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1
00:00:01,450 --> 00:00:04,466
OFFICER, WOULD YOU MIND
TELLING ME WHY I WAS STOPPED?
2
00:00:04,490 --> 00:00:06,066
THE WAY HE WAS KILLED, IT
LOOKS LIKE AN EXECUTION.
3
00:00:06,090 --> 00:00:07,406
WELL, IT'S A VERY SMALL TOWN.
4
00:00:07,430 --> 00:00:09,036
AND YOU'RE IN MY JURISDICTION.
5
00:00:09,060 --> 00:00:11,460
I ALSO HAVE THE RIGHT
TO ARREST YOU, SHERIFF.
6
00:00:12,660 --> 00:00:14,636
I DO HAVE A SORT OF A
PART-TIME PRIVATE LIFE.
7
00:00:14,660 --> 00:00:15,936
ARE YOU FOR REAL, DEE DEE?
8
00:00:15,960 --> 00:00:17,660
WE'RE GOING TO TAKE A RIDE.
9
00:00:19,130 --> 00:00:20,936
WHAT IS THIS...
SOME KIND OF A JOKE?
10
00:00:20,960 --> 00:00:21,937
BINGO.
11
00:00:21,961 --> 00:00:23,690
YOU KNOW WHAT
WOULD TOP THAT OFF?
12
00:01:20,930 --> 00:01:23,060
IT WORKS FOR ME.
13
00:01:33,460 --> 00:01:36,656
YOUR LUNCH GUEST
HAS ARRIVED, MR. SMITH.
14
00:01:36,680 --> 00:01:38,596
YOUR WAITER WILL
BE RIGHT WITH YOU.
15
00:01:38,620 --> 00:01:40,726
THANK YOU.
16
00:01:40,750 --> 00:01:41,826
ALL RIGHT, CHARLIE,
17
00:01:41,850 --> 00:01:44,296
LET'S GET THIS OVER
WITH AS SOON AS WE CAN.
18
00:01:44,320 --> 00:01:45,920
I'VE GOT A 2:00 APPOINTMENT.
19
00:01:52,050 --> 00:01:53,126
IT'S ALL THERE.
20
00:01:53,150 --> 00:01:54,520
YOU DON'T HAVE TO COUNT IT.
21
00:01:56,920 --> 00:01:59,026
"MR. SMITH."
22
00:01:59,050 --> 00:02:02,056
THAT'S REAL SHARP. I GOT
TO HAND IT TO YOU, CHARLIE.
23
00:02:02,080 --> 00:02:04,396
YOU WON TODAY.
YOU GOT YOUR MONEY.
24
00:02:04,420 --> 00:02:07,256
BUT IF YOU EVER TRY
TAPPING IN TO ME AGAIN,
25
00:02:07,280 --> 00:02:09,596
OR IF I EVER HAPPEN
TO SEE YOU AGAIN,
26
00:02:09,620 --> 00:02:12,826
I'M GOING TO TURN YOU INTO
THE LOSER YOU'VE ALWAYS BEEN.
27
00:02:12,850 --> 00:02:14,996
YOU WON'T SEE ME
AGAIN, MR. BELLAMY.
28
00:02:15,020 --> 00:02:17,696
I'VE GOT ALL I WANT
AND ALL I NEED.
29
00:02:17,720 --> 00:02:19,156
GOOD.
30
00:02:19,180 --> 00:02:21,196
ARE THE GENTLEMEN
READY TO ORDER?
31
00:02:21,220 --> 00:02:22,526
UH, NOTHING FOR ME.
32
00:02:22,550 --> 00:02:23,756
I'M STARVING.
33
00:02:23,780 --> 00:02:26,196
Bellamy: I'LL HAVE A PRIME RIB,
34
00:02:26,220 --> 00:02:28,226
TOSSED GREEN SALAD, NO DRESSING,
35
00:02:28,250 --> 00:02:29,596
AND A POT OF COFFEE.
36
00:02:29,620 --> 00:02:30,756
BRING THAT TO ME NOW.
37
00:02:30,780 --> 00:02:32,956
OUI, MONSIEUR. AND FOR YOU, SIR?
38
00:02:32,980 --> 00:02:34,126
PERHAPS I COULD INTEREST YOU
39
00:02:34,150 --> 00:02:35,456
IN THE SPECIALITE DE LA MAISON.
40
00:02:35,480 --> 00:02:36,756
NOTHING, THANK YOU.
41
00:02:36,780 --> 00:02:39,926
WHAT ARE YOU
GOING TO DO, CHARLIE?
42
00:02:39,950 --> 00:02:42,096
YOU GOING TO USE THAT
BACK EXIT OVER THERE
43
00:02:42,120 --> 00:02:45,856
FOR A GETAWAY AS SOON
AS I LET YOU TAKE THE MONEY?
44
00:02:46,851 --> 00:02:49,196
YOU WERE ALWAYS IN
CONTROL, MR. BELLAMY.
45
00:02:49,220 --> 00:02:52,096
OR ALWAYS HAD THE ANSWERS.
TELL ME, HOW DOES IT FEEL
46
00:02:52,120 --> 00:02:54,696
TO HAVE SOMEONE ELSE
DICTATING THE TERMS?
47
00:02:54,720 --> 00:02:56,450
GOOD-BYE, CHARLIE.
48
00:03:55,320 --> 00:03:57,896
THIS IS THE POLICE!
49
00:03:57,920 --> 00:03:59,526
PULL OVER TO THE
SIDE OF THE ROAD!
50
00:03:59,550 --> 00:04:01,650
GET OUT OF THE CAR!
51
00:04:10,820 --> 00:04:13,150
OFFICER, WOULD YOU MIND
TELLING ME WHY I WAS STOPPED?
52
00:04:29,550 --> 00:04:32,156
YOU KNOW WHAT
WOULD TOP THAT OFF?
53
00:04:32,180 --> 00:04:33,726
Waiter: OUI, MONSIEUR?
54
00:04:33,750 --> 00:04:36,196
A HOT SLICE OF APPLE PIE.
55
00:04:48,320 --> 00:04:49,526
IT'S A RENTED CAR.
56
00:04:49,550 --> 00:04:51,496
TWO PACKED
SUITCASES IN THE TRUNK,
57
00:04:51,520 --> 00:04:53,256
ONE AIRLINE TICKET TO SAN DIEGO
58
00:04:53,280 --> 00:04:54,496
UNDER THE NAME OF CHARLES SMITH,
59
00:04:54,520 --> 00:04:57,820
AND ONE FULL PACK OF MATCHES
IN THE ASHTRAY. THAT'S IT.
60
00:04:59,020 --> 00:05:00,996
WELL, THE "CHARLES" IS RIGHT.
61
00:05:01,020 --> 00:05:02,426
CALIFORNIA DRIVER'S LICENSE
62
00:05:02,450 --> 00:05:04,326
SAYS THIS GUY'S NAME
IS CHARLES LATTIMER.
63
00:05:04,350 --> 00:05:06,196
LIVES IN CAMPO ALTO, CALIFORNIA,
64
00:05:06,220 --> 00:05:08,696
43 YEARS OF AGE AND SINGLE.
65
00:05:08,720 --> 00:05:10,726
YOU CAN RULE OUT ROBBERY.
66
00:05:10,750 --> 00:05:13,826
THIS GUY HAD OVER
900 BUCKS IN HIS WALLET.
67
00:05:13,850 --> 00:05:15,320
YOU GOT HIM, BOYS.
68
00:05:20,150 --> 00:05:22,096
SO, WHAT DO YOU THINK?
69
00:05:22,120 --> 00:05:23,926
I DON'T KNOW. IT'S WEIRD.
70
00:05:23,950 --> 00:05:25,056
THE WAY HE WAS KILLED,
71
00:05:25,080 --> 00:05:27,726
IT LOOKS LIKE AN EXECUTION,
LIKE GANGLAND STYLE,
72
00:05:27,750 --> 00:05:30,796
BUT THE REST OF IT'S...
I DON'T KNOW. "SMITH"?
73
00:05:30,820 --> 00:05:33,726
IT SOUNDS LIKE SOME
GUY CHEATING ON HIS WIFE.
74
00:05:33,750 --> 00:05:35,326
PACK OF MATCHES
COULD HAVE BEEN LEFT
75
00:05:35,350 --> 00:05:37,256
BY THE LAST RENTER.
76
00:05:37,280 --> 00:05:39,056
"LE ROUGE."
77
00:05:39,080 --> 00:05:40,756
PIERRE!
78
00:05:40,780 --> 00:05:43,856
OUI, MADEMOISELLE.
MAY I BE OF SERVICE?
79
00:05:43,880 --> 00:05:46,326
PIERRE, THESE PEOPLE
ARE POLICE OFFICERS,
80
00:05:46,350 --> 00:05:48,526
AND THEY WANT TO KNOW
ABOUT THE TWO GENTLEMEN
81
00:05:48,550 --> 00:05:50,496
THAT SAT AT TABLE
11 DURING LUNCH.
82
00:05:50,520 --> 00:05:51,856
THIS IS ONE OF THEM.
83
00:05:51,880 --> 00:05:54,120
YEAH! TABLE 11, RIGHT?
84
00:05:55,220 --> 00:05:58,326
HEY, THE NAME'S REALLY
CHUCK. I'M BETWEEN ACTING JOBS.
85
00:05:58,350 --> 00:05:59,796
YEAH, THOSE TWO ON TABLE 11.
86
00:05:59,820 --> 00:06:01,526
ONLY ONE ORDERED
LUNCH... THE OLDER GUY.
87
00:06:01,550 --> 00:06:03,526
THE OTHER ONE TOOK
HIS BRIEFCASE AND LEFT
88
00:06:03,550 --> 00:06:05,196
BEFORE I EVEN GOT
BACK WITH THE FOOD.
89
00:06:05,220 --> 00:06:06,856
DID HE PAY WITH A CREDIT CARD?
90
00:06:06,880 --> 00:06:09,220
N-O. CASH ALL THE WAY.
91
00:06:10,150 --> 00:06:14,456
UNDERCOVER? WHY? YOU
TWO NEED A NEW WARDROBE?
92
00:06:16,580 --> 00:06:17,557
YEAH.
93
00:06:17,581 --> 00:06:18,850
SEND HIM IN.
94
00:06:19,580 --> 00:06:21,026
WHY UNDERCOVER?
95
00:06:21,050 --> 00:06:23,426
BECAUSE LATTIMER LIVED
IN CAMPO ALTO ALL HIS LIFE.
96
00:06:23,450 --> 00:06:24,796
NOW, HE HAS NO CRIMINAL RECORD,
97
00:06:24,820 --> 00:06:26,626
NOT EVEN... A TRAFFIC CITATION.
98
00:06:26,650 --> 00:06:29,026
HE LEFT THERE SUDDENLY
ABOUT 10 DAYS AGO,
99
00:06:29,050 --> 00:06:30,756
REGISTERED HERE
UNDER A FALSE NAME,
100
00:06:30,780 --> 00:06:32,326
AND TODAY HE GETS BLOWN AWAY
101
00:06:32,350 --> 00:06:33,526
LIKE SOME NEW YORK GANG CHIEF
102
00:06:33,550 --> 00:06:35,526
AND LEFT WITH A
WALLET FULL OF MONEY.
103
00:06:35,550 --> 00:06:37,796
DIDN'T ANSWER MY QUESTION.
104
00:06:37,820 --> 00:06:39,056
Wyler: WHY UNDERCOVER?
105
00:06:40,220 --> 00:06:41,556
YEAH.
106
00:06:41,580 --> 00:06:43,696
I'LL SEE HIM IN 5 MINUTES.
107
00:06:43,720 --> 00:06:45,456
INTELLIGENCE SAYS
THAT THE LAW THERE
108
00:06:45,480 --> 00:06:47,126
IS REAL INBRED, VERY UPTIGHT.
109
00:06:47,150 --> 00:06:48,556
THINKS WE'LL DO A
LOT BETTER IF WE GO IN
110
00:06:48,580 --> 00:06:49,826
AND NOT FLASH OUR BADGES.
111
00:06:49,850 --> 00:06:52,226
EXCUSE ME, SIR.
BILLINGS IS HERE.
112
00:06:52,250 --> 00:06:53,456
SHALL I SEND HIM UP TO I.A.?
113
00:06:53,480 --> 00:06:55,326
NO, I WANT TO SEE HIM.
114
00:06:55,350 --> 00:06:56,926
HOW MUCH?
115
00:06:56,950 --> 00:07:00,550
OH, ABOUT $100 A DAY AND
THE RENTAL OF A NEW JAG.
116
00:07:01,280 --> 00:07:02,197
JAG?
117
00:07:02,221 --> 00:07:04,196
NOT A CHEVY?
118
00:07:04,220 --> 00:07:06,596
CAN'T MAKE DO WITH
A... FORD, CHRYSLER?
119
00:07:06,620 --> 00:07:08,226
NO, SIR. YOU SEE,
WE CHECKED IT OUT.
120
00:07:08,250 --> 00:07:10,226
THERE'S NO PLACE IN TOWN
THAT CAN HANDLE A JAG.
121
00:07:10,250 --> 00:07:12,226
HE'S GOING TO BREAK
DOWN JUST OUTSIDE OF TOWN.
122
00:07:12,250 --> 00:07:13,956
THE PART HE NEEDS WILL
TAKE AT LEAST A WEEK TO GET.
123
00:07:13,980 --> 00:07:15,556
WHAT ARE YOU GOING
TO DRIVE... A MERCEDES?
124
00:07:15,580 --> 00:07:17,826
NO, SIR. AS SOON AS WE DETERMINE
125
00:07:17,850 --> 00:07:20,620
WHAT MY COVER WILL
BE, I'LL GO IN ON THE BUS.
126
00:07:58,650 --> 00:08:00,596
Hunter: BOY, YOU GOT
A NICE TOWN HERE.
127
00:08:00,620 --> 00:08:02,256
KIND OF LIKE A PICTURE POSTCARD.
128
00:08:02,280 --> 00:08:04,056
YEAH, WE LIKE IT. I'M GOING TO
129
00:08:04,080 --> 00:08:05,226
HAVE TO SEND FOR
A NEW WATER PUMP.
130
00:08:05,250 --> 00:08:07,926
COULD TAKE UP TO A WEEK
TO GET YOU ANOTHER ONE.
131
00:08:07,950 --> 00:08:10,226
Hunter: HOPE YOU DON'T
MIND WATCHING THIS STUFF
132
00:08:10,250 --> 00:08:11,396
WHILE YOU WORK ON THE CAR.
133
00:08:11,420 --> 00:08:12,556
Mechanic: SURE, NO BOTHER.
134
00:08:12,580 --> 00:08:13,956
I'LL KEEP IT LOCKED UP
IN THE OFFICE FOR YOU.
135
00:08:13,980 --> 00:08:17,126
I SEE YOU DO SOME
DIVING. TOO BAD.
136
00:08:17,150 --> 00:08:18,926
WE GOT EVERYTHING IN CAMPO ALTO
137
00:08:18,950 --> 00:08:20,156
EXCEPT DEEP WATER.
138
00:08:20,180 --> 00:08:22,356
YEAH, I'M AN OCEANOGRAPHER
ON MY WAY TO CORPUS CHRISTI.
139
00:08:22,380 --> 00:08:23,656
NEED A PLACE TO STAY?
140
00:08:23,680 --> 00:08:24,756
YEAH.
141
00:08:24,780 --> 00:08:26,126
TRY THE ROYAL ARMS MOTEL.
142
00:08:26,150 --> 00:08:28,526
I'LL GIVE YOU A CALL THERE
WHEN I KNOW WHERE WE STAND.
143
00:08:28,550 --> 00:08:29,527
THE ROYAL ARMS.
144
00:08:29,551 --> 00:08:30,850
RIGHT.
145
00:08:31,580 --> 00:08:32,850
"TANKS."
146
00:08:38,720 --> 00:08:39,756
McCALL.
147
00:08:39,780 --> 00:08:40,926
Hunter: YEAH, IT'S ME.
148
00:08:40,950 --> 00:08:42,156
REMEMBER LAST JANUARY,
149
00:08:42,180 --> 00:08:45,026
WHEN WE BUSTED THAT
SLEAZEBALL MOLINAS?
150
00:08:45,050 --> 00:08:47,026
YOU HAD TO DO
SOME SINGING AT THE...
151
00:08:47,050 --> 00:08:49,096
AT A NIGHTCLUB, RIGHT?
WERE YOU ANY GOOD?
152
00:08:49,120 --> 00:08:51,026
I HAD THEM STANDING
IN THE AISLES. WHY?
153
00:08:51,050 --> 00:08:55,026
WELL, THE BAND AT THE CAMPO
ALTO COUNTRY CLUB NEEDS A SINGER.
154
00:08:55,050 --> 00:08:57,026
THE ONE THEY'VE GOT
IS PREGNANT AND, UH...
155
00:08:57,050 --> 00:08:58,296
UH, DO YOU THINK
YOU CAN HANDLE IT?
156
00:08:58,320 --> 00:09:01,156
THEY'LL BE OFFERING ME
A LONG-TERM CONTRACT.
157
00:09:01,180 --> 00:09:02,956
DON'T GET CARRIED
AWAY. A WEEK WILL DO.
158
00:09:02,980 --> 00:09:05,526
I'M STAYING HERE AT
THE ROYAL ARMS MOTEL.
159
00:09:05,550 --> 00:09:07,356
HOW'S THINGS GOING?
ANYTHING TO REPORT?
160
00:09:07,380 --> 00:09:09,650
YEAH, I DO, McCALL. THE, UH...
161
00:09:10,880 --> 00:09:12,350
THE VIEW HERE IS GREAT.
162
00:09:17,480 --> 00:09:18,457
MORNING.
163
00:09:18,481 --> 00:09:19,750
MORNING.
164
00:09:23,750 --> 00:09:25,456
THERE'S NOTHING
EVER GOOD IN THE NEWS,
165
00:09:25,480 --> 00:09:26,756
IS THERE, MR. LATTIMER?
166
00:09:26,780 --> 00:09:27,727
EH...
167
00:09:27,751 --> 00:09:29,356
ALL IT DOES IS GET
YOU DEPRESSED.
168
00:09:29,380 --> 00:09:31,050
OH, EXCUSE ME.
169
00:09:32,280 --> 00:09:33,257
THERE YOU GO.
170
00:09:33,281 --> 00:09:34,550
THANKS.
171
00:09:35,750 --> 00:09:37,050
Hunter: EXCUSE ME.
172
00:09:37,780 --> 00:09:38,956
MR. LATTIMER?
173
00:09:38,980 --> 00:09:40,226
YES?
174
00:09:40,250 --> 00:09:43,850
YOU WOULDN'T HAPPEN TO BE
FROM KANSAS CITY, WOULD YOU?
175
00:09:44,920 --> 00:09:47,626
Lattimer: NO... MY
BOY WASN'T MARRIED.
176
00:09:47,650 --> 00:09:51,726
HAD A FIANCEE,
THOUGH. REAL NICE GIRL.
177
00:09:51,750 --> 00:09:53,796
GOOD EDUCATION, GOOD BREEDING.
178
00:09:53,820 --> 00:09:56,226
ASSISTANT LIBRARIAN HERE.
179
00:09:56,250 --> 00:09:59,496
SHE TOOK MY BOY'S
DEATH PRETTY HARD.
180
00:09:59,520 --> 00:10:01,696
HOW ABOUT YOU, MR. STONER?
181
00:10:01,720 --> 00:10:02,996
YOU A MARRIED MAN?
182
00:10:03,020 --> 00:10:06,350
NO, I'M NOT, MR. LATTIMER,
BUT I'M THINKING ABOUT IT.
183
00:10:08,280 --> 00:10:10,420
Hunter: I'M STAYING AT
THE ROYAL ARMS MOTEL.
184
00:10:13,350 --> 00:10:14,526
OK.
185
00:10:14,550 --> 00:10:18,550
JUST HAVE THE BOOKS
BACK BY FRIDAY, MR. STONER.
186
00:10:19,250 --> 00:10:21,350
FRIDAY. THANK YOU.
187
00:10:24,720 --> 00:10:26,696
OH, YOU WOULDN'T HAPPEN TO KNOW
188
00:10:26,720 --> 00:10:28,856
A REAL GOOD PLACE TO
EAT IN TOWN, WOULD YOU?
189
00:10:28,880 --> 00:10:31,696
WELL, THE NICEST PLACE
IS THE COUNTRY CLUB.
190
00:10:31,720 --> 00:10:33,726
YOU DON'T HAVE TO
BE A MEMBER TO DINE,
191
00:10:33,750 --> 00:10:35,726
AND THE FOOD IS GREAT.
192
00:10:35,750 --> 00:10:37,996
WHAT I REALLY NEED IS SOMEONE
193
00:10:38,020 --> 00:10:40,626
TO SHARE DINNER
WITH, BUT... MY LUCK,
194
00:10:40,650 --> 00:10:43,620
YOU'RE PROBABLY MARRIED
AND HAVE 10 KIDS, RIGHT?
195
00:10:44,580 --> 00:10:46,096
NO, I'M NOT MARRIED.
196
00:10:46,120 --> 00:10:49,080
OH... YOU GOT ANY KIDS?
197
00:10:50,050 --> 00:10:52,256
CERTAINLY NOT.
198
00:10:52,280 --> 00:10:54,320
WELL, ARE YOU ENGAGED?
199
00:10:55,550 --> 00:10:56,626
NO.
200
00:10:56,650 --> 00:10:58,480
NOT ANYMORE.
201
00:11:29,220 --> 00:11:31,526
HAVEN'T WE DONE THIS BEFORE?
202
00:11:31,550 --> 00:11:34,356
YES, AND ONCE WAS ENOUGH.
203
00:11:34,380 --> 00:11:36,056
I MEAN, THIS IS EMBARRASSING.
204
00:11:36,080 --> 00:11:37,096
DON'T YOU HAVE
YOUR OWN BATHROOM?
205
00:11:37,120 --> 00:11:41,796
I DON'T EVEN HAVE MY
OWN ROOM UNTIL 5:00.
206
00:11:41,820 --> 00:11:44,796
YOU WANT TO HAND
ME A TOWEL, PLEASE?
207
00:11:44,820 --> 00:11:47,980
AND I DON'T MEAN A WASHCLOTH.
208
00:11:52,020 --> 00:11:53,956
McCall: I JUST DECIDED IT
WOULDN'T BE A GOOD IDEA
209
00:11:53,980 --> 00:11:55,956
IF I CALLED YOU, OR
WAS EVEN SEEN WITH YOU,
210
00:11:55,980 --> 00:11:58,426
SO I JUST PICKED THE
LOCK AND LET MYSELF IN.
211
00:11:58,450 --> 00:12:00,096
SO SAY HELLO, HUNTER.
212
00:12:00,120 --> 00:12:02,396
HELLO, HUNTER.
WHEN DID YOU GET IN?
213
00:12:02,420 --> 00:12:05,126
THIS MORNING. IT WAS REALLY HOT.
214
00:12:05,150 --> 00:12:07,096
TOOK A CAB ON OVER
TO THE COUNTRY CLUB,
215
00:12:07,120 --> 00:12:08,226
MET THE BANDLEADER.
216
00:12:08,250 --> 00:12:13,096
ARE YOU READY FOR THIS?
HIS NAME IS IZZY O'DAY.
217
00:12:13,120 --> 00:12:14,620
ANYWAY, I TRIED OUT.
218
00:12:16,520 --> 00:12:17,756
WELL, WAS THAT IT?
219
00:12:17,780 --> 00:12:18,727
THEY LIKED ME.
220
00:12:18,751 --> 00:12:20,296
I GOT TO BE OVER THERE TONIGHT
221
00:12:20,320 --> 00:12:21,626
FOR REHEARSALS IN
JUST A COUPLE HOURS.
222
00:12:21,650 --> 00:12:22,826
THAT'S WHY I NEEDED A BATH.
223
00:12:22,850 --> 00:12:25,356
THE BUS WAS LARGE, BUT INTIMATE.
224
00:12:25,380 --> 00:12:27,726
DID THEY ASK YOU HOW YOU
FOUND OUT ABOUT THE JOB?
225
00:12:27,750 --> 00:12:29,356
I JUST TOLD HIM WOODY
ZALLER PUT ME ON TO HIM.
226
00:12:29,380 --> 00:12:31,656
WOODY OWES ME. HE'S
READY IF THEY CALL.
227
00:12:31,680 --> 00:12:34,126
BY THE WAY, THANKS
FOR THE COVER.
228
00:12:34,150 --> 00:12:35,196
YOU NEVER KNOW.
229
00:12:35,220 --> 00:12:36,826
MAYBE THEY'LL LET ME
DO ONE OF MY OWN SONGS.
230
00:12:36,850 --> 00:12:38,056
ONE OF YOUR OWN SONGS?
231
00:12:38,080 --> 00:12:40,596
YEAH. WHEN I'M NOT
PUTTING MY BODY AND SOUL
232
00:12:40,620 --> 00:12:41,996
ON THE LINE FOR METRO P.D.,
233
00:12:42,020 --> 00:12:44,096
I DO HAVE SORT OF A PART-TIME
PRIVATE LIFE, YOU KNOW.
234
00:12:44,120 --> 00:12:45,956
YOU WRITE YOUR OWN SONGS?
235
00:12:45,980 --> 00:12:48,296
YEAH. I ALSO BAKE CAKES.
236
00:12:48,320 --> 00:12:49,656
YOU GOT ANY OTHER SECRETS
237
00:12:49,680 --> 00:12:51,126
YOU'VE BEEN KEEPING
FROM ME, McCALL?
238
00:12:51,150 --> 00:12:53,626
UH-HUH. YOU KNOW WHAT
MAKES THEM SECRETS?
239
00:12:53,650 --> 00:12:55,950
I DON'T TELL 'EM TO ANYONE.
240
00:12:57,180 --> 00:12:58,896
SLOPPY.
241
00:12:58,920 --> 00:13:01,550
YEAH. LET ME USE
YOUR TOWEL, WILL YA?
242
00:13:11,350 --> 00:13:12,956
NICE PLACE, ISN'T IT?
243
00:13:12,980 --> 00:13:14,526
WELL, IT SHOULD BE.
244
00:13:14,550 --> 00:13:16,226
THE BOARD OF DIRECTORS
READS LIKE A PAGE
245
00:13:16,250 --> 00:13:18,696
OUT OF MILLIONAIRES' QUARTERLY.
246
00:13:18,720 --> 00:13:20,556
THE MEN AT THAT TABLE...
247
00:13:20,580 --> 00:13:23,796
COULD PROBABLY HELP
BALANCE THE NATIONAL DEBT.
248
00:13:26,450 --> 00:13:29,196
Announcer: THANK YOU. THANK
YOU, LADIES AND GENTLEMEN.
249
00:13:29,220 --> 00:13:32,026
NOW, SOMETHING A BIT UNEXPECTED,
250
00:13:32,050 --> 00:13:33,696
A DELIGHTFUL SURPRISE.
251
00:13:33,720 --> 00:13:35,196
I'D LIKE TO INTRODUCE YOU TO...
252
00:13:35,220 --> 00:13:37,696
IT'S HER FIRST TIME
IN CAMPO ALTO...
253
00:13:37,720 --> 00:13:38,956
SO LET'S GIVE A
NICE, WARM WELCOME
254
00:13:38,980 --> 00:13:41,720
TO MISS DEE DEE BENNETT.
255
00:13:46,350 --> 00:13:47,556
THANK YOU.
256
00:13:50,150 --> 00:13:57,296
♪ TILL THE NEW
LOVE SURROUND ME ♪
257
00:13:57,320 --> 00:14:04,726
♪ I KNOW THE NEW
LOVE SURROUNDS ME ♪
258
00:14:04,750 --> 00:14:12,750
♪ I KNOW THAT NEW
LOVE SURROUNDS ME... ♪
259
00:14:13,020 --> 00:14:15,426
WELL, YOU SAID YOU
WEREN'T ENGAGED ANYMORE.
260
00:14:15,450 --> 00:14:16,856
WHAT HAPPENED?
WANT TO TALK ABOUT IT?
261
00:14:16,880 --> 00:14:17,996
I'M A GOOD LISTENER.
262
00:14:18,020 --> 00:14:20,026
OH, I'M SURE YOU ARE, BUT...
263
00:14:20,050 --> 00:14:24,156
♪ TILL THE NEW LOVE
SURROUNDS ME... ♪
264
00:14:24,180 --> 00:14:26,856
MY FIANCE WAS KILLED, MURDERED.
265
00:14:26,880 --> 00:14:28,726
OH, AMY, I'M SORRY.
266
00:14:28,750 --> 00:14:31,526
HE WAS SHOT IN LOS ANGELES,
267
00:14:31,550 --> 00:14:33,526
WITH THE KIND OF GUN
THAT GANGSTERS USE.
268
00:14:33,550 --> 00:14:36,056
BUT HE WAS AN ACCOUNTANT
269
00:14:36,080 --> 00:14:37,526
WITH BELLAMY ENTERPRISES HERE,
270
00:14:37,550 --> 00:14:40,196
AND HE NEVER DID ANYTHING
ILLEGAL IN HIS WHOLE LIFE.
271
00:14:40,220 --> 00:14:42,250
WELL, DO THE POLICE
KNOW WHO DID IT?
272
00:14:43,320 --> 00:14:46,380
DID ANYTHING UNUSUAL
HAPPEN BEFORE HE WAS KILLED?
273
00:14:47,180 --> 00:14:50,526
WELL, HE ASKED ME TO MARRY HIM.
274
00:14:50,550 --> 00:14:51,826
HE SAID HE WANTED
TO QUIT HIS JOB
275
00:14:51,850 --> 00:14:53,356
AND GO DOWN TO MEXICO
276
00:14:53,380 --> 00:14:55,056
AND JUST FISH
AND LIE IN THE SUN.
277
00:14:55,080 --> 00:14:56,596
WELL, THE POLICE
KNOW ABOUT THAT?
278
00:14:56,620 --> 00:14:58,726
OH, YEAH, I TOLD
SHERIFF JOHNSON.
279
00:14:58,750 --> 00:15:02,696
♪ LOVE SO NEW... ♪
280
00:15:02,720 --> 00:15:04,356
I'D LIKE TO SPEAK
TO THAT YOUNG LADY
281
00:15:04,380 --> 00:15:06,250
AS SOON AS YOU GET A CHANCE.
282
00:15:23,880 --> 00:15:24,996
WHO IS IT?
283
00:15:25,020 --> 00:15:26,780
McCall: HUNTER, IT'S ME.
284
00:15:28,150 --> 00:15:29,356
I WAS BEGINNING TO THINK
285
00:15:29,380 --> 00:15:30,696
THIS WAS GOING TO
BE AN ALL-NIGHTER.
286
00:15:30,720 --> 00:15:33,026
CAN I HELP IT IF THE
BIGGEST MAN IN TOWN
287
00:15:33,050 --> 00:15:35,156
THINKS I'M WONDERFUL?
288
00:15:35,180 --> 00:15:37,796
YOU MEAN THE HEAVYWEIGHT
WITH THE WHITE SIDEWALLS?
289
00:15:37,820 --> 00:15:39,126
RAYMOND BELLAMY,
290
00:15:39,150 --> 00:15:41,796
PRESIDENT OF
BELLAMY ENTERPRISES.
291
00:15:41,820 --> 00:15:44,356
DID YOU NOTICE SOMETHING
REAL INTERESTING ABOUT HIM?
292
00:15:44,380 --> 00:15:47,056
YEAH, BELLAMY FITS
THE DESCRIPTION
293
00:15:47,080 --> 00:15:48,626
THE WAITER GAVE
US LIKE A SILK GLOVE.
294
00:15:48,650 --> 00:15:50,696
ALSO, LATTIMER
WORKED FOR BELLAMY.
295
00:15:50,720 --> 00:15:53,556
BINGO. THINK WE OUGHT TO
BRING THAT WAITER DOWN HERE
296
00:15:53,580 --> 00:15:54,696
TO I.D. THE MAN?
297
00:15:54,720 --> 00:15:55,956
WHY DON'T WE JUST GET
SOME PHOTOGRAPHS OF HIM?
298
00:15:55,980 --> 00:15:57,026
IT WILL BE CHEAPER.
299
00:15:57,050 --> 00:15:59,750
AND WHO GETS TO
TAKE THE PICTURES?
300
00:16:01,280 --> 00:16:02,996
WELL, HE DID INVITE ME
301
00:16:03,020 --> 00:16:04,950
OVER TO HIS HORSE
RANCH TOMORROW.
302
00:16:11,820 --> 00:16:14,696
YEAH... BEAUTY, HUH?
303
00:16:14,720 --> 00:16:16,326
YES, THE BEST MONEY CAN BUY.
304
00:16:16,350 --> 00:16:18,596
I CAN SPOT A WINNER EVERY TIME.
305
00:16:18,620 --> 00:16:19,726
SHE'S A BEAUTY.
306
00:16:19,750 --> 00:16:22,596
AND I CAN ALSO SPOT
A KIND OF PROBLEM.
307
00:16:22,620 --> 00:16:24,196
WHAT KIND OF PROBLEM IS THAT?
308
00:16:24,220 --> 00:16:27,796
YOU KNOW THAT GIRL THAT
LATTIMER WAS ENGAGED TO?
309
00:16:27,820 --> 00:16:29,156
AMY. YEAH.
310
00:16:29,180 --> 00:16:32,726
EVERYBODY'S TALKING ABOUT
HOW HARD SHE'S TAKING HIS DEATH.
311
00:16:32,750 --> 00:16:35,396
WELL, LAST NIGHT SHE
SASHAYED INTO THE CLUB
312
00:16:35,420 --> 00:16:38,396
ON THE ARM OF THIS TALL
GUY I'VE NEVER SEEN BEFORE.
313
00:16:38,420 --> 00:16:40,826
NOW, IF SHE'S NURSING
A BROKEN HEART...
314
00:16:40,850 --> 00:16:43,996
I'M ANN LANDERS. I
WANT YOU TO FIND OUT
315
00:16:44,020 --> 00:16:45,940
WHO THIS GUY IS AND HOW
HE GOT TOGETHER WITH HER.
316
00:16:48,750 --> 00:16:50,150
I'LL TAKE CARE OF
THAT, MR. BELLAMY.
317
00:17:14,670 --> 00:17:16,216
HOW'S IT GOING?
318
00:17:16,240 --> 00:17:17,646
HI.
319
00:17:17,670 --> 00:17:20,186
I'M SHERIFF CARL JOHNSON.
320
00:17:20,210 --> 00:17:21,346
YOU'RE RICK STONER.
321
00:17:21,370 --> 00:17:23,616
HOW ARE YOU DOING?
WANT SOME TOAST?
322
00:17:23,640 --> 00:17:25,616
NO, THANKS. I UNDERSTAND
323
00:17:25,640 --> 00:17:27,646
YOU'RE WAITING ON A
PART FOR YOUR CAR.
324
00:17:27,670 --> 00:17:29,846
MUST BE TOUGH BEING
STRANDED IN A STRANGE TOWN,
325
00:17:29,870 --> 00:17:31,286
WAITING AROUND FOR
YOUR CAR TO BE FIXED.
326
00:17:31,310 --> 00:17:32,846
ME, I'D GO CRAZY.
327
00:17:32,870 --> 00:17:34,116
YOU GOT A REAL NICE
TOWN HERE, SHERIFF.
328
00:17:34,140 --> 00:17:35,246
MAKES IT EASIER.
329
00:17:35,270 --> 00:17:37,486
MIND IF I ASK YOU A PERSONAL
QUESTION, MR. STONER?
330
00:17:37,510 --> 00:17:39,046
WELL, YOU CAN ASK.
331
00:17:39,070 --> 00:17:41,446
THERE WAS A MURDER
OUTSIDE OF MY JURISDICTION,
332
00:17:41,470 --> 00:17:43,186
BUT IT CONCERNS THIS TOWN.
333
00:17:43,210 --> 00:17:45,246
A LONGTIME
RESIDENT WAS KILLED...
334
00:17:45,270 --> 00:17:47,246
CHARLIE LATTIMER.
NOW, HE WAS ENGAGED
335
00:17:47,270 --> 00:17:49,546
TO A YOUNG LADY
NAMED AMY LAURTON.
336
00:17:49,570 --> 00:17:52,246
HEAR SHE WAS PRETTY SHOOK
UP ABOUT WHAT HAPPENED.
337
00:17:52,270 --> 00:17:54,086
THEN I GET A REPORT
THAT SHE COMES WALTZING
338
00:17:54,110 --> 00:17:55,486
INTO THE COUNTRY CLUB LAST NIGHT
339
00:17:55,510 --> 00:17:57,586
WITH A MAN THAT
NOBODY SEEMS TO KNOW.
340
00:17:57,610 --> 00:17:59,886
WONDER IF YOU COULD
TELL ME ABOUT THAT?
341
00:17:59,910 --> 00:18:01,316
I'D LIKE TO, BUT I DON'T SEE IT
342
00:18:01,340 --> 00:18:03,546
AS BEING ANY OF YOUR BUSINESS.
343
00:18:03,570 --> 00:18:05,486
WELL, MAYBE I CAN
HELP YOU THERE.
344
00:18:05,510 --> 00:18:07,316
YOU SEE, IT IS MY BUSINESS
345
00:18:07,340 --> 00:18:09,216
BECAUSE I'M MAKING
IT MY BUSINESS.
346
00:18:09,240 --> 00:18:11,386
NOW, THIS CITIZEN WAS
MURDERED IN LOS ANGELES.
347
00:18:11,410 --> 00:18:12,586
ARE YOU FROM LOS ANGELES?
348
00:18:12,610 --> 00:18:13,816
SAN DIEGO.
349
00:18:13,840 --> 00:18:15,546
WELL, I DON'T KNOW HOW
IT WORKS IN SAN DIEGO,
350
00:18:15,570 --> 00:18:16,986
BUT HERE IN CAMPO ALTO,
351
00:18:17,010 --> 00:18:18,486
WHEN I ASK SOMEONE A QUESTION,
352
00:18:18,510 --> 00:18:19,616
I DON'T EXPECT TO BE TOLD
353
00:18:19,640 --> 00:18:20,716
IT'S NONE OF MY BUSINESS.
354
00:18:20,740 --> 00:18:21,886
YOU GET MY MEANING?
355
00:18:21,910 --> 00:18:24,446
LOOK, SHERIFF, I DIDN'T HAVE
ANYTHING TO DO ONE DAY,
356
00:18:24,470 --> 00:18:25,886
SO I WAS WALKING
DOWN THE STREET,
357
00:18:25,910 --> 00:18:27,386
AND I WENT INTO THE LIBRARY
358
00:18:27,410 --> 00:18:29,516
TO CHECK OUT A COUPLE OF BOOKS.
359
00:18:29,540 --> 00:18:32,086
I SAW AMY, SO I
STARTED TALKING TO HER.
360
00:18:32,110 --> 00:18:34,986
I ASKED HER TO DINNER.
SHE SAID SHE'D GO. THAT'S IT.
361
00:18:35,010 --> 00:18:36,946
I'M SURE WE'LL HAVE
YOUR CAR FIXED FOR YOU
362
00:18:36,970 --> 00:18:40,310
REAL SOON, MR. STONER,
I'LL SEE YOU AROUND.
363
00:18:44,270 --> 00:18:47,316
BOY, THESE ARE BEAUTIES.
364
00:18:47,340 --> 00:18:49,886
I LOVE HORSES.
365
00:18:49,910 --> 00:18:51,446
I LOVE TO RIDE THEM.
366
00:18:51,470 --> 00:18:52,846
I LOVE TO TAKE PICTURES OF THEM.
367
00:18:53,910 --> 00:18:55,046
LIKE TO PAINT THEM, TOO.
368
00:18:55,070 --> 00:18:56,486
YEAH, I'LL BET YOU DO.
369
00:18:56,510 --> 00:18:58,316
THERE'S A PHONE CALL
FOR YOU, MR. BELLAMY.
370
00:18:58,340 --> 00:19:00,346
I'LL JUST BE A SECOND.
371
00:19:00,370 --> 00:19:02,070
BYE.
372
00:19:09,270 --> 00:19:10,386
BELLAMY HERE.
373
00:19:10,410 --> 00:19:12,246
Johnson: I TALKED
TO HIM, MR. BELLAMY.
374
00:19:12,270 --> 00:19:14,016
HIS NAME IS RICK STONER.
375
00:19:14,040 --> 00:19:15,286
CLAIMS HE'S AN OCEANOGRAPHER.
376
00:19:15,310 --> 00:19:17,346
HE'S WAITING FOR
HIS CAR TO BE FIXED.
377
00:19:17,370 --> 00:19:19,316
THERE'S SOMETHING ABOUT
THIS GUY I JUST DON'T LIKE.
378
00:19:19,340 --> 00:19:21,446
IF YOU'RE WORRIED,
CARL, SO AM I.
379
00:19:21,470 --> 00:19:23,240
HANDLE IT.
380
00:19:30,210 --> 00:19:31,786
HOW DID YOU GET IN HERE?
381
00:19:31,810 --> 00:19:33,946
Hunter: THROUGH THE BACK DOOR.
382
00:19:33,970 --> 00:19:36,440
BUT WHY?
383
00:19:37,470 --> 00:19:39,240
SIT DOWN, AMY.
384
00:19:41,910 --> 00:19:44,286
I'M SERGEANT
HUNTER, L.A. HOMICIDE.
385
00:19:44,310 --> 00:19:45,546
I'M HERE IN TOWN
386
00:19:45,570 --> 00:19:47,116
TO INVESTIGATE THE
MURDER OF YOUR FIANCE.
387
00:19:47,140 --> 00:19:48,146
I DON'T UNDERSTAND...
388
00:19:48,170 --> 00:19:50,246
LOOK, AMY, I HATE
TO TELL YOU THIS,
389
00:19:50,270 --> 00:19:51,646
BUT I THINK CHARLIE WAS INVOLVED
390
00:19:51,670 --> 00:19:53,546
IN SOME SORT OF
EXTORTION OR BLACKMAIL.
391
00:19:53,570 --> 00:19:55,516
HE WAS KILLED THE
DAY HE WAS PAID OFF.
392
00:19:55,540 --> 00:19:58,386
YOU'RE WRONG. THE CHARLES I KNEW
393
00:19:58,410 --> 00:20:00,246
WOULDN'T EVEN CHEAT
ON HIS INCOME TAX.
394
00:20:00,270 --> 00:20:02,616
CAN YOU EXPLAIN HOW HE
PLANNED TO MOVE TO MEXICO?
395
00:20:02,640 --> 00:20:05,246
CHARLES LIVED VERY SIMPLY,
AND HE HAD INVESTMENTS.
396
00:20:05,270 --> 00:20:07,610
THAT'S WHAT WE
WERE GOING TO LIVE ON.
397
00:20:08,740 --> 00:20:10,316
TELL ME ABOUT RAYMOND BELLAMY.
398
00:20:10,340 --> 00:20:12,486
MR. BELLAMY AND CHARLES
HAVE BEEN TOGETHER
399
00:20:12,510 --> 00:20:15,316
EVER SINCE MR. BELLAMY
STARTED HIS FIRST BUSINESS.
400
00:20:15,340 --> 00:20:17,346
IT WAS BELLAMY
INSURANCE COMPANY THEN.
401
00:20:17,370 --> 00:20:19,016
WELL, JUDGING FROM
THE SIZE OF HIS BUILDING,
402
00:20:19,040 --> 00:20:21,016
HE MUST HAVE SOLD AN
AWFUL LOT OF INSURANCE.
403
00:20:21,040 --> 00:20:22,416
OH, HE WENT INTO OTHER THINGS...
404
00:20:22,440 --> 00:20:24,046
RANCHING, MINING.
405
00:20:24,070 --> 00:20:27,186
LOOK, HE'S POPULAR AND
RESPECTED, AND HIS RECORD
406
00:20:27,210 --> 00:20:29,816
IS PROBABLY EVERY BIT
AS CLEAN AS CHARLES'.
407
00:20:29,840 --> 00:20:31,246
YEAH, IT IS. I CHECKED IT OUT.
408
00:20:31,270 --> 00:20:32,416
BUT YOU KNOW SOMETHING,
409
00:20:32,440 --> 00:20:33,616
YOU DON'T DIE THE
WAY CHARLES DID
410
00:20:33,640 --> 00:20:35,416
WITHOUT BEING A DIRECT
THREAT TO SOMEBODY.
411
00:20:36,870 --> 00:20:38,686
THERE'S GOT TO BE
ANOTHER EXPLANATION.
412
00:20:38,710 --> 00:20:41,846
MAYBE CHARLES WAS
MISTAKEN FOR SOMEBODY ELSE.
413
00:20:41,870 --> 00:20:43,716
YOU DON'T BELIEVE
THAT, DO YOU, AMY?
414
00:20:45,340 --> 00:20:47,246
UH, WHO IS IT?
415
00:20:47,270 --> 00:20:48,386
SHERIFF JOHNSON.
416
00:20:48,410 --> 00:20:50,946
LIKE TO TALK TO YOU, AMY.
417
00:20:50,970 --> 00:20:54,570
UH, JUST ONE MINUTE.
418
00:21:02,410 --> 00:21:04,386
MAY I COME IN?
419
00:21:04,410 --> 00:21:06,170
THANK YOU.
420
00:21:08,870 --> 00:21:10,846
WOULD YOU LIKE TO SIT DOWN?
421
00:21:10,870 --> 00:21:12,346
NO, I JUST HAVE A MINUTE.
422
00:21:12,370 --> 00:21:14,846
AMY, EVEN THOUGH IT
HAPPENED IN LOS ANGELES,
423
00:21:14,870 --> 00:21:17,346
I'M DOING EVERYTHING I CAN
TO SOLVE CHARLIE'S MURDER.
424
00:21:17,370 --> 00:21:19,846
MR. BELLAMY FEELS
THE SAME AS I DO.
425
00:21:19,870 --> 00:21:22,346
HE'S POSTING A REWARD
FOR INFORMATION LEADING TO
426
00:21:22,370 --> 00:21:24,846
THE APPREHENSION OF
THE KILLER OR KILLERS.
427
00:21:24,870 --> 00:21:27,546
I KNOW YOU'RE DOING
EVERYTHING YOU CAN, SHERIFF.
428
00:21:27,570 --> 00:21:29,446
THIS, UH...
429
00:21:29,470 --> 00:21:31,686
THIS FELLA YOU'VE
BEEN SEEN WITH,
430
00:21:31,710 --> 00:21:33,386
THIS RICK STONER.
431
00:21:33,410 --> 00:21:34,916
NOW, HE COULD BE INVOLVED.
432
00:21:34,940 --> 00:21:37,286
I PICKED UP A SET OF
FINGERPRINTS OFF HIS CAR.
433
00:21:37,310 --> 00:21:38,516
HE'S FROM CHICAGO,
434
00:21:38,540 --> 00:21:40,816
AND HE HAS A RAP
SHEET 10 YARDS LONG.
435
00:21:40,840 --> 00:21:43,646
I THINK HE'S AFTER
SOMETHING FROM YOU.
436
00:21:43,670 --> 00:21:45,986
I DON'T KNOW WHAT IT COULD BE...
437
00:21:46,010 --> 00:21:47,816
WE TALKED ABOUT HIS JOB, MY JOB,
438
00:21:47,840 --> 00:21:50,486
THINGS WE LIKE TO DO...
439
00:21:50,510 --> 00:21:51,586
YOU MEAN TO TELL ME
440
00:21:51,610 --> 00:21:53,470
HE DIDN'T ASK YOU
ANYTHING ABOUT CHARLIE?
441
00:21:56,170 --> 00:21:58,586
YOU WOULDN'T BE HOLDING
ANYTHING BACK FROM ME,
442
00:21:58,610 --> 00:21:59,686
WOULD YOU, AMY?
443
00:21:59,710 --> 00:22:00,970
NO, I'M NOT!
444
00:22:22,670 --> 00:22:24,616
I DON'T KNOW WHAT ANYONE
WITH A CRIMINAL RECORD
445
00:22:24,640 --> 00:22:27,646
WOULD POSSIBLY WANT WITH ME.
446
00:22:27,670 --> 00:22:30,646
WELL... AMY, FOR ALL WE KNOW,
447
00:22:30,670 --> 00:22:33,146
STONER COULD
HAVE KILLED CHARLIE,
448
00:22:33,170 --> 00:22:36,486
SO I DON'T WANT YOU
TO LEAVE ANYTHING OUT.
449
00:22:36,510 --> 00:22:39,686
I'M NOT LEAVING
ANYTHING OUT, SHERIFF.
450
00:22:39,710 --> 00:22:42,470
I TOLD YOU ALL THERE IS.
451
00:22:44,170 --> 00:22:47,710
NOW, IF HE CALLS OR
COMES BY, ANYTHING...
452
00:22:49,170 --> 00:22:51,186
YOU GET IN TOUCH WITH ME.
453
00:22:51,210 --> 00:22:52,970
I'LL SEE YOU.
454
00:22:56,170 --> 00:22:58,470
Hunter: THANKS, AMY.
455
00:23:04,210 --> 00:23:05,316
WHERE WERE YOU?
456
00:23:05,340 --> 00:23:07,146
BEHIND THAT VERY TINY DOOR.
457
00:23:07,170 --> 00:23:09,846
AND THANKS FOR HAVING
SOME FAITH IN ME IN THERE.
458
00:23:09,870 --> 00:23:10,916
I APPRECIATE THAT.
459
00:23:10,940 --> 00:23:12,286
WELL, GIVE ME A GOOD REASON
460
00:23:12,310 --> 00:23:15,470
TO HAVE SOME FAITH
IN YOU. WHO ARE YOU?
461
00:23:17,670 --> 00:23:19,146
THIS TELEPHONE
NUMBER IS A DIRECT LINE
462
00:23:19,170 --> 00:23:22,316
INTO THE L.A. HOMICIDE.
CALL THEM AND ASK THEM
463
00:23:22,340 --> 00:23:24,016
IF HUNTER IS ASSIGNED
TO THIS DIVISION.
464
00:23:24,040 --> 00:23:26,010
HAVE THEM DESCRIBE ME TO YOU.
465
00:23:27,570 --> 00:23:28,986
ALL RIGHT.
466
00:23:29,010 --> 00:23:31,740
IF YOU ARE A POLICE OFFICER...
467
00:23:32,470 --> 00:23:33,786
WHAT DO YOU WANT FROM ME?
468
00:23:33,810 --> 00:23:37,846
♪ I ♪
469
00:23:37,870 --> 00:23:40,946
♪ LIE TO A HISTORY ♪
470
00:23:40,970 --> 00:23:46,016
♪ GOOD-BYE TO OUR MYSTERY ♪
471
00:23:46,040 --> 00:23:52,246
♪ GOOD-BYE ♪
472
00:23:52,270 --> 00:23:55,586
♪ GOOD-BYE TO ALL OUR DAYS ♪
473
00:23:55,610 --> 00:24:00,146
♪ GOOD-BYE TO ALL AND I ♪
474
00:24:00,170 --> 00:24:07,746
♪ GOOD-BYE ♪
475
00:24:14,310 --> 00:24:15,516
HI.
476
00:24:15,540 --> 00:24:17,946
HEY, WHAT'S GOOD
TO EAT? I AM STARVED.
477
00:24:17,970 --> 00:24:19,240
MM-HMM.
478
00:24:22,840 --> 00:24:24,846
RAY, IS SOMETHING WRONG?
479
00:24:24,870 --> 00:24:26,316
YOU SEE THAT TALL GUY
480
00:24:26,340 --> 00:24:28,846
SITTING OVER THERE
WITH THAT PRETTY BLONDE?
481
00:24:28,870 --> 00:24:30,316
YEAH.
482
00:24:30,340 --> 00:24:33,846
I UNDERSTAND YOU'RE BOTH
STAYING AT THE SAME MOTEL.
483
00:24:33,870 --> 00:24:35,916
YEAH? IT'S NEWS TO ME.
484
00:24:35,940 --> 00:24:37,246
WELL, YOU ARE.
485
00:24:37,270 --> 00:24:39,740
NOW, WHAT'S THE CONNECTION
BETWEEN YOU TWO?
486
00:24:41,040 --> 00:24:43,716
RAY, I'VE NEVER SEEN
THAT GUY BEFORE IN MY LIFE.
487
00:24:43,740 --> 00:24:46,816
NOW, LISTEN. YOU BOTH CAME
INTO TOWN THE SAME TIME,
488
00:24:46,840 --> 00:24:50,110
AND YOU'RE BOTH REGISTERED
AT THE SAME MOTEL.
489
00:24:51,210 --> 00:24:54,940
RAY, HOW MANY MOTELS
ARE THERE IN THIS TOWN?
490
00:24:56,010 --> 00:24:58,910
YEAH, YEAH, YOU'RE RIGHT.
491
00:24:59,670 --> 00:25:01,616
YEAH, THERE'S ONLY
ONE GOOD MOTEL,
492
00:25:01,640 --> 00:25:02,986
AND YOU'RE STAYING IN IT.
493
00:25:03,010 --> 00:25:04,340
YEAH.
494
00:25:05,840 --> 00:25:08,846
I JUST WANTED TO SEE IF
YOU WERE GOING TO BLINK...
495
00:25:08,870 --> 00:25:10,540
AND YOU DIDN'T.
496
00:25:13,110 --> 00:25:15,446
SHERIFF JOHNSON'S PROBABLY
GONNA CALL ME TONIGHT.
497
00:25:15,470 --> 00:25:17,116
HE'S GONNA WANT TO KNOW
WHAT WE TALKED ABOUT.
498
00:25:17,140 --> 00:25:18,246
WHAT SHOULD I TELL HIM?
499
00:25:18,270 --> 00:25:19,946
TELL HIM YOU HAD A GOOD TIME,
500
00:25:19,970 --> 00:25:21,016
TELL HIM I DID NOT TRY
501
00:25:21,040 --> 00:25:22,786
TO GET ANY INFORMATION
OUT OF YOU AT ALL,
502
00:25:22,810 --> 00:25:25,386
AND THAT I INVITED YOU
BACK TO MY MOTEL ROOM
503
00:25:25,410 --> 00:25:26,840
FOR THE EVENING.
504
00:25:29,310 --> 00:25:31,616
AND WHAT DID I SAY?
505
00:25:31,640 --> 00:25:34,446
WHAT WOULD SHERIFF
JOHNSON EXPECT YOU TO SAY?
506
00:25:34,470 --> 00:25:37,240
HE'D EXPECT ME TO SAY NO.
507
00:25:39,940 --> 00:25:42,246
THEN YOU SAID NO.
508
00:25:42,270 --> 00:25:44,210
I HOPE HE BELIEVES ME.
509
00:25:46,210 --> 00:25:48,670
I WONDER WHAT HE'S
DOING RIGHT NOW.
510
00:25:50,870 --> 00:25:52,116
Johnson: WHAT DO YOU GOT?
511
00:25:52,140 --> 00:25:53,616
NOTHING. JUST THESE PAMPHLETS.
512
00:25:53,640 --> 00:25:58,586
GARBAGE. LET'S TAKE A
LOOK AT THAT SINGER'S ROOM.
513
00:25:58,610 --> 00:26:01,470
♪ GONE OUT ANOTHER NIGHT ♪
514
00:26:03,640 --> 00:26:09,516
♪ LIVE TO TELL THE TALE ♪
515
00:26:09,540 --> 00:26:15,746
♪ LIKE THE OTHERS BEFORE ME ♪
516
00:26:15,770 --> 00:26:19,486
♪ LOVE DON'T TELL... ♪
517
00:26:19,510 --> 00:26:22,046
JUST TALKED TO FREDDY.
HE SAID YOUR PART CAME IN.
518
00:26:22,070 --> 00:26:23,616
I KNOW HOW ANXIOUS YOU ARE
519
00:26:23,640 --> 00:26:26,046
TO BE ON YOUR WAY, MR. STONER,
520
00:26:26,070 --> 00:26:29,486
SO I ASKED FREDDY TO DO ME
A LITTLE FAVOR AND WORK LATE.
521
00:26:29,510 --> 00:26:33,486
SAID YOUR CAR WOULD
BE READY BY 8 A.M. SHARP.
522
00:26:33,510 --> 00:26:35,186
I DO HOPE YOU'VE
ENJOYED YOUR STAY
523
00:26:35,210 --> 00:26:37,510
IN OUR LITTLE TOWN, MR. STONER.
524
00:26:39,240 --> 00:26:41,616
♪ DON'T YOU CROSS ♪
525
00:26:41,640 --> 00:26:45,610
♪ CAN'T BELIEVE ♪
526
00:27:00,870 --> 00:27:02,486
HIYA, SHERIFF.
527
00:27:02,510 --> 00:27:05,646
FREDDY TELLS ME YOU DIDN'T
SHOW TO PICK UP YOUR CAR.
528
00:27:05,670 --> 00:27:07,986
HERE IT IS, NOON,
529
00:27:08,010 --> 00:27:10,416
AND YOU'RE STILL
IN OUR LITTLE TOWN.
530
00:27:10,440 --> 00:27:11,746
WELL, LIKE I SAID,
531
00:27:11,770 --> 00:27:13,246
I LIKE IT IN THIS LITTLE TOWN.
532
00:27:13,270 --> 00:27:15,486
I MET A GIRL I LIKE,
TOO. SHE LIKES ME.
533
00:27:15,510 --> 00:27:17,546
SO I THOUGHT I'D STAY
AROUND A LITTLE BIT.
534
00:27:17,570 --> 00:27:19,616
BESIDES, I DON'T HAVE
TO BE IN CORPUS CHRISTI
535
00:27:19,640 --> 00:27:22,116
TILL ABOUT, OH, THE
28th, 29th OF THE MONTH.
536
00:27:22,140 --> 00:27:23,546
BUT YOU CAN TELL FREDDY
537
00:27:23,570 --> 00:27:27,486
I'LL COME BY THIS AFTERNOON
AND PICK MY CAR UP.
538
00:27:27,510 --> 00:27:28,616
THERE'S NO LAW
539
00:27:28,640 --> 00:27:31,746
SAYING YOU CAN'T STAY
IN THIS TOWN, MR. STONER,
540
00:27:31,770 --> 00:27:34,616
BUT IF I WERE YOU...
541
00:27:34,640 --> 00:27:36,440
I'D WATCH OUT FOR THIS SUN.
542
00:27:37,410 --> 00:27:41,240
YOU GET TOO MUCH OF
IT, AND IT WILL KILL YOU.
543
00:28:40,930 --> 00:28:42,746
YES, SIR, MR. STONER.
544
00:28:42,770 --> 00:28:47,876
YOU MADE A BIG MISTAKE,
COMIN' INTO OUR LITTLE TOWN.
545
00:28:47,900 --> 00:28:50,176
I ASK YOU A POLITE,
SIMPLE QUESTION,
546
00:28:50,200 --> 00:28:51,746
YOU TELL ME IT'S
NONE OF MY BUSINESS.
547
00:28:51,770 --> 00:28:54,076
WELL, I DON'T LIKE ANYBODY
TELLING ME MY BUSINESS,
548
00:28:54,100 --> 00:28:56,476
AND I ESPECIALLY DON'T LIKE YOU.
549
00:28:56,500 --> 00:28:58,430
OHH!
550
00:28:59,800 --> 00:29:01,246
DON'T EVEN THINK
ABOUT COMING BACK HERE
551
00:29:01,270 --> 00:29:03,206
AND PRESSING CHARGES ON ME.
552
00:29:03,230 --> 00:29:04,406
WHAT HAPPENED HERE TONIGHT
553
00:29:04,430 --> 00:29:05,706
IS GOING TO BE
OUR LITTLE SECRET.
554
00:29:05,730 --> 00:29:06,806
MY PALS HERE,
555
00:29:06,830 --> 00:29:08,876
THEY DON'T EVEN
LIVE IN CAMPO ALTO,
556
00:29:08,900 --> 00:29:10,846
AND YOU'LL HAVE A HELL
OF A TIME FINDING THEM.
557
00:29:10,870 --> 00:29:12,846
GIVE ME THE KEY.
558
00:29:12,870 --> 00:29:14,506
HERE, YOUR BAGS
ARE IN THE TRUNK,
559
00:29:14,530 --> 00:29:16,846
AND THIS ROAD LEADS
STRAIGHT TO CORPUS CHRISTI,
560
00:29:16,870 --> 00:29:20,176
IN THE BEAUTIFUL LAND OF TEXAS.
561
00:29:20,200 --> 00:29:21,470
ADIOS.
562
00:29:22,730 --> 00:29:24,100
SHERIFF.
563
00:29:28,530 --> 00:29:29,800
UH...
564
00:29:30,830 --> 00:29:33,630
YOU KNOW, THE ONE THING
I DON'T UNDERSTAND IS...
565
00:29:35,170 --> 00:29:36,470
HOW IN THE HECK DO YOU...
566
00:29:38,570 --> 00:29:41,606
OK, COWBOYS, BACK UP. MOVE!
567
00:29:41,630 --> 00:29:42,846
NOW, TAKE THOSE GUNS,
568
00:29:42,870 --> 00:29:45,176
AND THROW THEM RIGHT
OVER THERE ON THAT DIRT.
569
00:29:45,200 --> 00:29:47,606
THAT'S REAL GOOD.
THAT'S REAL NICE.
570
00:29:47,630 --> 00:29:51,470
NOW, ALL YOU IDIOTS GET
ON THE GROUND. MOVE!
571
00:29:53,570 --> 00:29:55,046
Hunter: YEAH...
572
00:29:55,070 --> 00:29:56,930
YOU LOOK GOOD DOWN THERE.
573
00:30:06,470 --> 00:30:08,506
DON'T YOU GUYS HAVE
ANYTHING BETTER TO DO
574
00:30:08,530 --> 00:30:10,906
THAN TO LAY AROUND OUT HERE?
575
00:30:12,030 --> 00:30:13,300
CIAO.
576
00:30:27,200 --> 00:30:29,500
THOUGHT YOU KNOT
HEADS COULDN'T BE FOUND.
577
00:30:34,970 --> 00:30:37,676
SERGEANT HUNTER,
L.A. METRO HOMICIDE.
578
00:30:37,700 --> 00:30:39,946
I'M INVESTIGATING THE
MURDER OF CHARLES LATTIMER.
579
00:30:39,970 --> 00:30:41,276
I'M OFFICIALLY LETTING YOU KNOW
580
00:30:41,300 --> 00:30:42,346
I'M IN TOWN, SHERIFF,
581
00:30:42,370 --> 00:30:44,946
AND I FULLY EXPECT THE
COOPERATION AND COURTESY
582
00:30:44,970 --> 00:30:46,576
AFFORDED A FELLOW POLICE OFFICER
583
00:30:46,600 --> 00:30:47,976
IN THE STATE OF CALIFORNIA.
584
00:30:48,000 --> 00:30:50,106
WHAT IS THIS...
SOME KIND OF A JOKE?
585
00:30:50,130 --> 00:30:51,946
MURDER'S NO JOKE, SHERIFF.
586
00:30:51,970 --> 00:30:53,306
YOU'RE NOT IN LOS ANGELES NOW.
587
00:30:53,330 --> 00:30:54,546
YOU'RE IN MY JURISDICTION.
588
00:30:54,570 --> 00:30:56,646
I ALSO HAVE THE RIGHT
TO ARREST YOU, SHERIFF,
589
00:30:56,670 --> 00:30:58,506
OR ANYBODY THAT I FIND MEDDLING
590
00:30:58,530 --> 00:30:59,776
IN MY INVESTIGATION.
591
00:30:59,800 --> 00:31:02,006
I ALSO HAVE THE RIGHT
TO INVESTIGATE ANYBODY
592
00:31:02,030 --> 00:31:03,576
I FEEL IS INVOLVED
IN THIS HOMICIDE,
593
00:31:03,600 --> 00:31:06,376
INCLUDING YOU...
AND MR. BELLAMY.
594
00:31:06,400 --> 00:31:08,206
WHAT DO YOU MEAN,
QUESTION MR. BELLAMY?
595
00:31:08,230 --> 00:31:09,546
YOU HEARD ME, PAL.
596
00:31:09,570 --> 00:31:11,376
SO WHY DON'T YOU GET ON THE HORN
597
00:31:11,400 --> 00:31:12,946
AND CALL MR. BELLAMY,
598
00:31:12,970 --> 00:31:14,700
AND TELL HIM WE'RE
ON OUR WAY OUT?
599
00:31:30,300 --> 00:31:31,876
WELL...
600
00:31:31,900 --> 00:31:34,346
SHERIFF JOHNSON
HERE TELLS ME THAT YOU
601
00:31:34,370 --> 00:31:37,046
WANT TO TALK TO ME ABOUT
CHARLES LATTIMER'S DEATH.
602
00:31:37,070 --> 00:31:40,076
YES, I DO. CHARLES
LATTIMER MET A MAN
603
00:31:40,100 --> 00:31:42,346
IN A LOS ANGELES
RESTAURANT CALLED LE ROUGE.
604
00:31:42,370 --> 00:31:44,946
THE WAITER AND THE
HOSTESS AT THAT RESTAURANT
605
00:31:44,970 --> 00:31:46,346
IDENTIFIED YOU AS THAT MAN.
606
00:31:46,370 --> 00:31:47,906
YES, I WAS THERE.
607
00:31:47,930 --> 00:31:49,676
CHARLIE CALLED ME
AND WANTED TO KNOW
608
00:31:49,700 --> 00:31:50,846
IF I'D MEET HIM IN LOS ANGELES.
609
00:31:50,870 --> 00:31:53,576
WELL, I WAS... I WAS
FLYING UP THERE ANYWAY,
610
00:31:53,600 --> 00:31:55,076
AND I TOLD HIM I WOULD.
611
00:31:55,100 --> 00:31:56,306
Bellamy: AFTER ALL,
612
00:31:56,330 --> 00:31:58,406
YOU KNOW, THE MAN
WORKED FOR ME FOR 20 YEARS.
613
00:31:58,430 --> 00:32:00,676
Hunter: YEAH, SO I HEAR.
WHAT DID YOU TALK ABOUT?
614
00:32:00,700 --> 00:32:04,176
WELL, HE TOLD ME THAT HE
WAS LEAVING THE COUNTRY.
615
00:32:04,200 --> 00:32:05,346
I WISHED HIM WELL.
616
00:32:05,370 --> 00:32:07,676
WE HAD A PLEASANT
LUNCH. THAT WAS IT.
617
00:32:07,700 --> 00:32:09,206
NO, YOU ATE ALONE.
618
00:32:09,230 --> 00:32:11,146
YOU SEE, HE LEFT
BEFORE YOU ORDERED.
619
00:32:11,170 --> 00:32:12,306
HEY, WAIT A MINUTE.
620
00:32:12,330 --> 00:32:13,806
YOU DON'T HAVE TO PUT
UP WITH THIS, MR. BELLAMY.
621
00:32:13,830 --> 00:32:16,306
SERGEANT HUNTER
HERE ASKED A QUESTION.
622
00:32:16,330 --> 00:32:17,876
I THINK HE DESERVES AN ANSWER.
623
00:32:17,900 --> 00:32:20,776
SEE, CHARLIE WAS
COMPLAINING AGAIN, UH...
624
00:32:20,800 --> 00:32:23,406
I PASSED HIM OVER
ON A BIG PROMOTION.
625
00:32:23,430 --> 00:32:25,406
WE'D HAD IT OUT
BEFORE. I DIDN'T THINK
626
00:32:25,430 --> 00:32:27,046
IT WAS NECESSARY TO
GO THROUGH IT AGAIN.
627
00:32:27,070 --> 00:32:28,246
I TOLD HIM SO.
628
00:32:28,270 --> 00:32:30,376
HE GOT ANGRY, GOT UP, AND LEFT.
629
00:32:30,400 --> 00:32:32,646
15 MINUTES LATER, HE WAS DEAD?
630
00:32:32,670 --> 00:32:33,676
IF YOU'RE INSINUATING
631
00:32:33,700 --> 00:32:34,876
THAT I HAD SOMETHING
TO DO WITH HIS DEATH,
632
00:32:34,900 --> 00:32:37,076
YOU'RE GOING TO NEED
MORE THAN THE FACT
633
00:32:37,100 --> 00:32:38,706
THAT CHARLIE AND I
MET IN A RESTAURANT
634
00:32:38,730 --> 00:32:40,176
BEFORE HE WAS KILLED.
635
00:32:40,200 --> 00:32:43,476
I HAVE, MR. BELLAMY. I HAVE.
636
00:32:43,500 --> 00:32:45,006
OH, UH...
637
00:32:45,030 --> 00:32:47,576
BOTH OF YOU ENTERED THAT
RESTAURANT WITH BRIEFCASES.
638
00:32:47,600 --> 00:32:49,030
DID HE LEAVE WITH HIS?
639
00:32:51,130 --> 00:32:52,146
YES.
640
00:32:52,170 --> 00:32:54,006
Bellamy: WHY?
641
00:32:54,030 --> 00:32:55,346
OH, I'M JUST CURIOUS.
642
00:32:55,370 --> 00:32:56,806
YOU KNOW, IT'S A FUNNY THING,
643
00:32:56,830 --> 00:32:58,306
I HAVE AN IDEA I'M GOING
TO FIND THAT BRIEFCASE
644
00:32:58,330 --> 00:33:01,406
RIGHT HER IN CAMPO
ALTO. WHAT DO YOU THINK?
645
00:33:01,430 --> 00:33:03,676
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
646
00:33:03,700 --> 00:33:05,746
OH, YOU DON'T? WELL,
I'LL TELL YOU WHAT...
647
00:33:05,770 --> 00:33:08,176
AS SOON AS I FIND OUT
WHAT WAS IN THAT BRIEFCASE,
648
00:33:08,200 --> 00:33:11,200
YOU'LLBE THE FIRST ONE TO KNOW.
649
00:33:19,700 --> 00:33:21,430
I'LL TALK TO YOU LATER.
650
00:33:35,700 --> 00:33:36,700
HI, BABE.
651
00:33:40,370 --> 00:33:41,546
YES?
652
00:33:41,570 --> 00:33:44,446
MR. BELLAMY, THIS
IS AMY LAURTON.
653
00:33:44,470 --> 00:33:46,946
I HAVE SOMETHING I WANT
TO DISCUSS WITH YOU.
654
00:33:46,970 --> 00:33:49,046
WELL, I'M SURE IF
YOU CALL MY OFFICE,
655
00:33:49,070 --> 00:33:50,476
MY SECRETARY WILL BE HAPPY
656
00:33:50,500 --> 00:33:52,306
TO MAKE AN APPOINTMENT
FOR YOU, MISS LAURTON.
657
00:33:52,330 --> 00:33:54,706
I DON'T THINK YOU WANT ME
TO CALL YOUR SECRETARY.
658
00:33:54,730 --> 00:33:55,906
WE'LL BE DISCUSSING SOMETHING
659
00:33:55,930 --> 00:33:58,406
ABOUT THE INSURANCE
BUSINESS THAT I'M SURE
660
00:33:58,430 --> 00:34:01,170
YOU'LL WANT TO
KEEP VERY PRIVATE.
661
00:34:02,430 --> 00:34:03,407
WHERE WOULD YOU LIKE TO MEET?
662
00:34:03,431 --> 00:34:06,076
SOMEPLACE VERY PUBLIC.
663
00:34:06,100 --> 00:34:09,446
SAY, UH... THE PARK IN
THE CENTER OF TOWN...
664
00:34:09,470 --> 00:34:11,900
IN 20 MINUTES.
665
00:34:21,700 --> 00:34:24,206
YOU WANT TO TELL
ME WHY I'M HERE?
666
00:34:24,230 --> 00:34:26,176
LET ME TELL YOU THE STORY
667
00:34:26,200 --> 00:34:28,246
OF THE MOST IMPORTANT
MAN IN CAMPO ALTO.
668
00:34:28,270 --> 00:34:30,946
HE COMES TO OUR TOWN
ABOUT 20 YEARS AGO,
669
00:34:30,970 --> 00:34:32,176
MAKES LOTS OF FRIENDS,
670
00:34:32,200 --> 00:34:35,006
AND OPENS HIS OWN
INSURANCE COMPANY.
671
00:34:35,030 --> 00:34:36,176
HE GETS THE ACCOUNT
672
00:34:36,200 --> 00:34:37,576
TO INSURE PUBLIC
WORKS IN THE COUNTY,
673
00:34:37,600 --> 00:34:39,576
THINGS LIKE BRIDGES
AND AQUEDUCTS.
674
00:34:39,600 --> 00:34:43,746
WHATEVER HAPPENS TO A
BRIDGE... OR AN AQUEDUCT?
675
00:34:43,770 --> 00:34:46,976
SO, HE DOESN'T SEND THE
POLICIES IN TO THE HOME OFFICE.
676
00:34:47,000 --> 00:34:48,946
HE POCKETS THE PREMIUMS HIMSELF.
677
00:34:48,970 --> 00:34:52,076
I SEE CHARLIE DID TALK TO YOU.
678
00:34:52,100 --> 00:34:54,206
I DIDN'T THINK HE WOULD.
679
00:34:54,230 --> 00:34:56,176
NOT ONLY DID WE TALK...
680
00:34:56,200 --> 00:34:58,706
CHARLES GAVE ME
COPIES OF THE POLICIES.
681
00:34:58,730 --> 00:35:00,076
SO, YOU WANT THE MONEY
682
00:35:00,100 --> 00:35:01,506
THAT CHARLIE WAS
SUPPOSED TO GET.
683
00:35:01,530 --> 00:35:04,376
I'M NOT AS TIMID AS CHARLES.
684
00:35:04,400 --> 00:35:05,646
I WANT MORE.
685
00:35:05,670 --> 00:35:08,046
OH, AND IT WOULD BE
STUPID TO TRY TO KILL ME.
686
00:35:08,070 --> 00:35:09,246
SERGEANT HUNTER ALREADY KNOWS
687
00:35:09,270 --> 00:35:11,946
THAT IT WAS BLACKMAIL
THAT GOT CHARLES KILLED,
688
00:35:11,970 --> 00:35:14,046
AND HE'S PRETTY SURE IT WAS YOU,
689
00:35:14,070 --> 00:35:17,776
BUT... UNLESS HE KNOWS WHY...
690
00:35:17,800 --> 00:35:20,276
HE REALLY CAN'T DO
MUCH ABOUT IT, CAN HE?
691
00:35:20,300 --> 00:35:22,176
NOW, HOW MUCH
DID CHARLIE TELL YOU
692
00:35:22,200 --> 00:35:23,476
THAT I AGREED TO PAY HIM?
693
00:35:23,500 --> 00:35:25,246
DOESN'T MATTER.
694
00:35:25,270 --> 00:35:27,546
WELL, HE SAID 1 MILLION,
695
00:35:27,570 --> 00:35:29,546
BUT I WANT 2 MILLION.
696
00:35:29,570 --> 00:35:30,876
I'VE GIVEN AN ENVELOPE
697
00:35:30,900 --> 00:35:34,006
TO A CERTAIN PERSON LIVING
OUT OF STATE, WHOM I TRUST.
698
00:35:34,030 --> 00:35:37,506
AND IF ANYTHING HAPPENS TO ME,
699
00:35:37,530 --> 00:35:38,706
THAT ENVELOPE GOES STRAIGHT
700
00:35:38,730 --> 00:35:41,330
TO THE DISTRICT
ATTORNEYS IN LOS ANGELES.
701
00:35:49,960 --> 00:35:50,817
Bellamy: I DON'T LIKE ANYONE
702
00:35:50,841 --> 00:35:53,086
WAVING A MURDER
ONE TAG OVER MY HEAD.
703
00:35:53,110 --> 00:35:56,156
SHE DECIDES TO
BURN US, WE'RE DEAD.
704
00:35:56,180 --> 00:35:59,080
WE GOT TO FIND OUT WHO
SHE GAVE THAT STUFF TO.
705
00:35:59,810 --> 00:36:01,456
I THINK I KNOW WHO.
706
00:36:01,480 --> 00:36:03,016
NOW, SHE HASN'T LEFT TOWN
707
00:36:03,040 --> 00:36:04,956
FOR THE PAST 6
MONTHS. I'VE CHECKED.
708
00:36:04,980 --> 00:36:06,356
SHE'S NOT ABOUT
TO SEND THAT STUFF
709
00:36:06,380 --> 00:36:08,086
THROUGH THE MAIL.
MAIL GETS LOST.
710
00:36:08,110 --> 00:36:10,786
NO, IT HAD TO BE SOMEONE
RIGHT HERE IN TOWN.
711
00:36:10,810 --> 00:36:13,986
MM-HMM. HOW ABOUT
CHARLIE'S OLD MAN?
712
00:36:14,010 --> 00:36:15,886
YOU GOT IT, MR. BELLAMY.
HE'S CRAZY ABOUT HER.
713
00:36:15,910 --> 00:36:17,556
HE'D DO ANYTHING SHE ASKED.
714
00:36:17,580 --> 00:36:21,110
ALL RIGHT. MAKE IT LOOK
LIKE A BREAK-IN AND ROBBERY.
715
00:37:05,380 --> 00:37:09,116
Bellamy: HEY! YOU NEVER
CEASE TO AMAZE ME.
716
00:37:09,140 --> 00:37:11,056
THERE'S A PHONE CALL
FOR YOU, MR. BELLAMY.
717
00:37:11,080 --> 00:37:12,086
OK.
718
00:37:12,110 --> 00:37:14,286
HERE, WHY DON'T YOU
COOL THEM ON DOWN, HUH?
719
00:37:14,310 --> 00:37:15,580
YEAH.
720
00:37:19,910 --> 00:37:21,256
YEAH, THANKS.
721
00:37:21,280 --> 00:37:22,956
YEAH?
722
00:37:22,980 --> 00:37:25,116
MR. BELLAMY, WE HAVE
ANOTHER PROBLEM.
723
00:37:25,140 --> 00:37:26,556
ANOTHER PROBLEM? WHAT'S THAT?
724
00:37:26,580 --> 00:37:29,256
WELL, THE NIGHT CLERK AT
THE ROYAL ARMS SAW HUNTER
725
00:37:29,280 --> 00:37:30,986
COMING OUT OF THE WING WHERE
THAT NEW SINGER'S STAYING.
726
00:37:31,010 --> 00:37:32,486
MAKES YOU KIND OF WONDER,
727
00:37:32,510 --> 00:37:34,186
HUNTER'S ROOM BEING
IN THE OTHER WING.
728
00:37:34,210 --> 00:37:37,356
THEY'VE GOT TWO DOZEN
BEDROOMS IN THAT WING.
729
00:37:37,380 --> 00:37:39,716
LISTEN, CARL, WE GOT
ENOUGH PROBLEMS.
730
00:37:39,740 --> 00:37:41,656
DON'T GO INVENTING ANY.
731
00:37:41,680 --> 00:37:43,256
WHATEVER YOU SAY, MR. BELLAMY.
732
00:37:43,280 --> 00:37:44,516
I'LL GET THE BALL ROLLING
733
00:37:44,540 --> 00:37:45,916
TO GET HUNTER OFF OUR BACK.
734
00:37:45,940 --> 00:37:48,416
YOU WANT MY OPINION,
SHE'S HIS BACK-UP.
735
00:37:48,440 --> 00:37:50,086
SHE SHOULDN'T BE
RUNNING AROUND LOOSE.
736
00:37:50,110 --> 00:37:52,786
YEAH? WELL, MAYBE YOU'RE RIGHT.
737
00:37:52,810 --> 00:37:54,380
MAYBE YOU'RE RIGHT.
738
00:37:56,310 --> 00:37:57,816
OK, I'LL LOOK INTO IT.
739
00:37:57,840 --> 00:38:01,156
Woman: AMY? HAVEN'T YOU HEARD?
740
00:38:01,180 --> 00:38:02,286
HEARD WHAT?
741
00:38:02,310 --> 00:38:04,216
OH, GOD. I'M SO SORRY.
742
00:38:04,240 --> 00:38:07,086
THEY JUST FOUND MR. LATTIMER,
CHARLIE'S FATHER, DEAD.
743
00:38:07,110 --> 00:38:08,216
DEAD?
744
00:38:08,240 --> 00:38:10,756
HIS HOUSE WAS RANSACKED,
AND SHERIFF JOHNSON THINKS
745
00:38:10,780 --> 00:38:14,556
THAT HE WALKED IN ON SOMEONE
BURGLARIZING HIS HOUSE.
746
00:38:14,580 --> 00:38:15,956
WHEN DID IT HAPPEN?
747
00:38:15,980 --> 00:38:17,886
ABOUT 40 MINUTES AGO.
748
00:38:17,910 --> 00:38:20,910
YOU WONDER IF
ANYONE'S SAFE ANYMORE.
749
00:38:47,540 --> 00:38:49,486
HEY, GAINES, WHY DON'T
YOU TAKE THOSE HORSES
750
00:38:49,510 --> 00:38:50,786
OVER TO THE HOTWALKER?
751
00:38:50,810 --> 00:38:52,180
YES, SIR.
752
00:38:53,040 --> 00:38:54,056
BUSINESS?
753
00:38:54,080 --> 00:38:56,456
COULD BE. WANT A DRINK?
754
00:38:56,480 --> 00:38:57,810
YEAH.
755
00:39:05,480 --> 00:39:08,086
RAY, WHAT IS THIS?
IS THIS FOR REAL?
756
00:39:08,110 --> 00:39:09,456
ARE YOU FOR REAL, DEE DEE?
757
00:39:09,480 --> 00:39:10,556
WHAT DOES THAT MEAN?
758
00:39:10,580 --> 00:39:11,716
LOOK, I DON'T THINK
THIS IS VERY FUNNY.
759
00:39:11,740 --> 00:39:13,216
I DIDN'T INTEND IT TO BE.
760
00:39:13,240 --> 00:39:15,716
WHAT WAS THAT HUNTER
DOING IN YOUR ROOM LAST NIGHT?
761
00:39:15,740 --> 00:39:17,086
HU... WHO'S HUNTER?
762
00:39:17,110 --> 00:39:19,216
HE'S THAT FELLA THAT I
ASKED YOU ABOUT AT THE CLUB.
763
00:39:19,240 --> 00:39:21,316
SERGEANT HUNTER,
AS IF YOU DIDN'T KNOW.
764
00:39:21,340 --> 00:39:22,716
I DON'T KNOW.
765
00:39:22,740 --> 00:39:24,116
THE GUY WAS NOT IN
MY ROOM LAST NIGHT
766
00:39:24,140 --> 00:39:25,316
OR ANY OTHER NIGHT.
767
00:39:25,340 --> 00:39:26,856
BESIDES, WHO SAYS
HE WAS, ANYWAY?
768
00:39:26,880 --> 00:39:28,386
THE NIGHT CLERK SAID HE SAW HIM
769
00:39:28,410 --> 00:39:30,210
COMING OUT OF THE
WING AT YOUR MOTEL.
770
00:39:31,480 --> 00:39:33,156
COME ON, RAY, THAT...
THAT PUTS HIM IN MY ROOM?
771
00:39:33,180 --> 00:39:35,656
WELL, MAYBE YOU ARE
WHAT YOU CLAIM TO BE.
772
00:39:35,680 --> 00:39:37,016
THEN AGAIN, MAYBE YOU'RE NOT,
773
00:39:37,040 --> 00:39:38,756
AND I HAVEN'T DECIDED WHICH.
774
00:39:38,780 --> 00:39:40,186
YOU KNOW, YOU MIGHT BE A COP.
775
00:39:40,210 --> 00:39:41,856
DO I LOOK LIKE A COP?
776
00:39:41,880 --> 00:39:44,386
NEVER SAW A FEMALE COP THAT DID.
777
00:39:44,410 --> 00:39:45,556
THEN YOU AND HUNTER
778
00:39:45,580 --> 00:39:47,086
ARRIVED IN TOWN THE SAME TIME
779
00:39:47,110 --> 00:39:48,756
AND REGISTERED
AT THE SAME MOTEL.
780
00:39:48,780 --> 00:39:49,786
AND ALL OF A SUDDEN,
781
00:39:49,810 --> 00:39:51,286
I GOT MYSELF A SLEW OF PROBLEMS
782
00:39:51,310 --> 00:39:52,756
THAT I NEVER HAD BEFORE.
783
00:39:52,780 --> 00:39:54,286
YEAH, WELL, I'M NOT ONE OF THEM.
784
00:39:54,310 --> 00:39:56,516
WELL, MAYBE I'M MAKING A
MISTAKE ABOUT YOU, HONEY.
785
00:39:56,540 --> 00:39:58,086
AND THEN AGAIN, MAYBE I'M NOT.
786
00:39:58,110 --> 00:40:00,256
BUT IF I AM, I'M GOING
TO HAVE TO LIVE WITH IT.
787
00:40:00,280 --> 00:40:01,756
NOW, WE'RE GOING TO TAKE A RIDE.
788
00:40:01,780 --> 00:40:04,316
WE'RE GOING IN THAT
TRUCK, SO COME ON.
789
00:40:07,180 --> 00:40:08,416
HELLO.
790
00:40:08,440 --> 00:40:10,856
RICK? IT'S AMY.
791
00:40:10,880 --> 00:40:13,116
I THINK I FOUND COPIES OF
WHAT CHARLIE WAS USING
792
00:40:13,140 --> 00:40:14,916
TO BLACKMAIL MR. BELLAMY WITH.
793
00:40:14,940 --> 00:40:17,316
IT'S ALL HERE, EVERYTHING.
794
00:40:17,340 --> 00:40:18,556
WELL, AMY, WHY DON'T YOU MEET ME
795
00:40:18,580 --> 00:40:19,756
OVER HERE AT THE MOTEL?
796
00:40:19,780 --> 00:40:21,856
I THINK IT'S SAFER IF WE
MEET SOMEPLACE OUT OF TOWN
797
00:40:21,880 --> 00:40:23,586
SO WE'RE NOT SEEN TOGETHER.
798
00:40:23,610 --> 00:40:26,386
THERE'S A TURN-OFF ABOUT
3 MILES SOUTH OUT OF TOWN,
799
00:40:26,410 --> 00:40:28,516
ON OLD SAN ROSA ROAD.
800
00:40:28,540 --> 00:40:29,880
I'M ON MY WAY.
801
00:41:22,740 --> 00:41:26,516
YOU MAKE ONE FALSE MOVE
OR TRY TO SIGNAL HUNTER,
802
00:41:26,540 --> 00:41:28,586
I'LL BLOW YOU AWAY,
YOU UNDERSTAND?
803
00:41:28,610 --> 00:41:30,110
YOU UNDERSTAND?!
804
00:42:14,540 --> 00:42:15,487
OW! HEY!
805
00:42:15,511 --> 00:42:16,880
WHAT THE HELL ARE
YOU DOING, LADY?
806
00:42:21,240 --> 00:42:23,080
Hunter: I'LL TAKE THAT, BELLAMY.
807
00:42:25,340 --> 00:42:26,317
YOU ALL RIGHT?
808
00:42:26,341 --> 00:42:27,386
McCall: YEAH.
809
00:42:27,410 --> 00:42:29,210
Hunter: NOW GET ON
THE GROUND! MOVE IT!
810
00:42:42,210 --> 00:42:43,610
DROP IT, SHERIFF!
811
00:43:20,910 --> 00:43:22,586
I'M GOING TO MAKE
YOU A DEAL, SHERIFF,
812
00:43:22,610 --> 00:43:24,840
THAT MIGHT KEEP YOU OUT OF
THE CALIFORNIA GAS CHAMBER.
813
00:43:26,410 --> 00:43:27,886
BELLAMY'S THE ONE WE WANT
814
00:43:27,910 --> 00:43:29,886
FOR THE MURDER OF
CHARLES LATTIMER.
815
00:43:29,910 --> 00:43:31,986
NOW, WE KNOW YOU
PULLED THE TRIGGER ON HIM,
816
00:43:32,010 --> 00:43:33,386
BUT MAYBE THE DISTRICT ATTORNEY
817
00:43:33,410 --> 00:43:35,416
WILL DROP THE SPECIAL
CIRCUMSTANCES CHARGES
818
00:43:35,440 --> 00:43:37,110
FOR A LITTLE COOPERATION.
819
00:43:38,410 --> 00:43:41,210
GIVE ME AN ANSWER, OR I'LL
OFFER THE DEAL TO BELLAMY.
820
00:43:44,080 --> 00:43:46,540
I'LL THINK ABOUT THE DEAL.
821
00:43:53,350 --> 00:43:54,366
WELL, RICK...
822
00:43:54,390 --> 00:43:57,466
DID MR. BELLAMY TELL
YOU ANYTHING ABOUT ME?
823
00:43:57,490 --> 00:43:58,966
WELL, LIKE WHAT?
824
00:43:58,990 --> 00:44:02,260
LIKE I TRIED TO BLACKMAIL HIM.
825
00:44:04,130 --> 00:44:06,236
YOU DID, HUH?
826
00:44:06,260 --> 00:44:08,736
YEAH, I TOLD HIM I FOUND COPIES
827
00:44:08,760 --> 00:44:10,166
OF THE INSURANCE POLICIES
828
00:44:10,190 --> 00:44:12,166
THAT HE DIDN'T SEND
IN TO THE HOME OFFICE.
829
00:44:12,190 --> 00:44:13,836
WELL, AMY, I DON'T
THINK MR. BELLAMY
830
00:44:13,860 --> 00:44:15,606
IS GOING TO BE TAKING
THE WITNESS STAND.
831
00:44:15,630 --> 00:44:18,236
AND SOMEHOW, I DON'T
THINK THE INSURANCE POLICIES
832
00:44:18,260 --> 00:44:19,806
OR YOUR NAME IS
GOING TO COME UP.
833
00:44:19,830 --> 00:44:22,106
BUT I DID TRY TO BLACKMAIL HIM.
834
00:44:22,130 --> 00:44:24,466
BUT, AMY, NOBODY IS GOING
TO HAVE TO CALL ON YOU.
835
00:44:24,490 --> 00:44:27,206
LOOK, SHERIFF JOHNSON DECIDED
TO TURN STATE'S EVIDENCE.
836
00:44:27,230 --> 00:44:29,206
THERE IS NOT AN ATTORNEY
ANYWHERE THAT COULD KEEP
837
00:44:29,230 --> 00:44:31,136
BELLAMY FROM BEING
CONVICTED OF CHARLES' MURDER.
838
00:44:31,160 --> 00:44:33,636
AND, AMY, YOU DO HAVE
THE RIGHT TO REMAIN SILENT...
839
00:44:33,660 --> 00:44:35,560
AND I SUGGEST YOU DO.
840
00:44:36,990 --> 00:44:40,506
THANKS... BUT I
WANT YOU TO KNOW...
841
00:44:40,530 --> 00:44:42,906
I NEVER WOULD HAVE DONE IT
IF HE HADN'T KILLED CHARLES.
842
00:44:42,930 --> 00:44:44,760
I KNOW THAT.
56687
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