Original subtitles

AND I SAID, "I HATED IT."

HE SAID, "YOU HATED IT, WHY?"

I SAID, "BECAUSE OF THE MORALITY

THAT THIS MAN WOULD DESTROY HIS

SON AND HIS WIFE FOR THE SAKE OF

>> IT WAS AN EVENT OF MY...

SORT OF... HAVING A SON WHO'S IN

SOME WAYS MORE GROWN-UP THAN ME.

HE'S TELLING ME, YOU KNOW

>> WHY DON'T YOU TELL ME WHAT

YOU'RE THINKING.

>> I'M THINKING ABOUT MY FATHER.

>> YOUR FATHER?

>> IN "DAMAGE", UH, JEREMY IRONS

IS THE FATHER.

HE KNEW THAT THIS WAS HIS SON'S

GIRLFRIEND.

HE DIDN'T CARE.

>> BUT IN OUR MOVIE

THE FATHER WOULD NOT DESTROY

HIS SON.

HE WOULD GIVE UP THE GIRL

BECAUSE HIS SON IS HIS SON.

>> MMM.

WOULD YOU LIKE A TASTE?

>> I LIKE OUR VERSION BETTER.

>> ROXANNE BLAZE HAD A SERIES OF

ENDLESS ORGASMS FROM A WATER

HOSE I WAS SPRAYING HER WITH.

AND THAT WAS VERY REAL

IT WAS VERY INTERESTING.

>> SHE'S ONE OF HIS GIRLS

HE WOULD LOOK AND-- AND SAY

"WHAT'S A NICE GIRL LIKE YOU

DOING IN A PLACE LIKE THIS?"

WHY'D YOU COME BACK, HMM?

>> BECAUSE I SHOULDN'T HAVE.

BECAUSE YOU'RE DANGEROUS FOR ME.

>> WE REALLY FELT

WHAT WE WERE DOING--

YOU KNOW, WE KNEW IT WAS

ONLY PORN.

BUT WE WANTED TO MAKE IT THE

BEST PORN WE COULD POSSIBLY

MAKE IT.

>> "JUSTINE" DOES QUALIFY AS ONE

OF THE BETTER MOVIES MADE, UH

UH, BOTH IN THE HISTORY OF PORN

BUT IN MY PERSONAL HISTORY

WORKING.

IT WOULD BE IN MY TOP TEN

>> MY CRIME WAS TO SHARE THESE

VISIONS WITH YOU.

THE TRUTH.

AND FOR THIS, I HAVE BEEN

>> "LATEX" WAS VERY INEXPENSIVE

BUT THEN THERE WAS ABOUT

12 MONTHS OF POST MAKING ALL OF

THIS STUFF, SO THAT MIGHT'VE

THIS IS A WHOLE MOVIE FULL OF

COMPUTER-GENERATED EFFECTS.

THIS WAS SO FAR BEFORE ANYBODY

EVER THOUGHT TO DO ANYTHING LIKE

THAT FOR PORNO, YOU KNOW?

EVERYBODY WHO WORKED ON

A MICHAEL NINN FEATURE KNEW THEY

WERE IN FOR A RIDE.

THIS IS SOMETHING THAT YOU'RE

NOT GONNA WALK IN AND BE OUT OF

THERE IN AN HOUR.

UH, MORE OFTEN THAN NOT, IT

MIGHT TAKE YOU A COUPLE OF HOURS

JUST TO GET YOUR MAKEUP ON.

HE SAYS THAT YOU CLAIMED TO BE

ABLE TO "SEE INSIDE OF PEOPLE."

DID YOU SAY THAT?

>> YES.

>> I'D CALL THAT E.S.P.

WOULDN'T YOU?

>> I WOULD CALL IT SEEING

>> JON DOUGH REALLY TOOK HOLD OF

THAT ROLE AND CREATED THAT ROLE

ALMOST ON HIS OWN.

UM, MICHAEL NINN MADE IT INTO

VISUALLY POWERFUL MOVIE AND

TECHNICALLY FAR SUPERIOR THAN

MOST EVERYTHING ELSE THAT HAD

BEEN MADE BEFORE THAT.

>> YOU'RE ASKING ME TO EXPLAIN

SOMETHING THAT I DON'T REALLY

UNDERSTAND MYSELF.

>> HE WAS SO DEEPLY DEDICATED TO

WHAT WAS GOING IN THERE, MORE

THAN I EVER SAW HIM

IN ANY MOVIE.

>> THERE WAS ONE SET

THE KITCHEN SET WITH ZACK

AND SUNSET THOMAS.

THAT'S THE ONLY SET WE SHOT ON.

EVERYTHING ELSE WAS SHOT

AGAINST GREEN SCREEN, WHICH

MEANS EVERYTHING ELSE IN THE

MOVIE HAD TO BE MANUFACTURED

>> I'M IN THE KITCHEN, YOU KNOW

LATEX GLOVES ON.

AND THERE'S THESE BIG, WHITE

AND I WAS IN THE DRESSING ROOM.

I WAS JUST ALL UPSET BECAUSE

I WAS SO USED WEARING THESE

LITTLE SKIMPY UNDERWEAR.

I SAID, "MIKE, I CANNOT WEAR

THESE GRANNY UNDERWEAR."

>> MICHAEL NINN SEEMS TO DEAL

MORE WITH, UM, BROAD SYMBOLISM

LIKE, SYMBOLIC STORIES.

THEY WERE HUGE STORIES THAT

TALKED ABOUT BASICALLY

GOOD AND EVIL.

THERE'S ALWAYS THE INNOCENCE

THAT GETS CORRUPTED.

THERE'S THE, THE SOCIETY THAT

CHURNS UP THE INNOCENTS IN ITS

GEARS, IT'S-- IT'S VERY SYMBOLIC

AND BROAD IN ITS SCOPE, AND

I THINK ANDREW BLAKE WAS MORE

ABOUT INSTANCES.

>> HOME VIDEO BECAME SUCH

A POPULAR FORMAT FOR PORN THAT

BY THE MID-90'S, ADULT THEATERS

WERE ESSENTIALLY A THING

OF THE PAST.

PRODUCERS TRADED NEW YORK AND

SAN FRANCISCO FOR SUNNY L.A.

AND THE SAN FERNANDO VALLEY

BECAME THE UNDISPUTED CAPITAL

OF THE ADULT BUSINESS.

VHS AND THE INDUSTRY SEEMED LIKE

A MARRIAGE THAT WOULD LAST

FOREVER.

BUT PROGRESS NEVER STANDS STILL.

AND A POWERFUL NEW FORMAT WAS

ABOUT TO BRING NEW OPTIONS AND

>> WHY ARE YOU GOING THROUGH

MY PURSE?

>> TO FIND YOUR BADGE.

YOUR FIREMAN I.D.

>> YOU'RE THE KIND OF GIRL WHO

TAKES OUT PERSONAL ADS.

"OH, HOT-BLOODED BLONDE

>> IT WAS SHORTLY AFTER

"BACKDRAFT," THAT BIG FIREMAN

AND WHEN IT CAME TO

"FLASHPOINT," WHAT WE WERE

TRYING TO DO IS WE HAD KIND OF

STARTED TO ELEVATE OUR ADULT

MOVIES INTO WHAT WE THOUGHT

SEX OUT OF THEM, BECOME KIND OF

LIKE THAT "B" MOVIE VIBE.

>> I JUST WISH I HAD

IT HAD A STORYLINE.

AND IT HAD REAL ACTING.

>> FOR ITS TIME, IT WAS A HUGE

MOVIE, AND, UH, AS LUCK WOULD

HAVE IT, I JUST HAPPENED TO MEET

A BIG PYROTECHNICS GUY WHO

WORKED IN THE MAINSTREAM.

>> THEY ACTUALLY WORKED ON

"BACKDRAFT."

>> WHEN WORKING WITH FIRE

OF COURSE, THERE'S ALWAYS A HUGE

AMOUNT OF SAFETY PRECAUTIONS

ESPECIALLY WITH THE MAINSTREAM

GUY DOING IT ALL, YOU KNOW

WE HAD SAFETY MEETINGS

ALL THE TIME.

>> AT THE TIME, I DIDN'T REALLY

THINK ABOUT HOW HARD IT IS

TO BE A FIREFIGHTER.

SO THEY HAD ME CARRYING

DUMMIES UPSTAIRS.

>> I THINK A COUPLE OF PEOPLE

STARTED THINKING THEY WERE GONNA

PASS OUT RUNNING UP AND DOWN

STAIRS WITH ALL THE GEAR ON.

>> STEVENS, WHAT DO YOU THINK

YOU'RE DOING?

>> SHH!

>> IF THE CAPTAIN CATCHES YOU

YOUR ASS IS HISTORY.

>> I DIDN'T REALLY REALIZE HOW

INCREDIBLY REAL

THIS WAS GOING TO BE.

WHEN YOU'RE HAVING SEX BEHIND

FIRE, YOU DON'T REALLY REALIZE

THE FEAR THAT YOU'RE

GONNA BE FEELING.

>> WE REALLY ONLY HAD ONE HUGE

FIRE DAY, AND HE HAD A HUGE CREW

IN THERE TO MAKE SURE EVERYBODY

KNEW WHAT THEY WERE DOING.

AND REALLY HAD A GRASP OF WHAT

THE ISSUES WERE WHEN IT CAME TO

SAFETY AND ANY, UH-- AND KEEPING

THE ACTORS OUT OF DANGER.

>> I REALLY THINK THAT WE--

WE ACCOMPLISHED SOMETHING

REALLY BEAUTIFUL AND SOMETHING

>> TO BE HONEST WITH YOU

I DIDN'T EXACTLY INHERIT

MY FATHER'S SIN...

>> IT WAS NOT

A HIGH-BUDGET MOVIE.

OVER FIVE DAYS FOR 70 GRAND.

SO 2-1/2 DAYS, $35,000...

IT'S NOTHING FOR FILM.

>> TO ME, IT WAS A BIG DEAL

BECAUSE THIS WAS ANOTHER ONE--

YOU KNOW, THE FILMS WERE HERE

AND THERE, JUST FEW AND FAR

>> DIDN'T YOU APPLY AT

THE SHERIFF'S OFFICE IN COUNCIL

BLUFFS OR SOMETHING?

>> YEAH, I GOT ACCEPTED, TOO

BUT I'M NOT READY TO LEAVE YET.

>> THE ACTORS THAT CAME ON

REALLY TOOK IT SERIOUSLY AND

REALLY, YOU KNOW, I GOT GOOD

PEOPLE WITH ACTING CHOPS.

SHANNA McCULLOUGH WHO

YOU KNOW, LATER WON AN AWARD

FOR IT FOR BEST ACTRESS.

>> THIS WAS A FILM NOIR

AND IT WAS A DETECTIVE STORY

AND HE WANTED ME TO STAR IN IT.

IT'S A STORY OF TWO DETECTIVES

AND THIS WOMAN

WHO'S A FEMME FATALE KILLER.

AND SHE'S, YOU KNOW, SEDUCING

MEN AND THEN KILLING THEM.

AND SHE'S BEEN STALKING

MY PARTNER.

APPARENTLY, HIS FATHER DEALT

WITH THIS ALSO FEMME FATALE

IN HIS CAREER AS A POLICEMAN.

AND HE THINKS IT'S THE SAME

WOMAN AND SHE'S STILL AROUND

AFTER 50 YEARS.

AND I SAID, "NO, IT MUST

BE HER DAUGHTER."

>> THE LOOK OF "LOOKER" IS VERY

GRITTY AND NOIR INSPIRED

AND THIS IS NO ACCIDENT.

I WANTED TO DO A MOVIE THAT

COULD'VE BEEN SHOT IN THE 30s.

>> HE WAS A REAL SLAVE DRIVER.

HE LITERALLY WOULD WORK

A 24-HOUR DAY IF THAT WAS WHAT

WAS NECESSARY BECAUSE HE WAS

A PERFECTIONIST AND HE WANTED

EVERYBODY ELSE TO BE.

>> WHEN WE SHOT THAT MOVIE, WE

KNEW WE HAD SOMETHING SPECIAL.

>> WE PUT A LOT OF HEART INTO IT

AND NIC PUT A LOT OF HEART INTO

IT, AND WE DIDN'T GET

AN OPPORTUNITY TO DO THAT MUCH

ANYMORE SO IT REALLY FELT GOOD

THAT IT WAS RECOGNIZED FOR WHAT

WE REALLY WANTED IT TO BE.

>> EARLY ON IN THE SHOW

SHANNA WON FOR BEST ACTRESS.

AND WE WERE LOOKING AT EACH

OTHER LIKE, "COULD THIS BE?"

AND THEN JUST THE FLOODGATES

JUST OPENED UP AND WE WON BEST

FILM DIRECTOR FOR ME, BEST FILM

ART DIRECTION, SCRIPT, EDITING.

I MEAN, TRIFECTA, SWEEP.

SO IT WAS ONE OF THE BETTER

>> DOGS LICK.

MEN FUCKING EAT PUSSY.

EAT MY PUSSY.

>> "SEVEN DEADLY SINS" WAS

THE OBVIOUS CANDIDATE FOR

THE VIGNETTE STYLE OF SHOOTING.

I WANTED TO BE ABLE TO HAVE

EVERYTHING DISTINCTLY

UH, REPRESENTED

BY THE SIN ITSELF.

>> WHERE AM I?

>> YOU STUPID BITCH.

>> THE BASIC STORY IS A CRISIS

OF THIS WOMAN WHO'S IN LOVE

WITH THE REAL JANINE.

AND SHE'S BEEN TOLD THAT SHE

ACTUALLY KIND OF LOOKS LIKE

JANINE, BUT OF COURSE, WE HAVE

A REALLY DOWDY VERSION OF HER.

SO THE CHALLENGE WAS HOW DO WE

>> IT WAS A STRETCH, YOU KNOW

IT WAS, UH...

I WAS JUST KIND OF... IT'S HARD

NOT TO JUST EMBRACE HER.

SO, UH, TO TAKE MYSELF OUT OF

THAT SITUATION AND BE LIKE

"YEAH, IT'S ME AND IT'S ME,"

>> YOU KNOW, THERE WERE CERTAIN

THINGS THAT WE HAD TO HIDE.

WHEN YOU'RE TRYING TO SHOOT AND

BE SOMEBODY, AND YOU CAN'T SHOW

YOUR FACE OR YOU'RE TRYING TO

IT WASN'T EASY.

THAT I CAN TELL YOU.

>> YOUR A WHINY, DRIED-UP

OLD MAID.

>> SHUT UP!

>> THAT NOBODY WANTS.

>> SHUT UP.

>> THERE WAS A LOT OF FOOD.

THERE WAS AN ABUNDANCE OF--

(GIGGLING)

IT'S A PERFECT SCENE IF YOU'RE

A FOOD FETISH KIND OF GUY.

>> WE HAD TO BUILD SUPPORTS

FOR THESE-- I THINK THEY WERE

TEN-FEET TALL--

AND WE DID AN ARC AROUND THAT.

AND THEN SET THAT IN

A STAGE THAT, AT THE TIME

I THINK WAS BLACK.

SO WE COULD, YOU KNOW--

AND THEN WE ACTUALLY GOT A

TURNTABLE FOR THEM TO HAVE SEX

ON SO THAT COULD REVOLVE, SO THE

IMAGE BEHIND IN ALL THE MIRRORS

WAS REVOLVING AT THE SAME TIME.

IT HAD A VERY, YOU KNOW, KIND OF

A SURREAL DEPARTMENT STORE

>> HEY, WATCH THE TEETH

SWEETIE.

>> SORRY, FORCE OF HABIT.

>> "DARK ANGELS" CAME OUT--

SCOTT TAYLOR, THE OWNER

OF NEW SENSATIONS.

HE GOES, "I'VE ALWAYS REALLY

KIND OF LIKED HORROR MOVIES AND

STUFF AND VAMPIRE-TYPE STUFF."

AND I SAID, "WELL, WE CAN DO

>> YOU LOOKING FOR SOMETHING

SPECIAL TONIGHT?

>> IT DEPENDS, YOU A COP?

>> YOU SEE A BADGE, SWEETHEART?

>> WHEN I CONCEIVED THE WHOLE

STORY AND WAS WRITING THE SCRIPT

AND EVERYTHING, MIKE HORNER WAS

ALREADY CAST IN MY HEAD.

>> WE HAD TO SPEND MORE TIME

PREPPING AND SETTING UP FOR THE

BLEEDING SCENE THAN WE DID ON

THE ENTIRE SEX SCENE, BECAUSE IT

TOOK SEVERAL HOURS FOR THEM TO

THEY HAD TO CLEAN THE CAR ONE

TIME FROM ALL THIS BLOOD--

ALL OVER THE WINDOWS.

IT JUST DIDN'T WORK FOR

>> I WAS JUST GETTING TO THAT.

>> WE DIDN'T GET STARTED DOING

THAT SCENE UNTIL ABOUT MIDNIGHT.

AND WE WENT TILL LIKE

4:00 IN THE MORNING

5:00 IN THE MORNING.

WE GOT OUT OF THERE JUST IN TIME

FOR THE SUNRISE.

>> WHEN I APPROACHED SYDNEE TO

DO THE MOVIE, I SAID

"ALL RIGHT, I DON'T KNOW IF

YOU'VE DONE SOMETHING LIKE THIS

BEFORE, WE'RE GONNA DO, LIKE

YOU KNOW, FULL-BODY CAST

OF YOU, PROSTHETICS."

'CAUSE THAT'S HER IN THE MONSTER

SUIT AT THE END.

AND, YOU KNOW, AND YOU'RE GONNA

BE WEARING CONTACTS

AND ALL THIS.

AND, YOU KNOW

WOULD YOU COMMIT TO THIS?

>> AND I'M LOOKING AROUND THE

WAREHOUSE AND THINKING, "MAN

YOU KNOW, I'M WORKING IN THIS

WAREHOUSE AND, YOU KNOW, I'M A

NEVER TOOK THE TIME TO TAKE CARE

OF ALL THESE PALLETS THAT LAY

HERE ALL OVER, BROKEN."

"AH, I'LL NEVER FALL ON THAT."

IN THE DUMPSTER

WOULDN'T YOU KNOW IT?

PALLET, RIGHT, RIGHT?

A PALLET AND BROKEN GLASS.

>> JEWEL DE'NYLE WAS THE

CONTRACT GIRL, AND SHE ACTUALLY

QUIT, UH, FIVE DAYS BEFORE

WE FINISHED SHOOTING.

SHE STORMED OFF THE SET.

IT'S ACTUALLY ON THE

BEHIND-THE-SCENES.

FORTUNATELY, I HAD SHOT THE END

ALREADY.

IT BROKE A LOT OF RULES

WHEN IT CAME OUT.

IT UPSET SOME PEOPLE

IT EXCITED A LOT OF PEOPLE, IT

MADE A LOT OF MONEY, YOU KNOW?

IT WAS-- IT WAS ONE OF

THOSE GREAT EXPERIENCES THAT

I WAS NEVER ABLE TO DUPLICATE

EVEN WITH BIGGER BUDGETS, BIGGER

CREWS, NEWER EQUIPMENT

EVERYTHING.

I WAS NEVER ABLE TO CAPTURE

THE MAGIC THAT WENT INTO

>> YOU TRIED TO GET MY

ATTENTION.

>> YES.

>> WELL, YOU DID.

I WAS VERY IMPRESSED

BY YOUR DVD.

ANYTHING ELSE IMPRESS YOU

>> I THOUGHT I HAD A GOOD MOVIE

BECAUSE, UH, THE SCRIPT WAS THE

BEST SCRIPT THAT I THOUGHT I HAD

EVER COME UP WITH IN TERMS OF

INTERESTING IDEAS.

IT TOOK A LONG TIME TO WRITE IT.

(SHRIEKING)

>> TO BE DIRECTED BY JOHN

ESPECIALLY FOR THIS MOVIE

WAS SO SPECIAL FOR ME

I WAS A BIG FAN OF ALL

THE "BUTTMAN" SERIES.

I WAS A BIG FAN OF JOHN, SO IT

WAS LIKE BEING IN A DREAM.

>> I HAD A GOOD MEETING WITH MY

CINEMATOGRAPHER WHO SAID

"WELL, WHAT'S THE RELATIONSHIP

BETWEEN THOSE TWO GIRLS?"

AND I SAID, "OH.

THEY COULD HAVE A RELATIONSHIP."

THAT'S MORE THAN JUST THE GIRL

IN THE BACK ROOM TRYING TO

SEDUCE ROCCO.

>> MY ENGLISH AT THAT TIME

WAS HORRIBLE, LIKE

BARELY ANY ENGLISH.

ROCCO SPEAKS FRENCH VERY WELL

SO HE WOULD TRANSLATE SOME OF

THE THINGS, BUT THE FUNNIEST

PART WAS-- WAS THE DIALOGUE

I HAD, I WAS BASICALLY DOING

IT-- DOING IT-- PHONETICALLY.

>> I TOLD YOU THEY ARE STILL

IN THE DARK AGES.

I'M ALREADY NOT A GREAT ACTOR

TO START WITH

BUT HERE, IT WAS LIKE--

LIKE ROBOTIC ACTING.

>> I'LL DO THIS THING ABOUT

THIS LITTLE FASHION COMPANY

'CAUSE I WANNA DO STUFF WITH

FASHION 'CAUSE I LIKE CLOTHES

AND SEXY CLOTHES ON GIRLS.

IT GIVES ME AN EXCUSE, AND I'LL

HAVE THIS LITTLE MOUSEY GIRL

SITTING IN THE CORNER AND

SHE'LL JUST-- SHE'LL REALLY BE

THE BRAINS BEHIND THE OPERATION.

AND WE'LL DO THIS LIKE NORMAL

LIKE TV SHOW KIND OF THING.

BUT THAT MORPHED INTO A FETISH

FASHION COMPANY AND THE GIRL

SITTING IN THE CORNER WAS

BELLADONNA WHO SENDS THE GUY

SHE'S TRYING TO SEDUCE AN

EXTREME S&M DVD WHERE HE FINDS

THIS STUFF WITH EASTER EGGS

ON THE DVD.

IT MORPHED INTO SOMETHING THAT

WAS REALLY LIKE A PRIMER

FOR S&M SEX.

WHEREAS, IT WAS SUPPOSED TO BE

THIS MIDDLE-OF-THE-ROAD THING

BECAUSE I CAN'T THINK

MIDDLE-OF-THE-ROAD SOMEHOW.

305 ROLLS OF FILM AS I RECALL.

AND MOST OF THOSE WERE THE FOUR

MINUTES, ALTHOUGH, WE DID HAVE

ON TWO DIFFERENT DAYS, WE HAD

THE BIG CAMERA WHICH COULD SHOOT

11 MINUTES AT A TIME

WHICH WAS SO GREAT, 11 MINUTES.

I DON'T THINK I'VE DONE MY BEST

MOVIE YET, THAT'S FOR SURE.

I HOPE TO BE DOING MY NEXT MOVIE

IS GONNA BE MY BEST MOVIE

>> WHAT CAN I DO FOR YOU TODAY?

>> I'D LIKE A MASSAGE.

>> WELL, YOU'VE CERTAINLY COME

TO THE RIGHT PLACE.

>> I MADE THE ORIGINAL

"MASSEUSE" IN ABOUT 1990

OR SOMETHING LIKE THAT.

AND IT WAS REALLY A DEPARTURE

>> HELLO, THIS IS JIM.

>> I THINK IT IS THE BEST

I FELT SO INCREDIBLY

COMFORTABLE WITH THE SCRIPT

>> THE DIRECTNESS, THE

SIMPLICITY, THE TRUTHFULNESS

OF IT.

THERE'S NO BELLS AND WHISTLES.

IT'S JUST A MASSEUSE

AND HER CLIENT TALKING.

YOU KNOW, WHAT DID I CALL IT--

"MY DINNER WITH ANDRE"

OF X-RATED MOVIES.

>> IF YOU WATCH THE MOVIE

CLOSELY, YOU CAN ALMOST SEE ME

THE REAL ME

DISCOVERING MYSELF.

SO THAT'S WHY I LIKE IT SO MUCH.

HOW OLD ARE YOU?

>> 28.

>> GIRLFRIEND?

>> CAN I TELL YOU A SECRET?

>> SURE, I LOVE SECRETS.

>> I'M A VIRGIN.

>> I LIKE TO STAB

AND SEE HOW FAR I CAN GO.

PAUL THOMAS HAS A WAY ABOUT HIM

AND I THINK I GAINED

A LITTLE BIT OF HIS RESPECT.

HE'S USED TO BEING ABLE TO TELL

PEOPLE POP, POP, POP, POP, POP.

AND I WOULD BE LIKE, "LISTEN

NO, THIS IS THE WAY THIS SHOULD

BE, AND THIS IS THE WAY

THIS SHOULD BE.

WHAT DO YOU THINK ABOUT THAT?"

>> SHE BROUGHT A LOT TO

THE TABLE, SHE LISTENED TO ME

ALWAYS ON TIME-- I'M THE ONE

WHO HAD TO STEP UP MY GAME.

YOU KNOW, WITH JENNA

NO PARTYING, YOU KNOW?

>> I'LL SEE YOU LATER

>> I PLAYED JUSTINE JONES

JONES," AND JENNA JAMESON

PLAYED THE DEVIL, WHICH WAS

QUITE INTERESTING BECAUSE I GOT

THE SCRIPT AND THEN HEARD THAT

AND MY-- MY FIRST THOUGHT WAS

NOT ONLY DO YOU HAVE TO REMAKE

THIS AMAZING CLASSIC FILM

"THE DEVIL AND MISS JONES," BUT

ALSO NOW NEXT TO JENNA JAMESON

>> AT FIRST IT FEELS LIKE

A NO-WIN SITUATION, YOU KNOW?

WHAT AM I GONNA MAKE

ONCE IN A WHILE, YOU GET

"GODFATHER TWO," BUT MOST OF THE

TIME, THE SEQUEL'S JUST AREN'T

SO GOOD IF THE ORIGINAL'S

>> I HAD BEEN OUT OF

THE BUSINESS FOR A LONG TIME.

AND PAUL THOMAS CALLED ME ONE

NIGHT AND SAID, "WE'RE GONNA DO

A REMAKE OF 'THE DEVIL

AND I SAID, "WELL, VERY GOOD

PAUL, CONGRATULATIONS

GOOD LUCK," AND SO FORTH.

AND HE SAYS, "YOU'RE GONNA

BE IN IT," AND I SAID

"OH, NO, I'M NOT."

AND HE SAID, "OH, YES, YOU ARE."

HE SAYS, "YOU'RE JUST GONNA DO

A CAMEO, THREE LINES."

I SAID, "I DON'T EVEN WANNA

LEARN THREE LINES."

HE SAYS, "I'LL GIVE YOU

$10,000," I SAID, "OKAY."

>> WHEN SHE COMES OUT AT THE END

OF THAT MOVIE, YOU GET CHILLS.

ESPECIALLY IF YOU KNOW

WHO SHE IS.

IT REALLY WORKS, AND, UH...

SHE'S JUST DELIGHTFUL.

>> DO YOU READ, MISS JONES?

>> ONLY ROMANCE NOVELS

IT'S MY JOB.

>> YOU ARE SO PRIVILEGED.

AND YOU FEEL SO SORRY

FOR YOURSELF.

IS ONE OF THE MOST

GROUNDBREAKING WOMEN EVER.

OWNING HER SEXUALITY AND NOT

BACKING DOWN AT THE TIME WHEN

SHE WAS FAME-- UBER FAMOUS.

I HAVE ULTIMATE RESPECT FOR HER

AND I MADE SURE I TOLD HER THAT.

AND HER ACTING WAS FANTASTIC

TOO.

>> IT WAS REALLY COOL TO DO THAT

BECAUSE, YOU KNOW, AT THE TIME

WE WERE THREE OF THE BIGGEST

NAMES IN THE BUSINESS

AND IT WAS LIKE, "WOW, THIS

>> WHILE I'M GETTING DP'D

I SAY THIS MONOLOGUE FROM--

THAT GEORGINA SPELVIN SAID IN

THE ORIGINAL "MISS JONES."

>> IF YOU TOUCH ME, I'LL COME

I KNOW I WILL.

TOUCH ME, TOUCH ME, TOUCH ME.

I'LL MAKE YOU COME, TOO.

SO WHEN I DID HOWARD STERN

HE SAID, "WELL, DID YOU FUCK

A SNAKE," BECAUSE THAT'S WHAT

PEOPLE THINK OF THE ORIGINAL

MISS JONES.

THEY DON'T REMEMBER MUCH, BUT

THEY REMEMBER THE SNAKE SCENE.

AND WHAT THEY ACTUALLY REMEMBER

ABOUT IT, BUT THEY THINK MOSTLY

THAT THERE WAS A SEX SCENE

WITH A SNAKE.

SO I WENT TO VIVID AND I SAID

"LOOK, WE HAVE TO DO

A SNAKE SCENE."

>> IT WAS A GOOD TIME

IN EVERYONE'S LIVES.

THEY WERE TIGHT.

VIVID WAS TIGHT.

WE WERE ALL TIGHT AND WORKING--

REALLY WORKING BOTH FOR

"THE DEVIL IN MISS JONES" AND

FOR "MASSEUSE", WORKING AT THE

TOP OF OUR PROFESSIONAL LEVELS

AND OUR PERSONAL LIVES.

WE'RE ALL PRETTY DAMN TOGETHER.

SO IT WAS NOTHING BUT--

NOTHING BUT POSITIVE.

>> THE 2000s WERE THE DECADE

WHEN PORN GREW UP.

FLUSH WITH MONEY FROM THE DVD

BOOM, PRODUCERS BEGAN SHOOTING

BIGGER MOVIES WITH MAJOR

BUDGETS, GIGANTIC CASTS

AND ELABORATE SCRIPTS.

THESE ADULT BLOCKBUSTERS NEEDED

A BETTER FORMAT THAN SIMPLE

VIDEO, AND FILM WAS BECOMING

TOO COSTLY TO JUSTIFY.

COMING WITH ITS OWN SET OF

TECHNICAL ISSUES AND CONCERNS

THE FAST-GROWING HD FORMAT

>> THE FEATURES OF THAT TIME

WERE PEOPLE SPENDING A LOT

OF MONEY ON THEM...

>> YEAH.

>> WHEN IT WAS NEW, WERE THEY--

>> YEAH, I MEAN, LIKE

FIRST FEATURE LEADS WAS FOR

"WICKED."

IT WAS THIS REALLY BIG

LIKE, MICHAEL RAVEN MOVIE.

I REMEMBER IT HAD, LIKE, THESE

OOZING, LIKE, TENTACLE DILDOS

AND FOG MACHINE, AND, LIKE

THESE BIG SETS AND IT WAS THE

FIRST TIME, YOU KNOW, WE SHOT

OUT IN THE DESERT AND IT WAS

LIKE, A WIND STORM AND IT WAS

JUST-- IT WAS AWESOME. IT WAS

LIKE, REALLY FUN TO GO FROM

LIKE, JUST GETTING, LIKE

YOU KNOW...

>> NAILED.

>> FUCK-NAILED ON A GONZO SET

JUST POUNDED, LIKE, "YEAH

MOTHERFUCKER, COME ON, I CAN

TAKE IT," YOU KNOW

TO, LIKE, CATERING.

(LAUGHING)

YOU KNOW, LIKE, "WOULD YOU LIKE

A SNACK?"

"YES, I WOULD."

>> THERE'S BREAKFAST ON SET?

>> SO HOW HAS INTERNET AFFECTED

THE INDUSTRY TODAY?

>> I THINK IT MAKES THE FANS

ACCESS YOUR FAVORITE STARS AND

HAVE CONVERSATIONS AND GIVE THEM

GIFTS AND, YOU KNOW, JUST TO

TALK TO WHOEVER YOU'RE A FAN OF.

SO THE INTERNET, LITERALLY, THEY

CAN SEE WHO'S SHOOTING WHEN

THAT DAY, THEY KNOW WHEN IT'S

GONNA COME OUT.

IT'S JUST, LIKE, RIGHT NOW

>> I'M LOOKING FOR A PIRATE.

>> WE KNOW MANY, MANY PIRATES.

>> BY FAR, THE BIGGEST

PRODUCTION THAT I'VE EVER BEEN

INVOLVED IN HAD TO BE

THE "PIRATES."

SHOT STUFF IN L.A., THEN TOOK

THE WHOLE TROOP, CREW, EVERYBODY

THAT WAS INVOLVED IN IT

ALL THE WAY TO FLORIDA.

WE SHOT ON THE U.S.S. BOUNTY.

IT TOOK THREE WEEKS TO SHOOT

>> HELMSMAN, PREPARE

TO SET SAIL.

>> ARE YOU REALLY GONNA

LET HER GO UNSCATHED, SIR?

>> OF COURSE NOT.

>> WORKING WITH JOONE

HE HAS A VISION

HE'S AN ARTIST.

HE HAS THIS GREAT VISION

OF SOMETHING BIGGER

>> THERE'S SOME DIRECTORS THAT

ACTUALLY GET INVOLVED IN THEIR

STUFF, THEY HAVE THE VISION IN

THEIR HEAD, AND JOONE IS ONE

OF THOSE DIRECTORS.

HE ALREADY HAD THE SET IN HIS

HEAD AND THEY BUILT IT AND

THEY TOOK THEIR TIME TO DO IT

AND HE KNEW EXACTLY

WHAT HE WANTED.

ALREADY HAD THE SHOTS

IN HIS HEAD.

>> IT'S A BIT SLOW TONIGHT

IT'S AWKWARD.

>> LINE UP THE CREW ON THE BOW.

BRING ME THE PASSENGERS

FROM THE DECK BELOW.

AND, SERENA

AS MUCH AS I LOVE YOUR METHODS

DON'T EVEN CONSIDER KILLING

>> I DON'T THINK I WAS EVER

A CRUEL PIRATE.

I'M GONNA HAVE TO WATCH THAT

AGAIN... UH, WAS I A CRUEL--

SHE WAS A HORNY PIRATE.

I DON'T KNOW IF SHE WAS CRUEL.

>> WELL, THERE'S THE VICIOUS

LADY I REMEMBER.

>> DON'T EVER SECOND-GUESS ME.

>> HE BUILT THE TENSION.

SO WE WERE, OF COURSE

THE LAST SCENE OF "PIRATES."

HE JUST WAITED, AND THEY WOULD

SAY LITTLE THINGS TO US TO LIKE

GET US READY AND TURNED-ON

AND READY TO GO.

>> THEY KEPT JESSE JANE

AND I SEPARATE, UH, SEPARATED

JUST SO THE TENSION AND

THE, YOU KNOW, THE ANTICIPATION

WOULD BUILD UP AND...

>> AND HE'S COME TEASE ME.

"I WONDER WHO'S GONNA WIN?

I GUESS SHE'S GONNA SHOW YOU."

>> SHE'S ABOUT HALF MY SIZE

AND THIS LITTLE-- THIS LITTLE

CUPCAKE THOUGHT SHE WAS GONNA...

DOMINATE ME?

I HAD TO-- I HAD TO PUT HER IN

HER PLACE, BUT I LET HER PRETEND

TO THINK THAT FOR A LITTLE BIT.

>> OKAY, SO CARMEN GETS PUT--

CHOKED OFF THE BOAT

BY TOMMY GUNN.

>> AND THEY WANTED TO DO THIS

STUNT WHERE, UH, STUNT GIRL GOES

OFF IN THE WATER, NO BIG DEAL.

>> AND SHE GOES, "NO."

>> WELL, JESSE WOULDN'T HAVE

NOTHING TO DO WITH THAT.

SHE WANTED TO DO THE STUNT

HERSELF.

>> AND OF COURSE, I'M A

DAREDEVIL, SO I'M LIKE

"I'LL DO IT."

>> AND I KNOW WHAT'S GONNA

HAPPEN BEFORE IT EVEN HAPPENS.

SO I ALREADY GOT MY STUFF OFF

GOT MY BOOTS OFF, AND

I'M JUST STANDING HERE AND JUST

WAITING FOR HER TO JUMP IN.

AS SOON AS SHE JUMP IN

AND THEY GOT THE SHOT AND THE

SPLASH, I'M IN THE WATER

AFTER HER.

THEY'RE NOT EVEN THINKING THAT

THIS BIG, BALLOONING DRESS IS

JUST GONNA SUCK UP RIGHT TO HER

AND SHE'S NOT GONNA BE ABLE TO

KICK, SHE'S NOT GONNA BE ABLE

TO DO ANYTHING.

>> WELL, MY DRESS, HER DRESS

GETS CAUGHT ON A NAIL

UNDERNEATH THE BOAT

AND I START SINKING

AND I CAN'T COME UP.

>> BUT SHE WENT IN

AND SHE ALMOST DROWNED.

>> I THINK SOME OF THAT WAS

BEHIND-THE-SCENES, NOT ALL OF IT

WHERE I WAS DROWNING

'CAUSE THAT WAS PROBABLY

NOT GOOD.

I DEFINITELY DIDN'T KNOW

IT WOULD BE AS BIG AS IT WAS

AND THE NUMBER ONE MOVIE EVER.

AND PEOPLE WHO EVER WATCHED PORN

HEARD OF THE MOVIE AND WENT

TO WATCH IT.

IT WAS THE FIRST MOVIE TO BE CUT

INTO A RATED R VERSION AND

RENTED IN BLOCKBUSTER.

IT WAS A BLOCKBUSTER HIT.

>> YOU MUST THINK ME A MONSTER.

>> "CORRUPTION" WAS PROBABLY

THE FIRST BIG-BUDGET MOVIE

I WAS THAT INVOLVED IN.

I'D, YOU KNOW, BEEN IN OTHER

BIG-BUDGET MOVIES AS TALENT

BUT YOU'RE NOT AS INVOLVED

YOU SHOW UP AND, YOU KNOW

YOU PRETTY MUCH DO YOUR THING

>> IT WAS SOMETHING BEING DONE

AND BEING DONE WELL AND WITH

LIKE, HEART.

THAT, LIKE, ATTRACTS ME.

YEAH, I GOT YOU

RIGHT WHERE YOU WANT ME.

>> I ALSO HAD A PRETTY

DECENT ACTING ROLE.

AND THAT WAS PLAYING THE PART

OF CAROLYN HELMS

WHO WAS THE SENATOR'S WIFE.

AND SHE'S KIND OF THE CENTRAL

PART OF THE MOVIE.

HERE'S CAROLYN IN THE MIDDLE

AND SHE'S KIND OF STARTS

MANIPULATING EVERYBODY

>> I'M A UNION LEADER

A TEAMSTER.

AND I'M A-- I'M TRYING TO WORK

TO GAIN AN ADVANTAGE.

WORD IS YOU'RE PLANNING A RUN

AT THE BIG TICKET IN TWO YEARS.

IF THAT'S TRUE, YOU'RE GONNA

NEED MONEY, US, AND GOD

ON YOUR SIDE... IN THAT ORDER.

I'M BEING BLACKMAILED IN THIS

SCENE, SO I'M-- SO I'M DOING--

I'M PERFORMING A SEXUAL ACT

THAT IF I GET CAUGHT

MY OWN CAREER WOULD BE DONE.

SO I WAS-- IT WAS ANOTHER SCENE

OF HUMILIATION FOR ME, WHICH I'M

COMFORTABLE WITH IN MY OWN LIFE

WITH TWO MARRIAGES BEHIND ME.

>> HOW MANY TIMES DID THEY PUSH

ME OUT OF THE CAR?

HOW MANY TIMES DID THEY ALMOST

HIT ME WITH THE CAR?

>> I THINK THEY WERE JUST HAVING

FUN THROWING JAMES OUT OF A CAR.

>> I HAD TO BE LIKE LIMP AND GET

THROWN OF THIS CAR, UM

ONTO A PILE OF GARBAGE.

>> I THINK THEY MUST'VE SHOT

THAT SCENE. FOR WHATEVER REASON

LIKE 15 TIMES.

>> IT FELT LIKE FOREVER 'CAUSE

I'D BEEN PUSHED OUT OF THE CAR

IN TO GARBAGE.

AND THEN THERE WAS THIS ONE TIME

WHERE, UH, MY LEGS FELT A LITTLE

WEIRD AND, LIKE, EVERYONE

STARTED SCREAMING 'CAUSE THE CAR

ALMOST ROLLED OVER MY ANKLE.

>> IT WAS FUN, IT WAS FANTASTIC

BECAUSE WE'D ALL WORKED SO HARD

ON IT AND, YOU KNOW, WE HAD THIS

SENSE OF FAMILY AND HARD WORK

AND THE MOVIE JUST LOOKED

INCREDIBLE.

AND THEN WE WON.

AND I REMEMBER JUMPING UP

WHEN WE WON AT THE AVN AWARDS

AND I HAD A CORSET ON AND I WAS

SO EXCITED AND I ACTUALLY PEED

>> WOW.

THAT WAS THE CLOSEST THING

TO GOD I'VE EVER FELT.

>> I DON'T KNOW, BUT IT'S...

IT'S A LOT BIGGER AND A LOT

IT WAS MY FIRST LEAD

BIG FEATURE FILM LIKE THAT.

I HAD DONE THE SMALLER ONES

WHERE I WAS LIKE SUPPORTING

ACTRESS.

BUT THIS WAS LIKE-- IT REALLY

PUT ME ON THE MAP AS FAR

MY PARTNER DIES

LIKE, IN THE LINE OF DUTY.

I'M DEVASTATED.

BUT I'M KIND OF LIKE A HARD-ASS

TOO, AND I DON'T LET ANYBODY

KIND OF SEE MY EMOTIONS.

AND WE DISCOVER THIS HACKER

GIRL, WHICH WAS PLAYED

BY HILLARY SCOTT.

AT THAT POINT, SEXY PICTURES

HAD JUST SIGNED HILLARY

TO UNDER CONTRACT.

AND THEY TOLD US

WE HAD TO USE HER.

IN THE END

HILLARY DID AN AMAZING JOB.

SHE ACTUALLY, YOU KNOW...

SHE WAS PREPARED AND SHE CAME

AND WHO AM I KIDDING?

SHE DID NOT WORK HARD AT ALL.

SHE DIDN'T, I'M LYING TO TRY

THROUGH THE MIRACLE OF EDITING

AND GOOD ACTING COACHING

I THINK THAT SHE FILLED

THE ROLE FINE.

>> DAVID, I KNOW YOU CAN

HEAR ME.

>> SHOWED UP ON SET AND I WAS

LIKE, "OH, THIS IS A BIG MOVIE

AND THEY'RE LIKE, "YEAH, YOU'RE

LIKE THE STAR OF IT."

I'M LIKE, "BUT I'M ONLY HERE

FOR A DAY."

AND THEY'RE LIKE, "WELL, ALL

RIGHT, YOU'RE NOT THE STAR OF

IT, YOU'RE JUST-- THE WHOLE

>> YOU SEE A LOT OF MOVIES IN

PORN WHERE THEY SAY, "WE SPEND

A MILLION DOLLARS, WE SPEND $2

MILLION," WHATEVER THE CASE IS.

AND I'M GOING TO TELL YOU THAT

FOR THE MOST PART, THEY LIE.

PEOPLE WILL SAY, "WE SPEND ALL

THIS MONEY," AND THEY USUALLY

DOUBLE THE AMOUNT.

NOW LET ME TELL YOU

"UPLOAD" COST $350,000.

THAT'S AN UNHEARD OF AMOUNT

OF MONEY IN PORN.

WE SHOT FOR 20 DAYS.

I DON'T THINK I'VE EVER KNOWN

A PORN MOVIE THAT SHOT

FOR 20 DAYS.

>> WHEN "UPLOAD" WON

ALL THE AWARDS, PICKED UP PRETTY

MUCH ALMOST EVERYTHING UNDER

THE SUN AT AVN'S, I FELT LIKE

SUCH A STRONG FEELING

OF ACCOMPLISHMENT.

>> ONE OF THE THINGS THAT

I LEARNED FROM ELI CROSS IS HE

SAID, "THERE'S TWO THINGS YOU

NEED, YOU NEED MONEY AND TIME.

AND THOSE TWO THINGS WILL ALWAYS

HELP YOU WITH A BETTER MOVIE."

WE WERE ABLE TO TAKE THE MONEY

THAT WE HAD AND TURN IT

INTO TIME, AND THAT MADE

FOR A BETTER MOVIE.

>> WHATEVER YOU ASK...

I AM YOUR SERVANT.

"FALLEN" TO THIS DAY IS

IN "FALLEN" I AM A GUARDIAN

ANGEL AND MY CHARGE

IS JENNA HAZE.

(EXPLOSION)

>> NO!

I THEN LOSE MY WINGS

AND I'M SORT OF ROAMING

THE EARTH IN LIMBO IF YOU WILL.

AND I PRETTY MUCH HAVE SEX

WITH EVERYONE IN MY PATH.

>> THAT'S ONE OF THE THINGS.

WHEN YOU'RE IN THAT FANTASY

REALM, ESPECIALLY WHEN YOU'RE

AND A LOVE STORY AT THAT WITH

ALL THIS FANTASY STUFF WITH

ANGELS AND FLYING AROUND ON

ROOFTOPS, IS CAN YOU ACTUALLY

>> OH! OH!

>> A LOT HAS CHANGED.

I'M NO LONGER AN ANGEL.

"FALLEN", I THINK WE SHOT IT

OVER TWO WEEKS, BUT IT WASN'T

EVERY DAY OF THOSE TWO WEEKS.

WE HAD PREP DAYS AND THEN WE HAD

DOWN DAYS, SO-- SO PEOPLE COULD

REST THEIR PARTS, YOU KNOW?

WE HAD A LOT OF REALLY

AMAZING PEOPLE IN IT.

IT HAD ACTING, IT HAD A REALLY

GREAT STORYLINE.

IT HAD A LOT OF SEX.

IT HAD A LOT OF HARDER SEX, TOO.

>> A LOT OF "FALLEN" TAKES PLACE

ON ROOFTOPS, AND THOSE ARE

ACTUALLY IN CAMERA.

I'M-- I'M SCARED OF

GREEN SCREEN MYSELF.

I THINK "FALLEN" STANDS

ON ITS OWN MERITS.

IT'S A GREAT STORY.

IT KIND OF PROPELLED JESSICA

INTO THAT SUPERSTAR STATUS.

AND, UH, DIDN'T DO BAD FOR ME

AS A DIRECTOR, AS WELL.

THE REAL REASON TO DO "FALLEN"

WAS TO KIND OF HAVE JESSICA

HIT THAT OTHER LEVEL.

AND IT'S GREAT IF YOU CAN PUT

HER IN THIS GREAT MOVIE.

BUT IF THE SEX FALTERS

THEN IT'S JUST A GREAT MOVIE

AND, YOU KNOW, YOU HAVEN'T DONE

WHAT YOU'RE TRYING TO DO WITH

YOUR STARLET BY TAKING HER

>> WHAT HAPPENED?

>> NO ONE KNOWS FOR SURE.

THEY CALL IT THE BIG BURN.

AND ON THE EIGHTH DAY

>> WHEN I THINK OF

A POST-APOCALYPTIC WORLD

UH, IT'S MORE THAN

JUST BROKEN DOWN BUILDINGS.

THERE'S A PRIMAL ELEMENT TO IT

WHERE PEOPLE ARE STEALING FROM

EACH OTHER IN MORE WAYS THAN

ONE, AND LIFE BECOMES CHEAPER

BECAUSE YOU DON'T HAVE ENOUGH

>> MY CHARACTER WAS BASICALLY

BEING SEX TRAFFICKED

IN POST-APOCALYPTIC, UH--

I DON'T THINK IT WAS ACTUALLY

I MEAN, JUST POST-APOCALYPTIC

EARTH.

>> YOU A BUTCHER NOW, TOO?

>> SPECIAL COMMISSION

FOR THE PRINCE.

HE GETS FIRST LOOK

AT ALL MY TRADE.

>> "THE 8TH DAY" WAS CONCEIVED

BY ME WITH AMBER RAYNE IN MIND

AS THE LEAD CHARACTER.

SHE IS THE SCRUFFY TANK GIRL

IN THE WHOLE MOVIE.

BUT IT WAS PERCEIVED BY EVERYONE

THAT KAYDEN, BEING ADAM & EVE'S

CONTRACT GIRL, WAS THE STAR

OF THE SHOW.

AND SHE CERTAINLY WAS

THE BOX COVER, BUT SHE IS

THE SUPPORTING ACTRESS.

AND, UM, WHEN AWARDS TIME CAME

OUT, IT WAS THE OTHER WAY

AROUND.

AMBER GOT SUPPORTING ACTRESS

NOMINEE AND KAYDEN GET

YOU KNOW, ACTRESS NOMINEE.

>> "THE 8TH DAY" WAS PROBABLY

THE HARDEST MOVIE I'VE EVER

WORKED ON.

THERE WERE SOME DAYS WHERE WE

HAD STARTED THE DAY BEFORE.

THERE WERE EXAMPLES IN THE MOVIE

OF, UM, LIKE A MARKETPLACE, LIKE

A BAZAAR THAT WE HAD TO BUILD

WHERE PEOPLE WERE HAWKING JUNK

OR THEY WERE HAWKING FOOD

OR CLOTHES, THINGS THAT

THEY'D SCAVENGED.

>> THAT WAS A HUGE UNDERTAKING

AS FAR AS ART DIRECTION

WAS CONCERNED.

THE ART DIRECTOR, KYLIE IRELAND

SPENT WEEKS RUNNING AROUND L.A.

FINDING STUFF TO DO THERE.

MY FAVORITE KAYDEN MOMENT, UM

IN THE WHOLE SHOW WAS WHEN

SHE'S SUPPOSED TO BREAK DOWN

AND CRY ABOUT HER DAD.

>> IT WAS BEFORE I LEARNED

HOW TO CRY BY MYSELF.

>> AND CAN'T GET ANY TEARS

TO FLOW AT ALL.

WE WAITED A GOOD LONG TIME

AT LEAST A HALF AN HOUR.

I WALK BACK IN AND I SAID

"YOU GOT NOTHING?"

SHE GOES, "NO, NOTHING BAD'S

EVER HAPPENED TO ME."

>> I THINK THEY SQUIRTED CITRUS

JUICE OR SOME SORT OF CITRUSY

FRUIT IN MY EYES TO MAKE IT GO.

>> SHE SAID, "HOLY SHIT, LET'S

SHOOT RIGHT NOW 'CAUSE GOD DAMN

IT, THIS BURNS."

AND I SAID, "PERFECT."

>> MY DAD DID THIS.

(CRYING)

ALL OF THIS.

>> AND SHE GOES, "WHY DID YOU DO

THAT TO ME?"

I SAID, "FUCK YOU, YOUR LIFE'S

PERFECT."

NO WONDER YOU CAN'T CRY.

>> IT WAS ONE OF THOSE THINGS

AFTER THE BLOOD, SWEAT, AND

TEARS THAT WENT INTO IT

IT WAS REALLY A NICE PAYOFF.

IT WAS NICE TO BE ABLE TO SAY

SOMEONE ACKNOWLEDGED THIS.

IT WASN'T JUST US, YOU KNOW

FUCKING AROUND IN THE DESERT.

'CAUSE THERE WERE TIMES WHEN IT

>> HOW DID MY FATHER DIE?

>> A YOUNG JEDI NAMED DARTH

VADER, WHO WAS A PUPIL OF MINE

OFF AND LEFT HIM BURNING

IN A RIVER OF LAVA.

>> "STAR WARS" IS PROBABLY THE

AND THERE'S SO MUCH TO PARODY

IN IT, SO, UM...

WE REALLY DID-- WE REALLY DID

THAT COULD BE HAD, EVERYTHING

SINGLE REFERENCE THAT WE COULD

HAVE, AND RECREATING A LOT

OF THE SCENES.

IT WAS REALLY A LOT OF FUN.

IT'S A LOT OF WORK

BUT WE HAD A LOT OF FUN.

>> SHOOT FIRST, SHOOT OFTEN.

SORRY FOR THE MESS.

HAD TO KNOW "STAR WARS" TO ONE

GET THE HUMOR.

TRYING TO GO WITH IT AND WHAT

WAS HAPPENING WITH STILL KIND OF

TRYING TO STICK TO THE ORIGINAL

SCRIPT.

>> THE THING THAT ALL THE FANS

WOULD ASK ME IN THE BEGINNING

WHEN I ANNOUNCE THE MOVIES

LIKE, OKAY, THERE'S ONLY ONE

GIRL IN "STAR WARS."

YOU'RE GONNA HAVE A PORN MOVIE--

TO THIS DAY, PEOPLE WRITE ON

YOUTUBE, THEY WATCH, YOU KNOW

THEY READ ABOUT IT LIKE THERE'S

GONNA BE ONLY ONE GIRL?

IT'S NOT TRUE, WE FOUND OTHER

GIRLS THAT ARE PART OF

THE "STAR WARS" UNIVERSE.

THE GIRLS IN THE CANTEEN

I MEAN, THERE'S-- THERE'S

A TON OF PEOPLE THAT WE

WERE ABLE TO PUT TOGETHER

IT'S WAS REALLY INTERESTING.

>> YOU CAN FIND SEX IN ANYTHING.

I DON'T NECESSARILY THINK THAT

YOU KNOW, THE MOVIE OR THE THEME

HAS TO BE SEXY TO MAKE IT SEXY.

THAT'S OUR JOB

THAT'S WHY WE'RE HERE.

WE'RE SUPPOSED TO MAKE THE

THINGS THAT AREN'T SEXY SEXY.

>> DON'T ACT SO SURPRISED

YOUR HIGHNESS.

>> I'M NOT SURPRISED.

I'M DISGUSTED.

WE SAT IN A ROOM AND HE TALKED

INTO A POT.

WE RECORDED ALL HIS SOUND IN A

GIANT POT, LIKE A SPAGHETTI POT.

IT WAS HILARIOUS.

>> EVERY ONCE IN A WHILE

I HAVE A GOOD IDEA.

AND IN "STAR WARS" IT WAS LIKE

CHI CHI LARUE.

>> I'M SAVED!

OVER HERE.

HEY, SAILOR!

>> C-3PO HAS ALWAYS BEEN VERY

METROSEXUAL, AND I FIGURE WE

TAKE IT, YOU KNOW, TO PARODY

THAT, TO EXPLORE THAT.

>> "STAR WARS" WON A TOTAL OF

EIGHT AWARDS AT AVN WHICH IS THE

MOST THAT ANY PARODY HAS EVER

WON, AND I THINK THAT'S AMAZING.

IT'S CRAZY, UM

AND WHAT'S EVEN MORE AMAZING

ABOUT THAT IS MOST OF ALL THAT--

ALL THE WORK FOR THE MOVIE WAS

DONE BEHIND-THE-SCENES, WITHOUT

THE SETS, WITHOUT THE COSTUMES

WITHOUT THE TIME AND DEDICATION

FOR THE SCRIPT.

THE SHOOTING, THE ANGLES

THE GREEN SCREEN

THE POST PRODUCTION.

THE MOVIE WOULD'VE BEEN NOTHING.

AND I THINK, UM, YOU KNOW, THAT

REALLY SHOWS AND, YOU KNOW

BY WINNING EIGHT AVN AWARDS

IT DEFINITELY SHOWS THAT OTHER

PEOPLE APPRECIATE ALL THE HARD

>> MOST KNOW ME AS DEATH.

>> WHAT DO YOU WANT FROM ME?

>> I'VE COME FOR YOU.

>> THE BASIS BEHIND

"UNDERWORLD--" I PLAY

A CHARACTER NAMED TANYA

AND I HAVE BEEN WITH MY FIANCÉ

AND WE HAVE MADE THE SWEET LOVE

TO DRIVE ME HOME

WE'RE IN HIS PARKING GARAGE

AND ALL OF A SUDDEN, WE'RE

VICTIMS OF A VIOLENT MUGGING.

>> SAY GOOD-BYE TO YOUR

BOYFRIEND.

>> NO, PLEASE!

>> THE OPENING IS, UH

A BIT DRASTIC

AND A BIT BLOODY

AND VIOLENT, UH

BUT WE ACTUALLY

WENT BACK AND FORTH ON

HOW VIOLENT TO MAKE IT.

>> AND THEY'RE TRYING TO SAVE MY

LIFE, I'M PUT UNDER ANESTHESIA.

AND WHEN I GO UNDER ANESTHESIA

THE REST OF THE MOVIE IS THAT

GOING BACK AND FORTH BETWEEN

ME FIGHTING FOR MY LIFE IN THE

OPERATING ROOM AND THE THINGS

THAT ARE HAPPENING TO ME

IN THE UNDERWORLD.

>> IF YOU REALLY WATCH THE

MOVIE, EVERYTHING PRETTY MUCH

IS-- HAS A MIRROR IMAGE WITH THE

PEOPLE IN THE OPERATING ROOM

AND THE UNDERWORLD BELOW.

EVERYTHING'S KIND OF TIED IN

AND EVERYTHING'S, UH, GOT

A YING AND A YANG SORT OF THING.

>> XANDER CORVUS PLAYS SLICE

AND HE WAS SORT OF, UH

HE HAD SCALPEL FINGERS

AND HE WAS UP ON STILTS AND

SO HE WAS THE SCALPEL THAT

WAS STARTING THE SURGERY.

>> THIS JOURNEY THAT YOU'VE

EMBARKED UPON IS YOUR

SUBCONSCIOUS SELF REACTING

TO THE WORLD AROUND IT.

>> THE NURSE WAS PASSING

THE GAUZE TO THE DOCTOR.

DURING MY OPERATION IT FELL.

AND AS IT DROPPED, YOU SEE

AN AERIALIST FALL OUT OF THE SKY

>> SO ME AND JESSICA DRAKE GOT

TO HAVE SEX ON WATER, OR IT

LOOKED AS THOUGH IT WAS DIRECTLY

ON THE WATER, BUT IT WAS

WAS BUILT AND, UH, THERE WAS

MAYBE LIKE AN INCH OF WATER

ON TOP OF IT.

>> AND I'M BLOODY IN A SHALLOW

POOL OF WATER FOR LIKE

EIGHT HOURS THAT DAY.

>> WHEN THE INTIMIDATION MELTED

AWAY WAS WHEN SHE STUMBLED ON

A FEW OF HER LINES AND LAUGHED

AT HERSELF.

AND THEN YOU REALIZE, LIKE

SOMEONE'S A HUMAN BEING

AND THEY'RE A NORMAL PERSON

AND... THAT'S OKAY.

>> OH, I LOVE HAVING SEX

WITH ASA AKIRA.

RIGHT BEFORE THE SCENE, WE'RE

TAKING PRETTY GIRLS AND I'M

LIKE, "OH, THIS IS GONNA BE

REALLY FUN."

WE JUST SORT OF GOT ON EACH

OTHER AND ROLLED OFF THE SET.

WE DID IT EVERYWHERE.

LIKE, WE WERE JUST HAVING SEX

SO, AS MUCH AS POSSIBLE, YEAH

I WOULD LIKE TO, UH

>> IS THERE ANYTHING ELSE

YOU WANT?

>> I MEAN, WHAT ELSE IS THERE

APART FROM LUXURY?

>> THAT CAN'T BE

A SERIOUS QUESTION.

>> AN INDIE PORNO

THAT'S WHAT WE CALL IT.

IT'S-- IT'S LIKE A REAL MOVIE

WITH EMOTION AND ACTING

IT'S PORN WITH A REAL STORYLINE.

>> WHY DID YOU COME?

>> I CAN'T DO THIS AGAIN.

>> WHY DID YOU COME

AFTER FIVE FUCKING YEARS?

MY CHARACTER, HER NAME'S JACKY.

SHE'S THE BADASS.

SHE'S DEFINITELY THE BADASS

OF THE MOVIE AND SHE, UH

IS TRYING TO OPEN

THE OTHER LILY UP TO THIS WORLD

>> MY ROLE IN "WASTELAND"

WAS VERY SIMPLE.

THERE'S TWO GIRLS AT THE BAR.

I SAY SOMETHING IN THEIR EARS

WHICH IS EASY FOR ME.

TAKE HER UP TO THE BATHROOM

AND HAVE SEX WITH LILY LABEAU

IN THE BATHROOM.

IT'S A VERY, VERY CLOSED

ENVIRONMENT, IT'S LITERALLY

REAL TOILET SO THERE WAS NO ROOM

TO OPEN THE DOOR, SHOOT, LIKE

THROUGH THE OPEN DOOR.

THEY SHOT IT ALL FROM ABOVE.

I THINK HE KNEW THAT THE BEST

WAY TO USE ME IS NOT TO HAVE ME

SPEAK BUT LET ME JUST FUCK.

>> I THINK THAT'S ONE OF THE

BIGGEST THINGS THAT SEPARATES

"WASTELAND" FROM A LOT OF

THE OTHER PORN IS THAT THE SHOTS

ARE SO BEAUTIFUL

AND THEY ARE THOUGHT OUT.

EVERY SINGLE SHOT IS THOUGHT OUT

AND PLANNED TO JUST--

>> IT WAS REALLY, REALLY DARK

UM, WHERE WE SHOT THAT SCENE

FOR ME BECAUSE I'VE NEVER SHOT

ANYTHING IN SUCH DARK LIGHTING.

IT WAS JUST COMPLETELY DARK.

I WAS LIKE, "REALLY, LIKE, CAN

YOU GUYS REALLY SEE

WHAT WE'RE SHOOTING?"

THEY'RE LIKE

"YEAH, YEAH, IT LOOKS COOL."

>> IT'S THIS WHOLE STORY

COMBINING TO MAKE THIS BEAUTIFUL

JUDGMENT HAD REARED

ITS UGLY HEAD.

AND RIGHT WHEN MY GUARD

WAS FULLY DOWN

IT SUDDENLY HAD POPPED BACK UP.

>> EMMA GOES INTO INTERVIEW

A MAN BY THE NAME OF

WILLIAM FITZGERALD WHO IS THIS

VERY PROMINENT BUSINESSMAN WHO

EMPLOYS PREDOMINANTLY FEMALES.

THERE'S AN UNSPOKEN ATTRACTION

PROPOSITIONS HER FOR

THE ROLE OF BEING HIS SUB.

SHE'S NOT A VERY SEXUAL PERSON.

SHE DEFINITELY DOESN'T CONFORM

TO NORMAL SOCIETY'S VIEWS

>> I DIDN'T READ THE "50 SHADES

OF GREY" BOOK OR ANYTHING LIKE

THAT BECAUSE I REMEMBER JACKY

WE WANNA DO PRETTY MUCH

THE OPPOSITE OF THAT.

>> I READ "50 SHADES OF GREY"

AND I HATED HOW THE FEMALE

PROTAGONIST WAS PORTRAYED.

SHE WAS INCREDIBLY WEAK AND HER

ENTIRE MOTIVATION WAS TO PLEASE

A MAN AND TO MAKE A MAN HAPPY.

I WANTED TO SET ABOUT WRITING

A BDSM STORY THAT REALLY

EXPLORED A STRONG WOMAN'S

SUB ROLE AND HOW THAT CAN BE

SO EMPOWERING FOR HER.

>> SHE WAS, UM, LIVING, LIKE

A KIND OF RESERVED LIFE

AND NOT REALLY BEING HERSELF

AND THAT'S SOMETHING THAT I CAN

VERY MUCH RELATE TO BECAUSE

I ALWAYS WANTED TO JUST, LIKE

BE THE PERSON THAT EVERYONE

WANTED ME TO BE.

>> BDSM IS NOT JUST BEATING

SOMEBODY AND HARMING SOMEBODY

AND PHYSICALLY HURTING THEM.

IT'S SO MUCH ABOUT THE MENTAL

ASPECT OF THOSE RELATIONSHIPS.

SO FOR ME, I WANTED TO TELL

A STORY ABOUT THAT.

>> I DID FEEL LIKE, UH, I HAD

A LITTLE BIT OF AN ADVANTAGE

JOINING THE MOVIE BECAUSE I HAD

SOME BDSM EXPERIENCE WORKING

WITH DIFFERENT BONDAGE COMPANIES

IN THE INDUSTRY.

SO IT WAS NICE TO BE ABLE TO

BRING IN A LITTLE BIT OF

MY KNOWLEDGE AND EXPERIENCE

WITH THAT FOR A MOVIE THAT

SO MUCH, LIKE, REVOLVES AROUND

THE BDSM COMMUNITY.

>> SO "THE SUBMISSION OF

EMMA MARX" WON BEST BDSM MOVIE

AT AVN.

AND I WAS COMPLETELY FLOORED

BECAUSE WE'RE UP AGAINST

BDSM COMPANIES.

AND NEW SENSATIONS MAINLY IS

A FEATURE GONZO STUDIO

THAT DOESN'T REALLY FOCUS ON

ANYTHING PARTICULARLY HARDCORE.

>> I WAS REALLY FLATTERED THAT

THEY WOULD RECOGNIZE THAT FILM

ESPECIALLY GIVEN THAT IT WASN'T

REALLY THE PHYSICALITY

THAT WAS EXPLORED.

IT WAS THE MENTAL ASPECT.

>> WHEN I FIRST STARTED

WE WERE DOING FILM

IT WAS A THRILL.

IT WAS GREAT, YOU KNOW, WE'RE

LUGGING THESE BIG ASS CAMERAS

AROUND SAN FRANCISCO

AND HAVING A FIELD DAY.

NOBODY BOTHERED US, NOBODY

CARED, YOU JUST DID THE MOVIES.

AND THE DRUGS WERE GREAT.

AND VIDEO CAME OUT AND IT WAS--

IT WAS A SMALLER PARTY.

YOU DIDN'T NEED THE CREW

YOU HAD FOR 35 MILLIMETER.

YOU HAD WAY SMALLER CREW, AND

YOU WOULD JUST SORT OF LOAD IT

IN A VAN, SHOW UP AT A LOCATION

SHOT YOUR FOUR OR FIVE SCENES

AND RAN OUT THE DOOR

YOU WERE DONE.

AND THE DRUGS WERE OKAY.

AND-- AND TOWARD THE END

IT REALLY JUST GOT, "HOW FAST

CAN YOU CRANK IT OUT AND GET IT

BACK TO ME AND I GOTTA PEDAL

IT..." AND THE DRUGS SUCKED.

>> IT'S HARD TO SAY WHERE THE

PORN INDUSTRY WILL GO FROM HERE.

THE INTERNET ERA SEEMS TO DEMAND

A RETURN TO THE LOOPS AND

VIGNETTES THAT GAVE BIRTH TO THE

EROTIC FILM IN THE FIRST PLACE.

IT'S A SHAME TO THINK THAT THIS

LIST OF THE GREATEST ADULT

MOVIES MAYBE THE LAST

OF ITS KIND.

BUT THE FUTURE IS HARD TO SEE.

AND MAYBE THE ADULT FEATURE WILL

SURPRISE US WITH ITS LONGEVITY.

I'M CHANEL PRESTON, GOOD NIGHT.

♪♪

>> IF THE BRILLIANT SWEDISH

FILMMAKER INGMAR BERGMAN EVER

MADE AN X-RATED MOTION PICTURE

IT WOULD LOOK EXACTLY LIKE THIS.

>> "PRISONER OF PARADISE" STARS

SUCH FILM GREATS AS SEKA.

(LAUGHING)

>> FIBBER.

>> AMERICAN, I SAID OVER HERE!

FUCK ME!

>> AMERICAN GIRLS ARE LOVELY

CREATURES.

>> ILSA, TIE HER UP!

>> DON'T YOU COME IN ME

YOU AMERICAN SWINE.

>> YOU'D NEVER GUESS WHAT THESE

SEXY YOUNG LADIES IN THE

FUNNY-LOOKING UNIFORMS

DO FOR A LIVING.

>> GARAGE GIRLS, GOOD MORNING.

>> WATCH AS THESE GORGEOUS

GARAGE GIRLS MIX BUSINESS

AND PLEASURE AS THEY CLIMB

THEIR WAY TO THE TOP.

>> HERE SHE COMES

THE INCREDIBLE, VOLUPTUOUS

LESLIE BOVEE IN HER MOST

ELECTRIFYING ROLE AS

"THE SENATOR'S DAUGHTER."

CO-STARRING THE FABULOUS

JOHN HOLMES.

>> YOU ARE AN EROTIC

FILM STAR NOW LACKING

AN ESSENTIAL MEMBER

BUT WE CAN REBUILD IT.

>> "THE SENATOR'S DAUGHTER"

COMING TO THIS THEATER SOON.

(MAN LAUGHING)

>> I'M STILL SORE HERE FROM WHAT

THE DEVIL DID TO ME.

HE EVEN MADE IT TALK.

>> IN THIS CASE, CURIOSITY

DIDN'T KILL THE CAT.

>> DO YOU WANT TO FIND OUT

WHAT LOVE IS ALL ABOUT?

>> HONEY, I'M ALMOST READY.

>> I'M GETTING READY.

>> DON'T MISS

"HERE COMES THE BRIDE."

>> COMING SOON TO THIS THEATER

"THE PLEASURE PALACE."

THE NEWEST X-RATED FILM

FROM CARTER STEVENS.

THE MAN WHO GAVE YOU SUCH FILMS

AS "LICKITY-SPLIT", "THE LOVE

COUCH," AND "TEENAGE TWINS."

>> SUZIE SUPERSTAR.

>> ♪ BABY TAKE OFF ♪

♪ YOUR CLOTHES ♪

♪ MAKE LOVE TO ME ♪♪

>> GOD DAMN IT, YOU KNOW HOW

HORNY I GET WHEN I SING.

>> FIND OUT WHAT HAPPENS WHEN

TWO SEXY 16-YEAR-OLD GIRLS

TAKE THEIR PARENTS CAR

AND GO AWAY FOR THE WEEKEND.

>> THIS IS EXCITING.

I'VE NEVER BEEN TO AN ORGY

BEFORE.

>> NEITHER HAVE I.

WHAT'S AN ORGY?

>> "NAKED AFTERNOON" IS MORE

THAN EXPLICIT DRAMA.

IT IS THE REAL STORY OF

A GENUINE HONEST-TO-GOD

WOMAN-CHILD.

>> HOLLYWOOD IN THE 30s

IN A BIG, BRIGHT, AND BUBBLING

BLOCKBUSTER OF A MOVIE.

YOU'VE NEVER SEEN ANYTHING LIKE

"PINK CHAMPAGNE."

YOU GOTTA SEE IT TO BELIEVE IT.