All language subtitles for Party of Five s05e12 Witness for the Persecution

Ned on machine:

Julia, it's me.

you can't just keep

not answering my messages.

I don't know how many

times this makes,

but I'll say it again,

I'm sorry.

I'm sorry

we had a fight,

but you know,

people fight.

if I wasn't

so totally crazed

thinking about you

every second...

look, look, pick up.

I know you're there.

you're there.

you've got to be.

I'm coming over.

greetings, o Julia.

just had

professor shapiro's

Shakespeare.

don't you hate

when teachers,

like, do the parts?

he got really into

Ophelia.

hey, what'd you

just erase?

oh, don't worry.

it wasn't for you.

is your arm

still hurting you?

you know what, Maggie?

I'm going home

for a couple of days.

you're going to miss

the finals review

in French?

so if anyone asks...

like ned?

yeah, um,

he's coming over,

so you don't know

where I've gone, ok?

sure, of course.

if you don't want me

to tell him,

I won't.

thanks.

just like

if you don't want

to talk to me

about what's

going on,

you don't have to.

with you and ned,

I mean.

I can't.

I can't.

? Everybody wants to live ?

? like they wanna live ?

? and everybody

wants to love ?

? like they wanna love ?

? and everybody

wants to be ?

? closer to free... ?

? closer to free ?

Ok, there we go.

can you imagine

being that small?

yeah.

I mean, no.

not-not that small.

neither can you.

you weren't even

that small

when you were born.

you remember?

god yeah.

I was in

high school.

I gave up

a whole weekend,

had 49ers tickets

and everything,

to babysit Bailey

and Julia,

'cause dad

had to keep running

back and forth

to the hospital.

Bailey was about 5.

he was the ultimate,

ultimate brat

to babysit.

ha ha. What are you

doing with those boxes?

just putting

them here for now.

Daphne left a bunch

of stuff in here.

I've got to pack

it up later.

I want it

to be ready

when she sends

for it all.

well, how do you know?

that she isn't just

coming back, I mean.

claud, that's-

that's way over,

me and Daphne.

end of story.

you know what?

let me pack up

her things for you.

it's got to be something

that you hate doing.

claud, uh,

thanks,

but, you know,

it's really not

a big job,

and I don't need

any help.

do you think Diana

knows something's

happened to her?

that her mother's left,

and-

probably isn't

a great question

to be asking

right now, huh?

I've been thinking

about it.

I don't think

she realizes.

I mean,

it's been a week,

and she seems ok.

hey, how long you

going to hang out?

don't you have

to get to school?

(Diana fusses)

ok, ok, ok.

all right. Fine.

ok, bye, di.

Shh. Shh. Shh.

Oh, hey.

ow. Hi.

hey. Here, let me

get those for you.

did you pull

your shoulder

or something?

no, I mean, yeah,

but, uh-

really? How?

I had an accident

on that service road

behind the dorm-

let me see.

something happen

to the car?

no, Griffin, don't.

forget it.

why? I've worked

on the old beast

a million times.

it didn't-you can't

even see it.

is it front or back?

Griffin,

would you stop-

stop trying to help

with everything.

well, that's not easy.

Julia, hey.

hey you.

what are you

doing home?

oh, I was, um,

just missing everybody.

where's ned?

I don't want to talk

about him, ok?

but how are you?

how's school?

everything's ok.

Sorry, everybody.

sorry I'm late.

whoa.

she's beautiful.

is she yours,

Mr. s?

nope. Nope.

just found her

on my doorstep.

Mr. salinger.

Ms. Walsh,

we're, uh,

just getting started

here.

new student?

(both laugh)

extremely.

I can, uh,

I can explain

about bringing her

to school with me.

I, uh, got my little

sister at home, too.

my-my little sister

and my little

brother,

and, uh-

and you're

a single parent.

teacher's lounge.

people talk.

yeah.

way too much.

can I show you

something?

Charlie:

day care?

used to be

the music room.

couple of the single

parents on the staff

chipped in

and set this up.

if you're

interested,

I can let you know

your share.

great, but, uh,

I'd rather not.

she's going through

this weird thing

right now.

doesn't want to be

left with strangers,

so I'd like to keep her

in the classroom with me,

if there aren't any rules

against that.

rules, no,

but the insurance

situation might be

kind of iffy.

see, this-

this day care stuff...

when you're

a single parent,

everybody figures

that you need

all kinds of help,

when-

actually, I know.

he's mine.

Andy.

I'm one of those

single parents

that I mentioned.

even the vice

principal

needs all the help

she can get.

we even have

a support group.

support group's

not exactly my...

cup of tea.

like day care.

so, is it going to be ok

if I keep her

in the room with me?

I'll see if we can

stretch a point.

ok, then.

I should, uh,

I should get back,

and, um, thanks,

Ms. Walsh.

Valerie.

ok.

Claud,

what's up with this?

it's for Owen.

he'll love it.

you know, now that

he's this big camper.

man, I can barely

fit in here anymore.

hey, char.

hey.

hey, claud.

hey, buddy.

who's the man?

hey, cool.

can I play in there?

Claudia: You can

sleep in here.

that's why I set

it up. Come on.

cool.

old times, huh?

yeah. Especially

with Julia home.

Julia's home?

is everything ok?

why wouldn't it be?

oh, no reason.

it's just, you know,

we're getting ready

to start finals,

but you're probably

on a different

schedule than us.

oh, no. Us, too,

but, um, I'd just rather

study here, that's all.

can I take

the little beauty?

yeah. Hee hee. Hi.

so, um,

how's he been?

well,

we had a great time

camping,

and he's mostly

over his cold.

that's not

what I'm asking.

well, I'm not

going to lie,

you've got your work

cut out for you.

he still mad

that I didn't

come get him?

he'll get over that,

right?

but...

maybe we should

make this regular,

me taking him.

you know, weekends.

a week.

I mean, how many plates

do you need spinning

in the air?

think I can't

swing it?

no, but do I think

it would be better

if you didn't have to?

yes, I do.

I got it covered,

bay.

Charlie...

Daphne left.

that's-whatever way

it went down,

you loved her,

you had a baby

with her,

and it's ok for you

to let it hurt,

but I don't see you

doing that, man.

I get that you're

concerned, bay,

but, uh...

but...

but let's just drop

the whole subject, right?

that's what I was

trying to tell him.

look, Charlie

just needs to think

he can do it all.

I read about it

in psych.

it's called

the Superman complex.

yeah, well,

it's also called

he's got to cut

himself some slack.

this won't

take a second.

I just have

to find the disk

that Arthur

put the accounts on.

then we can

get out of here.

do you see it

anywhere?

no.

must be

in the office.

just a sec.

Holy-

(sighs)

hey, sar.

Sarah, you're not

going to believe this.

somebody must've-

don't-don't move, man.

Bailey...

I'll hurt her, man.

I'll cut her.

you better not

try anything.

no. I'm not-

I'm not, ok?

look, here, take

anything you want. Here.

here's money.

here's money.

take money.

put it on the bar.

put it on the bar.

ok.

ok. Here. My wallet.

here's my watch.

anything.

just, please.

get down on the ground.

get down on the ground!

you think I'm playing

with you? Get down!

ok. Please

don't hurt her.

get down.

don't hurt her.

take everything, ok?

get your face down.

put your face down.

get it down.

put it down.

put your face down

to the ground, damn it.

put it down.

(sobs)

give me this chain

before I cut your neck.

it's all right.

it's ok.

(sobs)

it's ok. It's ok.

he's gone.

Detective:

you're doing good.

you're remembering

a lot.

if you could give me

a little more

on this description,

it would help.

so far I have,

"white, maybe

hispanic,

about 22."

no. He was older

than that.

25, maybe.

no.

21 or 22. That's all.

Sarah, put yourself

there.

see it, if you know

what I mean.

it'll come to you.

Is that

where you were?

good.

Sarah, try to visualize

what he looked like.

um, he had a scar.

right here.

like a jagged one.

kind of short hair,

right?

short, dark hair.

skinny guy.

but he was strong.

I mean, he had

really strong arms-

it's ok.

it's ok.

that's good.

you'll come down

to the precinct later

and look at some

pictures.

I mean, you've seen

how they do it

in the movies, right?

meantime, Sarah...

call this number.

he's a doctor.

you know, a shrink.

he works with us.

he does a trauma

counseling thing

for victims

of violence.

thank you.

it would be great

if you caught this guy.

he was like an animal,

hiding around here

in the dark.

you know,

it wouldn't hurt

if you called

that number, too.

uh-huh, thanks.

think about it.

effects of something

like this creep up-

I said thanks.

now just find

this guy, ok?

it's what we do.

officer, I need you

to take this down for me.

that's great. That's

exactly what we need

is some new age cop.

some animal

holds a knife

to my girlfriend's

throat

and he's running around

out there free,

and he wants me

to get help.

Hey.

hi.

hi.

hi, you.

hi, beautiful.

how was school today,

you two?

aw, she was fine.

she flirted.

yeah. Ha ha ha.

she did.

hey, honey.

so, uh,

how are Bailey

and Sarah?

uh,

little in shock,

I think,

but ok.

nobody got hurt.

mmm.

something like that

sticks with you,

though.

this your office?

what are those?

oh, um,

(clears throat)

well, they're, uh,

sort of-

they're...what?

Charlie,

I have something

really important

to tell you.

I didn't

want to until

it was definite,

but...

they're adoption

papers.

Paul and I

are going to have

an adoption.

I mean, we're going

to have a baby.

we're going

to adopt.

Kirsten, that is-

that is great.

what happened?

I thought Paul

didn't want-

Paul wants me

to be happy.

that's what Paul

wants. It was his

idea,

and Charlie,

he's been amazing.

the baby's not even

here yet,

and already it's-

it's changing

everything.

oh.

hey.

I'm sorry.

what? What are you

sorry for?

just going on

about Paul and me.

I mean, I know

how things are

with you right now.

why is everybody

so sure

that I must be a mess

without Daphne?

Charlie, no,

I didn't mean-

Diana and I

got through it.

over is over,

and we're a family.

why can't people

just accept that?

'cause we care

about you.

'cause we want

to be sure.

well, we're fine.

we're fine.

Bailey.

Bailey, wake up.

did you hear

something?

what?

shh. Listen.

Sarah.

I'm sorry.

no, it's ok.

it's ok.

no, it's not.

no, it's not.

I can't sleep.

I can't-i couldn't

even cross

from dwinnell hall

to the parking lot

tonight.

I still can't believe

any of this.

I can't even

walk around campus

without getting

all freaked out

inside.

I'm going to call

that number the cop

gave us.

I tell you

who I'm calling...

I'm thinking of putting

an armed security guy

in the restaurant.

I don't care

what it costs.

Bailey,

what are you-

right here.

this is where-

you know what?

there's nothing, ok?

nothing you

can see, anyway.

if that guy

had hurt you...

I can't even think about

what I would've done.

You want me

to pick you up

at school,

so you won't have

to walk around

in the dark?

I don't know.

I mean,

thanks,

but do you think

it makes sense?

I mean,

it's my school,

you know, my life.

I kind of have

to get through

without being scared

all the time.

Ok.

I haven't done this

in, like, forever,

so, you know,

bear with me

and keep your comments

to yourself.

here goes.

(guitar plays

no tomorrow)

ok, that wasn't me.

You know what?

this used to put Owen

right to sleep, so...

let me see.

(plays brahms' lullaby)

(guitar plays

no tomorrow)

you know what?

we'll just

ignore it, huh, di?

yeah. We'll ignore it.

(resumes lullaby)

oh, I know, I know.

it's ok. Shh. It's ok.

it's ok. I'll-

let's see.

let's try, um-

let's try...

(plays no tomorrow)

Yeah.

Well, that was...

intense.

fun.

Griffin, i-

I mean,

I kind of remembered

that you played,

but-

i-i haven't that much.

not for a while.

well, me neither,

but,

man, you are still

amazing.

so are you.

I got an idea.

it'll sound weird,

but, I mean,

some guys and I,

we just-we put

a band together,

and...you should

play with us.

me?

in a band?

yeah.

I don't know

what to say.

say you'll be there.

comfort food.

like, the ultimate.

jelly-filled,

regular glaze,

honey glaze.

don't even think

about which one's

the most fattening,

'cause they all are.

I haven't really

been eating

that much

since

the other night.

then it's time

you started. Milk.

here.

I haven't really

been sleeping

much either.

that's bad.

it's just-something

like this

I don't-i don't

know how to shake

it off.

well, you talk about it.

that's one thing.

you just have to.

it's not easy, though.

I mean, I know that.

I think I'm going

to see somebody,

a counselor,

to talk to.

'cause with Bailey,

I can't.

he just starts

going off on

what he'd do

to the guy

if he found him.

maybe that works

for him,

gets him through it,

you know?

he's a guy.

they turn everything

into the need

to smash something

or somebody.

but me...

what is it?

the guy...

he did a terrible

thing to me,

and yet,

I'm the one

who feels dirty.

you know, like I did

something wrong.

I'm the victim,

and I feel ashamed.

god,

actually ashamed.

does that even

make sense?

Ned:

what do you mean?

guys make great

babysitters.

Julia.

oh, hey, Julia.

I think Diana here

likes ned more than me.

ned.

come with me.

I want to talk to you.

um...

take him-her.

ok.

You hit me, ned.

nobody hits me.

hit you?

hold on.

no, you hold on.

that doesn't happen.

that is not

going to happen.

ok, so sometimes

we don't understand

each other.

like-like you

tell me something,

and I think

maybe you're lying

because I didn't

know about Richie,

and I didn't know

about your problems

with your dad,

but we talked.

we talked it out.

I mean, at least

that's what I thought

we were doing.

but now, suddenly,

when you don't

get your way

about some stupid

apartment you hit me?

I didn't hit you.

you didn't...

what?

Julia, I didn't

hit you.

that's not

what happened.

ned, that is-

I heard you.

now are you going

to hear me?

no, I don't

have to, ned.

not when you're

going to say something

totally insane.

like, you think

I don't know

what happened to me.

I got excited.

we got excited, ok?

that happened,

but that's all.

ok, I want you gone.

away from here.

away from Claudia

and Diana.

do you have any idea

how I felt

seeing you sitting there

with them?

what did you think?

that I was going

to do something

to your sister

and the baby?

come on.

I mean,

I know you're mad,

but are you

actually nuts?

me, nuts?

ned, you're the one

who went

absolutely crazy.

I didn't-

I'm not-

do you hear me

saying

that what I did

was right?

don't you think

I realize

that I totally

lost it?

that I got so

out of control

I hate myself?

I hate myself

for making you

feel like this.

what you did

was you hit me.

no.

I told you,

I lose control.

I get to where

I'm scared

I'm going

to lose you.

I got that "stupid"

apartment

so that we

could be together.

it was for us.

and I just

got frustrated

when you didn't

understand that,

and I thought

that you didn't

want it,

and that you didn't

want us

as much as I do.

I mean...

(sighs)

can't you see

that's all

I was trying-

ok, you said to listen,

and I listened.

now leave.

no, i-

my arm, ned.

I'm sorry.

ok, just leave.

leave.

that's all that happened

the other day.

same way.

you turned away,

I grabbed you,

to hold on,

so I wouldn't lose you.

just like that.

How could you think

I'd ever hit you?

(Playing no tomorrow)

(Mouthing silently)

Hate it when that happens.

what's up with you, man?

I, uh, I thought

we were rehearsing here.

um...oh, I'm sorry,

Griffin.

um...griffin said-

Cody, Heath,

this is Claudia.

she's gonna be, uh,

she's gonna be

joining us.

what, for, like, a song?

for as long

as she wants.

oh, cool.

string section.

yeah. Claud and I

worked this thing out

we want to play

for you guys.

whoa, griff,

can I talk to you

for a second, outside?

yeah.

(Door closes)

we never talked about

having a chick

in the band.

she's not a "chick," Cody.

right, right.

what, she's, like,

ex-kid-sister-in-law

or something?

she's a musician.

as good a musician

as any of us.

she's better than Heath.

she plays the violin,

man.

rock bands don't have

violinists.

that's right.

they have fiddle players.

ok.

i-i understand if you

have to baby-sit her

to earn your keep

or whatever, ok?

but make her a groupie

or something, all right?

or make her a roadie,

for all I care.

but this is our band.

wrong.

this is my band.

and right now,

I say that her fiddle

is part of it.

is that so?

well, let me tell you

something.

if the chick stays,

I go.

ok, then.

see ya.

Tell you frankly,

I'm not happy

with any of this.

these windows

are a no-brainer

for guys who know

what they're doing.

8 stories up?

the ledges

are like ladders.

plus they aren't lit.

that's like

an engraved invitation.

I can't believe you kids

have never had a break-in,

especially in this

neighborhood.

nope.

we've never had a break-in.

Sarah.

hey.

Sarah, this is ray scopetta.

scopetta security.

Mr. scopetta, um,

we like this neighborhood.

it's a great neighborhood.

I mean,

everybody wants to live

south of market.

translation:

it means you get

a lot of yuppies-

no offense-

none taken.

we're not yuppies.

moving

to what used to be

the poor part of town.

meaning you get

people with money

right next to people

with no money.

that adds up

like 2 plus 2.

you get high crime.

and here are you two

with no bars

on the windows,

no guard dog...

Bailey, why is Mr. scopetta

talking about guard dogs?

he's making this place

safe for us, Sarah.

Ray's already working

on the restaurant.

he's wired an alarm

behind the bar

that goes straight

to the police station.

that's not a terrible idea

for this place either.

uh, no. I mean, you can do

whatever you want

to the restaurant,

but I am not gonna live here

as if it were a-

you're gonna say

armed fortress, right?

I can always

hear that one coming,

and it's usually

the woman,

which is a funny thing

because it's usually

the woman that,

god forbid, gets hurt.

wait.

guns?

Bailey.

Sarah,

ray just brought those.

no, no. I just wanted

Mr. salinger

to be able to see

some different options.

I'm looking into

whatever's going

to keep us safe.

like buying a gun?

you know what? Uh...

I've given you a couple

different ways to go.

uh, why don't

you two talk?

ok. Thanks.

I'll see you

at the restaurant.

mm-hmm.

That's great.

thank you-

thank you so much.

ok. We'll see you then.

hi.

mmm.

ohh...

how was your day?

not as tough as yours

by the looks of it.

I know. I'm sorry.

but the good news is,

we have an adoption agency

pre-screen

first thing Wednesday,

and then there'll be

an at-home visit-what?

what's wrong?

uh...

honey, I'm sorry.

it just-i can't.

you-

you can't?

no. I-

no, wait.

it's ok.

you know what?

it's-it's-it's ok.

no, it is.

it's-

it's good that

you're telling me now.

that's what I figured.

because this is-

this is huge.

this is a huge part

of both of our lives.

ok, it was your idea.

you said let's adopt.

but that was you

trying-

trying to make me happy

because you love me.

even though it wasn't

really what you wanted,

and now you realize

it's just something

that you can't do.

Paul, what?

Kirsten-

I'm going to be ok

with this, really.

I can't on Wednesday.

I have surgery.

oh.

ohh!

but Thursday

would be perfect.

really.

really?

(laughs)

Claud.

hey.

is Diana asleep?

huh?

yeah, she's...

she's out cold.

listen,

I called Bailey,

you know,

to check on him.

he says he's ok,

but...

I don't know.

I mean, being robbed

like that just-

it seems so...

you want to tell me

what you're doing?

these are, uh,

these are Daphne's things.

I'm well aware of that.

I just thought,

well, you know,

didn't have

anything else

but homework to do,

so might as well

make myself useful.

well, useful would be

listening to what I say

and respecting that.

I said this wasn't a big job,

and I don't need any help.

it's not about being

a big job, Charlie.

it's about you

having to look

at her things.

I mean, that's...

that's got to be tough.

I got it covered,

all right?

yeah.

so you can just...

ok.

um, just see, now,

I was putting, like,

jeans and shirts

kind of in this box-

I've got it.

I've got it.

Hey.

hey.

you don't actually think

we're going to be able

to go to sleep

without talking

about this, do you?

who said I'm gonna sleep?

I don't even know

what that's like anymore.

I just sort of...

shut my eyes

and see things

that I don't want to see.

me, too.

you're not

the only one

that was scared

out of their mind

the other night, Sarah.

I had to stand there,

feeling completely

helpless,

like there wasn't

anything I could do

to help you-

not one thing.

and I never

want to feel that way

ever again.

so I want to do

something about it.

well, I'm doing something.

I saw that counselor today,

like I wish you would.

no. That's not

what I meant.

what I meant is,

something practical.

like something

to make us feel safer

here in the loft.

do you think

buying a gun

is gonna make us

feel safer?

Sarah, you've said so

yourself-

sometimes you feel scared

walking around here.

no, not sometimes.

all the time.

since the other night,

Bailey,

all the time,

but what do you

want me to do about it?

do you want me

to put up walls

between us

and the people

who live around us?

well, all I'm saying is,

it's irresponsible.

it's irresponsible of me

to live down here,

south of market,

with you coming and going

at all hours,

and not have the means

to protect ourselves.

we've got to be adult

about this.

if you think

buying a gun

is going to make you

an adult or responsible,

then I don't know

what happened to you

or who you've become.

I haven't become anything.

listen to me.

Bailey-

that night, if we had

gone by the restaurant

an hour earlier,

and we could have, Sarah,

we'd have had Owen

with us.

have you thought

about that?

have you thought about

what might have happened?

(Telephone rings)

hello.

yes, this is he.

you what?

you did?

that's great.

Bailey, what is it?

yes, of course

we can do that.

10 A.M.

and thank you.

thank you.

they found him.

Wait until they're all in,

taken their places.

all right, Henry, line them up.

and separate those last two.

you know what to do,

gentlemen.

now, we have all day,

so don't speak

until you're sure.

I don't have to

take all day.

that's him.

you sure?

number?

Sarah: 4.

4 is him.

each of you,

separately and distinctly?

yeah, it's 4.

all right.

thank you both.

hold 4.

dismiss the rest.

you're finished.

there's some paperwork.

I'll get it ready.

look at him.

he knows he's cooked.

you are cooked, guy!

Come on. Hey.

hey.

it's gonna be

better now.

you know?

it'll be better.

yeah, we said that,

didn't we?

that we were gonna

feel better

when they found him.

yeah, we did.

You busy?

hey.

oh, hey.

come on in.

I want to play

something for you.

wait. Before you, uh,

before you start...

Griffin, I...

I don't know.

I just-

I don't think

this whole band thing

is gonna work out for me.

what?

why not?

first of all,

we definitely have

different sensibilities.

I mean,

everybody knows that...

rock bands, they don't exactly

have violinists.

Cody tell you that?

no.

ok, maybe I overheard

you guys a little, but...

you know, I really don't

want to break up the band,

Griffin.

you guys, you really

have something together,

and Cody is...

well, he's a good bass player.

he's a great

bass player, actually.

as much as I love

playing with you, I...

Griffin, if you're doing this

'cause you feel like

you have to baby-sit me...

wh...

I'm not.

that's not it.

then I don't get it.

I mean, why?

why would you

kick Cody out of the band

instead of me?

I like the way

you play the violin.

you mean the fiddle.

oh, yeah.

I mean the fiddle.

(laughs)

(crashing and banging)

(loud crash)

(Crashing and banging)

(crashing and banging)

hello?

who's down there?

it's ok.

it's just me.

Charlie, what are you-

are you all right?

just go back to bed.

I'm ok.

I'm coming down, Charlie.

Charlie.

when you want people

to stay,

then they leave you.

when you want people

to go away...

yeah, life's funny.

Charlie,

you're scaring me.

how...

how can a mother

just walk out

on her baby, jule?

how could somebody do that?

I don't know.

I can't answer that.

ok, I mean,

I know it's hard

to take care of people,

even when you love them.

god, do I know that.

but you don't just-

you don't just leave!

you see,

you wouldn't know,

'cause you don't leave.

that's not who you are.

Julia-

but Daphne is Daphne,

and maybe when she

thinks about it, then-

no. Daphne is gone.

(sighs)

I'm sorry.

you're apologizing?

what are you

apologizing for?

I just...

lost it.

'cause it, you know,

hit me that...

that I'm alone.

it's ok, Charlie.

Ok, she-she's gone.

so then,

now you've got to

think about

what's important.

Diana is important.

(sniffles)

and you.

your life-

Charlie, god, it...

you gotta remember,

you almost weren't here.

be important

to yourself, Charlie.

I mean, wh-where

would we be?

and you're not alone.

you're never alone, ok?

ok.

ok.

? The telephone rings ?

? like a silent call ?

? I watch your ship crash ?

? on the rocks below ?

? I guess I knew

deep down inside of my soul ?

? that days like these ?

are you gonna tell me

what's happening

with you guys?

are you just

going through something,

or is it over...

I don't know.

I thought I knew, but...

I don't.

So, we'll get

the new hook-ups

on all the windows

and the door.

nothing fancy.

you know, just...

new locks.

Sarah.

are you listening

to me?

so, they've arrested

this one guy.

no.

no.

he has a name now.

Albert Terry.

and detective danner

said there's at least

3 other crimes

they're looking

at him for.

so we're suddenly safer?

is that what

that's supposed to mean?

it means...

that the person

that hurt you...

that person

can't hurt you-

or anyone-

for a long time.

and we'll go to court

like the detective said

and see to that.

it means

we're not helpless.

and that's

a good feeling

right there, you know?

that's just it, Bailey.

I don't know.

I look out the window-

whether there's locks

on them or not...

you know, whether

there's an Albert Terry

out there or not,

and I don't see

the same world anymore.

you're shaking.

yeah, look at that.

Come on.

let's go to bed.

? they come and go ?

? like secrets

between enemies ?

? they come and go ?

? and sometimes

it takes so long ?

? that I just don't know ?

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