All language subtitles for Saturday.Night.Live.S47E20.en

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish Download
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,435 --> 00:00:04,971 >>> THIS IS AN MSNBC NEWS SPECIAL REPORT. 2 00:00:04,971 --> 00:00:15,782 [ CHEERS AND APPLAUSE ] >>> GOOD EVENING, I AM NICOLLE WALLACE AND YOU'RE 3 00:00:15,782 --> 00:00:22,055 WATCHING MSNBC NEWS BECAUSE YOU HAVE NOWHERE ELSE TO PLACE YOUR ANGER. 4 00:00:22,055 --> 00:00:27,127 [ LAUGHTER ] TONIGHT POLITICAL FALLOUT FROM THE RECENT JANUARY 6th 5 00:00:27,127 --> 00:00:29,229 SUBPOENAS, UPDATES ON THE RUSSIAN HELICOPTER TAKEN DOWN BY UKRAINE PLUS A NATIONWIDE 6 00:00:29,229 --> 00:00:36,336 SHORTAGE OF BABY FORMULA. BUT WE START OF COURSE WITH THE JOHNNY DEPP AMBER HEARD CUCKOO 7 00:00:36,336 --> 00:00:39,072 TRIAL. [ LAUGHTER ] I KNOW IT'S NOT THE MOST 8 00:00:39,072 --> 00:00:43,376 PERTINENT STORY OF THE MOMENT, BUT WITH ALL OF THE PROBLEMS IN THE WORLD ISN'T IT NICE TO HAVE 9 00:00:43,376 --> 00:00:47,514 A NEWS STORY WE CAN ALL COLLECTIVELY WATCH AND SAY I'M GLAD IT AIN'T ME? 10 00:00:47,514 --> 00:00:49,716 [ LAUGHTER ] I THOUGHT SO. WE TAKE YOU NOW TO LIVE 11 00:00:49,716 --> 00:00:59,325 COVERAGE. >> MR. DEPP, EARLIER IN THIS TRIAL YOU MENTIONED THAT 12 00:00:59,325 --> 00:01:02,962 MISS HEARD LEFT FECAL MATTER IN YOUR BED. >> THAT IS CORRECT, YES. 13 00:01:02,962 --> 00:01:11,304 >> AND HOW DID THAT MAKE YOU FEEL? >> I FELT VERY, VERY -- 14 00:01:11,304 --> 00:01:13,640 SAD. [ LAUGHTER ] >> OBJECTION. 15 00:01:13,640 --> 00:01:15,709 YOUR HONOR, WE'VE BEEN THROUGH THIS, THERE'S NO ACTUAL PROOF THIS EVER HAPPENED. 16 00:01:15,709 --> 00:01:20,513 >> SUSTAINED. WHERE ARE YOU GOING WITH THIS COUNSELOR? 17 00:01:20,513 --> 00:01:25,719 >> YOUR HONOR, WE'VE RECENTLY FOUND SURVEILLANCE FOOTAGE OF THE HOUSE STAFF DISCOVERING THE 18 00:01:25,719 --> 00:01:28,288 ALLEGED FECAL MATTER ON MR. DEPP'S BED. >> OH. 19 00:01:28,288 --> 00:01:35,995 WORD? >> OBJECTION. THAT STILL WOULDN'T PROVE MY 20 00:01:35,995 --> 00:01:38,365 CLIENT IS GUILTY OF ANYTHING. >> THAT'S TRUE. BUT I'LL ALLOW IT BECAUSE IT 21 00:01:38,365 --> 00:01:43,003 DOES SOUND FUN AND THIS TRIAL IS FOR FUN. [ LAUGHTER ] 22 00:01:43,003 --> 00:01:49,175 >> WHAT? >> THANK YOU, YOUR HONOR. MR. DEPP, CAN YOU TELL US WHO 23 00:01:49,175 --> 00:01:54,981 THAT IS? >> WELL, THAT'S MY PROPERTY MANAGER, LEONARD GREEN. 24 00:01:54,981 --> 00:02:02,288 I GUESS HE'S DOING A ROUTINE CHECK AROUND THE HOUSE. >> YOU KNOW SHE CUT THAT JOKER'S 25 00:02:02,288 --> 00:02:05,125 FINGER OFF, RIGHT? IF I'M LYING I'M FLYING. HOLD ON A SECOND. 26 00:02:05,125 --> 00:02:09,596 [ SNIFFING ] [ LAUGHTER ] DAMN, SMELL LIKE BOO BOO IN 27 00:02:09,596 --> 00:02:15,869 HERE. [ LAUGHTER ] IT'S COMING FROM THIS BED. 28 00:02:15,869 --> 00:02:27,080 AH, HELL NO! THAT'S A BOOBOO! >> AND THERE YOU HAVE IT. 29 00:02:27,080 --> 00:02:31,951 THEY FOUND THE DOOKIE. >> OBJECTION. YOUR HONOR, THIS IS PURE 30 00:02:31,951 --> 00:02:34,621 SPECULATION. >> OVERRULED. I'D LIKE TO SEE MORE OF THIS 31 00:02:34,621 --> 00:02:37,691 VIDEO? >> WHY? >> BECAUSE IT'S FUNNY. 32 00:02:37,691 --> 00:02:44,297 >> PLEASE CONTINUE. >> SASHA! DAMN, I HATE THIS JOB. 33 00:02:44,297 --> 00:02:45,865 >> WHY YOU YELLING MY NAME LIKE YOU CRAZY? >> LOOK AT THIS. 34 00:02:45,865 --> 00:02:49,502 >> AH, HELL NAH. WHY DIDN'T YOU JUST GO IN THE TOILET? 35 00:02:49,502 --> 00:02:52,839 >> I DIDN'T DO THIS. [ LAUGHTER ] >> WHO DID IT, THEN? 36 00:02:52,839 --> 00:02:55,809 >> I DON'T KNOW. MAYBE THE DOG? >> NO, NO, NO, NO. 37 00:02:55,809 --> 00:03:00,647 THAT MESS AIN'T COME OUT OF NO DOG. THAT CAME OUT OF A DEHYDRATED 38 00:03:00,647 --> 00:03:04,617 ADULT. [ LAUGHTER ] >> MAYBE THE WIFE DID IT. 39 00:03:04,617 --> 00:03:08,488 >> WHY WOULD SHE BOOBOO IN HER OWN BED? >> I DON'T KNOW, YOU REMEMBER 40 00:03:08,488 --> 00:03:10,423 SHE ALREADY CUT THAT BOY FINGER OFF. AND MY DADDY ALWAYS TOLD ME, IF 41 00:03:10,423 --> 00:03:12,192 A GIRL CUT YOUR FINGER OFF SHE'LL BOO BOO IN YOUR BED. [ LAUGHTER ] 42 00:03:12,192 --> 00:03:14,194 >> WHY YOU TAKING A PICTURE OF IT? >> BECAUSE IT LOOKS JUST LIKE 43 00:03:14,194 --> 00:03:19,065 THE EMOJI. [ LAUGHTER ] >> MAN, WHAT IS WRONG WITH WHITE 44 00:03:19,065 --> 00:03:20,934 PEOPLE? >> I DON'T KNOW BUT YOU NEED IT CLEAN THIS UP BEFORE MR. JOHNNY 45 00:03:20,934 --> 00:03:22,936 GET BACK. >> NO, NO, NO. THAT AIN'T MY JOB. 46 00:03:22,936 --> 00:03:27,307 I AM A LANDSCAPER. >> WELL, AIN'T THAT FERTILIZER? >> SOFIA! 47 00:03:27,307 --> 00:03:30,810 >> SOFIA! >> OBJECTION, YOUR HONOR. HOW MUCH OF THIS VIDEO DO WE 48 00:03:30,810 --> 00:03:35,315 HAVE TO WATCH? >> WE DON'T HAVE TO WATCH ANY OF IT. 49 00:03:35,315 --> 00:03:40,987 BUT WE WANT TO. SO HUSH. NOW, WHO'S THIS SOFIA PERSON? 50 00:03:40,987 --> 00:03:46,159 >> OH, SHE'S MY -- CLEANING LADY. >> MR. DEPP, ARE YOU FINDING 51 00:03:46,159 --> 00:03:51,398 THIS TRIAL AMUSING? >> A LITTLE. YES. 52 00:03:51,398 --> 00:03:56,870 [ LAUGHTER ] >> SO AM I. YOU'RE BAD, CAPTAIN JACK. 53 00:03:56,870 --> 00:04:11,051 >> HOLA, COMO ESTAS? [ SPEAKING FOREIGN LANGUAGE ]. >> IT'S BOOBOO, SOFIA. 54 00:04:11,051 --> 00:04:13,153 >> [ SPEAKING FOREIGN LANGUAGE]. >> SEE, I TOLD YOU. >> SOFIA, YOU GOT TO CLEAN THAT 55 00:04:13,153 --> 00:04:15,455 UP, OKAY. >> NO, NO NO, NO. >> YES, YES, YES, YES, YES, YES. 56 00:04:15,455 --> 00:04:17,590 >> MAN, YA'LL SEEN SOMEBODY DREW A DINGALING IN THE WALLS WITH BLOOD? 57 00:04:17,590 --> 00:04:22,829 I HATE THIS DAMN JOB SO MUCH. WHAT'S THAT SMELL? OH! 58 00:04:22,829 --> 00:04:27,467 SO YOU REALLY DID IT, MAN. YOU FINALLY QUITTING. [ LAUGHTER ] 59 00:04:27,467 --> 00:04:30,804 >> I DIDN'T DO THIS. IT WAS THE WIFE. >> AND YOU'VE GOT TO CLEAN IT 60 00:04:30,804 --> 00:04:33,540 UP, JAMAL. >> OH, HELL NO, I JUST DO LAUNDRY. 61 00:04:33,540 --> 00:04:35,308 >> YEAH. AND THAT'S LAUNDRY, BRO. AND THAT'S LAUNDRY, BRO. 62 00:04:35,308 --> 00:04:37,477 >> DAMN, I HATE THIS JOB. >> OKAY. OKAY. 63 00:04:37,477 --> 00:04:44,084 I THINK I'VE SEEN ENOUGH. THIS TRIAL HAS GIVEN ME A LOT TO CONSIDER. 64 00:04:44,084 --> 00:04:48,455 ON ONE HAND I BELIEVE MR. DEPP'S STORY, BUT ON THE OTHER HAND YOUR CONSTANT LITTLE SMIRK LETS 65 00:04:48,455 --> 00:04:53,893 ME KNOW THAT THIS IS NOT THE FIRST WOMAN YOU'VE MADE SO MAD THAT SHE POOPED IN YOUR BED. 66 00:04:53,893 --> 00:05:00,333 >> I GUESS I HAVE BEEN KNOWN TO BE A -- FULL NIGHTMARE. 67 00:05:00,333 --> 00:05:03,436 >> RIGHT. OKAY. EITHER WAY, I'M JUST SO GLAD 68 00:05:03,436 --> 00:05:05,805 THIS AIN'T ME. AND -- LIVE FROM NEW YORK, IT'S 69 00:05:05,805 --> 00:05:07,340 LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! ** 70 00:05:11,778 --> 00:05:16,349 >> Announcer: IT'S "SATURDAY NIGHT LIVE." WITH -- 71 00:07:18,338 --> 00:07:22,175 >> Announcer: LADIES AND GENTLEMEN, SELENA GOMEZ! 72 00:07:37,457 --> 00:07:43,329 >>> THANK YOU. THANK YOU. THANK YOU SO MUCH. 73 00:07:43,329 --> 00:07:50,070 I'M SO EXCITED TO BE HERE. GROWING UP, I USED TO WATCH "SNL" EVERY SATURDAY WITH MY MOM 74 00:07:50,070 --> 00:07:54,107 -- HI, MOM. THIS IS A BIG MOMENT FOR ME. I ACTUALLY STARTED ACTING WHEN I 75 00:07:54,107 --> 00:07:59,112 WAS 7, AND I'VE BEEN LUCKY ENOUGH TO WORK WITH SOME HOLLYWOOD ICONS, FROM STEVE 76 00:07:59,112 --> 00:08:05,151 MARTIN, MARTIN SHORT, AND OF COURSE BARNEY. [ CHEERS AND APPLAUSE ] 77 00:08:05,151 --> 00:08:10,490 YEAH. THAT'S ME. THAT WAS THE FIRST SHOW I WAS 78 00:08:10,490 --> 00:08:13,059 ON. AND NOW I'M ON A SHOW CALLED "ONLY MURDERS IN THE BUILDING." 79 00:08:13,059 --> 00:08:19,632 [ CHEERS AND APPLAUSE ] I WAS SO HONORED TO WORK WITH STEVE MARTIN AND MARTIN SHORT, 80 00:08:19,632 --> 00:08:24,604 ESPECIALLY AFTER I GOOGLED THEM TO FIND OUT WHO THEY WERE. [ LAUGHTER ] 81 00:08:24,604 --> 00:08:28,675 I REMEMBER TELLING MY FRIENDS THAT I WAS CAST IN A SHOW "ONLY MURDERS" AND SHE SAID SOUNDS 82 00:08:28,675 --> 00:08:32,746 SEXY. ANY HOT CO-STARS? AND I WAS LIKE -- 83 00:08:32,746 --> 00:08:36,116 [ LAUGHTER ] DEPENDS. DO YOU LOVE THE BANJO? 84 00:08:36,116 --> 00:08:43,456 [ LAUGHTER ] ALL RIGHT. IT'S COOL BEING AROUND TWO "SNL" 85 00:08:43,456 --> 00:08:46,126 LEGENDS. AND WHEN I FOUND OUT I WAS HOSTING I IMMEDIATELY ASKED FOR 86 00:08:46,126 --> 00:08:51,297 THEIR ADVICE. STEVE SAID TRUST NO ONE. AND MARTY SAID I THINK STEVE 87 00:08:51,297 --> 00:08:53,967 MARTIN HAS BEEN USING MY CREDIT CARD. [ LAUGHTER ] 88 00:08:53,967 --> 00:09:00,006 I ALSO ASKED ONE OF MY OLDEST FRIENDS, MILEY CYRUS. AND SHE SAID JUST BE YOURSELF 89 00:09:00,006 --> 00:09:05,145 AND HAVE FUN. [ LAUGHTER ] I WAS LIKE, MILEY, IS THAT JUST 90 00:09:05,145 --> 00:09:09,716 AN EXCUSE FOR ME TO DO AN IMPRESSION OF YOU ON THE SHOW? AND SHE'S LIKE, "HELL, YEAH, I'M 91 00:09:09,716 --> 00:09:12,752 MILEY CYRUS." [ LAUGHTER ] BUT ONE REASON I'M REALLY 92 00:09:12,752 --> 00:09:19,826 EXCITED TO HOST "SNL" IS BECAUSE I'M SINGLE. [ CHEERS AND APPLAUSE ] 93 00:09:19,826 --> 00:09:27,801 AND I HEARD THAT "SNL" IS A GREAT PLACE TO FIND ROMANCE. EMMA STONE MET HER HUSBAND HERE. 94 00:09:27,801 --> 00:09:35,108 SCARLETT JOHANSSON AND COLIN JOST. AND PETE AND MACHINE GUN KELLY. 95 00:09:35,108 --> 00:09:37,677 [ LAUGHTER ] AND SINCE I DON'T REALLY WANT TO TRY THE DATING APPS I JUST WANT 96 00:09:37,677 --> 00:09:41,514 TO PUT IT OUT IN THE UNIVERSE THAT I'M MANIFESTING LOVE AND I WOULD LIKE TO SAY THAT I'M 97 00:09:41,514 --> 00:09:45,819 LOOKING FOR MY SOULMATE. BUT AT THIS POINT I WILL TAKE ANYONE. 98 00:09:45,819 --> 00:09:49,189 >> I'LL DO IT. [ LAUGHTER ] >> WHAT? 99 00:09:49,189 --> 00:09:54,861 >> BE WITH YOU, LIKE YOU SAID, I'LL DO IT. [ LAUGHTER ] 100 00:09:54,861 --> 00:09:58,164 >> OH. NO. NO. 101 00:09:58,164 --> 00:10:03,136 [ LAUGHTER ] NO. >> BUT YOU JUST SAID YOU'D TAKE 102 00:10:03,136 --> 00:10:07,507 ANYONE. >> YEAH, BUT I WAS JUST SORT OF JOKING. 103 00:10:07,507 --> 00:10:10,143 I JUST DON'T REALLY THINK THAT'S GOING TO BE OUR JOURNEY. I'M SORRY. 104 00:10:10,143 --> 00:10:14,981 AREN'T YOU MARRIED? >> OH, YEAH, THAT'S RIGHT. [ LAUGHTER ] 105 00:10:14,981 --> 00:10:20,787 >> OKAY. WELL, I STILL BELIEVE THAT I CAN FIND LOVE AND THE RIGHT PERSON. 106 00:10:20,787 --> 00:10:27,660 >> I'LL DO IT. >> OH, THIS IS THE NEW CAST MEMBER, JEFF. 107 00:10:27,660 --> 00:10:33,867 [ APPLAUSE ] >> IT'S JAMES, BUT I'LL CHANGE IT TO JEFF IF YOU WANT. 108 00:10:33,867 --> 00:10:38,004 [ LAUGHTER ] >> WAIT, AREN'T YOU MARRIED ALSO? 109 00:10:38,004 --> 00:10:46,413 >> OH. RIGHT, RIGHT, RIGHT. >> EXCUSE ME. 110 00:10:46,413 --> 00:10:49,482 COME ON, MAN. YOU'VE GOT TO READ THE ROOM. IT'S A NO, JEFF. 111 00:10:49,482 --> 00:10:57,090 BYE. >> THANK YOU, PUNKEY. >> OF COURSE, BABY. 112 00:10:57,090 --> 00:10:59,726 LISTEN, I'M SO SORRY PEOPLE OUT HERE HARASSING YOU. IT'S JUST UNACCEPTABLE GIRL. 113 00:10:59,726 --> 00:11:05,532 YOU JUST OUT HERE TRYING TO DO YOUR JOB. DAMN. 114 00:11:05,532 --> 00:11:13,139 BUT I'LL DO IT. [ LAUGHTER ] [ CHEERS AND APPLAUSE ] 115 00:11:13,139 --> 00:11:16,643 >> HONESTLY IT'S KIND OF A VIBE BUT LET'S SEE HOW THE AFTERPARTY GOES. 116 00:11:16,643 --> 00:11:19,279 [ LAUGHTER ] LOOK, BEFORE WE START THE SHOW I JUST WANT TO SAY HOW GRATEFUL I 117 00:11:19,279 --> 00:11:22,482 AM TO BE HERE. AND I'LL ADMIT I AM A LITTLE NERVOUS. 118 00:11:22,482 --> 00:11:28,688 BUT I JUST THINK BACK TO THOSE WORDS OF WISDOM THAT ONE OF MY CO-STARS WOULD TELL ME BEFORE 119 00:11:28,688 --> 00:11:32,125 EVERY SHOW. I LOVE YOU, YOU LOVE ME, WE'RE A HAPPY FAMILY. 120 00:11:32,125 --> 00:11:37,397 YOU KNOW IT. * WITH A GREAT BIG HUG AND A KISS FROM ME TO YOU * 121 00:11:37,397 --> 00:11:43,870 * WON'T YOU SAY YOU LOVE ME TOO * WE'VE GOT A GREAT SHOW FOR YOU 122 00:11:43,870 --> 00:11:47,674 TONIGHT! POST MALONE IS HERE. STICK AROUND WE'LL BE BACK 123 00:11:54,481 --> 00:11:56,649 >>> NOW, NOTHING HAS TO CHANGE, SWEETIE, AND NONE OF THIS IS YOUR FAULT. 124 00:11:56,649 --> 00:12:01,521 >> BUT I DON'T WANT YOU GUYS TO GET A DIVORCE. >> DON'T WORRY, WE STILL LOVE 125 00:12:01,521 --> 00:12:03,890 YOU VERY MUCH. >> AND YOUR DAD LOVES A WOMAN NAMED JULIA. 126 00:12:03,890 --> 00:12:08,528 [ LAUGHTER ] WE JUST THINK SEPARATING IS WHAT IS BEST FOR THE FAMILY. 127 00:12:08,528 --> 00:12:13,800 >> I THINK I JUST WANT TO BE ALONE IF THAT'S OKAY. >> SURE, HONEY. 128 00:12:13,800 --> 00:12:20,640 WE'RE HERE IF YOU NEED US. >> I GUESS THIS IS GROWING UP, HUH? 129 00:12:20,640 --> 00:12:27,380 I WISH I COULD TALK TO YOU GUYS ABOUT THIS. I CAN'T BELIEVE MY DOLLS ARE MY 130 00:12:27,380 --> 00:12:31,951 ONLY FRIENDS. WHOA! WHAT'S HAPPENING? 131 00:12:31,951 --> 00:12:40,160 [ CHEERS AND APPLAUSE ] >> HEY, TINY BITCH. >> SOUNDS LIKE YOU'RE IN A 132 00:12:40,160 --> 00:12:43,496 CRISIS. >> AND WE'RE YOUR FRIENDS, SO WE'RE HERE TO HELP YOU. 133 00:12:43,496 --> 00:12:47,334 >> WAIT, WHAT? WHO ARE YOU GUYS? >> WELL, WE'RE A GLOBAL FASHION 134 00:12:47,334 --> 00:12:54,674 SENSATION. >> SEXY DOLLS FOR PRE-TEENS. >> WE ARE YOUR BRATZ DOLLS. 135 00:12:54,674 --> 00:13:03,616 * WE ARE THE GIRLS WITH THE PASSION FOR FASHION * * BA, BA, BA, BRATZ * 136 00:13:03,616 --> 00:13:10,123 * BRATZ * >> BRATZ, YOU'RE LIKE ALIVE? >> STUPID QUEEN, WE WATCH OVER 137 00:13:10,123 --> 00:13:14,561 YOU EVERY DAY, LIKE GOD BUT SLUTTY. [ LAUGHTER ] 138 00:13:14,561 --> 00:13:19,265 >> WE COME TO LIFE EVERY TIME A GIRL'S PARENTS GET A DIVORCE. >> YEAH. 139 00:13:19,265 --> 00:13:23,603 AND WE'RE FOR GIRLS WHO ARE TOO OLD FOR CLAIRE'S BUT TOO YOUNG FOR TALBOTS. 140 00:13:23,603 --> 00:13:29,275 [ LAUGHTER ] >> I'M JADE. I HAVE A FLIP PHONE, A DOG SALON 141 00:13:29,275 --> 00:13:33,747 AND I FIGHT WITH MY BOYFRIEND A LOT. >> I'M GIGI. 142 00:13:33,747 --> 00:13:37,650 I USED TO BE AN AMERICAN GIRL DOLL, UNTIL I FOUND SEX. >> AND ME, I'M DYLAN. 143 00:13:37,650 --> 00:13:40,887 I'M A BOY BRAT. I HAVE A HARD TIME MAKING MALE FRIENDS BECAUSE WE'RE 144 00:13:40,887 --> 00:13:44,257 COMPETITIVE ABOUT SPORTS AND GIRLS. [ LAUGHTER ] 145 00:13:44,257 --> 00:13:49,996 >> BRATZ, CAN YOU HELP ME? I JUST FEEL LIKE MY PARENTS' DIVORCE IS ALL MY FAULT. 146 00:13:49,996 --> 00:13:55,135 >> SHUT THE HELL UP WITH THAT, YOUR MOM SOUNDS LIKE A BITCH. [ LAUGHTER ] 147 00:13:55,135 --> 00:13:58,972 >> BUT WHAT'S THE DEAL WITH YOUR DAD? HE'S INTERESTING TO US. 148 00:13:58,972 --> 00:14:04,110 [ LAUGHTER ] >> I DON'T LOVE HOW YOU ASKED THAT. 149 00:14:04,110 --> 00:14:11,051 I GUESS HE'S A RESEARCH ANALYST. >> THAT'S WEIRD. HE SEEMS LIKE A DJ WHO LOVES 150 00:14:11,051 --> 00:14:12,218 BOTTLE SERVICE. [ LAUGHTER ] >> NO. 151 00:14:12,218 --> 00:14:16,523 >> HOT. >> WHAT DOES HIS NEW GIRLFRIEND LOOK LIKE? 152 00:14:16,523 --> 00:14:17,557 BRUNETTE? BLOND? >> YEAH. 153 00:14:17,557 --> 00:14:20,794 OR IS SHE LIKE A DOLL WITH GIANT EYES AND PLATFORM FLIP-FLOPS? [ LAUGHTER ] 154 00:14:20,794 --> 00:14:26,199 >> OR IS SHE A BOY LIKE ME? >> WHAT? I JUST DON'T GET WHY MY DAD 155 00:14:26,199 --> 00:14:32,572 DOESN'T LOVE MY MOM ANYMORE. >> I'LL TELL YOU WHY. HE PROBABLY LIKES GIRLS WHO WEAR 156 00:14:32,572 --> 00:14:35,942 HUGE HATS AND HAVE LIPS LIKE THIS. [ LAUGHTER ] 157 00:14:35,942 --> 00:14:39,412 >> OKAY, GUYS, I'M SERIOUSLY HAVING A HARD TIME HERE. DON'T YOU HAVE ANY REAL ADVICE 158 00:14:39,412 --> 00:14:43,116 FOR ME? >> YES. ALWAYS REMEMBER. 159 00:14:43,116 --> 00:14:48,455 BE TRUE. BE REAL. BE BRATZ. 160 00:14:48,455 --> 00:14:54,461 >> OKAY, I'LL TRY THAT. >> HEY, NO, WE'RE NOT DONE YET. ALSO, BE AUTHENTIC AND BE A 161 00:14:54,461 --> 00:14:58,431 BITCH TO EVERY WAITER YOU SEE. [ LAUGHTER ] >> ALL RIGHT, THANK YOU. 162 00:14:58,431 --> 00:15:07,707 >> STOP INTERRUPTING US. NEVER FORGET, BE A BOY AND THEN COME OUT TO YOUR FAMILY AS 163 00:15:07,707 --> 00:15:12,712 BRATZ. [ LAUGHTER ] AND WHEN THEY DISOWN YOU MAKE 164 00:15:12,712 --> 00:15:17,584 THESE GIRLS YOUR CHOSEN FAMILY. ** * CHOSEN * 165 00:15:17,584 --> 00:15:23,857 * BA, BA, BA, FAMILY * >> OKAY. I STILL FEEL KIND OF SAD. 166 00:15:23,857 --> 00:15:28,061 CAN I HAVE A HUG? >> UH, SORRY, WE'RE HOLDING STUFF. 167 00:15:28,061 --> 00:15:32,098 >> NO, YOU'RE NOT. >> WE MIGHT BE LATER, THOUGH. >> YEAH. 168 00:15:32,098 --> 00:15:36,536 >> OKAY. CAN YOU GUYS JUST SHRINK DOWN AND GO BACK TO BEING DOLLS NOW? 169 00:15:36,536 --> 00:15:38,138 >> NO. >> WE'RE GOING TO MIAMI WITH YOUR DAD. 170 00:15:38,138 --> 00:15:52,852 [ LAUGHTER ] * BA, BA, BA, BRATZ * * BA, BA, BA, BITCH ** 171 00:15:54,487 --> 00:15:59,626 [ CHEERS AND APPLAUSE ] >>> NETFLIX VIEWERS LOVE "OLD ENOUGH," THE HIT JAPANESE SHOW 172 00:15:59,626 --> 00:16:04,597 THAT FOLLOWS TODDLERS AS THEY GO ON AN ERRAND ALL BY THEMSELVES. AND NOW, WE'RE REMAKING IT HERE 173 00:16:04,597 --> 00:16:11,171 BUT SINCE AMERICANS DON'T SEND TODDLERS OUT INTO THE WORLD ALONE, WE HAD TO FIND AN EQUALLY 174 00:16:11,171 --> 00:16:22,248 HELPLESS GROUP, AND WE DID. HERE'S A SNEAK PEEK OF "OLD ENOUGH: LONG-TERM BOYFRIENDS." 175 00:16:22,248 --> 00:16:24,584 >> MATT AND KELSEY LIVE IN NEW YORK CITY. THEY HAVE BEEN DATING FOR THREE 176 00:16:24,584 --> 00:16:26,886 YEARS, AND NOW HE'S 34, KELSEY THINKS MATT IS READY TO RUN AN ERRAND ALL BY HIMSELF. 177 00:16:26,886 --> 00:16:34,260 >> MATT, I'M GOING TO NEED YOU TO GO OUT AND GET A COUPLE THINGS FOR ME, OKAY. 178 00:16:34,260 --> 00:16:39,733 >> ARE YOU GOING TO COME? >> NO, NO, NO. THIS IS SOMETHING YOU HAVE TO DO 179 00:16:39,733 --> 00:16:44,738 ALL BY YOURSELF, OKAY? >> MATT'S NERVOUS BUT WITH CHELSEA'S HELP, MATT IS READY 180 00:16:44,738 --> 00:16:53,279 FOR HIS BIG ERRAND! MATT WILL HAVE TO WALK FOUR BLOCKS TO SEPHORA, WHICH HE 181 00:16:53,279 --> 00:17:01,087 THINKS IS CALLED SEPHORIA, LIKE THE HBO SHOW, "EUPHORIA." AND BUY A SMASHBOX BRAND 182 00:17:01,087 --> 00:17:03,356 EYELINER PENCIL IN NIGHT MIST. AND HE'LL NEED TO TRAVEL THREE MORE BLOCKS TO THE GROCERY STORE 183 00:17:03,356 --> 00:17:08,328 TO BUY TWO SHALLOTS. >> HERE HE GOES. HE'S ONLY 34. 184 00:17:08,328 --> 00:17:16,536 WOW, SO BRAVE. ** DON'T GET DISTRACTED BY ANA DEARMAS, MATT. 185 00:17:16,536 --> 00:17:20,774 AND HE MADE IT TO SEPHORA. BUT ONCE INSIDE, MATT IS OVERWHELMED. 186 00:17:20,774 --> 00:17:27,047 HE'S NEVER BEEN HERE WITHOUT KELSEY BEFORE. OH, NO MATT, DON'T CRY. 187 00:17:27,047 --> 00:17:36,289 ASK FOR HELP LIKE A BIG BOY. >> HI. >> DO YOU KNOW WHERE THE MAKE-UP 188 00:17:36,289 --> 00:17:39,125 IS? >> THIS IS ALL MAKE UP IN HERE, SWEETIE. 189 00:17:39,125 --> 00:17:44,264 DO YOU KNOW WHAT YOU'RE LOOKING FOR? >> REMEMBER, MATT, KELSEY WANTS 190 00:17:44,264 --> 00:17:46,399 A SMASHBOX NIGHT MIST EYE PENCIL. >> SMASHMOUTH NIGHT WING. 191 00:17:46,399 --> 00:17:51,137 >> IT'S OKAY. IT'S OKAY. >> BACK AT HOME, KELSEY HOPES 192 00:17:51,137 --> 00:17:57,444 MATT IS OKAY BY HIMSELF. >> MATT IS SO GREAT AT DOING THINGS HE LIKES LIKE DRAFTKINGS 193 00:17:57,444 --> 00:18:02,916 OR HIS ADULT LEGOS. BUT GETTING SOMETHING FOR ME WITHOUT ME BEING THERE IS A LOT 194 00:18:02,916 --> 00:18:10,323 FOR HIM TO HANDLE. ESPECIALLY AT HIS AGE. I MIGHT HAVE A BOTTLE OR GLASS 195 00:18:10,323 --> 00:18:13,326 OF WINE. IT'S 10:00 A.M. BUT IT'S FINE. YOU CAN CUT THAT OUT, RIGHT? 196 00:18:13,326 --> 00:18:18,164 >> AT SEPHORA, MATT MAKES HIS PURCHASE. HOORAY! 197 00:18:18,164 --> 00:18:22,702 AND AFTER STOPPING TO BUY A BACON, EGG AND CHEESE, EVEN THOUGH HE ATE LUNCH AN HOUR AGO, 198 00:18:22,702 --> 00:18:28,241 MATT'S ON HIS WAY TO THE MARKET. BUT WHAT'S THIS? ANOTHER BOY ON AN ERRAND? 199 00:18:28,241 --> 00:18:33,213 >> HI. I'M 34. >> I'M 38 1/2. 200 00:18:33,213 --> 00:18:40,587 >> ARE YOU ON AN ERRAND FOR YOUR GIRLFRIEND? >> YEAH, I HAD TO GET 201 00:18:40,587 --> 00:18:44,858 DRY CLEANING AND A CREAM THAT COSTS $80. >> ARE SHAL-LOTS ONIONS? 202 00:18:44,858 --> 00:18:48,261 >> YEAH. BYE. >> BYE. 203 00:18:48,261 --> 00:18:53,800 >> KEEP GOING, MATT, YOU'RE ALMOST THERE. HE MADE IT. 204 00:18:53,800 --> 00:19:01,007 KELSEY WANTED TWO SHALLOTS. AND HE BUYS TWO FIVE-POUND BAGS OF ONIONS. 205 00:19:01,007 --> 00:19:07,347 KELSEY AWAITS HIS RETURN. HURRY UP, MATT. YOU'RE ALMOST THERE. 206 00:19:07,347 --> 00:19:11,885 >> SON OF A BITCH. >> AND HE'S DONE IT! >> YAY! 207 00:19:11,885 --> 00:19:17,857 GOOD JOB. >> I AM REALLY PROUD OF HIM. LAST NIGHT, I ASKED HIM TO GET 208 00:19:17,857 --> 00:19:23,263 AN EYELINER PENCIL AND TWO SHALLOTS AND HE BROUGHT HOME TEN POUNDS OF ONIONS AND A BLUSH 209 00:19:23,263 --> 00:19:28,535 PALETTE FOR AFRICAN AMERICAN WOMEN. SO WE SHOULD JUST BREAK UP. 210 00:19:28,535 --> 00:19:30,937 IT'S NOT THIS. IT'S EVERYTHING. WE'RE BASICALLY ROOMMATES. 211 00:19:30,937 --> 00:19:34,941 WATCH. BABY, DO YOU WANT TO HAVE SEX RIGHT NOW? 212 00:19:34,941 --> 00:19:39,679 >> IT'S LIKE, LIGHT OUTSIDE. >> OH. SILLY ME. 213 00:19:48,922 --> 00:19:52,926 ** >>> AY, WELCOME TO A PEAK AT PICO, PICO RIVERA'S NUMBER ONE 214 00:19:52,926 --> 00:19:57,731 PUBLIC ACCESS TALK SHOW. I'M VANESSA. >> I'M SOFIA. 215 00:19:57,731 --> 00:20:00,033 AND ON THIS SHOW WE TALK ABOUT EVERYTHING HAPPENING IN PICO RIVERA, FROM THE GOOD -- 216 00:20:00,033 --> 00:20:05,238 >> TO THE BAD. SO LIKE WHAT DID YOU GET INTO THIS WEEKEND, CHICA? 217 00:20:05,238 --> 00:20:09,075 >> I GOT A NEW EYELINER. >> I WAS GONNA SAY, I SAW THAT, IT LOOKS GOOD. 218 00:20:09,075 --> 00:20:12,746 >> YEAH, BUT THEN IT POKED ME IN MY EYE. >> OH. 219 00:20:12,746 --> 00:20:18,818 THAT'S SAD. >> THAT'S SAD. >> OKAY, WE GOT TO GO TALK TO 220 00:20:18,818 --> 00:20:21,421 CHAD. >> YEAH, CHAD'S OUTSIDE RIGHT NOW. 221 00:20:21,421 --> 00:20:27,394 BIENVENIDOS, CHAD. >> HI. YEAH, THIS IS CHAD MITCHELL 222 00:20:27,394 --> 00:20:29,763 REPORTING LIVE FROM PICO PARK. THE BIRDS ARE CHIRPING, THE SUN IS SHINING, FAMILIES HAVE BEEN 223 00:20:29,763 --> 00:20:34,834 COMING TO THIS PARK FOR GENERATIONS. >> THAT'S GOOD. 224 00:20:34,834 --> 00:20:39,072 [ LAUGHTER ] >> YES, BUT CITY OFFICIALS -- >> BYE, CHAD! 225 00:20:39,072 --> 00:20:44,110 >> WAIT. >> OKAY. WE'RE GONNA BRING OUT A GUEST. 226 00:20:44,110 --> 00:20:50,950 SHE HANGS OUT AT THE LIBRARY WITH THE BOOKS. BIENVENIDOS, BECCA! 227 00:20:50,950 --> 00:20:53,853 >> HI, THANKS FOR HAVING ME. AND, UM, I WANT TO CLARIFY THAT I'M A LIBRARIAN. 228 00:20:53,853 --> 00:20:56,623 I DON'T JUST HANG OUT WITH BOOKS. [ LAUGHTER ] 229 00:20:56,623 --> 00:21:02,529 >> OH, THAT'S GOOD. >> YEAH, 'CAUSE WHEN I HEARD THAT I WAS LIKE, THAT'S SAD. 230 00:21:02,529 --> 00:21:09,235 [ LAUGHTER ] >> YEAH, SO BECCA, WHAT'S UP WITH ALL THESE BOOKS? 231 00:21:09,235 --> 00:21:13,206 >> WELL, THESE ARE SOME SUMMER READING BOOKS WE HAVE AT THE LIBRARY. 232 00:21:13,206 --> 00:21:15,075 >> MM. LIKE WHAT, THOUGH? >> OH, WELL, THIS ONE IS 233 00:21:15,075 --> 00:21:17,243 "THE GIVER." >> DAMN! WHAT'S THAT ABOUT? 234 00:21:17,243 --> 00:21:21,881 [ LAUGHTER ] >> IT'S A BOOK ABOUT A SOCIETY WHERE NO ONE CAN SEE COLORS. 235 00:21:21,881 --> 00:21:25,151 >> THAT'S SAD. >> SAD. >> YES, IT IS, BUT THEN ONE 236 00:21:25,151 --> 00:21:31,324 DAY -- >> THEY CAN SEE PURPLE THOUGH, RIGHT? 237 00:21:31,324 --> 00:21:33,827 >> NO, THEY CAN'T SEE PURPLE. >> THAT'S SAD. I LOVE PURPLE. 238 00:21:33,827 --> 00:21:39,232 >> YEAH. >> OH, DO YOU GUYS HAVE "THE CAT IN THE HAT"? 239 00:21:39,232 --> 00:21:41,501 THAT BOOK IS SO FUNNY. [ LAUGHTER ] >> WELL, YES, WE DO HAVE "THE 240 00:21:41,501 --> 00:21:45,005 CAT IN THE HAT." >> OH, THAT'S GOOD. >> WELL, YOU KNOW, WE ALSO 241 00:21:45,005 --> 00:21:54,247 HAVE -- >> BYE, BECCA! ** 242 00:21:54,247 --> 00:21:56,449 >> OKAY. WE'RE GOING TO GO TO CHAD. >> YEAH. 243 00:21:56,449 --> 00:22:00,653 CHAD'S OUTSIDE RIGHT NOW. >> YEAH. ACTUALLY, YOU KIND OF CUT ME OFF 244 00:22:00,653 --> 00:22:06,726 EARLIER. SEE, LOCAL NEWS STORIES USUALLY START WITH A COUPLE DESCRIPTIVE 245 00:22:06,726 --> 00:22:09,462 SENTENCES TO SET THE SCENE BEFORE TRANSITIONING INTO THE ACTUAL NEWS STORY. 246 00:22:09,462 --> 00:22:13,233 >> OH. OKAY. >> OKAY. 247 00:22:13,233 --> 00:22:19,372 SO CITY OFFICIALS -- >> BYE, CHAD! >> SERIOUSLY? 248 00:22:19,372 --> 00:22:21,141 >> OKAY, WE HAVE ANOTHER GUEST NOW. HE MAKES MUSIC, BUT HE DOESN'T 249 00:22:21,141 --> 00:22:26,079 EVEN SING. HE JUST RAPS. >> BIENVENIDOS LITTLE HUBCAP. 250 00:22:26,079 --> 00:22:32,419 ** >> WHAT'S UP, WHAT'S UP, WHAT'S UP PICO RIVERA? 251 00:22:32,419 --> 00:22:37,257 IT'S YOUR BOY LIL' HUB-CAP. >> DAMN, LOOK AT YOU. SO YOU GOT AN ALBUM OUT OR 252 00:22:37,257 --> 00:22:41,227 SOMETHING? >> YEAH, MY MUSIC IS INSPIRED MY STRUGGLE. 253 00:22:41,227 --> 00:22:44,431 SEE, MY DAD, HE WASN'T AROUND MUCH, AND WHEN HE WAS, HE WAS MAD. 254 00:22:44,431 --> 00:22:48,968 >> YOUR DAD WAS A BAD MAN. >> MY DAD WAS BATMAN? [ LAUGHTER ] 255 00:22:48,968 --> 00:22:54,107 >> NO, NOT BATMAN. YOUR DAD WAS A BAD MAN. >> YEAH, YOU HAD A BAD DAD. 256 00:22:54,107 --> 00:22:56,109 THAT'S SAD. BUT THEN YOU TURNED YOUR BAD DAD INTO RAP. 257 00:22:56,109 --> 00:22:58,978 THAT'S GOOD. [ LAUGHTER ] >> YEAH, I DIDN'T CATCH ALL 258 00:22:58,978 --> 00:23:04,417 THAT. SO, I'M JUST GONNA DO MY SONG NOW. 259 00:23:04,417 --> 00:23:09,122 ** * I GREW UP WITH NOTHING * * THAT'S SAD * 260 00:23:09,122 --> 00:23:12,726 * BUT NOW I GOT IT ALL * * THAT'S GOOD * * BUT I STILL FEEL LIKE 261 00:23:12,726 --> 00:23:15,562 NOTHING * * THAT'S SAD * * BUT I'M STANDING TALL * 262 00:23:15,562 --> 00:23:23,269 * THAT'S GOOD * * HUBCAP * >> PEACE OUT, Y'ALL. 263 00:23:23,269 --> 00:23:27,073 [ APPLAUSE ] >> WOW. THAT WAS SAD, BUT IT MADE ME 264 00:23:27,073 --> 00:23:29,409 FEEL GOOD. >> YEAH. IT'S CATHARTIC. 265 00:23:29,409 --> 00:23:31,811 >> CATHARTIC? >> YEAH. >> WHAT'S CATHARTIC? 266 00:23:31,811 --> 00:23:33,146 >> THAT'S WHEN IT'S GOOD TO BE SAD. >> OH. 267 00:23:33,146 --> 00:23:35,749 THAT'S GOOD. [ LAUGHTER ] >> OKAY. 268 00:23:35,749 --> 00:23:41,721 WE GOT TO TALK TO CHAD BECAUSE HE'S OUTSIDE RIGHT NOW. HEY, CHAD, WHAT'S GOING ON WITH 269 00:23:41,721 --> 00:23:44,290 THE PARK? >> REALLY? YOU'RE ACTUALLY GOING TO LET ME 270 00:23:44,290 --> 00:23:47,327 DO THE STORY? >> YEAH. WE WANT TO KNOW. 271 00:23:47,327 --> 00:23:51,765 >> OKAY. WELL, I'M HERE IN PICO PARK WHERE THE SUN IS SHINING AND THE 272 00:23:51,765 --> 00:23:53,500 BIRDS ARE CHIRPING. >> OKAY. WE'RE OUT OF TIME. 273 00:23:53,500 --> 00:23:58,805 >> OF COURSE WE ARE. >> BYE, CHAD. >> OKAY, OUR SHOW'S OVER NOW. 274 00:23:58,805 --> 00:24:05,245 SOFIA, YOU CAN GO MEET UP WITH YOUR MAN. >> OKAY. 275 00:24:05,245 --> 00:24:08,782 AYE, I POKED MY EYE AGAIN. >> THAT'S SAD. >> THAT'S SAD. 276 00:24:08,782 --> 00:24:12,652 >> THAT'S SAD. >> BYE. [ CHEERS AND APPLAUSE ] 277 00:24:19,526 --> 00:24:26,566 WELCOME TO THE FIRST PREVIEW OF "A STORM WITHIN" BY ACCLAIMED IRISH PLAYWRIGHT, 278 00:24:26,566 --> 00:24:31,071 RORY McFADDEN. AND AS I'M SURE YOU'RE AWARE, THERE IS A PENIS IN THE SHOW. 279 00:24:31,071 --> 00:24:34,374 [ LAUGHTER ] YES, WE GO THERE. AND IT BETTER NOT END UP ONLINE. 280 00:24:34,374 --> 00:24:38,511 IF YOU POST IT, YOU WILL LOSE THE PENIS. [ LAUGHTER ] 281 00:24:38,511 --> 00:24:42,215 OKAY? SO JUST ENJOY IT AND THEN LET IT GO. 282 00:24:42,215 --> 00:24:48,855 ALSO, EVERYONE IN THE SHOW HAS COVID. SO THESE ARE ALL UNDERSTUDIES. 283 00:24:48,855 --> 00:24:56,730 THEY'VE HAD 30 MINUTES OF REHEARSAL BACKSTAGE. WE COULD HAVE CANCELED TONIGHT, 284 00:24:56,730 --> 00:24:59,599 BUT I'M IN A FIGHT WITH MY HUSBAND, SO I NEED TO BE OUT OF THE APARTMENT. 285 00:24:59,599 --> 00:25:04,304 [ LAUGHTER ] OUR FIGHT MAY OR MAY NOT BE ABOUT THE PENIS IN THIS SHOW. 286 00:25:04,304 --> 00:25:09,776 THE PENIS IS ALSO BEING UNDERSTUDIED SO I'M EXCITED TO SEE WHAT THAT'S LIKE. 287 00:25:09,776 --> 00:25:11,945 [ LAUGHTER ] ALL RIGHT. WITHOUT FURTHER TATTOO WE NOW 288 00:25:11,945 --> 00:25:17,717 PRESENT "A STORM WITHIN." >> OH, THIS IS GONNA BE GOOD. >> IS THAT WHAT YOU TOOK FROM 289 00:25:17,717 --> 00:25:29,295 THAT? [ CRYING ] >> LINE? 290 00:25:29,295 --> 00:25:34,501 >> ALREADY? YOU DON'T KNOW YOUR FIRST LINE? >> NO. 291 00:25:34,501 --> 00:25:41,074 >> WELL, IT'S "HUSH NOW BABY." >> OH, YEAH, YEAH,. HUSH NOW BABY DON'T WAKE YOUR 292 00:25:41,074 --> 00:25:43,410 MAM. SHE'S SLEEPING OFF HER DRINK IN THE OTHER ROOM. 293 00:25:43,410 --> 00:25:46,079 BUT NAN'S HERE TO TAKE CARE OF -- LINE? 294 00:25:46,079 --> 00:25:49,816 >> YA. >> AND NAN'S HERE TO TAKE CARE OF YA. 295 00:25:49,816 --> 00:25:54,487 IS IT THE PENIS NOW? >> NO. IT'S IN ACT TWO. 296 00:25:54,487 --> 00:25:59,726 IT NEEDS AN HOUR TO PREP. >> WHAT ARE YOU DOING WITH MY BABY? 297 00:25:59,726 --> 00:26:05,598 >> WHAT IS THAT ACCENT? [ LAUGHTER ] >> SORRY, I TRIED IRISH, IT 298 00:26:05,598 --> 00:26:11,037 SOUNDS WEIRD SO I'M JUST DOING AUSTRALIAN. >> YOU'RE NOT DOING AUSTRALIAN. 299 00:26:11,037 --> 00:26:14,808 >> OH, I THINK I AM, MATE. >> PLEASE STOP. DO YOU AT LEAST KNOW YOUR LINES? 300 00:26:14,808 --> 00:26:18,778 >> YES. I NEED -- LINE? 301 00:26:18,778 --> 00:26:23,049 >> I NEED MONEY FOR WHISKEY. >> SORRY, I DON'T HAVE ANY MONEY. 302 00:26:23,049 --> 00:26:27,821 [ LAUGHTER ] >> NO, THAT'S YOUR LINE. JUST DO THE PLAY. 303 00:26:27,821 --> 00:26:31,624 >> YOU SAW HIM AGAIN, DIDN'T YOU? YOU ALWAYS ACT THIS WAY WHEN YOU 304 00:26:31,624 --> 00:26:38,231 SEE HIM. >> WHAT'S WRONG, ARE YOU AFRAID TO SAY HIS NAME? 305 00:26:38,231 --> 00:26:43,370 >> OF COURSE I'M NOT AFRAID. BUT YOU SAY IT FIRST JUST TO REMIND ME WHAT IT IS. 306 00:26:43,370 --> 00:26:47,507 [ LAUGHTER ] >> YOU SHOULD SINCE YOU BROUGHT IT UP. 307 00:26:47,507 --> 00:26:50,243 >> OKAY. WELL, THEN LET'S JUST BOTH SAY IT AT THE SAME TIME. 308 00:26:50,243 --> 00:26:55,682 ONE, TWO, THREE. FOUR. >> FOUR. 309 00:26:55,682 --> 00:26:58,585 >> FIVE. >> I'M ASSUMING FROM THIS BACK-AND-FORTH THAT YOU BOTH 310 00:26:58,585 --> 00:27:02,555 FORGOT THE NAME. >> YES. >> IT'S SHEAMUS. 311 00:27:02,555 --> 00:27:06,693 >> OH, YEAH. OH. SHOULD WE DO THE KISS NOW? 312 00:27:06,693 --> 00:27:11,531 >> NO, NO, YOU ARE MOTHER AND DAUGHTER. THERE IS NO KISS. 313 00:27:11,531 --> 00:27:14,668 >> OH, MY GOD. THIS IS HORRIBLE. >> I KNOW. 314 00:27:14,668 --> 00:27:20,473 THINK OF HOW THAT BABY IS GOING TO GROW UP. >> WHY WON'T YOU GIVE ME THE 315 00:27:20,473 --> 00:27:28,515 MONEY, COW? >> WASH YOUR MOUTH. >> IT'S WATCH. 316 00:27:28,515 --> 00:27:31,951 >> OH, I'M SORRY, WASH YOUR WATCH. [ LAUGHTER ] 317 00:27:31,951 --> 00:27:36,389 I DON'T CARE THAT YOU'RE MY DAUGHTER. I'D CALL THE POLICE. 318 00:27:36,389 --> 00:27:42,495 >> I'D BE CAREFUL. YOU'RE TREADING A VERY THIN LINE. 319 00:27:42,495 --> 00:27:44,364 >> LINE. >> YES, THAT'S WHAT I'M ASKING. >> NO, NO, LINE IS YOUR LINE. 320 00:27:44,364 --> 00:27:46,066 >> WHAT? >> WHAT. THE WORD LINE IS YOUR LINE. 321 00:27:46,066 --> 00:27:50,136 >> OH, LINE. [ LAUGHTER ] >> NO. 322 00:27:50,136 --> 00:27:54,207 JUST KEEP GOING. >> WHO IS THAT? IS THAT PENIS -- 323 00:27:54,207 --> 00:28:01,815 SHEAMUS. >> ONLY ONE WAY TO FIND OUT. >> NO, NO. 324 00:28:01,815 --> 00:28:03,516 >> WOW. SAYS HERE THE DOGS ARE UNDERSTUDIES TOO. 325 00:28:03,516 --> 00:28:07,454 [ LAUGHTER ] >> OKAY, YOU KNOW WHAT? I'M JUST GOING TO PLAY ALL OF 326 00:28:07,454 --> 00:28:10,590 THE PARTS. YOU'LL KNOW WHO I'M DOING BECAUSE I'LL BE DOING ALL OF THE 327 00:28:10,590 --> 00:28:19,199 VOICES. MAM, I DIDN'T WANT YOU TO DO THIS, BUT YOU'VE LEFT ME NO 328 00:28:19,199 --> 00:28:22,202 CHOICE. IS THAT A GUN, GIRL? YEAH, MATE, I GOT IT FROM 329 00:28:22,202 --> 00:28:25,438 SHEAMUS. >> I'M SORRY, I KNOW I'M EARLY BUT IT'S READY AND IT NEEDS TO 330 00:28:25,438 --> 00:28:29,709 BE NOW. [ LAUGHTER ] >> BUT IT'S NOT SUPPOSED TO BE 331 00:28:29,709 --> 00:28:37,050 UNTIL ACT TWO. >> IT HAS TO BE NOW! >> CAN YOU SAY THE LINE AT 332 00:28:37,050 --> 00:28:41,621 LEAST? >> CURSE OF THE IRISH, MORE LIKE BLESSING, WHAT TIME IS, DAWN 333 00:28:41,621 --> 00:28:47,160 O'CLOCK. AYUGA. >> OKAY. 334 00:28:47,160 --> 00:28:52,132 THOSE ARE ACTUALLY THE LINES. JUST GO AHEAD AND SHOW IT. [ GASPING ] 335 00:28:52,132 --> 00:28:59,072 >> WOW. THEY REALLY DID GO THERE. >> I TOLD YOU. 336 00:29:01,508 --> 00:29:03,610 [ APPLAUSE ] ** >>> WE NOW RETURN TO "AMERICAN 337 00:29:03,610 --> 00:29:10,917 INVENTORS." >> THE AUTOMOBILE, PAPER CUP, DANCING, COMPUTER -- 338 00:29:10,917 --> 00:29:14,621 THESE WERE ALL INVENTED. BUT WHO DID THAT, AND WHAT IS THEIR STORY? 339 00:29:14,621 --> 00:29:20,326 WE BEGIN WITH ARCHIE GIZMO, THE BRILLIANT INVENTOR OF THE WHOOPEE CUSHION. 340 00:29:20,326 --> 00:29:23,296 >> WELL, BACK IN THE EARLY 60s, I WAS JUST A STRUGGLING GAG INVENTOR. 341 00:29:23,296 --> 00:29:28,668 AND ALL I HAD WAS AN EARLY PROTOTYPE OF THE CUSHION. I KNEW IT WOULD BE FUNNY TO HAVE 342 00:29:28,668 --> 00:29:32,939 YOUR BOSS SIT DOWN, AND A NOISE COME FROM HIS BUTT, BUT I JUST COULDN'T FIGURE OUT WHAT NOISE. 343 00:29:32,939 --> 00:29:37,210 [ HONK ] NO. [ MOO ] 344 00:29:37,210 --> 00:29:41,147 [ DOORBELL ] DAMN IT. I COULDN'T CRACK IT. 345 00:29:41,147 --> 00:29:48,321 BUT THEN, I MET HER. * THIS MAGIC MOMENT * MISS DINA BEANS. 346 00:29:48,321 --> 00:29:54,327 I SAW HER FROM AFAR. HER ENERGY WAS MAGNETIC. HER EYES WERE ENDLESS. 347 00:29:54,327 --> 00:29:58,398 AND EVERY TIME SHE SAT DOWN -- [ FARTING ] GAS. 348 00:29:58,398 --> 00:30:03,169 [ REPEATED FARTING ] >> IT WAS THAT NIGHT HE REALIZED, THE FUNNIEST NOISE TO 349 00:30:03,169 --> 00:30:05,171 COME OUT OF A BUTT WAS A FART. >> WATCH OUT, SUBSTITUTE TEACHERS. 350 00:30:05,171 --> 00:30:09,242 DON'T SIT DOWN. THEY'RE CALLING IT THE "WHOOPEE CUSHION." 351 00:30:09,242 --> 00:30:13,813 AND THEY'RE FLYING OFF THE SHELVES. >> HE HAD A BONA FIDE HIT, AND 352 00:30:13,813 --> 00:30:18,852 IT DIDN'T STOP THERE. DINA BEANS BECAME HIS MUSE. >> I FELL IN LOVE WITH DINA, AND 353 00:30:18,852 --> 00:30:23,990 SHE WAS BEHIND EVERY GOOD IDEA I EVER HAD. BECAUSE YOU SEE, SHE WASN'T JUST 354 00:30:23,990 --> 00:30:28,094 A CHRONIC GAS-PASSER. SHE WAS ALSO THE VICIOUSLY MOST UNLUCKY WOMAN I HAD EVER MET. 355 00:30:28,094 --> 00:30:37,771 >> OH, YUM. PEANUTS! [ HISSING ] 356 00:30:37,771 --> 00:30:40,173 OH! OHH! MORE SNAKES! 357 00:30:40,173 --> 00:30:44,210 >> AND WHAT THE HELL COULD HAVE BEEN GOING ON AT THE PEANUT FACTORY FOR A SEALED CAN TO BE 358 00:30:44,210 --> 00:30:52,218 FULL OF FOUR MULTI-COLORED, ALIVE, POISONOUS SNAKES? >> WATCH OUT PEANUT FANS, MAYBE 359 00:30:52,218 --> 00:30:54,454 IT'S TIME TO SWITCH TO PECANS. >> ARCHIE DILIGENTLY RECORDED HOME FOOTAGE OF DINA'S EVERY 360 00:30:54,454 --> 00:31:02,228 MOVE. HERE, DINA IS STRUCK BY LIGHTNING WHILE SHAKING 361 00:31:02,228 --> 00:31:04,964 SOMEONE'S HAND. >> HI, MISTER, NICE TO MEET YOU! AH! 362 00:31:04,964 --> 00:31:06,800 [ CRACKLING ] >> OOH, THAT WAS THE HAND BUZZER! 363 00:31:06,800 --> 00:31:09,703 VERY NEXT DAY, HAND TO GOD, HER EYEBALLS POPPED OUT OF HER SOCKETS. 364 00:31:09,703 --> 00:31:17,410 [ SNEEZE ] >> OH, MY EYES FELL OUT. >> BOOM. 365 00:31:17,410 --> 00:31:20,080 GOOGLY-EYED SLINKY GLASSES. [ POP ] >> THAT'S BETTER. 366 00:31:20,080 --> 00:31:24,317 >> THEN, LIGHTNING GOT THE WOMAN AGAIN, THIS TIME WHILE TAKING A PIECE OF GUM FROM A GUY. 367 00:31:24,317 --> 00:31:27,354 >> TOOTY FRUITY, MY FAVORITE -- AAH! [ CRACKLING ] 368 00:31:27,354 --> 00:31:32,926 >> ELECTRIC GUM, THE GUM THAT BITES BACK. >> HOW THIS WOMAN DID NOT DIE 369 00:31:32,926 --> 00:31:39,099 BETWEEN TWO LIGHTNING STRIKES AND A SNAKE ATTACK IS BETWEEN HER AND GOD. 370 00:31:39,099 --> 00:31:44,104 BUT ARCHIE'S HIT PRANKS JUST KEPT COMING. >> DINA GOT STRUCK BY LIGHTNING 371 00:31:44,104 --> 00:31:45,605 ALMOST WEEKLY -- WHILE CLICKING THE PEN. [ CRACKLING ] 372 00:31:45,605 --> 00:31:47,607 >> ELECTRIC SHOCKER -- THE PEN THAT GIVES AN ELECTRIC SHOCK. >> SITTING DOWN. 373 00:31:47,607 --> 00:31:51,678 [ FART ] [ CRACKLING ] >> ELECTRIC WHOOPEE CUSHION. 374 00:31:51,678 --> 00:31:56,116 >> SHE WAS GOD'S PERFECT FOOL. >> ARCHIE BECAME THE MOST FAMOUS GAG INVENTOR IN THE WORLD. 375 00:31:56,116 --> 00:32:04,057 AND IT WAS ALL THANKS TO DINA BEANS. >> WE HAD EVERYTHING. 376 00:32:04,057 --> 00:32:07,694 MONEY, A HOUSE IN THE HILLS, LATE NIGHTS WITH CELEBRITIES. THE PARTIES AND ILLICIT DRUGS 377 00:32:07,694 --> 00:32:10,463 WERE FUN, BUT NONE OF THAT MATTERED TO ME, BECAUSE DINA WAS THE PRIZE, AND THE GREATEST GAG 378 00:32:10,463 --> 00:32:15,969 SHE EVER GOOFED WAS MARRYING A GUY LIKE ME. I LOVE YOU, DINA BEANS. 379 00:32:15,969 --> 00:32:17,837 >> OH, AND I LOVE YOU, ARCHIE GIZMO. >> SHAKE ON IT? 380 00:32:17,837 --> 00:32:24,978 >> OH. AAH! [ CRACKLING ] 381 00:32:30,583 --> 00:32:38,558 >>> LADIES AND GENTLEMEN, POST MALONE. [ CHEERS AND APPLAUSE ] 382 00:32:38,558 --> 00:32:46,332 ** * I'M ABOUT TO PULL UP HIT SWITCH PULL CURTAIN 383 00:32:46,332 --> 00:32:52,639 AND I'VE BEEN WAITIN' SO LONG NOW I GOTTA RE-SURFACE * * AND YEAH 384 00:32:52,639 --> 00:32:55,775 WE 'BOUT TO TOAST UP ALL THAT BREAD THAT WE BURNIN' * 385 00:32:55,775 --> 00:33:02,315 * 'CAUSE I'VE BEEN FEELIN' COOPED UP I'VE BEEN FEELIN' 386 00:33:02,315 --> 00:33:05,785 COOPED UP * * YEAH I'M OFF THE BUD LIGHT NOT THE BOURBON 387 00:33:05,785 --> 00:33:09,889 I MIGHT CHOP THE ROOF OFF THE SUBURBAN * * TRIED TO BE A NICE GUY 388 00:33:09,889 --> 00:33:13,426 JOHN TERZIAN TILL I STARTED THROWIN' UP IN YOUR BIRKIN * 389 00:33:13,426 --> 00:33:16,196 * THEN I WOKE UP IN THE MORNIN' POLICE SHOWED UP AT MY DOOR 390 00:33:16,196 --> 00:33:21,101 WITH A WARRANT * * I REMEMBER FLUSHIN' SOMETHIN' DOWN THE TOILET 391 00:33:21,101 --> 00:33:25,538 GUESS YOU GOTTA LET ME OFF WITH A WARNING * * RETURN OF THE MACK 392 00:33:25,538 --> 00:33:29,976 FEELIN' LIKE AN OUTKAST I'M THE ONLY GUY IN SLACKS * * THAT'LL COST YA 393 00:33:29,976 --> 00:33:33,446 THREE STACKS * * NOW YOU SAVIN' THAT CHECK WHY YOU TAKIN' MY SWAG 394 00:33:33,446 --> 00:33:40,653 CAN YOU GIVE ME THAT BACK * * GUCCI MY PRADA MIYAKE LOUIS BOTTEGA AND TOMMY 395 00:33:40,653 --> 00:33:44,257 ALL OF THESE THINGS * * ON MY BODY LET'S PARTY * 396 00:33:44,257 --> 00:33:50,096 * I'M ABOUT TO PULL UP HIT SWITCH PULL CURTAIN AND I'VE BEEN WAITIN' SO LONG 397 00:33:50,096 --> 00:33:54,167 NOW I GOTTA RE-SURFACE * * AND YEAH WE 'BOUT TO TOAST UP 398 00:33:54,167 --> 00:33:59,305 ALL THAT BREAD THAT WE BURNIN' * * 'CAUSE I'VE BEEN 399 00:33:59,305 --> 00:34:03,043 FEELIN' COOPED UP I'VE BEEN FEELIN' COOPED UP * 400 00:34:03,043 --> 00:34:05,245 >> LADIES AND GENTLEMEN, RODDY RICCH. ** 401 00:34:05,245 --> 00:34:08,782 * GOTTA PULL UP GOTTA PULL UP GOTTA PULL UP 402 00:34:08,782 --> 00:34:14,621 I PULL UP AY * * GOT BLACK MINX ALL ON THE RUG 403 00:34:14,621 --> 00:34:18,892 GOT HELLA POPPING DRUGS ** IN ED THEY SHOW US LOVE PARTNER IN CRIME WITH ME * 404 00:34:18,892 --> 00:34:22,462 * WHILE WE WHIPPING IN THE SPACE SHIP GOT IT OUT THE PAVEMENT 405 00:34:22,462 --> 00:34:24,964 NOW WE GETTING PAYMENT * * EVERYBODY AROUND ME GETTING MONEY 406 00:34:24,964 --> 00:34:27,300 IT'S TOO CONTAGIOUS * * KEPT IT SOLID NOW WE REAL RICH 407 00:34:27,300 --> 00:34:30,637 TO THEY AMAZEMENT * * I PULLED UP THE BLACK BADGE 'CAUSE IT WAS CLEANER 408 00:34:30,637 --> 00:34:35,208 I REMEMBER I WAS JUST POSTED UP WITH THE DEMONS * * AND POSTY TOOK ME 409 00:34:35,208 --> 00:34:38,244 ON MY FIRST DAMN TOUR DATES HE HAD ME ROCKING EVERY NIGHT SOLD OUT ARENAS * 410 00:34:38,244 --> 00:34:40,580 * A PROJECT I NEVER THOUGHT I WOULD SEE * 411 00:34:40,580 --> 00:34:44,084 * OR TRY TO TELL YOU YOU PROBABLY WOULDN'T BELIEVE US * 412 00:34:44,084 --> 00:34:51,591 * I'M ABOUT TO PULL UP HIT SWITCH PULL CURTAIN AND I'VE BEEN WAITIN' SO LONG 413 00:34:51,591 --> 00:34:56,463 NOW I GOTTA RE-SURFACE * * AND YEAH WE 'BOUT TO TOAST UP 414 00:34:56,463 --> 00:34:59,799 ALL THAT BREAD THAT WE BURNIN' * * 'CAUSE I'VE BEEN 415 00:34:59,799 --> 00:35:05,538 FEELIN' COOPED UP I'VE BEEN FEELIN' COOPED UP * 416 00:35:05,538 --> 00:35:08,875 * TIL THE DAYLIGHT COME TIL THE DAYLIGHT COME I GOT SAKÉ IN MY TUMMY 417 00:35:08,875 --> 00:35:12,679 CIGARETTE IN MY LUNGS * * IT'S ELEVEN IN THE MORNIN' AND WE STILL AIN'T DONE 418 00:35:12,679 --> 00:35:15,749 AND I'M STILL THAT BITCH SO WHAT * * YEAH WE 'BOUT TO TOAST UP 419 00:35:15,749 --> 00:35:23,223 ALL THAT BREAD THAT WE BURNIN' * * 'CAUSE I'VE BEEN FEELIN' 420 00:35:23,223 --> 00:35:30,397 COOPED UP I'VE BEEN FEELIN' COOPED UP * 421 00:35:30,397 --> 00:35:44,911 COOPED UP * ** [ CHEERS AND APPLAUSE ] 422 00:35:51,151 --> 00:36:03,797 COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] >> THANK YOU. 423 00:36:03,797 --> 00:36:08,201 GOOD EVENING. GOOD EVENING, EVERYONE. I'M MICHAEL CHE.EEKEND UPDATE." 424 00:36:08,201 --> 00:36:14,941 >> I'M COLIN JOST. WELL, IF YOU FEEL LIKE THINGS ARE A LITTLE OFF THIS WEEK, 425 00:36:14,941 --> 00:36:18,945 REMEMBER, YESTERDAY WAS FRIDAY THE 13th. TOMORROW IS A SUPER BLOOD MOON. 426 00:36:18,945 --> 00:36:24,818 AND ACCORDING TO THE MOST ANNOYING PERSON YOU KNOW, MERCURY IS IN RETROGRADE. 427 00:36:24,818 --> 00:36:28,621 [ LAUGHTER ] IS IT ME OR DOES EVERY STORY THIS WEEK FEEL LIKE THE OPENING 428 00:36:28,621 --> 00:36:36,429 VOICE-OVER IN A "MAD MAX" MOVIE? THE YEAR IS 2022. A VIRUS RAGES ACROSS THE PLANET. 429 00:36:36,429 --> 00:36:44,437 DIGITAL MONEY HAS COLLAPSED. WOMEN ARE FORCED TO BREED.T. MEN ARE READY TO DIE FOR 430 00:36:44,437 --> 00:36:49,075 AND WE SUFFER UNDER THE LEADERSHIP OF THE ONE KNOWN ONLY AS JOE. 431 00:36:49,075 --> 00:36:55,115 [ LAUGHTER ] >>> CRYPTOCURRENCY CRASHED THIS WEEK, WITH BITCOIN LOSING NEARLY 432 00:36:55,115 --> 00:36:59,519 HALF ITS VALUE, AND NOW IT HAS TO LEGALLY CHANGE ITS NAME TO BIT-O-COIN. 433 00:36:59,519 --> 00:37:08,228 [ LAUGHTER ] IN FACT, THE ENTIRE CRYPTO MARKET HAS LOST OVER $1 TRILLION 434 00:37:08,228 --> 00:37:12,032 BUT DON'T WORRY, YOU CAN MAKE THAT MONEY BACK FAST AS LONG AS YOU'VE BEEN HOARDING BABY 435 00:37:12,032 --> 00:37:15,068 FORMULA. [ LAUGHTER ] >>> YOU KNOW, THIS BABY FORMULA 436 00:37:15,068 --> 00:37:18,204 SHORTAGE IS SCARY. I MEAN, BABIES ARE VERY SENSITIVE. 437 00:37:18,204 --> 00:37:22,142 YOU CAN'T JUST FEED THEMANYTHIN. I ONCE TRIED TO GIVE MY LITTLE NEPHEW SOMETHING DIFFERENT THAN 438 00:37:22,142 --> 00:37:29,215 HIS USUAL FORMULA, AND HE ALMOST CHOKED ON THAT HOT WING BONE. [ LAUGHTER ] 439 00:37:29,215 --> 00:37:33,720 >>> THE JANUARY 6th COMMITTEE HAS SUBPOENAED FIVE SITTING REPUBLICAN CONGRESSMEN AFTERTHEY 440 00:37:33,720 --> 00:37:36,423 VOLUNTARILY. SAID THE REPUBLICAN CONGRESSMEN, "YOU CAN'T FORCE US TO DO 441 00:37:36,423 --> 00:37:44,297 ANYTHING. WE'RE NOT PREGNANT." [ LAUGHTER ] 442 00:37:44,297 --> 00:37:50,937 >>> SENATOR MITCH McCONNELL, SEEN HERE WATCHING A SHELTER DOG GET PASSED UP FOR ADOPTION -- 443 00:37:50,937 --> 00:37:57,110 [ LAUGHTER ] LED A CONGRESSIONAL DELEGATION FOR A SURPRISE VISIT TO UKRAINE 444 00:37:57,110 --> 00:38:01,581 TODAY. IT'S WEIRD, BECAUSE USUALLY WHEN McCONNELL SHOWS UP BY SURPRISE, 445 00:38:01,581 --> 00:38:08,388 IT'S BEHIND YOU IN THE BATHROOM MIRROR. [ LAUGHTER ] 446 00:38:08,388 --> 00:38:13,026 >>> AMAZON ANNOUNCED THAT IT WILL PAY EMPLOYEES WHO HAVE TO TRAVEL TO GET AN ABORTION UP TO 447 00:38:13,026 --> 00:38:19,366 $4,000 IN EXPENSES EVERY YEAR. THE ONLY CATCH IS YOU'VE GOT TO DO IT DURING YOUR EIGHT-MINUTE 448 00:38:19,366 --> 00:38:24,404 LUNCH BREAK. [ LAUGHTER ] >>> THERE IS RENEWED SPECULATION 449 00:38:24,404 --> 00:38:28,241 ABOUT VLADIMIR PUTIN'S HEALTH AFTER HE WAS PHOTOGRAPHED AT A MILITARY PARADE WITH A HEAVY 450 00:38:28,241 --> 00:38:32,612 BLANKET ACROSS HIS LAP. BUT HEAR ME OUT. MAYBE THE BLANKET IS BECAUSE 451 00:38:32,612 --> 00:38:38,918 THINKING ABOUT WAR GETS HIM HARD AS HELL. [ LAUGHTER ] 452 00:38:38,918 --> 00:38:44,324 >>> THE TRUMP INTERNATIONAL HOTEL IN WASHINGTON D.C. HAS BEEN SOLD FOR A REPORTED $375 453 00:38:44,324 --> 00:38:51,231 MILLION. WELL, I WOULDN'T SAY REPORTED, SAID THE IRS. 454 00:38:51,231 --> 00:38:57,637 >>> A MEMBER OF THE PUNK ROCK GROUP PUSSY RIOT WHICH HAS LONG PROTESTED VLADIMIR PUTIN 455 00:38:57,637 --> 00:39:00,774 REVEALED THAT SHE FLED THE COUNTRY DISGUISED AS A FOOD DELIVERY WORKER. 456 00:39:00,774 --> 00:39:07,013 WHICH EXPLAINS THIS NOTIFICATION FROM DOORDASH.HTER ] >>> APPLE ANNOUNCED THAT AFTER 457 00:39:07,013 --> 00:39:10,450 20 YEARS, IT WILL STOP PRODUCTION OF ITS iPOD TOUCH, BECAUSE APPLE PRODUCTS BECOME 458 00:39:10,450 --> 00:39:20,727 OBSOLETE ONCE THEY'RE OLDER THAN THE KIDS WHO MAKE THEM. [ LAUGHTER ] 459 00:39:20,727 --> 00:39:24,898 >>> "THE NEW YORK TIMES" SAID IT CHANGED THE ANSWER FOR MONDAY'S WORDLE WHICH WAS FETUS BECAUSE 460 00:39:24,898 --> 00:39:30,070 IT WAS TOO CLOSELY CONNECTED TO A MAJOR NEWS STORY. TOUGH NEWS FOR PSYCHOS WHOSE 461 00:39:30,070 --> 00:39:35,475 FIRST WORDLE GUESS IS ALWAYS FETUS. [ LAUGHTER ] 462 00:39:35,909 --> 00:39:37,877 [ LAUGHTER ] "OBI-WAN KENOBI" SERIES ON THE WAY, IT'S A GREAT TIME TO BE A 463 00:39:37,877 --> 00:39:42,949 "STAR WARS" FAN. HERE TO CATCH US UP ON ALL THINGS "STAR WARS" IS BABY YODA. 464 00:39:42,949 --> 00:39:50,256 [ CHEERS AND APPLAUSE ] >> I LOVE YOU. OOH. 465 00:39:50,256 --> 00:39:54,794 >> WHAT'S UP BABY YODA, I LOVE HOW'S LIFE? YOU GOT A NEW VIBE. 466 00:39:54,794 --> 00:39:58,631 >> LIFE IS GOOD, MICHAEL. REAL GOOD. OF COURSE, SEASON THREE OF 467 00:39:58,631 --> 00:40:05,672 "MANDO" COMING UP, BLAH-BLAH-BLAH, WORK, WORK, WORK, AH. 468 00:40:05,672 --> 00:40:12,178 BUT YEAH, IT IS A VERY ENLIGHTENING TIME FOR ME, BECAUSE ACTUALLY I'M SPIRITUAL 469 00:40:12,178 --> 00:40:16,483 NOW. YOU STUDIED THE WAYS OF THE FORCE, RIGHT? 470 00:40:16,483 --> 00:40:24,157 >> OKAY, RELAX, NERD. [ LAUGHTER ] YOU KNOW WHAT AN AYAHUASCA 471 00:40:24,157 --> 00:40:27,427 RETREAT IS? >> YEAH, SURE. >> YEAH, SO I BASICALLY DID THAT 472 00:40:27,427 --> 00:40:33,500 BUT WITH A BUNCH OF PILLS AND WEED.INSTEAD OF A SPIRITUAL GUIE WALKING US THROUGH IT MY BOY TOM 473 00:40:33,500 --> 00:40:38,972 HOLLAND GOT ON THE AUX CABLE AND I SAW GOD. I WAS LIKE, "OH, SNAP." 474 00:40:38,972 --> 00:40:42,709 >> GOD, IT SOUNDS LIKE A GREATM. JUST MAKE SURE YOU STAY SAFE, MAN. 475 00:40:42,709 --> 00:40:47,514 >> NO, DON'T TELL ME WHAT TO DO. [ LAUGHTER ] BUT YEAH, I'M FEELING REALLY 476 00:40:47,514 --> 00:40:51,651 PEACEFUL THESE DAYS. GETTING INTO CRYSTALS, RED STICKS, SPICY GUACAMOLE. 477 00:40:51,651 --> 00:41:01,194 [ LAUGHTER ] EVEN GOT A LITTLE COMMUNITY VERY MINDFUL INDIVIDUALS. 478 00:41:01,194 --> 00:41:08,435 YEAH, IT'S ME, JARED LETO, SANTANA FEATURING ROB THOMAS, BOB THE BUILDER, AND 479 00:41:08,435 --> 00:41:10,503 TILA TEQUILA. [ LAUGHTER ] >> WELL, SOUNDS LIKE A GOOD 480 00:41:10,503 --> 00:41:15,742 CREW, DUDE. >> YEAH, IT'S A CULT. [ LAUGHTER ] 481 00:41:15,742 --> 00:41:20,980 BUT LOOK, I LOVE EVERYONE, MAN, EVEN MY HATERS. >> REALLY? 482 00:41:20,980 --> 00:41:27,954 BECAUSE YOU'VE HAD SOME STRONG WORDS FOR ONE HATER IN PARTICULAR OVER THE YEARS. 483 00:41:27,954 --> 00:41:37,664 >> YEAH, THAT'S TRUE. BUT I'M OLDER NOW. AND I JUST WANT TO SAY, BABY 484 00:41:37,664 --> 00:41:51,211 GROOT, I KNOW WE HAD OUR ISSUES. BUT I MEAN THIS FROM THE BOTTOM OF MY HEART. 485 00:41:51,211 --> 00:41:55,448 I REALLY, REALLY DON'T LIKE YOU. [ LAUGHTER ] 486 00:41:55,448 --> 00:42:03,857 AND NEXT TIME I SEE YOU, I WILL CHOP YOU DOWN LIKE PAUL BUNYAN, SMOKE YOU WHILE I'M IN A HOT TUB 487 00:42:03,857 --> 00:42:16,903 WITH YOUR GIRL. THAT BEING SAID, I LOVE YOU. AND I'VE ALWAYS GOT YOUR BACK. 488 00:42:16,903 --> 00:42:20,440 >> WHAT? >> COME ON, MAN, I'M JUST A BABY.>> BABY YODA, EVERYBODY. 489 00:42:20,440 --> 00:42:25,745 >> COME ON, MAN, I'M JUST A BABY.>> BABY YODA, EVERYBODY. [ CHEERS AND APPLAUSE ] 490 00:42:33,319 --> 00:42:39,125 EUROVISION SONG CONTEST IS KALUSH ORCHESTRA, A GROUP FROM UKRAINE.AND THIS IS COOL. 491 00:42:39,125 --> 00:42:44,798 IF YOU COMBINE EVERY MEMBER OF KALUSH ORCHESTRA, YOU GET POST MALONE. 492 00:42:44,798 --> 00:42:49,803 [ LAUGHTER ]IT WAS ANNOUNCED THW DISCO-THEMED ROLLER SKATING RINK WILL OPEN THIS SUMMER IN CENTRAL 493 00:42:49,803 --> 00:42:53,306 PARK. ANOTHER CLASSIC '70s TREND RETURNING TO THE PARK THIS 494 00:42:53,306 --> 00:42:59,012 SUMMER? STABBINGS. [ LAUGHTER ]THE MAKERS OF BARBIE 495 00:42:59,012 --> 00:43:03,883 INTRODUCED THE FIRST EVER BARBIE WITH HEARING AIDS. IT TEACHES AN IMPORTANT LESSON. 496 00:43:03,883 --> 00:43:12,759 IT DOESN'T MATTER IF YOU'RE DEAF, AS LONG AS THAT BODY BANGIN. 497 00:43:12,759 --> 00:43:17,931 [ LAUGHTER ] >>> KEVIN SPACEY WILL STAR IN A HISTORICAL DRAMA ABOUT 498 00:43:17,931 --> 00:43:20,967 GENGHIS KHAN'S GRANDSON. SAID SPACEY, "YOU HAD ME AT GRANDSON." 499 00:43:20,967 --> 00:43:30,910 [ LAUGHTER ] >>> NEW YORK CITY OFFICIALS SAY THEY HAVE RECEIVED OVER 500 00:43:30,910 --> 00:43:36,282 7,000 RAT SIGHTINGS HERE IN NEW YORK. SO EVERYBODY LOOK UNDER YOUR 501 00:43:36,282 --> 00:43:46,259 SEAT. [ LAUGHTER ] >>> THE OKLAHOMA CITY ZOO 502 00:43:46,259 --> 00:43:50,797 ANNOUNCED THAT A 14-YEAR-OLD ENDANGERED CHIMPANZEE NAMED NAIA IS PREGNANT. 503 00:43:50,797 --> 00:43:58,471 SAID THE ZOO'S JANITOR, "SHE TOLD ME SHE WAS 18." [ LAUGHTER ] 504 00:43:58,471 --> 00:44:02,642 >>> THE WRONG NUMBER WAS ANNOUNCED IN THIS WEEK'S $86 MILLION MEGA MILLIONS JACKPOT 505 00:44:02,642 --> 00:44:07,747 DRAWING, WHICH IS WHY I HAD TO GO INTO LORNE'S OFFICE AND UNQUIT. 506 00:44:07,747 --> 00:44:10,684 GO INTO LORNE'S OFFICE AND UNQUIT. [ LAUGHTER ] 507 00:44:14,754 --> 00:44:18,558 TO TELL US WHAT SHE LEARNED AND GIVE US A TOUR BACKSTAGE IS "WEEKEND UPDATE'S" FIELD 508 00:44:18,558 --> 00:44:27,100 CORRESPONDENT, SARAH SHERMAN. [ CHEERS AND APPLAUSE ] >> THANKS, COLIN. 509 00:44:27,100 --> 00:44:31,438 I'M GOING TO KICK OFF THE TOUR IN OUR STUDIO AUDIENCE. IT'S BEEN A GREAT SHOW TONIGHT 510 00:44:31,438 --> 00:44:39,479 WITH LOTS OF GREAT WEEKEND UPDATE JOKES FROM MICHAEL CHE SPECIFICALLY. 511 00:44:39,479 --> 00:44:42,816 >> ALL RIGHT. I DIDN'T LOVE THE SPECIFICALLY THERE, SARAH. 512 00:44:42,816 --> 00:44:46,786 BUT SURE, GO AHEAD. TAKE US BACKSTAGE. >> GOD. 513 00:44:46,786 --> 00:44:53,526 SO MANY LEGENDS HAVE PASSED THROUGH THESE HALLOWED HALLS. WILL FERRELL, KRISTEN WIIG, A 514 00:44:53,526 --> 00:45:00,834 BUNCH OF CREW GUYS WHO THINK I'M AN UGLY LITTLE BOY. [ LAUGHTER ]AND OH MY GOD, HOW . 515 00:45:00,834 --> 00:45:07,140 HERE WE HAVE MY CLOTHING RACK. THIS IS WHERE THEY KEEP MY SIZE ZERO PANTS. 516 00:45:07,140 --> 00:45:09,909 >> YEAH.ER ] THOSE ACTUALLY LOOK LIKE CHILDREN'S PANTS. 517 00:45:09,909 --> 00:45:13,747 >> CHILDREN'S PANTS. SORT OF YOUR AREA OF EXPERTISE, HUH? 518 00:45:13,747 --> 00:45:19,919 [ LAUGHTER ] >> LET'S NOT DO THIS, OKAY, >> I'M ACTUALLY JUST GETTING 519 00:45:19,919 --> 00:45:26,059 WORD RIGHT NOW THAT YOU SHOULD BE QUIET.[ LAUGHTER ] >> ALL RIGHT. 520 00:45:26,059 --> 00:45:29,162 OKAY. WELL, LET'S JUST -- CAN WE PLEASE JUST KEEP GOING WITH YOUR 521 00:45:29,162 --> 00:45:35,101 BACKSTAGE TOUR? OKAY?>> AND WHAT DO WE HAVE HER? LADIES AND GENTLEMEN, IT'S COLIN 522 00:45:35,101 --> 00:45:42,976 JOST'S DRESSING ROOM. OR AS OUR FEMALE INTERNS LIKE TO CALL IT, "THE CHAMBER OF 523 00:45:42,976 --> 00:45:46,179 SECRETS." [ LAUGHTER ] >> OKAY. 524 00:45:46,179 --> 00:45:51,084 NOBODY CALLS IT THAT. SARAH, PLEASE DO NOT GO IN THERE. 525 00:45:51,084 --> 00:45:55,488 >> TOO LATE! FOLKS, THE SCENE IN HERE IS ABYSMAL. 526 00:45:55,488 --> 00:46:02,796 ON THIS MIRROR COLIN HAS PUT UP ALL OF HIS HUMILIATING DAILY AFFIRMATIONS. 527 00:46:02,796 --> 00:46:10,103 YOU ARE FUNNY. YOU ARE HANDSOME. YOU ARE THE REAL KING OF STATEN 528 00:46:10,103 --> 00:46:15,241 ISLAND. [ APPLAUSE ] ONE JUST SAYS "REMINDER, DINNER TONIGHT WITH 529 00:46:15,241 --> 00:46:24,284 GIULIANI"? >> SARAH, I DID NOT WRITE THOSE. >> OH, MY GOD, COLIN. 530 00:46:24,284 --> 00:46:29,289 WHAT, ARE YOU OBSESSED WITH ME? >> THOSE ARE NOT MINE. THOSE ARE NOT MINE EITHER. 531 00:46:29,289 --> 00:46:36,329 YOU CLEARLY PUT THOSE IN THERE. >> OH, REALLY? WHAT'S ALL THIS, THEN? 532 00:46:36,329 --> 00:46:55,615 OH, A THING THAT I THREW? [ LAUGHTER ] >> THAT WAS A -- 533 00:46:55,615 --> 00:47:03,156 >> OH, MY GOD. AND WHAT DO WE HAVE HERE, FOLKS? IT'S COLIN'S FAMOUS INTERN CAGE. 534 00:47:03,156 --> 00:47:08,128 [ LAUGHTER ]S LIKE SOMEBODY MESA STARBUCKS ORDER. HEY, BUDDY, FOR NEXT TIME, COLIN 535 00:47:08,128 --> 00:47:14,401 LIKES HIS COFFEE WITH NO MILK, NO SUGAR, NO COFFEE, AND JUST VODKA. 536 00:47:14,401 --> 00:47:18,772 [ LAUGHTER ] >> SARAH, I TOLD YOU, YOU HAVE TO STOP PUTTING INTERNS IN CAGES 537 00:47:18,772 --> 00:47:25,145 IN MY DRESSING ROOM. >> OH, MY GOD, COLIN, ARE YOU COLLECTING MY UNDERWEAR? 538 00:47:25,145 --> 00:47:29,616 WOW. I CANNOT BELIEVE YOU'RE THE GUY I'VE BEEN SELLING THESE TO. 539 00:47:29,616 --> 00:47:32,819 [ LAUGHTER ] ALL RIGHT. SOMEONE, PLEASE JUST CUT HER FEED OFF. 540 00:47:32,819 --> 00:47:38,925 >> I'M ACTUALLY JUST GETTING WORD RIGHT NOW THAT WE HAVE BREAKING NEWS FROM THE UPDATE 541 00:47:38,925 --> 00:47:43,797 DESK FROM MY CORRESPONDENT AND BEST FRIEND MICHAEL CHE. >> THANKS, SARAH. 542 00:47:43,797 --> 00:47:49,736 THIS JUST IN. LOCAL PANTY SNIFFER COLIN JOST WANTS TO SILENCE SARAH SHERMAN 543 00:47:49,736 --> 00:47:54,641 IN HIS ONGOING QUEST TO TAKE DOWN JEWISH WOMEN? BACK TO YOU, COLIN. 544 00:47:54,641 --> 00:47:57,911 >> ALL RIGHT. FIELD CORRESPONDENT SARAH SHERMAN, EVERYONE. 545 00:47:57,911 --> 00:48:02,015 >> LOVE YOU, COLIN. >> FOR "WEEKEND UPDATE" I'M COLIN JOST. 546 00:48:02,015 --> 00:48:04,551 >> AND I'M SARAH. >> AND I'M MICHAEL CHE. GOOD NIGHT! 547 00:48:04,551 --> 00:48:11,024 GOOD NIGHT! >> GOOD NIGHT. [ CHEERS AND APPLAUSE ] 548 00:48:16,596 --> 00:48:22,302 >>> ONCE UPON A TIME, A PRINCE JOURNEYED TO A FAR AWAY KINGDOM, AND AFTER BRAVELY SLAYING THE 549 00:48:22,302 --> 00:48:29,509 LOCAL DRAGON WON THE CHANCE TO CHOOSE A PRINCESS FOR HIS BRIDE. >> OH, PRINCE EDMUND, WELCOME TO 550 00:48:29,509 --> 00:48:37,917 OUR BIG COLD CASTLE IN EUROPE. >> 'TIS AN HONOR, YOUR HIGHNESS. >> GOOD JOB KILLING OUR DRAGON. 551 00:48:37,917 --> 00:48:40,787 NO ONE ASKED YOU TO, BUT THANK YOU. [ LAUGHTER ] 552 00:48:40,787 --> 00:48:46,159 YOU MAY NOW MEET OUR DAUGHTERS THREE AND CHOOSE ONE TO BE YOUR BRIDE. 553 00:48:46,159 --> 00:48:48,361 >> YES. SURELY ONE OF THEM WILL BE MORE BEAUTIFUL THAN THE REST. 554 00:48:48,361 --> 00:48:52,132 OR KNOWING MY LUCK, ONE WILL BE WEIRD. >> BRING OUT MY DAUGHTERS, 555 00:48:52,132 --> 00:49:00,674 PLEASE. ** >> HMM. 556 00:49:00,674 --> 00:49:05,145 FAIR MAIDENS! SO COOL TO SEE. >> MEET MY FIRST DAUGHTER, 557 00:49:05,145 --> 00:49:10,050 LUCILLIA. >> 'TIS AN HONOR TO STAND BEFORE YOU, FAIR PRINCE. 558 00:49:10,050 --> 00:49:11,384 >> WOW. OKAY. I LOVE THAT. 559 00:49:11,384 --> 00:49:17,757 >> MY SECOND DAUGHTER, REGALIA. >> I KNOW NOT WHAT TO SAY, AND YET I FEEL NOT THREATENED, 560 00:49:17,757 --> 00:49:20,660 PRINCE. >> GOOD. GOOD. 561 00:49:20,660 --> 00:49:25,899 MAKES SENSE. >> AND MY THIRD DAUGHTER, BLONDELIA. 562 00:49:25,899 --> 00:49:31,571 >> HELLO. [ LAUGHTER ] >> OKAY. 563 00:49:31,571 --> 00:49:38,812 IS THAT IT? >> NICE TO MEET YOU. >> RIGHT. 564 00:49:38,812 --> 00:49:42,248 OKAY. SURE. >> IS EVERYTHING ALL RIGHT? 565 00:49:42,248 --> 00:49:45,819 >> YEAH. I GUESS I JUST THOUGHT THERE WOULD BE SOMETHING MESSED UP 566 00:49:45,819 --> 00:49:49,055 ABOUT HER BECAUSE THERE'S THREE OF THEM AND THE THIRD ONE IS HER. 567 00:49:49,055 --> 00:49:55,695 >> I TAKE GREAT OFFENSE! >> NO, I'M SORRY. IT'S JUST USUALLY LIKE ONE'S 568 00:49:55,695 --> 00:49:59,532 PRETTY, ONE'S SMART, AND ONE HAS SOMETHING LIKE REALLY WRONG WITH THEM. 569 00:49:59,532 --> 00:50:04,170 >> BUT YOU'VE ONLY JUST MET. GIRLS, TELL THE PRINCE ABOUT YOUR HOBBIES. 570 00:50:04,170 --> 00:50:11,978 >> I, LUCILLIA, ENJOY PLAYING JOLLY TUNES ON THE HARPSICHORD. >> I LOVE DANCING. 571 00:50:11,978 --> 00:50:17,717 AND DANCING AROUND. >> AND ME? I LIKE HARPSICHORD, AND I GUESS 572 00:50:17,717 --> 00:50:21,654 ALSO DANCING. >> OKAY. IS THAT WHY SHE'S WEIRD, 'CAUSE 573 00:50:21,654 --> 00:50:28,895 SHE COPIED HER THING? >> WHAT ARE YOU ON ABOUT? >> I MEAN, IT'S GOTTA BE 574 00:50:28,895 --> 00:50:34,234 BLONDELIA, BUT I JUST CAN'T FIGURE OUT WHY! >> I LIKE PAINTING AS WELL, OR 575 00:50:34,234 --> 00:50:38,304 ARCHERY? I DON'T KNOW, MAN, I DON'T WHAT YOU WANT ME TO SAY. 576 00:50:38,304 --> 00:50:42,242 [ LAUGHTER ] >> OH, I KNOW. TELL HIM YOUR FAVORITE FOODS. 577 00:50:42,242 --> 00:50:45,745 >> LITTLE CAKES. >> STRAWBERRIES. >> MUFFINS. 578 00:50:45,745 --> 00:50:49,382 >> ALL RIGHT. IS SHE LIKE OBSESSED WITH MUFFINS? 579 00:50:49,382 --> 00:50:51,918 [ LAUGHTER ] >> I FEEL LIKE PEOPLE LIKE MUFFINS. 580 00:50:51,918 --> 00:51:01,528 >> OKAY, NOW I'M KIND OF GETTING PISSED OFF. >> PRINCE EDMUND, WHAT WOULD YOU 581 00:51:01,528 --> 00:51:03,663 LIKE TO ASK MY DAUGHTERS? >> OKAY. DO A LITTLE DANCE. 582 00:51:03,663 --> 00:51:14,174 AS NORMAL AS YOU CAN. ** ALL RIGHT. 583 00:51:14,174 --> 00:51:16,543 ALL REGULAR HOT DANCING. [ LAUGHTER ] DOES ONE OF YOU HAVE, LIKE, A 584 00:51:16,543 --> 00:51:23,683 WEIRD LAUGH OR SOMETHING? WHAT ARE YOUR LAUGHS? >> HUH-HEH-HUH-HUH. 585 00:51:23,683 --> 00:51:27,387 >> OKAY. IS IT HER? BECAUSE THAT WAS AWFUL. 586 00:51:27,387 --> 00:51:36,796 >> HA, HA, HA, HA. >> HEY, HEY, HEY. [ LAUGHTER ] 587 00:51:36,796 --> 00:51:44,004 >> THOSE WERE ALL BAD. >> PRINCE EDMUND, YOU HAVE TO HURRY. 588 00:51:44,004 --> 00:51:47,707 YOU MUST MAKE YOUR CHOICE BEFORE THE CLOCK STRIKES MIDNIGHT. >> OOH, WHAT HAPPENS AT 589 00:51:47,707 --> 00:51:52,512 MIDNIGHT? >> IT'S JUST SO LATE. [ LAUGHTER ] 590 00:51:52,512 --> 00:51:56,416 >> I GIVE UP. ALL RIGHT? MAYBE I'LL JUST LEAVE AND GO 591 00:51:56,416 --> 00:52:01,921 KILL A DIFFERENT DRAGON. [ CRYING ] OH, NO. 592 00:52:01,921 --> 00:52:07,961 NO, I'M SORRY. I'VE BEEN SO RUDE. JUST BASED ON THE PRINCESSES 593 00:52:07,961 --> 00:52:11,965 I'VE MET, SHE SHOULD HAVE LIKE A BIG-ASS TOE OR LAY EGGS OR SOMETHING. 594 00:52:11,965 --> 00:52:15,835 >> FATHER, HE'S RIGHT. SOMETIMES ONE OF THE GIRLS IS WEIRD, ON PURPOSE. 595 00:52:15,835 --> 00:52:21,074 SHE'LL MAKE A JOKE OUT OF HERSELF BEFORE ANYONE CAN JUDGE HER. 596 00:52:21,074 --> 00:52:27,313 >> MAYBE IT'S BECAUSE WE HAVE TO JUMP THROUGH CRAZY HOOPS FOR PRINCES LIKE YOU, DRAGON DORK. 597 00:52:27,313 --> 00:52:29,349 >> MAYBE IT'S A METAPHOR FOR BEING DIFFERENT, OR UGLY, OR STUPID, OR GAY. 598 00:52:29,349 --> 00:52:33,286 I DON'T KNOW, I'M JUST GUESSING, I'M VERY NORMAL. [ LAUGHTER ] 599 00:52:33,286 --> 00:52:38,992 >> I SEE. I'M SORRY I WAS JUDGMENTAL. THE TRUTH IS, I'M DRAWN TO 600 00:52:38,992 --> 00:52:44,464 BLONDELIA, THOUGH I FEAR THERE'S A CATCH. >> ISN'T THAT LOVE, YOUNG MAN? 601 00:52:44,464 --> 00:52:48,735 >> I GUESS YOU'RE RIGHT. ALL RIGHT. I CHOOSE NUMBER THREE, 602 00:52:48,735 --> 00:52:54,741 BLONDELIA. >> OH! >> HUZZAH, PRINCE EDMUND AND 603 00:52:54,741 --> 00:53:01,481 BLONDELIA! BLESSINGS UPON YOU. >> I LOVE YOU, BLONDELIA, AND 604 00:53:01,481 --> 00:53:06,319 YOU SHALL BE MY WIFE. >> AND I LOVE YOU. GOODBYE, FATHER. 605 00:53:06,319 --> 00:53:13,059 GOODBYE, DEAR SISTERS. GOOD-BYE. >> GOODBYE. 606 00:53:13,927 --> 00:53:24,137 [ LAUGHTER ] >> THERE WE GO, GOOD OLD NUMBER THREE. 607 00:53:24,137 --> 00:53:27,374 THREE. GETS THEM EVERY TIME. [ CHEERS AND APPLAUSE ] 608 00:53:43,490 --> 00:53:47,494 >> AH, DAMN, WE ALL OUT. I'M GOING TO GO DOWN TO THE BODEGA AND GET SOME REAL QUICK. 609 00:53:47,494 --> 00:53:59,639 >> RIGHT NOW? >> YEAH, IT'S RIGHT DOWNSTAIRS. I'LL BE RIGHT BACK. 610 00:53:59,639 --> 00:54:02,475 >> PSST, DON'T TRUST HIM. >> WHO SAID THAT? >> YOU DID. 611 00:54:02,475 --> 00:54:06,279 I'M YOUR INTUITION. HE'S NOT GETTING PAPER TOWELS GIRL, HE'S CHEATING. 612 00:54:06,279 --> 00:54:10,116 >> NO, HE'S NOT. >> HE USUALLY WIPES HIS HANDS ON HIS PANTS AND NOW HE NEEDS 613 00:54:10,116 --> 00:54:13,420 BOUNTY? >> OKAY, SO WHERE IS HE? * HE BY THAT BITCH HOUSE * 614 00:54:13,420 --> 00:54:16,256 >> WHA? * BY THAT BITCH HOUSE * >> WHAT'S THAT MEAN. 615 00:54:16,256 --> 00:54:20,460 * THAT MEAN YOUR MAN IS CREEPING HE BY THAT BITCH HOUSE * 616 00:54:20,460 --> 00:54:23,196 >> OKAY, SO WHAT AM I SUPPOSED TO DO? * YOU HACK INTO HIS 617 00:54:23,196 --> 00:54:26,633 INSTAGRAM ACCOUNT TO SEE IF HE TELLING THE TRUTH * 618 00:54:26,633 --> 00:54:28,468 >> HOW? * LIKE THIS FIRST YOU CHECK ALL 619 00:54:28,468 --> 00:54:35,141 OF HIS MESSAGES DMs BEFORE HE DELETE THEM * * CHECK HIS LOCATION * 620 00:54:35,141 --> 00:54:40,880 ** >> SO WHAT DO YOU WANT FROM ME? >> BREAK HIS XBOX. 621 00:54:40,880 --> 00:54:44,517 >> OKAY. >> WHOA, WHAT ARE YOU DOING TO MY XBOX? 622 00:54:44,517 --> 00:54:47,454 >> I DON'T KNOW. I FELT YOU WERE CHEATING OR SOMETHING, I'M SO SORRY. 623 00:54:47,454 --> 00:54:51,224 >> BABY, WHAT? OKAY, YOU KNOW WHAT? I'M GOING TO GO OUT AND GET MY 624 00:54:51,224 --> 00:54:56,963 XBOX OUT THE DAMN STREET AND WE'RE GOING TO TALK ABOUT THIS. NEED SOME DAMN PAPE EVERYTOWELS. 625 00:54:56,963 --> 00:54:59,666 >> YOU REALLY THINK HE'S GOING TO GET A BROKEN XBOX? >> GO AWAY. 626 00:54:59,666 --> 00:55:01,501 * HE BY THAT BITCH HOUSE * >> HE'S NOT. * BY THAT BITCH HOUSE * 627 00:55:01,501 --> 00:55:04,838 >> I CAN SEE HIM. * HE BY THAT BITCH HOUSE * >> WHAT THE HELL AM I SUPPOSED 628 00:55:04,838 --> 00:55:09,042 TO DO? * WE NEED TO CHECK ALL HIS POCKETS 629 00:55:09,042 --> 00:55:11,044 THEN LOOK IN THE CLOSET SEE IF HE GOT NUMBERS * * THEN I LOOK UP 630 00:55:11,044 --> 00:55:16,916 IN THE CLOSET FIND LIPSTICK ON COLLARS* * AND SPILLED PERFUME ON HIS 631 00:55:16,916 --> 00:55:18,418 CLOTHES * >> IT SMELLS NORMAL. >> THEN BREAK HIS TV. 632 00:55:18,418 --> 00:55:23,356 >> OKAY. >> COME ON, THIS CANNOT HAPPEN EVERY TIME I LEAVE THE DAMN 633 00:55:23,356 --> 00:55:25,258 HOUSE. >> I'M SORRY, IT'S JUST I'VE DATED SO MANY BASKETBALL PLAYERS 634 00:55:25,258 --> 00:55:30,096 AND CELEBRITIES. >> I'M SORRY, WHAT NOW? >> YOU'RE NOT LIKE THEM. 635 00:55:30,096 --> 00:55:33,600 YOU'RE MY LITTLE JOHNNY. >> OKAY, WE'RE GOING TO TALK ABOUT THAT NICKNAME. 636 00:55:33,600 --> 00:55:35,635 >> OKAY. YOU KNOW WHAT? I'M GOING TO COOL DOWN AND MEET 637 00:55:35,635 --> 00:55:45,078 ME IN THE BEDROOM. >> OKAY. [ DINGS ] 638 00:55:45,078 --> 00:55:48,882 * I THINK SHE THINK YOU CHEATING AND IF SHE DO THAT MEANS THAT 639 00:55:48,882 --> 00:55:50,483 SHE THE ONE WHO OUT THERE CREEPING * >> WAIT WHAT? 640 00:55:50,483 --> 00:55:53,153 * SHE PROBABLY GETTING DUDE NUDES GETTING DUDE NUDES 641 00:55:53,153 --> 00:55:59,125 FOR REAL * * GETTING DUDE NUDES AND ALL THEIR THINGIES ARE 642 00:55:59,125 --> 00:56:01,327 BIGGER THAN YOURS * * WE GOTTA HANDLE THIS CAREFULLY 643 00:56:01,327 --> 00:56:08,134 BREAK IN HER PHONE CHECK THE WHOLE HISTORY * * HERE'S HOW YOU UNLOCK IT 644 00:56:08,134 --> 00:56:11,037 QUICKLY FIRST STOP IT'S BIRTHDAY THEN SOCIAL SECURITY * * IF THAT DON'T WORK THEN 645 00:56:11,037 --> 00:56:14,040 UNLOCK IT BY FACING THE PHONE TO HER FACE * * WHILE SHE SLEEPING * 646 00:56:14,040 --> 00:56:17,410 >> WHAT ARE YOU TALKING ABOUT, WHO WOULD EVEN BE TEXTING HER? >> I DON'T KNOW. 647 00:56:17,410 --> 00:56:21,414 LeBRON JAMES? >> WHAT THE HELL? >> WHO YOU TEXTING THIS LATE? 648 00:56:21,414 --> 00:56:25,185 IS IT LeBRON? >> IT'S MY MOTHER. >> I DIDN'T KNOW THAT, BUT NOW 649 00:56:25,185 --> 00:56:29,322 IT'S I'M TOO MAD AND IT'S TOO LATE TO BE RATIONAL. >> SO AM I! 650 00:56:29,322 --> 00:56:31,091 >> ALL RIGHT. WELL, WHAT IN THE HELL WE GONNA DO? 651 00:56:31,091 --> 00:56:32,659 * HAVE ANGRY SEX * >> OKAY. * HAVE ANGRY SEX * 652 00:56:32,659 --> 00:56:37,197 * HAVE ANGRY SEX * >> SOUNDS GOOD. * HAVE ANGRY SEX * 653 00:56:47,440 --> 00:56:54,414 FOR YOUR MASCOT, SAL THE SPOOKED HORSE. [ APPLAUSE ] 654 00:56:54,414 --> 00:57:01,454 WELL, NOW THE GUIDANCE COUNSELORS WANTED TO GIVE SOME ADVICE BEFORE GRADUATION SEASON. 655 00:57:01,454 --> 00:57:06,559 SO PLEASE WELCOME MR. AND MRS. BARBIZAR. >> HI. 656 00:57:06,559 --> 00:57:09,362 >> GOOD MORNING. >> WHAT AN HONOR TO ADDRESS THE OLD DIRTY BASTARD HIGH SCHOOL 657 00:57:09,362 --> 00:57:12,732 CLASS OF 2022. >> WE ARE SO PROUD OF YOU. A LOT OF YOU ARE UNSURE WHAT TO 658 00:57:12,732 --> 00:57:16,269 DO AFTER HIGH SCHOOL. THERE ARE SO MANY CAREER PATHS. >> IT'S HARD TO KNOW WHAT YOU'LL 659 00:57:16,269 --> 00:57:18,038 LIKE OR WHAT YOU'RE GOOD AT. >> SO OUR ADVICE TO EVERYONE IS MODEL. 660 00:57:18,038 --> 00:57:20,073 >> MODEL. >> GET INTO MODELING. >> MODELING. 661 00:57:20,073 --> 00:57:23,176 >> SORRY, ARE YOU SAYING WE SHOULD BE MODELS AFTER WE GRADUATE? 662 00:57:23,176 --> 00:57:27,247 >> YES, EXACTLY. MODELS. >> OUR ADVICE TO STUDENTS IS 663 00:57:27,247 --> 00:57:30,950 MODEL. >> BECAUSE AT THIS MOMENT YOU'RE THE YOUNGEST YOU'VE EVER BEEN 664 00:57:30,950 --> 00:57:40,694 AND MAYBE YOU JUST MISSED IT. >> MAYBE IT WOULD HELP IF AN ALUM COMES OUT AND TALKS TO YOU 665 00:57:40,694 --> 00:57:42,629 ABOUT HER EXPERIENCE MODELING? >> DO YOU GUYS WANT THAT? >> YEAH, YOU DO. 666 00:57:42,629 --> 00:57:45,098 >> PLEASE WELCOME SPOKESPERSON FOR MODELING FROM THE CLASS OF 2017, NINNE SYNC. 667 00:57:45,098 --> 00:57:52,906 >> WOW. THANK YOU SO MUCH FOR HAVING ME. WHEN I WAS IN HIGH SCHOOL, THE 668 00:57:52,906 --> 00:57:56,209 ONE THING I WISH SOMEONE TOLD ME WAS, MODEL. >> SEE? 669 00:57:56,209 --> 00:57:58,611 >> MODEL. >> AND NOW I AM PROUD TO SAY I AM THE FIRST PERSON IN MY FAMILY 670 00:57:58,611 --> 00:58:01,448 TO NOT GO TO COLLEGE. >> CONGRATULATIONS. NINNE, THE TIME HAS COME. 671 00:58:01,448 --> 00:58:06,753 LET'S SHOW THEM HOW TO DO 80 POSES IN 5 SECONDS. >> HIT THE TRACK. 672 00:58:06,753 --> 00:58:12,592 ** WOW. THAT WAS AMAZING. >> ANY QUESTIONS? 673 00:58:12,592 --> 00:58:17,030 >> HI. YEAH, I'M REALLY GOOD AT MATH AND I REALLY LOVE MATH. 674 00:58:17,030 --> 00:58:18,698 I'VE ALWAYS WANTED TO BE AN ACCOUNTANT. DO I HAVE TO BE A MODEL? 675 00:58:18,698 --> 00:58:23,370 >> YOU DON'T HAVE TO, BUT LET ME ASK YOU THIS. DO YOU WANT TO LIVE IN PARIS OR 676 00:58:23,370 --> 00:58:27,674 SYRACUSE? >> DO YOU WANT TO WORK AT H & M OR H & R BLOCK? 677 00:58:27,674 --> 00:58:36,249 >> DO YOU WANT TO DO LEONARDO DiCAPRIO OR DO TAXES WITH SOMEONE NAMED LEON DE NOTHING? 678 00:58:36,249 --> 00:58:40,754 HOW TALL ARE YOU? >> 5'6". >> KEEP LOOKING AT THAT. 679 00:58:40,754 --> 00:58:42,856 >> I LIKE YOUR LOOK. HOW OLD ARE YOU? >> 17. 680 00:58:42,856 --> 00:58:50,397 >> STAY THAT AGE FOREVER. >> SHOW THEM 100 FACES IN 20 SECONDS. 681 00:58:50,397 --> 00:58:58,238 GO. ** >> WOW, AMAZING. 682 00:58:58,238 --> 00:59:00,707 >> WAIT, SO ARE YOU GUYS MODELS? DO YOU HAVE MODELING EXPERIENCE? >> WELL, I MODELED FOR HOLLYWOOD 683 00:59:00,707 --> 00:59:09,482 LEGEND ROBERT DURST. THAT WAS THE LAST THING HE SAW. >> DO YOU WANT TO COME WITH US 684 00:59:09,482 --> 00:59:14,220 AND MODEL ALL OVER THE WORLD? >> I WANT TO BE A MODEL! >> OKAY. 685 00:59:14,220 --> 00:59:17,223 EVERYONE DO 10,000 POSES IN 1 MILLION SECONDS. >> MUSIC! 686 00:59:17,223 --> 00:59:21,161 MILLION SECONDS. >> MUSIC! ** 687 00:59:32,105 --> 00:59:36,710 >>> ONCE AGAIN, POST MALONE. [ CHEERS AND APPLAUSE ] 688 00:59:37,544 --> 00:59:49,556 ** 689 01:00:07,107 --> 01:00:18,685 ** ** 690 01:00:21,154 --> 01:00:29,562 * I WOKE UP ON THE GROUND I GUESS I SHOULD HAVE KEPT THAT TO MYSELF * 691 01:00:29,562 --> 01:00:37,704 * TURNS OUT I'M PRETTY GOOD AT RUNNING MY MOUTH BUT NOT GOOD ENOUGH * 692 01:00:37,704 --> 01:00:42,842 * YOU KNOW WHEN I GO IN IT'S LIGHTS OUT I COULDN'T HEAR A THING * 693 01:00:42,842 --> 01:00:48,048 * 'CAUSE THE SONG WAS TOO LOUD * * LAST NIGHT I HAD 32 TEETH 694 01:00:48,048 --> 01:00:55,388 IN MY MOUTH SOME WENT AWAY * * WHY'D YOU HAVE TO GO 695 01:00:55,388 --> 01:01:02,395 AND RUIN MY DAY * * YOU'RE THE REASON WHY I GOT MY ASS KICKED 696 01:01:02,395 --> 01:01:10,070 BUT YOU'RE THE ONLY WAY TO DROWN MY SADNESS * * THIS IS MY LOVE-HATE 697 01:01:10,070 --> 01:01:15,675 LETTER TO ALCOHOL YOU'RE THE REASON WHY I GOT MY ASS KICKED * 698 01:01:15,675 --> 01:01:20,747 * I WAS LAYING DOWN FLAT LIKE A CENTERFOLD DIDN'T HEAR HIS CAR 699 01:01:20,747 --> 01:01:24,150 BUT HE DROVE ME HOME * * LOOKIN' IN THE MIRROR SOMETHING'S WRONG 700 01:01:24,150 --> 01:01:26,720 LET ME GET MY DENTIST ON THE PHONE * * FOUND MY KEYS 701 01:01:26,720 --> 01:01:29,489 AND I WENT BACK OUT DON'T ASK ME HOW IT ALL WENT DOWN * 702 01:01:29,489 --> 01:01:33,927 * BUT I REMEMBER LIKE IT'S YESTERDAY I TOOK A SHOT 703 01:01:33,927 --> 01:01:42,369 TOOK A SHOT * * TOOK A SHOT TOOK ANOTHER SHOT * 704 01:01:42,369 --> 01:01:51,111 * FELL RIGHT OUT MY COMFY CHAIR SWINGING 40s HIGH THEN A BIG CHROME RING 705 01:01:51,111 --> 01:01:52,879 FLEW IN FROM THE SIDE * * I THOUGHT I DIED WHY'D YOU HAVE TO GO 706 01:01:52,879 --> 01:01:57,684 AND RUIN MY NIGHT * * YOU'RE THE REASON WHY I GOT MY ASS KICKED 707 01:01:57,684 --> 01:02:05,225 BUT YOU'RE THE ONLY WAY TO DROWN MY SADNESS * * THIS IS MY LOVE-HATE 708 01:02:05,225 --> 01:02:13,233 LETTER OUT TO ALCOHOL YOU'RE THE REASON WHY I GOT MY ASS KICKED * 709 01:02:15,068 --> 01:02:32,252 ** 710 01:02:41,294 --> 01:02:46,299 [ CHEERS AND APPLAUSE ] >>> DUDE, YOUR HOUSE IS SICK. 711 01:02:46,299 --> 01:02:48,868 >> AND YOU'RE SURE YOUR PARENTS ARE GONE FOR THE NIGHT? >> TOTALLY, IT'S THEIR 712 01:02:48,868 --> 01:02:53,306 ANNIVERSARY. SO THEY'LL BE FIGHTING AT A NICE RESTAURANT FOR THE NEXT SIX 713 01:02:53,306 --> 01:02:56,309 HOURS. >> THAT'S SO COOL. >> I CAN'T BELIEVE THEY TRUST 714 01:02:56,309 --> 01:02:59,713 YOU TO BE HOME ALONE. >> WELL, SOMEONE HAD TO WATCH THE TWINS. 715 01:02:59,713 --> 01:03:06,820 >> WAIT, THE TWINS? >> YEAH. MY BABY BROTHER AND BABY SISTER. 716 01:03:06,820 --> 01:03:10,957 LOOK, THEY'RE ON THE BABY MONITOR. >> AW! 717 01:03:10,957 --> 01:03:12,692 THEY'RE SO SWEET. [ LAUGHTER ] >> I GUESS I DIDN'T REALIZE YOU 718 01:03:12,692 --> 01:03:17,630 WERE BABYSITTING. >> YEAH, I THOUGHT WE WERE GOING TO RAGE TONIGHT. 719 01:03:17,630 --> 01:03:22,168 >> NO, WE CAN STILL TOTALLY PARTY ALL NIGHT LONG. ON THAT NOTE, WHO WANTS TO DRINK 720 01:03:22,168 --> 01:03:25,538 MY DAD'S BEER? >> ME! [ CRYING ] 721 01:03:25,538 --> 01:03:30,477 >> UH-OH, I THINK ONE OF THE BABIES ARE UP. >> DON'T WORRY. 722 01:03:30,477 --> 01:03:38,084 THEY'LL GO BACK TO SLEEP. >> I THINK SHE ACTUALLY JUST WOKE HER BROTHER UP. 723 01:03:38,084 --> 01:03:43,089 [ CRYING ] DAMN. THEIR EYES ARE FREAKY. 724 01:03:43,089 --> 01:03:48,495 >> IT LOOKS LIKE WHEN YOU CATCH RACCOONS. >> GUYS, LET'S FOCUS. 725 01:03:48,495 --> 01:03:58,171 LET'S GET THIS PARTY STARTED. >> SOUNDS LIKE THEY'RE STILL CRYING, THOUGH. 726 01:03:58,171 --> 01:04:00,740 >> SHOULDN'T YOU GO IN THERE AND COMFORT THEM OR SOMETHING? >> NO, YOU'RE SUPPOSED TO LET 727 01:04:00,740 --> 01:04:04,044 THEM SELF-SOOTHE. [ LOUD CRYING ] >> OKAY, THAT DOESN'T SEEM 728 01:04:04,044 --> 01:04:07,347 SELF-SOOTHING. >> THEY'LL BE ASLEEP IN TWO SECONDS. 729 01:04:07,347 --> 01:04:15,422 I PROMISE. >> YEAH, I DON'T THINK SO. NOW THEY'RE DOING LAPS AROUND 730 01:04:15,422 --> 01:04:19,125 THE CRIB. [ LAUGHTER ] >> OH, THAT'S GOOD. 731 01:04:19,125 --> 01:04:25,131 THAT WILL TUCKER THEM OUT. >> I'M NOT SO SURE. >> YEAH, I DON'T KNOW HOW TO SAY 732 01:04:25,131 --> 01:04:30,637 THIS BUT IT LOOKS LIKE THEY'RE STUNTING BUCK WILD. [ LAUGHTER ] 733 01:04:30,637 --> 01:04:34,107 >> YEAH. I GAVE THEM ONE M&M EACH BEFORE BED SO THEY ARE LOADED WITH 734 01:04:34,107 --> 01:04:35,842 SUGAR RIGHT NOW. >> WAIT, ARE YOU ALLOWED TO GIVE BABIES CHOCOLATE? 735 01:04:35,842 --> 01:04:41,448 >> YEAH, MEGHAN, THEY'RE NOT DOGS, THEY'RE BABIES. GUYS, I THOUGHT YOU WANTED TO 736 01:04:41,448 --> 01:04:44,818 PARTY. >> WE DID. BUT THIS IS DEFINITELY MORE 737 01:04:44,818 --> 01:04:47,620 INTERESTING. >> YEAH. IT LOOKS LIKE THEY'RE FIGHTING. 738 01:04:47,620 --> 01:04:52,459 >> THEY'RE JUST ROUGHHOUSING. IT'S WHAT SIBLINGS DO. >> WAIT, ACTUALLY, I HAVE A BABY 739 01:04:52,459 --> 01:05:03,169 BROTHER AND SISTER AND I HAVE NEVER SEEN THEM DO THAT. [ LAUGHTER ] 740 01:05:03,169 --> 01:05:07,440 >> OH, MY GOD! DO SOMETHING BEFORE HER HEAD FLIES OFF. 741 01:05:07,440 --> 01:05:12,112 >> UGH, FINE. I'LL JUST GO GIVE THEM A PIECE OF BREAD OR SOMETHING. 742 01:05:12,112 --> 01:05:16,683 [ LAUGHTER ] >> ARE BABIES SUPPOSED TO EAT FULL PIECES OF BREAD? 743 01:05:16,683 --> 01:05:26,092 >> I DON'T THINK SO. BUT THE BABIES DEFINITELY SEEM TO LIKE IT. 744 01:05:26,092 --> 01:05:30,630 [ LAUGHTER ] >> ALL RIGHT. NOW WHO WANTS TO FOCUS ON 745 01:05:30,630 --> 01:05:34,434 GETTING WASTED? >> HONESTLY, I DON'T WANT TO GET DRUNK ANYMORE. 746 01:05:34,434 --> 01:05:44,711 I JUST WANT TO SIT HERE AND WATCH THESE BABIES GO HARD. >> WAIT, WHAT THE HELL? 747 01:05:44,711 --> 01:05:50,984 >> HEY, MA, YOU GOT ANY MILK? THIS BREAD IS MAD DRY. >> WHO IS THAT? 748 01:05:50,984 --> 01:05:53,086 [ LAUGHTER ] >> I DON'T KNOW. SOMETIMES HE'S THERE AND 749 01:05:53,086 --> 01:05:57,657 SOMETIMES HE'S NOT. >> THAT'S NOT CONCERNING TO YOU? >> NO. 750 01:05:57,657 --> 01:06:04,798 NOW, WHO WANTS TO CHUG HAND SANITIZER AND TRY ON MY DAD'S UNDERWEAR? 751 01:06:04,798 --> 01:06:08,168 >> NONE OF US! >> GINA, WHY ARE YOU ACTING SO CRAZY? 752 01:06:08,168 --> 01:06:12,772 >> GINA, WHY ARE YOU TRYING TO PARTY SO HARD? THESE BABIES NEED YOU. 753 01:06:12,772 --> 01:06:17,243 >> LOOK, GUYS. THIS MIGHT COME AS A COMPLETE SHOCK TO YOU BUT I'M NOT A HUGE 754 01:06:17,243 --> 01:06:19,779 PARTY GIRL. I'VE NEVER EVEN HAD A SIP OF ALCOHOL. 755 01:06:19,779 --> 01:06:25,952 >> YEAH, OBVIOUSLY. >> WAIT, WAIT, WAIT, WHAT ARE THEY LOOKING AT? 756 01:06:25,952 --> 01:06:34,694 >> IS THAT A BABY MONITOR? [ LAUGHTER ] >> OH, MY GOD. 757 01:06:34,694 --> 01:06:43,069 THEY'RE WATCHING US? ** [ CHEERS AND APPLAUSE ] 758 01:06:56,082 --> 01:07:03,156 >>> THANKS TO POST MALONE, 75624

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.