All language subtitles for Party of Five s05e23 Ill Show You Mine

Hey.

hey.

what, should I

knock first?

no, I'm-I'm sorry, Josh.

I'm just working here.

essay for the writing

seminar, ok?

mine's done.

so good,

so I hate you.

it stinks,

but it's done.

you need a third eye?

I'm a good critic.

no, thank you. I don't like

criticism this early on.

whose nuts are those?

oh, well, they're Perry's.

Perry's? Perry marks?

oh, so she's become what,

your personal writing coach?

no, she just took interest

in my writing,

that's all, so-

that's ok.

and, actually,

if I may be so bold,

I'd much rather take you

to dinner than read

your essay anyway.

I do have this right,

right?

I mean, you and that

ned guy are over.

right. Yeah, r-right.

but that-that's kinda

why I've been

in this monkish

hibernation mode.

well, that's ok.

it's nothing personal,

I just-

people-i don't feel like

being around...People.

oh, hey, there's Perry.

hey. Hey.

I am so glad to see you.

I rewrote the opening

like you told me,

and it's so much better.

would you read it again?

again? I have my own

deadline, you know.

I do write for a living.

hi, Josh.

Ms. marks.

Julia: Well, maybe

I can do something

for you in exchange,

you know, grade papers

or do your laundry.

Perry: Are you kidding?

you're kidding me.

this is it.

this is my room.

pretty cool, huh?

where are

your roommates?

oh, they both

have girlfriends,

so they hardly

ever sleep here.

wow, was that concert hall

hot, or what?

aren't you hot?

oh, I wanna see

your snake.

you were gonna

show me your snake.

right. Noah. Noah the boa.

he's right here.

mom's way of making up

for my allergies.

Noah, this is Claudia.

did you know that rattlesnakes

can have sex

for, like, 24 hours straight?

they have 2 penises

called hemipenises-

oh, no! Um...

what?

I forgot

to call Bailey.

you know what?

I'll just-

I'll use the phone

in the kitchen.

wait. You can just

use this one.

I'm gonna get some water.

Bailey. Bailey, uh, yeah.

what do you mean I have

to come home right now?

you said that I could

stay out late tonight.

but you-you

actually want me

to come home right now?

we're just gonna have

to talk about this

when I come home now.

that, uh...

that was Bailey.

I have to go.

right this minute?

yeah. He was-he was

very specific,

but I'll see you

tomorrow, ok?

ok.

oh. Here you go.

thanks.

? Everybody wants to live ?

? like they wanna live ?

? and everybody

wants to love ?

? like they wanna love ?

? and everybody

wants to be ?

? closer to free ?

? closer to free ?

That's good, claud.

that's really great.

thank you very much

for your consideration.

it's midnight.

no, now it's 12:20.

it's funny

how time passes

when you're waiting for

people in this house.

and I have to be

at the fish market

in, let's see, 5 hours.

I told you I was going

to that concert

in the mission.

yeah, and the box office

said it got out at 9:00.

I was worried, ok?

well, you wouldn't

have worried if you'd

just gone to sleep.

I wouldn't have been up

if I hadn't been worried.

Charlie doesn't

wait up for me.

he trusts me to come home

when I want to.

well, I'm not Charlie, ok?

and if you say that

you're coming home at 9:00

and you don't

get home till 12:00,

then how am I supposed

to trust you?

you have to hold up

your end of the bargain.

there is no bargain.

you know, you just need

to mind your own business.

this is my business.

you are my business, ok?

and it is not right

with our-with our past

to make each other worry

at night.

don't throw mom

and dad into this.

ok, you know what?

I'll make this easier

for you.

you're grounded, ok?

until I say you're

not, ok?

Hey.

hi.

if you don't change out

of those pajamas,

I'm not gonna make it

to work today.

you're up early.

I didn't even hear you leave.

I know. I popped outta bed

at, like, 5:00 this morning

with this feeling I haven't

had since...I don't know...

spring little league.

I mean, I was strutting

down market street,

smiling at people,

waiting happily

in the longest line ever

to get your favorite

vanilla whatever that is.

ooh, thank you.

and...these.

oh. Oh, I love yellow roses.

and look what else.

2 bedrooms

in lower haight

for 900 bucks.

900 bucks.

wow, that's amazing.

I know.

and it's the owner

who's renting,

so it's gonna go

in, like, a second.

Charlie, if-if this apartment

has leaky pipes

or-or olive green wallpaper,

or if it's not right for Diana,

please, please, please don't

think you have to take it.

thank you, Kirsten,

but I asked if we could

crash here for one night,

and it's been 7.

how many times do I have

to tell you that I don't mind?

hello?

yes, yes. I'm calling

about the apartment.

ok, Sarah,

here's the guest list.

Patrick outterman,

the food critic

from the tribune,

the head of the tourist

commission.

tourist commission?

yeah.

he puts us

in the visitor's guide,

and we get all this

out-of-town business.

so you think if you wine

and dine these guys-

think? I know, I know.

you invite them over

to your home,

and they think

they're your friends,

and they wanna

help you out.

harvest did this last year,

and-what's all this?

oh, careful.

it's the proof

for my banner-

students against

sweatshops campaign.

students against...

yeah. I told you

about it.

I'm on the committee.

you know what, Sarah?

this is...Not good.

no, it's terrible.

I mean, these schools

are getting t-shirts-

no, no. I mean it's not good

that you do this

and that I don't even know

about it.

well, I'm sure there's

stuff that you do

that I don't know about,

you know, like

restaurant stuff.

it's ok.

is it, though?

'cause I don't know.

I feel like...We're not

crossing paths enough.

I mean, we live together,

and sometimes I still

feel like I miss you.

well, you're welcome

to come to one

of our meetings.

really?

well, I would love

to do that, I would.

and you could-you-hey!

what if you did

this dinner with me?

hosted it with me?

host it?

yeah.

I don't think

I'd know what to do.

oh, come on.

there's nothing to it.

you did Claudia's

birthday party.

Bailey, that was, like,

kids, nachos, music.

all you would have to do is-

is be bright and charming

and make people feel good.

come on, who are we kidding?

it's you we're talking

about here.

Bailey.

really.

and then afterwards-

afterwards,

when it's all over,

we'll kick our feet up,

and I will feed you

what's left of the oysters

and the caviar

and the chocolate poached pears

with real whipped cream...

and we'll make a night

of it.

that part sounds good.

Julia.

hi. Uh, sorry. I just-

I brought you these

Mexican wedding cookies

from a bakery in palo alto

just to thank you

for all your help.

thanks.

uh...come in,

only I've gotta be

at the Dean's

in 5 minutes.

he's having some dusty

literati gathering.

I can already taste

the cucumber sandwiches.

wow. That-that

sounds glamorous.

well, have a good time.

and, by the way, thank you

for that story you gave me.

oh. Oh, yeah.

what do you think?

it was good.

good?

uh, wait a second.

what do you mean, good?

really good. The ending was-

especially the ending.

meaning except

for the ending,

the rest was not good.

god, no, no.

no, come on.

I want your opinion.

where does the story

not work?

my opinion? Perry,

I'm the student.

you're the published-

don't you have to go?

the Dean can wait.

ok, well, if you're asking,

I thought the main

character, Sylvia,

was a-a bit of a-a snooze.

interesting word.

well, no, just that

she lacked a certain-

she wasn't proactive.

that-that was it.

you know what?

i-forget it.

I do have to be

at the Dean's.

come on.

you're coming with me.

to the literati?

yeah.

you can tell me how

to make her not

so snoozey,

if you're so

damned smart.

all right, I talked

to Princeton,

and they said that

the sit-in really

made the difference.

so if we get the artwork

for the fliers

by next year-

my printer broke down.

stop it, you two.

power of example,

always.

now, Bob, when can you

get us the artwork?

Sarah: You know what?

if it's on disk,

he can just use

my printer.

but you're busy

with the banners.

I know. But I can do it

if he comes by.

so we get the fliers

out by tomorrow,

rally the troops up

by Saturday night?

wait a second.

I thought we said Sunday.

but the campus is

deserted on Sunday.

if we're gonna protest,

it would help if somebody

were around to see it.

yeah, I know,

but i-i can't be there

if it's on Saturday.

you can't. Why not?

well, because I promised

my boyfriend

that I would do

this thing with him.

what thing?

a dinner party.

it's really important

to him.

what, what?

why are you all looking

at me like that?

they're your priorities.

yeah, I know,

but I promised him.

you know what? I'm still

the head of the artwork

committee, ok?

so I will still

do the banner.

ok, fine.

l&k apparel has

to be written

in black

with a big red line

through it.

l&k apparel.

great.

naturally, this is

very flattering, but-

Kirsten, your dissertation

was one of the studies

laying the groundwork

for this kind of project.

we used your salivary

cortisol study.

you did?

of course.

that was excellent work.

god! This is...

this is...I-i don't

know what to say.

full funding,

research facilities,

2 years of room

and board.

what about-i mean, we both

know about the plagiarism.

i-i-i don't understand

how I was approved.

we were convinced

by your statement.

I wouldn't be here making

this offer otherwise.

the university

of Chicago, though.

near your family.

I know, I know.

but...

what?

but what?

I appreciate the offer, I do.

but I'm-I'm not in the position

to take it at this time.

look, um...

I'm gonna leave

this material with you.

don't decide

until you read it, ok?

Woman: You remember

the routine, Charlie?

very, very still.

yeah, I remember.

(Diana crying)

you know what she likes?

she likes that song...

um, how's it go?

? the wheels on the bus

go round and round ?

? round and round ?

both: ? round and round ?

? the wheels on the bus

go round and round ?

? early in the morning ?

? the wheels on the bus

go round and round ?

? round and round ?

ok, Charlie,

don't move your lips.

It's just this living

together thing.

what's wrong with it?

2 weeks ago she told me

how psyched she was

to have her own place

and be on her own.

I don't get it.

I would think

you'd wanna be there.

look. The single

biggest mistake

in my life

was losing her.

and then I spend 2 years

trying not to think

of us together,

and all of a sudden

I get her back.

I mean, do you realize

how lucky I feel?

I feel like

I won the lotto.

so I just-i just wanna

take it really slow,

be really careful,

just like any couple

starting out.

and living together,

it's just-it's too fast.

it's just way too risky.

do you love her?

of course I do.

is she having

any doubts?

no.

well, then, how can it

be too risky,

jumping into a relationship

that you both want?

Ok, we're done.

done? I just wanna do

one more thing.

we've put in 10 hours.

no, wait.

but, look. I-i don't

have another inch.

I'm shrinking.

just this one passage.

I am restraining myself

from doing bodily injury

to you, Julia.

that is a sign to stop.

(giggles)

what's that throbbing?

hey, let's go

across the street

and have a drink

at that party.

no way. That frat house has

a urine trough in the basement.

oh, come on. I never got

to do this in school.

I was always on book

tours or lecturing.

poor you. I really

feel for the trauma

of your book deals.

oh, and you'd rather

sit there and obsess

about a story than...

you're having about as

much of a college life

as I did, aren't you?

'cause I don't wanna go

to an 8-keg frat party?

I guess so.

oh, come on, Julia.

don't be an idiot.

here you are in fully

equipped buildings.

no light bulbs to buy,

no bills to pay,

fully furnished.

ok, so there's this hideous

golden polyurethane oak,

but, still, for 4 years,

you're 5 feet away

from libraries,

concerts, parties.

you don't understand

the opportunity

you have, do you?

look, I took you to one

of my parties,

now I want you

to take me to one

of yours.

come on.

I showed you mine,

so you have

to show me yours.

ah, it's just a pretty

regular bedroom,

you know, a desk and closet.

pretty nice bed.

so, when did you say

your brothers were

getting home?

um...owen's here now,

and Bailey's closing

the restaurant.

so, then, um...

we can be alone.

(doorbell ringing)

how strange.

I wonder who that is?

you're just in time.

Amanda, what are you

doing here?

you said to come by.

I did? Oh, ok.

um, like, hello. Hi.

what are you-

you guys-um, Amanda...

I said to bring

a couple of people.

you said to bring

people, Claudia.

you didn't actually

say how many.

Cody?

this is kind of a bummer,

you know?

I'm not really

in the mood for a little

high school party, so...

you're not-you're not

gonna leave, are you?

I really just wanted

to be alone with you tonight.

Cody...

you guys, could you just-

could you watch...

The fish, see,

they're in the beer,

and once you swallow

them,

and the challenge is

to spew 'em back up

before they're dead.

I'm not drinking fish.

did, uh,

did it hurt?

huh?

when you fell...

from heaven?

get off my wrist.

my name's mutant.

what's yours?

get off my wrist.

just tell me

your name first.

I said get off me!

let go, man.

let go of her!

why? I like her.

are you ok?

no, that hurts.

where did he hurt you?

are you ok?

did he hurt

your wrist?

what a pig.

what a drunken, drooling

knuckle-dragging

piece of primordial slime.

he's almost as disgusting

when he's sober if you-

it's not funny, Josh.

none of this is

remotely funny.

I know. I'm sorry.

but thank you for coming

to the rescue.

that was really nice.

Perry, can we go?

this is exactly why

I didn't want to come.

yeah, sure, now that

I've had a drink.

so I guess I'll

see you in class?

can we go get some coffee,

just the two of us?

yeah.

What the-

who are these...

Sarah: Oh, no.

Claudia?

Claudia?

Claudia?

Oh, god, don't be sick.

don't be sick.

calm. Calm stomach.

let her go. She's 16.

she's 16.

Claudia?

Bailey?

thank god.

what is this? What, is this

your way of punishing me back,

having the party come to you?

it's not my fault,

Bailey.

what are these,

Cody's friends?

no, he left.

he had nothing

to do with this.

so then you invited

these people over?

I invited a few of them.

it's for a good reason,

I swear it, Bailey.

there are 50 drunk teenagers

trashing all the stuff

for my party,

so tell me, Claudia,

tell me, please.

I can't.

Congratulations.

I, uh, I know I

shouldn't have read it,

but you left it wide open,

and I couldn't help it.

left what?

the offer.

I read the offer.

it's your dissertation,

isn't it?

yeah.

yeah. But, uh,

I turned it down.

you turned it down?

yeah, of course.

please don't tell me...

tell you what?

it's not because

it's Chicago, right?

it's not because

of me, I hope.

why? What would be wrong

with that?

because we can commute.

I mean, we can fly

back and forth

and-and I have

next summer off.

wait a minute.

just a second.

3 weeks ago,

when we were friends,

you said not

to go to Africa.

Africa is 9,000

miles away, Kirsten.

Chicago is 3 hours,

and this is the best

thing that's happened

to you since-

who are you

to decide that?

well, correct me

if I'm wrong,

but in the not too

distant past,

you had worked

4 years undergrad

and 3 years

into a ph.D. For this,

and I'm the reason that

that went to waste,

and I'm not gonna make

that mistake again.

what mistake? Wh-what

mistake did you make?

if I hadn't have let

my stupid, stupid

fear get in the way

on our wedding day,

you would have never

gotten depressed,

and you would have

finished your degree.

is that what you think

of that?

do you blame yourself?

of course I do.

it's my fault, Kirsten.

and you giving up

something great

like this

is exactly what I don't

want to have happen.

it's-it's too much

to ask,

and I'm not gonna

let you do it.

I won't let you give

this up for me.

What I want to know is why

I'm, like, this walking target

for drooling jerks.

I mean, he could

have grabbed you,

and he didn't,

and you know why?

because you, like, exude

"don't mess with me."

oh, give me a break.

no, you do.

you're so self-sufficient,

even in your work.

I, on the other hand,

have a sign on my back

that says, "come torture me.

make my life miserable."

oh, don't be so insulting.

I am tortured, too.

are not. You're like this

together, competent

literary monolith.

I am plenty tortured.

the reason I don't

seem tortured

is because I have no life

outside of the convent.

I'm a literary nun.

I work, work, work

so I don't have

to contend

with the physiological

reality

of not having been laid

in a year.

ouch.

so I don't have to deal

with the issues of love

and rejection, rebound,

except when it comes

to my own work

being published.

can I see these?

you have, like,

the best jewelry.

what stone is this?

citrine.

hmm.

and this one?

tanzanite.

I guess I should get

these printed up.

(Knock knock)

hey.

hey.

um, listen,

I'm late for a jam session

at Keith's, so...

I just wanted to talk

to you about last night.

why I invited

those people over.

(zipping case)

I don't know

if I'm ready

to be alone in bedrooms

with you.

what do you mean?

ok. It's like this novel

I read, right-

on the highway,

a romantic fright tale.

it's about this girl

on Cape Cod who

dates this guy,

and he goes nuts.

he locks her

in his trunk,

and he drives her around

in the countryside

for, like, 2 weeks.

but she's really smart,

you know,

'cause she writes, like,

"help" in the rest room,

you know,

mirrors, and-

and...oh,

what's my point?

what, are you afraid

I'm gonna attack you

or something?

rip your clothes off

and force you to do stuff?

not exactly.

it's just...

we've never done

this stuff before.

is that what you

think about me?

'cause that...

that hurts my feelings,

Claudia.

So I told my wife

she was a no-roll,

and I'd have to make a chart

with her tip weight.

um...

I don't-

I don't get it.

uh...meat packers have

these yield codes

for sirloin,

and they're based on

the fat marbling.

so he's saying that

his wife has...

maybe gained

a little weight.

huh.

well, um...

you know what,

I should probably

just go check on

the hors d'oeuvres.

waitress.

could you, please?

just a splash.

Sarah.

hey, um, bauman's

got this joke

he wants

everybody to hear.

will you

come back in?

Bailey, do I have to?

I don't get

any of his jokes,

and I don't know anything

about meat packaging

and stock trends

and zoning permits.

Sarah, you are

doing so great.

everybody in there

loves you, ok? So...

so come back in.

will you?

come on.

(sigh)

Laundry sucks, huh?

I was going through and

checking the pockets.

and you know your jeans,

those...khaki jeans?

yeah?

you left this

in the pocket, Charlie,

this receipt

from the hospital

from tests this week.

what tests?

why didn't you tell me

that you were

taking tests?

see, this is what

I'm talking about.

this is exactly what

I didn't want

to have happen.

what? 'Cause you

didn't want me

to see this, right?

why, Charlie?

are you sick again?

I mean, why-why are

you holding out on me?

they are standard tests

that I have to do

twice a year

for the next 6 years.

so you're not sick?

I feel fine.

I haven't gotten

the results back yet,

but I'm sure I'm fine.

well...well, are you-

aren't you even a little

bit scared, though?

a little it, yeah,

but that doesn't mean

you should be, too.

but that's not your

decision to make.

maybe I want to be

scared with you.

it's my choice.

if I want-

listen. I'm just trying

to protect you, Kirsten.

well, I don't wanna

be protected.

I just wanna be allowed

to love you.

and if that means

being scared with you

or being sick with you

or-or turning down

that job for you...

I thought we agreed-

no.

you cannot dictate

how much or how little

I can love you,

or otherwise we might

as well just end it

right here, ok?

ok.

(sigh)

(crying)

ok.

hey.

listen...

I hear what

you're saying.

so, um...

will you please come

to the hospital

with me tomorrow?

yeah.

What you do

is you wall off

social security,

insulate us

from the democrats.

I'm sorry. I need

to borrow her

for 2 seconds, ok?

I know.

hey, this guy over here

says he's gonna make us

hats for salinger's

with the logo on them.

and since you're the one

with the taste,

you pick out the color.

Mr. Briggs,

this is Sarah.

Sarah, Mr. Briggs.

pleasure to meet you.

Mr. Briggs makes

those, uh...

those sneakers

that Claudia has.

you know, the ones

with the really

thick shoelaces?

the ones...That I

made her take back?

um...no.

no. That must have been

a different pair.

no. The...The pink ones.

the l&Ks.

we thought we'd

make some caps

for salinger's.

well, we don't want caps

from l&Ks.

Sarah?

Bailey, this company,

they exploit

factory workers.

Sarah-

no.

for every cap

that costs 20 bucks,

8 cents

goes to the worker.

do you know

that they have 6-year-olds

and elderly people

working overtime?

all so that they can give

money to rich Americans

who make hundreds of

thousands of dollars a year.

I'm sorry,

but I cannot stand here

and smile and laugh

and pretend that that's ok.

So, here's the deal

about my story.

I felt that, uh,

your input

was ultimately

really helpful.

really?

yeah. I mean, it was

really brave of you

to keep bugging me.

and so, I guess

by way of thanks,

I spoke to an editor

friend of mine,

and I told him

about your essay.

mine?

and I read him

a few paragraphs,

and he said

he's interested.

interested in-

in what?

in publishing it?

well, maybe.

you know, who knows?

this is amazing.

so, um...I guess I should

mail yours, too.

yes. God, yes.

I can't believe

you did this for me.

well, you know,

somebody gave me

my first break.

this is so...

this is so...

thank you so much.

P-Perry, wait.

you know there are no

guarantees, right?

it still has to go

to the editor above him.

If you didn't want

to do this tonight,

you should've said no.

I didn't know

I was going to have

to act all fake.

this was business, Sarah.

this was for business.

yeah, well, I wasn't

gonna just stand there

and not say anything

because we wanted

something from him.

but he was our guest.

he didn't come here

to get attacked.

I'm not gonna apologize

for what I said.

no. It's not

what you said.

it's how you said it

and when you said it

and the fact

that you said it

without considering

how it affected me at all.

I'm gonna go get

that wine stain

on the couch.

thanks for sticking

around last night.

I was wiping beer

off the floor till 3:00.

I'm sorry.

I'll finish up

for you.

so, what's the deal,

claud?

why did you have

that party last night?

you're gonna think

I'm crazy.

I'm scared...

to be alone with Cody.

why?

why? What's that

all about?

we start to fool

around, and...

I just get

all wigged out.

I don't know what

he expects from me.

well, have you tried

to talk to him about it?

I tried to,

but I don't know how.

and like some moron,

I launch into

some stupid story

about highway kidnap,

comparing myself to

the girl in the trunk.

you didn't.

I did.

look...

Claudia,

whatever you're feeling,

you should just tell him

straight up.

but I'm scared to.

I mean, I tell him

to slow down,

and he thinks that

I don't like him

anymore.

doesn't matter.

doesn't matter 'cause you,

you're your own person.

you weren't just

put on this planet

to serve his needs.

don't be afraid

to talk to him.

just be

up front and clear

and just be

completely honest

at all times.

and how he responds,

well, that's his problem.

Perry:

in Josh's first draft,

I felt that his characters

lacked a certain clarity

of intention.

I didn't know

why the characters

were so filled with fear.

but in his second draft,

he really got into that loss,

a very poignant sense

of loss.

and after the war,

they buried their brothers

on foreign soil

and then left them behind.

I don't...

I'm not really helping

very much.

Ok.

ok.

So do you understand

what I'm saying?

I mean, I'm trying

to be clear.

i-i think I do.

you're saying that

you're just trying

to create boundaries

as you come to terms

with your sexuality

in a pluralistic culture

with complicated sexual

paradigms, is all.

i-i think I understand.

so we'll just-

we'll just

talk it all through...

one step at a time...

like...like this here.

what if I were to ask you

if I could kiss you here?

would that be all right?

And...

how about here?

Now, how about right here?

(Giggles)

hi.

was it something I said?

no, no, no.

excuse us.

so, Charlie...

your white count is low.

l.a.p. Levels are low.

what can I say?

you're in perfect health.

Thank you so much.

I know I don't seem

very happy right now,

but I am.

Hey.

hi.

may I...

may I sit?

sure.

I owe you an amends.

big time ninth step.

no. I'm the one

who should be sorry.

no.

you know why?

I've been thinking about it

all morning.

I was seeing myself

in, like, 10, 20 years,

all grown up

at those kinds of parties,

and I saw you there

sitting next to me.

and you hadn't

changed a bit.

so...i was telling off

the guests.

no.

you were sticking up

for yourself,

just like

you told Claudia to.

and by the way, thank you.

thank you for that.

she really needs that

without my mom here.

I was just saying it

as a friend.

Bailey, I'm only

3 years older than her.

it's more than that.

you're gonna make

a really great mother

someday.

you know that?

yeah, in, like,

80 years, maybe.

I can see it already.

Well...

hope they adopt

the code.

well...

we'll sit here

until they do.

together.

right?

Hi.

hi.

have we, um,

have we been

avoiding each other?

because...

well, I've been

avoiding you.

I was just leaving.

I just wanna

talk about it, Perry.

oh, I know you do.

you always do.

I'm feeling

a little confused and-

which is why...

why I don't want

to talk about it.

what do you mean?

Julia,

why did you kiss me?

why did that happen?

can you tell me that?

I don't know, exactly.

I just...

is it because

you're gay?

because you suddenly

realized you're gay

or something?

no. I'm-

I don't think so,

but I...

'cause guess what. I am.

and what we did...

that means something,

Julia.

it does to me, too.

but it's not the same.

look...

I don't know...

I don't know what's going on

in your head right now,

but I do know

where you've come from,

and I know that you've had

some bad times with men,

but that's not me.

I'm not gay because

I don't like men.

I'm gay because

I like women.

and I like you.

Julia-

no, I mean it.

that's what it is.

I like you, Perry.

being around you

the last couple weeks,

you make me feel

so great and so safe,

and I don't wanna

lose that.

Julia, you kissed me.

whatever that means,

whatever you're

going through now,

I just...

I'm not letting you

get there through me.

(Telephone rings)

it's for you.

Hello.

oh, yeah. I'm sorry.

I was supposed

to call you back.

no, no.

I loved the view.

the view was great.

no, it wasn't

the price, either.

the price was fine.

listen, uh,

I found another place.

yup.

this morning.

no. Actually, there, uh,

there wasn't a fee.

it was, uh...

it was through

a friend.

well, thank you anyway.

I really appreciate it.

ok. Bye.

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