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1
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HI, DAD.
2
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I HAVEN'T TALKED TO HIMIN YEARS.
3
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WELL, HERE'S YOUR CHANCETO GET TO KNOW HIM.
4
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I JUST GOTCALLED FOR A JOB,
5
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BUT I HAVE TO LEAVETOMORROW.
6
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-I GOT TO FIND MYSELF A JOB.-WHAT DO YOU DO?
7
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MOSTLY HANDYMAN STUFF.
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JACK'S SON--I SAW HIM STEAL MONEY.
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JUSTINE?
10
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HEY.
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WHY ARE YOU EATING ALONE?
12
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BECAUSE I CHOSE TO.
13
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NO, WHAT I MEAN IS,I HEARD ABOUT THIS GUY--
14
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WHAT'S HIS NAME?UH, SETH?
15
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THAT HE WAS IN TOWN,YOU TWO WERE...
16
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WHAT'S HIS NAME?HANGING OUT TOGETHER?
17
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HE LEFT.HE HAD A FISHING JOB IN ALASKA.
18
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AH. FISHING.
19
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I GUESS SOMEONE'S GOT TO DO IT,RIGHT?
20
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WHAT-- WHAT ARE YOUREADING, ANYWAY?
21
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WHAT IS THIS?STARGAZING?
22
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I HAPPEN TO LOVE STARGAZING.
23
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SINCE WHEN?
24
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UH, SINCE, UH,ABOUT 20 SECONDS AGO.
25
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YOU MIND IF I JOIN YOU?
26
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COME ON. JUST TWO FRIENDSENJOYING A MEAL TOGETHER.
27
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IT'S NO BIG DEAL.
28
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I'LL EVEN LET YOUREAD ME MY HOROSCOPE.
29
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IT'S ASTRONOMY,NOT ASTROLOGY.
30
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RIGHT.
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I'M GOING TO LET THIS DOUGHRISE OVERNIGHT,
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MAKE US SOME NICE, FRESH SCONESFOR BREAKFAST.
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MM-HMM.
34
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AND THEN...
35
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I'M GONNA GO UPSTAIRSAND WALLPAPER OUR BEDROOM
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WITH PICTURES OFPINK BUNNY RABBITS.
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I'LL BE RIGHT THERE.
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DO WE HAVEA LATE CHECK-IN?
39
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THERE'S NOTHINGON THE BOOKS.
40
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CAN I HELP YOU?
41
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I NEED A ROOM.
42
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YEAH. WHAT HAPPENED TO YOU?
43
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DO YOU HAVE A ROOM OR WHAT?
44
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NO. WE'RE FULL UP.
45
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NOW, THERE'S A MOTELABOUT FOUR MILES DOWN THE ROAD.
46
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IF YOU WANT,I CAN CALL YOU A CAB.
47
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I KNOW IT'S LATE.
48
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LOOK, I'LL PAY YOUUP FRONT.
49
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HOW MUCH IS IT?
50
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I LEFT MY WALLETIN THE CAR.
51
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I JUST NEEDA PLACE TO SLEEP.
52
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WELL, WE'VE GOTA COMFORTABLE BED
53
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AND ALL THE WIFIYOU CAN USE.
54
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THE MAPLE ROOM'SAVAILABLE.
55
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ISN'T THERE SOMEONEIN THE MAPLE ROOM?
56
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NO, BOB, IT'S FREE.
57
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SO, WHY DON'T YOUJUST COME ON IN?
58
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GET A GOOD NIGHT'S SLEEP,
59
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AND WE'LL SETTLE ALLTHIS IN THE MORNING.
60
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YOU LIKE FRESH HOMEMADE SCONESFOR BREAKFAST?
61
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OKAY, IT'S GOT TOGO TO THAT SIDE.
62
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MORE TO YOUR LEFT.
63
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NO! YOUR OTHER LEFT.
64
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NOW HIGHER.
65
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FIRST YEAR ORGANIZINGTHE ART WALK,
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AND SHE'S A TOTALSTRESS-HEAD.
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00:02:59,877 --> 00:03:03,172
WELL, IT IS A BIG OPPORTUNITYSHE'S BEEN HANDED.
68
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THE ART WALK ISTHE CULTURAL EVENT OF THE YEAR.
69
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MIND IF I QUOTE YOUON THAT?
70
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YOU MAY.
71
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YOU KNOW, I HAVE SEEN
72
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A LOT OF TALENTHERE OVER THE YEARS.
73
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"...SAYSJUDGE OLIVIA LOCKHART."
74
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SO WHAT DO YOU THINK, ERIC?
75
00:03:16,976 --> 00:03:19,311
UH, IT'S... GREAT.
76
00:03:19,353 --> 00:03:22,063
I'M NOT REALLYINTO ART.
77
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"SAYS ERIC GRIFFITH."
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'CAUSE, YOU KNOW, IT'S MY JOBTO COVER ALL THE ANGLES.
79
00:03:26,442 --> 00:03:27,985
AND WHAT ABOUT YOURS?
80
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HMM?
81
00:03:28,736 --> 00:03:30,820
JOB. YOU FINDANYTHING YET?
82
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YEAH,I'M STILL LOOKING.
83
00:03:32,989 --> 00:03:34,198
WE'RE ON OUR WAYTO THE OFFICE NOW,
84
00:03:34,281 --> 00:03:35,574
CHECK OUT SOMEMORE WANT ADS.
85
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WELL, I'M SUREYOU'RE GONNA FIND SOMETHING.
86
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'COURSE WE WILL.
87
00:03:38,910 --> 00:03:42,080
YOU TWO HAVE FUN.WE'LL CATCH UP LATER.
88
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"STILL LOOKING."YEAH, RIGHT.
89
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YOU KNOW, MAYBE WE SHOULDCUT HIM SOME SLACK.
90
00:03:47,084 --> 00:03:48,669
I'M SORRY.
91
00:03:48,711 --> 00:03:50,337
HE STOLE THAT MONEYFROM HIS FATHER.
92
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HE WASN'TBORROWING ANYTHING.
93
00:03:51,880 --> 00:03:53,006
WELL, I'M WILLINGTO GIVE HIM
94
00:03:53,047 --> 00:03:54,173
THE BENEFITOF THE DOUBT.
95
00:03:54,215 --> 00:03:55,424
AND I'M WILLINGTO GIVE HIM
96
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A KICK IN THE BUTT.
97
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MORNING, BOB!
98
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MORNING, ALLISON.YOU'RE LATE.
99
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ACTUALLY, I'M EARLY.
100
00:04:15,858 --> 00:04:17,652
NOW I'M ON TIME.
101
00:04:18,569 --> 00:04:20,404
HOW'D YOU DO ONTHAT CHEMISTRY TEST?
102
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98%.
103
00:04:21,363 --> 00:04:23,031
HOSO THERE'S ROOMTHFOR IMPROVEMENT.T?
104
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IT WAS THE HIGHEST GRADEIN THE CLASS!
105
00:04:25,992 --> 00:04:27,035
THEY GRADEON A CURVE?
106
00:04:27,076 --> 00:04:28,202
APPARENTLY.
107
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I GUESS THAT MAKES YOUTHE SMARTEST GIRL IN THE CLASS.
108
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AGAIN.
109
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I G-[BOTH LAUGHING]YOUTHE SMARTE-GUESS SO. THE CLASS.
110
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YEAH. GOOD GIRL!
111
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-MORNING, PEGGY!-HEY.
112
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OH, CAN I TAKE THATUP FOR YOU?
113
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OH, NO, I'VE GOT IT.THANKS, SWEETHEART.
114
00:04:43,549 --> 00:04:44,591
OH, CAN I TAKE THATALL RIGHT.?
115
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GOOD JOB.
116
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SINCE WHENARE WE STARTING
117
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TO SERVE ROOM SERVICE?
118
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WE'RE NOW THE CEDAR COVEFOUR SEASONS?
119
00:04:50,054 --> 00:04:51,096
OH, IT'S PRACTICALLY LUNCH,
120
00:04:51,138 --> 00:04:53,057
AND OUR GUEST HASN'T EVENBEEN DOWN FOR BREAKFAST YET.
121
00:04:53,098 --> 00:04:55,767
AH, MAYBE HE JUSTWANTS TO BE LEFT ALONE.
122
00:04:55,850 --> 00:04:58,686
NONSENSE.I HAVE SCONES, DARLING.
123
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GOOD MORNING! COFFEE!
124
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HELLO?
125
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I HAVE SCONES!
126
00:05:23,582 --> 00:05:25,584
HELLO?
127
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EXCUSE ME?
128
00:05:31,214 --> 00:05:33,048
BOB!
129
00:05:57,319 --> 00:05:58,278
WELL, I'VE SEALEDTHE ROOM
130
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TILL THE CORONERGETS HERE.
131
00:06:00,029 --> 00:06:02,073
IS HE BRINGING THE CRIMELAB CREW WITH HIM?
132
00:06:02,115 --> 00:06:04,242
PEGGY, THIS ISN'TMIAMI.
133
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WHAT DO YOU THINK?HEART ATTACK?
134
00:06:05,951 --> 00:06:07,119
I DON'T KNOW.
135
00:06:07,160 --> 00:06:08,786
I CHECKED HIS VITALS,AND THEN BACKED AWAY.
136
00:06:08,828 --> 00:06:11,956
BUT I DID NOTICE THE WINDOWNEXT TO THE DOOR WAS OPEN.
137
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YOU DO THAT?
138
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NO.
139
00:06:16,418 --> 00:06:18,336
WELL,I DIDN'T DO IT.
140
00:06:18,420 --> 00:06:20,713
I ONLY AIR OUTON TUESDAYS.
141
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SO YOU'RE THINKINGSOMEONE BROKE IN
142
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AND KILLED HIM?
143
00:06:24,842 --> 00:06:27,094
OR HE OPENED THE WINDOWTO GET SOME AIR.
144
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LET'S NOT GET AHEADOF OURSELVES HERE.
145
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LET'S STARTAT THE BEGINNING.
146
00:06:30,639 --> 00:06:31,765
NOW, WHO WAS HE?
147
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I COULDN'T FINDA WALLET OR I.D.
148
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HE SAID THATHE LEFT IT IN HIS CAR.
149
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WHAT WAS HIS NAME?
150
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WE DIDN'T ASK.
151
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YOU MEAN TO TELL ME
152
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YOU LET A STRANGER WITH NO I.D.AND NO MONEY
153
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CHECK INTO YOUR PLACE?
154
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BOB DIDN'T WANTTO LET HIM IN.
155
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IT WAS MY FAULT.
156
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I JUST FELTSORRY FOR HIM.
157
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I JUST FIGURED THATWE'D DRIVE HIM TO HIS CAR
158
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IN THE MORNINGAFTER BREAKFAST.
159
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WELL, WHAT ABOUT THE CUTON HIS FOREHEAD?
160
00:06:53,283 --> 00:06:54,325
IN THTHE BLEEDING KNUCKLES?AFTER BREAKFAST.
161
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HE SAY HOW HE GOT THEM?
162
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I DIDN'T ASK.
163
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I DIDN'T WANT TOMAKE HIM UNCOMFORTABLE.
164
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OKAY, HERE'ST TOA CONSTRUCTION JOBABLE.
165
00:07:05,209 --> 00:07:09,254
ABOUT HALF AN HOUR AWAYIN A TOWN CALLED OLALLA.
166
00:07:09,337 --> 00:07:10,588
I COULD CHECK IT OUT,
167
00:07:10,672 --> 00:07:13,049
BUT, YOU KNOW, I WAS HOPINGFOR SOMETHING A LITTLE CLOSER.
168
00:07:13,133 --> 00:07:14,967
EXCUSE ME, GENTLEMEN.
169
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SORRY TO INTERRUPT.
170
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YOU ARE ALLOWEDTO INTERRUPT
171
00:07:17,386 --> 00:07:18,595
ANYTIME YOU LIKE.WHAT IS UP?
172
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I HAVE A LEAKY PIPE.
173
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I MEAN, THERE'S A PIPELEAKING IN MY CHAMBERS.
174
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ANYWAY, IT'S TAKING THE CITYFOREVER TO FIX IT.
175
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OKAY.
176
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SOUNDS ANNOYING.
177
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NOT EXACTLY NEWSWORTHY.
178
00:07:30,439 --> 00:07:32,065
WELL, IT GOT ME THINKING.
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00:07:32,107 --> 00:07:34,693
ERIC, YOU MENTIONEDDOING SOME HANDYMAN WORK.
180
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ARE YOU INTERESTED?
181
00:07:35,944 --> 00:07:37,986
I MEAN, YOU WOULD BE PAID,OF COURSE.
182
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TALK ABOUT CLOSER.
183
00:07:39,238 --> 00:07:41,531
THANKS. THAT WOULD BE NICE.
184
00:07:41,573 --> 00:07:43,075
WHEN WOULD I HAVE TO START?
185
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TODAY, IF POSSIBLE?
186
00:07:44,951 --> 00:07:46,160
THERE'S ALREADYWATER DAMAGE.
187
00:07:46,202 --> 00:07:47,620
TODAY IS PERFECT FOR YOU.
188
00:07:47,704 --> 00:07:49,038
ISN'T IT?
189
00:07:49,080 --> 00:07:51,248
TODAY DOES WORKPERFECT. THANK YOU.
190
00:07:56,044 --> 00:07:58,296
I'VE SAVEDA PRIME SPOT FOR YOU,
191
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RIGHT IN THE MIDDLE.
192
00:07:59,547 --> 00:08:01,256
I CAN'T WAIT TO SEE YOU.
193
00:08:01,340 --> 00:08:04,551
I-- I-I MEAN, YOUR PHOTOS.
194
00:08:04,634 --> 00:08:07,386
TILL TOMORROW, THEN.
195
00:08:08,762 --> 00:08:10,389
WHO WAS THAT?
196
00:08:10,431 --> 00:08:11,890
JOHN BOWMAN.
197
00:08:11,932 --> 00:08:13,892
AMAZING PHOTOGRAPHERFROM TACOMA.
198
00:08:13,892 --> 00:08:16,561
I'VE BEEN SHOWING HIS WORKTHE PAST FEW MONTHS. BIG SELLER.
199
00:08:16,644 --> 00:08:19,438
I CAN SEE WHY.IT'S BEAUTIFUL.
200
00:08:19,521 --> 00:08:21,565
SO IS HE.
201
00:08:21,607 --> 00:08:23,108
AND SO ARE THESE PIECES.
202
00:08:23,108 --> 00:08:25,193
I'VE SOLD THREE BRACELETSAND ONE PAINTING
203
00:08:25,235 --> 00:08:26,236
ANALREADY THIS MORNING..
204
00:08:26,277 --> 00:08:27,737
WOW! THAT'S GREAT.
205
00:08:27,778 --> 00:08:30,322
YES, IT IS. PEOPLE AREREALLY DRAWN TO YOUR WORK.
206
00:08:30,406 --> 00:08:31,907
SO PACK UP AND GET OUT.
207
00:08:32,950 --> 00:08:35,202
I AM GIVING YOU A BOOTHIN THE ART WALK TOMORROW.
208
00:08:35,244 --> 00:08:37,245
REALLY?
209
00:08:37,286 --> 00:08:38,747
I MEAN, ARE YOU SURE?
210
00:08:38,788 --> 00:08:41,374
IT'S JUST THE ART WALK, JUSTINE,NOT THE LOUVRE.
211
00:08:41,415 --> 00:08:43,125
DON'T WORRY!YOU'RE READY FOR THIS.
212
00:08:43,208 --> 00:08:44,251
READY FOR WHAT?
213
00:08:44,292 --> 00:08:47,129
SETH! WHATAREYOU DOINGHERE?
214
00:08:48,755 --> 00:08:50,256
BILGE PUMP MALFUNCTION.
215
00:08:50,297 --> 00:08:52,424
HAD TO RETURN TO PORTFOR REPAIRS.
216
00:08:52,466 --> 00:08:54,092
IT COULD TAKEA FEW DAYS,
217
00:08:54,092 --> 00:08:55,302
SO I FIGUREDI'D FLY HOME,
218
00:08:55,302 --> 00:08:57,553
CHECK TO SEEIF YOU'D SANK MY BOAT YET.
219
00:08:57,595 --> 00:08:59,014
SO I FIGUREDI'D FLY HOME,NOT YET.
220
00:08:59,097 --> 00:09:01,098
SO WHAT'S GOIN' ON? WENT OVER TOMOON'S, HE SAID YOU WERE HERE.
221
00:09:01,181 --> 00:09:03,475
NOT FOR LONG.THIS GIRL'S GOING PLACES.
222
00:09:03,517 --> 00:09:06,770
MARYELLEN WANTS TO GIVE MEA BOOTH AT THE ART WALK.
223
00:09:06,811 --> 00:09:08,438
BIG TIME!
224
00:09:08,522 --> 00:09:10,106
SO HELP HERSET UP.
225
00:09:10,106 --> 00:09:11,107
TELL HER SHE'S AWESOME.
226
00:09:11,149 --> 00:09:12,691
I DON'T HAVE TIMETO HOLD HER HAND RIGHT NOW.
227
00:09:12,775 --> 00:09:14,735
MY PLEASURE.
228
00:09:18,571 --> 00:09:19,864
-HEY, MOON.-HEY.
229
00:09:19,947 --> 00:09:21,157
WHAT'S NEW?
230
00:09:21,240 --> 00:09:22,574
DEAD BODY.
231
00:09:22,616 --> 00:09:23,617
EXCUSE ME?
232
00:09:23,659 --> 00:09:26,077
LAST NIGHTOVER AT THE THYME AND TIDE.
233
00:09:26,119 --> 00:09:28,496
THIS DUDE CHECKS IN...
234
00:09:28,580 --> 00:09:30,456
THEN HE CHECKS OUT.
235
00:09:30,498 --> 00:09:31,332
WHAT, HE DIED?
236
00:09:31,374 --> 00:09:35,294
WELL, HE AIN'TPINING FOR THE FJORDS.
237
00:09:36,295 --> 00:09:38,797
PEGGY BELDON FOUND HIMIN HIS ROOM THIS MORNING.
238
00:09:38,838 --> 00:09:40,465
ALREADY COLD.
239
00:09:40,507 --> 00:09:43,051
APPARENTLY HIS HANDSAND FACE WERE ALL BLOODY.
240
00:09:43,092 --> 00:09:44,427
WHAT HAPPENED TO HIM?
241
00:09:44,468 --> 00:09:45,428
WELL, NOBODY KNOWS.
242
00:09:45,469 --> 00:09:46,720
WHAT'S MORE,NO ONE KNOWS WHO HE IS
243
00:09:46,762 --> 00:09:47,846
OR WHERE HE CAME FROM.
244
00:09:47,888 --> 00:09:49,556
NO I.D. ON HIM?
245
00:09:49,639 --> 00:09:50,973
NOTHING.
246
00:09:56,437 --> 00:09:57,979
WHAT'S THE PROGNOSIS?
247
00:09:58,021 --> 00:09:59,355
LOOKS LIKE THERE'S A HOLEIN THE PIPE.
248
00:09:59,439 --> 00:10:02,108
PROBABLY FROM SOMEBODY DRIVINGA NAIL THROUGH THE PANELING
249
00:10:02,150 --> 00:10:04,151
TO HANG A PICTUREOR SOMETHING.
250
00:10:04,193 --> 00:10:05,402
CAN YOU FIX IT?
251
00:10:05,486 --> 00:10:06,987
OH, YEAH. NO PROBLEM.
252
00:10:07,029 --> 00:10:08,697
AS LONG AS MY DADHAS ALL THE RIGHT TOOLS.
253
00:10:08,780 --> 00:10:10,574
I LEFT MINE AT MY GIRLFRIEND'S.
254
00:10:10,657 --> 00:10:12,659
SHE PROBABLY TOSSED THEMOR SOLD THEM ALREADY.
255
00:10:12,659 --> 00:10:14,285
ANY HOPE OFRECONCILIATION?
256
00:10:14,327 --> 00:10:15,744
I DON'T KNOW.
257
00:10:15,828 --> 00:10:16,662
WE'LL SEE WHAT HAPPENS.
258
00:10:16,745 --> 00:10:18,413
HAVE YOU SPOKEN TO HERSINCE YOU BROKE UP?
259
00:10:18,497 --> 00:10:19,581
NO.
260
00:10:19,622 --> 00:10:22,334
I'M NOT REALLY IN A BIG HURRYTO GET BACK TO VANCOUVER,
261
00:10:22,375 --> 00:10:24,001
IF THAT'S WHATYOU'RE HINTING AT.
262
00:10:27,379 --> 00:10:31,507
I'M REALLY GLAD YOU WANTTO STAY HERE IN CEDAR COVE.
263
00:10:31,549 --> 00:10:33,969
IF YOU LIKE, I COULDSPREAD THE WORD ABOUT YOU.
264
00:10:34,010 --> 00:10:36,136
A RELIABLE HANDYMAN'SHARD TO FIND.
265
00:10:36,178 --> 00:10:38,430
THANKS.MAYBE HOLD OFF ON THAT.
266
00:10:38,472 --> 00:10:39,389
I'M NOT REALLY SURE
267
00:10:39,431 --> 00:10:41,891
CONSTRUCTION WORKIS REALLY MY THING ANYMORE.
268
00:10:41,933 --> 00:10:43,184
OH.
269
00:10:43,226 --> 00:10:45,186
WELL, WHAT IS...YOUR THING?
270
00:10:45,228 --> 00:10:48,522
THAT'S WHATI'M TRYING TO FIGURE OUT.
271
00:10:48,522 --> 00:10:49,815
RIGHT.
272
00:10:49,857 --> 00:10:50,691
THAT'S WHATI'M TRYING TO FIGURE WELL...
273
00:10:50,733 --> 00:10:53,360
WE BETTER GET BACK TO WORK.
274
00:11:06,579 --> 00:11:08,873
GENTLEMEN.
275
00:11:09,832 --> 00:11:11,625
NOTHING MUCH TOREPORT YET, JACK.
276
00:11:11,708 --> 00:11:13,668
I DON'T WANT PEOPLEJUMPING TO CONCLUSIONS.
277
00:11:13,710 --> 00:11:16,254
WELL, THIS IS REAL NEWS,SHERIFF.
278
00:11:16,337 --> 00:11:18,589
LET'S JUST WAITTILL WE HAVE A CAUSE OF DEATH
279
00:11:18,672 --> 00:11:19,715
BEFORE WE UPSET FOLKS.
280
00:11:19,757 --> 00:11:22,300
I UNDERSTAND THAT HIS HANDSAND FACE WERE ALL BLOODY.
281
00:11:22,384 --> 00:11:23,510
WHERE'D YOU HEAR THAT?
282
00:11:23,551 --> 00:11:26,888
OH, JUST... EVERYONE.EVERYWHERE.
283
00:11:26,888 --> 00:11:28,640
GREAT.
284
00:11:28,681 --> 00:11:30,057
BOB...
285
00:11:30,141 --> 00:11:31,808
YOU NEED TO KEEP PEGGYOFF THE PHONE.
286
00:11:31,892 --> 00:11:32,893
AW, COME ON, TROY.
287
00:11:32,893 --> 00:11:34,060
SHE'S BEEN TRAUMATIZED.
288
00:11:34,144 --> 00:11:35,395
I MEAN, WHEN SHE GETS LIKE THIS,
289
00:11:35,478 --> 00:11:38,273
SHE FEELS THE NEEDTO REACH OUT TO SOMEONE.
290
00:11:38,314 --> 00:11:39,106
LISTEN, SHERIFF.
291
00:11:39,189 --> 00:11:41,191
YOU THINK MAYBEHE WAS IN A FIGHT?
292
00:11:41,233 --> 00:11:43,610
BLOODY KNUCKLES,CUT TO HIS FOREHEAD?
293
00:11:43,610 --> 00:11:45,820
YOU GET HIT HARD ENOUGH,GET A CONCUSSION,
294
00:11:45,862 --> 00:11:46,946
BLOODY KNUCKLES,YOU CAN DIE FROM THAT.
295
00:11:46,946 --> 00:11:49,198
LET'S WAIT AND SEEWHAT THE CORONER SAYS.
296
00:11:49,240 --> 00:11:51,074
BLOODY KNUCRIGHT NOW,YOU I NEED SOME INFORMATION.
297
00:11:51,116 --> 00:11:53,702
NOW, THE PICK-UP TRUCKTHAT DROPPED HIM OFF--
298
00:11:53,744 --> 00:11:56,454
WHAT COLOR WAS IT?
299
00:11:56,538 --> 00:11:57,955
UH, GRAY.
300
00:11:58,039 --> 00:11:59,415
SILVER? UM...
301
00:11:59,456 --> 00:12:00,457
LIGHT BLUE.
302
00:12:00,499 --> 00:12:02,543
IT WAS HARD TO TELLIN THE MIDDLE OF THE NIGHT.
303
00:12:02,584 --> 00:12:04,044
OKAY, LET MEGET THIS STRAIGHT.
304
00:12:04,085 --> 00:12:06,462
WE DON'T KNOW WHO THE GUY WAS,HOW HE DIED,
305
00:12:06,546 --> 00:12:07,588
WHO DROPPED HIM OFF.
306
00:12:07,630 --> 00:12:08,548
NOW THERE'S A TRUCK INVOLVED
307
00:12:08,589 --> 00:12:11,759
THAT MAY OR MAY NOT BEBLUE, GRAY, OR SILVER?
308
00:12:11,801 --> 00:12:16,137
THAT'S NOT A LOTTO GO ON THERE, SHERIFF.
309
00:12:16,221 --> 00:12:18,598
I NEED TO MAKESOME CALLS.
310
00:12:24,520 --> 00:12:26,146
THIS IS CRAZY, JACK.
311
00:12:26,188 --> 00:12:28,815
A BLOODY STRANGER SHOWS UPIN THE MIDDLE OF THE NIGHT,
312
00:12:28,898 --> 00:12:29,691
FROM WHO KNOWS WHERE,
313
00:12:29,732 --> 00:12:31,984
HE GOES TO SLEEP,AND ENDS UP DEAD.
314
00:12:32,068 --> 00:12:33,194
IN THIS TOWN,
315
00:12:33,277 --> 00:12:34,403
WE CALL THAT INSANITY.
316
00:12:34,445 --> 00:12:37,072
IN PHILLY,WE CALL THAT TUESDAY.
317
00:12:53,294 --> 00:12:54,962
WHOA! WHAT HAPPENED HERE?
318
00:12:54,962 --> 00:12:56,964
STAN!
319
00:12:57,005 --> 00:12:58,381
IS THIS A BAD TIME? HERE?
320
00:12:58,423 --> 00:13:00,883
NO, NO.JUST FIXING A LEAK.
321
00:13:00,967 --> 00:13:03,302
IS EVERYTHINGALL RIGHT?
322
00:13:03,344 --> 00:13:04,678
YEAH. YEAH.
323
00:13:04,761 --> 00:13:05,596
UM, YOUR MOM ASKED ME
324
00:13:05,596 --> 00:13:07,138
TO JUST CHECK AROUNDFOR AN ART BROKER,
325
00:13:07,222 --> 00:13:08,557
SOMEONE WHO MIGHT BE INTERESTED
326
00:13:08,599 --> 00:13:11,267
IN SELLING TOM HARTING'SWESTERN MEMORABILIA.
327
00:13:11,309 --> 00:13:15,646
SO... I FOUND A GUYIN KING COUNTY.
328
00:13:15,688 --> 00:13:18,148
BIG FAN OF HARTING'S MUSIC.
329
00:13:18,232 --> 00:13:20,359
YOU DRIVEALL THE WAY HERE?
330
00:13:20,400 --> 00:13:24,320
WELL, I HAD TO SEEA PATIENT ANYWAY...
331
00:13:24,362 --> 00:13:26,489
AND SEEMED LIKE IT WASA BIG DEAL TO CHARLOTTE.
332
00:13:26,530 --> 00:13:27,740
SHE WAS EAGERTO FIND SOMEONE.
333
00:13:27,823 --> 00:13:30,450
I WOULD'VE DELIVERED ITMYSELF, BUT, UH...
334
00:13:30,492 --> 00:13:32,702
I'VE GOT TO GET BACK, SO...
335
00:13:32,744 --> 00:13:34,704
AND YOU KNOW HOWYOUR MOTHER LIKES TO TALK.
336
00:13:34,746 --> 00:13:36,955
REALLY? I HADN'T NOTICED.
337
00:13:38,457 --> 00:13:39,290
OH, BIG NEWS!
338
00:13:39,332 --> 00:13:41,877
JUSTINE GOT A DISPLAYAT THE ART WALK.
339
00:13:41,960 --> 00:13:43,086
HER JEWELRY PIECES.REMEMBER?
340
00:13:43,169 --> 00:13:45,630
I TOLD YOU SHE'S MAKINGTHOSE EARRINGS AND BRACELETS?
341
00:13:45,671 --> 00:13:47,381
OH! RIGHT, RIGHT.
342
00:13:47,464 --> 00:13:48,507
THEY'RE EVEN GONNALET HER SHOW
343
00:13:48,590 --> 00:13:50,342
SOME OF HER PAINTINGSAND SCULPTURES.
344
00:13:50,384 --> 00:13:52,677
WOW. THAT'S TERRIFIC.
345
00:13:52,677 --> 00:13:54,387
YEAH!
346
00:13:54,387 --> 00:13:56,639
WELL, I'LL TRY TO GO BYWOAND CHECK IT OUT.C.
347
00:13:56,680 --> 00:13:59,307
SHE'D REALLY LIKE THAT.
348
00:13:59,349 --> 00:14:04,479
WELL, I, UH...I BETTER GET BACK.
349
00:14:04,521 --> 00:14:06,814
GOOD SEEING YOU.
350
00:14:28,541 --> 00:14:31,209
-HEY.-HEY.
351
00:14:32,585 --> 00:14:35,380
I WAS THINKINGTHAT, UH...
352
00:14:35,422 --> 00:14:36,756
IF THAT STRANGER DIDHAVE A FIGHT WITH SOMEONE,
353
00:14:36,839 --> 00:14:42,428
MAYBE THE GUY FOLLOWED HIM HERETO FINISH HIM OFF.
354
00:14:42,511 --> 00:14:43,428
I WOULDN'T WORRYABOUT THAT.
355
00:14:43,469 --> 00:14:45,346
MAYBE HE'S COMING BACK HERETO FINISH US OFF.
356
00:14:45,388 --> 00:14:47,390
COME ON, PEG.WHY WOULD HE DO THAT?
357
00:14:47,432 --> 00:14:48,933
MAYBE HE THINKSWE CAN IDENTIFY HIM.
358
00:14:48,974 --> 00:14:50,350
WE DIDN'T EVEN SEE HIM.
359
00:14:50,392 --> 00:14:51,685
OR MAYBEIT'S SOMEONE WE KNOW, BOB.
360
00:14:51,726 --> 00:14:53,853
MAYBE HE-- THE GUYDROPPED HIM OFF RIGHT HERE,
361
00:14:53,895 --> 00:14:54,938
AT OUR FRONT DOOR.
362
00:14:55,021 --> 00:14:55,897
HEY. HEY, HONEY.
363
00:14:55,939 --> 00:14:57,606
YOU NEED TO SETTLE DOWN HERE.
364
00:14:57,606 --> 00:15:01,735
NOTHING BAD IS GONNAHAPPEN TO US, OKAY?
365
00:15:01,735 --> 00:15:03,737
YOU NEED TO OKAY.E DOWN HERE.
366
00:15:06,030 --> 00:15:09,325
NOTHINWE'RE GOING TOHAPPENBE JUST FINE.
367
00:15:15,997 --> 00:15:17,082
BUSY?
368
00:15:17,123 --> 00:15:18,749
NO. COME ON IN.
369
00:15:18,791 --> 00:15:19,959
WELL, WELL...
370
00:15:20,042 --> 00:15:22,878
I SEE ERIC HASBEEN WORKING HARD.
371
00:15:22,920 --> 00:15:25,088
HOW'S IT GOING?
372
00:15:25,130 --> 00:15:27,632
UM... GOOD. GOOD.
373
00:15:27,716 --> 00:15:29,467
WHAT'S UP?
374
00:15:29,550 --> 00:15:31,260
UH, LISTEN...
375
00:15:31,302 --> 00:15:34,596
I KNOW WE HAD MADE A DATETO GO SAILING TOMORROW,
376
00:15:34,680 --> 00:15:37,765
HOWEVER, I MAY NEEDTO GO IN TO WORK.
377
00:15:37,765 --> 00:15:38,683
I DON'T KNOW IF YOU'VE HEARD
378
00:15:38,725 --> 00:15:40,434
WHAT HAPPENED WITHTHE THYME AND TIDE?
379
00:15:40,476 --> 00:15:41,769
THE MAN WHO DIED.
380
00:15:41,811 --> 00:15:43,395
YES. MY MOM CALLED ME.
381
00:15:43,437 --> 00:15:45,063
OF COURSE SHE DID. YEAH.
382
00:15:45,105 --> 00:15:46,607
IT'S A BIG STORY.
383
00:15:46,648 --> 00:15:48,233
IT IS. YES, IT IS.
384
00:15:48,274 --> 00:15:50,610
BIT OF A MYSTERYWHO THIS GUY WAS,
385
00:15:50,693 --> 00:15:52,612
AND, UH, WHERE HE CAME FROM.
386
00:15:52,612 --> 00:15:53,654
WHERE IS ERIC?
387
00:15:53,696 --> 00:15:55,530
I DON'T KNOW.
388
00:15:55,614 --> 00:15:59,075
I, UM, CAME BACK FROM COURT,AND HE WAS GONE.
389
00:15:59,826 --> 00:16:03,662
MAYBE HE'S GONE OUTTO GET A PART OR SOMETHING.
390
00:16:14,505 --> 00:16:16,465
I DIDN'T KNOWYOU COULD COOK.
391
00:16:16,507 --> 00:16:17,758
CHILI, SCRAMBLED EGGS...
392
00:16:17,799 --> 00:16:20,801
THE OCCASIONAL CHEESEBURGER,THAT ABOUT COVERS IT.
393
00:16:23,638 --> 00:16:25,264
SO I STOPPED BYTHE COURTHOUSE.
394
00:16:25,305 --> 00:16:27,266
OH, YEAH?
395
00:16:27,307 --> 00:16:29,058
YOU LEFT A BIG HOLEIN THE WALL.
396
00:16:29,142 --> 00:16:31,144
GOTTA LET IT DRY.
397
00:16:32,478 --> 00:16:33,729
IT'S OKAY,I KNOW WHAT I'M DOIN'.
398
00:16:33,771 --> 00:16:35,648
I'M NOT GONNA EMBARRASS YOUIN FRONT OF YOUR GIRLFRIEND.
399
00:16:35,731 --> 00:16:38,525
OH, I KNOW.JUST, UM...
400
00:16:38,566 --> 00:16:40,152
TAKE CARE OF IT.
401
00:16:41,778 --> 00:16:44,155
ALL RIGHT,NOW ONTO THE JALAPENOS.
402
00:16:44,238 --> 00:16:45,489
NO.
403
00:16:45,531 --> 00:16:47,824
YOU CAN'T PUTJALAPENOS IN THERE.
404
00:16:47,824 --> 00:16:49,075
I'M ALLERGIC.
405
00:16:49,159 --> 00:16:51,036
CAPSAICIN. NOTHING SPICY.
406
00:16:51,119 --> 00:16:54,163
OF COURSE. RIGHT.
407
00:16:54,204 --> 00:16:55,831
RIGHT. I-I KNEW THAT.
408
00:16:56,999 --> 00:16:58,792
BY THE WAY, WHO'S STAN?
409
00:17:00,627 --> 00:17:02,378
HE, UH, HE CAME BYTO VISIT OLIVIA.
410
00:17:02,461 --> 00:17:04,005
OH! THAT'S OLIVIA'S EX-HUSBAND.
411
00:17:04,005 --> 00:17:05,714
THAT'S WEIRD.
412
00:17:05,798 --> 00:17:08,091
WHY? WHAT'D HE WANT?
413
00:17:08,133 --> 00:17:10,093
UH, SOMETHING ABOUT...
414
00:17:10,135 --> 00:17:13,971
HER MOM WANTING HIM TO FINDAN ART BROKER OR SOMETHING.
415
00:17:14,013 --> 00:17:16,557
WHAT'S WEIRD ABOUT THAT?
416
00:17:16,598 --> 00:17:21,186
I DON'T KNOW.THEY SEEMED KIND OF CLOSE.
417
00:17:21,186 --> 00:17:24,022
ME AND MY EXES, WHENEVER WE'REIN THE SAME ROOM TOGETHER,
418
00:17:24,064 --> 00:17:26,023
WE JUST TRYTO STRANGLE EACH OTHER.
419
00:17:29,526 --> 00:17:31,903
SMOTHERED HIM, HUH?
420
00:17:31,945 --> 00:17:32,946
WITH THE PILLOW.
421
00:17:32,987 --> 00:17:35,031
YEAH, BUT THE PILLOWWAS STILL ON THE BED.
422
00:17:35,114 --> 00:17:37,032
YEAH, BUT HE COULD'VEPUT IT BACK AFTERWARD,
423
00:17:37,116 --> 00:17:39,117
THEN CLIMBED BACK OUTAND MADE HIS GETAWAY.
424
00:17:39,159 --> 00:17:40,869
THAT'S A PRETTYSMALL WINDOW.
425
00:17:40,869 --> 00:17:42,412
YEAH. LOOK,YOU DON'T THINK
426
00:17:42,495 --> 00:17:45,957
THERE'S A CHANCE OF HIMCOMING BACK HERE AGAIN, DO YOU?
427
00:17:45,998 --> 00:17:47,041
YOU REALLY WORRIEDABOUT THAT?
428
00:17:47,083 --> 00:17:49,793
I DON'T KNOW. PEGGY'SGOT ME THINKING.
429
00:17:49,876 --> 00:17:51,545
MORNING, SHERIFF. BOB.
430
00:17:51,587 --> 00:17:52,796
HOW GOES THE INVESTIGATION?
431
00:17:52,838 --> 00:17:55,090
WELL, I DON'T HAVEANYTHING NEW FOR YOU, JACK.
432
00:17:55,173 --> 00:17:57,550
NO WORD FROMTHE CORONER YET.
433
00:17:57,633 --> 00:17:58,968
NO "MISSING PERSONS"REPORTS.
434
00:17:59,009 --> 00:18:00,677
ANY LUCK FINDINGTHE TRUCK DRIVER?
435
00:18:00,719 --> 00:18:01,886
DMV SENT ME A LIST
436
00:18:01,970 --> 00:18:03,388
OF GRAY, LIGHT-BLUE,
437
00:18:03,472 --> 00:18:05,890
AND SILVER PICK-UPSREGISTERED IN THE AREA.
438
00:18:05,932 --> 00:18:07,308
DEPUTIES ARECHECKING IT OUT NOW.
439
00:18:07,391 --> 00:18:09,268
DID YOU CHECK IN WITHTHE BARS IN THE AREA,
440
00:18:09,268 --> 00:18:10,936
SEE IF THERE WEREANY FIGHTS THAT NIGHT?
441
00:18:11,019 --> 00:18:12,520
DID YOU CHECK IN WITHYUP. FOLLOWED UP ON THAT.
442
00:18:12,562 --> 00:18:13,480
SO FAR, NOTHING.
443
00:18:13,521 --> 00:18:15,022
NO, WE JUSTHAVE TO BE PATIENT.
444
00:18:15,064 --> 00:18:16,566
I'M SURETHE CORONER'S REPORT
445
00:18:16,608 --> 00:18:17,650
WILL GO A LONG WAY
446
00:18:17,692 --> 00:18:18,735
TO FIGURE OUTWHAT HAPPENED.
447
00:18:18,818 --> 00:18:20,152
SHERIFF DAVIS, COME IN.
448
00:18:20,236 --> 00:18:21,112
YEAH. GO AHEAD.
449
00:18:21,153 --> 00:18:22,571
WE JUST GOT A CALLFROM SILVERDALE P.D.
450
00:18:22,613 --> 00:18:23,739
EXCUSE ME.
451
00:18:23,739 --> 00:18:25,615
SO...
452
00:18:25,698 --> 00:18:28,159
HOW ARE YOUHOLDING UP, BOB?
453
00:18:28,243 --> 00:18:29,702
UH, OKAY.
454
00:18:29,744 --> 00:18:32,079
PEGGY'S CONVINCEDSHE'S GOT P.T.S.D.
455
00:18:34,414 --> 00:18:36,207
OH! HEY.
456
00:18:37,751 --> 00:18:39,502
HOLD UP!WHAT'S GOING ON?
457
00:18:39,585 --> 00:18:41,920
A FEW HOURS BEFOREJOHN DOE ARRIVED HERE,
458
00:18:41,962 --> 00:18:43,588
TWO GUYS ROBBEDA CONVENIENCE STORE
459
00:18:43,588 --> 00:18:44,589
IN SILVERDALE.
460
00:18:44,589 --> 00:18:45,840
CLERK PUT UP A FIGHT,
461
00:18:45,882 --> 00:18:46,799
AND ONE OF THE THIEVES
462
00:18:46,883 --> 00:18:48,050
TUMBLED THROUGHTHE FRONT WINDOW,
463
00:18:48,092 --> 00:18:49,886
SHATTERING ITBEFORE RUNNING OFF.
464
00:18:49,927 --> 00:18:50,887
THAT'S OUR GUY!
465
00:18:50,928 --> 00:18:52,929
AND THE OTHERIS HIS ACCOMPLICE,
466
00:18:53,013 --> 00:18:54,640
OR MAYBE HIS KILLER!
467
00:18:54,640 --> 00:18:56,767
HEY, WHAT DO YOU THINKYOU'RE DOING?
468
00:18:56,808 --> 00:18:58,101
WELL, I'M COMING WITH YOU.R!
469
00:18:58,143 --> 00:18:58,934
HAH! NO WAY.
470
00:18:58,976 --> 00:19:00,686
LAST THING I NEEDIS YOU GETTING HURT.
471
00:19:00,770 --> 00:19:01,937
SHERIFF, THE COPS IN PHILLY
472
00:19:01,979 --> 00:19:04,439
THEY LET ME DO RIDE-ALONGSALL THE TIME, ALL RIGHT?
473
00:19:04,523 --> 00:19:05,982
THEIR CARS HAVEBULLET-PROOF WINDOWS,
474
00:19:06,065 --> 00:19:07,150
DON'T THEY?
475
00:19:07,233 --> 00:19:08,276
PROBABLY.
476
00:19:08,359 --> 00:19:10,819
YOU'RE STAYING HERE.
477
00:19:25,749 --> 00:19:27,918
OH! YOU'RE HERE.
478
00:19:27,959 --> 00:19:29,210
HOW'S IT GOING?
479
00:19:29,252 --> 00:19:30,503
GOOD.
480
00:19:30,545 --> 00:19:34,464
JUST GONNA GRAB A FEW THINGSAND GET OUT OF YOUR WAY.
481
00:19:36,050 --> 00:19:39,010
DID YOU TELL MY DADI MESSED THIS JOB UP?
482
00:19:39,052 --> 00:19:39,928
NO.
483
00:19:39,969 --> 00:19:40,970
'CAUSE I TOLD YOU,
484
00:19:40,970 --> 00:19:42,471
YOU GOTTA LET THIS DRY OUT.
485
00:19:42,513 --> 00:19:45,641
YOU PATCH TOO SOON,YOU GET MOLD.
486
00:19:45,641 --> 00:19:46,767
YOU DIDN'T TELL ME,
487
00:19:46,809 --> 00:19:49,019
BUT THANK YOUFOR TELLING ME NOW.
488
00:19:50,520 --> 00:19:52,897
WHAT HAVE YOU GOT AGAINST ME?
489
00:19:54,148 --> 00:19:55,441
NOTHING.
490
00:19:55,482 --> 00:19:57,484
NO ONE FORCED YOU[AWKWATO TAKE THIS JOB.
491
00:19:59,652 --> 00:20:01,404
I'M SERIOUS.YOU COULD'VE SAID NO.
492
00:20:01,487 --> 00:20:02,655
RIGHT.
493
00:20:02,738 --> 00:20:04,449
I HAVEN'T SEENMY DAD IN YEARS.
494
00:20:04,490 --> 00:20:06,700
I'M TRYINGTO MAKE A GOOD IMPRESSION,
495
00:20:06,741 --> 00:20:08,327
AND I'M GONNATELL HIS GIRLFRIEND "NO"
496
00:20:08,327 --> 00:20:09,453
WHEN SHE OFFERS ME A JOB?
497
00:20:09,494 --> 00:20:11,955
I KNOW IT MUST BE HARDTO COME HERE.
498
00:20:11,996 --> 00:20:13,039
NO. NO.
499
00:20:13,122 --> 00:20:15,082
YOU DON'T KNOW ME. OKAY?
500
00:20:15,166 --> 00:20:16,459
AND NEITHER DOES MY DAD.
501
00:20:16,500 --> 00:20:17,918
HE DOESN'T KNOWA THING ABOUT ME.
502
00:20:18,001 --> 00:20:19,002
HE WANTS TO KNOW YOU.
503
00:20:19,044 --> 00:20:21,421
HE IS THRILLED TO HAVE YOUBACK IN HIS LIFE.
504
00:20:23,047 --> 00:20:26,425
HE'S WORKED REALLY HARDTO TURN HIS LIFE AROUND.
505
00:20:26,508 --> 00:20:29,010
YEAH?
506
00:20:30,553 --> 00:20:32,472
HOW LONG'S IT BEENTHIS TIME?
507
00:20:33,473 --> 00:20:37,184
'CAUSE HE'S TURNED HIS LIFEAROUND MANY TIMES BEFORE.
508
00:20:37,267 --> 00:20:40,312
IT'S A DAY-TO-DAY STRUGGLE.
509
00:20:40,354 --> 00:20:43,940
SOMETHING HE HAS TO DEAL WITHFOR THE REST OF HIS LIFE.
510
00:20:44,023 --> 00:20:47,276
TELL ME ABOUT IT.
511
00:21:10,587 --> 00:21:12,589
-[FRUSTRATED SIGH]-YOU OKAY?
512
00:21:12,631 --> 00:21:14,674
OF COURSE I'M OKAY.WHY WOULDN'T I BE OKAY?
513
00:21:14,716 --> 00:21:15,674
I'M SHOWINGMY ARTWORK TODAY.
514
00:21:15,716 --> 00:21:17,676
I'M BARING MY NAKED SOULFOR THE WORLD TO SEE,
515
00:21:17,718 --> 00:21:20,053
LEAVING MYSELFOPEN TO RIDICULE.
516
00:21:20,095 --> 00:21:21,388
SO... NOT OKAY?
517
00:21:21,388 --> 00:21:22,722
IT'S TERRIFYING,
518
00:21:22,764 --> 00:21:25,558
PUTTING YOURSELF OUT THEREFOR PEOPLE TO JUDGE YOU.
519
00:21:25,642 --> 00:21:27,309
BUT YOU'RE STILLHERE, RIGHT?
520
00:21:27,351 --> 00:21:29,353
THAT'S GOTTACOUNT FOR SOMETHING.
521
00:21:29,395 --> 00:21:30,854
I GUESS SO.
522
00:21:30,896 --> 00:21:34,149
IT'S PRETTY BRAVE,IF YOU ASK ME.
523
00:21:34,232 --> 00:21:36,151
IS THAT SUPPOSED TOMAKE ME FEEL BETTER?
524
00:21:36,192 --> 00:21:37,235
YEP.
525
00:21:37,277 --> 00:21:38,944
IT DOES.
526
00:21:39,028 --> 00:21:40,029
YOU'RE VERY SENSITIVE.
527
00:21:40,070 --> 00:21:42,531
THAT'S JUSTTHE KIND OF GUY I AM.
528
00:21:45,909 --> 00:21:48,494
I WAS ATTHE CAPTAIN'S GALLEY EARLIER.
529
00:21:48,536 --> 00:21:50,913
HEARD YOU HAD DINNERWITH WARREN SAGET.
530
00:21:50,954 --> 00:21:51,914
WHAT'S WRONGWITH PEOPLE?
531
00:21:51,914 --> 00:21:53,331
WHY CAN'T THEY JUST MINDTHEIR OWN BUSINESS?
532
00:21:53,415 --> 00:21:55,625
WHY DIDN'T YOU TELL ME?
533
00:21:55,708 --> 00:21:57,084
BECAUSE IT DIDN'T MATTER TO ME.
534
00:21:57,168 --> 00:21:58,795
I DIDN'T THINKIT WAS WORTH MENTIONING.
535
00:21:58,878 --> 00:22:02,005
JUSTINE... YOU TELL ME YOU HADSKINLESS CHICKEN FOR LUNCH
536
00:22:02,047 --> 00:22:03,590
BECAUSE YOU ATE COOKIESFOR BREAKFAST.
537
00:22:03,674 --> 00:22:04,758
YOU TELL ME EVERY DETAILOF YOUR LIFE,
538
00:22:04,841 --> 00:22:07,760
BUT YOU DON'T MENTION YOUWENT OUT WITH YOUR EX-FIANCE?
539
00:22:07,760 --> 00:22:09,887
I DIDN'T "GO OUT" WITH HIM.
540
00:22:09,929 --> 00:22:11,096
I WAS THERE ON MY OWN.
541
00:22:11,138 --> 00:22:13,473
WARREN SHOWED UPAND ASKED IF HE COULD JOIN ME.
542
00:22:16,685 --> 00:22:18,227
I JUST DON'T TRUST HIM.
543
00:22:18,269 --> 00:22:20,438
WELL, YOU DON'THAVE TO TRUST HIM.
544
00:22:20,438 --> 00:22:23,440
YOU JUST HAVE TO TRUST ME.
545
00:22:30,905 --> 00:22:33,115
OKAY, MA'AM.SORRY TO TROUBLE YOU.
546
00:22:33,157 --> 00:22:34,616
THANKS FOR YOUR TIME.
547
00:22:37,202 --> 00:22:38,078
HOWDY, SHERIFF!
548
00:22:38,119 --> 00:22:39,954
I THOUGHTI TOLD YOU TO STAY AWAY.
549
00:22:39,954 --> 00:22:43,623
I'VE GOT A JOB TO DO, TROY,JUST LIKE YOU.
550
00:22:43,665 --> 00:22:45,542
I THOUGHTI TAKE IT SHE'S NOT OUR GUY?
551
00:22:45,584 --> 00:22:47,794
NO.
552
00:22:47,836 --> 00:22:48,795
NOW, LOOK, SHERIFF.
553
00:22:48,878 --> 00:22:51,922
I CAN KEEPFOLLOWING YOU, OR...
554
00:22:51,964 --> 00:22:53,299
I COULD KEEP YOU COMPANY.
555
00:22:53,382 --> 00:22:54,925
ALL RIGHT.
556
00:22:54,967 --> 00:22:57,802
KEEP QUIETAND DO WHAT I TELL YOU.
557
00:22:57,844 --> 00:22:59,429
YES, SIR.
558
00:23:01,305 --> 00:23:03,182
AHH...
559
00:23:04,183 --> 00:23:07,102
SO, WHO'S NEXT ON YOUR LIST?
560
00:23:07,143 --> 00:23:09,187
THAT'S BEING QUIET?
561
00:23:10,438 --> 00:23:14,149
LUCAS WEST.23 CREPE MYRTLE ROAD.
562
00:23:14,191 --> 00:23:15,860
HOO. WAY OUTIN THE BOONIES.
563
00:23:15,860 --> 00:23:18,320
I THOUGHT WE ALREADYWERE OUT IN THE BOONIES.
564
00:23:18,362 --> 00:23:20,739
HOO. WAY OUTBOONIES.
565
00:23:20,822 --> 00:23:22,323
YOU MISS THE CITY,DON'T YA?
566
00:23:22,323 --> 00:23:24,158
OH... SOMETIMES.
567
00:23:24,158 --> 00:23:27,202
THE ENERGY... PACE.
568
00:23:27,285 --> 00:23:28,245
THE CRIME. HEY,
569
00:23:28,286 --> 00:23:31,163
AT LEAST I ALWAYS HADSOMETHING TO WRITE ABOUT.
570
00:23:31,205 --> 00:23:34,166
HERE, IT'S ALWAYS JUST SO...
571
00:23:34,208 --> 00:23:35,417
PEACEFUL.
572
00:23:35,501 --> 00:23:36,335
DON'T YOU EVER MISS
573
00:23:36,418 --> 00:23:38,086
HAVING MORE OFA CHALLENGE?
574
00:23:38,128 --> 00:23:39,129
WELL, IF THAT MEANS
575
00:23:39,170 --> 00:23:41,256
MORE PEOPLE HURTINGOR STEALING FROM EACH OTHER,
576
00:23:41,297 --> 00:23:42,173
THEN NO.
577
00:23:42,215 --> 00:23:44,884
I'LL TAKE CEDAR COVEJUST LIKE IT IS.
578
00:23:44,925 --> 00:23:45,801
SAFE... QUIET.
579
00:23:45,843 --> 00:23:48,762
NEIGHBORS LOOK OUTFOR ONE ANOTHER.
580
00:23:50,054 --> 00:23:53,057
AND EVERYBODY KNOWSEVERYONE ELSE'S BUSINESS.
581
00:23:53,099 --> 00:23:55,768
I'M TELLING YOU,THE MAN WAS MURDERED.
582
00:23:55,809 --> 00:23:57,811
HE AND HIS ACCOMPLICE,
583
00:23:57,853 --> 00:24:00,022
THEY ROBBEDTHE CONVENIENCE STORE,
584
00:24:00,105 --> 00:24:01,273
SMASHING THE WINDOW,
585
00:24:01,356 --> 00:24:02,565
AND THAT'S HOW HE GOT
586
00:24:02,565 --> 00:24:04,859
ALL THOSE CUTSON HIS HANDS AND FACE.
587
00:24:04,942 --> 00:24:05,860
ANDSO, THEY'RE ON THE RUN,
588
00:24:05,860 --> 00:24:07,319
BUT THEY DECIDETO SPLIT UP.
589
00:24:07,361 --> 00:24:08,862
NOW, JOHN DOEHE'S BLEEDING...
590
00:24:08,904 --> 00:24:10,196
SO HIS ACCOMPLICEDROPS HIM OFF
591
00:24:10,196 --> 00:24:12,908
AT THE THYME AND TIDESO HE CAN CLEAN UP THE WOUNDS...
592
00:24:12,949 --> 00:24:16,076
SO THEN, THE ACCOMPLICE,WELL, HE STARTS WORRYIN'
593
00:24:16,160 --> 00:24:18,871
THE JOHN DOE DUDEIS GONNA TALK,
594
00:24:18,954 --> 00:24:21,248
MAYBE RAT HIM OUT TO THE COPS.
595
00:24:21,290 --> 00:24:25,293
SO HE SNEAKS BACKTO THE THYME AND TIDE,
596
00:24:25,376 --> 00:24:27,961
CLIMBS IN THE WINDOW, AND...
597
00:24:43,391 --> 00:24:45,685
WOW, THIS REALLY ISTHE BOONIES.
598
00:24:45,726 --> 00:24:48,020
WELL, FOLKS LIVINGTHIS FAR OUT
599
00:24:48,062 --> 00:24:50,314
DON'T LIKETO BE DISTURBED.
600
00:24:58,446 --> 00:25:00,739
HEY, SHERIFF,COME LOOK AT THIS.
601
00:25:03,325 --> 00:25:04,867
THAT'S BLOOD.
602
00:25:04,909 --> 00:25:05,993
GO WAIT IN THE CAR.
603
00:25:06,035 --> 00:25:07,411
SHOULDN'T WE CALLFOR BACK-UP?
604
00:25:07,411 --> 00:25:10,289
GO WAIT IN THE CAR.
605
00:25:25,635 --> 00:25:28,012
ARE YOU LUCAS WEST?
606
00:25:28,054 --> 00:25:30,139
I AM.
607
00:25:30,223 --> 00:25:31,390
DID YOU DROP A MAN OFF
608
00:25:31,432 --> 00:25:33,266
AT THE THYME AND TIDEBED AND BREAKFAST
609
00:25:33,266 --> 00:25:34,309
TWO NIGHTS AGO?
610
00:25:34,392 --> 00:25:36,644
THAT A CRIME?
611
00:25:38,104 --> 00:25:40,231
MR. WEST, WHAT'SYOUR CONNECTION TO THIS MAN?
612
00:25:40,272 --> 00:25:42,024
I DIDN'T HAVE ONE.
613
00:25:42,108 --> 00:25:44,568
I JUST GAVE HIMA LIFT. WHY?
614
00:25:44,610 --> 00:25:46,444
HE'S DEAD.
615
00:25:46,444 --> 00:25:49,572
DEAD?
616
00:25:49,614 --> 00:25:51,448
WHAT HAPPENED TO HIM?
617
00:25:51,448 --> 00:25:53,825
I WAS HOPINGYOU'D TELL ME.
618
00:25:53,909 --> 00:25:55,994
I DON'T KNOWANYTHING ABOUT HIM.
619
00:25:56,035 --> 00:25:58,371
WHEN I DROPPED HIM OFF,HE WAS FINE.
620
00:25:58,454 --> 00:25:59,330
BUT HE WAS BLEEDING.
621
00:25:59,372 --> 00:26:01,207
THERE'S BLOOD ONTHE SIDE OF YOUR TRUCK.
622
00:26:01,249 --> 00:26:05,127
HE WAS LIKE THATWHEN I PICKED HIM UP.
623
00:26:05,168 --> 00:26:07,962
ARE YOU TRYINGTO PIN THIS ON ME?
624
00:26:07,962 --> 00:26:09,964
SO WHERE DID YOUPICK HIM UP?
625
00:26:10,047 --> 00:26:14,051
ON MY WAY HOME FROMWORK IN SILVERDALE.
626
00:26:14,093 --> 00:26:15,844
FOUND HIM SITTING ONTHE SIDE OF THE ROAD.
627
00:26:15,886 --> 00:26:18,346
DID HE GIVE YOUA NAME?
628
00:26:18,388 --> 00:26:19,305
YEAH. HOWARD.
629
00:26:19,389 --> 00:26:21,140
HE MENTION A LAST NAME?
630
00:26:21,224 --> 00:26:24,726
HE DIDN'T TELL ME,AND I DIDN'T ASK HIM.
631
00:26:25,394 --> 00:26:28,397
JUST SAID TO TAKE HIMTO THE NEAREST MOTEL.
632
00:26:28,438 --> 00:26:30,023
ALL RIGHT, WELL, UH,
633
00:26:30,106 --> 00:26:33,776
I'LL NEED A NAME AND NUMBERTO CONFIRM YOUR EMPLOYMENT,
634
00:26:33,817 --> 00:26:36,028
PLUS THE LOCATIONOF WHERE YOU PICKED UP
635
00:26:36,111 --> 00:26:38,488
THIS, UH... "HOWARD."
636
00:26:44,160 --> 00:26:45,161
EXCUSE ME, YOUR HONOR,
637
00:26:45,161 --> 00:26:46,453
BUT THE ART WALKIS CALLING.
638
00:26:46,495 --> 00:26:50,581
HOLY MOLY...WHAT IS ALL THIS?
639
00:26:50,665 --> 00:26:52,583
I HIRED ERIC TO FIX A LEAK.
640
00:26:52,625 --> 00:26:54,126
WELL, THEN, WHERE IS HE?
641
00:26:54,168 --> 00:26:55,920
HE DOESN'T SEEMTO BE IN A BIG HURRY
642
00:26:55,961 --> 00:26:57,296
TO GET THE JOB FINISHED.
643
00:26:57,337 --> 00:26:59,881
SO YOU STILL WILLING TO GIVE HIMTHE BENEFIT OF THE DOUBT?
644
00:26:59,881 --> 00:27:01,257
HE DOES HAVEA CHIP ON HIS SHOULDER.
645
00:27:01,299 --> 00:27:03,467
SO YOU A LOT OF RESENTMENTVE HIMBUILT UP OVER THE YEARS.?
646
00:27:03,509 --> 00:27:05,052
PROBABLY DRIVES HIM CRAZY,
647
00:27:05,052 --> 00:27:07,012
SEEING HIS DADTURNING HIS LIFE AROUND
648
00:27:07,095 --> 00:27:08,680
WHILE HISIS STILL MISERABLE.HIM CRAZY,
649
00:27:08,680 --> 00:27:09,514
JUST BE CAREFUL.
650
00:27:09,597 --> 00:27:10,723
THAT KID ISMANIPULATING JACK,
651
00:27:10,807 --> 00:27:13,309
AND I DON'T WANT TO SEE HIMMANIPULATING YOU TOO.
652
00:27:13,350 --> 00:27:15,227
PRETTY SOON HE JUSTHAS TO STEP UP
653
00:27:15,311 --> 00:27:18,564
AND TAKE CONTROL OF HIS LIFEAND STOP PLAYING THE VICTIM.
654
00:27:18,647 --> 00:27:19,565
IN THE MEANTIME,
655
00:27:19,648 --> 00:27:23,443
THIS, UH, THIS WALLIS NOT GONNA PATCH ITSELF.
656
00:27:23,484 --> 00:27:25,986
YOU KNOW HOW TO DO THAT?
657
00:27:26,028 --> 00:27:27,487
YOU LIVE WITH MR. FIX-ITFOR A WHILE,
658
00:27:27,529 --> 00:27:30,365
AND YOU PICK UP A THING OR TWO.
659
00:27:30,365 --> 00:27:33,743
I HAVE TO SEE THIS.
660
00:27:33,743 --> 00:27:35,203
EVERYTHING IS LOOKINGREALLY FANTASTIC,
661
00:27:35,286 --> 00:27:36,787
BUT IF YOU LADIESCOULD JUST DO ME A FAVOR
662
00:27:36,870 --> 00:27:38,706
AND GO OVER THERE AND MAKE SURETHAT AREA IS SECURE,
663
00:27:38,747 --> 00:27:41,291
THAT WOULD BE AMAZING.
664
00:27:42,167 --> 00:27:43,335
THIS LOOKS SO GREAT.YOU KNOW WHAT?
665
00:27:43,376 --> 00:27:44,961
IF YOU WANT TO JUST PUT MAYBEA FEW MORE CANDLES IN HERE,
666
00:27:45,044 --> 00:27:48,047
JUST TO PERK IT UP, I THINKTHAT WOULD LOOK FANTASTIC.
667
00:27:48,047 --> 00:27:49,340
THIS IS GREAT!
668
00:27:49,381 --> 00:27:51,341
YOU'VE DONEAN AMAZING JOB.
669
00:27:51,382 --> 00:27:52,926
I HAVE, HAVEN'T I?
670
00:27:52,968 --> 00:27:56,011
HOW I GET PEOPLE TO STOPAND LOOK AT MY STUFF?
671
00:27:56,053 --> 00:27:57,555
YOU HAVE TO ENGAGEWITH THE PUBLIC.
672
00:27:57,555 --> 00:27:59,223
YOU KNOW?DRAW PEOPLE IN.
673
00:27:59,223 --> 00:28:01,100
BE AN ADVOCATEFOR YOUR ART!
674
00:28:01,141 --> 00:28:03,101
WHAT AM I SUPPOSED TO DO?JUMP UP AND DOWN?
675
00:28:03,142 --> 00:28:04,268
DO BIRD CALLS?
676
00:28:04,310 --> 00:28:05,561
GOOD IDEA.
677
00:28:05,644 --> 00:28:08,897
I SHOULD GOSAY HELLO TO JOHN.
678
00:28:11,108 --> 00:28:12,859
MR. BOWMAN.
679
00:28:12,901 --> 00:28:14,736
IT'S SO EXCITINGTO SEE YOU HERE.
680
00:28:14,736 --> 00:28:15,570
WE DON'T ALWAYS HAVE
681
00:28:15,653 --> 00:28:18,197
THE ACTUAL ARTISTPRESENT AT THE SHOW.
682
00:28:18,239 --> 00:28:20,032
REALLY?
683
00:28:23,159 --> 00:28:26,329
PEOPLE ARE REALLY RESPONDINGTO YOUR WORK.
684
00:28:26,412 --> 00:28:30,124
THE COMPOSITION...THE SHARP DEPTH OF FIELD.
685
00:28:30,207 --> 00:28:31,125
THAT'S GREAT.
686
00:28:31,125 --> 00:28:32,876
PEOPLE ALWAYS ASK MEABOUT YOUR PROCESS,
687
00:28:32,917 --> 00:28:35,003
WHAT GOES INTOCRAFTING YOUR STYLE.
688
00:28:35,044 --> 00:28:38,547
I TELL THEMI DON'T REALLY KNOW.
689
00:28:38,589 --> 00:28:39,382
I MEAN,
690
00:28:39,423 --> 00:28:41,383
I'VE ONLY KNOWN YOUFOR A FEW MONTHS,
691
00:28:41,425 --> 00:28:44,094
AND WE'VE NEVER REALLYTALKED MUCH.
692
00:28:44,136 --> 00:28:47,054
WE SHOULD MAYBE TALK MORE.
693
00:28:47,096 --> 00:28:50,182
YOU WANNA TALK MORE?
694
00:28:50,224 --> 00:28:52,809
I MEAN ABOUTYOUR APPROACH WITH YOUR WORK.
695
00:28:52,893 --> 00:28:55,270
SO THAT I CAN ACCURATELYREPRESENT YOUR PROCESS.
696
00:28:55,311 --> 00:28:58,064
YEAH, BUT DO PEOPLE REALLY WANTTO HEAR ABOUT ALL THAT STUFF?
697
00:28:58,106 --> 00:29:01,108
AND I DON'T THINKI COULD EXPLAIN.
698
00:29:01,150 --> 00:29:02,609
OH, NO, YOU SHOULDN'T HAVE TO.
699
00:29:02,651 --> 00:29:04,236
THE WORK SPEAKS FOR ITSELF.
700
00:29:04,278 --> 00:29:06,488
IT'S NO ONE'SBUSINESS, RIGHT?
701
00:29:06,530 --> 00:29:08,447
IT'S NOT THAT.
702
00:29:08,447 --> 00:29:11,575
YOU JUST KEEP DOING WHAT YOU DO,AND I'LL KEEP SELLING YOU.
703
00:29:12,451 --> 00:29:13,536
I MEAN, YOUR ART.
704
00:29:13,619 --> 00:29:15,328
GREAT.
705
00:29:15,370 --> 00:29:16,621
SOUNDS GOOD.
706
00:29:16,621 --> 00:29:19,165
I APPRECIATE IT.
707
00:29:19,248 --> 00:29:20,625
ANYWAY, UM...
708
00:29:20,708 --> 00:29:23,169
I SHOULDKEEP CIRCULATING.
709
00:29:23,210 --> 00:29:25,712
GIVE A HOLLERIF YOU NEED ANYTHING.
710
00:29:27,630 --> 00:29:31,676
"GIVE A HOLLER"?YOU IDIOT.
711
00:29:33,510 --> 00:29:35,720
WELL, IT'S RIGHTABOUT HERE
712
00:29:35,762 --> 00:29:38,973
THAT HE SAIDHE PICKED HIM UP.
713
00:29:39,057 --> 00:29:41,267
HOW FAR ARE WEFROM SILVERDALE?
714
00:29:41,309 --> 00:29:44,520
WELL, 20 MILES OR SO.
715
00:29:44,603 --> 00:29:46,897
THOSE TWO THIEVESESCAPED ON FOOT.
716
00:29:46,939 --> 00:29:48,481
THAT'S PROBABLY TOO FARFOR THAT HOWARD GUY
717
00:29:48,565 --> 00:29:50,442
TO HAVE WALKEDALL THIS WAY.
718
00:29:52,526 --> 00:29:55,487
HEY, WHAT'S THAT?SEE IT?
719
00:29:55,529 --> 00:29:57,656
OH, YEAH, YEAH,YEAH. YEAH.
720
00:30:00,491 --> 00:30:02,159
LET'S HAVE A LOOK AT THAT.
721
00:30:02,201 --> 00:30:03,160
IS IT HOWARD'S?
722
00:30:03,160 --> 00:30:06,371
I DON'T KNOW.BROKEN, OR THE BATTERY'S DEAD.
723
00:30:06,371 --> 00:30:08,623
SHERIFF DAVIS, COME IN.
724
00:30:08,665 --> 00:30:09,666
I DON'T KNOW.BROKEN, BE RIGHT BACK.'S DEAD.
725
00:30:09,666 --> 00:30:11,835
KEEP LOOKING, SEE IF YOU CANFIND ANYTHING ELSE.
726
00:30:11,876 --> 00:30:14,337
I DON'T KNOW.BROKEN, BE RI[♪] BACK.'S DEAD.
727
00:30:19,174 --> 00:30:20,175
I'MSERIOUS, JUSTINE.
728
00:30:20,217 --> 00:30:21,634
LOOK, YOU SHOULD HAVEYOUR OWN GALLERY
729
00:30:21,676 --> 00:30:22,635
AND STUDIO SPACE.
730
00:30:22,677 --> 00:30:23,344
WARREN...
731
00:30:23,427 --> 00:30:24,345
LOOK, JUST--JUST HEAR ME OUT.
732
00:30:24,386 --> 00:30:26,638
REMEMBER THE VACANTSTOREFRONT I SHOWED YOU?
733
00:30:26,680 --> 00:30:28,181
RIGHT?IT'S STILL ON THE MARKET.
734
00:30:28,223 --> 00:30:30,600
YOU SAY THE WORDAND I'LL BUY IT FOR YOU.
735
00:30:30,641 --> 00:30:31,476
I'LL TELL YOU WHAT.
736
00:30:31,517 --> 00:30:32,768
LET'S DISCUSS ITOVER DINNER.
737
00:30:32,852 --> 00:30:33,728
STRICTLY BUSINESS.
738
00:30:33,811 --> 00:30:34,770
I DON'T THINK SO.
739
00:30:34,812 --> 00:30:36,521
JUSTINE, COME ON,THIS IS AN OPPORTUNITY THAT--
740
00:30:36,521 --> 00:30:37,439
WARREN.
741
00:30:37,481 --> 00:30:39,816
JUSTINE, COME ON,THANK YOU FOR THE OFFER, THAT--
742
00:30:39,858 --> 00:30:42,360
BUT NO.
743
00:30:42,360 --> 00:30:43,736
OKAY.
744
00:30:43,820 --> 00:30:45,446
OFFER STAYS ONBUT NO.THE TABLE, OKAY?
745
00:30:45,488 --> 00:30:46,655
JUST THINK ABOUT IT,
746
00:30:46,697 --> 00:30:49,491
AND JUST LET ME KNOWIF YOU CHANGE YOUR MIND.
747
00:30:49,532 --> 00:30:51,618
OKAY?
748
00:30:56,747 --> 00:30:59,207
I'M GLAD TO SEE YOU.
749
00:30:59,249 --> 00:31:00,375
I JUST TALKEDTO THE BOAT.
750
00:31:00,375 --> 00:31:02,878
BILGE PUMP'S FIXED.I GOTTA GO BACK TODAY.
751
00:31:02,961 --> 00:31:05,505
I JUST TALKEDOH.TO THE BOAT.
752
00:31:05,546 --> 00:31:07,256
WELL, I'M GLADI GOT TO SEE YOU,
753
00:31:07,339 --> 00:31:08,966
EVEN IF IT WASONLY FOR A DAY.
754
00:31:09,008 --> 00:31:10,384
YEAH.
755
00:31:10,425 --> 00:31:12,761
I'M GLADI CAME BACK TOO.
756
00:31:17,723 --> 00:31:20,392
HEY, HONEY!LOOK WHO I FOUND.
757
00:31:21,101 --> 00:31:23,561
DAD? WHAT ARE YOU DOING HERE?
758
00:31:23,561 --> 00:31:25,396
OH, ARE YOU KIDDING ME?
759
00:31:25,396 --> 00:31:28,524
MY DAUGHTER'S IN THE ART WALK.I WOULDN'T MISS IT.
760
00:31:32,653 --> 00:31:35,613
STARKWATER LAKE.
761
00:31:36,947 --> 00:31:40,993
TOOK ME A LONG TIME TO GOBACK THERE AFTER JORDAN...
762
00:31:43,745 --> 00:31:46,247
BUT IT WAS HIS FAVORITE PLACEIN THE WORLD,
763
00:31:46,247 --> 00:31:49,542
SO I THOUGHT IT WAS WORTHTRYING TO CAPTURE.
764
00:31:49,583 --> 00:31:50,834
BUT IT WAS HIS FAVYOU DID,ACEIN THE WORSWEETHEART.
765
00:31:50,918 --> 00:31:53,128
IT'S BEAUTIFUL.
766
00:31:53,128 --> 00:31:55,255
I WASN'T SUREHOW YOU'D FEEL ABOUT IT.
767
00:31:55,297 --> 00:31:57,381
BRINGS UP A LOT OF MEMORIES.L.
768
00:31:57,423 --> 00:32:00,926
I... I TRY NOTTO THINK ABOUT IT.
769
00:32:02,344 --> 00:32:04,304
HOW'S THAT WORK?
770
00:32:04,345 --> 00:32:06,264
I CAN'T DO THAT.
771
00:32:06,306 --> 00:32:08,098
JUST BLOCK OUT
772
00:32:08,182 --> 00:32:09,934
ALL OF THE THINGSTHAT HURT?
773
00:32:09,975 --> 00:32:12,436
THEY'RE JUST THERE.
774
00:32:12,436 --> 00:32:15,522
THEY'RE ALWAYS JUST THERE.
775
00:32:51,969 --> 00:32:53,887
WELL, DON'TTOUCH ANYTHING.
776
00:32:53,971 --> 00:32:55,263
NO, I WON'T.
777
00:32:55,305 --> 00:32:57,640
I ASSUME THIS ISTHE GETAWAY CAR.
778
00:32:57,682 --> 00:32:59,726
NOPE.
779
00:32:59,809 --> 00:33:01,143
WHAT DO YOU MEAN?
780
00:33:01,185 --> 00:33:02,561
WELL, THAT CALL I JUST GOT?
781
00:33:02,603 --> 00:33:06,022
BOTH THIEVESWERE JUST ARRESTED.
782
00:33:06,022 --> 00:33:08,691
SO HOWARD WASN'TPART OF THE ROBBERY?
783
00:33:08,691 --> 00:33:09,942
BOTH THIEVESWERE JUSNO.RRESTED.
784
00:33:09,984 --> 00:33:13,153
SO HOWARDWELL, THENPART OF TWHO WAS HE?
785
00:33:23,371 --> 00:33:25,998
TYPING FURIOUSLY!SOUNDS LIKE A SCOOP.
786
00:33:26,039 --> 00:33:27,790
OH...
787
00:33:27,833 --> 00:33:28,833
I AM JUSTGETTING STARTED.
788
00:33:28,916 --> 00:33:31,377
THE CASE OFTHE MYSTERIOUS DEAD GUY
789
00:33:31,461 --> 00:33:33,004
HAS BEEN SOLVED,AND YOU...
790
00:33:33,045 --> 00:33:36,507
CAN READ ALL ABOUT ITIN TOMORROW'SCHRONICLE.
791
00:33:36,548 --> 00:33:38,466
I'M LOOKING FORWARD TO IT.
792
00:33:38,508 --> 00:33:40,176
SO, WHAT'S UP?
793
00:33:42,262 --> 00:33:43,804
UM...
794
00:33:47,557 --> 00:33:49,351
ERIC DIDN'T FINISH, DID HE?
795
00:33:49,393 --> 00:33:51,519
WELL, NO, BUT MAYBEHE WOULD HAVE, EVENTUALLY.
796
00:33:51,560 --> 00:33:54,105
IT WAS JUST TAKING TOO LONG,SO GRACE DID IT.
797
00:33:54,188 --> 00:33:56,314
SHE'S SURPRISINGLY GOODAT PATCHING WALLS.
798
00:33:59,692 --> 00:34:03,279
I JUST DON'T WANT THIS TO BEA PROBLEM BETWEEN US.
799
00:34:03,320 --> 00:34:04,196
MAYBE I SHOULDN'T HAVE
800
00:34:04,238 --> 00:34:06,032
OFFERED HIM THE JOBIN THE FIRST PLACE.
801
00:34:06,032 --> 00:34:07,866
NO, OLIVIA, YOU WERE JUST TRYINGTO HELP OUT,
802
00:34:07,908 --> 00:34:09,576
OFFERED HIM THE JOBAND I APPRECIATE IT. OKAY?E.
803
00:34:09,660 --> 00:34:12,495
THE PROBLEM IS THATHE'S TOO MUCH LIKE HIS OLD MAN.
804
00:34:12,537 --> 00:34:14,163
WHEN I WAS HIS AGE,
805
00:34:14,205 --> 00:34:15,581
I JUMPED AROUNDFROM JOB TO JOB.
806
00:34:15,623 --> 00:34:17,833
I COULDN'T FOCUS LONG ENOUGHTO GET ANYTHING DONE.
807
00:34:17,875 --> 00:34:19,043
THAT'S THE PROBLEM.
808
00:34:19,043 --> 00:34:20,585
OKAY? I MEAN,I'M JUST...
809
00:34:20,627 --> 00:34:23,838
JUST GONNA HAVE TO TALK TO HIM,THAT'S ALL.
810
00:34:23,880 --> 00:34:25,714
WELL, WHEN YOU DO,MAY I SUGGEST,
811
00:34:25,756 --> 00:34:27,966
TRY NOT TO PUT TOO MUCHOF THE BLAME ON YOURSELF.
812
00:34:28,008 --> 00:34:31,219
I'M THE REASONHE IS WHERE HE IS.
813
00:34:31,303 --> 00:34:32,387
HE CAN'T GO THROUGH HIS LIFEBLAMING YOU.
814
00:34:32,429 --> 00:34:34,681
YOU'VE TAKEN RESPONSIBILITYFOR YOUR MISTAKES,
815
00:34:34,722 --> 00:34:36,598
AND MAYBE IT'S TIMEHE DID THE SAME.
816
00:34:36,640 --> 00:34:38,100
WELL, THE THING IS,I DON'T WANT TO UNDO
817
00:34:38,184 --> 00:34:40,226
ALL THE POSITIVE STEPSTHAT WE'VE TAKEN EITHER, OKAY?
818
00:34:40,268 --> 00:34:41,895
I MEAN, WE'RE REALLY STARTINGTO GET ALONG WELL NOW.
819
00:34:41,978 --> 00:34:44,397
I KNOW, BUT MAYBEWHAT HE NEEDS RIGHT NOW
820
00:34:44,439 --> 00:34:47,232
IS NOT SO MUCH A FRIEND,BUT A FATHER.
821
00:34:47,274 --> 00:34:49,693
I KNOW HOW HARDTHIS IS--
822
00:34:49,734 --> 00:34:51,403
I APPRECIATEYOUR CONCERN, OLIVIA,
823
00:34:51,403 --> 00:34:53,154
BUT I'M GONNA DEAL WITH THISIN MY OWN WAY.
824
00:34:53,196 --> 00:34:56,199
I APPRECIATEYOUR CONOKAY. OLIVIA,
825
00:34:57,575 --> 00:35:00,619
WELL, I SHOULDGET BACK TO WORK.
826
00:35:18,926 --> 00:35:20,052
HE WASN'T A FUGITIVE?
827
00:35:20,094 --> 00:35:21,595
NO MORE THAN YOU OR ME.
828
00:35:21,636 --> 00:35:24,097
WELL, THENWHO WAS HE?
829
00:35:24,138 --> 00:35:26,307
"HIS NAME WAS HOWARD MILLER.
830
00:35:26,390 --> 00:35:27,600
ACCORDING TO FLIGHT RECORDS,
831
00:35:27,641 --> 00:35:29,852
HE LEFT BOSTONON WEDNESDAY MORNING
832
00:35:29,893 --> 00:35:31,269
AND FLEW INTO SEATAC AIRPORT,
833
00:35:31,311 --> 00:35:33,188
WHERE HE RENTED A CARAND HEADED NORTH.
834
00:35:33,230 --> 00:35:35,440
HE WAS DRIVING ALONGOLD CLIFTON ROAD
835
00:35:35,440 --> 00:35:37,525
WHEN HIS TIRE BLEW OUT,
836
00:35:37,609 --> 00:35:39,485
CAUSING HIMTO CONTROL OF THE VEHICLE
837
00:35:39,526 --> 00:35:41,070
AND SKID OFF THE ROAD."
838
00:35:45,615 --> 00:35:49,118
"MR. MILLER ATTEMPTEDTO REMOVE THE FLAT TIRE..."
839
00:35:50,327 --> 00:35:54,164
"SUSTAINING SEVERAL LACERATIONSIN THE PROCESS.
840
00:35:54,248 --> 00:35:58,417
ULTIMATELY, HE DID MANAGETO TAKE OFF THE TIRE...
841
00:35:58,459 --> 00:35:59,710
BUT UNFORTUNATELY,
842
00:35:59,752 --> 00:36:03,505
THE SPAREWAS DAMAGED AND UNUSABLE."
843
00:36:04,297 --> 00:36:07,384
"AS IF THINGS COULDN'TGET ANY WORSE FOR MR. MILLER,
844
00:36:07,425 --> 00:36:08,343
ANY HOPES OF CALLING
845
00:36:08,343 --> 00:36:10,261
FOR A TAXIOR ROADSIDE ASSISTANCE
846
00:36:10,302 --> 00:36:14,097
WERE DASHED BYA DEAD CELL PHONE BATTERY."
847
00:36:17,433 --> 00:36:20,936
"AND SO, HE SAT ONTHE SIDE OF THE ROAD.
848
00:36:20,978 --> 00:36:23,480
FRUSTRATION TURNED TO DESPAIR,
849
00:36:23,522 --> 00:36:25,857
AND, BY THIS POINT,HE HAD ALL BUT GIVEN UP
850
00:36:25,940 --> 00:36:29,986
UNTIL A MAN NAMED LUCAS WESTOFFERED HIM A RIDE."
851
00:36:33,906 --> 00:36:35,323
"THE KINDNESS OF A STRANGER
852
00:36:35,407 --> 00:36:40,286
WAS THE LONE BRIGHT SPOTIN HIS OTHERWISE HORRIBLE DAY."
853
00:36:45,499 --> 00:36:47,584
THEN, MR. WESTDROPPED HIM OFF HERE,
854
00:36:47,626 --> 00:36:49,502
AND... AND YOU KNOW THE REST.
855
00:36:49,502 --> 00:36:51,421
NO. TROY, WE DON'T.
856
00:36:51,462 --> 00:36:52,630
HOW DID THE MAN DIE?
857
00:36:52,672 --> 00:36:53,756
IT WAS A HEART ATTACK.
858
00:36:53,798 --> 00:36:55,632
YOU SAYHE WAS FROM BOSTON?
859
00:36:55,674 --> 00:36:57,967
YEAH, HE WAS A WRITERFOR A BIG NATIONAL MAGAZINE
860
00:36:58,009 --> 00:36:59,678
HERE TO DO A PROFILEON THE ART WALK.
861
00:36:59,719 --> 00:37:02,180
SO HE WASN'T MURDERED,AND HE WASN'T A THIEF?
862
00:37:02,263 --> 00:37:03,639
NO.
863
00:37:03,681 --> 00:37:05,015
AND HE WASN'T HERETO MAKE TROUBLE.
864
00:37:05,057 --> 00:37:06,809
HE WAS HERE TO SHINE A LIGHT
865
00:37:06,850 --> 00:37:08,601
ON SOMETHING GOODABOUT OUR TOWN.
866
00:37:08,643 --> 00:37:09,894
AND I'VE BEEN AWFUL.
867
00:37:09,894 --> 00:37:12,146
I LET MY IMAGINATIONGET AWAY FROM ME.
868
00:37:12,188 --> 00:37:13,856
AND I KNOW I DID.UL.
869
00:37:13,898 --> 00:37:16,400
WE ALL DID.
870
00:37:18,359 --> 00:37:19,653
OH...
871
00:37:19,695 --> 00:37:21,196
WHO DID THAT?
872
00:37:21,237 --> 00:37:22,863
DON'T WORRYABOUT IT.
873
00:37:22,947 --> 00:37:24,490
I CAME TO FINISH IT.
874
00:37:24,532 --> 00:37:27,826
ERIC, IT WAS JUSTTAKING TOO LONG.
875
00:37:36,208 --> 00:37:37,793
WHERE DO I GET PAID?
876
00:37:37,876 --> 00:37:39,627
YOU CAN'T BE SERIOUS.
877
00:37:39,669 --> 00:37:41,796
LOOK, I KNOW I DIDN'T FINISH,
878
00:37:41,838 --> 00:37:44,006
BUT I STILL PUT INA LOT OF WORK HERE.
879
00:37:45,382 --> 00:37:47,968
THE CLERK'S OFFICE,SECOND FLOOR.
880
00:37:58,060 --> 00:37:59,936
I DON'T HAVEEXACT FIGURES YET,
881
00:38:00,020 --> 00:38:01,730
BUT I'M SURE WE HADMORE VISITORS
882
00:38:01,771 --> 00:38:02,689
THAN LAST YEAR'SART WALK,
883
00:38:02,731 --> 00:38:04,648
WITH AN INCREASEIN OVERALL SALES.
884
00:38:04,690 --> 00:38:06,442
YOU COORDINATINGAGAIN NEXT YEAR?
885
00:38:06,484 --> 00:38:07,276
MM, ABSOLUTELY!
886
00:38:07,318 --> 00:38:09,778
I WANT TO EXPANDON THIS YEAR'S SUCCESS.
887
00:38:09,862 --> 00:38:11,989
I TOLD YOUIT WOULD BE GREAT!
888
00:38:12,072 --> 00:38:14,699
AND YOU DIDA WONDERFUL JOB, SWEETHEART.
889
00:38:14,741 --> 00:38:17,159
I WANT YOU TO WRITE THAT DOWN--"SHE DID A WONDERFUL JOB."
890
00:38:17,243 --> 00:38:18,744
-YES.-EXCUSE ME.
891
00:38:18,785 --> 00:38:22,538
I JUST WISH I COULD SAYTHE SAME ABOUT YOUR SON.
892
00:38:22,581 --> 00:38:24,749
NOBODY HAS A BIGGERHEART THAN OLIVIA,
893
00:38:24,790 --> 00:38:25,666
AND I'M SORRY,
894
00:38:25,750 --> 00:38:26,584
BUT I CANNOT STAND
895
00:38:26,667 --> 00:38:29,419
TO SEE ANYBODY TAKEADVANTAGE OF HER.
896
00:38:31,755 --> 00:38:33,214
IT'S GREATSEEING SETH AGAIN.
897
00:38:33,256 --> 00:38:34,799
YEAH.
898
00:38:34,799 --> 00:38:37,801
I MEAN, WE JUST STARTEDDATING AGAIN.
899
00:38:37,885 --> 00:38:40,429
IT'S NOT SERIOUS.
900
00:38:41,346 --> 00:38:42,848
JUSTINE, I, UH...
901
00:38:42,931 --> 00:38:46,976
I KNOW THAT I HAVEN'T REALLYBEEN AROUND THAT MUCH FOR YOU.
902
00:38:47,018 --> 00:38:49,645
NO. YOU HAVEN'T.
903
00:38:50,271 --> 00:38:53,148
I JUST WANT YOU TO KNOWTHAT I'M GONNA TRY VERY HARD
904
00:38:53,231 --> 00:38:54,941
TO CHANGE THAT.
905
00:38:56,734 --> 00:38:58,611
I WANT TO BELIEVE YOU.
906
00:38:58,611 --> 00:39:00,613
I UNDERSTAND.
907
00:39:00,696 --> 00:39:02,614
I HAVE TO EARN YOUR TRUST FIRST.
908
00:39:03,907 --> 00:39:05,617
WHAT'D I TELL YOU?
909
00:39:05,700 --> 00:39:06,868
PEOPLE LOVED YOU!
910
00:39:06,910 --> 00:39:08,911
YOUR DISPLAYWAS A BIG HIT.
911
00:39:08,953 --> 00:39:11,455
SHE HAS BEENA GODSEND AT THE GALLERY.
912
00:39:11,497 --> 00:39:13,749
I FINALLY HAVESOMEONE THERE WHO KNOWS
913
00:39:13,791 --> 00:39:15,083
ALMOST AS MUCHABOUT ART AS I DO.
914
00:39:15,125 --> 00:39:17,460
SO, WHAT DO YOU THINK?
915
00:39:17,544 --> 00:39:19,461
YOU WANNA MAKE ITA PERMANENT POSITION?
916
00:39:19,503 --> 00:39:21,588
YOU MEAN COME WORK FOR YOUAT THE GALLERY?
917
00:39:21,630 --> 00:39:22,923
WELL, UNLESSYOU'RE COMMITTED
918
00:39:22,964 --> 00:39:24,340
TO YOUR WAITRESSINGCAREER AT MOON'S.
919
00:39:24,383 --> 00:39:26,885
GOODBYE, MOON'S!
920
00:39:26,968 --> 00:39:28,386
9:30, SHARP.
921
00:39:28,469 --> 00:39:29,720
OHH!
922
00:39:29,762 --> 00:39:31,639
CONGRATULATIONS,SWEETHEART. OH!
923
00:39:31,639 --> 00:39:32,639
THAT'S GREAT.
924
00:39:32,723 --> 00:39:35,309
UH, I'M JUST GONNATAKE THIS TO THE CAR.
925
00:39:35,309 --> 00:39:36,893
I'LL BE BACK.
926
00:39:40,438 --> 00:39:43,148
THANK YOU SO MUCH FORBEING HERE FOR HER.
927
00:39:43,190 --> 00:39:45,525
IT MAY NOTSEEM LIKE IT,
928
00:39:45,608 --> 00:39:49,821
BUT IT MEANSTHE WORLD TO HER.
929
00:40:16,677 --> 00:40:17,970
HEY. THERE YOU ARE.
930
00:40:18,011 --> 00:40:20,597
DIDN'T HEAR YOULEAVE THIS MORNING.
931
00:40:20,680 --> 00:40:24,475
YEAH, I WANTED TO GETAN EARLY START ON THE WANT ADS.
932
00:40:25,476 --> 00:40:26,893
ANYTHING GOOD?
933
00:40:26,935 --> 00:40:29,145
A FEW LEADS.
934
00:40:31,314 --> 00:40:33,441
GOOD.
935
00:40:50,247 --> 00:40:53,415
"COME TO THEMARINA A.S.A.P."
936
00:40:55,751 --> 00:40:57,836
I HEARD YOU DIDN'THAVE COURT TODAY.
937
00:40:57,878 --> 00:41:00,421
THOUGHT MAYBE WE COULDTRY THAT SAILING DATE.
938
00:41:00,505 --> 00:41:03,007
WHERE'S ERIC?
939
00:41:03,049 --> 00:41:04,842
LOOKING FOR A JOB.
940
00:41:04,884 --> 00:41:06,176
I HOPE.
941
00:41:07,136 --> 00:41:08,720
TODAY, HOWEVER,IS ALL ABOUT US.
942
00:41:08,803 --> 00:41:10,639
I GOT SANDWICHES FROM MOON'S,
943
00:41:10,680 --> 00:41:14,725
I'VE RENTEDTHIS ALARMINGLY LITTLE SAILBOAT,
944
00:41:14,767 --> 00:41:16,269
I'VE TAKENA FIST FULL OF DRAMAMINE.
945
00:41:16,352 --> 00:41:18,103
NOW ALL I NEEDIS AN INSTRUCTOR.
946
00:41:18,145 --> 00:41:19,604
WELL, I HAVE TO WARN YOU,
947
00:41:19,646 --> 00:41:21,856
I'M NOTTHE MOST EXPERIENCED SAILOR.
948
00:41:21,898 --> 00:41:24,400
SOMETHING COULDGO HORRIBLY WRONG.
949
00:41:24,400 --> 00:41:26,443
I SEE.
950
00:41:26,485 --> 00:41:29,280
SOMETHING COULDGO HORRIBLYWELL...
951
00:41:29,363 --> 00:41:31,823
IN THAT CASE...
952
00:41:31,907 --> 00:41:36,661
I CAN'T IMAGINE ANYONE I WOULDRATHER BE LOST AT SEA WITH.
953
00:41:39,914 --> 00:41:42,081
♪ YOU ARE MORE ♪
954
00:41:42,123 --> 00:41:47,378
♪ VALUABLE THAN DIAMONDSIN THE DEEP BLUE SEA ♪
955
00:41:47,420 --> 00:41:49,337
♪ YOU ARE MORE ♪
956
00:41:49,422 --> 00:41:54,091
♪ VALUABLE THAN GOLD ♪
957
00:41:54,091 --> 00:42:01,390
♪ HOLD ON ♪
65579
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