All language subtitles for Season 4 Episode 8 - Heavy Is the Head • UPCOMING.[eng]

- [Boyd] Previously on From...
- [townspeople screaming]

- [gun firing]
- Abby, stop! No!

[gasps]

Still seeing things
that aren't there?

No. No, just the one time.

Hey, hey, hey, hey!

[gasps]

I've been here before.

Many, many times.

I was Victor's mother.

[Victor] Last time, you brought
a boy and a girl,

and everyone died,
but not the boy.

You're here with a boy
and a girl again,

and the Man in Yellow is back.

- Mom, what does that mean?
- No, it's fine.

- You have to be prepared, Ethan.
- Hey, Victor.

- You have to know what's coming.
- No, Victor. You need to stop!

What's wrong with you?

That thing I carried
inside me,

I still feel it,
like we're connected.

Part of me feels
what he feels.

Oh, no.

[roars]

No!

You wanna go down
in those tunnels,

where those things live
because you think

the bones of those children
are buried down there?

Yes!
What if the bones

are what anchor the spirits
of those children here?

Tell me what the right version
of this plan looks like.

I'm not entirely sure yet.

Here's to the resiliency
of the human spirit.

Let's be resilient together.

Have you ever wondered if
maybe this is all just a dream?

[monitor beeping]

He's back.
Blink twice if you can hear me.

Dad.

- V--
- Dad, stay with me.

Henry!
[snaps]

Hey.

[whispering
indistinct incantation]

It's time to play.

- [roars]
- I know you're still inside!

[roars]

[roars in pain]

[screaming]
What the fuck just happened?!

[weeping]

[chattering]

We're sure he's actually
dead this time, right?

He was dead before.

Anybody hurt?

Steve got pretty banged up.

It would've been a lot worse
if it wasn't for Elgin.

Elgin?

He's the one who stabbed it--

I mean, him.

Stop telling me to calm down!
We're not fucking safe!

Hey, will you just
take it outside?

Hey, Donna,
you should be in bed.

No, no, no, no.
[stammers]

I'm fine.
This is more important.

People are just starting
to realize that talismans

won't protect them
against everything.

We'll manage.
Just... you figure out

how to get the bones without
getting half the town killed.

Did the totem work?

Sorry?

The totems from
the settlement.

You said that
you were gonna see

if they could hurt the monsters
that come out at night.

Did it work?

No.

That's too bad.

Yeah.

Dad?

Uh, can you come
upstairs for a second?

- Excuse me.
- And, uh,

Donna, you should probably
come too, if you're up for it.

Uh, what do we
do with the body?

Burn it.

Okay, so, you're saying...

...that you saw
Kenny in trouble.

Look, I didn't
just see him, Boyd.

It's like I was there.

I was seeing
through his eyes.

Through...
And you think

that you're the reason
that thing didn't kill Kenny.

I don't think, Boyd;
I know I was.

- Uh--
- [Ellis] And there's more.

Show 'em.

Show us what?

After I connected
with that thing, I felt...

...I don't know how
to describe it.

I felt something go...

cold inside me.

Okay.

[sighs]

Wh...?

This morning I saw this.

[ominous music playing]

["Que Sera, Sera (Whatever Will
Be, Will Be)" plays]

♪ When I was just a little boy ♪

♪ I asked my father ♪

♪ "What will I be?" ♪

♪ "Will I be handsome?" ♪

♪ "Will I be rich?" ♪

♪ Here's what he said to me ♪

♪ Que sera sera ♪

♪ Whatever will be will be ♪

♪ The future's not ours to see ♪

♪ Que sera sera ♪

♪ What will be will be ♪

♪ Now I have
children of my own ♪

♪ They ask their father ♪

♪ "What will I be?" ♪

♪ "Will I be pretty?" ♪

♪ "Will I be rich?" ♪

♪ I tell them tenderly ♪

♪ Que sera sera ♪

♪ Whatever will be will be ♪

♪ The future's not ours to see ♪

♪ Que sera sera ♪

♪ What will be will be ♪

♪ Que sera sera ♪

[Tabitha] Ethan?

Whatcha doing?

Drawing.

Victor always said that
the pictures remember.

So, when everyone dies

and I'm here by myself,
I don't want to forget anyone.

I know.

What Victor said yesterday,
he was upset.

I know.

What happened
to him was awful,

but that doesn't mean
that's gonna happen to you.

He said I needed
to be prepared,

so I'm getting prepared.

[Ellis]
Okay. Come on.

I'll meet
you guys down there.

And, hey,
we're gonna figure this out.

I know.

Okay.

What--
What am I looking at here?

It's-- It's a model
of the tunnels.

I understand that.
But why is having

a model better
than drawing a map?

I put a lot
of work into this.

It's not a fucking
science fair, Jade!

Oh, for fuck's sake!
All right, you know what?

This model
incorporates everything,

everything
we know about the tunnels,

everything I got from
being down there myself,

everything Victor
and Tabitha could give me.

The path you took, right?
From the root cellar...

Okay.

Okay, well, given all that,

I got a few different scenarios
for how we can do this,

ranging on a sliding scale
of safety and complexity.

So, you wanna hear the simple
but super dangerous ones first,

or should I start
with the safer,

but more complex and...

possibly impossible ones?

This is the chamber where
the bones are buried, right?

Correct.

And this tunnel,

this is the only way in
or out of that chamber?

Yes.

We don't have a plan.

Well, wait, wait. He hasn't even
had a chance--

Hey, when I was in the army,
we'd call something like this

a shooting gallery,

because once
the enemy's inside,

we are fish
in a fuckin' barrel.

Even if we can get past those
things without waking them up,

we get into the chamber,
we dig up the bones,

what happens when they
wake up while we're in there?

What happens when they block our
only exit out of that chamber?

You need to do better.

[scoffs] How?

I don't know.
I'm not the genius.

Figure it out.

Sure. While I'm at it,
why don't I just build

a fucking hot air balloon
and fly us all out of here?

That'd be great.

[door opens, closes]

Hey!

You didn't even listen
to what he had to say.

I didn't need to.

Kenny, you never go
into a hostile space

without a secondary
exit, period. Okay?

I got it.
So, what do we do?

We already told people
that finding those bones

might be the key to
getting everyone home.

Maybe we go on
a scouting mission.

Take one or two people
down into the tunnels,

see if there's
a crack or a crevice

in that chamber
that we missed somehow.

'Kay. If there's not?

I don't know.

Listen, if we're gonna do this,
we have to do it right.

I'm not gonna lead people
down there, and I can't--

[gun firing]

Boyd?

What's wrong?

What? Nothing. I...

Uh,
I gotta go to the clinic.

I told Ellis
I'd meet them up there.

Is Fatima okay?

I don't know.

Henry.
You need something?

I, um...

What's going on over there?

Boyd wants to go through
everything in storage.

Well, what are
they looking for?

Anything to do with that
yellow suit Victor found?

Oh.

You okay?

I need something to do.

I've been, uh...

Well, I've been
drinking a bit lately.

I think it's starting to...

Hm.

Anyway, I figured if
I could keep myself occupied...

Mm.

Um, I'm not too bad
in a kitchen, if you--

How 'bout you give me
a hand with lunch?

I'd like that. Thank you.

Okay.

Okay.

[Joni Mitchell "Blue"
playing on jukebox]

Ah, don't worry,
you'll get used to that.

Come on.

[Joni Mitchell "Blue"
playing on jukebox]

[Joni Mitchell "Blue"
playing on car stereo]

It does that sometimes.

That tape's been
stuck in there for years.

"Blue" was Miranda's
favorite song.

♪ ...tattoos ♪

♪ You know I've been ♪

♪ To sea before ♪

It never used to
be like this, you know.

It was always scary,

but this...

I really hope Boyd's right
about getting those bones.

Me, too.

[door opens]

[knocking]

Who is it?

[Tabitha]
Open the door, Victor.

Tell him it's not true.

Which part?

The part about him
being here alone.

Tell him
it's not gonna happen.

I can't do that.

Victor,
you don't understand.

It's not helping;
it's scaring him.

Will you teach me?

What?

I want him to teach me how
to survive when I'm alone.

You're not going
to be here alone, Ethan!

You don't know that.

What he said
yesterday was true.

Miranda was here
with him and Eloise.

Now, you're here
with me and Julie.

So what? That doesn't
mean anything!

It might.

It won't be as scary
if I know what to do.

Please.

It's a good idea.

Okay. Fine.

[Kristi] Okay, yeah.

I'm not seeing
any internal damage.

All due respect,
you didn't see the baby either.

Ellis!

No, he's right.

There's not much I can
tell you other than that,

physically, you're not in
any immediate danger.

So, what is it, then?

Well, I mean,
if we were anywhere but here,

I would say those
are varicose veins

from abdominal distension,
but we're here, so...

we are well beyond
a standard diagnosis.

[sighs]

Those things,
you said they used to be human.

When you did the autopsy,

you said all the organs
inside were human.

Is it possible that

I'm turning
into one of them?

No.

No, that's...

That's not what's happening.

Tell her-- tell her
that's not what's happening.

Can you make it stop?

Ellis, we don't even
know what it is.

It might also
not be a bad thing.

Excuse me?

Kenny is alive because of this;

she saved his life.

Maybe stopping it is not what
we should be focusing on.

Do you see her stomach?

Does-- Does any of this
look like a

good fucking thing to you?
What are you talking about?

For all we know, this could be
a temporary side effect. Right?

But what's not temporary
is the fact that someone

who would otherwise be dead is
walking around today

because of what this
allowed Fatima to do, okay?

Can you not see how
this might be helpful?

No! I can't see how it
could be fucking helpful!

- Hey!
- Okay, enough, everybody!

Let's just all take a breath.

Hey, Fatima, I wanna keep
you here for observation.

We can monitor your vitals
and keep an eye out

for any significant changes.

Why don't you go
pack a few things,

enough for a few days,

and we'll take it
from there. Okay?

[Jade] Yeah, there's only one,
one way to enter.

[exhales, groans]

You don't know that; you've only
been down there once!

Yes, and the image
of that chamber

is seared into
my fucking brain!

There's one entrance,
that's it!

There's no version of this

where we go spelunking
and realize, "Oh, hey,

there's a convenient exit
we didn't see before!"

For all we know, they buried
the bones in that chamber

for exactly that reason.

Okay, well,
maybe we could have,

like-- maybe we can find--

Kenny. Kenny, Kenny.
Listen to me. Look.

I say this with love, okay?

You being here right now,
it's not helping.

Oh, yeah. Oh, yeah.
Yeah, I'm the problem.

Kenny, stop!

Boyd listens to you, okay?

You have to make him realize
that this may not be the kind

of plan where everybody
who goes in comes out.

So, you want me to go back to
Boyd and tell him that he

just needs to accept the fact
that people are gonna die?

- Maybe.
- I'm not doing that.

Well, then, we're not
fucking going home!

There is a reason that no one
has ever gotten out of here,

and maybe that reason is no one
has ever been willing

to make the hard
decisions before!

Let me guess. You're gonna
be one of the people

going down into the tunnels?

Making the hard
decisions?

Yeah.

That's what I thought.

Ahh! Fuck!

[grunts]

You motherfucker! Aah!

[clattering]

[door opens]

Hey.

[door closes]

[sighs] What are you still
doing out here?

[chuckles mirthlessly]

I'm standing here
trying to work up the courage

to tell you the truth.

I, uh...

I lied to you the other day.

You asked me if I was still
seeing things and I said no.

Okay.

It's happening
more frequently...

...seeing things,

hearing things.

I mean, I can't lead this--

I can't lead this place if
I can't trust my own fucking--

come on!

- Boyd? Hey! Look at me.
- I just--

These episodes that
you're talking about,

are they connected
at all to the tremors?

Like-- like are they
happening at the same time?

I-I don't know.
Sometimes, maybe.

I-I haven't really--

Boyd, what aren't
you telling me?

It's all connected to Abby.

Things that I'm seeing,
that I'm hearing.

The other day
I went to her-- her grave.

Her fucking hands came out
of the soil and grabbed me.

- Jesus.
- Look,

I know this place gets into
our heads, but this is--

this is different.

I keep hearing this gunshot.

You never forget the
sound of the shot that--

Hey...

Why is it happening now?
Right?

I can't fall apart, not now,

not when we might be close
to something real. I just...

Okay.
What do you want me to do?

Look, give me a pill.

I don't know.
Give me a Band-Aid, something.

I-- any...

If what Jade says is
right about the bones, then,

I just need to keep it together
a little bit longer.

Please, just--
just give me something

to help me hold it together
a little bit longer.

Boyd, I-I wanna help,
I really do.

But, yeah, I don't think
there's anything that I can do.

Okay.

Hello?

Sheriff Boyd?

Are you here?

[ominous music playing]

[ominous music continues]

Where were you
last night!?

I'm-- I'm so sorry. I, um...

I heard about what
Boyd was planning,

and I just got scared, and I was
already up by the Colony House--

If we're gonna live together,

I need to know where you are
at night.

- You can't just--
- I'm sorry, I...

You've been so nice to me;

I really didn't
mean to worry you.

I swear it won't
happen again.

What's in the bag?

Nothing.
It's just, um...

I'm really tired, okay?

Hey.

What's going on?

They're clothes, okay?

I just thought if I could find
a change of clothes,

then-- then,
I wouldn't feel so...

But then, I realized

that they're all
dead people's clothes,

and none of them fit right,
and I just...

I don't think
I'm doing very well.

Hey.

It's okay.

It's all right.

You must think I'm so weak.

You're actually handling things
a lot better

than I did
when I first got here.

Really?

And I, uh...

know where there's
a great stash of clothes.

So, maybe you and I can go

try some on later together?

I'd really like that.

You're a good
person, Sara.

I'm gonna be at the diner,

helping them sort through the
storage room, if you need me.

Okay.

[ominous music playing]

That morning that I came out
of the root cellar, and...

when I saw that everyone had
died,

that was the first time
I saw the Boy in White.

He told me there were three
things that I would need.

The first was food.

We didn't have all
the stuff that we do now,

like animals and milk
and all that stuff.

So, he brought me here,

and this whole truck

was filled with
canned peaches.

Was that all you had to eat?
Canned peaches?

Sometimes,
I ate other things.

Plants... and bugs;

that was only if I had to.

Come.

I didn't have
a can opener at first,

so I figured out
how to open them

with this rock.

So, you should
hold onto this.

Look.

Yeah.

Ethan, the worst parts
is when you get lonely.

Everything is scarier
when you're lonely.

So, you have to pretend
you're not alone.

That was the second thing
that the Boy in White told me.

And how do you do that?

It was hard at first.
I had to--

I'd make friends with
things on the truck -

the walls and the
floors and the boxes.

I gave them names
and I would talk to them.

But you won't have
to do that, though,

because I thought of
something that's much better.

Okay?

Where are you going?

Just-- Just stay here;
I'm gonna be right back.

[sighs]

Is this helping?

A little, I guess.

I realized that I missed my
mother and Eloise the most.

And so, I found these...

and I dressed them
in their clothes.

And then, for a while,

it felt like that they
were back with me again.

Then, when I--
then when I talked to them,

uh, I could imagine
what they would say back,

and then it didn't
feel as lonely.

But we...
We can change them

into your family.

This could be your... mom

and this could be Julie.

I know it's
a little small, but--

but we could maybe
find something bigger.

I didn't find anything
for your dad, but I thought...

No.
You need to stop it right now.

...we could
make a scarecrow.

You need to stop it
right now, Victor!

What's wrong?

We're done.
We're not doing this anymore.

Stop.

Ethan, listen to me.

You're never
going to be alone.

I will never, ever
let that happen to you.

And I swear to you...

...I'm gonna
get you out of here.

That's what
my mom thought, too.

Where do you want this?

Uh, watches go over there.

Okay.

Oh...

You really are
pretty good at that.

Ah, well, I...
This is nice.

I really appreciate
you letting me help out.

Well, it's important
to keep busy.

It certainly is.

Especially here.

[crashes]

Wha...

[Henry mumbles]

- [Henry mumbles]
- [monitor beeping]

Dad? Dad!

Grandpa's awake again!

[monitor beeping]

Okay.
Get the doctor, quick!

Dad?

Hey, Dad.
Stay with me. Dad.

Vi-- Victor.

Yeah.

What-- what's happening?

Hey, Dad,
you're in a care facility.

Where... I am in a--

what? No, I was...

I was in the diner,
where I was chopping vegetables.

No, Dad, it wasn't real.

I need you to
listen to me, okay?

And this might not
be easy for you to hear.

A long time ago,

Mom surprised you
on your birthday.

She came home with
two hits of acid.

Do you remember that?

Of course I remember.

Okay.

Well,
there was a problem.

There was something
wrong with the drugs,

and you had
a really bad reaction,

and it was like you just--
you weren't there anymore,

and you've been
in this facility ever since.

Who-- Who was that boy?

That's--
That's my son,

Sebastian.
That's your grandson.

I...
I have a grandson?

Yeah.

You're gonna
stay with us, okay?

I just spoke to Eloise,

and she's
getting on a plane,

and she's flying out
to see you right now.

Eloise? She's alive?

Of course she's alive.

[weeping]

Do you know she's
a school teacher?

A school t...

[monitor beeping]

No, no,
it can't be happening.

This-- no, no,
it can't be real.

Dad, Dad,
you have to stay with me.

[voice echoing]
No, Dad, stay with me.

Please?

[Sarah] Here.
Let me help you with that.

[Bakta] Oh...

You okay?

Uh, I think, uh...

I appreciate you letting me
help, but I think I need to go.

Hey, I'm gonna
head back down to--

What are you doing?

I'm gonna stay
with you at the clinic.

You don't
have to do that.

Yeah, I know. I just...
don't want you to be alone.

That's not
why you're coming.

I don't understand
how could she say

that any of this could
possibly be a good thing.

What if it is?

- What? Are you serious?
- Ellis, I was so freaked out;

it didn't
even occur to me.

I connected
with that thing.

I controlled it.

If there is a way
I can figure out how to use that

to help us,
why wouldn't I even try?

I understand how you feel,
but that is not--

No, you don't.
I'm sorry.

With everything's
that's happened,

you have no idea how it
feels to feel that powerless

in a place like this,

to feel like you're at the mercy

of these things that have
gotten inside your head,

gotten inside my body!

That thing was inside me.
Can you honestly stand there

and tell me you know
how that feels?

No.

And now, I may finally

have a way that
I can take back control,

that I can fight back,

something that could
actually help us go home!

And you want me
to ignore that?

No, I want you to acknowledge
what this thing

might actually
fucking do to you!

I don't care what
it does to me!

I fucking care!

If I lose you...

there is no... home
for me to go to anymore.

Ellis...

Ah, shit.

I understand that
you wanna help,

[sniffles]

and I want you to feel like
you have control again,

but it's...

This shit is scaring
the hell outta me.

[exhaling sharply]

Look, the truth is,

what you're afraid of...

it may already
be happening.

And if-- if it is,

then I need to be able to
take what good I can from that.

Yeah.

Hey.

Hey.

Can I talk to you?

Of course.

What was that back there?

What you said to Fatima
was way outta line.

What-- are you kidding me?

We have no idea
what's happening to her.

She's terrified.

That was not the time or
place to go off like that.

Not the time or place? Kristi,

she saved someone's life.

Why am I the only person
who sees the value in that?

I'm not saying
there's no value to it.

Then, what
are you saying?

Jesus, there are things

that come out of the woods
at night to hunt us.

We need to be finding every
advantage we possibly can.

I'm sorry if my timing
was inappropriate.

I'm saying that we need
to be careful, okay?

This place has
a way of making you think

you're doing good things,

things that
you think will help.

Yeah, it also has a way of

making you terrified
to do anything.

Kristi,
I want us to go home.

I want us to live the life
that we were supposed to have.

So, do I.

Then, what are we
arguing about?

Look, I-I know
we're all scared.

I'm fucking terrified.

But we have no idea what
is happening to Fatima,

and I'm not willing
to risk her safety

so that I feel less afraid.

Kristi--

She is my patient,
she's under my care;

if you have something to say
to her, you go through me.

Yeah, just, uh,
let me know

if you want me to change
any more sheets or anything.

[exhales]

"There's only
one way in or out."

[sighs]

"That's a shooting gallery.
I was in the army."

[gasps]

Holy shit.

Boyd?

[Boyd] In here.

What's going on?

Someone was in here.

Are you sure?

Yeah, I'm sure.
The yellow suit is gone.

What?

I got tired of staring
at the goddamn thing,

so I put it in here,

or... I thought I did.

Why would someone come in here
just to take the yellow suit?

I don't know, Kenny.

Maybe the guy it
belonged to got tired

of walking around naked
in the woods. I don't know.

Do you think maybe Victor
or Henry might have taken it?

[Jade] Boyd!

Boyd! Hey!

Did you take the suit?

- The what?
- The yellow suit,

it's gone.

Forget the suit!
I got it! I fucking got it!

I know how we're getting in
and out of the cavern!

Okay.

- The Bottle Tree!
- What?

Just come!
Come with me!

Hello?

[ominous music playing]

[ominous music continues]

Ethan, let's go.

We can't.
We're not done yet.

Listen, Jade and Boyd

are working on a plan
right now to help us get home.

Come on.

But what if it doesn't?

Miranda thought she
would get everybody home,

but then everybody died.

How do you know the same thing
won't happen again?

[sighs]

Because...

things are
different this time.

We know things now.

Jade and I...

we have memories that
Miranda didn't have.

She tried, Victor.

She tried so hard.

I know because
I feel what she felt.

I know how much
she loved you.

I know how badly she
wanted to take you home.

She just...

didn't have
the answers she needed.

But I do.

I have them because of her.

She's the one that
led me to the tower,

to your father.

She's the reason
why you get to go home.

What?

I don't think I came back
just to free the children.

I came back for you, Victor.

I'm gonna take you home.

So, we're gonna
go to town now.

And we're not gonna
draw any more pictures

because neither of you are
ever going to be alone again.

I promise.

You see, the whole-- the whole
time, I've been focusing on

the entrances and
exits that are there now.

But what I should
have been thinking about

was the exit that
used to be there!

What are you
talking about?

There was a fucking
hole in the ceiling!

And there were these roots

that formed the symbol--
uh, you remember the symbol.

Yeah.

Victor said--

Victor said those
roots became a tree.

This tree.

Gentlemen,
we are, at this moment,

standing right
above the cavern

those bones
are buried in.

You said we couldn't go into the
tunnels without a second exit,

so let's make one.

Wha...? You...
You wanna cut down the tree?

I wanna
pull it out by the roots.

And before you say
that's impossible,

there is a clearing about
a hundred yards from here;

the road isn't too far
from that clearing.

We get the truck and
the van in there, we use--

we use every inch
of chain we have,

we get some leverage from the
other trees, we do it right,

it'll be like pulling a stopper
out of a bottle.

[makes popping sound]
Think about it.

We send one team down there
while those things are asleep,

they get to the chamber,
block the entrance,

they put a talisman
up for good measure;

and while they dig
for the bones,

there's another team
up here working on the tree.

By the time the bones are
dug up, the tree is out.

We lift everyone up to safety,
get back to town,

we're behind closed
doors by sunset. Easy peasy.

Boyd, that--
that could work.

Boyd?

What happens...

when the first
group is down there,

and the tree
doesn't come out?

What happens
if the chain breaks

or-or if we don't
have enough leverage?

That's never gonna happen.

Wait.
You know that for sure?

Because what
I wanna know is what's plan B

when the tree doesn't
come out

and we have five
or six people

barricaded in a death trap
with no place else to go?

Plan B?

[Boyd] Yeah.

[exhales]

You-You asked for a solution
to an impossible problem.

I am serving it to you
on a goddamn platter!

Now, you're asking
for a plan B?

- That's right.
- All right, okay--

No! Let me make this as clear
as I can possibly can.

I am not sending people
down into those tunnels

with nothing
but a hope and a prayer

that we pull the magic tree
out by its roots!

Landscaping is not a plan!

Landscaping. Fuck you!

Great! We're done here!

Hey, just--
just give him some time.

[chuckles]
"Landscaping".

[crow cawing in distance]

[Kenny] Boyd?

Hey, over here!

- Oh.
- [gun firing]

[gasps]

Kenny!

Kenny! No!

Hey. No, no, no, no. Hey!

Don't-- don't talk, okay?

Hold on, Buddy!

Kenny. Hey, look!

Look at me.

Kenny! Kenny!

Hey!

God damn it!

Uh...

[breathing rapidly]

[suspenseful music plays]

[stammering]

[groaning]

Ah...

Ah...

Abby?

[choking]

Oh!

Oh, shit!

[stammering]

God!

What the fuck
do you want from me?!

Huh?!

I don't know
how much sense it makes

for me to be
standing here right now.

You were always
the spiritual one,

the smart one.

[exhaling sharply]

These things
I'm-- I'm seeing...

could they be real?

Did I really have it...

wrong this whole time?

[exhaling sharply]

Well, it seems like me getting
my brain fried on that acid

makes a whole lot
more sense than-- than,

well-- any of this.

Everything's
so... nice... there,

in that place I've seen.

Victor, he...
[chuckles]

...he wears a shirt and tie.

And then,
we... have... a grandson.

He-- He has your eyes.

And Eloise...

...you're not--

you're on a plane.

You're on a plane, and...

I don't know where
it's coming from,

but I'm gonna
ask the next time I...

[weeping]

Oh...

Could I
really be so lost?

All that time...

Or...

did I come all this way,

so that I could finally...

go home?

If that's true...

help me. Help me.

- Please help me.
- [Joni Mitchell "Blue" playing]

- [monitor beeping]
- What?

- [monitor beeping]
- [Joni Mitchell "Blue" playing]

♪ Blue... ♪

Dad.

[murmur]

It's working.

♪ Songs are like tattoos ♪

Hey, Dad.

That was your song, remember?

Yeah. Lots of laughs.

♪ Crown and anchor me ♪

[doctor]
Henry?

♪ Or let me sail away ♪

I need you to focus.
You're getting stronger.

You're coming back now more

than you have
in a very long time.

But if you want to stay,

there's something
you need to do.

Do you want
to stay here, Henry?

Yes. Yes.

- [Joni Mitchell "Blue" playing]
- Yes, I do.

[doctor] Good.

Then, you have to do
exactly as I tell you.

Okay.

You see, the mind craves
what is familiar.

And you have lived
in this delusion for so long

that your mind
believes that it's real.

Just telling yourself
that it's not won't be enough.

You have to forcibly disconnect

from whatever is anchoring you
to that version of reality.

How?

You have to
eliminate the anchor.

♪ Lots of laughs-- ♪

What happened?

I lost service.

[voice echoing]
Henry? Henry.

What?

No!

No, please, come back.

[stammers]
What did you mean?

How do I forcibly disconnect?

What--

Miranda, please!

[whimpering]
Help me go back!

Please?

Please!

What? Where am I?

[stammering]

[weeping]

Any, um...
Any dizziness?

No.

Shortness of breath?

[Fatima] No.

[Kristi]
Light-headedness?

Not really.

[Kristi]
Any pain?

Aside from the marks,
I'm fine.

That cold sensation
you talked about before...

It's gone.

That thing you said earlier

about being maybe
able to control this,

do you really think
that's possible?

Uh, it's hard to say.

But you must
have had some idea.

I think there's a couple of
things we could try, yeah.

Can I talk to you?

Out there.

Enough.

Okay? Enough.
You heard her.

She wants to do this.
She wants to try.

Are you really gonna tell her
that she can't use what's hap--

Her blood pressure
is 53 over 33.

What?

Her heart rate
is 19 beats per minute.

That's impossible.

I know. I checked twice.

I mean, medically speaking,

Fatima shouldn't
even be alive right now.

[ominous music playing]

Mom, is it okay

if we go up to Colony House
and check in on Donna?

I think she'd like that.

Go ahead.
I'll meet you there.

[phone ringing]

[ominous music playing]

[phone ringing]

[phone ringing]

[phone ringing]

[static buzzing]

Hello?

[Thomas]
Mom? It's Thomas.

[static buzzing]

Aren't you
gonna say anything?

[static buzzing]

What do you want?

Come to the RV,

or I'll hurt
Julie and Ethan.

[static buzzing]

[ominous music playing]

You know no version
of Jade's plan

is ever gonna be
good enough for you, right?

Look, I'm not
fucking talking to you.

Look--

No! God, no!
Ya hear me?

I've had enough,
all right?!

You got something to tell me,
then fucking tell me!

All right.

You need to get over it.

Excuse me?

You need to get over the fact
that you killed your wife.

You need to accept
that you did what you did

because it was the
only choice you had,

and nothing you did that morning
could have saved her.

Just like you need
to accept the fact that,

no matter how
great your plan is,

you're probably gonna lose
people going into those tunnels.

- Is that right?
- Oh, yeah.

You're not in peace time
anymore, Boyd.

This isn't about keeping
everybody safe and sound.

I mean, you think this
place pushed back before?

No, Boyd. Look at me.

This is it.

This is where
you make your stand.

And it's not about
saving everyone;

it's about saving
as many as you can.

When you shot Abby,

you saved Ellis.

You go down in those tunnels,
collect those bones, yeah,

you're probably
gonna lose some people,

but you could save
a whole lot more.

So, suck it up,
make a choice and live with it.

[growls, shouts]

[shouts]

Hello?

[ominous music playing]

Thanks for coming.

I wasn't sure
you would.

You know who I am?

Oh.

You haven't remembered
that part yet.

You know...

your husband died
right where you're standing.

Jim was so brave.

I really liked him.

I kept one of his teeth,
you know?

Did you bring me
here to kill me?

Kill you?

Heaven's no.

We've been through
so much together, you and I.

You're as close
to a friend as I ever had.

You and Jade,

you're doing
so well this time.

I wouldn't dream
of killing you.

Not yet.

- Then, why am I here?
- You're here

because you're about
to do something

you've never done before.

We've played
this game so many times...

[gasps]

...but the notion of you
digging up those bones?

Oh...

You may have
finally found the key

to setting
those children free,

to bringing your
own children home.

Or...

you're about to unleash

a type of suffering you
can't even begin to imagine.

[gasps]

[chuckles]

This was really nice.

I really have
missed you.

I'll see you soon.

[kissing]

[humming a tune]

[humming a tune]

[ominous music playing]

Oh, my God.

[theme music playing]