All language subtitles for The L Word (2004) S02E06 Lagrimas de Oro.en

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:10,666 --> 00:00:12,032 PREVIOUSLY ON THE L WORD... 2 00:00:12,067 --> 00:00:13,933 YOU DID IT, DIDN'T YOU? YOU AND DANA. 3 00:00:13,968 --> 00:00:16,167 YEAH. 4 00:00:16,199 --> 00:00:17,234 YOU KISSED JENNY? 5 00:00:17,266 --> 00:00:18,167 YEAH. 6 00:00:18,199 --> 00:00:19,701 I-I DIDN'T THINK THAT YOU WOULD MIND. 7 00:00:19,734 --> 00:00:21,634 THEN, NO, AND, HEY, AND I DON'T. 8 00:00:21,667 --> 00:00:23,167 STARTING A NEW PROJECT. 9 00:00:23,199 --> 00:00:25,266 THIS JOURNAL OF MY LIFE WITH THE TWO OF YOU GUYS. 10 00:00:25,300 --> 00:00:26,734 BASICALLY, IT'S JUST GOING TO BE INTERVIEWS. 11 00:00:26,766 --> 00:00:29,501 WOW. 12 00:00:29,533 --> 00:00:31,300 OKAY, I TAKE YOUR POINT, MAN. 13 00:00:31,333 --> 00:00:32,466 YEAH, HIDDEN CAMERAS, MAN. 14 00:00:32,500 --> 00:00:34,466 IT'S THE WAY TO DO THIS. 15 00:00:34,500 --> 00:00:36,067 SINCE MY WORK IN T.O.E., 16 00:00:36,100 --> 00:00:38,634 THE PLANET HAS GONE FROM BEING IN THE RED TO BLACK. 17 00:00:38,667 --> 00:00:39,767 AND... 18 00:00:39,801 --> 00:00:41,267 AND BENJAMIN 19 00:00:41,299 --> 00:00:43,901 IS THE BEST THING THAT'S EVER HAPPENED TO ME. 20 00:00:43,933 --> 00:00:45,500 SO I'M GOING TO STAY IN THE GUEST ROOM 21 00:00:45,533 --> 00:00:46,968 UNTIL I FIND A PLACE OF MY OWN. 22 00:00:47,000 --> 00:00:48,801 WELCOME HOME. 23 00:00:48,834 --> 00:00:50,801 HELENA PEABODY IS ON HER WAY OVER HERE. 24 00:00:50,834 --> 00:00:51,834 RIGHT NOW? 25 00:00:51,868 --> 00:00:52,968 WE GOT THE BIGGEST GRANT 26 00:00:53,000 --> 00:00:54,000 THAT THEY GAVE. 27 00:00:54,033 --> 00:00:55,167 NOBODY ELSE GOT AS MUCH MONEY. 28 00:00:55,200 --> 00:00:56,834 WHAT IS GOING ON HERE? WHAT ARE YOU DOING? 29 00:00:56,868 --> 00:00:59,399 I'M HERE TO PUBLICIZE OUR GRANT ANNOUNCEMENT. 30 00:00:59,433 --> 00:01:01,500 WHAT ARE YOU DOING WITH MY GIRLFRIEND? 31 00:01:01,534 --> 00:01:02,968 DID YOU KNOW THAT TINA WAS PREGNANT? 32 00:01:03,067 --> 00:01:04,067 BETTE, YOU DIDN'T KNOW? 33 00:01:04,067 --> 00:01:04,968 OH, MY GOD. 34 00:01:05,067 --> 00:01:06,400 HOW DID YOU NOT KNOW? 35 00:01:06,434 --> 00:01:08,067 BECAUSE I AM JUST THE BIGGEST FUCKING ASSHOLE 36 00:01:08,067 --> 00:01:09,067 IN THE UNIVERSE. 37 00:01:09,067 --> 00:01:09,567 I GUESS THAT'S HOW. 38 00:01:15,968 --> 00:01:16,934 THANKS FOR JOINING ME. 39 00:01:16,968 --> 00:01:18,968 I DON'T USUALLY DO THIS, 40 00:01:19,067 --> 00:01:20,900 SOCIALIZE WITH MY STUDENTS. 41 00:01:20,934 --> 00:01:23,968 I'M GLAD YOU'RE MAKING AN EXCEPTION FOR ME. 42 00:01:24,067 --> 00:01:25,067 WELL, YOU KNOW, 43 00:01:25,067 --> 00:01:27,567 IT GETS KIND OF LONELY ON THE ROAD SOMETIMES. 44 00:01:27,600 --> 00:01:28,867 YEAH. 45 00:01:28,900 --> 00:01:29,968 YOU MUST MISS YOUR FAMILY. 46 00:01:33,100 --> 00:01:34,933 I-I'M SORRY. 47 00:01:34,968 --> 00:01:36,399 DID I OVERSTEP? 48 00:01:36,433 --> 00:01:39,100 I'M TRYING TO DO THE RIGHT THING, KIT. 49 00:01:39,133 --> 00:01:42,933 I'M AWAY FROM THEM NINE MONTHS OUT OF THE YEAR, 50 00:01:42,968 --> 00:01:45,399 SLEEPING ALONE IN HOTEL ROOMS... 51 00:01:45,433 --> 00:01:47,200 [LAUGHS] 52 00:01:47,234 --> 00:01:48,600 YEAH, BACK IN THE DAY, I DEALT WITH IT 53 00:01:48,634 --> 00:01:51,234 BY JUST GETTING HAMMERED EVERY NIGHT 54 00:01:51,267 --> 00:01:53,533 AND WAKING UP WITH A DIFFERENT MAN 55 00:01:53,567 --> 00:01:54,600 EVERY MORNING. 56 00:01:56,567 --> 00:01:58,466 WELL, I'M GLAD YOU DON'T FEEL THE NEED 57 00:01:58,500 --> 00:01:59,767 TO DO THAT ANYMORE. 58 00:01:59,801 --> 00:02:01,266 I CAN'T SAY 59 00:02:01,300 --> 00:02:05,267 THAT I DON'T FEEL THE NEED. 60 00:02:05,299 --> 00:02:07,968 I JUST DON'T ACT ON IT LIKE I USED TO. 61 00:02:11,634 --> 00:02:15,534 WELL, I GUESS IT'S GOODBYE, THEN. 62 00:02:15,567 --> 00:02:17,934 YEAH, YEAH, WELL, LOOK... 63 00:02:17,968 --> 00:02:19,067 THANKS FOR KEEPING ME COMPANY. 64 00:02:19,067 --> 00:02:20,100 I REALLY APPRECIATE IT. 65 00:02:20,132 --> 00:02:22,766 OH, IT WAS MY PLEASURE. 66 00:02:47,968 --> 00:02:49,433 SHIT. 67 00:02:49,466 --> 00:02:53,968 UH, UM...I THINK I SHOULD GO. 68 00:02:54,067 --> 00:02:55,433 YEAH, YEAH, OKAY. 69 00:02:55,466 --> 00:02:56,433 OKAY? 70 00:02:56,466 --> 00:02:58,801 YEAH, OKAY. 71 00:02:58,834 --> 00:03:01,066 OKAY. 72 00:03:07,900 --> 00:03:09,400 OH, YEAH. 73 00:03:09,433 --> 00:03:12,132 OH, YEAH. 74 00:03:12,166 --> 00:03:14,099 OH, YEAH. 75 00:03:18,968 --> 00:03:25,266 * GIRLS IN TIGHT DRESSES WHO DRAG WITH MUSTACHES * 76 00:03:25,300 --> 00:03:31,800 * CHICKS DRIVING FAST INGENUES WITH LONG LASHES * 77 00:03:31,833 --> 00:03:37,968 * WOMEN WHO LONG, LOVE, LUST WOMEN WHO GIVE * 78 00:03:38,067 --> 00:03:45,299 * THIS IS THE WAY IT'S THE WAY THAT WE LIVE * 79 00:03:52,133 --> 00:03:53,734 * TALKING, LAUGHING LOVING, BREATHING * 80 00:03:53,767 --> 00:03:55,734 * FIGHTING, FUCKING CRYING, DRINKING * 81 00:03:55,767 --> 00:03:56,901 * WRITING, WINNING LOSING, CHEATING * 82 00:03:56,933 --> 00:03:58,433 * KISSING, THINKING, DREAMING 83 00:03:58,466 --> 00:04:00,000 * THIS IS THE WAY... 84 00:04:00,000 --> 00:04:03,334 * THIS IS THE WAY THAT WE LIVE * 85 00:04:03,367 --> 00:04:08,868 * IT'S THE WAY THAT WE LIVE 86 00:04:08,900 --> 00:04:12,567 * AND LOVE * 87 00:04:16,833 --> 00:04:18,900 [MUSIC BLASTING] 88 00:04:18,934 --> 00:04:21,333 I DON'T EVEN LIKE THIS STUPID PICTURE. 89 00:04:21,367 --> 00:04:22,734 IT'S JUST THE ONLY THING I HAVE 90 00:04:22,766 --> 00:04:25,600 THAT ISN'T FROM BETTE OR OF BETTE. 91 00:04:25,634 --> 00:04:27,067 [***] 92 00:04:27,067 --> 00:04:28,501 OH, MY GOD. 93 00:04:28,533 --> 00:04:30,399 I LOVE THIS SONG. 94 00:04:30,434 --> 00:04:31,934 * BEST SHOT... 95 00:04:31,968 --> 00:04:36,366 * WHY DON'T YOU HIT ME WITH YOUR BEST SHOT * 96 00:04:36,399 --> 00:04:39,299 IS THAT STRAIGHT? 97 00:04:39,334 --> 00:04:40,701 * FIRE AWAY... 98 00:04:40,734 --> 00:04:42,600 NO, IT'S CROOKED. 99 00:04:44,533 --> 00:04:46,933 [HUMMING] 100 00:04:46,968 --> 00:04:48,399 OH, GUITAR SOLO. 101 00:04:48,433 --> 00:04:49,901 I'M DRUMS. 102 00:04:51,600 --> 00:04:52,667 TINA, HELLO? 103 00:04:52,701 --> 00:04:54,533 I'M DOING THE SOLO. 104 00:04:56,701 --> 00:04:58,200 OH, JEEZ. 105 00:04:58,234 --> 00:04:59,334 OKAY. 106 00:04:59,366 --> 00:05:01,868 OKAY, NOT A PROBLEM. 107 00:05:09,067 --> 00:05:10,132 OH! 108 00:05:10,166 --> 00:05:11,734 OH, HI. 109 00:05:15,166 --> 00:05:16,466 I... I DID RING THE BELL, 110 00:05:16,501 --> 00:05:18,266 BUT I GUESS YOU COULDN'T HEAR ME OVER THE CACOPHONY. 111 00:05:18,300 --> 00:05:20,067 HOW ARE YOU? 112 00:05:20,100 --> 00:05:21,701 I'M-- GOD. 113 00:05:21,734 --> 00:05:23,434 I'M NOT... 114 00:05:23,466 --> 00:05:24,634 IT'S KIND OF A MESS. 115 00:05:24,667 --> 00:05:27,434 I'M NOT REALLY PREPARED FOR COMPANY. 116 00:05:27,466 --> 00:05:28,567 I WAS JUST ON MY WAY TO BRUNCH, 117 00:05:28,600 --> 00:05:29,567 AND I THOUGHT 118 00:05:29,600 --> 00:05:31,466 I'D DROP OFF THIS PAPERWORK. 119 00:05:31,501 --> 00:05:32,466 NOW, THE HEADQUARTERS FOR SOCIAL JUSTICE 120 00:05:32,500 --> 00:05:33,299 HAS MONEY IN THE BANK. 121 00:05:33,334 --> 00:05:34,801 WOW. WHERE DO I SIGN UP? 122 00:05:34,834 --> 00:05:35,933 HI. 123 00:05:35,968 --> 00:05:37,267 THANK YOU. 124 00:05:37,299 --> 00:05:39,634 UM...CAN I MAKE YOU A CUP OF TEA? 125 00:05:39,667 --> 00:05:42,600 NO, NO, NOT TODAY. 126 00:05:42,634 --> 00:05:43,634 I'LL SEE YOU THURSDAY. 127 00:05:43,667 --> 00:05:44,634 OKAY. 128 00:05:44,667 --> 00:05:47,067 SEE YOU THEN. 129 00:05:47,067 --> 00:05:48,767 THANKS FOR COMING BY. 130 00:05:52,901 --> 00:05:54,100 WHAT'S THURSDAY? 131 00:05:54,133 --> 00:05:55,433 [SIGHS] 132 00:05:55,466 --> 00:05:57,067 IT'S THE PEABODY FOUNDATION DINNER 133 00:05:57,100 --> 00:06:00,000 FOR ALL THEIR GRANT RECIPIENTS. 134 00:06:00,000 --> 00:06:01,334 I CAN'T BELIEVE SHE SAW ME LIKE THIS. 135 00:06:01,367 --> 00:06:02,701 LIKE WHAT? 136 00:06:02,734 --> 00:06:04,533 LIKE A PREGNANT WOMAN AT HOME DOING NORMAL THINGS 137 00:06:04,567 --> 00:06:05,533 IN HER APARTMENT? 138 00:06:05,567 --> 00:06:06,533 LIKE A NORMAL PERSON 139 00:06:06,567 --> 00:06:07,767 WHO DOESN'T LOOK LIKE 140 00:06:07,801 --> 00:06:09,433 SHE WAS ALWAYS DRESSED PERSONALLY BY YVES ST. LAURENT? 141 00:06:09,467 --> 00:06:11,333 I THINK I'VE PUT HER OFF. 142 00:06:11,367 --> 00:06:12,400 DID YOU SEE THE WAY SHE LOOKED AT ME? 143 00:06:12,433 --> 00:06:14,234 YEAH, I DID. 144 00:06:14,266 --> 00:06:16,132 IT WAS A LITTLE BIT SCARY. 145 00:06:18,734 --> 00:06:20,466 ARE YOU SLEEPING WITH HER? 146 00:06:20,501 --> 00:06:21,968 NO. 147 00:06:22,067 --> 00:06:24,132 NO, I HAVEN'T. 148 00:06:26,067 --> 00:06:27,466 ARE YOU GOING TO? 149 00:06:27,501 --> 00:06:29,067 I DON'T KNOW. 150 00:06:29,067 --> 00:06:31,399 I-I DON'T THINK I'M READY. 151 00:06:31,434 --> 00:06:32,466 I MEAN, BESIDES, LOOK... 152 00:06:32,500 --> 00:06:34,801 WITH THIS... 153 00:06:34,834 --> 00:06:36,366 ALICE, DON'T BE RIDICULOUS. 154 00:06:36,399 --> 00:06:38,299 SHE'S NOT EVEN INTERESTED IN ME. 155 00:06:38,334 --> 00:06:40,968 HA. 156 00:06:45,067 --> 00:06:46,767 I DON'T KNOW. I CAN'T TELL. 157 00:06:46,801 --> 00:06:49,334 OKAY, DO YOU THINK CARMEN IS INTO ME, HONESTLY? 158 00:06:49,366 --> 00:06:52,667 OKAY, WHEN YOU WENT OUT WITH HER, LIKE... 159 00:06:52,701 --> 00:06:54,634 WAS SHE JUST KIND OF, LIKE, YOU KNOW, 160 00:06:54,667 --> 00:06:56,067 I DON'T KNOW... 161 00:06:56,100 --> 00:06:58,067 RETICENT? 162 00:06:58,067 --> 00:06:59,067 WAIT A MINUTE. 163 00:06:59,067 --> 00:07:00,000 YOU WENT OUT 164 00:07:00,000 --> 00:07:01,534 WITH THIS GIRL? 165 00:07:01,567 --> 00:07:02,567 THE GIRL YOU'RE-- 166 00:07:02,601 --> 00:07:03,934 FUCK YOU, MARK. 167 00:07:03,968 --> 00:07:05,767 [LAUGHS] 168 00:07:05,801 --> 00:07:07,067 AND NOW YOU'RE GOING OUT WITH THE SAME GIRL. 169 00:07:07,067 --> 00:07:08,868 I AM DEFINITELY NOT GOING OUT WITH HER. 170 00:07:08,900 --> 00:07:10,067 AND THAT'S COOL? 171 00:07:10,067 --> 00:07:11,666 YOU GUYS-- IS THAT COMMON? 172 00:07:11,701 --> 00:07:13,933 YOU GUYS JUST SHARE CHICKS AND SHIT? 173 00:07:16,234 --> 00:07:17,067 WE DON'T SHARE. 174 00:07:17,067 --> 00:07:17,900 I DON'T DATE CARMEN ANYMORE. 175 00:07:17,934 --> 00:07:19,300 OH, RIGHT, RIGHT. 176 00:07:19,333 --> 00:07:21,434 OF COURSE, YOU HAVE YOUR TWO-FUCK LIMIT, RIGHT? 177 00:07:21,466 --> 00:07:23,434 SHANE, HOW DO YOU EVEN CONVINCE A GIRL 178 00:07:23,466 --> 00:07:25,266 TO GO HOME WITH YOU? 179 00:07:25,300 --> 00:07:26,466 DOESN'T YOUR REPUTATION 180 00:07:26,501 --> 00:07:27,466 PRECEDE YOU BY THIS POINT? 181 00:07:27,501 --> 00:07:28,466 HOW DO YOU? 182 00:07:28,501 --> 00:07:29,466 I DON'T KNOW. 183 00:07:29,501 --> 00:07:31,833 I MAKE A LOT OF EYE CONTACT, 184 00:07:31,867 --> 00:07:33,433 LAUGH AT THEIR JOKES... 185 00:07:33,466 --> 00:07:36,267 OH, AND WHAT SIGNS AND SEALS THE DEAL 186 00:07:36,299 --> 00:07:39,167 IS I TELL A TRAGIC CHILDHOOD STORY. 187 00:07:39,200 --> 00:07:40,433 OH, MARK... 188 00:07:40,466 --> 00:07:42,767 YOU'RE SO FULL OF SHIT. 189 00:07:42,801 --> 00:07:44,634 YOU KNOW IT'S TRUE. 190 00:07:44,667 --> 00:07:46,234 LOOK, FROM WHAT I KNOW, 191 00:07:46,267 --> 00:07:49,366 THE MOST IMPORTANT THING IS TO LISTEN. 192 00:07:49,399 --> 00:07:50,634 YOU GET THEM TALKING, 193 00:07:50,667 --> 00:07:52,067 AND YOU START HEARING ABOUT THEIR LIFE, 194 00:07:52,067 --> 00:07:53,567 AND THEN YOU FIGURE OUT WHAT THEY WANT. 195 00:07:53,600 --> 00:07:54,567 YEAH, IT'S TRUE. 196 00:07:54,600 --> 00:07:57,067 CHICKS DO LIKE TO TALK A LOT. 197 00:07:57,100 --> 00:07:58,933 BUT YOU DO NOT TALK TOO MUCH. 198 00:07:58,968 --> 00:08:00,000 THAT'S THE THING. 199 00:08:00,000 --> 00:08:01,266 TALKING TOO MUCH CAN KILL IT. 200 00:08:01,300 --> 00:08:02,334 YOU DON'T TELL YOUR LIFE STORY, 201 00:08:02,367 --> 00:08:03,500 AND YOU DON'T HAVE THEM TELL THEIRS. 202 00:08:03,533 --> 00:08:05,833 THAT'S IT. 203 00:08:05,868 --> 00:08:07,400 YOU SHOULD JUST SHOW HER, SHANE. 204 00:08:07,434 --> 00:08:08,467 THINK ABOUT IT. 205 00:08:08,500 --> 00:08:09,833 I MEAN, YOU KNOW THIS GIRL. 206 00:08:09,868 --> 00:08:11,333 YOU'VE DATED HER, RIGHT? 207 00:08:11,367 --> 00:08:13,099 WHAT A TIME SAVER IT WOULD BE FOR POOR JENNY 208 00:08:13,132 --> 00:08:15,166 JUST TO HAVE A LITTLE THREE-WAY. 209 00:08:15,199 --> 00:08:17,067 DON'T YOU THINK, JENNY? 210 00:08:17,067 --> 00:08:19,167 I HATE TO TELL YOU THIS, MARK, 211 00:08:19,199 --> 00:08:21,968 BUT I DON'T FUCK MY ROOMMATES. 212 00:08:23,199 --> 00:08:25,466 OH...DAMN. 213 00:08:35,533 --> 00:08:36,834 HEY. HEY. 214 00:08:36,868 --> 00:08:38,200 WHERE HAVE YOU BEEN? 215 00:08:38,234 --> 00:08:40,267 TONYA'S MEETING IS ONLY A COUPLE OF HOURS. 216 00:08:40,299 --> 00:08:41,634 I WAS AT TINA'S. 217 00:08:41,667 --> 00:08:42,968 WHAT MEETING? 218 00:08:43,067 --> 00:08:44,299 OH, YOU KNOW, 219 00:08:44,334 --> 00:08:45,701 THE HEINEKEN CELEBRITY SLAMMIN' JAMMIN' TOURNAMENT. 220 00:08:45,734 --> 00:08:48,100 SO CAN WE GO BACK TO YOUR PLACE NOW? 221 00:08:51,366 --> 00:08:52,667 DANA... YEAH? 222 00:08:52,701 --> 00:08:54,067 I'M NOT GOING TO DO THIS WITH YOU. 223 00:08:54,067 --> 00:08:55,500 YOU'RE NOT GOING TO DO WHAT? 224 00:08:55,533 --> 00:08:57,334 I'M NOT GOING TO SNEAK AROUND WITH YOU. 225 00:08:57,366 --> 00:08:58,734 I'M NOT GOING TO BE YOUR SECRET LOVER, 226 00:08:58,767 --> 00:08:59,500 YOUR BACK-DOOR WOMAN. 227 00:08:59,533 --> 00:09:03,067 WH-WHAT HAPPENED? 228 00:09:03,100 --> 00:09:04,333 I WANT YOU-- 229 00:09:04,367 --> 00:09:05,567 I WANT YOU TO LEAVE HER. 230 00:09:05,601 --> 00:09:08,132 AL, I CAN'T DO THAT RIGHT NOW. 231 00:09:08,166 --> 00:09:09,132 WHY? 232 00:09:09,166 --> 00:09:10,067 BECAUSE... 233 00:09:10,099 --> 00:09:13,099 THE TOURNAMENT TOMORROW. 234 00:09:13,132 --> 00:09:14,734 BECAUSE TONYA SET UP THE WHOLE THING, 235 00:09:14,766 --> 00:09:17,399 AND IT'S A REALLY BIG DEAL FOR ME. 236 00:09:17,434 --> 00:09:20,399 OKAY, THAT'S IT FOR US. 237 00:09:20,434 --> 00:09:21,399 WHAT? NO, AL. 238 00:09:21,434 --> 00:09:22,399 ALICE. ALICE! 239 00:09:22,434 --> 00:09:23,567 WHAT? 240 00:09:23,600 --> 00:09:27,600 [WHISPERS]: AL. COME HERE, PLEASE. 241 00:09:30,667 --> 00:09:32,600 PLEASE. 242 00:09:34,734 --> 00:09:36,167 AL... 243 00:09:38,634 --> 00:09:40,200 LOOK AT ME. 244 00:09:40,234 --> 00:09:42,267 ALICE, LOOK AT ME. 245 00:09:42,299 --> 00:09:44,399 I REALLY... 246 00:09:44,433 --> 00:09:47,100 REALLY WANT TO BE WITH YOU. 247 00:09:49,933 --> 00:09:50,901 YOU DO? 248 00:09:50,933 --> 00:09:53,267 YES. 249 00:09:56,834 --> 00:10:00,000 WELL-- WELL, THEN, WILL YOU BREAK UP WITH HER 250 00:10:00,000 --> 00:10:03,633 AFTER THE TOURNAMENT? 251 00:10:32,968 --> 00:10:34,901 HI. 252 00:10:34,933 --> 00:10:36,600 WHAT'S UP? 253 00:10:39,734 --> 00:10:40,901 YOU LOOK GOOD. 254 00:10:40,933 --> 00:10:42,167 [SCOFFS] 255 00:10:42,200 --> 00:10:44,267 I'M A MESS. 256 00:10:46,267 --> 00:10:48,667 ARE YOU GOING TO INVITE ME IN? 257 00:10:48,701 --> 00:10:50,200 TO TELL YOU THE TRUTH, 258 00:10:50,234 --> 00:10:51,200 I'M NOT REALLY IN THE MOOD 259 00:10:51,234 --> 00:10:52,366 FOR COMPANY RIGHT NOW. 260 00:10:52,399 --> 00:10:54,767 I'D RATHER YOU CALLED FIRST. 261 00:10:54,801 --> 00:10:57,033 WELL, IS THE APARTMENT OKAY? 262 00:10:57,067 --> 00:10:58,767 I MEAN, ARE YOU COMFORTABLE HERE? 263 00:10:58,801 --> 00:10:59,767 IT'S FINE. 264 00:10:59,801 --> 00:11:02,467 I'M FINE. 265 00:11:02,500 --> 00:11:04,067 IS THERE SOMETHING IN PARTICULAR? 266 00:11:15,333 --> 00:11:16,600 WE SHOULD TALK, TINA. 267 00:11:16,634 --> 00:11:18,067 I MEAN, I CAN'T CARRY ON 268 00:11:18,100 --> 00:11:20,199 AND PRETEND LIKE IT'S ALL FINE, 269 00:11:20,234 --> 00:11:21,800 AND THAT I'M NOT AS CONFUSED AS HELL 270 00:11:21,833 --> 00:11:24,234 BY THE WHOLE THING. 271 00:11:24,266 --> 00:11:25,466 LOOK, I AM-- 272 00:11:25,501 --> 00:11:27,067 I'M JUST GOING TO SAY WHAT I HAVE TO SAY, 273 00:11:27,067 --> 00:11:29,968 AND I HOPE THAT YOU'RE ABLE TO HEAR IT. 274 00:11:30,067 --> 00:11:31,734 OKAY. 275 00:11:39,133 --> 00:11:40,466 I DON'T KNOW 276 00:11:40,500 --> 00:11:42,334 HOW YOU COULD KEEP THIS BABY A SECRET FROM ME. 277 00:11:42,366 --> 00:11:44,868 I DON'T KNOW HOW YOU COULD LIE TO ME 278 00:11:44,901 --> 00:11:45,901 FOR NEARLY FOUR MONTHS. 279 00:11:45,933 --> 00:11:46,901 I MEAN, WE WERE STILL TOGETHER. 280 00:11:46,933 --> 00:11:48,067 WE WERE A COUPLE, 281 00:11:48,067 --> 00:11:50,399 AND YOU WERE PREGNANT, AND I HAD NO IDEA. 282 00:11:50,433 --> 00:11:52,267 I PLANNED TO TELL YOU, AND THEN YOU FUCKED OFF. 283 00:11:52,299 --> 00:11:53,267 I FUCKED UP. 284 00:11:53,299 --> 00:11:54,334 I DID NOT FUCK OFF. 285 00:11:54,366 --> 00:11:55,366 I DID NOT LEAVE. 286 00:11:55,399 --> 00:11:57,466 I AM STILL HERE. 287 00:11:57,500 --> 00:12:02,533 I WANT TO HAVE A PLACE IN THIS BABY'S LIFE. 288 00:12:02,567 --> 00:12:04,868 THIS IS OUR BABY, TINA. 289 00:12:04,900 --> 00:12:06,267 OKAY, I KNOW THAT IT'S COMPLICATED. 290 00:12:06,299 --> 00:12:07,734 I KNOW THAT THERE ARE NO EASY ANSWERS. 291 00:12:07,767 --> 00:12:09,067 THERE'S PROBABLY NO LEGAL PRECEDENT, 292 00:12:09,067 --> 00:12:10,534 AND, IF YOU PREFER, WE CAN HIRE LAWYERS 293 00:12:10,567 --> 00:12:11,534 AND MAKE UP DOCUMENTS-- 294 00:12:11,567 --> 00:12:12,467 I DON'T EVEN HAVE A LAWYER ANYMORE. 295 00:12:14,166 --> 00:12:15,933 OKAY, FINE. I-- 296 00:12:15,968 --> 00:12:17,067 YOU KNOW WHAT? 297 00:12:17,067 --> 00:12:18,367 I WOULD RATHER THAT WE WORK IT OUT OURSELVES. 298 00:12:18,399 --> 00:12:19,734 WELL, I'M NOT SURE I WANT TO WORK IT OUT, 299 00:12:19,766 --> 00:12:22,132 NOT IN THE WAY THAT YOU WANT IT. 300 00:12:24,266 --> 00:12:26,766 [SIGHS] 301 00:12:26,800 --> 00:12:28,333 DID YOU USE OUR SPERM? 302 00:12:28,367 --> 00:12:30,701 I USED THE SPERM WE HAD STORED AT THE CRYOBANK, YES. 303 00:12:30,734 --> 00:12:32,466 THEN THIS IS OUR BABY, TINA. 304 00:12:32,500 --> 00:12:34,366 I CAN'T BELIEVE THAT YOU'RE DOING THIS. 305 00:12:34,399 --> 00:12:35,366 YOU KNOW WHAT? 306 00:12:35,399 --> 00:12:36,466 WE CONCEIVED OF THIS BABY TOGETHER. 307 00:12:36,500 --> 00:12:37,634 WE SEARCHED FOR A DONOR TOGETHER. 308 00:12:37,667 --> 00:12:38,667 IN FACT, YOU KNOW WHAT? I FOUND THE DONOR. 309 00:12:38,701 --> 00:12:40,366 MARCUS ALLENWOOD IS A FRIEND OF MINE, 310 00:12:40,399 --> 00:12:41,366 AND IF WE WERE HUSBAND AND WIFE, 311 00:12:41,399 --> 00:12:43,734 THIS WOULD BE MY BABY. 312 00:12:43,767 --> 00:12:45,234 LOOK, I JUST NEED TO THINK ABOUT IT! 313 00:12:45,267 --> 00:12:46,067 OKAY? 314 00:12:47,567 --> 00:12:49,767 JUST GIVE ME SOME TIME. 315 00:12:52,234 --> 00:12:53,634 OKAY. 316 00:13:02,067 --> 00:13:04,434 OH, LAST ONE. 317 00:13:04,466 --> 00:13:05,434 DO YOU WANT THIS? 318 00:13:05,466 --> 00:13:07,567 NO, IT'S ALL YOURS. 319 00:13:07,601 --> 00:13:08,666 OH, THANK YOU. 320 00:13:08,701 --> 00:13:11,300 YOU'RE SO VERY WELCOME. 321 00:13:17,934 --> 00:13:21,067 MM, MM. 322 00:13:21,067 --> 00:13:22,567 MM. 323 00:13:22,600 --> 00:13:23,934 IS IT GOOD? 324 00:13:23,968 --> 00:13:25,434 MM-HMM. 325 00:13:27,567 --> 00:13:28,766 MM... 326 00:13:28,800 --> 00:13:30,333 YOU'RE SUCH A TEASE. 327 00:13:30,367 --> 00:13:31,934 WELL, THEN, KEEP GOING. 328 00:13:31,968 --> 00:13:33,767 I KNOW THIRST. 329 00:13:33,801 --> 00:13:35,567 IT'S SO INTENSE. 330 00:13:35,600 --> 00:13:38,267 OH, SHIT. OH. 331 00:13:38,299 --> 00:13:39,433 WHOO, GOD, YOU STINK. 332 00:13:39,466 --> 00:13:40,433 OH, GOD, REALLY? 333 00:13:40,466 --> 00:13:41,433 YEAH. 334 00:13:41,466 --> 00:13:42,433 OH, SHIT. 335 00:13:42,466 --> 00:13:43,734 OH, NOW YOU ARE, TOO. 336 00:13:43,767 --> 00:13:45,433 YOU'RE GOING TO STINK. 337 00:13:45,466 --> 00:13:47,299 I CAN'T BELIEVE YOU JUST DID THAT. 338 00:13:47,334 --> 00:13:48,767 NO, I DIDN'T MEAN TO. 339 00:13:48,801 --> 00:13:49,767 OF COURSE I DIDN'T. 340 00:13:49,801 --> 00:13:51,734 I DON'T KNOW ANYMORE. 341 00:13:51,767 --> 00:13:52,734 HI. 342 00:13:52,767 --> 00:13:54,234 HEY. 343 00:13:54,267 --> 00:13:55,600 OH, HOW ARE YOU? 344 00:13:55,634 --> 00:13:58,634 I JUST WANTED TO SAY THAT MARK IS OUT THERE 345 00:13:58,667 --> 00:13:59,634 FILMING WITH HIS VIDEO CAMERA. 346 00:13:59,667 --> 00:14:01,300 WHAT? 347 00:14:01,334 --> 00:14:03,067 YEAH. 348 00:14:03,067 --> 00:14:04,968 OKAY, WHO WOULD MAKE OUT WITH A GUY 349 00:14:05,067 --> 00:14:06,734 FOR A MILLION DOLLARS? 350 00:14:06,767 --> 00:14:07,868 WHO WOULDN'T? 351 00:14:08,933 --> 00:14:10,099 WOULD YOU? 352 00:14:10,132 --> 00:14:11,766 HELL, YEAH. A LOT LESS THAN THAT, ACTUALLY. 353 00:14:11,801 --> 00:14:12,933 [LAUGHS] 354 00:14:16,067 --> 00:14:17,132 WHAT ABOUT YOU? 355 00:14:17,167 --> 00:14:18,333 WOULD YOU MAKE OUT WITH A GUY 356 00:14:18,367 --> 00:14:21,067 FOR A MILLION DOLLARS? 357 00:14:21,067 --> 00:14:22,367 A MILLION AND A HALF DOLLARS? 358 00:14:22,399 --> 00:14:23,701 OOH! 359 00:14:23,734 --> 00:14:28,533 I-- I WOULD MAKE OUT WITH A REPUBLICAN 360 00:14:28,567 --> 00:14:29,934 FOR A MILLION DOLLARS. 361 00:14:31,533 --> 00:14:32,567 WHAT? I THINK-- 362 00:14:32,600 --> 00:14:33,968 I THINK THE REPUBLICANS CAN BE HOT. 363 00:14:34,067 --> 00:14:35,533 TAKE IT BACK. 364 00:14:35,567 --> 00:14:36,767 WHY? 365 00:14:36,801 --> 00:14:41,267 BECAUSE REPUBLICANS ARE FUCKING SCARY. 366 00:14:41,299 --> 00:14:44,067 SCARY CAN SOMETIMES BE... 367 00:14:44,067 --> 00:14:46,234 SEXY. 368 00:14:46,267 --> 00:14:47,234 THEY'RE NOT SCARY. 369 00:14:47,267 --> 00:14:48,366 THEY'RE STUPID. 370 00:14:48,399 --> 00:14:49,366 THAT'S RIGHT, 371 00:14:49,399 --> 00:14:50,767 AND STUPID, SHANE... 372 00:14:52,466 --> 00:14:54,500 CAN BE EVEN SEXIER. 373 00:14:54,533 --> 00:14:55,767 OKAY, BUT WOULD YOU 374 00:14:55,801 --> 00:14:57,634 MAKE OUT WITH A FRIEND? 375 00:14:57,667 --> 00:14:58,634 SURE. 376 00:14:58,667 --> 00:14:59,667 WHAT ABOUT TWO FRIENDS 377 00:14:59,701 --> 00:15:01,701 AT THE SAME TIME? 378 00:15:01,734 --> 00:15:02,801 WHAT? 379 00:15:02,834 --> 00:15:03,834 OH, TWO FRIENDS AT THE SAME TIME? 380 00:15:03,867 --> 00:15:05,567 NO, I WOULDN'T. 381 00:15:05,601 --> 00:15:07,200 COME ON, YEAH. 382 00:15:07,234 --> 00:15:08,234 NO, NO, NO. 383 00:15:08,266 --> 00:15:09,734 NOT FOR SOME HORNY GUY'S BENEFIT. 384 00:15:09,766 --> 00:15:11,266 ABSOLUTELY NOT. 385 00:15:11,300 --> 00:15:12,833 I WOULD NOT. 386 00:15:14,266 --> 00:15:15,433 [CLEARS THROAT] 387 00:15:20,100 --> 00:15:21,567 JENNY! 388 00:15:21,600 --> 00:15:22,766 LET'S GO GET SOME MORE BEER. 389 00:15:22,800 --> 00:15:24,934 BYE. 390 00:15:26,766 --> 00:15:28,734 YEAH, WE'RE OUT. 391 00:15:28,766 --> 00:15:31,567 COME ON. 392 00:15:31,600 --> 00:15:33,067 NO. DON'T. 393 00:15:52,567 --> 00:15:54,500 NO, THANK YOU. 394 00:16:07,767 --> 00:16:10,400 HELLO, BETTE. 395 00:16:12,534 --> 00:16:14,234 HELENA. 396 00:16:14,266 --> 00:16:16,399 CONGRATULATIONS, BY THE WAY. 397 00:16:16,434 --> 00:16:17,634 ON? 398 00:16:17,667 --> 00:16:19,199 LEO HERRERA. 399 00:16:19,234 --> 00:16:21,567 HE'S GOING TO BE WONDERFUL FOR THE C.A.C. 400 00:16:21,600 --> 00:16:24,234 LEO'S SUCH A GEM. 401 00:16:24,266 --> 00:16:26,300 BETTE'S GOING TO BE WORKING WITH LEO HERRERA. 402 00:16:26,333 --> 00:16:27,300 HE'S COMING TO LOS ANGELES 403 00:16:27,333 --> 00:16:28,434 FOR SIX MONTHS TO HELP RAISE MONEY 404 00:16:28,466 --> 00:16:30,234 FOR THE CALIFORNIA ART CENTER. 405 00:16:53,734 --> 00:16:54,701 HELLO? 406 00:16:54,734 --> 00:16:57,533 IT'S BETTE PORTER. 407 00:17:04,434 --> 00:17:05,400 BETTE. 408 00:17:05,434 --> 00:17:06,267 IS SOMETHING WRONG? 409 00:17:06,299 --> 00:17:07,400 LEO HERRERA. 410 00:17:07,434 --> 00:17:10,500 I WAS PLANNING ON TALKING ABOUT THIS TOMORROW. 411 00:17:10,534 --> 00:17:12,199 DID HELENA PEABODY HAVE SOMETHING TO DO WITH THIS? 412 00:17:12,234 --> 00:17:13,900 BETTE, I REALLY DON'T THINK THIS IS THE TIME OR PLACE. 413 00:17:13,933 --> 00:17:15,534 NOW, I'D LIKE TO TALK TO YOU ABOUT THIS TOMORROW MORNING. 414 00:17:15,567 --> 00:17:17,968 I ASKED YOU A QUESTION, FRANKLIN. 415 00:17:18,067 --> 00:17:19,067 IT'S IRRELEVANT. 416 00:17:19,100 --> 00:17:20,399 WE'RE HEMORRHAGING, BETTE. 417 00:17:20,434 --> 00:17:21,701 YOU YOURSELF SAID THAT THIS IS 418 00:17:21,734 --> 00:17:22,800 THE MOST DIFFICULT FUNDRAISING CLIMATE 419 00:17:22,833 --> 00:17:23,800 YOU'VE EVER FACED. 420 00:17:23,833 --> 00:17:24,867 SO YOU WENT BEHIND MY BACK 421 00:17:24,900 --> 00:17:26,501 AND HIRED A FUNDRAISER WITHOUT CONSULTING ME, 422 00:17:26,533 --> 00:17:27,567 IN VIOLATION OF MY CONTRACT? 423 00:17:27,600 --> 00:17:30,701 WE HIRED LEO AS A CONSULTANT. 424 00:17:30,734 --> 00:17:32,133 I SUGGEST YOU TAKE A LOOK AT YOUR CONTRACT, 425 00:17:32,167 --> 00:17:34,701 AND YOU'LL SEE THAT IT'S WELL WITHIN OUR PURVIEW. 426 00:17:34,734 --> 00:17:36,067 NOW, IF YOU WANT TO DISCUSS THIS WITH ME FURTHER, 427 00:17:36,100 --> 00:17:37,267 PLEASE SET UP AN APPOINTMENT 428 00:17:37,299 --> 00:17:38,567 TO TALK TO ME 429 00:17:38,600 --> 00:17:40,634 DURING THE DAY TOMORROW. 430 00:17:47,701 --> 00:17:49,133 [SIGHS] 431 00:18:01,534 --> 00:18:03,067 HI, IT'S ME. 432 00:18:03,067 --> 00:18:05,267 I'M JUST HAVING A ROUGH TIME, AND IT'S-- 433 00:18:05,299 --> 00:18:06,934 CAN YOU TALK, OR ARE YOU BUSY? 434 00:18:06,968 --> 00:18:08,132 WHAT'S UP? 435 00:18:08,166 --> 00:18:09,933 FUCKING FRANKLIN WENT AND HIRED LEO HERRERA 436 00:18:09,968 --> 00:18:11,400 TO COME RAISE MONEY FOR THE C.A.C. 437 00:18:11,433 --> 00:18:12,601 HE'S ACTUALLY MOVING HIM OUT 438 00:18:12,634 --> 00:18:14,067 FROM NEW YORK. 439 00:18:14,067 --> 00:18:15,766 WITHOUT CONSULTING YOU? 440 00:18:15,801 --> 00:18:16,934 YEAH... 441 00:18:16,968 --> 00:18:18,333 AND THEN I WENT TO HIS HOUSE UNANNOUNCED 442 00:18:18,367 --> 00:18:20,734 AND WENT OFF ON HIM IN HIS DRIVEWAY. 443 00:18:20,766 --> 00:18:22,867 OH, NO, NO, NO. 444 00:18:22,900 --> 00:18:23,900 YOU DIDN'T. 445 00:18:23,934 --> 00:18:25,533 YEAH, I DID, 446 00:18:25,567 --> 00:18:26,533 AND YOU KNOW WHO'S RESPONSIBLE FOR THIS? 447 00:18:26,567 --> 00:18:28,466 YOUR BUDDY HELENA PEABODY. 448 00:18:28,501 --> 00:18:29,934 THE WOMAN IS A FUCKING DRAGON, 449 00:18:29,968 --> 00:18:31,934 AND SHE'S MAKING MY LIFE A LIVING HELL. 450 00:18:33,933 --> 00:18:36,200 OH, PLEASE TELL ME YOU'RE NOT SLEEPING WITH HER, TINA. 451 00:18:36,234 --> 00:18:37,100 BETTE. 452 00:18:37,133 --> 00:18:38,399 ARE YOU SLEEPING WITH HER? 453 00:18:38,433 --> 00:18:40,533 ARE YOU FUCKING SLEEPING WITH HER? 454 00:18:40,567 --> 00:18:41,600 IT'S NONE OF YOUR FUCKING BUSINESS. 455 00:18:41,634 --> 00:18:42,600 DON'T DO IT, TINA. 456 00:18:42,634 --> 00:18:44,100 THAT WOMAN WILL EAT YOU ALIVE. 457 00:18:44,133 --> 00:18:45,100 SHE IS A VAMPIRE. 458 00:18:45,133 --> 00:18:46,600 YEAH, AND A DRAGON. 459 00:18:46,634 --> 00:18:48,133 THAT'S RIGHT, SHE IS A MONSTER, 460 00:18:48,167 --> 00:18:49,299 HOWEVER YOU WANT TO CHARACTERIZE IT. 461 00:18:49,334 --> 00:18:50,567 SHE LIKES TO FUCK WITH PEOPLE FOR SPORT-- 462 00:18:50,600 --> 00:18:51,567 BETTE! 463 00:18:51,600 --> 00:18:53,600 LOOK, YOU WERE IN DISTRESS, 464 00:18:53,634 --> 00:18:55,167 AND YOU NEEDED SOMEONE TO TALK TO, 465 00:18:55,200 --> 00:18:57,366 AND I'M WILLING TO LISTEN, 466 00:18:57,399 --> 00:18:58,433 BUT I'M NOT GOING TO DO THIS WITH YOU. 467 00:18:58,466 --> 00:19:00,000 DO WHAT? WHAT ARE WE DOING? 468 00:19:00,000 --> 00:19:01,933 YOU'RE TRYING TO CONTROL ME, AND YOU CAN'T. 469 00:19:01,968 --> 00:19:03,934 I'M NOT GOING TO TALK TO YOU ABOUT HELENA PEABODY. 470 00:19:03,968 --> 00:19:05,367 OH, PLEASE. 471 00:19:10,968 --> 00:19:12,099 [SIGHS] 472 00:19:12,132 --> 00:19:14,734 FUCK. 473 00:19:20,067 --> 00:19:21,667 HI! 474 00:19:21,701 --> 00:19:22,667 HI. 475 00:19:22,701 --> 00:19:25,167 HOW'S MY LITTLE BRIDE-TO-BE? 476 00:19:25,199 --> 00:19:26,501 READY TO PLAY THE BEST TENNIS OF HER LIFE? 477 00:19:26,533 --> 00:19:29,100 FINE. 478 00:19:29,132 --> 00:19:30,867 OKAY, WELL, IN ORDER TO GET OUT OF HERE, 479 00:19:30,900 --> 00:19:32,334 WE NEED TO LEAVE IN ABOUT FIVE MINUTES, 480 00:19:32,366 --> 00:19:33,533 TO BE ON THE SAFE SIDE. 481 00:19:33,567 --> 00:19:34,366 SO I'M JUST GOING TO PHONE ANNA KOURNIKOVA 482 00:19:34,399 --> 00:19:35,567 AND MARTINA'S PEOPLE, 483 00:19:35,600 --> 00:19:36,968 MAKE SURE EVERYTHING'S OKAY IN LA JOLLA, 484 00:19:37,067 --> 00:19:37,968 AND THEN WE'RE OFF, OKAY? 485 00:19:38,067 --> 00:19:38,968 OKAY. 486 00:19:39,067 --> 00:19:40,067 OKAY. 487 00:19:40,067 --> 00:19:42,466 [CELL PHONE RINGS] 488 00:19:42,500 --> 00:19:43,667 HELLO? 489 00:19:43,701 --> 00:19:44,667 NO, ALICE, 490 00:19:44,701 --> 00:19:45,701 I HAVEN'T TOLD HER YET. 491 00:19:45,734 --> 00:19:47,901 STOP PRESSURING ME! 492 00:19:47,933 --> 00:19:49,267 HONEY, WHO IS THAT? 493 00:19:49,299 --> 00:19:51,500 MY MOM. 494 00:19:51,533 --> 00:19:52,533 IT'S MY MOM. 495 00:19:54,533 --> 00:19:56,634 SHE MAKES ME FEEL SO PRESSURED 496 00:19:56,667 --> 00:19:59,334 WHEN SHE CALLS ME TO WISH ME GOOD LUCK. 497 00:19:59,366 --> 00:20:03,601 OH, OKAY. SORRY. 498 00:20:03,633 --> 00:20:05,299 SO, YEAH, 499 00:20:05,333 --> 00:20:07,067 I JUST WANTED TO MAKE SURE... 500 00:20:07,099 --> 00:20:09,032 I WILL CALL YOU BACK LATER. 501 00:20:20,067 --> 00:20:21,701 [KNOCKING] 502 00:20:21,734 --> 00:20:23,266 [***] 503 00:20:29,533 --> 00:20:30,501 HI. 504 00:20:30,533 --> 00:20:31,501 HI. 505 00:20:31,533 --> 00:20:33,234 ARE YOU SHANE McCOUCHIN? 506 00:20:33,267 --> 00:20:34,200 McCUTCHEON. 507 00:20:38,033 --> 00:20:41,200 I NEED YOU TO SIGN THIS. 508 00:20:41,234 --> 00:20:43,000 WHO ARE THEY FROM? 509 00:20:43,033 --> 00:20:44,834 MAYBE YOU HAVE A SECRET ADMIRER. 510 00:20:44,868 --> 00:20:47,033 JUST RIGHT THERE. 511 00:20:47,067 --> 00:20:50,734 IS THAT GOOD FOR YOU? 512 00:20:52,466 --> 00:20:54,600 YES, MA'AM, THAT'S GOOD FOR ME. 513 00:20:57,033 --> 00:20:58,167 WOW. 514 00:20:58,200 --> 00:21:00,000 DON'T YOU WANT TO PUT THEM IN WATER? 515 00:21:03,100 --> 00:21:05,234 UM, YEAH. 516 00:21:05,267 --> 00:21:07,533 MM-HMM, I DO, 517 00:21:07,567 --> 00:21:09,900 BUT I DON'T KNOW IF WE HAVE A VASE. 518 00:21:24,399 --> 00:21:25,701 I THINK THIS MIGHT WORK. 519 00:21:27,867 --> 00:21:29,934 YEAH, YOU'RE RIGHT. 520 00:21:29,968 --> 00:21:31,934 IT COULD WORK. 521 00:21:34,701 --> 00:21:37,133 THANK YOU. 522 00:21:55,366 --> 00:21:57,567 YOUR DESCRIPTIVE TECHNIQUE IS BETTER, 523 00:21:57,600 --> 00:21:59,701 BUT YOU'RE STILL SKATING ON THE SURFACE. 524 00:21:59,734 --> 00:22:01,100 HOW DO YOU MEAN 525 00:22:01,133 --> 00:22:03,533 THAT I'M "SKATING OVER THE SURFACE?" 526 00:22:03,567 --> 00:22:05,133 JUST THINK ABOUT IT, 527 00:22:05,166 --> 00:22:07,533 AND THEN TAKE ANOTHER PASS. 528 00:22:07,567 --> 00:22:09,234 AND REMEMBER... 529 00:22:09,266 --> 00:22:10,734 YOU'RE NOT CLEA. 530 00:22:10,766 --> 00:22:12,634 I KNOW THAT I'M NOT CLEA. 531 00:22:12,666 --> 00:22:14,333 HAVE YOU EVER READ 532 00:22:14,367 --> 00:22:16,634 ANY OF THE STORIES FROM MY RODEO DAYS? 533 00:22:16,667 --> 00:22:18,634 YES, I'VE, ACTUALLY, I'VE-- 534 00:22:18,667 --> 00:22:19,833 I'VE READ ALL OF YOUR STORIES. 535 00:22:19,867 --> 00:22:23,100 I THOUGHT SO. 536 00:22:23,132 --> 00:22:25,132 YOU'VE GOT TO FIND YOUR OWN VOICE, JENNY. 537 00:22:25,167 --> 00:22:27,501 IMITATION MAY BE 538 00:22:27,533 --> 00:22:29,132 THE SINCEREST FORM OF FLATTERY, 539 00:22:29,167 --> 00:22:31,600 BUT IT'S NOT THE BEST FORM OF WRITING. 540 00:22:31,634 --> 00:22:34,634 UM, OKAY, BUT... 541 00:22:34,667 --> 00:22:36,634 WITH ALL DUE RESPECT, 542 00:22:36,667 --> 00:22:39,067 I DON'T THINK THAT I'M IMITATING YOU, ACTUALLY. 543 00:22:39,067 --> 00:22:40,067 I'M NOT INTO THE WHOLE... 544 00:22:40,100 --> 00:22:42,600 STUDENT-TEACHER TRANSFERENCE THING. 545 00:22:42,634 --> 00:22:44,567 I'D PREFER TO KEEP THE BOUNDARIES 546 00:22:44,600 --> 00:22:48,234 BETWEEN US CRISP AND CLEAR. 547 00:22:48,267 --> 00:22:51,100 OKAY, I WILL... 548 00:22:51,133 --> 00:22:52,234 I WILL KEEP THAT IN MIND. 549 00:22:52,267 --> 00:22:53,267 THANK YOU. 550 00:22:53,299 --> 00:22:54,234 HEY, JENNY. 551 00:22:56,667 --> 00:22:57,634 HEY, HUNTER. 552 00:22:57,667 --> 00:22:58,600 YOU READY? 553 00:23:00,000 --> 00:23:02,200 YES. 554 00:23:02,234 --> 00:23:05,367 I'LL SEE YOU LATER. 555 00:23:05,400 --> 00:23:07,166 YOU KNOW, JENNY... 556 00:23:07,200 --> 00:23:09,367 HOLD ON. I HAVE AN ASSIGNMENT FOR YOU. 557 00:23:11,099 --> 00:23:12,266 OKAY, READY? 558 00:23:12,300 --> 00:23:13,933 DEEP BREATHS. 559 00:23:13,968 --> 00:23:14,933 [BREATHING DEEPLY] 560 00:23:14,968 --> 00:23:19,067 ONE. GOOD. 561 00:23:19,067 --> 00:23:20,067 TWO. 562 00:23:20,067 --> 00:23:22,067 GOOD. 563 00:23:22,100 --> 00:23:23,333 KEEP BREATHING. 564 00:23:23,367 --> 00:23:25,199 THREE... 565 00:23:25,234 --> 00:23:27,266 [***] 566 00:23:32,167 --> 00:23:36,067 SHE IS UNBELIEVABLE. 567 00:23:36,067 --> 00:23:38,500 YOU ARE A GOD, MAN. 568 00:23:38,533 --> 00:23:41,433 I MEAN, THAT'S WHAT I CALL GOOD FILMMAKING. 569 00:23:41,466 --> 00:23:43,634 [INHALES DEEPLY] 570 00:23:45,234 --> 00:23:46,533 OH... 571 00:23:46,567 --> 00:23:49,067 OH, GOODNESS. 572 00:23:49,067 --> 00:23:51,200 THAT BLONDE IS UNBELIEVABLE, MAN. 573 00:23:51,234 --> 00:23:53,399 HOW DO YOU KNOW GIRLS LIKE THIS? 574 00:23:53,433 --> 00:23:55,067 FOR $200, YOU COULD KNOW GIRLS LIKE THAT, GOMEY. 575 00:23:55,100 --> 00:23:56,600 [LAUGHS] 576 00:23:56,634 --> 00:23:59,133 SEE, I TOLD YOU, MAN. 577 00:23:59,167 --> 00:24:01,601 REALITY JUST NEEDS A LITTLE HELP SOMETIMES. 578 00:24:14,433 --> 00:24:15,400 WHAT ARE YOU DOING, MAN? 579 00:24:15,433 --> 00:24:16,766 HOLD ON. 580 00:24:16,800 --> 00:24:17,900 PAN BACK. 581 00:24:17,934 --> 00:24:19,734 DUDE, HOLD ON A SECOND. 582 00:24:19,766 --> 00:24:23,533 I JUST... I WANT TO KNOW WHAT SHE'S FEELING. 583 00:24:23,567 --> 00:24:27,199 WHO GIVES A FUCK WHAT SHE'S FEELING? 584 00:24:32,334 --> 00:24:34,533 TRY NOT SPEAKING FOR THE REST OF THE DAY. 585 00:24:34,567 --> 00:24:36,334 NOT A WORD. 586 00:24:36,366 --> 00:24:38,801 TRY COMMUNICATING ALL YOUR NEEDS 587 00:24:38,834 --> 00:24:40,767 WITHOUT USING AUDIBLE LANGUAGE. 588 00:24:40,801 --> 00:24:42,100 WHY? 589 00:24:42,133 --> 00:24:43,133 DON'T ASK WHY. 590 00:24:43,167 --> 00:24:45,366 JUST TRY IT... 591 00:24:45,399 --> 00:24:47,100 AND THEN WRITE ME AN ESSAY 592 00:24:47,133 --> 00:24:49,734 ABOUT YOUR EXPERIENCE. 593 00:24:52,167 --> 00:24:53,366 I CAN'T BELIEVE 594 00:24:53,399 --> 00:24:55,133 I LET YOU TAKE ME TO LA JOLLA FOR THIS. 595 00:24:55,167 --> 00:24:56,767 OKAY, YOU NEED TO TELL HER 596 00:24:56,801 --> 00:24:58,433 TO CALL THIS THING OFF, 597 00:24:58,466 --> 00:24:59,433 AND JUST EXPLAIN 598 00:24:59,466 --> 00:25:00,000 THAT THE LONGER SHE WAITS, 599 00:25:00,000 --> 00:25:02,234 THE MORE PAINFUL IT'S GOING TO GET, 600 00:25:02,266 --> 00:25:03,766 BECAUSE SHE DOESN'T UNDERSTAND THAT, 601 00:25:03,801 --> 00:25:05,133 AND, JUST, LIKE, TELL HER IF-- 602 00:25:05,166 --> 00:25:06,801 ALICE, WHY DO I HAVE TO TELL HER? 603 00:25:06,833 --> 00:25:07,868 SHE SAID SHE'D SAY SOMETHING 604 00:25:07,900 --> 00:25:09,666 AFTER THE GAME. 605 00:25:09,701 --> 00:25:12,199 HONEY, MELLOW OUT, PLEASE. 606 00:25:12,234 --> 00:25:13,400 [DOOR OPENS] 607 00:25:13,433 --> 00:25:14,634 THERE'S TONYA. 608 00:25:14,666 --> 00:25:15,833 [TONYA]: I JUST WANTED TO CALL AND SAY 609 00:25:15,868 --> 00:25:18,300 THANK YOU SO MUCH FOR TODAY. 610 00:25:18,333 --> 00:25:19,333 I KNOW. 611 00:25:19,367 --> 00:25:20,333 MELISSA RIVERS. 612 00:25:20,367 --> 00:25:21,434 I AM DYING! 613 00:25:21,466 --> 00:25:22,501 I KNOW. 614 00:25:22,533 --> 00:25:23,766 I CAN'T BELIEVE 615 00:25:23,800 --> 00:25:25,934 SHE'S ACTUALLY HOSTING THE EVENT. 616 00:25:25,968 --> 00:25:27,067 MELISSA RIVERS? 617 00:25:27,067 --> 00:25:28,667 SHE DOESN'T EVEN KNOW WE'RE HERE, DOES SHE? 618 00:25:28,701 --> 00:25:29,800 OKAY, NO. 619 00:25:29,833 --> 00:25:31,600 UM, OKAY, HERE'S THE PLAN, STAN. 620 00:25:31,634 --> 00:25:32,734 I'M GOING TO GO TALK TO DANA. 621 00:25:32,767 --> 00:25:33,901 YOU'RE GOING TO CALL ME ON THIS PHONE-- 622 00:25:33,933 --> 00:25:35,067 TAKE THIS-- 623 00:25:35,067 --> 00:25:36,133 IF YOU SEE TONYA COMING, OKAY? 624 00:25:36,167 --> 00:25:37,133 THAT'S JUST DUMB. 625 00:25:37,167 --> 00:25:38,466 ALL RIGHT. 626 00:25:38,500 --> 00:25:40,100 I DON'T HAVE TIME FOR THIS, SHANE, OKAY? 627 00:25:42,667 --> 00:25:43,634 [KNOCKING] 628 00:25:43,667 --> 00:25:46,067 [WHISPERS]: DANA. 629 00:25:46,067 --> 00:25:47,067 HI. 630 00:25:47,067 --> 00:25:48,100 HI. HI. 631 00:25:51,067 --> 00:25:52,433 HI. 632 00:25:54,533 --> 00:25:55,701 OKAY, LISTEN, 633 00:25:55,734 --> 00:25:57,399 IF YOU DON'T PROMISE TO DO THIS TONIGHT, 634 00:25:57,433 --> 00:25:59,433 THEN I REFUSE TO LEAVE THIS ROOM. 635 00:26:01,933 --> 00:26:02,900 WAIT, WAIT. 636 00:26:02,934 --> 00:26:03,801 WHAT? 637 00:26:03,834 --> 00:26:04,567 WAIT, WAIT, WAIT. THAT'S NOT FAIR. 638 00:26:04,601 --> 00:26:05,267 I SAID I WOULD DO IT AFTER. 639 00:26:05,299 --> 00:26:07,567 BESIDES, WHAT DO I SAY? 640 00:26:07,601 --> 00:26:09,367 MM...HOW ABOUT-- 641 00:26:09,400 --> 00:26:11,968 HOW ABOUT, "HI, TONYA, YOU'RE A SCARY ROBOT, 642 00:26:12,067 --> 00:26:14,067 AND I'M NOT GOING TO MARRY YOU," 643 00:26:14,067 --> 00:26:15,067 AND... 644 00:26:17,067 --> 00:26:19,067 "BUT YOU CAN STILL BE MY "MANAGER. 645 00:26:19,100 --> 00:26:20,399 OKAY. 646 00:26:20,434 --> 00:26:21,900 [CELL PHONE RINGS] 647 00:26:21,934 --> 00:26:22,900 OH, GOD. 648 00:26:22,934 --> 00:26:23,900 THAT'S SHANE. 649 00:26:23,934 --> 00:26:25,100 THAT MEANS TONYA'S COMING, SO... 650 00:26:25,132 --> 00:26:27,199 WHAT WAS YOUR ESCAPE PLAN, AL? 651 00:26:27,234 --> 00:26:28,567 I DIDN'T REALLY THINK ABOUT THAT ONE. 652 00:26:28,600 --> 00:26:29,900 ALICE! 653 00:26:29,934 --> 00:26:32,433 HI... 654 00:26:32,466 --> 00:26:34,767 [LAUGHS NERVOUSLY] 655 00:26:37,968 --> 00:26:40,334 HOW ARE YOU? 656 00:26:40,366 --> 00:26:41,334 SURPRISE! 657 00:26:41,366 --> 00:26:42,334 ALICE. 658 00:26:42,366 --> 00:26:43,334 HI! 659 00:26:43,366 --> 00:26:45,100 TENNIS, ANYONE? 660 00:26:45,133 --> 00:26:46,200 [ALICE AND DANA LAUGH] 661 00:26:46,234 --> 00:26:47,466 WOW, DID YOU-- 662 00:26:47,500 --> 00:26:50,067 DID YOU COME UP HERE JUST... TO SUPPORT YOUR FRIEND? 663 00:26:50,100 --> 00:26:51,267 I DID. 664 00:26:51,299 --> 00:26:52,267 [TONYA]: THAT IS SO SWEET. 665 00:26:52,299 --> 00:26:53,567 AH, YES. 666 00:26:53,600 --> 00:26:54,567 [GASPS] 667 00:26:54,600 --> 00:26:56,500 MELISSA RIVERS IS GREAT. 668 00:26:56,533 --> 00:26:57,933 IT IS SUCH A COUP TO GET HER. 669 00:26:57,968 --> 00:26:58,933 I CAN'T EVEN TELL YOU. 670 00:26:58,968 --> 00:27:00,000 HEINEKEN IS THRILLED. 671 00:27:00,000 --> 00:27:04,067 YEAH, YOU'RE A FANTASTIC PROMOTER, TONYA. 672 00:27:04,067 --> 00:27:05,634 YOU ARE. 673 00:27:05,666 --> 00:27:08,234 I MEAN, DANA'S REALLY LUCKY TO HAVE YOU AS HER MANAGER. 674 00:27:08,266 --> 00:27:10,234 AND I AM SO GLAD THAT YOU CAME, 675 00:27:10,266 --> 00:27:11,467 BECAUSE OUR LITTLE MISS FAIRBANKS 676 00:27:11,500 --> 00:27:12,601 HAS BEEN A BUNDLE OF NERVES. 677 00:27:12,634 --> 00:27:13,601 OH. 678 00:27:13,634 --> 00:27:14,634 HAVEN'T YOU, BABY? 679 00:27:14,666 --> 00:27:15,933 OH, HAVE YOU? 680 00:27:15,968 --> 00:27:19,667 OH, BOO-DOO-DOO-DOO-DOO. 681 00:27:19,701 --> 00:27:20,833 JUST ONE MORE LITTLE MATCH 682 00:27:20,867 --> 00:27:22,199 TILL WE CAN GO BACK 683 00:27:22,234 --> 00:27:22,968 AND SLEEP IN OUR OWN LITTLE BEDDY-BYE, 684 00:27:23,067 --> 00:27:24,466 RIGHT, POOKIE PIE? 685 00:27:24,501 --> 00:27:27,766 YEAH...OKAY. 686 00:27:27,800 --> 00:27:29,100 WELL, I'M GOING TO LEAVE YOU GUYS ALONE... 687 00:27:29,132 --> 00:27:30,167 OKAY. 688 00:27:30,199 --> 00:27:32,500 BUT I AM EXCITED TO SEE YOU 689 00:27:32,533 --> 00:27:34,267 KICK SOME BUTT. 690 00:27:34,299 --> 00:27:35,267 YEAH! 691 00:27:35,299 --> 00:27:36,234 ALL RIGHT. 692 00:27:36,267 --> 00:27:37,500 LATER, GIRL. 693 00:27:37,533 --> 00:27:39,133 BYE. 694 00:27:39,167 --> 00:27:43,067 ALICE...CRAZY. 695 00:27:46,100 --> 00:27:49,500 SO WHEN DOES YOUR SILENCE ASSIGNMENT END? 696 00:27:49,533 --> 00:27:51,399 I HAD A REALLY GREAT TIME WITH YOU, 697 00:27:51,433 --> 00:27:54,701 BUT...I THINK I WANT TO DO IT AGAIN 698 00:27:54,734 --> 00:27:59,167 WHEN YOU'RE A LITTLE BIT MORE VERBAL. 699 00:27:59,200 --> 00:28:01,234 MAYBE. 700 00:28:03,567 --> 00:28:06,299 IS THAT COOL WITH YOU? 701 00:28:36,634 --> 00:28:39,299 OKAY. 702 00:28:58,399 --> 00:29:00,000 [KEYBOARD CLICKING] 703 00:29:06,166 --> 00:29:08,132 HURRY, HURRY, HURRY. 704 00:29:08,166 --> 00:29:10,968 STEP RIGHT UP, LADIES AND GENTLEMEN, 705 00:29:11,067 --> 00:29:15,601 BOYS AND GIRLS, GIRLY BOYS AND BOYISH GIRLS, 706 00:29:15,634 --> 00:29:20,300 TOPS, BOTTOMS, QUEERS, BIS, TRANSGENDERS, 707 00:29:20,333 --> 00:29:24,600 AND LABEL-FREE PEOPLE OF EVERY STRIPE AND VARIETY... 708 00:29:24,634 --> 00:29:28,132 COME AND SEE THE AMAZING TRIO OF HUMAN FREAKS, 709 00:29:28,167 --> 00:29:30,266 BROUGHT BEFORE YOU 710 00:29:30,300 --> 00:29:32,267 FOR ENTERTAINMENT AND AMUSEMENT. 711 00:29:32,299 --> 00:29:35,533 ON THE HIGH WIRE, WE HAVE OUR FIRST SPECIMEN, 712 00:29:35,567 --> 00:29:37,767 THE SILENT BALLERINA... 713 00:29:39,801 --> 00:29:41,100 AND BEHIND ME, 714 00:29:41,133 --> 00:29:45,067 OUR SECOND SPECIMEN, THE BEAUTIFUL TEMPTRESS! 715 00:29:45,067 --> 00:29:48,466 WHO COULD RESIST HER CHARMS? 716 00:29:48,500 --> 00:29:52,067 AND TO MY LEFT, OUR THIRD SPECIMEN... 717 00:29:52,100 --> 00:29:56,968 THE TEMPTRESS TAMER! 718 00:30:00,000 --> 00:30:02,032 [WHIP CRACKS] 719 00:30:42,868 --> 00:30:46,133 HERE IT IS... 720 00:30:46,167 --> 00:30:48,466 BUT...I'M GOING TO NEED YOU TO SIGN FOR IT FIRST. 721 00:30:49,901 --> 00:30:52,600 [MOCKING]: IS THAT GOOD FOR YOU? 722 00:30:52,634 --> 00:30:54,433 NO, KELLY, 723 00:30:54,466 --> 00:30:55,901 YOU WERE GENIUS IN THIS. 724 00:30:55,933 --> 00:30:57,801 NO, REALLY, IT'S-- 725 00:30:57,834 --> 00:30:58,801 IT'S PRETTY FUCKING HOT. 726 00:30:58,834 --> 00:31:00,000 I THINK YOU'RE GOING TO ENJOY IT. 727 00:31:00,000 --> 00:31:02,133 THANKS. 728 00:31:02,166 --> 00:31:04,567 HEY, WHAT'S UP? 729 00:31:04,601 --> 00:31:06,067 ARE YOU SORRY YOU DID IT? 730 00:31:06,067 --> 00:31:07,533 BECAUSE IF YOU DON'T WANT ME TO, 731 00:31:07,567 --> 00:31:09,099 I WON'T USE IT. 732 00:31:11,433 --> 00:31:12,634 I DON'T WANT YOU TO USE IT. 733 00:31:12,666 --> 00:31:15,968 BUT...KEL, IT'S GOOD. 734 00:31:16,067 --> 00:31:18,434 I MEAN, IT'S PROVOCATIVE, BUT IT'S NOT CHEESY. 735 00:31:18,466 --> 00:31:19,934 IT'S GOING TO WORK REALLY WELL IN THE NARRATIVE 736 00:31:19,968 --> 00:31:21,199 OF MY FILM. 737 00:31:21,234 --> 00:31:22,968 YOUR FILM? 738 00:31:23,067 --> 00:31:25,132 LESBIANS GONE WILD? 739 00:31:25,167 --> 00:31:26,333 NO. 740 00:31:26,367 --> 00:31:27,900 THAT'S ACTUALLY NOT WHAT I HAVE IN MIND. 741 00:31:27,934 --> 00:31:30,100 I'M MAKING A DOCUMENTARY. 742 00:31:30,132 --> 00:31:32,834 I DON'T KNOW. 743 00:31:32,868 --> 00:31:33,901 SHANE MIGHT GET UPSET. 744 00:31:35,968 --> 00:31:37,701 YOU'RE SURE SHE'S NOT HOME, RIGHT? 745 00:31:39,500 --> 00:31:42,267 YEAH, I'M SURE. 746 00:31:42,299 --> 00:31:43,701 WHAT? 747 00:31:43,734 --> 00:31:44,767 I DON'T WANT TO HURT HER. 748 00:31:44,801 --> 00:31:45,868 THAT'S ALL. 749 00:31:45,901 --> 00:31:47,667 SHE WAS REALLY NICE TO ME. 750 00:31:47,701 --> 00:31:49,334 THAT'S IT? 751 00:31:49,366 --> 00:31:51,801 SHE WAS-- SHE WAS REALLY NICE TO YOU? 752 00:31:51,834 --> 00:31:54,299 WHAT DOES THAT MEAN, EXACTLY? 753 00:31:54,334 --> 00:31:55,600 SHE TURNED YOU ON? 754 00:31:55,634 --> 00:31:56,667 SHE MADE YOU COME REAL HARD? 755 00:31:56,701 --> 00:31:58,267 SCREW YOU, MARK. 756 00:31:58,299 --> 00:31:59,267 I'M SORRY. 757 00:31:59,299 --> 00:32:01,701 THAT WASN'T APPROPRIATE. 758 00:32:01,734 --> 00:32:04,234 IT'S JUST IT'S GOOD, 759 00:32:04,267 --> 00:32:07,267 AND I GUESS I'M JUST A LITTLE JEALOUS. 760 00:32:10,833 --> 00:32:12,067 OF ME OR HER? 761 00:32:12,067 --> 00:32:14,132 SHUT UP. 762 00:32:16,132 --> 00:32:17,199 IT'S JUST-- 763 00:32:17,234 --> 00:32:18,934 IT'S REALLY UNBELIEVABLE, THOUGH. 764 00:32:18,968 --> 00:32:20,968 THAT CHICK MUST HAVE SOME KIND OF POWER 765 00:32:21,067 --> 00:32:22,067 OR SOMETHING. 766 00:32:22,067 --> 00:32:24,234 I'VE NEVER SEEN A GIRL 767 00:32:24,266 --> 00:32:26,900 HAVE THAT KIND OF EFFECT ON OTHER GIRLS. 768 00:32:26,934 --> 00:32:27,900 SOUNDS LIKE 769 00:32:27,934 --> 00:32:30,367 SHE'S WORKING ON YOU, TOO. 770 00:32:30,399 --> 00:32:32,299 NOT. 771 00:32:32,334 --> 00:32:37,267 I'M JUST INTRIGUED BY HER. 772 00:32:37,299 --> 00:32:39,100 SO DOES SHANE SLEEP WITH A LOT OF GIRLS? 773 00:33:01,467 --> 00:33:02,801 MELISSA RIVERS IS OUT OF WATER, 774 00:33:02,834 --> 00:33:04,133 AND HER CELEBRITY HANDLER 775 00:33:04,166 --> 00:33:05,601 IS JUST SITTING THERE? 776 00:33:05,634 --> 00:33:08,833 WHAT IS WRONG WITH THESE PEOPLE? 777 00:33:08,868 --> 00:33:10,766 I WILL BE RIGHT BACK. 778 00:33:10,801 --> 00:33:12,067 EXCUSE ME. 779 00:33:14,933 --> 00:33:16,367 OKAY, QUICK. SHANE... 780 00:33:16,399 --> 00:33:19,300 I NEED YOU TO READ THIS AND TELL ME WHAT YOU THINK. 781 00:33:19,333 --> 00:33:20,567 WHAT IS IT? 782 00:33:20,600 --> 00:33:21,734 IT'S A SCRIPT. 783 00:33:21,766 --> 00:33:23,067 I WROTE IT FOR DANA TO BREAK UP WITH TONYA 784 00:33:23,067 --> 00:33:24,734 BECAUSE SHE WAS HAVING TROUBLE FINDING THE WORDS. 785 00:33:26,968 --> 00:33:28,501 [SIGHS] 786 00:33:28,533 --> 00:33:32,366 "TONYA, THERE'S SOMETHING I NEED TO SAY TO YOU. 787 00:33:32,399 --> 00:33:33,500 "THIS ISN'T EASY FOR ME, 788 00:33:33,533 --> 00:33:34,500 "BECAUSE YOU'VE WORKED REALLY HARD 789 00:33:34,533 --> 00:33:36,701 AND DONE SO MUCH FOR MY CAREER." 790 00:33:36,734 --> 00:33:37,667 ALICE. 791 00:33:40,067 --> 00:33:41,667 IT'S KARMICALLY WRONG, 792 00:33:41,701 --> 00:33:43,167 AND IT'S GOING TO COME BACK AT YOU 793 00:33:43,200 --> 00:33:44,567 IF YOU AND DANA WIND UP TOGETHER. 794 00:33:49,067 --> 00:33:50,133 ALL RIGHT, 795 00:33:50,167 --> 00:33:51,466 YODA NEEDS TO GIVE ME SOME BETTER ADVICE HERE, 796 00:33:51,500 --> 00:33:53,933 OR YODA NEEDS TO SHUT THE FUCK UP. 797 00:33:57,433 --> 00:33:59,567 I'M SO GLAD 798 00:33:59,600 --> 00:34:00,000 YOU DECIDED TO COME, BABY SISTER. 799 00:34:00,000 --> 00:34:01,933 I THINK IT WILL BE GOOD FOR YOU. 800 00:34:01,968 --> 00:34:03,567 I'M JUST DOING THIS TO SUPPORT YOU, KIT. 801 00:34:03,601 --> 00:34:04,868 I'M NOT DOING THIS FOR MYSELF. 802 00:34:04,900 --> 00:34:06,466 OH, YOU MAY SAY THAT NOW, 803 00:34:06,501 --> 00:34:07,734 BUT IT'S TRANSFORMATIVE, 804 00:34:07,767 --> 00:34:09,234 AND IF YOU DON'T MIND ME SAYING, 805 00:34:09,266 --> 00:34:10,734 YOU COULD USE A LITTLE TRANSFORMING 806 00:34:10,766 --> 00:34:11,801 RIGHT ABOUT NOW. 807 00:34:11,833 --> 00:34:12,801 PLEASE DO NOT USE 808 00:34:12,833 --> 00:34:13,833 THAT SELF-HELP JARGON ON ME. 809 00:34:13,868 --> 00:34:14,833 I WILL BARF. 810 00:34:14,868 --> 00:34:15,900 I'M NOT A MOONIE. 811 00:34:15,933 --> 00:34:17,399 HE JUST SAYS A LOT OF THINGS 812 00:34:17,434 --> 00:34:19,199 THAT MAKE SENSE. 813 00:34:19,234 --> 00:34:22,067 IF YOU SAY SO. 814 00:34:22,100 --> 00:34:25,234 DON'T YOU THINK HE'S FINE? 815 00:34:25,266 --> 00:34:27,399 WAIT UNTIL YOU HEAR HIM SPEAK. 816 00:34:27,434 --> 00:34:28,533 THERE'S SOMETHING ABOUT THE WAY 817 00:34:28,567 --> 00:34:31,968 HE MOVES HIS BODY ON STAGE. 818 00:34:40,466 --> 00:34:42,868 YOU'VE BEGGED, PLEADED, 819 00:34:42,901 --> 00:34:46,466 PLOTTED, SCREAMED, AND FLAILED, 820 00:34:46,500 --> 00:34:51,634 AND YET YOU'VE STILL NOT GOT THAT THING, 821 00:34:51,667 --> 00:34:54,533 THAT ONE THING THAT YOU MOST WANT, 822 00:34:54,567 --> 00:34:57,868 THAT YOU CAN'T LIVE WITHOUT, 823 00:34:57,901 --> 00:35:04,767 BUT...HAVE YOU TAKEN... 824 00:35:04,801 --> 00:35:09,666 THE ULTIMATE RISK? 825 00:35:09,701 --> 00:35:14,132 HAVE YOU MADE YOURSELF VULNERABLE? 826 00:35:14,166 --> 00:35:16,600 SAY TO YOURSELF, 827 00:35:16,634 --> 00:35:21,199 "WHAT IS THE MOST VULNERABLE POSITION FOR ME? 828 00:35:21,234 --> 00:35:24,266 "HOW CAN I PUT MYSELF AT RISK 829 00:35:24,300 --> 00:35:28,734 TO LOSE EVERYTHING THAT I HAVE TO LOSE?" 830 00:35:28,766 --> 00:35:33,133 BECAUSE WHEN YOU RISK LOSING EVERYTHING, 831 00:35:33,167 --> 00:35:38,968 YOU INVARIABLY STAND TO GAIN EVERYTHING. 832 00:35:40,868 --> 00:35:43,933 OKAY. 833 00:35:43,968 --> 00:35:45,968 NOW'S THE TIME. 834 00:35:46,067 --> 00:35:47,234 [SIGHS] 835 00:35:47,267 --> 00:35:48,433 OH, I WROTE YOU A SCRIPT. 836 00:35:48,466 --> 00:35:49,466 A SCRIPT? 837 00:35:49,500 --> 00:35:51,067 YEAH, SO YOU KNOW WHAT TO SAY. 838 00:35:51,067 --> 00:35:53,167 UM, DO YOU WANT TO PRACTICE? 839 00:35:53,200 --> 00:35:54,533 OKAY, "TONYA, 840 00:35:54,567 --> 00:35:55,667 THERE IS SOMETHING I NEED TO SAY TO YOU..." 841 00:35:55,701 --> 00:35:57,767 [MUMBLING] 842 00:35:57,801 --> 00:35:59,067 I CAN'T SAY THIS, AL. 843 00:35:59,067 --> 00:36:00,000 IT'S HORRIBLE! 844 00:36:02,133 --> 00:36:03,701 HOW IS "THIS ISN'T EASY FOR ME 845 00:36:03,734 --> 00:36:04,767 "BECAUSE YOU'VE WORKED REALLY HARD 846 00:36:04,801 --> 00:36:06,434 AND DONE SO MUCH FOR MY CAREER" HORRIBLE? 847 00:36:06,466 --> 00:36:07,900 I'M TRYING TO SOFTEN THE BLOW HERE. 848 00:36:07,934 --> 00:36:09,067 "BECAUSE I DON'T KNOW WHAT I WAS THINKING 849 00:36:09,067 --> 00:36:10,400 WHEN I AGREED TO MARRY YOU?" 850 00:36:10,433 --> 00:36:12,467 THAT'S A HIDEOUS THING TO SAY TO ANYBODY, AL. 851 00:36:12,500 --> 00:36:14,467 FINE, NO SCRIPTS. 852 00:36:14,500 --> 00:36:15,567 IT'S OKAY. 853 00:36:15,601 --> 00:36:16,667 JUST IMPROV. 854 00:36:16,701 --> 00:36:17,734 I CAN'T DO THIS. 855 00:36:17,766 --> 00:36:18,734 YES, YOU CAN. 856 00:36:18,766 --> 00:36:19,934 NO, I CAN'T. 857 00:36:19,968 --> 00:36:22,766 I BELIEVE IN YOU. 858 00:36:22,800 --> 00:36:24,434 YOU DO? 859 00:36:24,466 --> 00:36:26,867 YEAH. 860 00:36:26,900 --> 00:36:28,132 DANA, GO. 861 00:36:28,167 --> 00:36:29,266 OKAY, OKAY. 862 00:36:29,300 --> 00:36:30,234 I'LL GO. 863 00:36:40,801 --> 00:36:42,734 [VOICES MURMURING] 864 00:36:46,167 --> 00:36:47,200 KIT. 865 00:36:47,234 --> 00:36:48,500 DR. BRADSHAW. 866 00:36:48,533 --> 00:36:51,267 OH, IT'S SO LOVELY TO SEE YOU... 867 00:36:51,299 --> 00:36:53,500 AND BETTE, I'M GLAD YOU DECIDED 868 00:36:53,533 --> 00:36:54,767 TO OPEN YOURSELF UP. 869 00:36:54,801 --> 00:36:55,701 DID YOU FIND IT ENLIGHTENING? 870 00:36:57,433 --> 00:36:59,267 ACTUALLY, YOU SAID A FEW THINGS 871 00:36:59,299 --> 00:37:00,000 THAT HIT HOME. 872 00:37:00,000 --> 00:37:02,934 ONLY A FEW THINGS? 873 00:37:02,968 --> 00:37:04,067 WELL, IT'S A FEW MORE THAN I WAS EXPECTING, 874 00:37:04,067 --> 00:37:04,833 TO BE PERFECTLY HONEST. 875 00:37:04,868 --> 00:37:06,067 WELL, TELL ME YOUR THOUGHTS. 876 00:37:06,067 --> 00:37:07,868 WHAT IN PARTICULAR RESONATED FOR YOU? 877 00:37:10,666 --> 00:37:12,467 I GUESS THE COMMENTS THAT YOU MADE 878 00:37:12,500 --> 00:37:15,067 ABOUT MAKING YOURSELF VULNERABLE. 879 00:37:15,067 --> 00:37:16,234 MM-HMM, YOU WANT TO KNOW 880 00:37:16,266 --> 00:37:18,199 HOW TO MAKE YOURSELF VULNERABLE TO TINA 881 00:37:18,234 --> 00:37:20,399 SO THAT YOU AND SHE CAN RAISE A CHILD TOGETHER? 882 00:37:20,434 --> 00:37:22,266 JESUS, HAVE YOU TOLD HIM EVERYTHING 883 00:37:22,300 --> 00:37:23,333 THAT'S GOING ON IN MY LIFE? 884 00:37:23,367 --> 00:37:24,968 WELL, I WAS WORRIED ABOUT YOU. 885 00:37:25,067 --> 00:37:26,266 I JUST WANTED TO HELP. 886 00:37:26,300 --> 00:37:27,266 GO TO HER TONIGHT, 887 00:37:27,300 --> 00:37:29,900 WHEREVER SHE IS. 888 00:37:29,934 --> 00:37:31,234 BRING HER FLOWERS-- 889 00:37:31,266 --> 00:37:33,366 IF POSSIBLE, FLOWERS YOU PICKED YOURSELF 890 00:37:33,399 --> 00:37:35,200 RATHER THAN BOUGHT. 891 00:37:35,234 --> 00:37:37,234 GIVE TINA THE FLOWERS 892 00:37:37,267 --> 00:37:41,067 AND SAY, "YOU HOLD ALL THE CARDS." 893 00:37:41,067 --> 00:37:43,167 NO MATTER WHAT SHE SAYS, SAY, 894 00:37:43,200 --> 00:37:48,067 "YOU HOLD ALL THE CARDS." 895 00:37:48,100 --> 00:37:49,067 IT IS MY PERSONAL BUSINESS. 896 00:37:49,100 --> 00:37:50,067 I DON'T WANT SOME STRANGER 897 00:37:50,100 --> 00:37:51,433 KNOWING MY PERSONAL BUSINESS, 898 00:37:51,466 --> 00:37:53,466 ESPECIALLY SOMEBODY LIKE BENJAMIN BRADSHAW. 899 00:37:53,500 --> 00:37:54,868 WELL, IF THERE'S ANYONE YOU SHOULD TRUST, 900 00:37:54,901 --> 00:37:56,133 IT SHOULD BE BENJAMIN, HONEY. 901 00:37:56,167 --> 00:37:57,133 HE'S A GOOD PERSON. 902 00:37:57,167 --> 00:37:58,634 HE'S A FUCKING CIRCUS PERFORMER. 903 00:37:58,667 --> 00:38:00,000 I THOUGHT YOU SAID 904 00:38:00,000 --> 00:38:01,234 HE SAID SOMETHING THAT HIT HOME. 905 00:38:01,266 --> 00:38:02,234 WELL, OF COURSE. 906 00:38:02,266 --> 00:38:03,434 IT'S THE TECHNIQUE OF PEOPLE LIKE HIM. 907 00:38:03,467 --> 00:38:04,501 YOU SPOUT ENOUGH PRE-PACKAGED WISDOM, 908 00:38:04,533 --> 00:38:06,501 THERE'S BOUND TO BE SOMETHING FOR EVERYBODY. 909 00:38:06,533 --> 00:38:07,501 YOU KNOW, I FIND SOMETHING FOR ME 910 00:38:07,533 --> 00:38:08,500 IN THE VOGUE HOROSCOPE, TOO. 911 00:38:08,534 --> 00:38:10,933 THAT DOESN'T MEAN IT'S NOT BULLSHIT. 912 00:38:10,968 --> 00:38:12,266 DOES THAT MEAN 913 00:38:12,300 --> 00:38:14,067 YOU'RE NOT GOING TO DO THE ASSIGNMENT? 914 00:38:26,067 --> 00:38:28,367 [TONYA]: POOKIE, WHERE ARE YOU? 915 00:38:28,399 --> 00:38:29,867 GOD, YOUR LOCKER'S, LIKE, IN SIBERIA. 916 00:38:29,900 --> 00:38:31,667 WE ARE GOING TO HAVE TO HAVE A HARSH CONVERSATION 917 00:38:31,701 --> 00:38:32,868 WITH SOMEBODY ABOUT THAT-- 918 00:38:32,901 --> 00:38:34,634 TONYA, THERE'S SOMETHING I NEED TO SAY. 919 00:38:34,667 --> 00:38:35,834 ME TOO. 920 00:38:35,868 --> 00:38:37,067 WHY DON'T YOU GO FIRST? 921 00:38:37,067 --> 00:38:38,500 OKAY, TONYA. 922 00:38:45,067 --> 00:38:47,500 YOU ARE AN AMAZING WOMAN. 923 00:38:50,366 --> 00:38:53,299 YOU CAME INTO MY LIFE AT A TIME 924 00:38:53,334 --> 00:38:58,466 WHEN I WAS TRYING TO FIGURE OUT WHO I REALLY WAS, AND... 925 00:38:58,500 --> 00:39:03,968 YOU MADE ME FEEL SO WELL TAKEN CARE OF. 926 00:39:04,067 --> 00:39:06,700 YOU HAD SUCH RESPECT FOR ME 927 00:39:06,734 --> 00:39:11,868 THAT I STARTED LEARNING TO RESPECT MYSELF, 928 00:39:11,900 --> 00:39:13,968 AND I'LL NEVER FORGET THAT, 929 00:39:14,067 --> 00:39:18,067 OR STOP BEING THANKFUL... 930 00:39:18,067 --> 00:39:23,067 BUT I THINK I CONFUSED IT WITH SOMETHING ELSE. 931 00:39:23,067 --> 00:39:30,234 I KNOW I CONFUSED GRATITUDE WITH LOVE, 932 00:39:30,266 --> 00:39:34,067 WHICH MEANS I CARE SO MUCH ABOUT YOU. 933 00:39:34,067 --> 00:39:36,366 I CARE SO MUCH ABOUT YOU, BUT... 934 00:39:36,399 --> 00:39:40,734 BUT I KNOW IN MY HEART THAT WE DON'T BELONG TOGETHER... 935 00:39:42,801 --> 00:39:45,734 AND IN THE LONG RUN, I THINK-- 936 00:39:45,767 --> 00:39:51,433 I THINK WE'LL BOTH BE GLAD THAT WE REALIZED IT IN TIME, 937 00:39:51,466 --> 00:39:54,834 BEFORE MAKING A HUGE MISTAKE LIKE GETTING MARRIED. 938 00:39:56,901 --> 00:40:00,000 [RIVERS]: TONYA, TONYA, BABY, 939 00:40:00,000 --> 00:40:01,567 I AM SO SORRY. 940 00:40:01,601 --> 00:40:02,467 I HOPE YOU HAVEN'T BEEN WAITING LONG. 941 00:40:02,500 --> 00:40:03,801 A FAN CORNERED ME IN THE HALLWAY. 942 00:40:03,834 --> 00:40:05,700 COULD YOU GIVE US A MINUTE, PLEASE? 943 00:40:05,734 --> 00:40:07,299 [SNIFFLES] 944 00:40:07,333 --> 00:40:08,300 OH, MY GOD. 945 00:40:08,333 --> 00:40:09,634 YOU TOLD HER? 946 00:40:09,666 --> 00:40:11,032 TOLD ME WHAT? 947 00:40:11,067 --> 00:40:12,933 SHE SEEMS TO BE TAKING IT WELL, 948 00:40:12,968 --> 00:40:14,601 BUT THEN AGAIN, 949 00:40:14,634 --> 00:40:16,501 PROFESSIONAL ATHLETES ARE SO EMOTIONLESS. 950 00:40:16,533 --> 00:40:18,533 TONYA TOLD ME YOU WERE THE STRONG, STOIC TYPE 951 00:40:18,567 --> 00:40:19,900 IN A SITUATION LIKE THIS, 952 00:40:19,934 --> 00:40:20,900 BUT I THINK IT'S GOOD. 953 00:40:20,934 --> 00:40:22,501 IN WHAT SITUATION? 954 00:40:22,533 --> 00:40:24,167 [CLEARS THROAT] 955 00:40:24,199 --> 00:40:26,167 DANA. 956 00:40:28,000 --> 00:40:29,701 WELL, THIS IS WHAT I WANTED TO TALK TO YOU ABOUT. 957 00:40:29,734 --> 00:40:36,299 I AM SO SORRY. 958 00:40:36,334 --> 00:40:37,567 I DON'T EVEN KNOW HOW IT HAPPENED. 959 00:40:37,600 --> 00:40:38,567 I COULDN'T HELP IT. IT JUST-- 960 00:40:38,600 --> 00:40:39,634 IT HAPPENED. 961 00:40:39,667 --> 00:40:40,634 WHAT? 962 00:40:40,667 --> 00:40:41,734 IT JUST HAPPENED. 963 00:40:41,767 --> 00:40:42,734 LIGHTNING STRUCK. 964 00:40:42,767 --> 00:40:44,466 THE SKIES PARTED. 965 00:40:44,500 --> 00:40:46,500 I'VE SEEN THE LIGHT. 966 00:40:46,533 --> 00:40:50,667 MISSY, NOW, YOU ARE GOING TO MAKE ME CRY. 967 00:40:50,701 --> 00:40:52,299 OH, MY GOD. 968 00:40:52,334 --> 00:40:54,466 ARE YOU EVEN GAY, MELISSA? 969 00:40:54,500 --> 00:40:56,634 WELL, I LIKE TO THINK OF MYSELF 970 00:40:56,667 --> 00:40:57,968 AS LABEL-FREE. 971 00:40:58,000 --> 00:40:59,234 I MEAN, LOVE IS LOVE, 972 00:40:59,267 --> 00:41:01,868 AND I'VE FALLEN IN LOVE WITH TONYA THE PERSON, 973 00:41:01,901 --> 00:41:03,399 NOT THE GENDER. 974 00:41:05,267 --> 00:41:08,833 OH, SEE... 975 00:41:08,868 --> 00:41:10,601 NOW, WE HAVE A LOT WE NEED TO TALK ABOUT, 976 00:41:10,634 --> 00:41:12,701 BUT I THINK AT THIS POINT, 977 00:41:12,734 --> 00:41:13,701 IT'S BEST TO LEAVE YOU 978 00:41:13,734 --> 00:41:15,567 TO HAVE SOME TIME TO YOURSELF TO ABSORB. 979 00:41:17,466 --> 00:41:18,399 AND I AM SO GRATEFUL 980 00:41:18,434 --> 00:41:19,567 THAT ALICE AND SHANE ARE HERE 981 00:41:19,600 --> 00:41:21,067 SO I DON'T NEED TO WORRY ABOUT YOU. 982 00:41:21,067 --> 00:41:22,634 I MEAN, A GIRL NEEDS HER FRIENDS 983 00:41:22,667 --> 00:41:23,867 AT TIMES LIKE THIS. 984 00:41:23,900 --> 00:41:24,867 YEAH. 985 00:41:24,900 --> 00:41:26,600 OKAY. 986 00:41:28,333 --> 00:41:31,399 NOW, I CAN'T WAIT TO MEET YOUR MOTHER. 987 00:41:38,767 --> 00:41:40,734 [VOICES MURMURING] 988 00:41:48,600 --> 00:41:49,600 TELL ME, 989 00:41:49,634 --> 00:41:50,734 WHO WROTE YOUR GRANT PROPOSAL? 990 00:41:50,767 --> 00:41:52,267 IT WAS SO MOVING. 991 00:41:52,299 --> 00:41:53,734 I THINK I'M GOING TO COPY IT 992 00:41:53,767 --> 00:41:55,567 FOR THE PEABODY FOUNDATION MISSION STATEMENT. 993 00:41:55,600 --> 00:41:57,399 MY WIFE AND I WROTE IT. 994 00:41:57,433 --> 00:41:59,067 MY EX-WIFE. 995 00:41:59,067 --> 00:42:01,667 WE'VE BEEN DIVORCED FOR THREE YEARS. 996 00:42:01,701 --> 00:42:04,267 HMM, AND YOU STILL WORK TOGETHER. 997 00:42:04,299 --> 00:42:05,466 HOW PROGRESSIVE. 998 00:42:05,501 --> 00:42:08,666 HELENA'S BEEN ON A RAMPAGE 999 00:42:08,701 --> 00:42:10,868 ABOUT HEADQUARTERS FOR SOCIAL JUSTICE. 1000 00:42:10,900 --> 00:42:11,968 SHE'S ENCOURAGING US ALL 1001 00:42:12,067 --> 00:42:13,400 TO COME AND TAKE A TOUR OF YOUR FACILITIES. 1002 00:42:13,433 --> 00:42:16,167 AH. 1003 00:42:16,199 --> 00:42:18,734 WOULD YOU JUST EXCUSE ME? 1004 00:42:18,766 --> 00:42:19,934 MM-HMM. 1005 00:42:33,868 --> 00:42:35,366 [CELL PHONE RINGS] 1006 00:42:35,399 --> 00:42:37,334 EXCUSE ME. 1007 00:42:40,100 --> 00:42:43,634 OH, I HAVE TO TAKE THIS. 1008 00:42:43,667 --> 00:42:45,334 HELLO? 1009 00:42:45,366 --> 00:42:47,133 DON'T THESE BORING, PRETENTIOUS DINNERS 1010 00:42:47,167 --> 00:42:49,968 MAKE YOU REALLY HORNY? 1011 00:42:50,067 --> 00:42:51,067 WHERE ARE YOU? 1012 00:42:51,067 --> 00:42:52,133 WAITING FOR YOU TO COME 1013 00:42:52,167 --> 00:42:54,200 AND SHOW ME ANOTHER SIDE OF TINA. 1014 00:42:54,234 --> 00:42:56,334 AND WHAT SIDE WOULD THAT BE? 1015 00:42:56,366 --> 00:42:57,600 THE SIDE THAT WANTS TO WALK AWAY FROM THAT TABLE 1016 00:42:57,634 --> 00:42:59,767 RIGHT THIS VERY SECOND. 1017 00:42:59,801 --> 00:43:01,834 I'LL BE WAITING FOR YOU BY THE POOL. 1018 00:43:05,333 --> 00:43:07,067 WHAT'S MY EXCUSE? 1019 00:43:07,099 --> 00:43:09,367 WHY DO YOU NEED AN EXCUSE? 1020 00:43:09,400 --> 00:43:10,467 WELL, BECAUSE-- 1021 00:43:10,500 --> 00:43:11,567 NEVER APOLOGIZE. 1022 00:43:11,601 --> 00:43:13,933 NEVER EXPLAIN, TINA. 1023 00:44:07,166 --> 00:44:08,300 YOU KNOW, 1024 00:44:08,333 --> 00:44:10,634 I WAS SO FUCKING BORED UP THERE. 1025 00:44:10,666 --> 00:44:12,467 YOU WERE THE ONLY THING 1026 00:44:12,500 --> 00:44:15,166 THAT WASN'T BORING ME TO TEARS. 1027 00:44:15,199 --> 00:44:18,600 COME ON. 1028 00:44:18,634 --> 00:44:20,067 LET'S GO FOR A SWIM. 1029 00:44:24,234 --> 00:44:25,634 I DON'T HAVE A BATHING SUIT. 1030 00:44:25,667 --> 00:44:27,900 AND? 1031 00:44:33,167 --> 00:44:35,600 YOU'RE NOT TIMID, ARE YOU? 1032 00:44:35,634 --> 00:44:37,933 I HADN'T PEGGED YOU FOR BEING TIMID. 1033 00:44:40,801 --> 00:44:43,234 NO, I'M NOT TIMID. 1034 00:44:45,366 --> 00:44:47,167 IS IT BECAUSE OF BETTE? 1035 00:44:47,200 --> 00:44:49,533 I DON'T KNOW. 1036 00:44:51,734 --> 00:44:52,933 ALTHOUGH... 1037 00:44:56,100 --> 00:44:58,868 I'VE NEVER DONE THIS BEFORE. 1038 00:45:02,234 --> 00:45:05,501 WELL, THAT'S GOOD. 1039 00:45:05,533 --> 00:45:08,367 I LIKE THE IDEA OF BEING YOUR FIRST. 1040 00:45:08,400 --> 00:45:11,900 YOU KNOW, I WANTED TO SLEEP WITH YOU 1041 00:45:11,933 --> 00:45:13,234 FROM THE FIRST MOMENT 1042 00:45:13,266 --> 00:45:15,199 I SAW YOU. 1043 00:45:19,800 --> 00:45:22,800 I FIND THAT HARD TO BELIEVE. 1044 00:45:28,167 --> 00:45:31,833 THIS IS WHAT I FIND THE MOST BEAUTIFUL. 1045 00:47:31,800 --> 00:47:33,466 [KNOCKS] 1046 00:47:53,067 --> 00:47:55,100 [CELL PHONE RINGING] 1047 00:47:55,133 --> 00:47:57,267 [***] 1048 00:49:28,434 --> 00:49:30,833 [SNICKERS] 66981

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