Original subtitles

[instrumental music]

[jazz music]

[music continues]

[music continues]

♪ Some guys fall

in love with one girl ♪

♪ I've got to fall for two ♪

♪ There's just so much lovin' ♪

♪ That one heart's

supposed to do ♪

♪ So I go around

with my heart ♪

♪ Draggin' on the ground ♪

♪ Doggin' me around ♪

♪ I'm the sorriest sight

in town ♪

♪ I got double trouble ♪

♪ I got double trouble ♪

♪ I got double trouble ♪

- ♪ Twice as much - As anybody else ♪

♪ Oh yeah ♪

♪ Oh ♪

- ♪ I guess there's got to be - Two dark clouds ♪

♪ Hangin' over me ♪

♪ My future looks

as bumpy as ♪

♪ A matchbox on the sea ♪

♪ Every time I think that

I have finally got it made ♪

♪ Some losin' cards

are played ♪

♪ I just can't

make the grade ♪

♪ I got double trouble ♪

♪ I got double trouble ♪

♪ I got double trouble ♪

- ♪ Twice as much - As anybody else ♪

♪ Oh yeah ♪

♪ Oh ♪

♪ I got double trouble ♪

♪ I got double trouble ♪

♪ I got double trouble ♪

♪ Twice as much

as anybody else oh yeah ♪

♪ Oh ♪

♪ Oh ♪

♪ Oh ♪♪

[applause]

Okay. You're on, girls.

(in unison)

us for Belgium, Guy?

Is it true you're leaving

- Yep. - Leaving tomorrow night.

(in unison)

Aw, boo-hoo.

"Boo-hoo?"

- That's a good title - For a song.

[upbeat music]

Do you happen

to have a light?

- Is there anything else - I can do for you?

- You can sit down.

- Thank you.

- You've been here - Before, Miss, uh..

Claire. Claire Dunham.

- I've been here every night - Since you opened.

But you've haven't

seen me before until now.

I can't understand that.

Perhaps you've been too busy

with that pretty little

girlfriend of yours.

Oh, there's nothing wrong

with your eyesight, is there?

Are you in love with her?

Would it break your heart?

Oh.

Shatter it to pieces.

And look

- there isn't an ounce - Of sympathy in your eyes.

There isn't an ounce

of sincerity in yours.

Guy?

Psst.

[music continues]

- You gonna stay around - For a while?

Of course.

She may not turn up tonight.

Your lighter.

Thank you.

What do you want?

Must be the maternal instinct.

- What? - That you bring out in chicks.

- Little mothers can't - Seem to leave you alone.

- What are you complaining - About? You're married.

- That's what - I'm complaining about.

- Look, Georgie, if you don't - Pop the big question

they can't give the big answer.

Well, it can't be that easy.

I never proposed,

yet I've got a wife

and three kids

and a grabbin' ulcer.

Maybe she won't turn up.

Who, Jill?

Whatever her name is.

That's the only name I know.

- I can't get a thing - Out of her.

- Or anywhere with her.

- Drink your milk, will ya?

She's holding out for that

little ring on her finger

and the one in your nose.

- It won't be long now, - My friend.

- I see an ulcer - In your future.

- Look, pal, - When we get to Bruges

I'll still be

as free as a bird.

A canary's a bird.

So?

- Ever see one - That wasn't locked up?

Tweet-tweet.

Let's go to work, partner.

[instrumental music]

Hi.

Thank you.

[rock 'n' roll music]

- ♪ I'll send you red roses - By the dozen ♪

♪ Doo doo do do ♪

- ♪ I'll call you sweet little - Things like turtle dove ♪

♪ Doo doo do do ♪

- ♪ I'll whisper pretty things - In your ear ♪

- ♪ The kind of things - A girl likes to hear ♪

♪ Baby if you'll

give me all your love ♪

- ♪ I'll bring you pounds - And pounds of chocolate candy ♪

♪ Doo doo do do ♪

- ♪ To prove it's you - That I've been thinkin' of ♪

♪ Doo doo do do ♪

♪ Tear up all

the pictures I own ♪

- ♪ Of every pretty girl - I've ever known ♪

♪ Baby if you'll give me

all your love ♪

♪ I'll take you

dancin' every night ♪

♪ Until you're ready to drop ♪

- ♪ I'll kiss - Your sweet red cherry lips ♪

♪ Until you holler stop ♪

- ♪ Every night I'll serenade you - 'Neath your window ♪

♪ Doo doo do do ♪

- ♪ If you need me - Just a-whistle ♪

♪ And I won't need a shove ♪

♪ Doo doo do do ♪

- ♪ I'll hug you - Squeeze you tight as I can ♪

♪ It ain't gonna be

no one-night stand ♪

♪ Baby if you'll

give me all your love ♪

- ♪ I'll take you - Dancin' every night ♪

♪ Until you're

ready to drop ♪

- ♪ I'll kiss - Your sweet red cherry lips ♪

♪ Until you holler stop ♪

- ♪ Every night I'll serenade you - 'Neath your window ♪

♪ Doo doo do do ♪

- ♪ If you need me - Just a-whistle ♪

♪ And I won't need a shove ♪

♪ Doo doo do do ♪

- ♪ I'll hug you - Squeeze you tight as I can ♪

♪ It ain't gonna be

no one-night stand ♪

♪ Baby if you'll

give me all your love ♪

♪ Baby if you'll

give me all your love ♪

[drum roll]

♪ If you will give me ♪

♪ If you will give me yeah ♪

♪ All your love ♪

♪ Your love ♪♪

[applause]

- Hi. - Hello.

- You're very pretty.

- Thank you.

- Why don't we do something - Different tonight?

We've never done anything.

- I was wondering - If you noticed that.

I noticed.

- Well, this is my last night - Here.

Do we make the most of it

or, uh, do you disappear,

as usual?

- I suppose if anything's - To become of us

it'll have to be tonight.

That's exactly the way I feel.

- But you've had so many women - In your life.

- I haven't looked - At another woman

- since the first night - You came into the club.

But they're still

looking at you.

I don't even know her.

- Goodnight.

- Goodnight.

Who is she?

A music lover.

That's nice.

You are beautiful.

- And you're the most wonderful - Thing in my life.

Come on.

- I'm gonna put you in a cab - And send you straight home.

Home? But I don't

want to go home.

I want to go with you

to your flat.

I tried.

[instrumental music]

[steam hissing]

- And so after mummy - And daddy died

- I went to live - With Uncle Gerald.

He has a lovely home

in the country

'and he lived all by himself.'

'He's been looking

after me ever since.'

You'd love Uncle Gerald, Guy.

Oh, I'm sure I would.

He's a lamb. Oops.

- You don't mind me tidying up - For you, do you?

Not a bit.

- I love doing things - For you.

[kettle whistling]

Oops.

Tea's ready.

- Do you take milk - In your tea?

No milk in the tea.

Have you any bikkies?

"Bikkies?"

Well, not that I know of.

Biscuits, silly.

No bikkies... silly.

Oh, dear

I suppose I'm chattering away

'but this is the first time'

- 'we've really had - A chance to talk.'

And talk and talk and talk.

- Guy?

- Yes?

- Would you put something - On the record player?

What a time to dance.

Why not?

[soft music]

Okay, there's something

on the record player.

There we are.

Oh, I forgot the sugar.

- Jill, you're fluttering - Around like a butterfly.

- Why don't you light somewhere, - Baby, like here?

Oh.

Ain't that better?

Don't you just love us

like this?

You all cozy and relaxed

and me pouring your tea..

and doing things for you.

- You could do a lot more - If you just settle...

Let me prop those pillows up.

I don't want them propped up.

There. Comfy? Cozy?

Comfy, cozy.

Better?

Jill, hold still

just for a minute.

- What for? - For this.

Oh, Guy, our first kiss.

I knew it would be like that..

All shivers and goosebumps.

- One or two?

- What?

Lumps in your tea, silly.

- Four hundred and eighteen. - I couldn't care less.

- You know, it's marvelous - Being here with you.

- I can't believe - This is happening.

I can't believe it either.

- Guy? - Yes?

Would you kiss me again?

Are you sure I wouldn't be,

uh, interrupting anything?

I'm sure.

Oh, isn't that lovely?

It could have been.

The music. The song.

Don't you remember, darling?

You said it was our song.

I did?

I did.

Sing it to me.

- Sing at a time like this? - Please.

You've no idea

what your singing does to me.

Oh.

Oh!

♪ Could I fall in love ♪

♪ For the very first time? ♪

♪ That's what I asked myself ♪

♪ When your lips touched mine ♪

♪ Could I fall in love ♪

♪ On a night like tonight? ♪

♪ That's what I'd like to know ♪

♪ When I hold you tight ♪

♪ Ahh ♪

♪ Now that we're alone ♪

♪ Now that we're alone ♪

♪ Just a kiss apart ♪

♪ Just a kiss apart ♪

♪ I have the answer ♪

♪ From the feeling in my heart ♪

♪ Could I fall in love ♪

♪ And forever be true? ♪

♪ My heart tells me I could ♪

♪ If I fell for you ♪♪

Well, Jill?

Jill?

Jill!

Oh, I must have dozed off.

You did.

Oh, Guy, I do love you.

Aren't you going to say it back?

Sure.

Say it, Guy.

Okay. I love you.

I'm crazy about you.

- I'm nuts about you. - I'm mad about you.

Absolutely mad about you.

I just sat on the tea service.

Yes, I know.

Cups of hot tea

spilling all over.

Yes, I know.

- It won't take - A minute to change.

[giggling]

[door closes]

Guy, it's terribly late.

- (Guy) - 'I won't be long.'

I'm copying down

your telephone number.

'Help yourself.'

- Then I'll give you a ring - Tomorrow, alright?

'Anytime.'

I love you.

"I'll ring you up

tomorrow, alright?"

That's what you think.

If I never see you again,

it'll be too soon for me.

[doorbell buzzes]

[buzzing continues]

Mm-hmm.

[switch clicks]

[crashing]

"B-6?" I do believe

I've made a mistake.

Ah, well.

- From the looks of him, - He probably deserved it anyway.

[telephone ringing]

[ringing continues]

[clattering]

[instrumental music]

- (man over telephone) - 'Hello.'

'Hello.'

Hello?

Hello. Are you there?

Yeah, I'm here.

Where are you?

'Hello? Hello?'

- Hello? - Uh, Mr. Lambert?

- 'Yes.'

- This is Gerald Waverly.

- Does my name - Mean anything to you?

Not a thing.

- Well, then apparently, I've been - As much of a secret to you

as you've been to me.

Jillian Conway is my niece.

Jillian Conway?

I don't know a..

Jill?

Then you must be Uncle Gerald.

Well, I bear

that distinction, yes.

Mr. Lambert, I think it's, uh,

I think it's high time we met.

'I agree.'

This afternoon, then?

311, Surrey Road,

St. John's Wood.

Around twoish?

Around twoish.

'Goodbye, Mr. Lambert.'

Goodbye.

[instrumental music]

Very nice.

It's a Constable.

Yeah, I know.

How did you know?

Well, it's written right

here on the bottom.

- Well, do sit down, - Mr. Lambert.

Would you like some tea?

No, thanks.

Where's Jill?

- She's here, - But she doesn't know you are.

- Would you mind telling her - I'm here?

You're an entertainer,

I believe.

- Rather an uncertain life, - I should think.

I mean, it's not like

steady employment, is it?

Well, we're not all on relief.

I assure you, it wasn't

my intention to offend you.

- Oh, I'm not offended. - I'm just in a hurry.

- I don't want to lose - My place in the bread line.

Did you, um,

did you have it in mind

to marry my niece,

Mr. Lambert?

- It's been nice, Mr. Waverly. - I can find my own way out.

Just a minute, please.

Look, I'm over 21.

No criminal record.

No hint of insanity.

If I wanna marry your niece

- forgive me if I don't - Consult you first.

Has Jillian told you

about her inheritance?

No. We had other things

to talk about.

- Knowing her as I do, - I think I can safely assume

she's told you nothing

about herself at all

- other than the fact - She fancies herself

in love with you of course.

- Well, sometimes that's all - One needs to know.

Perhaps, but not in this case.

- (Jillian) - 'Uncle Gerald?'

- (Gerald) - 'In here, Jillian.'

Uncle Gerald, I..

Guy..

If you'll excuse me.

You're puttin' me on.

You're not putting me on.

- It looks worse - Than it is, Guy.

I'll be 18 in four days.

Happy birthday.

I'll send you a card.

- You didn't think - I was a child last night.

You didn't look

like that last night.

- Then all that's changed - Are my clothes.

I'm still the same girl.

I'm not the same fella.

- I love you, Guy.

- Love?

- What could you know - About love?

[sobbing]

Here.

Look, this is where you belong.

In houses like this,

with Uncle Gerald

and Constable over there.

Can't I even call you?

No. I'm taking the boat train

to Belgium tonight.

Oh, Guy.

Oh, leaving so soon,

Mr. Lambert?

- Well, with your permission, - Of course.

- How long have you been - Spying on me, Uncle Gerald?

Spying?

How else could you

have known about Guy?

And I trusted you.

- I trusted you, - Until I discovered

- you were slipping out - At night

- when you should - Have been asleep.

You needn't make it

sound so sordid.

I want to marry him.

Marriage..

You're only 17.

Ooh, how I hate that number.

- Well, in four more days, - I'll be 18.

- Well, being 18 - Still isn't old enough

to marry without my consent.

You're too young to even

contemplate such a thing.

However, a few more years

- of the proper schooling - Should help.

- School?

- It's all arranged.

I have your ticket right here.

You're shipping me off

like some convict

to Devil's Island.

- Well, actually, it could be - A wonderful experience for you.

- Brussels should be lovely - This time of year.

Brussels?

Brussels is in Belgium,

isn't it, Uncle Gerald?

Unless they've moved it, yes.

- 'You'll take - The boat train tonight.'

Yes, Uncle Gerald.

[foghorn blaring]

[blaring continues]

[yelling]

Georgie!

Georgie!

What are you doing out there?

- I'm trying to turn - The ship around!

- Oh, I thought - You had an accident.

Pull me in!

[crowd laughs]

- Oh, Mr. Million Laughs, - Right?

[laughs]

- I oughta shove that smile - Right down your throat.

[both chuckles]

It's just not my day.

It ain't your night, either.

I just saw Jill on the boat.

Oh, you're crazy.

She couldn't be.

Or could she?

[foghorn blaring]

Jill!

[horn blaring]

Jill!

Oh, I'm sorry about that.

Time is running out, Archie.

- I still don't like it, Arthur. - Too risky.

Risky, yes.

But not for us.

- We pick on a likely - Looking suitcase

and let somebody else

carry it through customs.

Alright. Give it a go,

but be careful.

Careful, right.

Say, I'm terribly sorry,

gentlemen.

Not like that,

you silly twit.

- Casual. - Casual.

[sighs]

[foghorn blaring]

- Actually, this is a holiday - For me

with a little work thrown in.

- I'm doing a thesis - On the historical backgrounds

of certain European cities.

How interesting.

- So I noticed.

- Oh, I'm sorry.

- Would you like me - To help you look for him?

It's no use.

I've been over this boat

from top to bottom.

- I'll catch up with him - In Bruges anyway.

Is that where you're going?

- Yes. We're going - To be married.

Well, congratulations.

Thank you.

[foghorn blaring]

Georgie? Georgie!

Not a sign of her.

Are you sure

it was Jill you saw?

Positive.

Okay, let's set up.

- Have a heart, Guy. - I don't feel like playin'.

- You got something - Better to do?

- Yeah. I'm going - To the railing.

- Wait a minute. - First we play.

- If Jill's onboard, - She'll find us.

And then what?

- Then we'll both go - To the railing.

[whistling]

Oh, sorry, governor.

[whistling]

[crashing]

Casual, you nit.

But that's barbaric.

Uncivilized.

- [chuckles] - I agree.

- Nevertheless, - Without parental consent

- you can forget about - Being married in Belgium

until you're 21, anyway.

That's downright immoral.

Too bad you're not

going to Stockholm.

Stockholm?

- Sweden's lovely - This time of year

- particularly - For an 18-year-old girl

with marriage on her mind.

Oh.

[rock 'n' roll music]

- That's him! - Who?

- Him! - Oh.

Excuse me.

- Thank you. - Thanks for everything.

Alright!

♪ I been thumbing rides

traveling light ♪

♪ Walking streets

till past midnight ♪

♪ Trampin' roads

trails and lanes ♪

- ♪ Scaling cliffs - And fields and plains ♪

- ♪ Searching - Till the early dawn ♪

- ♪ For that long-legged girl - With the short dress on ♪

♪ Riding trucks

bikes and skis ♪

♪ Sailing lakes

and brooks and seas ♪

♪ Driving wagons

cars and jeeps ♪

♪ Walking stilts

in ten-foot leaps ♪

- ♪ Searching - Till the early dawn ♪

- ♪ For that long-legged girl - With the short dress on ♪

- ♪ And everywhere I go - She has been and gone ♪

♪ She's fine ♪

- ♪ Just too bad - She's the traveling kind ♪

♪ So fine ♪

- ♪ I just can't rest - Till I make her mine ♪

♪ I been from Maine

to Tennessee ♪

♪ Mexico and Waikiki ♪

♪ Rain or shine

sleet or snow ♪

- ♪ I'm searching high - And I'm searching low ♪

♪ Everything depends upon ♪

- ♪ That long-legged girl - With the short dress on ♪

♪ She's fine ♪

- ♪ Just too bad - She's the traveling kind ♪

♪ So fine ♪

- ♪ I just can't rest - Till I make her mine ♪

♪ Well I been from Maine

to Tennessee ♪

♪ Mexico and Waikiki ♪

♪ Rain or shine

sleet or snow ♪

- ♪ Searching high - And I'm searching low ♪

- ♪ 'Cause everything - Depends upon ♪

♪ Oh that long-legged girl

with the short dress on ♪

- ♪ The long-legged girl - With the short dress on ♪♪

[applause]

Guy!

- School's out.

- Huh?

You just rang the bell.

You were right.

- I thought we settled - Everything this afternoon.

We did.

- Well, then, - What are you doin' here?

- I happen to be - On my way to Brussels.

To Brussels? Not Bruges?

- Would you like - To see my ticket?

No, never mind.

- You might at least say - You're glad to see me.

Okay, I'm glad to see you.

Friends?

- Are you sure you're - Going to Brussels?

Mm-hmm.

Friends.

[dramatic music]

[thudding]

[indistinct yelling]

It's okay. It's okay.

It was just an accident.

Some accident.

- You could get - Killed around here.

Yeah. I think somebody's

trying to tell me something.

You better get out of here.

Come on, Jill.

I better get out of here.

- Which one's yours? - Uh, this one.

- Sorry, miss. - I'm sorry.

- [announcer speaking - In French on PA]

'Have your passports

ready, please.'

'Have your passports

ready, please.'

[speaking in French]

I say, what is this?

Unhand me, sir!

How dare you?

[speaking in French]

- 'Passengers, - Please claim your baggage'

'before leaving the terminal.'

- It's shocking, the indignities - A man must suffer.

- Speaking of indignities, - Arthur

you'd better finish dressing.

Well, I guess, it's about..

Well..

Well, watch out

for falling trunks.

Yeah.

Travel light.

[dramatic music]

[woman screaming]

Jill, are you alright?

- [sighs] - Yes.

Something's forever

coming between us.

Yeah.

Uh, you better

get a move on.

- You don't wanna miss - Your train to Brussels.

- And you don't want to miss - Your bus to..

- To Bruges.

- Oh, yes, Bruges.

(announcer on PA)

for the bus to Bruges.'

'Last call

'Last call.'

'The next bus

leaves in two hours.'

Can you see him?

Can I see him?

You great steaming nit.

Disappeared into thin air.

[screams]

[jazz music]

♪ When shadows beckon ♪

♪ On dim-lit avenues ♪

♪ Night people hear the call ♪

♪ From hidden alleys ♪

♪ And secret rendezvous ♪

♪ They come out

one and all ♪

♪ The city by night ♪

♪ I'm wide awake ♪

♪ It never sleeps ♪

♪ Make no mistake ♪

♪ Whatever sets off the spark ♪

♪ A magic glow lights the dark ♪

♪ And I'm intrigued

by the sight ♪

♪ Of the city by night ♪

♪ All those crowded

nightclubs ♪

♪ Those picturesque cafes ♪

♪ Are scenes no one forgets ♪

♪ And I'm enchanted ♪

♪ As music softly plays ♪

♪ By dancing silhouettes ♪

♪ The city by night ♪

♪ I'm wide awake ♪

♪ It never sleeps ♪

♪ Make no mistake ♪

♪ The evening's

full of surprise ♪

♪ Its magic opens my eyes ♪

♪ And I'm intrigued

by the sight ♪

♪ Of the city by night ♪

♪ Yeah ♪♪

[audience applauding]

I thought I was,

uh, rather good tonight.

Tell the boys to wrap it up.

Wrap it up, boys.

You okay?

I don't know.

- I keep thinking - About the trunk

the gate opening,

and now the baggage cart.

Coincidence.

Just freaky accidents.

- Well, then why do I feel - Like I'm being followed?

If mine eyes

don't deceive me

I'd say that face over there

was rather familiar.

Wrap it up.

Hello again.

Hi.

- You must like to travel - To come all this way

for a one-night stand.

I hope you're referring

to your itinerary.

Uh, we play Antwerp tomorrow.

Is that an invitation?

Well, look who's here.

[sighs]

Bag and baggage.

Excuse me.

What are you doing here?

What's she doing here?

Wait a minute.

- I thought you'd - Be glad to see me

but, oh, no.

- You're doing fine.

- I was.

Music lover.

- Let's go. - Where to?

To my hotel.

Oh, super.

Look, we can't talk here.

- I'm going to straighten - This thing out once and for all.

Super-duper.

- [exhales sharply] - Come on.

[tires screeching]

[screams]

- Guy, darling, - Are you alright?

- Why don't you watch where - You're going, you crazy idiot!

- (Jillian) - 'Guy.'

- You don't scare me! - Not even that much!

[tires screeching]

[engine revving]

[chuckles]

Come on.

[engine revving]

[yells]

Shh.

[footsteps approaching]

[door opening]

- (Guy) - 'Running away from school..'

You should know better.

You're old enough.

- No, you're not. - That's just it.

You're too young.

- Uncle Gerald shouldn't - Send you away like that

by yourself at your age.

- Now sit down!

- I am down.

Get off that bed.

Get off the bed!

Put your shoes back on.

Put your shoes back on!

My feet hurt.

- [mimicking] - "My feet hurt."

Phew.

Okay, so you had a beef

with Uncle Gerald

and you ran away.

- Well, there's nothing - Unusual about that.

- When I was a kid, I was always - In trouble with my folks.

Were you, really?

Sure.

Running away doesn't

solve anything.

- Of course, when you're older, - You'll understand that.

Yeah.

You'll, uh..

The smart thing to do

is to call Uncle Gerald.

Put that down.

- You're flitting around - Like a butterfly.

Why not light somewhere,

baby? Like here.

- I brought you up here - To talk.

And talk and talk and talk.

Get off my bed.

- Don't you realize you're alone - With a man in his hotel room?

Mm-hmm. I love you.

No, you don't.

And you love me.

No, I don't.

- Can't you hold still - For a minute?

For what?

For this.

[instrumental music]

That drink

you were holding..

- Yes, I know.

- You spilled it.

Yes, I know.

Won't take me

a minute to change.

It's in there?

Maybe she better not.

[snoring]

[instrumental music]

Like it?

Seventeen.

Seventeen will get me 20.

Oh, that's bad.

T-t-that's bad.

That's very bad.

Very..

- Y-y-you don't know - What you're doing.

Well, what I don't know

you can teach me.

Some schoolgirl.

She must major in hygiene.

- I need some air. - Oh, we'll open a window.

[indistinct]

[horn blares]

Shh!

Eighteen in three days?

In two days now.

Imagine that. Time flies.

- Nope. No, you don't. - But, but, darling!

Don't "but, darling" me.

- I'm sending you home - To Uncle Gerald tonight.

You said you loved me.

You say a lot of things

when you're trying to..

- [sighs] - Well, you know!

- Do you say it to all the girls - You're trying to..

- You know? - No.

- No? - Look.

You're going home tonight,

and that's that.

Alright. The worst

he can do is beat me again.

Sure, the worst

he can do is beat you.

Beat you?

Uncle Gerald?

Oh, don't worry.

He's very careful.

The bruises never show.

The man's a fink!

I don't mind the pain, really

- but I dread being locked - In my room for days at a time.

I get so hungry.

- Well, don't just stand there. - Put your clothes on.

You're sending me back!

- To that bluebeard? - Fat chance.

Oh, I am glad.

- I'm taking you - To that school.

Oh, no!

- Oh, Guy, - Please take me with you.

Take you with me?

There's been too many weird

things happening to me lately.

- Just till Stockholm, - Please?

Stockholm?

That's three days away!

- Look, do you realize - I'm in big trouble already?

I won't be in the way.

- I'll do whatever you tell me. - I promise.

And once we've reached Sweden..

- Well, everything - Will be fine in Sweden.

- What will be so fine - In Sweden?

Well, uh, I have this

dear sweet old maiden aunt

in Stockholm to look after me.

Old maiden aunt?

Aunt Harriet.

She looks just like me.

- Okay. - Well, just till Stockholm.

- Not one step further.

- Oh, darling!

- And no more - Of that darling stuff.

No more of that darling stuff.

- If you wanna travel with me - You do exactly as I say.

Yes, Guy.

[instrumental music]

Well, what is that?

- I can't take you anywhere - Looking like that.

No, Guy.

- Well, don't you stand there. - Go in and get changed.

Yes, Guy.

Hey, you can't get

changed without this.

- (Jill) - 'No, Guy.'

- Close the door. - 'Yes, Guy.'

[whistles]

- We'll dump some of your things - Into my suitcase.

We'll travel faster that way.

(Jill)

exciting, isn't it?'

'It's all kind of

- What's so exciting about me - Serving time for kidnapping?

- (Jill) - 'But you didn't kidnap me.'

'I'm here of my own free will.'

- Remember that when - My trial comes up.

- (Jill) - 'I will.'

[intense music]

I must be nuts.

I could get shot for this.

[gunshot]

- Okay, okay, - I get the message!

You don't have to

hit me over the head!

Me and my big mouth!

[hens clucking]

- They're just saying - Good morning.

- Alright, already. - Good morning.

Good morning.

Oh. Good morning.

[instrumental music]

♪ Old MacDonald had a farm ♪

♪ E-I-E-I-O ♪

♪ And on that farm

he had some chicks ♪

♪ E-I-E-I-O ♪

♪ With a cluck cluck here ♪

♪ A cluck cluck there ♪

♪ Loud as they could be ♪

♪ And when those chicks

got out of line ♪

♪ Chicken fricassee ♪

♪ With a cluck cluck here ♪

♪ And a cluck cluck there ♪

♪ Loud as they could be ♪

♪ And when those chicks

got out of line ♪

♪ Chicken fricassee ♪

♪ Well old MacDonald

had a farm ♪

♪ E-I-E-I-O ♪

♪ And on that farm

he had some cows ♪

♪ E-I-E-I-O ♪

♪ With a moo-moo here ♪

♪ A moo-moo there ♪

♪ Cattle everywhere ♪

♪ And when those cows

got out of line ♪

♪ Hamburger medium-rare ♪

♪ Uh with a moo-moo here ♪

♪ A moo-moo there ♪

♪ Cattle everywhere ♪

♪ And when those cows

got out of line ♪

♪ Hamburger medium-rare ♪

♪ Oh ♪

♪ Well old MacDonald

had a farm ♪

♪ E-I-E-I-O ♪

♪ And on that farm

he had some pigs ♪

♪ E-I-E-I-O ♪

♪ With an oink-oink here ♪

♪ An oink-oink there ♪

♪ Pigs everywhere in sight ♪

♪ And when those pigs

got out of line ♪

♪ Pork and beans that night ♪

♪ With an oink-oink here ♪

♪ An oink-oink there ♪

♪ Pigs everywhere in sight ♪

♪ And when those pigs

got out of line ♪

♪ Pork and beans that night ♪

♪ Well I'm gonna

have a farm someday ♪

♪ E-I-E-I-O ♪

♪ And I'll do things

MacDonald's way ♪

♪ E-I-E-I-O ♪

♪ Uh with a cluck cluck here ♪

♪ A cluck cluck there ♪

- ♪ A moo-moo here - A moo-moo there ♪

♪ An oink-oink here

an oink-oink there ♪

♪ And I can promise you ♪

♪ Those animals ever

get out of line ♪

♪ We'll have a Mulligan stew ♪

♪ Now how about you? ♪♪

[goose quacking]

[instrumental music]

Gosh, it's lovely. Beautiful!

Thank you.

[screams]

[laughs]

Let's go.

I'll be right back.

Don't go away.

[instrumental music]

The boys haven't arrived yet.

- First thing first to do - Is find a place to stay.

- And then we can - See the festival.

- You can watch it - From the hotel window.

That's no fun.

- Neither was being - Shot at last night.

- Look, I've got enough - To worry about

- without wondering - Where you are.

That's not fair.

- Do you wanna go back - To your uncle?

No, Guy.

Then you mind me.

Yes, Guy.

He's gone! Quick, pick it up

and we'll make a run for it.

- I can't reach it!

- Huh?

- Look, you're closer - To the ground than I am.

- You try it. - Oh.

- Very well, - You lower me down onto it

and I'll pick it up.

- Right. Right. - Here we go.

Casual. Right casual.

- Casual. - Right.

Excuse me.

[mumbling]

Get me up!

[instrumental music]

♪ Oh I love

only one girl ♪

♪ The one I've got

my arms around ♪

♪ I love only one girl ♪

♪ One in every town ♪

♪ In Paris there is Mimi ♪

♪ And when the moon is bright ♪

♪ I love to take her walking ♪

♪ Along the Seine each night ♪

♪ I kiss her on the left bank ♪

♪ I kiss her on the right ♪

♪ Oh I love only one girl ♪

- ♪ The one I've got - My arms around ♪

♪ I love only one girl ♪

♪ One in every town ♪

♪ I'm proud of my Brunhilda ♪

♪ In Frankfurt on the Rhine ♪

♪ Oh she's a lot of woman ♪

♪ And all of her is mine ♪

♪ Well she can lift a Steinway

as easy as a stein ♪

♪ Oh I love only one girl ♪

- ♪ The one I've got - My arms around ♪

♪ I love only one girl ♪

♪ One in every town ♪

♪ In Naples there's Marie ♪

♪ How she can cook and flirt ♪

♪ You can't beat her lasagna ♪

♪ I eat until I hurt ♪

♪ And then she tops it off ♪

♪ With amore for dessert ♪

♪ Oh ♪

[instrumental music]

Ai! Ai! Ai!

Ha! Ha! Ha!

- (male ♪1) - 'Bravo! Bravo!'

Ai! Ai!

[music continues]

[laughing]

♪ I love only one girl ♪

♪ The one I've got

my arms around ♪

♪ I love only one girl ♪

♪ One in every town ♪

♪ Oh I love only one girl ♪

- ♪ The one I've got - My arms around ♪

♪ I love only one girl ♪

♪ One in every town ♪

♪ I love only one girl ♪

♪ I love only one girl ♪

♪ I love only one girl ♪

♪ I love only one girl ♪

♪ She's the girl for me ♪

♪ I love only one girl ♪

♪ She's the girl for me ♪♪

- Tell me, - Isn't there a man somewhere

wondering where you are?

- Oh, there are many men, - Darling.

I have an old beau

right here in Antwerp.

- That's where I'm staying - At his studio.

- Studio?

- Mm. He's a sculptor.

You know, he takes globs

of wet clammy clay

- pushes it here, - Pokes it there

and voila, a nude lady.

Well, that's one way.

Would you like to see it?

We could hop in my car

and be there in no time.

Would your friend with

the clammy clay object?

No.

'Well, he's in Paris.'

He won't be back for a week.

Sounds cozy.

Doesn't it?

Excuse me, Mr. Lambert.

May I have your

autograph, please?

- Why not?

- Uh, not with that.

Would you like it in blood?

Yes, please..

after I cut your throat.

About my cozy suggestion..

- Any man in his right - Mind wouldn't refuse.

Unless he were in love.

In love? With that

silly little schoolgirl?

- You better take - Another look, professor.

It's graduation day.

Uh, Claire..

Yeah. I know.

Some other time.

I won't call you.

You call me.

Thanks. I'll do that.

[dramatic music]

Aah! No, don't! No!

Ha ha!

[laughing]

Oh, that's very funny!

I'm sorry.

Hello.

It's me.

The girl from the boat train.

- Amazing. - I didn't recognize you.

- (both) - What are you doing?

- Ladies first. - Oh.

I'm enjoying the festival.

And having a wonderful

time, as usual?

Mind if I join you?

I really wasn't going anywhere.

Oh, well, then,

let me be your guide.

Alright.

Now, did you know

that Antwerp is the seat

of the oldest stock exchange?

- No. - Yes, indeed.

It's also the world center

of the diamond trade.

- That's an interesting - Thing to know.

Jill?

Jill!

Oh, it's so peaceful here.

I love the sound

of the crickets.

- I discovered something - Interesting the other day.

- Let me show you. - Alright.

It's in here.

This well is as old as Antwerp.

- I think they must have built - The city around it.

Is this part of your thesis?

My what?

Oh. Oh, yes. Yes, it is.

I've written a couple

pages on Antwerp already.

Oh, you've dropped something.

Uh, your uncle gave this to me.

I see.

Then you're not a friend.

My uncle hired you to follow me.

Uh.. That's not

quite true, Jillian.

I don't understand.

Well, it's, it's

really very simple.

Uncle Gerald's been dipping

into your inheritance.

Comes a day of reckoning,

your 18th birthday.

You... see now how it is,

don't you, Jillian?

- It's all been leading up - To this moment.

- From the time you left London, - My associate and I

have followed your every move.

This wood is rotten.

- Even your light weight - Should break the fence

and go through the boards.

I don't care about the money.

- If you tell Uncle Gerald that, - Then maybe..

- There's, there's an element - Of greed in all of us, Jillian.

Oh, no!

- I'm afraid the taste - Of your money

- has increased - Your uncle's appetite.

- Oh, I'm sorry, Jillian.

- No!

- In a moment - It will all be over.

No, please!

'No!'

'Help!'

Oh.

[screaming]

[sobbing]

You play pretty rough, mister.

Want to try me?

With pleasure.

[groans]

Hyah.

[grunting]

Oh.

[grunting]

[dramatic music]

Aah!

[yelling]

Oh.

[sobbing]

[dramatic music]

[clanks]

[instrumental music]

- Aah! Aah!

- Hey!

[crowd cheering]

Guy!

Guy!

Guy.

- (Guy) - 'Jill!'

Guy!

Guy!

Jill!

Come on!

[cheering continues]

[screams]

- Ugh! - Oh, my God.

Oh, Guy, I'm scared.

- Just take it easy. - Take it easy.

I've never seen

a dead man before.

- Oh, Guy, - What are we going to do?

Just what we planned to do.

- I'll take you to Sweden and - Your aunt can look after you.

- My who?

- Your aunt in Stockholm.

Oh, yes. A-Aunt Charlotte.

Aunt Harriet!

[clanking]

[dramatic music]

- About here, I'd say.

- In all that water?

- It'll put us two hours - Out of Amsterdam.

- Uh, but, captain, are you sure - There ain't a easier way?

- Easier? - What I mean is..

Uh, a-a little less dangerous.

There's nothing to it.

We simply plant a tiny bomb

in the boiler room.

A bomb in the..

By the time it goes off

- we'll be long gone away - In a lifeboat.

Awk! Mutiny.

- Mutiny. Awk! - Oh!

You dirty rats!

Yeah, quiet, you traitor.

[chuckles]

- You know, captain, - It does sound quite simple.

It is. He-he-he.

Oh, yes, it is, matey.

- I have a friend who's scuttled - His ship the very same way.

And what happened to him?

- He's got a grocery business - In Putney now.

- All with his share - Of the insurance.

Groceries, eh?

Captain!

Passengers coming aboard.

- (both) - Passengers?

[parrot laughing]

[horn blaring]

- Captain Roach? - Hi, and who might you be?

- I'm your passengers, captain. - Man the lifeboat.

Awk! Bombs away.

- Uh, uh, listen have you ever - Thought of going by plane?

- I-it's much faster, - You know and a lot safer.

Nobody travels by sea anymore.

I think it's a lovely boat.

A ship, lady.

A canoe is a boat.

Why don't you both go by canoe?

The "S.S. Damocles."

- That's what it says - On the ticket.

- That's what it says - On your ship.

- And that's good enough - For us, captain.

- It leaks, you know.

- Like a sieve.

Alright, give me

your boarding passes.

Uh, we don't have

any boarding passes.

- You mean, you haven't - Picked them up yet?

No, uh, uh, uh..

- We can't go through immigration - To pick them up.

- Ohh!

- Ohh!

Uh, what's a couple of boarding

passes among friends, huh?

- What do you think we're - A couple of spies or something?

- We just want to sail on your - Dirty ship, not blow it up.

You're too late. There's a bomb

in the boiler room. Awk!

Well, you leave me

no alternative.

Off.

Huh?

Off!

[cawing]

Bye!

[parrot laughing]

- (Jill) - 'What do you suppose it says?'

- (Guy) - 'Aren't the pictures enough?'

Let's get out of here.

[humming]

[speaking foreign language]

We'd like a room, please.

Oh, my English is not good.

You will write, please?

Name? And passport?

May I see, please?

[chuckling]

It is not your passport.

- Oh! - Uh-oh.

- It's, uh, - I-it's a game we play.

- Yeah. - It's called, uh, "button."

"Button." Who's got the...

The "button."

If you're not a tailor,

I'm in, uh... big trouble.

[speaking foreign language]

She's not right.

- She thinks you are her husband - Who ran away.

Oh. Great.

She thinks every man

her husband.

- Room five.

- He-he-he.

[speaking foreign language]

Oh!

I tell her he's your man.

Is that another game you play?

Oh, it's, uh, it's, uh..

- Y-yeah, yeah. - It's called, uh..

"Be kind to children week."

- A friend in need is a pest. - Yes.

- Which way, please? - 'Over there.'

Thank you.

[chuckling]

Charming room.

Elegant design.

What would you call it?

Early poverty, to me.

Oh, gosh. I'm done in.

Yeah. I've had it.

[squeaking]

[chuckles]

What's so funny?

Oh, I was just thinking.

- What's a nice - Little girl like you

doing in a dump like this?

- [chuckles] - Oh.

You said no more of that.

- That's right. - It wouldn't be fair.

Not if you didn't love me.

You deserve a guy who tells you

more than a bedtime story.

You deserve the marrying kind.

And you're not

the marrying kind?

- That's what I've been - Trying to tell you.

It won't work.

It just won't work.

♪ Baby it's wrong ♪

♪ Wrong as can be ♪

♪ To try and tie a guy like me ♪

♪ I could never settle down ♪

♪ In a little sleepy town ♪

♪ There's so much world to see ♪

♪ Sure we'd be happy ♪

♪ For a while ♪

♪ But then we'd have to part ♪

♪ When tears replace ♪

♪ Your loving smile ♪

♪ Well I don't want

to be the guy ♪

♪ Who has to break your heart ♪

♪ So here's where it ends ♪

♪ Not lovers but friends ♪

♪ Though your lips

are tempting me ♪

♪ Maybe I'm a fool and yet ♪

♪ This wanderer

just can't forget ♪

♪ There's so much world to see ♪

♪ Sure we'd be happy ♪

♪ For a while ♪

♪ But then we'd have to part ♪

♪ When tears replace ♪

♪ Your loving smile ♪

♪ Well I don't want

to be the guy ♪

♪ Who has to break your heart ♪

♪ So here's where it ends ♪

♪ Not lovers but friends ♪

♪ And though your lips

are tempting me ♪

♪ Huh maybe I'm a fool and yet ♪

♪ This wanderer

just can't forget ♪

♪ There's so much world

to see for me ♪

♪ There's so much world

to see ♪♪

Guy! Where are you going?

Just to make a phone call.

- I think I found a way - To get us into Sweden.

Oh, please don't

leave me here alone.

- I'll be back - Just before you know it.

There he goes, Archie.

She's still in the hotel alone.

Right, and with the suitcase.

Don't muff it.

Casual, Arthur. Casual.

Casual.

[speaking foreign language]

Uh, goedemiddag to you too.

I'm looking for a girl.

Uh, girl.

Oh, again English.

Well, I'll try.

She's about, uh, so high.

Should be alone.

- There was a man with her, - But he's gone.

Yes. A shame.

She's not right.

Is that a fact?

Over there. Room seven.

[instrumental music]

[telephone ringing]

- Hello? - 'Uh, hello, Claire.'

This is Guy. Look, I-I'm-I'm in

trouble. I-I need your help.

I think I'm running out of time.

- What is it, Guy? - What's the matter?

Jill's at 89 Park Straat.

- You get that, - 89 Park Straat, room five.

Room five. Yes, I've got it.

There's no time to explain now.

- I want you to go there - And pick her up

- and take her back - To the studio with you?

- Will you do it? - 'Yes, of course.'

Okay, thanks.

I'll meet you there later.

[grunts]

- 'Are you Guy Lambert?' - Uh, yes, I am.

- Are you sure? - Yeah, I'm sure.

- I'm Sergeant Havert - From the Frooten Tooten.

- And these are my two assistants - Hardly worth mentioning.

- Sylvester.. - How do you do?

- And Harry. - Pleasure to meet you.

- And I'm Herbert. - How do you do?

- And I'm sorry we have - The pleasant duty to arrest you.

- Arrest me for what? - Yes.

[indistinct chatter]

I have to go. Really.

You don't understand.

[instrumental music]

I am Inspector de Groote.

Be seated, please.

Uh... no, thanks.

I really can't stay.

Help Mr. Lambert

to sit down, please.

Oh.

Oops! He-he-he.

Well, if you really insist.

- To begin with, Mr. Lambert, - Would you be good enough

- to tell us where we - Could find Jillian Conway?

Jillian Conway?

- I never heard of her.

- Let me warn you.

If your memory does not improve,

this friendly visit

- could lengthen - Into a permanent stay.

You can't hold me, de Groote.

- Inspector de Groote.

- Not without charges.

- As for the charges, I have it - On very good authority

that kidnapping is still

considered a criminal offense.

Kidnapping?

- (de Groote) - 'You find that amusing?'

Uh..

Well, not exactly, uh..

Do you mean, you don't want

to question me about, uh..

Kidnapping. Imagine that.

Do you deny you took

Miss Conway by force?

Of course I..

- Would you give the trio - A five-minute break?

They're boring holes

in the back of my neck.

[instrumental music]

- Have you been in touch - With Jill's uncle?

Mr. Waverly? He's the one

who reported her missing.

He also suggested

you might help us find her.

- And did he tell you why Jill - Ran away in the first place?

Ah, but did she run away

- or was she kidnapped, - Mr. Lambert?

- Which leads right - Back to me, right?

Exactly. So let us

forget Mr. Waverly.

- We can't forget Mr. Waverly. - He's the reason for it.

- The only thing is the story - Is too crazy to be believed.

Oh, but this crazy story

would Miss Conway, support it?

Of course she would.

Then, Mr. Lambert,

where is she?

Room five. 89 Park Straat.

[buzzing]

Mr. Lambert has decided

to be cooperative.

'89 Park Straat. Room five.'

- Thank you, inspector. - You've been very kind.

Don't let him get away.

He's going to kill her.

[buzzing]

- What on Earth?

- Stop it!

- What on Earth are you doing? - Stop it!

- Take your hands - Out of my pockets!

- This is the wrong man! - Oh!

Stop it. That's the wrong man,

you idiots!

- Oh! Oh! Sorry. Sorry.

- So sorry. Sorry.

- Well, I never! - Excuse me.

- Very sorry.

- Disgraceful!

- Well, may I leave now, - Inspector?

- But of course. - Thank you.

- That's right, - Call your hatchet man.

- Give him the address - And have him do

the job that you hired him for.

- Yes, you're beginning - To irritate me, Lambert.

- Murder is an irritating - Business.

- Inspector, - Would you be good enough

'to send one of your

own men for my niece?'

Oh, certainly,

but you needn't feel

- you have to prove - Anything to me, sir.

I shall sit right here

until Jillian arrives.

Right here, Lambert,

so you can plainly see

- I shall make contact - With no one.

[speaking in foreign language]

[speaking in foreign language]

We shall all sit and wait.

[engine revving]

[mumbling]

What? They've got away!

If we lose them now,

it's all your fault, Arthur.

- What were you doing - In there anyway?

[moaning]

- - Arthur! - - Oh!

Get in, and let's get

after them! Get in!

You great long drink of water!

Get in, for goodness sake!

- You ought to be - Ashamed of yourself!

Baby mouse! Baby mouse!

Come back to the mamma mouse!

- Come back to the mamma.. - 89 Park Straat.

Mousy!

[instrumental music]

Excuse me, pussycat.

Mice! Three! Oh!

[telephone ringing]

Inspector de Groote.

No. I know you're not

Inspector de Groote.

I am Inspector de Groote!

Idiots!

- 'Hello?' - He's angry.

- Let me talk to him. - 'Hello? Hello? Hello?'

- Let me talk to him. - Let me talk.

- 'You dropped the phone.' - 'Inspector?'

Hello? Hello? Hello? He..

- Inspector? - Inspector?

- Inspector? - 'Idiots!'

- Just a moment, inspector. - de Groote. de Groote.

- I'll be with you - In a bit, inspector.

- Just a moment. - 'Let me talk to him. Give..'

Hello? Where have you been?

- Not a trace of her. - 'Idiots!'

Without a trace?

I see.

Miss Conway has left the address

you gave us, Mr. Lambert.

Left?

- Oh, well, - I hope for your sake

- nothing happens - To Jillian, Lambert.

- Well, how can it? - With you sitting right here.

- Well, how long do you expect - To keep me under surveillance?

- Until midnight.

- Midnight?

- Then we can all help Jill - Celebrate her birthday.

Oh, this is absurd.

Alright, Lambert.

I accept the challenge.

Good.

Inspector, what do you do

around here for amusement?

I arrest people.

- You never lock the door, - Play a little cards, maybe?

Oh, I'm an inspector of police.

I have a position to uphold.

A position of respect and honor.

- And I am certainly, - A man of integrity.

- I'll thank you - To remember that.

A little, uh,

draw poker, maybe?

Fine!

Mr. Waverly?

- No, thanks. - I'll catch up with the news.

Mr. Lambert?

Hmm. Business must be good.

Excuse me.

[dramatic music]

Aah! Shh!

There it is, Arthur!

They've left it in the car!

- How obliging.

- He-he-he.

I'll have that open

in two seconds flat.

Casual, Arthur. Casual.

- Shh!

- Where..

[footsteps approaching]

[instrumental music]

- There's sure a panic - Going on inside of you

isn't there, uncle?

- 'The time's running out, - And you know it.'

- Please. Mr. Lambert, - Make your play.

- You're bluffing. You've been - Bluffing all evening!

Oh, I assure you, I am not.

I wasn't talking to you.

- If I may, inspector, - I'd like to make a phone call.

- I'm late now - For a dinner engagement.

- I should phone - And make my apologies.

Not on your life.

- If you don't mind, - Mr. Lambert, it is my phone.

- But, inspector, - He's going to call

- his hatchet man - And tell him to..

To what, Mr. Lambert?

To kill my niece?

- And where shall I tell him - To look for her?

- You're the only one - With that information.

- Uh, Mr. Waverly, please, - Make your call.

- 'Thank you, inspector.' - Inspector, look.

You shouldn't let him do it...

- Mr. Lambert, - Please make your play.

- (Guy) - 'Hm, make his play.'

[telephone ringing]

Hello?

Hello?

Hello? Is anybody there?

Well, if it's not "hello,"

it's obviously "goodbye."

[chuckles]

Cheers.

No answer.

Thank you, anyway, inspector.

[indistinct]

Oh, I-I can hardly

keep my eyes open.

The bedroom's

right through there.

- Oh, why don't you - Lie down for a while?

I think I'd better.

Mr. Lambert, please.

Mr. Lambert,

make your play, please!

- It's beginning to get - To you, isn't it?

Look at you! Your nerves

are starting to crawl.

Aren't they?

Aren't they?

Well, why aren't they?

Tell me that!

I hate a sore loser.

That phone call.

That phone call!

That's it, isn't it?

- You knew where Jill was - All along.

Uncle Gerald, you are a fink!

[glass shattering]

[instrumental music]

What was that?

I believe Mr. Lambert

just escaped, inspector.

You fools! What are you doing?

After him!

Look! He stole my car!

Oh, this is a criminal offense.

- Follow me! - Are you coming, Uncle Gerald?

I wouldn't miss it.

Uncle Gerald!

[dramatic music]

Quick!

Move the car.

Go! Go!

Ah. Go! Go!

[tire screeching]

Do not lose sight of this car!

Faster!

[tire screeching]

Don't let him get away!

[dramatic music]

Left! Turn left!

- No, no, no! - To the right! To the right!

[engine revving]

Hello? Idiots, where are you?

'Hello? Hello?

Idiots, where are you?'

Why should we tell you?

Who's this speaking, please?

Attention!

This is Inspector de Groote.

Lambert is traveling

west on Plascoubert.

Where are you?

In police car number six.

Where are you?

- Where am I? - In police car number one.

- In police car number one, - Idiots.

- Over and out.

- Over and out.

We hear you loud and clearly.

'We hear you loud and clearly.'

- In your hat.

- In your hat.

In your hat? Idiot!

There he is!

Quick! Hello?

Lambert has just turned

north on Whittendale. Converge!

[siren blaring]

[instrumental music]

[intense music]

[hissing]

- Faster. - Slower.

- Faster. Faster.

- Slower. Slower.

Idiot! Now we've lost him.

He's gone!

Uh.. Hello. We have just

lost sight of Lambert.

'Can you pick him up?

Can you see him?'

[tire screeching]

Sylvester, can you see him?

No, I can't even see you.

- 'Harry, can you see him?' - Not yet.

I can't see him, either.

[footsteps approaching]

[footsteps approaching]

[screaming]

[gunshot]

[grunting]

[tire screeching]

[gunshot]

[dramatic music]

[gunshot]

[grunts]

[groaning]

[hissing]

[glass shattering]

[grunts]

Jill?

Jill? Jill?

Are you alright?

(Jill)

a little groggy.'

'Uh, I still feel

- (Guy) - 'You'll be okay now.'

He's out cold.

You have an amazing right

for a singer.

Your left's not so bad, either.

That's far enough, sweetheart.

Oh, I was afraid of that.

Look! There it is, my car.

Converge on my car!

Yeah!

[siren wailing]

Sit down.

[cars crash]

[groaning]

- (de Groote) - Idiots!

Fools! What are you doing?

I am Inspector de Groote.

Oh, Uncle Gerald,

are you alright?

- Yes, I'm alright.

- Follow me! Follow me!

Oh, oh, wait.

I am Inspector de Groote.

I'll take charge.

Oh, oh, uh, no one will leave

this room until I do.

Hello, Uncle Gerald.

- Jillian! - Alive and kicking.

The party broke up just

- before the gas heater - Took effect.

Gas heater?

- Oh, you can't connect me - With any of this, Lambert.

Would you care to make a wager?

Inspector!

Oh! That poor sweet eye, madam!

'How did that happen?'

He hit me.

- It's the only way I could get - This gun from her.

- Well, inspector, - You've apparently

apprehended the right party now.

- Oh, don't be so ridiculous, - Gerald.

Jail is no place for a lady.

Do you know Mr. Waverly, madame?

Intimately.

Will you be quiet, Claire?

Don't you understand, love?

If I go, you go.

Claire was the one Uncle Gerald

- called from your office, - Inspector.

[sighs]

- It was a signal that he was - Somewhere safe with a good alibi

and for her to turn the gas on.

- I'd have given you the money, - Every shilling.

Now she tells him.

Claire wanted so many things.

I... I needed the money for her.

- Do you realize - What you're saying, Mr. Waverly?

Unfortunately.

Then it is my duty to place

you both under arrest.

- Oh, do it, then, - And get it over with.

Arrest this man! Madame?

Oh!

[instrumental music]

Damaging evidence.

Well..

Well..

That's that.

That's that.

I guess I'll be leaving now.

[sighs]

Well, goodbye.

Goodbye.

I'm sorry I lied to you

about so many things.

- I lied to you too.

- About what?

I said I didn't love you.

Oh.

Guy!

Are you still here?

You love me! You mean it!

- Now, wait a minute, Jill. - Say it.

- I love you. - Oh.

Oh, watch the wine.

- Kiss me. - Uh, not yet.

What?

Okay. Happy birthday.

[chuckles]

- (Grayson) - 'Oh.'

Mm-uh.

[grunting]

G-Grayson's the name!

Scotland Yard!

Whoops!

- Where is it?

- What? Scotland Yard?

No. I know where that is.

Your black suitcase.

It's in the car.

- Gone! So are the jewels.

- What jewels?

- Diamonds smuggled into - Your suitcase on the boat train.

- If you knew that, - Then why did you wait till now?

- 'Cause I wanted to catch them - With diamonds in their pockets.

- Who?

- Babcock and Brown. That's who!

[foghorn blaring]

Ah. Nothing quite

like an ocean voyage.

- Is there, Arthur?

- Right.

- You know, things - Have worked out rather well

don't you think so, Archie?

They did. They did, indeed.

What do you suppose happened

to that little schoolgirl?

Do you think he married her?

See for yourself.

[foghorn blaring]

[explosion]

Shall we go below?

What a kiss!

Come on, Arthur! Come on!

Have you got the suitcase?

Have you got the case?

Don't worry, Archie!

I've got it!

I've got it!

You've got it, alright.

Well, you better go back

and get the rest of it!

Whoa!

Heave-ho!

Heave-ho!

This is another fine mess

you've gotten me into, matey.

Heave-ho!

- [muffled] - Heave-ho!

[squawking]

- Ahoy there! - Do you know what this is?

It's the end, pal.

The ever-loving living end.

[instrumental music]