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1
00:00:02,910 --> 00:00:03,887
SO WHAT'S THE PROBLEM?
2
00:00:03,911 --> 00:00:05,286
I SAW A MURDER.
3
00:00:05,310 --> 00:00:06,946
I HAVE SEEN HER ON SO
MANY MAGAZINE COVERS,
4
00:00:06,970 --> 00:00:08,146
I FEEL LIKE WE'RE OLD FRIENDS.
5
00:00:08,170 --> 00:00:10,146
AND YOU OBVIOUSLY ARE.
6
00:00:10,170 --> 00:00:11,710
IT WAS A PROFESSIONAL HIT.
7
00:00:13,710 --> 00:00:15,086
THIS IS NOT PERSONAL.
8
00:00:15,110 --> 00:00:18,386
IS HE THE REASON
CHRISTINA ISN'T MRS. HUNTER?
9
00:00:18,410 --> 00:00:21,986
I HAPPEN TO BE MARRIED TO THE
WOMAN WITH WHOM YOU ARE STILL IN LOVE.
10
00:00:22,010 --> 00:00:23,446
FREEZE, POLICE!
11
00:00:23,470 --> 00:00:24,786
NOBODY WAS LISTENING.
12
00:00:24,810 --> 00:00:26,686
HAS ANYBODY SEEN HER TRICK?
13
00:01:26,240 --> 00:01:28,410
WORKS FOR ME.
14
00:01:31,310 --> 00:01:33,946
Man with English accent:
YES, THAT'S GOOD. FINE.
15
00:01:33,970 --> 00:01:35,486
ALL RIGHT. SHE'LL BE
DOWN IN JUST A MOMENT.
16
00:01:35,510 --> 00:01:37,816
YES, THANK YOU VERY MUCH.
17
00:01:37,840 --> 00:01:40,186
DARLING, YOUR
LUGGAGE IS ALL SET,
18
00:01:40,210 --> 00:01:41,886
AND THE TAXI'S
WAITING DOWNSTAIRS.
19
00:01:41,910 --> 00:01:45,016
NOW, NOW, I PROMISE I WILL
JOIN YOU AS SOON AS I CAN.
20
00:01:45,040 --> 00:01:47,186
AS SOON AS I FINISH
MY BUSINESS HERE.
21
00:01:47,210 --> 00:01:49,846
AND IN THE MEANTIME,
I'LL SIT AROUND AND WAIT.
22
00:01:49,870 --> 00:01:52,516
I WAITED 6 WEEKS
FOR YOU THE LAST TIME.
23
00:01:52,540 --> 00:01:54,646
AS SOON AS I CLOSE THIS DEAL,
24
00:01:54,670 --> 00:01:56,086
YOU AND I WILL HAVE
25
00:01:56,110 --> 00:01:58,616
ALL THE TIME IN THE
WORLD FOR EACH OTHER.
26
00:01:58,640 --> 00:02:00,486
NOW LOOK, IN THE MEANTIME,
27
00:02:00,510 --> 00:02:02,986
WHY DON'T YOU REDO
THE HOUSE IN FRANCE?
28
00:02:03,010 --> 00:02:05,146
FIX IT UP ANY WAY YOU LIKE.
29
00:02:05,170 --> 00:02:07,116
IT'LL BE OUR SECOND
HONEYMOON HOUSE.
30
00:02:07,140 --> 00:02:09,086
OUR HOUSE FOR STARTING OVER.
31
00:02:09,110 --> 00:02:11,546
YOU REALLY THINK WE
CAN START OVER, CAREY?
32
00:02:11,570 --> 00:02:13,316
OF COURSE WE CAN, DARLING.
33
00:02:13,340 --> 00:02:16,340
YOU AND I CAN DO
ANYTHING WE WISH.
34
00:02:40,470 --> 00:02:42,816
HEY THERE, LITTLE DARLIN'.
35
00:02:42,840 --> 00:02:44,986
YEP, IT'S ME.
36
00:02:45,010 --> 00:02:48,386
YEAH, I'M ON MY WAY
OVER. THAT'S RIGHT.
37
00:02:48,410 --> 00:02:51,216
SAME TIME, SAME PLACE.
38
00:02:51,240 --> 00:02:53,540
YOU GOT IT.
39
00:02:59,210 --> 00:03:01,040
Christina: FOLLOW THAT CAR.
40
00:03:06,440 --> 00:03:08,616
♪ I DON'T NEED YOUR LIES ♪
41
00:03:08,640 --> 00:03:10,946
♪ HEY, HEY ♪
42
00:03:10,970 --> 00:03:14,886
♪ OH, I DON'T NEED YOUR LIES ♪
43
00:03:14,910 --> 00:03:17,610
♪ HEY ♪
44
00:03:20,770 --> 00:03:22,746
♪ HEY ♪
45
00:03:22,770 --> 00:03:24,886
♪ YOU MAKE ME SAY CONFESS ♪
46
00:03:24,910 --> 00:03:29,386
♪ EVERYTHING YOU SAY ♪
47
00:03:29,410 --> 00:03:31,516
♪ I'M GROWIN' TIRED OF YOU ♪
48
00:03:31,540 --> 00:03:34,786
♪ AND ALL YOUR SILLY
GAMES THAT YOU PLAY ♪
49
00:03:34,810 --> 00:03:36,746
♪ YOU AIN'T GONNA PLAY NO MORE ♪
50
00:03:36,770 --> 00:03:38,286
♪ THINGS THAT YOU SAY ♪
51
00:03:38,310 --> 00:03:40,246
♪ YOUR CREDIT HAS
GONE OUT THE DOOR ♪
52
00:03:40,270 --> 00:03:41,646
♪ WON'T LET YOU IN ♪
53
00:03:41,670 --> 00:03:43,516
♪ SO DON'T COME
KNOCKIN' ANY MORE ♪
54
00:03:43,540 --> 00:03:46,416
♪ YOU'RE THE MISTAKE
I MADE ONCE BEFORE ♪
55
00:03:46,440 --> 00:03:48,816
♪ FROM YOUR LIES ♪
56
00:03:48,840 --> 00:03:52,646
♪ YOU'RE TRYING TO
MANIPULATE THE TRUTH ♪
57
00:03:52,670 --> 00:03:55,646
♪ THAT LEADS TO LIES ♪
58
00:03:55,670 --> 00:03:59,046
♪ YOUR HOUSE OF
CARDS IS CRASHIN' DOWN ♪
59
00:03:59,070 --> 00:04:00,446
♪ RIGHT ON TOP OF YOU ♪
60
00:04:00,470 --> 00:04:02,516
♪ I DON'T NEED YOUR LIES ♪
61
00:04:02,540 --> 00:04:05,346
♪ YOU'RE DRIVIN' DOWN
A ONE-WAY STREET ♪
62
00:04:05,370 --> 00:04:10,146
♪ YOU'RE IN TOO DEEP WITH LIES ♪
63
00:04:10,170 --> 00:04:12,816
♪ NO MATTER WHAT YOU DO ♪
64
00:04:12,840 --> 00:04:14,016
♪ LIES WILL GET
THE BEST OF YOU ♪
65
00:04:14,040 --> 00:04:16,516
♪ I DON'T NEED YOUR LIES ♪
66
00:04:16,540 --> 00:04:18,846
♪ OUT OF EVERYONE ♪
67
00:04:18,870 --> 00:04:23,846
♪ YOU THOUGHT
THAT I WOULD BITE ♪
68
00:04:23,870 --> 00:04:25,716
♪ YOUR CANDY-COATED WORLD ♪
69
00:04:25,740 --> 00:04:28,016
♪ A WORLD MADE UP OF LIES ♪
70
00:04:28,040 --> 00:04:29,116
♪ YOU STAY OUT LATE ♪
71
00:04:29,140 --> 00:04:31,186
♪ YOU SAY YOU'RE
WORKING OVERTIME ♪
72
00:04:31,210 --> 00:04:32,516
♪ YOU'VE GOT AN OUT ♪
73
00:04:32,540 --> 00:04:34,416
♪ IT HAPPENS
ALMOST EVERY NIGHT ♪
74
00:04:34,440 --> 00:04:35,746
♪ SHE'S JUST A FRIEND ♪
75
00:04:35,770 --> 00:04:37,586
♪ SO WHY YOU TRIPPIN',
YOU'RE MY GIRL ♪
76
00:04:37,610 --> 00:04:40,386
♪ WON'T MAKE MISTAKES
I MADE ONCE BEFORE ♪
77
00:04:40,410 --> 00:04:41,387
♪ BUT I'M WRONG ♪
78
00:04:41,411 --> 00:04:43,286
♪ I DON'T NEED YOUR LIES ♪
79
00:04:43,310 --> 00:04:46,516
♪ YOU'RE TRYING TO
MANIPULATE THE TRUTH ♪
80
00:04:46,540 --> 00:04:50,146
♪ THAT GIVES YOU LIES ♪
81
00:04:50,170 --> 00:04:52,746
♪ YOUR HOUSE OF
CARDS IS CRASHIN' DOWN ♪
82
00:04:52,770 --> 00:04:54,716
♪ RIGHT ON TOP OF YOU ♪
83
00:04:54,740 --> 00:04:57,086
♪ I DON'T NEED YOUR LIES ♪
84
00:04:57,110 --> 00:04:59,446
♪ YOU'RE DRIVIN' DOWN
A ONE-WAY STREET ♪
85
00:04:59,470 --> 00:05:04,086
♪ YOU'RE IN TOO DEEP WITH LIES ♪
86
00:05:04,110 --> 00:05:06,186
♪ NO MATTER WHAT YOU DO ♪
87
00:05:06,210 --> 00:05:09,086
♪ LIES WILL GET
THE BEST OF YOU ♪
88
00:05:09,110 --> 00:05:11,586
♪ YOUR JOKER WAYS, THE
WAY YOU HOLD MY HAND ♪
89
00:05:11,610 --> 00:05:13,716
♪ THE WAY YOU KISS ME, OOH, AH ♪
90
00:05:13,740 --> 00:05:15,186
♪ WHAT A FOOL I AM ♪
91
00:05:15,210 --> 00:05:18,386
♪ YOUR CROOKED SMILE,
THE WAY YOU LOOKED AT ME ♪
92
00:05:18,410 --> 00:05:20,446
♪ IT'S ALL SO CLEAR NOW ♪
93
00:05:20,470 --> 00:05:21,846
♪ DON'T WANNA SEE ♪
94
00:05:21,870 --> 00:05:23,116
♪ YOU'RE SUCH A PLAYER ♪
95
00:05:23,140 --> 00:05:25,246
♪ YOU AIN'T GONNA PLAY NO MORE ♪
96
00:05:25,270 --> 00:05:26,586
♪ THINGS THAT YOU SAY ♪
97
00:05:26,610 --> 00:05:28,586
♪ YOUR CREDIT HAS
GONE OUT THE DOOR ♪
98
00:05:28,610 --> 00:05:31,086
♪ WON'T LET YOU IN,
WON'T LET YOU IN ♪
99
00:05:31,110 --> 00:05:35,086
♪ YOU'RE THE MISTAKE
I MADE ONCE BEFORE ♪
100
00:05:35,110 --> 00:05:36,546
♪ BUT I'M WRONG ♪
101
00:05:36,570 --> 00:05:40,686
♪ LIES MANIPULATE THE TRUTH ♪
102
00:05:40,710 --> 00:05:44,316
♪ THAT GIVES YOU LIES ♪
103
00:05:44,340 --> 00:05:46,816
♪ YOUR HOUSE OF CARDS
IS CRASHING DOWN ♪
104
00:05:46,840 --> 00:05:48,686
♪ RIGHT ON TOP OF YOU ♪
105
00:05:48,710 --> 00:05:51,016
♪ I DON'T NEED YOUR LIES ♪
106
00:05:51,040 --> 00:05:53,446
♪ YOU'RE DRIVIN' DOWN
A ONE-WAY STREET ♪
107
00:05:53,470 --> 00:05:57,886
♪ YOU'RE IN TOO DEEP WITH LIES ♪
108
00:05:57,910 --> 00:06:00,216
♪ NO MATTER WHAT YOU DO ♪
109
00:06:00,240 --> 00:06:02,086
♪ LIES WILL GET
THE BEST OF YOU ♪
110
00:06:02,110 --> 00:06:03,746
♪ I DON'T NEED YOUR LIES ♪
111
00:06:03,770 --> 00:06:06,846
♪ OH, I DON'T NEED YOUR LIES ♪
112
00:06:06,870 --> 00:06:09,846
♪ OH, OH ♪
113
00:06:09,870 --> 00:06:13,146
♪ TOO DEEP WITH LIES ♪
114
00:06:13,170 --> 00:06:15,686
♪ NOT ANOTHER DAY ♪
115
00:06:15,710 --> 00:06:18,346
♪ I DON'T NEED YOUR LIES ♪
116
00:06:18,370 --> 00:06:20,186
♪ OH, I DON'T NEED ♪
117
00:06:20,210 --> 00:06:22,470
♪ OH, I DON'T NEED... ♪
118
00:06:24,170 --> 00:06:26,040
AAH!
119
00:06:42,010 --> 00:06:44,016
AAH!
120
00:06:44,040 --> 00:06:46,486
McCall: HEY, HUNTER,
DIDN'T YOU GET DUMPLINGS?
121
00:06:46,510 --> 00:06:47,846
THEY'RE MY FAVORITE.
122
00:06:47,870 --> 00:06:49,816
I THOUGHT CHINESE CHICKEN
SALAD WAS YOUR FAVORITE.
123
00:06:49,840 --> 00:06:52,816
WELL, ON THE SALADS, YEAH,
BUT I LIKE THE DUMPLINGS.
124
00:06:52,840 --> 00:06:53,886
I DON'T SEE THEM IN HERE.
125
00:06:53,910 --> 00:06:55,216
WELL, THAT'S BECAUSE
I DIDN'T ORDER THEM.
126
00:06:55,240 --> 00:06:57,816
I MEAN, YOU HAVE TO ORDER
THEM AN HOUR IN ADVANCE.
127
00:06:57,840 --> 00:06:59,546
I DIDN'T THINK YOU
WANTED TO WAIT THAT LONG.
128
00:06:59,570 --> 00:07:02,616
WELL, NO, BUT STILL...
129
00:07:02,640 --> 00:07:04,946
HAVE YOU EVER ORDERED
THAT PEKING DUCK?
130
00:07:04,970 --> 00:07:06,186
THAT'S THE ONE THAT
ALWAYS GETS ME.
131
00:07:06,210 --> 00:07:08,186
YOU HAVE TO ORDER
IT 24 HOURS IN ADVANCE.
132
00:07:08,210 --> 00:07:09,486
I MEAN, IS THAT DUMB?
133
00:07:09,510 --> 00:07:11,846
HAVE YOU EVER JUST BEEN
SITTING AT HOME AND YOU THINK,
134
00:07:11,870 --> 00:07:14,786
"GEE, I THINK I'D LIKE TO HAVE
PEKING DUCK TOMORROW NIGHT"?
135
00:07:14,810 --> 00:07:16,586
HI.
136
00:07:16,610 --> 00:07:18,216
CHRISTINA?
137
00:07:18,240 --> 00:07:20,446
I'M SORRY TO BOTHER YOU, RICK.
138
00:07:20,470 --> 00:07:23,586
YOU WERE THE ONLY PERSON
I COULD THINK TO COME SEE.
139
00:07:23,610 --> 00:07:25,270
CAN I TALK TO YOU?
140
00:07:27,140 --> 00:07:29,440
YEAH.
141
00:07:31,070 --> 00:07:32,716
HERE, LET ME HELP.
142
00:07:32,740 --> 00:07:34,716
OH, THANKS. IT'S NOT TOO HEAVY.
143
00:07:34,740 --> 00:07:38,786
THERE AREN'T ANY
DUMPLINGS... IN THE...
144
00:07:38,810 --> 00:07:41,470
AREN'T YOU CHRISTINA LeMASTERS?
145
00:07:44,170 --> 00:07:46,740
YEAH.
146
00:07:48,940 --> 00:07:52,346
I'M SURE I'VE COME
AT A BAD TIME.
147
00:07:52,370 --> 00:07:53,986
BUT IF I TOLD YOU I
COULD COME BACK LATER,
148
00:07:54,010 --> 00:07:56,086
I'D JUST BE LYING.
149
00:07:56,110 --> 00:07:58,840
SO, WHAT'S THE
PROBLEM, CHRISTINA?
150
00:08:00,670 --> 00:08:02,686
I SAW A MURDER.
151
00:08:02,710 --> 00:08:05,446
I DIDN'T ACTUALLY SEE THE
MURDER, I JUST SAW THE BODY.
152
00:08:05,470 --> 00:08:07,986
A WOMAN WAS LYING DEAD
IN A DOWNTOWN MOTEL.
153
00:08:08,010 --> 00:08:10,316
THE WATER WORKS
WAS THE NAME, I THINK.
154
00:08:10,340 --> 00:08:12,786
WHAT THE HELL WERE YOU
DOING DOWN THERE, CHRISTINA?
155
00:08:12,810 --> 00:08:15,746
I WAS FOLLOWING CAREY.
156
00:08:15,770 --> 00:08:19,416
I THOUGHT HE WAS
HAVING AN AFFAIR.
157
00:08:19,440 --> 00:08:21,346
WELL, I'LL, UH...
158
00:08:21,370 --> 00:08:23,770
GO TAKE CARE OF THIS.
159
00:08:28,710 --> 00:08:33,246
LOOK, THIS IS REALLY
AWKWARD FOR ME.
160
00:08:33,270 --> 00:08:35,716
I WOULDN'T BE HERE IF THERE
WAS ANYBODY ELSE I COULD TALK TO.
161
00:08:35,740 --> 00:08:38,646
COULDN'T A POLICE OFFICER
FILE THIS REPORT, CHRISTINA?
162
00:08:38,670 --> 00:08:40,086
I CAN'T DO THAT, RICK.
163
00:08:40,110 --> 00:08:41,946
AS SOON AS I MAKE
OUT A REPORT LIKE THAT,
164
00:08:41,970 --> 00:08:43,746
THEN CAREY WILL
KNOW I FOLLOWED HIM.
165
00:08:43,770 --> 00:08:45,686
I'M SUPPOSED TO BE ON A
PLANE TO PARIS RIGHT NOW.
166
00:08:45,710 --> 00:08:47,116
DID YOU FIND CAREY?
167
00:08:47,140 --> 00:08:50,886
NO. I FOLLOWED HIM TO
THE MOTEL, BUT I LOST HIM.
168
00:08:50,910 --> 00:08:53,070
WHEN I FOUND THE
BODY, I RAN OUT.
169
00:08:53,970 --> 00:08:56,070
CAN YOU HELP ME?
170
00:08:57,740 --> 00:08:59,946
McCALL!
171
00:08:59,970 --> 00:09:01,610
YEAH.
172
00:09:02,540 --> 00:09:05,810
WANT TO GO FOR A RIDE,
OR DO YOU WANT TO EAT?
173
00:09:07,910 --> 00:09:10,546
LET'S GO.
174
00:09:10,570 --> 00:09:13,310
MIGHT AS WELL HELP
YOURSELF. THERE'S PLENTY.
175
00:09:16,610 --> 00:09:18,910
THANKS, RICK.
176
00:09:20,310 --> 00:09:23,440
STAY RIGHT HERE UNTIL I
GET BACK, UNDERSTAND?
177
00:09:33,110 --> 00:09:34,646
OK, LET'S HEAR IT.
178
00:09:34,670 --> 00:09:35,916
LET'S HEAR WHAT?
179
00:09:35,940 --> 00:09:37,446
LET'S HEAR WHAT?!
180
00:09:37,470 --> 00:09:40,316
THAT'S CHRISTINA LeMASTERS IN YOUR
APARTMENT EATING OUR CHINESE FOOD.
181
00:09:40,340 --> 00:09:42,846
I HAVE SEEN HER IN SO
MANY MAGAZINE COVERS,
182
00:09:42,870 --> 00:09:43,986
I FEEL LIKE WE'RE OLD FRIENDS.
183
00:09:44,010 --> 00:09:46,916
AND YOU OBVIOUSLY
ARE OLD FRIENDS.
184
00:09:46,940 --> 00:09:49,516
THE WATER WORKS IS
ON WHAT, HILL STREET?
185
00:09:49,540 --> 00:09:51,116
WILL YOU CUT IT OUT?
186
00:09:51,140 --> 00:09:54,286
I WANT TO KNOW HOW YOU
KNOW CHRISTINA LeMASTERS.
187
00:09:54,310 --> 00:09:57,016
McCALL, THERE ARE MANY
EXCITING THINGS IN MY LIFE
188
00:09:57,040 --> 00:09:58,446
I'D BE WILLING TO SIT DOWN
AND TALK TO YOU ABOUT.
189
00:09:58,470 --> 00:10:01,740
BUT CHRISTINA LeMASTERS
IS NOT ONE OF THEM.
190
00:10:09,940 --> 00:10:11,486
Hunter: WHAT DO YOU
GOT HERE, BERNIE?
191
00:10:11,510 --> 00:10:12,746
WHAT I GOT HERE?
192
00:10:12,770 --> 00:10:14,516
WHAT I GOT HERE IS EVERYTHING
UNDER CONTROL, HUNTER.
193
00:10:14,540 --> 00:10:15,786
THAT'S WHAT I GOT HERE.
194
00:10:15,810 --> 00:10:17,186
DON'T NEED ANY
BACKUP. THANK YOU.
195
00:10:17,210 --> 00:10:20,716
JUST PASSING BY,
BERNIE. WHO'S THE BODY?
196
00:10:20,740 --> 00:10:23,246
- DELORES AVERY.
- DELORES BROWN.
197
00:10:23,270 --> 00:10:25,546
3 OR 400 OTHER THINGS.
198
00:10:25,570 --> 00:10:27,346
ONE OF JOHNNY
SATIN'S SWEETHEARTS.
199
00:10:27,370 --> 00:10:28,786
TOOK 4 SHOTS FROM A .22.
200
00:10:28,810 --> 00:10:30,646
WELL, YOU DON'T THINK
THAT SATIN AND HIS GIRLS
201
00:10:30,670 --> 00:10:32,046
ARE TRYING TO RUN ANOTHER
BLACKMAIL SCHEME, DO YOU?
202
00:10:32,070 --> 00:10:33,286
YEAH, HE MIGHT.
203
00:10:33,310 --> 00:10:36,216
ONE OF THE PATRONS THINKS
SHE SAW THE KILLER... A WOMAN.
204
00:10:36,240 --> 00:10:37,346
IS THAT THE MURDER
WEAPON, BERNIE?
205
00:10:37,370 --> 00:10:38,686
YEAH, I FOUND IT IN THE HALL.
206
00:10:38,710 --> 00:10:40,786
HAS ANYBODY SEEN HER TRICK?
207
00:10:40,810 --> 00:10:43,286
A MAN ABOUT, UH,
44, 45 YEARS OF AGE,
208
00:10:43,310 --> 00:10:46,216
WELL-DRESSED, UH, SPEAKS
WITH A EUROPEAN ACCENT?
209
00:10:46,240 --> 00:10:49,446
UH, NO. OUR GUY HAD
RED HAIR, A MUSTACHE,
210
00:10:49,470 --> 00:10:50,716
POSSIBLY A SCAR, AND GLASSES.
211
00:10:50,740 --> 00:10:51,746
WHY DO YOU ASK, HUNTER?
212
00:10:51,770 --> 00:10:54,086
UH, JUST CURIOUS, BERNIE.
213
00:10:54,110 --> 00:10:57,046
WELL, LOOKS LIKE YOU HAVE
EVERYTHING NAILED DOWN HERE.
214
00:10:57,070 --> 00:10:58,716
WAIT A MINUTE! DON'T GO STICKING
YOUR NOSE IN MY HOMICIDE!
215
00:10:58,740 --> 00:11:00,016
I'LL TAKE CARE OF
IT, BERNIE. HUNTER!
216
00:11:00,040 --> 00:11:01,086
HEY, HUNTER...
217
00:11:01,110 --> 00:11:02,746
WHO'S THAT YOU WERE
DESCRIBING TO BERNIE?
218
00:11:02,770 --> 00:11:05,186
CAREY LeMASTERS. THAT'S
CHRISTINA'S HUSBAND.
219
00:11:05,210 --> 00:11:07,916
YOU DON'T THINK HE WAS
HERE CHEATING ON HER, DO YOU?
220
00:11:07,940 --> 00:11:08,986
WELL, HE MIGHT HAVE BEEN.
221
00:11:09,010 --> 00:11:10,416
AWW...
222
00:11:10,440 --> 00:11:13,886
I WILL NEVER UNDERSTAND
THAT ABOUT SOME MEN.
223
00:11:13,910 --> 00:11:17,046
HOW CAN ANY GUY THAT'S
MARRIED TO CHRISTINA LeMASTERS
224
00:11:17,070 --> 00:11:19,486
SEEK ANY KIND OF OUTSIDE...
225
00:11:19,510 --> 00:11:20,616
ENTERTAINMENT?
226
00:11:20,640 --> 00:11:23,116
I MEAN, LOOKS AREN'T
EVERYTHING, BUT COME ON!
227
00:11:23,140 --> 00:11:25,516
SHE SEEMS LIKE A NICE LADY, TOO.
228
00:11:25,540 --> 00:11:28,616
SHE IS A NICE LADY, ISN'T SHE?
229
00:11:28,640 --> 00:11:30,340
YEAH, SHE IS.
230
00:11:31,340 --> 00:11:33,210
YOU CAN DROP ME AT HOME.
231
00:11:47,740 --> 00:11:50,016
DID YOU FIND OUT ANYTHING
ABOUT THE WOMAN I SAW?
232
00:11:50,040 --> 00:11:53,410
I SURE DID. SHE WAS A HOOKER.
233
00:11:55,670 --> 00:11:58,886
AND YOU'RE GONNA HAVE TO GO DOWNTOWN
AND ANSWER SOME QUESTIONS, CHRISTINA.
234
00:11:58,910 --> 00:12:00,716
RICK, YOU SAID YOU'D HELP ME!
235
00:12:00,740 --> 00:12:04,346
A PATRON OF THIS PLACE FINGERED
YOU AS A POSSIBLE SUSPECT.
236
00:12:04,370 --> 00:12:05,886
BUT WHAT ABOUT CAREY?
237
00:12:05,910 --> 00:12:08,746
WELL, THE GUY SHE SHOWED UP
WITH DIDN'T FIT HIS DESCRIPTION.
238
00:12:08,770 --> 00:12:10,446
YOU MEAN, FOR A SECOND THERE,
239
00:12:10,470 --> 00:12:12,116
YOU THOUGHT CAREY
WAS THE KILLER?
240
00:12:12,140 --> 00:12:13,786
WELL, YOU SAID HE DID GO THERE,
241
00:12:13,810 --> 00:12:15,786
AND IF HE DID, HE'S A SUSPECT,
JUST LIKE YOU WOULD BE.
242
00:12:15,810 --> 00:12:18,586
I CAME HERE HOPING WE
COULD TAKE CARE OF ALL THIS
243
00:12:18,610 --> 00:12:20,286
WITHOUT CAREY FINDING
OUT I FOLLOWED HIM.
244
00:12:20,310 --> 00:12:23,886
CHRISTINA, DEAD PEOPLE
ARE A POLICE MATTER.
245
00:12:23,910 --> 00:12:27,470
NOW YOU CAN FILE EVERYTHING
ELSE UNDER "MARITAL PROBLEMS."
246
00:12:31,470 --> 00:12:32,486
I... I DON'T BELIEVE IT.
247
00:12:32,510 --> 00:12:34,516
YOU FOLLOWED ME, CHRISTINA?
248
00:12:34,540 --> 00:12:36,586
YOU ACTUALLY
MISTRUSTED ME ENOUGH
249
00:12:36,610 --> 00:12:38,416
TO GET OFF THE
PLANE AND FOLLOW ME?
250
00:12:38,440 --> 00:12:40,786
Christina: I'M SORRY, CAREY.
251
00:12:40,810 --> 00:12:42,546
EXCUSE ME, GANG, FOR
BUTTING IN LIKE THIS,
252
00:12:42,570 --> 00:12:45,386
BUT I THINK THE APOLOGIES SHOULD
BE COMING FROM THE OTHER PARTY,
253
00:12:45,410 --> 00:12:46,646
DON'T YOU, MR. LeMASTERS?
254
00:12:46,670 --> 00:12:48,246
SERGEANT HUNTER,
255
00:12:48,270 --> 00:12:52,216
THIS IS A PRIVATE MATTER
BETWEEN MY WIFE AND MYSELF.
256
00:12:52,240 --> 00:12:54,846
SO IF YOU WILL BE SO
KIND AS TO EXCUSE US...
257
00:12:54,870 --> 00:12:56,586
CERTAINLY.
258
00:12:56,610 --> 00:12:59,216
AS LONG AS YOU ANSWER A
COUPLE OF QUESTIONS OF MINE.
259
00:12:59,240 --> 00:13:01,586
LIKE, UH, WHILE YOU WERE AT
THE WATER WORKS THIS EVENING,
260
00:13:01,610 --> 00:13:04,446
DID YOU HAPPEN TO SEE A
RED-HEADED GUY WITH GLASSES,
261
00:13:04,470 --> 00:13:07,686
IN THE COMPANY OF A DARK-HAIRED
GIRL ABOUT 26 YEARS OF AGE?
262
00:13:07,710 --> 00:13:08,886
NO, I DON'T...
263
00:13:08,910 --> 00:13:11,746
I DON'T REMEMBER. I WAS
ONLY THERE 5 MINUTES.
264
00:13:11,770 --> 00:13:14,216
CHRISTINA!
265
00:13:16,270 --> 00:13:18,386
YOU HAD TO CONDUCT
YOUR INVESTIGATION NOW,
266
00:13:18,410 --> 00:13:19,886
IN FRONT OF MY WIFE?
267
00:13:19,910 --> 00:13:22,486
WELL, YOUR EXTRACURRICULAR
ACTIVITIES, MR. LeMASTERS,
268
00:13:22,510 --> 00:13:23,716
PUT YOU AT THE SCENE OF A CRIME.
269
00:13:23,740 --> 00:13:25,016
I'M JUST DOING MY JOB.
270
00:13:25,040 --> 00:13:27,446
YES, YOUR JOB... OF COURSE.
271
00:13:27,470 --> 00:13:30,086
DID YOU HAVE TO MAKE IT
SO PAINFUL FOR CHRISTINA?
272
00:13:30,110 --> 00:13:31,246
LET ME TELL YOU SOMETHING, PAL.
273
00:13:31,270 --> 00:13:32,247
YOU SHOULD HAVE
THOUGHT ABOUT THAT
274
00:13:32,271 --> 00:13:33,446
BEFORE YOU MADE
YOUR LITTLE RENDEZVOUS
275
00:13:33,470 --> 00:13:34,486
AT THE WATER WORKS.
276
00:13:34,510 --> 00:13:36,546
LOOK, IT'S OVER.
277
00:13:36,570 --> 00:13:41,986
I... I WENT TO THAT PLACE, YES,
BUT IT WAS ONLY TO BREAK IT OFF.
278
00:13:42,010 --> 00:13:44,916
IT... IT WASN'T
ANYTHING, REALLY. I...
279
00:13:44,940 --> 00:13:48,716
LOOK, HUNTER, I... I'VE HAD SOME
PERSONAL CRISES OF MY OWN RECENTLY,
280
00:13:48,740 --> 00:13:51,686
AND IT... IT PROVIDED
A DIVERSION.
281
00:13:51,710 --> 00:13:54,346
I HAVE NO EXCUSES FOR IT.
282
00:13:54,370 --> 00:13:57,816
I'M JUST SORRY THAT CHRISTINA
HAD TO FIND OUT ABOUT IT THIS WAY.
283
00:13:57,840 --> 00:14:00,286
BUT I'LL DO EVERYTHING
WITHIN MY POWER
284
00:14:00,310 --> 00:14:01,710
TO MAKE IT UP TO HER.
285
00:14:08,070 --> 00:14:11,786
McCall: THIS MORNING, MR. AND
MRS. LeMASTERS CAME IN TO FILE
286
00:14:11,810 --> 00:14:14,586
THEIR FORMAL STATEMENTS
ON THE MURDER. HERE.
287
00:14:14,610 --> 00:14:15,986
THEY'RE QUITE A
COUPLE, YOU KNOW.
288
00:14:16,010 --> 00:14:17,646
HE IS JUST AS GOOD-LOOKING
AS SHE IS BEAUTIFUL,
289
00:14:17,670 --> 00:14:20,146
AND OBVIOUSLY VERY RICH.
290
00:14:20,170 --> 00:14:21,946
APPARENTLY HE'S A
FINANCIAL CONSULTANT
291
00:14:21,970 --> 00:14:23,746
WITH A FANCY OFFICE
DOWN ON NORTH CAMDEN.
292
00:14:23,770 --> 00:14:26,246
YEAH, YOU'D THINK HE COULD AFFORD
TO HANG OUT IN BETTER MOTELS.
293
00:14:26,270 --> 00:14:28,916
WELL, OBVIOUSLY CAREY
LeMASTERS HAS GOT SOME PROBLEMS.
294
00:14:28,940 --> 00:14:30,886
YEAH, HE JUST DOESN'T
KNOW HOW MANY YET.
295
00:14:30,910 --> 00:14:34,016
I GET THE FEELING THAT ANY
ADDITIONAL PROBLEMS HE MAY HAVE
296
00:14:34,040 --> 00:14:36,046
WILL BE ORIGINATING
FROM THIS END.
297
00:14:36,070 --> 00:14:38,046
HUNTER, YOU'RE NOT TRYING TO GET
298
00:14:38,070 --> 00:14:40,046
INTO SOME SORT OF A
JOUST WITH THIS GUY
299
00:14:40,070 --> 00:14:42,716
TO TRY TO WIN BACK THE
FAIR CHRISTINA, NOW, ARE YOU?
300
00:14:42,740 --> 00:14:44,186
WELL, I WAS JUST TAKING
INTO CONSIDERATION
301
00:14:44,210 --> 00:14:46,586
YOUR OBSERVATION ON
THIS CASE, SERGEANT.
302
00:14:46,610 --> 00:14:47,886
SINCE WHEN?
303
00:14:47,910 --> 00:14:50,686
WELL, LIKE YOU SAID, WHY
WOULD A GUY LIKE LeMASTERS,
304
00:14:50,710 --> 00:14:52,346
MARRIED TO A
WOMAN LIKE CHRISTINA,
305
00:14:52,370 --> 00:14:55,016
NEED TO HANG AROUND SLEAZY
HOOKERS IN CHEAP MOTELS?
306
00:14:55,040 --> 00:14:56,586
IT JUST DOESN'T MAKE ANY SENSE.
307
00:14:56,610 --> 00:15:00,646
UNLESS... HE WAS DOING SOMETHING
OTHER THAN WHAT HE SAID HE WAS DOING.
308
00:15:00,670 --> 00:15:02,486
LIKE MURDERING
DELORES BROWN? RIGHT.
309
00:15:02,510 --> 00:15:03,946
UH-UH. I DOUBT IT.
310
00:15:03,970 --> 00:15:05,546
I GOT A FULL REPORT ON
THE MURDER THIS MORNING.
311
00:15:05,570 --> 00:15:07,146
PROFESSIONAL ALL THE WAY.
312
00:15:07,170 --> 00:15:08,946
AND THE HIT WAS
MADE FOR SOMEONE.
313
00:15:08,970 --> 00:15:11,086
APPARENTLY THE
KILLER LEFT A NAPKIN
314
00:15:11,110 --> 00:15:12,986
WITH A PURPLE
CIRCLE DRAWN ON IT.
315
00:15:13,010 --> 00:15:15,686
I THINK WE SHOULD TALK
TO JOHNNY SATIN ABOUT THIS.
316
00:15:15,710 --> 00:15:17,840
I THINK IT'S A GOOD
PLACE TO START.
317
00:15:31,370 --> 00:15:32,846
HEY, JOHNNY.
318
00:15:32,870 --> 00:15:34,716
OH, SIT DOWN, JOHNNY.
319
00:15:34,740 --> 00:15:36,216
BE SOCIABLE, HUH?
320
00:15:36,240 --> 00:15:37,846
GO BUY YOURSELF A
SODA POP, PEACHES,
321
00:15:37,870 --> 00:15:39,086
AND CHARGE IT TO DADDY HERE.
322
00:15:39,110 --> 00:15:41,610
GO AHEAD, SWEETHEART.
323
00:15:42,940 --> 00:15:44,686
SO, WHAT DO YOU
WANT FROM ME, HUNTER?
324
00:15:44,710 --> 00:15:46,646
WELL, SHE'S DOING ALL
THE TALKING TODAY, JOHNNY.
325
00:15:46,670 --> 00:15:49,610
I'M JUST HERE TO KICK
YOUR HEAD IN, IF I HAVE TO.
326
00:15:51,470 --> 00:15:53,886
WE'RE HERE TO HELP YOU
MOURN YOUR LOSS, JOHNNY.
327
00:15:53,910 --> 00:15:55,546
THE LATE DELORES BROWN.
328
00:15:55,570 --> 00:15:58,146
I NEVER HEARD OF HER.
329
00:15:58,170 --> 00:16:01,216
SHE'S BEEN EARNING HIM 1500
BUCKS A WEEK FOR THE PAST YEAR,
330
00:16:01,240 --> 00:16:02,546
AND THAT'S A
CONSERVATIVE ESTIMATE.
331
00:16:02,570 --> 00:16:05,446
AND HE DOESN'T KNOW WHO SHE IS.
332
00:16:05,470 --> 00:16:08,346
HA HA. CAN YOU
BELIEVE THAT, HUNTER?
333
00:16:08,370 --> 00:16:10,046
NOW, THAT'S A FREEBIE, JOHNNY.
334
00:16:10,070 --> 00:16:11,346
FROM NOW ON, THEY COUNT.
335
00:16:11,370 --> 00:16:12,946
THERE WAS A
PROFESSIONAL HIT, JOHNNY.
336
00:16:12,970 --> 00:16:15,186
NOW, WHO'D WANT TO TAKE A
CONTRACT OUT ON DELORES?
337
00:16:15,210 --> 00:16:16,886
LOOK, HOW AM I SUPPOSED TO KNOW?
338
00:16:16,910 --> 00:16:18,116
YOU AND DELORES WERE RUNNING
339
00:16:18,140 --> 00:16:20,186
ANOTHER ONE OF YOUR
BLACKMAIL SCAMS, RIGHT?
340
00:16:20,210 --> 00:16:22,316
NO, NO, NOT ME. LOOK,
I HAD NO PART OF IT.
341
00:16:22,340 --> 00:16:25,516
I SWEAR, I HAD NO
PART... LOOK, LOOK...
342
00:16:25,540 --> 00:16:28,046
WHEN SHE SAID SHE HAD
A PIGEON, I TOLD HER...
343
00:16:28,070 --> 00:16:29,516
I TOLD HER AND I TOLD HER...
344
00:16:29,540 --> 00:16:32,516
I SAID, "YOU'RE GOING TO SQUEEZE
THE WRONG DUDE ONE OF THESE DAYS,
345
00:16:32,540 --> 00:16:33,786
AND THEY'RE GONNA DO YA."
346
00:16:33,810 --> 00:16:35,246
I SWEAR!
347
00:16:35,270 --> 00:16:36,886
THEN WHO WAS SHE SQUEEZING?
348
00:16:36,910 --> 00:16:37,887
LOOK, I DON'T KNOW.
349
00:16:37,911 --> 00:16:39,886
I DIDN'T ASK HER. I
DIDN'T WANT TO KNOW.
350
00:16:39,910 --> 00:16:41,216
I SWEAR, HUNTER.
351
00:16:41,240 --> 00:16:43,686
I KID YOU NOT, JOHNNY,
IT WAS A CONTRACT HIT.
352
00:16:43,710 --> 00:16:45,346
NOW, I KNOW THERE'S
ANOTHER ONE OUT THERE,
353
00:16:45,370 --> 00:16:46,916
AND IT'S GOT YOUR NAME ON IT.
354
00:16:46,940 --> 00:16:50,886
I GOT THE WORD OUT.
SHE WAS IN ON IT ALONE.
355
00:16:50,910 --> 00:16:53,216
JOHNNY SATIN...
356
00:16:53,240 --> 00:16:54,946
HE IS CLEAN.
357
00:16:54,970 --> 00:16:56,186
WELL, YOU MAY HAVE
358
00:16:56,210 --> 00:16:57,946
THE WORD OUT ON
THE STREET, JOHNNY,
359
00:16:57,970 --> 00:17:00,510
BUT HOW DO YOU KNOW
ANYBODY'S LISTENING?
360
00:17:01,870 --> 00:17:03,286
THINK ABOUT IT.
361
00:17:03,310 --> 00:17:08,186
♪ IF YOU CAN'T SAY
SOMETHING NICE ♪
362
00:17:08,210 --> 00:17:12,146
♪ IF YOU CAN'T SAY SOMETHING ♪
363
00:17:12,170 --> 00:17:16,110
♪ IF YOU CAN'T
SAY SOMETHING... ♪
364
00:17:16,840 --> 00:17:18,246
YOU DON'T BELIEVE THAT, DO YOU?
365
00:17:18,270 --> 00:17:19,646
NOT A WORD.
366
00:17:34,640 --> 00:17:36,870
HEY!
367
00:17:44,010 --> 00:17:47,816
WELL, LIKE I SAID,
NOBODY WAS LISTENING.
368
00:17:47,840 --> 00:17:48,916
YEAH, WELL, THEY WERE LISTENING.
369
00:17:48,940 --> 00:17:51,270
THEY JUST WEREN'T BELIEVING.
370
00:17:54,470 --> 00:17:56,716
.22 THROWAWAY,
371
00:17:56,740 --> 00:17:59,316
A COCKTAIL NAPKIN WITH
A PURPLE CIRCLE ON IT,
372
00:17:59,340 --> 00:18:00,586
AND TIRE TRACKS.
373
00:18:00,610 --> 00:18:03,186
A YELLOW SEDAN WITH AN
ILLEGIBLE LICENSE PLATE,
374
00:18:03,210 --> 00:18:04,716
RED-HEADED DRIVER WITH GLASSES.
375
00:18:04,740 --> 00:18:06,316
NOW THAT'S A REPEAT PERFORMANCE,
376
00:18:06,340 --> 00:18:08,916
SO OBVIOUSLY THE GUY WE'RE LOOKING
FOR HAS RED HAIR AND WEARS GLASSES.
377
00:18:08,940 --> 00:18:11,046
I WONDER WHO JOHNNY AND HIS
LADY WERE TRYING TO SHAKE DOWN?
378
00:18:11,070 --> 00:18:12,416
THAT'S A PROFESSIONAL HIT THERE.
379
00:18:12,440 --> 00:18:14,146
YOU JUST DON'T FIND THOSE
GUYS IN THE YELLOW PAGES.
380
00:18:14,170 --> 00:18:16,286
YOU GOTTA KNOW SOMEBODY
WHO KNOWS SOMEBODY.
381
00:18:16,310 --> 00:18:18,186
YEAH, WELL, JOHNNY AND
HIS GIRL ARE TOO SMART
382
00:18:18,210 --> 00:18:19,786
TO TRY TO HIT SOMEBODY
THEY KNOW IS CONNECTED.
383
00:18:19,810 --> 00:18:21,846
WELL, HOW SMART ARE
THEY? THEY'RE BOTH DEAD.
384
00:18:21,870 --> 00:18:23,046
YEAH.
385
00:18:23,070 --> 00:18:26,086
ALL RIGHT, YOU WANT TO SHAKE
DOWN JOHNNY'S APARTMENT
386
00:18:26,110 --> 00:18:27,546
BEFORE OR AFTER LUNCH?
387
00:18:27,570 --> 00:18:29,686
YOU GO AHEAD AND DO THAT. I'M
GOING TO SEE WHAT WORDS OF WISDOM
388
00:18:29,710 --> 00:18:32,310
I CAN SQUEEZE OUT
OF MY UNCLE DOM.
389
00:18:33,710 --> 00:18:35,116
Uncle Dom: IT DOESN'T
ADD UP, RICKY.
390
00:18:35,140 --> 00:18:37,586
KILLING IS A VERY
SERIOUS BUSINESS.
391
00:18:37,610 --> 00:18:40,486
PROFESSIONALS AREN'T GOING
TO TAKE THE TROUBLE AND THE RISK
392
00:18:40,510 --> 00:18:41,816
FOR A COUPLE OF GUTTER RATS.
393
00:18:41,840 --> 00:18:45,316
WELL, WHOEVER WASTED THAT
HOOKER AND HER PIMP JOHNNY SATIN
394
00:18:45,340 --> 00:18:46,646
WANTED SOMEBODY TO KNOW.
395
00:18:46,670 --> 00:18:48,246
THAT'S WHY THEY
LEFT THEIR SIGNATURE.
396
00:18:48,270 --> 00:18:51,486
THOSE PURPLE CIRCLES MEAN
SOMETHING TO SOMEBODY.
397
00:18:51,510 --> 00:18:53,916
YOU'RE A YOUNG MAN,
398
00:18:53,940 --> 00:18:55,786
JUST STARTING OUT IN
YOUR CHOSEN CAREER.
399
00:18:55,810 --> 00:18:58,146
YOU'RE AMBITIOUS.
YOU WANT TO GET AHEAD.
400
00:18:58,170 --> 00:18:59,786
SO WHAT DO YOU DO?
401
00:18:59,810 --> 00:19:01,816
HARD WORK IS GOOD,
BUT IT ISN'T ENOUGH.
402
00:19:01,840 --> 00:19:05,186
YOU GOTTA DO SOMETHING THAT'S
GONNA MAKE THE BOSS NOTICE YOU.
403
00:19:05,210 --> 00:19:08,086
IT COULD BE A SPECIAL PROJECT
YOU DREAMED UP ON YOUR OWN.
404
00:19:08,110 --> 00:19:11,086
IT COULD BE A FAVOR YOU
KNOW THE BOSS WANTED DONE.
405
00:19:11,110 --> 00:19:12,646
YOU KNOW WHAT I'M
SAYIN' HERE, RICKY?
406
00:19:12,670 --> 00:19:15,416
THERE'S SOME PUNK OUT THERE
TRYING TO EARN HIS BONES.
407
00:19:15,440 --> 00:19:16,746
THERE'S A GUY OUT THERE,
408
00:19:16,770 --> 00:19:19,746
RUNS UNDER THE NAME TOMMY LARGO.
409
00:19:19,770 --> 00:19:21,686
HE'S ONLY BEEN
AROUND A FEW WEEKS.
410
00:19:21,710 --> 00:19:24,186
BEFORE THAT... NOBODY KNOWS.
411
00:19:24,210 --> 00:19:27,616
THERE'S SOME THAT SAY MAYBE
HE'S FROM JERSEY OR CHICAGO.
412
00:19:27,640 --> 00:19:29,286
BUT THOSE ARE JUST STORIES.
413
00:19:29,310 --> 00:19:30,716
WHO DOES HE DO BUSINESS FOR?
414
00:19:30,740 --> 00:19:33,016
UNTIL I HEARD OF
SATIN AND HIS BROAD,
415
00:19:33,040 --> 00:19:34,346
I WOULD HAVE SAID NO ONE.
416
00:19:34,370 --> 00:19:36,116
EVERYONE THOUGHT
HE WAS A LITTLE BATSO.
417
00:19:36,140 --> 00:19:37,986
NO ONE WOULD LET
HIM IN THE DOOR.
418
00:19:38,010 --> 00:19:40,916
YEAH, WELL, SOMEBODY
LET HIM IN, BUT WHO?
419
00:19:40,940 --> 00:19:43,886
YOU GOTTA ASK...
420
00:19:43,910 --> 00:19:46,516
WHO BENEFITS?
421
00:19:46,540 --> 00:19:49,386
I DON'T KNOW ANY
IMPORTANT PERSON
422
00:19:49,410 --> 00:19:52,170
WHO BENEFITS FROM
THE KILLING OF THOSE TWO.
423
00:20:12,510 --> 00:20:13,586
FREEZE, POLICE!
424
00:20:13,610 --> 00:20:15,370
ALL... ALL RIGHT, LADY.
425
00:20:16,240 --> 00:20:17,246
EASY.
426
00:20:17,270 --> 00:20:18,516
GET UP, GET AGAINST
THE WALL. SPREAD 'EM.
427
00:20:18,540 --> 00:20:21,086
ALL RIGHT. ALL RIGHT.
428
00:20:21,110 --> 00:20:22,970
UNH.
429
00:20:28,710 --> 00:20:31,486
ALL RIGHT, WHO ARE YOU AND
WHAT ARE YOU DOING HERE?
430
00:20:31,510 --> 00:20:33,886
GREEN, MURRAY GREEN.
431
00:20:33,910 --> 00:20:35,216
LOOK, LADY, I'M A
FRIEND OF JOHNNY'S.
432
00:20:35,240 --> 00:20:37,046
WHAT'S THIS ALL ABOUT?
HE CUT YOU OUT OF HIS WILL?
433
00:20:37,070 --> 00:20:40,070
LOOK, I'M JUST LOOKING FOR
SOMETHING OF MINE HE WAS HOLDING.
434
00:20:45,270 --> 00:20:47,046
WELL, THIS IS CHARMING.
435
00:20:47,070 --> 00:20:49,016
WHAT WERE YOU GOING TO
DO WHEN YOU FOUND YOURS,
436
00:20:49,040 --> 00:20:50,816
HAVE HIM MAKE YOU A
SET FOR YOUR SCRAPBOOK?
437
00:20:50,840 --> 00:20:53,086
LADY, GIVE ME A BREAK, WILL YOU
PLEASE? IT WAS NOTHING LIKE THAT.
438
00:20:53,110 --> 00:20:55,246
IS THIS CAMERA EQUIPMENT YOURS?
439
00:20:55,270 --> 00:20:59,146
LOOK, IT WASN'T MY
IDEA TO SCAM, ALL RIGHT?
440
00:20:59,170 --> 00:21:01,286
THE ONLY REASON I DID IT WAS
JOHNNY HAD ME OVER A BARREL.
441
00:21:01,310 --> 00:21:03,886
HE KNEW I WAS INTO
A SHY REAL HEAVY,
442
00:21:03,910 --> 00:21:05,286
AND THEY WERE GOING
TO BREAK MY LEGS.
443
00:21:05,310 --> 00:21:06,746
WHOSE THE ONE THEY'RE
PUTTING THE BITE ON?
444
00:21:06,770 --> 00:21:07,717
ALL OF THEM.
445
00:21:07,741 --> 00:21:09,346
THE ONE WHO GOT THEM WASTED.
446
00:21:09,370 --> 00:21:10,486
I DON'T KNOW.
447
00:21:10,510 --> 00:21:11,986
WHOSE PICTURE WERE
YOU LOOKING FOR?
448
00:21:12,010 --> 00:21:13,846
I TOLD HIM, "YOU
MESS WITH FIRE,"
449
00:21:13,870 --> 00:21:15,440
I SAID, "YOU'RE
GONNA GET BURNT."
450
00:21:17,910 --> 00:21:19,516
HERE.
451
00:21:19,540 --> 00:21:22,616
NICE LOOKING KID.
452
00:21:22,640 --> 00:21:23,786
WHO IS HE?
453
00:21:25,640 --> 00:21:27,216
JIMMY TOMESINO, HUH?
454
00:21:27,240 --> 00:21:29,986
NOW LOOK, YOU DON'T
UNDERSTAND. HE'S A FRIEND OF MINE.
455
00:21:30,010 --> 00:21:31,816
PAPA JOE'S KID, RIGHT?
456
00:21:31,840 --> 00:21:33,646
HEY, THE LAST TIME I SAW HIM,
457
00:21:33,670 --> 00:21:34,716
HE WAS PLAYING WITH
CHOO-CHOO TRAINS
458
00:21:34,740 --> 00:21:36,086
HIS GRANDMOTHER
BOUGHT HIM FOR CHRISTMAS.
459
00:21:36,110 --> 00:21:37,516
OH, YEAH? WELL, HE OUTGREW THEM.
460
00:21:37,540 --> 00:21:39,916
THE GIRL'S THE HOOKER THAT
GOT KILLED AT THE WATER WORKS.
461
00:21:39,940 --> 00:21:41,216
THAT'S ALL THE
SHOOTING'S ABOUT, HUH?
462
00:21:41,240 --> 00:21:44,116
YEAH, ACCORDING TO MURRAY
GREEN, WHO TOOK THE PICTURES.
463
00:21:44,140 --> 00:21:46,946
HE SAID THAT, UH, JOHNNY
SATIN AND DELORES
464
00:21:46,970 --> 00:21:48,386
WERE TRYING TO SHAKE
JIMMY DOWN ON THIS ONE.
465
00:21:48,410 --> 00:21:51,546
MAYBE THEY SHOOK SO HARD,
TOMMY LARGO FELL ON THEM.
466
00:21:51,570 --> 00:21:54,186
YEAH, WELL, JIMMY WORKS EVERY DAY AT THE
BLUE ORCHID, COLLECTING FOR HIS OLD MAN.
467
00:21:54,210 --> 00:21:55,616
LET'S GO TALK TO HIM ABOUT IT.
468
00:21:55,640 --> 00:22:00,046
YOU COME UP 3 PENNIES SHORT
ON THE REGISTER NEXT TIME, PATSY,
469
00:22:00,070 --> 00:22:03,416
AND THEY'RE GONNA PUT TWO OF
THEM ON TOP OF YOUR DEAD EYES.
470
00:22:03,440 --> 00:22:05,470
CAPISCHE?
471
00:22:07,310 --> 00:22:08,970
GOOD BOY.
472
00:22:11,310 --> 00:22:13,816
HEY. OH, IT'S YOU.
473
00:22:13,840 --> 00:22:14,846
LOOK, I'M IN A HURRY.
474
00:22:14,870 --> 00:22:17,370
IT'LL KEEP. I NEED 5 MINUTES.
475
00:22:19,070 --> 00:22:20,840
I'LL GIVE YOU 3.
476
00:22:25,640 --> 00:22:27,510
SO?
477
00:22:29,040 --> 00:22:31,946
HUNTER, YOU COULD HAVE
SHOWN THIS TO ME IN PRIVATE.
478
00:22:31,970 --> 00:22:33,886
McCall: YOU HAVE QUITE
A SET OF MORALS, JIMMY.
479
00:22:33,910 --> 00:22:36,346
GETTIN' CAUGHT MAKING LOVE
EMBARRASSES THE HELL OUT OF YOU,
480
00:22:36,370 --> 00:22:39,486
BUT HAVING 2 PEOPLE WASTED
BECAUSE OF IT DOESN'T BOTHER YOU A BIT.
481
00:22:39,510 --> 00:22:41,786
HEY, WAIT A MINUTE.
JUST WAIT ONE MINUTE.
482
00:22:41,810 --> 00:22:43,816
I NEVER HAD NOBODY WASTED.
483
00:22:43,840 --> 00:22:46,086
JOHNNY SATIN AND THE
GIRL IN THAT PHOTOGRAPH
484
00:22:46,110 --> 00:22:48,116
WERE TRYING TO
SHAKE YOU DOWN, RIGHT?
485
00:22:48,140 --> 00:22:49,546
WELL, NOW THEY'RE BOTH DEAD.
486
00:22:49,570 --> 00:22:51,646
YOU THINK I'M GONNA
PUT OUT A CONTRACT
487
00:22:51,670 --> 00:22:54,916
ON ACCOUNT OF SOME PICTURE
DON'T EVEN LOOK LIKE ME?
488
00:22:54,940 --> 00:22:56,686
WHAT DO YOU THINK? I'M NUTS?
489
00:22:56,710 --> 00:22:58,416
YOU KNOW WHAT MY OLD
MAN WOULD DO TO ME?
490
00:22:58,440 --> 00:23:01,086
WHAT WOULD HE DO IF HE FOUND OUT
YOU LEAKED ABOUT SOME FAMILY BUSINESS
491
00:23:01,110 --> 00:23:02,646
WHEN YOU WERE WITH HER, HUH?
492
00:23:02,670 --> 00:23:05,486
YOU'RE TOGETHER IN
BED, HAVING A GOOD TIME,
493
00:23:05,510 --> 00:23:07,786
REAL RELAXED, A
COUPLE OF DRINKS MAYBE.
494
00:23:07,810 --> 00:23:10,486
A SMART GIRL COULD TAKE
ADVANTAGE OF YOU, GET YOU TO TALK.
495
00:23:10,510 --> 00:23:14,586
I NEVER PUT OUT NO
CONTRACT ON NOBODY.
496
00:23:14,610 --> 00:23:17,646
AND I SUPPOSE YOU NEVER HEARD OF
CAREY LeMASTERS OR TOMMY LARGO EITHER?
497
00:23:17,670 --> 00:23:20,516
LARGO.
498
00:23:20,540 --> 00:23:22,416
YEAH, YEAH, I HEARD OF HIM.
499
00:23:22,440 --> 00:23:24,016
UH... COMES FROM
BACK EAST, DON'T HE?
500
00:23:24,040 --> 00:23:25,116
DUH.
501
00:23:25,140 --> 00:23:27,616
I DON'T KNOW. THINGS
AROUND HERE ARE LOCKED.
502
00:23:27,640 --> 00:23:30,316
UH, THE OTHER GUY,
I NEVER HEARD OF.
503
00:23:30,340 --> 00:23:31,546
Hunter: LARGO WOULD
MAKE A NICE ADDITION
504
00:23:31,570 --> 00:23:32,816
TO THE FAMILY BUSINESS, RIGHT?
505
00:23:32,840 --> 00:23:34,716
RIGHT. ALL RIGHT. SO HE
COMES TO ME A COUPLE OF TIMES,
506
00:23:34,740 --> 00:23:36,416
TELL ME HE WANTS TO COME
TO WORK FOR THE FAMILY.
507
00:23:36,440 --> 00:23:38,486
I SHOULD GIVE HIM
BREAKDOWN TO POP.
508
00:23:38,510 --> 00:23:39,846
I TOLD HIM, "FORGET ABOUT IT.
509
00:23:39,870 --> 00:23:42,186
HEY, I DON'T BRING NOBODY TO
POP I DON'T KNOW PERSONALLY."
510
00:23:42,210 --> 00:23:43,746
HE BUSTED MY HEAD.
511
00:23:43,770 --> 00:23:45,446
THEN WHY WOULD HE HAVE
JOHNNY SATIN AND HIS GIRL WASTED
512
00:23:45,470 --> 00:23:46,786
IF YOU DIDN'T GIVE
HIM THE CONTRACT?
513
00:23:46,810 --> 00:23:48,286
FOR AN INTRO TO YOUR OLD MAN?
514
00:23:48,310 --> 00:23:50,616
WHAT DO I KNOW? HE'S
SOME KIND OF FLAKE.
515
00:23:50,640 --> 00:23:54,316
WHERE CAN WE FIND LARGO?
516
00:23:54,340 --> 00:23:56,916
I DON'T KNOW, HUNTER.
517
00:23:56,940 --> 00:23:58,386
I SEEN HIM AROUND.
518
00:23:58,410 --> 00:24:00,116
NOTHING MORE.
519
00:24:00,140 --> 00:24:01,986
WELL, IF HE SHOULD
HAPPEN TO POP IN,
520
00:24:02,010 --> 00:24:03,886
TO GET KISSED FOR DOING
SOME FAMILY BUSINESS,
521
00:24:03,910 --> 00:24:05,516
YOU'D BE SURE TO
LET ME KNOW, RIGHT?
522
00:24:05,540 --> 00:24:07,610
OH, YEAH, FIRST THING.
523
00:24:14,640 --> 00:24:16,416
LISTEN, JIMMY...
524
00:24:16,440 --> 00:24:19,016
YOU GOTTA EXERCISE MORE.
525
00:24:19,040 --> 00:24:21,940
YOU'RE GETTIN' FLABBY.
526
00:24:28,370 --> 00:24:30,386
YOU WANT TO EXPLAIN
THAT TO ME IN THERE...
527
00:24:30,410 --> 00:24:32,416
WHY YOU ASKED HIM IF HE
KNEW CAREY LeMASTERS?
528
00:24:32,440 --> 00:24:34,686
WELL, LeMASTERS WAS AT
THE WATER WORKS THAT NIGHT.
529
00:24:34,710 --> 00:24:36,246
WHICH HE EXPLAINED.
530
00:24:36,270 --> 00:24:37,986
WELL, IF HE'S GUILTY, HE LIED.
531
00:24:38,010 --> 00:24:40,746
HUNTER, WE SAW THE
GUY WHO KILLED SATIN.
532
00:24:40,770 --> 00:24:42,846
NOW, HE FITS TOMMY
LARGO'S DESCRIPTION.
533
00:24:42,870 --> 00:24:44,646
I WAS JUST TRYING TO
BE THOROUGH, YOU KNOW?
534
00:24:44,670 --> 00:24:46,046
MAYBE I COULD, UH...
535
00:24:46,070 --> 00:24:47,516
MAYBE YOU COULD, UH...
536
00:24:47,540 --> 00:24:50,486
STEAMROLL THIS GUY BECAUSE
HE WOUND UP WITH CHRISTINA?
537
00:24:50,510 --> 00:24:52,646
LOOK, YOU CAN'T LET
THIS GET PERSONAL.
538
00:24:52,670 --> 00:24:54,586
THIS IS NOT PERSONAL.
539
00:24:54,610 --> 00:24:58,410
NOW, I THINK WE OUGHT TO
CONCENTRATE ON JIMMY TOMESINO.
540
00:24:59,240 --> 00:25:01,170
OK.
541
00:25:07,870 --> 00:25:09,140
HEY.
542
00:26:08,970 --> 00:26:10,770
TOMMY.
543
00:26:13,110 --> 00:26:15,610
LARGO, COME ON, OPEN UP.
544
00:26:32,870 --> 00:26:36,270
DIDN'T SOUND LIKE THERE
WAS ANYBODY THERE.
545
00:26:56,310 --> 00:26:58,910
HEY, TAKE A LOOK AT THAT.
546
00:27:01,310 --> 00:27:03,370
LARGO'S LEFT-HANDED.
547
00:27:06,740 --> 00:27:08,186
"CHEZ JACQUES"?
548
00:27:08,210 --> 00:27:09,546
NOW, THERE'S A 4-STAR RESTAURANT
549
00:27:09,570 --> 00:27:12,110
A GUY WHO LIVES
HERE WOULD FREQUENT.
550
00:27:35,810 --> 00:27:37,870
HMM.
551
00:27:40,970 --> 00:27:43,440
BINGO.
552
00:28:34,940 --> 00:28:37,446
HEY, DID YOU LOOK
UNDER RED WIGS?
553
00:28:37,470 --> 00:28:39,446
PURPLE CIRCLES?
554
00:28:39,470 --> 00:28:44,046
COME ON, JOHNNY, YOU'RE
SHAKING MY FAITH IN THE FBI.
555
00:28:44,070 --> 00:28:46,216
YEAH. I'LL DO IT.
556
00:28:46,240 --> 00:28:48,886
YOU, TOO. 54-0-1, HUH?
557
00:28:48,910 --> 00:28:50,870
YEAH.
558
00:28:51,810 --> 00:28:54,086
NYPD, NOTHING ON A TOMMY LARGO.
559
00:28:54,110 --> 00:28:55,686
BOSTON, DITTO.
560
00:28:55,710 --> 00:28:57,086
DETROIT, CHICAGO,
561
00:28:57,110 --> 00:28:58,116
PHILADELPHIA, NEW ORLEANS...
562
00:28:58,140 --> 00:29:00,946
ALL A BIG, FAT ZERO.
563
00:29:00,970 --> 00:29:03,216
NOBODY IS THAT GOOD.
564
00:29:03,240 --> 00:29:05,446
UNLESS HE DOESN'T EXIST.
565
00:29:05,470 --> 00:29:07,716
AH, HERE WE GO.
566
00:29:07,740 --> 00:29:10,716
LARGO AND LeMASTERS ARE
THE SAME GUY AGAIN, HUH?
567
00:29:10,740 --> 00:29:12,416
IT'S A POSSIBILITY.
568
00:29:12,440 --> 00:29:13,886
ANYTHING IS A POSSIBILITY,
569
00:29:13,910 --> 00:29:15,546
BUT WE HAVE NO PROBABLE REASON
570
00:29:15,570 --> 00:29:16,646
TO REACH THAT CONCLUSION,
571
00:29:16,670 --> 00:29:18,786
EXCEPT THAT YOU
WANT IT TO BE TRUE.
572
00:29:18,810 --> 00:29:20,486
WHAT ABOUT THIS RED WIG?
573
00:29:20,510 --> 00:29:22,886
HIT MEN USE DISGUISES
SO THEY WON'T BE IDed.
574
00:29:22,910 --> 00:29:24,346
WHEN THEY'RE
COMMITTING THE MURDER,
575
00:29:24,370 --> 00:29:26,146
NOT IN THEIR EVERYDAY LIVES.
576
00:29:26,170 --> 00:29:28,916
UNLESS IT WAS ALL A
PART OF THE SAME HIT.
577
00:29:28,940 --> 00:29:31,216
NOW, MAYBE LeMASTERS
HAS A CONTRACT,
578
00:29:31,240 --> 00:29:32,986
AND FOR SOME
REASONS WE DON'T KNOW
579
00:29:33,010 --> 00:29:35,546
HAS TO FULFILL THEM
AS TOMMY LARGO.
580
00:29:35,570 --> 00:29:37,286
HUNTER, THIS IS
STORYBOOK THEATER,
581
00:29:37,310 --> 00:29:38,846
AND IT'S ALL BASED ON A WIG.
582
00:29:38,870 --> 00:29:40,046
HOW ABOUT THIS?
583
00:29:40,070 --> 00:29:42,016
THE GUY HAS NEVER SPENT
ONE NIGHT IN HIS APARTMENT.
584
00:29:42,040 --> 00:29:43,746
HE'S NEVER SLEPT IN HIS BED,
585
00:29:43,770 --> 00:29:46,486
AND HE WEARS A SIZE
34 SHIRT AND A 9 SHOE.
586
00:29:46,510 --> 00:29:47,946
THAT'S LeMASTER'S SIZES.
587
00:29:47,970 --> 00:29:49,616
AND SMITTY'S AND TERWILLIGER'S
588
00:29:49,640 --> 00:29:50,946
AND ABOUT HALF THE CONTINENT'S.
589
00:29:50,970 --> 00:29:52,916
WHAT ABOUT THE FACT
THAT LARGO'S LEFT-HANDED?
590
00:29:52,940 --> 00:29:53,946
NO, HE'S NOT.
591
00:29:53,970 --> 00:29:55,116
WHEN HE CAME THROUGH THAT DOOR,
592
00:29:55,140 --> 00:29:56,686
HIS GUN WAS RIGHT THERE.
593
00:29:56,710 --> 00:29:57,746
YOU NOTICED THAT?
594
00:29:57,770 --> 00:30:01,746
UH-HUH. HOW ABOUT THIS?
595
00:30:01,770 --> 00:30:03,016
A MATCHBOOK.
596
00:30:03,040 --> 00:30:04,946
HOW CLICHÉ CAN YOU GET?
597
00:30:04,970 --> 00:30:07,086
IF THAT WAS SUCH A
DAMNING PIECE OF EVIDENCE,
598
00:30:07,110 --> 00:30:09,646
WHAT WOULD IT BE DOING
HOLDING UP THE FURNITURE?
599
00:30:09,670 --> 00:30:10,647
COME ON, HE DIDN'T KNOW
600
00:30:10,671 --> 00:30:12,116
WE WERE GOING TO COME
SNOOPING AROUND HIS APARTMENT.
601
00:30:12,140 --> 00:30:14,446
AND I SUPPOSE IT HAS A
CONVENIENT PHONE NUMBER
602
00:30:14,470 --> 00:30:16,046
SCRAWLED ON THE
INSIDE OF THE COVER.
603
00:30:16,070 --> 00:30:18,740
COME ON, GIVE ME
A BREAK, WILL YOU?
604
00:30:19,910 --> 00:30:22,270
PHONE NUMBER.
605
00:30:25,510 --> 00:30:28,310
WELL, IT WAS WORTH A LOOK.
606
00:30:30,570 --> 00:30:33,986
GREAT. ENJOY YOUR DINNER.
607
00:30:34,010 --> 00:30:35,610
HELLO.
608
00:30:40,040 --> 00:30:41,946
THE USUAL?
609
00:30:41,970 --> 00:30:42,917
HI.
610
00:30:42,941 --> 00:30:44,946
HI. SORRY I'M LATE.
611
00:30:44,970 --> 00:30:47,286
I WAITED FOR CAREY TO
LEAVE FOR THE OFFICE.
612
00:30:47,310 --> 00:30:48,746
THAT'S ALL RIGHT.
613
00:30:48,770 --> 00:30:50,446
THIS IS A PRETTY
NICE PLACE, CHRISTINA.
614
00:30:50,470 --> 00:30:51,846
YOU EAT HERE OFTEN?
615
00:30:51,870 --> 00:30:53,216
NOT ANYMORE.
616
00:30:53,240 --> 00:30:55,786
IT USED TO BE ONE OF
CAREY'S FAVORITE PLACES.
617
00:30:55,810 --> 00:30:57,616
I WAS SURPRISED WHEN
YOU SUGGESTED IT.
618
00:30:57,640 --> 00:31:00,316
WELL, YOU'RE NOT AFRAID OF
MEETING CAREY HERE, ARE YOU?
619
00:31:00,340 --> 00:31:03,910
NO. I REALLY DON'T THINK HE
HANGS OUT HERE ANYMORE.
620
00:31:05,140 --> 00:31:08,716
LOOK, CHRISTINA, I... I
WANTED TO SEE YOU AGAIN
621
00:31:08,740 --> 00:31:11,216
BECAUSE I WAS CONCERNED
ABOUT HOW YOU WERE DOING.
622
00:31:11,240 --> 00:31:12,616
YOU KNOW, THE
LAST TIME WE TALKED,
623
00:31:12,640 --> 00:31:13,786
YOU WEREN'T DOING SO WELL.
624
00:31:13,810 --> 00:31:15,116
LIFE'S BEEN BETTER,
625
00:31:15,140 --> 00:31:17,616
BUT I GUESS IT'LL ALL WORK OUT.
626
00:31:17,640 --> 00:31:19,646
HAVE YOU HAD A CHANCE
TO TALK WITH CAREY?
627
00:31:19,670 --> 00:31:21,816
YEAH, WE TALKED,
628
00:31:21,840 --> 00:31:24,346
BUT I DON'T THINK
WE SOLVED ANYTHING.
629
00:31:24,370 --> 00:31:27,486
HE APOLOGIZED, ASSURED
ME IT WAS NOTHING.
630
00:31:27,510 --> 00:31:28,816
I BELIEVE HIM.
631
00:31:28,840 --> 00:31:30,886
SO, WHAT'S THE PROBLEM?
632
00:31:30,910 --> 00:31:32,946
IT'S NOT THE AFFAIR, RICK.
633
00:31:32,970 --> 00:31:35,846
I JUST FEEL LIKE I'M
LIVING WITH A STRANGER.
634
00:31:35,870 --> 00:31:39,286
HE WANTS US TO GO AWAY AND
START A NEW LIFE SOMEWHERE ELSE.
635
00:31:39,310 --> 00:31:42,286
2 WEEKS AGO, I WOULD'VE
JUMPED AT THE CHANCE,
636
00:31:42,310 --> 00:31:44,446
BUT THE WAY I FEEL
TODAY, I JUST DON'T KNOW.
637
00:31:44,470 --> 00:31:46,146
YOU KNOW, RICK, HOW DIFFICULT
638
00:31:46,170 --> 00:31:48,286
THIS WHOLE ORDEAL
HAS BEEN FOR ME,
639
00:31:48,310 --> 00:31:51,586
BUT THERE HAS BEEN
ONE GOOD POINT ABOUT IT...
640
00:31:51,610 --> 00:31:53,486
THE CHANCE TO SEE YOU AGAIN
641
00:31:53,510 --> 00:31:55,046
AND BE FRIENDS.
642
00:31:55,070 --> 00:31:57,346
JUST KNOWING YOU WERE
ONLY A PHONE CALL AWAY
643
00:31:57,370 --> 00:31:59,046
REALLY HELPED ME
FROM CRACKING UP.
644
00:31:59,070 --> 00:32:01,346
THANK YOU.
645
00:32:01,370 --> 00:32:03,386
WELL, YOU'RE VERY WELCOME.
646
00:32:03,410 --> 00:32:04,686
Man: SERGEANT HUNTER, EXCUSE ME.
647
00:32:04,710 --> 00:32:05,687
YEAH.
648
00:32:05,711 --> 00:32:07,416
YOU HAVE A TELEPHONE CALL.
649
00:32:07,440 --> 00:32:09,440
EXCUSE ME.
650
00:32:12,140 --> 00:32:13,446
THANKS.
651
00:32:13,470 --> 00:32:15,016
SERGEANT HUNTER.
652
00:32:15,040 --> 00:32:17,616
THE PURPLE CIRCLE
MURDERER STRIKES AGAIN.
653
00:32:17,640 --> 00:32:18,646
WHO IS IT?
654
00:32:18,670 --> 00:32:20,186
MURRAY GREEN, THE PHOTOGRAPHER.
655
00:32:20,210 --> 00:32:21,616
FOUND HIM IN A STEAM ROOM...
656
00:32:21,640 --> 00:32:23,316
TOWEL WITH A
PURPLE CIRCLE ON IT,
657
00:32:23,340 --> 00:32:25,046
.22 THROWAWAY AT THE SIDE.
658
00:32:25,070 --> 00:32:27,116
DOES ANYBODY SEE
ANYTHING? ANY LEADS?
659
00:32:27,140 --> 00:32:28,816
NO. IT WAS CLEAN AND NEAT.
660
00:32:28,840 --> 00:32:30,046
I FEEL AWFUL ABOUT THIS.
661
00:32:30,070 --> 00:32:31,646
I SHOULD'VE KEPT HIM
IN PROTECTIVE CUSTODY
662
00:32:31,670 --> 00:32:32,916
UNTIL WE NAILED LARGO.
663
00:32:32,940 --> 00:32:34,516
WHEN HE POSTED HIS OWN BAIL,
664
00:32:34,540 --> 00:32:35,646
YOU TOLD HIM TO LAY LOW.
665
00:32:35,670 --> 00:32:36,816
HE SHOULD'VE LISTENED TO YOU.
666
00:32:36,840 --> 00:32:38,586
WELL, HE WAS IN A
STEAM ROOM, HUNTER.
667
00:32:38,610 --> 00:32:40,316
HE WASN'T IN A PARADE.
668
00:32:40,340 --> 00:32:41,946
WHAT ABOUT CHRISTINA?
669
00:32:41,970 --> 00:32:44,516
DID YOU ASK HIM ABOUT CAREY'S
SHIRTS OR ANY OF THAT STUFF?
670
00:32:44,540 --> 00:32:45,916
NO, NOT YET.
671
00:32:45,940 --> 00:32:47,516
WELL, WHAT ABOUT
HIS WORK HABITS?
672
00:32:47,540 --> 00:32:48,846
WHAT ABOUT THE AFFAIR?
673
00:32:48,870 --> 00:32:49,817
DID YOU ASK CHRISTINA
674
00:32:49,841 --> 00:32:51,086
WHY SHE THOUGHT HE
WAS CHEATING ON HER?
675
00:32:51,110 --> 00:32:53,516
WELL, I'M KIND OF EASING
INTO THAT, YOU KNOW?
676
00:32:53,540 --> 00:32:56,086
YOU'RE TRYING TO EASE INTO THAT?
677
00:32:56,110 --> 00:32:59,916
HUNTER, YOU'RE NOT LETTING
HER GET TO YOU, NOW, ARE YOU?
678
00:32:59,940 --> 00:33:02,016
McCALL, I'LL PICK YOU
UP IN A HALF HOUR.
679
00:33:02,040 --> 00:33:04,440
I'LL TALK TO YOU
THEN, ALL RIGHT?
680
00:33:18,540 --> 00:33:20,586
IS THERE SOMETHING
DRIPPING ON MY CHIN?
681
00:33:20,610 --> 00:33:22,586
NO. IT'S, UH...
682
00:33:22,610 --> 00:33:24,916
YOU'RE EATING
DIFFERENTLY, CHRISTINA.
683
00:33:24,940 --> 00:33:26,486
THE FORK'S IN YOUR LEFT HAND.
684
00:33:26,510 --> 00:33:28,716
OH. WELL, I USED TO CUT MY FOOD,
685
00:33:28,740 --> 00:33:30,686
AND THEN I WOULD SWITCH
MY FORK TO THE OTHER HAND.
686
00:33:30,710 --> 00:33:32,116
MOST AMERICANS DO.
687
00:33:32,140 --> 00:33:34,346
BUT THE EUROPEANS KEEP THEIR
FORK IN THE SAME HAND TO EAT.
688
00:33:34,370 --> 00:33:36,716
IT ACTUALLY IS EASIER.
689
00:33:36,740 --> 00:33:38,346
I PICKED THAT UP FROM CAREY.
690
00:33:38,370 --> 00:33:40,716
I GUESS YOU CAN'T SPEND
THAT MUCH TIME WITH SOMEBODY
691
00:33:40,740 --> 00:33:42,416
WITHOUT THEM INFLUENCING YOU.
692
00:33:42,440 --> 00:33:44,816
THE PHONE CALL...
WAS IT IMPORTANT?
693
00:33:44,840 --> 00:33:48,116
OH, YEAH. LISTEN, I'VE
GOT TO GO, CHRISTINA.
694
00:33:48,140 --> 00:33:49,117
POLICE BUSINESS.
695
00:33:49,141 --> 00:33:50,386
I REMEMBER HEARING THAT LINE
696
00:33:50,410 --> 00:33:52,346
ONCE OR TWICE BEFORE IN MY LIFE.
697
00:33:52,370 --> 00:33:54,046
I'LL CALL YOU, OK?
698
00:33:54,070 --> 00:33:56,270
TAKE CARE OF YOURSELF.
699
00:34:20,640 --> 00:34:22,016
IF LeMASTERS IS A HIT MAN,
700
00:34:22,040 --> 00:34:23,216
HE SURE PUTS UP A GOOD FRONT
701
00:34:23,240 --> 00:34:25,286
BETWEEN THIS OFFICE AND
HIS STANDARD OF LIVING.
702
00:34:25,310 --> 00:34:27,940
HE'S PRETTY SMOOTH, ALL RIGHT.
703
00:34:29,170 --> 00:34:32,546
IS HE THE REASON
CHRISTINA ISN'T...
704
00:34:32,570 --> 00:34:34,316
MRS. HUNTER?
705
00:34:34,340 --> 00:34:36,546
NOPE.
706
00:34:36,570 --> 00:34:38,346
HE HAD NOTHING TO DO WITH IT.
707
00:34:38,370 --> 00:34:40,746
CHRISTINA AND I
RUINED WHAT WE HAD
708
00:34:40,770 --> 00:34:42,440
ALL BY OURSELVES.
709
00:34:48,510 --> 00:34:50,770
THERE'S OUR BOY.
710
00:34:59,210 --> 00:35:02,440
HOW YOU DOING, TOMMY?
711
00:35:03,240 --> 00:35:05,086
WHAT THE HELL IS THIS?
712
00:35:05,110 --> 00:35:06,486
WELL, THAT'S A RED WIG.
713
00:35:06,510 --> 00:35:08,016
I FOUND THAT IN YOUR APARTMENT
714
00:35:08,040 --> 00:35:10,146
JUST SECONDS BEFORE
YOU TRIED TO MURDER ME
715
00:35:10,170 --> 00:35:11,346
WITH THE MACHINE GUN.
716
00:35:11,370 --> 00:35:13,586
YOU OBVIOUSLY HAVE
A MAJOR PROBLEM.
717
00:35:13,610 --> 00:35:14,816
YEAH, IT'S YOU,
718
00:35:14,840 --> 00:35:16,986
BUT ONCE I GET YOU OFF
THE STREET AND INTO A CELL,
719
00:35:17,010 --> 00:35:18,616
EVERYTHING IS GOING
TO BE JUST FINE, TOMMY.
720
00:35:18,640 --> 00:35:21,746
WHY DO YOU KEEP
CALLING ME TOMMY?
721
00:35:21,770 --> 00:35:23,086
TOMMY LARGO.
722
00:35:23,110 --> 00:35:24,846
WELL, THAT'S THE NAME YOU GO BY
723
00:35:24,870 --> 00:35:27,146
WHEN YOU'RE BUSY
KILLING PIMPS AND HOOKERS.
724
00:35:27,170 --> 00:35:29,686
KILLING HOOKERS?
725
00:35:29,710 --> 00:35:32,216
ARE YOU STILL ON ABOUT THAT
726
00:35:32,240 --> 00:35:34,316
BECAUSE I WAS AT THE
WATER WORKS THAT NIGHT?
727
00:35:34,340 --> 00:35:37,316
ARE YOU REALLY GOING TO
TRY TO PIN A MURDER ON ME
728
00:35:37,340 --> 00:35:38,916
SIMPLY BECAUSE I
HAPPEN TO BE MARRIED
729
00:35:38,940 --> 00:35:41,686
TO THE WOMAN WITH WHOM
YOU ARE STILL IN LOVE?
730
00:35:41,710 --> 00:35:44,316
OH, SPARE ME THE VIOLINS, TOMMY.
731
00:35:44,340 --> 00:35:46,516
CHRISTINA HAS NOTHING
TO DO WITH THIS.
732
00:35:46,540 --> 00:35:48,016
THIS IS BETWEEN YOU AND ME,
733
00:35:48,040 --> 00:35:50,016
BECAUSE I'M A COP,
734
00:35:50,040 --> 00:35:52,840
AND YOU'RE A PILE OF SPIT.
735
00:35:55,640 --> 00:35:58,116
YOU'RE WALKING ON
DANGEROUS TURF, HUNTER.
736
00:35:58,140 --> 00:36:01,446
I CAN MAKE YOUR LIFE
MISERABLE, AND I WILL.
737
00:36:01,470 --> 00:36:03,686
I HAVEN'T QUITE FIGURED
YOUR GAME OUT YET, TOMMY,
738
00:36:03,710 --> 00:36:04,986
BUT I DO KNOW YOU'RE
OPERATING THIS TOWN
739
00:36:05,010 --> 00:36:07,286
UNDER TOMMY LARGO,
A CONTRACT KILLER.
740
00:36:07,310 --> 00:36:08,916
WELL, WELL, WELL.
741
00:36:08,940 --> 00:36:12,346
IF I AM THIS TOMMY LARGO,
742
00:36:12,370 --> 00:36:14,816
THEN THAT WOULD MEAN
THAT I WOULD HAVE TO TRY
743
00:36:14,840 --> 00:36:16,786
TO KILL YOU, WOULDN'T IT?
744
00:36:16,810 --> 00:36:19,540
WORKS FOR ME.
745
00:36:45,910 --> 00:36:48,286
♪ SHE LOVED ME GOOD ♪
746
00:36:48,310 --> 00:36:51,216
♪ SHE LOVED ME LONG ♪
747
00:36:51,240 --> 00:36:54,086
♪ I COULDN'T BREAK AWAY ♪
748
00:36:54,110 --> 00:36:57,716
♪ IT WAS JUST THAT STRONG ♪
749
00:36:57,740 --> 00:36:59,516
♪ I KEPT GOIN' BACK ♪
750
00:37:00,710 --> 00:37:03,186
♪ TO THE THINGS SHE COULD DO ♪
751
00:37:03,210 --> 00:37:06,186
♪ I WOULD MAKE HER WAIT ♪
752
00:37:06,210 --> 00:37:08,346
♪ I THINK YOU WOULD, TOO ♪
753
00:37:08,370 --> 00:37:09,946
♪ YOU WOULD, TOO ♪
754
00:37:09,970 --> 00:37:11,846
♪ YEAH, SHE'S REAL FINE ♪
755
00:37:11,870 --> 00:37:13,246
♪ SHE OUGHT TO BE MY GIRL ♪
756
00:37:13,270 --> 00:37:16,146
♪ IF LOVE IS AN OYSTER,
YOU KNOW SHE'S MY PEARL ♪
757
00:37:16,170 --> 00:37:19,146
♪ BUT NOTHING REALLY MATTERS,
'CAUSE NOTHING MAKES SENSE ♪
758
00:37:19,170 --> 00:37:22,940
♪ IF LOVE IS A TOOLBOX,
SHE'S A MONKEY WRENCH ♪
759
00:37:23,670 --> 00:37:26,110
♪ OH ♪
760
00:37:32,840 --> 00:37:35,346
♪ IF THE SUN IS UP ♪
761
00:37:35,370 --> 00:37:38,346
♪ YOU KNOW I'M COMIN' ROUND ♪
762
00:37:38,370 --> 00:37:41,686
♪ AND IF YOU SEE MOONLIGHT ♪
763
00:37:41,710 --> 00:37:44,346
♪ I COULD BE GOIN' DOWN ♪
764
00:37:44,370 --> 00:37:46,616
♪ SHE WON'T WEAR MY RING... ♪
765
00:37:46,640 --> 00:37:47,816
McCall: SWITCHING CARS?
766
00:37:47,840 --> 00:37:49,516
Hunter: SO, THAT'S
PRETTY NORMAL BEHAVIOR
767
00:37:49,540 --> 00:37:50,886
FOR A FINANCIAL CONSULTANT.
768
00:37:50,910 --> 00:37:53,546
♪ OH, BUT I CAN'T
MAKE HER WAIT ♪
769
00:37:53,570 --> 00:37:55,716
♪ THIS THING IS THAT STRONG ♪
770
00:37:55,740 --> 00:37:57,486
♪ IT'S THAT STRONG ♪
771
00:37:57,510 --> 00:37:59,286
♪ YEAH, SHE'S REAL FINE ♪
772
00:37:59,310 --> 00:38:00,686
♪ SHE OUGHT TO BE MY GIRL ♪
773
00:38:00,710 --> 00:38:04,246
♪ IF LOVE IS AN OYSTER,
YOU KNOW SHE'S MY PEARL ♪
774
00:38:04,270 --> 00:38:05,486
McCall: WHAT IS HE UP TO?
775
00:38:05,510 --> 00:38:07,186
♪ 'CAUSE NOTHING MAKES SENSE ♪
776
00:38:07,210 --> 00:38:10,710
♪ IF LOVE IS A TOOLBOX,
SHE'S A MONKEY WRENCH ♪
777
00:38:14,840 --> 00:38:18,186
♪ SHE'S A MONKEY WRENCH,
AND I CAN'T EXPLAIN ♪
778
00:38:18,210 --> 00:38:21,116
♪ SQUEEZIN' ME,
BUT NEVER NO PAIN ♪
779
00:38:21,140 --> 00:38:23,986
♪ TELL ME, PEOPLE,
AM I GOIN' INSANE? ♪
780
00:38:24,010 --> 00:38:26,646
♪ WHAT SHE DOES
IS NOT THE SAME ♪
781
00:38:26,670 --> 00:38:28,986
♪ NO ♪
782
00:38:29,010 --> 00:38:31,540
♪ NO PAIN ♪
783
00:38:40,640 --> 00:38:44,086
♪ SHE LOVES ME GOOD ♪
784
00:38:44,110 --> 00:38:46,746
♪ SHE LOVES ME LONG ♪
785
00:38:46,770 --> 00:38:49,110
♪ I AIN'T GOIN' NOWHERE ♪
786
00:38:49,740 --> 00:38:52,286
♪ HER LOVING'S SO STRONG ♪
787
00:38:52,310 --> 00:38:54,786
♪ I'M GETTIN' IN TOO DEEP ♪
788
00:38:54,810 --> 00:38:58,286
♪ I GOT MYSELF IN A PINCH ♪
789
00:38:58,310 --> 00:39:01,716
♪ BUT I GOTTA
LITTLE OIL FOR HER ♪
790
00:39:01,740 --> 00:39:04,886
♪ FOR HER MONKEY
WRENCH, MONKEY WRENCH ♪
791
00:39:04,910 --> 00:39:07,716
♪ YEAH, SHE'S REAL FINE,
SHE OUGHT TO BE MY GIRL... ♪
792
00:39:07,740 --> 00:39:08,816
PRETTY STRANGE.
793
00:39:08,840 --> 00:39:10,346
WHAT KIND OF SCAM DO
YOU THINK HE'S PULLING?
794
00:39:10,370 --> 00:39:12,486
A PRETTY DANGEROUS ONE.
795
00:39:12,510 --> 00:39:14,186
THIS IS PAPA JOE
TOMESINO'S PLACE.
796
00:39:14,210 --> 00:39:17,386
♪ IF LOVE IS A TOOLBOX,
SHE'S A MONKEY WRENCH ♪
797
00:39:17,410 --> 00:39:19,046
McCall: I DON'T SEE LeMASTERS.
798
00:39:19,070 --> 00:39:20,216
TOMMY LARGO?
799
00:39:20,240 --> 00:39:22,870
Hunter: YOU CAN BET THE
FAMILY FORTUNE ON THAT.
800
00:39:24,710 --> 00:39:30,786
♪ SHE'S A MONKEY WRENCH ♪
801
00:39:30,810 --> 00:39:31,986
Hunter: WELL, I'LL BE DAMNED.
802
00:39:32,010 --> 00:39:34,486
LARGO'S PLANTED A
BOMB ON PAPA JOE.
803
00:39:34,510 --> 00:39:37,370
PAPA JOE MUST'VE BEEN
HIS TARGET ALL ALONG.
804
00:40:37,310 --> 00:40:38,646
ALL RIGHT, NOW, WHAT IS THIS,
805
00:40:38,670 --> 00:40:40,216
SOME KIND OF CHEAP CARD TRICK?
806
00:40:40,240 --> 00:40:43,086
SOMEONE JUST TRIED TO
HIT YOUR OLD MAN, STUPID.
807
00:40:43,110 --> 00:40:44,386
WHO? WHO DID THIS, HUNTER?
808
00:40:46,240 --> 00:40:47,816
THAT GUY RIGHT THERE.
809
00:40:47,840 --> 00:40:50,116
Papa Joe: TOMMY LARGO?
810
00:40:50,140 --> 00:40:52,340
OTHERWISE KNOWN
AS CAREY LeMASTERS.
811
00:41:05,870 --> 00:41:07,146
Hunter: WHERE'S LeMASTERS?
812
00:41:07,170 --> 00:41:09,546
Christina: WHAT ARE
YOU DOING HERE?
813
00:41:09,570 --> 00:41:12,610
WHAT'S GOING ON?
814
00:41:14,640 --> 00:41:16,686
HAVE YOU SEEN HIM
OR TALKED WITH HIM?
815
00:41:16,710 --> 00:41:18,746
HE'S TAKING CARE OF
SOME LAST MINUTE BUSINESS.
816
00:41:18,770 --> 00:41:20,570
HE SAID HE'D CALL ME
WHEN HE'S FINISHED.
817
00:41:21,870 --> 00:41:23,586
LOOKS LIKE YOU'RE LEAVING TOWN.
818
00:41:23,610 --> 00:41:25,016
Y-YES.
819
00:41:25,040 --> 00:41:27,246
WE'RE GOING TO THE
SOUTH OF FRANCE.
820
00:41:27,270 --> 00:41:29,586
WOULD YOU PLEASE
TELL ME WHAT'S GOING ON?
821
00:41:29,610 --> 00:41:31,516
OH, YOU REALLY DON'T
KNOW, DO YOU, CHRISTINA?
822
00:41:31,540 --> 00:41:35,016
YOU'RE TOTALLY UNAWARE THAT YOUR
HUSBAND'S A PROFESSIONAL ASSASSIN,
823
00:41:35,040 --> 00:41:37,016
THAT ALL THIS
INTERNATIONAL BUSINESS
824
00:41:37,040 --> 00:41:39,146
HAS ABSOLUTELY NOTHING
TO DO WITH FINANCE,
825
00:41:39,170 --> 00:41:42,246
THAT IT'S JUST A FRONT FOR HIS
PROFESSIONAL ASSASSINATIONS.
826
00:41:42,270 --> 00:41:44,816
HE KILLED A HOOKER, HER
PIMP, AND A PHOTOGRAPHER,
827
00:41:44,840 --> 00:41:46,946
ALL TO INGRATIATE HIMSELF
TO PAPA JOE TOMESINO,
828
00:41:46,970 --> 00:41:50,946
SO HE COULD GET CLOSE
ENOUGH TO KILL HIM.
829
00:41:50,970 --> 00:41:52,346
DON'T OVERREACT.
830
00:41:52,370 --> 00:41:55,316
LOOK, CHRISTINA,
THIS IS NOT AN AFFAIR.
831
00:41:55,340 --> 00:41:58,286
I'M TELLING YOU YOUR OLD
MAN IS A PROFESSIONAL KILLER.
832
00:41:58,310 --> 00:42:00,446
WHAT THE HELL AM
I SUPPOSED TO SAY?
833
00:42:00,470 --> 00:42:02,546
WITH EVERYTHING FALLING APART,
834
00:42:02,570 --> 00:42:03,886
HE'S PROBABLY GOING TO
TRY TO GET OUT OF TOWN,
835
00:42:03,910 --> 00:42:05,086
SO LET'S CHECK THE AIRPORT.
836
00:42:05,110 --> 00:42:06,346
YEAH, RIGHT.
837
00:42:06,370 --> 00:42:07,946
HE... HE CALLED ME
FROM CHEZ JACQUES,
838
00:42:07,970 --> 00:42:10,216
LIKE HE DOES EVERY DAY.
839
00:42:10,240 --> 00:42:12,686
EVERYTHING SOUNDED SO NATURAL.
840
00:42:12,710 --> 00:42:13,886
I HAD NO IDEA.
841
00:42:13,910 --> 00:42:16,970
WELL, YOU CAN UNPACK,
HONEY, BECAUSE THE TRIP'S OFF.
842
00:42:34,070 --> 00:42:36,346
VERY GOOD, DARLING.
843
00:42:36,370 --> 00:42:38,886
ALTHOUGH YOU DIDN'T BELIEVE ME
844
00:42:38,910 --> 00:42:42,716
WHEN I SAID I WAS
FAITHFUL TO YOU...
845
00:42:42,740 --> 00:42:44,416
I'M GLAD YOU HAD FAITH ENOUGH
846
00:42:44,440 --> 00:42:49,110
TO BELIEVE THAT I WOULD
HAVE KILLED THOSE 2 OFFICERS.
847
00:43:00,270 --> 00:43:01,486
STOP.
848
00:43:01,510 --> 00:43:02,516
WHAT?
849
00:43:02,540 --> 00:43:03,786
SHE'S LYING.
850
00:43:03,810 --> 00:43:06,086
HE'S NOT GOING TO ANY AIRPORT.
851
00:43:06,110 --> 00:43:08,386
YOU THINK SHE KNEW
ABOUT IT ALL ALONG?
852
00:43:08,410 --> 00:43:10,416
NO. SHE WAS TRYING TO WARN ME.
853
00:43:10,440 --> 00:43:13,316
LOOK, SHE SAID LeMASTERS
CALLED HER FROM CHEZ JACQUES
854
00:43:13,340 --> 00:43:14,316
LIKE HE DOES EVERY DAY.
855
00:43:14,340 --> 00:43:15,287
YEAH?
856
00:43:15,311 --> 00:43:16,586
WELL, SHE TOLD ME THIS AFTERNOON
857
00:43:16,610 --> 00:43:18,246
THAT THE GUY DOESN'T
GO THERE ANYMORE.
858
00:43:18,270 --> 00:43:21,210
HE'S HERE.
859
00:43:22,110 --> 00:43:23,940
HUNTER, HE'S LEAVING.
860
00:44:58,670 --> 00:45:00,170
GO FOR THE TIRES!
861
00:45:28,740 --> 00:45:30,616
DROP THE GUN,
LeMASTERS, AND LET HER GO!
862
00:45:30,640 --> 00:45:32,046
I'LL KILL HER, HUNTER!
863
00:45:32,070 --> 00:45:33,916
YOU KNOW I'LL DO IT!
864
00:45:33,940 --> 00:45:35,710
NOW YOU DROP YOUR GUNS!
865
00:45:37,110 --> 00:45:40,310
DROP 'EM! NOW! RIGHT NOW!
866
00:45:42,410 --> 00:45:43,786
McCall: DON'T DO IT, HUNTER.
867
00:45:43,810 --> 00:45:45,246
HE'LL KILL HER ANYWAY.
868
00:45:45,270 --> 00:45:47,010
SHE'S DEAD, HUNTER!
869
00:46:08,910 --> 00:46:10,816
THIS IS L-56.
870
00:46:10,840 --> 00:46:13,346
I'M AT THE CORNER OF FRANKLIN
AND BRADDOCK STREETS.
871
00:46:13,370 --> 00:46:15,886
SEND THE CORONER'S WAGON
OVER HERE, WOULD YOU?
872
00:46:15,910 --> 00:46:17,486
Dispatch: ROGER, L-56.
873
00:46:17,510 --> 00:46:18,586
THANKS.
874
00:46:18,610 --> 00:46:20,940
L-56, OUT.
875
00:46:23,370 --> 00:46:24,746
Hunter: YOU GOT YOUR TICKETS?
876
00:46:24,770 --> 00:46:26,246
Christina: YEAH, IN MY PURSE.
877
00:46:26,270 --> 00:46:27,486
YOU GOT A MOVIE ON THE FLIGHT?
878
00:46:27,510 --> 00:46:29,016
YEAH, I THINK SO.
879
00:46:29,040 --> 00:46:30,586
LOOK, CHRISTINA...
880
00:46:30,610 --> 00:46:31,816
NO.
881
00:46:31,840 --> 00:46:33,616
DON'T SAY ANYTHING, PLEASE.
882
00:46:33,640 --> 00:46:35,286
LOOK, I JUST WANT TO
TELL YOU SOMETHING.
883
00:46:35,310 --> 00:46:36,386
I KNOW.
884
00:46:36,410 --> 00:46:38,516
I APPRECIATE WHATEVER
IT IS YOU WANT TO SAY,
885
00:46:38,540 --> 00:46:40,940
BUT I DON'T WANT
YOU TO SAY ANYTHING.
886
00:46:42,370 --> 00:46:45,610
I ALWAYS DID UNDERSTAND
YOUR SILENCES ANYWAY.
887
00:46:46,510 --> 00:46:48,640
YEAH.
888
00:46:53,940 --> 00:46:55,586
WE'D BETTER GO.
889
00:46:55,610 --> 00:46:57,870
NO. I WANT TO GO ALONE.
60981
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