All language subtitles for NCIS_ New Orleans - 06x10 - Requital.KILLERS.English.HI.C.orig.Addic7ed.com

PRIDE: Previously on
"NCIS: New Orleans"...

Sue-Ann! (GRUNTS)

(GUNSHOTS)

Barrett is not smarter than we are!

Is it possible that he
didn't kill Lasalle?

No!

You do not want to mess with me

- or any of my people.
- You're already a man down.

Why risk anyone else?

SUE-ANN: Eddie told me

he had to kill him.

That he did it to protect

his lost children.

HANNAH: Eddie Barrett is a cult leader?

GREGORIO: Yeah, well,
he collects troubled souls

and gives them hope again.

PRIDE: Federal agents!

We have a lawful warrant

for the arrest of Edward Barrett.

Dwayne.

Our paths have been chosen.

Just need to see how it plays out.

♪ ♪

PRIDE: Barrett.

You need to come with us.

- (WOMAN SCREAMS)
- Whoa, whoa. No weapons.

Just stay calm.

There's no need for violence.

You don't want us in the house,

just send Eddie out.

You're Special Agent Pride?

That's right.

I have a message for you from Eddie.

NCIS needs to leave.

All except for you, Pride.

You're invited inside.

Okay, that's-that's a terrible idea.

I'm with Sebastian.

We're not letting you
go in alone, Dwayne.

Okay, I'll come.

Did you hear what we just said?

You go in there and suddenly they have

a federal agent as a hostage.

I've come too far to get Eddie.

And I'm not letting him disappear again.

Let's go.

(ENGINE STARTS)

I accept your invitation.

Sync & corrections by Costa Dax
www.addic7ed.com

♪ Boom, boom, boom, boom ♪

♪ Bang, bang, bang, bang ♪

♪ Boom, boom, boom, boom ♪

♪ How, how, how, how ♪

♪ Hey, hey ♪

♪ ♪

♪ You gotta come on. ♪

♪ ♪

All of Eddie's followers
went back into the house?

So, what, we're just gonna
leave Pride in there?

No, we're not leaving anyone.

Well, what are we gonna do?

We're gonna wait for the cavalry.

(SIRENS WAILING IN DISTANCE)

SEBASTIAN: Who called them?

I did. Before we arrived

at the plantation.

Guessing Pride knows?

I am sure he does.

This is SOP in a situation like this.

We need to know every detail

about what's going on in that house,

everyone in it and what Eddie wants.

Well, maybe we should start with this.

PRIDE: There's no need for violence.

SEBASTIAN: Nice one, T.

Get the video over to Patton.

And find out about these guys.

We need to stop this
before it gets critical.

I feel like that ship has sailed.

Lot of supplies here.

Looks like you're expecting a visit.

How many people are here?

How many kids are here?

BARRETT: Tom won't answer you, Dwayne.

Well, then maybe you can.

Oh, we'll have plenty of time to talk.

Gonna let me be that close to my weapon?

It's all about trust here.

Why would you trust me
not to take the gun back?

I know you want to kill me.

But I trust you won't
turn the current situation

into a catastrophe.

Not in front of the kids, at least.

Tom,

why don't you make Dwayne some lunch?

And then we can have a good, long chat.

Okay, I'm gathering blueprints

and schematics for the plantation house.

But I got to warn you,

these records are, like,
a hundred years old.

Whatever you can find will help.

I'm using your video to try to ID

these followers using
facial recognition.

Might take a while.

Well, Sebastian's on his way back

- to help you now.
- PATTON: Copy that.

Tammy Gregorio, this is Joe Carson,

FBI on-scene commander.
Thanks for coming.

My comms team is setting up a
dedicated line into the house.

I'm trying to get control
of the utilities, as well.

I think they're running
electric on a generator.

- So you estimate 40 inside?
- Men, women and children.

And one very stubborn NCIS agent.

We're mobilizing drones,
setting up snipers.

I also have a team ready
to breach if we need to.

It just feels like all this manpower

only makes the circumstances worse.

You're 100% on that.

The best way out is
through negotiations.

We're gonna handle those.

- Yeah.
- Yes, ma'am.

For what it's worth,

I've been doing this for ten years.

I can smell violence in the air.

It's all over this place.

That's a lot of PB and J, huh?

Oh, I mean, we got turkey, you know,

if you have an allergy or anything.

No, I-I don't. I'm just...

I'm not particularly hungry right now.

Really?

'Cause I'm always starving.

My mom says it's 'cause I'm
growing a mile a minute.

(CHUCKLES)

- Your mom here?
- Yeah.

She's downstairs.

How'd you end up with Eddie?

We were... drawn to him.

Like magnets.

That's how Eddie puts it.

But how was it really?

Well, my mom and I were at a shelter.

Lost our house in a storm.

Eddie came by one day
and gave us some clothes,

offered us a place to stay.

Here.

What do you do here?

Normal stuff.

My mom's a substitute teacher,

so she does school for us.

We play games, there's an Xbox.

Anything else?

He's asking if you deal drugs, Tom.

No, nothing like that.

A lot of chores, though.

It's good to keep busy.

I think it's time to go
deliver those sandwiches.

Right.

What do you think of our little home?

Not the word that comes to mind.

All these people...

blindly doing what you tell them.

Deal drugs.

Murder federal agents
and their brothers.

Everyone's here because they want to be.

They can leave at any time.

Not now they can't.

That's because of you.

I'm not brainwashing anyone.

I'm just a beacon in the dark.

They were drawn to me.

Even you.

Your magnetism didn't draw me.

No. You're here to kill me.

I'm here to arrest you.

I don't want anyone else

- to get hurt.
- (PHONE RINGING)

If you believe that,
you're lying to yourself.

Dwayne Pride's phone.

HANNAH: Mr. Barrett?

This is Special Agent Khoury

and Special Agent Gregorio.

What can I do for you?

You can tell us Special
Agent Pride is all right.

Dwayne's peachy.

HANNAH: Great. You can send him out

- and surrender yourself.
- That's not really the plan.

The house is surrounded, Barrett.

Options are limited here.

So, if you want to talk, maybe negotiate

your way out, we're ready.

What do you want?

Oh...

I got everything I need.

♪ ♪

♪ ♪

Any luck with Tammy's video footage

of the people that are
staying with Eddie?

Yes. Actually, it was easy
to identify a bunch of them.

Ex-cons, wanted felons, what?

Yeah, a couple.

They were easy to ID, but the rest?

No criminal records.

Just bankruptcy, bad
divorces, lost jobs.

So, we're not dealing with a militia.

We're just dealing with broken people?

And their children.

(SIGHS)

Well, they're still armed to the teeth.

At least a few of them are
willing to die for Eddie.

One wrong move out there
and this makes Waco

look like a walk in the park.

Well, we better not make
a wrong move, then.

Hey, what are you doing here, Doc?

Making sure this situation
doesn't go critical.

Pride's being held hostage.

You need all the help you can get.

We don't have any bodies.

At least not yet.

Well, let's keep it that way.

And I am a Renaissance woman, Sebastian.

I have more to offer than
an autopsy or a tox screen.

No, yeah, of course.

- That's not what I...
- For instance,

I know a great deal about

the plantation houses of
Jeanerette, Louisiana.

You do?

I worked a cold case
there a few years ago.

Remains of the victim

were found very close to this house.

Body was almost 100 years old.

Moonshiner from Prohibition.

- That's pretty cool.
- It is.

But it also may be relevant,

and if you move out the way,

I'll pull the murder file.

What do they think the plan is, Eddie?

Dozens of federal agents outside.

Do people know what...

it is that you really want?

And what is it I want?

War.

No.

I want the agents to leave.

Let us live our lives here.

It's just you and me, Eddie.

There's no reason to lie.

Peace isn't what you want.

Peace isn't what you
want either, Dwayne.

So you can stop pretending

you came into this
house for law and order.

I'm the man you think killed your friend

- and his brother.
- Not an opinion.

You want vengeance.

All these people are here...

because you offered them a better life.

I want them to be able to...

walk out and find it.

(LAUGHS) You say all the right things.

But you don't mean them.

Not trying to con you, Eddie.

Then speak the truth.

Since it's just you and me.

The world is chaos.

Random violence, destruction.

Pain.

We all need to accept the chaos,

find peace within the disorder.

Is that how you rationalize the
trail of death you left behind?

Death is just another
reality of the chaos.

And everyone's so afraid of it.

But death isn't an absolute.

Uh, that's not my experience.

Isn't it?

I've learned about you.

You were dead on an
operating table, and yet,

here you are.

That is not any of your business.

Let me show you something.

I was reborn, too.

Years ago.

Fire at the group home
you were raised in.

I was covered in third-degree burns.

They were sure I was gonna die.

But I survived.

I was in the hospital for
months in excruciating pain.

Do you know what that pain taught me?

- Not to play with matches?
- (CHUCKLES)

It taught me to love
and respect the chaos.

It was a revelation.

And I'm going to share that revelation

with your federal agents

and the world.

You okay, Tom?

Dwayne, stay where the hell you are!

Leave the mess, Tom.

(RINGTONE PLAYING)

Dwayne, I've got to deal with something.

I can't wait for you to see it.

(SIGHS)

How are we gonna get Eddie to negotiate?

I don't know if he will.

Nothing about his action
or profile suggest

that he can be relied
on to act reasonably.

So it's a waiting game. We
just don't let it escalate.

(RINGTONE PLAYING)

- Sebastian, what you got?
- Who's that?

Patton tracked a call
from the cell phone

inside the plantation
right after we arrived.

It went to an outside number,
then that outside number

made at least two phone
calls to local media.

- He alerted the media.
- Yeah.

SEBASTIAN: Yeah, I followed up.

Apparently, Eddie told them
all that there was a standoff,

that the feds were unlawfully

trying to arrest him
and harass his family,

and that he had an NCIS agent inside.

Thanks, Sebastian.

Eddie invited them

to bear witness.

What's going on out there?

Attention is being paid.

The media.

You're staging a conflict for them.

Conflict is inevitable.

You know that as well as I do.

Any action we take causes a reaction.

Like killing my friend.

Lasalle dies, you get
angry, you come after me.

There's consequences.

But it's all been in
the shadows until now.

Where you thrive.

This is where I thrive, with family.

They're not your family.

They're your victims.

You created this whole situation.

You're gonna sacrifice 'em all.

No, Dwayne. You did
this by coming after me.

- No.
- And you've done it to the people

you claim to love, as well.

Now sit back.

Enjoy the show.

_

_

(HELICOPTER WHIRRING)

We've got a problem.

There's movement on
the plantation grounds.

Someone's come out of the house.

Any chance he's trying
to flee the standoff?

CARSON: Doesn't seem like it.

He appears to be armed.

Crap.

I've got a sniper ready.

To the man leaving the
house: halt immediately.

Drop your weapon, get on the ground.

If you don't comply, we will
be forced to take action.

He gets to the fence
line, you take him out.

This is what they want.

They want for us to shoot someone on TV.

- What the hell, Gregorio?
- Do not engage!

Do not fire! Hold your fire!

(GRUNTING)

(OVERLAPPING CHATTER)

- You okay?
- Yeah.

It's a toy gun.

What?

Nice work, guys.

- EDDIE: Phil had one job.
- _

How'd he screw it up?

And how'd they get through the gate?

I thought we had it all blocked off.

We're not gonna get an
opportunity like that again.

My people aren't gonna
let this escalate, Eddie.

You need to accept that
and start talking to 'em.

You think I'm gonna surrender.

I think it's your only option here.

And it's what's best for all these folks

who you love so much.

I've got plenty of options.

Not so sure even you believe that.

Go back inside, Dwayne.

(HELICOPTER CONTINUES WHIRRING)

(GRUNTS SOFTLY)

You need to move away from there.

♪ ♪

♪ ♪

Tom.

Why don't you put the gun down
before you hurt somebody?

I'm protecting my family.

I know you feel that way,

and we can talk about
it, but the safety is off.

And your finger's on the trigger.

I know how a gun works.

I'm sure you do.

But you don't know how it feels

to take a life.

And there's no reason to learn today.

You're trying to get us all killed.

I'm trying to help you.

He told us you'd lie,
try to manipulate us.

I'm not.

It's dangerous here.

Don't take my word for it.

Look. Look.

Look for yourself. These wires.

You see 'em?

What do you think they are?

I don't... I don't know.

For, uh... for electricity.

The TV.

Except they're not connected
to the TV, and they're not

keeping the lights on.

I'm guessing that these wires run

throughout the whole house.

What are you saying?

I think the house is rigged.

I'm not sure for what,

but I'm certain it's bad.

But the good news is,

you and me...

we can fix the situation.

I want to get everyone
out of here safely,

and the first step

to us doing that is...

you not shooting me.

I, uh...

I don't know.

(PANTING)

Well, why don't we start by you

putting the gun down, and
just take it from there, okay?

What the hell are you doing?!

(GRUNTS)

Hey, hey. Come on,
stop! He didn't hurt me.

Dwayne's destiny is
not for you to decide.

Learn your place.

All right, what you got?

Moonshine, and lots of it,
going back to the 1920s.

Jeanerette was the
epicenter for illegal alcohol

during Prohibition.

The Mississippi gave the moonshiners

a perfect delivery system.

Okay, those are some interesting facts,

but how does that help us today?

The moonshiners had to be able

to move their product out of sight,

so, they built tunnels under
the plantation houses.

PATTON: I pulled up archeological

satellite images of the area.

- Looks like Pac-Man under there.
- PATTON: That's right.

And they go directly
under Eddie's house.

Okay, well, we can work with
that. How do we gain access?

The closest entrance
is about a half a mile

from where you are now.

Sebastian's on his way to meet you.

And he's bringing some
spelunking equipment.

Of course he is. Probably
his own, monogrammed.

Those tunnels haven't been
used in almost 100 years.

Better safe than sorry.

You want to roshambo for who
goes tunneling with Sebastian?

No, I'll go. You stay
here, keep things calm.

Yeah. Why does it feel like
you got the easier assignment?

(SCOFFS) All right.

Nice work, you guys.

I'm sorry about Tom.

I thought he knew how all
this was supposed to go.

He should never have touched your gun.

Kids can be impulsive,

especially when they're under stress.

Never had any of my own.

Not that I know of.

The key with children

is helping them understand
when they've made mistakes

and keeping them safe.

Kind of a pain in the ass,

- right?
- They're not helping you.

That's for sure.

Having the kids here...

you think it'll make a statement,

but it's only dragging out the standoff.

I see what you're getting at.

Honestly, the Feds?

They won't engage with them here.

Media, they got a short attention span.

You don't want them to get bored.

You think you know what I have planned.

Of course I know.

You want spectacle.

You want bloodshed.

But I'm guessing

that most of your
people don't know that.

They know what I want them to know.

And I promise you

you won't get what you want

as long as those children

are still in the house.

But if I release them?

You're the hero protecting your flock.

They'll be more willing to listen

knowing that their children are safe.

I'm wondering why you're being
so supportive of my goals.

I don't give a crap about your goals.

I have my own.

But I'll agree with you on one thing.

Today is a day of reckoning,

but not with the children in the house.

You're being honest.

I like it.

Tom?

Gather the children.

(BIRDS SINGING)

Okay.

(EXHALES)

Yeah.

That's the kind of place

my mother warned me about going into.

I promise there are no zombies
or mummies in there. Come on.

Yeah, no, just, uh, just
rats, toxic chemicals,

structural damage that

- could lead to collapse...
- Sebastian.

You trying to freak me out?

Actually, it calms me
down to talk out my fears.

I'm so happy you're calm.

Now, can we get in there
and save our boss, please?

Ladies first.

(CLAMORING)

Are you preparing to
enter the plantation?

Look, we're not gonna
get into any details.

Okay, all you need to know,

what the people inside need to know,

is that we want to keep everybody safe.

In that vein, we're setting
up a new perimeter.

We need all of you to
move toward the main road.

(CLAMORING)

NEWSWOMAN: It's harder to
see the house from there.

Y-You can't push us out.

HANNAH: But we're not.
We're doing our jobs.

Okay? We're protecting you.

Eddie's on the phone.

All right.

Let's get it moving.

Eddie.

I'm glad you reached out.

In five minutes, we're
opening the front door.

You're surrendering?

I'm releasing the children.

HANNAH: All right.
Let's-let's talk about...

People. Friends. Family.

I know you're worried.

You don't have to be.

I know you don't want the kids to leave,

but it's best for us.

And for them.

It's gonna be okay,

everyone.

Eddie called the people
outside the gates.

And Tom here,

he's gonna take you out to them.

You got this.

Yes, Dwayne, he gets it.

I need you to come with me.

Go on. Take the kids out.

We've got action.

We move in clean and fast.

Get them covered as quickly as possible.

And remember, we're all
on "Candid Camera" here.

No mistakes.

What's going on?

Don't want to ruin the surprise.

Gotcha.

I'm Hannah.

Let me get you out of here. Come on.

You're okay.

Right this way. You're okay.

You see?

I'm a man of my word.

Children are safe.

Order has been restored.

You did the right thing.

Everyone down there is
breathing a sigh of relief.

(INDISTINCT CHATTER)

Okay, light 'em up!

What are you doing?

Just bear witness!

(GUNSHOTS)

♪ ♪

♪ ♪

CARSON: Take cover!

Do not return fire!

What the hell are you doing, Eddie?

Letting it all unfold.

Okay, guys, you've made your point.

(PANTING)

(SIREN WAILS)

CARSON: Shooting stopped

for the moment, but my
spotters see movement

on the second floor.

They're going to start again.

Okay. Are there any injuries?

Two of my guys. They'll pull through,

but that's just pure dumb luck.

This situation is out of hand.

We're too exposed out
here. We need to breach.

Tammy and Sebastian are
still in those tunnels.

Let them look around,

see if they can find
another way into the house.

I don't think we have time for that.

TOM: I need to speak to NCIS.

- Please, I need to speak to NCIS.
- Hey. Hey, hey, hey.

Hey, what's going on? What's going on?

It's okay. Thank you. What's going on?

I can't leave.

I'm here. Go ahead.

(PANTING)

Dwayne Pride has a message for you.

GREGORIO: What do you
mean, the house is wired?

HANNAH: I'm not sure.

Pride says the entire house
is set up for something.

The wires disappear
under the floorboards.

Well, that's not much to go on.

HANNAH: Yeah, I know. I was hoping

that you and Sebastian
could shed some light.

Okay. We just got under the house now.

Well, move fast.

FBI is preparing to breach.

(WHISPERS) Let me see.

What is all this?

Ugh. Smells like fuel.

It's probably some
kind of an accelerant.

Eddie set the house to go up in flames.

Oh, God.

(SIREN WAILS)

This is the moment, Dwayne.

I'm really pleased you're
still alive to witness it.

Watch you fulfill your goal of
getting all these people killed?

The reason you're so blind
is because you still define

the world in accomplishments.

- Goals.
- Say whatever you want.

There's about to be a slaughter here.

That's because you and
the people like you

thought you could bring
order by taking me in.

The federal agents are coming for us,

just like I told you they would.

They want to silence us.

We won't let them.

We're going to face them
together as a family.

It's our fate.

You need to stop lying to them.

You've set them up to die.

What's going on?

He's just as blind as the
rest of them out there.

Take a look out the window.

- You'll see what I see.
- PRIDE: The FBI

is coming in here because he...

he ordered his men to shoot at them.

But this can still end peacefully.

Eddie, you said that they
were free to go at any time.

Can they all leave now?

- Enough!
- (WOMAN SCREAMS)

Okay. That's how

he really is. He's violent.
He's uncontrollable.

If we stand together,
we'll find salvation.

That's a lie. You've already decided

- how this is gonna end.
- Get rid of him.

(GRUNTS)

Look at the wires. All around you.

Against the wall.
They're everywhere, look.

The house is a kill box.

- There!
- Now's the moment!

Are you going to believe his lies,

or are you going to stand with me?

Tammy, FBI's moving in. Please tell me

that you found a way to
disable that accelerant.

Sebastian's working on it now.

Yeah, he's fully aware of the urgency.

Okay? It's kind of giving
him a panic attack.

Don't panic, baby. You got this.

AGENT: This is the FBI.

You have one more chance to
come out with your hands up.

SEBASTIAN: Okay.

All right. All right. It's, uh,
some kind of a remote system.

It's got a... frequency detonator

that's set off by a cell phone.

All right, well, if you
know what that is,

that means you can shut it down.

It means I know what to try.

Okay.

(FOLLOWERS SCREAMING)

They're coming to take
away your freedom!

Don't give in!

- PRIDE: Eddie, no!
- (LINE RINGS)

(PHONE RINGS)

(EXHALES)

- (PHONE BEEPING)
- Damn it!

♪ ♪

Put it down!

(SCREAMING)

Everybody, get down on the ground now!

Go on, get down. Don't move.

Everybody, get on the ground!

Now!

(SCREAMING)

Two dead outside.

- Top floor's secure.
- Where's Eddie Barrett?

And where's Pride?

Let's go. Come.

♪ ♪

♪ ♪

♪ ♪

♪ ♪

♪ ♪

(GRUNTS)

Don't move, Eddie.

(PRIDE BREATHING HEAVILY)

Now this is the moment
we've both been waiting for.

(PANTING)

GREGORIO: Are you sure Pride
and Eddie went into the tunnels?

Yeah, there was an escape hatch.

They couldn't have gotten
far without being seen.

Whoa, look.

SEBASTIAN: This looks new.

It just got excavated.

Yeah, but where does it lead?

My guess is north, away from the river.

HANNAH (OVER COMMS): Okay.

I'll have a team come up and meet you.

We got to find them
before Eddie hurts Pride.

Yeah, or vice versa.

Feels familiar, huh?

Like we've played this moment
a thousand times before.

On your knees.

Hands behind your head.

What about my gun?

You want me to get rid of it?

Or would you prefer a different outcome?

I'm bringing you in, Eddie.

You're gonna face the consequences

for what you've done.

On that point, we agree.

We're all going to
face the consequences.

On your knees.

We're not so different, Dwayne.

We both believe we can save people.

I want to lead them into chaos,

you think order's the answer.

You're full of crap.

You just wanted to escape.

Willing to let dozens of
people die just to do it.

Agree to disagree, Dwayne.

You're a coward, Eddie.

The whole world's gonna see it

once you get sentenced
to life in prison.

Is that your idea of consequences?

Your friend is dead.

Never coming back.

That emptiness, that sense

of injustice will last forever.

This is the last time I'm gonna say it.

Get on your knees.

Hands behind your head.

52 South West Franklin
Street, Georgetown, D.C.

2-0-0-0-7.

Rita, right?

Laurel's at 428 West 27th Street,

New York, New York.

- 1-0-0-1-2.
- Stop.

You think I can't get to them?

No matter where you put me?

Do you think I don't still have people

willing to do anything I ask?

I'm...

bringing you in.

Christopher Lasalle and his brother

were just a small taste
of what I'm capable of.

I'm not one of your followers.

No.

Worse.

You're someone who actually
believes he's in control.

But I will drag you

into the chaos and this will never end.

(GUNSHOTS)

Pride, where are you?!

What happened?

He went for his weapon.

♪ ♪

CARSON: Followers are being
detained and debriefed,

but it looks like they were
the real victims here.

They're gonna need some
help sorting this out.

- I do, too.
- What's that mean?

Well, your boss, Pride,
he's nowhere to be found.

Yeah, well, he's had a bit of a day.

Just so. I need to talk to him.

Get his statement.

Well, we could tell you his statement.

Eddie tried to pull a gun.

I have no doubt,

but I need to hear it from him.

Any idea where he went?

Why don't you tell your
bosses that he'll...

make a statement soon enough.

Yeah, he just needs some time.

♪ ♪

_

Christopher...

We got him.

♪ ♪

♪ ♪

♪ ♪

♪ They're trying to make party
when they bring the groove... ♪

Don't worry, Pride will be here...

- when he's ready.
- I know.

♪ Now we're movin'... ♪

But...?

But he disappeared from the crime scene.

Not a word.

That's understandable,
given the circumstances.

Right. I get it, he needs his space,

but after what happened, I just...

From what I understand,

Pride shot Eddie Barrett
to protect himself.

Yeah. Yep.

That's what happened.

Am I missing something?

No. No.

That's exactly what happened.

Pride shot Eddie Barrett
to protect himself.

Okay.

Hey, getting a little,
uh, thirsty over there.

Well, then, make yourself
useful. Bring the drinks over.

Okay. All right. That's... I would argue

that someone already
made themselves useful

when they disarmed a
homemade firebomb, but...

- Valid point, Sebastian.
- Right, right, right.

But what have you done for us lately?

All right, all right.

♪ ♪

♪ Can you feel it? ♪

♪ ♪

PATTON: Provisions, finally.

Listen, you guys, I don't
know if I feel right

without Dwayne. Should
we go look for him?

I'd trace his phone

but it got destroyed at the plantation.

I'm down for a search
party if everybody else is.

WADE: No need.

Dwayne.

Hey. Hey, why don't you join us?

♪ We got it... ♪

♪ ♪

♪ You got it deep within your soul ♪

♪ Ah-ah-ah, we got the funk ♪

♪ We got the funk ♪

I guess he still needs time.

Who can blame him?

♪ Ah, ah, ah, we got the funk ♪

♪ Ah-ah, ah-ah ♪

♪ Ah-ah, we got the funk. ♪

(FLOOR CREAKING, RUSTLING)

(INHALES SHARPLY)

(GASPING)

(GRUNTS)

♪ ♪

(EXHALES)

♪ ♪

Sync & corrections by Costa Dax
www.addic7ed.com

Watch the grand finale of
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Wednesday on Global.