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These are the user uploaded subtitles that are being translated: 1 00:00:04,180 --> 00:00:05,696 THERE'S A SHOOTER FROM HAWAII 2 00:00:05,720 --> 00:00:08,096 RUNNING AROUND THIS TOWN WITH A MACHINE PISTOL. 3 00:00:08,120 --> 00:00:09,067 THAT'S ALL I KNOW, 4 00:00:09,091 --> 00:00:10,526 AND IF YOU WANT ANY FURTHER INFORMATION, 5 00:00:10,550 --> 00:00:12,220 MAKE AN APPOINTMENT, HUH? 6 00:00:15,120 --> 00:00:17,596 HOW LONG ARE YOU GONNA LET THIS MASSACRE CONTINUE? 7 00:00:17,620 --> 00:00:19,666 I NEVER SAW NOTHING! 8 00:00:19,690 --> 00:00:22,226 LOOKS LIKE OUR SURFER'S A MOVING SLAUGHTERHOUSE. 9 00:00:22,250 --> 00:00:23,326 THE GUY IS A HABITUAL. 10 00:00:23,350 --> 00:00:24,796 HE LOVES TO PUT HOLES IN PEOPLE. 11 00:00:24,820 --> 00:00:26,496 THEY GOT ME RIGHT WHERE THEY WANT ME. 12 00:00:28,290 --> 00:00:29,267 GET OUTTA L.A. 13 00:00:29,291 --> 00:00:30,566 DON'T HARASS ME, COP. 14 00:00:30,590 --> 00:00:31,996 LOOK, YOU HAVEN'T BEEN HARASSED 15 00:00:32,020 --> 00:00:33,920 TILL YOU'VE BEEN HARASSED BY ME, PAL. 16 00:00:35,350 --> 00:00:36,690 FREEZE! POLICE! 17 00:00:41,150 --> 00:00:42,996 YOU SEE THAT? I PUT 2 SLUGS IN THAT GUY. 18 00:00:43,020 --> 00:00:44,420 HE BARELY FLINCHED. 19 00:01:41,490 --> 00:01:43,966 IT WORKS FOR ME. 20 00:02:10,520 --> 00:02:14,250 ♪ SMOKE IS SETTLING DEEP WITHIN ♪ 21 00:02:17,050 --> 00:02:21,220 ♪ FROM THAT DISTANT FIGHTING ZONE ♪ 22 00:02:23,150 --> 00:02:27,590 ♪ ONE LIES CLEAR ABOVE THE DIN ♪ 23 00:02:29,890 --> 00:02:34,396 ♪ TENDERLY TO LET YOU GO-O-O-O ♪ 24 00:02:34,420 --> 00:02:37,250 ♪ I GOT TO GET AWAY ♪ 25 00:02:37,990 --> 00:02:40,726 ♪ HAVE TO TURN AROUND ♪ 26 00:02:40,750 --> 00:02:44,496 ♪ GOT TO BREAK AWAY, YEAH ♪ 27 00:02:44,520 --> 00:02:48,396 ♪ HAVE TO LOOK AROUND ♪ 28 00:02:48,420 --> 00:02:51,150 ♪ CHILL ♪ 29 00:03:01,790 --> 00:03:06,090 ♪ SOMETHING'S HAPPENING IN YOUR MIND ♪ 30 00:03:08,320 --> 00:03:13,120 ♪ SIMPLE THINGS BECOME HARD ♪ 31 00:03:14,790 --> 00:03:18,720 ♪ MANY FEELINGS DEEP INSIDE ♪ 32 00:03:20,990 --> 00:03:25,896 ♪ PEACE OF MIND SO FAR GONE ♪ 33 00:03:25,920 --> 00:03:28,820 ♪ I GOTTA GET AWAY ♪ 34 00:03:29,420 --> 00:03:32,526 ♪ TIME TO TURN AROUND ♪ 35 00:03:32,550 --> 00:03:36,126 ♪ GOT TO RUN AWAY, YEAH ♪ 36 00:03:36,150 --> 00:03:40,326 ♪ GET UP OFF THE GROUND ♪ 37 00:03:40,350 --> 00:03:42,666 ♪ DREAMING NEVER COULD BE ♪ 38 00:03:42,690 --> 00:03:46,926 ♪ PACIFYING ALL YOUR ANGER ♪ 39 00:03:46,950 --> 00:03:49,096 ♪ SEARCHING FOR THE REAL THING ♪ 40 00:03:49,120 --> 00:03:53,466 ♪ GOT TO START WITH ALL THE SINNERS ♪ 41 00:03:53,490 --> 00:03:55,596 ♪ LOOK INTO MY EYES ♪ 42 00:03:55,620 --> 00:03:59,996 ♪ CAN'T YOU SEE I'M NOT A BEGGAR? ♪ 43 00:04:00,020 --> 00:04:04,566 ♪ HONEY, YOU JUST GOTTA TRY IT ♪ 44 00:04:04,590 --> 00:04:07,866 ♪ CHILL ♪ 45 00:04:07,890 --> 00:04:09,326 Woman: EDDIE? 46 00:04:09,350 --> 00:04:11,396 EDDIE, COME HERE. IT'S GREAT. 47 00:04:11,420 --> 00:04:15,750 Eddie: YEAH, I'LL BE RIGHT IN JUST AFTER THE GAME, DEAR. 48 00:04:31,050 --> 00:04:33,820 GOT A MESSAGE FROM TRADER MAN, MR. MARX. 49 00:04:54,290 --> 00:04:56,150 NO, NO, PLEASE. 50 00:05:32,150 --> 00:05:35,396 MARLENE, IF YOU SAW THIS GUY IN THE HAWAIIAN SHIRT AGAIN, 51 00:05:35,420 --> 00:05:36,796 SAY IN A LINEUP, 52 00:05:36,820 --> 00:05:39,396 HOW HARD DO YOU THINK IT WOULD BE 53 00:05:39,420 --> 00:05:40,920 FOR YOU TO PICK HIM OUT? 54 00:05:42,720 --> 00:05:44,826 WELL, THINK ABOUT IT. 55 00:05:44,850 --> 00:05:47,190 DID HE REMIND YOU OF SOMEBODY MAYBE? 56 00:05:48,590 --> 00:05:51,250 EVERYBODY REMINDS YOU OF SOMEBODY, RIGHT? 57 00:05:52,090 --> 00:05:54,696 NOT WHEN YOU'RE FROM ELKHART, INDIANA. 58 00:05:54,720 --> 00:05:58,090 WE DON'T GET A LOT OF BEACH BOYS OUT THERE. 59 00:05:59,520 --> 00:06:01,796 HE EVER DO ANY BUSINESS WITH EDDIE? 60 00:06:01,820 --> 00:06:06,420 ANY BUSINESS THAT EDDIE DID, HE DID IT ON THE PHONE. 61 00:06:09,350 --> 00:06:12,550 MARLENE, HE WASN'T EXACTLY AN INSURANCE SALESMAN. 62 00:06:13,820 --> 00:06:15,990 HE WAS INTO SOME BAD BUSINESS. 63 00:06:17,190 --> 00:06:19,496 LOOK, I'M NOT GONNA STAND HERE 64 00:06:19,520 --> 00:06:21,926 AND TELL YOU THAT HE DIDN'T SELL SOME GRASS 65 00:06:21,950 --> 00:06:23,366 TO MAKE SOME EXTRA MONEY, 66 00:06:23,390 --> 00:06:25,196 BUT THAT WAS JUST TO FINANCE 67 00:06:25,220 --> 00:06:27,126 A FILM COMPANY THAT HE HAD. 68 00:06:27,150 --> 00:06:29,196 HE WAS GONNA DIRECT HIS NEXT PROJECT, 69 00:06:29,220 --> 00:06:31,796 AND I WAS GONNA STAR IN IT. 70 00:06:31,820 --> 00:06:35,566 IT WAS GONNA BE ONE OF THOSE SLASHER FLICKS 71 00:06:35,590 --> 00:06:37,720 BUT WITH A CLASSIER SCRIPT. 72 00:06:39,420 --> 00:06:41,926 ANYWAY, HE KEPT THE DRUG BUSINESS 73 00:06:41,950 --> 00:06:43,726 COMPLETELY OUT OF OUR THING TOGETHER. 74 00:06:43,750 --> 00:06:45,966 IT WAS NEVER A BIG DEAL. 75 00:06:45,990 --> 00:06:47,726 IS THAT WHY HE'S HEADED DOWNTOWN 76 00:06:47,750 --> 00:06:49,126 IN THE BACK OF A WAGON RIGHT NOW? 77 00:06:49,150 --> 00:06:52,266 SO HE SOLD SOME COKE, TOO, BUT WHO DOESN'T? 78 00:06:52,290 --> 00:06:54,766 AND FOR THAT HE'S SUPPOSED TO DIE? 79 00:06:54,790 --> 00:06:56,896 MARLENE, HE WAS ONE OF THE BIGGEST HEROIN DEALERS 80 00:06:56,920 --> 00:06:59,196 IN LOS ANGELES, AND IF YOU ASK ME, 81 00:06:59,220 --> 00:07:02,126 HE MADE A VERY BAD BUSINESS MISTAKE. 82 00:07:02,150 --> 00:07:05,866 MARLENE, IS THERE ANYTHING ELSE YOU CAN THINK OF 83 00:07:05,890 --> 00:07:07,520 THAT WOULD HELP US? 84 00:07:09,290 --> 00:07:10,590 WELL... 85 00:07:12,590 --> 00:07:15,296 THE OTHER DAY, I... I REMEMBER HE... 86 00:07:15,320 --> 00:07:18,226 HE WAS TALKING ABOUT HAWAII, 87 00:07:18,250 --> 00:07:20,326 ABOUT SOME GUY IN HAWAII. 88 00:07:20,350 --> 00:07:22,896 HE WAS TALKING TO A BUDDY OF HIS ON THE PHONE. 89 00:07:22,920 --> 00:07:26,896 I THINK MAYBE THAT HIS NAME WAS QUATRO. 90 00:07:26,920 --> 00:07:30,926 QUATRO. HIS REAL NAME IS THOMAS CHEN. 91 00:07:30,950 --> 00:07:32,596 HE'S ONE OF THE BIGGEST HEROIN DEALERS 92 00:07:32,620 --> 00:07:34,066 DOWN IN CHINATOWN. 93 00:07:34,090 --> 00:07:35,896 OWNS A REAL UGLY BAR DOWN THERE. 94 00:07:35,920 --> 00:07:38,966 GOT HIS NAME WHEN HE LOST A FINGER WHEN HE WAS A KID. 95 00:07:38,990 --> 00:07:41,066 I SEE. 96 00:07:41,090 --> 00:07:43,126 IS THIS ALL YOU KNOW? 97 00:07:43,150 --> 00:07:44,650 THAT'S IT. 98 00:07:46,220 --> 00:07:47,620 YOU OK? 99 00:07:48,650 --> 00:07:50,120 YEAH. 100 00:07:52,550 --> 00:07:56,066 LISTEN, WHY DON'T YOU GIVE THESE PEOPLE A CALL? 101 00:07:56,090 --> 00:07:57,566 IT'S A COUNSELING CENTER, 102 00:07:57,590 --> 00:08:01,050 AND THEY'LL HELP YOU TALK THROUGH EVERYTHING, OK? 103 00:08:02,420 --> 00:08:03,766 LOOK, IT'S NOT LIKE... 104 00:08:03,790 --> 00:08:06,650 IT'S NOT LIKE I LOVED HIM OR ANYTHING, YOU KNOW? 105 00:08:07,450 --> 00:08:08,990 YEAH. 106 00:08:11,420 --> 00:08:13,090 YOU GIVE THEM A CALL. 107 00:08:19,290 --> 00:08:22,026 WHAT WE GOT HERE, McCALL, IS A CLASSIC EXAMPLE 108 00:08:22,050 --> 00:08:23,696 OF SOMEBODY SENDING SOMEBODY A MESSAGE. 109 00:08:23,720 --> 00:08:26,066 THIS SYRINGE BUSINESS WAS MEANT TO ATTRACT 110 00:08:26,090 --> 00:08:28,126 SOMEONE'S ATTENTION OTHER THAN OURS. 111 00:08:28,150 --> 00:08:29,166 QUATRO. 112 00:08:29,190 --> 00:08:30,990 YEAH, POSSIBLY. 113 00:08:32,320 --> 00:08:33,866 IT STILL DOESN'T MAKE ANY SENSE. 114 00:08:33,890 --> 00:08:35,896 SICK NEVER MAKES SENSE. 115 00:08:35,920 --> 00:08:38,826 LET ME RUN SOMETHING BY YOU, SEE WHAT YOU THINK. 116 00:08:38,850 --> 00:08:40,866 ED MARX MAKES A SUPPLIER MAD. 117 00:08:40,890 --> 00:08:43,126 THAT SUPPLER, MAYBE HE LIVES IN HAWAII. 118 00:08:43,150 --> 00:08:46,826 SUPPOSE QUATRO HAS THE SAME SUPPLIER. 119 00:08:46,850 --> 00:08:49,866 NOW, MARX WOULD EXPECT QUATRO TO PLAY THE MIDDLEMAN 120 00:08:49,890 --> 00:08:51,126 TO GET THE HEAT TURNED OFF, 121 00:08:51,150 --> 00:08:53,226 WHICH WOULD EXPLAIN THE TELEPHONE CALL. 122 00:08:53,250 --> 00:08:54,896 WHAT DO YOU THINK? 123 00:08:54,920 --> 00:08:57,066 WE'RE NOT GONNA KNOW UNLESS WE GO CHECK IT OUT. 124 00:08:57,090 --> 00:08:59,066 YEAH. LET'S START WITH QUATRO'S. 125 00:08:59,090 --> 00:09:00,490 LET'S GO. 126 00:09:43,650 --> 00:09:45,966 McCall: MAYBE WE SHOULD HAVE MADE A RESERVATION. 127 00:09:45,990 --> 00:09:48,066 Man: YOU COPS NEVER QUIT, DO YOU, HUH? 128 00:09:48,090 --> 00:09:51,226 WE SERVE ONE MINOR ONE TIME, AND YOU KEEP COMING BACK. 129 00:09:51,250 --> 00:09:53,666 WHY DON'T YOU TAKE YOUR BUSINESS SOMEWHERE ELSE? 130 00:09:53,690 --> 00:09:56,696 2 COLAS, DRAFT. GRACIAS. 131 00:09:56,720 --> 00:09:58,766 HAS QUATRO BEEN IN HERE TONIGHT? 132 00:09:58,790 --> 00:10:01,666 HE HASN'T BEEN IN YET, AND WHEN HE DOES COME IN, 133 00:10:01,690 --> 00:10:03,950 YOU'RE GONNA HAVE TO WAIT YOUR TURN. 134 00:10:07,090 --> 00:10:08,096 SURF'S UP. 135 00:10:08,120 --> 00:10:09,766 HE WORKS FAST, DOESN'T HE? 136 00:10:09,790 --> 00:10:11,626 HE DIDN'T EVEN BOTHER TO CHANGE HIS SHIRT. 137 00:10:11,650 --> 00:10:14,066 HEY, WHICH ONE OF YOU PEOPLE 138 00:10:14,090 --> 00:10:16,090 IS LOOKING FOR QUATRO? 139 00:10:17,020 --> 00:10:19,050 YOU GUYS DON'T WANNA DO THIS, DO YOU? 140 00:10:23,490 --> 00:10:25,020 FREEZE! POLICE. 141 00:10:30,720 --> 00:10:32,066 ALL RIGHT, NOW. 142 00:10:32,090 --> 00:10:34,220 WHERE'S QUATRO RIGHT NOW? 143 00:10:36,690 --> 00:10:38,526 I GUESS YOU DIDN'T HEAR ME VERY GOOD. 144 00:10:38,550 --> 00:10:40,426 HE'S HAVING DINNER AT MADAM KIM'S, 145 00:10:40,450 --> 00:10:42,926 ON BEVERLY, LIKE HE ALWAYS DOES. 146 00:10:42,950 --> 00:10:45,766 LIKE HE ALWAYS DOES? HEY, HUNTER. 147 00:10:45,790 --> 00:10:48,096 MAYBE OUR BEACH BOY KNOWS HIS REGULAR HANGOUTS. 148 00:10:48,120 --> 00:10:49,097 GET OVER THERE. 149 00:10:49,121 --> 00:10:50,626 YOU BETTER NOT BE LYING TO ME. 150 00:10:50,650 --> 00:10:52,096 I AIN'T A LIAR. 151 00:10:52,120 --> 00:10:53,326 WELL, THAT'S GOOD. YOU KNOW WHY? 152 00:10:53,350 --> 00:10:55,390 I HATE LIARS. 153 00:12:59,620 --> 00:13:01,266 Hunter: LOOKS LIKE OUR SURFER'S A MOVING SLAUGHTERHOUSE. 154 00:13:01,290 --> 00:13:03,126 HE FIRED POINT-BLANK. 155 00:13:03,150 --> 00:13:05,726 I JUST WISH WE KNEW WHEN AND HIS FUN-GUN 156 00:13:05,750 --> 00:13:07,326 WERE GONNA HAVE THEIR NEXT TANTRUM. 157 00:13:07,350 --> 00:13:09,596 WHEN THE CRAZIES START DOING THE WORK FOR US, 158 00:13:09,620 --> 00:13:11,366 THAT'S WHEN I BECOME INTERESTED, FOLKS. 159 00:13:11,390 --> 00:13:12,526 HOW ABOUT YOU? 160 00:13:12,550 --> 00:13:14,426 FORGET US, MAX. WHAT DO YOU GOT? 161 00:13:14,450 --> 00:13:16,496 WELL, IF IT WAS A ROBBERY, 162 00:13:16,520 --> 00:13:19,826 I'D SAY IT FADED TOWARD THE END. 163 00:13:19,850 --> 00:13:22,026 TAKE A LOOK AT OLD QUATRO'S BODY. 164 00:13:22,050 --> 00:13:23,396 THE WALLET, THE JEWELRY... 165 00:13:23,420 --> 00:13:25,666 EVEN HIS MAZERATI'S OUT FRONT. 166 00:13:25,690 --> 00:13:28,666 THAT IS ONE BEAUTIFUL CAR. 167 00:13:28,690 --> 00:13:30,396 ANYTHING ELSE WE NEED TO KNOW HERE? 168 00:13:30,420 --> 00:13:32,226 YEAH, THEY MAKE A REAL GOOD 169 00:13:32,250 --> 00:13:33,796 SWEET AND SOUR YOU-NAME-IT, 170 00:13:33,820 --> 00:13:36,796 IF NOBODY'S WAVING A CANNON AROUND. 171 00:13:36,820 --> 00:13:39,426 LOOK, MAX, I WANT EVERYTHING THAT'S USABLE OUT OF THIS PLACE 172 00:13:39,450 --> 00:13:41,666 ON MY DESK AS SOON AS POSSIBLE, YOU GOT IT? 173 00:13:41,690 --> 00:13:45,096 DONE. LISTEN, THE LADY THAT RUNS THE PLACE, 174 00:13:45,120 --> 00:13:47,296 SHE MIGHT BE ABLE TO GIVE YOU A DESCRIPTION. 175 00:13:47,320 --> 00:13:49,496 SHE'S IN THE BACK WITH THE COOK. 176 00:13:49,520 --> 00:13:50,926 I EAT HERE A LOT. 177 00:13:50,950 --> 00:13:53,050 SHE'S ALWAYS AT THAT REGISTER. 178 00:13:55,320 --> 00:13:58,690 I'M SERGEANT HUNTER, THIS IS SERGEANT McCALL. 179 00:14:00,550 --> 00:14:03,596 MRS. KIM? WE REALLY NEED YOU 180 00:14:03,620 --> 00:14:05,220 TO HELP US WITH THIS CASE... 181 00:14:06,450 --> 00:14:08,120 THE MAN WHO DID THIS. 182 00:14:09,090 --> 00:14:10,996 YOU SAW A MAN, DIDN'T YOU? 183 00:14:11,020 --> 00:14:13,826 I SAW NOTHING. I WASN'T IN THE ROOM. 184 00:14:13,850 --> 00:14:16,366 I WAS IN BACK GETTING AN ORDER. 185 00:14:16,390 --> 00:14:18,396 DO YOU UNDERSTAND? 186 00:14:18,420 --> 00:14:20,496 LOOK, WE KNOW YOU SAW HIS FACE. 187 00:14:20,520 --> 00:14:23,296 I NEVER SAW NOTHING! 188 00:14:23,320 --> 00:14:24,626 I WAS IN BACK. 189 00:14:24,650 --> 00:14:29,690 NO FACE! I DIDN'T SEE NO FACE! 190 00:14:33,350 --> 00:14:35,626 I DID HAVE A LITTLE PROBLEM. 191 00:14:35,650 --> 00:14:39,266 OH, JUST A LITTLE WELCOME, BUT IT'S UNDER CONTROL. 192 00:14:39,290 --> 00:14:41,890 YEAH, EVERYTHING'S WORKING REAL GOOD. 193 00:14:43,550 --> 00:14:46,150 YEAH, THE CAR AND THE APARTMENT ARE JUST LIKE I LIKE IT. 194 00:14:48,290 --> 00:14:51,566 WE'RE GONNA BE RIGHT ON TIME TONIGHT, MR. TRADER MAN. 195 00:14:51,590 --> 00:14:53,890 I'LL CALL YOU TOMORROW. 196 00:15:49,060 --> 00:15:50,636 I WILL NEVER UNDERSTAND 197 00:15:50,660 --> 00:15:52,436 THE GARBAGE THAT GOES ON IN THIS DEPARTMENT. 198 00:15:52,460 --> 00:15:54,166 DON'T TELL ME. NO MATTER HOW MUCH YOU BATTED YOUR EYES, 199 00:15:54,190 --> 00:15:57,406 VICE DIDN'T WANNA TELL YOU THEIR DEEP DARK SECRETS, RIGHT? 200 00:15:57,430 --> 00:15:59,066 WE'RE ON THE SAME LOUSY SIDE, 201 00:15:59,090 --> 00:16:01,636 AND THEY TREAT US LIKE WE'RE RUSSIAN SPIES OR SOMETHING. 202 00:16:01,660 --> 00:16:02,836 WELL, YOU THINK IT'S FUNNY? 203 00:16:02,860 --> 00:16:04,366 YOU TRY TALKING TO THEM. 204 00:16:04,390 --> 00:16:05,536 DEPARTMENTAL SNIPING, McCALL? 205 00:16:05,560 --> 00:16:07,606 CAPTAIN, WE GOT A TRIGGER HEAD OUT THERE, 206 00:16:07,630 --> 00:16:10,836 AND OUR INVESTIGATORS DOWN IN VICE HAVE DECIDED 207 00:16:10,860 --> 00:16:12,166 TO GET SELFISH WITH CLUES 208 00:16:12,190 --> 00:16:13,566 THAT WE NEED TO SOLVE THIS CASE. 209 00:16:13,590 --> 00:16:14,836 NOW YOU TELL ME WHO'S RUNNING THE ASYLUM. 210 00:16:14,860 --> 00:16:16,406 WHAT'D THEY TELL YOU? 211 00:16:16,430 --> 00:16:18,906 "SORRY, SERGEANT McCALL. IT'S JURISDICTIONAL"? 212 00:16:18,930 --> 00:16:21,266 THEY LIKE WORDS LIKE THAT DOWN THERE, YOU KNOW. 213 00:16:21,290 --> 00:16:22,906 IT IS JURISDICTIONAL. 214 00:16:22,930 --> 00:16:24,706 LOOK, McCALL, YOU HAVE TO WEIGH 215 00:16:24,730 --> 00:16:26,406 THE IMPORTANCE OF YOUR CASE AGAINST THE IMPORTANCE 216 00:16:26,430 --> 00:16:29,336 OF THE CASE THAT THEY GOT IN THE WORKS. 217 00:16:29,360 --> 00:16:31,906 YOU KNOW, IF YOU FLUSH ALL THE JOHNS AT ONE TIME, 218 00:16:31,930 --> 00:16:33,666 YOU RUN OUT OF WATER. 219 00:16:33,690 --> 00:16:36,506 IN OTHER WORDS, SINCE IT WAS ONLY A DEALER THAT WAS SHOT, 220 00:16:36,530 --> 00:16:37,636 IT'S NO BIG DEAL. 221 00:16:37,660 --> 00:16:39,906 IN OTHER WORDS, DON'T STEP ON DEPARTMENTAL TOES 222 00:16:39,930 --> 00:16:42,090 WHEN THEY'RE MAKING A MAJOR DRUG BUST. 223 00:16:45,230 --> 00:16:47,466 YOU KNOW WHAT REALLY GETS ME HERE, HUNTER? 224 00:16:47,490 --> 00:16:49,136 THE FACT THAT YOU THINK THIS IS SO FUNNY. 225 00:16:49,160 --> 00:16:50,936 HEY, I'M JUST TRYING TO KEEP SOME PERSPECTIVE HERE. 226 00:16:50,960 --> 00:16:52,706 YOU WANNA SPIN OUT, BE MY GUEST. 227 00:16:52,730 --> 00:16:55,706 ME? IF I CAN'T LAUGH AT THESE NUTS' RULES, 228 00:16:55,730 --> 00:16:57,606 THEY GOT ME RIGHT WHERE THEY WANT ME. 229 00:16:57,630 --> 00:16:59,406 I KNOW WHERE I CAN STILL DIG UP 230 00:16:59,430 --> 00:17:01,736 EVERYTHING WE NEED TO KNOW FOR SURE. 231 00:17:01,760 --> 00:17:04,336 WATCH WHAT YOU STEP IN. 232 00:17:04,360 --> 00:17:07,960 IF YOU WEAR THE RIGHT SHOES, YOU CAN STEP IN ANYTHING. 233 00:17:45,660 --> 00:17:47,806 I'VE BEEN UNDER COVER FOR 6 MONTHS, 234 00:17:47,830 --> 00:17:50,506 I'VE PUT UP WITH THESE DIME BAG SALESMEN, 235 00:17:50,530 --> 00:17:52,766 AND WHAT THEY THINK PASSES FOR LIFE OUT THERE, 236 00:17:52,790 --> 00:17:54,466 AND NOW I'M THIS CLOSE TO MAKING A BUST, 237 00:17:54,490 --> 00:17:55,606 AND HERE YOU COME. 238 00:17:55,630 --> 00:17:57,536 IF I THOUGHT ANYBODY WAS GONNA RECOGNIZE ME, 239 00:17:57,560 --> 00:18:00,666 I WOULDN'T HAVE MADE A MOVE, LYNN. 240 00:18:00,690 --> 00:18:02,836 LOOK, WE HAVE HAD 2 MAJOR PUSHERS 241 00:18:02,860 --> 00:18:05,466 GET BLOWN OUT OF THEIR SOCKS IN THE LAST 12 DAYS OUT THERE. 242 00:18:05,490 --> 00:18:07,636 SO I HEAR. YOU'RE HOMICIDE. TAKE CARE OF IT. 243 00:18:07,660 --> 00:18:11,206 FINE. YOU READY? 'CAUSE I'M STARTING EVEN IF YOU'RE NOT. 244 00:18:11,230 --> 00:18:14,006 THEY THINK THE KILLER IS THIS BIG HAWAIIAN GUY. 245 00:18:14,030 --> 00:18:16,266 THAT'S A BIG SURPRISE. THE BEACH BOY... 246 00:18:16,290 --> 00:18:18,366 TRADER MAN'S REVENGE ON THE ASSOCIATION. 247 00:18:18,390 --> 00:18:19,866 A REAL GARBAGE DISPOSAL. 248 00:18:19,890 --> 00:18:21,006 WHAT ASSOCIATION? 249 00:18:21,030 --> 00:18:24,106 6 OF L.A.'S BIGGEST DEALERS 250 00:18:24,130 --> 00:18:26,236 GOT TICKED OFF WITH THEIR HAWAIIAN SOURCE, 251 00:18:26,260 --> 00:18:27,306 A GUY NAMED TRADER MAN, 252 00:18:27,330 --> 00:18:29,266 AND NOW HE'S TICKED OFF BACK. 253 00:18:29,290 --> 00:18:32,906 THE 6 INCLUDE EDDIE MARX AND SOME GUY NAMED QUATRO? 254 00:18:32,930 --> 00:18:34,466 YEAH, I HAVEN'T BEEN ABLE TO FIGURE OUT 255 00:18:34,490 --> 00:18:35,706 WHAT THEY'VE DONE YET. 256 00:18:35,730 --> 00:18:36,966 IT MUST HAVE BEEN BAD, THOUGH, 257 00:18:36,990 --> 00:18:39,206 'CAUSE TRADER MAN DECIDED TO AIRDROP KING KONG 258 00:18:39,230 --> 00:18:42,206 IN THE L.A. AREA WITH ORDERS TO PARTY. 259 00:18:42,230 --> 00:18:46,066 OK. WHAT ARE THE NAMES OF THE OTHER 4 GUYS? 260 00:18:46,090 --> 00:18:49,666 THE WORD I HEAR IS THAT IT'S SNAZZY LOUIS GREEN, 261 00:18:49,690 --> 00:18:53,436 PARKER LeMAY II, EASY-OPEN OTERO, 262 00:18:53,460 --> 00:18:54,766 AND GREG JONES. 263 00:18:54,790 --> 00:18:58,536 GREG JONES? WHAT, HE MAKE THAT UP HIMSELF? 264 00:18:58,560 --> 00:19:00,666 McCall: HUNTER, ARE YOU SURE SNAZZY LOUIS GREEN 265 00:19:00,690 --> 00:19:01,836 IS GONNA TALK TO US? 266 00:19:01,860 --> 00:19:04,430 HE'LL NOT ONLY TALK, HE'LL SING. 267 00:19:28,260 --> 00:19:30,836 LOOKS LIKE YOU WIPED OUT, KAHUNA. 268 00:19:30,860 --> 00:19:32,936 HANDS AWAY FROM THE BODY. 269 00:19:32,960 --> 00:19:34,566 WOULD YOU LOOK AT THAT? 270 00:19:34,590 --> 00:19:38,136 PRETTY LADY, AND SHE'S GOT A GUN, TOO. 271 00:19:38,160 --> 00:19:40,106 THIS IS A BAD TOWN, HUH, COP? 272 00:19:40,130 --> 00:19:42,266 A LITTLE BIT TOO BAD FOR YOU. 273 00:19:42,290 --> 00:19:44,936 Man: HEY, HUNTER, HUNTER! 274 00:19:44,960 --> 00:19:46,306 THIS IS THE GUY THAT BROKE DOWN MY DOOR. 275 00:19:46,330 --> 00:19:47,866 NOW, YOU GOTTA MAKE HIM PAY FOR THAT. 276 00:19:47,890 --> 00:19:49,836 HE'S GOTTA PAY, OR THE CITY... MAYBE YOU OUGHT TO PAY FOR IT! 277 00:19:49,860 --> 00:19:51,006 SHUT UP, SNAZZY! 278 00:19:51,030 --> 00:19:52,766 HEY, HUNTER, I'M A BUSINESSMAN. 279 00:19:52,790 --> 00:19:54,006 MAKE AN ARREST ON THIS. 280 00:19:54,030 --> 00:19:55,706 NOW, WHAT ARE YOU ON, HIS SIDE OR MINE? 281 00:19:55,730 --> 00:19:57,566 DEFINITELY NOT HIS. HAVE LUNCH, WILL YA? 282 00:19:57,590 --> 00:20:00,606 HAVE LUNCH? HEY, HUNTER! WHAT ABOUT MY DOOR? 283 00:20:00,630 --> 00:20:03,406 THAT DOOR COST MONEY! NOW, COME ON! 284 00:20:03,430 --> 00:20:04,736 HEY! 285 00:20:04,760 --> 00:20:07,566 IT'S A QUESTIONABLE BUST, McCALL. 286 00:20:07,590 --> 00:20:09,036 DEPARTMENT'S NOT GONNA PLAY BALL 287 00:20:09,060 --> 00:20:10,966 IF ALL WE'VE GOT TO GO ON IS YOUR HUNCH. 288 00:20:10,990 --> 00:20:12,666 NO MATTER HOW CONVINCED YOU 2 ARE 289 00:20:12,690 --> 00:20:13,766 THAT THIS GUY'S THE SHOOTER 290 00:20:13,790 --> 00:20:16,436 OF THIS EDDIE MARX AND THIS QUATRO GUY. 291 00:20:16,460 --> 00:20:18,966 IT'S GONNA TAKE SOMETHING FIRM, AND YOU DON'T HAVE IT. 292 00:20:18,990 --> 00:20:20,866 WHAT DO YOU MEAN WE DON'T HAVE IT? 293 00:20:20,890 --> 00:20:21,966 JUST WHAT I SAID. 294 00:20:21,990 --> 00:20:24,036 THE PISTOL HE WAS CARRYING DOESN'T MATCH 295 00:20:24,060 --> 00:20:25,966 AND THE BALLISTICS ARE WAY OFF. 296 00:20:25,990 --> 00:20:27,936 AIRPORT DETAIL SAYS THIS GUY CAME IN 297 00:20:27,960 --> 00:20:29,066 FROM THE ISLANDS YESTERDAY. 298 00:20:29,090 --> 00:20:31,766 NOW, HONOLULU P.D. HAS GOT A RECORD ON WES COPANO 299 00:20:31,790 --> 00:20:33,366 THAT'S LONGER THAN MOST COUNTRIES. 300 00:20:33,390 --> 00:20:34,367 THE GUY IS A HABITUAL. 301 00:20:34,391 --> 00:20:36,206 HE LOVES TO PUT HOLES IN PEOPLE. 302 00:20:36,230 --> 00:20:37,806 YEAH, BUT HONOLULU HASN'T 303 00:20:37,830 --> 00:20:39,566 PINNED ANY HOMICIDES ON HIM, HAVE THEY? 304 00:20:39,590 --> 00:20:41,936 AND UNLESS THIS WOMAN POINTS HER FINGER, 305 00:20:41,960 --> 00:20:43,206 WE CAN'T HOLD THIS GUY LONG ENOUGH 306 00:20:43,230 --> 00:20:45,006 TO EVEN FIND OUT WHAT HE HAD FOR BREAKFAST. 307 00:20:45,030 --> 00:20:46,566 HUNTER'S DOWN THERE TRYING TO TALK HER 308 00:20:46,590 --> 00:20:47,666 INTO COMING HERE RIGHT NOW. 309 00:20:47,690 --> 00:20:49,136 TRYING TO TALK HER INTO IT? 310 00:20:49,160 --> 00:20:50,406 YOU MEAN ON TOP OF EVERYTHING ELSE, 311 00:20:50,430 --> 00:20:52,406 WE'VE GOT AN UNCOOPERATIVE WITNESS? 312 00:20:52,430 --> 00:20:54,706 LOOK, SHE'LL I.D. HIM, CAPTAIN. 313 00:20:54,730 --> 00:20:55,936 YEAH, BUT THE COURT'S 314 00:20:55,960 --> 00:20:58,306 NOT GONNA HOLD HIM ON JUST A LINEUP I.D. 315 00:20:58,330 --> 00:21:01,006 WELL, WE CAN HOLD WES COPANO TILL WE GET MORE EVIDENCE. 316 00:21:01,030 --> 00:21:02,406 Marlene: LOOK, THE ANSWER'S NO. 317 00:21:02,430 --> 00:21:04,666 I'M SCARED. DON'T YOU UNDERSTAND? 318 00:21:04,690 --> 00:21:06,806 LOOK, MARLENE, THE LAST TIME I TALKED TO YOU, 319 00:21:06,830 --> 00:21:07,906 YOU SAID YOU'D HELP US. 320 00:21:07,930 --> 00:21:09,536 YEAH, WELL, THINGS CHANGE. 321 00:21:09,560 --> 00:21:11,406 LOOK. I APPRECIATE EVERYTHING YOU GUYS 322 00:21:11,430 --> 00:21:12,906 ARE TRYING TO DO, 323 00:21:12,930 --> 00:21:14,206 BUT THERE'S NO POINT IN TALKING, 324 00:21:14,230 --> 00:21:16,936 'CAUSE I'VE GOT A CAB COMING ANY MINUTE. 325 00:21:16,960 --> 00:21:18,006 WELL, THAT'S FUNNY. 326 00:21:18,030 --> 00:21:20,406 I ALWAYS HEARD YOU COULD NEVER GO HOME AGAIN. 327 00:21:20,430 --> 00:21:22,466 LET ME WORRY ABOUT ELKHART. 328 00:21:22,490 --> 00:21:25,566 ALL I KNOW IS I WANNA BE SOMEWHERE 329 00:21:25,590 --> 00:21:28,306 THAT HULA BOY AND HIS MACHINE GUN CAN'T FIND ME. 330 00:21:28,330 --> 00:21:30,206 I JUST WISH YOU GUYS WOULD FIND HIM 331 00:21:30,230 --> 00:21:31,866 AND STICK HIM ON A ROCKET... 332 00:21:31,890 --> 00:21:33,666 LOOK, MARLENE, I KNOW YOU'RE NOT GONNA 333 00:21:33,690 --> 00:21:35,466 LIKE HEARING THIS, AND I DON'T BLAME YOU, 334 00:21:35,490 --> 00:21:36,936 BUT JUST BECAUSE YOU'RE SCARED 335 00:21:36,960 --> 00:21:38,506 DOESN'T MEAN YOU SHOULDN'T HELP US. 336 00:21:38,530 --> 00:21:40,506 YOU SHOULD HAVE SEEN WHAT HE DID. 337 00:21:40,530 --> 00:21:42,206 OH, I WISH I HAD. I'D BE RIGHT DOWN THERE 338 00:21:42,230 --> 00:21:43,836 AT THAT LINEUP THIS VERY MINUTE. 339 00:21:43,860 --> 00:21:45,036 NO, YOU WOULDN'T. 340 00:21:45,060 --> 00:21:46,366 MARLENE, DON'T YOU UNDERSTAND? 341 00:21:46,390 --> 00:21:49,866 EDDIE IS NOT THE ONLY ONE THAT'S BEEN MURDERED HERE. 342 00:21:49,890 --> 00:21:51,736 HE'S KILLED SEVERAL OTHER PEOPLE. 343 00:21:51,760 --> 00:21:54,930 NOW, HOW LONG ARE YOU GONNA LET THIS MASSACRE CONTINUE? 344 00:22:07,460 --> 00:22:09,090 ALL RIGHT, LET'S DO IT. 345 00:22:17,430 --> 00:22:19,190 Man: FACE THE FRONT. 346 00:22:25,390 --> 00:22:26,960 TURN TO YOUR LEFT. 347 00:22:31,890 --> 00:22:34,330 FACE FORWARD. 348 00:22:41,790 --> 00:22:44,260 WHICH ONE? 349 00:22:47,730 --> 00:22:49,130 THAT ONE. 350 00:22:55,730 --> 00:22:57,766 YOU'RE FREE TO GO NOW, COPANO. 351 00:22:57,790 --> 00:23:00,536 SO GET YOUR STUFF AND GET OUTTA L.A. 352 00:23:00,560 --> 00:23:02,166 DON'T HARASS ME, COP. 353 00:23:02,190 --> 00:23:03,266 YOU HAVEN'T BEEN HARASSED 354 00:23:03,290 --> 00:23:05,630 TILL YOU'VE BEEN HARASSED BY ME, PAL. 355 00:23:07,860 --> 00:23:11,566 HEY, I'M ON VACATION IN L.A., MAN. 356 00:23:11,590 --> 00:23:13,266 WHAT'S YOUR PROBLEM? 357 00:23:13,290 --> 00:23:14,366 MY PROBLEM IS 358 00:23:14,390 --> 00:23:16,706 YOUR VACATION'S TURNED INTO A HUNTING TRIP. 359 00:23:16,730 --> 00:23:19,066 SO I'M GONNA HOVER RIGHT OVER OUR SHOULDER, 360 00:23:19,090 --> 00:23:20,166 AND WHEN YOU GET 361 00:23:20,190 --> 00:23:21,566 THAT SPECIAL LITTLE ITCH YOU GET, 362 00:23:21,590 --> 00:23:23,966 AND YOU REACH UP TO SCRATCH IT, 363 00:23:23,990 --> 00:23:26,766 THE AIR IS GONNA BE FULL OF BEACH BOY PARTS. 364 00:23:26,790 --> 00:23:28,590 ALOHA. 365 00:23:43,490 --> 00:23:45,830 SERGEANT McCALL? 366 00:23:46,730 --> 00:23:48,736 THOUGHT YOU HAD A PLANE TO CATCH? 367 00:23:48,760 --> 00:23:50,906 I DO. I JUST WANTED TO TELL YOU 368 00:23:50,930 --> 00:23:54,036 I AM REALLY SORRY THAT I PICKED THE WRONG GUY. 369 00:23:54,060 --> 00:23:57,430 THAT'S ALL RIGHT. YOU DID YOUR BEST. 370 00:23:58,260 --> 00:23:59,590 IT'S OK. 371 00:25:07,760 --> 00:25:09,966 THIS IS McCALL. PATCH ME IN TO HUNTER. 372 00:25:09,990 --> 00:25:11,430 I GOT A BAD ONE HERE. 373 00:25:15,290 --> 00:25:20,230 Snazzy: HEY. HEY, REMEMBER ME? 374 00:25:22,060 --> 00:25:27,206 YEAH. YOU'RE THE GUY WHO ATE MY DOOR. 375 00:25:27,230 --> 00:25:30,166 HEY! I'M TALKING TO YOU! 376 00:25:30,190 --> 00:25:32,290 LOOK AT ME WHEN I'M TALKING TO YOU. 377 00:25:35,560 --> 00:25:39,460 YOU SILLY, DUMB-LOOKING PANSY. 378 00:25:41,030 --> 00:25:42,066 GO. 379 00:25:42,090 --> 00:25:43,236 WE'RE AT THE LAST CALL BAR. 380 00:25:43,260 --> 00:25:44,566 SNAZZY JUST WENT IN, 381 00:25:44,590 --> 00:25:46,206 AND I THINK THIS THING'S ABOUT TO SPLIT WIDE OPEN. 382 00:25:46,230 --> 00:25:48,766 LISTEN TO ME NOW. STAY OUTTA THERE. GOT IT? 383 00:25:48,790 --> 00:25:51,066 Snazzy: TURN AROUND! 384 00:25:51,090 --> 00:25:53,006 I'M NOT GONNA ASK YOU AGAIN. 385 00:25:53,030 --> 00:25:54,930 HEY! 386 00:26:04,260 --> 00:26:06,336 BETTER COME NOW. SOMETHING'S GOING DOWN. 387 00:26:06,360 --> 00:26:07,690 AND SEND SOME UNITS. 388 00:26:12,390 --> 00:26:13,860 FREEZE! POLICE! 389 00:27:13,890 --> 00:27:15,320 McCALL? 390 00:27:29,080 --> 00:27:31,250 SHE DIDN'T KNOW WHAT HIT HER. 391 00:27:34,280 --> 00:27:34,897 YOU KNOW, WHEN HE RAN OUT, 392 00:27:34,921 --> 00:27:37,136 HE DIDN'T CARE IF I WAS A COP. 393 00:27:37,160 --> 00:27:39,336 WE COULD HAVE HAD THE WHOLE DEPARTMENT OUT THERE, 394 00:27:39,360 --> 00:27:40,790 HE WOULDN'T HAVE CARED. 395 00:27:43,190 --> 00:27:45,266 WHERE DO YOU GET PEOPLE LIKE THIS? 396 00:27:45,290 --> 00:27:48,890 HOW ARE YOU GONNA STOP 'EM FROM KILLING THE NEXT GUY? 397 00:28:00,090 --> 00:28:02,360 TAKE AWAY THEIR TARGETS. 398 00:28:05,490 --> 00:28:08,596 ♪ SHE WAS SOME KIND OF WONDERFUL ♪ 399 00:28:08,620 --> 00:28:12,166 ♪ TREATED ME LIKE A KING ♪ 400 00:28:12,190 --> 00:28:15,196 ♪ BUT SHE GAVE ME JUST A LITTLE TOO MUCH FREEDOM ♪ 401 00:28:15,220 --> 00:28:18,696 ♪ THOUGHT I COULD GET AWAY WITH ANYTHING ♪ 402 00:28:18,720 --> 00:28:21,620 ♪ FROM HER EYES CAME BULLETS ♪ 403 00:28:23,020 --> 00:28:24,566 ♪ SHE SHOT ME THROUGH THE HEART ♪ 404 00:28:24,590 --> 00:28:26,596 ♪ WHEN MY BACK WAS TURNED ♪ 405 00:28:26,620 --> 00:28:28,290 ♪ BULLETS ♪ 406 00:28:29,360 --> 00:28:30,996 ♪ WELL, I LOST A GIRL ♪ 407 00:28:31,020 --> 00:28:33,036 ♪ BUT THAT'S THE LESSON THAT I LEARNED ♪ 408 00:28:33,060 --> 00:28:34,760 ♪ BULLETS ♪ 409 00:28:36,060 --> 00:28:39,066 ♪ IF LOOKS COULD KILL ♪ 410 00:28:39,090 --> 00:28:42,290 ♪ OH-OH-OH-OH ♪ 411 00:28:46,790 --> 00:28:49,636 ♪ HER EYES WERE BLAZING FIRE ♪ 412 00:28:49,660 --> 00:28:53,096 ♪ WOMAN JEALOUS, BURNING HEART ♪ 413 00:28:53,120 --> 00:28:55,066 ♪ THEN SHE TOOK ONE LOOK AT ME ♪ 414 00:28:55,090 --> 00:28:56,366 ♪ AND THEN MY LOVER ♪ 415 00:28:56,390 --> 00:29:00,036 ♪ SHE TURNED AROUND AND... SHOT ♪ 416 00:29:00,060 --> 00:29:03,266 ♪ I WAS MORTALLY WOUNDED ♪ 417 00:29:03,290 --> 00:29:06,566 ♪ AH, WHAT A FOOL I'VE BEEN ♪ 418 00:29:06,590 --> 00:29:09,736 ♪ DON'T TAKE THIS DARE BEFORE YOUR LOVER ♪ 419 00:29:09,760 --> 00:29:13,096 ♪ YOU COULD BE NEXT, MY FRIEND ♪ 420 00:29:13,120 --> 00:29:15,990 ♪ FROM HER EYES CAME BULLETS ♪ 421 00:29:17,560 --> 00:29:18,996 ♪ SHE SHOT ME THROUGH THE HEART ♪ 422 00:29:19,020 --> 00:29:21,036 ♪ WHEN MY BACK WAS TURNED ♪ 423 00:29:21,060 --> 00:29:22,690 ♪ BULLETS ♪ 424 00:29:23,890 --> 00:29:25,496 ♪ MM, I'VE LOST HER LOVE ♪ 425 00:29:25,520 --> 00:29:27,436 ♪ I'VE GOT NOTHIN' IN RETURN ♪ 426 00:29:27,460 --> 00:29:29,160 ♪ BULLETS ♪ 427 00:29:30,490 --> 00:29:33,336 ♪ IF LOOKS COULD KILL ♪ 428 00:29:33,360 --> 00:29:37,860 ♪ IN HELL I'M GONNA BURN ♪ 429 00:29:39,460 --> 00:29:41,936 HEY, BABY. HEY, YO? 430 00:29:41,960 --> 00:29:44,766 HEY, YO, YO, YO, BABY! 431 00:29:44,790 --> 00:29:47,696 HERE, TAKE THESE OFF. 432 00:29:47,720 --> 00:29:49,196 WHAT ARE YOU DOING? 433 00:29:49,220 --> 00:29:51,166 I'M STICKIN' THE STICKERS ON, HONEY. 434 00:29:51,190 --> 00:29:52,996 UH-HUH.SOMETHING THE MATTER WITH THEM? 435 00:29:53,020 --> 00:29:54,366 OH, NOTHING WRONG WITH THAT, BABY, 436 00:29:54,390 --> 00:29:56,496 EXCEPT THIS IS NOT SALE MERCHANDISE. 437 00:29:56,520 --> 00:29:58,496 GET THESE STICKERS OFF OF THESE CASSETTES, BABY. 438 00:29:58,520 --> 00:29:59,566 YOU ARE RUINING MY BUSINESS. 439 00:29:59,590 --> 00:30:00,936 I'M SORRY. OK, I'M SORRY FOR IT. 440 00:30:00,960 --> 00:30:02,166 I'M SORRY. 441 00:30:02,190 --> 00:30:04,196 JUST USE YOUR BRAIN, ALL RIGHT? 442 00:30:04,220 --> 00:30:06,336 I'M NOT ASKING YOU TO GO TO MEDICAL SCHOOL, OK? 443 00:30:06,360 --> 00:30:07,796 JUST THINK ABOUT WHAT YOU'RE DOING. 444 00:30:07,820 --> 00:30:08,797 OK? OK. 445 00:30:08,821 --> 00:30:09,966 YOU'RE TRYING TO RUIN ME, BABY, RIGHT? 446 00:30:09,990 --> 00:30:11,766 THE SALE MERCHANDISE IS IN THE BACK, ALL RIGHT? 447 00:30:11,790 --> 00:30:13,666 GO ON, MOVE IT, MOVE IT, MOVE IT! 448 00:30:13,690 --> 00:30:15,266 GO ON, MAN, WHAT IS WRONG WITH YOU, HUH? 449 00:30:15,290 --> 00:30:17,136 I CANNOT TAKE YOU NO PLACE. I DON'T KNOW WHAT'S WRONG. 450 00:30:17,160 --> 00:30:18,396 WHAT IS IT, WHAT IS IT? WHAT? WHAT? 451 00:30:18,420 --> 00:30:19,890 CUSTOMERS. WE'RE GOT CUSTOMERS. 452 00:30:20,960 --> 00:30:22,660 GET IN BACK. COME ON. 453 00:30:24,260 --> 00:30:25,736 GOOD AFTERNOON, OFFICER. 454 00:30:25,760 --> 00:30:29,196 WELL, HOW ARE YOU DOING, OFFICER? CAN I HELP YOU? 455 00:30:29,220 --> 00:30:31,796 YOU, UH, CASSETTE PEOPLE OR, UH, ALBUM PEOPLE? 456 00:30:31,820 --> 00:30:35,266 UH, WE'RE TAKING YOU INTO CUSTODY PEOPLE, PARKER. 457 00:30:35,290 --> 00:30:37,036 HEY, YO, YO, WHAT'S GOING ON HERE, MAN? 458 00:30:37,060 --> 00:30:38,666 I... I DIDN'T PAY A PARKING TICKET OR WHAT, HUH? 459 00:30:38,690 --> 00:30:40,296 I MEAN, THIS AIN'T NAZI GERMANY HERE, YOU KNOW. 460 00:30:40,320 --> 00:30:41,866 RELAX. IT'S NOT A BUST. 461 00:30:41,890 --> 00:30:43,666 JUST LIKE YOU AIN'T NO COP. 462 00:30:43,690 --> 00:30:46,390 OK, OK. 463 00:30:54,920 --> 00:30:57,136 I WATCH 20/20, MAN, YOU KNOW THAT? 464 00:30:57,160 --> 00:30:58,566 THAT'S GREAT. YEAH. 465 00:30:58,590 --> 00:31:00,466 THEY BUST PEOPLE LIKE YOU. 466 00:31:00,490 --> 00:31:03,266 COME IN HERE, BUST ME, TELL ME THIS AIN'T NO BUST. 467 00:31:03,290 --> 00:31:05,236 YOU MAKIN' A REAL SAD MISTAKE, MAN. 468 00:31:05,260 --> 00:31:07,466 YEAH, YEAH. GIVE ME... GIVE ME IRVING SHAPIRO. 469 00:31:07,490 --> 00:31:10,666 YEAH, TELL HIM IT'S PARKER LeMAY, THE SECOND. MM-HMM. 470 00:31:10,690 --> 00:31:12,766 WHAT? THEN GET HIM OFF OF LONG DISTANCE, DAMN IT. 471 00:31:12,790 --> 00:31:13,996 HE'S MY LAWYER. 472 00:31:14,020 --> 00:31:16,866 WHOA. WHOA. 473 00:31:16,890 --> 00:31:18,496 BABY, WILL YOU TAKE IT EASY? 474 00:31:18,520 --> 00:31:19,866 WHAT? ARE YOU TRYING TO RUIN ME OR WHAT? 475 00:31:19,890 --> 00:31:21,336 YOU WANT TO DO ME A FAVOR, HUH? 476 00:31:21,360 --> 00:31:22,836 GET HER THE DEATH PENALTY. 477 00:31:22,860 --> 00:31:24,796 I WILL PICK UP THE TAB, ALL RIGHT? 478 00:31:24,820 --> 00:31:26,496 HUH? LOOK AT THIS. 479 00:31:26,520 --> 00:31:28,266 GET OUT OF HERE. GO ON. GO ON. LEAVE. JUST LEAVE! 480 00:31:28,290 --> 00:31:29,590 OK. 481 00:31:35,720 --> 00:31:38,020 HOLD IT RIGHT THERE, JONES. 482 00:31:41,160 --> 00:31:43,496 HEY, GIMME A BREAK, HUNTER, I DIDN'T DO NOTHING. 483 00:31:43,520 --> 00:31:45,160 WHAT IS THIS ALL ABOUT? 484 00:32:05,090 --> 00:32:06,766 YOU PULL US IN OFF THE STREETS. 485 00:32:06,790 --> 00:32:10,196 YOU DON'T TELL US WHY. 486 00:32:10,220 --> 00:32:11,696 YOU READ US NO RIGHTS. 487 00:32:11,720 --> 00:32:13,066 YOU'RE LOOKING FOR A LAWSUIT, 488 00:32:13,090 --> 00:32:14,366 SERGEANT JOE FRIDAY. 489 00:32:14,390 --> 00:32:15,436 LOOK, YOU IDIOTS, 490 00:32:15,460 --> 00:32:16,536 I'M GOING TO EXPLAIN THIS YOU ONE MORE TIME. 491 00:32:16,560 --> 00:32:18,036 WE DIDN'T BRING YOU PEOPLE IN OFF THE STREETS 492 00:32:18,060 --> 00:32:19,496 ON CHARGES THAT WOULD STICK. 493 00:32:19,520 --> 00:32:21,366 LeMay: THEN YOU'RE TALKING HARASSMENT. 494 00:32:21,390 --> 00:32:23,636 YOU KNOW, IF MY LAWYER HAS TO ACTUALLY COME DOWN HERE, 495 00:32:23,660 --> 00:32:25,196 HE'S GONNA EAT YOUR NOSE. 496 00:32:25,220 --> 00:32:27,236 IT'S NOT HARASSMENT, LeMAY. 497 00:32:27,260 --> 00:32:29,066 THEN IT'S BULL, LADY COP. 498 00:32:29,090 --> 00:32:31,236 YOU KNOW IT, AND WE ALL KNOW IT. 499 00:32:31,260 --> 00:32:33,966 HEY, LeMAY, I DON'T NEED YOU TO TALK FOR ME. 500 00:32:33,990 --> 00:32:35,436 GOT IT? 501 00:32:35,460 --> 00:32:38,036 I DON'T NEED TRASH ON MY SIDE. 502 00:32:38,060 --> 00:32:39,696 WHO YOU CALLIN' TRASH, PUNK, HUH? 503 00:32:39,720 --> 00:32:40,866 HEY! 504 00:32:40,890 --> 00:32:42,796 HEY, WE BROUGHT YOU IN HERE TO SAVE YOUR TAILS. 505 00:32:42,820 --> 00:32:44,566 YOU WANT TO SETTLE, YOU DO IT ON YOUR OWN TIME. 506 00:32:44,590 --> 00:32:46,466 NOW GET OVER THERE AND SIT DOWN. 507 00:32:46,490 --> 00:32:48,196 SIT DOWN! 508 00:32:48,220 --> 00:32:50,466 "SAVE OUR TAILS," HUH? 509 00:32:50,490 --> 00:32:52,136 WELL, I MAKE YOU A PROMISE, LADY COP. 510 00:32:52,160 --> 00:32:54,536 I WILL ALWAYS WEAR MY SAFETY BELT. 511 00:32:54,560 --> 00:32:56,166 NOW CAN WE GO? 512 00:32:56,190 --> 00:32:58,836 SO MR. OTERO AND I CAN HAVE A LITTLE TALK. 513 00:32:58,860 --> 00:33:00,260 I'D LOVE IT. 514 00:33:02,290 --> 00:33:04,436 NOW, LOOK, THERE'S A SHOOTER FROM HAWAII 515 00:33:04,460 --> 00:33:06,636 RUNNING AROUND THIS TOWN WITH A MACHINE PISTOL. 516 00:33:06,660 --> 00:33:09,466 HE'S ALREADY KILLED EDDIE MARX, QUATRO, 517 00:33:09,490 --> 00:33:11,196 AND SNAZZY LOUIS GREEN. 518 00:33:11,220 --> 00:33:12,596 YOUR PEERS, I BELIEVE. 519 00:33:12,620 --> 00:33:14,096 I GOT NO PEERS. 520 00:33:14,120 --> 00:33:15,620 SIT DOWN. 521 00:33:31,490 --> 00:33:32,636 HERE'S THE DEAL, BOYS. 522 00:33:32,660 --> 00:33:36,096 LISTEN TO THIS AND LISTEN TO IT GOOD. 523 00:33:36,120 --> 00:33:37,836 YOU TELL US WHAT YOU KNOW ABOUT THIS GUY 524 00:33:37,860 --> 00:33:39,036 SO WE CAN CATCH HIM, 525 00:33:39,060 --> 00:33:43,266 OR NOBODY HERE IS GOING TO LIFT A FINGER TO PROTECT YOU 526 00:33:43,290 --> 00:33:44,866 WHEN THIS MANIAC COMES LOOKING FOR YOU, 527 00:33:44,890 --> 00:33:46,936 TO TURN YOU INTO A RED STAIN. 528 00:33:46,960 --> 00:33:48,660 AND I MEAN, NOBODY. 529 00:33:58,420 --> 00:34:02,660 NOW GET OUT OF HERE, ALL OF YOU. 530 00:34:08,320 --> 00:34:10,160 CLOSE THE DOOR, HUNTER. 531 00:34:11,660 --> 00:34:13,666 IS THIS, UH... 532 00:34:13,690 --> 00:34:16,796 HAWAIIAN SOURCE, TRADER MAN? 533 00:34:16,820 --> 00:34:18,836 WHATEVER WE GET, WE GET FROM HIM. 534 00:34:18,860 --> 00:34:20,936 ABOUT A MONTH AGO, 535 00:34:20,960 --> 00:34:23,936 HE DECIDES HE'S GOING TO DRIVE UP THE PRICE. 536 00:34:23,960 --> 00:34:25,866 HE DECIDES HE'S GOING TO DRIVE IT WAY UP. 537 00:34:25,890 --> 00:34:27,166 SO YOU GUYS FORM AN ASSOCIATION, 538 00:34:27,190 --> 00:34:28,396 TAKE YOUR BUSINESS SOMEWHERE ELSE 539 00:34:28,420 --> 00:34:29,766 AND BUCK HIM, RIGHT? 540 00:34:29,790 --> 00:34:32,736 NO. BUCKING WASN'T GOOD ENOUGH. 541 00:34:32,760 --> 00:34:34,136 WE WANTED TO PUNISH HIM. 542 00:34:34,160 --> 00:34:35,236 WHERE'D YOU GO? 543 00:34:35,260 --> 00:34:37,196 WE HEARD ABOUT THIS, UH, MIAMI CONNECTION. 544 00:34:37,220 --> 00:34:39,696 A GUY NAMED OCEAN JIMMY. 545 00:34:39,720 --> 00:34:41,266 HE RUNS STRAIGHT WHITE OCTANE 546 00:34:41,290 --> 00:34:42,596 IN FROM SOUTH AMERICA. 547 00:34:42,620 --> 00:34:45,896 SO THE TRADER MAN HURTS YOU AND YOU HURT THE TRADER MAN. 548 00:34:45,920 --> 00:34:48,296 HURT AIN'T THE WORD. 549 00:34:48,320 --> 00:34:49,666 WHERE'S PARKER LeMAY? 550 00:34:49,690 --> 00:34:50,990 HE AIN'T HERE. 551 00:34:52,890 --> 00:34:56,866 OH, OH, OH, LOOK. LOOK, OH! 552 00:35:05,160 --> 00:35:06,936 Hunter: HOW DOES THE TRADER MAN GET HIS GOODS? 553 00:35:06,960 --> 00:35:08,036 IT'S TAILOR-MADE. 554 00:35:08,060 --> 00:35:10,136 HE RUNS AN OVERNIGHT AIR FREIGHT BUSINESS. 555 00:35:10,160 --> 00:35:12,466 TYPICAL COAST-TO-COAST RUSH. 556 00:35:12,490 --> 00:35:15,736 YEAH, I BET HE GIVES YOU BULK RATES, RIGHT? 557 00:35:15,760 --> 00:35:17,466 WHEN'S JIMMY DUE IN TOWN NEXT? 558 00:35:17,490 --> 00:35:19,766 LeMay: HE'S IN TOWN RIGHT NOW. 559 00:35:19,790 --> 00:35:21,066 UNTIL TOMORROW NIGHT. 560 00:35:21,090 --> 00:35:23,136 CHECKIN' OUT OUR PIPELINES. 561 00:35:23,160 --> 00:35:26,020 WANTS TO MAKE SURE NOBODY'S PLUGGED UP. 562 00:35:27,590 --> 00:35:30,536 I WANT YOU TO CALL THE TRADER MAN IN HAWAII. 563 00:35:30,560 --> 00:35:31,796 HAVE HIM TELL THE BEACH BOY 564 00:35:31,820 --> 00:35:33,320 WHERE TO FIND OCEAN JIMMY. 565 00:35:36,220 --> 00:35:37,536 BUT BEFORE YOU DO, 566 00:35:37,560 --> 00:35:39,096 TELL US FIRST. 567 00:35:39,120 --> 00:35:40,996 AND? 568 00:35:41,020 --> 00:35:43,260 McCALL AND I GO SURFING. 569 00:36:48,500 --> 00:36:49,876 HOW YOU DOING? 570 00:36:49,900 --> 00:36:52,916 YOU DON'T KNOW ME, BUT LET ME INTRODUCE YOU TO MY BADGE. 571 00:36:52,940 --> 00:36:53,976 IT KNOWS EVERYBODY. 572 00:36:54,000 --> 00:36:56,476 OH, COME ON, MAN. THIS AIN'T LEGAL. 573 00:36:56,500 --> 00:36:58,946 NOW THIS IS A BUST. BUT WE'LL DISCUSS THAT LATER. 574 00:36:58,970 --> 00:37:01,116 THERE'S A CRAZY MAN. HE'S AN ASSASSIN. 575 00:37:01,140 --> 00:37:02,776 IS ON HIS WAY HERE TO SEE YOU RIGHT NOW. 576 00:37:02,800 --> 00:37:05,076 I NEED YOU OFF THE STREET WHILE I CAN NAIL HIM. 577 00:37:05,100 --> 00:37:07,346 WELL, IT'S EITHER THAT OR YOU CAN STICK AROUND 578 00:37:07,370 --> 00:37:09,046 AND TALK TO HIM AND HIS MACHINE GUN. 579 00:37:09,070 --> 00:37:10,316 NOW GET OUT. 580 00:37:12,500 --> 00:37:14,576 SEND HIM IN. 581 00:37:14,600 --> 00:37:16,540 OVER HERE. 582 00:37:20,270 --> 00:37:23,046 YOU'RE NEVER GONNA MAKE THIS STICK, MAN. 583 00:37:23,070 --> 00:37:25,846 OH, YEAH? WE GOT A WAREHOUSE FULL OF DOPE IN THERE. 584 00:37:25,870 --> 00:37:27,346 I THINK WE'LL MAKE THAT STICK. 585 00:37:27,370 --> 00:37:29,476 IT'S A STEP IN OUR GENERAL DIRECTION. 586 00:37:29,500 --> 00:37:30,646 YEAH, IF YOU PLAY ALONG WITH US, 587 00:37:30,670 --> 00:37:32,846 MAYBE THAT SPANKING YOU'RE GONNA TAKE 588 00:37:32,870 --> 00:37:34,476 WON'T HURT SO MUCH. 589 00:37:34,500 --> 00:37:36,676 OK, WHAT DO YOU WANT? 590 00:37:36,700 --> 00:37:38,646 WE WANT THE TRADER MAN'S NAME. 591 00:37:38,670 --> 00:37:40,746 THE TRADER MAN? YOU KIDDING? 592 00:37:40,770 --> 00:37:42,216 HE'S THE COMPETITION. 593 00:37:42,240 --> 00:37:44,716 WE KNOW THAT. HIS NAME. 594 00:37:44,740 --> 00:37:46,716 IS THAT GONNA HELP ME? 595 00:37:46,740 --> 00:37:49,346 YEAH. IT SURE WILL. 596 00:37:49,370 --> 00:37:51,946 OK... 597 00:37:51,970 --> 00:37:53,716 JOE BRANNIGAN. 598 00:37:53,740 --> 00:37:55,946 LIVES IN HAWAII. 599 00:37:55,970 --> 00:38:00,016 GUY DEALS IN CONDO DEVELOPMENTS FOR A COVER. 600 00:38:00,040 --> 00:38:02,270 GET HIM OUT OF HERE. 601 00:38:14,300 --> 00:38:16,616 Dee Dee: IT SEEMS LIKE THE WHOLE WORLD'S GOING CONDO. 602 00:38:16,640 --> 00:38:17,976 Hunter: YEAH. 603 00:38:18,000 --> 00:38:20,146 YEAH, THIS GUY'S GOTTA OWN PROPERTY 604 00:38:20,170 --> 00:38:21,676 AROUND HERE SOMEWHERE. 605 00:38:21,700 --> 00:38:23,846 LET ME HAVE YOUR WALKIE-TALKIE. 606 00:38:23,870 --> 00:38:24,876 JACK? 607 00:38:24,900 --> 00:38:25,916 Jack: YO. 608 00:38:25,940 --> 00:38:26,946 YEAH, THIS IS HUNTER. 609 00:38:26,970 --> 00:38:28,816 GIVE ME A MAKE ON A JOSEPH BRANNIGAN 610 00:38:28,840 --> 00:38:30,246 AND ALL THE REAL ESTATE HE OWNS DOWNTOWN 611 00:38:30,270 --> 00:38:31,446 AND AT THE BEACH. 612 00:38:31,470 --> 00:38:32,816 Jack: ROGER. 613 00:38:32,840 --> 00:38:34,046 YEAH, GET BACK TO ME AS SOON AS YOU CAN, 614 00:38:34,070 --> 00:38:35,146 WILL YOU? THANKS. 615 00:38:35,170 --> 00:38:37,046 HUH, MAYBE A VACATION HOME? 616 00:38:37,070 --> 00:38:39,516 YEAH, FOR THE BEACH BOY MAYBE. 617 00:38:39,540 --> 00:38:41,746 I DON'T KNOW. I WAS WONDERING. 618 00:38:41,770 --> 00:38:42,776 THOUGHT MAYBE HE FIGURED IT OUT, 619 00:38:42,800 --> 00:38:44,600 DECIDED NOT TO SHOW UP. 620 00:38:48,740 --> 00:38:51,140 THEN MAYBE AGAIN, HE DID. 621 00:38:53,900 --> 00:38:56,270 Hunter: OK, COPANO, GIVE IT UP. 622 00:39:01,070 --> 00:39:03,100 I'LL TAKE THE FIRE ESCAPE. 623 00:39:36,570 --> 00:39:38,076 FREEZE! POLICE! 624 00:39:38,100 --> 00:39:41,070 DROP IT, COPANO. 625 00:40:02,370 --> 00:40:03,776 ARE YOU ALL RIGHT? 626 00:40:03,800 --> 00:40:06,276 YEAH, I'M ALL RIGHT. 627 00:40:06,300 --> 00:40:07,846 DID YOU SEE THAT? I PUT 2 SLUGS IN THAT GUY, 628 00:40:07,870 --> 00:40:08,847 HE BARELY FLINCHED. 629 00:40:08,871 --> 00:40:10,216 HE'S PROBABLY WEARING A VEST. 630 00:40:10,240 --> 00:40:12,416 YEAH, HELP ME UP, WILL YOU? 631 00:40:12,440 --> 00:40:14,116 NO, NO. JUST STAY DOWN THERE AND REST. 632 00:40:14,140 --> 00:40:16,476 HELP ME UP. 633 00:40:16,500 --> 00:40:19,216 OH, WELL, TAKE IT EASY. IT'S STILL CONNECTED, YOU KNOW. 634 00:40:19,240 --> 00:40:20,217 WELL, ARE YOU ALL RIGHT? 635 00:40:20,241 --> 00:40:22,740 YEAH, I'M FINE. IT'S NOT BAD. 636 00:40:28,140 --> 00:40:31,846 OCEAN JIMMY'S HAD POLICE PROTECTION, MR. TRADER MAN. 637 00:40:31,870 --> 00:40:33,976 YEAH, I'M CLEAR IN L.A. 638 00:40:34,000 --> 00:40:35,246 I GOT A FLIGHT BOOKED IN AN HOUR. 639 00:40:35,270 --> 00:40:36,900 SEE YOU WHEN I LAND. 640 00:41:18,240 --> 00:41:19,446 THIS IS HUNTER. I'M AT 641 00:41:19,470 --> 00:41:21,346 THE JOSEPH BRANNIGAN PROPERTY AT THE MARINA, 642 00:41:21,370 --> 00:41:23,516 AND I'VE ALSO MADE A POSITIVE IDENTIFICATION 643 00:41:23,540 --> 00:41:25,046 ON THE ESCAPE VEHICLE. 644 00:41:25,070 --> 00:41:27,246 REQUEST A BACKUP. THANK YOU. 645 00:41:27,270 --> 00:41:28,940 Radio: ROGER, L-56. 646 00:42:02,340 --> 00:42:04,040 CARRY YOUR BAGS? 647 00:43:20,000 --> 00:43:23,416 Jones: THIS IS THE WORST WAKE I HAVE EVER BEEN TO. 648 00:43:23,440 --> 00:43:25,876 EASY, BROTHER, YOU DON'T LIKE IT, 649 00:43:25,900 --> 00:43:27,916 KEEP IT TO YOURSELF. 650 00:43:27,940 --> 00:43:30,176 YEAH, REALLY. 651 00:43:30,200 --> 00:43:34,340 THIS IS SNAZZY'S WAKE, NOT YOURS. 652 00:43:35,100 --> 00:43:39,216 HEY... HUNTER, McCALL. 653 00:43:39,240 --> 00:43:40,516 COME TO TOAST MARSHMALLOWS, 654 00:43:40,540 --> 00:43:42,946 OR AM I STILL IN THE RED ZONE AGAIN? 655 00:43:42,970 --> 00:43:45,446 WELL, WE HEARD YOU WERE HAVING A WAKE FOR SNAZZY, 656 00:43:45,470 --> 00:43:47,746 SO WE THOUGHT WE'D JUST POP IN. 657 00:43:47,770 --> 00:43:49,716 YEAH. HA HA. RIGHT. 658 00:43:49,740 --> 00:43:51,576 I THOUGHT, UH, WAKES WERE HELD 659 00:43:51,600 --> 00:43:53,046 IN HOUSES OR CHURCHES. 660 00:43:53,070 --> 00:43:57,016 THIS SEEMS A LITTLE... DISRESPECTFUL, YOU KNOW. 661 00:43:57,040 --> 00:43:58,600 LeMay: DISRESPECTFUL? 662 00:44:00,300 --> 00:44:01,576 DISRESPECTFUL? 663 00:44:01,600 --> 00:44:03,916 HEY, HUNTER, IS SHE FOR REAL? 664 00:44:03,940 --> 00:44:05,976 THIS IS A VERY SIGNIFICANT ALLEY, McCALL. 665 00:44:06,000 --> 00:44:07,116 NOT ONLY IS THIS THE ALLEY 666 00:44:07,140 --> 00:44:08,676 IN WHICH SNAZZY MADE HIS FIRST DEAL, 667 00:44:08,700 --> 00:44:11,346 IT'S ALSO THE ALLEY IN WHICH I FIRST BUSTED HIM. 668 00:44:11,370 --> 00:44:12,946 VERY SENTIMENTAL STUFF. 669 00:44:12,970 --> 00:44:14,216 Otero: THAT'S RIGHT, SWEETHEART. 670 00:44:14,240 --> 00:44:17,216 THIS IS HALLOWED GROUND. 671 00:44:17,240 --> 00:44:21,746 BESIDES, WE'RE ALL BROTHERS HERE ANYWAY. 672 00:44:21,770 --> 00:44:22,976 RIGHT, HUNTER? 673 00:44:23,000 --> 00:44:24,216 LOOK, THE ONLY REASON I'M HERE, 674 00:44:24,240 --> 00:44:26,746 AND BELIEVE ME, THE ONLY REASON I SHOWED UP HERE, 675 00:44:26,770 --> 00:44:28,746 IS BECAUSE SNAZZY COOPERATED WITH US. 676 00:44:28,770 --> 00:44:33,076 AND AS YOU WELL KNOW, ELTON, I DON'T FORGET FAVORS. 677 00:44:33,100 --> 00:44:35,676 NOW AS FOR THE REST OF YOU 8 BALLS, 678 00:44:35,700 --> 00:44:39,516 WE'LL CLEAR YOU RIGHT OFF THE SIDEWALK, SOONER OR LATER. 679 00:44:39,540 --> 00:44:43,440 DON'T STAND SO CLOSE, ELTON. YOU'LL FALL IN. 680 00:44:47,240 --> 00:44:48,976 YOU'RE NOT REALLY UPSET ABOUT SNAZZY, ARE YOU? 681 00:44:49,000 --> 00:44:50,476 AH, WHAT'S THE DIFFERENCE? 682 00:44:50,500 --> 00:44:52,746 HE WAS A DEALER. 683 00:44:52,770 --> 00:44:54,900 YEAH, THAT'S WHAT KILLED HIM ALL RIGHT. 684 00:44:56,470 --> 00:44:58,646 HUNTER, YOU DIDN'T ANSWER MY QUESTION. 685 00:44:58,670 --> 00:45:01,146 I THINK YOU AND I SHOULD HAVE SOME SECRETS, McCALL. 686 00:45:01,170 --> 00:45:03,700 AFTER ALL, IT MAKES LIFE INTERESTING. 46192

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