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These are the user uploaded subtitles that are being translated: 1 00:00:14,981 --> 00:00:17,116 CAN YOU, UH, HEAR ME IN THE BACK? 2 00:00:20,854 --> 00:00:25,325 ♪ THEY'RE WRITING SONGS OF LOVE ♪ 3 00:00:25,325 --> 00:00:27,794 ♪ BUT NOT FOR ME ♪ 4 00:00:27,794 --> 00:00:31,531 ♪ A LUCKY STAR'S ABOVE ♪ 5 00:00:31,531 --> 00:00:34,200 ♪ BUT NOT FOR ME ♪ 6 00:00:34,200 --> 00:00:37,403 ♪ WITH LOVE TO LEAD THE WAY ♪ 7 00:00:37,404 --> 00:00:40,607 ♪ I FOUND MORE CLOUDS OF GRAY ♪ 8 00:00:41,141 --> 00:00:43,276 ♪ THAN ANY RUSSIAN PLAY ♪ 9 00:00:43,276 --> 00:00:45,945 ♪ COULD GUARANTEE ♪ 10 00:00:45,945 --> 00:00:49,148 ♪ LA-LA-LA-LA, LA-LA ♪ 11 00:00:49,149 --> 00:00:52,352 ♪ LA-LA-LA-LA ♪ 12 00:00:52,352 --> 00:00:54,487 ♪ WITH-- ALTHOUGH ♪ 13 00:00:54,487 --> 00:00:57,156 ♪ I CAN'T DISMISS ♪ 14 00:00:57,157 --> 00:01:00,360 ♪ THE MEMORIES OF HER KISS ♪ 15 00:01:00,360 --> 00:01:03,029 ♪ I GUESS SHE'S NOT ♪ 16 00:01:03,029 --> 00:01:05,698 ♪ FOR ME ♪ 17 00:01:07,300 --> 00:01:10,503 WRITTEN BY A YOUNG, AMBITIOUS, DESPERATE NEW YORKER... 18 00:01:10,503 --> 00:01:12,638 NAMED GERSHWIN, 19 00:01:12,639 --> 00:01:15,842 WHO LIVED THREE BLOCKS OFF ON THE LEFT. 20 00:01:19,579 --> 00:01:22,782 THANK YOU NOW. 21 00:01:22,782 --> 00:01:24,917 WELCOME TO NEW YORK CITY. 22 00:01:24,918 --> 00:01:28,121 ♪ THEY'RE WRITING SONGS OF LOVE ♪ 23 00:01:28,121 --> 00:01:30,256 ♪ BUT NOT FOR ME ♪ 24 00:01:30,790 --> 00:01:33,993 ♪ A LUCKY STAR'S ABOVE ♪ 25 00:01:33,993 --> 00:01:36,128 ♪ BUT NOT FOR ME ♪ 26 00:01:36,129 --> 00:01:39,866 ♪ WITH LOVE TO LEAD THE WAY ♪ 27 00:01:39,866 --> 00:01:43,069 ♪ I'VE FOUND MORE CLOUDS OF GRAY ♪ 28 00:01:43,069 --> 00:01:45,738 ♪ THAN ANY RUSSIAN PLAY ♪ 29 00:01:45,738 --> 00:01:48,407 ♪ COULD GUARANTEE ♪ 30 00:01:48,408 --> 00:01:51,611 ♪ I WAS A FOOL TO FALL ♪ 31 00:01:51,611 --> 00:01:54,280 ♪ AND GET THAT WAY ♪ 32 00:01:54,280 --> 00:01:56,415 ♪ HEIGH-HO, ALAS ♪ 33 00:01:56,950 --> 00:02:00,153 ♪ AND ALSO LACKADAY ♪ 34 00:02:00,687 --> 00:02:03,356 ♪ ALTHOUGH I CAN'T DISMISS ♪ 35 00:02:03,356 --> 00:02:06,559 ♪ THE MEMORY OF HER KISS ♪ 36 00:02:06,559 --> 00:02:11,897 ♪ I GUESS SHE'S NOT FOR ME ♪ 37 00:02:13,500 --> 00:02:17,237 YOU KNOW, I'M LEARNING SLOWLY IN MY CRUISING CAREER... 38 00:02:17,237 --> 00:02:19,906 THAT YOU CANNOT EXPECT PEOPLE... 39 00:02:20,440 --> 00:02:23,109 TO TRANSFORM IN AN AFTERNOON. 40 00:02:23,109 --> 00:02:25,778 THEY'RE NOT GOING TO REWRITE THEIR SOULS... 41 00:02:25,778 --> 00:02:29,515 AND REDO EVERY DAY THAT THEY'VE LIVED THUS FAR... 42 00:02:29,516 --> 00:02:32,185 BEFORE THEY COME ON TO THE DOUBLE-DECKER BUS, 43 00:02:32,185 --> 00:02:34,320 AND YET I EXPECT THAT. 44 00:02:34,320 --> 00:02:36,989 I EXPECT THE TOTAL TRANSFORMATION OF THEIR LIFE, 45 00:02:36,990 --> 00:02:39,125 THE ENTIRE REWRITE OF THEIR SOULS. 46 00:02:39,125 --> 00:02:40,462 I AM FIGHTING MINUTE TO MINUTE, 47 00:02:40,463 --> 00:02:42,763 EVERY MOMENT THAT THEY'RE ON THE BUS, 48 00:02:42,862 --> 00:02:45,531 FOR EVERY DAY THEY'VE LIVED THUS FAR TO SEEM AS... 49 00:02:45,532 --> 00:02:47,636 A ABSTRACT WRECKAGE... 50 00:02:47,637 --> 00:02:50,737 THAT MIGHT HAVE HAPPENED BUT IS PROBABLY A DELUSION, 51 00:02:50,870 --> 00:02:54,073 AND THAT THIS IS THE FIRST REAL DAY OF THEIR LIVES. 52 00:02:54,073 --> 00:02:56,208 NOT TO GENERALIZE. 53 00:02:56,209 --> 00:02:58,878 AGAIN, WITH EVERY BUSLOAD, THERE'S INTERNATIONALITY... 54 00:02:59,412 --> 00:03:01,582 AND THEREFORE DIFFERENT GRADATIONS... 55 00:03:01,583 --> 00:03:03,683 OF CRUISING MANIFESTATION. 56 00:03:03,683 --> 00:03:06,886 BUT I, UH-- 57 00:03:07,954 --> 00:03:10,089 I FIND MYSELF CONNECTING... 58 00:03:10,089 --> 00:03:12,758 WITH SOME OF THEM MORE THAN OTHERS. 59 00:03:13,293 --> 00:03:14,894 - IT IS RAINING? - KIND OF. 60 00:03:14,894 --> 00:03:17,029 - HELLO. - HELLO. 61 00:03:17,030 --> 00:03:19,699 WHAT'S UP, BENITEZ? 62 00:03:19,699 --> 00:03:21,834 - WE'RE LEAVING. - WE'RE LEAVING? 63 00:03:21,834 --> 00:03:25,037 - OH, IT'S RAINING. - NO! 64 00:03:25,038 --> 00:03:27,173 IT'S NOT RAINING. 65 00:03:37,850 --> 00:03:41,053 GREENWICH VILLAGE, ONE OF THOSE RARE DISTRICTS... 66 00:03:41,054 --> 00:03:43,723 THAT OCCURS ONCE IN A WHILE IN HUMAN HISTORY. 67 00:03:43,723 --> 00:03:46,926 FEAR, A BASIC THEME OF ALL OF OUR LIVES. 68 00:03:46,926 --> 00:03:50,129 CONSTANTLY AFRAID ALONG THE STREETS OF GREENWICH VILLAGE, 69 00:03:50,663 --> 00:03:52,264 UNDER THREAT OF ASSASSINATION, 70 00:03:52,265 --> 00:03:56,002 AND THE ASSASSINS ARE OUR DREAMS TRIUMPHANT, 71 00:03:56,002 --> 00:04:00,272 THE BY-PRODUCT OF SUCH A PURSUIT-- CREATIVITY AND RADICALIZATION-- 72 00:04:00,273 --> 00:04:04,010 WHICH ARE THE FURTHER THEMES OF GREENWICH VILLAGE LINEAGE. 73 00:04:05,078 --> 00:04:07,747 RIGHT NOW YOU ARE SIX AND A HALF BLOCKS... 74 00:04:07,747 --> 00:04:09,882 FROM WHERE THOMAS PAINE DIES. 75 00:04:09,882 --> 00:04:13,619 PAINE, THE INFIDEL REVOLUTIONARY, 76 00:04:13,620 --> 00:04:16,823 AUTHOR OF THE COMMON SENSE AND THE CRISIS, 77 00:04:16,823 --> 00:04:19,260 TWO OF THE MOST INFLUENTIAL POLITICAL PAMPHLETS... 78 00:04:19,261 --> 00:04:20,461 OF AMERICAN HISTORY, 79 00:04:20,560 --> 00:04:24,297 BOTH WRITTEN DURING THE AMERICAN REVOLUTIONARY WAR. 80 00:04:24,297 --> 00:04:27,201 THOMAS PAINE RETURNS TO GROVE STREET... 81 00:04:27,202 --> 00:04:29,102 TO DIE IN A SOMEWHAT DISGRACE... 82 00:04:29,102 --> 00:04:32,839 SOON AFTER BEING IMPRISONED BY ROBESPIERRE IN PARIS... 83 00:04:32,839 --> 00:04:34,974 DURING THE FRENCH REVOLUTION. 84 00:04:34,974 --> 00:04:39,778 YOU ARE THREE AND A HALF BLOCKS FROM WHERE MARK TWAIN MOVES-- 85 00:04:39,779 --> 00:04:44,049 RIGHT AFTER HIS WIFE PASSES AWAY-- ONTO WEST TENTH STREET. 86 00:04:44,050 --> 00:04:46,719 TWAIN MOVING AT THAT TIME A FEW DOORS DOWN... 87 00:04:46,719 --> 00:04:50,456 FROM O. HENRY. 88 00:04:50,456 --> 00:04:53,060 FOUR AND A HALF BLOCKS FROM WHERE EDGAR ALLAN POE... 89 00:04:53,061 --> 00:04:55,261 HAS A SHORT-TERM RESIDENCE... 90 00:04:55,261 --> 00:04:57,930 DEEP IN THE HEART OF HIS OPIUM ADDICTION. 91 00:04:57,930 --> 00:05:01,667 ALTHOUGH HE HAS MANY RESIDENCES THROUGHOUT THAT DELUSIONAL TIME, 92 00:05:01,668 --> 00:05:07,006 HE WRITES "THE RAVEN" AT 61 CARMINE STREET. 93 00:05:07,006 --> 00:05:09,076 FIVE BLOCKS FROM WHERE... 94 00:05:09,077 --> 00:05:11,277 THE AMERICAN NOVELIST HENRY JAMES IS BORN... 95 00:05:11,277 --> 00:05:13,314 AND FROM WHERE EDITH WHARTON... 96 00:05:13,315 --> 00:05:14,915 SPENDS MUCH OF HER ARISTOCRATIC CHILDHOOD... 97 00:05:15,014 --> 00:05:17,149 ON WASHINGTON SQUARE PARK ITSELF. 98 00:05:17,150 --> 00:05:19,285 AND THIS... 99 00:05:19,285 --> 00:05:21,420 IS SEVENTH AVENUE SOUTH IN FRONT OF YOU, 100 00:05:21,421 --> 00:05:25,691 THE MODERN SEMI-EXPRESSWAY OF GREENWICH VILLAGE. 101 00:05:25,692 --> 00:05:29,429 SIX BLOCKS FROM THE PROVINCETOWN PLAYHOUSE WHERE EUGENE O'NEILL... 102 00:05:29,429 --> 00:05:31,564 BEGINS HIS EARLY PLAYWRITING CAREER. 103 00:05:31,564 --> 00:05:33,534 SIX BLOCKS FROM WHERE HENRY MILLER DECIDES... 104 00:05:33,535 --> 00:05:35,835 HE HATES NEW YORK CITY FOREVER... 105 00:05:35,835 --> 00:05:37,436 AND MOVES TO PARIS. 106 00:05:37,570 --> 00:05:39,339 TWO BLOCKS FROM WHERE WILLA CATHER LIVES. 107 00:05:39,340 --> 00:05:40,640 THREE BLOCKS FROM WHERE E.E CUMMINGS LIVES. 108 00:05:40,640 --> 00:05:42,775 THREE BLOCKS FROM WHERE SHERWOOD ANDERSON LIVES. 109 00:05:42,775 --> 00:05:44,012 FOUR BLOCKS FROM WHERE H.L. MENCKEN LIVES, 110 00:05:44,013 --> 00:05:46,413 FOUR BLOCKS FROM WHERE THEODORE DREISER LIVES. 111 00:05:46,512 --> 00:05:49,181 FIVE BLOCKS FROM WHERE NATHANAEL WEST LIVES. 112 00:05:49,182 --> 00:05:51,486 FIVE BLOCKS FROM WHERE D.H. LAWRENCE... 113 00:05:51,487 --> 00:05:53,887 LIVES LASCIVIOUSLY. 114 00:05:53,986 --> 00:05:56,056 FOUR BLOCKS FROM WHERE JACK REED LIVES, 115 00:05:56,057 --> 00:05:58,257 AUTHOR OF TEN DAYS THAT SHOOK THE WORLD, 116 00:05:58,257 --> 00:06:01,460 THE FIRST AND ONLY AMERICAN TO BE BURIED IN THE KREMLIN WALL. 117 00:06:01,461 --> 00:06:04,130 BEFORE THAT HAPPENS TO THE RADICAL JACK REED, 118 00:06:04,130 --> 00:06:07,333 HE LIVES YOUTHFULLY AT 42 WASHINGTON SQUARE. 119 00:06:07,333 --> 00:06:09,036 HIS NEIGHBOR ACROSS THE HALL, MAX EASTMAN, 120 00:06:09,037 --> 00:06:10,437 EDITOR OF THE MASSES NEWSPAPER, 121 00:06:10,536 --> 00:06:13,205 PUBLISHED TWO BLOCKS AWAY IN A BASEMENT, 122 00:06:13,206 --> 00:06:15,875 THE MAJOR COMMUNIST PUBLICATION OF AMERICAN HISTORY. 123 00:06:15,875 --> 00:06:18,112 TWO BLOCKS FROM WHERE ARTHUR MILLER, THE PLAYWRIGHT, 124 00:06:18,113 --> 00:06:19,513 CONTEMPLATES SUICIDE... 125 00:06:19,612 --> 00:06:21,747 AND FROM WHERE JIM MORRISON DOES THE SAME. 126 00:06:22,281 --> 00:06:25,484 FIVE BLOCKS FROM WHERE THE POET DYLAN THOMAS DIES. 127 00:06:26,018 --> 00:06:29,755 HIS FAMOUS LAST WORDS: "I JUST HAD MY 16th MARTINI". 128 00:06:30,022 --> 00:06:32,092 HE LOSES CONSCIOUSNESS... 129 00:06:32,093 --> 00:06:33,493 IN THE WHITE HORSE TAVERN ON HUDSON STREET... 130 00:06:34,026 --> 00:06:35,627 AND NEVER REGAINS IT. 131 00:06:36,162 --> 00:06:38,166 FIVE BLOCKS FROM WHERE DOROTHY PARKER WRESTLES... 132 00:06:38,167 --> 00:06:40,967 WITH ALCOHOLISM AND THE DEFEATS OF A LIFETIME... 133 00:06:40,967 --> 00:06:43,102 AND FAILS. 134 00:06:49,509 --> 00:06:52,178 NEW YORK CITY IS A LIVING ORGANISM. 135 00:06:52,178 --> 00:06:56,448 IT EVOLVES, IT DEVOLVES. IT FLUCTUATES AS A LIVING ORGANISM. 136 00:06:56,449 --> 00:06:59,118 SO MY RELATIONSHIP WITH NEW YORK CITY... 137 00:06:59,118 --> 00:07:02,956 IS AS VITRIOLIC AS THE RELATIONSHIP WITH MYSELF... 138 00:07:02,957 --> 00:07:04,457 AND WITH ANY OTHER HUMAN BEING, 139 00:07:04,457 --> 00:07:06,592 WHICH MEANS THAT IT CHANGES EVERY MILLISECOND, 140 00:07:06,592 --> 00:07:08,727 THAT IT'S IN CONSTANT FLUCTUATION. 141 00:07:08,728 --> 00:07:11,931 THIS WINTER I REALLY FELT LIKE WE WERE GETTING A DIVORCE. 142 00:07:11,931 --> 00:07:14,600 AND I WAS CERTAINLY THE LOSER OF THAT DIVORCE. 143 00:07:14,600 --> 00:07:17,803 THERE WAS ANGER. I WAS OVERWHELMED. 144 00:07:17,804 --> 00:07:21,007 I WAS REEMERGED INTO MY OWN NAIVETE. 145 00:07:21,007 --> 00:07:23,676 I COULDN'T BELIEVE HOW ANGRY THE CITY WAS WITH ME. 146 00:07:23,676 --> 00:07:27,946 IT SEEMED LIKE A VINDICTIVE WOMAN, TO BE LIKE NO REASON WHATSOEVER, 147 00:07:27,947 --> 00:07:30,616 JUST BY THE PURE RAGE OF ITS OWN EXISTENCE. 148 00:07:30,616 --> 00:07:32,586 BECAUSE THE CONCRETE SETTLED. 149 00:07:32,587 --> 00:07:34,887 BECAUSE THE TERRA-COTTA HAD BEEN METICULOUSLY CARVED. 150 00:07:35,421 --> 00:07:37,556 BECAUSE SOME OF THE BUILDINGS ARE HIGHER THAN OTHERS. 151 00:07:37,557 --> 00:07:38,994 THE ANGER, THE INFERIORITY, 152 00:07:38,995 --> 00:07:41,195 THAT SOME OF THE SHORTER BUILDINGS FEEL, I FELT. 153 00:07:41,294 --> 00:07:44,497 I SUDDENLY WAS NOT WELCOME ON THIS ISLAND ANYMORE. 154 00:07:44,497 --> 00:07:46,767 AND THE CITY AND I HAVE HAD... 155 00:07:46,768 --> 00:07:48,768 A REEMERGENCE OF SOME KIND IN THE SUMMER, 156 00:07:48,768 --> 00:07:51,971 MAYBE BECAUSE I WAS ABLE TO REFUEL MY CRUISE A LITTLE BIT... 157 00:07:51,971 --> 00:07:53,574 BY WORKING LABORIOUSLY... 158 00:07:53,575 --> 00:07:55,075 AND CRAWLING MY WAY BACK ONTO THE ISLAND. 159 00:07:55,174 --> 00:07:57,843 BECAUSE PERHAPS I PAID PROPER RESPECT TO IT. 160 00:07:58,377 --> 00:08:01,580 I DON'T KNOW WHY THE CITY WAS SO ANGRY WITH ME DURING THIS WINTER. 161 00:08:01,581 --> 00:08:05,318 I'M JUST GLAD THAT IT'S NOT QUITE AS ANGRY WITH ME RIGHT NOW. 162 00:08:05,852 --> 00:08:08,521 I DON'T WANT TO SPEAK TOO SOON, FOR GOD'S SAKES. 163 00:08:08,521 --> 00:08:11,190 LIKE I SAID, THE RELATIONSHIP SEEMS TO CHANGE, 164 00:08:11,190 --> 00:08:13,859 AS ANY HUMAN RELATIONSHIP WOULD... 165 00:08:13,860 --> 00:08:15,461 AND WITH ANY LIVING THING. 166 00:08:15,461 --> 00:08:17,865 SOMETIMES I THINK THAT IF THIS IS A LIVING ORGANISM, 167 00:08:17,866 --> 00:08:20,266 IT'S MORE ON THE LINES OF A CYCLOPS. 168 00:08:20,467 --> 00:08:23,367 SOMETIMES I THINK THAT IF IT IS A LIVING ORGANISM, 169 00:08:23,469 --> 00:08:26,039 PERHAPS IT'S MORE ON THE LEVEL OF A SCINTILLATING, 170 00:08:26,040 --> 00:08:27,740 STREAMLINED MERMAID... 171 00:08:28,274 --> 00:08:30,409 WHO SINGS TO ME AT NIGHT. 172 00:08:34,680 --> 00:08:37,883 I GUESS I AM RIGHT NOW. 173 00:08:43,756 --> 00:08:45,891 JOEL. 174 00:08:45,892 --> 00:08:48,027 I WAS JUST TRYING TO CHECK IN. 175 00:08:48,027 --> 00:08:50,696 I DID THE 8:45 PICKUP. 176 00:08:51,230 --> 00:08:53,365 HELLO. GRAY LINE. 177 00:08:53,366 --> 00:08:55,501 YOU CAN STAY OUT THERE ONE MINUTE. 178 00:08:55,501 --> 00:08:58,170 YEAH, I'LL BE RIGHT WITH YOU. 179 00:08:58,170 --> 00:09:01,907 LET ME SEE IF MISS GALL IS HERE. HOLD ON. 180 00:09:01,908 --> 00:09:05,111 THE LOWER LOOP IN THE DOWNTOWN DIRECTION... 181 00:09:05,645 --> 00:09:08,314 NOW BOARDING THE BUS OUTSIDE TO THE RIGHT. 182 00:09:12,585 --> 00:09:15,788 WE NEED A TOUR GUIDE FOR A SECOND SECTION DOWNTOWN. 183 00:09:17,390 --> 00:09:20,593 HANG ON. WAIT FOR THE SECOND SECTION. 184 00:09:23,796 --> 00:09:26,465 I THINK OF EVERY DOUBLE-DECKER LOOP... 185 00:09:26,465 --> 00:09:30,202 AS ANOTHER LOOP TOWARDS MY DEATH. 186 00:09:30,202 --> 00:09:33,939 THAT IS WHY I'VE ALWAYS THOUGHT OF THE DOUBLE-DECKER LOOP-- 187 00:09:33,940 --> 00:09:38,744 EACH LOOP AS A CONTINUOUS AND INDIVIDUALIZED, UM, 188 00:09:40,346 --> 00:09:42,481 SEARCH FOR PERFECTION. 189 00:09:48,888 --> 00:09:52,091 H.G. WELLS ONCE WROTE... 190 00:09:52,091 --> 00:09:55,828 THAT TO TELL THE HISTORY OF NEW YORK CITY... 191 00:09:55,828 --> 00:09:59,031 IS TO TELL THE STORY OF THE WORLD. 192 00:09:59,565 --> 00:10:02,234 FASTEN YOUR SEAT BELTS. 193 00:10:03,836 --> 00:10:08,106 TWO HUNDRED THOUSAND PEOPLE WORK... 194 00:10:08,107 --> 00:10:12,377 INSIDE THE WORLD TRADE CENTER BUILDINGS... 195 00:10:12,378 --> 00:10:15,047 DAILY. 196 00:10:15,581 --> 00:10:20,385 THE WORLD TRADE CENTER BUILDINGS HAVE THEIR OWN ZIP CODE. 197 00:10:24,123 --> 00:10:26,792 THE WORLD TRADE CENTER TOWERS THEMSELVES, 198 00:10:26,792 --> 00:10:31,596 BUILT TO SWAY IN HEAVY WINDS A FOOT AND A HALF IN ANY DIRECTION. 199 00:10:31,597 --> 00:10:33,732 SOMETHING TO CONSIDER. 200 00:10:35,868 --> 00:10:38,537 SO WHAT'S UP, TIM? HOW'S THE GRAY LINE? 201 00:10:38,537 --> 00:10:40,672 - GRAY LINE IS LIKE-- - APPLE'S BETTER, RIGHT? 202 00:10:41,207 --> 00:10:44,410 YEAH, DAMN RIGHT. APPLE WAS LIKE A LIVING CARNIVAL. 203 00:10:44,410 --> 00:10:47,079 WE WERE COSSACKS, AND WE TOOK WHAT WE WANTED. 204 00:10:47,079 --> 00:10:50,282 WE THREW PEOPLE OVERBOARD, OFF THE BUS, IF WE DIDN'T LIKE THEM. 205 00:10:50,282 --> 00:10:52,417 IT WAS OUR TERRITORY. 206 00:10:52,418 --> 00:10:55,621 THE CITY BELONGED TO US AT APPLE. -APPLE IS BETTER. 207 00:10:56,155 --> 00:10:57,756 - ABSOLUTELY. - NUMBER ONE. 208 00:10:57,757 --> 00:11:00,426 I HAD MORE OF AN ERECTION WHEN I WORKED AT APPLE. 209 00:11:00,960 --> 00:11:03,095 I JUST FELT LIKE SO MUCH MORE OF A MAN. 210 00:11:03,095 --> 00:11:05,230 YOU KNOW APPLE IS BETTER, RIGHT? -YEAH! 211 00:11:05,765 --> 00:11:07,900 I WANTED TO HEAR YOU SAY YES. 212 00:11:07,900 --> 00:11:09,569 THAT'S WHAT I WANTED TO HEAR. I WANT TO HEAR YOU SAY YES. 213 00:11:09,570 --> 00:11:10,470 FOR GOD'S SAKES. 214 00:11:10,569 --> 00:11:12,704 - NUMBER ONE. - I'M GONNA PROBABLY GET FIRED. 215 00:11:12,705 --> 00:11:14,608 I'LL PROBABLY BE HUNG FROM A FLAGPOLE SOMEWHERE, 216 00:11:14,609 --> 00:11:15,809 BUT APPLE IS BETTER. 217 00:11:15,908 --> 00:11:18,043 APPLE IS BETTER! 218 00:11:19,645 --> 00:11:23,382 I THINK THAT THE GREAT TOUR GUIDES OF APPLE TOURS, 219 00:11:23,382 --> 00:11:25,283 IN THAT SENSE, WOULD HAVE BEEN SPARTACUS. 220 00:11:25,518 --> 00:11:28,187 SPARTACUS WAS ONE OF THE GREAT TOUR GUIDES OF THE ANCIENT WORLD. 221 00:11:28,187 --> 00:11:31,390 HE WOULD HAVE FIT IN AT APPLE TOURS. 222 00:11:31,390 --> 00:11:32,593 BRUTUS AND HIS CONSPIRATORS... 223 00:11:32,594 --> 00:11:34,494 RIGHT BEFORE THE ASSASSINATION OF CAESAR, 224 00:11:34,593 --> 00:11:36,728 THEY WERE APPLE TOUR GUIDES. 225 00:11:36,729 --> 00:11:39,932 BUT LIKE WILLY WONKA IS A GRAY LINE TOUR GUIDE. 226 00:11:39,932 --> 00:11:42,736 ALSO ONE OF MY GREAT INSPIRATIONS ON THE TOUR ROUTE, 227 00:11:42,737 --> 00:11:44,737 BUT THAT'S THE DIFFERENCE THERE. 228 00:11:46,872 --> 00:11:49,007 ATTILA THE HUN... 229 00:11:49,008 --> 00:11:52,211 WOULD HAVE BEEN A GOOD APPLE DISPATCHER. 230 00:11:55,948 --> 00:11:59,151 WHEREAS VIRGIL IN THE INFERNO, 231 00:11:59,151 --> 00:12:02,354 I THINK WOULD HAVE WORKED FOR GRAY LINE. 232 00:12:02,655 --> 00:12:05,557 HOW MANY YEAR NOW? -LIKE FOUR YEARS I'VE BEEN DOING THE TOUR. 233 00:12:05,558 --> 00:12:07,693 NO, FIVE. DON'T SAY FOUR, PLEASE. -FIVE YEARS. 234 00:12:07,693 --> 00:12:10,896 YEAH! BY THE TIME YOU WORKED AT GRAY LINE, 235 00:12:10,896 --> 00:12:13,565 YOU GOT THAT TROLLEY BUS AND YOU GO TO CENTRAL PARK. 236 00:12:13,566 --> 00:12:15,701 - I REMEMBER THE DAMN TROLLEY. - I WORKED ON THE DOUBLE-DECKER. 237 00:12:15,701 --> 00:12:19,438 I REMEMBER THAT. -LATER ON YOU COME WORK AT APPLE. 238 00:12:19,438 --> 00:12:22,107 THAT'S RIGHT. IT'S BEEN FIVE YEARS OF THIS, GOING IN CIRCLES. 239 00:12:22,108 --> 00:12:25,845 YOU'VE BEEN STANDING ON THIS SIDEWALK FOR FIVE YEARS. 240 00:12:25,845 --> 00:12:27,980 THAT'S INCREDIBLE. 241 00:12:37,590 --> 00:12:41,860 OH, LOOK, STRAIGHT UP. THAT'S A GREAT VIEW. 242 00:12:41,861 --> 00:12:45,598 THE WHITE TERRA-COTTA STRAIGHT AHEAD. 243 00:12:45,598 --> 00:12:48,535 THAT'S THE ONE BUILDING THAT LOUIS SULLIVAN DESIGNED... 244 00:12:48,536 --> 00:12:49,736 FOR NEW YORK CITY. 245 00:12:49,869 --> 00:12:52,538 HMM. LOOK AT THE METICULOUSNESS. 246 00:12:53,072 --> 00:12:55,741 THAT STRONG VERTICAL LAUNCH IN THE FACADE... 247 00:12:55,741 --> 00:12:59,478 IS TYPICAL OF THE SULLIVAN MILIEU. 248 00:12:59,478 --> 00:13:02,147 YOU KNOW, TERRA-COTTA... 249 00:13:02,148 --> 00:13:04,385 BECOMES ONE OF THE MAJOR MATERIALS... 250 00:13:04,386 --> 00:13:05,786 OF NEW YORK CITY ARCHITECTURE. 251 00:13:05,885 --> 00:13:08,420 IT'S LIKE A SAND-BAKED BRICK. 252 00:13:08,554 --> 00:13:10,689 IT'S NOT QUITE GRANITE, AND IT'S NOT QUITE BRICK. 253 00:13:11,223 --> 00:13:12,824 IT WALKS THE MAINSTREAM MIDDLE. 254 00:13:12,825 --> 00:13:14,960 IT WAS EXCELLENT FOR NEW YORK ARCHITECTURE... 255 00:13:14,960 --> 00:13:17,629 BECAUSE IT COULD HANG OFF THE SKELETONS OF THE BUILDINGS. 256 00:13:17,630 --> 00:13:19,765 IT'S MUCH LIGHTER THAN STONE. 257 00:13:19,765 --> 00:13:22,002 THE DIFFERENCE, THOUGH, BETWEEN STONE AND TERRA-COTTA... 258 00:13:22,003 --> 00:13:23,403 THAT STRIKES ME THE MOST... 259 00:13:23,502 --> 00:13:27,772 IS THAT TERRA-COTTA REFLECTS THE SUNLIGHT, AND STONE ABSORBS IT. 260 00:13:27,773 --> 00:13:30,442 YOU CAN SEE THE BOUNCY LIGHT ALONG THIS BUILDING. 261 00:13:33,112 --> 00:13:36,315 WHEN I SEE TERRA-COTTA LIKE THIS, IT JUST MAKES ME FEEL... 262 00:13:36,315 --> 00:13:38,553 LIKE I'M SENSELESSLY RUNNING... 263 00:13:38,554 --> 00:13:41,654 THROUGH A MEADOW OR HIGH GRASSLAND AREA NUDE, 264 00:13:41,654 --> 00:13:44,857 CHASING A WOMAN I'VE NEVER MET BEFORE WHO'S ENTIRELY NUDE. 265 00:13:44,857 --> 00:13:47,526 IT'S JUST THE MOST RAW AND PRIMORDIAL CHASE. 266 00:13:47,526 --> 00:13:51,263 TWO NUDE HUMAN BEINGS RUNNING THROUGH GRASSLAND MARSH AREA. 267 00:13:51,263 --> 00:13:53,033 AS YOU MOVE UP THE BUILDING, 268 00:13:53,034 --> 00:13:55,534 CAN'T YOU FEEL THE UNDULATIONS OF HER CURVATURE? 269 00:13:55,534 --> 00:13:57,135 THE-- 270 00:13:57,136 --> 00:14:00,339 OHH! YES! 271 00:14:00,339 --> 00:14:02,474 YES! 272 00:14:02,474 --> 00:14:04,011 TH-THAT SLIGHT GROAN... 273 00:14:04,012 --> 00:14:06,212 THAT SOME PEOPLE HAVE IN THE ACT OF INTERCOURSE. 274 00:14:06,212 --> 00:14:08,347 THE, LIKE, "UHH!" 275 00:14:08,347 --> 00:14:11,016 LIKE THE SOMEWHAT DYING GRUNT OF A BEAUTIFUL WOMAN GRUNTING... 276 00:14:11,016 --> 00:14:13,685 IN THE STORMS OF HER OWN MALAISE. 277 00:14:13,686 --> 00:14:15,989 YOU CAN FEEL IT IN THE METICULATIONS OF THE CORNICE LINES 278 00:14:15,990 --> 00:14:16,790 OF THE TERRA-COTTA. 279 00:14:16,889 --> 00:14:19,558 THAT'S WHY THE TERRA-COTTA IS IMPORTANT TO ME. 280 00:14:19,558 --> 00:14:22,227 IT'S THE "UHH," THE "UHH" MOMENTS OF LIFE. 281 00:14:22,228 --> 00:14:25,965 UHH! UHH! 282 00:14:27,032 --> 00:14:29,701 YES! YES! 283 00:14:31,303 --> 00:14:33,438 OH, GOD, PLEASE! 284 00:14:33,439 --> 00:14:36,108 THE BEGGING PARTS OF LIFE ON THE LEFT SIDE. 285 00:14:36,108 --> 00:14:39,845 YOU SEE THOSE LION-ESQUE CHARACTERS WAY UP THERE? 286 00:14:39,845 --> 00:14:44,115 PLEASE DON'T STOP. PLEASE DON'T STOP. 287 00:15:08,140 --> 00:15:11,343 HELLO. CAN YOU HEAR ME IN THE BACK? 288 00:15:18,284 --> 00:15:22,021 TWENTY-SEVEN THOUSAND TREES ARE PLANTED, 289 00:15:22,021 --> 00:15:25,758 TEN AND A HALF MILLION CARTLOADS OF TOPSOIL IMPORTED... 290 00:15:25,758 --> 00:15:30,028 AND A HUNDRED AND FORTY MILES OF DRAINAGE PIPES LAID, 291 00:15:30,029 --> 00:15:32,164 AND THESE ARE THE BASIC INGREDIENTS... 292 00:15:32,698 --> 00:15:34,833 OF THE SUPPOSEDLY NATURAL CREATION... 293 00:15:35,367 --> 00:15:37,502 CALLED CENTRAL PARK. 294 00:15:37,503 --> 00:15:41,240 THERE IS NOTHING NATURAL ABOUT CENTRAL PARK. 295 00:15:41,240 --> 00:15:43,375 WELCOME. 296 00:15:43,375 --> 00:15:44,976 FREDERICK LAW OLMSTED, 297 00:15:45,511 --> 00:15:48,714 THE ESSENTIAL LANDSCAPE ARCHITECT OF THIS ORIGINAL CENTRAL PARK, 298 00:15:48,714 --> 00:15:52,984 SEES A GROUP OF BOYS PLAYING A PRIMORDIAL FORM OF BASEBALL... 299 00:15:52,985 --> 00:15:55,654 ON THE LOWER PLAY LAWNS IN THE 1850s, 300 00:15:55,654 --> 00:15:59,391 AND AT THAT MOMENT OUTLAWS BASEBALL FROM CENTRAL PARK. 301 00:15:59,391 --> 00:16:03,661 THE MEN WHO BUILD AND DESIGN THIS PARK ARE TRANSCENDENTALISTS. 302 00:16:03,662 --> 00:16:07,932 TO THEM, CENTRAL PARK IS A PLACE TO BECOME ONE WITH NATURE, 303 00:16:07,933 --> 00:16:10,602 TO FOCUS ON TREES, TO SCINTILLATE WITH GRASS, 304 00:16:11,136 --> 00:16:13,805 TO STARE INTO ONE ANOTHER'S EYES. 305 00:16:13,806 --> 00:16:17,543 NO SWEATING ALLOWED IN THE ORIGINAL CENTRAL PARK. 306 00:16:17,543 --> 00:16:19,678 NO PERSPIRATION OF ANY KIND. 307 00:16:19,678 --> 00:16:22,881 ANYONE YOU SEE CONGREGATING FOR THE BASEBALL GAME ON THE LEFT, 308 00:16:22,881 --> 00:16:25,550 BICYCLING, ROLLER-BLADING, JOGGING, 309 00:16:25,551 --> 00:16:29,288 THEY ARE NOT HISTORICALLY ACCURATE. 310 00:16:29,288 --> 00:16:31,423 ANYONE YOU SEE LOUNGING IN THE SUN, 311 00:16:31,423 --> 00:16:35,160 HAVING A PICNIC OR KISSING, 312 00:16:35,160 --> 00:16:38,363 THEY ARE HISTORICALLY ACCURATE. 313 00:16:38,364 --> 00:16:41,033 ACK! "MUCHO" GRACIAS. 314 00:16:41,033 --> 00:16:43,168 - MUCHAS GRACIAS. - NICE TO MEET YOU. 315 00:16:43,702 --> 00:16:47,439 - MUCHAS GRACIAS. - SAY HOLA TO BUENOS AIRES FOR ME. 316 00:16:47,439 --> 00:16:49,574 ¿COMO? 317 00:16:49,575 --> 00:16:53,312 SAY HELLO TO BUENOS AIRES FOR ME. 318 00:16:53,312 --> 00:16:55,447 - SAY HELLO? - MM-HMM. 319 00:16:55,447 --> 00:16:58,116 HELLO, YEAH. WHEN YOU GET TO BUENOS AIRES. 320 00:16:58,117 --> 00:17:00,252 - AH, YES. - YES. SI. 321 00:17:00,252 --> 00:17:03,455 THANK YOU. 322 00:17:06,125 --> 00:17:08,260 - CIAO. - BEAUTIFUL. 323 00:17:08,260 --> 00:17:10,929 BEAUTIFUL. WE'RE BEAUTIFUL. THE PARK IS BEAUTIFUL. 324 00:17:10,929 --> 00:17:13,598 - YES. THANK YOU. GOOD LUCK. - NICE TO MEET YOU. CIAO. 325 00:17:13,599 --> 00:17:15,734 - CIAO. - ADIOS. 326 00:17:17,870 --> 00:17:20,005 STYLE. 327 00:17:22,674 --> 00:17:26,944 I TALKED TO YOU ABOUT BIDS. WERE YOU INTERESTED IN TAKING ONE? 328 00:17:27,479 --> 00:17:29,614 OH, UM, I LOOKED AT WHAT'S LEFT. 329 00:17:30,149 --> 00:17:33,352 THE ONES I WAS INTERESTED IN WERE TAKEN. -JUST WANTED TO CHECK. 330 00:17:33,352 --> 00:17:36,422 THE ONLY ONE I WOULD'VE BEEN INTERESTED IN THAT WASN'T TAKEN... 331 00:17:36,423 --> 00:17:37,623 WAS THAT 34. 332 00:17:37,623 --> 00:17:41,893 BUT THAT'S GOT SUCH AN EARLY HOTEL PICKUP, AND I-- YOU KNOW. 333 00:17:41,894 --> 00:17:42,663 SO YOU'RE NOT INTERESTED. 334 00:17:42,664 --> 00:17:44,464 - I JUST WANTED TO MAKE SURE. - PICK A BID... 335 00:17:44,563 --> 00:17:48,833 SO YOU'LL KNOW YOU'LL HAVE STEADY WORK. -TAKE THE DAMN BID, LEVITCH! 336 00:17:48,834 --> 00:17:53,104 YEAH, BUT I WAS TALKING TO TANYA. THERE'S NO WAY TO REWRITE THE BIDS? 337 00:17:53,105 --> 00:17:55,774 NO REWRITING. -LIKE-- THEY'RE, LIKE, WITH SOLIDITY. 338 00:17:56,842 --> 00:17:58,977 - YEAH, RIGHT. - TAKE THE BID, TIM. 339 00:17:58,977 --> 00:18:00,080 THAT'S MY PROBLEM. 340 00:18:00,081 --> 00:18:02,181 YOU DON'T CARE WHEN YOU'RE UP AT 7:30 IN THE MORNING. 341 00:18:02,181 --> 00:18:04,084 YOU DON'T KNOW ANYTHING ANYWAY AT 7:00 IN THE MORNING. 342 00:18:04,085 --> 00:18:05,285 NEITHER DO I. 343 00:18:05,384 --> 00:18:10,188 I'M DOIN' IT. YOU GET 20 HOURS A WEEK. DON'T WORRY ABOUT IT. 344 00:18:10,189 --> 00:18:12,858 YEAH, YOU GET 20 HOURS A WEEK, AND THAT'S ONE THING. 345 00:18:12,858 --> 00:18:13,927 THAT'S ALL YOU WANT. 346 00:18:13,928 --> 00:18:15,428 IT'S BEIN' DECIDED NOW. 347 00:18:15,527 --> 00:18:18,196 THAT'S ALL YOU WANT ANYWAY, TIM. -DON'T BE LATE. 348 00:18:18,197 --> 00:18:20,332 RIGHT. -IT MAY BE TOO LATE IN A FEW MINUTES. 349 00:18:20,866 --> 00:18:22,467 - REALLY? - REALLY. 350 00:18:22,468 --> 00:18:25,671 THIS IS LIKE MY LAST FEW MINUTES TO REALLY DECIDE. 351 00:18:25,671 --> 00:18:27,806 I APPRECIATE IT. 352 00:18:27,806 --> 00:18:29,009 I'LL TAKE THESE NEXT FEW MINUTES... 353 00:18:29,010 --> 00:18:31,010 AND DEEPLY CONTEMPLATE AND MAKE SURE. 354 00:18:47,025 --> 00:18:51,295 IF I HAVE AN ESSENTIAL GOAL ON THE CRUISE RIGHT NOW, 355 00:18:51,296 --> 00:18:53,965 I THINK THAT THE SIMPLEST GOAL... 356 00:18:53,966 --> 00:18:56,635 IS PERHAPS TO-- 357 00:19:02,508 --> 00:19:05,711 TO BE ABLE TO EXHIBIT... 358 00:19:05,711 --> 00:19:09,448 THAT I AM THRILLED TO BE ALIVE... 359 00:19:09,448 --> 00:19:12,117 AND TO BE STILL RESPECTED. 360 00:19:14,786 --> 00:19:17,989 THE MORE SOULFUL OF US-- 361 00:19:17,990 --> 00:19:21,193 I SUPPOSE THE BUDDHIST OR WHATEVER LABEL YOU WANT TO PUT... 362 00:19:21,193 --> 00:19:24,396 ON THOSE EXPERIENCING FURTHER INDIVIDUALITY... 363 00:19:24,396 --> 00:19:27,599 MIGHT SAY, "LOOK, WHY SHOULD YOU CARE ABOUT RESPECT FROM OTHERS? 364 00:19:27,599 --> 00:19:30,802 "JUST THE THRILL OF BEING ALIVE IS YOUR OWN BUSINESS. 365 00:19:30,802 --> 00:19:33,471 YOU CAN DO THAT ALONE IN YOUR LIVING ROOM". 366 00:19:33,472 --> 00:19:36,675 BUT THAT'S NOT WHAT THE CRUISE IS FOR ME. 367 00:19:36,675 --> 00:19:39,878 THE CRUISE IS ABOUT THE SEARCHINGS... 368 00:19:39,878 --> 00:19:42,547 FOR EVERYTHING WORTHWHILE IN EXISTENCE. 369 00:19:42,548 --> 00:19:45,217 IT IS ABOUT WALKING INTO THE BAR AND LUSTING AFTER... 370 00:19:45,217 --> 00:19:47,886 ALL THE WORTHWHILE POSSIBILITIES OF THE WORLD. 371 00:19:47,886 --> 00:19:50,021 IT IS ABOUT FLESH. 372 00:19:50,022 --> 00:19:52,157 IT IS ABOUT WAVES UNDULATING. 373 00:19:53,759 --> 00:19:56,962 AND IT IS ABOUT EXHIBITIONISM. 374 00:19:56,962 --> 00:19:58,532 YOU KNOW, I WANT TO LOOK AT THE FLOWER... 375 00:19:58,533 --> 00:20:01,233 AND APPRECIATE THE BEAUTY OF A FLOWER. 376 00:20:01,233 --> 00:20:03,368 SOMEBODY ELSE MIGHT SAY, 377 00:20:03,368 --> 00:20:05,805 "YOU CAN LOOK AT THE FLOWER AND BECOME THE FLOWER. 378 00:20:05,806 --> 00:20:07,006 ISN'T THAT EVEN BETTER?" 379 00:20:07,105 --> 00:20:10,308 BUT THEN I FURTHER WOULD LOVE IT ON THE CRUISE... 380 00:20:10,842 --> 00:20:11,811 IF I CAN LOOK AT THE FLOWER, 381 00:20:11,812 --> 00:20:13,512 APPRECIATE THE BEAUTY OF THE FLOWER... 382 00:20:13,512 --> 00:20:16,715 AND THEN HAVE THE FLOWER APPRECIATE THE BEAUTY OF ME. 383 00:20:20,452 --> 00:20:23,121 THAT'S HOW I FEEL ABOUT CRUISING RIGHT NOW. 384 00:20:23,121 --> 00:20:26,324 YES, BECOMING THE FLOWER WOULD BE A LOT OF FUN. I CAN DO THAT TOO. 385 00:20:26,858 --> 00:20:29,828 I CAN DO THAT ON WEDNESDAY. I'M FREE THURSDAY AFTERNOON. 386 00:20:29,829 --> 00:20:31,129 I CAN TRY TO BECOME THE FLOWER. 387 00:20:31,129 --> 00:20:33,264 BUT COME THE WEEKEND, GODDAMN IT, 388 00:20:33,265 --> 00:20:35,934 I WILL APPRECIATE THE BEAUTY OF THE FLOWER, 389 00:20:35,934 --> 00:20:38,603 AND THEN LIKEWISE, I WILL STAND EXHIBITIONISTIC, 390 00:20:38,604 --> 00:20:41,807 HAVING THE FLOWER APPRECIATE THE BEAUTY OF ME. 391 00:20:43,408 --> 00:20:46,611 I THINK HAVING AN INTIMATE "LOVE AFFAIR"... 392 00:20:46,612 --> 00:20:48,213 WITH A FLOWER... 393 00:20:48,747 --> 00:20:51,416 IS FAR MORE PSYCHOTIC AND RIVETING... 394 00:20:51,416 --> 00:20:54,085 THAN HAVING "A LOVE AFFAIR"... 395 00:20:54,086 --> 00:20:57,289 WITH SOME OF THE BANAL CREATURES OF THE HUMAN RACE. 396 00:20:59,424 --> 00:21:02,093 ALTHOUGH I'D BE INTO THAT TOO. 397 00:21:49,608 --> 00:21:52,277 WELCOME. 398 00:21:52,277 --> 00:21:56,547 THIS IS MY FRIEND RUSSIO'S ROOM, AND I'M CRASHING HERE RIGHT NOW. 399 00:22:30,716 --> 00:22:32,851 CIVILIZATION... 400 00:22:32,851 --> 00:22:35,520 IS THE AMPUTATION... 401 00:22:35,520 --> 00:22:39,257 OF EVERYTHING THAT EVER HAPPENED TO US, 402 00:22:40,325 --> 00:22:42,460 AN EXPERIMENT CREATED... 403 00:22:42,461 --> 00:22:44,596 BY ALIENS... 404 00:22:44,596 --> 00:22:47,265 UNABLE TO HAVE SEX. 405 00:22:48,867 --> 00:22:52,604 CIVILIZATION IS THE MOLESTATION... 406 00:22:52,604 --> 00:22:55,807 OF EVERYTHING WE EVER COULD BE, 407 00:22:55,807 --> 00:23:00,077 A GIANT REPRESSION MELTING INTO SUPPRESSION, 408 00:23:00,078 --> 00:23:03,815 SO THAT YOU NEVER SAY WHAT YOU MEAN. 409 00:23:06,485 --> 00:23:08,620 CIVILIZATION... 410 00:23:08,620 --> 00:23:11,823 IS BREATHING DOWN OUR NECKS, 411 00:23:11,823 --> 00:23:14,492 SPLITTING US APART. 412 00:23:14,493 --> 00:23:16,628 WE ARE WRECKAGE... 413 00:23:16,628 --> 00:23:18,763 WITH BEATING HEARTS. 414 00:23:19,831 --> 00:23:23,568 CIVILIZATION IS A CAN OF HAIR SPRAY... 415 00:23:23,568 --> 00:23:26,771 SPRAYING FOR THE SEASONLESS VEIN... 416 00:23:26,772 --> 00:23:30,509 INTO A HAIR NET MADE UP OF CURLS, 417 00:23:30,509 --> 00:23:33,712 ONLY EVER MEANT TO BE WAVES. 418 00:23:35,847 --> 00:23:38,516 CIVILIZATION-- GENOCIDE BELIEFS, 419 00:23:39,050 --> 00:23:42,253 MORALISTIC, SEE-THROUGH LACE BLOUSES, 420 00:23:42,788 --> 00:23:44,389 MISSILES BALLISTIC, 421 00:23:44,389 --> 00:23:48,659 LACKADAISICAL, MELANCHOLIC RED LIPSTICK. 422 00:23:48,660 --> 00:23:52,397 WHEN ONE FEELS NAUSEOUS BUT DOESN'T FEEL SICK. 423 00:23:53,999 --> 00:23:56,134 CIVILIZATION KNEW WHO YOU WERE... 424 00:23:56,134 --> 00:23:59,337 BEFORE YOU WERE EVER BORN, 425 00:23:59,337 --> 00:24:03,074 FORGAVE YOU WHEN YOU THOUGHT YOU NEEDED FORGIVING. 426 00:24:04,676 --> 00:24:06,811 AND YOU NEVER ONCE... 427 00:24:06,812 --> 00:24:08,413 SURPRISED... 428 00:24:08,413 --> 00:24:10,548 THIS CIVILIZATION. 429 00:24:10,549 --> 00:24:13,752 AND YOU NEVER ONCE FELT... 430 00:24:13,752 --> 00:24:16,421 THAT SENSATION. 431 00:24:19,090 --> 00:24:21,093 ANY PASSENGERS GOING TO THE 432 00:24:21,094 --> 00:24:22,294 CIRCLE LINE BOAT... 433 00:24:22,294 --> 00:24:24,429 ARE TO CHECK IN AT THE FRONT DESK. 434 00:24:24,429 --> 00:24:26,030 LET THEM KNOW YOU'RE HERE. 435 00:24:26,031 --> 00:24:27,768 ANYBODY GOING TO THE CIRCLE LINE BOAT 436 00:24:27,769 --> 00:24:29,669 FOR NEW YORK WATERWAYS CRUISE, 437 00:24:29,768 --> 00:24:31,238 PLEASE CHECK IN TO THE FRONT DESK, 438 00:24:31,239 --> 00:24:34,039 LET THEM KNOW YOU'RE WAITING FOR THAT BUS. 439 00:24:34,039 --> 00:24:36,174 OKAY, TIMMY, READY TO ROLL? 440 00:24:36,174 --> 00:24:39,377 READY TO ROLL. LET'S DO IT RIGHT. LET'S FUCKING TOUR. 441 00:24:39,377 --> 00:24:41,512 I WANNA GO HOME. 442 00:24:43,648 --> 00:24:45,852 FOURTEEN HUNDRED AND SEVENTY-SIX FEET... 443 00:24:45,853 --> 00:24:48,453 OF ORGANIZED GRANITE AND LIMESTONE. 444 00:24:48,453 --> 00:24:51,656 SIXTY-FOUR HUNDRED WINDOWS. 445 00:24:51,656 --> 00:24:56,460 TWENTY-SEVEN THOUSAND RENTABLE INTERIOR METERS OF SPACE. 446 00:24:56,461 --> 00:25:00,731 SEVEN MILES OF ELEVATOR SHAFTS. 447 00:25:00,732 --> 00:25:03,935 A SLICE OF THE STATE OF INDIANA... 448 00:25:03,935 --> 00:25:07,672 VAULTED ONTO THE CORNER OF 34th STREET AND FIFTH AVENUE. 449 00:25:07,672 --> 00:25:10,875 KING KONG CLIMBED IT. 450 00:25:12,477 --> 00:25:16,747 THE EMPIRE STATE BUILDING WILL BE IN FRONT OF US... 451 00:25:16,748 --> 00:25:20,485 WHEN O'SHAYNE MAKES THE MASCULINE TURN. 452 00:25:22,621 --> 00:25:27,425 IF ARCHITECTURE IS THE HISTORY OF ALL PHALLIC EMOTION, 453 00:25:27,425 --> 00:25:30,094 THE EMPIRE STATE BUILDING... 454 00:25:30,629 --> 00:25:32,764 IS UTTER CATHARSIS, 455 00:25:32,764 --> 00:25:35,967 AND WE ARE SITTING IN ITS SILHOUETTE. 456 00:25:38,103 --> 00:25:40,772 THE BEAUTIFUL PYRAMID ATOP THE CHRYSLER BUILDING, 457 00:25:40,772 --> 00:25:43,975 MEANT TO BE A REPLICA OF THE FRONT GRILLE... 458 00:25:43,975 --> 00:25:46,644 ON A 1928 CHRYSLER CAR. 459 00:25:46,645 --> 00:25:51,449 LEWIS MUMFORD, THE MAJOR ARCHITECTURAL CRITIC OF THAT ERA, 460 00:25:51,449 --> 00:25:53,584 CALLED THE CHRYSLER BUILDING... 461 00:25:53,585 --> 00:25:56,254 QUOTE, "UNINSPIRED VOLUPTUOUSNESS". 462 00:25:56,254 --> 00:25:58,389 END QUOTE. 463 00:25:58,390 --> 00:26:01,593 UNINSPIRED VOLUPTUOUSNESS... 464 00:26:01,593 --> 00:26:04,796 IN THE SUNLIGHT. 465 00:26:04,796 --> 00:26:07,999 SUNLIGHT-- POWERFUL. 466 00:26:07,999 --> 00:26:12,269 THE SUN, ANOTHER GREAT NEW YORK CITY LANDMARK, 467 00:26:12,270 --> 00:26:16,007 ABOVE YOU ON THE LEFT. 468 00:26:18,143 --> 00:26:20,812 THE ARCH IN THE PARK WILL BE ON THE LEFT SIDE OF THE BUS... 469 00:26:20,812 --> 00:26:23,481 WHEN O'SHAYNE SWINGS US ONTO 14th STREET. 470 00:26:24,015 --> 00:26:27,218 AND 14th STREET IS THE WIDEST STREET OF MANHATTAN ISLAND. 471 00:26:27,218 --> 00:26:28,821 THIS IS WHERE THE ISLAND IS... 472 00:26:28,822 --> 00:26:30,422 LITERALLY TWO AND A HALF MILES WIDE. 473 00:26:30,956 --> 00:26:34,159 AND THAT IS IT, LADIES AND GENTLEMEN. THAT IS ALL. 474 00:26:34,693 --> 00:26:38,963 TWO AND HALF MILES IS AS WIDE AS THIS CACOPHONY GETS. 475 00:26:38,964 --> 00:26:43,234 THIRTEEN AND A HALF MILES LONG. 2.4 MILLION PEOPLE. 476 00:26:44,836 --> 00:26:48,573 BE 1.7 MILLION PEOPLE, I HEARD RECENTLY, BUT I DON'T CARE. 477 00:26:50,709 --> 00:26:52,310 THE FULTON FISH MARKET... 478 00:26:52,844 --> 00:26:56,047 WILL BE MORE OF AN ODOR THAN A LANDMARK AT THIS TIME OF DAY, 479 00:26:56,047 --> 00:26:59,250 BUT IT REALLY SWINGS OUT AT 4:00 IN THE MORNING. 480 00:26:59,250 --> 00:27:01,919 ANOTHER TIMOTHY SPEED LEVITCH RECOMMENDATION, 481 00:27:01,920 --> 00:27:05,123 IF YOU CAN'T SLEEP AND YOU LIKE FISH. 482 00:27:07,792 --> 00:27:10,995 I HOPE YOU CAN FEEL THE OMNISCIENCE OF THIS MOMENT, 483 00:27:10,996 --> 00:27:13,666 AS WE HAVE BEEN BLOCKING THIS TRAFFIC... 484 00:27:13,667 --> 00:27:15,167 AS FAR AS YOU CAN SEE ON THE LEFT. 485 00:27:15,266 --> 00:27:19,003 SENSE THE GRANDEUR OF YOUR POWER... 486 00:27:19,004 --> 00:27:23,274 AS WE DISRUPT ONE LIFE AFTER ANOTHER. 487 00:27:23,274 --> 00:27:27,011 LADIES AND GENTLEMEN, MY NAME IS TIMOTHY. FONTANEZ IS DOWNSTAIRS. 488 00:27:27,012 --> 00:27:30,215 IF YOU NEED ADVICE OR DIRECTIONS ON NEW YORK CITY, 489 00:27:30,215 --> 00:27:33,418 ON STYLE, ON HOW TO APPEAR AS A DEBONAIR INDIVIDUAL... 490 00:27:33,418 --> 00:27:36,621 DESPITE INTERIOR FEELINGS OF DESPAIR, 491 00:27:36,621 --> 00:27:38,756 LET US KNOW. 492 00:27:38,757 --> 00:27:40,861 PLEASE REMEMBER THAT TOURISM IS A SERVICE TRADE, 493 00:27:40,862 --> 00:27:43,462 AND TIPS ARE ALWAYS APPRECIATED. 494 00:27:43,561 --> 00:27:46,230 WE MEAN THAT. WE WILL REMEMBER YOU. 495 00:27:49,434 --> 00:27:52,637 THIS IS OUR CENTRAL PARK SOUTH STOP. 496 00:27:56,908 --> 00:27:59,043 OH, IT'S BIG MONEY, FONTANEZ. 497 00:27:59,044 --> 00:27:59,879 YOU'RE GONNA GO OUT LATER, 498 00:27:59,880 --> 00:28:01,080 TAKE YOUR CHILDREN OUT... -AND GET DRUNK. 499 00:28:01,179 --> 00:28:03,848 ...FOR SOME ICE CREAM CONES. -AND GET DRUNK. 500 00:28:03,848 --> 00:28:07,051 YEAH, THAT TOO. WOW. 501 00:28:09,187 --> 00:28:11,557 ONE OF THE GREAT TRAGEDIES 502 00:28:11,558 --> 00:28:13,458 OF THIS EXPERIMENT CALLED CIVILIZATION... 503 00:28:13,458 --> 00:28:16,127 IS THE FACT THAT PEOPLE HAVE TO WORK FOR A LIVING. 504 00:28:16,661 --> 00:28:19,330 IT WOULD BE THE FIRST THING, IF I HAD A CHOICE-- 505 00:28:19,330 --> 00:28:21,465 OTHER THAN MY ACNE-- 506 00:28:21,466 --> 00:28:24,135 I THINK WOULD BE THE FIRST THING I WOULD REMOVE FROM MY LIFE. 507 00:28:24,135 --> 00:28:26,639 IF I COULD ERASE AN ASPECT OF MY LIFE, 508 00:28:26,640 --> 00:28:28,940 IT WOULD BE THIS NEED TO WORK FOR A LIVING. 509 00:28:32,143 --> 00:28:34,812 YOU UNDERSTAND, IT HAS NOTHING TO DO WITH THE TOUR ITSELF. 510 00:28:34,813 --> 00:28:36,250 WHEN I'M ON THE TOUR ITSELF... 511 00:28:36,251 --> 00:28:38,451 AND I'M SHOWING OTHERS THE APPRECIATION OF BEAUTY... 512 00:28:38,550 --> 00:28:40,151 AND THE HUGENESS OF ALL THIS, 513 00:28:40,685 --> 00:28:43,888 AND EXPERIENCING THE LASCIVIOUS VOYEURISM OF THE TOUR BUS, 514 00:28:43,888 --> 00:28:47,091 AND EROTICIZING WOMEN IN A CONSPIRACY WITH THIS CITY, 515 00:28:47,092 --> 00:28:49,761 AND HAVING SPIRITUAL TANTRIC CONNECTIONS... 516 00:28:49,761 --> 00:28:52,430 WITH INTERNATIONAL FLESH CONGREGATIONS, 517 00:28:52,430 --> 00:28:55,633 THIS IS NOT, IN MY MIND, WORKING FOR A LIVING. 518 00:28:55,633 --> 00:28:57,768 YET, AT THE SAME TIME, IT IS, 519 00:28:57,769 --> 00:29:00,438 BECAUSE AT THE END OF THE WEEK WHEN I'VE MADE $200 AFTER TAXES... 520 00:29:00,438 --> 00:29:03,342 AND I HAVE ALL THESE OTHER PRAGMATIC EXPENSES... 521 00:29:03,343 --> 00:29:05,243 JUST TO KEEP THE CRUISE ALIVE, 522 00:29:05,243 --> 00:29:07,378 YOU KNOW, IT'S RIDICULOUS. 523 00:29:07,378 --> 00:29:11,115 I CERTAINLY WOULD NEVER WAKE UP EARLY IN THE MORNING AGAIN, 524 00:29:11,116 --> 00:29:13,785 NOT UNLESS I WAS CRUISING. 525 00:29:36,741 --> 00:29:39,944 THE ROADS AROUND YOU NOW... 526 00:29:39,944 --> 00:29:44,214 WILL BECOME CLAUSTROPHOBIC AND NARROW IN FEELING. 527 00:29:44,215 --> 00:29:47,418 AND THIS WILL NOT JUST BE YOUR OWN PROJECTION. 528 00:29:47,418 --> 00:29:52,222 THE ROADS ARE CLAUSTROPHOBIC AND NARROW IN FEELING. 529 00:29:52,223 --> 00:29:55,426 THESE ARE THE OLDEST ROADWAYS OF MANHATTAN ISLAND. 530 00:29:55,426 --> 00:29:59,696 THESE DESIGNED BY THE DUTCH IN THE EARLY 17th CENTURY. 531 00:29:59,697 --> 00:30:03,434 WELCOME TO NEW AMSTERDAM. 532 00:30:05,570 --> 00:30:08,773 FONTANEZ CONTINUES TO AUDACIOUSLY IMPROVISE, 533 00:30:08,773 --> 00:30:12,510 NOT ONLY WITH THE TOUR ROUTE, BUT WITH HIS OWN LIFE. 534 00:30:19,450 --> 00:30:22,487 NEXT DOUBLE-DECKER LOOP 535 00:30:22,588 --> 00:30:23,188 IS IN 20 MINUTES. 536 00:30:23,188 --> 00:30:24,591 NO MORE BOARDING AT THIS TIME. 537 00:30:24,592 --> 00:30:26,292 NEXT DOUBLE-DECKER LOOP TOUR IS IN 20 MINUTES. 538 00:30:26,391 --> 00:30:29,060 NO BOARDING AT THIS TIME. 539 00:30:31,196 --> 00:30:33,865 YOU'VE GOT BLOOD ALL OVER YOU. 540 00:30:33,865 --> 00:30:36,534 FUCKIN' SHAVING THIS MORNING WAS LIKE A CARNAGE. 541 00:30:36,534 --> 00:30:41,338 JUST CLEAN YOURSELF UP. -THAT'S EXACTLY WHAT THEY TOLD ME TO DO. 542 00:30:41,339 --> 00:30:45,076 GEORGE WAS CRITICIZING THE LINING. 543 00:30:45,076 --> 00:30:48,279 I'LL GRANT YOU, IT'S NOT IN GOOD SHAPE. IT NEEDS NEW LINING. 544 00:30:48,279 --> 00:30:51,482 BUT I DON'T THINK THAT THAT SHOULD AFFECT MY, YOU KNOW-- 545 00:30:52,016 --> 00:30:54,685 THE COSMETICS ARE A TRICKY THING ON THE DOUBLE-DECKER BUS. 546 00:30:54,686 --> 00:30:58,423 IT'S NOT A MATTER OF SIMPLE... 547 00:30:58,423 --> 00:31:01,626 ...CONFORMIST FASTIDIOUSNESS, YOU KNOW. 548 00:31:01,626 --> 00:31:05,896 I'M NOT DRESSING TO IMPRESS MY GRANDMOTHER, YOU KNOW. 549 00:31:05,897 --> 00:31:09,100 I AM, IN A LAUNCHING AND VITRIOLIC WAY, 550 00:31:09,100 --> 00:31:12,837 TRYING, AT ANY EXPENSE, TO GRAB THE COLLARS OF PEOPLE... 551 00:31:12,837 --> 00:31:16,040 WHO HAVE NO IDEA WHAT THEY'RE SURROUNDED BY... 552 00:31:16,040 --> 00:31:18,175 AND TRYING TO GRAB THEIR ATTENTION... 553 00:31:18,176 --> 00:31:20,845 IN THE MIDDLE OF THE GREATEST TUMULTUOUSNESS. 554 00:31:20,845 --> 00:31:25,115 AND RIPPED LINING IS PART OF THAT ROUTINE. 555 00:31:26,718 --> 00:31:29,055 I DON'T EXPECT THEM TO UNDERSTAND THAT, THOUGH, 556 00:31:29,056 --> 00:31:30,456 BECAUSE THEY'VE NEVER DONE IT. 557 00:31:32,056 --> 00:31:35,259 I'D LIKE TO SEE THEIR DOUBLE-DECKER TOUR. 558 00:31:43,801 --> 00:31:46,470 ST. PAUL'S CHURCH, IN BROWN, IN FRONT OF THE BUS, 559 00:31:46,471 --> 00:31:48,606 SITTING ON BROADWAY ITSELF, 560 00:31:48,606 --> 00:31:50,176 WAS BUILT BY THE BRITISH EMPIRE... 561 00:31:50,177 --> 00:31:52,877 WHEN THIS WAS STILL A COLONY IN THE BRITISH EMPIRE... 562 00:31:52,877 --> 00:31:55,012 AND NOT A STATE IN THE UNION. 563 00:31:55,013 --> 00:31:58,216 GEORGE WASHINGTON-- YOU'VE HEARD OF HIM. 564 00:31:58,216 --> 00:32:00,053 HE TOOK HIS OATH OF OFFICE... 565 00:32:00,054 --> 00:32:01,854 AS THE FIRST PRESIDENT OF THE UNITED STATES... 566 00:32:01,953 --> 00:32:05,156 AT THE CORNER OF WALL STREET AND BROAD, 567 00:32:05,156 --> 00:32:07,291 APRIL 30, 1789. 568 00:32:07,292 --> 00:32:11,029 JUST AFTER THE OATH, WASHINGTON IS MARCHED IN A PROCESSION HERE... 569 00:32:11,029 --> 00:32:13,164 ON THE LEFT, UP BROADWAY, 570 00:32:13,164 --> 00:32:16,367 TAKING A FURTHER LEFT TURN INTO ST. PAUL'S CHURCH. 571 00:32:16,367 --> 00:32:20,104 WASHINGTON KNEELS AT THE ALTAR ON A PILLOW... 572 00:32:20,104 --> 00:32:24,374 AND PRAYS FOR THE FUTURE OF THE UNION. 573 00:32:24,375 --> 00:32:27,044 THE PILLOW STILL SITS UNDER GLASS... 574 00:32:27,578 --> 00:32:30,781 AT THE ALTAR IN ST. PAUL'S, ON YOUR LEFT. 575 00:32:30,782 --> 00:32:33,985 "I LOVE THE MAN THAT CAN SMILE IN TROUBLE, 576 00:32:33,985 --> 00:32:37,722 "THAT CAN GATHER STRENGTH IN TOTAL DISTRESS... 577 00:32:38,256 --> 00:32:40,391 AND GROW BY REFLECTION". 578 00:32:41,993 --> 00:32:44,662 THOMAS PAINE PARK. 579 00:32:56,941 --> 00:33:00,678 YOU KNOW, ACCORDING TO THE CITY REPORTS, 580 00:33:00,678 --> 00:33:04,415 ELEVEN PEOPLE HAVE JUMPED OFF THIS BRIDGE... 581 00:33:04,415 --> 00:33:06,550 AND SURVIVED. 582 00:33:11,356 --> 00:33:14,260 ONE OF MY CRUISING DREAMS WOULD BE... 583 00:33:14,261 --> 00:33:16,461 TO GET A CRUISE TOGETHER WITH THOSE 11. 584 00:33:23,634 --> 00:33:25,769 I LOVE THESE THINGS. 585 00:33:29,507 --> 00:33:31,108 I CRUISED THIS BRIDGE ONCE SOLO... 586 00:33:31,642 --> 00:33:33,777 WHEN I WAS IN A SEVERE SOLO ANGST, 587 00:33:33,778 --> 00:33:36,715 WHEN THE ENTIRE WORLD HAD DIVORCED ITSELF FROM ME... 588 00:33:36,716 --> 00:33:37,816 ON A SINGULAR EVENING, 589 00:33:38,049 --> 00:33:40,184 WHICH IS USUALLY ON TUESDAY NIGHTS. 590 00:33:40,718 --> 00:33:42,853 AND, UH, I CRUISED THE BRIDGE, 591 00:33:42,854 --> 00:33:46,057 REALIZING THAT, UH, THE PILLARS OF STONE... 592 00:33:46,057 --> 00:33:48,192 WERE MY FRIENDS. 593 00:33:49,794 --> 00:33:52,463 THEY REALLY MAKE ME FEEL WHOLE. 594 00:33:52,463 --> 00:33:56,200 THEY REMIND ME THAT MY FUTURE HAS A BRIGHTNESS, PERHAPS. 595 00:33:56,200 --> 00:33:59,004 EVEN IF I'M THE ONLY ONE WHO BELIEVES THAT, 596 00:33:59,005 --> 00:34:01,005 I KNOW THEY BELIEVE IT. 597 00:34:17,555 --> 00:34:19,425 ONE THING I LIKE ABOUT... 598 00:34:19,426 --> 00:34:21,826 HAVING THE TRIPTYCHS OF THE BROOKLYN BRIDGE AS A FRIEND, 599 00:34:21,826 --> 00:34:25,563 CERTAINLY, IS THAT IT NEVER CONTRADICTS ME. 600 00:34:25,563 --> 00:34:29,300 IF IT MAKES ME FEEL FUTILE, IT DOES IT INDIRECTLY, 601 00:34:29,834 --> 00:34:31,435 WITH A SUBTLETY. 602 00:34:31,436 --> 00:34:34,105 IT DOES IT WITH AN AMBIVALENCE AND AN ALOOFNESS. 603 00:34:34,105 --> 00:34:38,375 THERE'S NO VICTORY IN ITS SUBJUGATION OF ME. 604 00:34:38,376 --> 00:34:40,513 IF IT SUBJUGATES ME, THAT'S THE DELUSION, 605 00:34:40,514 --> 00:34:42,014 THE POWER OF MY OWN MIND. 606 00:34:42,113 --> 00:34:44,517 THE BEST MOMENTS IN OUR FRIENDSHIPS... 607 00:34:44,518 --> 00:34:46,918 ARE WHEN I BECOME THE BROOKLYN BRIDGE IN MY MIND, 608 00:34:46,918 --> 00:34:49,587 WHEN I REALIZE THAT WE ARE EQUALS. 609 00:35:17,882 --> 00:35:20,017 THESE ARE THE WORLD TRADE CENTERS. 610 00:35:21,619 --> 00:35:25,356 YEAH, SEE THESE TWO TOWERS? THE TWIN TOWERS, SEE? 611 00:35:25,890 --> 00:35:27,491 BROTHERS. 612 00:35:27,492 --> 00:35:30,161 SOMETIMES I LIKE TO, UM, 613 00:35:30,161 --> 00:35:32,830 SPIN IN BETWEEN THE TWO TOWERS. 614 00:35:32,830 --> 00:35:35,499 YOU KNOW, LIKE, UM, SPIN AROUND AND YOU MAKE YOURSELF DIZZY? 615 00:35:35,500 --> 00:35:37,504 THEN YOU LOOK UP, 616 00:35:37,505 --> 00:35:40,205 AND IT LOOKS LIKE THE BUILDINGS ARE FALLING IN ON TOP OF YOU. 617 00:35:40,304 --> 00:35:44,041 YEAH, I RECOMMEND THAT. IT'S FUN. 618 00:35:44,041 --> 00:35:47,244 IF YOU GET TO STAND IN THE PLAZA BETWEEN THE TWO TOWERS. 619 00:35:47,245 --> 00:35:50,982 BUT DON'T LOOK UP UNTIL AFTER YOU'RE DIZZY. 620 00:35:57,388 --> 00:36:00,057 GOOD VIEW OF COMMUTERS... 621 00:36:01,125 --> 00:36:04,328 RUNNING TOWARDS THEIR DESTINATIONS... 622 00:36:04,328 --> 00:36:06,463 AND FROM THEMSELVES. 623 00:36:24,615 --> 00:36:27,284 I THINK THAT WHEN I THINK ABOUT MY FUTURE, 624 00:36:27,818 --> 00:36:31,021 INTERESTINGLY, I THINK ABOUT MY GRANDPARENTS, 625 00:36:31,556 --> 00:36:33,025 BECAUSE, YOU KNOW, MY GRANDPARENTS 626 00:36:33,026 --> 00:36:34,126 ARE VERY IMPORTANT TO ME. 627 00:36:34,225 --> 00:36:36,894 I SPENT MANY FORMATIVE MOMENTS... 628 00:36:36,894 --> 00:36:39,563 IN MY FORMATIVE YEARS WITH THEM. 629 00:36:39,564 --> 00:36:42,233 ALL OF MY SUMMERS WERE CRUISING WITH THEM. 630 00:36:42,233 --> 00:36:44,902 AND FROM THEIR POINT OF VIEW, 631 00:36:44,902 --> 00:36:48,105 I KNOW THAT THEY FEEL THAT I AM CURRENTLY A FAILURE... 632 00:36:48,105 --> 00:36:50,774 AND WILL ALWAYS BE A DOWNTRODDEN FAILURE. 633 00:36:50,775 --> 00:36:55,579 AND I THINK THAT OFTEN THAT MY THOUGHTS ABOUT THE FUTURE... 634 00:36:55,580 --> 00:36:58,783 VEER TOWARDS THEIR POINTS OF VIEW ON THE UNIVERSE, 635 00:36:58,783 --> 00:37:00,918 WHAT THEY CONSIDER TO BE IMPORTANT, 636 00:37:00,918 --> 00:37:03,088 AND WHAT THEY CONSIDER TO BE IMPORTANT... 637 00:37:03,089 --> 00:37:05,189 IS A BASIC SELF-PRESERVATIONISM... 638 00:37:05,189 --> 00:37:07,858 AND SECURITY THAT I AM NOT CREATING FOR MYSELF. 639 00:37:07,858 --> 00:37:12,128 WHAT THEY CONSIDER TO BE IMPORTANT IS HAVING AN OCCUPATION, 640 00:37:12,129 --> 00:37:13,730 A NICHE IN SOCIETY, 641 00:37:14,265 --> 00:37:18,002 SO THAT WHEN YOU'RE AT A PARTY AND SOMEBODY ASKS YOU WHAT YOU DO, 642 00:37:18,002 --> 00:37:20,137 YOU'LL HAVE A SINGLE-WORD ANSWER... 643 00:37:20,137 --> 00:37:22,806 OR AT LEAST YOU CAN ANSWER WITHIN A SENTENCE. 644 00:37:22,807 --> 00:37:27,611 WELCOME. I KNOW THAT THEY THINK THAT I'M NOT ALTOGETHER... 645 00:37:27,612 --> 00:37:29,747 WITH MY FEET ON THE GROUND. 646 00:37:29,747 --> 00:37:32,950 I KNOW THAT THEY FEEL THEY'RE GOING TO BE DYING VERY SOON... 647 00:37:32,950 --> 00:37:36,687 WITH THE KNOWLEDGE THAT I AM GOING TO KIND OF FADE OUT... 648 00:37:36,687 --> 00:37:39,356 INTO A SUPRATERRESTRIAL FAILURE. 649 00:37:39,357 --> 00:37:43,094 A SERIES OF AGGRAVATIONS, A SERIES OF FRUSTRATIONS. 650 00:37:43,094 --> 00:37:46,831 THEIR LACK OF CONFIDENCE IN ME FROM THE BEGINNING OF MY LIFE... 651 00:37:46,831 --> 00:37:49,768 IS SOMETHING I'VE ALWAYS BEEN CONTENDING WITH... 652 00:37:49,769 --> 00:37:50,969 AND ALWAYS BEEN OBSESSED WITH. 653 00:37:51,102 --> 00:37:53,072 BYE-BYE. THANK YOU. 654 00:37:53,073 --> 00:37:55,373 IF I HAD AN IMMEDIATE GOAL ON AN AFTERNOON LIKE TODAY, 655 00:37:55,373 --> 00:37:59,643 IT WOULD BE TO BE ABLE TO SERVE SOME CONCRETENESS TO THEM, 656 00:37:59,644 --> 00:38:02,313 TO GIVE THEM A PLATTER OF SUCCESS, 657 00:38:02,313 --> 00:38:04,448 EVEN IF IT WAS ONE ANECDOTE. 658 00:38:04,448 --> 00:38:07,018 SOMETHING THAT THEY COULD, IN THEIR OWN WORLD... 659 00:38:07,019 --> 00:38:08,719 AND THEIR OWN VERNACULAR, TASTE AND SAY, 660 00:38:08,719 --> 00:38:11,922 "YES, HE DOES HAVE SOMETHING. THERE IS HOPE. 661 00:38:11,922 --> 00:38:14,591 THERE IS SOME SORT OF SUCCESS IN HIS LIFE". 662 00:38:15,126 --> 00:38:16,063 I GRANT YOU, 663 00:38:16,064 --> 00:38:18,764 ALL THESE WORDS I'M USING ARE KIND OF BLAND AND VAGUE TERMS, 664 00:38:18,863 --> 00:38:20,998 BUT IN MY GRANDPARENTS' WORLD, 665 00:38:20,998 --> 00:38:25,268 THEY'RE THE MOST CONCRETE AND ABSORBING GOALS A PERSON CAN HAVE. 666 00:38:25,269 --> 00:38:29,006 I REALLY WOULD LIKE TO BE ABLE TO TELL MY GRANDPARENTS... 667 00:38:29,006 --> 00:38:32,076 THAT I'VE DONE SOMETHING THAT THEY CAN APPRECIATE, 668 00:38:32,077 --> 00:38:33,777 THAT THEY CAN RESPECT. 669 00:38:35,946 --> 00:38:38,615 I REALLY, REALLY DO NOT WANT TO BECOME... 670 00:38:38,616 --> 00:38:41,819 THE PERSON THAT THEY THINK THAT I'M GOING TO BECOME. 671 00:39:29,333 --> 00:39:33,070 THE, UH, IMAGE MAKES ME THINK OF THIS CONVERSATION, 672 00:39:33,070 --> 00:39:37,874 UH, WITH THIS WOMAN THE OTHER DAY. 673 00:39:37,875 --> 00:39:42,145 SHE WAS A FASTIDIOUS, JUDAIC-TYPE WOMAN IN VERY SEXUAL SLACKS. 674 00:39:42,146 --> 00:39:44,281 WE WERE TALKING ABOUT THE GRID PLAN. 675 00:39:44,281 --> 00:39:47,484 AND I MADE THE COMMENT ABOUT HOW, YOU KNOW, 676 00:39:47,485 --> 00:39:50,154 THE GRID PLAN EMANATES FROM OUR WEAKNESSES, 677 00:39:50,688 --> 00:39:52,823 THIS LAYOUT OF AVENUES AND STREETS IN NEW YORK CITY, 678 00:39:52,823 --> 00:39:54,958 THIS SYSTEM OF 90-DEGREE ANGLES. 679 00:39:54,959 --> 00:39:58,696 TO ME, THE GRID PLAN IS PURITAN, IT'S HOMOGENIZING, 680 00:39:58,696 --> 00:40:03,500 IN A CITY WHERE THERE IS NO HOMOGENIZATION AVAILABLE. 681 00:40:03,501 --> 00:40:06,704 THERE IS ONLY TOTAL EXISTENCE, TOTAL CACOPHONY, 682 00:40:06,704 --> 00:40:09,907 A TOTAL FLOWING OF HUMAN ETHNICITIES AND TRIBES AND BEINGS... 683 00:40:10,441 --> 00:40:13,110 AND GRADATIONS OF AWARENESS AND CONSCIOUSNESS AND CRUISING. 684 00:40:13,110 --> 00:40:15,245 AND-- 685 00:40:15,246 --> 00:40:18,449 THIS WOMAN TURNS TO ME. SHE GOES, "I NEVER EVEN THOUGHT OF THAT". 686 00:40:18,449 --> 00:40:23,253 SHE GOES, "I CAN'T IMAGINE IT. EVERYONE LIKES THE GRID PLAN". 687 00:40:23,254 --> 00:40:25,389 OF COURSE, THE QUESTION IS, 688 00:40:25,389 --> 00:40:28,592 "WHO IS EVERYONE?" IT'S JUST WHAT I HAD SAID. 689 00:40:28,592 --> 00:40:31,261 WHOEVER THAT IS UNDER THE WHITE COMFORTER, 690 00:40:31,262 --> 00:40:34,999 CUDDLED UP WITH 34th STREET AND BROADWAY, 691 00:40:34,999 --> 00:40:37,668 EXISTING ON THE CONCRETE OF THIS CITY, 692 00:40:38,202 --> 00:40:40,039 HUNGRY AND DISHEVELLED, 693 00:40:40,040 --> 00:40:41,840 STRUGGLING TO CRAWL THEIR WAY ONTO THIS ISLAND... 694 00:40:41,939 --> 00:40:44,608 WITH ALL OF THEIR MACHINATED RAGES AND HELLISHNESS... 695 00:40:45,142 --> 00:40:47,277 AND SELF-ORCHESTRATED PURGATORIES-- 696 00:40:47,278 --> 00:40:49,947 I MEAN, WHAT DOES THAT PERSON THINK ABOUT THE GRID PLAN? 697 00:40:49,947 --> 00:40:53,684 PROBABLY MUCH MORE ON MY PLANE OF THINKING, MY GRADATION OF BEING, 698 00:40:53,684 --> 00:40:56,353 WHICH IS, LET'S JUST BLOW UP THE GRID PLAN... 699 00:40:56,353 --> 00:40:58,457 AND REWRITE THE STREETS TO BE... 700 00:40:58,458 --> 00:41:01,158 MUCH MORE A SELF-PORTRAITURE OF OUR PERSONAL STRUGGLES, 701 00:41:01,158 --> 00:41:05,428 RATHER THAN SOME REAL ESTATE BROKER'S WET DREAM FROM 1807. 702 00:41:05,429 --> 00:41:08,098 WE'RE FORCED TO WALK IN THESE RIGHT ANGLES. 703 00:41:08,098 --> 00:41:10,233 DOESN'T SHE FIND IT INFURIATING? 704 00:41:10,234 --> 00:41:12,903 BY BEING SO COMPLETELY ALLEGIANT TO THE GRID PLAN-- 705 00:41:13,437 --> 00:41:15,207 I THINK MOST NOTEWORTHY IS THIS IDIOM: 706 00:41:15,208 --> 00:41:17,708 "I CAN'T EVEN IMAGINE CHANGING THE GRID PLAN". 707 00:41:17,708 --> 00:41:20,911 SHE'S REALLY, UH, ALIGNING HERSELF... 708 00:41:20,911 --> 00:41:23,046 WITH THIS CIVILIZATION. 709 00:41:23,047 --> 00:41:25,716 IT'S LIKE SAYING, "I CAN'T IMAGINE ALTERING THIS CIVILIZATION. 710 00:41:25,716 --> 00:41:29,986 "I CAN'T IMAGINE ALTERING THIS MEEK AND LYING MORALITY... 711 00:41:29,987 --> 00:41:32,656 "THAT RULES OUR LIVES. 712 00:41:32,656 --> 00:41:35,693 "CAN'T IMAGINE STANDING UP ON A CHAIR IN THE ROOM... 713 00:41:35,694 --> 00:41:36,394 "TO CHANGE PERSPECTIVE. 714 00:41:36,393 --> 00:41:40,130 "I CAN'T IMAGINE CHANGING MY MIND ON ANYTHING. 715 00:41:40,130 --> 00:41:43,867 "I, IN THE END, CAN'T IMAGINE HAVING MY OWN IDENTITY... 716 00:41:43,868 --> 00:41:47,071 THAT CONTRADICTS OTHER IDENTITIES". 717 00:41:47,071 --> 00:41:50,274 WHEN SHE SAYS TO ME, AFTER MY STATEMENTS, 718 00:41:50,274 --> 00:41:51,875 "EVERYONE LIKES THE GRID PLAN," 719 00:41:52,409 --> 00:41:55,078 ISN'T SHE AUTOMATICALLY EXCLUDING MYSELF FROM "EVERYONE"? 720 00:41:55,079 --> 00:41:57,214 HOW COULD YOU NOT LIKE THE GRID PLAN? 721 00:41:57,214 --> 00:41:58,815 IT'S SO FUNCTIONAL. 722 00:41:58,816 --> 00:42:01,485 YOU TAKE A RIGHT TURN, A RIGHT TURN, A RIGHT TURN. 723 00:42:01,485 --> 00:42:04,688 THERE'S A RED LIGHT, GREEN LIGHT, YELLOW LIGHT. IT'S SO SYMMETRICAL. 724 00:42:06,290 --> 00:42:09,493 BY SAYING THAT EVERYONE LIKES THE GRID PLAN, 725 00:42:09,493 --> 00:42:14,297 YOU'RE SAYING, "I'M GOING TO RELIVE ALL THE MISTAKES MY PARENTS MADE. 726 00:42:14,298 --> 00:42:17,501 "I'M GOING TO IDENTIFY AND RELIVE ALL THE SORROWS... 727 00:42:17,501 --> 00:42:20,170 "MY MOTHER EVER LIVED THROUGH. 728 00:42:20,170 --> 00:42:22,839 "I WILL PROPAGATE AND CREATE DYSFUNCTIONAL CHILDREN... 729 00:42:22,840 --> 00:42:26,043 "IN THE SAME DYSFUNCTIONAL WAY THAT I WAS RAISED. 730 00:42:26,043 --> 00:42:28,780 "I WILL SPREAD NEUROSIS THROUGHOUT THE LANDSCAPE... 731 00:42:28,781 --> 00:42:29,681 "AND DO MY BEST... 732 00:42:29,780 --> 00:42:33,517 "TO RECREATE MYSELF AND THE DAMAGES OF MY LIFE... 733 00:42:33,517 --> 00:42:36,720 FOR THE NEXT GENERATION". 734 00:42:43,127 --> 00:42:46,864 IF YOU LOOK AT THE ORIGINAL MAPS OF MIDTOWN MANHATTAN, 735 00:42:46,864 --> 00:42:48,999 EVEN FROM THE BEGINNING OF THIS CENTURY, 736 00:42:48,999 --> 00:42:52,202 MADISON AVENUE, IN FRONT OF YOU, IN BACK OF YOU, 737 00:42:52,202 --> 00:42:53,803 IS NOT EVEN ON THE MAP. 738 00:42:53,804 --> 00:42:56,641 THIS BEGINS AS A SERVICE ROAD FOR FIFTH AVENUE, 739 00:42:56,642 --> 00:42:57,442 ONE BLOCK TO THE WEST. 740 00:42:57,541 --> 00:43:00,311 FIFTH AVENUE IS "MILLIONAIRE'S ROW," 741 00:43:00,312 --> 00:43:01,812 A SYSTEM OF ARISTOCRATIC MANSIONS. 742 00:43:01,812 --> 00:43:03,947 THIS IS WHERE THE HORSE STABLES ARE. 743 00:43:04,481 --> 00:43:08,218 THIS IS WHERE THE GARDENERS' SHACKS ARE, NOT THAT LONG AGO. 744 00:43:08,218 --> 00:43:11,421 MADISON AVENUE, NOT EVEN A BOULEVARD... 745 00:43:11,422 --> 00:43:13,557 UNTIL THE AUTOMOBILE TAKES OVER THE ISLAND. 746 00:43:14,091 --> 00:43:16,226 WILL YOU LOOK AT IT TODAY. 747 00:43:16,226 --> 00:43:18,895 MAY I RESTATE, RECAPITULATE... 748 00:43:18,896 --> 00:43:21,565 AND GENERALLY REGURGITATE, 749 00:43:21,565 --> 00:43:24,234 WHEN YOU ARE SITTING IN THE MIDDLE OF MIDTOWN MANHATTAN, 750 00:43:24,768 --> 00:43:27,437 YOU ARE SITTING AMONGST A 20th-CENTURY INVENTION, 751 00:43:27,972 --> 00:43:31,709 A CITY THAT GREW UP AT AN EXPLOSION, AS AN EXPLOSION. 752 00:43:31,709 --> 00:43:34,378 IT IS AN EXPLOSION, AN EXPERIMENT, 753 00:43:34,378 --> 00:43:37,581 A SYSTEM OF TEST TUBES GURGLING, BOILING OUT OF CONTROL, 754 00:43:38,115 --> 00:43:40,784 A RADIOACTIVE ATOM SWIRLING. 755 00:43:40,784 --> 00:43:45,054 CIVILIZATION HAS NEVER LOOKED LIKE THIS BEFORE. 756 00:43:45,055 --> 00:43:47,190 THIS IS LUDICROUSNESS, 757 00:43:47,191 --> 00:43:50,394 AND THIS CANNOT LAST. 758 00:43:52,529 --> 00:43:55,198 THE NEW ANN TAYLOR STORE ON THE RIGHT. 759 00:44:04,274 --> 00:44:07,477 YESTERDAY GRAY LINE FINALLY ENFORCED THEIR, UH, 760 00:44:08,545 --> 00:44:12,282 UM, OBLIGATORY UNIFORM POLICY. 761 00:44:12,816 --> 00:44:14,417 IT'S A NEW POLICY. 762 00:44:14,418 --> 00:44:17,621 WE HAVE TO-- ALL THE TOUR GUIDES HAVE TO WEAR... 763 00:44:17,621 --> 00:44:20,824 GRAY LINE BRIGHT RED SHIRTS. 764 00:44:20,824 --> 00:44:24,027 AND CERTAINLY MY ILLNESS, I THINK, IS ASSOCIATED... 765 00:44:24,028 --> 00:44:26,697 WITH THIS LATEST LEGISLATION. 766 00:44:29,366 --> 00:44:30,969 I MEAN, YOU KNOW THAT I CAME... 767 00:44:30,970 --> 00:44:32,470 TO THE DOUBLE-DECKER BUS FOR EMPLOYMENT... 768 00:44:32,569 --> 00:44:35,238 FOR ONE REASON AND ONE ESSENTIAL REASON ONLY, 769 00:44:35,239 --> 00:44:37,908 AND THAT WAS TO, UH, MEET WOMEN, 770 00:44:37,908 --> 00:44:39,945 TO MEET AND SEDUCE WOMEN... 771 00:44:39,946 --> 00:44:41,546 FROM EVERY HABITABLE CONTINENT IN THE WORLD. 772 00:44:41,645 --> 00:44:43,082 THAT'S THE ONLY REASON I'M HERE. 773 00:44:43,083 --> 00:44:45,283 I'M CERTAINLY NOT HERE FOR THE MONEY. 774 00:44:45,382 --> 00:44:48,585 AND, UM, THEY'RE JUST LITERALLY BLOWING MY SHTICK. 775 00:44:48,585 --> 00:44:50,488 I SAID TO GEORGE YESTERDAY, 776 00:44:50,489 --> 00:44:51,789 BECAUSE THE DISPATCHERS BASICALLY SAID, 777 00:44:51,789 --> 00:44:55,526 "IF YOU DON'T PUT ON THAT SHIRT, WE'RE GONNA SEND YOU HOME EARLY". 778 00:44:55,526 --> 00:44:58,195 IT CAN LEAD TO MY TERMINATION. 779 00:44:58,195 --> 00:45:00,330 THAT'S HOW SERIOUS THEY ARE ABOUT THIS. 780 00:45:00,330 --> 00:45:02,465 I SAID, "AS FAR AS I'M CONCERNED, 781 00:45:03,000 --> 00:45:05,669 "THE OFFICIAL GRAY LINE POLICY AT THIS POINT IS, YOU KNOW, 782 00:45:05,669 --> 00:45:08,338 "'SPEED, YOU ARE NOT GONNA GET LAID ON OUR BUSES. 783 00:45:08,338 --> 00:45:10,473 WE'RE GONNA MAKE SURE'." 784 00:45:10,474 --> 00:45:12,044 THEY'RE GONNA MAKE ME PULL A SHTICK... 785 00:45:12,045 --> 00:45:14,745 THAT EVERYBODY ELSE IS PULLIN', AND IT'S TERRIBLE. 786 00:45:18,282 --> 00:45:20,083 AND, UH, REALLY, 787 00:45:20,617 --> 00:45:23,587 MOSTLY IT'S JUST THE REGIME SENDING OUT A MESSAGE... 788 00:45:23,588 --> 00:45:24,888 THAT I'M ENTIRELY REPLACEABLE. 789 00:45:24,888 --> 00:45:26,258 IT'S THEM SAYING, 790 00:45:26,259 --> 00:45:29,159 "WE DON'T CARE ABOUT YOUR TOUR. WE DON'T CARE ABOUT YOU. 791 00:45:29,693 --> 00:45:32,362 "YOU WEAR THIS SHIRT, AND IF YOU DON'T CONFORM, YOU'RE OUT, 792 00:45:32,362 --> 00:45:34,497 'CAUSE WE CAN REPLACE YOU". 793 00:45:34,498 --> 00:45:37,701 UNEMPLOYMENT IN THIS CITY RIGHT NOW IS SEVEN PERCENT. 794 00:46:15,072 --> 00:46:18,275 THE ANTI-CRUISE IN FRONT OF US. 795 00:46:18,275 --> 00:46:20,944 "ANTI," AS OPPOSED TO "CRUISE". 796 00:46:20,944 --> 00:46:24,681 THIS IS AN ELEMENTARY AND VERY PHYSICAL EXAMPLE OF ANTI-CRUISE, 797 00:46:24,681 --> 00:46:26,118 WHERE OUR IMMOBILITY... 798 00:46:26,119 --> 00:46:28,319 IS CREATED BY LITERALLY JUST A BLOCKADE OF THE SIDEWALK. 799 00:46:28,418 --> 00:46:30,553 THE ANTI-CRUISE IS EVERYWHERE. 800 00:46:31,088 --> 00:46:34,825 EVERY GOOD DAY OF MY LIFE IS A DAY I EVADE THE ANTI-CRUISE. 801 00:46:34,825 --> 00:46:36,595 PLEASE KEEP YOUR EYES OPEN, 802 00:46:36,596 --> 00:46:39,096 'CAUSE I DO SENSE A LOT OF THAT NEGATIVE FODDER IN THE AIR. 803 00:46:39,096 --> 00:46:40,099 I DON'T KNOW ABOUT YOU, 804 00:46:40,100 --> 00:46:42,200 BUT THIS IS A VERY ECLECTIC AND DANGEROUS AFTERNOON. 805 00:46:42,299 --> 00:46:46,036 THE ANTI-CRUISE IS CERTAINLY MOBILIZED TODAY. 806 00:46:47,638 --> 00:46:52,976 ON OUR LEFT WILL BE THE CRIMINAL COURTHOUSE, 807 00:46:52,976 --> 00:46:55,111 CAPITAL OF INCARCERATION. 808 00:46:56,713 --> 00:47:00,983 INCARCERATION, ANOTHER BASIC ASPECT OF OUR DAILY LIVES, 809 00:47:00,984 --> 00:47:04,721 UTILIZED IN AN UNORIGINAL WAY... 810 00:47:04,721 --> 00:47:07,390 IN THE CRIMINAL COURTHOUSE ON OUR LEFT. 811 00:47:07,925 --> 00:47:10,594 AND I CAN PERSONALLY VOUCH FOR THAT. 812 00:47:23,941 --> 00:47:27,678 THE ANTI-CRUISE IS AN ATTEMPT TO IMPRISON US. 813 00:47:27,678 --> 00:47:30,881 AT EVERY LEVEL OF LIVING, IT EXISTS. 814 00:47:30,881 --> 00:47:35,151 YOUNGER CRUISERS HAVE ASKED ME, "WHY? 815 00:47:35,152 --> 00:47:39,956 "WHY IS THE ANTI-CRUISE SO AVARICIOUS AND CONSTANT... 816 00:47:40,490 --> 00:47:43,159 IN ITS ATTEMPT TO STOP THE CRUISE?" 817 00:47:43,160 --> 00:47:45,829 AND I HAVE NO ANSWER. THERE IS NO ANSWER. 818 00:47:45,829 --> 00:47:48,498 I MEAN, IT'S GRAVITATIONAL. 819 00:47:48,498 --> 00:47:51,701 IT'S A RELATIONSHIP THAT'S MADE UP OF RECIPROCALS... 820 00:47:51,702 --> 00:47:54,371 AND OF PULLING GRAVITIES. 821 00:47:54,371 --> 00:47:56,506 IT SIMPLY EXISTS. 822 00:47:56,506 --> 00:48:00,776 WHERE THERE IS CRUISE, THERE IS AN ESCORT OF ANTI-CRUISE. 823 00:48:00,777 --> 00:48:03,980 BUT EVEN IN A COMPLETE BASTION... 824 00:48:03,981 --> 00:48:06,116 OF ANTI-CRUISE FODDER, 825 00:48:06,116 --> 00:48:09,853 WHICH THIS ENTIRE SQUARE BLOCK IS, 826 00:48:09,853 --> 00:48:11,988 THERE IS CRUISE. 827 00:48:11,989 --> 00:48:15,726 SOMEWHERE IN THERE IS A SPARKLE OF CRUISING ENERGY... 828 00:48:15,726 --> 00:48:20,530 DEEPLY SUBLIMATED WITHIN THE BELLOWING BELLY OF THE BEAST. 829 00:48:23,734 --> 00:48:26,403 SURVIVOR. 830 00:48:26,403 --> 00:48:28,538 HE KNOWS NO PRISON. 831 00:48:28,538 --> 00:48:31,008 THEY WERE ALL OVER THE PRISON FLOOR, 832 00:48:31,009 --> 00:48:32,809 BUT YOU NEVER SAW THEM LOOKING MELANCHOLY. 833 00:48:32,809 --> 00:48:35,111 THEY KEPT CRUISIN'. 834 00:48:36,546 --> 00:48:38,681 NO IMPRISONMENT FOR THE COCKROACH. 835 00:48:38,682 --> 00:48:41,885 LIFE-IMPENDING DRASTIC SURVIVOR. 836 00:48:41,885 --> 00:48:44,554 THROUGH THE MILLENNIAS, THROUGH THE ERUPTIONS OF TIME, 837 00:48:44,554 --> 00:48:46,524 PAST THE DINOSAURS, 838 00:48:46,525 --> 00:48:48,825 WITNESSING THE FLIGHT OF BIRDS FOR THE FIRST TIME, 839 00:48:49,359 --> 00:48:52,028 CLOUDS DYING, ASTEROIDS HITTING THE EARTH. 840 00:48:52,029 --> 00:48:54,698 NO PRISON FOR THE COCKROACH. 841 00:48:54,698 --> 00:48:58,968 I HAVE SUCH RESPECT FOR THOSE BASTARDS. 842 00:48:58,969 --> 00:49:01,104 BUT I WAS NOT SO FORTUNATE. 843 00:49:01,104 --> 00:49:03,641 BUT, YOU KNOW, I WAS CRUISING HARD AT THAT TIME, 844 00:49:03,642 --> 00:49:04,742 SO WHEN YOU THINK ABOUT IT-- 845 00:49:04,841 --> 00:49:06,976 THE ANTI-CRUISE REALLY BREATHING DOWN MY NECK... 846 00:49:07,511 --> 00:49:10,714 COULD NOT ALLOW ME EVEN PHYSICAL MOBILITY. 847 00:49:10,714 --> 00:49:12,417 I WAS-- ACCORDING TO THEM, 848 00:49:12,418 --> 00:49:13,818 I WAS RUNNING FROM THE COPS FOR A MONTH... 849 00:49:13,917 --> 00:49:15,518 BEFORE THEY CAUGHT UP TO ME. 850 00:49:16,053 --> 00:49:18,090 I WAS NOT EVEN AWARE THAT I WAS RUNNING FROM THE COPS... 851 00:49:18,091 --> 00:49:19,691 AS MUCH AS FROM THE ANTI-CRUISE. 852 00:49:19,790 --> 00:49:22,459 I FELT LIKE A FUGITIVE, BUT YOU KNOW WHAT? 853 00:49:22,459 --> 00:49:24,594 EVERY DAY I FEEL LIKE A FUGITIVE. 854 00:49:24,594 --> 00:49:25,631 IT NEVER OCCURRED TO THEM... 855 00:49:25,632 --> 00:49:28,332 THAT I'M RUNNING FROM THE ANTI-CRUISE EVERY DAY. 856 00:49:28,332 --> 00:49:31,001 WHEN I WAS UP IN FRONT OF THE JUDGE FOR MY ARRAIGNMENT, 857 00:49:31,001 --> 00:49:32,004 THE JUDGE SAID, 858 00:49:32,005 --> 00:49:34,205 "MY BIGGEST PROBLEM WITH THIS CASE IS THAT THIS GUY-- 859 00:49:34,738 --> 00:49:37,407 "THIS CURRENT PERSON WE'RE JUDGING-- 860 00:49:37,407 --> 00:49:40,076 RAN FROM THE POLICE FOR A MONTH". 861 00:49:40,077 --> 00:49:43,280 IF I COULD HAVE SPOKEN-- OF COURSE, I WASN'T ALLOWED TO SPEAK-- 862 00:49:43,280 --> 00:49:46,483 I WOULD HAVE SAID, "IT'S BEEN A LOT MORE THAN A MONTH. 863 00:49:46,483 --> 00:49:49,152 "I'VE BEEN RUNNING FROM YOU PEOPLE ALL MY LIFE. 864 00:49:49,152 --> 00:49:51,821 ALL MY LIFE. AND I'M GONNA KEEP RUNNING". 865 00:49:55,192 --> 00:49:56,562 THERE ARE SO MANY PRISONERS, 866 00:49:56,563 --> 00:49:58,663 INMATES, SO MANY PEOPLE TO BE JUDGED, 867 00:49:58,762 --> 00:50:00,897 THEY DON'T EVEN HAVE TIME TO CONSIDER YOU AS A HUMAN BEING. 868 00:50:01,431 --> 00:50:04,100 YOU'RE FILED THROUGH AS IN AN ASSEMBLY LINE. 869 00:50:04,101 --> 00:50:05,071 IN SOME WAYS, 870 00:50:05,072 --> 00:50:08,372 IT MADE ME THINK OF THE FACT THAT IN TERMS OF MOLECULAR BIOLOGY, 871 00:50:08,372 --> 00:50:11,041 WE HAVE THE SAME INFRASTRUCTURE AS PLANTS. 872 00:50:11,041 --> 00:50:13,044 SO THIS ENTIRE NOTION OF INDIVIDUALITY... 873 00:50:13,045 --> 00:50:14,145 IS A DELUSION ANYWAY. 874 00:50:14,244 --> 00:50:16,379 IT IS A DIREFUL DELUSION. 875 00:50:16,380 --> 00:50:19,583 THERE IS NO REAL INDIVIDUALITY EXCEPT FOR THAT WHICH WE PROJECT. 876 00:50:19,583 --> 00:50:21,087 BUT SITTING IN THE CELL BLOCK, 877 00:50:21,088 --> 00:50:24,388 I REALIZED THAT THE PURSUIT OF THAT SO-CALLED INDIVIDUALITY... 878 00:50:24,388 --> 00:50:27,591 IS EVERYTHING I BELIEVE IN. 879 00:50:28,125 --> 00:50:30,062 THE FULLEST PURSUIT OF THOSE... 880 00:50:30,063 --> 00:50:31,863 POSSIBILITIES OF THAT "INDIVIDUALITY," 881 00:50:32,396 --> 00:50:33,997 EVEN IF IT IS AN ABSOLUTE FAILURE, 882 00:50:33,997 --> 00:50:37,200 IT IS THE MOST BEAUTIFUL FAILURE I CAN THINK OF. 883 00:50:39,336 --> 00:50:42,005 I DON'T CARE IF IT'S A DELUSION. 884 00:50:42,005 --> 00:50:45,742 I DON'T CARE IF WE HAVE THE SAME INFRASTRUCTURE AS PLANTS. 885 00:50:45,742 --> 00:50:48,945 I WANT TO BE THE PLANT THAT GROWS THE HIGHEST. 886 00:50:48,945 --> 00:50:51,080 I WANT TO BE THE BEAN STALK. 887 00:50:52,682 --> 00:50:55,885 I WANT TO BE THE FLOWER... 888 00:50:55,886 --> 00:50:59,089 THAT SMELLS MOST PROFUSELY, 889 00:50:59,089 --> 00:51:02,826 THAT VEERS MOST DRASTICALLY TOWARDS THE SUNLIGHT. 890 00:51:08,165 --> 00:51:11,902 LOOK AT THESE BEAUTIFUL LEAVES, FOR GOD'S SAKES. 891 00:51:23,113 --> 00:51:25,782 YOU SEE THAT? SEE HOW STUBBORN THIS LEAF IS? 892 00:51:25,782 --> 00:51:28,019 I'M TRYING TO PICK IT UP, LIKE LOOK, 893 00:51:28,020 --> 00:51:29,420 PICK UP THE SPIRIT. LIKE PICK IT UP NOW. 894 00:51:29,519 --> 00:51:33,256 LET'S GET SOME EXPANSION. LET'S GET SOME ERECTION GOIN'. 895 00:51:33,256 --> 00:51:36,993 HE'S LIKE, "I'M FLACCID. I'M NOT MOVIN'. I'M NOT DOIN' IT TODAY". 896 00:51:36,993 --> 00:51:39,662 COME ON, IT'S WEST 67th STREET. IT'S SUNDAY AFTERNOON. 897 00:51:39,663 --> 00:51:42,332 IT'S AUGUST. DO THIS. "NO, NO, NO". 898 00:51:42,332 --> 00:51:46,069 COME ON, GET IT UP. "NO, IT'S NOT GONNA HAPPEN TODAY". 899 00:51:46,069 --> 00:51:47,670 COME ON NOW! 900 00:51:47,671 --> 00:51:50,874 LOOK AT THIS GUY. HE'S TOTALLY DIFFERENT. 901 00:51:50,874 --> 00:51:53,009 DIFFERENT COLOR, DIFFERENT ATTITUDE. 902 00:51:53,009 --> 00:51:54,610 LOOK AT THAT STYLE. 903 00:51:55,145 --> 00:51:57,814 AND THEY MOVE WITH YOU. THEY'VE GOT SUCH MOBILITY THERE. 904 00:52:00,484 --> 00:52:03,687 THIS GUY'S LIKE STREAMLINED, LIKE SEXY. 905 00:52:03,687 --> 00:52:06,890 SO SEXY. LOOK AT THOSE LINES. 906 00:52:07,424 --> 00:52:09,025 AN AIRPLANE. 907 00:52:13,296 --> 00:52:15,431 BEAUTIFUL. 908 00:52:22,372 --> 00:52:23,973 GOTTA RISE. 909 00:52:26,109 --> 00:52:29,312 RISE. RISE TO THE OCCASION. 910 00:52:31,448 --> 00:52:33,785 THESE PEOPLE ARE ON THE 12:00 DOWN, 911 00:52:33,786 --> 00:52:35,186 AND THEY DON'T LOOK LIKE IT TO ME. 912 00:52:35,719 --> 00:52:39,456 THE 12:00 DOWN ON THIS PARTICULAR DAY WILL NEVER HAPPEN AGAIN. 913 00:52:39,456 --> 00:52:42,193 I DON'T THINK THAT THEY'RE UNDERSTANDING THAT RIGHT NOW. 914 00:52:42,194 --> 00:52:43,194 LOOK AT THIS. 915 00:52:47,464 --> 00:52:49,599 RISE. 916 00:52:49,599 --> 00:52:51,734 GO FOR IT. 917 00:52:51,735 --> 00:52:55,472 GOOD LUCK OUT THERE. GOOD-BYE. 918 00:52:55,472 --> 00:52:57,607 GOOD LUCK. 919 00:54:39,576 --> 00:54:43,846 I THINK THAT MY FAVORITE VICTORY IS THE ABILITY TO FEEL. 920 00:54:44,381 --> 00:54:47,050 SUCH INSINCERITY-- IT'S INCREDIBLE. 921 00:54:47,050 --> 00:54:51,320 IF THE CRUISE IS ANYTHING, BE IT APPRECIATION, BE IT A VOYAGE, 922 00:54:51,321 --> 00:54:53,990 BE IT AN ADVENTURE THAT LEADS BACK TO OURSELVES, 923 00:54:53,990 --> 00:54:56,125 BE IT A CARTWHEEL OR A SOMERSAULT-- 924 00:54:56,126 --> 00:54:59,863 IF YOU FIND THE CRUISE IN A PIECE OF CARROT CAKE, A TOPLESS BAR, 925 00:54:59,863 --> 00:55:03,600 THE ONE THING THE CRUISE ALWAYS IS, I THINK, IS SINCERE. 926 00:55:03,600 --> 00:55:08,404 AND SINCERITY IS ONE OF MY FAVORITE VICTORIES IN THIS LIFETIME. 927 00:55:08,405 --> 00:55:11,608 I MEAN, HOW MUCH REBELLION DID I HAVE TO EXPERIENCE? 928 00:55:11,608 --> 00:55:13,209 HOW MUCH FIGHTING DID I DO? 929 00:55:13,743 --> 00:55:15,480 HOW MANY TIMES DID I HAVE TO IGNORE... 930 00:55:15,481 --> 00:55:17,381 MY FATHER'S INABILITY TO EMOTE? 931 00:55:17,480 --> 00:55:21,217 HOW WE ALL IGNORE OUR FATHERS' INABILITY TO EMOTE IN OUR PRESENCE. 932 00:55:21,217 --> 00:55:23,886 HOW MUCH AIR-CONDITIONING DID I HAVE TO TRANSCEND... 933 00:55:23,887 --> 00:55:26,556 AND THE COMFORT THAT GOES ALONG WITH IT? 934 00:55:26,556 --> 00:55:29,225 THE COMFORTABLE COUCHES, THE TELEVISION, 935 00:55:29,759 --> 00:55:32,428 THE MAGNITUDE OF STATIC THAT SURROUNDS US. 936 00:55:32,962 --> 00:55:37,232 HOW MUCH DAILY INFIGHTING, STRATEGIZING, EVADING, RUNNING... 937 00:55:37,233 --> 00:55:40,436 DID I HAVE TO DO FOR THE ABILITY TO FEEL, 938 00:55:40,437 --> 00:55:42,572 FOR THE ABILITY TO EMOTE, 939 00:55:42,572 --> 00:55:47,376 FOR THE SIMPLE MOMENTS WHEN I FEEL ACTUAL PASSION? 940 00:55:53,783 --> 00:55:57,520 HELLO, EVERYONE. CAN YOU HEAR ME IN THE BACK? 941 00:55:57,520 --> 00:55:59,655 WELCOME TO NEW YORK CITY. 942 00:55:59,656 --> 00:56:02,360 H.G. WELLS ONCE WROTE THAT TO TELL 943 00:56:03,361 --> 00:56:04,461 THE SOCIAL HISTORY OF NEW YORK CITY... 944 00:56:04,461 --> 00:56:09,265 IS TO TELL THE HISTORY OF THE WORLD, THE STORY OF THE WORLD. 945 00:56:09,265 --> 00:56:12,468 IT'S GOING TO BE A LONG MORNING. 946 00:56:21,544 --> 00:56:26,882 TO ALL MY ENEMIES WHO ADD FLAVOR TO MY LIFE, 947 00:56:26,883 --> 00:56:29,220 WHY DON'T YOU COME UP HERE TO THE BROOKLYN BRIDGE... 948 00:56:29,221 --> 00:56:30,521 SO WE CAN TALK ABOUT IT? 949 00:56:30,620 --> 00:56:34,890 WHY DON'T YOU COME UP HERE AND TALK TO ME ABOUT IT? 950 00:56:34,891 --> 00:56:36,492 TO LESLIE LINDENSTRAUS: 951 00:56:37,026 --> 00:56:40,763 LOOK, IF YOU WANNA TRY TO CHOKE ME WHEN I'M, LIKE, PREPUBESCENT... 952 00:56:40,764 --> 00:56:42,899 AND REALLY MUCH SMALLER THAN YOU, THAT'S FINE. 953 00:56:42,899 --> 00:56:46,102 I KNOW THAT'S HOW WE ALL REALLY FEEL ABOUT EACH OTHER, 954 00:56:46,102 --> 00:56:48,237 AND I KNOW THAT'S WHAT IT'S REALLY ALL ABOUT. 955 00:56:48,238 --> 00:56:51,242 BUT I'M GONNA FIND YOU AND KICK YOUR ASS 'CAUSE I'M NOT SEVEN... 956 00:56:51,243 --> 00:56:52,943 AND PREPUBESCENT ANYMORE. 957 00:56:53,042 --> 00:56:56,779 I DON'T KNOW WHERE YOU ARE, BUT I REMEMBER THAT DAY. 958 00:56:56,780 --> 00:56:58,381 TO JORDAN: 959 00:56:58,915 --> 00:57:00,352 LOOK, BANANAS MAY BE SOMETHING... 960 00:57:00,353 --> 00:57:02,553 THAT YOU AND YOUR FRIEND CAN EAT WITHOUT ME, ALL RIGHT? 961 00:57:02,652 --> 00:57:05,855 YES, I WANTED A BANANA AND YES, YOU LEFT ME OUT. 962 00:57:05,855 --> 00:57:09,058 BUT THAT'S OKAY BECAUSE THERE ARE OTHER BANANAS. 963 00:57:09,058 --> 00:57:11,193 I THINK I PROVED THAT TO YOU BY NOW. 964 00:57:11,194 --> 00:57:13,329 TO TIRZAH: 965 00:57:13,329 --> 00:57:17,599 THERE WAS ABOUT TWO HOURS OF MY ENTIRE LIFE THUS FAR ON EARTH... 966 00:57:17,600 --> 00:57:20,269 WHEN I WAS ABSOLUTELY DEPENDENT UPON YOU. 967 00:57:20,270 --> 00:57:25,074 AND THOSE WERE A COUPLE OF THE WORST HOURS OF MY LIFE. 968 00:57:25,074 --> 00:57:29,344 TO CHARLES PURPURRA: I KNOW YOU NEVER READ MY SCREENPLAY. 969 00:57:29,345 --> 00:57:33,082 AND TO LESLIE LEE: I KNOW YOU DIDN'T READ THAT FULL-LENGTH PLAY. 970 00:57:33,082 --> 00:57:36,285 I WORKED ON IT. I SWEATED ON IT. I TURMOILED OVER IT. 971 00:57:36,286 --> 00:57:37,887 I MALAISED THROUGH IT. 972 00:57:37,887 --> 00:57:41,624 I LIVED ABOVE IT, UNDER IT, BECAUSE OF IT, NOT BECAUSE OF IT. 973 00:57:41,624 --> 00:57:43,225 I HATED IT. I LOVED IT. 974 00:57:43,226 --> 00:57:46,963 I DIED AND I WAS REBORN WITHIN THE ROOM AS I WORKED ON THAT PLAY, 975 00:57:47,497 --> 00:57:50,166 AND I KNOW YOU DID NOT READ IT. 976 00:57:50,700 --> 00:57:51,637 TO SWAYNE, 977 00:57:51,638 --> 00:57:54,338 WHO SUPPOSEDLY WAS GOING TO READ THAT SCRIPT I GAVE HIM. 978 00:57:54,437 --> 00:57:56,572 AND YOU KNOW WHAT? FUCK THE SCRIPT. 979 00:57:56,573 --> 00:57:58,076 YOU ARE FOREVER KNOWN AS THE TOUR GUIDE... 980 00:57:58,077 --> 00:57:59,677 WHO GOT HIT BY A TRAFFIC LIGHT. 981 00:57:59,776 --> 00:58:02,445 AND I THINK THAT'S THE PROPER EPITHET FOR YOU. 982 00:58:02,979 --> 00:58:05,016 AND HOW DARE YOU DO A TINA HOWE PLAY... 983 00:58:05,017 --> 00:58:06,617 IN THE MIDDLE OF JUNE IN NEW YORK CITY, 984 00:58:06,716 --> 00:58:09,919 AS IF I HAVE TIME TO SIT THERE AND LISTEN TO THAT TRASH... 985 00:58:09,919 --> 00:58:12,588 WHEN THERE IS SHTICKING AND CRUISING TO BE DONE. 986 00:58:12,589 --> 00:58:15,792 YOU OBVIOUSLY LEAD AN "INFINTESTIMIAL" EXISTENCE. 987 00:58:15,792 --> 00:58:17,927 TO JOSH: 988 00:58:17,927 --> 00:58:20,596 YOUR NARCISSISM... 989 00:58:22,198 --> 00:58:23,799 IS MEDIOCRE. 990 00:58:23,800 --> 00:58:26,469 NARCISSISM IN SOME WAYS IS INEVITABLE. 991 00:58:26,469 --> 00:58:30,206 I MEAN, SINCE WE'RE ALL LIVING IN THE SAME BODIES FOR THIS MORTALITY, 992 00:58:30,206 --> 00:58:31,609 IT'S ALMOST INEVITABLE THAT WE WILL BE... 993 00:58:31,610 --> 00:58:33,310 SELF-ABSORBED AT SOME POINT. 994 00:58:33,409 --> 00:58:36,078 BUT WHY IS IT THAT SO MANY PEOPLE HAVE A NARCISSISM AS YOURSELF... 995 00:58:36,079 --> 00:58:39,282 THAT LEADS TO MEDIOCRITY AND NOTHING ELSE? 996 00:58:39,282 --> 00:58:41,951 TO JEN AND MICHELLE: 997 00:58:41,951 --> 00:58:44,620 THAT WAS SUPPOSED TO BE AN ORGY. 998 00:58:44,621 --> 00:58:47,058 I DON'T KNOW HOW IT CAME DOWN TO A DOUBLE DATE... 999 00:58:47,059 --> 00:58:48,759 WITH ME AS A FIFTH WHEEL. 1000 00:58:48,858 --> 00:58:52,496 THAT SUCKS. I'VE NEVER BEEN IN A SITUATION WHERE I'VE BEEN... 1001 00:58:52,497 --> 00:58:53,597 SO SEVERELY DISSED. 1002 00:58:53,696 --> 00:58:56,734 I MEAN, AN ORGY IS WHEN EVERYBODY PARTICIPATES, 1003 00:58:56,735 --> 00:58:59,035 NOT FOUR OUT OF FIVE IN THE ROOM. 1004 00:59:00,637 --> 00:59:02,238 TO RAELLE: 1005 00:59:02,772 --> 00:59:07,576 I AM NOT GOING TO GO TO SOME SINGLE JEWISH PARTY... 1006 00:59:07,577 --> 00:59:10,246 BECAUSE I'M A DISHEVELLED WRECK OF A SHTICKER... 1007 00:59:10,246 --> 00:59:12,915 TO TRY TO MEET SOME LONG ISLAND JEWESS... 1008 00:59:12,916 --> 00:59:16,119 AND LAND ON A FRONT YARD IN A HOUSE WITH TWO CARS... 1009 00:59:16,119 --> 00:59:18,056 AND CHILDREN WHO BAWL MY NAME... 1010 00:59:18,057 --> 00:59:19,757 THROUGH THEIR OWN SALIVARY GLANDS. 1011 00:59:19,856 --> 00:59:23,593 THAT MAY BE YOUR APPROXIMATE GOAL, BUT THAT IS NOT MINE. 1012 00:59:23,593 --> 00:59:26,796 I AM SURPRISED BY YOUR UNORIGINALITY, 1013 00:59:26,796 --> 00:59:30,533 AND I AM TIRED OF YOUR SILLY EMASCULATIONS. 1014 00:59:30,533 --> 00:59:32,670 I WOULD PREFER TO BE EMASCULATED BY A WOMAN... 1015 00:59:32,671 --> 00:59:34,171 WITH MUCH MORE SEVERITY... 1016 00:59:34,270 --> 00:59:36,939 AND WITH A LITTLE BIT MORE BACKBONE. 1017 00:59:38,007 --> 00:59:40,142 TO MEM LEVITCH: 1018 00:59:40,143 --> 00:59:42,812 WHY DON'T YOU LEAVE ME ALONE? 1019 00:59:42,812 --> 00:59:46,015 I'M TRYING TO LEAD SOMETHING OF A YOUTHFUL EXISTENCE HERE. 1020 00:59:46,015 --> 00:59:48,684 I'M STANDING HERE ON THE BROOKLYN BRIDGE TODAY... 1021 00:59:48,685 --> 00:59:50,689 TALKING TO THE BROOKLYN BRIDGE... 1022 00:59:50,690 --> 00:59:53,390 ABOUT THE MINUSCULE MOMENTS OF ALIENATION... 1023 00:59:53,489 --> 00:59:56,692 THAT I REMEMBER SO WELL OVER THE LAST QUARTER CENTURY, 1024 00:59:56,693 --> 00:59:59,362 AND ALL YOU CAN DO IS LEAVE MESSAGES ON MY MACHINE... 1025 00:59:59,362 --> 01:00:01,665 AND LECTURE ME ABOUT HOW MUCH YOU NEED ME... 1026 01:00:01,666 --> 01:00:02,466 UP THERE IN WESTCHESTER. 1027 01:00:02,565 --> 01:00:06,302 WHAT AM I SUPPOSED TO DO? CHECK THE AIR IN YOUR TIRES? 1028 01:00:06,302 --> 01:00:10,039 YOU NEVER ONCE VAULTED OUT OF THE GOLDEN CHAIR. 1029 01:00:10,039 --> 01:00:12,643 YOU NEVER HAD THE GUTS, THE AUDACITY, 1030 01:00:12,644 --> 01:00:14,844 TO STAND UP AND DO SOMETHING WITH YOUR LIFE. 1031 01:00:14,844 --> 01:00:17,514 YOU COULD ONLY UTILIZE YOUR OWN NARCISSISMS... 1032 01:00:17,515 --> 01:00:19,115 AND YOUR OWN SELF-ABSORPTION... 1033 01:00:19,115 --> 01:00:22,085 TO ALWAYS, IN A TONAL SENSE, IMPLY TO ME, YOUR CHILD, 1034 01:00:22,086 --> 01:00:23,386 THAT I HAD TO SAVE YOUR LIFE. 1035 01:00:23,920 --> 01:00:27,657 AND THIS HAS BEEN A DAILY CRUSADE FROM THE FIRST MOMENT OF MY BIRTH. 1036 01:00:27,657 --> 01:00:29,792 AND WHEN I EMANATED FROM YOUR BLOODY THIGHS, 1037 01:00:30,326 --> 01:00:34,063 IF I'D KNOWN ALL THIS, I'M SURE I WOULD HAVE CRAWLED BACK IN. 1038 01:00:34,063 --> 01:00:37,033 DON'T YOU KNOW THAT ALL THE MENSTRUATION... 1039 01:00:37,034 --> 01:00:38,334 THAT HAPPENED AFTER THAT... 1040 01:00:38,334 --> 01:00:42,071 WAS PARTS OF MYSELF LEFT BEHIND THAT YOU WERE CHOKING TO DEATH? 1041 01:00:42,071 --> 01:00:44,206 THAT WAS MY BLOOD! 1042 01:00:55,418 --> 01:00:58,087 "WHEN I STOOD ATOP THE BROOKLYN BRIDGE... 1043 01:00:58,087 --> 01:01:00,756 "OVERLOOKING THE BROOKLYN NAVY YARD, 1044 01:01:00,757 --> 01:01:02,892 "I FELT SEVERED FROM HUMANITY, 1045 01:01:02,892 --> 01:01:06,629 "FROM THE ACTIVITIES OF HUMANITY, FROM MAN HIMSELF, 1046 01:01:06,629 --> 01:01:09,298 "STARING AT BROOKLYN AND THEN MANHATTAN. 1047 01:01:09,298 --> 01:01:12,501 "IT MADE NO DIFFERENCE WHICH DIRECTION I WALKED IN. 1048 01:01:12,502 --> 01:01:15,705 EITHER WAY WAS HELL". 1049 01:01:15,705 --> 01:01:19,442 HENRY MILLER, TROPIC OF CAPRICORN. 1050 01:01:19,442 --> 01:01:21,746 AND A GOOD LITERARY DESCRIPTION... 1051 01:01:21,747 --> 01:01:24,247 OF A NEW YORK CITY NERVOUS BREAKDOWN. 1052 01:01:29,052 --> 01:01:32,255 TIMES SQUARE, EMPIRE STATE BUILDING, 1053 01:01:32,255 --> 01:01:35,458 GREENWICH VILLAGE, STOP AT BLEECKER AND LAGUARDIA, 1054 01:01:35,458 --> 01:01:38,127 THROUGH SOHO, RIGHT ON BROADWAY, 1055 01:01:38,127 --> 01:01:40,796 CHINATOWN/SOHO/LITTLE ITALY STOP. HELLO. 1056 01:01:40,797 --> 01:01:43,466 WORLD TRADE CENTERS, BATTERY PARK, 1057 01:01:43,466 --> 01:01:47,203 STATUE OF LIBERTY, OF COURSE, SOUTH STREET SEAPORT, WALL STREET, 1058 01:01:47,203 --> 01:01:49,872 UP THROUGH THE OTHER SIDE OF CHINATOWN, UP FIRST AVENUE, 1059 01:01:49,872 --> 01:01:52,541 DELANCEY AND ALLEN, ORCHARD STREET FLEA MARKET, 1060 01:01:52,542 --> 01:01:54,345 THE UNITED NATIONS, ACROSS 49th STREET, 1061 01:01:54,346 --> 01:01:55,646 THE WALDORF-ASTORIA SHTICK, 1062 01:01:55,745 --> 01:01:58,414 PARK AVENUE ON EITHER SIDE OF YOU, UP MADISON AVENUE, 1063 01:01:58,414 --> 01:02:01,084 CENTRAL PARK SOUTH STOP, DOWN TO ROCKEFELLER CENTER, 1064 01:02:01,085 --> 01:02:02,685 BACK TO THE TERMINAL. 1065 01:02:02,685 --> 01:02:05,354 THAT'S LIFE. 1066 01:02:05,354 --> 01:02:07,489 LIFE-- 1067 01:02:07,490 --> 01:02:11,227 A CIRCLE WROUGHT WITH DESTINATIONS. 1068 01:02:11,227 --> 01:02:16,031 PEOPLE CONSTANTLY JUMPING OFF THE BUS AND JUMPING BACK ONTO THE BUS. 1069 01:02:16,032 --> 01:02:18,167 SEA LIONS. 1070 01:02:21,370 --> 01:02:23,505 NABOBS. 1071 01:02:30,980 --> 01:02:33,115 THE CIRCLE. 1072 01:02:41,124 --> 01:02:43,793 WHEN YOU CROSS THE STREET CALLED HOUSTON STREET, 1073 01:02:43,793 --> 01:02:46,462 YOU ENTER THE DISTRICT CALLED SOHO, 1074 01:02:46,462 --> 01:02:49,131 WHICH STANDS FOR "SOUTH OF HOUSTON". 1075 01:02:49,132 --> 01:02:51,267 AND AS WE ENTER SOHO TODAY, 1076 01:02:51,801 --> 01:02:53,205 I'D LIKE TO TAKE A MOMENT... 1077 01:02:53,206 --> 01:02:56,606 TO DEDICATE THIS CRUISE AND THIS ENTRANCE INTO SOHO... 1078 01:02:56,606 --> 01:02:59,809 TO OUR DRIVER AND NAVIGATOR DOWNSTAIRS, BENITEZ. 1079 01:02:59,809 --> 01:03:01,944 IN A CERTAIN PERSONAL DESPAIR TODAY, 1080 01:03:01,944 --> 01:03:04,014 I WANT HIM TO KNOW THAT I AM WITH HIM, 1081 01:03:04,015 --> 01:03:06,215 AND I'M BACKING HIM UP ALL THE WAY. 1082 01:03:06,215 --> 01:03:08,350 WE'VE DONE MANY CIRCLES TOGETHER, 1083 01:03:08,351 --> 01:03:12,088 AND TOGETHER WE'VE SUFFERED, AS WE ENTER SOHO. 1084 01:03:12,088 --> 01:03:16,358 WE'RE CROSSING HOUSTON STREET RIGHT NOW. CAN YOU FEEL IT? 1085 01:03:16,359 --> 01:03:19,028 BENITEZ, CAN YOU FEEL IT? 1086 01:03:19,028 --> 01:03:21,697 WE'RE ENTERING SOHO. 1087 01:03:38,781 --> 01:03:43,051 I WROTE JON A LETTER ABOUT THE, UH, LAMED VOVNIKS. 1088 01:03:43,052 --> 01:03:45,721 UM-- 1089 01:03:45,721 --> 01:03:49,458 THE, UH-- FROM THE ANCIENT CABALA. 1090 01:03:49,458 --> 01:03:52,661 THIRTY-SIX, UH, IN HEBREW-- LAMED VOVNIK. 1091 01:03:52,662 --> 01:03:54,797 I BELIEVE IT MEANS 36. 1092 01:03:54,797 --> 01:03:56,101 AND, ESSENTIALLY, 1093 01:03:56,102 --> 01:03:59,602 IT DISCUSSES HOW THERE ARE 36 HUMAN BEINGS ON THE PLANET... 1094 01:03:59,602 --> 01:04:02,271 AT ALL TIMES-- ONLY 36-- 1095 01:04:02,271 --> 01:04:06,008 WHO, UH, UPHOLD AND CREATE THE EQUILIBRIUM... 1096 01:04:06,542 --> 01:04:08,677 FOR ALL OF OUR SUFFERINGS. 1097 01:04:08,678 --> 01:04:12,948 THEY TAKE THE MALAISE AND THE MAELSTROM OF PERSECUTIONS... 1098 01:04:12,949 --> 01:04:16,153 AND THE DISASTERS OF THE WORLD ONTO THEIR OWN SHOULDERS, 1099 01:04:16,154 --> 01:04:17,654 PAST, PRESENT AND FUTURE, 1100 01:04:17,753 --> 01:04:21,490 THROUGHOUT THEIR FLESH-PHYSICAL-INCARNATED LIVES. 1101 01:04:21,490 --> 01:04:24,159 AND WITHOUT THESE 36 PEOPLE, 1102 01:04:24,160 --> 01:04:26,829 THE INFRASTRUCTURE OF THE WORLD WOULD FALL APART... 1103 01:04:26,829 --> 01:04:30,566 AND THERE WOULD BE ARMAGEDDON AND PERHAPS THE FINAL JUDGMENT, 1104 01:04:30,566 --> 01:04:34,303 BUT NOT A PRETTY JUDGMENT, BY ANY MEANS. 1105 01:04:34,303 --> 01:04:35,904 FINAL BUT NOT PRETTY. 1106 01:04:37,506 --> 01:04:40,709 MOST OF THE VOVNIKS DO NOT KNOW THAT THEY'RE VOVNIKS. 1107 01:04:41,244 --> 01:04:43,913 THEY SUFFER IN AN INCOMPREHENSIBLE HELL, 1108 01:04:43,913 --> 01:04:47,116 AND THEY SWIM IN AN ENTIRE WHIRLPOOL OF HUMILITY... 1109 01:04:47,650 --> 01:04:50,319 WITHOUT THE KNOWLEDGE OF THEMSELVES OR WHO THEY ARE... 1110 01:04:50,319 --> 01:04:52,454 OR THEIR IMPORTANCE IN THE WORLD. 1111 01:04:52,455 --> 01:04:55,124 AND THE VOVNIK MORDECAI, 1112 01:04:55,124 --> 01:04:58,861 WHO LEFT THE LARGE FAMILY OF THE LEVIS... 1113 01:04:59,395 --> 01:05:04,733 TO MOVE TO MIERDZBERGZST ON THE ROCKY GLACIERS OF SILESIA, 1114 01:05:04,734 --> 01:05:06,869 UH, IN THE 17th CENTURY, 1115 01:05:06,869 --> 01:05:10,606 WHERE THE BAAL SHEM TOV HAD SET UP CRUISING HEADQUARTERS... 1116 01:05:10,606 --> 01:05:15,410 AND INSTITUTED THE BEGINNINGS OF THE HASIDIM, HASIDIC RELIGION. 1117 01:05:15,411 --> 01:05:17,546 AND THE BAAL SHEM TOV, THE ENLIGHTENED RABBI, 1118 01:05:17,546 --> 01:05:22,350 PREACHING THE CARNIVOROUSNESS AND THE RELIGIOSITY IN JOY... 1119 01:05:22,885 --> 01:05:24,486 AND THE ECSTASY OF PRAYER. 1120 01:05:25,021 --> 01:05:28,224 I MEAN, THE HASIDS ARE NO LONGER GOING TO SIT WITH PRAYER BOOKS, 1121 01:05:28,224 --> 01:05:30,893 YOU KNOW, SILENTLY PRAYING IN DARKENED SYNAGOGUES. 1122 01:05:30,893 --> 01:05:33,562 THEY ARE GOING TO JUMP AROUND THE ROOM. 1123 01:05:33,562 --> 01:05:35,532 THEY ARE GOING TO SCREAM AND YELL THEIR LOVE FOR GOD. 1124 01:05:35,533 --> 01:05:37,833 THEY'RE GOING TO DO CARTWHEELS. 1125 01:05:37,833 --> 01:05:41,570 AND MORDECAI WENT THERE TO HELP CLEAN OUT OUTHOUSES. 1126 01:05:41,570 --> 01:05:44,239 BASICALLY, HE WAS A PEASANT LIVING IN THE TOWN. 1127 01:05:44,240 --> 01:05:49,044 DERELICTS AND BUMS AND GENIUSES AND ARISTOCRATS AND POETS... 1128 01:05:49,045 --> 01:05:51,714 AND MEN OF EVERY KIND OF OCCUPATION AND PHYLUM... 1129 01:05:51,714 --> 01:05:55,451 WERE GOING TO MIERDZBERGZST ON THE ROCKY GLACIERS OF SILESIA... 1130 01:05:55,451 --> 01:05:59,055 JUST TO HAVE THEIR OWN MOMENTS WITH THE BAAL SHEM TOV, 1131 01:05:59,056 --> 01:06:00,256 THIS ENLIGHTENED RABBI. 1132 01:06:00,256 --> 01:06:02,660 AND MORDECAI REVERENTLY STOOD IN THE SAME ROOM... 1133 01:06:02,661 --> 01:06:05,061 WITH THE BAAL SHEM TOV A FEW TIMES... 1134 01:06:05,061 --> 01:06:07,730 AS HE WENT OFF TO DO HIS DAILY TOIL. 1135 01:06:08,798 --> 01:06:12,001 EVENTUALLY, THEY CALLED HIM "THE DANCER OF GOD," 1136 01:06:12,001 --> 01:06:15,738 BECAUSE WHEN THE HASIDS WOULD FORM FOR THEIR REELS OF DANCE... 1137 01:06:15,738 --> 01:06:18,941 IN HONOR TO THEIR ECSTASY TO THEIR GOD, 1138 01:06:18,941 --> 01:06:21,645 MORDECAI WOULD JUMP SO HIGH... 1139 01:06:21,646 --> 01:06:23,746 AND WOULD DANCE WITH SUCH AN EXUBERANCE, 1140 01:06:23,746 --> 01:06:26,583 THE OTHER HASIDICS WERE EMBARRASSED ABOUT HIM... 1141 01:06:26,584 --> 01:06:27,384 AND FOR HIM, 1142 01:06:27,483 --> 01:06:30,152 AND HE WAS EXILED FROM THE DANCE. 1143 01:06:30,152 --> 01:06:33,889 AND SO HE APPEASED HIMSELF BY DANCING ALONE AT NIGHT... 1144 01:06:34,423 --> 01:06:36,558 IN THE SHED RESERVED FOR THE SICK AND DYING, 1145 01:06:36,559 --> 01:06:39,762 AND HE WOULD ENTERTAIN THEM IN THE EVENINGS ALONE. 1146 01:06:39,762 --> 01:06:41,100 SUDDENLY, 1147 01:06:41,101 --> 01:06:45,101 THE GAON OF KIEV WHISPERS TO THE BAAL SHEM TOV ONE DAY... 1148 01:06:45,101 --> 01:06:47,770 THAT THERE IS A VOVNIK, 1149 01:06:47,770 --> 01:06:51,507 UH, A HOLY, UH, MAN. 1150 01:06:51,507 --> 01:06:53,642 THEY HAVE ANOTHER TERM FOR IT. 1151 01:06:55,244 --> 01:06:58,447 A MAN OF TOTAL EQUILIBRIUM, A LAMED VOVNIK, IN TOWN. 1152 01:06:58,981 --> 01:07:00,884 AND SO THEY START SEARCHING FOR WHO THIS MIGHT BE. 1153 01:07:00,885 --> 01:07:02,085 THEY INTERVIEW THE DERELICTS. 1154 01:07:02,184 --> 01:07:04,853 THEY INTERVIEW ALL THE PEASANTS. THEY INTERVIEW THE HANDYMEN. 1155 01:07:04,854 --> 01:07:08,057 THEY'RE LOOKING FOR THE GUYS WHO HANG OUT WITH FARM ANIMALS, 1156 01:07:08,057 --> 01:07:09,160 ANYBODY WHO MIGHT BE MENTALLY RETARDED, 1157 01:07:09,161 --> 01:07:11,161 AS MANY VOVNIKS ARE MENTALLY RETARDED. 1158 01:07:11,260 --> 01:07:14,463 SUDDENLY, THEY REALIZE THAT THE GUY WHO CLEANS THE OUTHOUSES... 1159 01:07:14,463 --> 01:07:16,598 DISAPPEARS THE NEXT MORNING. 1160 01:07:16,599 --> 01:07:18,734 SUDDENLY, RUMORS SPREAD AROUND. 1161 01:07:18,734 --> 01:07:22,471 THEY SAY TO THE BAAL SHEM TOV, "HE DANCED FOR THE SICK AT NIGHT ALONE. 1162 01:07:23,005 --> 01:07:25,140 HE CLEANED THE OUTHOUSES CONSCIENTIOUSLY". 1163 01:07:25,141 --> 01:07:29,411 AND THE BAAL SHEM TOV WOOED THEM AWAY, PUSHED THEM AWAY, 1164 01:07:29,412 --> 01:07:31,547 AND WAS CRYING. 1165 01:07:31,547 --> 01:07:33,682 AND THERE WAS SILENCE. 1166 01:07:33,682 --> 01:07:35,817 AND THE BAAL SHEM TOV SAID SIMPLY, 1167 01:07:36,352 --> 01:07:40,089 "THAT ONE WAS HEALTHY AMONGST THE SICK, 1168 01:07:40,089 --> 01:07:42,758 AND I DID NOT SEE HIM". 1169 01:07:52,902 --> 01:07:57,172 - IS THAT OPEN? - YEAH. THANKS, LARRY. 1170 01:08:03,045 --> 01:08:05,180 - HOW YA BEEN? - ALL RIGHT. WHAT'S HAPPENIN'? 1171 01:08:05,181 --> 01:08:08,384 - HANGIN' IN THERE. - I KNOW THAT FEELIN'. 1172 01:08:14,256 --> 01:08:16,925 TODAY'S MY LAST DAY, MAN. -REALLY? 1173 01:08:16,926 --> 01:08:20,096 YEAH. I GOT THE JOB WORKING WITH TRANSIT. 1174 01:08:20,097 --> 01:08:21,197 ALL RIGHT. CONGRATULATIONS. 1175 01:08:21,197 --> 01:08:24,934 THANK YOU. I START THAT TUESDAY. -ALL RIGHT. 1176 01:08:24,934 --> 01:08:27,069 I WAS GONNA COME IN MONDAY, 1177 01:08:27,069 --> 01:08:30,272 BUT AFTER I HEARD THE WEATHER REPORT, I SAID NO. 1178 01:08:30,272 --> 01:08:32,941 YEAH. ABSOLUTELY. YOU'RE RIGHT. 1179 01:08:32,942 --> 01:08:34,079 I'VE PAID MY DUES. 1180 01:08:34,080 --> 01:08:36,680 WELL, YOU'VE COME A LONG WAY. WE'VE DONE A LOT OF CIRCLES. 1181 01:08:37,213 --> 01:08:38,216 YOU GOT THAT RIGHT. 1182 01:08:38,217 --> 01:08:40,317 I'M GLAD TO KNOW THAT THERE'S A FINISH LINE TO THIS. 1183 01:08:40,416 --> 01:08:44,686 I FIND THAT-- I FIND THAT INTERESTING. 1184 01:08:44,687 --> 01:08:47,890 THAT'S A GOOD WAY OF LOOKING AT IT, MAN. -IT'S BEEN SO NICE TO KNOW YOU. 1185 01:08:47,890 --> 01:08:50,559 - IT'S BEEN MY PLEASURE. - YEAH, IT'S BEEN A DAMN PLEASURE. 1186 01:08:50,559 --> 01:08:52,160 - YEAH, BUT I'LL BE AROUND. - ALL RIGHT, YEAH. 1187 01:08:52,695 --> 01:08:55,032 PICK UP SOME EXTRA MONEY FROM TIME TO TIME. 1188 01:08:55,033 --> 01:08:56,333 YEAH, I CAN UNDERSTAND THAT. 1189 01:08:56,432 --> 01:08:59,101 YOU CAN NEVER HAVE TOO MUCH MONEY. -THAT'S RIGHT. 1190 01:08:59,101 --> 01:09:03,905 WELL, CONGRATULATIONS, AND KEEP IT ALIVE. 1191 01:09:06,041 --> 01:09:09,244 244 EAST 49th STREET... 1192 01:09:09,245 --> 01:09:10,515 WILL BE A QUIET, 1193 01:09:10,516 --> 01:09:13,516 BROWN ROW HOUSE IN THE MIDDLE OF THE NEXT BLOCK ON YOUR LEFT, 1194 01:09:13,516 --> 01:09:16,719 STILL CURRENTLY THE NEW YORK CITY RESIDENCE... 1195 01:09:16,719 --> 01:09:18,854 OF KATHARINE HEPBURN. 1196 01:09:18,854 --> 01:09:22,591 GRETA GARBO AND BETTE DAVIS, WHEN THEY WERE BOTH LIVING, 1197 01:09:22,591 --> 01:09:26,861 ALSO HAD RESIDENCES ON THIS NEXT BLOCK. 1198 01:09:27,396 --> 01:09:32,200 WHEN THEY ASKED GRETA GARBO WHY SHE CHOSE TO LIVE IN NEW YORK CITY, 1199 01:09:32,201 --> 01:09:35,404 SHE SAID THAT NEW YORK WAS THE ONLY PLACE... 1200 01:09:35,404 --> 01:09:38,073 WHERE SHE COULD BE... ALONE. 1201 01:11:50,539 --> 01:11:54,039 I AM CRUISING CURRENTLY... 1202 01:11:54,040 --> 01:11:56,344 RIGHT NOW. 1203 01:11:56,345 --> 01:12:01,149 I AM CRUISING BECAUSE I HAVE DEDICATED MYSELF... 1204 01:12:01,150 --> 01:12:05,420 TO ALL THAT IS CREATIVE AND DESTRUCTIVE IN MY LIFE RIGHT NOW. 1205 01:12:05,421 --> 01:12:09,158 AND I'M EQUALLY IN LOVE WITH EVERY ASPECT OF MY LIFE... 1206 01:12:09,158 --> 01:12:12,361 AND ALL THE INGREDIENTS THAT HAVE CAUSED ME TURMOIL... 1207 01:12:12,361 --> 01:12:15,564 AND ALL THE INGREDIENTS THAT HAVE CAUSED ME GLORY. 1208 01:12:16,098 --> 01:12:20,902 I AM THE LIVING WHISPERED WARNING IN THE ROMAN GENERAL'S EAR, 1209 01:12:21,437 --> 01:12:23,572 "GLORY IS FLEETING". 1210 01:12:23,572 --> 01:12:27,309 AND IN THAT VERB, THAT ACTIVE VERB, "FLEETING," 1211 01:12:27,309 --> 01:12:30,512 THERE I LIVE, THERE I RESIDE IN THIS MOMENT. 1212 01:12:30,512 --> 01:12:35,316 I'VE DEDICATED MYSELF TO THE IDIOM, "I DON'T KNOW". 1213 01:12:35,317 --> 01:12:40,121 AND I'M IN LOVE WITH THE FRANTIC CHAOS OF THIS LIMITLESS UNIVERSE. 1214 01:13:28,170 --> 01:13:31,907 I'VE FACED THIS BEFORE. 1215 01:13:31,907 --> 01:13:37,245 THE SECOND TO LAST TIME I TRIED IT, IT DIDN'T GO OFF, 1216 01:13:37,246 --> 01:13:40,449 AND I FOUND MYSELF OVERLOOKING 42nd STREET. 1217 01:13:40,449 --> 01:13:44,719 I WAS, LIKE, EXACTLY 45 FLOORS UP, 1218 01:13:44,720 --> 01:13:47,389 RIGHT ACROSS THE STREET FROM THE CHRYSLER BUILDING. 1219 01:13:47,389 --> 01:13:49,524 IT WAS UNBELIEVABLE. 1220 01:13:49,525 --> 01:13:52,194 THE LAST TIME I TRIED IT, 1221 01:13:52,194 --> 01:13:55,931 I STOOD ATOP THE MARRIOTT MARQUIS HOTEL, 1222 01:13:55,931 --> 01:13:58,600 THINKING THAT I HAD SO GLORIOUSLY ONCE AGAIN EVADED... 1223 01:13:58,600 --> 01:14:01,803 THE ANTI-CRUISE FIRE EXIT SIGNALS... 1224 01:14:01,804 --> 01:14:04,074 AND THEN WAS SUDDENLY SURROUNDED... 1225 01:14:04,075 --> 01:14:05,975 BY TWO FIRE DEPARTMENTS PEOPLE, 1226 01:14:06,074 --> 01:14:08,743 HEAD OF SECURITY. 1227 01:14:09,278 --> 01:14:12,481 LECTURE, REPRIMAND. 1228 01:14:12,481 --> 01:14:15,684 I BARELY GOT OUT OF THERE ALIVE. 1229 01:14:17,286 --> 01:14:19,955 I'VE NEVER SEEN A KEY BEFORE, THOUGH. 1230 01:14:20,489 --> 01:14:23,158 SEEMS TO ME IT'S THE POTENTIAL OF TURNING IT OFF, 1231 01:14:23,158 --> 01:14:26,361 BUT I DON'T KNOW WHAT IS ON AND WHAT IS OFF. 1232 01:14:54,122 --> 01:14:57,859 CLOSED-CAPTIONED BY CAPTIONS, INC. LOS ANGELES 1233 01:16:16,560 --> 01:16:19,560 Subtitle ripped and processed by Contaminator 1234 01:16:20,561 --> 01:16:22,561 Originally published 04/23/2013 @ www.podnapisi.net 93233