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♪♪
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00:00:04,171 --> 00:00:07,005
NOW AVAILABLE
FOR THE FIRST TIME,
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THE QUINTESSENTIAL MAN OF
THE CLOTH, JIMMY SWAGGART,
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00:00:10,044 --> 00:00:13,045
SINGS LIKE YOU'VE
NEVER HEARD HIM BEFORE.
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00:00:13,113 --> 00:00:17,349
AMAZING GRACE ♪
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♪ HOW SWEET THE SOUND ♪
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00:00:21,455 --> 00:00:25,523
♪ THAT SAVED A FILTHY WRETCH ♪
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♪ LIKE ME ♪
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00:00:29,663 --> 00:00:33,798
♪ I ONCE WAS LOST ♪
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00:00:33,867 --> 00:00:37,969
♪ BUT NOW I'M FOUND
♪ NOW I'M FOUND.
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00:00:38,038 --> 00:00:43,708
♪ WAS BLIND BUT NOW I SEE ♪♪
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00:00:43,777 --> 00:00:47,479
LET JIMMY AND THE ANGELS OF MERCY SINGERS
TOUCH YOUR HEART WITH GOSPEL CLASSICS.
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00:00:47,547 --> 00:00:50,882
♪ YES, JESUS LOVES ME
YES, JESUS LOVES ME ♪
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00:00:50,950 --> 00:00:52,884
♪ YES, JESUS LOVES ME ♪
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00:00:52,953 --> 00:00:55,420
♪ THE VOICES TOLD ME SO ♪♪
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00:00:55,488 --> 00:00:58,490
OR LET JIMMY TOUCH
YOU A LITTLE LOWER... ♪♪
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00:00:58,559 --> 00:01:01,659
WHEN HE SINGS SOME
OF HIS NASTY FAVORITES...
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00:01:01,728 --> 00:01:04,263
LIKE 2 LIVE CREW.
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00:01:04,331 --> 00:01:06,076
OH! ♪ ME SO HORNY ♪
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OH! ♪ ME SO HORNY ♪
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- OH!
- ♪ ME SO HORNY ♪
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00:01:09,770 --> 00:01:11,637
♪ WE LOVE YOU LONG TIME ♪
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00:01:11,705 --> 00:01:13,450
OH! ♪ ME SO HORNY ♪
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00:01:13,474 --> 00:01:15,139
OH! ♪ ME SO HORNY ♪
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00:01:15,208 --> 00:01:16,820
OH! ♪ ME SO HORNY ♪
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00:01:16,844 --> 00:01:19,010
♪ WE LOVE YOU LONG TIME ♪♪
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00:01:23,149 --> 00:01:25,717
THAT'S JIMMY SWAGGART'S
HEAVEN OR HELL,
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ONLY 19.95, 22.95 FOR CD.
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ORDER NOW.
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♪ YOU'RE DOWN WITH O.P.P. ♪
♪ YEAH, YOU KNOW ME ♪
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00:01:32,159 --> 00:01:34,370
♪ ARE YOU DOWN WITH O.P.P.
♪ ♪ YEAH, YOU KNOW ME ♪
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00:01:34,394 --> 00:01:37,429
♪ ARE YOU DOWN WITH O.P.P.,
YEAH ♪ ♪ YEAH, YOU KNOW ME ♪
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00:01:37,498 --> 00:01:39,876
♪ I'M AN OLD PERVERTED
PREACHER ♪ ♪ EVERY LAST LADY ♪
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WATCH ME. ♪ CAN YOU SHOW ME ♪♪
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WRITE JIMMY SWAGGART,
HEAVEN OR HELL,
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BOX 666-666, TULSA.
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HOW YOU LIVIN'? WHAT?
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HOW YOU LIVIN'? WHAT?
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HOW YOU LIVIN'? ♪
IN LIVING COLOR ♪
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00:01:55,516 --> 00:01:59,818
♪ YOU CAN DO WHAT YOU
WANNA DO ♪ ♪ IN LIVING COLOR ♪
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00:01:59,886 --> 00:02:04,156
♪ ANYTHING YOU WANT IS UP
TO YOU ♪ ♪ IN LIVING COLOR ♪
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00:02:04,224 --> 00:02:08,026
♪ YOU FOR ME AND ME FOR
YOU ♪ ♪ IN LIVING COLOR ♪
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00:02:08,095 --> 00:02:12,597
♪ YOU CAN BE ANYTHING YOU
WANNA BE ♪ ♪ IN LIVING COLOR ♪
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00:02:12,666 --> 00:02:14,666
♪ LET'S TAKE A TRIP
AND SIP ON A DREAM ♪
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00:02:14,735 --> 00:02:16,768
♪ GLIDE WITH THE GUIDE
ON A FUNKY SCENE ♪
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00:02:16,837 --> 00:02:19,477
♪ HERE COMES ANOTHER ONE OF
THOSE FUNKY, FUNNY MO' MONEY SHOWS ♪
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00:02:19,506 --> 00:02:21,440
♪ A CAST FOR LAUGHS
AND TALENTED ROLES ♪
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00:02:21,508 --> 00:02:23,486
♪ AND SISTERS WITH TWISTERS
FOR YOU BEEN LOOKIN' LISTENER ♪
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00:02:23,510 --> 00:02:25,622
♪ IT SEEMS YOU DON'T BELIEVE SO
YOU CAN BELIEVE WHAT I CONVINCE YA ♪
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♪ SOME BOOTY TO YOUR SHORT
AND THOUGHT WE'LL MAKE IT SNAPPY ♪
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00:02:27,714 --> 00:02:29,815
♪ WITH JOKES AND POKES AT
FOLKS TO KEEP YOU HAPPY ♪
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00:02:29,883 --> 00:02:31,883
♪ NO NEED TO HOLD
YOUR REMOTE CONTROL ♪
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♪ CHILL THIS SHOW'S GOT SOUL ♪
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♪ ALL ABOARD, ALL ABOARD
THE TRAIN NEVER TROUBLES ♪
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♪ YOU'D BETTER
SNUGGLE UP COUPLE UP ♪
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♪ ON THE DOUBLE-DUB-DOUBLE ♪
♪ YEAH ♪
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♪ IT'S HARD TO BELIEVE BUT SOME
OF THE BEST THINGS IN LIFE ARE FREE ♪
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00:02:42,629 --> 00:02:44,874
♪ SO, FELLAS, GRAB YOUR GIRL
TELL HER THAT YOU LOVE HER ♪
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♪ 'CAUSE THAT'S THE WAY YOU'RE LIVIN'
WHEN YOU'RE LIVIN' IN LIVING COLOR ♪
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♪ GO, GO, GO, GO
GO, GO, GO, GO ♪
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♪ GO, GO, GO, GO
GO, GO, GO, GO ♪
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♪ GO, GO, GO, GO
GO, GO, GO, GO ♪
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♪ GO, GO, GO ♪
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00:03:02,616 --> 00:03:05,116
♪ GO, GO, GO, GO ♪♪
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SO, AS YOU CAN SEE, YOUR HONOR,
MY CLIENTS ARE COMPLETELY INNOCENT.
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00:03:12,226 --> 00:03:14,159
IT'S AN OPEN-AND-SHUT CASE.
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BEFORE THE JURY DELIBERATES,
ARE THERE ANY FURTHER WITNESSES?
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YES, YOUR HONOR. THERE IS ONE MORE
WITNESS WE'D LIKE TO CALL TO THE STAND.
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00:03:21,602 --> 00:03:23,535
MISS BENITA BUTRELL.
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00:03:30,110 --> 00:03:32,677
HEY! HOW Y'ALL DOIN'?
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00:03:32,746 --> 00:03:34,986
Y'ALL AIN'T GOT NOTHIN'
TO WORRY ABOUT...
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00:03:35,048 --> 00:03:38,328
BECAUSE MISS BENITA IS NOT IN THE
HABIT OF AIRIN' NOBODY'S DIRTY LAUNDRY.
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00:03:38,352 --> 00:03:41,052
UNLESS, OF COURSE, IT'S
THE BAILIFF'S LAUNDRY.
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MM-HMM. TALK ABOUT DIRTY.
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HE GOT STAINS IN HIS DRAWERS
BIG ENOUGH TO LAND A PLANE ON.
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00:03:46,560 --> 00:03:50,128
WOULD MISS BUTRELL
JUST TAKE THE STAND?
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00:03:54,200 --> 00:03:56,056
DO YOU SWEAR TO TELL
THE TRUTH, THE WHOLE TRUTH
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00:03:56,080 --> 00:03:57,840
AND NOTHING BUT THE
TRUTH, SO HELP YOU, GOD?
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00:03:57,904 --> 00:04:00,938
I'D EAT COLD CUT SANDWICHES
MADE OUT OF MY OWN TONGUE...
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00:04:01,007 --> 00:04:03,241
BEFORE I'D SIT UP
HERE AND TELL A LIE.
81
00:04:03,310 --> 00:04:06,578
OH, LOOKY THERE!
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00:04:06,646 --> 00:04:09,281
THERE GOES GRETCHEN!
HEY, GIRL! HOW YOU DOIN'?
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00:04:09,350 --> 00:04:14,086
YOU'RE LOOKING GOOD!
OH, GIRL, I'M SCARED OF YOU!
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00:04:16,523 --> 00:04:20,525
YOU OUGHT TO BE SCARED, TOO, WITH A
CONVICTED FELON SERVING ON THE JURY.
85
00:04:20,593 --> 00:04:24,262
I CAN TELL SHE HITTIN'
THAT CRACK PIPE AGAIN TOO.
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00:04:24,331 --> 00:04:28,399
DONE GOT SO SKINNY, LOOK LIKE
SHE COULD HANG GLIDE ON A DORITO.
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00:04:33,373 --> 00:04:36,608
UH, BAILIFF, GET ME
A JURY ALTERNATE.
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00:04:37,744 --> 00:04:40,011
NOW, MISS BUTRELL,
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00:04:40,080 --> 00:04:45,049
ON THE NIGHT OF THE 24th, THE CASH BOX
FROM THE PROJECT RAFFLE WAS BROKEN INTO...
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00:04:45,118 --> 00:04:47,719
AND OVER $2,000 WAS STOLEN.
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00:04:47,787 --> 00:04:49,832
WHERE WERE YOU ON THAT NIGHT?
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00:04:49,856 --> 00:04:54,392
I WAS UP ON THE ROOFTOP SELLIN'
PUMPKIN SEEDS AND TAMPONS.
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00:04:54,461 --> 00:04:57,862
TRYIN' TO BETTER MYSELF, HONEY, BECAUSE
UNLIKE THESE OTHER PROJECT BUNNIES,
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00:04:57,931 --> 00:05:00,476
MISS BENITA'S GONNA HAVE
SOMETHING. MM-HMM. THAT'S RIGHT.
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00:05:00,500 --> 00:05:02,767
THAT'S WHY I'M ENROLLED
IN THE HOWELL SCHOOL
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00:05:02,791 --> 00:05:04,769
OF ZIPPO RECYCLING
AND SEWAGE REMOVAL.
97
00:05:04,838 --> 00:05:06,772
THAT'S ENOUGH!
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00:05:06,840 --> 00:05:10,308
MISS BUTRELL, DO YOU SEE THE
DEFENDANT IN THIS COURTROOM?
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00:05:10,377 --> 00:05:14,546
MM-HMM. WOULD YOU MIND
POINTING HIM OUT TO US, PLEASE?
100
00:05:14,615 --> 00:05:16,548
THERE YOU GO.
RIGHT THERE... SUEDE.
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00:05:16,616 --> 00:05:19,016
HEY, SUEDE! HOW YOU DOIN'?
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00:05:19,085 --> 00:05:21,719
YEAH, THEY CHOSE SUEDE OVER
ME TO BE THE RAFFLE TREASURER.
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00:05:21,788 --> 00:05:25,388
IT'S A GOOD THING, TOO, BECAUSE YOU AIN'T
GONNA FIND NOBODY BETTER WITH NUMBERS.
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00:05:27,461 --> 00:05:30,795
ESPECIALLY WHEN HE'S
RUNNIN' 'EM. MM-HMM.
105
00:05:30,864 --> 00:05:34,866
THAT DAMN JACKASS LOST
HIS PARENTS IN A CRAP GAME.
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00:05:34,935 --> 00:05:37,248
DON'T GET TOO CLOSE
TO THAT SNEAKY WEASEL
107
00:05:37,272 --> 00:05:39,838
'CAUSE HE'LL STEAL THE
ENAMEL OFF YOUR TOOTH.
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00:05:39,906 --> 00:05:42,452
I AIN'T ONE TO GOSSIP, SO
YOU AIN'T HEARD IT FROM ME.
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00:05:42,476 --> 00:05:46,177
WASN'T THERE SOMEONE
GUARDING THE CASH BOX THAT NIGHT?
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MM-HMM! LEO!
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00:05:48,915 --> 00:05:51,883
LE-LE-LE, LE-LE-LE,
LE-LE-LE... LEO!
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00:05:54,754 --> 00:05:56,755
I'M SO PROUD OF YOU!
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00:05:56,824 --> 00:06:00,826
YOU GUARDED THAT CASH BOX
LIKE A VIRGIN ON PROM NIGHT!
114
00:06:02,095 --> 00:06:05,063
THEN GAVE IT UP LIKE A
HO AT A BACHELOR'S PARTY.
115
00:06:05,132 --> 00:06:08,333
OBJECTION! OBJECTION,
YOUR HONOR.
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00:06:08,402 --> 00:06:11,970
CAN'T SHE JUST ANSWER THE
QUESTION? THIS IS GETTING UGLY.
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00:06:12,038 --> 00:06:14,706
OOH, HE'S ONE TO
TALK. TALK ABOUT UGLY.
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00:06:14,775 --> 00:06:19,010
LOOK LIKE SOMEBODY HIT HIM UPSIDE
THE HEAD WITH A BAG OF NICKELS.
119
00:06:19,078 --> 00:06:21,580
SO UGLY, LAST TIME HE
WENT TO THE PROCTOLOGIST,
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00:06:21,648 --> 00:06:24,715
THE DOCTOR STUCK HIS
FINGER DOWN HIS THROAT.
121
00:06:24,784 --> 00:06:26,851
ORDER IN THIS COURT!
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00:06:26,920 --> 00:06:28,696
DO YOU HAVE REASON
TO BELIEVE THERE WAS
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00:06:28,720 --> 00:06:30,889
INVOLVEMENT FROM THE
CHAIRMAN OF THE COMMITTEE,
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00:06:30,958 --> 00:06:32,824
MISS JENKINS?
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00:06:36,163 --> 00:06:39,797
BAILIFF, SOME
SMELLING SALTS, PLEASE!
126
00:06:42,936 --> 00:06:46,871
NO, NO, NO! NOT MISS
JENKINS! NOT MISS JENKINS!
127
00:06:46,940 --> 00:06:50,208
HONEY, DON'T NOBODY BETTER
SAY NOTHIN' BAD ABOUT MISS JENKINS!
128
00:06:50,277 --> 00:06:52,777
I'M GONNA WALK THROUGH
HELL IN A GASOLINE G-STRING...
129
00:06:52,846 --> 00:06:55,513
BEFORE I SAY SOMETHIN'
BAD ABOUT MISS JENKINS!
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00:06:55,581 --> 00:06:58,883
LORD, SHE'S LIKE A MOTHER
TO ME. A FINE WOMAN.
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00:06:58,952 --> 00:07:02,286
FINE WOMAN! THERE'S
NOTHIN' DIRTY ABOUT HER!
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00:07:02,355 --> 00:07:06,157
JUST DON'T GO NEAR HER HOUSE.
133
00:07:06,226 --> 00:07:09,194
HOUSE SO DUSTY, THE ROACHES
RIDE AROUND IN DUNE BUGGIES.
134
00:07:10,798 --> 00:07:15,199
THAT IS ENOUGH! DON'T MAKE
ME POUND THIS GAVEL AGAIN!
135
00:07:15,268 --> 00:07:17,346
HMM, THAT AIN'T
ALL SHE POUNDIN'.
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00:07:17,370 --> 00:07:19,170
I OBJECT!
137
00:07:19,239 --> 00:07:22,018
YOU DIDN'T OBJECT WHEN SHE TOOK OFF
HER ROBE, WENT THROUGH YOUR BRIEFS...
138
00:07:22,042 --> 00:07:23,975
AND LAID DOWN THE LAW.
139
00:07:24,043 --> 00:07:26,844
I FIND YOU IN CONTEMPT OF COURT!
140
00:07:26,913 --> 00:07:32,250
UH-HUH. AND I FOUND YOU DOIN' THE
HUMPTY DANCE WITH 12 MEN IN THE BATHROOM.
141
00:07:32,318 --> 00:07:36,020
GET HER OUT OF HERE!
THIS IS A MISTRIAL!
142
00:07:36,089 --> 00:07:39,590
LOCK THE DOOR!
GET A STRAITJACKET!
143
00:07:46,967 --> 00:07:49,200
♪ GET IT, THE BOYS, THE BOYS ♪
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00:07:49,269 --> 00:07:51,469
♪ TO THE FRAY, TO THE FRAY ♪
145
00:07:51,537 --> 00:07:54,538
♪ EVERYBODY IN THE PLACE PUT
YOUR HANDS IN THE AIR WITH ME ♪
146
00:07:54,607 --> 00:07:58,943
♪ COME ON, DO IT, DO IT, Y'ALL
YEAH, COME ON, DO IT, DO IT Y'ALL ♪
147
00:07:59,012 --> 00:08:01,646
♪ YEAH, KEEP ON NOW,
EVERYBODY IN THE PLACE FOR FREE ♪
148
00:08:01,715 --> 00:08:04,916
♪ PUT YOUR HANDS IN THE AIR
WITH ME COME ON, DO IT, DO IT, Y'ALL ♪
149
00:08:04,984 --> 00:08:07,952
♪ COME ON, COME ON DO IT, DO
IT, Y'ALL ♪ ♪ JUST LIKE THAT ♪
150
00:08:08,021 --> 00:08:11,556
♪ IT'S JUST LIKE THAT LET
YOUR HAIR DO IT DARE DO IT ♪
151
00:08:11,625 --> 00:08:14,893
♪ JUST DO IT JUST
WAKE UP TO IT ♪
152
00:08:14,962 --> 00:08:17,595
♪ YO, YO ♪
♪ IT'S JUST LIKE THAT, HA, HA ♪
153
00:08:17,664 --> 00:08:20,298
♪ IT'S JUST LIKE THAT ♪♪
154
00:08:20,366 --> 00:08:23,768
I KNOW I'M SUPPOSED
TO CUT AN ALBUM.
155
00:08:23,837 --> 00:08:27,238
YOU DON'T THINK I KNOW
THAT? I'VE BEEN WRITING SONGS.
156
00:08:27,306 --> 00:08:29,541
I WRITE 10 SONGS A NIGHT.
157
00:08:29,609 --> 00:08:33,044
BUT WHEN I SOBER UP,
THEY SOUND LIKE NONSENSE.
158
00:08:33,113 --> 00:08:35,246
WORDS ON A PAGE!
159
00:08:35,314 --> 00:08:37,549
I NEED INSPIRATION, MAN. ♪♪
160
00:08:37,617 --> 00:08:42,020
I NEED SOMEONE WHO CAN
REALLY TEACH ME THE BLUES.
161
00:08:43,857 --> 00:08:48,159
BINGO! I THINK I JUST FOUND
WHAT I'VE BEEN LOOKING FOR.
162
00:08:48,228 --> 00:08:51,429
♪ AH-HA-HA-HA ♪
163
00:08:51,498 --> 00:08:53,865
THANK YOU VERY MUCH!
164
00:08:53,933 --> 00:08:56,601
ALL RIGHT. IT SURE
IS GOOD TO BE HERE.
165
00:08:56,670 --> 00:09:00,672
AM I GLAD I FOUND YOU. WELL,
MY NAME IS CALHOUN TUBBS.
166
00:09:00,740 --> 00:09:03,741
NOW, AIN'T YOU TH-TH-THE BOY
FROM... YEAH, YEAH, YEAH, YEAH.
167
00:09:03,810 --> 00:09:07,279
LISTEN. LOOK, I REALLY NEED
YOUR HELP, OKAY? UH-HUH.
168
00:09:07,347 --> 00:09:09,847
I GOTTA CUT A BLUES ALBUM
WITH ALL KINDS OF BLUES SONGS,
169
00:09:09,916 --> 00:09:12,116
AND I DON'T KNOW
ANYTHING ABOUT THE BLUES!
170
00:09:12,185 --> 00:09:14,236
N-N-N-N-N-NOW, THAT
AIN'T TRUE, BOY, 'CAUSE
171
00:09:14,260 --> 00:09:16,287
EVERYBODY KNOWS
SOMETHING ABOUT THE BLUES.
172
00:09:16,356 --> 00:09:19,290
NOT ME. LOOK, I
GOT MONEY, WOMEN.
173
00:09:19,359 --> 00:09:21,859
WHERE'S THE BLUES
IN ALL THAT? UH-HUH.
174
00:09:21,928 --> 00:09:24,929
BUT YOU... YOU'RE THE
REAL DEAL. WELL, THANK YOU.
175
00:09:24,998 --> 00:09:29,634
I BET YOU CAME FROM ONE OF THEM
BACKWOOD SHACKS BACK IN MISSISSIPPI.
176
00:09:29,703 --> 00:09:32,470
NOW, ACTUALLY, I'M
FROM BALTIMORE. MM-HMM.
177
00:09:32,538 --> 00:09:34,538
I AIN'T NEVER BEEN
OUT IN NO WOODS...
178
00:09:34,607 --> 00:09:37,508
WELL, I DID GO TO THE WOOD ONE
TIME, BUT WE WERE JUST CAMPING.
179
00:09:37,577 --> 00:09:39,622
SO I DON'T REALLY
KNOW. GET OFF IT.
180
00:09:39,646 --> 00:09:42,480
I REALLY... I GOT MONEY. I CAN PAY
YOU FOR YOUR LIFE EXPERIENCES.
181
00:09:42,549 --> 00:09:47,385
WELL, NOW, I DID SAY I WAS FROM
BALTIMORE, MISSISSIPPI. MM-HMM.
182
00:09:47,454 --> 00:09:50,254
YEAH. WROTE A SONG ABOUT
IT. LIKE TO HEAR IT? HERE IT GO.
183
00:09:51,791 --> 00:09:57,728
♪ I COULD'VE BEEN A DIRT POOR
FARMER IN MISSISSIPPI, HEY ♪
184
00:09:57,797 --> 00:10:01,532
♪ BUT I COULDN'T
EVEN AFFORD THE DIRT ♪
185
00:10:01,601 --> 00:10:05,136
♪ AH-HA-HA-HA ♪♪ THANK
YOU VERY MUCH! ALL RIGHT.
186
00:10:05,205 --> 00:10:07,905
THAT'S GREAT, MAN! YEAH.
THANK YOU. THANK YOU.
187
00:10:07,975 --> 00:10:10,986
THAT IS GREAT. THAT'S EXACTLY
WHAT I'M TALKING ABOUT.
188
00:10:11,010 --> 00:10:12,943
I NEED MORE OF THAT.
189
00:10:13,012 --> 00:10:16,059
I'LL BET YOU WERE A JUNKIE OF
SOME KIND, AND THEN YOU O.D.'d,
190
00:10:16,083 --> 00:10:19,684
AND YOU PUKED RIGHT OUT,
AND THEN YOU CHOKED ON IT.
191
00:10:19,753 --> 00:10:22,754
WELL, NO. NO. ON YOUR OWN VOMIT.
192
00:10:22,822 --> 00:10:24,822
I AIN'T NEVER T-TOOK NO PILLS.
193
00:10:24,891 --> 00:10:28,159
ONLY PILL I DONE TOOK WAS
A BUFFERIN, MAN. I DON'T DO...
194
00:10:28,228 --> 00:10:30,295
GET OFF IT.
195
00:10:30,364 --> 00:10:34,966
I KNOW ALL ABOUT THE DRUGS. I'M
HIGH RIGHT NOW. MM-HMM. OH, YEAH.
196
00:10:35,035 --> 00:10:38,036
WROTE A SONG ABOUT IT.
LIKE TO HEAR IT? HERE IT GOES.
197
00:10:38,104 --> 00:10:42,506
♪ I DONE SHOT SO
MUCH DRUGS IN THE '60s ♪
198
00:10:42,575 --> 00:10:46,945
♪ I CAN STILL GET
HIGH OFF THE RESIDUE ♪
199
00:10:47,013 --> 00:10:50,547
♪ AH-HA-HA-HA ♪♪
THANK YOU VERY MUCH! MAN!
200
00:10:50,616 --> 00:10:53,451
ALL RIGHT. YOU ARE
BLOWING MY MIND, MAN!
201
00:10:53,520 --> 00:10:55,898
WELL, THANK YOU. ALL
RIGHT, NOW. OH, YES.
202
00:10:55,922 --> 00:10:59,223
YOU TAPPED INTO A GREAT LIFE,
STUFF... THAT WHOLE BLUES THING.
203
00:10:59,292 --> 00:11:02,260
BUT I CAN'T. I
CAN'T TAP INTO IT!
204
00:11:02,328 --> 00:11:05,329
NOW, SURE, YOU CAN, BOY. EVERYBODY
GOT SOME BLUES IN THEM SOMEWHERE.
205
00:11:05,398 --> 00:11:09,033
YOU JUST GOT TO KNOW
WHERE TO LOOK. MM-HMM.
206
00:11:09,102 --> 00:11:12,103
WHERE? TRY YOUR FACE, JUNIOR.
207
00:11:12,171 --> 00:11:17,008
MM-HMM. LOOK HERE. THAT'S ENOUGH
TO GIVE ME THE BLUES RIGHT NOW.
208
00:11:17,077 --> 00:11:20,477
I AIN'T WRITE NO SONG ABOUT
THAT, BUT I THINK I COULD RIGHT NOW.
209
00:11:20,546 --> 00:11:22,947
LIKE TO HEAR IT? HERE IT GOES.
210
00:11:23,016 --> 00:11:27,318
♪ LORD, YOU SO DAMN UGLY ♪
211
00:11:27,387 --> 00:11:30,955
♪ I DON'T KNOW IF THAT'S YOUR
FACE OR IF YOUR NECK THREW UP ♪
212
00:11:32,658 --> 00:11:35,226
♪ AH-HA-HA-HA ♪♪
213
00:11:37,663 --> 00:11:42,166
HEY, HEY, HEY, HEY. WHOA.
YOU ALL RIGHT? YOU ALL RIGHT?
214
00:11:42,235 --> 00:11:45,803
THANK YOU VERY
MUCH! ALL RIGHT. YEAH.
215
00:11:45,872 --> 00:11:48,239
WELL, THAT'S GOOD,
MAN. THAT'S REALLY GOOD.
216
00:11:48,307 --> 00:11:50,385
BUT IT DOESN'T
MAKE ME FEEL BLUE.
217
00:11:50,409 --> 00:11:53,778
I COULD HAVE RECONSTRUCTIVE
SURGERY. UH-HUH.
218
00:11:53,847 --> 00:11:56,948
I'VE GOT A BEAUTIFUL
GIRLFRIEND WHO LOVES ME.
219
00:11:57,017 --> 00:11:59,537
OH, WAIT, NO. YOU GOT TO STOP
RIGHT THERE. PUT THE BRAKES ON IT.
220
00:11:59,586 --> 00:12:02,653
YOU TALKING ABOUT THE GIRL I SEEN
YOU WITH LAST NIGHT ON THE NEWS?
221
00:12:02,722 --> 00:12:05,723
NO, MAN. I'M HERE TO TELL YOU,
BOY, THAT GIRL DON'T LOVE YOU.
222
00:12:05,792 --> 00:12:08,759
WHAT? OH, NO. UH-UH. MM-MMM.
WROTE A SONG ABOUT IT.
223
00:12:08,828 --> 00:12:10,761
LIKE TO HEAR IT? HERE IT GO.
224
00:12:12,031 --> 00:12:15,766
♪ NOW, YOUR GIRLFRIEND
SAY SHE LOVE YOU ♪
225
00:12:15,835 --> 00:12:18,036
♪ BUT I GUESS THE FOUR
HOURS SHE DONE SPENT
226
00:12:18,060 --> 00:12:20,337
IN THE MEN'S ROOM WITH
AXL ROSE LAST NIGHT ♪
227
00:12:20,407 --> 00:12:23,675
♪ IS THE WAY THAT
SHE LIKES TO SHOW IT ♪
228
00:12:23,743 --> 00:12:27,211
♪ AH-HA-HA-HA ♪♪ THANK
YOU VERY MUCH! ALL RIGHT.
229
00:12:27,280 --> 00:12:30,281
YEAH, MAN, I DONE SEEN
THAT WITH MY OWN EYES, MAN.
230
00:12:30,350 --> 00:12:33,818
BUTT NAKED. MM-HMM. SURE ENOUGH.
231
00:12:33,887 --> 00:12:37,188
I DON'T BELIEVE IT. THAT BITCH!
232
00:12:37,257 --> 00:12:38,968
HOW COULD... HOW
COULD SHE DO THAT TO ME?
233
00:12:38,992 --> 00:12:42,527
NOW, YOU SEE? NOW YOU GOT THE BLUES,
MAN. COME ON. WRITE A SONG ABOUT IT!
234
00:12:42,595 --> 00:12:45,396
COME ON! HERE WE GO.
235
00:12:45,465 --> 00:12:48,933
THERE YOU GO. UH-HUH. ALL RIGHT.
236
00:12:49,001 --> 00:12:51,002
LIKE TO HEAR IT? HERE WE GO.
237
00:12:51,071 --> 00:12:53,437
HERE IT GOES!
238
00:12:53,506 --> 00:12:56,340
♪ I GOT A SMASH HIT
A MILLION RECORDS ♪
239
00:12:56,409 --> 00:12:59,210
♪ THAT SLUT AIN'T
GONNA GET A PENNY ♪
240
00:12:59,279 --> 00:13:02,646
♪ YAAAH ♪
♪ AH-HA-HA-HA ♪♪
241
00:13:02,715 --> 00:13:06,016
BRING IT ON. DON'T GET
NONE ON YOU THOUGH, MAN.
242
00:13:06,085 --> 00:13:08,853
THERE YOU GO. COME
ON, MAN. OH, YEAH.
243
00:13:08,921 --> 00:13:10,854
NOW YOU STARTIN' TO SCARE ME.
244
00:13:10,923 --> 00:13:12,857
COME ON BACK, NOW. COME ON BACK.
245
00:13:12,926 --> 00:13:15,660
♪ SHE MAY THINK SHE GAVE
ME A CASE OF JEALOUSY ♪
246
00:13:15,728 --> 00:13:20,331
♪ BUT WHAT SHE REALLY GONNA
NEED IS A CASE OF PENICILLIN ♪
247
00:13:20,400 --> 00:13:24,535
♪ YAAH, YAAH YAAH,
YAAH, YAAH YAAH, YAAH ♪
248
00:13:24,604 --> 00:13:28,839
♪ YAAH ♪♪
249
00:13:28,908 --> 00:13:30,908
YOU THROUGH?
250
00:13:32,178 --> 00:13:34,657
I THINK I BROKE A BLOOD VESSEL.
251
00:13:34,681 --> 00:13:37,381
YOU ALL RIGHT? YEAH.
252
00:13:37,450 --> 00:13:40,195
THANKS A LOT, MAN. YOU ALL
RIGHT? OH, YEAH, WELL... GOTTA GO?
253
00:13:40,219 --> 00:13:43,888
YOU'RE REALLY GREAT. LOOK
HERE, YOU FORGOT YOUR...
254
00:13:46,459 --> 00:13:48,560
YEAH!
255
00:13:48,628 --> 00:13:51,962
♪ WHILE HE GOT THE BLUES ♪
256
00:13:52,031 --> 00:13:54,431
♪ I GOT ALL THE MONEY ♪♪
257
00:13:54,500 --> 00:13:56,500
HERE COME THE DRUMS!
258
00:13:56,569 --> 00:14:00,438
♪♪ ALL RIGHT, ALL RIGHT.
259
00:14:00,506 --> 00:14:03,608
♪ BASS IN YOUR FACE NOT AN EIGHT
TRACK, GETTIN' IT GOOD TO THE WOOD ♪
260
00:14:03,677 --> 00:14:05,754
♪ SO THE PEOPLE GIVE YOU SOME
OF THAT REACTIN' TO THE FACTS ♪
261
00:14:05,778 --> 00:14:08,618
♪ TILL I KICK AND IT STICK AND IT
STAY AROUND POINTIN' TO THE JOINT ♪
262
00:14:08,681 --> 00:14:10,981
♪ PUT THE BUDDHA DOWN ♪
263
00:14:11,050 --> 00:14:13,918
♪ CAN'T TRUSS IT,
OW CAN'T TRUSS IT ♪
264
00:14:13,986 --> 00:14:16,487
♪ AND I JUDGE EVERYONE
ONE BY THE ONE ♪
265
00:14:16,556 --> 00:14:19,256
♪ LOOK, HERE COME THE JUDGE
WATCH IT, HERE HE COME NOW ♪
266
00:14:19,325 --> 00:14:21,526
♪ DON'T SENTENCE ME,
JUDGE I AIN'T DID ♪ ♪ HUH ♪
267
00:14:21,594 --> 00:14:23,760
♪ NOTHIN' TO NOBODY ♪♪
268
00:14:30,637 --> 00:14:34,338
THIS IS THE NIGHT CHARLES
PACK BECOMES A STAR REPORTER.
269
00:14:34,407 --> 00:14:37,308
I AM ABOUT TO SPEND A
LONG, COLD WINTER'S NIGHT...
270
00:14:37,377 --> 00:14:40,144
WITH AN ACTUAL STREET PERSON.
271
00:14:40,213 --> 00:14:44,548
OKAY. COME DOWN TO THEIR
LEVEL. TAKE THE TIE OFF.
272
00:14:44,618 --> 00:14:46,851
LOSE THE TIE. OKAY.
273
00:14:52,558 --> 00:14:56,527
ANYBODY HOME? SHH-NO!
274
00:14:57,664 --> 00:14:59,931
HELLO? WHO IS IT?
275
00:14:59,999 --> 00:15:02,077
UH, CHARLES PACK, UH, HERALD.
276
00:15:02,101 --> 00:15:05,336
GO AWAY! I GAVE AT THE OFFICE.
277
00:15:05,405 --> 00:15:08,472
UH, IF YOU LET ME IN,
I'LL GIVE YOU 20 BUCKS.
278
00:15:10,243 --> 00:15:13,177
SU CASA ES MI CASA.
279
00:15:14,915 --> 00:15:18,483
COME ON IN. WHY DON'T YOU
WIPE YOUR FEET ON THE MAT?
280
00:15:18,551 --> 00:15:21,820
WHERE'S THE MAT?
281
00:15:21,888 --> 00:15:24,155
HEY, THANKS, MATT.
282
00:15:25,591 --> 00:15:27,524
YOU'RE WELCOME.
283
00:15:32,599 --> 00:15:36,868
OH, UH, HERE'S YOUR $20. I WAS
ABOUT TO SAY, "WHERE'S THE MONEY?"
284
00:15:36,937 --> 00:15:40,237
MY NAME IS CHARLES.
285
00:15:40,306 --> 00:15:43,775
YOUR NAME'S CHARLES. YEAH.
AND WHAT IS YOUR NAME, SIR?
286
00:15:47,480 --> 00:15:49,981
ONE, TWO. AAH! UH...
287
00:15:50,049 --> 00:15:54,285
MY NAME IS ANTON JACKSON,
FORMERLY OF THE JACKSON 5.
288
00:15:54,353 --> 00:15:58,355
I'M JOE JACKSON'S
SECRET LOVE CHILD.
289
00:15:58,424 --> 00:16:00,503
WATCH THIS. HOLD THAT.
290
00:16:00,527 --> 00:16:03,094
HO! HO!
291
00:16:08,034 --> 00:16:10,034
THIS IS INCREDIBLE STUFF.
292
00:16:10,103 --> 00:16:14,139
UH, MR. JACKSON, I'M DOING
AN EXPOSÉ ON THE STREETS.
293
00:16:14,207 --> 00:16:19,744
OH, AN EXPOSÉ. WELL, I HAPPENED TO
EXPOSÉD MYSELF ON SEVERAL STREETS.
294
00:16:19,813 --> 00:16:23,414
NO, NO. SEE, I'D LIKE TO
SPEND THE NIGHT WITH YOU.
295
00:16:27,854 --> 00:16:30,855
YOU'RE AWFULLY
FORWARD THERE, SIR.
296
00:16:30,923 --> 00:16:33,602
YOU DON'T BEAT AROUND
THE BUSH, DO YOU?
297
00:16:33,626 --> 00:16:37,061
IS CLARENCE SPREADING
THOSE RUMORS ABOUT ME?
298
00:16:37,130 --> 00:16:41,031
HE'S A LIAR. HE'S A
LIAR WITH COLD FEET.
299
00:16:41,100 --> 00:16:43,278
NO, NO, NO. YOU DON'T
UNDERSTAND. AAAH!
300
00:16:43,302 --> 00:16:46,537
I'M DOING A COVER STORY, AND, SEE, WHAT
MY READERS WOULD LIKE TO KNOW IS, LIKE,
301
00:16:46,606 --> 00:16:50,341
HOW DO YOU MAKE IT OUT HERE ON THE
STREETS, HOW DO YOU DO THIS WHOLE THING?
302
00:16:50,410 --> 00:16:52,376
OH, HOW I SURVIVE. YEAH.
303
00:16:52,445 --> 00:16:55,513
WELL, ACTUALLY IT'S NOT
THAT BAD UNTIL IT RAINS.
304
00:16:55,582 --> 00:16:59,083
THEN WE GOT THAT PROBLEM.
BUT THIS IS PRETTY COMFORTABLE.
305
00:16:59,152 --> 00:17:02,787
SEE ALL THIS EARLY AMERICAN
FURNITURE I GOT AROUND HERE?
306
00:17:02,855 --> 00:17:04,789
THIS IS EARLY AMERICAN?
307
00:17:04,857 --> 00:17:08,526
IF YOU DON'T GET THERE EARLY,
THE GARBAGE MAN WILL TAKE IT AWAY.
308
00:17:10,463 --> 00:17:13,231
BUT HOW DO YOU MAKE IT
WITHOUT MODERN APPLIANCES?
309
00:17:13,300 --> 00:17:17,001
AH, THAT'S NO PROBLEM. SEE, I CAN MAKE
A CALL. WATCH, I'M GONNA MAKE A CALL.
310
00:17:17,070 --> 00:17:19,949
I CAN'T BELIEVE THIS. THIS MAN
HAS HOOKED UP A TELEPHONE.
311
00:17:19,973 --> 00:17:22,607
THIS IS INCREDIBLE. HEY, JOE!
312
00:17:22,675 --> 00:17:24,842
WHERE ARE YOU?
313
00:17:24,910 --> 00:17:29,814
I'M ON THE OTHER LINE. I'LL
CALL YOU BACK. ALL RIGHT.
314
00:17:29,883 --> 00:17:34,885
OKAY, BUT WHAT ABOUT WHEN YOU WANT
TO UNWIND? SOME OF THIS HUMAN STUFF?
315
00:17:34,954 --> 00:17:39,157
WELL, THAT'S SIMPLE. I JUST WATCH
MY ENTERTAINMENT SYSTEM OVER HERE.
316
00:17:39,225 --> 00:17:43,294
I SIT IN FRONT, AND
FROM HERE I CAN SEE...
317
00:17:43,362 --> 00:17:47,364
WHEN I GET UP IN THE MORNING I
WATCH GOOD MORNING, SKID ROW.
318
00:17:48,768 --> 00:17:52,103
AND THEN LATER ON,
WHEN THE MISSION LETS OUT,
319
00:17:52,172 --> 00:17:54,572
IT TURNS INTO COPS,
320
00:17:54,641 --> 00:17:58,709
AND ABOUT MIDNIGHT WE
SEE THE ADULT CHANNEL.
321
00:17:58,778 --> 00:18:02,113
PLUS I GOT CABLE. YOU
WANT TO SEE THE CABLE?
322
00:18:02,182 --> 00:18:04,726
HOLY JE... DID YOU SEE THAT
GUY GET SUCKER PUNCHED?
323
00:18:04,750 --> 00:18:07,251
OH, THAT'S PAY-PER-VIEW.
324
00:18:10,657 --> 00:18:14,158
YOU'LL HAVE TO COUGH UP A COUPLE
MORE DOLLARS IF YOU WANT TO SEE THAT.
325
00:18:14,227 --> 00:18:17,027
OKAY. UH, LISTEN.
326
00:18:17,097 --> 00:18:20,265
DO YOU EVER YEARN
FOR THE LUXURIES OF LIFE?
327
00:18:20,333 --> 00:18:24,068
WELL, I GOT EVERYTHING
A MAN NEEDS TO SURVIVE.
328
00:18:24,137 --> 00:18:28,806
LET ME SHOW YOU SOMETHING OVER
HERE IN THE WEST WING OF THE ESTATE.
329
00:18:28,874 --> 00:18:31,675
THIS HERE'S MY TWO-CART GARAGE.
330
00:18:36,849 --> 00:18:38,849
THIS IS GREAT STUFF.
331
00:18:42,589 --> 00:18:45,156
WHY DON'T YOU
JOIN ME FOR DINNER?
332
00:18:45,224 --> 00:18:47,658
I WAS JUST ABOUT TO SIT
DOWN AND HAVE SOME DINNER.
333
00:18:47,727 --> 00:18:49,727
OKAY. WHAT ARE YOU HAVING?
334
00:18:49,796 --> 00:18:54,431
I'M-A HAVE TAKEOUT. WHAT DO
YOU WANT... ITALIAN OR CHINESE?
335
00:18:54,500 --> 00:18:56,767
UH, CHINESE IS FINE.
336
00:18:56,835 --> 00:18:58,835
THIS IS UNBELIEVABLE, FOLKS.
337
00:18:58,904 --> 00:19:02,106
THIS MAN, WHO HAS NOTHING,
IS OFFERING ME TAKE-OUT FOOD.
338
00:19:02,175 --> 00:19:05,176
OKAY. OH, GOD!
339
00:19:05,245 --> 00:19:07,178
THAT'S CHINESE.
340
00:19:07,247 --> 00:19:11,782
IF YOU WANT SOME MORE, YOU TAKE
IT OUT OF THE GARBAGE YOURSELF.
341
00:19:11,851 --> 00:19:16,687
- YOU WANT PANDA?
- NO, THAT'S... YEAH, I ATE.
342
00:19:19,258 --> 00:19:21,992
IT'S LIKE NATIONAL GEOGRAPHIC,
LADIES AND GENTLEMEN.
343
00:19:22,061 --> 00:19:26,063
WHY DON'T YOU MAKE YOURSELF... COME
HERE. LET ME MAKE YOU UP THE GUEST BED.
344
00:19:28,334 --> 00:19:31,836
YOU SEE THIS? HERE'S THE SHEET.
345
00:19:34,640 --> 00:19:36,685
YOU CAN USE THAT AS A BLANKET.
346
00:19:36,709 --> 00:19:39,755
AND HERE, I WAS GONNA
USE THIS AS TOILET PAPER,
347
00:19:39,779 --> 00:19:42,647
BUT YOU CAN USE IT AS A PILLOW.
348
00:19:44,350 --> 00:19:48,619
THAT'S VERY THOUGHTFUL. SO I JUST,
UH... I SLEEP ON THE FLOOR RIGHT HERE.
349
00:19:48,688 --> 00:19:52,690
YEAH, YOU JUST LAY ON DOWN. I'M GONNA
DO THE SAME. YOU JUST DO WHAT I DO.
350
00:19:53,859 --> 00:19:55,793
OH.
351
00:19:56,863 --> 00:20:00,865
DAMN, THIS TOENAIL
HARDER THAN A GINSU.
352
00:20:08,875 --> 00:20:10,942
LYING HERE...
353
00:20:11,010 --> 00:20:13,844
LYING HERE IN A PIT OF DESPAIR,
354
00:20:16,049 --> 00:20:20,451
I CAN ALMOST SMELL THE STENCH
OF THE LONELINESS, THE POVERTY,
355
00:20:20,519 --> 00:20:24,021
THE PUTRID AROMA
OF LOST DREAMS...
356
00:20:24,090 --> 00:20:26,157
AND LOST SOULS.
357
00:20:31,764 --> 00:20:35,432
THE, UH... I THINK
I'M STARTING...
358
00:20:35,501 --> 00:20:38,469
IT MAKES ME NAUSEOUS.
359
00:20:38,537 --> 00:20:41,172
IT'S SLIGHTLY OVERWHELMING.
360
00:20:41,241 --> 00:20:44,241
BRINGS TEARS TO MY EYES.
361
00:20:44,310 --> 00:20:46,810
HAVING TROUBLE FOCUSING.
362
00:20:46,880 --> 00:20:49,213
THE THOUGHT OF SPENDING...
363
00:20:49,282 --> 00:20:51,993
I'M NOT LOOKING FORWARD TO THIS,
LADIES AND GENTLEMEN. I'M REALLY NOT.
364
00:20:52,017 --> 00:20:55,052
BUT I'M GONNA DO IT. I'M GONNA
HANG IN, AND I'M GONNA MAKE IT.
365
00:20:55,121 --> 00:20:57,121
OH, GOD!
366
00:20:59,926 --> 00:21:02,226
I'M SORRY. OH, GOD. OH, GOD.
367
00:21:02,295 --> 00:21:04,228
YOU CAN'T SLEEP.
368
00:21:04,297 --> 00:21:07,065
I'M GONNA HAVE TO USE THE
BATHROOM. WHERE'S THE BATHROOM?
369
00:21:07,133 --> 00:21:09,633
OH, HERE IT IS RIGHT HERE.
370
00:21:11,904 --> 00:21:13,838
HEY!
371
00:21:13,906 --> 00:21:16,974
HEY, MY MAN! WHAT
ABOUT THE STORY?
372
00:21:18,044 --> 00:21:21,445
♪ LIVIN' JUST ENOUGH ♪
373
00:21:21,514 --> 00:21:24,515
♪ JUST ENOUGH FOR THE CITY ♪
374
00:21:24,584 --> 00:21:26,750
♪ JUST ENOUGH ♪
375
00:21:26,819 --> 00:21:29,820
♪ LIVIN' FOR THE CITY ♪♪
376
00:21:29,889 --> 00:21:32,690
HEY, WE WANT TO THANK YOU ALL
FOR HANGING OUT WITH US TONIGHT.
377
00:21:32,758 --> 00:21:34,798
WE HAD A GOOD TIME.
TOMMY. STOP, BOY.
378
00:21:34,827 --> 00:21:37,328
SAY GOOD NIGHT.
SEE YOU NEXT WEEK.
379
00:21:37,397 --> 00:21:39,897
♪♪
30044
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