Original subtitles

[MUSIC PLAYING]

WOMAN (VOICEOVER): Please.

No.

Someone help me.

Anybody? Please.

No. Get away from me.

MADISON: Daddy.

WOMAN (VOICEOVER): No.

MADISON: Daddy.

I'm hungry.

I know.

Me too.

Don't worry.

It's all gonna be over soon.

[POLICE SIREN]

[THUNDER]

[GASP]

[METAL SQUEAK]

[METAL SQUEAKING]

Hello.

Someone there?

[THUNDER]

[EERIE MUSIC]

[METAL SQUEAKING]

[MUSIC PLAYING]

- Daddy. - Oh, jeez.

Oh. Hey.

I told you to wait in the car. [WIND BLOWING]

[SAND SCRATCHING]

It's here, isn't it?

Mhm.

OK.

Let's go. Let's go.

[INAUDIBLE]

OK.

We're gonna have to go out the back, OK?

Let's go. We got to go.

Go, go, go.

Go, go, go. OK?

Almost there.

Daddy.

OK.

They probably have a key up front.

[THUNDER]

- I'm scared. - All right.

Remember what Dr. Elliot told you

to do whenever you get scared?

Just close your eyes.

Count back from five. OK?

OK.

I'll be right back.

Five, four three, two, one.

[SAND SCRATCHING]

See?

Everything's gonna be-- MADISON: Daddy?

Daddy.

[OMINOUS MUSIC PLAYING]

[SAND SCRATCHING]

[CRICKETS CHIRPING]

[ROCK MUSIC PLAYING]

You can lean back a little.

And rest your head in your hands.

Want to bring her the stool? - Yeah.

Here.

Sort of drape your leg over.

And loose the bra.

OK. Hold it.

Move those to the selects. - These two?

- Yeah. - All right.

How come you don't pose?

Because somebody has to take the pictures.

Yeah, but you're hotter than half the girls in here.

CLAIRE: Only half?

Mhm.

And I suppose you'd want to take my clothes off too, right?

Is that an offer?

There is just one little problem.

What's that?

You'd have to figure out how to take the lens cap off.

I'd've figured that you.

Oh.

Eventually.

[PHONE RINGING]

This is Claire.

[MELANCHOLY MUSIC]

DETECTIVE PRICE: When was the last time you saw your brother?

It had been a while.

He moved around a lot.

DETECTIVE PRICE: He ever say why?

When you have a rough childhood,

it's hard to feel comfortable.

Any idea what he was doing up state?

Is this about my brother's death or my brother?

Answer the question.

No.

No idea.

And you had no contact with him?

Every once in a while I would get an email.

OK?

That's it.

What is this about?

Did he do something wrong?

[MYSTERIOUS MUSIC]

DETECTIVE PRICE: Parker, Arizona.

Crawford, Colorado.

Farmington, New Mexico.

Each of these were taken when your brother

was either living or staying within five miles of the scene.

Now, I'm gonna ask you again.

Do you have any idea what your brother was doing up state?

All right.

I think we're done here.

Do me a favor, stay available, just in case

we have any more questions.

Wait.

My brother's daughter, Madison, where is she?

DR. CUSHING (VOICEOVER): The child

is exhibiting extreme signs of post-traumatic stress.

It's not surprising, given the circumstances.

The police interviewed her at length regarding

the death of her father.

But she was uncooperative.

Has she said anything about that night?

Madison thinks someone named the Sandman is

responsible for the death of her father.

The Sandman?

Children often make up bogeyman

to deal with their real life fears, fear of the dark,

fear of the unknown.

I think this Sandman is Madison's way of dealing

with the death of her parents.

[OMINOUS MUSIC]

- Is this for her protection? - Ours.

No. Let go of me.

I don't want to be here anymore.

I want to go home.

Stay still.

[SCREAMING]

Stay still. MADISON: No.

Let go of me.

I'm gonna give you something to calm you down.

No.

Are you OK?

CLAIRE: Madison.

Madison.

- Grab her. - Come on.

No.

[MELANCHOLY MUSIC]

Take her back to the room.

Like I said, uncooperative.

Let go.

Her eyes are so soulful.

I'm Mrs. Farmer, Department of Children's Services.

Claire.

My brother told me she was born en caul.

That's why the amniotic sack is still intact.

Apparently it's special.

It's supposed to be a sign of luck.

Madison is a lot of things.

I wouldn't say lucky is one of them.

Ms. Blake, do you have a moment where

we could go somewhere and chat?

Yeah.

The good news, Ms. Blake, is we have a system in place

to help children like your niece receive

the care that she needs.

You mean with someone other than her family?

I assumed with your background you

wouldn't be seeking custody.

- What does that mean? - Ms. Blake--

No.

Don't you think we should be talking about this first?

Do you have any experience raising a child?

No. MRS. FARMER: Are you married?

No.

What about your career?

OK.

Look, I understand that I'm not a perfect housewife, OK?

But my brother would have never wanted his daughter

raised by strangers.

Even if those strangers were better

equipped to see that his daughter

received a proper upbringing?

Am I gonna need a lawyer?

Can you afford one?

Ms. Blake, because you are the girl's only living relative,

no one can prevent you from taking custody, temporarily.

Permanent guardianship, however, is another matter.

[OMINOUS MUSIC]

MADISON: Daddy?

Help, somebody.

What's happening?

Madison?

She's having a nightmare.

Madison?

Get away from me.

Four milligrams of ketamine. MADISON: Madison?

Hey, can you hear me? Can you hear me?

Hey.

There you are. It's all right.

It was just a dream.

Is he gone?

- Who? - The Sandman.

Yeah.

He's gone.

You're safe.

Hey, do you know who I am?

Aunt Claire?

You can just call me Claire, OK?

Hopefully you're gonna come live with me really soon.

How does that sound?

Don't make promises.

CLAIRE: She's just a little girl.

She needs some hope.

She needs to stay here for further examination,

indefinitely.

He's scary.

He just wants what's best for you.

Can you stay with me, til I fall back asleep?

I'll do even better and I'll stay

with you while you're asleep.

How's that sound?

Shortly after she arrived, Madison started exhibiting

symptoms of night terrors.

After one of the orderlies was hurt,

we started a policy of restraining her at bedtime.

Typical patient might suffer one to two episodes a week.

Madison suffers three to four a night.

We recommend that Madison remain in our care

for further observation.

[OMINOUS MUSIC]

[SOBBING]

Ms. Duffy?

You know you're not supposed to be out of your room after 11.

Ms. Duffy?

I know you're in here somewhere.

Megan, what are you doing down there?

He-- he was there--

[SAND SCRATCHING]

[RELAXING MUSIC]

Oh, don't worry about him.

That's just Stanley.

Hi, Stanley. Let's go.

It's just right through there.

[OLDIES MUSIC]

Hey.

There she is.

Wyatt, this is Madison.

Madison this is my-- Wyatt.

Hi, Madison.

So what do you think?

I painted the walls.

I got some toys.

Oh.

Bow and arrow, for a little girl?

WYATT: Well--

Where'd you get all this stuff?

Goodwill.

I had like a $5 budget.

Come on. MADISON: Yeah.

No. You're right.

I'm gonna-- - Yeah.

Oh, this is a good song, right?

Yeah?

When can I go home?

[MELANCHOLY MUSIC]

Well, this is your home.

It's your new home, here, with me.

What about Wyatt?

Wyatt sometimes.

I know this is a big change.

It's really different.

I know I can't replace your dad.

But I promise you, no matter what, I am--

I'm gonna try my best.

You want to get settled and I'll make us some dinner?

See you in a minute, OK?

[OMINOUS MUSIC]

Hello? Claire?

Hello? [ECHOING]

Claire? [ECHOING]

[WET SQUISHING]

[RATTLING]

[SAND SCRATCHING]

[CRUMBLING]

[SAND SCRATCHING]

[HEARTBEAT]

[GLASS SHATTERING]

- Madison. - Help.

Help

Madison, hey, you're OK.

It's just a bad dream.

That's it.

Is he gone?

Who?

The Sandman.

He followed me.

Honey, it's-- it's just you and me here.

I promise.

What happened?

He grabbed me.

Madison, can I sleep in your bed tonight?

Of course. Come on.

The investigation suffered another setback today

when this man, Colton Blake, previously

named a person of interest was found

dead himself last weekend, apparently of a heart attack.

Police found his body at the general store.

Investigation is looking further into it.

Blake is survived by sister Claire and daughter Madison.

Madison is currently in the custody of her aunt,

who lives in Los Angeles.

Now, the unusually hot weather looks

like it's going to continue through the end of the week.

And DWP is--

CLAIRE (VOICEOVER): Whatever it is,

she thinks it followed her here.

All of the nightmares about her parents and the boogeyman.

I don't know.

It feels like it's just Madison's way

of working through her grief.

Yeah. And last night.

get-- get this.

She woke up last night with bruises on her arm.

I swear they weren't there before.

No.

You should see the way she kicks and flails in her sleep.

It's a wonder she doesn't put me in the hospital.

No. I know.

I understand. All right.

I'll talk to you later.

Madison, that isn't funny.

You're gonna give me a heart attack.

MADISON: There was an old woman who lived in a shoe.

She had so many children she didn't know what to do.

She--

There was an old woman who lived in a shoe.

She had so many children she didn't know what to do.

[CRASH]

STANLEY: Sparky, come

here!

What did I tell you about getting out, boy?

What'd I tell you about that.

Sit down.

You know, I saw a girl on the news last night.

Looked just like you.

Your daddy killed them, didn't he?

Yeah.

That's why you were running.

Yeah, go ahead, run away.

Hey.

What's going on?

Here she comes again, that woman.

Hey.

What the hell was that about?

Hey, the police were looking for her father, you know?

Well, he's dead.

Don't you think she's suffered enough?

You know, what the hell are you doing with a kid

anyway, huh?

All that loud music, people coming in and out

all hours of the night--

- I work out of my house. - Yeah.

Well, not for long.

Which incidentally is what I told that woman

who came by your house today.

[OMINOUS MUSIC]

Come on.

What the hell?

God damn it.

Come on.

[SAND SCRATCHING]

What the--

Start.

Start.

Start.

Start.

[ENGINE TURNS OVER]

MADISON: Ah.

Good.

Let's check your arms.

Raise your left arm for me.

Does that hurt?

Let's take a look.

Madison, can you tell me what happened here?

Can your aunt?

I'm-- I'm renting an old house.

So you know kids.

Try to be more careful.

OK?

I'd like to see her again in a week, see how they're healing.

CLAIRE: Sure.

Ms. Blake, let's make sure there

aren't any more accidents. OK?

[MYSTERIOUS MUSIC]

[POLICE RADIO]

[POLICE SIREN]

Go on inside, OK?

I'll be in in a minute.

Stay off the property, please.

I live across the street.

Can't you just tell me what's going on?

Carbon monoxide poisoning.

Looks like the garage door may have malfunctioned.

What?

All this for an accident?

Hey.

Hey, I've seen you before.

Who are you?

What are you doing here?

Ma'am, is there gonna be a problem?

No.

There's no problem. I'm going.

So did something happen to Stanley?

There was an accident.

Are they sure?

Sure about what?

That is was an accident.

Madison, do you know something about what happened to Stanley?

Madison.

Madison.

MADISON: Go away.

Madison, do you know what happened to Stanley?

I said, go away.

[MYSTERIOUS MUSIC]

All right, Colton, let's see what you've been up to.

Oh, Jesus.

WYATT (VOICEOVER): So you think that your brother

is responsible for all of this?

The police were asking a lot of questions.

And then, Stanley--

OK, look.

Even if your brother was responsible for any of this,

he's dead.

I know.

[INAUDIBLE] you saw the body.

- I know. - OK.

So what did Madison have to say?

Nothing.

She won't talk to me.

I don't know what do.

I do.

Madison, you in here?

Honey, wait. No.

Madison, we need you to tell us something.

And I want you to try to be really honest with me.

OK?

Did your daddy ever--

did he ever hurt anyone?

Honey, please.

You can trust us.

He said he was trying to protect me from the bad people.

That's what he said he was doing?

He was trying to protect you?

Daddy never hurt anyone.

Who did, Madison?

Who killed all those people?

Wyatt.

Please, don't be mad.

Sweetheart, I'm not mad.

I just need you to tell me.

I promise you can trust me.

Sometimes, when I get really scared,

he comes out and hurts people.

What do you mean, he comes out?

I can't control it.

It just happens, like with Stanley and Daddy.

Honey, your dad had a heart attack.

And Stanley was an accident.

I spoke to the police myself.

He wanted to get rid of me.

Look, are you saying that you think that you made this guy

come out and kill people?

I didn't mean to.

I didn't want to hurt any of them.

I just got scared.

The Sandman is a character in a book.

You can't bring it to life.

I can.

Ever since I was little, Daddy said

I could make things happen.

But he said it's OK, because it's going to be over soon.

- What did he mean by over soon? - All right.

Cool. I've heard enough of this.

Listen, Madison, we're trying to have a serious conversation.

And you're not playing.

So I don't think that you should have this book any more.

OK? Come on.

I'm not lying. [OMINOUS MUSIC]

WYATT: Why don't you just sit here and you think about it?

You think about it.

And when you're ready to talk, we'll come in and we'll listen.

- I told you. - Yeah, yeah.

I heard. The Sandman.

OK? You know what?

Why don't you try paying just a semblance of respect

to your aunt, after everything she's done for you.

But no, you don't want to do that, do you?

Because you're acting like a spoiled little child who wants

to make up little things that come out of books

and kills people.

Stop yelling at me.

[DOORBELL]

Look, this isn't a good time.

I hope I'm not interrupting.

Mrs. Farmer, please, it's been a long day.

And you are?

I'm Wyatt, her sometimes boyfriend that--

Can I ask what this is about?

This afternoon, I received a rather alarming call

from your pediatrician.

He said your niece had a number of bruises on her arm.

- What's she talking about? - Nothing.

I-- look, I explained to him that she

was playing in the house.

She fell.

He also told me he was unable to rule out physical abuse.

OK. Well done.

Claire would never hurt a child.

Maybe it wasn't Claire.

Unfortunately, even the suspicion of abuse

is enough to suspend temporary custody,

until an investigation can be completed.

I have a letter from the state authorizing me to remove

Madison from your home. - Wait.

What?

Ms. Blake, don't make this any harder than it needs to be.

OK.

Just hold-- listen, maybe we'd want to consider this.

[INAUDIBLE]

No. No.

You're not taking her--

Ms. Blake, allow me to remind you

that if you don't participate willingly,

I will be forced to take punitive action.

Fine.

Go ahead.

Claire.

Have it your way, Ms. Blake, because I will be back,

with the proper authorities.

CLAIRE: Great.

And we'll be here.

Claire, are you serious?

Madison, honey, Wyatt and I gonna go outside and have

a little adult conversation. OK?

It's me.

No.

Unfortunately, the aunt's being stubborn.

We're probably gonna have to call the police.

You know what?

I'm gonna have to call you back.

[OMINOUS MUSIC]

WYATT: Are you out of your mind? - What?

You know that she could just come back here with the police

and arrest you, right?

Do you know what would happen if they got their hands on her?

Claire, this isn't some kid who just wets the bed

or plays with matches.

OK?

You are way, way out of your league here.

[SOBBING]

My brother spent a long time trying to protect her.

Did you ever think that maybe he was trying

to protect people from her?

I mean, there's a big difference there.

Don't you think?

Our whole childhood, we were just shuffled around.

My mom was a drunk.

My dad was gone before I was even born.

All we had was each other.

I owe it to him to protect her.

[KNOCKING]

[SOBBING]

Madison.

Are you in here, sweetie?

Don't you think it's better that she's with someone

that knows how to handle her?

Who?

The bad people?

Wyatt, that's what she calls them.

How many people has she hurt?

Because what I think we should be doing

is talking about the definition of bad here.

Madison, I want to help.

MADISON: Go away.

[SOBBING]

It's not safe for you here.

I'm gonna take you someplace better, where you'll be happy.

I'm happy here.

You can't stay here, Madison.

I know you don't understand right now,

but one day you will.

There's no need to worry.

I'm not the one I'm worried about.

[SAND SCRATCHING]

[SCREAM]

Hey, what's going on?

[SCREAMING]

I'm sorry.

[SCREAM]

NURSE: You're doing fine.

Remember to breathe.

You're doing great.

[GROANING] [OMINOUS MUSIC]

NURSE: Something's wrong.

COLTON: What's happening?

What's happening?

What is going on?

What's happening?

[INTERPOSING VOICES]

Wyatt doesn't like me.

That's not true. Right?

Madison, I think we should talk about what happened last night.

You said it was all gonna be over soon.

What did you mean by that?

It that what you were doing when your daddy died?

Did your dad find a way to stop this?

WYATT (VOICEOVER): Are we gonna call the police?

And say what?

There's nothing left.

There's no body.

There's no evidence.

WYATT: What do you suggest?

I'm not just gonna sit around while she wishes

everyone into a cornfield.

I told you how important she is to me.

And you saw what she did to that woman,

what she almost did to you.

I-- I'm worried about you.

She wouldn't hurt me.

Like she wouldn't hurt your brother?

The detectives were asking what he was doing upstate.

What if my brother found a way to help her stop this?

WYATT: Yeah, more like he was wishing

not to get thrown in jail.

Will you watch her for a couple hours?

- Are you serious? - Please.

I just-- I don't want her to go outside.

That's the smartest thing I heard you say all day.

Are you gonna help me, or not?

Couple hours.

That's it.

OK.

Thanks for letting me take a look.

You know she hasn't stopped crying about it.

I got to say Ms. Blake, we've gone over this car

half a dozen times.

And no one's come up with a stuffed animal.

I know.

I just figured if I looked, maybe I'd find it.

She hasn't said anything, has she?

She's an 8-year-old little girl who lost her father.

Spends most of her time crying in her room.

[MYSTERIOUS MUSIC]

Do you mind?

Detective, I'll need you to sign this access form.

DR. ELLIOTT (PHONE): Hi, you've reached Dr. Amanda.

Please leave a message. - Hi.

My name is Claire Blake.

I believe you spoke to my brother, Colton,

about my niece, Madison.

Call me, please.

Hello?

Wyatt? [OMINOUS MUSIC]

Where are we?

Well, it's a surprise.

Is Claire coming?

I thought that this could be something

that we could do together, get to know

each other a little better.

OK.

Why don't you go ahead.

I'll be out there.

[OMINOUS MUSIC]

You can do this.

[PHONE RINGING]

Are you coming?

Pretty cool, huh?

Yeah.

Yeah.

Hey, how about that doll right over there?

MADISON: Where?

Right over by the--

the truck.

See it?

Just to the right.

I don't see anything, but old, junky cars.

What are you doing? - Madison.

Were you gonna hurt me?

Calm down.

This is why you didn't bring Claire, isn't it?

Do you want her to get hurt? I don't.

Madison?

OK.

OK.

I need you to calm down.

Madison, OK, look, I made a mistake.

OK?

Madison.

Please.

I think you should run now.

[SAND SCRATCHING]

Sir.

- Bring her in, [INAUDIBLE]. - Yes, sir.

[MUSIC PLAYING]

Extra whipped cream, just like you asked.

Thanks.

Thank god.

I was so worried about you.

I'm sorry.

That's OK.

Where's Wyatt?

Madison?

What did you do to Wyatt?

I'm ready to go home now.

Sure.

Can we stop somewhere on the way home?

Yeah. OK.

[PHONE RINGING]

I need to take this.

I'll meet you there, OK?

Hi.

DR. ELLIOTT (PHONE): Claire?

Yes.

DR. ELLIOTT (PHONE): Is she with you now?

Can you help her?

DR. ELLIOTT (PHONE): Yes.

Are you familiar with the theory of hypnotic image therapy?

CLAIRE (PHONE): No.

Well, it started as a way to treat soldiers who

were suffering from acute PTSD.

Doctors used hypnosis to rewrite their nightmares,

so they no longer felt threatening.

You want to hypnotize my niece.

Your brother believed she was using

the power of the caul to manifest a nightmarish figure.

The Sandman.

However, if we could remove this so-called

Sandman from her mind--

CLAIRE (PHONE): She wouldn't be able to bring it to life.

Exactly.

You haven't seen what she's capable of.

I-- I don't if messing with her mind is such a good idea.

DR. ELLIOTT (PHONE): Your brother believed

it was a risk worth taking.

All I want is to give Madison a chance at a normal life.

[MELANCHOLY MUSIC]

[SOBBING]

I'm so sorry for everything I've done.

I know people say I'm special, but I don't--

I don't want to be special any more.

I don't want anyone else to get hurt, especially not Claire.

Do you think they know I'm sorry?

Honey, yes.

Of course they do.

Madison, your father may have found

someone that can help you.

I don't know anything about her, but if there's a chance--

Yes.

Yes. Yes.

[OMINOUS MUSIC]

Look out.

Get the girl. Move.

MADISON: You shouldn't have hurt, Claire.

We got movement.

Multiple bogeys. Repeat.

Multiple bogeys.

- Negative on visuals, sir. - Careful.

What just happened?

I'm having trouble with my scope.

Where's your signal?

Damn thing.

Night vision's out.

I got nothing.

[SAND SCRATCHING]

[SCREAM]

[SAND SCRATCHING]

[SAND SCRATCHING]

Target secured.

- What have you done to her? - Don't worry.

I have absolutely no intention of hurting your niece.

My department has studied a lot of caul children

over the years.

But none of them as powerful or as dangerous as Madison.

[SCREAM]

No.

Now, can you imagine having the abilities that she has,

without the patience or the discipline to control them?

Please, please, just let me see her.

She mentioned something to the doctor called Sandman.

She ever mention that to you?

You want to know about the sandman?

That's a children's book.

Her father read it to her when she was a little girl.

She says it gave her bad dreams.

I truly believe that in her fear,

she literally brought her nightmare to life.

Extraordinary.

Look, she's just a little girl.

All she wants is for it to stop.

But I don't want it to stop.

I want to nurture it.

I want to develop it.

And I want to train it.

You've seen what she's capable of.

Come here.

I want to show you something.

[BUZZER]

Madison.

What is this?

We're completely shielded from her.

Makes it safer.

I'd like to start with a levitation test.

We can begin.

[BUZZER]

Our most successful subject to date

was able to levitate this ball more than three inches.

Let's see how young Madison can do.

Madison, I'd like you to try levitating the ball.

No.

DR.VALENTINE (INTERCOM): Madison, please.

The sooner that you cooperate with us, the sooner I can let

you see Claire.

You'd like that, wouldn't you?

Good.

Then, please.

[OMINOUS MUSIC]

Concentrate.

Focus on the ball.

Extraordinary.

I want to go home.

DR.VALENTINE (INTERCOM): Soon, Madison.

I want to go home now.

What's going on?

[SAND SCRATCHING]

Sedate her. Now.

I believe that with the proper regimen,

we can train her to control her impulses.

So you want me to go before the committee and explain what?

That we're going to tame an 8-year-old mass murderer?

She's not malicious.

Neither is a sweet family pitbull, until it mauls

your three-month-old child.

I believe in her potential.

Sorry, Dr. Valentine.

I'm initiating clean up protocol.

Give me a chance with her.

She's too valuable. - No.

[OMINOUS MUSIC]

[BUZZER]

AGENT: I'm sorry, Dr. Valentine.

Everybody has to clear the room.

No.

No.

We have to leave now.

CLAIRE: No.

No.

No, please.

No.

We have to leave, now.

It's out of my hands now.

It's out of my hands.

Lock it down.

[GUNSHOTS]

[ALARM]

No.

No, please.

I have to help her.

[INAUDIBLE]

You go to the end of the hall, down to sublevel five.

Follow the steam pipes.

That'll get you out of here.

Take my car.

Drive away from here and never look back.

Understand?

[GROANING]

Hey.

DR.VALENTINE: No. No.

No.

Let's go.

[MYSTERIOUS MUSIC]

AGENT 2: She went down this way.

Stay here.

AGENT 2: Clear.

Madison.

Madison.

[CLEARS THROAT]

[SAND SCRATCHING] - Easy now.

Easy.

Don't do it, kid.

Madison, no.

[GUNSHOTS]

Let's go.

Which car is it?

[CAR ALARM]

I want you to watch the pendulum.

Empty your mind.

There is nothing but the pendulum

and the sound of my voice.

You see nothing else.

You feel nothing else.

Just the pendulum back and forth.

Back and forth.

Your eyelids are feeling heavy.

You feel yourself drowning in the darkness.

Let go, Madison.

Let your body sink deeper and deeper.

I'll count down from five, when I reach one,

you will be asleep.

Five.

Watch the pendulum.

Four.

Hear my voice.

Three.

Your body is sinking.

Two. One.

Hello?

Where are you?

I'm in the office.

DR. ELLIOTT (VOICEOVER): Go to the door

and tell me what you see.

I'm in the morgue.

This is important.

I need you to find the Sandman.

I don't want to.

DR. ELLIOTT (VOICEOVER): I'll be right here with you.

I promise.

I can't.

I need you to find him, so I can pull him out.

Do you understand me?

Please. It's

DR. ELLIOTT (VOICEOVER): Important.

CLAIRE (VOICEOVER): Do what she says, Madison.

[OMINOUS MUSIC]

Hello?

Anyone in here?

[MOANING]

[SAND SCRATCHING]

He's here.

OK.

OK, listen.

This is important.

I need you to grab him.

And no matter what happens, do not let him go.

I can't.

DR. ELLIOTT (VOICEOVER): Yes, you can, Madison.

Grab him.

I got him.

Hurry.

Heed these words.

When this nightmare ends, you will be free of this child

forever.

You will be bound to this child no more.

I can't hold on.

I can't hold on anymore.

Help me!

Please!

DR. ELLIOTT (VOICEOVER): When I snap my fingers,

you will awake.

Wake, Madison.

- You OK? - I'm fine.

You think it worked?

You think he's gone?

[COUGHING]

You OK?

[CHOKING]

Is something wrong?

She brought him to life.

Claire.

Run.

Five, four, three, two, one.

CLAIRE: Leave her alone.

Claire.

Come on.

Wake up.

Come on.

I have an idea.

[OMINOUS MUSIC]

You stay.

Now.

[MUSIC - "BEWARE THE SANDMAN"]

CLAIRE: Well, it's official.

You're stuck with me.

Are we gonna stay here?

I don't know.

I was thinking maybe somewhere new.

Can we move to Hawaii?

Hawaii?

I was thinking more like Arizona.

Which reminds me, little lady, we need to talk

about you going back to school. - Mom.

What?

Should we celebrate tonight?

Get some take out?

Can we get ramen noodles?

Or we could splurge and get some real Japanese food.

[MUSIC - "HERE COMES THE SANDMAN"]

[OMINOUS MUSIC]