All language subtitles for Reeflex Pro Camera V3 - Everything New & How to Use It

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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:02,880 Exposure bracketing for maximum dynamic 2 00:00:02,880 --> 00:00:05,480 range. 3 00:00:05,520 --> 00:00:10,120 Focus stacking for deep depth of field. 4 00:00:10,400 --> 00:00:12,440 Burst mode to capture the perfect 5 00:00:12,440 --> 00:00:14,480 moment. 6 00:00:14,480 --> 00:00:16,760 These are just some of the standout 7 00:00:16,760 --> 00:00:18,880 features in the brand new version 3 8 00:00:18,880 --> 00:00:21,880 update to Reflex Pro Camera alongside a 9 00:00:21,880 --> 00:00:23,960 redesigned interface and major 10 00:00:23,960 --> 00:00:26,440 performance optimizations, making this 11 00:00:26,440 --> 00:00:28,720 the most complete camera app I've used 12 00:00:28,720 --> 00:00:30,320 on the iPhone. 13 00:00:30,320 --> 00:00:31,760 In this first look, I'll walk you 14 00:00:31,760 --> 00:00:33,560 through everything new and show you how 15 00:00:33,560 --> 00:00:35,600 to use it. Big thanks to Reflex for 16 00:00:35,600 --> 00:00:38,600 sponsoring this tutorial. Let's dive in. 17 00:00:38,600 --> 00:00:40,600 The first thing you'll notice in Reflex 18 00:00:40,600 --> 00:00:42,880 Pro Camera V3 is the redesigned 19 00:00:42,880 --> 00:00:44,800 interface and improved shooting 20 00:00:44,800 --> 00:00:47,360 experience. The histogram has been 21 00:00:47,360 --> 00:00:49,280 rebuilt and lets you switch between 22 00:00:49,280 --> 00:00:52,160 luminance and RGB with a tap. You can 23 00:00:52,160 --> 00:00:54,280 swipe down to reveal additional settings 24 00:00:54,280 --> 00:00:57,160 like flash, timer, framing guides, and a 25 00:00:57,160 --> 00:00:59,440 level meter and swipe up to hide them 26 00:00:59,440 --> 00:01:02,480 again. V3 also introduces an improved 27 00:01:02,480 --> 00:01:04,160 lens picker now with full support for 28 00:01:04,160 --> 00:01:07,200 virtual lenses like the 2x and 8x on the 29 00:01:07,200 --> 00:01:10,320 iPhone 17 Pro, taking you even closer to 30 00:01:10,320 --> 00:01:12,840 the action. The redesigned format picker 31 00:01:12,840 --> 00:01:16,040 provides fast access to HEIF, JPEG, Pro 32 00:01:16,040 --> 00:01:18,840 RAW, and RAW formats and there's also a 33 00:01:18,840 --> 00:01:21,040 brand new focus loop which can be 34 00:01:21,040 --> 00:01:23,440 dragged over your point of interest for 35 00:01:23,440 --> 00:01:26,520 precise manual focus and used alongside 36 00:01:26,520 --> 00:01:29,560 focus peaking for even greater accuracy. 37 00:01:29,560 --> 00:01:31,240 The next thing that you'll notice in 38 00:01:31,240 --> 00:01:34,040 version 3 of Reflex Pro Camera is just 39 00:01:34,040 --> 00:01:35,800 how much faster it is when taking a 40 00:01:35,800 --> 00:01:38,440 photo. The entire capture pipeline has 41 00:01:38,440 --> 00:01:40,880 been optimized to deliver near zero 42 00:01:40,880 --> 00:01:43,160 shutter lag for an incredibly responsive 43 00:01:43,160 --> 00:01:45,640 experience. Version 3 doesn't just 44 00:01:45,640 --> 00:01:48,120 improve single shot performance. It also 45 00:01:48,120 --> 00:01:50,560 adds high-speed burst capture. Just 46 00:01:50,560 --> 00:01:52,320 press and hold the shutter and you'll 47 00:01:52,320 --> 00:01:54,320 see your burst count increase in real 48 00:01:54,320 --> 00:01:57,000 time over the gallery. And if we swipe 49 00:01:57,000 --> 00:01:58,920 down from the top of the interface into 50 00:01:58,920 --> 00:02:01,640 settings, camera settings, there's a 51 00:02:01,640 --> 00:02:04,280 brand new burst on tap mode. This lets 52 00:02:04,280 --> 00:02:06,240 you define exactly how many photos are 53 00:02:06,240 --> 00:02:08,759 captured with a single press, anywhere 54 00:02:08,759 --> 00:02:12,000 from two to 20 images. Once enabled, a 55 00:02:12,000 --> 00:02:14,960 single tap or even a volume button press 56 00:02:14,960 --> 00:02:17,440 fires off a full burst instantly. No 57 00:02:17,440 --> 00:02:19,840 need to hold down the shutter. Enabling 58 00:02:19,840 --> 00:02:21,800 aggregate burst shots will group these 59 00:02:21,800 --> 00:02:23,920 images together in both the Reflex 60 00:02:23,920 --> 00:02:26,440 Gallery and the Photos app, making it 61 00:02:26,440 --> 00:02:28,800 easy to scrub through your sequence and 62 00:02:28,800 --> 00:02:30,800 pick the best frame without cluttering 63 00:02:30,800 --> 00:02:33,120 your library. Now we get to one of the 64 00:02:33,120 --> 00:02:36,200 most powerful new features in version 3, 65 00:02:36,200 --> 00:02:38,560 exposure bracketing. This allows you to 66 00:02:38,560 --> 00:02:40,760 capture multiple images at different 67 00:02:40,760 --> 00:02:42,840 exposure values, one under your base 68 00:02:42,840 --> 00:02:45,800 exposure and one over. So you can merge 69 00:02:45,800 --> 00:02:47,920 them later to recover highlight and 70 00:02:47,920 --> 00:02:50,280 shadow detail for increased dynamic 71 00:02:50,280 --> 00:02:52,720 range and cleaner shadows. For best 72 00:02:52,720 --> 00:02:55,120 results, you'll want to use a tripod. 73 00:02:55,120 --> 00:02:57,160 Set your base exposure, then tap the 74 00:02:57,160 --> 00:02:59,320 exposure bracketing button and choose 75 00:02:59,320 --> 00:03:01,920 your range, anywhere from half a stop to 76 00:03:01,920 --> 00:03:04,760 four stops under and over. Press the 77 00:03:04,760 --> 00:03:06,600 shutter button and the app captures the 78 00:03:06,600 --> 00:03:09,320 three shot sequence in rapid succession. 79 00:03:09,320 --> 00:03:12,160 In-app HDR merging is coming in a future 80 00:03:12,160 --> 00:03:14,480 update, but for now you can merge these 81 00:03:14,480 --> 00:03:17,320 in apps like Lightroom and Photoshop. In 82 00:03:17,320 --> 00:03:19,600 Lightroom, select your images, right 83 00:03:19,600 --> 00:03:23,640 click, choose photo merge, HDR merge, 84 00:03:23,640 --> 00:03:26,680 enable auto align, and hit merge. 85 00:03:26,680 --> 00:03:28,960 Lightroom combines the shadow detail 86 00:03:28,960 --> 00:03:30,760 from your brighter exposure with the 87 00:03:30,760 --> 00:03:32,640 highlight detail from your darker 88 00:03:32,640 --> 00:03:35,280 exposure with your base exposure, 89 00:03:35,280 --> 00:03:38,080 resulting in increased dynamic range and 90 00:03:38,080 --> 00:03:40,920 much cleaner shadows. Reflex Pro Camera 91 00:03:40,920 --> 00:03:43,600 version 3 also adds support for focus 92 00:03:43,600 --> 00:03:46,360 stacking. Instead of varying exposure, 93 00:03:46,360 --> 00:03:48,320 this incredibly powerful feature 94 00:03:48,320 --> 00:03:50,880 captures multiple images at different 95 00:03:50,880 --> 00:03:53,720 focus distances, ideal for macro or 96 00:03:53,720 --> 00:03:55,920 scenes where you need extended depth of 97 00:03:55,920 --> 00:03:58,200 field. Again, you'll want to use a 98 00:03:58,200 --> 00:04:00,840 tripod. First, identify your starting 99 00:04:00,840 --> 00:04:03,160 focus value and then your end focus 100 00:04:03,160 --> 00:04:05,800 value. Then tap the focus stacking 101 00:04:05,800 --> 00:04:08,440 button. Set your starting focus value 102 00:04:08,440 --> 00:04:10,680 and your end focus value by dragging the 103 00:04:10,680 --> 00:04:13,400 start and end points on the slider, then 104 00:04:13,400 --> 00:04:15,120 specify the number of photos you want 105 00:04:15,120 --> 00:04:17,680 Reflex Pro Camera to take between these 106 00:04:17,680 --> 00:04:20,280 two points. If you're shooting macro 107 00:04:20,280 --> 00:04:22,680 like I am with the Reflex 10x macro 108 00:04:22,680 --> 00:04:25,560 lens, use a timer to avoid introducing 109 00:04:25,560 --> 00:04:27,680 shake when pressing the shutter button. 110 00:04:27,680 --> 00:04:29,880 Once triggered, the app automatically 111 00:04:29,880 --> 00:04:32,240 sweeps through the focus range and 112 00:04:32,240 --> 00:04:34,760 captures your sequence. In-app merging 113 00:04:34,760 --> 00:04:36,560 is coming in a future update, but for 114 00:04:36,560 --> 00:04:39,040 now you can stack images in Photoshop 115 00:04:39,040 --> 00:04:41,560 using auto align followed by the auto 116 00:04:41,560 --> 00:04:44,273 blend feature. 117 00:04:44,273 --> 00:04:46,293 >> [music] 118 00:04:51,478 --> 00:04:51,920 [music] 119 00:04:51,920 --> 00:04:54,080 >> For even better results, I recommend 120 00:04:54,080 --> 00:04:57,360 Helicon Focus on Mac and Windows. Just 121 00:04:57,360 --> 00:04:59,960 import your sequence and hit render. 122 00:04:59,960 --> 00:05:02,960 Then Helicon can export a merged DNG 123 00:05:02,960 --> 00:05:04,720 file for you, giving you full 124 00:05:04,720 --> 00:05:07,400 flexibility when grading your image. And 125 00:05:07,400 --> 00:05:09,760 when you compare a stacked image to a 126 00:05:09,760 --> 00:05:12,080 single shot, the difference is obvious, 127 00:05:12,080 --> 00:05:14,680 especially in macro where depth of field 128 00:05:14,680 --> 00:05:18,120 is extremely shallow. 129 00:05:20,640 --> 00:05:23,200 One of my favorite features carried over 130 00:05:23,200 --> 00:05:25,520 from the previous version of Reflex Pro 131 00:05:25,520 --> 00:05:28,280 Camera is slow shutter mode. Now with a 132 00:05:28,280 --> 00:05:30,760 much improved interface, this simulates 133 00:05:30,760 --> 00:05:33,120 a long exposure photography, allowing 134 00:05:33,120 --> 00:05:34,960 you to create motion blur and light 135 00:05:34,960 --> 00:05:37,240 trail effects without needing physical 136 00:05:37,240 --> 00:05:40,520 ND filters. Tap the slow shutter button, 137 00:05:40,520 --> 00:05:42,840 choose between motion blur or light 138 00:05:42,840 --> 00:05:45,920 trails, then set your duration. Motion 139 00:05:45,920 --> 00:05:47,640 blur is great for smoothing water for 140 00:05:47,640 --> 00:05:50,428 that classic glassy smooth effect 141 00:05:50,428 --> 00:05:51,720 >> [music] 142 00:05:51,720 --> 00:05:55,014 >> or removing subjects from a scene. 143 00:05:55,014 --> 00:05:57,034 >> [music] 144 00:05:57,080 --> 00:05:59,000 >> Light trails is perfect for cars, 145 00:05:59,000 --> 00:06:00,909 fireworks, or any moving light source. 146 00:06:00,909 --> 00:06:02,929 [music] 147 00:06:04,480 --> 00:06:06,600 As you can see, Reflex Pro Camera 148 00:06:06,600 --> 00:06:09,040 version 3 is a major leap forward for 149 00:06:09,040 --> 00:06:11,440 professional photography on iPhone. With 150 00:06:11,440 --> 00:06:13,440 features like burst capture, exposure 151 00:06:13,440 --> 00:06:15,880 bracketing, and focus stacking, virtual 152 00:06:15,880 --> 00:06:18,360 lens support, and near zero shutter lag, 153 00:06:18,360 --> 00:06:20,600 alongside advanced manual controls and 154 00:06:20,600 --> 00:06:22,400 pro formats, it's one of the most 155 00:06:22,400 --> 00:06:25,520 capable camera apps available right now. 156 00:06:25,520 --> 00:06:28,040 And when paired with Reflex lenses, the 157 00:06:28,040 --> 00:06:30,840 results are genuinely impressive. Check 158 00:06:30,840 --> 00:06:32,680 the link in the comments to download the 159 00:06:32,680 --> 00:06:34,680 app. If you've got any questions, drop 160 00:06:34,680 --> 00:06:36,720 them below. Thanks for watching. I'll 161 00:06:36,720 --> 00:06:40,209 see you in the next one. Bye. 162 00:06:40,209 --> 00:06:42,229 >> [music]11442

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