All language subtitles for From.S04E07.1080p.WEB.H264.GRACE

Previously on From...

Miranda painted things
she saw here.

One of those paintings was of
a man in a yellow suit.

I thought
he was just like us.

But he wasn't like us.

When I found Mom out by
the Bottle Tree, I saw him.

He was eating her.

Have you ever wondered if maybe
this is all just a dream?

That thing I carried
inside me... I still feel it.

Like we're connected.

Part of me feels
what he feels.

There's something
about those dolls.

I think I've seen
them before.

I remembered.

I remembered
how to hurt them.

This is where the children
were sacrificed.

Tell me how we save them when
we've already failed!

You want me to help plan a
suicide mission because

you think the bones of those
children are buried down there!

Yes!
There was a hidden door.

Do remember seeing any doors in
the basement of Colony House?

You want me to go down
in those tunnels!

Then show me
the fucking door!

- Holy shit.
- We're gonna need a plan.

- Any luck?
- Not yet.

I'm gonna
break it down.

No.
You know what?

If it's sealed,
that's probably for the best.

- Yeah?
- Yeah.

Just in case.

Our lives are
fuckin' weird, man.

Yeah, they are.

Nothing?

He's not upstairs.

Could be that he, uh--

Never mind.

Evening.

- He's drunk.
- Yup.

You really think now
is the best time to--

I don't have a choice.

Well, do you want me
to come with you?

No, I got it.

Henry.

What can I do you for?

Hey, do you, uh, mind comin'
upstairs and having a word?

What's wrong?

Nothing, nothing.

Is Victor okay?

Victor's fine.
Look, I just--

Uh, there's something
I need to tell everyone.

But it's something
that I think

you and Victor
need to hear first.

So, I just wanna talk to
the two of you; that's all.

All right.

- Whoa, whoa!
- No, I'm fine!

You sure?

I need to say it again?

Are those Dad's shirts?

Yeah.

Sometimes I like to look
at his stuff too.

Julie's home.

Okay.

Let's go talk, okay?

Giant dolls?

Mom was the one
who killed it.

She stabbed it with
a voodoo totem.

And how did you know
that would work?

Well, I um...

I remembered.

Remembered what?

There's something
I need to tell you both.

And it's something

that's been very
hard for me to...

to understand.

To believe.

Mom, whatever it is, just--
just say it.

I've been here before.

Many, many times.

All the way back
to the beginning.

The last time I was here,
I was Miranda.

I was Victor's mother.

Are you insane?

Henry--

I'm not listening to this.

Do you have any idea what you
just-- how dare you?

How--

Maybe you should just
sit down.

Don't!

You don't tell me
what to do!

You come in here

and you say those things?

That my wife-- no.

Victor, let's go.

You don't have to listen
to this.

- It's okay, Dad.

It's okay?
It's not okay!

All right,
why don't we all--

No!

No more.

Victor, do you understand
everything I said?

No one's claiming
that Tabitha is--

when I said she was here before,
that she was your mother,

you have to understand--

Please stop. I don't want you
to talk anymore.

Okay.

I guess I'll--

We need to find out about
the man in yellow.

What does this have to do with
the man in yellow?

Everything. If he's back--

it could all
be happening again.

If you and Tabitha were here
before, does that mean--

were we all here before?

Uh, no.

I don't think so.

Then what the fuck
are we all doing here?

These, these children that were
sacrificed...

...they have been crying out
to Tabitha and me for help,

for all these years,

and that cry,
I think on some level,

maybe you heard it too.

Can we just pause for a second
and talk about the fact

that this is all coming out of
a mushroom trip?

I mean, how is this different
than any of the insane theories

people have had about
this place?

Because of the door
in the basement.

The door behind the wall.

Look, Kristi, I was the first
person to call bullshit

on all of this, okay,
but the truth is,

Jade saw something
in that trip

he couldn't
have possibly known.

But how do we know
this isn't just...

I mean, this place puts a lot
of weird shit in our heads.

I know.

Believe me,
I've thought of that too.

So, how is this
any different?

Because of what they did
to Jim.

That message on the wall:
"Knowledge comes at a cost."

It's possible that Jim died

because of what Tabitha
and Jade remembered.

Look, that message was meant
to scare us.

But I think the message tells
us something else.

That we are close.

For the first time, we are close
to figuring this place out.

When your enemy
threatens you, right,

tries to scare you,

that means
they are scared of you.

And you think this
place is scared of us

digging up the bones
of these children,

because that could be
what gets us home?

Yes.

I guess you told them.

Henry--

It is-- it isn't true.

Henry.

Whatever-- whatever
he said about my wife,

about Tabitha, about him,

it isn't true!

What you are doing...

Okay.

...it isn't right.

I got it.

Henry, wait.

Miranda was right!

You!
Don't you say her name!

Listen to me;
saving the children

is the only way
to get everyone home.

No!

We are trying to finish
what she started!

No!
No, you listen to me.

You may think
you're helping people.

You may think you're smart
enough to get everyone home,

but I promise you,

the only thing you will cause
is pain.

You cannot save dead things!

No matter how fucking smart
you think you are.

Hey.

Give him some time.

He'll come around.

We got things to do.

Yeah.

What are you doing?

Nothing.

Julie, I can smell it
through the window.

It just--
it helps me process things.

Okay?

Seriously?

After everything you told us
last night,

this is what you're gonna
hang up on?

Do you want Ethan
to see this?

See what?

Nothing, nothing.

So, is Victor
my brother now?

What?

Well, if you're Miranda,

then wouldn't that make
me and Victor brothers?

It's not real, Ethan.

What?

Look, Mom, I know you and Jade
think that you've unlocked

this big mystery about
this place but...

it's not real.

This place
doesn't give us real.

It gives us fucked-up,
twisted ideas.

Okay, okay, Julie,
listen to me.

If I had any doubt,
about anything,

I wouldn't have
said anything.

Jade and Boyd wouldn't have
told everyone at Colony House.

- They told people?
- Yes!

- Are you insane?
- This is how we could go home!

Mom! I wish people would just
stop with that shit.

Where are you going?

Somewhere Ethan
won't see.

- What does that mean?
- Nothing. Julie!

What?

I need to know you're okay.

I'm not okay.

But I'm not gonna
hurt myself.

So...

Victor's here.

Hello.

Hi, Victor.

I need-- I need to find out
about the man in yellow.

That means that I have to do
something scary.

Will you please
come with me?

I'm saying we got one shot
at this.

So we need to ask every
question we can think of

and then we need
to ask them again.

So, beside the three of us,
who's been in the tunnels?

Victor for sure.

Tabitha, when the house
collapsed.

Great.
That's a start.

We need all the info we can
get on the layout.

Uh, map it, sketch it--
whatever you need to do.

I don't care.
I wanna know every entrance

and every exit
to that chamber,

how long we need to dig,

and then we figure out how
not to get ourselves killed.

Right?
Talk to Randall.

About what?

He spent a lot of time
on the bus

watching those things come
out of the woods at night.

So, we need to get as much intel
as we can on their behaviors,

their patterns-- at the very
least a headcount.

All right, if we're going
into the nest,

I wanna know exactly how many
we're dealing with. Right.

This place isn't gonna make
it easy, you know.

Once we push,
it's gonna push back hard.

Yeah. I got an idea
about that, so...

What's wrong with your hand?

Nothing, nothing.

Look, we just told
everybody out there

some genuinely fucked-up shit.

The longer they get to stew on
it, the greater the chance

somebody gets in their head
to do something stupid.

So, we need to do this smart,
but we gotta do it fast.

Let's get to work.

Yes, sir.

Simpler times, huh?

That wasn't just busy work
you gave me, huh?

No.

I was hoping you might find
something useful

about Tabitha and Jade.

You really think
that they've been--

Look, I-- We're talking
about reincarnation here, okay?

- That's a whole different--
- Yeah...

Yeah.

Look, if you're going down into
those tunnels,

you're gonna need help.

Yes, I am.
And you and me,

we're gonna talk about that
when the time comes.

But right now, I need you back
in that basement--

No, Boyd, I gotta--

You know, this is not just--
not just you.

We need a whole team
down there.

And we need a second team at
the diner in the storerooms.

Looking for what?

Anything you can tell me about
a man in a yellow suit.

A man--

Who the fuck is that?

Yeah. I'm hoping something that
you find might tell me--

You sure you're not just
looking for something

to keep everyone's minds off of
how fucking crazy this is?

Listen, if we're
gonna do this,

we need to know exactly what is
out there waiting for us.

Is that all
you can give me?

A man in a yellow suit?

We know that he was here
in the late '70s.

When Victor was a kid.

That's a start, I guess.

Simpler times.

Yeah.

How's she doing?

Cognitively,
she seems fine.

As far as any damage, I got
the ultrasound from the clinic.

And?

I didn't see anything
catastrophic,

but without a CT or an MRI...
yeah,

the hard part is just gonna be
getting her to take it easy.

Yeah.

- Well, you can go see her.
- Kristi!

- What?
- What? Come on.

You should've told me
about Jade and Tabitha.

We're supposed to be
in this together.

No, yeah. We are.
We are.

- But-- We are.

We are.

We are.

- How are you feeling?
- I'm good.

- And the tremors?
- I'm dealing with them.

Still seeing things
that aren't there?

No.
No, just the one time.

You've got a lot of people's
lives in your hands, Boyd.

Mm. Yeah.

Come to
the clinic.

I wanna do an exam.

Yeah. Yeah.

Yeah.

Hey.

How you feeling?

Better than you look.

Maybe you should be the one
lying here.

Yeah, maybe.

Heard you had a big meeting
downstairs.

Yes, we did.

So you thought it would be
a good idea

to gather up a house full of
emotionally unstable people

and spend the night talking
about reincarnation

and the bones
of dead children.

- I didn't have a choice.
- Right.

Because you took a fucking
sledgehammer to my wall.

That door something we should
worry about?

No, we tried to open it;
it's sealed.

Jade said it leads
to the tunnels,

so we put an extra talisman
on it just to be safe.

You bury Roger yet?

He's still in the shed.

Oh, Jesus, Boyd--

We need to pick a new spot.

- For what?
- For burying people!

The cemetery--
The cemetery's full.

We were pushing it with Jim
and the pastor.

Got any more good news
you wanna bring me?

Look.

I need you to tell me
everything you can

about those totems you brought
back from the settlement.

The one Tabitha used
to kill that doll.

I told you
everything already.

Tell me again.

Why?

Because tonight I'm gonna find
out if they work

on those things
that come out of the woods.

That's a fucking
terrible idea.

Let's say you actually kill one
of those things.

Apparently,
they don't even stay dead.

You ready to risk another one
of our people

going through what Fatima
just went through?

What I want is to keep our
people safe in those tunnels.

So, let's just deal with one
problem at a time.

Okay?

Okay, so I need three people
with Elgin

to go through the storeroom
at the diner and then

the rest of you are gonna be
in the basement with me.

And, remember, be quick
but be thorough, okay?

We got this.

You're gonna
go with him.

Sir, you're
over here.

What are you doing
in here?

Did you know anything
about him?

About Roger?

Uh, yeah.

Uh, gardening.

Yeah, just about every
conversation we had

was about his... his garden
back home.

My mom used to tell me that
when people die,

they just go somewhere else.

She didn't really believe in
heaven or hell;

she just believed
that death was a transition

to another place we
couldn't see from here.

I remember how much comfort
that brought me

when she passed away.

But whatever that place is,

Roger doesn't get to go.

Because he's still here.

They're all still here.

Whatever they're doing to find
those bones, we need to help.

Look, so we know

they tend to spread out
down the street, right?

And according to Randall,
they've got patterns;

some of them have
nightly rituals

and we can use that.

So, say we catch one of them
right here.

Right, we aim fast and dirty,
turn around,

head right back into
the station.

- Right?
- Sure.

And even-- even if--

even if the station
is blocked,

we got plenty of exit routes
all up and down the street.

'Kay, and what if
something goes wrong?

Then we improvise.

Look, those things are used to
us cowering inside our houses,

locking the doors,
lowering the blinds,

trying to ignore them.

The last thing they expect

is for one of us to head
straight at them.

The bottom line is,
these things can hurt them,

slow them down even.
That's gonna make going down

into those tunnels
a whole lot safer.

Okay, and who's gonna
be the one running out here

with that thing?

I am.

Hello?

- Anyone home?

Tabitha?

I need to talk to you.

Hello?

Ah.

Is that the car the man in
the yellow suit came here in?

Yeah.

So, what kind of clues are we
looking for?

I don't know.

Let's start with the trunk.

That's not that scary.

Is that Miranda's car?

Yeah.

Can we go inside?

No, honey, I don't think
it's a good idea.

Why not?

Mom?

We should go.

Did you find something?

We have to go.
We have to go right now!

Victor, what did you find?

A bag of teeth.

- A what?
- There was--

Here, you should see them.
Here!

No, no!

No, he needs
to be prepared.

Okay, wait.
Prepared for what?

- He has to be, because--
- Wait!

Are you really my mother?

- Victor--
- Don't you see?

Don't-- Did--
You came to town last time.

You brought a boy and a girl,
and the man in yellow showed up.

Everyone died,
but not the boy!

The boy lived.

And he grew up alone
and afraid.

And he wasn't prepared.

And now you're here with a boy
and a girl again,

and the man in yellow
is back.

- Mom, what does that mean?
- No, it's fine--

- You have to be prepared, Ethan.
- Hey, Victor.

- You have to know what's coming.
- No, Victor.

You need to stop! Stop it!
Stop it! Ethan!

What's wrong with you?

Ethan!

- Oh, hey. Come in.

Sorry, I didn't mean
to bother you.

No, no.
No bother at all.

What can I do for you?

It's just, um...

I was thinking about what you
said earlier this morning.

About-- About going down
into those tunnels

to dig up those bones.

Isn't that dangerous?

Uh, well, yeah.

Yeah, it is.

But it could also be
what helps us get home.

How?

Well, we're not quite clear
on that yet.

But those things
that come out at night,

people-- people say that they
live in those tunnels.

That's right, yeah.

So, if those bones are
important, it's not like

they're just gonna let you go
down there and take them.

No, they're not. But...

...it turns out, we might have
a new card to play.

Remember this morning
when I said that

Tabitha used one of these
to kill that doll

out by the settlement?

Yeah.

Well, tonight,
we're gonna see

what they do to those things
that come out of the woods.

Really?

Is there a reason we can't just
draw a map of the tunnels?

I work better spatially.

It's a technique I used when
I was designing my company.

All right? If you
visualize the dimension

of what you're tryin'
to create, right,

the space you want
to move through,

it helps create
a more accurate--

Yeah, we're not exactly
designing a company. Right?

It doesn't matter.

You apply the principles
of what you know.

Okay.

Wait! What did you do before
you got here?

- What?
- Before you came to town.

What did you do?
What was your job?

Can we please just focus?

Oh, come on,
you know what I did.

Yes.
Yes, I know what you did.

Everyone knows what you did,
because...

you never shut
the fuck up about it.

If I guess,
will you tell me if I'm right?

- No.
- Firefighter.

- No.
- Manager at a retail store.

Why-- Why are those your
first two guesses?

Well, I--

That's a lot of wires.

Yeah, we're kind of
in the middle of...

Well, don't let me stop you.

What do you think Kenny did
before he got here?

Okay.
I worked in youth sports.

- You were a coach?
- No. I was an administrator.

- Coach Kenny. I like that.
- No. Stop,

can we just focus
on the maps.

- Hey.

- How's it going?
- Kenny was a coach.

Oh my God.

We gotta get you a whistle.

Great, uh, hey, Kenny,
can I talk to you outside?

Yeah.

Hey, Henry. What'd you do
before you got here?

Pretty much what
I'm doing right now.

I'll be there in a second.

Hi.

What are you guys doing?

Uh, we're just going through
some stuff in the storeroom.

Mind if I sit?

Okay.

Uh, I never got
the chance to say

how sorry I was
about your dad.

Uh, how's your eye?

Hm?

- I mean--
- Oh, I know what you mean.

Kristi says it's
healing pretty good.

You gonna tell me
what happened?

No.

So, I guess you heard
about my mom.

Do you think it's true?

She thinks it is.

And that scares
the shit out of me.

But why?

'Cause every time someone
here feels

like they have a purpose,

or that they've discovered
the truth,

somebody always
ends up dead.

But there is a truth here.

- I mean, there has to be.
- Why?

Why can't this whole
place just be some

random fucking cruelty that
exists for no reason

other than to do exactly
what it's doing?

Look, I know you wanna believe
that this is all

some part of God's
fucked-up plan--

- I do.
- Okay, great,

so explain to me
why you don't have an eye.

We are all being tested.

So, part of your test is
getting mutilated?

Sorry...

I'm an asshole.

There is a truth
behind all of this.

But you know
how this place wins?

It's by throwing
so many lies at you

that you don't believe
the truth

even when it's staring you
right in the face.

It isn't right what you're
doing, you know.

So you said.

Yeah, filling people's heads
with nonsense.

I mean, telling my son
that his mother is--

well, it isn't right.

Have you talked
to Tabitha yet?

Have I talked to the woman you
claim is a reincarnation

of my dead wife?

No, I haven't
had the chance.

She was out earlier
when I stopped by.

You know maybe if you cut
down a little on the--

What?
What is it?

Do you hear that?

Uh--

- He's back.

Henry, blink twice
if you can hear me.

Dad?

Wha--?

Dad. Dad.

Hi.

- Dad. Stay with me.

Henry!

- Henry.

Hey, Henry. What is it?
What just happened?

Huh?
Hey, whoa, whoa, whoa.

What just happened?

I need to go.

Let me do it.

What?

Let me be the one
to go outside.

No, look,
you've done enough.

I just need to make sure that

people are standing by their
doors to let me in.

Just in case things
go sideways.

I killed my brother.

I tried to murder
a little boy.

Nothing I do
will ever be enough.

Well, tonight
is your night off.

We go down into those tunnels,
that's when I'll need you.

Be careful, Boyd.

You just make sure you're
standing by that door, okay?

It's time to play.

- Okay.

Nice.

Hey. Hey.
What are you doing?

Yoga. The fuck does it look
like I'm doing?

Let's get back in bed.

Please.

Okay.

Driving me
fuckin' insane.

What are you even
doing down here?

I thought you
were upstairs

working on that project
of yours.

We're a little
short-handed.

Ellis and Kenny
are helping Boyd in town.

Right.

I can't just fucking
lay here anymore.

Okay, well you have to.

At least for now.

- I'm sorry.

No, you're not.

Your bedside manner sucks.

Donna, if this thing
with Jade and Tabitha,

if that's real, after
everything you've survived here,

you really wanna die right
before we all get to go home

because you were too stubborn
to lay in bed for a minute?

You never used
to be this sassy.

Yeah, well, I gave birth
to a fucking monster, so,

people change.

Yeah, they do.

You're staying here tonight?

Is-- Is that okay?

I, um, I heard what Boyd was
planning in town

and I would just rather
not be down there tonight.

Those creatures
terrify me.

Well, you're not alone.

Welcome
to Colony House.

Thank you.

Hey, he tell you the plan?

Yeah.

All right. I talked to
everybody in all the houses.

- We're all set.
- Okay.

Let's get ready.

All right.

I figure we'll give 'em an hour
or so after nightfall.

Let 'em get settled
out there.

Make 'em think it's just
a normal night.

Dad.

What's goin' on?

Um.

I should be the one to go out
there tonight.

- What? No.

Hey, look,
it makes more sense.

Why?

I'm your second.

Right? I'm your second now,
and these are the things

that I'm supposed to do so you
don't have to. That's why.

No. I appreciate it,
but it's my plan, my risk.

Dad, what if something
goes wrong?

We can't afford
to lose you here.

Oh, oh, so we can afford
to lose Kenny?

That's not what he's saying.
You know that.

Listen, we're not having
this conversation.

Dad--

I am not having this
conversation!

Dad, you can't
fuckin' do it!

Look, it's not safe for you to
go out there.

Not in your condition.

My--

Okay, what happens, what if
your leg gives out? Huh?

Like last time? What if you
can't get back up this time?

Listen to me very carefully.
Both of you, listen!

I'm not sending anyone out
there and risk their life

while I sit
in here like a--

fucking, stop it!

Goddammit!
Stop it!

Dad, please?

Please.

We've got
a few more coming.

Where?

Right there.

You see 'em?

Yeah.
I got 'em.

Look, you remember:

if you can't make it back
into the station,

you got escape routes
up and down the street.

Every house has got somebody
waiting at the door for you.

And if you can't make it
to one of those houses,

we got talismans on the church,
the bus,

the diner, and the barn.

So you find the safest route you
can and, hey, you run.

I got it.

Kenny, look at me.

I'll be okay.

All right.

Okay. Okay.

Hey, we got one or two
more coming up the road.

Yeah, I think
we got one.

Still too far.
Wait till he's closer.

Boyd,
that's close enough!

Okay. Okay, the rest of
them are spread out.

It's a good time;
let's go!

Hey.
I'm ready.

Fast and dirty.

You stab, you run.

Don't wait
to see what happens.

You ready?

- Yeah.
- Three, two...

- I think it worked!
- All right. Come on--

Just kidding.

Get outta there!

Dad, they're
blocking the doors!

No!

This isn't going very well,
is it?

I think you have a problem,
Kenny.

Oh, no.

I killed your father,
you know.

He made such funny noises.

No. No. No. No.

Do you make funny noises?

- Stop!

The door! The door!

Roger!
Please don't do this!

- I know you're in there!

I know
you're still inside!

I know you're still in there!

What the fuck just happened?!

What just happened?