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1
00:00:02,435 --> 00:00:05,170
AND NOW WE BRING YOU
THIS SPECIAL ELVIS UPDATE.
2
00:00:05,239 --> 00:00:07,239
HELLO. I'M BILL BIXBY
COMING TO YOU LIVE...
3
00:00:07,274 --> 00:00:09,252
FROM THE REMOTE FIELD
IN ALPINA, MICHIGAN...
4
00:00:09,276 --> 00:00:11,243
WHERE THERE'S BEEN
ANOTHER ELVIS SIGHTING.
5
00:00:11,312 --> 00:00:13,792
WITH ME IS TOM CARTER,
WHO SPOTTED ELVIS FIRST.
6
00:00:13,847 --> 00:00:17,249
TOM, TELL US EXACTLY
WHAT YOU SAW.
7
00:00:17,317 --> 00:00:21,820
WELL, BILLY HERE FOUND SOME ELVIS
DROPPINGS OVER BEHIND ROSIE'S DINER.
8
00:00:21,889 --> 00:00:24,389
WHEN WE GOT THERE, WE
SPOTTED HIM IN THE DUMPSTER.
9
00:00:24,458 --> 00:00:27,492
WELL, I FLUSHED HIM OUT, AND
BOOM, HE TOOK OFF LIKE A RABBIT.
10
00:00:27,561 --> 00:00:30,428
AND NOW WE GOT HIM CORNERED
OVER THERE BEHIND THAT TREE.
11
00:00:30,497 --> 00:00:33,537
I SEE. AND HOW CAN YOU BE
SURE THIS IS THE REAL ELVIS?
12
00:00:33,567 --> 00:00:37,069
WELL, I KNOW THE
KING, AND THAT'S HIM.
13
00:00:38,338 --> 00:00:40,272
GOOD ENOUGH.
14
00:00:40,341 --> 00:00:43,341
LOOK. THERE HE IS.
GET A PICTURE OF THAT.
15
00:00:43,410 --> 00:00:45,677
LOOK AT THOSE MARKINGS.
16
00:00:45,745 --> 00:00:48,981
THE TELLTALE MUTTONCHOPS. IT'S ALL
THERE, FOLKS. LET THE DOGS GO, BOYS.
17
00:00:49,049 --> 00:00:51,016
GO GET HIM, BOYS.
18
00:00:51,085 --> 00:00:53,551
IF HE GETS TO THE
HIGHWAY, WE DONE LOST HIM.
19
00:00:53,620 --> 00:00:55,431
YOU'RE NOT GONNA
KILL HIM, ARE YOU?
20
00:00:55,455 --> 00:00:57,656
NO, WE'RE JUST GONNA PUT
SOME TRANQUILIZERS IN HIM.
21
00:00:57,725 --> 00:01:00,024
WE ALREADY GOT
TWO DARTS IN HIM NOW.
22
00:01:00,093 --> 00:01:03,273
OF COURSE. THE KING HAS ALWAYS HAD
A HIGH TOLERANCE FOR TRANQUILIZERS.
23
00:01:03,297 --> 00:01:05,263
HEY. THERE HE GOES!
24
00:01:05,332 --> 00:01:09,300
WHOO!
25
00:01:09,369 --> 00:01:11,402
HOLD UP. HOLD ON.
HE'S GETTING UP.
26
00:01:11,471 --> 00:01:13,817
- SHOOT HIM AGAIN!
- ARE WE GETTING THIS?
27
00:01:13,841 --> 00:01:15,841
WE GOT HIM NOW, BOYS.
28
00:01:15,909 --> 00:01:18,043
HE'S DOWN. HE'S DOWN.
29
00:01:18,112 --> 00:01:21,513
OH, THIS IS GREAT. THIS IS... THE
SEARCH IS OVER, LADIES AND GENTLEMEN.
30
00:01:21,582 --> 00:01:23,582
ELVIS LIVES, AND
WE'RE GONNA PROVE IT.
31
00:01:23,650 --> 00:01:27,318
MY AGENT TOLD ME NOT TO
DO THIS. CAN YOU BELIEVE IT?
32
00:01:27,388 --> 00:01:29,921
THIS IS REALLY
SOMETHING. OH, MY GOSH.
33
00:01:31,825 --> 00:01:35,994
LET'S SEE IF WE CAN GET A WORD
WITH THE KING. ELVIS, I'M BILL BIXBY.
34
00:01:36,062 --> 00:01:38,475
WHY DID YOU FAKE YOUR OWN DEATH?
35
00:01:38,499 --> 00:01:40,432
CAN HE HEAR ME?
36
00:01:40,501 --> 00:01:42,534
LOOK OUT! HE'S COMING TO!
37
00:01:42,603 --> 00:01:45,270
OKAY. HE'S MORE AFRAID
OF US THAN WE ARE OF HIM.
38
00:01:45,339 --> 00:01:48,117
HE'S GONE. HE'S GONE. OH, MAN.
39
00:01:48,141 --> 00:01:51,810
INCREDIBLE, LADIES AND GENTLEMEN.
THREE DARTS IN HIM, AND HE'S STILL GOING.
40
00:01:51,878 --> 00:01:54,879
OH, WE HAD HOPED TO BAG
THE KING TODAY, BUT, UH,
41
00:01:54,948 --> 00:01:57,215
I GUESS ONCE AGAIN HE
GETS THROUGH OUR DRAGNET.
42
00:01:57,283 --> 00:01:59,618
OH, HE'S CHARGING!
43
00:01:59,687 --> 00:02:01,620
GO! GO! GO!
44
00:02:01,688 --> 00:02:03,755
JESUS! INTO THE CAR!
45
00:02:03,824 --> 00:02:07,392
OH, GOD! GO! IN
THE CAR! IN THE CAR!
46
00:02:07,460 --> 00:02:09,895
OH, GEEZ!
47
00:02:09,963 --> 00:02:12,397
GET IN! GET IN THE CAR.
48
00:02:12,465 --> 00:02:16,234
MAY HAVE BITTEN OFF MORE THAN WE CAN
CHEW. BRACE YOURSELVES. HE'S RAMMIN'.
49
00:02:16,303 --> 00:02:18,337
OH, DAMN IT. I DROPPED THE KEYS.
50
00:02:18,405 --> 00:02:20,405
TAKE HIM OUT!
51
00:02:24,144 --> 00:02:27,178
WE NOW RETURN YOU TO YOUR
REGULARLY SCHEDULED PROGRAM.
52
00:02:27,247 --> 00:02:28,247
HOW YOU LIVIN'? WHAT?
53
00:02:28,315 --> 00:02:29,459
HOW YOU LIVIN'? WHAT?
54
00:02:29,483 --> 00:02:31,616
HOW YOU LIVIN'? ♪
IN LIVING COLOR ♪
55
00:02:34,054 --> 00:02:38,323
♪ YOU CAN DO WHAT YOU
WANNA DO ♪ ♪ IN LIVING COLOR ♪
56
00:02:38,391 --> 00:02:42,661
♪ ANYTHING YOU WANT IS UP
TO YOU ♪ ♪ IN LIVING COLOR ♪
57
00:02:42,729 --> 00:02:46,531
♪ YOU FOR ME AND ME FOR
YOU ♪ ♪ IN LIVING COLOR ♪
58
00:02:46,600 --> 00:02:50,869
♪ YOU CAN BE ANYTHING YOU
WANNA BE ♪ ♪ IN LIVING COLOR ♪
59
00:02:50,937 --> 00:02:53,572
♪ LET'S TAKE A TRIP AND
SIP ON A DREAM ♪ ♪ YEAH ♪
60
00:02:53,641 --> 00:02:55,841
♪ GLIDE WITH THE GUIDE ON A
FUNKY SCENE ♪ ♪ ALL RIGHT ♪
61
00:02:55,876 --> 00:02:58,387
♪ HERE COMES ANOTHER ONE OF
THOSE FUNKY, FUNNY MO' MONEY SHOWS ♪
62
00:02:58,411 --> 00:02:59,989
♪ A CAST FOR LAUGHS
AND TALENTED ROLES ♪
63
00:03:00,013 --> 00:03:02,191
♪ AND SISTERS WITH TWISTERS
FOR YOU BEEN LOOKIN' LISTENER ♪
64
00:03:02,215 --> 00:03:04,227
♪ IT SEEMS YOU DON'T BELIEVE SO
YOU CAN BELIEVE WHAT I CONVINCE YA ♪
65
00:03:04,251 --> 00:03:06,329
♪ SOME BOOTY TO YOUR SHORT
AND THOUGHT WE'LL MAKE IT SNAPPY ♪
66
00:03:06,353 --> 00:03:08,453
♪ WITH JOKES AND POKES AT
FOLKS TO KEEP YOU HAPPY ♪
67
00:03:08,522 --> 00:03:10,722
♪ NO NEED TO HOLD
YOUR REMOTE CONTROL ♪
68
00:03:10,790 --> 00:03:12,758
♪ CHILL THIS SHOW'S GOT SOUL ♪
69
00:03:12,826 --> 00:03:14,671
♪ ALL ABOARD, ALL ABOARD
THE TRAIN NEVER TROUBLES ♪
70
00:03:14,695 --> 00:03:16,105
♪ YOU'D BETTER
SNUGGLE UP COUPLE UP ♪
71
00:03:16,129 --> 00:03:17,829
♪ ON THE DOUBLE-DUB-DOUBLE ♪
♪ YEAH ♪
72
00:03:17,898 --> 00:03:21,132
♪ IT'S HARD TO BELIEVE BUT SOME
OF THE BEST THINGS IN LIFE ARE FREE ♪
73
00:03:21,201 --> 00:03:23,279
♪ SO, FELLAS, GRAB YOUR GIRL
TELL HER THAT YOU LOVE HER ♪
74
00:03:23,303 --> 00:03:25,715
♪ 'CAUSE THAT'S THE WAY YOU'RE LIVIN'
WHEN YOU'RE LIVIN' IN LIVING COLOR ♪
75
00:03:25,739 --> 00:03:29,074
♪ GO, GO, GO, GO
GO, GO, GO, GO ♪
76
00:03:29,143 --> 00:03:34,980
♪ GO, GO, GO, GO
GO, GO, GO, GO ♪
77
00:03:35,048 --> 00:03:39,484
♪ GO, GO, GO, GO
GO, GO, GO, GO ♪
78
00:03:39,553 --> 00:03:40,785
♪ GO, GO, GO ♪
79
00:03:40,854 --> 00:03:43,154
♪ GO, GO, GO, GO ♪♪
80
00:03:47,093 --> 00:03:49,227
COMING FROM
TWENTIETH CENTURY FOX,
81
00:03:49,296 --> 00:03:51,262
THE FIST THAT ROCKS THE CRADLE.
82
00:03:51,331 --> 00:03:53,264
A TALE ABOUT A PARENT'S
WORST NIGHTMARE.
83
00:03:53,333 --> 00:03:56,802
AS YOU KNOW, WE'VE ALREADY INTERVIEWED
SEVERAL POTENTIAL NANNIES FOR OUR CHILDREN.
84
00:03:56,870 --> 00:03:59,151
AND SINCE YOU WEREN'T
REFERRED TO US BY AN AGENCY,
85
00:03:59,206 --> 00:04:02,874
WE WERE WONDERING, COULD YOU TELL US
WHAT YOUR QUALIFICATIONS ARE TO BE A NANNY?
86
00:04:05,345 --> 00:04:07,312
WELL,
87
00:04:07,380 --> 00:04:10,882
I'M A FIVE-TIME WOMEN'S
WORLD BODYBUILDING CHAMPION,
88
00:04:10,951 --> 00:04:13,885
AND I CAN BENCH-PRESS
240 POUNDS.
89
00:04:13,954 --> 00:04:16,488
I'VE ALWAYS WANTED TO
HAVE CHILDREN OF MY OWN,
90
00:04:16,556 --> 00:04:20,191
BUT A FEW YEARS AGO, DURING
A CRAZY BODYBUILDING FAD,
91
00:04:20,260 --> 00:04:23,295
I HAD MY UTERUS MADE
INTO A TOBACCO POUCH.
92
00:04:24,297 --> 00:04:26,264
CARE FOR A PINCH?
93
00:04:26,333 --> 00:04:30,168
THEY WANTED THE PERFECT NANNY.
SHE WANTED THE PERFECT FAMILY.
94
00:04:30,237 --> 00:04:32,504
WHAT'S A GIRL TO DO?
95
00:04:36,977 --> 00:04:38,910
YOU'RE MY BABY NOW.
96
00:04:38,979 --> 00:04:41,346
MY BABY.
97
00:04:41,415 --> 00:04:44,182
YOU WON'T BE HUNGRY ANYMORE.
98
00:04:44,250 --> 00:04:46,384
LET'S SEE IF I'M LACTATING.
99
00:04:56,330 --> 00:04:58,630
SOUP'S ON.
100
00:05:05,538 --> 00:05:09,273
♪ LA, LA, LA, LA LA,
LA, LA, LA, LA, LA ♪
101
00:05:10,344 --> 00:05:13,177
YOU CALL THAT
SUCKLING? COME ON, BABY.
102
00:05:13,246 --> 00:05:15,246
GO FOR THE BURN.
103
00:05:20,187 --> 00:05:22,120
I CAN'T UNDERSTAND IT, DOCTOR.
104
00:05:22,189 --> 00:05:24,429
THE BABY JUST WON'T
TAKE MY MILK ANYMORE.
105
00:05:24,458 --> 00:05:27,058
WELL, THERE'S A SIMPLE
EXPLANATION FOR THIS.
106
00:05:27,127 --> 00:05:29,260
SOMETIMES IT'S NORMAL
FOR A NEWBORN TO...
107
00:05:29,329 --> 00:05:33,698
REJECT ITS MOTHER'S MILK DURING
THE EARLY MONTHS OF GROWTH.
108
00:05:33,766 --> 00:05:38,136
OKAY. BUT THEN HOW THE
HELL CAN YOU EXPLAIN THIS?
109
00:05:39,439 --> 00:05:41,439
SHE STARTED AS THE NANNY.
110
00:05:41,508 --> 00:05:43,875
NOW SHE'S THE HEAD
OF THE HOUSEHOLD.
111
00:05:43,943 --> 00:05:47,979
♪ LA, DA, DA LA,
DA, DA, DA, DA ♪
112
00:05:48,047 --> 00:05:52,183
♪ DEE, DEE, DEE, DEE ♪♪
113
00:05:52,252 --> 00:05:54,619
SEE ANYTHING INTERESTING?
114
00:05:54,688 --> 00:05:57,055
VERA, I HEARD NOISES.
WHAT ARE YOU DOING?
115
00:05:57,124 --> 00:06:00,024
I WAS JUST MAKING
MYSELF A B.L.T...
116
00:06:00,093 --> 00:06:03,695
BACON, LETTUCE AND TESTOSTERONE.
117
00:06:03,763 --> 00:06:06,864
BUT I CAN SAVE IT FOR
THE SECOND COURSE.
118
00:06:08,635 --> 00:06:11,536
STAY BACK. WHY DON'T
YOU JUST ADMIT IT?
119
00:06:11,604 --> 00:06:14,805
WHEN YOU MAKE LOVE TO YOUR WIFE,
IT'S MY FACE THAT MAKES YOU SHIVER.
120
00:06:14,874 --> 00:06:16,807
VERA, STAY BACK.
121
00:06:16,876 --> 00:06:18,943
HOW COME YOU'RE SO NERVOUS?
122
00:06:19,012 --> 00:06:24,315
IS THERE SOMETHING ABOUT THE WAY
I MOVE THAT YOU FIND DISTRACTING?
123
00:06:24,384 --> 00:06:28,086
NO. MAYBE WHAT YOU NEED...
124
00:06:28,155 --> 00:06:30,755
IS A POTENT APHRODISIAC.
125
00:06:32,759 --> 00:06:34,759
NOT THE PASSION PIT.
126
00:06:37,096 --> 00:06:39,030
AH.
127
00:06:39,098 --> 00:06:41,299
NOW YOU'RE STARTING
TO LOOSEN UP.
128
00:06:41,368 --> 00:06:44,869
WHOO!
129
00:06:48,108 --> 00:06:50,307
WHAT IS GOING ON HERE?
130
00:06:51,411 --> 00:06:53,744
I AM NOT GONNA LET
YOU STEAL MY FAMILY.
131
00:06:55,482 --> 00:06:58,082
OH, MY GOD! LOOK!
132
00:06:58,151 --> 00:07:00,886
SHE'S LANDED ON
THE PICKET FENCE.
133
00:07:00,954 --> 00:07:04,388
THE NIGHTMARE'S FINALLY OVER.
134
00:07:04,457 --> 00:07:08,526
BUT LITTLE DID THEY KNOW,
THEIR NIGHTMARE HAD ONLY BEGUN.
135
00:07:08,595 --> 00:07:13,364
LIKE I SAID, NO PAIN, NO GAIN.
136
00:07:13,433 --> 00:07:15,866
242,
137
00:07:15,935 --> 00:07:18,136
243.
138
00:07:18,205 --> 00:07:21,673
THAT'S IT, BABY. YOU'RE
NOT GETTIN' ANY YOUNGER.
139
00:07:22,909 --> 00:07:25,644
THE FIST THAT
ROCKS THE CRADLE...
140
00:07:25,712 --> 00:07:28,112
IS THE FIST THAT
RULES THE WORLD.
141
00:07:28,181 --> 00:07:32,484
GO FOR THE BURN. YES.
JUST LIKE THAT. UH-HUH.
142
00:07:35,389 --> 00:07:38,589
HEY, MAN. ARE YOU SURE ABOUT THIS
MEN'S MOVEMENT THING, MAN? HEY, MAN...
143
00:07:38,658 --> 00:07:42,060
I DON'T KNOW IF I CAN TALK ABOUT ALL
MY PERSONAL STUFF WITH SOME DUDE.
144
00:07:42,129 --> 00:07:44,131
THERE'S SOME THINGS THAT
ONLY GUYS UNDERSTAND.
145
00:07:44,155 --> 00:07:45,697
WHY DON'T YOU
JUST GIVE THIS A TRY?
146
00:07:45,765 --> 00:07:47,699
HEY, ROY, MAN. HEY.
147
00:07:47,767 --> 00:07:49,701
HOW YOU DOING? LOVE YA, MAN.
148
00:07:49,769 --> 00:07:52,270
ALL RIGHT. YOU MUST BE
JIMMY. HEY, WHAT'S UP, MAN?
149
00:07:52,339 --> 00:07:54,383
WELCOME TO OUR MEN'S
WILDERNESS GROUP. ALL RIGHT.
150
00:07:54,407 --> 00:07:57,908
ALL RIGHT, MAN. HEY, EVERYBODY.
WE'VE GOT A NEW MEMBER TO OUR GROUP.
151
00:07:57,977 --> 00:08:00,345
- EVERYONE SAY HI TO JIMMY.
- HI, JIM.
152
00:08:00,413 --> 00:08:02,347
ALL RIGHT. WHO WANTS TO START?
153
00:08:02,415 --> 00:08:05,183
UH, I WILL.
154
00:08:05,251 --> 00:08:07,651
MY NAME IS ROY. HI, ROY.
155
00:08:07,720 --> 00:08:11,356
AND, UM, I GOT SOME FEELINGS THAT I'M
HAVING A HARD TIME EXPRESSING, MAN.
156
00:08:11,424 --> 00:08:14,292
WELL, GO WITH IT, MAN. LET
THE YOU COME THROUGH.
157
00:08:14,360 --> 00:08:18,296
WELL, YOU KNOW, AFTER ME AND MY
WOMAN, WE MAKE LOVE... YEAH. YEAH.
158
00:08:18,365 --> 00:08:20,932
SHE WANTS TO HUG AND
CUDDLE AND ALL THAT, YOU KNOW?
159
00:08:21,000 --> 00:08:22,934
WHAT ABOUT MY NEEDS? YEAH.
160
00:08:23,002 --> 00:08:26,838
YOU KNOW, AFTER MAKING LOVE, I
WANT A SANDWICH. CAN I GET A SANDWICH?
161
00:08:26,906 --> 00:08:29,474
- WHAT ABOUT ME?
- YEAH.
162
00:08:29,542 --> 00:08:31,976
I'D MAKE YOU A SANDWICH, MAN.
163
00:08:32,045 --> 00:08:34,259
HEY, MAN. THIS AIN'T
NOTHIN' TO BE EMBARRASSED
164
00:08:34,283 --> 00:08:36,181
ABOUT. ITS ABOUT
SHARING, MAN, TONIGHT.
165
00:08:36,249 --> 00:08:38,549
YEAH, WELL, YOU'RE SHARING
A LITTLE BIT TOO MUCH.
166
00:08:40,053 --> 00:08:42,954
WELL, YOU KNOW, UH,
IF I COULD TALK, MAN.
167
00:08:43,023 --> 00:08:45,757
CAN I TALK?
168
00:08:45,825 --> 00:08:48,226
MY NAME IS WILLY. HI, WILLY.
169
00:08:48,295 --> 00:08:50,295
YEAH. YOU KNOW, AND I
GOT FEELINGS TOO, MAN.
170
00:08:50,363 --> 00:08:52,763
YOU KNOW, LIKE, EVERY WEEKEND
WE PLAY BASKETBALL IN THE PARK.
171
00:08:52,832 --> 00:08:54,765
THEY PLAY SOME
PICKUP GAMES AND STUFF.
172
00:08:54,834 --> 00:08:57,002
AND USUALLY WHEN THEY'RE
PICKING TEAMS AND STUFF,
173
00:08:57,070 --> 00:09:00,838
USUALLY... THEY DON'T
EVER PICK ME, MAN, AND, UH...
174
00:09:01,941 --> 00:09:04,075
WE WANT YOU, WILLY.
175
00:09:04,144 --> 00:09:07,144
YOU KNOW, AND SOMETIMES, YOU
KNOW, I JUST... I FEEL UNWANTED, MAN.
176
00:09:07,180 --> 00:09:09,191
AND SOMETIMES I JUST WANT
TO STAND UP, MAN, AND JUST SAY,
177
00:09:09,215 --> 00:09:12,617
"YO, MAN! I'M HERE, MAN!
I'M OPEN. I GOT HIM POSTED!
178
00:09:12,685 --> 00:09:14,731
HE'S POSTED!" GO!
179
00:09:14,755 --> 00:09:18,423
- YOU'RE OPEN!
- BUT THEY DON'T THROW ME
THE BALL, MAN.
180
00:09:18,492 --> 00:09:22,126
I JUST WANT TO YELL, MAN.
181
00:09:22,195 --> 00:09:26,330
WHOO! WHOO!
182
00:09:26,399 --> 00:09:29,768
NICE SHARE, WILLY.
183
00:09:29,836 --> 00:09:33,171
THAT WAS A NICE SHARE. ALL RIGHT,
JIM. YOU WANT TO SHARE SOMETHING?
184
00:09:33,240 --> 00:09:35,406
AH, YEAH, LOOK HERE,
MAN. YOU KNOW WHAT?
185
00:09:35,474 --> 00:09:38,220
I THINK I'M GONNA
PASS ON THIS ONE, MAN.
186
00:09:38,244 --> 00:09:40,878
Y'ALL ARE BUGGED,
MAN. I AIN'T GONNA BE...
187
00:09:40,947 --> 00:09:43,548
HEY, MAN. WHAT'S SO
BUGGED ABOUT IT? EH?
188
00:09:43,617 --> 00:09:45,550
WE'RE ALL HUMAN BEINGS HERE.
189
00:09:45,619 --> 00:09:48,686
AND SO WE TOUCH EACH OTHER
EVERY ONCE IN A WHILE. IT'S JUST SKIN.
190
00:09:50,490 --> 00:09:52,490
OKAY, MY NAME IS LOU. HI, LOU.
191
00:09:57,564 --> 00:09:59,597
LITTLE WHILE BACK I
WAS SPORT FISHING,
192
00:09:59,666 --> 00:10:03,768
UH, HAD A 200-POUND MARLIN ON A 150-POUND
TEST LINE REALLY GIVING ME A FIGHT.
193
00:10:03,837 --> 00:10:06,738
UH, I WAS JUST ABOUT TO
GET HIM INTO THE BOAT, TOO,
194
00:10:06,806 --> 00:10:08,773
WHEN I SUDDENLY
REALIZED THAT I...
195
00:10:08,842 --> 00:10:11,142
REALLY NEVER KNEW MY FATHER.
196
00:10:13,212 --> 00:10:15,947
I GUESS WHAT I'M
TRYING TO SAY IS...
197
00:10:18,017 --> 00:10:20,017
THAT I HURT.
198
00:10:22,956 --> 00:10:24,956
SOMEBODY HOLD ME.
199
00:10:28,528 --> 00:10:31,029
LOU, IT'S OKAY, MAN. IT'S OKAY.
200
00:10:31,097 --> 00:10:33,097
OH, MAN.
201
00:10:34,267 --> 00:10:36,367
THANK YOU, MAN.
202
00:10:36,436 --> 00:10:39,203
OH, THOMAS. YOU'RE
BEAUTIFUL. ALL RIGHT.
203
00:10:39,272 --> 00:10:42,907
YOU'RE ALWAYS HELPING US OUT,
MAN. WHAT'S GOING ON WITH YOU?
204
00:10:42,975 --> 00:10:47,412
WELL, I'M THOMAS
SHEPHERD. HI, THOMAS.
205
00:10:47,480 --> 00:10:50,215
OH, MAN. WELL,
206
00:10:50,283 --> 00:10:52,762
SOMETHING I NEVER REALLY
TOLD ANYBODY. WHEW!
207
00:10:52,786 --> 00:10:55,097
I CAME FROM A VERY
STRICT HOME... YEAH.
208
00:10:55,121 --> 00:10:59,090
AND, YOU KNOW, I ALWAYS... I
ALWAYS HAD TO BE GROWN-UP. MMM.
209
00:10:59,159 --> 00:11:02,293
BUT, YOU SEE, THERE'S...
THERE'S A LITTLE BOY,
210
00:11:02,362 --> 00:11:05,196
AND HE LIVES RIGHT IN HERE.
211
00:11:05,265 --> 00:11:06,697
WHAT'S HIS NAME? TIMMY.
212
00:11:06,766 --> 00:11:08,699
HI, TIMMY.
213
00:11:08,768 --> 00:11:11,636
HE NEVER GOT THE CHANCE TO
COME OUT AND PLAY, YOU KNOW.
214
00:11:11,705 --> 00:11:14,605
MR. SHEPHERD... YEAH?
215
00:11:14,674 --> 00:11:16,707
CAN TIMMY COME OUT TO PLAY?
216
00:11:21,381 --> 00:11:23,359
COME ON OUT, TIMMY.
217
00:11:23,383 --> 00:11:26,417
COME ON. YOU CAN
DO IT, MAN. COME ON.
218
00:11:26,486 --> 00:11:29,620
COME TO DADDY.
219
00:11:29,689 --> 00:11:31,989
I'M HERE!
220
00:11:32,058 --> 00:11:34,793
I'M HERE, EVERYBODY!
221
00:11:34,861 --> 00:11:36,795
I'M HERE!
222
00:11:36,863 --> 00:11:38,841
THAT'S GREAT, TIMMY!
223
00:11:38,865 --> 00:11:42,011
LET'S PLAY HIDE-AND-SEEK. COME ON,
GUYS. COME ON. LET'S PLAY HIDE-AND-SEEK.
224
00:11:42,035 --> 00:11:45,014
OKAY. MAYBE LATER. MAYBE LATER,
TIMMY. NO. NOW. COME ON! NOW!
225
00:11:45,038 --> 00:11:48,118
I SAID LATER! SIT ON THE
ROCK UNTIL I TELL YOU FURTHER!
226
00:11:49,342 --> 00:11:51,276
OH, LOOK, GUYS.
227
00:11:51,344 --> 00:11:53,384
YOU KNOW, LIKE, WHEN
WE FIRST GOT HERE, MAN,
228
00:11:53,446 --> 00:11:56,358
I THOUGHT Y'ALL WAS JUST A
BUNCH OF FREAKS, MAN, BUT...
229
00:11:56,382 --> 00:11:59,561
I'M STARTING TO REALIZE, MAN,
THERE'S A LOT OF ME IN ALL OF Y'ALL.
230
00:11:59,585 --> 00:12:01,518
ALL RIGHT! ALL RIGHT.
231
00:12:01,587 --> 00:12:03,621
ALL RIGHT!
232
00:12:04,758 --> 00:12:06,690
WHAT IS IT, TIMMY?
233
00:12:06,760 --> 00:12:08,792
I JUST MADE A STINKY.
234
00:12:15,635 --> 00:12:17,668
GO ON WITH WHAT
YOU WERE SAYING, MAN.
235
00:12:17,737 --> 00:12:19,737
UH,
236
00:12:21,474 --> 00:12:23,408
WELL, I JUST...
237
00:12:23,476 --> 00:12:25,443
I GOT SOMETHING I
WANT TO SHARE TOO, MAN.
238
00:12:25,512 --> 00:12:27,723
GO WITH IT, MAN. GO WITH
IT! ALL RIGHT. HERE WE GO.
239
00:12:27,747 --> 00:12:29,681
Y'ALL READY? YEAH.
240
00:12:29,749 --> 00:12:33,050
OKAY. UH, YOU KNOW,
LAST WEEK, MAN,
241
00:12:33,119 --> 00:12:36,387
I WAS WITH MY WIFE, AND WE WERE
DRIVING TO HER MOTHER'S HOUSE, YOU KNOW.
242
00:12:36,456 --> 00:12:40,791
AND I'D NEVER BEEN THERE BEFORE, SO,
UH, I STARTED THINKING, "I'M GETTING LOST."
243
00:12:40,860 --> 00:12:43,160
AND I FOUND MYSELF, YOU
KNOW, WANTING TO PULL OVER...
244
00:12:43,229 --> 00:12:46,131
AND ACTUALLY ASK DIRECTIONS
OR STOP AT A GAS STATION.
245
00:12:46,199 --> 00:12:50,935
AND FINALLY I JUST... WELL, I PULLED
OVER, AND, UH, I TOLD MY WIFE I WAS LOST.
246
00:12:52,905 --> 00:12:54,839
WHAT?
247
00:12:54,908 --> 00:12:59,277
AND THEN I GAVE HER THE MAP,
AND I ASKED HER FOR SOME HELP.
248
00:12:59,345 --> 00:13:03,214
- YOU GAVE HER THE MAP?
- NO! LITTLE PUNK, MAN!
249
00:13:03,283 --> 00:13:07,819
I DON'T KNOW WHAT'S WITH YOU,
MAN, BUT THIS IS A MEN'S MOVEMENT.
250
00:13:07,887 --> 00:13:09,735
LOOK. DON'T LOOK AT
ME. I DON'T KNOW NOTHIN'
251
00:13:09,759 --> 00:13:11,588
ABOUT THIS. NOTHIN'!
GET OFF ME, MAN. PUNK!
252
00:13:11,657 --> 00:13:13,938
COME ALONG, THOMAS.
LET'S GET OUT OF HERE.
253
00:13:15,528 --> 00:13:17,728
TIMMY, COME ON!
254
00:13:20,667 --> 00:13:22,987
HEY, GUYS! WAIT UP!
255
00:13:25,072 --> 00:13:27,272
HOUSE PARTY,
256
00:13:27,340 --> 00:13:29,306
THEN CAME HOUSE PARTY 2,
257
00:13:29,375 --> 00:13:32,777
AND NOW THE HOUSE IS THROWING
THE BIGGEST BASH OF 'EM ALL IN...
258
00:13:32,845 --> 00:13:35,280
HOUSE PARTY 3.
259
00:13:36,282 --> 00:13:38,282
STARRING TEDDY KENNEDY.
260
00:13:44,491 --> 00:13:46,524
I AM A PARTY ANIMAL.
261
00:13:46,593 --> 00:13:48,960
AND I HAVE THE COURT
PAPERS TO PROVE IT.
262
00:13:54,268 --> 00:13:56,701
WHO WANTS TO EARN
A T-BILL THE HARD WAY?
263
00:13:57,938 --> 00:14:00,739
ALSO STARRING THE KEATING FIVE.
264
00:14:00,807 --> 00:14:03,608
SPECIAL GUEST STAR, ANITA HILL.
265
00:14:03,677 --> 00:14:07,679
MISS HILL, IT WAS JUST AWFUL THE
WAY CLARENCE THOMAS TREATED YOU.
266
00:14:07,748 --> 00:14:09,447
YES, IT WAS, SENATOR.
267
00:14:09,516 --> 00:14:14,218
THANK GOODNESS THERE'S PEOPLE LIKE US
TO STAND BEHIND THE WOMEN OF THIS COUNTRY.
268
00:14:14,287 --> 00:14:17,455
OH... YOU'RE SO RIGHT, SENATOR.
269
00:14:17,524 --> 00:14:20,591
PLUS A SPECIAL APPEARANCE
BY VICE PRESIDENT DAN QUAYLE.
270
00:14:20,660 --> 00:14:23,527
ROCK AND ROLL!
271
00:14:26,366 --> 00:14:30,568
HOUSE PARTY 3, YOUR
TAX DOLLARS AT WORK.
272
00:14:33,573 --> 00:14:38,342
COMING SOON TO A
THEATER NEAR YOU, GHOST II.
273
00:14:38,412 --> 00:14:42,781
OH, YES. I'M IN CONTACT
WITH THE SPIRITUAL WORLD,
274
00:14:42,849 --> 00:14:45,450
AND I HAVE REACHED YOUR HUSBAND.
275
00:14:47,120 --> 00:14:49,053
THIS IS HIM NOW.
276
00:14:51,224 --> 00:14:53,858
AH, MY DEAR WIFE,
277
00:14:53,927 --> 00:14:57,561
THERE'S ONE THING I
FORGOT TO TELL YOU,
278
00:14:57,630 --> 00:14:59,998
UH, BEFORE I DIED.
279
00:15:05,438 --> 00:15:08,773
♪ I'VE GOTTA BE ME ♪
280
00:15:08,841 --> 00:15:11,276
WHAT ARE YOU SAYING?
281
00:15:11,344 --> 00:15:13,978
UH, I'M SORRY. I'M GETTING
SOME INTERFERENCE.
282
00:15:14,047 --> 00:15:17,682
♪ I'VE GOTTA BE ME ♪♪
283
00:15:17,750 --> 00:15:19,851
THAT'S NOT MY HUSBAND.
284
00:15:19,920 --> 00:15:21,853
WHY, YOU'RE NOTHING BUT A CHEAT.
285
00:15:23,589 --> 00:15:25,990
WHAT THE HELL HAPPENED?
286
00:15:26,058 --> 00:15:30,494
I'M BACK, AND IT'S
GOOD TO BE HERE, BABE.
287
00:15:30,563 --> 00:15:32,797
HEY, HAVE I PLAYED
THIS ROOM BEFORE?
288
00:15:32,865 --> 00:15:34,665
IS THIS SOME KIND OF JOKE?
289
00:15:34,734 --> 00:15:37,903
NO, NO, NO. IT IS SAMMY, BABE.
290
00:15:37,971 --> 00:15:41,139
AND YOU BROUGHT ME HERE FROM
THAT BIG GOLDEN NUGGET IN THE SKY,
291
00:15:41,208 --> 00:15:44,075
AND I LOVE YOU FOR
YOUR MAGICAL WAYS.
292
00:15:44,144 --> 00:15:46,210
IS IT REALLY YOU, SAMMY?
293
00:15:46,279 --> 00:15:48,557
OF COURSE IT'S
ME. CHECK THIS OUT.
294
00:15:48,581 --> 00:15:51,349
HEY, GEORGE. SPOTLIGHT, PLEASE.
295
00:15:52,686 --> 00:15:55,487
♪ I'VE GOT HIGH HOPES ♪
296
00:15:55,555 --> 00:15:58,522
♪ I'VE GOT HIGH HOPES ♪♪
OH, PLEASE.
297
00:15:58,591 --> 00:16:01,559
ANY CHEAP IMPRESSIONIST
CAN DO SAMMY.
298
00:16:01,628 --> 00:16:03,628
ALL RIGHT. THEN
CHECK THIS OUT, BABE.
299
00:16:04,731 --> 00:16:06,698
♪ KOW, KOW KOW, KOW, KA CHOW ♪
300
00:16:06,767 --> 00:16:08,933
♪ KOW, KOW KOW, KOW, KA CHOW ♪
301
00:16:09,002 --> 00:16:12,370
♪ DON'T DO THE CRIME IF
YOU CAN'T DO THE TIME ♪
302
00:16:12,438 --> 00:16:14,372
♪ NO, NO ♪
303
00:16:14,440 --> 00:16:17,508
♪ KEEP YOUR EYE ♪♪
304
00:16:17,577 --> 00:16:19,811
OKAY, OKAY. IT IS YOU.
305
00:16:19,880 --> 00:16:23,548
NO ONE ELSE WOULD TAKE CREDIT FOR
SINGING THE THEME SONG FROM BARETTA.
306
00:16:23,617 --> 00:16:26,050
WELL, IT'S NO
JUMPIN' JACK FLASH,
307
00:16:26,119 --> 00:16:28,686
BUT IT HELPED PAY FOR
THE JEWELRY, BABE, OKAY?
308
00:16:28,755 --> 00:16:32,390
WHAT ARE YOU DOING HERE? I DON'T
HANDLE TALENT FOR COMIC RELIEF.
309
00:16:32,459 --> 00:16:35,826
NO, NO. THAT'S NOT IT, BABE. YOU SEE,
I NEED YOUR HELP, WHOOPI GOLDBERG.
310
00:16:35,895 --> 00:16:40,298
- WHY ME?
- WELL, I GUESS BECAUSE WE HAVE
THAT KIND OF BLACK JEW THING.
311
00:16:40,366 --> 00:16:43,601
YOU KNOW WHAT I MEAN.
DON'T JIVE ME ON THIS, WHOOPI.
312
00:16:43,669 --> 00:16:45,803
ONE MORE SONG TO SING.
313
00:16:45,872 --> 00:16:50,307
ONE MORE BIG PERFORMANCE,
AND ONLY SHE COULD HELP.
314
00:16:50,376 --> 00:16:52,944
YOUR HUSBAND SENT ME,
AND HE'S HERE WITH ME NOW.
315
00:16:53,012 --> 00:16:56,748
THIS IS NOT FUNNY, AND IF YOU
DON'T STOP IT, I'M GONNA CALL 911.
316
00:16:56,816 --> 00:16:58,916
I TOLD YOU SHE
WOULDN'T BELIEVE ME.
317
00:16:58,985 --> 00:17:01,152
TELL HER, UM, UM... ♪
HERE COME THE JUDGE ♪
318
00:17:01,221 --> 00:17:03,254
♪ HERE COME THE JUDGE
HERE COME THE JUDGE ♪♪
319
00:17:03,323 --> 00:17:06,457
♪ HERE COME THE JUDGE
HERE COME THE JUDGE ♪
320
00:17:06,526 --> 00:17:09,827
YEAH, WELL, RIGHT NOW HERE COMES THE
POLICE, BECAUSE THAT'S WHO I'M CALLING.
321
00:17:09,896 --> 00:17:11,874
SHE'S NOT BUYING IT.
AH, LOOK, DON'T WORRY.
322
00:17:11,898 --> 00:17:15,132
I THINK THAT WAS A LITTLE BIT TOO HIP
FOR THE ROOM. ALL RIGHT. CHECK THIS OUT.
323
00:17:15,201 --> 00:17:18,836
DO MY FAKE HOLLYWOOD LAUGH.
324
00:17:18,905 --> 00:17:21,072
I CAN'T DO YOU, SAMMY.
325
00:17:21,141 --> 00:17:23,074
LOOK, WHOOPI. I
KNOW YOU CAN DO THIS.
326
00:17:23,143 --> 00:17:26,544
JUST MIX A LITTLE HERMAN
MUNSTER AND KERMIT THE FROG.
327
00:17:29,082 --> 00:17:32,128
ARE YOU OKAY? DO YOU WANT SOME
WATER? DO YOU NEED TO SIT DOWN?
328
00:17:32,152 --> 00:17:36,187
NO, NO. I'M FINE. IT
DIDN'T WORK. NOW WHAT?
329
00:17:36,256 --> 00:17:38,889
TELL HER I LOVE HER.
330
00:17:38,958 --> 00:17:40,991
HE SAYS HE LOVES YOU.
331
00:17:41,060 --> 00:17:44,362
SAMMY WOULD NEVER
SAY IT LIKE THAT.
332
00:17:44,431 --> 00:17:46,631
TELL HER I SAID...
333
00:17:46,700 --> 00:17:49,233
♪ SHA BOING, BOING, BOING ♪
334
00:17:49,302 --> 00:17:52,737
WHAT? JUST TELL
HER. SHE'LL KNOW.
335
00:17:52,806 --> 00:17:56,408
♪ SHA BOING, BOING, BOING ♪
336
00:17:58,411 --> 00:18:00,344
SAMMY? HE IS HERE.
337
00:18:00,414 --> 00:18:02,380
SAMMY. SAMMY, WHERE ARE YOU?
338
00:18:02,448 --> 00:18:06,216
HE'S HERE, AND HE HAS A MESSAGE.
339
00:18:06,285 --> 00:18:10,755
LOOK, THIS IS FOR YOU BECAUSE I
THINK YOU ARE SUCH A BEAUTIFUL CAT.
340
00:18:10,823 --> 00:18:13,058
ALL RIGHT. THIS IS ONE
OF MY FAVORITE TUNES,
341
00:18:13,126 --> 00:18:15,460
AND I'M GONNA LAY IT ON
YOU RIGHT NOW, YOU DIG?
342
00:18:26,139 --> 00:18:28,539
♪ I KNEW A MAN
HIS NAME WAS SAM ♪
343
00:18:28,608 --> 00:18:32,643
♪ HE DANCED FOR YOU ♪
344
00:18:32,712 --> 00:18:36,647
♪ THE OLD SOFT SHOE ♪
345
00:18:36,716 --> 00:18:42,486
♪ BUT WHEN HE LEFT THE
I.R.S. TOOK WHAT WAS DUE ♪
346
00:18:43,723 --> 00:18:48,026
♪ AND LEFT YOU BLUE ♪
347
00:18:49,463 --> 00:18:53,531
♪ THEY TOOK EVERYTHING
THEY COULD FIND ♪
348
00:18:53,599 --> 00:18:56,634
♪ EVERYTHING THEY COULD FIND ♪
349
00:18:56,702 --> 00:18:59,037
♪ EXCEPT MY LOVE FOR YOU ♪
350
00:19:01,408 --> 00:19:07,045
♪ MR. BOJANGLES ♪
351
00:19:07,113 --> 00:19:12,116
♪ MR. BOJANGLES ♪
352
00:19:12,185 --> 00:19:14,219
♪ DANCE ♪♪
353
00:19:14,287 --> 00:19:18,155
I LOVE YOU, BABE. I
LOVE YOU TOO, SAMMY.
354
00:19:18,224 --> 00:19:20,224
NOW HUG ME LIKE
YOU HUGGED NIXON.
355
00:19:22,828 --> 00:19:26,097
GHOST II. CHECK IT OUT, BABE.
356
00:19:30,103 --> 00:19:34,505
PERFORMING THE TITLE CUT
FROM THE SOUND TRACK JUICE,
357
00:19:34,574 --> 00:19:39,310
PLEASE WELCOME MCA'S
RECORDING ARTIST, ERIC B. AND RAKIM.
358
00:19:39,379 --> 00:19:42,313
♪♪
359
00:19:44,851 --> 00:19:46,863
♪ YEAH, YEAH IN LIVING COLOR ♪
360
00:19:46,887 --> 00:19:49,720
♪ SIP THE JUICE I GOT
ENOUGH TO GO AROUND ♪
361
00:19:49,789 --> 00:19:51,755
♪ AND THE THOUGHT
TAKES PLACE UPTOWN ♪
362
00:19:51,824 --> 00:19:53,802
♪ I GREW UP ON THE SIDEWALK
WHERE I LEARNED STREET TALK ♪
363
00:19:53,826 --> 00:19:55,759
♪ AND THEN TAUGHT
TO HAWK NEW YORK ♪
364
00:19:55,828 --> 00:19:58,068
♪ I GO TO QUEENS FOR QUEEN
GET THE CREW FROM BROOKLYN ♪
365
00:19:58,131 --> 00:20:00,108
♪ MAKE MONEY IN MANHATTAN
AND NEVER BEEN "TOOKEN" ♪
366
00:20:00,132 --> 00:20:02,144
♪ GO UPTOWN TO THE
BRONX AND BOOGIE DOWN ♪
367
00:20:02,168 --> 00:20:04,146
♪ GET STRONG ON THE ISLAND
RECOUP AND LAY AROUND ♪
368
00:20:04,170 --> 00:20:06,148
♪ TIME TO BUILD
MY JUICE BACK UP ♪
369
00:20:06,172 --> 00:20:08,132
♪ PROPS BACK UP
SUCKERS GET SMACKED UP ♪
370
00:20:08,174 --> 00:20:10,319
♪ DON'T DOUBT THE CLOUT
YOU KNOW WHAT I'M ABOUT ♪
371
00:20:10,343 --> 00:20:12,388
♪ KNOCKING NIGGAS OFF
KNOCKING NIGGAS OUT ♪
372
00:20:12,412 --> 00:20:14,390
♪ SHAKIN' 'EM UP
BREAKIN' 'EM UP ♪
373
00:20:14,414 --> 00:20:16,447
♪ WAKIN' 'EM UP
BREAKIN' 'EM UP ♪
374
00:20:16,515 --> 00:20:19,017
♪ I'M STANDING ON SHAKY
GROUNDS TOO CLOSE TO THE EDGE ♪
375
00:20:19,085 --> 00:20:21,405
♪ LET'S SEE IF I
KNOW THE LEDGE ♪
376
00:20:25,225 --> 00:20:28,893
♪ YOU KNOW WHAT I'M SAYIN' WE'RE
GONNA PUMP IT UP LIKE THIS RIGHT HERE ♪
377
00:20:28,962 --> 00:20:30,962
♪ CORNERS TRIFLING
'CAUSE SHORTY'S HERE ♪
378
00:20:30,997 --> 00:20:33,164
♪ I GET CAUGHT DEALIN'
FOR FORTIES OF BEER ♪
379
00:20:33,232 --> 00:20:35,199
♪ HERE'S A SIP FOR THE
CREW THAT'S DECEASED ♪
380
00:20:35,268 --> 00:20:37,668
♪ IF I GET REVENGE THEN
THEY REST IN PEACE ♪
381
00:20:37,737 --> 00:20:40,071
♪ SOMEBODY GOTTA SUFFER
OR I JUST MIGHT SPARE ONE ♪
382
00:20:40,139 --> 00:20:42,940
♪ GIVE A BROTHER A FAIR
ONE STAY ALERT AND ON P's ♪
383
00:20:43,009 --> 00:20:45,510
♪ AND I DO WORK WITH
THESE LIKE HERCULES ♪
384
00:20:45,578 --> 00:20:47,645
♪ SWITCH TO SOUTHPAW
SPLIT YOUR RIGHT JAW ♪
385
00:20:47,713 --> 00:20:50,180
♪ I DON'T LIKE Y'ALL
HYPE WHEN NIGHT FALL ♪
386
00:20:50,249 --> 00:20:52,182
♪ SMOOTH BUT I
MOVE LIKE AN ARMY ♪
387
00:20:52,251 --> 00:20:54,296
♪ BULLETPROOF DOWN IN CASE
BROTHERS TRY TO BOMB ME ♪
388
00:20:54,320 --> 00:20:56,280
♪ I'M PUTTING BROTHERS
TO REST LIKE ELIOT NESS ♪
389
00:20:56,322 --> 00:20:57,955
♪ 'CAUSE I DON'T LIKE STRESS ♪
390
00:20:58,023 --> 00:21:00,691
♪ THE STREETS AIN'T A PLACE FOR
INNOCENT BYSTANDERS TO STAND ♪
391
00:21:00,760 --> 00:21:04,361
♪ NOTHING'S GONNA STOP THE PLAN
I'LL CHILL LIKE PACINO ROB LIKE DE NIRO ♪
392
00:21:04,430 --> 00:21:06,408
♪ BLACK GAMBINO
DIE LIKE A HERO ♪
393
00:21:06,432 --> 00:21:08,799
♪ LIVING ON SHAKY GROUNDS
TOO CLOSE TO THE EDGE ♪
394
00:21:08,868 --> 00:21:10,802
♪ LET'S SEE IF I
KNOW THE LEDGE ♪
395
00:21:10,870 --> 00:21:12,937
♪♪
396
00:21:13,005 --> 00:21:15,306
♪ PUMP IT PUMP IT ♪
397
00:21:15,375 --> 00:21:17,308
♪ PUMP IT PUMP IT ♪
398
00:21:17,377 --> 00:21:19,310
♪ PUMP IT PUMP IT ♪
399
00:21:19,379 --> 00:21:21,357
♪ SHELLS LAY AROUND
ON THE BATTLEGROUND ♪
400
00:21:21,381 --> 00:21:23,358
♪ DEAD BODIES ARE FOUND
THROUGHOUT THE TOWN ♪
401
00:21:23,382 --> 00:21:25,342
♪ TRIED TO PUT SHAME IN
MY GAME TO MAKE A NAME ♪
402
00:21:25,385 --> 00:21:27,363
♪ I'M GONNA PUT IT IN A
RHYME PUT IT IN YOUR BRAIN ♪
403
00:21:27,387 --> 00:21:29,721
♪ RIP THE BLOCK LIKE A BUCKSHOT
WHO CARES WHERE IT GO ♪
404
00:21:29,789 --> 00:21:33,357
♪ JUST KEEP THE CASKET CLOSED
NO REMORSE WHEN A LIFE IS LOST ♪
405
00:21:33,426 --> 00:21:35,893
♪ PAID MY DUES
AND PAID THE COST ♪
406
00:21:35,962 --> 00:21:39,764
♪ AND MY POCKETS ARE STILL FAT
WHEREVER I'M AT I GET THE WELCOME MAT ♪
407
00:21:39,832 --> 00:21:41,810
♪ EVEN IF MY CREW IS
STEEP WITH ONE DEEP ♪
408
00:21:41,834 --> 00:21:43,879
♪ I ATTRACT ATTENTION
PEOPLE LIKE TO PEEP ♪
409
00:21:43,903 --> 00:21:45,836
♪ SO COME SAY HI
TO THE BAD GUY ♪
410
00:21:45,905 --> 00:21:48,406
♪ DON'T SAY GOOD-BYE
I DON'T PLAN TO DIE ♪
411
00:21:48,475 --> 00:21:52,143
♪ 'CAUSE I GET LOOSE AND I
GOT TROOPS AND CRAZY JUICE ♪
412
00:21:52,212 --> 00:21:54,489
♪ IN CONTROL OF MANY
LIKE AYATOLLAH KHOMEINI ♪
413
00:21:54,513 --> 00:21:56,492
♪ HANG OUT WITH SMITH &
WESSON DON'T TRY TO PLAY ME ♪
414
00:21:56,516 --> 00:21:58,494
♪ I'M AT WAR A LOT
LIKE ANWAR SADAT ♪
415
00:21:58,518 --> 00:22:00,429
♪ BUT NO WARNING SHOT
MY GUN IS WARM A LOT ♪
416
00:22:00,453 --> 00:22:02,686
♪ WHEN I COOK BEEF THE
SMOKE WILL NEVER CLEAR ♪
417
00:22:02,755 --> 00:22:05,022
♪ AREAS IN FEAR BUT
THIS HERE'S A FEAR ♪
418
00:22:05,091 --> 00:22:07,224
♪ LIVING LIFE TOO
CLOSE TO THE EDGE ♪
419
00:22:07,293 --> 00:22:09,627
♪ HOPING THAT I KNOW
THE LEDGE COME ON ♪
420
00:22:09,696 --> 00:22:12,296
♪ WHAT WHAT WHAT ♪
421
00:22:12,365 --> 00:22:15,165
♪ WHAT WHAT WHAT ♪
422
00:22:15,235 --> 00:22:17,167
♪ WHAT ♪
423
00:22:17,236 --> 00:22:19,203
♪ A BRAND-NEW MORN
NO TIME TO YAWN ♪
424
00:22:19,272 --> 00:22:21,205
♪ SHOWER'S ON POWER'S ON ♪
425
00:22:21,274 --> 00:22:23,274
♪ I'M LATE FOR SCHOOL
I CATCH THE TRAIN ♪
426
00:22:23,309 --> 00:22:25,576
♪ GIRLS SIP CRISTAL
AND WHISPER MY NAME ♪
427
00:22:25,645 --> 00:22:27,578
♪ I PUSH UP LIKE AN EXERCISE ♪
428
00:22:27,647 --> 00:22:29,658
♪ CHECK THE INTELLECT
AND INSPECT THE THIGH ♪
429
00:22:29,682 --> 00:22:31,860
♪ SELECT THE BEST ONE
PULL HER TO THE SIDE ♪
430
00:22:31,884 --> 00:22:33,962
♪ KEEP HER OCCUPIED
FOR THE REST OF THE RIDE ♪
431
00:22:33,986 --> 00:22:36,320
♪ READ HER MY RÉSUMÉ
SHE KNOW I'M READY COOL ♪
432
00:22:36,389 --> 00:22:39,790
♪ JUST MEET ME AFTER SCHOOL WE CAN MOAN
AND GROAN UNTIL YOUR MOMS COME HOME ♪
433
00:22:39,859 --> 00:22:41,937
♪ AND YOU BE CALLING
ME AL "DOPE" CAPONE ♪
434
00:22:41,961 --> 00:22:44,039
♪ SWEATIN' ME SHE DIDN'T
WANT TO LET ME LOOSE ♪
435
00:22:44,063 --> 00:22:46,041
♪ COME GET ME THAT'S IF
YOU WANT TO SIP THE JUICE ♪
436
00:22:46,065 --> 00:22:49,033
♪ 'CAUSE THE STREETS AWAIT
ME SO I TAKE MY GUN OFF SAFETY ♪
437
00:22:49,102 --> 00:22:51,768
♪ 'CAUSE A LOT OF NIGGAS HATE
ME COMING OUT OF THE BUILDING ♪
438
00:22:51,837 --> 00:22:54,272
♪ THEY SET ME UP SPRAYED WITH
AUTOMATICS THEY WET ME UP ♪♪
33805
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