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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,001 --> 00:00:06,029 MAN: Previously onCleaners... 2 00:00:07,003 --> 00:00:09,020 Will someone tell me what the freaking F is going on here? 3 00:00:09,023 --> 00:00:11,016 This is where Veronica was raised. 4 00:00:11,020 --> 00:00:14,002 We created the Ferraris of black operatives. 5 00:00:14,006 --> 00:00:15,026 And, yes, Ferraris cost a great deal. 6 00:00:16,000 --> 00:00:18,001 The thing is, when Veronica ran away, 7 00:00:18,005 --> 00:00:20,002 she denied us our compensation. 8 00:00:20,006 --> 00:00:23,011 MARCUS: Our miracle child, Mia Sophie Walker. 9 00:00:23,015 --> 00:00:25,025 She’d gotten sucked into the inner circle 10 00:00:25,029 --> 00:00:28,011 of the cartel run by El Mariposa. 11 00:00:28,015 --> 00:00:32,008 I want El Mariposadead. I want his head. 12 00:00:32,011 --> 00:00:33,025 And you’re gonna bring it to me. 13 00:00:33,029 --> 00:00:35,028 That will be your compensation to us. 14 00:00:36,002 --> 00:00:37,018 This is your fight, not mine. [SIGHS] 15 00:00:37,022 --> 00:00:42,012 Which is why I took full measure to ensure your compliance. 16 00:00:42,016 --> 00:00:44,009 We have to do what they want, 17 00:00:44,013 --> 00:00:47,002 or in 5 days when this thing runs out, we die. 18 00:00:47,006 --> 00:00:49,028 MOTHER: I just so happen to know someone on the island. 19 00:00:50,002 --> 00:00:52,022 The Brando of contract killers. 20 00:00:52,026 --> 00:00:55,006 You got a job for me? Here are your targets. 21 00:00:55,010 --> 00:00:56,018 They’re on the island. 22 00:00:56,022 --> 00:00:58,020 We gotta let the heat die down 23 00:00:58,024 --> 00:01:00,029 and let Carlos do his job. I know someplace safe. 24 00:01:01,002 --> 00:01:03,007 It better have a pool, jacuzzi, on site masseuse, 25 00:01:03,011 --> 00:01:05,014 start with "Ritz" and end with "Carlton." 26 00:01:05,017 --> 00:01:07,004 Oh, you’re gonna love it. 27 00:01:07,008 --> 00:01:09,024 [♪♪♪] 28 00:01:11,014 --> 00:01:13,020 [♪♪♪] 29 00:01:34,001 --> 00:01:35,005 [GUNSHOT] 30 00:02:05,008 --> 00:02:06,014 [COCKS GUN] 31 00:02:10,026 --> 00:02:12,009 MARCUS: Good job. 32 00:02:15,013 --> 00:02:16,022 [GUNFIRE] 33 00:02:21,005 --> 00:02:23,016 [FOOTSTEPS RUNNING] 34 00:02:23,020 --> 00:02:25,016 [♪♪♪] 35 00:02:30,014 --> 00:02:32,018 [PANTING] 36 00:03:15,006 --> 00:03:17,016 [♪♪♪] 37 00:03:32,011 --> 00:03:34,009 [SIGHS] 38 00:03:35,022 --> 00:03:37,021 MATILDA: It’s not fair. 39 00:03:37,025 --> 00:03:39,017 MARCUS: I’m not going through this again. 40 00:03:39,021 --> 00:03:41,021 But I wanna do it. 41 00:03:41,025 --> 00:03:44,020 We don’t want you to. 42 00:03:44,024 --> 00:03:48,002 You know, we may not have been blood, 43 00:03:48,006 --> 00:03:51,004 but Mia was still my sister. 44 00:03:51,007 --> 00:03:53,009 It should be me who finds El Mariposa, 45 00:03:53,013 --> 00:03:55,021 and it should be me who kills him. 46 00:03:55,025 --> 00:03:58,029 Matilda-- Not them. 47 00:03:59,003 --> 00:04:02,022 You’re too attached. You’re too emotional. 48 00:04:04,004 --> 00:04:05,028 We all are. 49 00:04:06,002 --> 00:04:07,023 But a real hunter, 50 00:04:07,027 --> 00:04:12,014 a real killer thinks from here. 51 00:04:12,018 --> 00:04:14,009 Not from here. 52 00:04:16,012 --> 00:04:18,016 As far as blood, Isabelle and I consider you 53 00:04:18,020 --> 00:04:20,026 to be ours as much as Mia. 54 00:04:21,000 --> 00:04:23,002 We don’t wanna lose you too. 55 00:04:24,027 --> 00:04:26,024 [SIGHS] 56 00:04:29,015 --> 00:04:32,005 We need you here. 57 00:04:32,009 --> 00:04:34,018 Do you understand? 58 00:04:36,005 --> 00:04:39,011 I’m not gonna let you go. 59 00:04:39,015 --> 00:04:40,029 I don’t wanna talk about this again. 60 00:04:41,003 --> 00:04:43,020 Are we clear? 61 00:04:43,024 --> 00:04:45,003 [♪♪♪] 62 00:04:45,007 --> 00:04:47,003 [GRUNTING] 63 00:05:09,022 --> 00:05:10,026 CARLOS: Ready? 64 00:05:11,000 --> 00:05:12,005 [EXHALES SHARPLY] 65 00:05:12,009 --> 00:05:14,005 [GRUNTING] 66 00:05:18,008 --> 00:05:21,008 [♪♪♪] 67 00:05:30,017 --> 00:05:31,020 [SIGHS] 68 00:05:43,000 --> 00:05:45,018 We’ll be dead in 5 days, and you’re giving us this? 69 00:05:45,022 --> 00:05:48,017 How about some goddamn pancakes? 70 00:05:48,021 --> 00:05:50,017 Isabelle is ready to brief you. 71 00:05:50,021 --> 00:05:52,026 We’ll be there in a few minutes. 72 00:05:53,000 --> 00:05:55,009 MATILDA: Four. 73 00:05:55,012 --> 00:05:56,016 What? 74 00:05:56,020 --> 00:05:58,014 MATILDA: It’s 4 now. 75 00:05:58,018 --> 00:06:01,019 You’ll be dead in 4 days if you don’t get it done. 76 00:06:10,023 --> 00:06:13,004 [♪♪♪] 77 00:06:18,001 --> 00:06:21,017 EILEEN: Listen, Mother, or whatever it is you like to be called, 78 00:06:21,021 --> 00:06:24,011 when I said the Ritz-Carlton, that wasn’t some riddle 79 00:06:24,015 --> 00:06:27,015 that was meant to be interpreted in the entirely opposite way. 80 00:06:27,018 --> 00:06:29,001 But in case you really are that daft, 81 00:06:29,005 --> 00:06:31,002 what I was after is something a little bit more-- 82 00:06:31,006 --> 00:06:32,027 Luxurious? [MUFFLED] Ooh, yes. 83 00:06:33,001 --> 00:06:36,000 A little more magazine friendly, a thousand thread count? 84 00:06:36,004 --> 00:06:39,000 Yes, Eileen, I know what you wanted. 85 00:06:39,004 --> 00:06:41,020 But seeing how you have fallen into my world, 86 00:06:41,024 --> 00:06:44,005 we must respect the rules of that world. 87 00:06:44,009 --> 00:06:46,000 Which means, we need to stay low. 88 00:06:46,004 --> 00:06:48,015 In order to stay low we need to act low, 89 00:06:48,019 --> 00:06:52,003 we need to get low, we need to speak low. 90 00:06:52,007 --> 00:06:54,022 And you tossing around your millions is gonna get us 91 00:06:54,025 --> 00:06:56,014 dug up in a New York minute, capiche? 92 00:06:56,018 --> 00:06:58,011 [SCOFFS] And frankly, 93 00:06:58,014 --> 00:07:00,019 I don’t care if you don’t call me Mother. 94 00:07:00,023 --> 00:07:03,013 You can call me your momma as far as I’m concerned. 95 00:07:03,017 --> 00:07:05,026 I don’t really give a shit. Call me whatever you like. 96 00:07:06,000 --> 00:07:09,003 Just don’t call me late to collect my share of the money. 97 00:07:09,007 --> 00:07:11,005 [ROOSTERS CLUCKING] 98 00:07:11,008 --> 00:07:13,020 [CHOIR SINGING] 99 00:07:24,026 --> 00:07:28,020 Well, here we are. 100 00:07:28,024 --> 00:07:30,003 How do I look? 101 00:07:30,007 --> 00:07:32,013 Like you should be crucified. 102 00:07:32,017 --> 00:07:34,028 Perfect. [SCOFFS] 103 00:07:57,011 --> 00:08:00,019 Forgive me, Father, for I have sinned. 104 00:08:00,022 --> 00:08:03,010 Like, a lot. 105 00:08:03,014 --> 00:08:04,025 Every day. 106 00:08:06,009 --> 00:08:09,001 In fact, pretty constant. 107 00:08:11,028 --> 00:08:16,009 It’s been 21 years since I was last in this confessional, 108 00:08:16,013 --> 00:08:19,008 and not a day goes by that I don’t think about 109 00:08:19,012 --> 00:08:23,006 the deep penance that you gave me. 110 00:08:23,009 --> 00:08:25,009 The way you showed me forgiveness 111 00:08:25,013 --> 00:08:28,006 with your strong hands. 112 00:08:28,010 --> 00:08:31,006 Your spiritual touch. 113 00:08:33,003 --> 00:08:34,020 Mother? 114 00:08:34,023 --> 00:08:37,005 [♪♪♪] 115 00:08:40,012 --> 00:08:42,005 Hello, Father. 116 00:08:49,018 --> 00:08:53,027 ROXIE: Not a real nature lover, I see. 117 00:08:54,000 --> 00:08:57,004 Pretty easy to hunt things that don’t hunt you back. 118 00:08:58,009 --> 00:09:00,009 [DOOR OPENS] 119 00:09:05,017 --> 00:09:08,012 ISABELLE: So how are the both of you doing? 120 00:09:10,020 --> 00:09:12,028 Well, apart from the fact that you’ve injected us 121 00:09:13,002 --> 00:09:15,011 with a death sentence and your wind-up doll gave us 122 00:09:15,015 --> 00:09:18,007 blended trees for breakfast, we’re doing just dandy. 123 00:09:18,011 --> 00:09:20,000 Right, V? 124 00:09:20,004 --> 00:09:23,002 This is the most relaxing resort I’ve ever been to. 125 00:09:23,006 --> 00:09:26,000 I appreciate your frustration. 126 00:09:26,004 --> 00:09:29,018 This is not the most ideal condition to be working under, 127 00:09:29,021 --> 00:09:34,023 but given your volatility alone, it seems to be the right one. 128 00:09:34,027 --> 00:09:37,002 Veronica ran from us once. 129 00:09:37,005 --> 00:09:38,024 We want to ensure it doesn’t happen again 130 00:09:38,028 --> 00:09:40,003 until her debt is paid. 131 00:09:40,007 --> 00:09:42,012 Exactly, Isabelle. This is my debt. 132 00:09:42,015 --> 00:09:44,023 This has nothing to do with Roxie. 133 00:09:44,027 --> 00:09:46,024 I’ll do what you want. Just make her healthy 134 00:09:46,028 --> 00:09:48,027 and let her leave. Now. 135 00:09:50,023 --> 00:09:52,015 Well, that sounds fair. 136 00:09:54,005 --> 00:09:56,017 I’ll convince Marcus to give you the antidote, 137 00:09:56,021 --> 00:09:58,020 and you can go right now, 138 00:09:58,023 --> 00:10:01,001 leaving Veronica alone in this task. 139 00:10:01,005 --> 00:10:04,007 What would you like to do, Roxie? 140 00:10:04,011 --> 00:10:06,024 Would you like to leave? 141 00:10:06,027 --> 00:10:09,023 And miss out on the sunset cocktails 142 00:10:09,026 --> 00:10:12,015 and the delightful turn down service? 143 00:10:12,019 --> 00:10:13,023 Not a chance. 144 00:10:15,016 --> 00:10:17,014 ISABELLE: Very well, you’ve made your choice. 145 00:10:17,018 --> 00:10:19,015 And to ensure your compliance, yes, 146 00:10:19,019 --> 00:10:23,017 Marcus has injected you both with an explosive nanobot device 147 00:10:23,020 --> 00:10:26,011 created by an Eastern European contact of his. 148 00:10:26,014 --> 00:10:28,003 In exactly... 149 00:10:28,007 --> 00:10:29,028 95. 150 00:10:30,002 --> 00:10:32,029 ISABELLE: 95 hours it will cause your heart to stop. 151 00:10:33,003 --> 00:10:36,027 As it takes effect, your blood will thin 152 00:10:37,001 --> 00:10:39,010 causing nose bleeds and dizziness, 153 00:10:39,013 --> 00:10:43,026 but overall leaving you fit for the challenge. 154 00:10:44,000 --> 00:10:46,014 There is an antidote which corrupts the device, 155 00:10:46,017 --> 00:10:50,016 rendering it useless. But only Marcus knows its location. 156 00:10:50,020 --> 00:10:54,026 Kill El Mariposa, and it’s yours. You walk away. 157 00:10:55,000 --> 00:10:56,004 You do anything 158 00:10:56,008 --> 00:10:59,028 to harm Marcus, myself or Matilda, 159 00:11:00,002 --> 00:11:02,015 then the clock runs down, and you die. 160 00:11:03,029 --> 00:11:06,012 Now to business. 161 00:11:08,009 --> 00:11:11,007 El Mariposaruns one of the most successful cartels 162 00:11:11,011 --> 00:11:13,023 in the Caribbean. He’s an extremely wealthy, 163 00:11:13,027 --> 00:11:16,015 powerful and protected individual, 164 00:11:16,018 --> 00:11:19,003 and we have no idea what he looks like. 165 00:11:19,007 --> 00:11:21,020 Oh, well, that’s a good start. 166 00:11:21,023 --> 00:11:24,016 Before she died, Mia was able to describe 167 00:11:24,020 --> 00:11:26,014 one aspect of the man who took her life. 168 00:11:27,029 --> 00:11:30,007 A tattoo similar to this. 169 00:11:30,011 --> 00:11:33,009 El Mariposa, the butterfly. 170 00:11:33,013 --> 00:11:35,008 He’s a chameleon in his organization 171 00:11:35,011 --> 00:11:37,026 and has defied multiple assassination attempts 172 00:11:38,000 --> 00:11:41,018 from rival cartels by being invisible in plain sight. 173 00:11:41,022 --> 00:11:43,014 Now, this is the location 174 00:11:43,018 --> 00:11:45,013 of what we know to be one of the cartel’s 175 00:11:45,017 --> 00:11:46,022 local distribution points. 176 00:11:46,025 --> 00:11:49,004 We want you to infiltrate 177 00:11:49,008 --> 00:11:51,026 and get any Intel that gets you further up the chain. 178 00:11:51,029 --> 00:11:53,026 This is all you got? 179 00:11:53,029 --> 00:11:56,022 ISABELLE: El Mariposa’sorganization is like a snake. 180 00:11:56,026 --> 00:11:59,005 You wanna cut off the head, you start at the tail. 181 00:11:59,008 --> 00:12:03,010 Ladies, good luck. 182 00:12:10,014 --> 00:12:11,029 Has she thought about doing stand up? 183 00:12:12,002 --> 00:12:14,025 Why did you stay? I wish you didn’t. 184 00:12:14,029 --> 00:12:17,028 Really? Why? 185 00:12:18,001 --> 00:12:21,003 You want all this to yourself? Now you’re just being selfish. 186 00:12:21,006 --> 00:12:23,017 [CHUCKLES] 187 00:12:25,002 --> 00:12:27,008 Partners? 188 00:12:27,012 --> 00:12:29,004 [♪♪♪] 189 00:12:34,026 --> 00:12:36,008 ♪ Sure, my wrist Got a sick gauge ♪ 190 00:12:36,012 --> 00:12:38,007 ♪ And in my whip Is a sick day ♪ 191 00:12:38,011 --> 00:12:40,005 ♪ Had the 7 series For the sixth game ♪ 192 00:12:40,008 --> 00:12:42,007 ♪ All the right moves Like my name was Hitchmane ♪ 193 00:12:42,011 --> 00:12:44,022 ♪ No time to get hitched Playa, so I switched names ♪ 194 00:12:44,026 --> 00:12:47,002 ♪ Swervin’ in the burb Watch me switch lanes ♪ 195 00:12:47,006 --> 00:12:48,020 ♪ And on and on... ♪ 196 00:12:48,024 --> 00:12:51,011 NINO: Ooh, that’s a stupidomove, man. 197 00:12:51,015 --> 00:12:53,015 Moving that one would be like your life, bro. 198 00:12:53,019 --> 00:12:55,019 Crumbling all around your feet. 199 00:12:55,023 --> 00:12:58,000 [CHUCKLING] 200 00:13:02,016 --> 00:13:04,004 Ooh... 201 00:13:04,008 --> 00:13:06,015 Ahh... 202 00:13:06,019 --> 00:13:08,005 JAVIER: You see this piece right here? 203 00:13:08,009 --> 00:13:10,025 This piece is like your life, bro. 204 00:13:10,029 --> 00:13:14,012 Small, insignificant. 205 00:13:14,016 --> 00:13:16,003 Just a building block... 206 00:13:18,026 --> 00:13:20,000 Unh! 207 00:13:20,003 --> 00:13:22,008 To my empire. Ha, ha, ha. 208 00:13:24,011 --> 00:13:27,012 ROXIE: It’s nice to be out of that madhouse you were raised in. 209 00:13:27,016 --> 00:13:30,000 So, what’s our play here? 210 00:13:32,004 --> 00:13:35,007 Ah, God, that shit is getting so old. 211 00:13:35,011 --> 00:13:38,008 Ha. It works every time. 212 00:13:41,008 --> 00:13:43,020 Why did you run away from the Walkers? 213 00:13:43,024 --> 00:13:45,027 I hated them, simple as that. 214 00:13:46,000 --> 00:13:47,027 They made every decision for me growing up 215 00:13:48,000 --> 00:13:50,005 until I finally made one of my own. 216 00:13:50,009 --> 00:13:53,018 Plus, there might have been a boy. 217 00:13:53,022 --> 00:13:56,003 Of course there was, you little minx. 218 00:13:56,007 --> 00:13:57,022 Tell me more, details. 219 00:13:59,004 --> 00:14:02,007 Joshua, he was also a Walker recruit. 220 00:14:02,011 --> 00:14:06,023 When we were 17, we were sent to Israel for our final training. 221 00:14:06,027 --> 00:14:08,021 Why there? 222 00:14:08,025 --> 00:14:11,021 Marcus had a contact deeply imbedded in the Mossad. 223 00:14:11,025 --> 00:14:16,001 We studied with him for 2 years, and then we ran away and... 224 00:14:16,005 --> 00:14:17,024 We fell in love. Ha. 225 00:14:17,027 --> 00:14:19,029 At least we thought we did. 226 00:14:20,003 --> 00:14:22,008 We belonged to some very powerful people 227 00:14:22,011 --> 00:14:24,000 who wanted us back. 228 00:14:24,004 --> 00:14:25,009 It was never gonna work. 229 00:14:25,013 --> 00:14:27,029 Aww, star-crossed lovers. 230 00:14:28,003 --> 00:14:29,028 Yep, something like that. 231 00:14:31,014 --> 00:14:34,024 Thing is, I didn’t want to go back. 232 00:14:34,028 --> 00:14:37,002 Joshua was more fearful of the repercussions, 233 00:14:37,006 --> 00:14:41,014 so as to not confuse him, I left him. 234 00:14:43,009 --> 00:14:46,005 When I didn’t return, the Walkers put a price on my head. 235 00:14:46,008 --> 00:14:49,028 If I wasn’t going back to them, I was against them. 236 00:14:50,002 --> 00:14:54,002 They finally lifted the contract on one condition. 237 00:14:54,006 --> 00:14:56,024 I had to pay them every dime they would have got 238 00:14:56,027 --> 00:14:58,012 had they sold me. 239 00:14:58,016 --> 00:15:00,024 So a portion of everything I earned went to them. 240 00:15:00,028 --> 00:15:03,015 I called it my freedom tax. 241 00:15:05,006 --> 00:15:06,023 What happened to Joshua? 242 00:15:08,027 --> 00:15:10,017 I really don’t know. 243 00:15:10,020 --> 00:15:13,003 Ready? Yeah. 244 00:15:13,007 --> 00:15:16,007 ♪ Blast, everybody movin’, man Just groovin’ ♪ 245 00:15:16,010 --> 00:15:18,006 JAVIER: This shit ain’t fair, man. 246 00:15:18,009 --> 00:15:20,001 It just ain’t. 247 00:15:20,004 --> 00:15:22,001 We work in a goddamn pussy factory, 248 00:15:22,004 --> 00:15:24,027 and they expect us not to pet them, stroke them, feed them? 249 00:15:25,001 --> 00:15:26,027 Whoa, whoa, whoa. You’re right, you’re right, 250 00:15:27,001 --> 00:15:28,027 It ain’t fair, okay? It ain’t fair. 251 00:15:29,001 --> 00:15:31,000 But you even talk to them, 252 00:15:31,003 --> 00:15:33,001 and the Boss will gonna cut your little general 253 00:15:33,005 --> 00:15:35,016 and gonna feed it to you with a side of plantains, okay? 254 00:15:35,020 --> 00:15:39,010 So, holmes, look, but don’t touch. 255 00:15:39,014 --> 00:15:41,011 It’s a goddamn pussy museum. 256 00:15:41,015 --> 00:15:43,023 Makes a brother so horny. [KNOCK ON DOOR] 257 00:15:43,026 --> 00:15:45,029 Whoa, whoa, whoa. Fuck. [COCKING GUNS] 258 00:15:46,003 --> 00:15:47,008 [JAVIER WHISTLES] 259 00:15:47,011 --> 00:15:49,003 [♪♪♪] 260 00:15:49,006 --> 00:15:51,022 Go. [HUMMING NERVOUSLY] 261 00:16:04,001 --> 00:16:05,024 Hola, nina bonita. Hi. 262 00:16:05,028 --> 00:16:08,018 I’m like, so sorry to bother you, but I can’t find my Bacon. 263 00:16:08,022 --> 00:16:10,018 And I’ve been calling like, "Bacon, Bacon!" 264 00:16:10,022 --> 00:16:12,022 Whoa, whoa. What is Bacon? 265 00:16:12,026 --> 00:16:15,010 Well, Bacon’s my dog. And he like totally ran off. 266 00:16:15,014 --> 00:16:17,011 JAVIER: Hmm, big dog, huh? Big angel. 267 00:16:17,015 --> 00:16:19,020 But a car backfired and it spooked him, 268 00:16:19,024 --> 00:16:22,004 and I need to call my girlfriend for help, but my cell died. 269 00:16:22,007 --> 00:16:24,004 Such a shame, huh? Yeah, isn’t it? 270 00:16:24,008 --> 00:16:27,009 No. Unh! 271 00:16:34,017 --> 00:16:37,012 Come on, Roxie, what’s taking you so long? 272 00:16:37,015 --> 00:16:39,017 JAVIER: Would you look at this? 273 00:16:39,020 --> 00:16:42,018 Early Christmas. 274 00:16:42,022 --> 00:16:46,018 Santa just delivered us a dumbass turista, 275 00:16:46,022 --> 00:16:48,021 right in our front door. 276 00:16:48,025 --> 00:16:50,021 [♪♪♪] 277 00:16:52,013 --> 00:16:55,018 Oh. [COUGHING] 278 00:16:55,022 --> 00:16:57,002 I want you to be awake 279 00:16:57,006 --> 00:16:59,020 for everything that’s about to happen to you. 280 00:16:59,024 --> 00:17:01,024 Can I get some diet coke with that? 281 00:17:01,027 --> 00:17:03,024 [MEN LAUGH] 282 00:17:03,027 --> 00:17:05,029 Looks like we got ourselves a little firecracker. 283 00:17:06,003 --> 00:17:07,020 Mm-hmm. 284 00:17:07,024 --> 00:17:12,014 What do you think, boys? Should we take turns? 285 00:17:12,018 --> 00:17:14,005 Or should we go all at once? 286 00:17:14,009 --> 00:17:16,013 Um, actually, uh... 287 00:17:16,017 --> 00:17:17,028 C-Can we get rid of this? 288 00:17:18,002 --> 00:17:19,023 It’s like, kind of killing the mood. 289 00:17:19,027 --> 00:17:22,002 [CHUCKLES] I think I might just fall in love with you. 290 00:17:22,006 --> 00:17:23,026 Oh, really? 291 00:17:23,029 --> 00:17:26,004 Because I already have a really cute nickname for you. 292 00:17:26,008 --> 00:17:27,017 Oh, what’s that, baby? 293 00:17:27,021 --> 00:17:28,024 Shithead. 294 00:17:28,028 --> 00:17:30,016 [♪♪♪] 295 00:17:37,003 --> 00:17:38,015 VERONICA: Shit! 296 00:17:38,019 --> 00:17:40,014 [YELLING] 297 00:17:57,017 --> 00:18:00,002 [GRENADE BEEPS] 298 00:18:00,005 --> 00:18:01,014 [GRUNTS] 299 00:18:10,016 --> 00:18:12,010 [GRUNTS] God. 300 00:18:12,013 --> 00:18:14,010 What the hell happened? I don’t know. 301 00:18:14,013 --> 00:18:16,018 Things got a little rapey. [SIGHS] 302 00:18:16,022 --> 00:18:18,021 Does this mean we can finally retire the shit bag? 303 00:18:18,025 --> 00:18:20,009 VERONICA: I guess. 304 00:18:23,025 --> 00:18:25,021 ROXIE: Go, go, go, go. 305 00:18:25,025 --> 00:18:27,021 [♪♪♪] 306 00:18:32,025 --> 00:18:35,016 [ATV STARTING UP, REVVING] 307 00:18:41,027 --> 00:18:43,027 Damn it. 308 00:18:44,000 --> 00:18:45,013 Safety first. 309 00:18:45,017 --> 00:18:47,028 Really? Really. 310 00:18:48,002 --> 00:18:49,019 [♪♪♪] 311 00:19:03,007 --> 00:19:05,027 [SEAGULLS CAWING] 312 00:19:06,001 --> 00:19:07,029 [♪♪♪] 313 00:19:32,021 --> 00:19:34,017 [GUN CLICKS] 314 00:20:06,017 --> 00:20:08,005 [GROANS] 315 00:20:08,009 --> 00:20:09,022 VERONICA: Who do you work for? 316 00:20:09,026 --> 00:20:11,016 El-- El-- El... 317 00:20:11,019 --> 00:20:13,004 Oh, great. We got a stutterer. 318 00:20:13,008 --> 00:20:14,016 El Mariposa? 319 00:20:14,019 --> 00:20:15,029 Is that what you’re trying to say? 320 00:20:16,003 --> 00:20:17,020 Si. Si. 321 00:20:17,023 --> 00:20:19,003 Yes, that’s the sea. 322 00:20:19,007 --> 00:20:20,017 Tell me something I don’t know. 323 00:20:20,021 --> 00:20:22,025 He’s saying yes. 324 00:20:22,028 --> 00:20:24,020 What does he look like? How do we get to him? 325 00:20:24,023 --> 00:20:28,016 I don’t know. Nobody knows. He’s a ghost. 326 00:20:28,020 --> 00:20:29,025 I just sell the drugs. 327 00:20:29,029 --> 00:20:32,012 Take money to... 328 00:20:32,016 --> 00:20:36,008 Who? Who do you take the money to? 329 00:20:36,011 --> 00:20:39,005 [GROANS] Who do you take the money to? 330 00:20:39,009 --> 00:20:42,004 Arturo Felix. 331 00:20:42,008 --> 00:20:44,004 [GRUNTS] 332 00:20:47,027 --> 00:20:49,024 Oh, shit. 333 00:20:52,006 --> 00:20:55,024 Well, do you think Arturo Felix could be El Mariposa? 334 00:20:55,028 --> 00:20:57,002 Let’s find out. 335 00:20:57,006 --> 00:21:00,011 [♪♪♪] 336 00:21:05,020 --> 00:21:08,001 [♪♪♪] 24118