU OUT?
1151
01:11:34,858 --> 01:11:36,326
I DON'T KNOW
WHAT HE TOLD YOU.
1152
01:11:36,326 --> 01:11:39,729
WELL, H'S A LIAR,
SO IT DOESN'T REALLY MATTER.
1153
01:11:39,729 --> 01:11:41,531
HOW LONG HAS HE
BEEN LIVING LIKE THAT?
1154
01:11:41,531 --> 01:11:43,299
WHAT, ON THE STREETS?
1155
01:11:43,299 --> 01:11:45,068
YEAH.
1156
01:11:45,068 --> 01:11:47,737
ABOUT TWO YEARS
WHEN MY DAD KICKED HIM OUT
1157
01:11:47,737 --> 01:11:49,706
AND HE WOULDN'T GET CLEAN.
1158
01:11:49,706 --> 01:11:53,076
HE COULDN'T HELP HIMSELF.
1159
01:11:53,076 --> 01:11:56,145
BUT HE USED TO BE
SUCH A GREAT KID.
1160
01:11:56,145 --> 01:11:58,682
DID YOU EVEN KNOW THAT,
THAT HE WENT TO STANFORD.
1161
01:11:58,682 --> 01:12:00,917
AND HE THREW
IT ALL AWAY BECAUSE
1162
01:12:00,917 --> 01:12:04,621
H'S A SPOILED LITTLE BOY
WHO PICKED UP A BAD HABIT?
1163
01:12:04,621 --> 01:12:06,055
HOW DO YOU EVEN
KNOW HIM ANYWAY?
1164
01:12:06,055 --> 01:12:07,357
HE WAS MY--
1165
01:12:07,357 --> 01:12:10,259
I'M A FILMMAKER.
1166
01:12:10,259 --> 01:12:12,396
I WAS MAKING
A FILM ABOUT HIM.
1167
01:12:12,396 --> 01:12:15,399
HOW PROFOUND.
1168
01:12:18,034 --> 01:12:19,836
ALL RIGHT,
H'S UPSTAIRS PACKING.
1169
01:12:19,836 --> 01:12:22,572
WE ARRANGED FOR HIM TO GO
TO ANOTHER TREATMENT FACILITY
1170
01:12:22,572 --> 01:12:25,442
IN VERMONT,
SO HE CAN TRY AGAIN.
1171
01:12:25,442 --> 01:12:29,078
I JUST NEED ONE MINUTE.
1172
01:12:30,279 --> 01:12:32,749
THE LAST DOOR ON THE LEFT.
1173
01:12:35,251 --> 01:12:37,053
[DOOR KNOCKING]
1174
01:12:37,053 --> 01:12:41,725
YEAH.
1175
01:12:47,764 --> 01:12:49,833
HEY.
1176
01:13:01,344 --> 01:13:03,046
UH, HOW DID
YOU KNOW I WAS HERE.
1177
01:13:03,046 --> 01:13:05,915
I GOOGL'D YOU.
WELL, YOUR FATHER.
1178
01:13:10,186 --> 01:13:11,320
WHAT ARE YOU DOING HERE?
1179
01:13:11,320 --> 01:13:13,289
I'M NOT SURE.
1180
01:13:13,289 --> 01:13:15,625
I GUESS I WANTED TO SEE
1181
01:13:15,625 --> 01:13:18,027
IF THIS IS REALLY YOUR LIFE.
1182
01:13:19,362 --> 01:13:22,666
THIS WASN'T ALWAYS MY LIFE.
1183
01:13:22,666 --> 01:13:25,535
WHAT DOES THAT MEAN?
1184
01:13:25,535 --> 01:13:26,870
WHAT HAPPENED TO YOUR FACE.
1185
01:13:26,870 --> 01:13:28,171
NOTHING.
1186
01:13:28,171 --> 01:13:29,639
WHY DON'T YOU TELL ME?
1187
01:13:29,639 --> 01:13:31,808
TELL YA WHAT? HMM?
1188
01:13:33,810 --> 01:13:35,945
OH, COME ON.
I THOUGHT I WAS HELPING YOU.
1189
01:13:35,945 --> 01:13:39,382
AND YOU WERE
FUCKING LYING TO ME.
1190
01:13:39,382 --> 01:13:44,320
I DID'T LIE ABOUT EVERYTHING,
OKAY, I DID'T
1191
01:13:44,320 --> 01:13:48,124
YOU WANTED A STORY, OKAY?
AND I--I--I, UH...
1192
01:13:48,124 --> 01:13:49,726
I TOLD YOU A STORY,
AND YOU KNOW WHAT?
1193
01:13:49,726 --> 01:13:51,461
I THOUGHT IT WAS
A PRETTY GOOD STORY.
1194
01:13:51,461 --> 01:13:54,731
YOU SEEMED TO ENJOY IT.
1195
01:13:54,731 --> 01:13:57,233
NOW, THERE
IS NO FUTURE FOR ME.
1196
01:13:57,233 --> 01:14:00,737
KAY, I CA'T HOLD DOWN
A FUCKING JOB.
1197
01:14:03,673 --> 01:14:06,109
THIS IS'T THE FIRST TIME
I'VE BEEN SENT AWAY, YOU KNOW.
1198
01:14:06,109 --> 01:14:08,177
MY FAMILY, THEY UH...
1199
01:14:11,114 --> 01:14:14,718
THEY FUCKING
TELL PEOPLE THAT 'M...
1200
01:14:14,718 --> 01:14:17,687
AN ENGLISH TEACHER OVERSEAS.
1201
01:14:17,687 --> 01:14:20,189
BECAUSE THE TRUTH
IS TOO HUMILIATING FOR THEM.
1202
01:14:30,567 --> 01:14:34,938
HEY, STOP FEELING
SORRY FOR YOURSELF.
1203
01:14:37,741 --> 01:14:42,178
I KNOW WHO YOU ARE.
1204
01:14:42,178 --> 01:14:44,313
GROW UP.
1205
01:14:44,313 --> 01:14:47,651
MAKE THE RIGHT CHOICE.
1206
01:14:47,651 --> 01:14:49,252
BE A MAN.
1207
01:14:55,258 --> 01:14:56,793
IF YOU DECIDED
1208
01:14:56,793 --> 01:14:59,963
TO CHANGE EVERYTHING
RIGHT NOW.
1209
01:14:59,963 --> 01:15:01,497
YOU COULD.
1210
01:15:05,434 --> 01:15:07,604
IT WASN'T ME.
1211
01:15:08,672 --> 01:15:10,740
YOU DON'T KNOW ME.
1212
01:15:11,741 --> 01:15:14,343
WELL THAT'S TOO FUCKING BAD.
1213
01:15:14,343 --> 01:15:16,112
SAM, NO, STOP.
1214
01:15:19,549 --> 01:15:22,085
I MEANT WHAT I SAID
THE OTHER NIGHT.
1215
01:15:24,721 --> 01:15:28,424
AND I KNOW THAT
IT DOES'T...
1216
01:15:28,424 --> 01:15:30,927
MATTER NOW, I MEAN.
1217
01:15:32,095 --> 01:15:34,764
THE'RE ALWAYS
GONNA END UP HERE.
1218
01:15:36,966 --> 01:15:40,570
JUST WANTED YOU TO KNOW
THAT I MEANT IT.
1219
01:15:45,909 --> 01:15:48,612
GOOD LUCK
IN REHAB, PETER.
1220
01:15:48,612 --> 01:15:51,981
I HOPE IT WORKS OUT THIS TIME.
1221
01:16:23,880 --> 01:16:26,349
[TRINA]
I--I HAD THIS...
1222
01:16:26,349 --> 01:16:28,618
BABY DOLL WHEN I WAS LITTLE...
1223
01:16:28,618 --> 01:16:30,620
AND...
1224
01:16:30,620 --> 01:16:33,422
I THOUGHT...
1225
01:16:33,422 --> 01:16:35,692
IT WAS HARD.
1226
01:16:35,692 --> 01:16:38,094
SHE WOULD CRY A LOT.
1227
01:16:38,094 --> 01:16:39,763
AND, UM.
1228
01:16:39,763 --> 01:16:42,732
WELL, SOMETIMES, I...
1229
01:16:42,732 --> 01:16:44,734
STUFF HER IN THE HAMPER,
1230
01:16:44,734 --> 01:16:45,769
OR TAKE HER BATTERIES OUT,
1231
01:16:45,769 --> 01:16:49,372
OR, YOU KNOW,
1232
01:16:49,372 --> 01:16:52,776
SOMETHING.
1233
01:16:52,776 --> 01:16:56,579
BUT--BUT MOST OF THE TIME,
I WAS REALLY GOOD.
1234
01:16:56,579 --> 01:16:59,849
AND I COULD GET HER
TO STOP CRYING.
1235
01:16:59,849 --> 01:17:03,787
[SAM]
SO, DO YOU EVER WANT TO GO HOME?
1236
01:17:07,423 --> 01:17:10,526
YEAH.
1237
01:17:10,526 --> 01:17:14,497
YEAH, BUT
I SCREWED UP A LOT, SO,
1238
01:17:14,497 --> 01:17:19,235
I DON'T THINK I HAVE
ANY MORE CHANCES LEFT.
1239
01:17:21,805 --> 01:17:23,940
I BET THEY WANT TO SEE YOU.
1240
01:17:25,742 --> 01:17:28,244
YEAH?
1241
01:17:29,979 --> 01:17:31,614
I DUNNO.
1242
01:17:31,614 --> 01:17:34,718
MAYBE.
1243
01:17:56,472 --> 01:17:59,008
[FRANK]
WHEN YOU KNOW WHY
1244
01:17:59,008 --> 01:18:01,377
YOU ARE DOING ALL OVER THIS,
1245
01:18:01,377 --> 01:18:03,612
WHY YOU FEEL IT
1246
01:18:03,612 --> 01:18:05,949
IN YOU,
1247
01:18:09,185 --> 01:18:10,720
OKAY, THEN.
1248
01:18:12,155 --> 01:18:14,090
YOU COME AND TALK TO ME,
OKAY, THEN?
1249
01:18:14,090 --> 01:18:16,459
W'LL HAVE A LOT
TO TALK ABOUT.
1250
01:20:32,828 --> 01:20:35,198
** [POP]
81023
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