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Yeah,
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Yeah,
3
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Yeah,
>> like the strangest but most rewarding
4
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>> like the strangest but most rewarding
5
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>> like the strangest but most rewarding
and fun part about this job.
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7
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>> I guess it's the audience questions.
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9
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Sorry, I told myself I wasn't going to
10
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Sorry, I told myself I wasn't going to
11
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Sorry, I told myself I wasn't going to
do this.
12
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do this.
13
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do this.
Uh, it's very weird because I don't
14
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Uh, it's very weird because I don't
15
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Uh, it's very weird because I don't
think you evaluate it in that way. It's
16
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think you evaluate it in that way. It's
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think you evaluate it in that way. It's
not like I don't go home and you know
18
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not like I don't go home and you know
19
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not like I don't go home and you know
I'm like what a satisfying day of work.
20
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I'm like what a satisfying day of work.
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I'm like what a satisfying day of work.
Uh I think it's like any job like you
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Uh I think it's like any job like you
23
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Uh I think it's like any job like you
when you're living in it you don't
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when you're living in it you don't
25
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when you're living in it you don't
really have the perspective. I think
26
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really have the perspective. I think
27
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really have the perspective. I think
you're happy like I think we do what I
28
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you're happy like I think we do what I
29
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you're happy like I think we do what I
feel best about is when we execute to
30
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feel best about is when we execute to
31
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feel best about is when we execute to
the highest of our intention because we
32
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the highest of our intention because we
33
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the highest of our intention because we
always have an intention and sometimes
34
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always have an intention and sometimes
35
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always have an intention and sometimes
we execute it in the manner. So there
36
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we execute it in the manner. So there
37
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we execute it in the manner. So there
may be a show where some people are
38
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may be a show where some people are
39
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may be a show where some people are
like, "Oh, that was really funny." And
40
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like, "Oh, that was really funny." And
41
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like, "Oh, that was really funny." And
we're like, you know, I I I miss that.
42
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we're like, you know, I I I miss that.
43
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we're like, you know, I I I miss that.
But it's like anything like where you
44
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But it's like anything like where you
45
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But it's like anything like where you
you try and hold yourself to a really
46
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you try and hold yourself to a really
47
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you try and hold yourself to a really
high standard and so it can be fr you
48
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high standard and so it can be fr you
49
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high standard and so it can be fr you
can frustrate yourself. But then there
50
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can frustrate yourself. But then there
51
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can frustrate yourself. But then there
are other days where you feel like, oh,
52
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are other days where you feel like, oh,
53
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are other days where you feel like, oh,
we got coach, but you can never
54
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we got coach, but you can never
55
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we got coach, but you can never
What's nice about this show is it's very
56
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What's nice about this show is it's very
57
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What's nice about this show is it's very
humbling. like no matter how many times
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humbling. like no matter how many times
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humbling. like no matter how many times
I've done it and I've done thousands of
60
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I've done it and I've done thousands of
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I've done it and I've done thousands of
these, I can still them up hugely and
62
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these, I can still them up hugely and
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these, I can still them up hugely and
like and not get it right and and do the
64
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like and not get it right and and do the
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like and not get it right and and do the
thing. And so you you can never get uh
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thing. And so you you can never get uh
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thing. And so you you can never get uh
complacent and never want to. In fact,
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complacent and never want to. In fact,
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complacent and never want to. In fact,
it's sort of why I left like in 2015
70
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it's sort of why I left like in 2015
71
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it's sort of why I left like in 2015
where I was like, "Oh, I'm not as
72
00:01:32,710 --> 00:01:32,720
where I was like, "Oh, I'm not as
73
00:01:32,720 --> 00:01:35,030
where I was like, "Oh, I'm not as
engaged as this show doesn't deserve
74
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engaged as this show doesn't deserve
75
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engaged as this show doesn't deserve
anybody not giving everything to to what
76
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anybody not giving everything to to what
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anybody not giving everything to to what
they're doing." And so, uh, and now I
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they're doing." And so, uh, and now I
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they're doing." And so, uh, and now I
feel like, oh, I've got enough in me to
80
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feel like, oh, I've got enough in me to
81
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feel like, oh, I've got enough in me to
do that once,
82
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do that once,
83
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do that once,
but yeah, that's how that's how you sort
84
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but yeah, that's how that's how you sort
85
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but yeah, that's how that's how you sort
of feel. Yeah.
86
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of feel. Yeah.
87
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of feel. Yeah.
>> Okay. So, piggy backing off of that,
88
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>> Okay. So, piggy backing off of that,
89
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>> Okay. So, piggy backing off of that,
>> wait a minute, the audience has
90
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>> wait a minute, the audience has
91
00:01:52,720 --> 00:01:55,350
>> wait a minute, the audience has
follow-ups. What?
92
00:01:55,350 --> 00:01:55,360
follow-ups. What?
93
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follow-ups. What?
>> Oh, yeah. Mr. Stewart to the question
94
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>> Oh, yeah. Mr. Stewart to the question
95
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>> Oh, yeah. Mr. Stewart to the question
there. I I just I want to add a retort.
96
00:02:00,870 --> 00:02:00,880
there. I I just I want to add a retort.
97
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there. I I just I want to add a retort.
One question, one criticism if I could.
98
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One question, one criticism if I could.
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One question, one criticism if I could.
Uh, yeah, go ahead.
100
00:02:06,870 --> 00:02:06,880
Uh, yeah, go ahead.
101
00:02:06,880 --> 00:02:10,070
Uh, yeah, go ahead.
>> How do you keep creative in your
102
00:02:10,070 --> 00:02:10,080
>> How do you keep creative in your
103
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>> How do you keep creative in your
So you want to the the problem with
104
00:02:11,990 --> 00:02:12,000
So you want to the the problem with
105
00:02:12,000 --> 00:02:14,070
So you want to the the problem with
these shows like anything else is you
106
00:02:14,070 --> 00:02:14,080
these shows like anything else is you
107
00:02:14,080 --> 00:02:15,990
these shows like anything else is you
have to build them for like redundancy
108
00:02:15,990 --> 00:02:16,000
have to build them for like redundancy
109
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have to build them for like redundancy
and resilience like you have to build a
110
00:02:18,070 --> 00:02:18,080
and resilience like you have to build a
111
00:02:18,080 --> 00:02:20,550
and resilience like you have to build a
system that can get to achieve a high
112
00:02:20,550 --> 00:02:20,560
system that can get to achieve a high
113
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system that can get to achieve a high
level but has to be repeatable. So the
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level but has to be repeatable. So the
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level but has to be repeatable. So the
day like people think like man you guys
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day like people think like man you guys
117
00:02:25,920 --> 00:02:28,630
day like people think like man you guys
you probably come in here what like 11
118
00:02:28,630 --> 00:02:28,640
you probably come in here what like 11
119
00:02:28,640 --> 00:02:31,190
you probably come in here what like 11
and you spend the first hour justing
120
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and you spend the first hour justing
121
00:02:31,200 --> 00:02:35,190
and you spend the first hour justing
around cuz the jokes write themselves
122
00:02:35,190 --> 00:02:35,200
around cuz the jokes write themselves
123
00:02:35,200 --> 00:02:38,229
around cuz the jokes write themselves
but you're like we we run like a show
124
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but you're like we we run like a show
125
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but you're like we we run like a show
like Jen Flans runs a ship like she's
126
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like Jen Flans runs a ship like she's
127
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like Jen Flans runs a ship like she's
got Jen FL's our executive producer
128
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got Jen FL's our executive producer
129
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got Jen FL's our executive producer
who's been here by the way longer than I
130
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who's been here by the way longer than I
131
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who's been here by the way longer than I
have been here. Uh but like and she and
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have been here. Uh but like and she and
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have been here. Uh but like and she and
I are always talking like pro I love
134
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I are always talking like pro I love
135
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I are always talking like pro I love
talking process. So we're always talking
136
00:02:52,309 --> 00:02:52,319
talking process. So we're always talking
137
00:02:52,319 --> 00:02:54,949
talking process. So we're always talking
about ways to make the day more
138
00:02:54,949 --> 00:02:54,959
about ways to make the day more
139
00:02:54,959 --> 00:02:57,270
about ways to make the day more
efficient and like five you know we
140
00:02:57,270 --> 00:02:57,280
efficient and like five you know we
141
00:02:57,280 --> 00:02:59,030
efficient and like five you know we
always say like 5 minutes at 9:00 a.m.
142
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always say like 5 minutes at 9:00 a.m.
143
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always say like 5 minutes at 9:00 a.m.
is 45 minutes at 5:00 p.m. So we're
144
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is 45 minutes at 5:00 p.m. So we're
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is 45 minutes at 5:00 p.m. So we're
always trying to so but you have to then
146
00:03:03,990 --> 00:03:04,000
always trying to so but you have to then
147
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always trying to so but you have to then
also build it with enough space in it
148
00:03:06,790 --> 00:03:06,800
also build it with enough space in it
149
00:03:06,800 --> 00:03:08,869
also build it with enough space in it
that you can have enough room for
150
00:03:08,869 --> 00:03:08,879
that you can have enough room for
151
00:03:08,879 --> 00:03:11,589
that you can have enough room for
inspiration. It's very interest are any
152
00:03:11,589 --> 00:03:11,599
inspiration. It's very interest are any
153
00:03:11,599 --> 00:03:12,949
inspiration. It's very interest are any
of you in creative pursuits by any
154
00:03:12,949 --> 00:03:12,959
of you in creative pursuits by any
155
00:03:12,959 --> 00:03:14,229
of you in creative pursuits by any
chance? Any like in the arts or anything
156
00:03:14,229 --> 00:03:14,239
chance? Any like in the arts or anything
157
00:03:14,239 --> 00:03:15,509
chance? Any like in the arts or anything
like that? Okay. Oh, so you are. So,
158
00:03:15,509 --> 00:03:15,519
like that? Okay. Oh, so you are. So,
159
00:03:15,519 --> 00:03:17,990
like that? Okay. Oh, so you are. So,
what do you do?
160
00:03:17,990 --> 00:03:18,000
what do you do?
161
00:03:18,000 --> 00:03:21,589
what do you do?
>> Uh-oh. All right. Wait, do you already
162
00:03:21,589 --> 00:03:21,599
>> Uh-oh. All right. Wait, do you already
163
00:03:21,599 --> 00:03:24,229
>> Uh-oh. All right. Wait, do you already
know what she does? Should I even ask?
164
00:03:24,229 --> 00:03:24,239
know what she does? Should I even ask?
165
00:03:24,239 --> 00:03:26,149
know what she does? Should I even ask?
>> Hold on. What does she do?
166
00:03:26,149 --> 00:03:26,159
>> Hold on. What does she do?
167
00:03:26,159 --> 00:03:30,309
>> Hold on. What does she do?
>> NOTHING.
168
00:03:30,309 --> 00:03:30,319
169
00:03:30,319 --> 00:03:34,309
SO, you are in a creative pursuit
170
00:03:34,309 --> 00:03:34,319
SO, you are in a creative pursuit
171
00:03:34,319 --> 00:03:36,309
SO, you are in a creative pursuit
and you don't raw dog nothing. Like, you
172
00:03:36,309 --> 00:03:36,319
and you don't raw dog nothing. Like, you
173
00:03:36,319 --> 00:03:38,229
and you don't raw dog nothing. Like, you
fill your time. Like, when they say
174
00:03:38,229 --> 00:03:38,239
fill your time. Like, when they say
175
00:03:38,239 --> 00:03:39,670
fill your time. Like, when they say
nothing, it's not like this. Like, well,
176
00:03:39,670 --> 00:03:39,680
nothing, it's not like this. Like, well,
177
00:03:39,680 --> 00:03:43,990
nothing, it's not like this. Like, well,
time to go to work.
178
00:03:43,990 --> 00:03:44,000
179
00:03:44,000 --> 00:03:44,550
out my window.
180
00:03:44,550 --> 00:03:44,560
out my window.
181
00:03:44,560 --> 00:03:47,030
out my window.
>> You could stare out your window.
182
00:03:47,030 --> 00:03:47,040
>> You could stare out your window.
183
00:03:47,040 --> 00:03:49,190
>> You could stare out your window.
>> The weird counterintuitive paradox of
184
00:03:49,190 --> 00:03:49,200
>> The weird counterintuitive paradox of
185
00:03:49,200 --> 00:03:52,789
>> The weird counterintuitive paradox of
creative industries is that structure is
186
00:03:52,789 --> 00:03:52,799
creative industries is that structure is
187
00:03:52,799 --> 00:03:54,550
creative industries is that structure is
what allows you to be creative. If you
188
00:03:54,550 --> 00:03:54,560
what allows you to be creative. If you
189
00:03:54,560 --> 00:03:56,229
what allows you to be creative. If you
don't have structure, you've got nothing
190
00:03:56,229 --> 00:03:56,239
don't have structure, you've got nothing
191
00:03:56,239 --> 00:03:58,789
don't have structure, you've got nothing
to tether yourself to. So the more
192
00:03:58,789 --> 00:03:58,799
to tether yourself to. So the more
193
00:03:58,799 --> 00:04:01,589
to tether yourself to. So the more
structure we create, the more easily we
194
00:04:01,589 --> 00:04:01,599
structure we create, the more easily we
195
00:04:01,599 --> 00:04:03,110
structure we create, the more easily we
can deviate from it because we know
196
00:04:03,110 --> 00:04:03,120
can deviate from it because we know
197
00:04:03,120 --> 00:04:05,670
can deviate from it because we know
we're going to land somewhere of
198
00:04:05,670 --> 00:04:05,680
we're going to land somewhere of
199
00:04:05,680 --> 00:04:07,589
we're going to land somewhere of
substance and all that. And you can, I
200
00:04:07,589 --> 00:04:07,599
substance and all that. And you can, I
201
00:04:07,599 --> 00:04:13,190
substance and all that. And you can, I
think, take that to your job.
202
00:04:13,190 --> 00:04:13,200
203
00:04:13,200 --> 00:04:14,470
So, what I'm saying is if you're going
204
00:04:14,470 --> 00:04:14,480
So, what I'm saying is if you're going
205
00:04:14,480 --> 00:04:16,870
So, what I'm saying is if you're going
to do nothing, do it at 9:00 a.m. Every
206
00:04:16,870 --> 00:04:16,880
to do nothing, do it at 9:00 a.m. Every
207
00:04:16,880 --> 00:04:19,880
to do nothing, do it at 9:00 a.m. Every
morning.
18366
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